1 00:01:00,560 --> 00:01:04,079 Humphrey, thank you so much for doing this. 2 00:01:04,080 --> 00:01:06,679 Oh, nonsense. It's exactly what we should be doing - 3 00:01:06,680 --> 00:01:08,559 serving the community. 4 00:01:08,560 --> 00:01:09,600 Besides... 5 00:01:10,680 --> 00:01:12,320 ..Kelby volunteered. 6 00:01:16,520 --> 00:01:18,519 One of these? What? No, no, no, no. 7 00:01:18,520 --> 00:01:20,479 There's too much glare. Just change the filter, 8 00:01:20,480 --> 00:01:22,879 will you, please? All right, Mr Witham. 9 00:01:22,880 --> 00:01:27,559 Mr Witham, may I introduce Detective Inspector Humphrey Goodman, 10 00:01:27,560 --> 00:01:31,199 Detective Sergeant Williams, and PC Hartford? 11 00:01:31,200 --> 00:01:34,959 This is Terence Witham, the current owner of the Solo Mare. 12 00:01:34,960 --> 00:01:36,199 Very pleased to meet you. 13 00:01:36,200 --> 00:01:39,680 One of you will be in the room with the painting, yes? Er, yes. 14 00:01:41,000 --> 00:01:42,160 I do hope it's you. 15 00:01:43,160 --> 00:01:44,560 Actually, no. 16 00:01:46,600 --> 00:01:47,839 All right? 17 00:01:47,840 --> 00:01:51,479 You're the finest Shipton Abbott has to offer, are you? 18 00:01:51,480 --> 00:01:52,560 Yes. 19 00:01:55,560 --> 00:01:57,720 How very reassuring. Excuse me. 20 00:01:59,440 --> 00:02:02,599 Hmm. He's a bundle of fun. 21 00:02:02,600 --> 00:02:04,319 He's artistic. He's very highly strung. 22 00:02:04,320 --> 00:02:05,999 Yeah, he should be. 23 00:02:06,000 --> 00:02:08,520 Right, get yourself set up. 24 00:02:11,560 --> 00:02:13,240 The Solo Mare! 25 00:02:17,840 --> 00:02:19,560 It's a horse's bottom. 26 00:02:20,760 --> 00:02:25,159 Yes...but the front end is looking at Shipton Abbott in 1710. 27 00:02:25,160 --> 00:02:27,879 Maybe they should have moved the horse out the way. 28 00:02:27,880 --> 00:02:30,559 Humphrey, let me introduce you to our hostess. 29 00:02:30,560 --> 00:02:32,879 This is Lady Louise Fitzallan. 30 00:02:32,880 --> 00:02:35,839 Wonderful to meet you. I've heard so much about you. 31 00:02:35,840 --> 00:02:36,879 Oh. HE CHUCKLES 32 00:02:36,880 --> 00:02:39,159 Anne and I are on the Arts Committee together. 33 00:02:39,160 --> 00:02:41,679 This is DS Williams. You have a beautiful home. 34 00:02:41,680 --> 00:02:43,039 Thank you. 35 00:02:43,040 --> 00:02:47,079 Augustus Craig, the artist, was my great-great-great-grandfather. 36 00:02:47,080 --> 00:02:49,359 So I understand, yes. 37 00:02:49,360 --> 00:02:51,559 I hear you're lending us a constable for the evening. 38 00:02:51,560 --> 00:02:52,639 HUMPHREY CHUCKLES 39 00:02:52,640 --> 00:02:55,399 It seems it really does pay to have friends - 40 00:02:55,400 --> 00:02:57,759 or rather, future son-in-laws - in high places. 41 00:02:57,760 --> 00:03:01,040 Yes. It's been a pleasure meeting you both. And you. 42 00:03:05,280 --> 00:03:06,959 Kelby... 43 00:03:06,960 --> 00:03:08,999 ..we'll leave you to it, then. Thanks. 44 00:03:09,000 --> 00:03:11,799 Um... Oh, and, sir, 45 00:03:11,800 --> 00:03:15,479 um...thank you for trusting me with this. 46 00:03:15,480 --> 00:03:17,440 I can't think of a better man for the job. 47 00:03:29,800 --> 00:03:32,320 INDISTINCT SHOUTING 48 00:03:34,800 --> 00:03:36,480 WOMAN: Justice for Edith! 49 00:03:37,880 --> 00:03:40,599 Um...who are they? 50 00:03:40,600 --> 00:03:43,759 Oh, they call themselves Edith's Army. 51 00:03:43,760 --> 00:03:46,359 Who's Edith? According to them, 52 00:03:46,360 --> 00:03:49,519 the person who really painted the Solo Mare. 53 00:03:49,520 --> 00:03:50,840 Really? 54 00:03:53,880 --> 00:03:56,199 OK, so that's everyone. 55 00:03:56,200 --> 00:03:58,040 Mr Witham? 56 00:03:59,160 --> 00:04:01,199 You'll lock the door behind us, yes? 57 00:04:01,200 --> 00:04:02,920 Yes, sir. Good. 58 00:04:07,760 --> 00:04:13,399 No-one is to go beyond those ropes until I return in the morning, yes? 59 00:04:13,400 --> 00:04:14,720 Understood, sir. 60 00:04:45,440 --> 00:04:47,240 HE SNARLS 61 00:04:48,480 --> 00:04:50,920 HE MOANS 62 00:04:57,000 --> 00:04:58,759 Take that, Margo. 63 00:04:58,760 --> 00:05:00,080 Yeah! 64 00:05:03,160 --> 00:05:05,160 HE IMITATES LIGHTSABER NOISES 65 00:05:06,240 --> 00:05:08,240 Pow, pow, pow, pow, pwww! 66 00:05:27,160 --> 00:05:28,680 Thanks, Mum. 67 00:05:37,800 --> 00:05:39,799 WIND WHISTLES 68 00:05:39,800 --> 00:05:41,759 CLUNK 69 00:05:41,760 --> 00:05:43,080 Hello? 70 00:05:46,280 --> 00:05:48,239 Hello? 71 00:05:48,240 --> 00:05:50,080 DOOR UNLOCKS Hello? 72 00:05:52,320 --> 00:05:53,520 Hello? 73 00:05:55,640 --> 00:05:57,440 FIZZING 74 00:06:00,160 --> 00:06:01,519 The power's gone out. 75 00:06:01,520 --> 00:06:03,720 CLOCK STRIKES MIDNIGHT 76 00:06:12,640 --> 00:06:13,920 Hello? 77 00:06:22,800 --> 00:06:24,600 Hello? 78 00:07:16,960 --> 00:07:18,959 CLUNK 79 00:07:18,960 --> 00:07:20,240 Huh! 80 00:07:41,040 --> 00:07:43,119 HE SNORES GENTLY 81 00:07:43,120 --> 00:07:45,319 KNOCK AT DOOR 82 00:07:45,320 --> 00:07:46,720 You know me... 83 00:07:48,280 --> 00:07:50,439 I'm here... 84 00:07:50,440 --> 00:07:52,719 INSISTENT KNOCKING 85 00:07:52,720 --> 00:07:54,200 ANNE: PC Hartford? Hello? 86 00:07:59,160 --> 00:08:00,839 Is everything OK? 87 00:08:00,840 --> 00:08:02,959 Er...yes, Mrs Lloyd. 88 00:08:02,960 --> 00:08:05,399 Excellent. I wonder, would you stay around 89 00:08:05,400 --> 00:08:07,279 until Lady Louise and Mr Witham come up? 90 00:08:07,280 --> 00:08:09,919 They're just having breakfast downstairs. Of course. 91 00:08:09,920 --> 00:08:12,439 Shall I bring you up a bacon sandwich? 92 00:08:12,440 --> 00:08:14,320 Oh, yes, please! 93 00:08:16,960 --> 00:08:18,679 SHOUTING 94 00:08:18,680 --> 00:08:20,080 HORN BEEPS 95 00:08:23,040 --> 00:08:26,360 SHOUTING AND HORN BEEPING CONTINUE 96 00:08:39,240 --> 00:08:41,240 Hello. Hello. 97 00:08:42,480 --> 00:08:45,199 Need a hand? No, it's the last one. 98 00:08:45,200 --> 00:08:48,479 Oh, mini Yorkshire puddings! Excellent. 99 00:08:48,480 --> 00:08:50,000 I'll save you one. 100 00:08:51,200 --> 00:08:57,359 Thank you all very much for coming to help us mark the historic return 101 00:08:57,360 --> 00:09:00,080 of Shipton Abbott's very own Solo Mare. 102 00:09:01,280 --> 00:09:03,719 As acting chair of the Arts Committee, 103 00:09:03,720 --> 00:09:06,399 I'd like to thank Lady Louise Fitzallan 104 00:09:06,400 --> 00:09:08,239 for inviting us into her home, 105 00:09:08,240 --> 00:09:11,399 not to mention agreeing to buy the painting 106 00:09:11,400 --> 00:09:12,760 on behalf of Shipton Abbott. 107 00:09:19,000 --> 00:09:21,159 I'd also like to thank Mr Terence Witham, 108 00:09:21,160 --> 00:09:23,319 the current owner of Solo Mare, 109 00:09:23,320 --> 00:09:25,879 for agreeing to allow it to return home, 110 00:09:25,880 --> 00:09:28,559 to come back, as it were, to its rightful place, 111 00:09:28,560 --> 00:09:31,399 to the manor house where it was conceived. 112 00:09:31,400 --> 00:09:33,639 After the unveiling, we will all witness 113 00:09:33,640 --> 00:09:37,159 this historic moment live, as it were, 114 00:09:37,160 --> 00:09:40,199 when the deeds of agreement are signed 115 00:09:40,200 --> 00:09:42,079 and the transaction completed. 116 00:09:42,080 --> 00:09:46,039 So without further ado, I would like to invite the Mayor and Mayoress 117 00:09:46,040 --> 00:09:48,439 to step forward and reveal to us 118 00:09:48,440 --> 00:09:51,920 what we have all been waiting a very long time to see. 119 00:09:57,400 --> 00:10:00,320 On behalf of everyone in Shipton Abbott... 120 00:10:01,560 --> 00:10:03,200 ..welcome home. 121 00:10:04,400 --> 00:10:06,240 ALL GASP 122 00:10:13,480 --> 00:10:14,759 I will sue. 123 00:10:14,760 --> 00:10:16,799 I will sue you. I will sue the Arts Committee. 124 00:10:16,800 --> 00:10:18,799 I mean, there was a police officer in the room, 125 00:10:18,800 --> 00:10:20,599 for goodness' sake, in the room! 126 00:10:20,600 --> 00:10:22,440 There's nothing we could have done! It's... 127 00:10:24,400 --> 00:10:27,079 ESTHER: I've checked with Mrs Fitzallan in case anyone could have 128 00:10:27,080 --> 00:10:29,039 hidden in the room before it was locked. 