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[ "Just as the Tide Was Flowing"
plays ]
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♪♪
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- ♪ One morning
in the month of June ♪
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♪ Down by a rolling river ♪
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♪ There a weary traveller
chanced to stray ♪
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♪ And he beheld his lover ♪
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♪ Her cheeks were red,
her eyes were brown ♪
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♪ Her hair in ringlets
hanging down ♪
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♪ She'd a lovely face
without a frown ♪
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♪ Just as the tide
was flowing ♪
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♪♪
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♪ No more did say,
but on their way ♪
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♪ They both did go together ♪
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♪ The small birds sang
and the lambs did play ♪
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♪ How pleasant was
the weather ♪
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♪ They being weary
both sat down ♪
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♪ Beneath a tree
with the branches round ♪
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♪ And what was said
will never be known ♪
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♪ Just as the tide
was flowing ♪
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♪♪
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- Humphrey, thank you so much
for doing this.
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Oh, nonsense.
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It's exactly what we should
be doing --
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serving the community.
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Besides...
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Kelby volunteered.
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- One of these?
- What?
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No, no, no, no.
There's too much glare.
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Just change the filter,
will you, please?
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Right, Mr Witham.
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Mr Witham, may I introduce
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Detective Inspector
Humphrey Goodman,
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Detective Sergeant Williams,
and PC Hartford?
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This is Terrence Witham
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the current owner
of "The Solo Mare."
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Very pleased to meet you.
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- And one of you will be in
the room with the painting, yes?
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Yes.
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I do hope it's you.
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Actually, no.
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Hi.
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- You're the finest
Shipton Abbott has to offer,
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- are you?
- Yes.
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- How very reassuring.
Excuse me.
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Ah. He's a bundle of fun.
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- He's autistic.
He's very highly strung.
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Yeah, he should be.
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Right. Get yourself set up.
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"The Solo Mare."
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It's a horse's bottom.
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Yes, but the front end
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is looking at Shipton Abbott
in 1710.
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- Well, maybe they should have
moved the horse out of the way.
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- Humphrey, let me introduce you
to our hostess.
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This is Lady Louise Fitzallan.
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- Wonderful to meet you.
I've heard so much about you.
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- Oh. [ Chuckles ]
- Anne and I are on
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the Arts Committee together.
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- This is DS Williams.
- You have a beautiful home.
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- Thank you.
Augustus Craig, the artist,
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was my great-great-great
grandfather.
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So I understand, yes.
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- I hear you lending us
a constable for the evening.
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Seems it really does pay
to have friends,
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or rather, future son-in-laws,
in high places.
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- Yes.
- It's been a pleasure
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- meeting you both.
- And you.
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[ Chuckles ]
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- Kelby, we'll leave you to it,
then.
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Thanks. Um...
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Oh, and, sir, um...
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Thank you for trusting me
with this.
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- Can't think of a better man
for the job.
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♪♪
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♪♪
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[ Protesters shouting ]
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♪♪
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Um, who are they?
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- Ah, they call themselves
Edith's Army.
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- Who's Edith?
- According to them,
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the person who really painted
"The Solo Mare."
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Really?
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Okay, so that's everyone.
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Mr Witham? Uh...
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- You'll lock the door
behind us, yes?
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- Yes, sir.
- Good.
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No one is to go beyond
those ropes
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until I return in the morning,
yes?
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Understood, sir.
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♪♪
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♪♪
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♪♪
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♪♪
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[ Hisses ]
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Ahhh.
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Ah.
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♪♪
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Take that, Margo.
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Yeah.
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[ Makes whooshing sounds ]
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♪♪
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[ Suspenseful music plays ]
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♪♪
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♪♪
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Thanks, Mum.
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[ Bang ]
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[ Mouth full ]
Hello?
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Hello?
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Hello?
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Hello?
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♪♪
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Power's gone out.
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[ Clock chiming ]
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♪♪
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Hello?
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♪♪
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Hello?
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♪♪
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♪♪
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♪♪
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♪♪
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♪♪
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♪♪
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[ Bang ]
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♪♪
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[ Mid-tempo music plays ]
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♪♪
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♪♪
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[ Snoring softly ]
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[ Knock on door ]
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You know me.
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[ Mumbles ]
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[ Knock on door ]
Ah!
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DC Hartford? Hello?
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Is everything okay?
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Uh, yes, Mrs Lloyd.
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- Excellent.
I wonder, would you stay around
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until Lady Louise and Mr Witham
come up?
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They're just having
breakfast downstairs.
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Of course.
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- Shall I bring you up
a bacon sandwich?
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- Oh, yes, please.
- [ Chuckles ]
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[ Shouting indistinctly ]
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[ Horn honking ]
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♪♪
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♪♪
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- Hello.
- Hello.
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Mwah. Need a hand?
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No, it's the last one.
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- Mini Yorkshire puddings.
Excellent.
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I'll save you one.
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- Thank you all very much
for coming
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to help us mark
the historic return
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of Shipton Abbott's
very own "Solo Mare."
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As acting chair
of the Arts Committee,
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I'd like to thank.
Lady Louise Fitzallan
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for inviting us into her home,
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and not to mention
agreeing to buy the painting
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on behalf of Shipton Abbott.
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[ Applause ]
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I'd also like to thank
Mr Terrence Witham,
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the current owner
of "Solo Mare,"
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for agreeing to allow it
to return home,
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to come back, as it were,
to its rightful place,
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to the manor house
where it was conceived.
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After the unveiling,
we will all witness
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this historic moment live,
as it were,
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when the deeds
of agreement are signed
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and the transaction completed.
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So without further ado,
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I would like to invite the mayor
and mayoress to step forward
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and reveal to us
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what we have all been waiting
a very long time to see.
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Thank you.
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On behalf of everyone
in Shipton Abbott,
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welcome home.
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[ Audience gasping ]
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♪♪
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- I will sue. I'll sue you.
I will sue the Arts Committee.
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I mean, there was
a police officer in this room,
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for goodness' sake --
in the room!
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- There's nothing
we could have done...
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- I've checked with Mrs
Fitzallan in case
anyone could have hidden
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in the room
before it was locked.
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There are no secret compartments
or false walls
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- anywhere in this room.
- This window latch is broken,
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which means it could be opened
from the outside.
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- I saw someone out that window
running across the lawn
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alone with a, uh --
an orange cap on.
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- What time?
- Midnight.
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00:10:51,060 --> 00:10:52,740
- Would you know them
if you saw them again?
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- I'm not sure, sir. It --
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It was dark and it happened just
after the electric went off.
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- There was a power cut?
- You didn't say anything.
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- Well, it came back on again.
- But you didn't leave the room?
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No.
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Well, not really. I --
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I-I opened the door
when the power went off.
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You opened the door?
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- To see if anyone was
sorting out the electric.
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But you stayed in the room?
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- I might of stepped out
for a minute.
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♪♪
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- Gallery room needs to remain
sealed until forensics get here.
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I want a list of everyone who
stayed at the house last night.
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- Can someone tell me
what's going on?
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00:11:36,820 --> 00:11:38,820
- We'll bring you up to speed
as soon as we know more, sir.
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- I heard they came in
through the window,
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in which case, how the hell
did they get past him, hmm?
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00:11:43,900 --> 00:11:45,440
Unless he left the room.
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You did, didn't you?
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Sir, that's enough.
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00:11:52,500 --> 00:11:54,420
Please go back inside
and let us do our job.
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00:11:54,620 --> 00:11:56,860
- Ha! You haven't exactly covered
yourself in glory so far,
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00:11:57,060 --> 00:11:59,340
have you?
I want answers.
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00:11:59,540 --> 00:12:02,820
- Then I suggest you leave us
alone to find some.
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00:12:03,020 --> 00:12:04,720
Bloody amateurs.
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00:12:07,000 --> 00:12:08,900
This is all my fault.
219
00:12:09,100 --> 00:12:11,300
- Hey.
I think you better see this.
220
00:12:11,500 --> 00:12:13,240
No.
221
00:12:16,960 --> 00:12:18,420
Just under the gallery room.
222
00:12:18,620 --> 00:12:21,380
- Must have been the guy
who Kelby saw running away.
223
00:12:21,580 --> 00:12:23,140
- Yeah, but if he was here
to steal the painting,
224
00:12:23,340 --> 00:12:25,780
why risk getting caught to stop
and do graffiti?
225
00:12:25,980 --> 00:12:27,420
Well, let's get
it all taped off
226
00:12:27,620 --> 00:12:29,460
and have forensics check it
while they're here.
227
00:12:29,660 --> 00:12:32,380
- We waited all this time,
and it was here one night.
228
00:12:32,580 --> 00:12:34,180
We'll get it back, Margo.
229
00:12:34,380 --> 00:12:36,180
You better go
and open the station.
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00:12:36,380 --> 00:12:38,820
Yeah.
231
00:12:39,020 --> 00:12:41,460
What shall I do?
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00:12:41,660 --> 00:12:43,460
Maybe you go, too.
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00:12:43,660 --> 00:12:50,140
♪♪
234
00:12:50,340 --> 00:12:52,340
If Kelby's right about
only being on the landing
235
00:12:52,540 --> 00:12:53,980
a couple of minutes,
that's not long enough
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00:12:54,180 --> 00:12:55,220
to break in, get into the room,
237
00:12:55,420 --> 00:12:56,700
take the painting
from the frame,
238
00:12:56,900 --> 00:12:58,420
and get back out again.
239
00:12:58,620 --> 00:12:59,780
He must have been
out of the room longer.
240
00:12:59,980 --> 00:13:02,620
- Yes. Agreed.
- How's it going?
241
00:13:02,820 --> 00:13:04,340
- I'm a bit flummoxed,
to be honest.
242
00:13:04,540 --> 00:13:06,380
- Mum's distraught.
- It's not her fault.
243
00:13:06,580 --> 00:13:10,700
- That's not how she sees it.
She organised everything.
244
00:13:10,900 --> 00:13:12,860
You'll get it back for her,
won't you?
245
00:13:13,060 --> 00:13:15,020
[ Camera shutter clicking ]
246
00:13:15,220 --> 00:13:22,820
♪♪
247
00:13:23,020 --> 00:13:24,540
It's gonna be all right.
248
00:13:24,740 --> 00:13:27,900
Okay. Bye.
249
00:13:28,100 --> 00:13:31,220
That was Dot Trolman.
Lost 25 sheep.
250
00:13:31,420 --> 00:13:33,540
- Got out of a bottom field.
- I'll head down there.
251
00:13:33,740 --> 00:13:36,620
- Oh, Margo, um, anything back
from the scene yet?
252
00:13:36,820 --> 00:13:39,300
- Forensics have just arrived.
- Right.
