1
00:00:42,989 --> 00:00:45,159
[GENTLE MUSIC PLAYING]

2
00:00:49,830 --> 00:00:51,825
[MUSIC FLOURISHES]

3
00:01:22,797 --> 00:01:24,792
[MUSIC INTENSIFIES]

4
00:02:08,074 --> 00:02:09,771
- [THUDS]
- EDWARD: Oh!

5
00:02:11,976 --> 00:02:13,214
[GROANS]

6
00:02:14,675 --> 00:02:16,709
Hey. Hey, man, you all right?

7
00:02:16,811 --> 00:02:18,712
You need to lie down
or something?

8
00:02:18,815 --> 00:02:23,224
No, this happens
from time to time. It'll pass.

9
00:02:24,191 --> 00:02:26,520
Thanks for asking,
though. [GROANS]

10
00:02:26,622 --> 00:02:28,424
All right, well just
let me know.

11
00:02:28,526 --> 00:02:30,528
- I'll be at my desk.
- [EDWARD GROANS]

12
00:02:31,395 --> 00:02:33,864
DIRECTOR: Uh, Mr. Lemuel...

13
00:02:33,966 --> 00:02:35,333
[BELL RINGING]

14
00:02:35,436 --> 00:02:38,866
That was maybe on the
slightly intense side.

15
00:02:39,202 --> 00:02:40,339
Yeah, we...

16
00:02:40,441 --> 00:02:44,744
I think we want less
of an aneurysm-type attack

17
00:02:44,846 --> 00:02:46,445
and more like, uh...

18
00:02:47,309 --> 00:02:49,010
Woozy. You know?

19
00:02:49,112 --> 00:02:52,418
"Oh, oh."

20
00:02:53,283 --> 00:02:57,019
BOTH: "Oh, oh."

21
00:02:57,121 --> 00:02:59,452
All right? "Oh."

22
00:02:59,554 --> 00:03:01,123
Don't wanna scare people.

23
00:03:01,225 --> 00:03:02,454
EDWARD: Ah. Oh.

24
00:03:02,556 --> 00:03:04,265
Ah. How's that feel?

25
00:03:05,000 --> 00:03:06,900
- Great.
- Any notes for me?

26
00:03:07,002 --> 00:03:08,335
DIRECTOR: Nope, you're great.

27
00:03:12,170 --> 00:03:16,376
EDWARD: Oh. Oh.

28
00:03:17,509 --> 00:03:19,910
SEAN: Hey. Hey, man,
you all right?

29
00:03:20,012 --> 00:03:21,045
EDWARD: Oh.

30
00:03:21,147 --> 00:03:23,610
[CHATTERING INDISTINCTLY]

31
00:03:23,712 --> 00:03:26,012
You, uh, you been
at this long?

32
00:03:26,856 --> 00:03:27,613
A little while, I guess.

33
00:03:27,715 --> 00:03:30,522
Mmm. Just got outta Julliard.

34
00:03:30,624 --> 00:03:34,790
This is my first paying gig.
My first gig, really.

35
00:03:35,998 --> 00:03:38,563
Mmm. Interesting experience.

36
00:03:40,202 --> 00:03:42,666
- [MEN LAUGHING]
- [WHEELS SQUEALING]

37
00:03:52,275 --> 00:03:54,346
[TRAIN RATTLING]

38
00:03:54,448 --> 00:03:55,842
RAGGED MAN: I know
what you're all thinking,

39
00:03:55,944 --> 00:03:59,019
but you're wrong.
I only want directions.

40
00:03:59,121 --> 00:04:00,447
Where's this train
headed, huh?

41
00:04:00,549 --> 00:04:01,649
Where's the conductor?

42
00:04:01,751 --> 00:04:03,816
Ask him where
this train is bound.

43
00:04:03,918 --> 00:04:07,327
Glory? That's not
my ultimate destination.

44
00:04:07,429 --> 00:04:11,394
Fort Lee, New Jersey is
my ultimate destination.

45
00:04:11,496 --> 00:04:13,130
I don't know
about you suckers,

46
00:04:13,232 --> 00:04:15,169
I got a brother-in-law.

47
00:04:15,271 --> 00:04:18,534
This train is hauling
the good, the bad,

48
00:04:18,636 --> 00:04:21,106
and especially
the ugly mother fuckers!

49
00:04:21,208 --> 00:04:22,536
So who's gonna be the hero?

50
00:04:22,639 --> 00:04:24,641
- You?
- I'm a casting director,

51
00:04:24,743 --> 00:04:27,578
specializing in unique
and unusual physiognomies.

52
00:04:27,680 --> 00:04:29,214
- Have you ever considered...
- RAGGED MAN: Yeah,

53
00:04:29,316 --> 00:04:31,350
they tell me
I got star quality.

54
00:04:31,452 --> 00:04:33,585
CASTING DIRECTOR:
I believe that. Here...

55
00:04:39,160 --> 00:04:40,360
LANDLORD: Salamunovich says,

56
00:04:40,462 --> 00:04:41,654
"Nah, don't worry about it.
It's just a gland."

57
00:04:41,756 --> 00:04:42,690
- Cool, yo...
- Hey, hey, 4F,

58
00:04:42,792 --> 00:04:44,394
you keepin' a dog
in your apartment?

59
00:04:44,496 --> 00:04:47,265
- No, why?
- Must be somebody else.

60
00:04:47,367 --> 00:04:49,535
[MOVERS SPEAKING
OTHER LANGUAGE]

61
00:04:51,237 --> 00:04:52,734
OLLIE: Hey. Come on, man.

62
00:04:52,836 --> 00:04:54,903
Watch it, watch it,
watch it, watch it.

63
00:04:57,947 --> 00:04:59,847
Hey, hey. No, come here.

64
00:04:59,949 --> 00:05:02,148
Feel this. Feel this.

65
00:05:02,250 --> 00:05:04,143
- [MOVER CHUCKLES]
- LANDLORD: Here.

66
00:05:06,418 --> 00:05:07,887
That seem like a lump to you?

67
00:05:07,989 --> 00:05:08,882
A little lumpy.

68
00:05:08,985 --> 00:05:10,688
OLLIE: You know who
this guy reminds me of?

69
00:05:10,790 --> 00:05:13,554
Woody Allen, when he was
younger and kind of nervous.

70
00:05:13,656 --> 00:05:15,228
Yeah. He's kind of nervous.

71
00:05:15,330 --> 00:05:17,294
OLLIE: Listen,
be confident brother.

72
00:05:17,396 --> 00:05:19,396
Take some Brazilian jiu-jitsu,

73
00:05:19,498 --> 00:05:22,166
or that Krav Maga
from Israel shit.

74
00:05:22,268 --> 00:05:23,603
Look, hey, little guy.

75
00:05:23,705 --> 00:05:28,074
All unhappiness in life comes
from not accepting what is.

76
00:05:28,176 --> 00:05:29,673
Do you know who told me that?

77
00:05:29,775 --> 00:05:30,938
LANDLORD: Your shrink.
OLLIE: No, I'm serious.

78
00:05:31,040 --> 00:05:33,707
You know who told me
that all unhappiness in life

79
00:05:33,809 --> 00:05:35,644
- comes from, uh...
- Jesus Christ.

80
00:05:35,746 --> 00:05:37,048
LANDLORD: From not accepting
what is?

81
00:05:37,150 --> 00:05:38,285
OLLIE: Lady Gaga.

82
00:05:38,387 --> 00:05:39,780
I knew that fucking bitch
when she was...

83
00:05:39,882 --> 00:05:42,055
[PEOPLE CHATTERING
IN OTHER LANGUAGE]

84
00:05:42,157 --> 00:05:44,117
[MUSIC PLAYING OVER SPEAKERS]

85
00:05:55,532 --> 00:05:56,701
- [INGRID GASPS]
- Hi.

86
00:05:57,366 --> 00:05:58,571
Um...

87
00:05:59,139 --> 00:06:00,133
You wanna get there?

88
00:06:01,305 --> 00:06:02,476
Excuse me.

89
00:06:04,144 --> 00:06:05,446
Sorry, he's going...

90
00:06:14,116 --> 00:06:16,421
- [LOUD THUDDING]
- INGRID: Jesus Christ, guys...

91
00:06:16,523 --> 00:06:18,723
[MOVER SHOUTING
IN OTHER LANGUAGE]

92
00:06:24,328 --> 00:06:26,500
[CARS HONKING]

93
00:06:30,301 --> 00:06:32,506
[WATER DRIPPING]

94
00:06:40,311 --> 00:06:41,515
[COUCH THUDS]

95
00:06:45,647 --> 00:06:47,818
[TRUCK BEEPING]

96
00:06:54,788 --> 00:06:56,195
[OBJECTS CLATTERING]

97
00:06:56,298 --> 00:06:58,499
[MUSIC PLAYING
ON CAR SPEAKERS]

98
00:07:15,077 --> 00:07:17,246
[WHISTLE INSTRUCTOR
WHISTLING OVER SPEAKERS]

99
00:07:17,348 --> 00:07:18,685
[WATER DRIPPING]

100
00:07:19,288 --> 00:07:20,112
[KNIFE TAPPING
ON CUTTING BOARD]

101
00:07:20,214 --> 00:07:22,055
INSTRUCTOR: <i>At its
most basic level,</i>

102
00:07:22,157 --> 00:07:23,249
<i>whistling is about,</i>

103
00:07:24,291 --> 00:07:25,488
<i>"Put your lips together</i>

104
00:07:25,591 --> 00:07:26,657
<i>-"and blow."</i>
- EDWARD: Hmm.

105
00:07:26,759 --> 00:07:27,987
INSTRUCTOR: <i>Right?
Everyone knows that.</i>

106
00:07:28,089 --> 00:07:29,860
<i>Every five-year-old
knows that.</i>

107
00:07:29,962 --> 00:07:32,397
<i>But, obviously, it's more
complicated than that.</i>

108
00:07:32,499 --> 00:07:34,660
<i>As everyone, uh,
who's ever tried</i>

109
00:07:34,762 --> 00:07:35,798
<i>to whistle knows,</i>

110
00:07:35,900 --> 00:07:37,062
<i>that if you put
your lips together...</i>

111
00:07:37,164 --> 00:07:38,872
- [KNOCKING ON DOOR]
- [EDWARD GASPS]

112
00:07:38,974 --> 00:07:40,541
Oh! [GRUNTS]

113
00:07:41,740 --> 00:07:42,939
INSTRUCTOR:
<i>All of these muscles,</i>

114
00:07:43,041 --> 00:07:47,576
<i>uh, the sphincter muscles
around your lips...</i>

115
00:07:47,678 --> 00:07:51,351
- Hey. Oh, your hand!
- Uh...

116
00:07:51,453 --> 00:07:53,217
Um, I just unpacked
my first aid kit.

117
00:07:53,319 --> 00:07:54,786
Right back, hold on.

118
00:07:55,388 --> 00:07:57,118
[INSTRUCTOR WHISTLING]

119
00:07:57,220 --> 00:07:58,518
<i>- ...has something to do...</i>
- [VIDEO STOPS PLAYING]

120
00:07:58,620 --> 00:07:59,824
[DOOR CLOSES]

121
00:08:01,963 --> 00:08:03,056
Got it.

122
00:08:03,159 --> 00:08:06,292
Oh, um, I'll fix that.
Don't worry about it.

123
00:08:09,965 --> 00:08:11,833
- Can we sit here?
- [DOOR CLOSES]

124
00:08:11,935 --> 00:08:14,271
I'm no doctor.
I waive all liability.

125
00:08:14,373 --> 00:08:15,771
Do you consent?

126
00:08:15,873 --> 00:08:17,940
Antibacterial ointment
and gauze pads

127
00:08:18,042 --> 00:08:21,213
is the extent of my expertise
is overstating it.

128
00:08:21,315 --> 00:08:25,550
Oh. Expired. Recently?

129
00:08:25,652 --> 00:08:26,779
It's probably
still good though, right?

130
00:08:26,881 --> 00:08:29,121
- EDWARD: Yeah.
- Um...

131
00:08:29,223 --> 00:08:30,522
Mmm, paper towels.

132
00:08:30,624 --> 00:08:32,084
- It's bad for the earth.
- EDWARD: Uh...

133
00:08:32,186 --> 00:08:35,026
Let's, uh, examine
the wound here.

134
00:08:35,129 --> 00:08:37,097
Oh, shi...

135
00:08:37,199 --> 00:08:38,826
Maybe you need stitches?

136
00:08:38,928 --> 00:08:40,960
- What do you think?
- I mean...

137
00:08:41,062 --> 00:08:43,604
- Hmm...
- What happened to you?

138
00:08:45,473 --> 00:08:47,036
- It's none of my business.
- Hmm.

139
00:08:47,602 --> 00:08:48,774
Okay.

140
00:08:49,573 --> 00:08:50,542
Let's see, ugh.

141
00:08:50,644 --> 00:08:52,374
Those assholes
and I just stood there

142
00:08:52,476 --> 00:08:54,308
like a moron.

143
00:08:54,410 --> 00:08:57,277
And I thought,
"I've got an enemy
in my new building."

144
00:08:57,745 --> 00:08:58,982
This will sting.

145
00:09:01,618 --> 00:09:02,821
Did it not sting?

146
00:09:03,288 --> 00:09:04,322
A little.

147
00:09:04,424 --> 00:09:05,751
Okay, that's, that's good.

148
00:09:05,853 --> 00:09:06,888
It's probably good.

149
00:09:06,990 --> 00:09:10,127
- Hmm.
- Brave. This is potent stuff.

150
00:09:10,230 --> 00:09:11,692
[CHUCKLES]

151
00:09:11,794 --> 00:09:14,360
Okay, um, let's just...

152
00:09:15,631 --> 00:09:16,967
Before it...

153
00:09:17,699 --> 00:09:19,337
Is this okay?

154
00:09:19,439 --> 00:09:20,767
- EDWARD: Hmm?
- Oh shit.

155
00:09:20,869 --> 00:09:21,870
I got it on the couch.

156
00:09:21,972 --> 00:09:23,476
- Oh. No, it's okay.
- I'm so sorry.

157
00:09:23,578 --> 00:09:25,104
Just tell me
if it doesn't come out.

158
00:09:25,206 --> 00:09:27,610
[CHUCKLES] Oh.
I got it on my thigh.

159
00:09:27,712 --> 00:09:29,650
That's disgusting. [CHUCKLES]

160
00:09:30,516 --> 00:09:32,411
[FIRST AID KIT CLATTERING]

161
00:09:33,420 --> 00:09:34,853
EDWARD: Hmm. [CHUCKLES]

162
00:09:35,785 --> 00:09:37,089
[INGRID CLEARS THROAT]

163
00:09:37,191 --> 00:09:39,923
[WATER DRIPPING]

164
00:09:40,025 --> 00:09:42,727
Oh, you should probably
get that checked out.

165
00:09:42,829 --> 00:09:44,796
- Uh...
- Your apartment is
so lived in.

166
00:09:44,898 --> 00:09:47,398
Yeah. Uh, well, I mean,
it, uh, makes sense...

167
00:09:47,500 --> 00:09:48,801
INGRID: Mine's a war zone.

168
00:09:50,704 --> 00:09:53,234
- Are you from here?
- EDWARD: Yeah.

169
00:09:55,409 --> 00:09:56,773
Hmm. I'm from Alesund.

170
00:09:56,875 --> 00:09:58,642
- You heard of that?
- EDWARD: Mmm.

171
00:09:58,744 --> 00:10:00,577
Sorry, what was
your name again?

172
00:10:00,679 --> 00:10:02,479
- Edward.
- INGRID: E. Lemuel.

173
00:10:02,581 --> 00:10:04,548
I saw it on the mailbox.

174
00:10:04,650 --> 00:10:06,016
I'm Ingrid. Did I say that?

175
00:10:09,587 --> 00:10:10,757
Is that your mom?

176
00:10:11,687 --> 00:10:12,858
EDWARD: Yeah.

177
00:10:13,623 --> 00:10:14,794
Is that you?

178
00:10:15,656 --> 00:10:16,895
Yes.

179
00:10:21,197 --> 00:10:23,462
- Is she alive?
- EDWARD: [CLICKS TONGUE] No.

180
00:10:26,439 --> 00:10:28,873
So, what do you do?

181
00:10:28,975 --> 00:10:31,343
Uh, well, I... I was just
cutting some onions...

182
00:10:31,445 --> 00:10:32,939
INGRID: You're a writer.

183
00:10:33,041 --> 00:10:34,907
Oh, I found it on the street.

184
00:10:35,009 --> 00:10:37,979
Really? Looks valuable.

185
00:10:38,081 --> 00:10:40,880
"They taunt me and beg me
to show my face,

186
00:10:40,982 --> 00:10:43,181
"only so that when I do,

187
00:10:43,283 --> 00:10:45,759
"they can turn away
in horror."

188
00:10:47,129 --> 00:10:48,395
What's that?

189
00:10:48,497 --> 00:10:50,423
I... I was
just testing it out.

190
00:10:51,893 --> 00:10:53,129
It's interesting.

191
00:10:54,128 --> 00:10:57,001
Actually, I'm a playwright.

192
00:10:57,765 --> 00:10:58,937
I act.

193
00:10:59,536 --> 00:11:00,840
Amazing.

194
00:11:00,942 --> 00:11:04,470
I'm trying to think if I've,
uh, seen you in anything.

195
00:11:05,909 --> 00:11:08,210
Not... Not likely. [CHUCKLES]

196
00:11:08,312 --> 00:11:11,384
Well, maybe we'll ride
to glory together. [CHUCKLES]

197
00:11:11,486 --> 00:11:14,019
- Maybe.
- [INGRID CHUCKLES]

198
00:11:14,121 --> 00:11:17,389
Oh, uh, do you know who lived
in my apartment before me?

199
00:11:17,491 --> 00:11:19,558
- C. Pulaski?
- Uh, yeah.

200
00:11:19,660 --> 00:11:21,690
He, uh, came over
to, uh, borrow

201
00:11:21,792 --> 00:11:22,857
some laundry detergent.

202
00:11:22,959 --> 00:11:25,024
Uh, old guy. Widower, maybe.

203
00:11:25,126 --> 00:11:26,532
- Did he die?
- I didn't...

204
00:11:26,634 --> 00:11:28,260
I didn't know
he was, uh, gone.

205
00:11:28,362 --> 00:11:30,999
Actually, this is not
why I came over.

206
00:11:31,101 --> 00:11:33,106
But can I borrow
some laundry detergent?

207
00:11:33,208 --> 00:11:34,467
[BOTH CHUCKLING]

208
00:11:35,509 --> 00:11:36,871
Oh, yeah. Yeah, sure.

209
00:11:36,973 --> 00:11:38,504
- INGRID: Yeah?
- Sure. I...

210
00:11:40,115 --> 00:11:41,078
Um, yeah.

211
00:11:44,386 --> 00:11:46,545
You learning to whistle?

212
00:11:46,647 --> 00:11:49,281
DR. VARNO: All in all,
things look relatively stable.

213
00:11:49,383 --> 00:11:50,755
Eventually, we'll have
to take a look

214
00:11:50,857 --> 00:11:52,757
at the growth
over your left eye.

215
00:11:52,859 --> 00:11:54,921
Your vision is
noticeably impacted?

216
00:11:55,023 --> 00:11:56,322
EDWARD: I've adjusted.

217
00:11:56,425 --> 00:11:59,126
This makes it two
or so years without surgery.

218
00:11:59,228 --> 00:12:01,862
- Much needed respite.
- EDWARD: Yeah.

219
00:12:01,964 --> 00:12:03,967
Let's aim for three years.

220
00:12:04,069 --> 00:12:05,869
But I must be frank
that sooner or later,

221
00:12:05,971 --> 00:12:08,039
the eye will become
debilitating.

222
00:12:08,839 --> 00:12:10,942
As for the cholesteatoma,

223
00:12:11,044 --> 00:12:12,941
I think we should go in
and get that thing out.

224
00:12:13,043 --> 00:12:14,647
But the hearing loss
is minimal,

225
00:12:14,749 --> 00:12:17,784
so we can probably
sit on it for a bit.

226
00:12:17,886 --> 00:12:20,083
Several other tumors have
shown minor enlargement,

227
00:12:20,185 --> 00:12:22,514
but no impingement on
any important structures.

228
00:12:22,616 --> 00:12:25,518
So, just some things
we have to keep an eye on.

229
00:12:26,860 --> 00:12:28,090
I mention this
so that you have an idea

230
00:12:28,193 --> 00:12:30,929
of the road ahead,
not that it's news to you.

231
00:12:31,031 --> 00:12:35,767
But an alternative path
has presented itself.

232
00:12:35,869 --> 00:12:37,733
A colleague of mine,
Eugene Flexner,

233
00:12:37,835 --> 00:12:38,802
rather distinguished,

234
00:12:38,904 --> 00:12:40,966
is on the lookout
for patients,

235
00:12:41,068 --> 00:12:42,674
a patient like you,

236
00:12:42,776 --> 00:12:45,041
for an experimental
drug trial.

237
00:12:45,144 --> 00:12:48,076
This drug seems
to have the potential to be,

238
00:12:48,178 --> 00:12:50,345
words like heal
and cure are an anathema

239
00:12:50,447 --> 00:12:53,953
to folks in my profession,
but to actually heal you,

240
00:12:54,488 --> 00:12:55,854
completely, even.

241
00:12:55,956 --> 00:12:58,822
The implications are
life changing for you.

242
00:12:58,924 --> 00:12:59,989
I shouldn't overpromise
anything

243
00:13:00,091 --> 00:13:03,425
because it's
the first trial I believe.

244
00:13:03,527 --> 00:13:07,901
Perhaps any potential risk is
worth the potential reward?

245
00:13:09,031 --> 00:13:10,871
Something to think about.

246
00:13:12,941 --> 00:13:15,106
- [CONTEMPLATIVE MUSIC PLAYING]
- [DOG BARKING]

247
00:13:31,491 --> 00:13:33,190
[WATER DRIPPING]

248
00:13:42,733 --> 00:13:44,036
[EDWARD SIGHS]

249
00:13:49,169 --> 00:13:50,977
Oh, hey, neighbor.

250
00:13:51,943 --> 00:13:54,981
Housewarming, for the door.

251
00:13:55,949 --> 00:13:57,882
Didn't your mother give
that to you?

252
00:13:57,984 --> 00:13:59,579
No, I... I found it
on the street.

253
00:14:00,751 --> 00:14:04,023
Right. Okay.

254
00:14:06,622 --> 00:14:10,095
I just wanna get rid of it,
and you're a play writer.

255
00:14:10,197 --> 00:14:12,196
Yeah, but you could
probably get some cash for it.

256
00:14:12,796 --> 00:14:13,827
Write me a part.

257
00:14:13,929 --> 00:14:16,302
[BOTH CHUCKLING]

258
00:14:16,404 --> 00:14:17,331
Yes. Right.

259
00:14:17,433 --> 00:14:20,134
I'll get right on that.
No, but thank you.

260
00:14:20,236 --> 00:14:23,303
It's, uh, very heavy, generous.

261
00:14:23,405 --> 00:14:24,803
- Thank you.
- [EDWARD CLEARS THROAT]

262
00:14:24,905 --> 00:14:26,373
Hey!

263
00:14:26,475 --> 00:14:28,844
- CARL: Hey, man.
- Hello. That's my neighbor.

264
00:14:28,946 --> 00:14:30,276
Come in. Thank you again.

265
00:14:30,378 --> 00:14:31,644
EDWARD: Yep.
INGRID: Thank you.

266
00:14:54,708 --> 00:14:56,009
OSTERMEIER: Jesus Christ.