129 00:10:29,040 --> 00:10:30,519 There are no secret compartments 130 00:10:30,520 --> 00:10:32,439 or false walls anywhere in this room. 131 00:10:32,440 --> 00:10:34,399 This window latch is broken, 132 00:10:34,400 --> 00:10:36,359 which means it could be opened from the outside. 133 00:10:36,360 --> 00:10:38,799 I saw someone out of that window running across the lawn 134 00:10:38,800 --> 00:10:40,920 with a...an orange cap on. 135 00:10:41,920 --> 00:10:44,239 What time? Midnight. 136 00:10:44,240 --> 00:10:46,479 Would you know them if you saw them again? 137 00:10:46,480 --> 00:10:50,079 I'm not sure, sir. It was dark and it happened just after 138 00:10:50,080 --> 00:10:52,719 the electric went off. There was a power cut? 139 00:10:52,720 --> 00:10:55,599 You didn't say anything. Well, it came back on again. 140 00:10:55,600 --> 00:10:57,079 But you didn't leave the room? 141 00:10:57,080 --> 00:10:58,119 No. 142 00:10:58,120 --> 00:11:00,679 Well...not really. I... 143 00:11:00,680 --> 00:11:04,119 I... I opened the door when the power went off. 144 00:11:04,120 --> 00:11:06,039 You opened the door? 145 00:11:06,040 --> 00:11:08,359 To see if anyone was sorting out the electric. 146 00:11:08,360 --> 00:11:09,680 But you stayed in the room? 147 00:11:14,320 --> 00:11:17,680 I might have stepped out for a minute. 148 00:11:23,160 --> 00:11:25,959 Gallery room needs to remain sealed until Forensics get here. 149 00:11:25,960 --> 00:11:28,399 I want a list of everyone who stayed at the house last night. 150 00:11:28,400 --> 00:11:30,119 Can someone tell me what's going on? 151 00:11:30,120 --> 00:11:32,879 We'll bring you up to speed as soon as we know more, sir. 152 00:11:32,880 --> 00:11:35,239 I heard they came in through the window, 153 00:11:35,240 --> 00:11:37,679 in which case, how the hell did they get past him, hmm, 154 00:11:37,680 --> 00:11:38,920 unless he left the room? 155 00:11:42,160 --> 00:11:44,199 HUMPHREY CLEARS THROAT You did, didn't you? 156 00:11:44,200 --> 00:11:45,999 Sir, that's enough. 157 00:11:46,000 --> 00:11:47,919 Please go back inside and let us do our job. 158 00:11:47,920 --> 00:11:50,879 Ha! You haven't exactly covered yourself in glory so far, 159 00:11:50,880 --> 00:11:53,159 have you? I want answers. 160 00:11:53,160 --> 00:11:55,400 Then I suggest you leave us alone to find some. 161 00:11:56,880 --> 00:11:58,080 Bloody amateurs. 162 00:11:59,800 --> 00:12:02,359 This is all my fault. 163 00:12:02,360 --> 00:12:05,040 Hey, I think you'd better see this. 164 00:12:10,600 --> 00:12:12,279 Just under the gallery room. 165 00:12:12,280 --> 00:12:14,359 Must have been the guy who Kelby saw running away. 166 00:12:14,360 --> 00:12:16,239 Yeah, but if he was here to steal the painting, 167 00:12:16,240 --> 00:12:18,919 why risk getting caught to stop and do graffiti? 168 00:12:18,920 --> 00:12:20,999 Let's get it all taped off 169 00:12:21,000 --> 00:12:23,839 and have Forensics check it while they're here. 170 00:12:23,840 --> 00:12:26,279 We waited all this time, and it was here one night! 171 00:12:26,280 --> 00:12:29,799 We'll get it back, Margo. You'd better go and open the station. 172 00:12:29,800 --> 00:12:31,040 Yeah. 173 00:12:33,000 --> 00:12:34,240 What shall I do? 174 00:12:35,760 --> 00:12:37,280 Maybe you go too. 175 00:12:43,600 --> 00:12:46,039 If Kelby's right about only being on the landing 176 00:12:46,040 --> 00:12:48,559 a couple of minutes, that's not long enough to break in, 177 00:12:48,560 --> 00:12:50,919 get into the room, take the painting from the frame, 178 00:12:50,920 --> 00:12:52,079 and get back out again. 179 00:12:52,080 --> 00:12:53,919 He must have been out of the room longer. 180 00:12:53,920 --> 00:12:56,039 Yes, agreed. How's it going? 181 00:12:56,040 --> 00:12:58,239 I'm a bit flummoxed, to be honest. 182 00:12:58,240 --> 00:13:00,679 Mum's distraught. It's not her fault. 183 00:13:00,680 --> 00:13:03,400 That's not how she sees it. She organised everything. 184 00:13:04,520 --> 00:13:06,919 You will get it back for her, won't you? 185 00:13:06,920 --> 00:13:08,600 CAMERA SHUTTER CLICKS 186 00:13:17,000 --> 00:13:18,519 MARGO: It's going to be all right. 187 00:13:18,520 --> 00:13:19,880 OK. Bye. 188 00:13:21,760 --> 00:13:24,719 That was Dot Trowman. Lost 25 sheep. 189 00:13:24,720 --> 00:13:26,399 Got out of her bottom field. 190 00:13:26,400 --> 00:13:28,239 I'll head down there. 191 00:13:28,240 --> 00:13:30,039 Margo, anything back from the scene yet? 192 00:13:30,040 --> 00:13:32,199 Forensics have just arrived. 193 00:13:32,200 --> 00:13:35,079 Right. Um, OK, while we're waiting for them, 194 00:13:35,080 --> 00:13:36,879 let's start building a picture. 195 00:13:36,880 --> 00:13:39,079 Background checks on these to start with, please. 196 00:13:39,080 --> 00:13:40,240 Thank you. 197 00:13:41,680 --> 00:13:43,519 SHE SNORTS Missing a few, aren't we? 198 00:13:43,520 --> 00:13:45,599 Er, who? 199 00:13:45,600 --> 00:13:48,839 Head of the Arts Committee, who organised everything. 200 00:13:48,840 --> 00:13:50,159 Caterers... 201 00:13:50,160 --> 00:13:52,359 You want me to investigate my future mother-in-law 202 00:13:52,360 --> 00:13:53,640 and my fiancee? 203 00:13:54,720 --> 00:13:56,759 Depends if you want to be thorough or not. 204 00:13:56,760 --> 00:13:59,720 Just those people on the list. Thank you, Margo. 205 00:14:07,200 --> 00:14:09,160 HE SIGHS Kelby... 206 00:14:10,560 --> 00:14:12,760 ..you mustn't blame yourself, you know. 207 00:14:14,160 --> 00:14:15,640 I was the one guarding it. 208 00:14:17,120 --> 00:14:20,959 Um... Well, then... we find out what happened, 209 00:14:20,960 --> 00:14:23,039 we arrest whoever's responsible, 210 00:14:23,040 --> 00:14:24,639 and we get the painting back. 211 00:14:24,640 --> 00:14:27,239 And we do that as a team, we do it together. OK? 212 00:14:27,240 --> 00:14:28,439 Yes, sir. 213 00:14:28,440 --> 00:14:29,720 Good man. 214 00:14:32,520 --> 00:14:33,839 OK. 215 00:14:33,840 --> 00:14:37,839 So...let's assume that whoever stole the Solo Mare 216 00:14:37,840 --> 00:14:39,279 now intends to sell it, 217 00:14:39,280 --> 00:14:42,239 so let's think about how they would go about that. 218 00:14:42,240 --> 00:14:44,239 Well, they can't just stick it on eBay. 219 00:14:44,240 --> 00:14:46,599 Exactly. So what does that tell us? 220 00:14:46,600 --> 00:14:48,319 Is this someone in the know? 221 00:14:48,320 --> 00:14:51,879 Head of the Arts Committee? Thank you, Margot. 222 00:14:51,880 --> 00:14:53,999 And if the power being cut was there as a diversion, 223 00:14:54,000 --> 00:14:55,839 then where is the master fuse board, 224 00:14:55,840 --> 00:14:57,679 and who had access to that? 225 00:14:57,680 --> 00:14:59,599 And our protesters - 226 00:14:59,600 --> 00:15:02,559 surely they had the biggest motive of all, did they not, 227 00:15:02,560 --> 00:15:03,999 if they believe that the Solo Mare 228 00:15:04,000 --> 00:15:05,559 doesn't belong to the current owner, 229 00:15:05,560 --> 00:15:07,919 or that it shouldn't be displayed at Shipton Manor? 230 00:15:07,920 --> 00:15:10,279 So who are they? Can they account for their whereabouts? 231 00:15:10,280 --> 00:15:15,320 And is Kelby's mystery man in the orange baseball cap one of them? 232 00:15:24,120 --> 00:15:26,399 Did you know about this feud over the painting? 233 00:15:26,400 --> 00:15:28,039 Most of Shipton does. 234 00:15:28,040 --> 00:15:31,559 Augustus Craig had a young stable girl called Edith Jay 235 00:15:31,560 --> 00:15:33,159 who worked on the estate, 236 00:15:33,160 --> 00:15:35,919 but then went on to be an artist in her own right. 237 00:15:35,920 --> 00:15:39,919 The claim is that she was Craig's secret protegee. 238 00:15:39,920 --> 00:15:43,239 Not only that, but because of the subject, 239 00:15:43,240 --> 00:15:46,279 some believe she's the one that painted the Solo Mare. 240 00:15:46,280 --> 00:15:49,719 Yes, but wasn't it signed by Augustus Craig? 241 00:15:49,720 --> 00:15:52,359 Yeah, but they still believe she painted it. 242 00:15:52,360 --> 00:15:56,800 Both families have argued about the provenance for generations. 243 00:15:57,920 --> 00:15:59,280 Right. 244 00:16:02,080 --> 00:16:03,480 Isla Jay? 245 00:16:04,520 --> 00:16:07,040 SHE SCOFFS Surprise, surprise. 246 00:16:21,760 --> 00:16:24,799 Looks like you're expecting another painting, Isla. 247 00:16:24,800 --> 00:16:26,559 Very funny. 