253
00:13:39,500 --> 00:13:41,860
Okay, well,
while we're waiting for them,
254
00:13:42,060 --> 00:13:43,500
let's start building a picture.
255
00:13:43,700 --> 00:13:45,340
Background checks on these
to start with, please.
256
00:13:45,540 --> 00:13:46,440
Thank you.
257
00:13:48,080 --> 00:13:50,220
- [ Snorts ]
Missing a few, aren't we?
258
00:13:50,420 --> 00:13:52,100
Uh, who?
259
00:13:52,300 --> 00:13:54,980
- Any of the Arts Committee
who organised everything.
260
00:13:55,180 --> 00:13:56,700
Caterers.
261
00:13:56,900 --> 00:13:58,540
- You want me to investigate
my future mother-in-law
262
00:13:58,740 --> 00:14:00,860
and my fiancée?
263
00:14:01,060 --> 00:14:03,820
- Depends if you want
to be thorough or not.
264
00:14:04,020 --> 00:14:06,600
- Just those people on the list.
Thank you, Margo.
265
00:14:14,280 --> 00:14:16,780
Kelby.
266
00:14:16,980 --> 00:14:20,220
You mustn't blame yourself,
you know.
267
00:14:20,420 --> 00:14:22,700
I was the one guarding it.
268
00:14:22,900 --> 00:14:24,700
Um...
269
00:14:24,900 --> 00:14:27,500
Well, then, we --
we find out what happened,
270
00:14:27,700 --> 00:14:30,540
we arrest whoever's responsible,
and we get the painting back.
271
00:14:30,740 --> 00:14:33,580
And we do that as a team.
We do it together. Okay?
272
00:14:33,780 --> 00:14:36,360
- Yes, sir.
- Well.
273
00:14:39,480 --> 00:14:41,060
Okay.
274
00:14:41,260 --> 00:14:44,300
So let's assume that
whoever stole "The Solo Mare"
275
00:14:44,500 --> 00:14:46,100
now intends to sell it.
276
00:14:46,300 --> 00:14:48,540
So let's think about
how they would go about that.
277
00:14:48,740 --> 00:14:50,220
- Well, they can't just
stick it on eBay.
278
00:14:50,420 --> 00:14:52,940
- Exactly.
So what does that tell us?
279
00:14:53,140 --> 00:14:54,540
Is this someone in the know?
280
00:14:54,740 --> 00:14:57,820
- Any of the Arts Committee?
- Thank you, Margo.
281
00:14:58,020 --> 00:15:00,860
And if the power being cut
was there as a diversion,
282
00:15:01,060 --> 00:15:02,340
then where is
the master fuse board?
283
00:15:02,540 --> 00:15:03,900
And who had access to that?
284
00:15:04,100 --> 00:15:05,820
And our protesters --
285
00:15:06,020 --> 00:15:08,940
surely they had the biggest
motive of all, did they not,
286
00:15:09,140 --> 00:15:10,540
if they believe that
"The Solo Mare"
287
00:15:10,740 --> 00:15:12,300
doesn't belong
to the current owner,
288
00:15:12,500 --> 00:15:14,500
or that it shouldn't be
displayed at Shipton Manor.
289
00:15:14,700 --> 00:15:15,820
So who are they?
290
00:15:16,020 --> 00:15:17,220
Can they account
for their whereabouts?
291
00:15:17,420 --> 00:15:18,620
And is Kelby's mystery man
292
00:15:18,820 --> 00:15:21,380
in the orange baseball cap
one of them?
293
00:15:21,580 --> 00:15:30,540
♪♪
294
00:15:30,740 --> 00:15:32,300
Did you know about this feud
over the painting?
295
00:15:32,500 --> 00:15:34,380
Most of Shipton does.
296
00:15:34,580 --> 00:15:37,740
Augustus Craig had a young
stable girl called Edith Jay
297
00:15:37,940 --> 00:15:39,260
who worked on the estate,
298
00:15:39,460 --> 00:15:42,300
but then went on to be an artist
in her own right.
299
00:15:42,500 --> 00:15:46,260
The claim is that she was
Craig's secret protégé.
300
00:15:46,460 --> 00:15:49,500
Not only that,
but because of the subject,
301
00:15:49,700 --> 00:15:52,660
some believe she's the one
that painted "The Solo Mare."
302
00:15:52,860 --> 00:15:56,100
- Now, yes, but wasn't it signed
by Augustus Craig?
303
00:15:56,300 --> 00:15:59,180
- Yeah, but they still believe
she painted it.
304
00:15:59,380 --> 00:16:04,020
Both families have argued about
the provenance for generations.
305
00:16:04,220 --> 00:16:05,120
Right.
306
00:16:08,520 --> 00:16:10,060
Isla Jay?
307
00:16:10,260 --> 00:16:11,660
[ Scoffs ]
308
00:16:11,860 --> 00:16:13,780
Surprise, surprise.
309
00:16:13,980 --> 00:16:20,840
♪♪
310
00:16:28,040 --> 00:16:31,020
- Looks like you're expecting
another painting, Isla.
311
00:16:31,220 --> 00:16:32,820
Very funny.
312
00:16:33,020 --> 00:16:35,420
- You do claim that, uh,
"The Solo Mare" was painted
313
00:16:35,620 --> 00:16:36,700
by one of your ancestors.
314
00:16:36,900 --> 00:16:40,300
I don't claim anything.
315
00:16:40,500 --> 00:16:41,980
I know it was.
316
00:16:42,180 --> 00:16:45,500
By Edith Jay, the stable girl?
317
00:16:45,700 --> 00:16:49,900
- My great-great-great
grandmother.
318
00:16:50,100 --> 00:16:53,500
- Yes, but, now, Mr Witham
is an expert. He --
319
00:16:53,700 --> 00:16:56,780
He seems clear that it was
painted by Augustus Craig.
320
00:16:56,980 --> 00:17:00,340
- It's in his interest for it
to be painted by Craig.
321
00:17:00,540 --> 00:17:02,880
More money for him if it is.
322
00:17:05,800 --> 00:17:08,500
So, you gonna ask me?
323
00:17:08,700 --> 00:17:10,500
- Ask you what?
- If I nicked it.
324
00:17:10,700 --> 00:17:12,120
- Did you?
- No.
325
00:17:15,600 --> 00:17:17,540
But I would have done
if I could.
326
00:17:17,740 --> 00:17:23,060
♪♪
327
00:17:23,260 --> 00:17:25,620
- Uh, there are others who feel
as passionately
328
00:17:25,820 --> 00:17:27,260
about Edith as you.
329
00:17:27,460 --> 00:17:31,020
Do you think any of them
could be responsible?
330
00:17:31,220 --> 00:17:33,420
- How would I know?
Better ask them.
331
00:17:33,620 --> 00:17:36,340
- Yeah, one of them wears an
orange baseball cap, I believe.
332
00:17:36,540 --> 00:17:39,380
What was his name again?
333
00:17:39,580 --> 00:17:41,720
- No idea
who you're talking about.
334
00:17:43,880 --> 00:17:45,620
And blame who you like.
335
00:17:45,820 --> 00:17:49,160
All I know is I can't steal
something that's already mine.
336
00:17:50,920 --> 00:17:52,740
And I can prove it.
337
00:17:52,940 --> 00:17:58,860
♪♪
338
00:17:59,060 --> 00:18:05,220
♪♪
339
00:18:05,420 --> 00:18:08,080
Found in Gran's things
when she passed.
340
00:18:10,160 --> 00:18:12,060
It belonged to Edith Jay.
341
00:18:12,260 --> 00:18:19,860
♪♪
342
00:18:20,060 --> 00:18:27,860
♪♪
343
00:18:28,060 --> 00:18:30,220
A sketch of "The Solo Mare."
344
00:18:30,420 --> 00:18:32,420
- Or a plan of how she wanted
to paint it.
345
00:18:32,620 --> 00:18:39,700
♪♪
346
00:18:39,900 --> 00:18:43,420
- I'll never live it down.
- Stop worrying.
347
00:18:43,620 --> 00:18:47,820
If anyone can figure out
what's happened, it's Humphrey.
348
00:18:48,020 --> 00:18:50,700
- I can only imagine
what your dad would say.
349
00:18:50,900 --> 00:18:53,300
When he was chair,
all he ever talked about
350
00:18:53,500 --> 00:18:56,780
was bringing
"The Solo Mare" home.
351
00:18:56,980 --> 00:18:58,740
- Hello.
- Oh.
352
00:18:58,940 --> 00:19:01,580
Humphrey, please tell me
you found it.
353
00:19:01,780 --> 00:19:03,660
Oh, well, not quite.
354
00:19:03,860 --> 00:19:05,460
But we're making
excellent progress.
355
00:19:05,660 --> 00:19:07,060
- Really?
- Yes.
356
00:19:07,260 --> 00:19:09,460
See, Mum? Told you.
357
00:19:09,660 --> 00:19:13,020
- Anne, so where do you stand
on the whole
358
00:19:13,220 --> 00:19:14,860
Edith Jay/Augustus
Craig debate?
359
00:19:15,060 --> 00:19:17,860
- Oh, the families have been
arguing about it for years.
360
00:19:18,060 --> 00:19:20,220
It was signed by Craig, but --
361
00:19:20,420 --> 00:19:22,900
but Martha's father
had a great deal of sympathy
362
00:19:23,100 --> 00:19:25,500
for the Jay family.
He supported looking into it
363
00:19:25,700 --> 00:19:28,740
if "The Solo Mare"
was ever found.
364
00:19:28,940 --> 00:19:31,540
But we lost him
before that happened.
365
00:19:31,740 --> 00:19:32,980
Rosé, as requested.
366
00:19:33,180 --> 00:19:35,860
Oh, thank you.
367
00:19:36,060 --> 00:19:37,260
- Humphrey.
- Hi.
368
00:19:37,460 --> 00:19:40,060
- Anne, oh, I heard about
the painting.
369
00:19:40,260 --> 00:19:41,900
Must have been quite a blow,
I imagine.
370
00:19:42,100 --> 00:19:43,460
You've no idea.
371
00:19:43,660 --> 00:19:44,860
- Is there anything
I can do to help?
372
00:19:45,060 --> 00:19:46,100
- Not unless you know
who stole it.
373
00:19:46,300 --> 00:19:48,140
Afraid not.
374
00:19:48,340 --> 00:19:50,020
- Well, I better get back.
- Oh, Marty,
375
00:19:50,220 --> 00:19:52,700
did you mention to Humph
what we were talking about?
376
00:19:52,900 --> 00:19:55,580
Oh, no. Sorry.
377
00:19:55,780 --> 00:19:57,140
- Oh, don't worry.
Nothing too deep.
