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[ Budjerah and Matt Corby:
♪ The Way ]

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♪ Just one

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♪ Drop from

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♪ The sky like the

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♪ Teardrop

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♪ That forms in my eyes

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[ men shouting in Language ]

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- Why would Fletcher
block the water pump?

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- I don't know. All crazy.

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Whitefella, blackfella,
all crazy!

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- Crazy.

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[ knock at door ]

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[ mutters drunkenly ]

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- M'lady.

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- Don't get up.

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I have some questions
for you, Mr Flynn.

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Your...husband was very kind
to me, Lady Ashley.

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He was a good bloke.
Everybody loved him.

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SARAH: Yes, yes.

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- But-but I have a failing.

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Maitland felt that, uh,
the measure of a man

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was the extent to which
we overcome our failings.

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And I'm afraid, uh,
by that measure,

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I have, uh, let him
down rather badly.

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- The truth, Mr Flynn.

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And don't pretend to hide it
like that bottle there.

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- This...ledger
which, uh, Fletcher had me keep

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for the benefit of your husband

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is a tale of decline and ruin

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redolent of the great Gibbon.

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There is however another.

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Kept for the benefit
of Mr Carney,

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in which is recorded
all the unbranded...

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fat cattle.

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[ ♪ operatic singing
playing on gramophone ]

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- You let him steal from my
husband and you did nothing?

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- A man like Fletcher is adept
at discovering one's...secrets

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and using them to his advantage.

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I acquiesced to his demands.
I'm a coward.

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- And the boy.

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He is Fletcher's son, isn't he?

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- As with all things Fletcher,

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it's impossible
to prove anything.

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Still, if Carney's
good Christian wife

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ever comes to
the same conclusion as yourself,

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Fletcher's chances of marrying
their daughter would be dashed.

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- I'm going to the authorities
and I will be telling them--

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- Carney is the authority here.

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- Are you suggesting
I let him steal my cattle

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and buy my property for
a fraction of what it's worth?

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- I am suggesting
that you continue to do

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what your husband
set out to do.

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- Drove.

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Drove the cattle to Darwin.

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Would you mind?

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[ whispering ] I need a drink.

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- M'lady, drove.

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Drove the cattle to Darwin

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sell them to the Army,

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you'll break Carney's monopoly.

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Use the profits to put Faraway
Downs back on its feet.

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You go back to London,

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you're sitting pretty
for the rest of your life.

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- [ sighs ] That's what Maitland
said he was doing.

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- And there's no reason
why you can't do the same.

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- [ gulps ]

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Ahhh.

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FLYNN: There is just one
small problem.

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Having dismissed Fletcher,

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there's no-one to muster
the cattle.

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[ low, distant rumbling ]

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[ ♪ stirring music ]

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DROVER: Yah! Yah!

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NULLAH: Flynn! Missus Boss!
It's the Drover!

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[ horses neighing ]

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[ ♪ majestic music ]

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DROVER: Yah! Yah!

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- Drover!

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Drover!

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DROVER: Yah!

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[ Drover mustering ]

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Arghh!

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NULLAH: Yeah, Drover! Yay!

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[ Drover mustering ]

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- Mr Drover.

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DROVER: See any boys up there?

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Goolaj, go see if
they're up in the top paddock.

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- Mr Drover?

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DROVER: Get the
bloody brumbies in.

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I'll find out what the hell's
going on.

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NULLAH: You gonna teach me
how to break them horses?

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DROVER: Fill the water trough,
son.

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- Mr Drover! I need
to speak to you.

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- Where the hell are all
the bloody stockmen, eh?

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- That's what I need to
speak to you about.

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- Where's Fletcher?

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- We disagreed
and I dismissed him.

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- Dismissed?

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- Yes.
- What about the cattle?

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- Well, it beggars belief,
but as he was leaving,

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he deliberately let the cows
out of the, uh--

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I don't know, whatever you
call it. And they ran off.

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- Damn!

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Do you realise, woman,
what you've done?

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- Mr Drover, do not take that
tone with me,

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thank you very much!

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- Don't take that tone with you?
- No.

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- I'm asking ya, woman,
do you know what you've done?

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I won't get another drove
this late in the season, right?

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You've cost me my living!