267
00:15:05,450 --> 00:15:08,719
Whom else would I love
but the most beautiful woman

268
00:15:08,821 --> 00:15:11,218
in the world? Of course.

269
00:15:11,320 --> 00:15:13,288
The most beautiful
of all women.

270
00:15:13,391 --> 00:15:16,425
The most captivating,
the most intelligent.

271
00:15:18,164 --> 00:15:20,963
Sometimes in the blue shadows
of evening,

272
00:15:21,065 --> 00:15:22,798
I give way to tender feelings.

273
00:15:22,900 --> 00:15:24,165
I go into a garden,

274
00:15:24,267 --> 00:15:25,968
smelling the fragrance
of spring

275
00:15:26,070 --> 00:15:28,366
with my poor monstrous nose,

276
00:15:28,468 --> 00:15:32,372
and I watch a man and a woman,

277
00:15:32,474 --> 00:15:34,910
strolling together
under the moonlight,

278
00:15:35,012 --> 00:15:39,250
and I think how I too,

279
00:15:40,684 --> 00:15:45,157
would like to be arm in arm
with a woman under the moon.

280
00:15:48,290 --> 00:15:50,228
I let myself be carried away.

281
00:15:52,698 --> 00:15:54,166
I forget myself.

282
00:15:57,769 --> 00:15:58,797
And then I...

283
00:16:00,336 --> 00:16:03,505
suddenly see
the shadow of my...

284
00:16:04,273 --> 00:16:06,178
profile on the garden wall.

285
00:16:10,178 --> 00:16:11,348
[CLEARS THROAT]

286
00:16:23,893 --> 00:16:25,098
[SIGHS]

287
00:16:39,710 --> 00:16:42,409
NARRATOR: <i>Sad as it is,
it will come as no surprise.</i>

288
00:16:42,511 --> 00:16:44,111
<i>Attractive people are
the winners</i>

289
00:16:44,213 --> 00:16:45,478
<i>in most areas of life,</i>

290
00:16:45,580 --> 00:16:47,383
<i>and the workplace is
no exception.</i>

291
00:16:47,485 --> 00:16:49,414
<i>You're likely
to be startled or perturbed</i>

292
00:16:49,517 --> 00:16:51,119
<i>when you see a face like this.</i>

293
00:16:51,221 --> 00:16:52,584
<i>You might stare tactlessly,</i>

294
00:16:52,686 --> 00:16:54,620
<i>or on the contrary,
avert your gaze,</i>

295
00:16:54,722 --> 00:16:57,228
<i>even if you're generally
a kind person.</i>

296
00:16:57,330 --> 00:16:59,764
<i>These uneasy feelings
may diminish or subside</i>

297
00:16:59,866 --> 00:17:01,065
<i>after repeated exposure</i>

298
00:17:01,167 --> 00:17:02,828
<i>to your facially
different coworker.</i>

299
00:17:02,930 --> 00:17:05,498
<i>Be gentle with yourself
for having these reactions.</i>

300
00:17:05,600 --> 00:17:08,107
<i>We have no control
over the fight</i>

301
00:17:08,209 --> 00:17:10,510
<i>or flight responses
of the reptilian part</i>

302
00:17:10,612 --> 00:17:11,439
<i>of our brains.</i>

303
00:17:11,541 --> 00:17:13,440
<i>But as developed,
empathetic beings,</i>

304
00:17:13,542 --> 00:17:15,043
<i>there are strategies
we can adopt</i>

305
00:17:15,145 --> 00:17:16,816
<i>to be more inclusive.</i>

306
00:17:16,918 --> 00:17:17,980
<i>Here, according
to the experts,</i>

307
00:17:18,082 --> 00:17:19,349
<i>are some techniques.</i>

308
00:17:19,451 --> 00:17:21,786
<i>Make your disfigured
coworker feel included</i>

309
00:17:21,888 --> 00:17:23,253
<i>on your team's project</i>

310
00:17:23,355 --> 00:17:25,486
<i>and make an effort
to seek their input.</i>

311
00:17:25,589 --> 00:17:27,826
Luther, do you have
any feedback for Sally?

312
00:17:27,928 --> 00:17:30,328
Sounds like an ace idea to me.

313
00:17:31,328 --> 00:17:32,896
<i>When appropriate, invite them</i>

314
00:17:32,998 --> 00:17:34,099
<i>to social functions.</i>

315
00:17:34,201 --> 00:17:36,736
So, Morris,
it's my birthday this weekend.

316
00:17:36,838 --> 00:17:38,334
Oh, really? How old are you?

317
00:17:38,436 --> 00:17:40,467
It's a big one,
let's leave it at that.

318
00:17:40,569 --> 00:17:42,202
- MORRIS: Mmm.
- But I'm, uh, having

319
00:17:42,304 --> 00:17:44,074
some people at my place,

320
00:17:44,176 --> 00:17:46,040
and I was thinking
you should come.

321
00:17:46,142 --> 00:17:47,278
Sally will be there.

322
00:17:47,380 --> 00:17:49,913
[CHUCKLES] Ace.
Thank you for thinking of me.

323
00:17:50,015 --> 00:17:51,576
It really means a lot.

324
00:17:51,678 --> 00:17:52,949
And you're welcome
to bring someone

325
00:17:53,051 --> 00:17:54,850
if there's a girl or...

326
00:17:54,952 --> 00:17:56,288
Uh, thank you.

327
00:17:57,021 --> 00:17:58,817
Happy birthday.

328
00:17:58,919 --> 00:18:00,485
NARRATOR: <i>Ask how they're
doing occasionally,</i>

329
00:18:00,588 --> 00:18:03,094
<i>as you would ask anyone else.</i>

330
00:18:03,196 --> 00:18:04,789
<i>If they appear
to be in distress,</i>

331
00:18:04,892 --> 00:18:06,693
<i>gently inquire
if they need your help...</i>

332
00:18:06,795 --> 00:18:07,964
- [EDWARD MOANING]
- NARRATOR: <i>...without assuming</i>

333
00:18:08,066 --> 00:18:09,494
<i>their dependence on you.</i>

334
00:18:09,596 --> 00:18:11,630
Hey. Hey, man, you all right?

335
00:18:11,732 --> 00:18:13,533
You need to lie down
or something?

336
00:18:13,635 --> 00:18:16,402
[CLICKS TONGUE]
No, this... This happens

337
00:18:16,504 --> 00:18:19,377
from time to time. It'll pass.

338
00:18:20,474 --> 00:18:22,112
Thanks for asking though.

339
00:18:22,214 --> 00:18:24,045
All right, well,
just let me know.

340
00:18:24,147 --> 00:18:25,317
I'll be at my desk.

341
00:18:26,219 --> 00:18:27,781
Hey, have you seen
Sally anywhere?

342
00:18:28,588 --> 00:18:29,552
No.

343
00:18:34,290 --> 00:18:35,587
That's, uh, basically it.

344
00:18:35,689 --> 00:18:38,592
- Mmm. Is there more of you?
- No.

345
00:18:38,694 --> 00:18:40,296
[NARRATOR SPEAKING
INDISTINCTLY OVER TV]

346
00:18:40,398 --> 00:18:42,835
Well, is it...
What is it? Is it some...

347
00:18:42,937 --> 00:18:44,870
Like they show it in offices?

348
00:18:44,972 --> 00:18:46,065
I think something like that.

349
00:18:46,167 --> 00:18:47,666
Yeah.

350
00:18:47,768 --> 00:18:49,869
Well, it seems like
an important tool.

351
00:18:51,376 --> 00:18:53,746
And, uh, no,
you made an impression.

352
00:18:53,848 --> 00:18:55,144
- Yeah.
- Yeah. [CHUCKLES]

353
00:18:55,246 --> 00:18:56,777
We all gotta start somewhere.

354
00:18:58,484 --> 00:19:02,147
Yeah. Oh, you have
this blackhead on your nose.

355
00:19:02,249 --> 00:19:03,417
Oh, I...

356
00:19:03,519 --> 00:19:04,752
- Can I get at it?
- EDWARD: Uh...

357
00:19:06,225 --> 00:19:08,591
[CHUCKLES] It's...
I can get it.

358
00:19:09,795 --> 00:19:10,758
Can I?

359
00:19:11,491 --> 00:19:13,965
Oh, okay. [CHUCKLES]

360
00:19:14,067 --> 00:19:16,230
It's... No. I don't have to.

361
00:19:16,332 --> 00:19:17,696
No, it's... It's fine.

362
00:19:17,798 --> 00:19:19,531
It's, uh, you have
very oily skin.

363
00:19:19,633 --> 00:19:20,867
I have a good cream for that.

364
00:19:21,702 --> 00:19:23,610
- Okay.
- Hmm. I'd love to try it.

365
00:19:23,712 --> 00:19:25,509
- Yeah?
- Sure.

366
00:19:26,344 --> 00:19:28,578
- [INGRID CHUCKLES]
- [EDWARD LAUGHS]

367
00:19:30,845 --> 00:19:33,011
[NARRATOR SPEAKING
INDISTINCTLY OVER TV]

368
00:19:36,884 --> 00:19:40,921
So, no more of you
in this? [CLEARS THROAT]

369
00:19:41,357 --> 00:19:43,358
- No.
- Ah, nope? Okay.

370
00:19:43,460 --> 00:19:44,660
- Um...
- [INGRID CLEARS THROAT]

371
00:19:45,427 --> 00:19:48,400
I think, uh, I'm gonna...

372
00:19:48,502 --> 00:19:50,433
- EDWARD: Hey, I... I'm sorry.
- No, don't be sorry.

373
00:19:50,535 --> 00:19:53,501
I... I forgot I have
this thing, and, uh...

374
00:19:53,603 --> 00:19:55,506
I'll talk to you later.
See you soon.

375
00:19:58,572 --> 00:20:01,247
[SOMBER MUSIC PLAYING]

376
00:20:01,349 --> 00:20:02,379
NARRATOR OVER SPEAKERS:
<i>Psychologists have begun</i>

377
00:20:02,481 --> 00:20:04,716
<i>to uncover where disgust
comes from...</i>

378
00:20:04,818 --> 00:20:05,646
[EDWARD SIGHS]

379
00:20:05,748 --> 00:20:06,678
NARRATOR: <i>...some
researchers believing</i>

380
00:20:06,780 --> 00:20:08,882
<i>the emotion is
similar to fear.</i>

381
00:20:08,984 --> 00:20:11,355
<i>"Fear evolved to keep you
away from large animals</i>

382
00:20:11,458 --> 00:20:13,424
<i>"that want to eat you
from the outside,"</i>

383
00:20:13,526 --> 00:20:16,088
<i>says Valerie Curtis,
a behavioral scientist</i>

384
00:20:16,190 --> 00:20:18,895
<i>at the London School of
Hygiene and Tropical Medicine.</i>

385
00:20:18,997 --> 00:20:20,294
[EDWARD SIGHS]

386
00:20:20,396 --> 00:20:22,566
[UPSETTING MUSIC PLAYING]

387
00:20:27,107 --> 00:20:28,404
DR. FLEXNER: Okay, and then...

388
00:20:28,506 --> 00:20:30,175
- [KEYBOARD CLACKS]
- DR. FLEXNER: Ta-da!

389
00:20:30,277 --> 00:20:32,078
Okay. All right.
It's just a file photo,

390
00:20:32,180 --> 00:20:34,314
but I believe
we all get the idea.

391
00:20:35,249 --> 00:20:37,482
Uh, all right,
let's move on, Dr. Trutz.

392
00:20:38,547 --> 00:20:40,251
All right, as you may know,

393
00:20:40,353 --> 00:20:42,121
this drug was
originally developed

394
00:20:42,223 --> 00:20:43,850
as a treatment
for androgenic alopecia.

395
00:20:43,952 --> 00:20:46,123
It's an area which has
shown significant promise.

396
00:20:46,226 --> 00:20:48,020
Uh, it's
in phase three trials?

397
00:20:48,889 --> 00:20:50,593
Uh, but, what we're
attempting here,

398
00:20:50,695 --> 00:20:53,164
though, of course,
for a far more niche market,

399
00:20:53,266 --> 00:20:55,399
is a different beast
altogether.

400
00:20:55,501 --> 00:20:57,632
At the dose that we propose
to administer,

401
00:20:57,735 --> 00:21:00,567
physical modification
of hard and soft tissue,

402
00:21:00,669 --> 00:21:02,975
both reductive
and augmentative,

403
00:21:03,077 --> 00:21:04,010
was observed without the need

404
00:21:04,112 --> 00:21:06,379
for manual shaving
or grafting.

405
00:21:06,481 --> 00:21:09,545
There is the potential
to restore form and function

406
00:21:09,647 --> 00:21:11,476
to bodies containing
a variety of defects,

407
00:21:11,578 --> 00:21:12,580
which is paramount

408
00:21:12,682 --> 00:21:14,547
to a patient's
physical appearance,

409
00:21:14,650 --> 00:21:16,420
while reducing
the overall cost

410
00:21:16,522 --> 00:21:19,024
with only a moderate level
of morbidity.

411
00:21:19,126 --> 00:21:21,227
There was a non-zero number

412
00:21:21,329 --> 00:21:24,527
of wound dehiscence
and vessel damage...

413
00:21:24,629 --> 00:21:26,630
- [MACHINE BEEPING]
- [DRAMATIC MUSIC PLAYING]

414
00:21:29,630 --> 00:21:31,800
[INSTRUMENT TRILLING]

415
00:21:47,119 --> 00:21:48,883
[MACHINE WHIRRING]

416
00:21:49,856 --> 00:21:51,820
[BEEPING]

417
00:21:52,959 --> 00:21:54,955
[THUMPING]

418
00:21:56,523 --> 00:21:58,497
[TUBES GURGLING]

419
00:22:08,405 --> 00:22:10,608
[INSTRUMENT WHIRRING]

420
00:22:16,516 --> 00:22:20,153
We'll use this one
to measure the progress,

421
00:22:20,255 --> 00:22:23,285
and we'll feed
any inconsistencies

422
00:22:23,387 --> 00:22:26,586
back into the machine.

423
00:22:26,688 --> 00:22:30,023
Wow. What a world! [CHUCKLES]

424
00:22:32,426 --> 00:22:34,599
Log book.

425
00:22:34,701 --> 00:22:37,534
Next to each
potential side effect,
mark the number.

426
00:22:37,636 --> 00:22:40,467
Zero meaning non-existent,
one meaning mild,

427
00:22:40,569 --> 00:22:42,705
ten meaning... [CHUCKLES]

428
00:22:42,807 --> 00:22:46,542
These are going to help
protect your kidneys.

429
00:22:46,644 --> 00:22:49,608
Take them every four hours
on the dot.

430
00:22:49,710 --> 00:22:51,312
These could be placebos?

431
00:22:51,414 --> 00:22:52,549
These ones, no.

432
00:22:52,652 --> 00:22:55,452
Everybody gets these
to protect the kidneys.

433
00:22:55,554 --> 00:22:57,223
The placebo arms are
for the Turpidol

434
00:22:57,325 --> 00:22:59,057
and the Ochiprosoponib
medication.

435
00:22:59,159 --> 00:23:00,159
So theoretically, yes,

436
00:23:00,261 --> 00:23:01,525
with those you won't know
for sure,

437
00:23:01,627 --> 00:23:03,592
but I'd just put that idea
out of your head.

438
00:23:03,694 --> 00:23:06,026
Now, let's get
that bandage changed.

439
00:23:06,868 --> 00:23:07,759
Dr. Trutz.

440
00:23:07,861 --> 00:23:10,932
Dr. Trutz! Dressing change.

441
00:23:15,173 --> 00:23:16,135
This one's...

442
00:23:17,011 --> 00:23:18,137
See you tomorrow.

443
00:23:26,813 --> 00:23:29,016
[UNSETTLING MUSIC PLAYING]

444
00:23:47,070 --> 00:23:49,604
- [PEOPLE CHATTERING
INDISTINCTLY]
- [WOMAN LAUGHS]

445
00:23:49,706 --> 00:23:51,709
And it paid
really badly, so...

446
00:23:53,678 --> 00:23:55,540
- It wasn't the move.
- Wasn't the move.

447
00:23:55,642 --> 00:23:56,979
Wasn't the move.

448
00:23:57,348 --> 00:23:59,143
Um, I remember...

449
00:23:59,245 --> 00:24:00,817
I remember going
to some great record stores.

450
00:24:04,257 --> 00:24:06,218
[SOMBER MUSIC PLAYING]

451
00:25:01,909 --> 00:25:04,078
[LATIN DANCE MUSIC PLAYING]

452
00:25:39,552 --> 00:25:40,752
MAN ON TV:
<i>It drives me crazy.</i>

453
00:25:40,854 --> 00:25:42,015
<i>And you know what I think
about money I make?</i>

454
00:25:42,117 --> 00:25:43,248
<i>I'll tell you what I think
about money.</i>

455
00:25:43,350 --> 00:25:45,622
<i>See this? This is what
I think about money.</i>

456
00:25:45,724 --> 00:25:47,987
<i>This, all right?
So go ahead then.</i>

457
00:25:48,089 --> 00:25:49,789
<i>You ready?
Throw it up in my face.</i>

458
00:25:49,891 --> 00:25:51,063
<i>Come on, do what you say.</i>

459
00:25:51,165 --> 00:25:52,363
<i>Say it! Say it!</i>

460
00:25:52,465 --> 00:25:53,861
<i>Say how you pay the bills.</i>

461
00:25:53,963 --> 00:25:55,501
<i>How you're spending
your money.</i>

462
00:25:55,603 --> 00:25:57,031
<i>How you picked up
the rent last month.</i>

463
00:25:57,133 --> 00:25:58,732
<i>Huh? What do you want me
to do, get on my knees?</i>

464
00:25:58,835 --> 00:26:00,436
<i>You want me to kiss your feet?</i>

465
00:26:00,538 --> 00:26:01,870
<i>Well, forget it, man.</i>

466
00:26:01,972 --> 00:26:03,473
<i>Because this place
has been here long</i>

467
00:26:03,576 --> 00:26:04,741
<i>before you got me up in here,</i>

468
00:26:04,843 --> 00:26:05,907
<i>and it'll be here long
after you leave.</i>

469
00:26:06,010 --> 00:26:07,675
<i>All right? So don't tell me
about money.</i>

470
00:26:07,778 --> 00:26:08,777
<i>And don't tell me about pain,</i>

471
00:26:08,879 --> 00:26:09,842
<i>and don't tell me
when you think</i>

472
00:26:09,944 --> 00:26:11,144
<i>it could've been finished.</i>

473
00:26:11,246 --> 00:26:13,750
<i>All right? I'll tell you
when it gets finished.</i>

474
00:26:13,852 --> 00:26:15,149
<i>In fact, you'll be
the first to know.</i>

475
00:26:15,251 --> 00:26:16,715
<i>I'll come and tell you, man.
I'll come over...</i>

476
00:26:16,817 --> 00:26:18,350
[EDWARD GRUNTS]

477
00:26:19,257 --> 00:26:20,186
[COUGHS]

478
00:26:20,288 --> 00:26:22,260
MAN: <i>I'll whisper it.
Right in your ear, man.</i>

479
00:26:22,362 --> 00:26:23,529
<i>I'll say, "It's done!"</i>

480
00:26:23,631 --> 00:26:26,265
[DRAMATIC MUSIC PLAYING
OVER TV SPEAKERS]

481
00:26:26,367 --> 00:26:27,631
WOMAN 1 ON TV: <i>Ah, come on.</i>

482
00:26:27,733 --> 00:26:29,535
<i>I don't wanna spend
another night</i>

483
00:26:29,637 --> 00:26:32,968
<i>just sitting around,
looking at the TV.</i>

484
00:26:33,070 --> 00:26:35,233
WOMAN 2 ON TV: <i>We have to.
We have no money.</i>

485
00:26:35,336 --> 00:26:38,741
WOMAN 1: <i>But I thought
you got your al...</i>

486
00:26:38,843 --> 00:26:42,314
<i>- Ali, Ale, Al...</i>
- WOMAN 2: <i>Alimony.</i>

487
00:26:42,416 --> 00:26:44,946
WOMAN 1: <i>Alimony check today.</i>

488
00:26:45,048 --> 00:26:46,551
WOMAN 2: <i>I did,
but I had to pay rent.</i>

489
00:26:46,653 --> 00:26:49,221
- [FOOTSTEPS THUDDING]
- [LOUD THUD]

490
00:26:49,323 --> 00:26:50,649
[BULB CRACKLES AND CLINKS]

491
00:26:50,751 --> 00:26:51,918
[WATER DRIPPING]

492
00:26:52,020 --> 00:26:54,318
WOMAN 1:
<i>We don't have any drugs?</i>

493
00:26:54,421 --> 00:26:56,124
<i>- We don't have any money?</i>
- [CEILING CRACKS]

494
00:26:56,226 --> 00:26:58,258
- [OBJECT SPLASHES]
- WOMAN 1: <i>We don't have any...</i>

495
00:26:59,597 --> 00:27:01,932
<i>I can't take it anymore!</i>

496
00:27:02,034 --> 00:27:04,036
WOMAN 2: <i>Why don't you call up
one of your friends</i>

497
00:27:04,138 --> 00:27:05,133
<i>and go out?</i>

498
00:27:07,170 --> 00:27:10,072
WOMAN 1: <i>Because I don't have
any friends.</i>

499
00:27:15,143 --> 00:27:17,048
- [KNOCKING ON DOOR]
- [EDWARD GASPS]

500
00:27:17,784 --> 00:27:20,280
- MAN: Open the door!
- [KNOCKING CONTINUES]

501
00:27:21,718 --> 00:27:23,283
[LOUD BANGING ON DOOR]

502
00:27:25,292 --> 00:27:27,287
[BANGING CONTINUES]

503
00:27:29,022 --> 00:27:31,927
No, no. This way. 4B! 4B!

504
00:27:32,029 --> 00:27:33,491
OFFICER: Come on.
Let's move. Go, go, go.

505
00:27:37,035 --> 00:27:38,301
EMT 1: Snip the thing.
EMT 2: [GRUNTS] Yeah.

506
00:27:38,403 --> 00:27:39,431
EMT 1: Cut it.

507
00:27:41,773 --> 00:27:43,039
- You got him?
- EMT 2: Yeah.

508
00:27:44,006 --> 00:27:45,675
EMT 1: Careful,
don't drop him.

509
00:27:45,777 --> 00:27:47,177
- [CUTTER CLANKS]
- [EMT 2 GRUNTS]

510
00:27:47,280 --> 00:27:49,040
WOMAN: Oh!

511
00:27:49,142 --> 00:27:50,108
EMT 2: I got him. I got him.

512
00:27:50,210 --> 00:27:51,380
EMT 1: Good?
EMT 2: [GRUNTS] Yep.

513
00:27:51,482 --> 00:27:53,352
I'm... I'm good.

514
00:27:53,454 --> 00:27:54,585
EMT 1: Yeah, I'm tired man.

515
00:27:54,687 --> 00:27:55,948
[ROCK MUSIC PLAYING
ON SPEAKERS]

516
00:27:56,050 --> 00:27:57,650
[PEOPLE SPEAKING INDISTINCTLY]

517
00:27:57,752 --> 00:27:59,855
[CAT PURRING]

518
00:27:59,957 --> 00:28:02,157
- [SIRENS BLARING]
- [PURRING CONTINUES]

519
00:28:07,362 --> 00:28:10,964
EMT 3: Okay, set it down.
Goodnight, sweet prince.

520
00:28:11,066 --> 00:28:12,330
EMT 4: Think this guy was
a poet?