378
00:19:57,340 --> 00:19:58,660
Just thought it might be nice
for you and I
379
00:19:58,860 --> 00:20:01,020
to grab a beer sometime.
380
00:20:01,220 --> 00:20:03,500
- Beer?
- Get to know each other.
381
00:20:03,700 --> 00:20:05,860
After all, I am in partnership
with your fiancée.
382
00:20:06,060 --> 00:20:08,940
I'm sure Humphrey's very busy.
383
00:20:09,140 --> 00:20:10,380
Nonsense.
384
00:20:10,580 --> 00:20:12,620
- Great. What about later?
After work?
385
00:20:12,820 --> 00:20:13,900
Uh, Kitty Jay's.
386
00:20:14,100 --> 00:20:16,220
Couple of pints,
bag of crisps,
387
00:20:16,420 --> 00:20:18,020
and we can exchange
some war stories.
388
00:20:18,220 --> 00:20:20,740
- Oh, why not?
- Good man.
389
00:20:20,940 --> 00:20:22,760
- Oh, at 6:30?
- I look forward to it.
390
00:20:25,600 --> 00:20:27,640
Right.
391
00:20:29,840 --> 00:20:30,860
Back on the case.
392
00:20:31,060 --> 00:20:39,020
♪♪
393
00:20:39,220 --> 00:20:41,000
[ Mobile phone buzzes ]
394
00:20:43,600 --> 00:20:45,220
Esther, hello.
395
00:20:45,420 --> 00:20:46,940
- There were nine protesters
outside the gates.
396
00:20:47,140 --> 00:20:48,860
I'm working my way
through them.
397
00:20:49,060 --> 00:20:51,340
Oh, and it seems the
only people staying at
the house last night
398
00:20:51,540 --> 00:20:53,700
were Louise Fitzallan
and Terrence Witham.
399
00:20:53,900 --> 00:20:55,500
Mr Fitzallan
is away on business,
400
00:20:55,700 --> 00:20:57,540
and there are no live-in staff.
401
00:20:57,740 --> 00:20:59,620
- Okay. Very good. Thank you.
See you back at the station.
402
00:20:59,820 --> 00:21:01,760
Okay, see you soon.
403
00:21:06,640 --> 00:21:08,700
- Well, of course I'm aware
of the controversy
404
00:21:08,900 --> 00:21:10,500
surrounding the painting.
405
00:21:10,700 --> 00:21:13,580
My father and Howard Jay
almost came to blows over it.
406
00:21:13,780 --> 00:21:14,780
Can you imagine?
407
00:21:14,980 --> 00:21:16,420
And Howard Jay is...?
408
00:21:16,620 --> 00:21:19,460
- Isla Jay's father.
- I see.
409
00:21:19,660 --> 00:21:21,940
- She and I have had
the occasional interaction,
410
00:21:22,140 --> 00:21:25,460
- but nothing quite so heated.
- What kind of interaction?
411
00:21:25,660 --> 00:21:28,580
- Well, it usually consists
of her shouting at me in public
412
00:21:28,780 --> 00:21:29,860
and me smiling politely.
413
00:21:30,060 --> 00:21:32,100
It's all rather vulgar.
414
00:21:32,300 --> 00:21:35,060
- So when you went to your room
last night,
415
00:21:35,260 --> 00:21:37,220
you didn't see or hear anything
until this morning?
416
00:21:37,420 --> 00:21:40,420
- Nothing.
- PC Hartford said he might have
417
00:21:40,620 --> 00:21:44,460
seen someone in the grounds
last night about midnight
418
00:21:44,660 --> 00:21:47,140
wearing an orange baseball cap.
419
00:21:47,340 --> 00:21:49,500
You have any idea
who that might have been?
420
00:21:49,700 --> 00:21:53,300
- Um, no. Staff go home at 6:00,
so if there was anyone
421
00:21:53,500 --> 00:21:56,260
in the garden after that,
they were trespassing.
422
00:21:56,460 --> 00:21:57,780
Ah.
423
00:21:57,980 --> 00:22:05,900
♪♪
424
00:22:06,100 --> 00:22:09,700
Can I ask if you saw
or heard anything last night?
425
00:22:09,900 --> 00:22:11,420
Like what?
426
00:22:11,620 --> 00:22:14,700
- Were you aware there was
a power cut, for example?
427
00:22:14,900 --> 00:22:15,780
- Around midnight?
- No.
428
00:22:15,980 --> 00:22:18,020
- You were asleep?
- Yes.
429
00:22:18,220 --> 00:22:20,060
Listen, since you're here,
maybe I can get back
430
00:22:20,260 --> 00:22:21,940
into the gallery room.
431
00:22:22,140 --> 00:22:24,620
Need to collect my things before
I go -- the display stand.
432
00:22:24,820 --> 00:22:26,780
The frame itself
is actually quite valuable.
433
00:22:26,980 --> 00:22:29,140
- You'll just need to
bear with us a while longer.
434
00:22:29,340 --> 00:22:31,540
We need to keep
the room sealed.
435
00:22:31,740 --> 00:22:34,100
Perhaps if you came back
tomorrow.
436
00:22:34,300 --> 00:22:36,340
Don't suppose I have a choice.
437
00:22:36,540 --> 00:22:40,060
We'll be as quick as we can.
438
00:22:40,260 --> 00:22:43,060
Can I ask --
439
00:22:43,260 --> 00:22:44,940
Were you aware of
the controversy
440
00:22:45,140 --> 00:22:46,380
surrounding "The Solo Mare"?
441
00:22:46,580 --> 00:22:48,580
[ Chuckles ] Of course.
442
00:22:48,780 --> 00:22:51,700
The Jay family are talking
absolute nonsense.
443
00:22:51,900 --> 00:22:53,740
- And you feel that
"The Solo Mare" is
444
00:22:53,940 --> 00:22:56,020
in keeping with other works
produced by Augustus Craig?
445
00:22:56,220 --> 00:22:58,420
Without a shadow of a doubt.
446
00:22:58,620 --> 00:23:02,420
It has his signature on it.
447
00:23:02,620 --> 00:23:03,940
So if someone wanted to sell
448
00:23:04,140 --> 00:23:06,620
a stolen painting
of this quality,
449
00:23:06,820 --> 00:23:08,640
how do they go about it?
450
00:23:11,480 --> 00:23:14,460
- Painting of this importance,
Inspector,
451
00:23:14,660 --> 00:23:17,540
is almost always
stolen to order.
452
00:23:17,740 --> 00:23:20,100
- So they would have a buyer
already in place.
453
00:23:20,300 --> 00:23:22,500
- Oh, I can think of a dozen
private collectors
454
00:23:22,700 --> 00:23:24,420
who'd pay good money for it.
455
00:23:24,620 --> 00:23:28,440
- What was the price agreed
between you and Mrs Fitzallan?
456
00:23:30,400 --> 00:23:32,220
500,000.
457
00:23:32,420 --> 00:23:35,100
Gosh.
458
00:23:35,300 --> 00:23:37,900
So a buyer would pay that?
459
00:23:38,100 --> 00:23:40,060
Even if they knew
it was stolen?
460
00:23:40,260 --> 00:23:42,820
Oh, maybe more.
461
00:23:43,020 --> 00:23:46,100
Art, Inspector, is enhanced
462
00:23:46,300 --> 00:23:49,420
by the tales that surround it.
463
00:23:49,620 --> 00:23:52,180
And a painting that was stolen
from under the nose
464
00:23:52,380 --> 00:23:57,380
of a police officer
while he was in the room --
465
00:23:57,580 --> 00:24:00,460
well, that is quite a story to
recount over dinner, isn't it?
466
00:24:00,660 --> 00:24:02,660
Hmm?
467
00:24:02,860 --> 00:24:10,180
♪♪
468
00:24:10,380 --> 00:24:17,700
♪♪
469
00:24:17,900 --> 00:24:20,060
- You've been to see
Dot Trolman yet?
470
00:24:20,260 --> 00:24:23,780
- No, I haven't got time
to go looking for missing sheep.
471
00:24:23,980 --> 00:24:27,220
I need to find this bloke
I saw last night.
472
00:24:27,420 --> 00:24:31,180
Do you know how many mug shots
were in the county database?
473
00:24:31,380 --> 00:24:33,500
Surprise me.
474
00:24:33,700 --> 00:24:37,940
219,411.
475
00:24:38,140 --> 00:24:39,340
And how many of you looked at?
476
00:24:39,540 --> 00:24:41,860
209.
477
00:24:42,060 --> 00:24:43,020
- And how many of them
are wearing
478
00:24:43,220 --> 00:24:45,380
an orange baseball cap?
479
00:24:45,580 --> 00:24:47,380
None.
480
00:24:47,580 --> 00:24:49,020
Chin up.
481
00:24:49,220 --> 00:24:53,200
Only another 219,202 to go.
482
00:24:55,160 --> 00:24:56,760
Thanks.
483
00:24:59,000 --> 00:25:00,940
Nothing on any
of the protesters, sir.
484
00:25:01,140 --> 00:25:02,900
All either in bed
or can prove they were
485
00:25:03,100 --> 00:25:06,100
- nowhere near the manor.
- Yes, I suspected as much.
486
00:25:06,300 --> 00:25:08,620
Margo, are forensics
at Shipton Manor?
487
00:25:08,820 --> 00:25:11,380
- Good news or bad news?
- Oh, good.
488
00:25:11,580 --> 00:25:12,660
- They got prints
from the window.
489
00:25:12,860 --> 00:25:15,300
Great. And the bad?
490
00:25:15,500 --> 00:25:17,540
- There were around 30 people
in the room,
491
00:25:17,740 --> 00:25:19,900
so they'll need to do
exclusion prints on all of them.
492
00:25:20,100 --> 00:25:22,260
I also checked
with the power company.
493
00:25:22,460 --> 00:25:24,820
There were no disruptions
in the power supply last night.
494
00:25:25,020 --> 00:25:27,620
Yes, all very unhelpful.
495
00:25:27,820 --> 00:25:29,160
You're welcome.
496
00:25:32,560 --> 00:25:35,500
Oh, wait.
497
00:25:35,700 --> 00:25:38,540
- I have got some good news.
- Yes?
498
00:25:38,740 --> 00:25:40,580
- The chief superintendent's
been on,
499
00:25:40,780 --> 00:25:44,580
wants you at the hub,
9:00 tomorrow morning.
500
00:25:44,780 --> 00:25:46,780
How is that good news?
501
00:25:46,980 --> 00:25:50,140
- You can get croissants
and coffee on your way back.
502
00:25:50,340 --> 00:25:51,780
Yes. [ Chuckles ]
503
00:25:51,980 --> 00:25:53,300
Right, um, come on.