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- Can't you just round them up?

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- Round 'em up, huh?
Oh, round 'em up, yeah.

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- Yes, you just go get them.

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- 1,500 head of cattle.
- Oh!

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- Scattered over
a million acres

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with just me
and my two men?

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That's a great idea.

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[ muttering under breath ]
Stupid cow.

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- Mr Drover, I was right
to dismiss Mr Fletcher

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on moral grounds.

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- Moral grounds?
You're at that again, are ya?

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Oh, let me guess. He wanted to,
uh, 'exploit' you, did he?

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Fancy ya, did he?
- What?

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- Is there any man in this world
who doesn't fancy you?

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- Please--
DROVER: Huh?

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- Mr Fletcher is working
for Mr Carney!

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They were pushing
the best of the unbranded cattle

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across the river
onto Mr Carney's property.

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They were stealing!

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- [sighs] There's no surprises
there.

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- No, he's a bad man.

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- Alright, alright.

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But, look, you can't prove it,
right?

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- W--
DROVER: You can't.

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And you can't win
against Carney.

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So just...take my advice, lady,

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grab King Carney's offer

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and go the hell back to England
as quickly as possible.

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That way, you'd make everybody
happy. Especially me.

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[ Drover shouts in Language ]

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- So you're just going to
walk away?

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- I learnt a long time ago not
to fight other people's wars.

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- Wait, wait, wait!

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Mr Drover, wait!
Please, please, please!

145
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Mr Drover, please, please!

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Wait, ple...I--

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Listen, you said that your dream
was to breed a thoroughbred

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with...with a bush brumby.

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If you agree to help me, I...

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I will give you my Capricornia.

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[ Capricornia whinnying ]

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- But how are we gonna do
a drove

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with just me
and my two men, huh?

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Oh, crikey.

155
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- Some white stockmen

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like to have an Aboriginal woman
on the drove

157
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to keep 'em company at night.

158
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They shave their heads,
make 'em look like boys

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and work 'em like any other
stockman during the day.

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That's, uh...what did you
call it?

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'Exploiting them'.

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- Exploiting, yes.

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DROVER: Anyway, we're still
in trouble.

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Alright, we gotta have seven
good riders, at least.

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And the most I can count
is five.

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What have we got? We got me.

167
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- You.
- Magarri.

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- Goolaj
GOOLAJ: Yo, boss.

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- We got Daisy - nice ride.
And, uh, Bandy - good work.

170
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- Oh, what about Mr Sing Song?
Mr Sing Song, ride horse?

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Hey, don't look at me, huh?

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- Cook's Wagon at best.
So we got five. Right?

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It's not enough. We need two
more experienced riders.

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I did that run once back in 1935

175
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with Magarri, Dingo Jones
and the Drongo brothers -

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true knights of the outback.

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- Mr Flynn, can you ride?

178
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- I can.
DROVER: I won't carry a drunk.

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- But don't.

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- Alright, five and a quarter.

181
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- Six and a quarter.

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DROVER: What?

183
00:11:14,835 --> 00:11:17,460
Lady, this ain't trotting
in Kensington Gardens.

184
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- Mr Drover, I could show you
a thing or two about horses.

185
00:11:22,835 --> 00:11:24,418
- Pretty sure
when it comes to horses,

186
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there's nothing you can
show me.

187
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- Bring the horse.

188
00:11:27,710 --> 00:11:30,251
- You can't be serious.
- Bring the horse.

189
00:11:30,251 --> 00:11:32,126
- Oh, this should be
interesting.

190
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[ stifled laughter ]

191
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[ ♪ big band swing music ]

192
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- Making that horse dance.

193
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[ Daisy laughing ]

194
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[ onlookers laughing ]

195
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[ laughing continues ]

196
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[ horse whinnies ]

197
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- Move along! Rah! Rah!
Move along!

198
00:12:05,876 --> 00:12:08,668
[ cattle lowing ]
- Rah! Rah!

199
00:12:08,668 --> 00:12:10,168
- What are you doin'?

200
00:12:10,168 --> 00:12:13,626
- Shoo! Rah! Rah, rah!
Rah! Rahhh!

201
00:12:13,626 --> 00:12:16,918
Move it! Move it! Move it!
You're going the wrong way.