521
00:28:12,432 --> 00:28:14,000
[ICE CREAM TRUCK
PLAYING MUSIC OVER SPEAKERS]

522
00:28:14,102 --> 00:28:15,775
EMT 3: What were
you doing, man?

523
00:28:16,210 --> 00:28:17,607
EMT 5: What?

524
00:28:17,709 --> 00:28:18,943
WOMAN OVER SPEAKERS: <i>Hello?</i>

525
00:28:20,044 --> 00:28:23,378
EMT 5: Hey, go around.
You gotta go around.

526
00:28:23,480 --> 00:28:24,242
Let's go!

527
00:28:24,344 --> 00:28:25,813
[ICE CREAM VENDOR SHOUTS
INDISTINCTLY]

528
00:28:25,915 --> 00:28:28,479
[EMTS SPEAKING INDISTINCTLY]

529
00:28:28,581 --> 00:28:30,520
ICE CREAM VENDOR:
Learn to park, motherfuckers.

530
00:28:30,622 --> 00:28:31,923
[SHOUTING IN SPANISH]

531
00:28:34,288 --> 00:28:35,493
ICE CREAM VENDOR:
Hey, where were you

532
00:28:35,595 --> 00:28:36,691
when my mother had a stroke.

533
00:28:36,793 --> 00:28:38,430
EMT 3: Hey, come on, guy!

534
00:28:38,532 --> 00:28:40,633
Go away. You gotta go back.

535
00:28:40,735 --> 00:28:42,901
[ICE CREAM TRUCK CONTINUES
PLAYING MUSIC]

536
00:28:44,531 --> 00:28:47,665
His name was Ostermeier,
according to his mailbox.

537
00:28:48,301 --> 00:28:51,041
- Yeah, Ostermeier.
- You knew him?

538
00:28:51,639 --> 00:28:52,812
No.

539
00:28:54,943 --> 00:28:56,343
Would you kill yourself?

540
00:28:59,518 --> 00:29:00,919
I don't know, maybe.

541
00:29:01,687 --> 00:29:02,916
Depends on the circumstances.

542
00:29:03,018 --> 00:29:05,550
Don't say "maybe". Say "no".

543
00:29:07,595 --> 00:29:09,554
- Would you?
- What a question!

544
00:29:10,728 --> 00:29:12,293
I know I asked it first.

545
00:29:13,293 --> 00:29:15,366
Hey, what happened
to your bandage?

546
00:29:15,468 --> 00:29:16,728
Oh, yeah, it healed.

547
00:29:17,430 --> 00:29:20,331
It's a miracle.
I'm like St. Francis.

548
00:29:20,433 --> 00:29:21,704
Guess I chose
the wrong profession,

549
00:29:21,806 --> 00:29:23,367
and now I'm gonna slash you,

550
00:29:23,469 --> 00:29:25,141
- get some more practice.
- [BOTH CHUCKLING]

551
00:29:25,743 --> 00:29:28,144
Sorry. Nervous Nelly.

552
00:29:30,483 --> 00:29:31,910
[BOTH LAUGHING]

553
00:29:32,012 --> 00:29:32,946
I'm not scared.

554
00:29:33,048 --> 00:29:36,051
Um, what are your plays about?

555
00:29:36,154 --> 00:29:38,583
No, don't ask.
I'd rather talk about suicide.

556
00:29:39,692 --> 00:29:40,955
- Sorry.
- No, it's just...

557
00:29:41,057 --> 00:29:42,661
It's embarrassing
talking about...

558
00:29:42,763 --> 00:29:43,991
Especially when it's
still in progress.

559
00:29:44,093 --> 00:29:45,829
You know,
I call myself a writer,

560
00:29:45,931 --> 00:29:49,368
but it's...
It's sort of aspirational.

561
00:29:49,470 --> 00:29:50,899
No, I do write. It's...

562
00:29:51,001 --> 00:29:52,100
I've written
a few translations

563
00:29:52,203 --> 00:29:53,804
by this Italian, though,
you wouldn't know him,

564
00:29:53,906 --> 00:29:55,903
he's a nobody.
I won an award for it.

565
00:29:56,005 --> 00:29:58,304
- Small, but, yeah.
- Hmm.

566
00:29:58,407 --> 00:30:01,045
I'm trying to write
my first original play,

567
00:30:01,780 --> 00:30:04,276
but I'm still figuring it out.

568
00:30:04,378 --> 00:30:05,909
You probably want
your typewriter back.

569
00:30:06,012 --> 00:30:06,949
[CHUCKLES]

570
00:30:07,051 --> 00:30:09,685
Oh, throw it out
for all I give a shit.

571
00:30:09,787 --> 00:30:11,319
I wouldn't throw it out.

572
00:30:11,421 --> 00:30:14,256
At the very least, it makes me
looks like a writer.

573
00:30:14,358 --> 00:30:16,625
At the very least, it makes me
look like a writer.

574
00:30:16,727 --> 00:30:17,828
[EDWARD CHUCKLES]

575
00:30:17,930 --> 00:30:21,263
- Its presence mocks me.
- Inspires you.

576
00:30:23,234 --> 00:30:24,864
That's the most positive
thing I've heard you say.

577
00:30:24,966 --> 00:30:26,202
[EDWARD CHUCKLES]

578
00:30:27,674 --> 00:30:29,106
What are your favorite plays?

579
00:30:30,004 --> 00:30:32,139
Um, I don't know.

580
00:30:32,241 --> 00:30:34,579
The one about
the, um, selling...

581
00:30:34,681 --> 00:30:37,609
The... The seller, salesman.

582
00:30:38,880 --> 00:30:40,150
Oh. Mmm-hmm.

583
00:30:40,718 --> 00:30:41,954
- Um...
- Yeah.

584
00:30:43,122 --> 00:30:46,188
I saw a pretty good one
on TV about the Nazis.

585
00:30:46,290 --> 00:30:49,861
- Which one's that?
- I don't remember the name,

586
00:30:49,963 --> 00:30:52,192
but it had singing
and dancing and Nazis.

587
00:30:52,294 --> 00:30:53,661
The Nazis were singing
and dancing?

588
00:30:53,763 --> 00:30:55,264
No, the, um...

589
00:30:56,702 --> 00:30:58,399
- The other...
- Jews.

590
00:30:59,406 --> 00:31:00,167
I guess so.

591
00:31:00,269 --> 00:31:01,666
The Jews were singing
and dancing?

592
00:31:03,136 --> 00:31:04,072
Yeah, I guess so.

593
00:31:04,174 --> 00:31:06,311
Sounds like
a weird dream you had.

594
00:31:06,413 --> 00:31:07,612
[BOTH CHUCKLE]

595
00:31:07,714 --> 00:31:09,278
Probably I'm misremembering.

596
00:31:11,681 --> 00:31:12,743
[TAPPING]

597
00:31:13,079 --> 00:31:14,283
Who's that?

598
00:31:16,788 --> 00:31:18,083
I don't... I don't know.

599
00:31:18,185 --> 00:31:19,585
Why is he waving at you?

600
00:31:21,660 --> 00:31:23,358
I... I have no idea.

601
00:31:25,158 --> 00:31:26,862
What did he want?

602
00:31:26,964 --> 00:31:28,330
Why'd he think he knew you?

603
00:31:30,366 --> 00:31:33,632
[SIGHS] Sometimes
these things happen to me.

604
00:31:34,506 --> 00:31:35,502
They do?

605
00:31:36,070 --> 00:31:37,372
[EDWARD SLURPS]

606
00:31:39,175 --> 00:31:41,143
Well, I'd like
to come see the...

607
00:31:41,245 --> 00:31:43,274
- Your play when...
- You're not gonna see it,

608
00:31:43,376 --> 00:31:44,911
you're gonna be in it, right?

609
00:31:45,013 --> 00:31:46,082
[EDWARD CHUCKLES]

610
00:31:46,185 --> 00:31:48,317
- [RAIN PATTERING ON WINDOWS]
- [WATER DRIPPING]

611
00:31:50,117 --> 00:31:51,749
[THUNDER CLAPS]

612
00:32:16,143 --> 00:32:18,347
[CEILING CREAKING]

613
00:32:20,446 --> 00:32:22,351
- [CRASHING]
- [EDWARD GRUNTS]

614
00:32:24,085 --> 00:32:25,556
[WATER RUNNING]

615
00:32:25,658 --> 00:32:26,652
[EDWARD GRUNTS]

616
00:32:27,954 --> 00:32:29,226
Ah!

617
00:32:30,529 --> 00:32:31,657
[GROANS]

618
00:32:33,193 --> 00:32:35,364
[THUNDER RUMBLING]

619
00:32:46,172 --> 00:32:47,376
EDWARD: Argh!

620
00:32:52,749 --> 00:32:53,811
[GROANS]

621
00:32:57,391 --> 00:32:58,783
[SIGHS]

622
00:33:01,022 --> 00:33:02,325
[GROANING]

623
00:33:11,901 --> 00:33:14,035
[GASPS] Argh!

624
00:33:14,137 --> 00:33:15,536
[CHUCKLES] It's incredible.

625
00:33:16,477 --> 00:33:17,438
[CHUCKLES]

626
00:33:17,540 --> 00:33:20,473
I guess this means
I'm not in the control group?

627
00:33:20,576 --> 00:33:23,313
I can't disclose
that information, officially.

628
00:33:23,415 --> 00:33:26,112
This could be something
called the placebo effect.

629
00:33:26,214 --> 00:33:27,579
EDWARD: I have to admit,

630
00:33:27,681 --> 00:33:29,583
I'm... I'm starting
to feel a little...

631
00:33:30,988 --> 00:33:32,619
frightened, and, uh...

632
00:33:33,956 --> 00:33:35,092
Is this safe?

633
00:33:35,195 --> 00:33:40,461
I mean, uh, my face is
falling off in clumps.

634
00:33:40,563 --> 00:33:41,932
DR. FLEXNER: [CHUCKLES]
I'm sure it only looks

635
00:33:42,034 --> 00:33:44,597
- like clumps to you.
- Big gobs.

636
00:33:44,699 --> 00:33:47,301
Skin particles cleaving
at the fascial planes.

637
00:33:47,403 --> 00:33:49,303
Look, you are healing,
Mr. Lemuel.

638
00:33:49,405 --> 00:33:51,935
You're a part
of medical history.

639
00:33:52,037 --> 00:33:54,912
You might even be the subject
of a documentary one day.

640
00:33:55,014 --> 00:33:56,509
If I'm not
in the control group.

641
00:33:56,611 --> 00:33:57,708
DR. FLEXNER:
Oh, and if at all possible,

642
00:33:57,811 --> 00:33:59,583
I'd like you to take
photographs of your face,

643
00:33:59,685 --> 00:34:00,919
say ten a day,

644
00:34:01,021 --> 00:34:02,084
just to monitor
the rate of change,

645
00:34:02,186 --> 00:34:04,882
which appears
to be very rapid.

646
00:34:06,422 --> 00:34:09,628
Perhaps the risk
is worth the reward.

647
00:34:09,730 --> 00:34:10,822
Something to think about.

648
00:34:19,572 --> 00:34:20,568
Ta-da!

649
00:34:28,012 --> 00:34:29,607
What do I do with it?

650
00:34:29,709 --> 00:34:33,416
Keep it, uh,
as a souvenir, a reminder.

651
00:34:34,016 --> 00:34:35,253
EDWARD: Of what?

652
00:34:36,657 --> 00:34:38,619
[ALARM BLARING]

653
00:34:41,993 --> 00:34:44,163
[DRAMATIC MUSIC PLAYING]

654
00:34:50,066 --> 00:34:51,363
[CAR HONKING HORN]

655
00:34:51,465 --> 00:34:54,734
Do you hear that? That alarm.

656
00:34:55,941 --> 00:34:57,168
You're an actor, right?

657
00:34:57,270 --> 00:34:58,606
A movie actor.

658
00:34:59,274 --> 00:35:01,045
I've seen you around.

659
00:35:01,147 --> 00:35:03,314
You gotta be careful
out there, man.

660
00:35:05,246 --> 00:35:06,614
[EDWARD GROANS]

661
00:35:09,183 --> 00:35:11,388
[COUGHING]

662
00:35:14,025 --> 00:35:15,990
[BUS BRAKES SQUEALING]

663
00:35:16,092 --> 00:35:18,263
[ALARM WAILING]

664
00:35:22,197 --> 00:35:24,001
[EDWARD RETCHING]

665
00:35:24,103 --> 00:35:25,600
- [DOOR SLAMS]
- [EDWARD COUGHING]

666
00:35:31,074 --> 00:35:33,641
[BREATHING HEAVILY]

667
00:35:33,743 --> 00:35:35,910
["TURN AROUND" BY CARL PERKINS
PLAYING ON SPEAKERS]

668
00:35:36,012 --> 00:35:38,645
[WOMAN LAUGHING]

669
00:35:38,747 --> 00:35:40,945
BARTENDER: Crapper's
for customers only, buddy.

670
00:35:42,383 --> 00:35:43,684
So what's it gonna be?

671
00:35:47,193 --> 00:35:49,294
Something potent
by the looks of it.

672
00:35:55,802 --> 00:35:56,763
[BOTTLE CLINKS]

673
00:35:58,067 --> 00:35:59,634
Up? Or rocks?

674
00:36:03,836 --> 00:36:06,905
Let's not dilute
its medicinal value, huh?

675
00:36:11,982 --> 00:36:13,978
[SIRENS WAILING]

676
00:36:22,123 --> 00:36:23,328
Hey, man.

677
00:36:24,357 --> 00:36:25,924
I know you.

678
00:36:28,297 --> 00:36:29,796
Where do I know you from?

679
00:36:30,363 --> 00:36:31,534
I don't know.

680
00:36:32,600 --> 00:36:34,603
Do you know me?
You recognize me?

681
00:36:35,203 --> 00:36:36,338
I'm Guy Gaunt.

682
00:36:36,440 --> 00:36:37,671
- EDWARD: I don't know.
- Ring a bell?

683
00:36:37,773 --> 00:36:39,709
EDWARD: I don't know, maybe.
I can't place you.

684
00:36:39,811 --> 00:36:40,774
Right.

685
00:36:42,147 --> 00:36:43,942
- Volunteer fireman.
- What?

686
00:36:45,185 --> 00:36:47,478
Do you... Do you work
for Facebook?

687
00:36:47,580 --> 00:36:50,988
No, but I get this a lot.

688
00:36:51,090 --> 00:36:53,292
- Um...
- No, that's not it.

689
00:36:53,760 --> 00:36:55,723
I saw you.

690
00:36:55,825 --> 00:36:57,893
I wouldn't forget you.
I... I don't forget a face.

691
00:36:57,995 --> 00:36:58,990
EDWARD: Hmm.

692
00:37:01,200 --> 00:37:02,697
Excuse me,
you got a little, uh,

693
00:37:03,332 --> 00:37:05,499
blood or something on ya.

694
00:37:05,601 --> 00:37:08,901
- EDWARD: Hmm. Hmm.
- What's your name?

695
00:37:10,306 --> 00:37:12,377
- Edward.
- After that.

696
00:37:15,211 --> 00:37:16,645
- Lemuel.
- Huh?

697
00:37:17,543 --> 00:37:19,280
- Lemuel.
- Leemwell.

698
00:37:19,382 --> 00:37:21,445
- Edward Leemwell.
- Mmm-hmm.

699
00:37:21,547 --> 00:37:22,813
Hey, how do you do?

700
00:37:22,915 --> 00:37:25,215
This is really
some mystery, isn't it?

701
00:37:25,751 --> 00:37:27,623
I'm Guy Gaunt, like I said.

702
00:37:29,556 --> 00:37:30,956
It'll come to me though.

703
00:37:31,924 --> 00:37:34,525
- You think on it, too, okay?
- Okay.

704
00:37:34,627 --> 00:37:38,436
Okay. Enjoy your drink.

705
00:37:39,400 --> 00:37:40,999
[EDWARD RETCHING]

706
00:37:42,602 --> 00:37:44,543
[RETCHING AND COUGHING]

707
00:37:44,645 --> 00:37:46,642
[CRYING]

708
00:38:01,421 --> 00:38:03,593
[SCREAMS] No!

709
00:38:05,160 --> 00:38:07,366
[CRYING]

710
00:38:10,399 --> 00:38:12,602
[TENSE MUSIC PLAYING]

711
00:38:20,879 --> 00:38:21,941
[SIGHS]

712
00:38:25,279 --> 00:38:26,616
[SIGHING]

713
00:38:35,294 --> 00:38:37,495
- [SKIN SQUELCHING]
- EDWARD: Uh...

714
00:38:40,492 --> 00:38:41,697
[GASPS]

715
00:38:47,270 --> 00:38:49,474
[BREATHING SHARPLY]

716
00:38:57,751 --> 00:38:58,714
[GRUNTS]

717
00:39:07,288 --> 00:39:08,889
[GAGS]

718
00:39:11,831 --> 00:39:13,828
[GAGGING]

719
00:39:33,053 --> 00:39:35,047
[TENSE MUSIC PLAYING]

720
00:39:46,129 --> 00:39:47,125
[GASPS]

721
00:39:49,067 --> 00:39:50,128
[CHUCKLES]

722
00:39:51,104 --> 00:39:53,065
[UNSETTLING MUSIC PLAYING]

723
00:40:06,246 --> 00:40:08,418
INGRID: [MUFFLED] I must say
it's a silver lining.

724
00:40:08,520 --> 00:40:10,284
- It's not...
- CARL: It's not what?

725
00:40:10,386 --> 00:40:12,557
[BOTH LAUGHING]

726
00:40:13,654 --> 00:40:14,856
[INGRID CLEARS THROAT]

727
00:40:14,958 --> 00:40:16,186
WHISTLE INSTRUCTOR:
<i>If you put your lips together,</i>

728
00:40:16,288 --> 00:40:19,259
<i>and blow, uh, sometimes
this is what you get.</i>

729
00:40:19,361 --> 00:40:20,829
[BLOWING AIR]

730
00:40:20,931 --> 00:40:23,601
<i>And, uh, you know, most of
the frustrated comments</i>

731
00:40:23,703 --> 00:40:27,270
<i>I get are, "Cosmo, I put
my lips together and I blew,</i>

732
00:40:27,372 --> 00:40:29,101
<i>"but, um, that's all I got.</i>

733
00:40:29,203 --> 00:40:31,838
<i>"I sound like a tea kettle,
but it's not whistling."</i>

734
00:40:31,941 --> 00:40:34,812
<i>Obviously, there's
something else at play.</i>

735
00:40:35,782 --> 00:40:39,111
<i>What you really want is
you want your... your mouth...</i>

736
00:40:39,213 --> 00:40:42,046
- [EDWARD BLOWS AIR]
- WHISTLE INSTRUCTOR: <i>...tight.</i>

737
00:40:42,149 --> 00:40:45,053
<i>- Not necessarily...</i>
- [EDWARD BLOWING AIR]

738
00:40:45,155 --> 00:40:47,819
WHISTLE INSTRUCTOR: <i>...small,
because that, you know, varies</i>

739
00:40:47,921 --> 00:40:49,594
<i>- with the pitch.</i>
- [EDWARD SOBBING]

740
00:41:02,175 --> 00:41:04,136
[TENSE MUSIC FADES OUT]

741
00:41:11,184 --> 00:41:13,145
[INGRID AND CARL LAUGHING]

742
00:41:26,166 --> 00:41:28,160
[GENTLE MUSIC PLAYING]

743
00:41:36,505 --> 00:41:38,676
[SIREN WAILING]

744
00:41:53,325 --> 00:41:55,286
[JAZZY MUSIC PLAYING]

745
00:42:29,022 --> 00:42:31,322
[LOUD MUSIC PLAYING
ON SPEAKERS]

746
00:42:37,898 --> 00:42:40,067
[PEOPLE SPEAKING INDISTINCTLY]

747
00:42:58,887 --> 00:43:00,725
[PEOPLE CHATTERING
INDISTINCTLY]

748
00:43:05,427 --> 00:43:06,423
Whiskey.

749
00:43:08,728 --> 00:43:09,866
Rocks, up?

750
00:43:12,837 --> 00:43:15,003
I don't wanna dilute
the medicinal value.

751
00:43:16,207 --> 00:43:17,236
You what?

752
00:43:29,748 --> 00:43:30,986
One more?

753
00:43:35,260 --> 00:43:37,223
[MEN SHOUTING]

754
00:43:38,230 --> 00:43:40,226
[CHEERING]

755
00:43:41,497 --> 00:43:42,893
Let's go, man!

756
00:43:42,995 --> 00:43:44,667
Come on, man. We did it!

757
00:43:44,769 --> 00:43:47,170
- Fucking wild, man.
- Let's go baby.

758
00:43:47,272 --> 00:43:49,638
Yeah! Yeah!

759
00:43:49,740 --> 00:43:50,873
MAN 1: Come on, man.
MAN 2: Yeah!

760
00:43:50,975 --> 00:43:52,607
- MAN 1: It's time to fuck up!
- [MAN 3 GRUNTS]

761
00:43:52,709 --> 00:43:54,210
EDWARD: Yeah!
MAN 1: Yeah!

762
00:43:54,312 --> 00:43:55,876
[BOTH YELLING]

763
00:43:55,978 --> 00:43:57,848
[PUNK MUSIC PLAYING
OVER SPEAKERS]

764
00:44:30,010 --> 00:44:32,179
[PEOPLE CHATTERING INDISTINCTLY]

765
00:44:34,387 --> 00:44:36,348
[MUFFLED MUSIC PLAYING]

766
00:44:39,819 --> 00:44:40,917
[EDWARD MOANS]

767
00:44:41,019 --> 00:44:43,223
[BREATHING HEAVILY]

768
00:44:55,175 --> 00:44:56,401
[CHUCKLES]

769
00:44:57,508 --> 00:44:59,371
[BREATHING SHAKILY]

770
00:45:15,727 --> 00:45:17,895
- [EDWARD SIGHS]
- [WATER DRIPPING]

771
00:45:29,342 --> 00:45:31,304
[SIREN WAILING]

772
00:45:49,756 --> 00:45:50,961
Uh...

773
00:45:52,495 --> 00:45:53,491
[SIGHS]

774
00:45:54,761 --> 00:45:55,966
[EXHALES]

775
00:46:04,707 --> 00:46:05,877
[KNOCKING ON DOOR]

776
00:46:09,712 --> 00:46:11,883
[KEYS JANGLING]

777
00:46:15,453 --> 00:46:16,448
[DOOR UNLOCKS]

778
00:46:17,653 --> 00:46:19,583
[DOOR OPENS]

779
00:46:21,361 --> 00:46:22,454
You got the hole?

780
00:46:23,730 --> 00:46:26,623
EDWARD: Uh, what...
What time is it?

781
00:46:28,060 --> 00:46:29,499
[CLEARS THROAT]

782
00:46:29,601 --> 00:46:30,800
What the hell did you do?

783
00:46:30,902 --> 00:46:32,837
I... I didn't...
I didn't do anything.

784
00:46:32,939 --> 00:46:34,705
Well, you shouldn't
have let it get like this.

785
00:46:34,807 --> 00:46:36,003
Yeah. Well, what was
I supposed to?

786
00:46:36,105 --> 00:46:37,137
I didn't...
I didn't know what...

787
00:46:37,239 --> 00:46:40,038
You know, I told
the guy downstairs, and...

788
00:46:40,140 --> 00:46:42,646
- Where were you?
- Gallstones.

789
00:46:42,748 --> 00:46:44,113
- I thought your mother...
- This 4F?

790
00:46:45,185 --> 00:46:46,181
Yeah.

791
00:46:48,314 --> 00:46:49,613
You're the man
that lives here?