248 00:16:26,560 --> 00:16:30,719 You do claim that the Solo Mare was painted by one of your ancestors. 249 00:16:30,720 --> 00:16:32,160 I don't claim anything. 250 00:16:34,600 --> 00:16:37,639 I know it was. By Edith Jay? 251 00:16:37,640 --> 00:16:39,199 Stable girl? 252 00:16:39,200 --> 00:16:43,639 My great-great-great-grandmother. 253 00:16:43,640 --> 00:16:46,879 Yes, but Mr Witham is an expert. He... 254 00:16:46,880 --> 00:16:49,320 He seems clear that it was painted by Augustus Craig. 255 00:16:50,520 --> 00:16:53,440 It's in his interest for it to be painted by Craig. 256 00:16:54,440 --> 00:16:56,320 More money for him if it is. 257 00:16:59,640 --> 00:17:02,239 So? Are you going to ask me? 258 00:17:02,240 --> 00:17:04,199 Ask you what? If I nicked it. 259 00:17:04,200 --> 00:17:06,440 Did you? No. 260 00:17:09,040 --> 00:17:10,840 But I would have done if I could. 261 00:17:16,760 --> 00:17:21,639 There are others who feel as passionately about Edith as you. 262 00:17:21,640 --> 00:17:24,759 Do you think any of them could be responsible? 263 00:17:24,760 --> 00:17:26,759 How would I know? Better ask them. 264 00:17:26,760 --> 00:17:29,479 One of them wears an orange baseball cap, I believe. 265 00:17:29,480 --> 00:17:31,840 Er, what was his name again? 266 00:17:33,040 --> 00:17:36,040 No idea who you're talking about. 267 00:17:38,080 --> 00:17:39,399 And blame who you like. 268 00:17:39,400 --> 00:17:43,480 All I know is, I can't steal something that's already mine. 269 00:17:44,760 --> 00:17:46,280 And I can prove it. 270 00:17:58,680 --> 00:18:01,480 Found it in Gran's things when she passed. 271 00:18:03,880 --> 00:18:05,640 It belonged to Edith Jay. 272 00:18:21,800 --> 00:18:24,199 A sketch of the Solo Mare! 273 00:18:24,200 --> 00:18:26,560 Or a plan of how she wanted to paint it. 274 00:18:33,760 --> 00:18:35,759 ANNE: I'll never live it down. 275 00:18:35,760 --> 00:18:38,799 Stop worrying. If anyone can figure out what's happened, 276 00:18:38,800 --> 00:18:40,159 it's Humphrey. 277 00:18:40,160 --> 00:18:44,599 Hmm. I can only imagine what your dad would say. 278 00:18:44,600 --> 00:18:46,279 When he was chair, 279 00:18:46,280 --> 00:18:50,399 all he ever talked about was bringing the Solo Mare home. 280 00:18:50,400 --> 00:18:51,600 Hello! 281 00:18:53,000 --> 00:18:55,119 ANNE: Humphrey, please tell me you've found it. 282 00:18:55,120 --> 00:18:57,039 Oh, well, not quite, 283 00:18:57,040 --> 00:18:58,799 but we're making excellent progress. 284 00:18:58,800 --> 00:19:00,719 Really? Yes. 285 00:19:00,720 --> 00:19:02,479 See, Mum? Told you. 286 00:19:02,480 --> 00:19:03,680 Anne... 287 00:19:05,080 --> 00:19:06,239 ..so where do you stand 288 00:19:06,240 --> 00:19:08,479 on the whole Edith Jay, Augustus Craig debate? 289 00:19:08,480 --> 00:19:11,439 Oh, the families have been arguing about it for years. 290 00:19:11,440 --> 00:19:13,079 It was signed by Craig, 291 00:19:13,080 --> 00:19:18,039 but Martha's father had a great deal of sympathy for the Jay family. 292 00:19:18,040 --> 00:19:22,239 He supported looking into it if the Solo Mare was ever found. 293 00:19:22,240 --> 00:19:24,679 But we lost him before that happened. 294 00:19:24,680 --> 00:19:27,640 Rose, as requested. Oh, thank you. 295 00:19:30,080 --> 00:19:31,519 Humphrey. Hi. 296 00:19:31,520 --> 00:19:33,239 Anne. Oh, I heard about the painting. 297 00:19:33,240 --> 00:19:35,719 It must have been quite a blow, I imagine. 298 00:19:35,720 --> 00:19:37,479 You've no idea. 299 00:19:37,480 --> 00:19:40,239 Is there anything I can do to help? Not unless you know who stole it. 300 00:19:40,240 --> 00:19:41,479 Afraid not. 301 00:19:41,480 --> 00:19:42,999 Well, I'd better get back. 302 00:19:43,000 --> 00:19:45,599 Oh, Motty, did you mention to Humph 303 00:19:45,600 --> 00:19:48,479 what we were talking about? Oh, no. Sorry. 304 00:19:48,480 --> 00:19:51,279 Oh, don't worry. Nothing too deep. 305 00:19:51,280 --> 00:19:53,319 I just thought it might be nice for you and I 306 00:19:53,320 --> 00:19:55,679 to grab a beer sometime. Beer? 307 00:19:55,680 --> 00:19:58,039 Get to know each other. After all, I am in partnership 308 00:19:58,040 --> 00:19:59,639 with your fiancee. 309 00:19:59,640 --> 00:20:02,080 I'm sure Humphrey's very busy. 310 00:20:03,200 --> 00:20:05,599 Nonsense. Great. What about later? 311 00:20:05,600 --> 00:20:07,079 After work? Kitty Jay's. 312 00:20:07,080 --> 00:20:08,959 Couple of pints, bag of crisps, 313 00:20:08,960 --> 00:20:11,679 and we can exchange some war stories. 314 00:20:11,680 --> 00:20:13,959 Oh, why not? Good man! 315 00:20:13,960 --> 00:20:16,600 6.30? I'll look forward to it. 316 00:20:19,520 --> 00:20:21,320 Right. 317 00:20:23,280 --> 00:20:24,960 Back on the case! 318 00:20:32,280 --> 00:20:33,800 PHONE BUZZES 319 00:20:37,120 --> 00:20:38,439 Esther. Hello. 320 00:20:38,440 --> 00:20:40,719 There were nine protesters outside the gates. 321 00:20:40,720 --> 00:20:42,399 I'm working my way through them. 322 00:20:42,400 --> 00:20:44,839 Oh, and it seems the only people staying at the house 323 00:20:44,840 --> 00:20:47,479 last night were Louise Fitzallan and Terrance Witham. 324 00:20:47,480 --> 00:20:51,079 Mr Fitzallan is away on business, and there are no live-in staff. 325 00:20:51,080 --> 00:20:53,559 OK. Very good. Thank you. See you back at the station. 326 00:20:53,560 --> 00:20:55,360 OK. See you soon. 327 00:21:00,360 --> 00:21:03,439 Well, of course I'm aware of the controversy surrounding 328 00:21:03,440 --> 00:21:07,399 the painting. My father and Howard Jay almost came to blows over it. 329 00:21:07,400 --> 00:21:08,839 Can you imagine? 330 00:21:08,840 --> 00:21:11,599 And Howard Jay is...? Isla Jay's father. 331 00:21:11,600 --> 00:21:12,959 I see. 332 00:21:12,960 --> 00:21:15,959 She and I have had the occasional interaction, 333 00:21:15,960 --> 00:21:17,959 but nothing quite so heated. 334 00:21:17,960 --> 00:21:19,399 What kind of interaction? 335 00:21:19,400 --> 00:21:22,439 Well, it usually consists of her shouting at me in public 336 00:21:22,440 --> 00:21:25,439 and me smiling politely. It's all rather vulgar. 337 00:21:25,440 --> 00:21:28,439 So when you went to your room last night, 338 00:21:28,440 --> 00:21:30,759 you didn't see or hear anything until this morning? 339 00:21:30,760 --> 00:21:31,799 Nothing. 340 00:21:31,800 --> 00:21:36,199 PC Hartford said he might have seen someone in the grounds 341 00:21:36,200 --> 00:21:39,920 last night about midnight wearing an orange baseball cap. 342 00:21:41,120 --> 00:21:43,479 Have you any idea who that might have been? 343 00:21:43,480 --> 00:21:47,399 Um...no. Staff go home at 6.00, so if there was anyone 344 00:21:47,400 --> 00:21:49,999 in the garden after that, they were trespassing. 345 00:21:50,000 --> 00:21:51,080 Ah. 346 00:21:59,480 --> 00:22:03,759 Can I ask if you saw or heard anything last night? 347 00:22:03,760 --> 00:22:05,119 Like what? 348 00:22:05,120 --> 00:22:07,959 Were you aware there was a power cut, for example? 349 00:22:07,960 --> 00:22:09,959 Around midnight? No. 350 00:22:09,960 --> 00:22:11,759 You were asleep? Yes! 351 00:22:11,760 --> 00:22:14,199 Listen, since you're here, maybe I could get back 352 00:22:14,200 --> 00:22:15,599 into the gallery room. 353 00:22:15,600 --> 00:22:17,559 I need to collect my things before I go - 354 00:22:17,560 --> 00:22:20,959 the display stand... The frame itself is actually quite valuable. 355 00:22:20,960 --> 00:22:23,279 You'll just need to bear with us a while longer. 356 00:22:23,280 --> 00:22:25,039 We need to keep the room sealed. 357 00:22:25,040 --> 00:22:27,879 Perhaps if you came back tomorrow. 358 00:22:27,880 --> 00:22:29,919 I don't suppose I have a choice. 359 00:22:29,920 --> 00:22:32,520 We'll be as quick as we can. 360 00:22:34,040 --> 00:22:35,080 Can I ask? 361 00:22:36,440 --> 00:22:38,799 Were you aware of the controversy 362 00:22:38,800 --> 00:22:40,279 surrounding the Solo Mare? 363 00:22:40,280 --> 00:22:42,119 HE CHUCKLES Of course! 364 00:22:42,120 --> 00:22:45,479 The Jay family are talking absolute nonsense. 