Come on, everyone.
504
00:25:53,500 --> 00:25:56,340
What are we missing?
Gate cameras?
505
00:25:56,540 --> 00:25:59,300
- Nothing. And the manor house
has a three-mile perimeter.
506
00:25:59,500 --> 00:26:01,140
There's lots of places
they could have got in.
507
00:26:01,340 --> 00:26:02,740
- Okay, what about
this power cut?
508
00:26:02,940 --> 00:26:04,260
If it wasn't the grid,
509
00:26:04,460 --> 00:26:06,820
then it must have been
cut off in the house.
510
00:26:07,020 --> 00:26:08,740
- And only Terrence Witham
and Louise Fitzallan
511
00:26:08,940 --> 00:26:10,580
were inside the house.
512
00:26:10,780 --> 00:26:12,100
Background checks?
513
00:26:12,300 --> 00:26:13,500
Did Miss Fitzallan first,
514
00:26:13,700 --> 00:26:15,820
thought that'd be
the most interesting.
515
00:26:16,020 --> 00:26:19,740
Turns out the Fitzallans
aren't as loaded as I thought.
516
00:26:19,940 --> 00:26:21,340
The husband inherited
the house,
517
00:26:21,540 --> 00:26:23,140
but they struggled to afford
the running costs.
518
00:26:23,340 --> 00:26:25,940
- They can afford half a million
pounds for a painting, though.
519
00:26:26,140 --> 00:26:28,660
- What about our art dealer,
Terrence Witham?
520
00:26:28,860 --> 00:26:30,380
- Well-known for
his niche taste,
521
00:26:30,580 --> 00:26:32,100
beginning his career
specialising in works
522
00:26:32,300 --> 00:26:34,420
depicting
alternative lifestyles,
523
00:26:34,620 --> 00:26:38,620
escapologists,
circus performers, and the like,
524
00:26:38,820 --> 00:26:40,420
discovered "The Solo Mare"
525
00:26:40,620 --> 00:26:44,140
in a small-town auction
in January 2022.
526
00:26:44,340 --> 00:26:48,780
Lists his heroes as Banksy,
Mozart, and the Dalai Lama.
527
00:26:48,980 --> 00:26:50,540
Yes, an eclectic mix.
528
00:26:50,740 --> 00:26:53,020
But, again, as he already
owned the painting,
529
00:26:53,220 --> 00:26:55,540
what possible motive
could he have to steal it?
530
00:26:55,740 --> 00:26:57,060
- So we're back to our man
in the baseball cap.
531
00:26:57,260 --> 00:26:59,380
- Yes, yes,
he definitely feels like
532
00:26:59,580 --> 00:27:03,900
he is the key
to unlock everything.
533
00:27:04,100 --> 00:27:06,080
We need to find him.
534
00:27:08,200 --> 00:27:10,300
You were seen.
535
00:27:10,500 --> 00:27:14,540
Doesn't matter by who.
Just don't do anything else.
536
00:27:14,740 --> 00:27:15,780
The police have been here
all afternoon.
537
00:27:15,980 --> 00:27:18,260
Just wait.
538
00:27:18,460 --> 00:27:21,260
No, we had an agreement.
539
00:27:21,460 --> 00:27:29,980
♪♪
540
00:27:30,180 --> 00:27:31,700
- So football --
I'm a Chelsea man.
541
00:27:31,900 --> 00:27:33,140
- What about you?
- I don't really follow football.
542
00:27:33,340 --> 00:27:35,300
- Sorry.
- Rugby?
543
00:27:35,500 --> 00:27:37,760
- Gosh, I'm not sure
I know the rules, to be honest.
544
00:27:43,960 --> 00:27:45,700
- So you and Martha --
545
00:27:45,900 --> 00:27:48,460
the Caribbean, right?
546
00:27:48,660 --> 00:27:51,420
- Uh, yes.
Well, I was stationed there.
547
00:27:51,620 --> 00:27:53,260
She was travelling.
548
00:27:53,460 --> 00:27:56,020
We had met briefly a year
or so before in London.
549
00:27:56,220 --> 00:27:58,060
A happy coincidence.
550
00:27:58,260 --> 00:28:01,860
- I still wake up
every morning and...
551
00:28:02,060 --> 00:28:03,460
well, wonder what she sees me,
really.
552
00:28:03,660 --> 00:28:05,780
[ Chuckles ]
553
00:28:05,980 --> 00:28:07,740
Okay.
554
00:28:07,940 --> 00:28:09,900
- I guess it's just one
of life's mysteries.
555
00:28:10,100 --> 00:28:12,140
Best not to think about it
too much
556
00:28:12,340 --> 00:28:14,180
in case I jinx it.
557
00:28:14,380 --> 00:28:15,620
[ Chuckles ]
558
00:28:15,820 --> 00:28:17,980
- We could always ask her.
- Oh, I do.
559
00:28:18,180 --> 00:28:20,500
She says we're the perfect fit.
560
00:28:20,700 --> 00:28:22,720
You know, like yin and yang.
561
00:28:24,760 --> 00:28:27,820
I don't know which is which.
562
00:28:28,020 --> 00:28:29,880
I think I may be yang.
563
00:28:34,720 --> 00:28:38,060
- Perversely, I used to think
we were perfect together.
564
00:28:38,260 --> 00:28:40,300
Turns out she didn't
feel the same way.
565
00:28:40,500 --> 00:28:42,060
Lucky for me.
566
00:28:42,260 --> 00:28:45,520
- Sorry.
- Don't be. It's true.
567
00:28:49,360 --> 00:28:51,300
So I need to ask --
568
00:28:51,500 --> 00:28:54,260
does it bother you,
us working together
569
00:28:54,460 --> 00:28:56,060
Should it?
570
00:28:56,260 --> 00:28:58,180
Of course not.
571
00:28:58,380 --> 00:29:07,980
♪♪
572
00:29:08,180 --> 00:29:17,740
♪♪
573
00:29:17,940 --> 00:29:18,820
[ Banging ]
574
00:29:19,020 --> 00:29:21,260
[ Gasps ]
575
00:29:21,460 --> 00:29:23,580
- Ha!
- Hi.
576
00:29:23,780 --> 00:29:26,980
- [ Chuckles ] How did it go?
- It was brilliant.
577
00:29:27,180 --> 00:29:29,820
Yeah, turns out
we have loads in common.
578
00:29:30,020 --> 00:29:32,820
- You have nothing in common.
- That's not true, actually.
579
00:29:33,020 --> 00:29:36,140
We narrowed it down
to [chuckles] you
580
00:29:36,340 --> 00:29:38,700
and cheese-and-onion crisps.
581
00:29:38,900 --> 00:29:40,420
Was a disaster?
582
00:29:40,620 --> 00:29:43,720
- [ Sighs ] Not a disaster, no,
but, uh...
583
00:29:47,680 --> 00:29:50,180
I'm not sure on what you saw
in either of us, to be honest.
584
00:29:50,380 --> 00:29:52,380
What should we do for dinner?
585
00:29:52,580 --> 00:29:54,860
- Oh, Mum's still upset
about the missing painting,
586
00:29:55,060 --> 00:29:57,660
so I said we'd eat with her,
if that's okay.
587
00:29:57,860 --> 00:29:59,560
Yeah, of course.
588
00:30:02,640 --> 00:30:04,120
[ Sighs ]
589
00:30:07,600 --> 00:30:11,300
Archie asked me if we're
planning to start a family.
590
00:30:11,500 --> 00:30:13,740
I didn't know what to tell him.
591
00:30:13,940 --> 00:30:16,860
So what did you say?
592
00:30:17,060 --> 00:30:19,580
- Told him we were thinking
about it.
593
00:30:19,780 --> 00:30:22,380
And we are.
594
00:30:22,580 --> 00:30:24,320
Are we?
595
00:30:26,240 --> 00:30:27,380
Come on.
596
00:30:27,580 --> 00:30:28,460
Mum's waiting.
597
00:30:28,660 --> 00:30:30,400
Okay.
598
00:30:35,400 --> 00:30:37,220
I knew you'd still be in here.
599
00:30:37,420 --> 00:30:39,000
I need to find him.
600
00:30:41,840 --> 00:30:44,120
- Home.
- Just give me 10 more minutes.
601
00:30:46,200 --> 00:30:48,540
- Now.
- Okay.
602
00:30:48,740 --> 00:30:51,020
- I've got a fancy-dress party
at Jamie Alvin's,
603
00:30:51,220 --> 00:30:52,980
and I'm late as it is.
604
00:30:53,180 --> 00:30:55,780
Who you going as?
605
00:30:55,980 --> 00:30:58,420
Kenny Everett.
606
00:30:58,620 --> 00:31:00,860
- Who's that?
- Ugh.
607
00:31:01,060 --> 00:31:02,540
Before your time.
608
00:31:02,740 --> 00:31:04,260
Come on.
609
00:31:04,460 --> 00:31:07,540
Find Mr Baseball Cap tomorrow.
610
00:31:07,740 --> 00:31:09,460
- Okay.
- [ Chuckles ]
611
00:31:09,660 --> 00:31:18,380
♪♪
612
00:31:18,580 --> 00:31:21,500
- Uh, yes,
so he was a Caucasian male,
613
00:31:21,700 --> 00:31:23,260
um...
614
00:31:23,460 --> 00:31:26,380
height-wise,
he was up around here,
615
00:31:26,580 --> 00:31:27,900
my height, uh,
616
00:31:28,100 --> 00:31:29,860
and was wearing a baseball cap.
617
00:31:30,060 --> 00:31:31,160
Have you seen him?
618
00:31:33,480 --> 00:31:35,700
Hi, there. Uh...
619
00:31:35,900 --> 00:31:37,620
Baseball cap. Orange.
620
00:31:37,820 --> 00:31:39,860
Um, about this height.
621
00:31:40,060 --> 00:31:40,900
About this height.
622
00:31:41,100 --> 00:31:42,500
He had an orange cap on.
623
00:31:42,700 --> 00:31:45,020
♪♪
624
00:31:45,220 --> 00:31:46,660
All right. Thank you.
625
00:31:46,860 --> 00:31:56,060
♪♪
626
00:31:56,260 --> 00:32:05,580
♪♪
627
00:32:05,780 --> 00:32:07,160
Excuse me.
628
00:32:11,440 --> 00:32:13,900
- Oh!
- Oh! So sorry!
629
00:32:14,100 --> 00:32:16,800
Um, sorry.
630
00:32:19,400 --> 00:32:21,700
- Oh, gosh, not again.
- Okay.
631
00:32:21,900 --> 00:32:25,060
Oh, sorry.
I think I'm just a bit nervous.
632
00:32:25,260 --> 00:32:28,340
I'm meant to meet
my new chief superintendent.