792
00:46:50,488 --> 00:46:52,924
Well, yes.

793
00:46:54,587 --> 00:46:56,658
There's another man
that lives here though.

794
00:46:56,760 --> 00:47:00,057
Sometimes, maybe. Why?

795
00:47:00,159 --> 00:47:01,125
You're the one that called

796
00:47:01,228 --> 00:47:02,962
and complained
about this hole.

797
00:47:03,064 --> 00:47:04,903
- The man with the dog.
- No.

798
00:47:05,901 --> 00:47:07,532
I mean, I have a cat.

799
00:47:08,574 --> 00:47:11,107
NESTOR: A cat? Named what?

800
00:47:13,709 --> 00:47:15,012
I don't know.

801
00:47:19,379 --> 00:47:20,614
NESTOR: That's the guy
that lives here?

802
00:47:20,716 --> 00:47:23,546
That is art.

803
00:47:23,649 --> 00:47:26,452
- NESTOR: Hmm, like a mask?
- Like a... A bust.

804
00:47:26,920 --> 00:47:28,322
[CAT MEOWS]

805
00:47:31,024 --> 00:47:32,359
Pretty weird stuff.

806
00:47:34,129 --> 00:47:36,797
Okay, I'll, uh,
I'll fix the...

807
00:47:36,899 --> 00:47:38,332
- Is that the cat?
- Yep.

808
00:47:40,166 --> 00:47:42,906
Okay, I'll fix the hole.

809
00:47:43,009 --> 00:47:45,303
- Should I leave?
- You can do whatever you want.

810
00:47:45,405 --> 00:47:48,111
You need help?
Want some tap water?

811
00:47:50,278 --> 00:47:52,148
I hope I have
the materials for this.

812
00:47:53,520 --> 00:47:54,678
This is a big problem.

813
00:47:56,381 --> 00:47:58,088
Should've fixed this sooner.

814
00:47:59,788 --> 00:48:00,959
[NESTOR EXHALES]

815
00:48:03,158 --> 00:48:05,321
Hi, uh, sorry.
It... It was open.

816
00:48:05,423 --> 00:48:07,361
Is this Ed Lemuel's apartment?

817
00:48:08,733 --> 00:48:10,128
I... I know it's early.

818
00:48:10,230 --> 00:48:11,802
I'm looking for Mr. Lemuel.

819
00:48:11,904 --> 00:48:13,233
- Uh, he's a patient of mine.
- Um...

820
00:48:13,335 --> 00:48:15,970
Uh, we have not heard
from him for a week,

821
00:48:16,072 --> 00:48:17,134
and no one
in my office has been

822
00:48:17,236 --> 00:48:19,037
able to get a hold of him.

823
00:48:19,139 --> 00:48:20,273
- [DOOR CLOSES]
- Yeah.

824
00:48:20,375 --> 00:48:24,708
Well, what, um,
happened is that he, uh...

825
00:48:26,046 --> 00:48:27,249
Edward is dead.

826
00:48:28,454 --> 00:48:30,279
What? He's dead?

827
00:48:30,381 --> 00:48:32,522
It happened very suddenly.

828
00:48:32,624 --> 00:48:34,019
How? When... Uh...

829
00:48:34,121 --> 00:48:35,723
Excuse me. Excuse me.

830
00:48:35,825 --> 00:48:37,358
Ah, thanks. Thanks.

831
00:48:38,290 --> 00:48:41,098
I'm Guy, a family friend.

832
00:48:41,732 --> 00:48:43,067
- Family.
- Yeah.

833
00:48:43,999 --> 00:48:45,162
So, is there a funeral?

834
00:48:45,264 --> 00:48:46,936
Uh, yeah, no, it's over.

835
00:48:47,038 --> 00:48:50,273
He's... He's dead
and buried. Cremated.

836
00:48:50,642 --> 00:48:52,602
Well, was he sick?

837
00:48:52,705 --> 00:48:55,046
NESTOR: Oh, I'm sorry.
Excuse me, guys. Yeah.

838
00:48:55,613 --> 00:48:56,706
We don't know.

839
00:48:56,808 --> 00:48:58,610
- We're trying to find out.
- [DR. FLEXNER SIGHING]

840
00:48:59,077 --> 00:49:00,414
Suicide.

841
00:49:01,420 --> 00:49:02,883
Suicide?

842
00:49:02,985 --> 00:49:04,248
Uh, was he depressed?

843
00:49:04,351 --> 00:49:05,415
Yeah. I'm sorry.
I'm sorry. Yeah.

844
00:49:05,517 --> 00:49:07,385
- Was he depressed?
- I don't know.

845
00:49:07,487 --> 00:49:09,786
- I don't know.
- [DR. FLEXNER SIGHING]

846
00:49:11,325 --> 00:49:13,091
You... You say
he was cremated?

847
00:49:13,193 --> 00:49:15,033
I think cremated, yeah.

848
00:49:16,435 --> 00:49:17,464
Uh...

849
00:49:19,335 --> 00:49:23,808
So you're sure
Mr. Lemuel is really gone?

850
00:49:23,910 --> 00:49:27,177
Yep. He's, uh,
really, really gone.

851
00:49:28,042 --> 00:49:29,278
Just like that.

852
00:49:40,021 --> 00:49:41,224
[CAR HORN HONKING]

853
00:49:42,892 --> 00:49:44,128
[EDWARD GRUNTS]

854
00:49:45,260 --> 00:49:46,658
MARIANA: I think
you have mice.

855
00:49:47,733 --> 00:49:50,332
I saw some droppings. Ugh!

856
00:49:51,499 --> 00:49:55,106
- [ZIPPER ZIPS]
- You need a cat. [CHUCKLES]

857
00:49:57,370 --> 00:49:59,506
All right, I'll see you later.

858
00:50:15,123 --> 00:50:17,423
NICK: <i>♪ Guy Moratz!</i>

859
00:50:17,525 --> 00:50:20,291
<i>♪ You know I'm gonna
Take a chance</i>

860
00:50:20,393 --> 00:50:23,260
<i>♪ On some good ass property</i>

861
00:50:23,362 --> 00:50:25,263
<i>♪ Sell it to the lady ♪</i>

862
00:50:25,365 --> 00:50:27,736
MARIANA: Yeah!
NICK: Whoa!

863
00:50:27,838 --> 00:50:29,303
[STAFF APPLAUDING]

864
00:50:29,405 --> 00:50:30,937
- NICK: Look at this guy!
- [MARIANA CHUCKLING]

865
00:50:31,039 --> 00:50:32,269
Look at this guy!

866
00:50:32,371 --> 00:50:33,439
- Yes.
- MAN: Yeah!

867
00:50:33,541 --> 00:50:35,779
This is my fucking guy.
Look at this piece

868
00:50:35,882 --> 00:50:36,606
- of man candy
- Put it down.

869
00:50:36,708 --> 00:50:38,377
- MAN: No way.
- No. I'm not going to.

870
00:50:38,479 --> 00:50:39,577
- [EDWARD CHUCKLES]
- Look at this piece

871
00:50:39,680 --> 00:50:41,579
of man candy. I'm getting
a fucking toothache.

872
00:50:41,682 --> 00:50:44,219
- MARIANA: He looks great.
- Sit the fuck down.

873
00:50:44,322 --> 00:50:46,118
Sit the fuck down
and get to work, you genius.

874
00:50:46,220 --> 00:50:48,092
It turned out so well.

875
00:50:48,194 --> 00:50:49,925
NICK: I notice that isn't
on your little billboard.

876
00:50:50,027 --> 00:50:52,491
- [CHUCKLES] Sorry.
- What?

877
00:50:52,594 --> 00:50:54,724
NICK: Just that
little pockmark or whatever.

878
00:50:54,827 --> 00:50:56,230
It's nothing.
Nobody's ever gonna notice it.

879
00:50:56,332 --> 00:50:57,495
It's not... You can't
see it on the...

880
00:50:57,597 --> 00:51:00,798
You know, I'm sure
they buffed it out.

881
00:51:02,205 --> 00:51:03,568
You're gonna wanna
change your name

882
00:51:03,670 --> 00:51:05,470
if you're gonna be
a fucking famous model.

883
00:51:05,572 --> 00:51:08,344
Guy Moratz just sounds
fucking made up.

884
00:51:08,446 --> 00:51:11,244
MARIANA: He's on the lam.
NICK: He's on the lam, huh?

885
00:51:11,346 --> 00:51:12,446
You kill somebody?
Who are you?

886
00:51:12,548 --> 00:51:14,379
I'm not gonna tell anybody.
You kill somebody?

887
00:51:14,481 --> 00:51:17,483
- No.
- NICK: Stay humble, Fabio.

888
00:51:17,586 --> 00:51:19,850
I see you over there
getting a big old head.

889
00:51:22,122 --> 00:51:24,195
[TRAIN RATTLING]

890
00:51:45,115 --> 00:51:47,317
[PEOPLE CHATTERING INDISTINCTLY]

891
00:51:50,922 --> 00:51:52,916
[DRAMATIC MUSIC PLAYING]

892
00:52:00,591 --> 00:52:02,794
[MYSTERIOUS MUSIC PLAYING]

893
00:52:40,839 --> 00:52:42,834
[MUSIC FADES OUT]

894
00:52:47,847 --> 00:52:49,841
[GENTLE MUSIC PLAYING]

895
00:53:00,720 --> 00:53:04,123
SILVERHEELS:
They taunt me and beg me

896
00:53:04,225 --> 00:53:05,792
just to see my face.

897
00:53:06,294 --> 00:53:08,999
Only so that when I do,

898
00:53:09,101 --> 00:53:11,727
they can turn
and run in horror.

899
00:53:11,829 --> 00:53:13,463
INGRID: Thank you,
Mr. Silverheels.

900
00:53:13,565 --> 00:53:14,866
Thank you for your time.

901
00:53:18,010 --> 00:53:19,436
[PEOPLE MUMBLING INDISTINCTLY]

902
00:53:19,538 --> 00:53:20,773
WOMAN: I worry about it.

903
00:53:22,947 --> 00:53:23,908
Can I help you?

904
00:53:26,082 --> 00:53:27,381
Hi... [HESITATES]

905
00:53:27,483 --> 00:53:29,617
- Are you here for Edward?
- EDWARD: Uh...

906
00:53:31,385 --> 00:53:32,486
Is he on the call sheet?

907
00:53:32,589 --> 00:53:34,457
Sammy Silverheels
is the last one for the day.

908
00:53:35,753 --> 00:53:37,856
- What?
- Did you get sides?

909
00:53:39,197 --> 00:53:41,096
- Sides?
- Viv give him the...

910
00:53:41,198 --> 00:53:42,965
Get him sides for, um, Theo.

911
00:53:43,067 --> 00:53:44,166
- VIV: Okay.
- Scene 12.

912
00:53:44,268 --> 00:53:45,996
- Fiona, can you...
- FIONA: Yeah.

913
00:53:47,335 --> 00:53:48,537
[INGRID CLEARS THROAT]

914
00:53:55,377 --> 00:53:57,381
Okay. Whenever you're ready.

915
00:54:02,482 --> 00:54:03,684
[EDWARD CLEARS THROAT]

916
00:54:04,888 --> 00:54:05,884
Um...

917
00:54:07,357 --> 00:54:08,785
"If... If it was me,
I would...

918
00:54:08,887 --> 00:54:11,190
"I'd just move
out of the building,

919
00:54:11,292 --> 00:54:13,095
"forfeit my deposit.

920
00:54:13,197 --> 00:54:15,595
"I couldn't live next to that.

921
00:54:15,697 --> 00:54:19,265
"Every time you step outside
not knowing

922
00:54:19,367 --> 00:54:20,767
"if he's gonna be there.

923
00:54:23,134 --> 00:54:27,642
"Always be on guard.
Jesus, I'd have nightmares."

924
00:54:27,744 --> 00:54:30,909
Come on. Don't be an asshole.
You don't mean that.

925
00:54:36,748 --> 00:54:38,849
"I sure as hell do mean it.

926
00:54:38,951 --> 00:54:43,422
"And I... I don't feel bad
about it either.

927
00:54:43,524 --> 00:54:45,693
"Humans are hardwired to fear,

928
00:54:46,561 --> 00:54:48,663
"despise the sick
and the ugly.

929
00:54:50,569 --> 00:54:55,172
"Used to leave deformed babies
out to die in the cold.

930
00:54:55,274 --> 00:54:57,304
"Put 'em
in the institutions at least.

931
00:54:57,406 --> 00:54:59,637
"I've got science on my side.

932
00:54:59,739 --> 00:55:01,741
"You know it's true.
But it's...

933
00:55:01,843 --> 00:55:05,713
"You're... You're
just being politically, um...

934
00:55:07,380 --> 00:55:08,584
"correct."

935
00:55:10,285 --> 00:55:12,456
[TRAFFIC WHOOSHING]

936
00:55:16,159 --> 00:55:18,324
I need this, man.

937
00:55:18,426 --> 00:55:20,589
I'd be right for it, too.

938
00:55:20,691 --> 00:55:22,994
Kind of born for it.

939
00:55:23,695 --> 00:55:25,331
You know what I mean.

940
00:55:25,433 --> 00:55:27,631
Just wanna tell my mama,

941
00:55:27,733 --> 00:55:31,038
"Hey, it was all worth it."

942
00:55:31,140 --> 00:55:32,703
[SIRENS WAILING]

943
00:55:32,805 --> 00:55:35,875
[SIGHS] The life
we've chosen, huh?

944
00:55:38,212 --> 00:55:39,175
Yeah.

945
00:55:49,427 --> 00:55:50,890
- [DOOR OPENS]
- [DOORBELL CHIMING]

946
00:55:53,899 --> 00:55:54,861
[DOOR CLOSES]

947
00:56:01,436 --> 00:56:03,566
Uh, who is Guy Moratz?

948
00:56:03,668 --> 00:56:05,240
FIONA: Does it hurt?

949
00:56:05,342 --> 00:56:07,137
EDWARD: No.
FIONA: Good.

950
00:56:08,914 --> 00:56:10,247
Hey, that photo,

951
00:56:10,349 --> 00:56:11,709
- is that you as a boy?
- EDWARD: Oh.

952
00:56:11,811 --> 00:56:12,811
INGRID: Excuse me.
EDWARD: Yeah.

953
00:56:12,913 --> 00:56:15,079
INGRID: Excuse me.
What's going on here?

954
00:56:16,849 --> 00:56:18,888
EDWARD: I...
INGRID: Well...

955
00:56:18,990 --> 00:56:20,018
EDWARD: What?

956
00:56:20,120 --> 00:56:24,022
INGRID: Forgive me, is that,
uh, some kind of mask?

957
00:56:25,295 --> 00:56:26,563
EDWARD: It's a prototype.

958
00:56:27,331 --> 00:56:30,132
INGRID: Prototype? Of what?

959
00:56:30,234 --> 00:56:31,462
EDWARD: For the face.

960
00:56:31,564 --> 00:56:34,397
The eventual, uh...

961
00:56:35,266 --> 00:56:37,074
Uh, we'll use makeup.
I don't... I don't know...

962
00:56:37,176 --> 00:56:38,234
However you wanna handle it.

963
00:56:39,145 --> 00:56:40,669
INGRID: Who are you exactly?

964
00:56:40,771 --> 00:56:41,974
EDWARD: I'm Edward.

965
00:56:43,445 --> 00:56:44,977
Guy Moratz, supposedly.

966
00:56:46,319 --> 00:56:47,518
EDWARD: I was...
INGRID: Guy Moratz.

967
00:56:47,620 --> 00:56:49,586
- You're Guy Moratz.
- EDWARD: I was born for this.

968
00:56:50,956 --> 00:56:52,050
INGRID: So...

969
00:56:53,092 --> 00:56:54,421
EDWARD: I am this guy.

970
00:56:54,523 --> 00:56:56,659
INGRID: Are you... deformed?

971
00:56:57,756 --> 00:56:59,123
EDWARD: I am this guy.

972
00:57:01,230 --> 00:57:02,564
We... [CHUCKLES]

973
00:57:02,667 --> 00:57:04,961
This is... This is an
off-Broadway production.

974
00:57:05,063 --> 00:57:06,402
I don't think
we can afford makeup.

975
00:57:06,504 --> 00:57:07,835
EDWARD: Just let me
do the scene.

976
00:57:08,704 --> 00:57:10,040
INGRID: Where'd
you get that mask?

977
00:57:10,142 --> 00:57:11,234
EDWARD: Begin please.

978
00:57:12,605 --> 00:57:14,743
Begin. Come on.

979
00:57:17,346 --> 00:57:18,714
- [SIGHS]
- There.

980
00:57:19,952 --> 00:57:21,415
All better.

981
00:57:21,517 --> 00:57:23,147
- Does it hurt?
- EDWARD: No.

982
00:57:24,252 --> 00:57:25,248
Good.

983
00:57:27,191 --> 00:57:28,185
Hey... [CHUCKLES]

984
00:57:28,620 --> 00:57:30,019
That photo.

985
00:57:30,121 --> 00:57:33,030
- EDWARD: Oh.
- Is that you as a boy?

986
00:57:33,132 --> 00:57:35,764
EDWARD: Uh, um, yeah.

987
00:57:36,994 --> 00:57:39,570
So I guess you weren't born...

988
00:57:42,675 --> 00:57:45,972
- I'm sorry. It's not my place.
- EDWARD: It's okay.

989
00:57:47,339 --> 00:57:50,240
FIONA: People probably
ask you a lot of questions.

990
00:57:51,915 --> 00:57:55,179
EDWARD: It's not the questions
I, uh, mind so much.

991
00:57:56,956 --> 00:57:57,918
FIONA: No?

992
00:57:58,951 --> 00:58:01,086
People can be cruel,
I imagine.

993
00:58:04,525 --> 00:58:05,988
You have an eyelash.

994
00:58:06,090 --> 00:58:07,895
- Let me get it.
- EDWARD: Uh...

995
00:58:14,405 --> 00:58:15,573
FIONA: I...
EDWARD: Oh.

996
00:58:16,141 --> 00:58:18,101
I have to go. I...

997
00:58:18,203 --> 00:58:19,574
EDWARD: I'm... I'm sorry.
FIONA: No, no, no.

998
00:58:19,676 --> 00:58:21,278
I... I didn't realize
what time it was.

999
00:58:21,380 --> 00:58:23,680
EDWARD: I'm sorry.
It's just, um...

1000
00:58:25,314 --> 00:58:26,584
No one, uh...

1001
00:58:29,319 --> 00:58:30,720
No one's ever, uh...

1002
00:58:33,051 --> 00:58:36,253
Touched my...
My face before.

1003
00:58:38,296 --> 00:58:39,355
[EDWARD CLEARS THROAT]

1004
00:58:49,807 --> 00:58:52,374
INGRID: Your first audition
was a little, uh...

1005
00:58:52,477 --> 00:58:54,375
EDWARD: I was,
uh, traumatized,

1006
00:58:54,477 --> 00:58:56,279
because a... a friend,

1007
00:58:56,381 --> 00:58:59,416
childhood best friend was...

1008
00:58:59,518 --> 00:59:02,284
Had very much,
uh, this condition.

1009
00:59:02,386 --> 00:59:03,882
Like Edward, your Edward.

1010
00:59:03,984 --> 00:59:05,656
Don't tell me
his name was Edward.

1011
00:59:06,387 --> 00:59:07,383
No, no.

1012
00:59:08,227 --> 00:59:11,128
- Ronnie.
- Can Lonnie act?

1013
00:59:11,230 --> 00:59:13,396
He died. Um, which is...

1014
00:59:13,498 --> 00:59:16,263
And so I...
I felt overwhelmed.

1015
00:59:16,365 --> 00:59:17,393
Uh, you know,

1016
00:59:17,495 --> 00:59:20,930
and... And... And that's why
I really feel strongly

1017
00:59:21,032 --> 00:59:23,672
that I have to play this part.

1018
00:59:23,774 --> 00:59:26,538
[CHUCKLES] That's one way
to honor a friend.

1019
00:59:26,640 --> 00:59:27,675
FIONA: Check it out.

1020
00:59:27,777 --> 00:59:29,579
EDWARD: So did you know
an Edward?

1021
00:59:29,682 --> 00:59:32,449
INGRID: An Edward?
This can't just be a story

1022
00:59:32,551 --> 00:59:34,144
my brilliant imagination has
cooked up?

1023
00:59:34,246 --> 00:59:37,146
I've known, you know,
a couple of people.

1024
00:59:37,248 --> 00:59:40,454
It's more of, um...
What's the word?

1025
00:59:40,556 --> 00:59:42,452
- Tribute.
- Amalgamation.

1026
00:59:42,921 --> 00:59:44,760
- Oh.
- It's me, too.

1027
00:59:44,862 --> 00:59:47,592
Part of the character is
based on myself in a way.

1028
00:59:47,694 --> 00:59:48,760
It's... It's, um...

1029
00:59:48,862 --> 00:59:50,798
Uh, how... How... How is that?

1030
00:59:50,900 --> 00:59:52,928
To be perfectly blunt,
I'd wanted to cast

1031
00:59:53,030 --> 00:59:54,768
a person who looks, well,

1032
00:59:54,870 --> 00:59:57,972
- who looks like that, ideally.
- Hmm.

1033
00:59:58,074 --> 01:00:00,335
But it's... It's hard.
You get fixated on this idea,

1034
01:00:00,438 --> 01:00:02,973
and, um, if it's not right,
it's not right.

1035
01:00:03,075 --> 01:00:05,009
You had someone
specific in mind.

1036
01:00:05,111 --> 01:00:06,849
The question is,
do you cast someone

1037
01:00:06,951 --> 01:00:09,814
with a condition even though
it's not the right fit?

1038
01:00:09,916 --> 01:00:11,519
Is it wrong to cast someone

1039
01:00:11,622 --> 01:00:13,284
because of their disfigurement?

1040
01:00:14,556 --> 01:00:16,023
Exploitative even?

1041
01:00:17,296 --> 01:00:18,756
Will people come to gawk?

1042
01:00:18,858 --> 01:00:19,990
Where's the ethical line?

1043
01:00:20,092 --> 01:00:22,192
You know, it's funny
because, um,

1044
01:00:22,294 --> 01:00:25,832
Edward has this awkwardness
in his own skin,

1045
01:00:25,934 --> 01:00:27,865
and it's kind of brilliant
in a way,

1046
01:00:27,967 --> 01:00:30,202
seeing you who looks like you,

1047
01:00:31,343 --> 01:00:32,202
but you're not yourself.

1048
01:00:32,304 --> 01:00:34,069
You have this mask,
this other persona,

1049
01:00:34,172 --> 01:00:36,039
and it creates
this dissonance,

1050
01:00:36,141 --> 01:00:38,810
and it just...
It clicked for me.

1051
01:00:38,912 --> 01:00:40,784
It was strangely affecting.

1052
01:00:42,381 --> 01:00:45,855
It was like seeing
my own creation come to life.

1053
01:00:50,558 --> 01:00:52,928
[CHUCKLING]

1054
01:00:59,131 --> 01:01:01,101
- Oh, hey, Mr. Sablosky.
- Hey.

1055
01:01:11,309 --> 01:01:14,147
INGRID: He's blind.
Shoes off please.

1056
01:01:18,918 --> 01:01:20,117
- Not the bag.
- What?

1057
01:01:20,219 --> 01:01:22,188
- [CHUCKLES] Just kidding.
- [EDWARD LAUGHS]

1058
01:01:25,056 --> 01:01:26,489
Just put it on the floor.

1059
01:01:35,268 --> 01:01:38,942
Is this where you,
uh, you do your writing?