365 00:22:45,480 --> 00:22:48,319 And you feel that the Solo Mare is in keeping with other works 366 00:22:48,320 --> 00:22:49,559 produced by Augustus Craig? 367 00:22:49,560 --> 00:22:51,240 Without a shadow of a doubt. 368 00:22:52,560 --> 00:22:56,199 It has his signature on it. 369 00:22:56,200 --> 00:23:00,519 So if someone wanted to sell a stolen painting of this quality, 370 00:23:00,520 --> 00:23:02,599 how would they go about it? 371 00:23:02,600 --> 00:23:03,640 WITHAM SIGHS 372 00:23:04,880 --> 00:23:08,119 A painting of this importance, Inspector, 373 00:23:08,120 --> 00:23:10,919 is almost always stolen to order. 374 00:23:10,920 --> 00:23:13,599 So they would have a buyer already in place? 375 00:23:13,600 --> 00:23:14,879 Oh, I can think of 376 00:23:14,880 --> 00:23:17,519 a dozen private collectors who'd pay good money for it. 377 00:23:17,520 --> 00:23:21,960 What was the price agreed between you and Mrs Fitzallan? 378 00:23:24,040 --> 00:23:25,480 500,000. 379 00:23:26,480 --> 00:23:27,720 Gosh. 380 00:23:29,120 --> 00:23:30,999 So a buyer would pay that? 381 00:23:31,000 --> 00:23:33,799 Even if they knew it was stolen? 382 00:23:33,800 --> 00:23:35,520 Oh, maybe more. 383 00:23:36,720 --> 00:23:42,399 Art, Inspector, is enhanced by the tales that surround it. 384 00:23:42,400 --> 00:23:47,239 And a painting that was stolen from under the nose of a police officer 385 00:23:47,240 --> 00:23:49,360 while he was in the room... 386 00:23:51,280 --> 00:23:55,199 ..well, that is quite a story to recount over dinner, isn't it, hmm? 387 00:23:55,200 --> 00:23:57,280 HE MOUTHS 388 00:24:11,200 --> 00:24:13,519 MARGO: You been to see Dot Trowman yet? 389 00:24:13,520 --> 00:24:17,319 Look, I haven't got time to go looking for missing sheep. 390 00:24:17,320 --> 00:24:20,839 I need to find this bloke I saw last night. 391 00:24:20,840 --> 00:24:24,799 Do you know how many mug shots are in the county database? 392 00:24:24,800 --> 00:24:26,200 MARGO: Surprise me. 393 00:24:27,800 --> 00:24:30,760 219,411. 394 00:24:31,960 --> 00:24:33,639 And how many have you looked at? 395 00:24:33,640 --> 00:24:35,039 209. 396 00:24:35,040 --> 00:24:38,520 And how many of 'em are wearing an orange baseball cap? 397 00:24:39,560 --> 00:24:41,599 None. 398 00:24:41,600 --> 00:24:46,520 Chin up. Only another 219,202 to go. 399 00:24:48,880 --> 00:24:50,080 Thanks. 400 00:24:52,440 --> 00:24:54,719 Nothing on any of the protesters, sir. 401 00:24:54,720 --> 00:24:58,119 All either in bed or can prove they were nowhere near the manor. 402 00:24:58,120 --> 00:24:59,719 Yes, I suspected as much. 403 00:24:59,720 --> 00:25:02,119 Margo, Forensics at Shipton Manor? 404 00:25:02,120 --> 00:25:04,079 Good news or bad news? 405 00:25:04,080 --> 00:25:05,639 Good. 406 00:25:05,640 --> 00:25:07,880 They got prints from the window. Great. And the bad? 407 00:25:09,000 --> 00:25:10,999 There were around 30 people in the room, 408 00:25:11,000 --> 00:25:13,159 so they'll need to do exclusion prints on all of them. 409 00:25:13,160 --> 00:25:15,519 I also checked with the power company. 410 00:25:15,520 --> 00:25:18,439 There were no disruptions in the power supply last night. 411 00:25:18,440 --> 00:25:20,280 Yes, all very unhelpful. 412 00:25:21,680 --> 00:25:23,640 You're welcome. 413 00:25:24,680 --> 00:25:26,519 MARGO GASPS 414 00:25:26,520 --> 00:25:28,640 Oh, wait. 415 00:25:29,800 --> 00:25:32,079 I HAVE got some good news. Yes? 416 00:25:32,080 --> 00:25:34,559 The Chief Superintendent's been on. 417 00:25:34,560 --> 00:25:37,239 Wants you were at the hub, 9.00 tomorrow morning. 418 00:25:37,240 --> 00:25:40,199 How is that good news? 419 00:25:40,200 --> 00:25:42,960 You can get croissants and coffee on your way back. 420 00:25:44,360 --> 00:25:46,039 Yes. Right... 421 00:25:46,040 --> 00:25:48,439 Come on. Come on, everyone. What are we missing? 422 00:25:48,440 --> 00:25:51,039 Gate cameras? Nothing. 423 00:25:51,040 --> 00:25:53,119 And the manor house has a three-mile perimeter. 424 00:25:53,120 --> 00:25:55,039 There's lots of places they could have got in. 425 00:25:55,040 --> 00:25:57,919 OK, what about this power cut? If it wasn't the grid, 426 00:25:57,920 --> 00:25:59,960 then it must have been cut off in the house. 427 00:26:01,000 --> 00:26:04,279 And only Terence Witham and Louise Fitzallan were inside the house. 428 00:26:04,280 --> 00:26:06,879 Background checks? Did Mrs Fitzallan first. 429 00:26:06,880 --> 00:26:08,999 Thought that'd be the most interesting. 430 00:26:09,000 --> 00:26:12,959 Turns out the Fitzallans aren't as loaded as I thought. 431 00:26:12,960 --> 00:26:15,319 The husband inherited the house, 432 00:26:15,320 --> 00:26:17,239 but they struggle to afford the running costs. 433 00:26:17,240 --> 00:26:19,719 They can afford half a million pounds for a painting, though. 434 00:26:19,720 --> 00:26:22,639 What about our art dealer, Terence Witham? 435 00:26:22,640 --> 00:26:23,839 Known for his niche tastes, 436 00:26:23,840 --> 00:26:25,799 beginning his career specialising in works 437 00:26:25,800 --> 00:26:28,519 depicting alternative lifestyles - 438 00:26:28,520 --> 00:26:31,999 escapologists, circus performers, and the like. 439 00:26:32,000 --> 00:26:37,519 Er, discovered the Solo Mare in a small town auction in January 2022. 440 00:26:37,520 --> 00:26:43,239 Lists his heroes as Banksy, Mozart, and the Dalai Lama. 441 00:26:43,240 --> 00:26:46,679 An eclectic mix. But again, as he already owned the painting, 442 00:26:46,680 --> 00:26:49,399 what possible motive could he have to steal it? 443 00:26:49,400 --> 00:26:52,439 So we're back to our man in the baseball cap. Yes. 444 00:26:52,440 --> 00:26:56,200 Yes, he definitely feels like he is the key to unlock everything. 445 00:26:57,800 --> 00:26:59,160 We need to find him. 446 00:27:01,440 --> 00:27:03,080 LOUISE: You were seen. 447 00:27:04,160 --> 00:27:07,320 It doesn't matter by who. Just don't do anything else. 448 00:27:08,400 --> 00:27:10,880 The police have been here all afternoon. Just wait. 449 00:27:12,440 --> 00:27:14,440 No. We had an agreement. 450 00:27:23,240 --> 00:27:25,799 So, football. I'm a Chelsea man. What about you? 451 00:27:25,800 --> 00:27:27,959 I don't really follow football. Sorry. 452 00:27:27,960 --> 00:27:29,239 Rugby? 453 00:27:29,240 --> 00:27:31,600 Gosh, I'm not sure I know the rules, to be honest. 454 00:27:37,600 --> 00:27:40,480 So, you and Martha... The Caribbean, right? 455 00:27:42,440 --> 00:27:43,959 Er, yes. 456 00:27:43,960 --> 00:27:46,079 Well, I was stationed there. She was travelling. 457 00:27:46,080 --> 00:27:50,239 We had met briefly a year or so before in London. 458 00:27:50,240 --> 00:27:51,559 A happy coincidence. 459 00:27:51,560 --> 00:27:54,000 I still wake up every morning and... 460 00:27:55,440 --> 00:27:57,560 ..well, wonder what she sees in me, really. 461 00:27:59,800 --> 00:28:01,279 OK. 462 00:28:01,280 --> 00:28:03,119 I guess it's just one of life's mysteries. 463 00:28:03,120 --> 00:28:06,159 Best not to think about it too much. 464 00:28:06,160 --> 00:28:07,640 Guess I'd jinx it. 465 00:28:08,920 --> 00:28:10,799 We could always ask her. 466 00:28:10,800 --> 00:28:13,879 I do. She says we're the perfect fit. 467 00:28:13,880 --> 00:28:15,920 Like yin and yang. 468 00:28:18,160 --> 00:28:20,040 I don't know which is which. 469 00:28:21,920 --> 00:28:23,160 I think I'm maybe yang. 470 00:28:28,120 --> 00:28:30,320 Perversely, I used to think we were perfect together. 471 00:28:31,680 --> 00:28:34,199 Turns out she didn't feel the same way. 472 00:28:34,200 --> 00:28:35,879 Lucky for me. 473 00:28:35,880 --> 00:28:36,999 Sorry. 474 00:28:37,000 --> 00:28:38,800 Don't be. It's true. 475 00:28:43,400 --> 00:28:46,559 So, I need to ask, does it bother you, 476 00:28:46,560 --> 00:28:48,079 us working together? 477 00:28:48,080 --> 00:28:49,679 Should it? 478 00:28:49,680 --> 00:28:51,160 Of course not. 479 00:29:11,560 --> 00:29:12,880 FOOTSTEPS 480 00:29:15,360 --> 00:29:17,239 Ha! Hi. 481 00:29:17,240 --> 00:29:18,879 How did it go? 482 00:29:18,880 --> 00:29:20,719 Oh, it was brilliant. 483 00:29:20,720 --> 00:29:23,239 It turns out we have loads in common. 484 00:29:23,240 --> 00:29:24,679 You have nothing in common. 485 00:29:24,680 --> 00:29:26,439 That's not true, actually. 