633
00:32:28,540 --> 00:32:30,380
Does nothing but moan about
how much money
634
00:32:30,580 --> 00:32:32,660
Shipton Abbott is spending.
635
00:32:32,860 --> 00:32:35,020
- Oh, you're from
one of old station houses?
636
00:32:35,220 --> 00:32:37,420
- Yes, well, old
but perfectly formed.
637
00:32:37,620 --> 00:32:40,060
- Or pretty
but not very efficient.
638
00:32:40,260 --> 00:32:42,900
- I think we're
efficient enough.
- Oh, I don't doubt it
as people.
639
00:32:43,100 --> 00:32:44,980
But we've moved on, haven't we?
640
00:32:45,180 --> 00:32:46,980
From a system
of individual outposts
641
00:32:47,180 --> 00:32:49,740
towards a more modern
and joined-up approach.
642
00:32:49,940 --> 00:32:52,020
With shared information
and technology.
643
00:32:52,220 --> 00:32:54,500
Facial recognition systems.
Biometric.
644
00:32:54,700 --> 00:32:57,140
- I just prefer
good, old-fashioned policing.
645
00:32:57,340 --> 00:33:00,420
- Running around with whistles?
- Well... [ Laughs ]
646
00:33:00,620 --> 00:33:03,340
Well, with respect, um,
that's your interpretation.
647
00:33:03,540 --> 00:33:05,060
And as an inspector
sitting behind a desk --
648
00:33:05,260 --> 00:33:07,620
- Except I'm not an inspector.
- You have two pips.
649
00:33:07,820 --> 00:33:09,820
Pip and a crown.
650
00:33:10,020 --> 00:33:11,420
Oh, gosh. Sorry.
651
00:33:11,620 --> 00:33:14,140
That -- That makes you a...
652
00:33:14,340 --> 00:33:16,900
chief superintendent.
653
00:33:17,100 --> 00:33:18,780
Shall we go to my office?
654
00:33:18,980 --> 00:33:22,060
[ Walk the Moon's "Jenny"
plays ]
655
00:33:22,260 --> 00:33:24,140
- ♪ You got curves
like the ocean
656
00:33:24,340 --> 00:33:25,780
♪ Gonna take it in
slow motion ♪
657
00:33:25,980 --> 00:33:28,460
♪ Got emotions
that'll make it last ♪
658
00:33:28,660 --> 00:33:30,380
♪ You got freckles
on your shoulder ♪
659
00:33:30,580 --> 00:33:32,300
♪ Ammunition like a soldier ♪
660
00:33:32,500 --> 00:33:35,100
♪ And visions, ambitions
to be the best ♪
661
00:33:35,300 --> 00:33:37,060
♪ Oh, and Jenny, why don't we ♪
662
00:33:37,260 --> 00:33:41,380
♪ Jenny, why don't we
be gettin' together? ♪
663
00:33:41,580 --> 00:33:43,540
♪ I said, Jenny, shouldn't we ♪
664
00:33:43,740 --> 00:33:47,660
♪ Jenny, shouldn't we
be gettin' together? ♪
665
00:33:47,860 --> 00:33:49,460
♪ Jenny's got a... ♪
666
00:33:49,660 --> 00:33:53,740
♪♪
667
00:33:53,940 --> 00:33:56,220
- Well, I'm guessing you'd like
an update on "The Solo Mare."
668
00:33:56,420 --> 00:33:58,460
Do you have one?
669
00:33:58,660 --> 00:34:00,260
We're still pursuing leads.
670
00:34:00,460 --> 00:34:02,460
So that's a no.
671
00:34:02,660 --> 00:34:04,380
Actually, that's not why
I brought you here,
672
00:34:04,580 --> 00:34:07,140
nor was it to listen to your
views on 21st century policing,
673
00:34:07,340 --> 00:34:08,820
enlightening as that was,
674
00:34:09,020 --> 00:34:10,380
or even to tell you of
face to face
675
00:34:10,580 --> 00:34:13,620
for spending too much money.
676
00:34:13,820 --> 00:34:15,620
Did you have a look around
earlier?
677
00:34:15,820 --> 00:34:19,460
You'll find every force
in the county with a base here.
678
00:34:19,660 --> 00:34:22,580
This place is the beating heart
of the Southwest Police.
679
00:34:22,780 --> 00:34:24,460
- And what does that make us?
The kidney?
680
00:34:24,660 --> 00:34:26,900
- More like a benign growth --
fine for now,
681
00:34:27,100 --> 00:34:29,860
dangerous if left unchecked.
682
00:34:30,060 --> 00:34:32,660
Tactical Command are considering
bringing you and your team
683
00:34:32,860 --> 00:34:34,420
into this building,
684
00:34:34,620 --> 00:34:36,300
closing down
the old station house.
685
00:34:36,500 --> 00:34:39,300
- Well, that's a shame.
- For who?
686
00:34:39,500 --> 00:34:41,180
Us, but also the community
687
00:34:41,380 --> 00:34:43,340
have been using that building
for 100 years.
688
00:34:43,540 --> 00:34:45,540
- They'll have more support here,
more resources,
689
00:34:45,740 --> 00:34:46,900
community liaison,
690
00:34:47,100 --> 00:34:49,040
be part of a bigger picture.
691
00:34:51,400 --> 00:34:53,300
[ Nathan Evans' "Wellerman"
plays ]
692
00:34:53,500 --> 00:34:55,860
- ♪ There once was a ship
that put to sea ♪
693
00:34:56,060 --> 00:34:58,500
♪ The name of the ship
was the Billy O'Tea ♪
694
00:34:58,700 --> 00:35:00,940
♪ The winds blew up,
her bow dipped down ♪
695
00:35:01,140 --> 00:35:03,740
♪ Oh, blow, my bully boys, blow,
huh ♪
696
00:35:03,940 --> 00:35:06,220
♪ Soon may the Wellerman come ♪
697
00:35:06,420 --> 00:35:08,340
♪ To bring us sugar and tea
and rum ♪
698
00:35:08,540 --> 00:35:09,900
Oi!
699
00:35:10,100 --> 00:35:12,020
Here! You gotta pay for that!
700
00:35:12,220 --> 00:35:13,540
♪♪
701
00:35:13,740 --> 00:35:15,900
♪ Take our leave and go ♪
702
00:35:16,100 --> 00:35:17,460
♪ Soon may the Wellerman come ♪
703
00:35:17,660 --> 00:35:19,300
♪ To bring us sugar and tea
and rum ♪
704
00:35:19,500 --> 00:35:21,380
♪ One day, when the tonguing
is done ♪
705
00:35:21,580 --> 00:35:22,820
♪ We'll take our leave and go ♪
706
00:35:23,020 --> 00:35:24,420
Sorry, mate, sorry.
707
00:35:24,620 --> 00:35:30,980
♪♪
708
00:35:31,180 --> 00:35:33,400
- You all right?
- Yeah.
709
00:35:34,560 --> 00:35:36,180
- ♪ One day, when the tonguing
is done ♪
710
00:35:36,380 --> 00:35:39,360
♪ We'll take our leave and go ♪
711
00:35:40,720 --> 00:35:42,100
What are you doing here?
712
00:35:42,300 --> 00:35:43,820
- Gonna have it out
with my computer.
713
00:35:44,020 --> 00:35:46,620
It's got my wholesale
order on it.
714
00:35:46,820 --> 00:35:48,580
What are these?
715
00:35:48,780 --> 00:35:53,260
We had a Turner visit in 1987.
716
00:35:53,460 --> 00:35:56,980
Your father planned it all,
went off beautifully.
717
00:35:57,180 --> 00:36:00,060
Oh, Mum, I've told you,
718
00:36:00,260 --> 00:36:02,180
you can't keep blaming
yourself.
719
00:36:02,380 --> 00:36:04,140
You weren't even there.
720
00:36:04,340 --> 00:36:08,500
- I really just can't help
thinking that I let him down.
721
00:36:08,700 --> 00:36:10,120
Marty.
722
00:36:15,320 --> 00:36:16,520
[ Sighs ]
723
00:36:18,520 --> 00:36:20,340
So how is the chief super?
724
00:36:20,540 --> 00:36:23,020
Oh, good. Spilt coffee on her.
725
00:36:23,220 --> 00:36:25,300
Then got given a lecture
on modern policing methods.
726
00:36:25,500 --> 00:36:28,220
- Oh, dear.
But this will cheer you up.
727
00:36:28,420 --> 00:36:32,100
Kelby found our mystery
baseball-cap man.
728
00:36:32,300 --> 00:36:34,860
- Where?
- At the fish market, apparently.
729
00:36:35,060 --> 00:36:36,740
Anyway, he's
processing him now.
730
00:36:36,940 --> 00:36:38,180
- Excellent!
- We have got other things
731
00:36:38,380 --> 00:36:39,900
to be doing, you know.
732
00:36:40,100 --> 00:36:42,780
We're not all sitting here
twiddling our thumbs.
733
00:36:42,980 --> 00:36:47,780
Now, I said we'll get to it,
and we will. Right?
734
00:36:47,980 --> 00:36:49,060
What was that?
735
00:36:49,260 --> 00:36:51,860
- Seems everyone's
moaning at me today.
736
00:36:52,060 --> 00:36:55,260
That was Dot Trolman
moaning about her sheep.
737
00:36:55,460 --> 00:36:57,780
Then I had that Witham
on earlier,
738
00:36:57,980 --> 00:36:59,420
wanted to know if he can
get in the gallery yet
739
00:36:59,620 --> 00:37:00,900
to get his stuff out.
740
00:37:01,100 --> 00:37:03,980
- Um, I'd say yes.
I think we're done there.
741
00:37:04,180 --> 00:37:05,460
Okay.
742
00:37:05,660 --> 00:37:08,020
He is in the interview room,
ready for you.
743
00:37:08,220 --> 00:37:10,740
- Thanks, Kelby.
- Yes. Great work, Kelby.
744
00:37:10,940 --> 00:37:14,220
- Sir, um, this might not
be important,
745
00:37:14,420 --> 00:37:19,140
but when I saw him first --
and I'm not sure about this --
746
00:37:19,340 --> 00:37:20,820
but he was with a woman,
747
00:37:21,020 --> 00:37:24,580
and it looked like she was
passing something to him.
748
00:37:24,780 --> 00:37:26,220
She was a little older,
749
00:37:26,420 --> 00:37:29,460
and it looked like Mrs Fitzallan
from the manor.
750
00:37:29,660 --> 00:37:38,340
♪♪
751
00:37:38,540 --> 00:37:40,820
Aaron Cole,
752
00:37:41,020 --> 00:37:45,580
previous for criminal damage,
theft, and common assault.