1060
01:01:39,044 --> 01:01:41,772
INGRID: Oh, I never used it.
I'm not sure it even works.

1061
01:01:41,874 --> 01:01:44,045
[OBJECTS CLATTERING]

1062
01:01:46,251 --> 01:01:47,917
[CLACKING]

1063
01:01:50,283 --> 01:01:53,422
- Seems to work.
- INGRID: Hmm. It's yours.

1064
01:01:53,524 --> 01:01:54,858
Give it a proper home.

1065
01:01:55,723 --> 01:01:57,087
[CLEARS THROAT]

1066
01:01:57,189 --> 01:01:59,522
What...
Where did it come from?

1067
01:02:00,859 --> 01:02:01,959
Looks Italian.

1068
01:02:02,061 --> 01:02:03,531
- [CLEARS THROAT]
- [CAT MEOWS]

1069
01:02:03,633 --> 01:02:04,697
Psst, psst, psst, psst.

1070
01:02:04,799 --> 01:02:06,964
- [CAT MEOWS]
- Hello.

1071
01:02:07,067 --> 01:02:09,406
- Hello.
- Who... Who is this?

1072
01:02:09,508 --> 01:02:11,969
- C. Pulaski.
- C. Pulaski.

1073
01:02:12,071 --> 01:02:13,440
- C. Pulaski.
- EDWARD: Yeah.

1074
01:02:13,542 --> 01:02:14,337
- Hey.
- Oh.

1075
01:02:14,439 --> 01:02:15,639
- [EDWARD CHUCKLES]
- [INGRID MIMICS MEOWING]

1076
01:02:15,742 --> 01:02:16,913
[CHUCKLES]

1077
01:02:18,250 --> 01:02:19,245
You hungry?

1078
01:02:20,180 --> 01:02:22,347
- [KNOCKING ON DOOR]
- Goddamn her.

1079
01:02:23,555 --> 01:02:24,919
- Ugh!
- Who... Who is that?

1080
01:02:25,021 --> 01:02:28,350
It's this intolerable
old hag down there.

1081
01:02:28,452 --> 01:02:30,157
You can't even walk
barefoot in here.

1082
01:02:31,262 --> 01:02:32,354
Okay.

1083
01:02:32,456 --> 01:02:34,964
- There's the bar.
- Oh, I've had enough.

1084
01:02:35,598 --> 01:02:36,900
Make me something.

1085
01:02:40,065 --> 01:02:41,337
- Ooh.
- [BOTH CHUCKLING]

1086
01:02:41,439 --> 01:02:43,237
Ooh. [CHUCKLES]

1087
01:02:43,572 --> 01:02:45,007
[BOTH CHUCKLING]

1088
01:02:45,807 --> 01:02:46,976
[EDWARD CLEARS THROAT]

1089
01:02:54,584 --> 01:02:55,578
[POURING DRINK]

1090
01:03:02,594 --> 01:03:04,455
How long have you lived here?

1091
01:03:04,557 --> 01:03:06,864
["HITTIN' ON NOTHIN" BY
IRMA THOMAS PLAYING ON SPEAKERS]

1092
01:03:07,366 --> 01:03:08,459
[EDWARD CHUCKLES]

1093
01:03:09,365 --> 01:03:10,329
Hmm.

1094
01:03:14,905 --> 01:03:16,199
I don't think
the old hag's gonna...

1095
01:03:16,301 --> 01:03:18,073
- [INGRID CHUCKLES]
- ...like that.

1096
01:03:24,449 --> 01:03:26,981
Well, what's worse?

1097
01:03:27,083 --> 01:03:29,313
Me having to tiptoe
around not to upset

1098
01:03:29,415 --> 01:03:32,381
the sensitive bitch,
or her having to live

1099
01:03:32,483 --> 01:03:34,584
with such a noisy
little bitch upstairs?

1100
01:03:36,896 --> 01:03:39,424
I would rather live
in a house all by myself.

1101
01:03:40,598 --> 01:03:41,899
That's not an answer.

1102
01:03:42,600 --> 01:03:43,560
[EDWARD CLEARS THROAT]

1103
01:03:44,832 --> 01:03:46,134
[KNOCKING ON DOOR]

1104
01:03:47,539 --> 01:03:49,639
- Cops after you?
- What?

1105
01:03:49,741 --> 01:03:52,067
- You're jumpy.
- I startle easily.

1106
01:03:52,169 --> 01:03:53,575
Yeah. Nervous Nelly.

1107
01:03:53,677 --> 01:03:55,176
You think it's the bitch?

1108
01:03:59,617 --> 01:04:00,576
- Hey.
- CARL: I'm sorry.

1109
01:04:00,678 --> 01:04:02,678
I was just in the borough.
I thought I'd drop in.

1110
01:04:02,780 --> 01:04:04,688
INGRID: You don't live here.
What are you doing here?

1111
01:04:04,790 --> 01:04:06,922
I can see you're
as excited to see me

1112
01:04:07,024 --> 01:04:08,184
- as I am to see you.
- INGRID: Yes, Carl.

1113
01:04:08,286 --> 01:04:09,452
[CARL MUMBLING INDISTINCTLY]

1114
01:04:09,554 --> 01:04:12,091
INGRID: It's not a game.
It's... It's over.

1115
01:04:12,193 --> 01:04:14,926
I'm sorry, Carl.
I have someone here.

1116
01:04:15,028 --> 01:04:16,599
CARL: Yeah, right here.

1117
01:04:16,702 --> 01:04:18,865
I'm here
to come in, say hello.

1118
01:04:18,968 --> 01:04:21,232
INGRID: I have
a visitor. Okay?

1119
01:04:21,334 --> 01:04:22,472
CARL: What...
What does that mean?

1120
01:04:22,574 --> 01:04:23,740
A... A delivery person?

1121
01:04:23,842 --> 01:04:25,342
INGRID: No.
You know what that means.

1122
01:04:25,444 --> 01:04:26,369
Don't act stupid.

1123
01:04:26,471 --> 01:04:29,040
- You know what I mean.
- CARL: Okay.

1124
01:04:29,142 --> 01:04:31,344
[CARL SPEAKING INDISTINCTLY]

1125
01:04:58,140 --> 01:04:59,609
- Bah!
- [EDWARD SHUDDERS
AND SIGHS]

1126
01:04:59,711 --> 01:05:02,980
[CHUCKLES] I had to do that.

1127
01:05:03,747 --> 01:05:05,213
Who was... Who was that?

1128
01:05:05,714 --> 01:05:06,742
Jilted lover.

1129
01:05:08,216 --> 01:05:10,988
- EDWARD: Hmm.
- So many jilted lovers.

1130
01:05:16,191 --> 01:05:18,721
I leave a trail
of tragedy in my wake.

1131
01:05:24,700 --> 01:05:26,069
I warned you.

1132
01:05:30,469 --> 01:05:34,939
The sad reality is
my face is fragile.

1133
01:05:35,041 --> 01:05:36,308
And it's imperative

1134
01:05:36,411 --> 01:05:40,611
that I conduct my life
based upon this fact.

1135
01:05:42,149 --> 01:05:45,055
When in doubt, live in fear.

1136
01:05:45,854 --> 01:05:47,618
That's my mantra.

1137
01:05:47,720 --> 01:05:51,487
Stay out of ballrooms,
or crowded places in general.

1138
01:05:51,589 --> 01:05:53,727
Be nice to people.
Be deferential.

1139
01:05:53,829 --> 01:05:55,128
Be the bigger man.

1140
01:05:55,230 --> 01:05:58,799
Argue if I must,
and I mustn't really,

1141
01:05:58,901 --> 01:06:01,037
only from a safe distance.

1142
01:06:01,139 --> 01:06:05,841
Or under the protection
of some powerful friend,

1143
01:06:05,943 --> 01:06:07,774
if I even had one
and if he could

1144
01:06:07,876 --> 01:06:10,278
then be relied upon.

1145
01:06:11,912 --> 01:06:13,576
I tell myself,

1146
01:06:13,679 --> 01:06:18,154
"Edward, don't call
attention to yourself."

1147
01:06:19,218 --> 01:06:21,652
It's a useless ad... Ad...

1148
01:06:22,320 --> 01:06:26,129
It's a useless advice.

1149
01:06:27,960 --> 01:06:29,132
Eh...

1150
01:06:30,802 --> 01:06:32,431
Oh, pardon the, uh, intrusion.

1151
01:06:32,533 --> 01:06:35,771
I met this casting director,
unique and unusual

1152
01:06:35,874 --> 01:06:38,271
physiognomies is
his specialty.

1153
01:06:38,373 --> 01:06:40,137
And he told me about
this interesting play,

1154
01:06:40,239 --> 01:06:41,441
you're auditioning for,

1155
01:06:41,543 --> 01:06:43,438
and thought I could
potentially be a perfect fit.

1156
01:06:43,541 --> 01:06:44,881
So I'm no actor,
but I thought,

1157
01:06:44,983 --> 01:06:47,015
let's come down here,
give it a gander.

1158
01:06:47,117 --> 01:06:49,314
And from the tidbit
I've just seen,

1159
01:06:49,416 --> 01:06:51,249
seems like
a rather curious piece.

1160
01:06:51,351 --> 01:06:53,283
But alas,
I see the role is filled,

1161
01:06:53,385 --> 01:06:55,219
and rather ably, I must say.

1162
01:06:55,321 --> 01:06:57,224
So congrats to all involved.

1163
01:06:57,326 --> 01:07:00,029
And best of luck.
Break a leg, as they say.

1164
01:07:00,131 --> 01:07:02,090
I'll be sure to see it
when it comes out.

1165
01:07:02,193 --> 01:07:03,397
Take care.

1166
01:07:16,275 --> 01:07:18,478
[BOTH BREATHING HEAVILY]

1167
01:07:26,020 --> 01:07:27,250
Wait. Wait, wait.

1168
01:07:27,352 --> 01:07:28,790
- What?
- Wait. Hold on.

1169
01:07:28,892 --> 01:07:30,853
[INGRID BREATHING HEAVILY]

1170
01:07:31,729 --> 01:07:32,723
You have the mask?

1171
01:07:33,597 --> 01:07:34,560
What?

1172
01:07:35,864 --> 01:07:36,892
Put it on.

1173
01:07:38,068 --> 01:07:41,171
- Why?
- Just do what I tell you.

1174
01:07:43,006 --> 01:07:44,273
You don't wanna look at me?

1175
01:07:45,843 --> 01:07:47,771
Come on. It's my creation.

1176
01:08:07,127 --> 01:08:09,298
[OBJECTS CLATTERING]

1177
01:08:11,867 --> 01:08:12,862
EDWARD: Hmm.

1178
01:08:53,174 --> 01:08:55,140
[INGRID BREATHING HEAVILY]

1179
01:08:55,242 --> 01:08:57,412
[EDWARD BREATHING HEAVILY]

1180
01:09:05,417 --> 01:09:07,620
[EDWARD BREATHING HEAVILY]

1181
01:09:21,799 --> 01:09:23,264
- [EDWARD MOANS]
- [LAUGHS] No, stop.

1182
01:09:23,367 --> 01:09:25,138
[LAUGHING]

1183
01:09:25,240 --> 01:09:26,270
EDWARD: What's the problem?

1184
01:09:26,372 --> 01:09:28,938
This is so fucked up.

1185
01:09:29,781 --> 01:09:30,947
What do you mean?

1186
01:09:31,049 --> 01:09:33,613
[LAUGHING]
You look ridiculous.

1187
01:09:35,781 --> 01:09:38,085
I just wanna say a toast
to the man who sold

1188
01:09:38,188 --> 01:09:40,484
the Cortland property, finally.

1189
01:09:40,586 --> 01:09:41,750
- King of 'em all.
- MARIANA: Ah.

1190
01:09:41,852 --> 01:09:43,622
NICK: Shit hole
with half a bathroom.

1191
01:09:43,724 --> 01:09:45,358
- [MARIANA CHUCKLES]
- Chin-chin, my little man.

1192
01:09:45,460 --> 01:09:47,627
- Chin-chin, indeed.
- OSWALD: Edward.

1193
01:09:48,628 --> 01:09:49,660
Hey, you probably don't
remember me.

1194
01:09:49,762 --> 01:09:51,162
- We met back at the, um...
- [SNAPS FINGERS]

1195
01:09:51,264 --> 01:09:52,802
...theatre. Oswald.

1196
01:09:52,904 --> 01:09:53,970
- I...
- NICK: Edward?

1197
01:09:54,072 --> 01:09:55,305
- NICK: I'm sorry. Edward?
- Um, hi.

1198
01:09:55,407 --> 01:09:57,272
- NICK: Sorry, what? Edward?
- It's... It's nothing.

1199
01:09:57,375 --> 01:09:59,302
OSWALD: Ooh, you're
only Edward on the telly.

1200
01:09:59,404 --> 01:10:00,637
Sorry, awful joke.

1201
01:10:00,739 --> 01:10:03,044
What do you go by
in the civilian world?

1202
01:10:03,147 --> 01:10:04,309
- Guy.
- MARIANA: Guy Moratz.

1203
01:10:04,412 --> 01:10:05,511
NICK: Fabio is
what I call him.

1204
01:10:05,613 --> 01:10:07,248
CLAY: Do you wanna
pull up a seat, Oswald?

1205
01:10:07,350 --> 01:10:08,381
OSWALD: I've got
a few moments, sure.

1206
01:10:08,483 --> 01:10:10,849
CLAY: This is all very,
very mysterious.

1207
01:10:10,951 --> 01:10:14,255
What secret intel have you got
about our enigmatic friend?

1208
01:10:14,357 --> 01:10:16,591
Only that
your dear friend, Mr. Moratz,

1209
01:10:16,693 --> 01:10:20,027
is starring in a soon-to-be,
classic theatrical production.

1210
01:10:20,129 --> 01:10:21,464
Star? Like as an actor?

1211
01:10:21,566 --> 01:10:24,461
EDWARD: No, it's... It's...
It's a small, uh, production.

1212
01:10:24,564 --> 01:10:26,169
- Uh, play. Um...
- Uh-huh. Okay.

1213
01:10:26,271 --> 01:10:27,729
Well, thank you so much
for telling me.

1214
01:10:27,831 --> 01:10:29,031
It makes me feel
very close to you.

1215
01:10:29,133 --> 01:10:30,833
- It's hard to, um, it, it's...
- Your friend plays a man

1216
01:10:30,935 --> 01:10:33,436
with a disfigured face.
Name of Edward.

1217
01:10:33,538 --> 01:10:34,572
NICK: Disfigured face?

1218
01:10:34,674 --> 01:10:36,771
And he dons
a very convincing mask.

1219
01:10:36,873 --> 01:10:38,308
Well, it's still being
perfected.

1220
01:10:38,410 --> 01:10:39,546
It's a prototype.

1221
01:10:39,648 --> 01:10:40,511
It's a sort of
<i>a Beauty and the Beast</i> yarn.

1222
01:10:40,613 --> 01:10:41,645
That's one way
of looking at it.

1223
01:10:41,747 --> 01:10:42,979
NICK: I love
<i>Beauty and the Beast.</i>

1224
01:10:43,081 --> 01:10:44,751
- No. Well, it's called...
- It's called just <i>Edward,</i>

1225
01:10:44,853 --> 01:10:48,551
which presumably means that
you are the star of the show.

1226
01:10:48,654 --> 01:10:50,588
CLAY: Our Guy,
a Broadway star?

1227
01:10:50,690 --> 01:10:52,294
- Off-Broadway.
- Off-Broadway, Broadway.

1228
01:10:52,397 --> 01:10:53,591
OSWALD: His first step
on the road to glory.

1229
01:10:53,693 --> 01:10:54,758
NICK: Show business.
OSWALD: I saw

1230
01:10:54,860 --> 01:10:56,463
a little bit of it,
and I was gobsmacked.

1231
01:10:56,566 --> 01:10:57,992
You were leading
a double life, and I knew it.

1232
01:10:58,095 --> 01:10:59,764
He's cheating on us,
that's what he's doing.

1233
01:10:59,866 --> 01:11:01,397
I... I'm getting the feeling
I've messed things

1234
01:11:01,499 --> 01:11:02,868
up for you tonight.

1235
01:11:02,970 --> 01:11:04,472
CLAY: Yeah, you've outed him.
Look how embarrassed he is.

1236
01:11:04,574 --> 01:11:05,636
- EDWARD: I'm not...
- Little bashful, you are...

1237
01:11:05,738 --> 01:11:06,736
MARIANA: He's
always embarrassed.

1238
01:11:06,838 --> 01:11:08,510
He's this little, like,
Nervous Nelly,

1239
01:11:08,612 --> 01:11:09,775
- I always call him, you know?
- NICK: Well, you should

1240
01:11:09,877 --> 01:11:11,046
see him when he gets bashful
like the seven dwarfs.

1241
01:11:11,149 --> 01:11:12,215
Would you like
a drink, Oswald?

1242
01:11:12,317 --> 01:11:13,680
OSWALD: I...
Actually, I have to skedaddle.

1243
01:11:13,782 --> 01:11:15,511
But it was lovely meeting
all of you. And a thousand...

1244
01:11:15,613 --> 01:11:17,087
And a thousand apologies

1245
01:11:17,189 --> 01:11:19,255
if I caused
any discomfiture at all.

1246
01:11:19,357 --> 01:11:20,615
- It wasn't my place to...
- CLAY: No, no, no.

1247
01:11:20,717 --> 01:11:21,852
...to reveal your secret.

1248
01:11:21,954 --> 01:11:23,687
- Oh, it's... [CHUCKLES]
- I will hopefully meet

1249
01:11:23,789 --> 01:11:25,658
all of you again,
and I will see you,

1250
01:11:25,760 --> 01:11:28,758
my friend, on stage,
cheering from the front row.

1251
01:11:28,860 --> 01:11:30,031
Take care.
Lovely meeting you all.

1252
01:11:30,133 --> 01:11:31,333
NICK: Bye, bye, Oswald.

1253
01:11:31,435 --> 01:11:34,467
OSWALD: I'm mortified
by my recklessness,

1254
01:11:34,569 --> 01:11:36,238
and I hope this doesn't
come between us.

1255
01:11:36,340 --> 01:11:37,866
I just wanted
to make sure you knew

1256
01:11:37,968 --> 01:11:39,835
how much I enjoyed
your performance.

1257
01:11:39,937 --> 01:11:41,607
- Take care, Guy.
- MARIANA: When is it?

1258
01:11:41,709 --> 01:11:43,011
- I mean, can we come?
- NICK: Does it have

1259
01:11:43,113 --> 01:11:44,212
your little pock mark...

1260
01:11:44,314 --> 01:11:45,446
CLAY: I like
that guy's accent.

1261
01:11:45,548 --> 01:11:46,975
- Is he from around here?
- NICK: So, Edward...

1262
01:11:47,078 --> 01:11:48,844
- Don't call me that.
- NICK: [CHUCKLES] Edward.

1263
01:11:48,946 --> 01:11:51,187
It's a cute name
on you, first of all.

1264
01:11:51,289 --> 01:11:53,221
I just don't understand.
He talks...

1265
01:11:53,323 --> 01:11:54,619
He speaks
to the audience in...

1266
01:11:54,721 --> 01:11:57,060
In these long
philosophical monologues,

1267
01:11:57,162 --> 01:11:58,493
and then when he talks
to Fiona,

1268
01:11:58,595 --> 01:12:01,528
- he's monosyllabic.
- Yeah. You want more lines?

1269
01:12:01,630 --> 01:12:03,057
You can barely remember
the ones you have.

1270
01:12:03,160 --> 01:12:05,733
And why does he have
to be so grateful to her?

1271
01:12:05,835 --> 01:12:07,095
- Just because he has this...
- INGRID: He's not grateful!

1272
01:12:07,197 --> 01:12:09,105
He's so indebted to her
just for talking to him?

1273
01:12:09,207 --> 01:12:10,467
No. He's nervous
because he hasn't

1274
01:12:10,569 --> 01:12:11,770
had a lot of experience.

1275
01:12:11,872 --> 01:12:13,136
How do you know what kind
of experience he's had?

1276
01:12:13,238 --> 01:12:15,071
- Are you fucking kidding me?
- Maybe he's had a rich life.

1277
01:12:15,173 --> 01:12:17,412
- We don't know his backstory.
- I know the backstory

1278
01:12:17,514 --> 01:12:18,808
of my own character,
thank you very much.

1279
01:12:18,910 --> 01:12:20,249
And then he has
to go kill himself,

1280
01:12:20,351 --> 01:12:21,648
'cause, of course,
he's so depressed

1281
01:12:21,750 --> 01:12:24,014
- because he's deformed.
- Look who I ran into.

1282
01:12:24,582 --> 01:12:27,519
Guy, my fellow!

1283
01:12:27,621 --> 01:12:29,125
Ah, it's good
to see you again.

1284
01:12:29,227 --> 01:12:30,326
INGRID: Do you know
each other?

1285
01:12:30,428 --> 01:12:32,360
Uh, yeah. I drunkenly
descended upon Guy,

1286
01:12:32,462 --> 01:12:34,055
and his real estate mates
at the pub.

1287
01:12:34,157 --> 01:12:35,696
- Real estate mates?
- OSWALD: Lovely bunch.

1288
01:12:35,798 --> 01:12:38,131
I forgot to say, I'm looking
for a place of my own.

1289
01:12:38,233 --> 01:12:39,127
Oh, sorry. Oswald.

1290
01:12:39,229 --> 01:12:41,666
- INGRID: I'm Ingrid.
- Ah, the marvelous scribe.

1291
01:12:41,768 --> 01:12:43,571
- INGRID: And director.
- Ah, <i>la maestra.</i>

1292
01:12:43,673 --> 01:12:46,241
INGRID: Um, and this is Fiona,
who plays Iris.

1293
01:12:46,343 --> 01:12:47,274
- OSWALD: Hey.
- Good to meet you.

1294
01:12:47,376 --> 01:12:48,341
Uh, and yeah, you met Vivian.

1295
01:12:48,443 --> 01:12:49,543
- OSWALD: Of course.
- Yeah.

1296
01:12:49,646 --> 01:12:53,149
Uh, I don't know if this
is okay with you, I...

1297
01:12:53,251 --> 01:12:54,447
Would you like
to stay and watch?

1298
01:12:54,549 --> 01:12:55,779
OSWALD: Oh, I'm...
I'm developing

1299
01:12:55,881 --> 01:12:57,683
somewhat of a reputation
of intruding

1300
01:12:57,785 --> 01:12:58,955
- where I'm not wanted.
- [VIVIAN CHUCKLES]

1301
01:12:59,057 --> 01:13:01,223
No, not at all, really.

1302
01:13:01,325 --> 01:13:02,487
It will be
nerve-wracking for us.

1303
01:13:02,589 --> 01:13:03,656
The play's still very nascent.

1304
01:13:03,758 --> 01:13:05,154
- [OSWALD CHUCKLES]
- Nothing is set in stone.

1305
01:13:05,256 --> 01:13:07,492
OSWALD: Oh, everyone's so
self-conscious in showbiz.

1306
01:13:07,594 --> 01:13:08,828
- I love it.
- INGRID: Yes.

1307
01:13:08,930 --> 01:13:10,294
OSWALD: Though I am intrigued
by this whole process,

1308
01:13:10,396 --> 01:13:11,433
I have to admit.

1309
01:13:11,535 --> 01:13:13,294
INGRID: Um, well,
if you're not too busy.

1310
01:13:13,396 --> 01:13:15,369
OSWALD: No. I mean, I've just
had Jiu-Jitsu practice,

1311
01:13:15,471 --> 01:13:16,637
- so I'm a bit sweaty.
- Oh, wow.