486 00:29:26,440 --> 00:29:30,039 We narrowed it down to...you... 487 00:29:30,040 --> 00:29:31,720 ..and cheese and onion crisps. 488 00:29:32,960 --> 00:29:34,679 Was it a disaster? 489 00:29:34,680 --> 00:29:37,760 Oh, not a disaster, no, but... 490 00:29:41,040 --> 00:29:43,599 ..I'm not sure what you saw in either of us, to be honest. 491 00:29:43,600 --> 00:29:46,439 What shall we do for dinner? 492 00:29:46,440 --> 00:29:49,679 Oh, Mum's still upset about the missing painting, 493 00:29:49,680 --> 00:29:51,679 so I said we'd eat with her, if that's OK. 494 00:29:51,680 --> 00:29:53,400 Yeah, of course. 495 00:29:56,920 --> 00:29:58,680 HE SIGHS 496 00:29:59,840 --> 00:30:03,720 Archie asked me if we were planning to start a family. 497 00:30:05,200 --> 00:30:06,560 I didn't know what to tell him. 498 00:30:07,960 --> 00:30:09,480 So what did you say? 499 00:30:10,600 --> 00:30:12,120 I told him we were thinking about it. 500 00:30:13,600 --> 00:30:15,200 And we are. 501 00:30:16,520 --> 00:30:17,720 Are we? 502 00:30:20,320 --> 00:30:22,399 Come on. Mum's waiting. 503 00:30:22,400 --> 00:30:23,720 OK. 504 00:30:29,040 --> 00:30:30,719 MARGO: I knew you'd still be in here. 505 00:30:30,720 --> 00:30:32,520 I need to find him. 506 00:30:35,520 --> 00:30:36,879 Home. 507 00:30:36,880 --> 00:30:38,480 Just give me ten more minutes. 508 00:30:39,800 --> 00:30:42,599 Now. OK. 509 00:30:42,600 --> 00:30:44,799 I've got a fancy-dress party at Jamie Elvin's, 510 00:30:44,800 --> 00:30:46,879 and I'm late as it is. 511 00:30:46,880 --> 00:30:48,520 Who are you going as? 512 00:30:50,240 --> 00:30:51,360 Kenny Everett. 513 00:30:52,400 --> 00:30:54,679 Who's that? SHE SIGHS 514 00:30:54,680 --> 00:30:56,439 Before your time. 515 00:30:56,440 --> 00:31:01,159 Come on. Find Mr Baseball Cap tomorrow. 516 00:31:01,160 --> 00:31:02,520 OK. 517 00:31:12,320 --> 00:31:15,319 Yeah, so he's a Caucasian male. 518 00:31:15,320 --> 00:31:17,679 Um... 519 00:31:17,680 --> 00:31:21,639 ..height-wise, he's around here, 5'9". 520 00:31:21,640 --> 00:31:23,719 Er...and he was wearing a baseball cap. 521 00:31:23,720 --> 00:31:25,440 Ring any bells? 522 00:31:27,200 --> 00:31:29,159 Hi there. Um... 523 00:31:29,160 --> 00:31:31,839 Had a baseball cap. Orange. 524 00:31:31,840 --> 00:31:33,879 Er, about this height. 525 00:31:33,880 --> 00:31:36,319 About this height. He had an orange hat on. 526 00:31:36,320 --> 00:31:38,199 No? 527 00:31:38,200 --> 00:31:39,920 All right, thank you. 528 00:31:59,400 --> 00:32:00,800 Excuse me... 529 00:32:04,920 --> 00:32:06,079 Oh! 530 00:32:06,080 --> 00:32:07,520 So sorry. 531 00:32:08,560 --> 00:32:09,640 I'm sorry. 532 00:32:13,160 --> 00:32:14,479 Oh, gosh. Nearly did it again. 533 00:32:14,480 --> 00:32:17,039 OK. Oh, sorry. 534 00:32:17,040 --> 00:32:18,959 I think I'm just a bit nervous. 535 00:32:18,960 --> 00:32:22,399 I'm in to meet my new Chief Superintendent. 536 00:32:22,400 --> 00:32:24,439 Does nothing but moan about how much money 537 00:32:24,440 --> 00:32:26,479 Shipton Abbott are spending. 538 00:32:26,480 --> 00:32:28,759 Oh, you're from one of the old station houses. 539 00:32:28,760 --> 00:32:31,359 Yes. We're old, but perfectly formed, 540 00:32:31,360 --> 00:32:33,639 Or pretty, but not very efficient. 541 00:32:33,640 --> 00:32:35,319 I think we're efficient enough. 542 00:32:35,320 --> 00:32:38,679 Oh, I don't doubt it as people, but we've moved on, haven't we? 543 00:32:38,680 --> 00:32:40,999 Away from a system of individual outposts 544 00:32:41,000 --> 00:32:43,719 towards a more modern and joined-up approach. 545 00:32:43,720 --> 00:32:45,999 Shared information and technology, 546 00:32:46,000 --> 00:32:48,279 facial recognition systems, biometrics... 547 00:32:48,280 --> 00:32:50,879 I just prefer good old-fashioned policing. 548 00:32:50,880 --> 00:32:52,439 Running around with whistles? 549 00:32:52,440 --> 00:32:54,039 HE CHUCKLES 550 00:32:54,040 --> 00:32:56,719 Well, with respect, um... that's your interpretation. 551 00:32:56,720 --> 00:32:59,119 And as an inspector sitting behind a desk... 552 00:32:59,120 --> 00:33:01,119 Except I'm not an inspector. Yeah, two pips. 553 00:33:01,120 --> 00:33:03,719 Pip and a crown. 554 00:33:03,720 --> 00:33:06,600 Oh, gosh. Sorry. That that makes you a... 555 00:33:08,280 --> 00:33:10,239 ..Chief Superintendent. 556 00:33:10,240 --> 00:33:12,600 Shall we go to my office? 557 00:33:16,960 --> 00:33:18,840 HE SIGHS 558 00:33:47,440 --> 00:33:50,359 Well, I'm guessing you'd like an update on the Solo Mare. 559 00:33:50,360 --> 00:33:51,640 Do you have one? 560 00:33:52,840 --> 00:33:54,599 We're still pursuing leads. 561 00:33:54,600 --> 00:33:55,919 So that's a no. 562 00:33:55,920 --> 00:33:58,839 Actually, that's not why I brought you here, nor was it to listen 563 00:33:58,840 --> 00:34:01,799 to your views on 21st-century policing, enlightening as that was, 564 00:34:01,800 --> 00:34:04,119 or even to tell you off face-to-face 565 00:34:04,120 --> 00:34:06,240 for spending too much money. 566 00:34:07,600 --> 00:34:09,959 Did you look around earlier? 567 00:34:09,960 --> 00:34:12,240 You'll find every force in the county with a base here. 568 00:34:13,360 --> 00:34:15,959 This place is the beating heart of the South West Police. 569 00:34:15,960 --> 00:34:18,519 And what does that make us? The kidney? 570 00:34:18,520 --> 00:34:20,119 More like a benign growth. 571 00:34:20,120 --> 00:34:22,240 Fine for now, dangerous if left unchecked. 572 00:34:23,480 --> 00:34:26,759 Tactical Command are considering bringing you and your team 573 00:34:26,760 --> 00:34:27,879 into this building, 574 00:34:27,880 --> 00:34:30,399 closing down the old station house. 575 00:34:30,400 --> 00:34:33,119 But that's a shame. For who? 576 00:34:33,120 --> 00:34:35,039 Us, but also the community, 577 00:34:35,040 --> 00:34:37,079 who've been using that building for 100 years. 578 00:34:37,080 --> 00:34:39,479 You'll have more support here, more resources, 579 00:34:39,480 --> 00:34:42,440 community liaison. Be part of a bigger picture. 580 00:34:59,000 --> 00:35:00,160 HE KNOCKS ON WINDOW 581 00:35:02,520 --> 00:35:03,759 Oi! 582 00:35:03,760 --> 00:35:05,520 Here! You've not paid for that! 583 00:35:12,800 --> 00:35:14,200 Oi! 584 00:35:15,760 --> 00:35:18,240 Hey! Sorry, lads, sorry! 585 00:35:34,600 --> 00:35:36,359 What are you doing here? 586 00:35:36,360 --> 00:35:37,759 Went out without my computer. 587 00:35:37,760 --> 00:35:40,599 It's got my wholesale order on it. 588 00:35:40,600 --> 00:35:41,679 What are these? 589 00:35:41,680 --> 00:35:46,160 We had a Turner visit in 1987. 590 00:35:47,280 --> 00:35:49,920 Your father planned it all. Went off beautifully. 591 00:35:51,400 --> 00:35:53,999 Oh, Mum, I told you. 592 00:35:54,000 --> 00:35:55,999 You can't keep blaming yourself. 593 00:35:56,000 --> 00:35:57,399 You weren't even there. 594 00:35:57,400 --> 00:36:01,679 I really just can't help thinking that I let him down... 595 00:36:01,680 --> 00:36:03,040 ..Motty. 596 00:36:08,480 --> 00:36:10,000 HE SIGHS 597 00:36:12,000 --> 00:36:14,639 So...how was the Chief Super? 598 00:36:14,640 --> 00:36:16,079 Oh, good. Spilled coffee on her, 599 00:36:16,080 --> 00:36:19,359 then got given a lecture on modern policing methods. 600 00:36:19,360 --> 00:36:20,599 Oh, dear. 601 00:36:20,600 --> 00:36:21,959 But this will cheer you up. 602 00:36:21,960 --> 00:36:25,319 Kelby found our mystery baseball cap man. 603 00:36:25,320 --> 00:36:27,439 Where? At the fish market, apparently. 604 00:36:27,440 --> 00:36:30,359 Anyway, he's processing him now. 605 00:36:30,360 --> 00:36:31,559 Excellent. 606 00:36:31,560 --> 00:36:33,639 We have got other things to be doing, you know. 607 00:36:33,640 --> 00:36:35,719 We're not all sitting here twiddling our thumbs. 608 00:36:35,720 --> 00:36:40,279 Now, I said we'll get to it, and we will. 609 00:36:40,280 --> 00:36:42,439 Right? What was that? 610 00:36:42,440 --> 00:36:45,439 Seems everyone's moaning at me today. 611 00:36:45,440 --> 00:36:48,759 That was Dot Trowman moaning about her sheep. 612 00:36:48,760 --> 00:36:51,479 Then I had that Witham on earlier. 