202
00:12:16,918 --> 00:12:19,501
Rahhh! Rahhh!

203
00:12:19,501 --> 00:12:21,501
Rah, rahhh!

204
00:12:21,501 --> 00:12:23,168
Ah. It's easy!

205
00:12:23,168 --> 00:12:25,168
Stubborn things. [ grunts ]

206
00:12:25,168 --> 00:12:27,085
DROVER: Hey, hey, hey, hey. Hey.
SARAH: Come on.

207
00:12:27,085 --> 00:12:28,585
- What the bloody hell
are you doing?

208
00:12:28,585 --> 00:12:29,918
You're scattering 'em
all over the place.

209
00:12:29,918 --> 00:12:33,418
Get up the back there, up the
tail. Get up the tail, will ya?

210
00:12:33,418 --> 00:12:35,501
Get up there.
Go, go, go, go, go!

211
00:12:35,501 --> 00:12:37,293
Don't let 'em break away.

212
00:12:37,293 --> 00:12:39,876
[ drovers mustering ]

213
00:12:44,793 --> 00:12:47,793
[ ♪ big band swing music
continues ]

214
00:12:53,918 --> 00:12:55,835
- I think we're doing
pretty well.

215
00:12:58,335 --> 00:12:59,585
[ ♪ music ends ]

216
00:13:02,460 --> 00:13:07,085
[ indiscernible conversation ]

217
00:13:10,085 --> 00:13:11,876
MAGARRI: What you reading, bro?

218
00:13:11,876 --> 00:13:13,126
DROVER: Banjo Patterson.

219
00:13:13,126 --> 00:13:14,668
MAGARRI: Banjo?
DROVER: Yeah.

220
00:13:14,668 --> 00:13:16,543
If you shut up,
then I can actually read it.

221
00:13:16,543 --> 00:13:17,918
[ Magarri laughs ]

222
00:13:20,460 --> 00:13:23,918
[ indiscernible conversation ]

223
00:13:26,168 --> 00:13:28,293
[ men laughing ]

224
00:13:28,293 --> 00:13:30,835
GOOLAJ: Who put the salt
in my tea?

225
00:13:30,835 --> 00:13:31,876
DROVER: It was his idea,
mate.

226
00:13:31,876 --> 00:13:35,085
[ indiscernible conversation ]

227
00:13:41,585 --> 00:13:44,043
- And that too.
- You crazy! Take all this!

228
00:13:44,043 --> 00:13:46,335
Where you think you going?
Shanghai?

229
00:13:46,335 --> 00:13:49,001
- A lady never knows
what she might need. Hmm?

230
00:14:01,835 --> 00:14:03,168
- [ gasps ]

231
00:14:03,168 --> 00:14:06,085
[ ♪ ominous music ]

232
00:14:08,251 --> 00:14:09,626
[ vanity case clatters ]

233
00:14:09,626 --> 00:14:11,626
- Run, Nullah! Run!

234
00:14:11,626 --> 00:14:12,835
Run!

235
00:14:14,418 --> 00:14:18,751
Run! Tank! Tank, Nullah, tank!

236
00:14:21,126 --> 00:14:23,543
Bandy! Coppers!
- Hurry up!

237
00:14:28,626 --> 00:14:31,626
[ ♪ ominous music builds ]

238
00:14:54,501 --> 00:14:57,043
MAN: Set 'em loose.
YOUNG MAN: Get out. You too.

239
00:14:59,376 --> 00:15:01,085
Check the east side.

240
00:15:01,085 --> 00:15:02,960
Move, move! Hurry up.

241
00:15:09,835 --> 00:15:12,001
Oi-- [speaking indiscernibly ]

242
00:15:12,001 --> 00:15:13,335
MAN: Hey, Chinaman.

243
00:15:14,376 --> 00:15:17,710
- Daisy's in the tank, missus.
She can't swim.

244
00:15:17,710 --> 00:15:21,251
- Hey, Chinaman...where's
the creamy?

245
00:15:23,293 --> 00:15:25,001
- Is that right?

246
00:15:29,126 --> 00:15:31,043
- [ Daisy gasping ]
- Shh.

247
00:15:37,168 --> 00:15:39,043
- [ whispering ] Bandy,
tea, tea!