1312
01:13:16,739 --> 01:13:18,107
OSWALD: But other than that,
I was just gonna sit

1313
01:13:18,209 --> 01:13:19,134
in the park and read my book.

1314
01:13:19,236 --> 01:13:21,276
- INGRID: What are you reading?
<i>- The Bluest Eye,</i>

1315
01:13:21,378 --> 01:13:22,611
- by Toni Morrison.
- That's one

1316
01:13:22,713 --> 01:13:24,008
- of my favorite books!
- OSWALD: Really? Oh, no way.

1317
01:13:24,110 --> 01:13:26,612
It just so happens I was
inspired by Guy to pick it up.

1318
01:13:26,714 --> 01:13:28,644
He's got these
piercing blue eyes.

1319
01:13:28,746 --> 01:13:29,714
And when I first saw them,

1320
01:13:29,816 --> 01:13:31,849
I was like,
"Ah, that reminds me."

1321
01:13:31,951 --> 01:13:33,521
Really? I never noticed
your eyes, Guy.

1322
01:13:33,624 --> 01:13:35,424
- Okay. Sit anywhere you want.
- OSWALD: Cool.

1323
01:13:35,526 --> 01:13:37,721
It will be boring,
stopping and starting.

1324
01:13:37,823 --> 01:13:39,028
OSWALD: You won't
know I'm here.

1325
01:13:39,130 --> 01:13:40,123
- Yeah, scene 16.
- Sixteen.

1326
01:13:40,225 --> 01:13:43,500
Yeah, just from the top.
Okay, and then, it's, uh...

1327
01:13:43,968 --> 01:13:45,194
Okay. [MUMBLING]

1328
01:13:52,643 --> 01:13:54,739
OSWALD: I was sad when he
offed himself in the end.

1329
01:13:54,841 --> 01:13:56,039
INGRID: Yeah, well,
it's a tragedy.

1330
01:13:56,141 --> 01:13:57,179
OSWALD: I mean, I know
There's... There's nothing

1331
01:13:57,281 --> 01:13:58,377
can really be done about it.

1332
01:13:58,479 --> 01:14:00,016
And I really like Edward.

1333
01:14:00,118 --> 01:14:00,876
A rather passive chap.

1334
01:14:00,978 --> 01:14:02,846
Well, of course,
till the suicide.

1335
01:14:02,948 --> 01:14:04,785
But honestly,
I was really hoping

1336
01:14:04,887 --> 01:14:07,584
Edward, and, uh, Fiona,
would live happily ever after.

1337
01:14:07,686 --> 01:14:08,686
- Oh, yeah.
- But then,

1338
01:14:08,788 --> 01:14:09,751
would the audience
believe that?

1339
01:14:09,853 --> 01:14:11,558
FIONA: I love your accent.

1340
01:14:11,660 --> 01:14:12,792
OSWALD: [CHUCKLES]
I get that a lot.

1341
01:14:12,894 --> 01:14:14,925
You yanks love my mellifluous
lyrical stylings.

1342
01:14:15,027 --> 01:14:16,900
- [ALL CHUCKLING]
- OSWALD: But back at home,

1343
01:14:17,002 --> 01:14:17,795
I'm just a bloke.

1344
01:14:17,897 --> 01:14:20,200
No one pays any attention
to me at all.

1345
01:14:20,302 --> 01:14:21,062
[GASPS] Oh, my God.

1346
01:14:21,164 --> 01:14:22,866
We should have
Edward have an accent.

1347
01:14:22,968 --> 01:14:24,271
I reckon the critics
would find it

1348
01:14:24,373 --> 01:14:25,505
a really classy endeavor.

1349
01:14:25,607 --> 01:14:26,938
- That's a great idea.
- Do it.

1350
01:14:27,040 --> 01:14:29,345
- Guy speak like Oswald.
- I... I can't. I can't.

1351
01:14:29,447 --> 01:14:31,144
- Sure you can.
- Come on. 'Ello mate.

1352
01:14:31,246 --> 01:14:32,040
'Ello mate.

1353
01:14:32,142 --> 01:14:33,041
INGRID: Yeah.
OSWALD: Yeah, yeah, look.

1354
01:14:33,143 --> 01:14:34,584
How's... How's
the old lady doin'?

1355
01:14:34,686 --> 01:14:35,648
[IN BRITISH ACCENT]
Uh, how's the old lady doing?

1356
01:14:35,750 --> 01:14:36,779
INGRID: That's horrible.
OSWALD: I mean...

1357
01:14:36,882 --> 01:14:38,054
OSWALD: It needs
some refinement,

1358
01:14:38,156 --> 01:14:39,048
but we'll get you there.

1359
01:14:39,150 --> 01:14:40,523
[IN NORMAL VOICE] You do
an American accent.

1360
01:14:40,625 --> 01:14:41,653
[IN AMERICAN ACCENT]
I coulda been a contender.

1361
01:14:41,755 --> 01:14:43,456
- INGRID AND FIONA: Yeah!
- Adrienne!

1362
01:14:43,558 --> 01:14:45,056
- Yes!
- I am not a crook.

1363
01:14:45,158 --> 01:14:48,024
INGRID: Wow, that's amazing.
Why can't you do that?

1364
01:14:48,126 --> 01:14:49,357
OSWALD: [IN NORMAL VOICE]
You're not playing

1365
01:14:49,459 --> 01:14:50,463
- Master Harold after all.
- INGRID: I guess they didn't

1366
01:14:50,565 --> 01:14:51,697
teach you accents at Julliard.

1367
01:14:51,799 --> 01:14:53,063
OSWALD: Really, Guy.
I had an affinity

1368
01:14:53,165 --> 01:14:55,669
for accents as a child,
like moving around a lot,

1369
01:14:55,771 --> 01:14:57,239
and it just, sort of,
blossomed into one

1370
01:14:57,341 --> 01:14:58,635
of my many useless talents.

1371
01:14:58,737 --> 01:14:59,735
What's your other talents?

1372
01:14:59,837 --> 01:15:01,010
Ooh, well, I can yodel.

1373
01:15:01,112 --> 01:15:02,078
Yodel-aye-ee-hoo!

1374
01:15:02,180 --> 01:15:03,842
I can juggle. I can sing.

1375
01:15:03,944 --> 01:15:05,807
I can play sax,
though I'm no Coltrane.

1376
01:15:05,909 --> 01:15:07,175
And I'm learning to weave.

1377
01:15:07,278 --> 01:15:09,111
- I'm ashamed to say.
- Oh, what can't you do?

1378
01:15:09,213 --> 01:15:11,418
- I mean, I can't whistle.
- I can teach you.

1379
01:15:11,520 --> 01:15:13,048
[INGRID WHISTLES] You just...

1380
01:15:13,150 --> 01:15:15,156
BOTH: Put your lips
together and blow!

1381
01:15:15,258 --> 01:15:17,051
[BOTH LAUGHING]

1382
01:15:17,153 --> 01:15:19,391
Oh, I can't drive
that well either.

1383
01:15:19,493 --> 01:15:20,729
INGRID: Can you act?

1384
01:15:22,067 --> 01:15:23,699
[PAPERS RUSTLING]

1385
01:15:25,367 --> 01:15:27,362
[INGRID MURMURING]

1386
01:15:30,439 --> 01:15:31,707
EDWARD: What time is it?

1387
01:15:32,704 --> 01:15:34,040
INGRID: He's right.

1388
01:15:34,476 --> 01:15:35,876
Edward is too passive.

1389
01:15:40,814 --> 01:15:43,653
What does he know
about Edward?

1390
01:15:44,685 --> 01:15:46,348
INGRID: I made him a victim.

1391
01:15:47,888 --> 01:15:50,022
I fell into
the most obvious trap.

1392
01:15:51,562 --> 01:15:53,993
What is he supposed
to be? A hero?

1393
01:15:55,265 --> 01:15:56,860
An inspiration?

1394
01:15:56,962 --> 01:16:00,802
INGRID: He's...
He's just Edward.

1395
01:16:02,307 --> 01:16:03,766
Look, you said it yourself.

1396
01:16:03,868 --> 01:16:05,136
You wanted more lines.

1397
01:16:06,036 --> 01:16:07,872
And then you got mad at me.

1398
01:16:07,974 --> 01:16:10,042
- But if Oswald says it then...
- Come on.

1399
01:16:11,208 --> 01:16:12,643
EDWARD: The guy
who killed Lincoln.

1400
01:16:12,745 --> 01:16:15,377
- INGRID: What?
- Oswald.

1401
01:16:17,982 --> 01:16:19,348
INGRID: Oswald killed Kennedy.

1402
01:16:20,621 --> 01:16:24,453
Whatever. Lincoln, right?

1403
01:16:25,156 --> 01:16:27,122
A disgruntled actor
killed Lincoln,

1404
01:16:27,224 --> 01:16:28,929
right there
in the theater, right?

1405
01:16:29,660 --> 01:16:30,898
Hinkley.

1406
01:16:31,729 --> 01:16:32,933
INGRID: Booth.

1407
01:16:34,503 --> 01:16:35,699
Right there in the booth.

1408
01:16:35,801 --> 01:16:38,400
[TENSE MUSIC PLAYING]

1409
01:16:44,215 --> 01:16:45,073
MURRAY: I'm sorry.

1410
01:16:45,175 --> 01:16:48,179
This must feel
very dehumanizing.

1411
01:16:51,652 --> 01:16:54,350
Uh-oh. It's very fragile.

1412
01:16:58,123 --> 01:16:59,922
No! Leave me alone!
Don't touch me!

1413
01:17:00,024 --> 01:17:01,225
But I was only trying to...

1414
01:17:01,327 --> 01:17:04,527
Yes! You're always trying
to be helpful, aren't you?

1415
01:17:04,630 --> 01:17:05,929
Yes! Uh...

1416
01:17:06,031 --> 01:17:08,635
Uh, I...
I don't want your pity!

1417
01:17:08,737 --> 01:17:10,402
You, you... I...
I know you dis...

1418
01:17:10,504 --> 01:17:12,202
I disgust you!

1419
01:17:12,304 --> 01:17:13,938
- FIONA: That isn't true.
- You don't think I know

1420
01:17:14,040 --> 01:17:15,970
what all your...
All your little friends

1421
01:17:16,072 --> 01:17:17,340
[HESITATES] say about me?

1422
01:17:17,442 --> 01:17:19,547
"Why are you hanging out
with that, with that freak?

1423
01:17:19,649 --> 01:17:20,912
"He's gonna get
the wrong idea."

1424
01:17:21,014 --> 01:17:23,280
Well, you're
the worst out of all them!

1425
01:17:23,382 --> 01:17:26,783
Ah! Ah... I don't...
I don't care about your caring

1426
01:17:26,885 --> 01:17:28,890
and kindness and fussing!

1427
01:17:30,260 --> 01:17:32,157
Fuck. [SIGHS]

1428
01:17:34,297 --> 01:17:35,259
I hate you.

1429
01:17:36,995 --> 01:17:39,131
[PEOPLE CHATTERING INDISTINCTLY]

1430
01:17:44,108 --> 01:17:45,203
Sir Guy.

1431
01:17:46,369 --> 01:17:48,705
What are you...
What are you doing here?

1432
01:17:48,807 --> 01:17:50,208
Yoga in the park.

1433
01:17:51,513 --> 01:17:52,507
Do you do yoga?

1434
01:17:53,650 --> 01:17:55,680
- No.
- Oh, you should try it.

1435
01:17:55,782 --> 01:17:57,182
It's really therapeutic.

1436
01:17:58,050 --> 01:17:59,783
- Yeah.
- I mean, off the record,

1437
01:17:59,885 --> 01:18:01,019
it's a bit of a chore,

1438
01:18:01,122 --> 01:18:03,086
but they say it's good
for your withering body.

1439
01:18:03,188 --> 01:18:04,821
I think I'm feeling
the benefits,

1440
01:18:04,923 --> 01:18:06,524
but maybe it's a placebo.

1441
01:18:06,626 --> 01:18:07,830
I don't know.

1442
01:18:08,631 --> 01:18:10,096
Oh, would you look at that.

1443
01:18:15,637 --> 01:18:17,840
[PROFOUND MUSIC PLAYING]

1444
01:18:27,813 --> 01:18:29,984
[OSWALD LAUGHING]

1445
01:18:31,251 --> 01:18:34,522
<i>♪ I floated lonely down
the street one day... ♪</i>

1446
01:18:34,624 --> 01:18:35,689
OSWALD: Oh, I almost forgot.

1447
01:18:35,791 --> 01:18:37,691
They did
the mock-up today. Right?

1448
01:18:37,793 --> 01:18:38,955
[KARAOKE PERFORMANCE
CONTINUES]

1449
01:18:39,057 --> 01:18:41,330
Latex isn't it? How'd it go?

1450
01:18:41,432 --> 01:18:42,631
You heard about that?

1451
01:18:42,733 --> 01:18:44,861
Yeah, Ingrid was
quite stressy about it.

1452
01:18:44,963 --> 01:18:46,931
- Did it come off?
- What?

1453
01:18:47,033 --> 01:18:48,771
Did it have
the desired effect?

1454
01:18:48,873 --> 01:18:51,433
- Well, it's still a...
- Work in progress. Right?

1455
01:18:51,535 --> 01:18:54,171
Gonna take a bit of refinement
to get it spot on.

1456
01:18:54,273 --> 01:18:57,008
That's what Murray said,
the makeup artist.

1457
01:18:57,110 --> 01:18:59,649
Did you know
he's half Northern Irish?

1458
01:18:59,751 --> 01:19:00,975
He said that's
the most complicated thing

1459
01:19:01,077 --> 01:19:02,617
he's ever worked on.

1460
01:19:02,719 --> 01:19:04,753
I can't wait
to see it in action.

1461
01:19:04,856 --> 01:19:06,655
Part of me wants to
wait till opening night

1462
01:19:06,757 --> 01:19:09,186
so I get hit
by the full effect of it,

1463
01:19:09,288 --> 01:19:11,353
but I still think
I'll swing by tomorrow.

1464
01:19:11,455 --> 01:19:13,321
Ingrid wants some
feedback on the new pages,

1465
01:19:13,423 --> 01:19:15,293
and it's always nice
to see the gang.

1466
01:19:17,731 --> 01:19:18,764
You don't work?

1467
01:19:18,866 --> 01:19:20,331
OSWALD: Frankly, I don't work.

1468
01:19:20,433 --> 01:19:23,135
I made some lucky investments
when I was at university

1469
01:19:23,237 --> 01:19:25,906
before running off
to Tangiers with my professor.

1470
01:19:26,009 --> 01:19:28,171
Right now I'm looking
for a place in the city,

1471
01:19:28,273 --> 01:19:29,708
which is why I thought
I'd sit down

1472
01:19:29,810 --> 01:19:30,942
and have a chat with you.

1473
01:19:31,044 --> 01:19:32,348
- So...
- SADIE: Look who it is.

1474
01:19:32,450 --> 01:19:34,141
Can I believe my eyes?

1475
01:19:34,243 --> 01:19:36,182
Oswald, you owe me dinner.

1476
01:19:36,684 --> 01:19:37,650
I'm so ashamed.

1477
01:19:37,752 --> 01:19:40,455
[CHUCKLES] Hi. I'm Sadie.

1478
01:19:40,557 --> 01:19:41,349
- Hey.
- SADIE: Hmm.

1479
01:19:41,451 --> 01:19:44,220
Oh, this is Guy.
He's a masterful actor.

1480
01:19:44,322 --> 01:19:47,828
Oh, no. I have
bad luck with actors.

1481
01:19:47,930 --> 01:19:50,230
We are working
on a play together.

1482
01:19:50,699 --> 01:19:51,833
You never stop, do you?

1483
01:19:51,936 --> 01:19:54,896
[CHUCKLES] Oswald is
one of my favorite people

1484
01:19:54,998 --> 01:19:56,331
in the world.

1485
01:19:56,433 --> 01:19:58,807
How about I call you,
say next week?

1486
01:19:58,909 --> 01:20:02,274
[CHUCKLES] I'll believe it
when I see it.

1487
01:20:05,683 --> 01:20:07,642
[SADIE WHISPERING
INDISTINCTLY]

1488
01:20:08,452 --> 01:20:09,446
[CLEARS THROAT]

1489
01:20:10,114 --> 01:20:11,684
Nice to meet you, Guy.

1490
01:20:11,786 --> 01:20:12,987
Watch out for this one.

1491
01:20:13,089 --> 01:20:15,289
- [KARAOKE PERFORMANCE ENDS]
- [CROWD APPLAUDING]

1492
01:20:16,092 --> 01:20:18,922
- Who was that?
- I mean, I know how it looks.

1493
01:20:19,024 --> 01:20:20,828
Just don't get any ideas.

1494
01:20:20,930 --> 01:20:23,260
EMCEE ON MIC:
<i>Next up, we have Oswald.</i>

1495
01:20:23,362 --> 01:20:25,127
- Cheer me on, good sir.
- EMCEE: <i>Oswald.</i>

1496
01:20:25,229 --> 01:20:27,431
[MUSIC PLAYING OVER SPEAKERS]

1497
01:20:41,244 --> 01:20:43,953
OSWALD: <i>♪ Sitting here</i>

1498
01:20:44,884 --> 01:20:47,055
<i>♪ In this chair</i>

1499
01:20:48,756 --> 01:20:50,619
<i>♪ Waiting on you</i>

1500
01:20:51,354 --> 01:20:56,427
<i>♪ Oh, baby to see things my way</i>

1501
01:20:57,701 --> 01:21:00,129
<i>♪ But not a word do you say</i>

1502
01:21:00,232 --> 01:21:03,170
<i>♪ You won't even look my way</i>

1503
01:21:08,207 --> 01:21:11,842
<i>♪ Girl, I'm spending my dimes</i>

1504
01:21:11,944 --> 01:21:14,211
<i>♪ Wasting my time</i>

1505
01:21:14,313 --> 01:21:19,422
<i>♪ Talking 'til
I'm black and blue</i>

1506
01:21:19,524 --> 01:21:21,188
<i>♪ Oh, can't you see</i>

1507
01:21:22,022 --> 01:21:25,258
<i>♪ I wanna get next to you</i>

1508
01:21:38,909 --> 01:21:43,174
<i>♪ Dreams of you
and I go sailing by</i>

1509
01:21:43,276 --> 01:21:47,680
<i>♪ Whenever your eyes
meet mine</i>

1510
01:21:47,782 --> 01:21:49,445
<i>♪ You're so fine</i>

1511
01:21:49,548 --> 01:21:55,757
<i>♪ And girl you make me feel
so insecure</i>

1512
01:21:55,859 --> 01:21:58,725
<i>♪ You're so beautiful and pure</i>

1513
01:21:58,827 --> 01:22:02,895
<i>♪ Why must you be unkind</i>

1514
01:22:02,997 --> 01:22:04,598
<i>♪ And tell me I'm not your kind</i>

1515
01:22:04,700 --> 01:22:06,462
<i>♪ Blowing my mind</i>

1516
01:22:06,564 --> 01:22:11,570
<i>♪ Girl my, my money
is low and I know</i>

1517
01:22:11,673 --> 01:22:12,634
[LAUGHING]

1518
01:22:12,736 --> 01:22:17,843
<i>♪ That I can't take you
to the fancy places</i>

1519
01:22:17,945 --> 01:22:19,648
<i>♪ You might wanna go ♪</i>

1520
01:22:19,751 --> 01:22:21,114
EDWARD: I'm not Edward anymore?

1521
01:22:21,217 --> 01:22:24,817
Oh, no, you are,
just after his transformation.

1522
01:22:24,919 --> 01:22:26,151
What is he talking about?

1523
01:22:26,253 --> 01:22:27,820
INGRID: Well,
I've been thinking,

1524
01:22:27,922 --> 01:22:29,450
and to your credit, Guy,

1525
01:22:29,552 --> 01:22:31,758
you were right,
and Oswald, too.

1526
01:22:31,860 --> 01:22:33,929
The suicide was ludicrous.

1527
01:22:34,031 --> 01:22:36,796
This wasn't meant
to be a tragic love story.

1528
01:22:36,898 --> 01:22:38,394
Why can't they be happy?

1529
01:22:38,496 --> 01:22:40,134
And then Oswald
and I were talking about

1530
01:22:40,236 --> 01:22:42,167
<i>Beauty and the Beast</i>
and how he, in the end,

1531
01:22:42,269 --> 01:22:44,905
- becomes a beautiful prince.
- A prince?

1532
01:22:45,007 --> 01:22:46,674
OSWALD: And you are
that prince.

1533
01:22:46,776 --> 01:22:47,777
And you are the beast?

1534
01:22:47,879 --> 01:22:49,011
OSWALD: No, no,
I'm not the beast.

1535
01:22:49,113 --> 01:22:50,505
I'm Edward. This isn't
<i>Beauty and the Beast.</i>

1536
01:22:50,607 --> 01:22:52,378
That was just
by way of explaining.

1537
01:22:52,879 --> 01:22:54,278
[SCOFFS] Okay.

1538
01:22:54,380 --> 01:22:56,651
I don't understand
how he transforms.

1539
01:22:56,753 --> 01:22:58,085
How, how... [CHUCKLES]

1540
01:22:58,188 --> 01:23:00,818
- How is this possible?
- He doesn't transform.

1541
01:23:00,920 --> 01:23:01,890
Not literally.

1542
01:23:01,992 --> 01:23:03,557
OSWALD: She just sees
him differently.

1543
01:23:03,659 --> 01:23:05,225
EDWARD: Why?

1544
01:23:05,327 --> 01:23:08,061
You know how we idealize
people when we're in love?

1545
01:23:08,163 --> 01:23:09,260
So I'm the idealized version
of Oswald?

1546
01:23:09,362 --> 01:23:11,127
OSWALD: No, no.
Not me, of Edward.

1547
01:23:11,229 --> 01:23:12,597
Why can't it just be him?

1548
01:23:12,699 --> 01:23:14,329
Why does she have to idealize
him so he's somebody he isn't?

1549
01:23:14,431 --> 01:23:16,231
INGRID: Well, frankly, Guy,

1550
01:23:16,333 --> 01:23:17,535
to keep you in the play.

1551
01:23:18,335 --> 01:23:19,468
Look, this is hard for me,

1552
01:23:19,570 --> 01:23:21,237
but I really need Oswald
to be Edward,

1553
01:23:21,340 --> 01:23:22,537
and he refused
unless there was

1554
01:23:22,639 --> 01:23:24,476
a part for you,
because he loves you

1555
01:23:24,578 --> 01:23:26,882
and he didn't want it to be
like he was replacing you.

1556
01:23:26,984 --> 01:23:28,275
You should really be
thanking Oswald.

1557
01:23:28,377 --> 01:23:29,712
This is my decision.

1558
01:23:29,814 --> 01:23:32,087
I had to beg him to do it.
Look, it's not you Guy.

1559
01:23:32,189 --> 01:23:34,022
It's... It's the whole...
The mask, the makeup.

1560
01:23:34,124 --> 01:23:37,192
It's a total bust.
And Oswald, I mean...

1561
01:23:38,188 --> 01:23:39,929
Ingrid insisted.

1562
01:23:40,031 --> 01:23:41,697
And I have to admit,
this does feel like

1563
01:23:41,799 --> 01:23:43,427
a uniquely rare opportunity

1564
01:23:43,530 --> 01:23:46,531
for a role that I was
arguably born to play.

1565
01:23:46,633 --> 01:23:48,937
You're selling yourself short.
You could play Hamlet.

1566
01:23:49,039 --> 01:23:50,738
[CHUCKLES] She's such
a canny director,

1567
01:23:50,840 --> 01:23:51,807
flattering me like that.