613 00:36:51,480 --> 00:36:53,559 Wanted to know if he can get in the gallery yet 614 00:36:53,560 --> 00:36:54,919 to get his stuff out. 615 00:36:54,920 --> 00:36:56,720 I'd say yes. I think we're done there. 616 00:36:58,040 --> 00:37:01,799 OK. He is in the interview room, ready for you. 617 00:37:01,800 --> 00:37:04,639 Thanks, Kelby. Yes. Great work, Kelby. 618 00:37:04,640 --> 00:37:06,519 Sir, um... 619 00:37:06,520 --> 00:37:08,319 ..this might not be important, 620 00:37:08,320 --> 00:37:12,519 but when I saw him first, and I'm not sure about this, 621 00:37:12,520 --> 00:37:14,759 but he was with a woman, 622 00:37:14,760 --> 00:37:17,919 and it looked like she was passing something to him. 623 00:37:17,920 --> 00:37:19,759 She was a little older, 624 00:37:19,760 --> 00:37:23,200 and it looked like Mrs Fitzallan from the manor. 625 00:37:32,200 --> 00:37:34,519 Aaron Cole. 626 00:37:34,520 --> 00:37:39,159 Previous for criminal damage, theft, and common assault. 627 00:37:39,160 --> 00:37:43,559 OK. So...can you tell us what you were doing in the grounds 628 00:37:43,560 --> 00:37:46,160 of Shipton Manor the night before last around midnight? 629 00:37:48,000 --> 00:37:50,079 You were seen. 630 00:37:50,080 --> 00:37:52,559 On the night a painting worth £500,000 was stolen. 631 00:37:52,560 --> 00:37:54,879 Whoa, whoa, whoa, whoa! You ain't pinning that on me. 632 00:37:54,880 --> 00:37:57,479 Unless you've got a really good explanation for being there, 633 00:37:57,480 --> 00:37:59,079 it doesn't look good, does it? 634 00:37:59,080 --> 00:38:02,359 Right now, you're our prime suspect. 635 00:38:02,360 --> 00:38:04,639 I didn't steal anything, I swear! 636 00:38:04,640 --> 00:38:05,799 Well, if you're innocent, 637 00:38:05,800 --> 00:38:07,760 you can be out of this room in five minutes. 638 00:38:09,040 --> 00:38:10,839 I mean, you're no stranger to this process, 639 00:38:10,840 --> 00:38:12,679 by the sound of things, are you, Aaron? 640 00:38:12,680 --> 00:38:15,679 So...you know full well that the only way that's going to happen 641 00:38:15,680 --> 00:38:16,999 is if you tell us the truth, 642 00:38:17,000 --> 00:38:21,680 and if you tell us exactly why you were there. 643 00:38:24,360 --> 00:38:25,559 If it helps... 644 00:38:25,560 --> 00:38:28,200 ..we already know about Mrs Fitzallan. 645 00:38:29,920 --> 00:38:32,280 Do you really think she's going to protect you? 646 00:38:35,080 --> 00:38:37,039 She wanted me to nick the painting. 647 00:38:37,040 --> 00:38:38,479 So you admit stealing it? No. 648 00:38:38,480 --> 00:38:41,439 I was supposed to draw that stuff on the back of the house 649 00:38:41,440 --> 00:38:44,119 the first night. Then the second night, she was supposed 650 00:38:44,120 --> 00:38:45,999 to leave the window open and the alarm off 651 00:38:46,000 --> 00:38:47,959 so I could get the painting. 652 00:38:47,960 --> 00:38:50,359 That way, people would blame the protesters. 653 00:38:50,360 --> 00:38:53,200 But she phoned me yesterday to call it all off. 654 00:38:54,600 --> 00:38:55,839 Arranged to meet her in town. 655 00:38:55,840 --> 00:38:57,479 Told her I wanted paying anyway. 656 00:38:57,480 --> 00:39:00,799 Wait. So the plan was for you to steal the painting last night? 657 00:39:00,800 --> 00:39:02,040 Yeah. 658 00:39:03,080 --> 00:39:04,840 But it looks like someone beat me to it. 659 00:39:09,320 --> 00:39:10,479 SHE SIGHS 660 00:39:10,480 --> 00:39:13,439 Aaron Cole was at school with my son James. 661 00:39:13,440 --> 00:39:17,880 I spent most of their teenage years telling James to stay away from him. 662 00:39:19,320 --> 00:39:21,880 All rather ironic. So you contacted him? 663 00:39:23,920 --> 00:39:27,639 My circle of criminal acquaintances is rather small. 664 00:39:27,640 --> 00:39:29,880 You admit you were paying him to steal the painting? 665 00:39:31,280 --> 00:39:34,120 After what you've just said, it would be rather churlish not to. 666 00:39:36,080 --> 00:39:39,960 You see, my husband isn't away on business. 667 00:39:41,200 --> 00:39:43,400 Charles is actually in Antigua... 668 00:39:44,760 --> 00:39:46,120 ..with his secretary... 669 00:39:47,760 --> 00:39:49,360 ..and most of our money. 670 00:39:51,440 --> 00:39:52,559 I'm sorry. 671 00:39:52,560 --> 00:39:55,240 Then why go through with buying the painting? 672 00:39:56,560 --> 00:39:58,279 Because I'm a Fitzallan, 673 00:39:58,280 --> 00:40:01,760 and the guardianship of this house comes with responsibilities. 674 00:40:02,760 --> 00:40:05,479 The homecoming of the Solo Mare brought the entire community 675 00:40:05,480 --> 00:40:07,439 back together. How could I suddenly announce 676 00:40:07,440 --> 00:40:09,919 I wasn't going to go through with it? It would have been... 677 00:40:09,920 --> 00:40:11,120 ..excruciating. 678 00:40:14,400 --> 00:40:16,919 Charles had arranged to borrow the money 679 00:40:16,920 --> 00:40:21,439 and convinced me to use the manor as security against the loan. 680 00:40:21,440 --> 00:40:24,519 So you hoped to claim on the insurance to help pay back the loan? 681 00:40:24,520 --> 00:40:27,319 And save face in the process. 682 00:40:27,320 --> 00:40:29,879 Rather tawdry solution, don't you think? 683 00:40:29,880 --> 00:40:32,319 Which means that the painting had to be stolen last night, 684 00:40:32,320 --> 00:40:36,479 because until then, you didn't actually own it. 685 00:40:36,480 --> 00:40:38,000 Exactly. 686 00:40:39,200 --> 00:40:41,719 The only good thing to come out of this conversation 687 00:40:41,720 --> 00:40:44,239 is that you will now see that it wasn't in my interest 688 00:40:44,240 --> 00:40:46,280 to steal it any sooner. 689 00:40:53,960 --> 00:40:56,200 FAINT ELECTRICAL HUMMING 690 00:41:03,440 --> 00:41:06,040 Sir! Yes. Coming. 691 00:41:14,680 --> 00:41:17,039 Mr Witham, please let me help. 692 00:41:17,040 --> 00:41:19,360 Yes, I'll take that, thank you. 693 00:41:21,280 --> 00:41:23,279 Sorry we couldn't let you go any sooner. 694 00:41:23,280 --> 00:41:24,560 Yeah, whatever. 695 00:41:31,560 --> 00:41:33,039 Aaron Cole could be lying. 696 00:41:33,040 --> 00:41:35,079 He might have stolen the painting anyway. 697 00:41:35,080 --> 00:41:36,959 Yes, very true. 698 00:41:36,960 --> 00:41:39,799 And nothing in this case is quite what it seems. 699 00:41:39,800 --> 00:41:42,440 I'm starting to think we may never find out what happened. 700 00:41:52,680 --> 00:41:55,679 ANNE: I suppose me taking over his place on the Arts Committee 701 00:41:55,680 --> 00:41:59,240 was my way of holding on to him a bit longer. 702 00:42:00,400 --> 00:42:01,760 I know. 703 00:42:04,760 --> 00:42:06,280 I still miss him. 704 00:42:07,680 --> 00:42:11,120 You see, but I know I shouldn't after all this time. 705 00:42:12,680 --> 00:42:14,959 You stop mentioning it to people. 706 00:42:14,960 --> 00:42:19,360 Well, because it starts to be a bit awkward after a while. 707 00:42:20,840 --> 00:42:23,199 As if sympathy has a use-by date, 708 00:42:23,200 --> 00:42:24,919 and once you're past that date, 709 00:42:24,920 --> 00:42:27,239 you're supposed to snap out of it, 710 00:42:27,240 --> 00:42:30,519 stop harking back to the past, move on. 711 00:42:30,520 --> 00:42:32,440 But it's difficult to move on... 712 00:42:33,600 --> 00:42:34,640 ..on your own... 713 00:42:36,080 --> 00:42:39,399 ..when you're so used to doing everything together. 714 00:42:39,400 --> 00:42:41,239 I miss him too. 715 00:42:41,240 --> 00:42:42,600 Oh, I know you do. 716 00:42:44,920 --> 00:42:47,399 You don't get your own way as much as you used to, 717 00:42:47,400 --> 00:42:48,879 when he was here. 718 00:42:48,880 --> 00:42:52,759 True. Just my luck to get left with the strict parent! 719 00:42:52,760 --> 00:42:53,960 Mm. 720 00:42:55,640 --> 00:42:57,839 I know why you came back. 721 00:42:57,840 --> 00:42:59,119 Oh? 722 00:42:59,120 --> 00:43:01,640 You were worried about me being on my own. 723 00:43:02,840 --> 00:43:05,159 Oh, I'm sure the dream of opening your own cafe 724 00:43:05,160 --> 00:43:08,079 and being fed up with London was all true too, 725 00:43:08,080 --> 00:43:10,000 but that's not why you came back. 726 00:43:11,200 --> 00:43:13,040 And you were right. 