248
00:15:41,835 --> 00:15:44,710
- [ speaking Cantonese ]

249
00:15:53,751 --> 00:15:56,293
[ Sing Song continues
speaking Cantonese ]

250
00:15:59,960 --> 00:16:02,335
- Going droving, China?

251
00:16:02,335 --> 00:16:03,835
- Thank you.

252
00:16:06,001 --> 00:16:08,376
SARAH: Can I help you?

253
00:16:13,376 --> 00:16:15,126
- [ chuckles ] Cheeky bugger.

254
00:16:20,876 --> 00:16:23,876
[ ♪ tense music ]

255
00:16:29,335 --> 00:16:30,710
DAISY: Nullah.

256
00:16:38,376 --> 00:16:40,668
- Lady Ashley, Sergeant Callahan

257
00:16:40,668 --> 00:16:42,835
of the Northern Territory
Police.

258
00:16:44,335 --> 00:16:45,960
[ Daisy shrieking ]

259
00:16:51,668 --> 00:16:54,376
[ both struggling ]

260
00:16:58,501 --> 00:17:00,293
CALLAHAN: I can't begin
to tell you, Lady Ashley,

261
00:17:00,293 --> 00:17:03,001
how the tragedy
which befell your late husband

262
00:17:03,001 --> 00:17:05,543
has wrung sympathy
from the hearts

263
00:17:05,543 --> 00:17:08,751
of every civilised man and woman
in the Northern Territory.

264
00:17:08,751 --> 00:17:10,168
[ Daisy gasps ]

265
00:17:16,376 --> 00:17:18,126
CALLAHAN: Let me assure
you, Lady Ashley,

266
00:17:18,126 --> 00:17:21,543
that the suspect, King George,
will be brought to justice.

267
00:17:21,543 --> 00:17:23,335
- But surely a witchdoctor

268
00:17:23,335 --> 00:17:26,168
could conceal his own tracks,
Sergeant, could he not?

269
00:17:26,168 --> 00:17:27,668
- Makes no difference.

270
00:17:29,043 --> 00:17:31,543
It's only a matter of time.

271
00:17:33,710 --> 00:17:36,168
- Your tea, Sergeant.

272
00:17:36,168 --> 00:17:37,668
- Thank you.

273
00:17:41,001 --> 00:17:42,585
[ faint screaming ]

274
00:17:42,585 --> 00:17:44,751
- Shh!
- [ muffled screaming ]

275
00:17:44,751 --> 00:17:45,876
Help!

276
00:17:50,210 --> 00:17:51,376
- [ shouts in Language ]

277
00:17:56,126 --> 00:17:58,751
- [ muffled screaming ]

278
00:17:58,751 --> 00:18:01,085
- [ Daisy spluttering ]

279
00:18:05,626 --> 00:18:07,168
[ faint screaming ]

280
00:18:09,543 --> 00:18:11,876
[ both struggling ]

281
00:18:11,876 --> 00:18:14,335
[ ♪ tense music builds ]

282
00:18:16,668 --> 00:18:19,543
[ ♪ solemn music ]

283
00:18:26,668 --> 00:18:28,335
- Oh, incidentally,

284
00:18:28,335 --> 00:18:30,876
I met up with your former
manager, Neil Fletcher.

285
00:18:30,876 --> 00:18:33,668
He informed me that there's
a half-blood Aboriginal child

286
00:18:33,668 --> 00:18:34,751
out here somewhere.

287
00:18:34,751 --> 00:18:36,168
I thought we might pick him up

288
00:18:36,168 --> 00:18:39,126
and put him in the good hands
of the Church.

289
00:18:40,585 --> 00:18:43,251
- I will be sure
to look out for him.

290
00:18:48,251 --> 00:18:50,168
- Till we meet again,
Lady Ashley.

291
00:18:51,460 --> 00:18:54,960
[ whistling ] Get 'em in the
back, Constable. Let's go.

292
00:18:54,960 --> 00:18:58,043
[ ♪ dramatic music ]

293
00:19:06,293 --> 00:19:08,585
SARAH: Drover! Daisy and Nullah
are in the tank!

294
00:19:09,835 --> 00:19:11,668
Help them! Quickly!