1568
01:23:51,909 --> 01:23:52,974
Frankly, Guy,
we've been making

1569
01:23:53,076 --> 01:23:54,470
all these changes
and you've been having

1570
01:23:54,572 --> 01:23:56,237
a hard time,
memorizing your new lines.

1571
01:23:56,339 --> 01:23:57,340
I haven't. I just...

1572
01:23:57,442 --> 01:23:58,878
- It's a process.
- Whereas, Oswald,

1573
01:23:58,980 --> 01:24:01,313
has photographic memory.

1574
01:24:01,415 --> 01:24:03,216
I mean, sure I have
photographic memory,

1575
01:24:03,318 --> 01:24:05,154
technically,
but will that come in handy

1576
01:24:05,256 --> 01:24:07,582
- in this situation?
- You already know your lines.

1577
01:24:07,684 --> 01:24:09,254
I know my lines,
sure, but can I act?

1578
01:24:09,356 --> 01:24:11,960
- That is the question.
- You can. He can.

1579
01:24:12,062 --> 01:24:13,661
You've seen it.
We've all seen it.

1580
01:24:13,763 --> 01:24:14,993
Oswald's a natural.

1581
01:24:15,095 --> 01:24:16,159
If it's right, it's right.

1582
01:24:16,261 --> 01:24:17,633
You... You know the lines?

1583
01:24:17,735 --> 01:24:18,932
You, you've seen him act?

1584
01:24:19,035 --> 01:24:20,265
When... When did
all this happen?

1585
01:24:20,367 --> 01:24:21,365
When he's been giving
me feedback.

1586
01:24:21,467 --> 01:24:22,937
OSWALD: Guy, you're
a masterful actor,

1587
01:24:23,039 --> 01:24:24,404
which is why
this is so tragic.

1588
01:24:24,506 --> 01:24:26,834
I really don't know what
the ethical thing to do is.

1589
01:24:26,936 --> 01:24:29,010
The right thing to do is
for you to take the role,

1590
01:24:29,112 --> 01:24:31,547
and you still get
to play Edward, Guy,

1591
01:24:31,649 --> 01:24:32,442
just transformed.

1592
01:24:32,544 --> 01:24:33,880
And you don't have
to hide your face

1593
01:24:33,982 --> 01:24:35,080
behind that idiotic thing.

1594
01:24:35,182 --> 01:24:36,611
You, you get more recognition.

1595
01:24:36,713 --> 01:24:38,349
- For one scene.
- But what a scene.

1596
01:24:38,451 --> 01:24:40,216
- The finale.
- No one's gonna believe

1597
01:24:40,318 --> 01:24:41,517
that Edward looks like him

1598
01:24:41,619 --> 01:24:43,486
and then suddenly
he just looks like me.

1599
01:24:43,588 --> 01:24:44,787
- Magic!
- EDWARD: But she loves him

1600
01:24:44,889 --> 01:24:46,459
for who he is. If he changes,
then who is he then?

1601
01:24:46,561 --> 01:24:48,898
INGRID: Same person.
OSWALD: Same bloke, new face.

1602
01:24:49,000 --> 01:24:49,965
EDWARD: That's
a different person!

1603
01:24:50,067 --> 01:24:51,064
VIVIAN: It's
a metaphorical change.

1604
01:24:51,166 --> 01:24:52,197
Right out
of <i>Beauty and the Beast.</i>

1605
01:24:52,299 --> 01:24:53,869
She loves him,
therefore, <i>voila,</i>

1606
01:24:53,971 --> 01:24:55,102
he appears
more beautiful to her.

1607
01:24:55,204 --> 01:24:56,671
But he has to pretend
to be a beast

1608
01:24:56,773 --> 01:24:57,633
to prove her love.

1609
01:24:57,735 --> 01:24:59,139
He doesn't wanna be
loved for his looks.

1610
01:24:59,241 --> 01:25:00,601
No, she loves him
because he's a beast.

1611
01:25:00,703 --> 01:25:01,836
Or in spite
of his beastliness.

1612
01:25:01,938 --> 01:25:03,405
They're talking
about you like you're a beast.

1613
01:25:03,507 --> 01:25:04,774
We're talking about Edward.

1614
01:25:06,212 --> 01:25:07,209
Edward is not a beast.

1615
01:25:07,311 --> 01:25:08,580
Oh, no. Heavens, no.

1616
01:25:08,682 --> 01:25:11,380
But if we are gonna be using
<i>Beauty and the Beast</i>

1617
01:25:11,483 --> 01:25:13,681
as our
hypothetical comparison,

1618
01:25:13,783 --> 01:25:15,857
well, let's just all start
being honest

1619
01:25:15,959 --> 01:25:17,589
with ourselves, old friend.

1620
01:25:18,522 --> 01:25:20,724
[INGRID SPEAKING INDISTINCTLY]

1621
01:25:23,562 --> 01:25:24,560
VIVIAN: I'll put it
on my calendar.

1622
01:25:24,662 --> 01:25:26,262
- EDWARD: Hey.
- Okay, great, yeah.

1623
01:25:26,364 --> 01:25:29,202
- What?
- Let's go home.

1624
01:25:29,304 --> 01:25:30,301
- Let's have a drink.
- EDWARD: Mmm.

1625
01:25:30,403 --> 01:25:32,472
- Don't be mopey.
- I'm not thirsty.

1626
01:25:33,471 --> 01:25:34,969
Come or go. It's up to you.

1627
01:25:36,547 --> 01:25:37,510
Come on.

1628
01:25:39,212 --> 01:25:40,678
Come on. Come for one.

1629
01:25:53,164 --> 01:25:56,057
OSWALD: At first,
the thought terrified me,

1630
01:25:56,159 --> 01:26:00,797
having my face disseminated
to screens across the world,

1631
01:26:00,899 --> 01:26:04,966
that no matter what the hour,
people were seeing me,

1632
01:26:05,809 --> 01:26:07,369
were laughing at me,

1633
01:26:07,471 --> 01:26:09,240
were horrified by me.

1634
01:26:09,342 --> 01:26:10,838
And that even when I'm gone,

1635
01:26:10,941 --> 01:26:14,545
my image would remain
for others to despise.

1636
01:26:14,647 --> 01:26:20,419
But then, this idea
gave me some comfort.

1637
01:26:20,521 --> 01:26:24,254
That if it wasn't me
they were laughing at,

1638
01:26:24,356 --> 01:26:26,193
if I had not been known,

1639
01:26:26,295 --> 01:26:29,497
if I had not had
to face my tormentors,

1640
01:26:30,133 --> 01:26:31,993
they'd be laughing
at someone else,

1641
01:26:33,034 --> 01:26:34,336
someone different.

1642
01:26:47,949 --> 01:26:49,010
[FIONA CHUCKLES]

1643
01:26:52,220 --> 01:26:54,916
[MUSIC PLAYING OVER SPEAKERS]

1644
01:26:55,018 --> 01:26:56,617
BELCHER: Hey, you were
in the show, weren't you?

1645
01:26:56,719 --> 01:26:59,421
I loved it. Congratulations.

1646
01:26:59,523 --> 01:27:01,759
- Hi. Ron Belcher.
- Thanks.

1647
01:27:03,065 --> 01:27:05,264
That guy's amazing, right?

1648
01:27:05,366 --> 01:27:06,797
I... I gotta be
honest with you,

1649
01:27:07,399 --> 01:27:08,701
I thought it was makeup.

1650
01:27:08,803 --> 01:27:10,905
I was saying to my wife...
It's actually our anniversary.

1651
01:27:11,007 --> 01:27:12,704
That's her over there.

1652
01:27:12,806 --> 01:27:14,871
I was saying to her,
"How'd they do that make-up?"

1653
01:27:14,973 --> 01:27:17,442
"Right? What is that?
Some kind of polymer, right?"

1654
01:27:17,544 --> 01:27:19,347
"Where'd they get
the budget for this?"

1655
01:27:19,449 --> 01:27:21,677
But she says to me,
"I think that's his face."

1656
01:27:21,779 --> 01:27:24,680
And I said,
"No, babe, you're nuts.

1657
01:27:24,782 --> 01:27:26,617
"That's gotta be
some sort of get-up."

1658
01:27:26,719 --> 01:27:28,286
Like the whole time
I'm watching the show,

1659
01:27:28,388 --> 01:27:29,589
I'm sitting there thinking,

1660
01:27:29,691 --> 01:27:33,426
"Is that real or is it
some kind of weird effect?"

1661
01:27:33,528 --> 01:27:34,725
I mean, I couldn't
believe it either way.

1662
01:27:34,827 --> 01:27:36,857
Man, I didn't know what
I even wanted it to be.

1663
01:27:36,959 --> 01:27:40,567
So what was it like, uh,
working with him?

1664
01:27:42,535 --> 01:27:43,872
I guess underneath
all that, right,

1665
01:27:43,974 --> 01:27:45,305
he's just a regular guy.

1666
01:27:45,407 --> 01:27:47,338
Wonder if the guy that
wrote the play,

1667
01:27:47,440 --> 01:27:48,871
knew him before he wrote it,

1668
01:27:48,973 --> 01:27:50,773
or if he just came up
with a character like that

1669
01:27:50,876 --> 01:27:53,211
on his own and just hoped
the right guy would

1670
01:27:53,313 --> 01:27:54,278
come along by chance.

1671
01:27:54,380 --> 01:27:55,845
Right? Seems risky to me.

1672
01:27:55,947 --> 01:27:58,581
Right? How do you go about
finding that guy, right?

1673
01:27:58,683 --> 01:28:00,522
Looks exactly
how you envision.

1674
01:28:00,958 --> 01:28:01,816
He can act too, right?

1675
01:28:01,918 --> 01:28:03,357
I mean, how do you
even describe him?

1676
01:28:03,460 --> 01:28:05,359
What if they wanna put
the show on in Boise?

1677
01:28:05,461 --> 01:28:08,329
Like to fly that guy out?
What if he's dead?

1678
01:28:08,431 --> 01:28:10,797
They have to find
the Idaho version of him.

1679
01:28:11,399 --> 01:28:12,495
I don't know,
would a mask work?

1680
01:28:12,597 --> 01:28:14,401
Is that gonna be convincing?

1681
01:28:14,504 --> 01:28:16,837
Would another guy
with some other affliction,

1682
01:28:16,939 --> 01:28:18,701
do just as well?

1683
01:28:18,803 --> 01:28:20,175
I don't know.
Maybe they just cast,

1684
01:28:20,277 --> 01:28:22,938
uh, you know, regular guy
like you, right?

1685
01:28:23,040 --> 01:28:25,177
Or me, right? The way they do
Shakespeare now

1686
01:28:25,279 --> 01:28:26,314
with Black people, right?

1687
01:28:26,416 --> 01:28:29,044
That puts a different kind
of spin on it.

1688
01:28:29,146 --> 01:28:32,045
So I'm thinking all this
stuff during the show, right?

1689
01:28:32,148 --> 01:28:33,717
I mean, to be honest with you,
three hours ago,

1690
01:28:33,820 --> 01:28:35,455
I'm saying to myself,
"Do I really wanna go

1691
01:28:35,557 --> 01:28:38,058
"and sit in
an un-air conditioned theater,

1692
01:28:38,160 --> 01:28:39,426
"for God knows how long,

1693
01:28:39,529 --> 01:28:41,556
"to see some little play
I've never heard of?"

1694
01:28:41,658 --> 01:28:43,198
But it's our anniversary.

1695
01:28:43,300 --> 01:28:44,398
And now I'm thinking
all this shit,

1696
01:28:44,501 --> 01:28:46,666
so that's how I know
it's an interesting play.

1697
01:29:07,857 --> 01:29:08,952
Whoa!

1698
01:29:09,686 --> 01:29:10,921
[CUP CLANKS ON TABLE]

1699
01:29:12,328 --> 01:29:13,660
- Goddammit.
- [COFFEE DRIPPING]

1700
01:29:16,294 --> 01:29:17,499
[SIGHS]

1701
01:29:22,565 --> 01:29:23,769
Bloody hell.

1702
01:29:25,140 --> 01:29:27,806
Bollocks. Bollocks.

1703
01:29:30,473 --> 01:29:32,113
Fuck.

1704
01:29:32,215 --> 01:29:33,645
Look, you said it yourself.

1705
01:29:33,748 --> 01:29:35,911
How can he become you?
You're nothing alike.

1706
01:29:36,014 --> 01:29:38,515
It's not believable,
and it's not necessary.

1707
01:29:38,617 --> 01:29:40,548
She loves him for who he is.

1708
01:29:40,650 --> 01:29:41,885
It was contrived.

1709
01:29:41,987 --> 01:29:44,819
I still think the idea
is theoretically sound.

1710
01:29:44,921 --> 01:29:46,560
Though,
what we didn't count on,

1711
01:29:46,662 --> 01:29:48,957
and this might just stem
from me being a novice,

1712
01:29:49,060 --> 01:29:51,966
is that the audience has
just spent two hours,

1713
01:29:52,068 --> 01:29:53,302
rooting for Edward.

1714
01:29:53,404 --> 01:29:56,700
Which, in this particular
iteration, is me.

1715
01:29:56,802 --> 01:29:58,501
If someone else
then walks out and goes,

1716
01:29:58,603 --> 01:29:59,870
"Oh, I'm Edward now,"

1717
01:29:59,972 --> 01:30:02,903
even if it's
Sir Kenneth Branagh,
or whomever,

1718
01:30:03,005 --> 01:30:04,707
the audience
will feel cheated.

1719
01:30:04,809 --> 01:30:06,509
We've broken
our pact with them.

1720
01:30:06,611 --> 01:30:07,578
They'll rightly rebel.

1721
01:30:07,680 --> 01:30:09,582
Look, I still wanna
be friends,

1722
01:30:09,685 --> 01:30:11,718
and I'll keep you in mind
for future projects.

1723
01:30:14,959 --> 01:30:16,184
The mask is mine.

1724
01:30:17,225 --> 01:30:18,252
I'm keeping it.

1725
01:30:19,429 --> 01:30:21,259
OSWALD: I've always liked
that mask.

1726
01:30:21,361 --> 01:30:22,597
Brilliant mask.

1727
01:30:24,794 --> 01:30:26,431
[DRAMATIC MUSIC PLAYING]

1728
01:30:26,533 --> 01:30:27,830
OSWALD: You know what I think?

1729
01:30:27,932 --> 01:30:29,532
I think <i>Les Mis</i> is
a masterpiece.

1730
01:30:29,634 --> 01:30:30,769
[CHATTERING INDISTINCTLY]

1731
01:30:30,871 --> 01:30:33,771
Uh, The <i>Book of Mormon</i> is
hysterically funny.

1732
01:30:33,873 --> 01:30:36,611
- [SPEAKING INDISTINCTLY]
- [INGRID CHUCKLES]

1733
01:30:36,713 --> 01:30:38,646
INGRID: What are you...
Do you have any plans for...

1734
01:31:00,937 --> 01:31:02,835
[BANGING]

1735
01:31:03,800 --> 01:31:05,007
Where's the blind guy?

1736
01:31:05,109 --> 01:31:06,067
What are you doing here?

1737
01:31:06,169 --> 01:31:08,709
- Why are you so upset?
- Why are you here?

1738
01:31:09,376 --> 01:31:10,605
Why was Oswald here?

1739
01:31:10,707 --> 01:31:11,906
How... How'd you...

1740
01:31:12,008 --> 01:31:13,345
What business is that
of yours?

1741
01:31:13,447 --> 01:31:15,281
I know because I know.

1742
01:31:15,383 --> 01:31:17,385
I was passing by and...

1743
01:31:17,487 --> 01:31:18,717
I don't have to explain
myself to you.

1744
01:31:18,820 --> 01:31:21,287
What do you know about him?
Hmm? Who is he?

1745
01:31:21,389 --> 01:31:22,918
Is his name even Oswald?

1746
01:31:23,020 --> 01:31:24,224
'Cause let me
tell you something,

1747
01:31:24,326 --> 01:31:25,589
he's got a kid and a girl.

1748
01:31:25,692 --> 01:31:27,329
He was kissing
this other girl,

1749
01:31:27,431 --> 01:31:28,762
and they were walking
in the park.

1750
01:31:28,864 --> 01:31:30,959
He's leading a double life.
What do you think of that?

1751
01:31:31,061 --> 01:31:33,162
Well, first of all,
that's Jolie,

1752
01:31:33,264 --> 01:31:36,536
Oswald's ex-wife and mother
to his daughter, Kelly.

1753
01:31:36,638 --> 01:31:38,435
And they're still
really good friends.

1754
01:31:38,537 --> 01:31:39,767
And as it happens,

1755
01:31:39,869 --> 01:31:41,203
Oswald is moving in there.

1756
01:31:41,305 --> 01:31:43,642
Mr. Sablosky had an accident,
and Oswald's been needing

1757
01:31:43,744 --> 01:31:45,072
a place to stay.
I don't even know why

1758
01:31:45,174 --> 01:31:46,747
I'm bothering
to explain this to you.

1759
01:31:46,849 --> 01:31:48,980
We don't have anything more
to say to each other.

1760
01:31:49,448 --> 01:31:50,718
I'm sorry.

1761
01:32:02,497 --> 01:32:04,666
[SIRENS WAILING IN DISTANCE]

1762
01:32:44,305 --> 01:32:46,202
[THUDDING]

1763
01:32:53,713 --> 01:32:55,046
What the fuck are you doing?

1764
01:32:59,853 --> 01:33:01,888
You gotta get
the fuck outta here, man.

1765
01:33:20,206 --> 01:33:23,838
[MIMICKING OSWALD] Oh, well,
I happen to be Edward now.

1766
01:33:23,940 --> 01:33:27,177
And this here is Guy.

1767
01:33:27,578 --> 01:33:29,184
Guy...

1768
01:33:29,286 --> 01:33:31,185
he's a masterful actor.

1769
01:33:31,287 --> 01:33:33,084
Thank you man! Yes.

1770
01:33:33,817 --> 01:33:35,251
Yes, you are...

1771
01:33:39,162 --> 01:33:41,460
Kenneth Branagh.

1772
01:33:41,562 --> 01:33:43,531
Come on. Come along, now.

1773
01:33:43,633 --> 01:33:45,528
Chop, chop.
Chop, chop, shake a leg.

1774
01:33:45,630 --> 01:33:46,801
Shake a leg.

1775
01:33:47,567 --> 01:33:48,664
What do you think?

1776
01:33:48,766 --> 01:33:51,172
[VOCALIZING] Hoo!

1777
01:33:51,274 --> 01:33:52,774
Is it smashing?

1778
01:33:53,441 --> 01:33:55,235
Or is it smashing?

1779
01:33:55,337 --> 01:33:58,173
Do you like
this room, little girl?

1780
01:33:58,276 --> 01:34:02,079
I know it's quite small
and petite like you.

1781
01:34:02,181 --> 01:34:05,281
It's a room where you
can do anything you want.

1782
01:34:06,454 --> 01:34:07,883
You know that right?

1783
01:34:07,985 --> 01:34:11,251
Do you know Peppa Pig? Hmm?

1784
01:34:11,353 --> 01:34:14,160
Aw, she's a little nervous.
She's shy.

1785
01:34:14,263 --> 01:34:16,760
[LAUGHING]

1786
01:34:16,862 --> 01:34:18,864
<i>♪ Don't cry, don't sigh ♪</i>

1787
01:34:18,967 --> 01:34:22,197
<i>♪ There's a silver lining
In the sky ♪</i>

1788
01:34:22,299 --> 01:34:25,267
[SIGHS] Naturally,
it's a bit disappointing,

1789
01:34:25,369 --> 01:34:29,607
but I really do hope
we can all remain friendly.

1790
01:34:29,709 --> 01:34:32,241
I harbor no ill feelings.

1791
01:34:32,343 --> 01:34:37,482
Let us keep our hatreds
for the common enemy.

1792
01:34:37,584 --> 01:34:39,348
[OBJECTS CLATTERING]

1793
01:34:39,749 --> 01:34:40,954
Cheers!

1794
01:34:41,686 --> 01:34:42,920
Thank you.

1795
01:34:43,022 --> 01:34:44,152
- Can you...
- EDWARD: Much obliged!

1796
01:34:44,254 --> 01:34:46,927
- MARIANA: Okay.
- Jesus. Unplug it.

1797
01:34:47,495 --> 01:34:48,489
[EDWARD GRUNTS]

1798
01:34:50,299 --> 01:34:51,628
Righty then.

1799
01:34:51,730 --> 01:34:54,566
Fear, is a reaction.

1800
01:34:54,668 --> 01:34:57,334
Courage, is a decision.

1801
01:34:57,970 --> 01:34:59,973
I'll miss you
most all, darling.

1802
01:35:01,337 --> 01:35:05,647
- CLAY: What the fuck?
- Ta-ta, for now!

1803
01:35:05,749 --> 01:35:07,241
FIONA: Maybe we'll ride
to glory together.

1804
01:35:07,343 --> 01:35:08,515
OSWALD: Whatever you say,
my darling.

1805
01:35:08,617 --> 01:35:09,846
EDWARD: Excuse me, old chap.

1806
01:35:09,949 --> 01:35:11,947
I think you're
kissing my girl!

1807
01:35:12,049 --> 01:35:13,213
Ah, it appears my understudy,

1808
01:35:13,315 --> 01:35:14,281
has had a bit
too much to drink.

1809
01:35:14,383 --> 01:35:15,690
EDWARD: Understudy?
No, no, no, no.

1810
01:35:15,793 --> 01:35:16,787
Maybe we could talk
about this after the...

1811
01:35:16,889 --> 01:35:17,989
No, no, no. No, understudy.

1812
01:35:18,092 --> 01:35:19,122
- After the performance.
- EDWARD: I'm Edward!

1813
01:35:19,224 --> 01:35:20,421
OSWALD: You...
EDWARD: You're not Edward.

1814
01:35:20,523 --> 01:35:21,896
OSWALD: Okay, you're Edward.
EDWARD: No, no, no.

1815
01:35:21,998 --> 01:35:23,093
OSWALD: You're Edward.
EDWARD: This is my red door.

1816
01:35:23,195 --> 01:35:24,159
- This is my couch.
- OSWALD: You're Edward.

1817
01:35:24,261 --> 01:35:26,063
EDWARD: These are my lines!
Come here!

1818
01:35:26,165 --> 01:35:27,664
- You stole my life!
- [PEOPLE EXCLAIMING]

1819
01:35:27,766 --> 01:35:28,969
EDWARD: Get off me!

1820
01:35:29,071 --> 01:35:30,000
- He's got everything!
- OSWALD: What the hell, Guy!

1821
01:35:30,102 --> 01:35:31,234
- EDWARD: No! I'm Edward!
- Calm down,

1822
01:35:31,336 --> 01:35:32,800
- and we can talk about this.
- EDWARD: I'm Edward.

1823
01:35:32,902 --> 01:35:34,474
Okay, okay.

1824
01:35:34,576 --> 01:35:36,004
Okay, let go! Let go!

1825
01:35:36,107 --> 01:35:37,938
I'm gonna leave.
I'm gonna leave.

1826
01:35:38,040 --> 01:35:39,376
[BREATHING HEAVILY]

1827
01:35:39,478 --> 01:35:43,151
OSWALD: Everything's fine.
If you sit down, we can talk.

1828
01:35:43,253 --> 01:35:44,013
EDWARD: No!

1829
01:35:44,115 --> 01:35:46,019
- [GRUNTING]
- [PEOPLE EXCLAIMING]

1830
01:35:46,852 --> 01:35:47,918
EDWARD: Take yours off!