727 00:43:15,240 --> 00:43:17,720 I'm not sure I could have coped on my own. 728 00:43:20,720 --> 00:43:25,319 But that's what you do, isn't it, for people you love? 729 00:43:25,320 --> 00:43:27,919 Put your own wants and needs to one side 730 00:43:27,920 --> 00:43:29,440 and give them what they need. 731 00:43:31,080 --> 00:43:33,879 I never thought about it like that. 732 00:43:33,880 --> 00:43:38,240 All I ever wanted was for your dad to be content and happy. 733 00:43:41,160 --> 00:43:43,960 I suppose that's what Humphrey's doing for you, isn't it? 734 00:43:45,360 --> 00:43:48,120 Giving up everything to come down here with you? 735 00:43:49,240 --> 00:43:50,680 Yes, he is. 736 00:43:52,440 --> 00:43:55,320 And he's doing that because he loves you. 737 00:43:57,560 --> 00:44:00,680 It's a very precious thing, you know, Motty, love. 738 00:44:03,400 --> 00:44:07,560 You hold on to it... as tightly as you can. 739 00:44:13,520 --> 00:44:14,799 Sir, I... 740 00:44:14,800 --> 00:44:17,079 If our intruder came in through the gallery window, 741 00:44:17,080 --> 00:44:20,999 he's already inside the room where the painting actually was. 742 00:44:21,000 --> 00:44:23,079 So why did the power need to be switched off 743 00:44:23,080 --> 00:44:24,440 and why didn't Kelby see him? 744 00:44:25,720 --> 00:44:29,079 I don't know. But I asked for the sale memo 745 00:44:29,080 --> 00:44:31,759 from when Witham originally bought the painting - 746 00:44:31,760 --> 00:44:33,639 part of the auction house's due diligence. 747 00:44:33,640 --> 00:44:36,959 Why? Well, I was hoping there might be something in it that might 748 00:44:36,960 --> 00:44:39,439 solve the debate, give Isla Jay some peace of mind. 749 00:44:39,440 --> 00:44:40,839 That was a nice thing to do. 750 00:44:40,840 --> 00:44:43,239 Mm. Not sure it helps, though. 751 00:44:43,240 --> 00:44:46,519 The only thing of note is that the artist may have used 752 00:44:46,520 --> 00:44:50,439 the canvas before and overpainted, but even that's quite common. 753 00:44:50,440 --> 00:44:53,319 Doesn't that help? Might make it worse. 754 00:44:53,320 --> 00:44:56,359 If Craig painted over Edith's painting, 755 00:44:56,360 --> 00:44:58,239 it's still an original Craig. 756 00:44:58,240 --> 00:45:03,719 Ha... I keep coming back to the power being turned off. 757 00:45:03,720 --> 00:45:07,119 Common sense demands that we look at the two people 758 00:45:07,120 --> 00:45:10,279 who were actually inside the house when the painting was stolen. 759 00:45:10,280 --> 00:45:12,239 Hmm. Louise Fitzallan and Terence Witham. 760 00:45:12,240 --> 00:45:14,280 But we've discounted them both. 761 00:45:15,800 --> 00:45:17,439 Sheep! 762 00:45:17,440 --> 00:45:18,600 What? 763 00:45:19,600 --> 00:45:23,560 She's been on the phone again. Threatening to go to HQ. 764 00:45:24,880 --> 00:45:26,399 Fine. I'll go. 765 00:45:26,400 --> 00:45:29,759 But I can't see how you can lose 25 sheep. 766 00:45:29,760 --> 00:45:31,919 It's not like they can turn invisible, is it? 767 00:45:31,920 --> 00:45:34,919 Or maybe they're just playing hide-and-seek. 768 00:45:34,920 --> 00:45:35,960 Hmm. 769 00:45:39,600 --> 00:45:41,319 SHE MUMBLES 770 00:45:41,320 --> 00:45:43,040 Thanks, Margo. 771 00:45:46,760 --> 00:45:47,879 DOOR OPENS 772 00:45:47,880 --> 00:45:49,279 SHREDDER WHIRS 773 00:45:49,280 --> 00:45:50,520 DOOR CLOSES 774 00:45:55,080 --> 00:45:56,959 Hiding! What? 775 00:45:56,960 --> 00:46:01,159 Hiding! It's the only thing we've never really considered. 776 00:46:01,160 --> 00:46:03,319 I'm not following. 777 00:46:03,320 --> 00:46:04,639 Sir? 778 00:46:04,640 --> 00:46:08,119 We've always known that it was impossible to climb in through 779 00:46:08,120 --> 00:46:10,839 the window, steal the painting, and get out again in the two minutes 780 00:46:10,840 --> 00:46:13,679 that Kelby said he was on the landing. So what did we do? 781 00:46:13,680 --> 00:46:15,480 We chose not to believe him. 782 00:46:16,920 --> 00:46:18,799 But what if he was telling the truth? 783 00:46:18,800 --> 00:46:21,519 What if it was two minutes or less? 784 00:46:21,520 --> 00:46:22,959 That's not possible. 785 00:46:22,960 --> 00:46:24,559 Exactly. And that's the point. 786 00:46:24,560 --> 00:46:26,919 That's why everything is not quite what it seemed, 787 00:46:26,920 --> 00:46:28,159 because we were trying 788 00:46:28,160 --> 00:46:31,199 to prove something that never actually happened. 789 00:46:31,200 --> 00:46:32,839 See, when Witham left art college, 790 00:46:32,840 --> 00:46:34,599 he worked with the art of the macabre, 791 00:46:34,600 --> 00:46:35,999 with magicians and show people. 792 00:46:36,000 --> 00:46:37,799 And? And on his website, 793 00:46:37,800 --> 00:46:42,159 he listed as one of his heroes Banksy. Remember? Yeah. 794 00:46:42,160 --> 00:46:45,999 So, at the auction for Banksy's famous Girl With Balloon picture, 795 00:46:46,000 --> 00:46:47,399 what did he do? 796 00:46:47,400 --> 00:46:49,239 He shredded it! 797 00:46:49,240 --> 00:46:50,439 I remember that! 798 00:46:50,440 --> 00:46:51,879 Yes! 799 00:46:51,880 --> 00:46:53,199 Not sure I understand. 800 00:46:53,200 --> 00:46:55,040 Where's that report you had earlier? Here. 801 00:46:57,360 --> 00:46:58,960 Thank you. 802 00:47:06,440 --> 00:47:07,840 Oh, I think I've got it. 803 00:47:09,840 --> 00:47:13,160 OK...so who stole the Solo Mare? 804 00:47:14,560 --> 00:47:15,840 I did. 805 00:47:25,320 --> 00:47:27,119 I think when Terence Witham first got 806 00:47:27,120 --> 00:47:30,639 the auction house report, he saw it exactly as you did. 807 00:47:30,640 --> 00:47:32,719 It confirmed it was of the period, 808 00:47:32,720 --> 00:47:34,999 in keeping with the work of Augustus Craig. 809 00:47:35,000 --> 00:47:38,039 And, yes, there was a mention of a possible overpainting 810 00:47:38,040 --> 00:47:41,439 at the bottom of the canvas, but that's not unusual. 811 00:47:41,440 --> 00:47:43,559 As far as he was concerned, everything checked out. 812 00:47:43,560 --> 00:47:46,599 He'd bought a genuine Augustus Craig 813 00:47:46,600 --> 00:47:48,960 for a fraction of what it was really worth. 814 00:47:50,600 --> 00:47:51,839 HE LAUGHS 815 00:47:51,840 --> 00:47:56,280 But...at some point, he became curious about what was underneath. 816 00:47:57,400 --> 00:47:59,919 The overpainting was at the bottom of the canvas 817 00:47:59,920 --> 00:48:01,240 where the signature would be. 818 00:48:02,240 --> 00:48:04,039 So I think he found Edith Jay's signature 819 00:48:04,040 --> 00:48:05,800 beneath that of Augustus Craig... 820 00:48:09,160 --> 00:48:10,440 ..thereby... 821 00:48:11,960 --> 00:48:15,639 ..confirming the theory that Craig had signed his protegee's painting. 822 00:48:15,640 --> 00:48:18,759 So Witham knew it was Edith Jay's all along. 823 00:48:18,760 --> 00:48:22,759 And he also knew that, unlike an Augustus Craig original, 824 00:48:22,760 --> 00:48:24,919 a painting of a horse's backside by a stable girl 825 00:48:24,920 --> 00:48:26,359 would be worthless in comparison. 826 00:48:26,360 --> 00:48:28,759 And he'd already agreed the sale with the Arts Committee. 827 00:48:28,760 --> 00:48:31,959 Yeah. But more importantly, he knew that now the painting 828 00:48:31,960 --> 00:48:34,759 was home in Shipton Abbott, the clamour to have it tested 829 00:48:34,760 --> 00:48:36,879 to finally prove who the real artist was 830 00:48:36,880 --> 00:48:39,319 and end the controversy would be irresistible. 831 00:48:39,320 --> 00:48:42,039 And if that happened, it would ruin his reputation. 832 00:48:42,040 --> 00:48:46,359 And no doubt have Louise Fitzallan demanding her money back. But... 833 00:48:46,360 --> 00:48:50,279 ..the sale already being agreed also gave him an opportunity. 834 00:48:50,280 --> 00:48:54,439 What better way to disguise the theft of your own painting 835 00:48:54,440 --> 00:48:57,000 than doing it while it's in someone else's care? 836 00:48:58,080 --> 00:48:59,200 Ours. 837 00:49:00,800 --> 00:49:05,039 So what if he was inspired by a combination of 838 00:49:05,040 --> 00:49:08,080 Banksy's shredding frame and his early work with magicians? 839 00:49:10,480 --> 00:49:12,200 And he constructed a frame... 840 00:49:13,240 --> 00:49:17,560 ..designed to hide the painting... within it. 841 00:49:18,760 --> 00:49:21,520 OK, so that's everyone. Mr Witham? 