753
00:37:45,780 --> 00:37:48,500
Okay, so, uh,
754
00:37:48,700 --> 00:37:50,140
can you tell us what
you were doing in the grounds
755
00:37:50,340 --> 00:37:54,700
of Shipton Manor the night
before last around midnight?
756
00:37:54,900 --> 00:37:56,500
You were seen.
757
00:37:56,700 --> 00:37:59,300
- On the night a painting worth
£500,000 was stolen.
758
00:37:59,500 --> 00:38:01,020
- Whoa, whoa, whoa, whoa, whoa.
You ain't pinning that on me.
759
00:38:01,220 --> 00:38:03,500
- Unless you got a really good
explanation for being there,
760
00:38:03,700 --> 00:38:05,620
it doesn't look good, does it?
761
00:38:05,820 --> 00:38:08,220
- Right now
you're our prime suspect.
762
00:38:08,420 --> 00:38:10,940
- I didn't steal anything,
I swear.
763
00:38:11,140 --> 00:38:12,540
- Well, look, if you're innocent,
you can be out of this room
764
00:38:12,740 --> 00:38:15,380
in five minutes.
765
00:38:15,580 --> 00:38:17,060
I mean, you're no stranger
to this process
766
00:38:17,260 --> 00:38:18,780
by the sound of things,
are you, Aaron?
767
00:38:18,980 --> 00:38:21,900
So you know full well that the
only way that's gonna happen
768
00:38:22,100 --> 00:38:24,340
is if you tell us the truth
and...
769
00:38:24,540 --> 00:38:27,600
if you tell us exactly
why you were there.
770
00:38:30,920 --> 00:38:36,020
If it helps, we already know
about Mrs Fitzallan.
771
00:38:36,220 --> 00:38:38,560
Do you really think
she's gonna protect you?
772
00:38:41,600 --> 00:38:43,220
- She wanted me
to nick the painting.
773
00:38:43,420 --> 00:38:45,180
- So you admit stealing it?
- No.
774
00:38:45,380 --> 00:38:47,060
I was supposed to
draw that stuff
775
00:38:47,260 --> 00:38:48,740
on the back of the house
the first night.
776
00:38:48,940 --> 00:38:50,780
Then the second night, she was
supposed to leave the window
777
00:38:50,980 --> 00:38:53,660
open and the alarm off
so I could get the painting.
778
00:38:53,860 --> 00:38:56,460
That way, people would blame
the protesters.
779
00:38:56,660 --> 00:39:00,660
But she phoned me yesterday
to call it all off.
780
00:39:00,860 --> 00:39:03,620
Arranged to meet her in town.
Told her I wanted paying anyway.
781
00:39:03,820 --> 00:39:05,460
Wait. So the plan was for you
782
00:39:05,660 --> 00:39:07,140
to steal the painting
last night?
783
00:39:07,340 --> 00:39:09,100
Yeah.
784
00:39:09,300 --> 00:39:11,520
But it looks like someone
beat me to it.
785
00:39:16,520 --> 00:39:19,940
- Aaron Cole was at school
with my son, James.
786
00:39:20,140 --> 00:39:22,380
I spent most of their
teenage years telling James
787
00:39:22,580 --> 00:39:25,420
to stay away from him.
788
00:39:25,620 --> 00:39:26,820
Rather ironic.
789
00:39:27,020 --> 00:39:29,780
So you contacted him?
790
00:39:29,980 --> 00:39:33,220
- My circle of criminal
acquaintances is rather small.
791
00:39:33,420 --> 00:39:36,460
- So you admit you were paying
him to steal the painting.
792
00:39:36,660 --> 00:39:38,580
- [ Sighs ]
After what you've just said,
793
00:39:38,780 --> 00:39:40,760
it would be rather churlish
not to.
794
00:39:42,840 --> 00:39:47,140
You see, my husband isn't away
on business.
795
00:39:47,340 --> 00:39:51,100
Charles is actually
in Antigua...
796
00:39:51,300 --> 00:39:53,660
with his secretary...
797
00:39:53,860 --> 00:39:55,760
and most of our money.
798
00:39:57,720 --> 00:39:59,140
I'm sorry.
799
00:39:59,340 --> 00:40:02,540
- Then why go through with
buying the painting?
800
00:40:02,740 --> 00:40:04,980
Because I'm a Fitzallan.
801
00:40:05,180 --> 00:40:06,460
And the guardianship
of this house
802
00:40:06,660 --> 00:40:09,100
comes with responsibilities.
803
00:40:09,300 --> 00:40:10,620
The homecoming
of "The Solo Mare"
804
00:40:10,820 --> 00:40:12,300
brought the entire community
back together.
805
00:40:12,500 --> 00:40:13,940
How could I suddenly announce
I wasn't going to
806
00:40:14,140 --> 00:40:17,280
go through with it?
It would have been excruciating.
807
00:40:21,240 --> 00:40:23,700
Charles had arranged to borrow
the money, convinced me
808
00:40:23,900 --> 00:40:27,020
to use the manor
as security against the loan.
809
00:40:27,220 --> 00:40:29,340
- So you hoped to claim
on insurance
810
00:40:29,540 --> 00:40:31,500
to help pay back the loan.
811
00:40:31,700 --> 00:40:33,500
And save face in the process.
812
00:40:33,700 --> 00:40:36,180
- Rather tawdry solution,
don't you think?
813
00:40:36,380 --> 00:40:39,420
- Which means that the painting
had to be stolen last night
814
00:40:39,620 --> 00:40:42,780
because until then,
you didn't actually own it.
815
00:40:42,980 --> 00:40:45,180
Exactly.
816
00:40:45,380 --> 00:40:47,740
The only good thing
to come out of this conversation
817
00:40:47,940 --> 00:40:50,020
is that you will now see
that it wasn't in my interest
818
00:40:50,220 --> 00:40:52,460
to steal it any sooner.
819
00:40:52,660 --> 00:41:00,780
♪♪
820
00:41:00,980 --> 00:41:09,300
♪♪
821
00:41:09,500 --> 00:41:11,020
Sir.
822
00:41:11,220 --> 00:41:12,380
Yes. Coming.
823
00:41:12,580 --> 00:41:20,820
♪♪
824
00:41:21,020 --> 00:41:22,140
- Mr Witham.
- Hmm?
825
00:41:22,340 --> 00:41:23,420
Please let me help.
826
00:41:23,620 --> 00:41:25,120
- Yes. I'll take that.
Thank you.
827
00:41:27,440 --> 00:41:29,060
- Sorry we couldn't let you go
any sooner.
828
00:41:29,260 --> 00:41:30,880
Yeah, whatever.
829
00:41:37,880 --> 00:41:39,220
Aaron Cole could be lying.
830
00:41:39,420 --> 00:41:41,100
He might have stolen
the painting anyway.
831
00:41:41,300 --> 00:41:43,060
Yes, very true.
832
00:41:43,260 --> 00:41:45,900
And nothing in this case
is quite what it seems.
833
00:41:46,100 --> 00:41:48,780
I'm starting to think we may
never find out what happened.
834
00:41:48,980 --> 00:41:58,820
♪♪
835
00:41:59,020 --> 00:42:01,860
- I suppose me taking over
his place on the Arts Committee
836
00:42:02,060 --> 00:42:06,380
was my way of holding on
to him a bit longer.
837
00:42:06,580 --> 00:42:08,160
I know.
838
00:42:10,840 --> 00:42:13,620
I still miss him.
839
00:42:13,820 --> 00:42:17,040
You see, but I know I shouldn't
after all this time.
840
00:42:19,480 --> 00:42:21,220
We stop mentioning it
to people.
841
00:42:21,420 --> 00:42:27,020
Well, because it starts to be
a bit awkward after a while.
842
00:42:27,220 --> 00:42:29,020
As if sympathy
as he use-by date,
843
00:42:29,220 --> 00:42:31,020
and once you pass that date,
844
00:42:31,220 --> 00:42:33,340
you're supposed to
snap out of it,
845
00:42:33,540 --> 00:42:37,020
stop harking back to the past,
move on.
846
00:42:37,220 --> 00:42:42,260
And it's difficult to move on
on your own.
847
00:42:42,460 --> 00:42:46,180
You're so used
to doing everything together.
848
00:42:46,380 --> 00:42:49,000
- I miss him, too.
- Oh, I know you do.
849
00:42:51,400 --> 00:42:53,660
You don't get your own way
as much as you used to
850
00:42:53,860 --> 00:42:54,780
when he was here.
851
00:42:54,980 --> 00:42:56,500
True.
852
00:42:56,700 --> 00:42:58,940
Just my luck to get left
with the strict parent.
853
00:42:59,140 --> 00:43:01,780
Mm.
854
00:43:01,980 --> 00:43:04,100
I know why you came back.
855
00:43:04,300 --> 00:43:06,140
Oh?
856
00:43:06,340 --> 00:43:09,060
- You were worried about me
being on my own.
857
00:43:09,260 --> 00:43:11,260
Oh, I'm sure the dream
of opening your own cafe
858
00:43:11,460 --> 00:43:14,140
and being fed up with London
is all true, too.
859
00:43:14,340 --> 00:43:17,740
But that's not why
you came back.
860
00:43:17,940 --> 00:43:19,720
And you were right.
861
00:43:21,720 --> 00:43:23,840
I'm not sure I could have coped
on my own.
862
00:43:27,200 --> 00:43:29,180
But that's what you do,
isn't it,
863
00:43:29,380 --> 00:43:31,940
for people you love?
864
00:43:32,140 --> 00:43:33,780
Put your own wants
and needs to one side
865
00:43:33,980 --> 00:43:37,060
and give them what they need.
866
00:43:37,260 --> 00:43:39,980
- Never thought about it
like that.
867
00:43:40,180 --> 00:43:44,560
- All I ever wanted was for your
dad to be content and happy.
868
00:43:47,320 --> 00:43:51,100
I suppose that's what Humphrey's
doing for you, isn't it?
869
00:43:51,300 --> 00:43:55,380
Giving up everything
to come down here with you.
870
00:43:55,580 --> 00:43:58,380
Yes, he is.
871
00:43:58,580 --> 00:44:01,760
- And he's doing that
because he loves you.
872
00:44:04,040 --> 00:44:06,840
It's a very precious thing,
you know, Marty -- love.
873
00:44:09,920 --> 00:44:13,900
You hold on to it
as tightly as you can.
874
00:44:14,100 --> 00:44:20,260
♪♪
875
00:44:20,460 --> 00:44:21,900
- Sir, I, um --
876
00:44:22,100 --> 00:44:23,700
- If our intruder came in
through the gallery window
877
00:44:23,900 --> 00:44:27,540
and is already inside the room
where the painting actually was,
878
00:44:27,740 --> 00:44:29,140
so why did the power
need to be switched off,
879
00:44:29,340 --> 00:44:32,020
and why didn't Kelby see him?