295
00:19:11,668 --> 00:19:13,668
[ ♪ tense music builds ]

296
00:19:18,918 --> 00:19:20,585
NULLAH: Mama!

297
00:19:21,835 --> 00:19:23,835
DROVER: I got ya, I got ya.

298
00:19:23,835 --> 00:19:25,668
I got ya.

299
00:19:31,668 --> 00:19:33,043
[ Drover grunts ]

300
00:19:34,168 --> 00:19:37,501
[ ♪ mournful music ]

301
00:19:40,501 --> 00:19:42,210
[ sobs softly ]

302
00:19:44,918 --> 00:19:47,418
- Oh. Oh!

303
00:19:47,418 --> 00:19:51,001
[ weeping softly ]

304
00:20:00,001 --> 00:20:04,085
[ ♪ soaring melancholy music ]

305
00:20:12,251 --> 00:20:15,168
BANDY: Daisy! Daisy!

306
00:20:15,168 --> 00:20:17,460
[ Bandy wailing ]

307
00:20:38,335 --> 00:20:44,210
[ man singing in Language ]

308
00:20:53,668 --> 00:20:56,043
[ man shouts in Language ]

309
00:20:56,043 --> 00:21:00,626
[ man lamenting in Language ]

310
00:21:08,543 --> 00:21:12,126
[ man singing in Language ]

311
00:21:13,835 --> 00:21:15,918
[ ♪ mournful song in Language ]

312
00:21:17,626 --> 00:21:19,835
- [ wails ]

313
00:21:23,126 --> 00:21:26,126
[ ♪ mournful song in Language ]

314
00:21:49,626 --> 00:21:52,835
[ sobbing in distance ]

315
00:22:07,835 --> 00:22:11,668
- When someone dies
in the Aboriginal culture,

316
00:22:11,668 --> 00:22:13,960
you're not supposed to
say their name again.

317
00:22:16,835 --> 00:22:19,126
He needs motherin'.

318
00:22:19,126 --> 00:22:21,710
- Mothering?

319
00:22:21,710 --> 00:22:23,543
DROVER: Yep.

320
00:22:23,543 --> 00:22:28,001
You're a woman, so...you should
go on, get down there.

321
00:22:28,001 --> 00:22:31,418
- I'm...I'm not--

322
00:22:31,418 --> 00:22:32,793
I-I--

323
00:22:32,793 --> 00:22:35,168
- What?

324
00:22:37,418 --> 00:22:39,251
- Good with children.

325
00:22:40,668 --> 00:22:42,460
- Oh.

326
00:22:45,960 --> 00:22:49,293
[ gentle sobbing ]

327
00:23:01,835 --> 00:23:03,960
SARAH: Nullah.

328
00:23:05,460 --> 00:23:08,876
I wanted to extend
my condolences.

329
00:23:37,751 --> 00:23:41,668
- Would you, uh...
would you like to hear a story?

330
00:23:48,460 --> 00:23:52,960
- Ah...well, it's,
uh...it's called--

331
00:23:59,918 --> 00:24:01,918
It's called The Wizard of Oz.

332
00:24:03,085 --> 00:24:07,585
- Well, a wizard is a sort of
magic man.

333
00:24:10,668 --> 00:24:16,335
[ man singing distantly
in Language ]

334
00:24:21,335 --> 00:24:22,585
- Really?

335
00:24:35,293 --> 00:24:37,918
- No.

336
00:24:37,918 --> 00:24:40,751
Uh...anyway, there's a girl

337
00:24:40,751 --> 00:24:43,418
and there's a dog--

338
00:24:43,418 --> 00:24:45,460
Ruff. Ruff, ruff, ruff!

339
00:24:45,460 --> 00:24:47,126
And there's a tornado--

340
00:24:47,126 --> 00:24:49,585
Well, no, it's a...
in the film, it's a twister.

341
00:24:50,626 --> 00:24:52,418
- Oh, no, no, no.
Twister's not a person.

342
00:24:52,418 --> 00:24:55,335
It's like a big-- [ whooshes ]
Like a storm.

343
00:24:56,418 --> 00:24:58,043
- Like the Wet.

344
00:25:00,543 --> 00:25:06,543
Anyway, the story takes place
in a, um...a faraway land.