842 00:49:23,400 --> 00:49:25,679 So, on the night of the supposed theft, 843 00:49:25,680 --> 00:49:28,559 it was simple enough for him to make any last-minute adjustments 844 00:49:28,560 --> 00:49:30,239 to the painting before he left. 845 00:49:30,240 --> 00:49:31,719 You'll lock the door behind us, yes? 846 00:49:31,720 --> 00:49:32,760 KELBY: Yes, sir. 847 00:49:35,920 --> 00:49:39,919 No-one is to go beyond those ropes until I return in the morning, 848 00:49:39,920 --> 00:49:42,120 yes? Understood, sir. 849 00:49:48,720 --> 00:49:50,759 Like any magician worth his salt, 850 00:49:50,760 --> 00:49:53,199 he knew about the importance of misdirection 851 00:49:53,200 --> 00:49:55,239 and making the audience look the other way 852 00:49:55,240 --> 00:49:57,040 to cover what they're really doing. 853 00:50:01,040 --> 00:50:02,119 Creating the illusion 854 00:50:02,120 --> 00:50:04,399 that the painting was stolen when the lights went out. 855 00:50:04,400 --> 00:50:05,519 Exactly! 856 00:50:05,520 --> 00:50:06,560 KELBY: Hello? 857 00:50:09,360 --> 00:50:10,600 Hello? 858 00:50:13,040 --> 00:50:14,280 Hello? 859 00:50:15,280 --> 00:50:19,239 Witham waited a minute or two, and turned the power back on. 860 00:50:19,240 --> 00:50:20,880 CLUNK 861 00:50:27,600 --> 00:50:30,599 Then, the next morning, when the room opened up again, 862 00:50:30,600 --> 00:50:33,080 more misdirection, as he broke the window latch. 863 00:50:37,720 --> 00:50:39,519 All that was left was to be as surprised 864 00:50:39,520 --> 00:50:42,439 as everyone else on the morning of the unveiling. 865 00:50:42,440 --> 00:50:45,359 On behalf of all of us in Shipton Abbott, 866 00:50:45,360 --> 00:50:47,080 welcome home. 867 00:50:48,240 --> 00:50:50,079 ALL GASP 868 00:50:50,080 --> 00:50:52,719 And none more than Louise Fitzallan, who had her own plan in place 869 00:50:52,720 --> 00:50:54,159 to steal the painting for herself. 870 00:50:54,160 --> 00:50:56,359 And that's why Witham was so keen to get back in the room 871 00:50:56,360 --> 00:50:57,439 and collect his frame. 872 00:50:57,440 --> 00:51:00,519 Yes, but the person I believe who actually took the painting 873 00:51:00,520 --> 00:51:02,279 from this house... 874 00:51:02,280 --> 00:51:03,640 ..was me. 875 00:51:07,080 --> 00:51:09,119 Mr Witham, please let me help. 876 00:51:09,120 --> 00:51:11,479 Yes, I'll take that, thank you. 877 00:51:11,480 --> 00:51:14,200 Sorry we couldn't let you go any sooner. Yeah... 878 00:51:19,720 --> 00:51:21,559 OK, fine. 879 00:51:21,560 --> 00:51:24,199 He left the manor house five minutes ago. 880 00:51:24,200 --> 00:51:27,079 Right. Get his vehicle details. Put out an APB. 881 00:51:27,080 --> 00:51:28,120 Sure. 882 00:51:41,600 --> 00:51:43,079 SHEEP BLEAT 883 00:51:43,080 --> 00:51:44,359 KELBY: Step aside! 884 00:51:44,360 --> 00:51:45,919 HORN BEEPS 885 00:51:45,920 --> 00:51:47,399 Step aside, sir. 886 00:51:47,400 --> 00:51:49,199 HORN BEEPS 887 00:51:49,200 --> 00:51:53,159 All right, calm down. Calm down. It's all right. 888 00:51:53,160 --> 00:51:54,319 HORN BEEPS 889 00:51:54,320 --> 00:51:57,520 All right, everyone! Phone... 890 00:51:59,720 --> 00:52:01,439 DRIVER: Well, come on, then. 891 00:52:01,440 --> 00:52:03,279 Calm down. Sh. It's all right. 892 00:52:03,280 --> 00:52:04,919 LINE RINGS 893 00:52:04,920 --> 00:52:07,839 Mrs Trowman, I've got your sheep. 894 00:52:07,840 --> 00:52:11,239 Um, you're going to need to bring a truck, all right? 895 00:52:11,240 --> 00:52:12,439 And... 896 00:52:12,440 --> 00:52:13,720 Jeez. 897 00:52:15,440 --> 00:52:16,999 Who the hell's in charge here? 898 00:52:17,000 --> 00:52:19,000 I am. 899 00:52:21,160 --> 00:52:22,480 You! 900 00:52:24,360 --> 00:52:27,119 RADIO: APB on black Ford Transit Courier - 901 00:52:27,120 --> 00:52:29,839 registration Echo November 1-5 902 00:52:29,840 --> 00:52:31,999 Yankee Sierra Bravo. 903 00:52:32,000 --> 00:52:34,599 Driven by a Terence Witham, 904 00:52:34,600 --> 00:52:38,599 dark hair, 5'11", last seen leaving Shipton Abbott 905 00:52:38,600 --> 00:52:40,039 heading towards Exeter. 906 00:52:40,040 --> 00:52:43,280 Wanted on suspicion of fraud. Please apprehend. 907 00:52:45,360 --> 00:52:48,560 HORNS BEEP 908 00:52:50,360 --> 00:52:51,559 Excuse me. Excuse me. 909 00:52:51,560 --> 00:52:53,040 Excuse me. 910 00:52:54,400 --> 00:52:55,520 No! 911 00:52:56,600 --> 00:52:57,840 Oi! 912 00:52:59,440 --> 00:53:01,400 Come back. Oi! 913 00:53:23,000 --> 00:53:24,560 Care to show us how this works? 914 00:53:26,440 --> 00:53:28,280 Very well. 915 00:53:29,280 --> 00:53:30,720 Let's see. 916 00:53:43,680 --> 00:53:45,119 CLICK 917 00:53:45,120 --> 00:53:46,480 CLUNK 918 00:53:50,400 --> 00:53:53,199 So it was in the room the whole time? 919 00:53:53,200 --> 00:53:55,399 It wasn't stolen on my watch? 920 00:53:55,400 --> 00:53:57,040 No, it wasn't. 921 00:53:58,400 --> 00:54:02,319 So...my record on guarding valuable paintings... 922 00:54:02,320 --> 00:54:03,800 ..is still 100%. 923 00:54:04,920 --> 00:54:06,719 Yes, well done, Kelby. 924 00:54:06,720 --> 00:54:08,360 Take him away, will you? 925 00:54:09,360 --> 00:54:10,720 Yes, sir! 926 00:54:17,960 --> 00:54:19,400 Well done, Sergeant. 927 00:54:27,840 --> 00:54:29,719 PHONE BUZZES Thank you. 928 00:54:29,720 --> 00:54:30,840 You're welcome. 929 00:54:32,000 --> 00:54:36,759 Hmm. Louise Fitzallan has offered to buy the Solo Mare anyway. 930 00:54:36,760 --> 00:54:39,399 Really? At a tenth of the price. 931 00:54:39,400 --> 00:54:41,559 Why? She knows it wasn't painted by her ancestor. 932 00:54:41,560 --> 00:54:43,039 Who knows? 933 00:54:43,040 --> 00:54:46,199 But Edith Jay was still a local, 934 00:54:46,200 --> 00:54:49,759 so at this rate, Shipton Abbott might just embrace YOU 935 00:54:49,760 --> 00:54:51,359 as one of our own. 936 00:54:51,360 --> 00:54:53,519 The man who saved the Solo Mare. 937 00:54:53,520 --> 00:54:55,279 Yes, well, right now, I'd happily settle 938 00:54:55,280 --> 00:54:58,160 for the gratitude of my future mother-in-law. 939 00:54:59,560 --> 00:55:01,079 Goodnight, sir. 940 00:55:01,080 --> 00:55:02,440 Sergeant. 941 00:55:06,560 --> 00:55:08,440 ENGINE STARTS 942 00:55:18,360 --> 00:55:19,560 What do you want? 943 00:55:20,600 --> 00:55:22,480 We could start with a cup of tea. 944 00:55:47,360 --> 00:55:48,840 Perfect timing. 945 00:55:52,560 --> 00:55:55,279 I've just made your mother a very happy woman. 946 00:55:55,280 --> 00:55:58,400 I'm not sure if I want you to elaborate or not! 947 00:56:02,160 --> 00:56:03,840 Just found her painting. 948 00:56:06,040 --> 00:56:08,480 I knew you would! Yes. 949 00:56:11,080 --> 00:56:13,239 DUCK QUACKS Selwyn! 950 00:56:13,240 --> 00:56:14,919 Selwyn's back. 951 00:56:14,920 --> 00:56:17,919 Selwyn? Yes. Well, he needed a name, 952 00:56:17,920 --> 00:56:21,199 and rather strangely, I found myself missing the Commissioner. 953 00:56:21,200 --> 00:56:23,639 This will soften the blow a little. 954 00:56:23,640 --> 00:56:25,599 Eat. Yes. 955 00:56:25,600 --> 00:56:30,439 Pasta! Just what a hungry man needs after catching an art fraudster. 956 00:56:30,440 --> 00:56:32,999 Just what a woman needs too, 957 00:56:33,000 --> 00:56:36,080 to build up her strength before she starts IVF again. 958 00:56:37,960 --> 00:56:39,160 What? 959 00:56:41,880 --> 00:56:43,120 You mean...? 960 00:57:03,800 --> 00:57:06,199 So we have a man in the middle of a newly-formed crop circle, 961 00:57:06,200 --> 00:57:09,039 with a page of a Charles Dickens novel tucked into his sock. 962 00:57:09,040 --> 00:57:11,399 I think we have our work cut out with this one, Sergeant. 963 00:57:11,400 --> 00:57:14,239 It's perfectly obvious your feelings for Archie 964 00:57:14,240 --> 00:57:15,799 are starting to come back. 965 00:57:15,800 --> 00:57:18,479 There's always something unusual going on round here. 966 00:57:18,480 --> 00:57:20,159 How are you? Good. And you? 967 00:57:20,160 --> 00:57:21,680 Same. Excellent. 968 00:57:23,640 --> 00:57:25,000 If it is our man, he wasn't alone. 969 00:57:27,120 --> 00:57:28,559 If you say the word "alien" again, 970 00:57:28,560 --> 00:57:30,279 I won't be responsible for my actions. 971 00:57:30,280 --> 00:57:31,760 I need to tell you something.