880
00:44:32,220 --> 00:44:35,380
- I don't know, but I asked
for the sale memo
881
00:44:35,580 --> 00:44:37,940
from when Witham originally
bought the painting --
882
00:44:38,140 --> 00:44:39,940
part of the auction house's
due diligence.
883
00:44:40,140 --> 00:44:41,580
- Why?
- Well, I was hoping there might
884
00:44:41,780 --> 00:44:43,740
be something in it
that might solve the debate,
885
00:44:43,940 --> 00:44:45,580
give Isla Jay
some peace of mind.
886
00:44:45,780 --> 00:44:47,620
- That was a nice thing to do.
- Mm.
887
00:44:47,820 --> 00:44:49,660
I'm not sure it helps, though.
888
00:44:49,860 --> 00:44:51,540
The only thing of note
889
00:44:51,740 --> 00:44:53,940
is that the artist
may have used the canvas before
890
00:44:54,140 --> 00:44:56,380
and over-painted,
but even that's quite common.
891
00:44:56,580 --> 00:44:59,220
- Doesn't that help?
- Might make it worse.
892
00:44:59,420 --> 00:45:02,660
If Craig painted over
Edith's painting,
893
00:45:02,860 --> 00:45:05,060
it's still an original Craig.
894
00:45:05,260 --> 00:45:07,340
- Ah. You know,
I keep coming back
895
00:45:07,540 --> 00:45:10,540
to the power being turned off.
896
00:45:10,740 --> 00:45:13,380
Common sense demands
that we look at the two people
897
00:45:13,580 --> 00:45:14,740
who were actually
inside the house
898
00:45:14,940 --> 00:45:16,260
when the painting was stolen.
899
00:45:16,460 --> 00:45:18,620
- Hmm. Louise Fitzallan
and Terrence Witham.
900
00:45:18,820 --> 00:45:20,560
- But we've discounted
them both.
901
00:45:22,760 --> 00:45:25,900
- Sheep!
- What?
902
00:45:26,100 --> 00:45:30,740
- She's been on the phone again,
threatening to go to HQ.
903
00:45:30,940 --> 00:45:33,260
Fine. I'll go.
904
00:45:33,460 --> 00:45:35,900
But I can't see how
you can lose 25 sheep.
905
00:45:36,100 --> 00:45:38,580
It's not like they can
turn invisible, is it?
906
00:45:38,780 --> 00:45:40,860
Or maybe they're just
playing hide-and-seek.
907
00:45:41,060 --> 00:45:42,560
[ Chuckles ]
908
00:45:48,400 --> 00:45:50,040
Thanks, Margo.
909
00:45:53,280 --> 00:45:56,120
[ Shredder whirring ]
910
00:46:01,240 --> 00:46:02,220
- Hiding!
- [ Gasps ]
911
00:46:02,420 --> 00:46:04,780
- What?
- Hiding is the only thing
912
00:46:04,980 --> 00:46:07,340
we've never really considered.
913
00:46:07,540 --> 00:46:10,060
I'm not following.
914
00:46:10,260 --> 00:46:11,580
Sir?
915
00:46:11,780 --> 00:46:14,060
- We've always known
that it was impossible
916
00:46:14,260 --> 00:46:15,500
to climb in through the window,
steal the painting,
917
00:46:15,700 --> 00:46:17,260
and get out again
in the two minutes
918
00:46:17,460 --> 00:46:18,300
that Kelby said
he was on the landing.
919
00:46:18,500 --> 00:46:19,860
So what did we do?
920
00:46:20,060 --> 00:46:22,820
We chose not to believe him.
921
00:46:23,020 --> 00:46:25,100
But what if he was
telling the truth?
922
00:46:25,300 --> 00:46:27,900
What if it was
two minutes or less?
923
00:46:28,100 --> 00:46:31,060
- That's not possible.
- Exactly. And that's the point.
924
00:46:31,260 --> 00:46:33,580
That's why everything is not
quite what it seemed,
925
00:46:33,780 --> 00:46:35,140
because we were trying
to prove something
926
00:46:35,340 --> 00:46:37,460
that never actually happened.
927
00:46:37,660 --> 00:46:39,460
See, when Witham left
art college,
928
00:46:39,660 --> 00:46:41,060
he worked with
the art of the macabre,
929
00:46:41,260 --> 00:46:42,940
with magicians and show people.
930
00:46:43,140 --> 00:46:44,900
- And?
- And on his website,
931
00:46:45,100 --> 00:46:47,260
he listed as one of his heroes
Banksy, remember?
932
00:46:47,460 --> 00:46:48,700
- Yes.
- So?
933
00:46:48,900 --> 00:46:50,740
- So at the auction
for Banksy's famous
934
00:46:50,940 --> 00:46:53,780
"Girl with Balloon" picture,
what did he do?
935
00:46:53,980 --> 00:46:55,540
He shredded it!
936
00:46:55,740 --> 00:46:57,580
- I remember that!
- Yes!
937
00:46:57,780 --> 00:46:58,900
I'm not sure I understand.
938
00:46:59,100 --> 00:47:00,380
- Where's that report
you had earlier?
939
00:47:00,580 --> 00:47:01,920
Here.
940
00:47:03,760 --> 00:47:05,460
Thank you.
941
00:47:05,660 --> 00:47:13,180
♪♪
942
00:47:13,380 --> 00:47:16,100
Oh, I think I've got it.
943
00:47:16,300 --> 00:47:19,480
- Okay.
So who stole "The Solo Mare"?
944
00:47:20,800 --> 00:47:23,060
I did.
945
00:47:23,260 --> 00:47:31,420
♪♪
946
00:47:31,620 --> 00:47:33,340
I think when Terrence Witham
first got
947
00:47:33,540 --> 00:47:37,060
the auction house report,
he saw it exactly as you did.
948
00:47:37,260 --> 00:47:38,700
It confirmed
it was of the period
949
00:47:38,900 --> 00:47:41,420
and keeping with the work
of Augustus Craig.
950
00:47:41,620 --> 00:47:44,220
And, yes, there was a mention
of a possible over-painting
951
00:47:44,420 --> 00:47:47,780
at the bottom of the canvas,
but that's not unusual.
952
00:47:47,980 --> 00:47:50,060
As far as he was concerned,
everything checked out.
953
00:47:50,260 --> 00:47:52,940
He bought a genuine
Augustus Craig
954
00:47:53,140 --> 00:47:55,520
at a fraction
of what it was really worth.
955
00:47:56,680 --> 00:47:58,260
[ Laughs ]
956
00:47:58,460 --> 00:47:59,860
But at some point,
957
00:48:00,060 --> 00:48:03,660
he became curious
about what was underneath.
958
00:48:03,860 --> 00:48:05,900
The over-painting was
at the bottom of the campus
959
00:48:06,100 --> 00:48:08,180
where the signature would be.
960
00:48:08,380 --> 00:48:10,140
So I think he found
Edith Jay's signature
961
00:48:10,340 --> 00:48:12,720
beneath that of Augustus Craig.
962
00:48:15,600 --> 00:48:19,300
Thereby confirming the theory
963
00:48:19,500 --> 00:48:22,300
that Craig had signed
his protégé's painting.
964
00:48:22,500 --> 00:48:24,860
- So Witham knew
it was Edith Jay's all along.
965
00:48:25,060 --> 00:48:29,340
- And he also knew that, unlike
an Augustus Craig original,
966
00:48:29,540 --> 00:48:31,100
a painting of a horse's backside
by a stable girl
967
00:48:31,300 --> 00:48:32,900
would be worthless
in comparison.
968
00:48:33,100 --> 00:48:35,060
- And he'd already agreed the
sale with the Art Committee.
969
00:48:35,260 --> 00:48:36,900
But more importantly,
970
00:48:37,100 --> 00:48:39,180
he knew that now the painting
was home in Shipton Abbott,
971
00:48:39,380 --> 00:48:40,820
the clamour to have it tested
972
00:48:41,020 --> 00:48:42,860
to finally prove
who the real artist was
973
00:48:43,060 --> 00:48:45,140
and end the controversy
would be irresistible.
974
00:48:45,340 --> 00:48:48,180
- And if that happened,
it would ruin his reputation.
975
00:48:48,380 --> 00:48:50,180
- And no doubt
have Louise Fitzallan
976
00:48:50,380 --> 00:48:51,420
demanding her money back.
977
00:48:51,620 --> 00:48:54,500
But the sale already
being agreed
978
00:48:54,700 --> 00:48:56,740
also gave him an opportunity.
979
00:48:56,940 --> 00:49:00,460
What better way to disguise
the theft of your own painting
980
00:49:00,660 --> 00:49:04,460
than doing it while
it's in someone else's care?
981
00:49:04,660 --> 00:49:06,620
Ours.
982
00:49:06,820 --> 00:49:09,180
So what if he was inspired
983
00:49:09,380 --> 00:49:12,500
by a combination
of Banksy's shredding frame
984
00:49:12,700 --> 00:49:14,680
and his early work
with magicians...
985
00:49:17,000 --> 00:49:19,380
...and he constructed a frame
986
00:49:19,580 --> 00:49:24,900
designed to hide
a painting within it?
987
00:49:25,100 --> 00:49:26,500
Okay, so that's everyone.
988
00:49:26,700 --> 00:49:28,600
Mr Witham?
989
00:49:29,920 --> 00:49:32,260
- So on the night
of the supposed theft,
990
00:49:32,460 --> 00:49:34,020
it was simple enough for him
to make
991
00:49:34,220 --> 00:49:36,580
the last-minute adjustments
to the painting before he left.
992
00:49:36,780 --> 00:49:37,860
- You'll lock the door
behind us, yes?
993
00:49:38,060 --> 00:49:39,440
Yes, sir.
994
00:49:42,240 --> 00:49:45,140
- No one is to go beyond
those ropes
995
00:49:45,340 --> 00:49:46,940
until I return in the morning,
yes?
996
00:49:47,140 --> 00:49:48,900
Understood, sir.
997
00:49:49,100 --> 00:49:55,060
♪♪
998
00:49:55,260 --> 00:49:57,140
- Like any magician
worth his salt,
999
00:49:57,340 --> 00:49:59,700
he knew about the importance
of misdirection
1000
00:49:59,900 --> 00:50:00,980
and making the audience look
the other way
1001
00:50:01,180 --> 00:50:03,080
to cover
what they're really doing.
1002
00:50:06,240 --> 00:50:08,820
- [ Gasps ]
Creating the illusion
1003
00:50:09,020 --> 00:50:10,580
that the painting was stolen
when the lights went out.