345
00:25:06,543 --> 00:25:08,543
Called Oz.

346
00:25:12,168 --> 00:25:13,543
- Oh, well--

347
00:25:14,543 --> 00:25:17,460
- Yes, yes, lots of songs.

348
00:25:22,585 --> 00:25:24,460
- No, no, no, I-- No.

349
00:25:25,876 --> 00:25:27,460
No.

350
00:25:30,376 --> 00:25:34,626
Well, I, uh...some--
I'll sing a little.

351
00:25:36,585 --> 00:25:39,126
[ singing off-key ] ♪ Somewhere
over

352
00:25:39,126 --> 00:25:40,835
♪ The, uh, the rainbow

353
00:25:45,876 --> 00:25:47,710
- Oh.

354
00:25:47,710 --> 00:25:50,585
♪ Somewhere, umm, dum-dum,
dum, dum

355
00:25:50,585 --> 00:25:52,585
♪ Lah, lah, mmm

356
00:25:52,585 --> 00:25:54,585
♪ And there's some birds
and they--

357
00:25:54,585 --> 00:25:56,460
♪ Hmm, they're-- ♪

358
00:25:58,585 --> 00:26:00,043
- It's, uh--

359
00:26:00,043 --> 00:26:04,001
♪ Some day I'll wish
upon a...a star

360
00:26:04,001 --> 00:26:07,001
♪ And-- ♪

361
00:26:08,793 --> 00:26:09,960
- Uh, yes.

362
00:26:09,960 --> 00:26:14,043
♪ Wake up where
the clouds are far behind--

363
00:26:14,043 --> 00:26:16,126
♪ Dreams really do

364
00:26:16,126 --> 00:26:18,126
♪ Come

365
00:26:18,126 --> 00:26:20,585
♪ True! ♪

366
00:26:20,585 --> 00:26:26,418
[ sustained high-pitched note ]

367
00:26:28,251 --> 00:26:29,668
[ exhales ]

368
00:26:32,960 --> 00:26:34,876
[ man singing distantly
in Language ]

369
00:26:40,585 --> 00:26:42,835
- That's right.

370
00:26:46,418 --> 00:26:49,210
- We've got to get those
no-good big bloody bulls

371
00:26:49,210 --> 00:26:51,251
into that metal ship.

372
00:26:51,251 --> 00:26:52,751
- Yes.

373
00:26:54,876 --> 00:26:57,293
- Will you help me?

374
00:26:57,293 --> 00:26:58,793
- Yes.

375
00:27:00,376 --> 00:27:03,251
[ King Stingray:
♪ Life Goes On ]

376
00:27:03,251 --> 00:27:05,585
[ Writers: Gotjiringu Yunupingu
and Dimathaya Burarrwanga ]

377
00:27:09,210 --> 00:27:10,960
♪ Life goes on

378
00:27:10,960 --> 00:27:13,918
♪ To the future of another day

379
00:27:13,918 --> 00:27:15,626
♪ Hey, all aboard

380
00:27:15,626 --> 00:27:18,710
♪ Don't wait for someone else
to say

381
00:27:18,710 --> 00:27:20,585
♪ Stay the same

382
00:27:20,585 --> 00:27:22,960
♪ And remember the aim

383
00:27:22,960 --> 00:27:27,751
♪ What you going for

384
00:27:27,751 --> 00:27:30,418
♪ So open your mind

385
00:27:30,418 --> 00:27:33,126
♪ And leave your dream

386
00:27:33,126 --> 00:27:37,501
♪ This is your destiny

387
00:27:37,501 --> 00:27:39,918
♪ 'Cause the sun will rise

388
00:27:39,918 --> 00:27:42,376
♪ To bring another day

389
00:27:42,376 --> 00:27:47,376
♪ What you waiting for?

390
00:27:47,376 --> 00:27:51,918
[ ♪ singing in Language ]

391
00:28:12,251 --> 00:28:18,251
♪ Life goes on

392
00:28:21,918 --> 00:28:27,918
♪ Life goes on

393
00:28:30,918 --> 00:28:33,918
[ ♪ singing in Language ]

394
00:28:51,085 --> 00:28:57,085
♪ Life goes on. ♪