1831
01:35:48,020 --> 01:35:49,986
- Take yours off!
- Take what off?

1832
01:35:50,088 --> 01:35:51,660
- Take yours off!
- Take what off?

1833
01:35:51,762 --> 01:35:53,554
- [EDWARD GRUNTING]
- [OBJECTS CLATTERING]

1834
01:35:54,363 --> 01:35:55,121
Get over here!

1835
01:35:55,223 --> 01:35:57,261
- [GRUNTING] Ahhh!
- [THUDS]

1836
01:36:01,204 --> 01:36:02,233
[GROANS]

1837
01:36:03,704 --> 01:36:05,236
[SET PIECE SQUEAKING]

1838
01:36:07,640 --> 01:36:08,573
OSWALD: Guy.

1839
01:36:08,675 --> 01:36:10,776
[CEILING CREAKING]

1840
01:36:10,878 --> 01:36:12,011
- [CEILING CLANKS]
- [EDWARD YELPS]

1841
01:36:12,113 --> 01:36:13,273
- [CROWD GASPING
AND SHOUTING]
- OSWALD: No!

1842
01:36:13,375 --> 01:36:14,441
- Oh my God. Guy!
- [INGRID GASPS]

1843
01:36:14,543 --> 01:36:16,210
Oh, no. What have I done?
What have I done?

1844
01:36:16,312 --> 01:36:18,649
- [CRASHING]
- [PEOPLE SHOUTING]

1845
01:36:18,751 --> 01:36:20,586
No! Guy! No, Guy!

1846
01:36:20,688 --> 01:36:22,490
[CRYING] What have I done?

1847
01:36:22,592 --> 01:36:24,422
I don't know my own strength.

1848
01:36:24,524 --> 01:36:26,789
Guy! Guy.

1849
01:36:26,891 --> 01:36:27,992
[PLATES CLATTERING]

1850
01:36:28,094 --> 01:36:29,628
ACTOR: I know
I keep saying it, man,

1851
01:36:29,730 --> 01:36:30,732
but it is such an honor.

1852
01:36:30,834 --> 01:36:32,733
OSWALD: Oh, truly,
the honor is all ours.

1853
01:36:32,835 --> 01:36:33,897
INGRID: We couldn't be
more excited.

1854
01:36:34,000 --> 01:36:35,000
ACTOR: I mean,
frankly, I think

1855
01:36:35,102 --> 01:36:36,366
- you should be playing it.
- OSWALD: Oh, no.

1856
01:36:36,468 --> 01:36:38,098
- I wouldn't dream of it.
- ACTOR: No, honestly, I think

1857
01:36:38,200 --> 01:36:39,567
you got something special.

1858
01:36:40,343 --> 01:36:41,470
Real charisma.

1859
01:36:42,743 --> 01:36:44,009
I mean, it takes a name

1860
01:36:44,111 --> 01:36:45,908
to get these things funded,
as you know.

1861
01:36:46,010 --> 01:36:48,177
But I want you to know,

1862
01:36:48,279 --> 01:36:50,380
it's important to me
to get it right.

1863
01:36:50,482 --> 01:36:53,387
And that's why I wanted
to spend some time with you,

1864
01:36:53,489 --> 01:36:55,086
and, you know, uh,

1865
01:36:55,189 --> 01:36:58,919
not study really,
but observe, ask questions.

1866
01:36:59,021 --> 01:37:00,222
Ah, research,

1867
01:37:00,324 --> 01:37:01,488
- as they say in the biz.
- ACTOR: Mmm-hmm.

1868
01:37:01,591 --> 01:37:03,058
OSWALD: Well, I think
it's important for you

1869
01:37:03,160 --> 01:37:04,997
to interpret this as you want.

1870
01:37:05,099 --> 01:37:06,297
ACTOR: Right.
OSWALD: I mean, Edward was

1871
01:37:06,399 --> 01:37:08,833
envisioned by Ingrid,
and what I was doing earlier,

1872
01:37:08,935 --> 01:37:10,970
Guy here completely pioneered.

1873
01:37:11,073 --> 01:37:13,671
ACTOR: Right on.
OSWALD: I'm interpreting Guy,

1874
01:37:13,773 --> 01:37:14,908
interpreting Ingrid.

1875
01:37:15,010 --> 01:37:17,039
And you're just
the next and final step

1876
01:37:17,141 --> 01:37:19,075
in the evolutionary process.

1877
01:37:19,177 --> 01:37:20,177
ACTOR: Yeah,
that's really cool.

1878
01:37:20,279 --> 01:37:22,511
I'd love to ask you
some questions, too.

1879
01:37:24,514 --> 01:37:27,351
Really cool. Kind of
a collaborative thing.

1880
01:37:28,858 --> 01:37:30,987
Will they be using some...
Some mask

1881
01:37:31,090 --> 01:37:34,028
- or makeup of some sort?
- Why?

1882
01:37:34,529 --> 01:37:36,298
[ALL LAUGHING]

1883
01:37:36,400 --> 01:37:37,828
Uh, I don't know.

1884
01:37:37,930 --> 01:37:39,934
It's beyond my pay grade.

1885
01:37:40,036 --> 01:37:42,135
I'm... I'm not really part
of those discussions.

1886
01:37:42,237 --> 01:37:44,434
They can do a lot
these days to make it
look real.

1887
01:37:45,375 --> 01:37:46,370
Pretty real.

1888
01:37:47,472 --> 01:37:51,012
But, you know,
I don't worry about that stuff.

1889
01:37:51,114 --> 01:37:55,016
I think as long as I do
my job getting Edward right,

1890
01:37:55,716 --> 01:37:57,379
it'll come through.

1891
01:37:57,481 --> 01:38:00,421
- The rest is just icing.
- OSWALD: Very true.

1892
01:38:00,523 --> 01:38:01,721
ACTOR: Cheers. Mmm.

1893
01:38:01,824 --> 01:38:03,123
INGRID: Cheers.
ACTOR: Hmm.

1894
01:38:07,563 --> 01:38:09,558
[PLAYING SAXOPHONE]

1895
01:38:16,272 --> 01:38:18,471
- [NICK AND OSWALD GRUNTING]
- [CROWD CHEERING ON VIDEO GAME]

1896
01:38:18,573 --> 01:38:20,002
[KELLY MUMBLING]

1897
01:38:20,104 --> 01:38:21,974
NICK: It's not working.

1898
01:38:22,076 --> 01:38:23,709
- [CHEERING CONTINUES]
- [BELL RINGING]

1899
01:38:23,811 --> 01:38:25,172
[NICK SIGHS AND EXHALES]

1900
01:38:25,274 --> 01:38:26,982
- OSWALD: Whoo!
- Fuck!

1901
01:38:27,716 --> 01:38:29,079
- Fuck.
- Number one.

1902
01:38:29,181 --> 01:38:30,782
NICK: That's
a cool typewriter.

1903
01:38:30,884 --> 01:38:32,152
OSWALD: You can have it.

1904
01:38:33,450 --> 01:38:35,623
MAN ON TV: <i>I wish
I had a woman, too,</i>

1905
01:38:35,726 --> 01:38:37,385
<i>walking with me under the moon</i>

1906
01:38:37,487 --> 01:38:40,457
<i>and holding my arm
and smiling,</i>

1907
01:38:41,864 --> 01:38:45,066
<i>and then I dream and I forget.</i>

1908
01:38:48,403 --> 01:38:51,932
<i>And then I see the shadow
of my profile on the wall.</i>

1909
01:38:52,634 --> 01:38:53,839
["JINGLE BELLS" PLAYING
OVER SPEAKERS]

1910
01:38:53,941 --> 01:38:55,309
MAN: There you go. Step in.

1911
01:38:55,411 --> 01:38:57,038
Good man.

1912
01:38:57,140 --> 01:38:58,945
Other foot. Perfect.

1913
01:38:59,047 --> 01:39:01,747
All right. Nice and easy,
here we go.

1914
01:39:01,849 --> 01:39:04,148
One foot after the other.

1915
01:39:04,250 --> 01:39:07,085
- Perfect. Rock on.
- Gonna go shopping.

1916
01:39:07,187 --> 01:39:09,285
- Anyone need anything?
- Uh, no, thanks.

1917
01:39:09,387 --> 01:39:10,825
I'm heading out.
You guys need anything?

1918
01:39:10,927 --> 01:39:12,487
- I just asked.
- [OSWALD CHUCKLING]

1919
01:39:12,590 --> 01:39:14,794
Well, if something changes,
give me a call.

1920
01:39:14,896 --> 01:39:16,030
I'm gonna get out your hair.

1921
01:39:16,132 --> 01:39:17,397
- I'll walk you out.
- I'll be back around 8:00.

1922
01:39:17,500 --> 01:39:18,495
Toodle-oo.

1923
01:39:19,733 --> 01:39:20,695
[DOOR OPENS]

1924
01:39:22,366 --> 01:39:24,065
- [DOOR CLOSES]
- What the fuck is

1925
01:39:24,167 --> 01:39:25,805
going on in here?

1926
01:39:25,907 --> 01:39:27,237
What's going on with his face?

1927
01:39:27,339 --> 01:39:29,475
Fuck, I mean, is he rich
or something?

1928
01:39:29,578 --> 01:39:30,545
[CHUCKLES]

1929
01:39:30,647 --> 01:39:31,642
Like, what does she...

1930
01:39:31,744 --> 01:39:33,146
Is she...

1931
01:39:33,248 --> 01:39:35,380
[CHUCKLES] That's
the craziest shit I ever saw.

1932
01:39:36,546 --> 01:39:38,680
Forgot my headphones.
Sorry, sorry.

1933
01:39:40,052 --> 01:39:41,518
You guys carry right on.

1934
01:39:42,251 --> 01:39:43,454
No problem, boss.

1935
01:39:44,961 --> 01:39:45,922
You know, let's pause
for a second,

1936
01:39:46,024 --> 01:39:47,260
I gotta take a leak.

1937
01:39:47,362 --> 01:39:49,361
Keep going. Just put one foot
in front of the other.

1938
01:39:54,831 --> 01:39:59,668
<i>♪ A day or two ago
I thought I'd take a ride</i>

1939
01:39:59,770 --> 01:40:04,407
<i>♪ And soon Miss Fanny Bright
was seated by my side</i>

1940
01:40:04,509 --> 01:40:06,811
<i>♪ The horse was lean
and lank... ♪</i>

1941
01:40:06,913 --> 01:40:09,084
[TOILET FLUSHING]

1942
01:40:10,047 --> 01:40:11,311
[DOOR OPENS]

1943
01:40:11,413 --> 01:40:13,914
<i>♪ And we, we got upsot</i>

1944
01:40:14,016 --> 01:40:19,092
<i>♪ Jingle bells, jingle bells
jingle all the way ♪</i>

1945
01:40:19,194 --> 01:40:21,059
<i>♪ Oh, what fun it is
to ride... ♪</i>

1946
01:40:21,161 --> 01:40:22,124
Hey, man,
do you mind if I grab

1947
01:40:22,226 --> 01:40:23,395
one of these seltzers?

1948
01:40:28,065 --> 01:40:29,335
[MAN GROANS]

1949
01:40:30,904 --> 01:40:32,866
[BOTH GRUNTING]

1950
01:40:34,677 --> 01:40:35,671
[OBJECTS CLATTERING]

1951
01:40:45,787 --> 01:40:47,782
[BOTH GRUNTING]

1952
01:40:52,828 --> 01:40:54,756
[MAN COUGHS AND GAGS]

1953
01:40:55,531 --> 01:40:56,659
[CHOKING]

1954
01:40:57,868 --> 01:40:59,593
<i>♪ Oh, what fun it is to ride</i>

1955
01:40:59,695 --> 01:41:02,297
<i>♪ In a one-horse
open sleigh, hey</i>

1956
01:41:02,400 --> 01:41:04,870
<i>♪ Jingle bells, jingle bells</i>

1957
01:41:04,972 --> 01:41:06,737
<i>♪ Jingle all the way</i>

1958
01:41:06,839 --> 01:41:10,444
<i>♪ Oh, what fun it is to ride
In a one-horse open sleigh ♪</i>

1959
01:41:10,547 --> 01:41:11,542
[COUGHING]

1960
01:41:13,379 --> 01:41:15,315
- [SONG ENDS]
- [MAN STOPS COUGHING]

1961
01:41:22,286 --> 01:41:24,456
[DRAMATIC MUSIC PLAYING]

1962
01:41:29,094 --> 01:41:30,462
I heard noises.

1963
01:41:32,901 --> 01:41:34,895
[DRAMATIC MUSIC CONTINUES]

1964
01:41:42,705 --> 01:41:44,142
[INMATES CHATTERING
INDISTINCTLY]

1965
01:41:44,244 --> 01:41:45,472
[BASKETBALL THUDDING
ON GROUND]

1966
01:41:45,574 --> 01:41:47,079
INMATE: Next shot, I got you.

1967
01:41:47,181 --> 01:41:49,212
[INDISTINCT CHATTERING
CONTINUES]

1968
01:41:49,314 --> 01:41:50,746
- [BALL THUDS]
- INMATE: Oh!

1969
01:41:56,759 --> 01:41:58,754
[MUSIC FADES OUT]

1970
01:42:04,898 --> 01:42:06,861
[CAR HONKING]

1971
01:42:09,167 --> 01:42:11,005
Hey man, nice shoes.

1972
01:42:11,107 --> 01:42:14,770
Where's Fort Lee, man?
New Jersey.

1973
01:42:16,208 --> 01:42:17,608
Where's your manners?

1974
01:42:18,841 --> 01:42:21,408
Man, you must have had
some ugly parents.

1975
01:42:21,510 --> 01:42:23,281
I hope you die of cancer,

1976
01:42:23,383 --> 01:42:25,547
and your ugly children
die of cancer.

1977
01:42:25,649 --> 01:42:29,583
And your whole
ugly bloodline of, uh,

1978
01:42:29,685 --> 01:42:33,354
ugly degenerates
wiped off the face

1979
01:42:33,456 --> 01:42:35,395
of God's beautiful earth.

1980
01:42:36,930 --> 01:42:38,266
Nice shoes, man.

1981
01:42:39,163 --> 01:42:40,334
Nice shoes.

1982
01:42:49,506 --> 01:42:50,971
OSWALD: Do I believe my eyes?

1983
01:42:58,321 --> 01:43:00,483
Yeah, we adopted Lucy, her...
Her daughter.

1984
01:43:00,585 --> 01:43:03,054
And, uh, it's crazy
to even say it.

1985
01:43:03,156 --> 01:43:04,556
She's in grad school now.

1986
01:43:04,957 --> 01:43:05,819
She is.

1987
01:43:05,921 --> 01:43:07,787
Oh, you have to come
and see the play, Guy.

1988
01:43:07,889 --> 01:43:09,492
- Don't pressure him.
- He wants to come.

1989
01:43:09,594 --> 01:43:11,427
- Right, Guy?
- Oh, yeah, of course.

1990
01:43:11,529 --> 01:43:13,133
When... When are
you free? Tonight?

1991
01:43:13,235 --> 01:43:15,333
- When... What time?
- 8:00 p.m., sharp.

1992
01:43:15,435 --> 01:43:18,072
- All right.
- You can sit with me.

1993
01:43:18,174 --> 01:43:20,668
- You're not in it?
- [CHUCKLES] No.

1994
01:43:20,770 --> 01:43:23,944
No, I'm no actor.
I mean, sure, Edward.

1995
01:43:24,046 --> 01:43:25,708
But that whole thing was...

1996
01:43:25,810 --> 01:43:27,914
What a piece of shit.
I don't even allow people

1997
01:43:28,016 --> 01:43:29,417
to perform that anymore.

1998
01:43:29,519 --> 01:43:31,716
OSWALD: No, no, no.
It was your precocious
early work,

1999
01:43:31,818 --> 01:43:34,783
and it brought us together,
so it served that noble cause.

2000
01:43:34,885 --> 01:43:36,650
INGRID: Thank God,
they didn't make that movie.

2001
01:43:36,752 --> 01:43:38,259
OSWALD: Oh, I was
so disappointed.

2002
01:43:38,361 --> 01:43:40,987
I really wanted to see
that guy try and play me.

2003
01:43:41,089 --> 01:43:43,725
But anyway, it's brilliant
we bumped into you,

2004
01:43:43,828 --> 01:43:45,931
'cause we're actually
moving away next month

2005
01:43:46,033 --> 01:43:47,231
when the play wraps.

2006
01:43:47,333 --> 01:43:48,498
Where? Where are you going?

2007
01:43:48,600 --> 01:43:50,332
To Canada.
A place called Shepperton.

2008
01:43:50,434 --> 01:43:51,832
Have you heard of it?

2009
01:43:51,934 --> 01:43:55,441
It could be described
as a nudist colony.

2010
01:43:55,543 --> 01:43:57,374
Yeah. It's only a part of it.
Small part of it.

2011
01:43:57,476 --> 01:43:58,505
But yeah,
basically we'll be...

2012
01:43:58,607 --> 01:44:00,381
OSWALD: As God intended.

2013
01:44:00,814 --> 01:44:01,643
Why?

2014
01:44:01,745 --> 01:44:04,118
Well, it's a long story.
We met this woman

2015
01:44:04,220 --> 01:44:05,485
- when we were...
- Going through the Andes.

2016
01:44:05,587 --> 01:44:08,351
Yeah. And it turns out
she's this incredible person

2017
01:44:08,453 --> 01:44:10,488
with followers and all that.

2018
01:44:10,591 --> 01:44:12,753
And it's kind of this
ecological philosophy.

2019
01:44:12,855 --> 01:44:15,293
Mmm-hmm.
And... And... And free love.

2020
01:44:15,395 --> 01:44:17,124
- Yes, but also it's...
- And LSD.

2021
01:44:17,226 --> 01:44:20,601
- Sometimes, yeah, but it's...
- Yep. Have you done LSD, Guy?

2022
01:44:21,203 --> 01:44:23,333
Wha... What about
like bad trips?

2023
01:44:23,435 --> 01:44:24,569
OSWALD: Yeah, it's possible.

2024
01:44:24,671 --> 01:44:27,307
But it's all really down
to how you frame it, Guy.

2025
01:44:27,409 --> 01:44:28,773
[CHUCKLES] I don't think
he could handle it.

2026
01:44:28,875 --> 01:44:31,707
Yeah. He just needs someone
to lead him through it is all.

2027
01:44:31,809 --> 01:44:34,613
- Which I can do.
- INGRID: Recently certified.

2028
01:44:35,952 --> 01:44:36,676
And what about your kids?

2029
01:44:36,779 --> 01:44:37,984
OSWALD: No.
INGRID: Yeah, no.

2030
01:44:38,086 --> 01:44:38,879
They say it's a cult.

2031
01:44:38,981 --> 01:44:40,118
OSWALD: Yeah. I mean,
you probably think

2032
01:44:40,220 --> 01:44:41,155
it's a cult, too, right?

2033
01:44:41,257 --> 01:44:42,322
EDWARD: Well, I...
I guess it sounds

2034
01:44:42,424 --> 01:44:44,324
- a little like a cult.
- I mean, yeah, sure,

2035
01:44:44,426 --> 01:44:46,227
if you paint it in
like broad brush strokes.

2036
01:44:46,329 --> 01:44:48,525
But it's... It's really
quite leaderless.

2037
01:44:48,627 --> 01:44:50,428
But what about this,
uh, Andes woman,

2038
01:44:50,530 --> 01:44:52,395
- isn't she like the leader?
- Founder.

2039
01:44:52,497 --> 01:44:54,230
Yes, she set it all in motion.

2040
01:44:54,332 --> 01:44:55,601
But it's... It's...

2041
01:44:55,703 --> 01:44:58,667
She's not a guru in the...
Well, she's sort of a guru.

2042
01:44:58,769 --> 01:45:00,573
Yes. She's a guru
in the pure sense.

2043
01:45:00,675 --> 01:45:02,568
Yeah, see we can't talk
about it without sounding...

2044
01:45:02,670 --> 01:45:03,837
Absolutely bonkers.

2045
01:45:03,939 --> 01:45:05,573
- EDWARD: Mmm.
- Yeah. But honestly,

2046
01:45:05,675 --> 01:45:07,910
It's... It's... It's paradise.

2047
01:45:08,917 --> 01:45:09,676
Actual paradise.

2048
01:45:09,779 --> 01:45:11,183
- Like utopia.
- Yeah, utopia.

2049
01:45:11,286 --> 01:45:12,482
- Closest thing to it.
- Yeah.

2050
01:45:12,584 --> 01:45:14,554
EDWARD: And what
about your career?

2051
01:45:14,656 --> 01:45:16,817
Well, I've accomplished
everything I've ever wanted...

2052
01:45:16,919 --> 01:45:18,653
I'm... I'm ready
for the next phase.

2053
01:45:18,755 --> 01:45:19,787
I mean, all she wants
to do now,

2054
01:45:19,889 --> 01:45:21,624
is take LSD
and fuck all the time.

2055
01:45:21,726 --> 01:45:22,891
- I mean, you know...
- [EDWARD CHUCKLES]

2056
01:45:22,993 --> 01:45:25,164
OSWALD: Enough about us,
what's going on with you?

2057
01:45:25,266 --> 01:45:26,432
- Tell us everything.
- Yeah.

2058
01:45:26,535 --> 01:45:29,665
Well, I mean. [EXHALES]
I don't know. Um...

2059
01:45:29,767 --> 01:45:32,874
Do we know
what we would like tonight?

2060
01:45:32,976 --> 01:45:33,700
[INGRID CLEARS THROAT]

2061
01:45:33,802 --> 01:45:35,101
What are you thinking, Edward?

2062
01:45:35,203 --> 01:45:39,772
Uh, you... You go ahead.
I'm... I'm still, um...

2063
01:45:39,874 --> 01:45:41,611
Okay. Well, we're celebrating,

2064
01:45:41,713 --> 01:45:43,714
so we're gonna need
some more sake.

2065
01:45:43,816 --> 01:45:46,482
Let's do another bottle
of the Dassai Hayata.

2066
01:45:46,584 --> 01:45:49,087
And for the table, the wakame,

2067
01:45:49,189 --> 01:45:50,917
the agedashi tofu,

2068
01:45:51,019 --> 01:45:53,393
and he needs
to try the uni toast.

2069
01:45:53,495 --> 01:45:55,595
And an order
of the hamachi kama, why not.

2070
01:45:56,130 --> 01:45:57,790
And for my entree,

2071
01:45:57,893 --> 01:45:59,565
let's go
with the wagyu flight.

2072
01:45:59,667 --> 01:46:02,200
INGRID: A miso black cod
for me, please. Thank you.

2073
01:46:02,302 --> 01:46:03,537
SERVER: And for you sir?

2074
01:46:05,775 --> 01:46:06,837
Um...

2075
01:46:08,140 --> 01:46:09,444
Uh...

2076
01:46:10,575 --> 01:46:11,908
SERVER: Do you need a minute?

2077
01:46:12,876 --> 01:46:15,076
- Yeah. I, uh...
- [OSWALD CHUCKLING]

2078
01:46:16,414 --> 01:46:18,311
Oh, my old friend.

2079
01:46:18,813 --> 01:46:21,688
You haven't changed a bit.

2080
01:46:22,191 --> 01:46:24,184
[OSWALD AND EDWARD LAUGHING]

2081
01:46:29,296 --> 01:46:31,466
[DRAMATIC MUSIC PLAYING]

2082
01:48:58,676 --> 01:49:00,879
[DRAMATIC MUSIC CONTINUES]

2083
01:51:51,617 --> 01:51:53,788
[MUSIC FADES OUT]