1004
00:50:10,780 --> 00:50:12,720
- Exactly.
- Hello?
1005
00:50:15,520 --> 00:50:17,120
Hello?
1006
00:50:19,080 --> 00:50:21,100
Hello?
1007
00:50:21,300 --> 00:50:23,780
Witham waited a minute or two,
1008
00:50:23,980 --> 00:50:25,380
then turned the power back on.
1009
00:50:25,580 --> 00:50:26,940
[ Bang ]
1010
00:50:27,140 --> 00:50:33,420
♪♪
1011
00:50:33,620 --> 00:50:36,740
Then, the next morning,
when the room opened up again,
1012
00:50:36,940 --> 00:50:39,020
more misdirection
as he broke the window latch.
1013
00:50:39,220 --> 00:50:44,020
♪♪
1014
00:50:44,220 --> 00:50:46,780
All that was left was to be
as surprised as everyone else
1015
00:50:46,980 --> 00:50:48,500
on the morning of
the unveiling.
1016
00:50:48,700 --> 00:50:51,980
- On behalf of all of us
in Shipton Abbott,
1017
00:50:52,180 --> 00:50:54,940
welcome home.
[ Audience gasping ]
1018
00:50:55,140 --> 00:50:56,780
- And now more
than Louise Fitzallan,
1019
00:50:56,980 --> 00:50:58,100
who had her own plan in place
1020
00:50:58,300 --> 00:51:00,140
to steal the painting
for herself.
1021
00:51:00,340 --> 00:51:01,620
- And that's why Witham was
so keen
1022
00:51:01,820 --> 00:51:03,460
to get back in the room
and collect his frame.
1023
00:51:03,660 --> 00:51:05,700
Yes, but the person I believe
1024
00:51:05,900 --> 00:51:08,300
actually took the painting
from this house...
1025
00:51:08,500 --> 00:51:10,200
was me.
1026
00:51:13,160 --> 00:51:14,660
- Mr Witham.
- Hmm.
1027
00:51:14,860 --> 00:51:15,940
Please let me help.
1028
00:51:16,140 --> 00:51:17,780
- Yes. I'll take that.
Thank you.
1029
00:51:17,980 --> 00:51:19,340
- Sorry we couldn't let you go
any sooner.
1030
00:51:19,540 --> 00:51:21,040
Yeah.
1031
00:51:25,760 --> 00:51:27,780
Okay, fine.
1032
00:51:27,980 --> 00:51:30,500
He left the manor house
five minutes ago.
1033
00:51:30,700 --> 00:51:32,900
- Right. Get his vehicle details
put out on APB.
1034
00:51:33,100 --> 00:51:34,500
Sure.
1035
00:51:34,700 --> 00:51:41,380
♪♪
1036
00:51:41,580 --> 00:51:47,980
♪♪
1037
00:51:48,180 --> 00:51:49,980
[ Sheep bleating ]
1038
00:51:50,180 --> 00:51:51,500
- Step aside.
[ Horn honks ]
1039
00:51:51,700 --> 00:51:52,980
Step aside, sir.
1040
00:51:53,180 --> 00:51:54,540
[ Horn honks ]
1041
00:51:54,740 --> 00:51:56,220
All right.
1042
00:51:56,420 --> 00:51:57,740
All right, calm down.
[ Horn honks ]
1043
00:51:57,940 --> 00:51:59,540
Calm down. It's all right.
1044
00:51:59,740 --> 00:52:00,700
[ Horn honks ]
1045
00:52:00,900 --> 00:52:02,620
All right, everyone.
1046
00:52:02,820 --> 00:52:04,760
Oh.
1047
00:52:06,280 --> 00:52:08,180
- Well, come on, then!
- Yeah. calm down.
1048
00:52:08,380 --> 00:52:11,260
Shh. It's all right.
[ Line ringing ]
1049
00:52:11,460 --> 00:52:12,820
Mrs Trolman?
1050
00:52:13,020 --> 00:52:14,700
I've got your sheep.
1051
00:52:14,900 --> 00:52:17,940
Um, you're gonna need to bring
a truck, all right, and --
1052
00:52:18,140 --> 00:52:20,160
Oh, geez.
1053
00:52:21,960 --> 00:52:25,220
- Who the hell's in charge here?
- I am.
1054
00:52:25,420 --> 00:52:27,380
♪♪
1055
00:52:27,580 --> 00:52:30,260
You.
1056
00:52:30,460 --> 00:52:33,580
- APB on black
Ford Transit Courier,
1057
00:52:33,780 --> 00:52:38,700
registration Echo November 15
Yankee Sierra Bravo,
1058
00:52:38,900 --> 00:52:43,020
driven by a Terrence Witham --
dark hair, 5'11",
1059
00:52:43,220 --> 00:52:45,020
last seen
leaving Shipton Abbott,
1060
00:52:45,220 --> 00:52:46,460
heading towards Exeter.
1061
00:52:46,660 --> 00:52:48,340
Wanted on suspicion of fraud.
1062
00:52:48,540 --> 00:52:49,940
Please apprehend.
1063
00:52:50,140 --> 00:52:52,260
[ Horns honking ]
1064
00:52:52,460 --> 00:52:55,780
♪♪
1065
00:52:55,980 --> 00:52:57,540
Excuse me. Excuse me.
1066
00:52:57,740 --> 00:52:58,920
Excuse me.
1067
00:53:00,200 --> 00:53:02,000
Don't!
1068
00:53:02,640 --> 00:53:04,240
Oi!
1069
00:53:05,760 --> 00:53:07,860
Come back! Oi!
1070
00:53:08,060 --> 00:53:15,140
♪♪
1071
00:53:15,340 --> 00:53:17,140
Gotcha!
1072
00:53:17,340 --> 00:53:21,960
♪♪
1073
00:53:29,480 --> 00:53:32,540
- Care to show us
how this works?
1074
00:53:32,740 --> 00:53:35,460
Very well.
1075
00:53:35,660 --> 00:53:37,080
Let's see.
1076
00:53:51,680 --> 00:53:55,980
♪♪
1077
00:53:56,180 --> 00:53:59,860
- So it was in the room
the whole time.
1078
00:54:00,060 --> 00:54:01,580
It wasn't stolen on my watch.
1079
00:54:01,780 --> 00:54:04,420
No, it wasn't.
1080
00:54:04,620 --> 00:54:08,580
- So my record on guarding
valuable paintings
1081
00:54:08,780 --> 00:54:10,900
is still 100%.
1082
00:54:11,100 --> 00:54:12,700
Yes, well done, Kelby.
1083
00:54:12,900 --> 00:54:14,940
Take him away, will you?
1084
00:54:15,140 --> 00:54:16,500
Yes, sir.
1085
00:54:16,700 --> 00:54:24,780
♪♪
1086
00:54:24,980 --> 00:54:26,660
Well done, Sergeant.
1087
00:54:26,860 --> 00:54:33,820
♪♪
1088
00:54:34,020 --> 00:54:34,940
[ Mobile phone buzzes ]
1089
00:54:35,140 --> 00:54:37,540
- Thank you.
- You're welcome.
1090
00:54:37,740 --> 00:54:39,660
Hmm!
1091
00:54:39,860 --> 00:54:42,860
Louise Fitzallan has offered
to buy "The Solo Mare" anyway.
1092
00:54:43,060 --> 00:54:45,820
- Really?
- At a 10th of the price.
1093
00:54:46,020 --> 00:54:48,020
- Why, if she knows it wasn't
painted by her ancestor?
1094
00:54:48,220 --> 00:54:52,460
- Who knows?
But Edith Jay was still a local.
1095
00:54:52,660 --> 00:54:55,300
So at this rate, Shipton Abbott
1096
00:54:55,500 --> 00:54:57,740
might just embrace you
as one of our own.
1097
00:54:57,940 --> 00:54:59,620
The man who saved
"The Solo Mare."
1098
00:54:59,820 --> 00:55:01,340
- Yes, well, right now,
I'd happily settle
1099
00:55:01,540 --> 00:55:03,460
for the gratitude
of my future mother-in-law.
1100
00:55:03,660 --> 00:55:05,900
[ Chuckles ]
1101
00:55:06,100 --> 00:55:08,600
- Good night, sir.
- Sergeant.
1102
00:55:13,520 --> 00:55:15,560
[ Engine starts ]
1103
00:55:17,280 --> 00:55:24,660
♪♪
1104
00:55:24,860 --> 00:55:26,820
What do you want?
1105
00:55:27,020 --> 00:55:29,380
- We could start
with a cup of tea.
1106
00:55:29,580 --> 00:55:37,340
♪♪
1107
00:55:37,540 --> 00:55:45,140
♪♪
1108
00:55:45,340 --> 00:55:52,940
♪♪
1109
00:55:53,140 --> 00:55:55,380
Ooh. Perfect timing.
1110
00:55:55,580 --> 00:55:57,360
Ah.
1111
00:55:58,880 --> 00:56:01,700
Well, I've just made your mother
a very happy woman.
1112
00:56:01,900 --> 00:56:04,080
- I'm not sure if I want you
to elaborate or not.
1113
00:56:08,280 --> 00:56:10,040
Just found her painting.
1114
00:56:12,400 --> 00:56:16,220
- I knew you would!
- Ah, yes. [ Laughs ]
1115
00:56:16,420 --> 00:56:17,860
[ Wings flap, bird squawks ]
1116
00:56:18,060 --> 00:56:20,660
Selwyn! Selwyn's back.
1117
00:56:20,860 --> 00:56:22,980
- Selwyn?
- Yes.
1118
00:56:23,180 --> 00:56:25,100
Well, he need a name,
and rather strangely,
1119
00:56:25,300 --> 00:56:27,620
I found myself
missing the commissioner.
1120
00:56:27,820 --> 00:56:29,820
This will soften the blow
a little.
1121
00:56:30,020 --> 00:56:33,460
- Eat.
- Yes. Pasta.
1122
00:56:33,660 --> 00:56:36,940
Just what a hungry man needs
after catching a art fraudster.
1123
00:56:37,140 --> 00:56:39,100
Just what a woman needs, too,
1124
00:56:39,300 --> 00:56:44,260
to build up her strength
before she starts IVF again.
1125
00:56:44,460 --> 00:56:46,040
What?
1126
00:56:48,360 --> 00:56:49,460
You mean...?
1127
00:56:49,660 --> 00:56:59,140
♪♪
1128
00:56:59,340 --> 00:57:08,900
♪♪
1129
00:57:09,100 --> 00:57:18,580
♪♪
1130
00:57:18,780 --> 00:57:28,420
♪♪
1131
00:57:28,620 --> 00:57:38,120
♪♪