1 00:00:06,320 --> 00:00:08,940 [ "Just as the Tide Was Flowing" plays ] 2 00:00:09,140 --> 00:00:10,700 ♪♪ 3 00:00:10,900 --> 00:00:12,900 - ♪ One morning in the month of June ♪ 4 00:00:13,100 --> 00:00:15,340 ♪ Down by a rolling river ♪ 5 00:00:15,540 --> 00:00:17,620 ♪ There a weary traveller chanced to stray ♪ 6 00:00:17,820 --> 00:00:19,780 ♪ And he beheld his lover ♪ 7 00:00:19,980 --> 00:00:22,740 ♪ Her cheeks were red, her eyes were brown ♪ 8 00:00:22,940 --> 00:00:25,060 ♪ Her hair in ringlets hanging down ♪ 9 00:00:25,260 --> 00:00:27,140 ♪ She'd a lovely face without a frown ♪ 10 00:00:27,340 --> 00:00:29,820 ♪ Just as the tide was flowing ♪ 11 00:00:30,020 --> 00:00:39,180 ♪♪ 12 00:00:39,380 --> 00:00:41,380 ♪ No more did say, but on their way ♪ 13 00:00:41,580 --> 00:00:43,500 ♪ They both did go together ♪ 14 00:00:43,700 --> 00:00:45,940 ♪ The small birds sang and the lambs did play ♪ 15 00:00:46,140 --> 00:00:48,180 ♪ How pleasant was the weather ♪ 16 00:00:48,380 --> 00:00:51,100 ♪ They being weary both sat down ♪ 17 00:00:51,300 --> 00:00:53,460 ♪ Beneath a tree with the branches round ♪ 18 00:00:53,660 --> 00:00:55,580 ♪ And what was said will never be known ♪ 19 00:00:55,780 --> 00:00:58,540 ♪ Just as the tide was flowing ♪ 20 00:00:58,740 --> 00:01:07,020 ♪♪ 21 00:01:07,220 --> 00:01:09,660 - Humphrey, thank you so much for doing this. 22 00:01:09,860 --> 00:01:11,180 Oh, nonsense. 23 00:01:11,380 --> 00:01:12,820 It's exactly what we should be doing -- 24 00:01:13,020 --> 00:01:14,540 serving the community. 25 00:01:14,740 --> 00:01:16,900 Besides... 26 00:01:17,100 --> 00:01:18,640 Kelby volunteered. 27 00:01:22,800 --> 00:01:24,100 - One of these? - What? 28 00:01:24,300 --> 00:01:25,540 No, no, no, no. There's too much glare. 29 00:01:25,740 --> 00:01:27,740 Just change the filter, will you, please? 30 00:01:27,940 --> 00:01:28,900 Right, Mr Witham. 31 00:01:29,100 --> 00:01:31,300 Mr Witham, may I introduce 32 00:01:31,500 --> 00:01:34,780 Detective Inspector Humphrey Goodman, 33 00:01:34,980 --> 00:01:37,740 Detective Sergeant Williams, and PC Hartford? 34 00:01:37,940 --> 00:01:39,100 This is Terrence Witham 35 00:01:39,300 --> 00:01:40,700 the current owner of "The Solo Mare." 36 00:01:40,900 --> 00:01:42,540 Very pleased to meet you. 37 00:01:42,740 --> 00:01:44,580 - And one of you will be in the room with the painting, yes? 38 00:01:44,780 --> 00:01:46,740 Yes. 39 00:01:46,940 --> 00:01:49,420 I do hope it's you. 40 00:01:49,620 --> 00:01:52,500 Actually, no. 41 00:01:52,700 --> 00:01:54,260 Hi. 42 00:01:54,460 --> 00:01:56,700 - You're the finest Shipton Abbott has to offer, 43 00:01:56,900 --> 00:01:59,400 - are you? - Yes. 44 00:02:01,720 --> 00:02:04,240 - How very reassuring. Excuse me. 45 00:02:06,080 --> 00:02:08,180 Ah. He's a bundle of fun. 46 00:02:08,380 --> 00:02:10,460 - He's autistic. He's very highly strung. 47 00:02:10,660 --> 00:02:11,940 Yeah, he should be. 48 00:02:12,140 --> 00:02:14,640 Right. Get yourself set up. 49 00:02:17,720 --> 00:02:19,080 "The Solo Mare." 50 00:02:24,040 --> 00:02:26,780 It's a horse's bottom. 51 00:02:26,980 --> 00:02:29,020 Yes, but the front end 52 00:02:29,220 --> 00:02:31,220 is looking at Shipton Abbott in 1710. 53 00:02:31,420 --> 00:02:34,020 - Well, maybe they should have moved the horse out of the way. 54 00:02:34,220 --> 00:02:37,060 - Humphrey, let me introduce you to our hostess. 55 00:02:37,260 --> 00:02:39,420 This is Lady Louise Fitzallan. 56 00:02:39,620 --> 00:02:42,140 - Wonderful to meet you. I've heard so much about you. 57 00:02:42,340 --> 00:02:43,660 - Oh. [ Chuckles ] - Anne and I are on 58 00:02:43,860 --> 00:02:45,340 the Arts Committee together. 59 00:02:45,540 --> 00:02:47,580 - This is DS Williams. - You have a beautiful home. 60 00:02:47,780 --> 00:02:51,020 - Thank you. Augustus Craig, the artist, 61 00:02:51,220 --> 00:02:53,380 was my great-great-great grandfather. 62 00:02:53,580 --> 00:02:55,620 So I understand, yes. 63 00:02:55,820 --> 00:02:58,660 - I hear you lending us a constable for the evening. 64 00:02:58,860 --> 00:03:01,220 Seems it really does pay to have friends, 65 00:03:01,420 --> 00:03:03,940 or rather, future son-in-laws, in high places. 66 00:03:04,140 --> 00:03:05,540 - Yes. - It's been a pleasure 67 00:03:05,740 --> 00:03:07,900 - meeting you both. - And you. 68 00:03:08,100 --> 00:03:09,840 [ Chuckles ] 69 00:03:11,440 --> 00:03:14,500 - Kelby, we'll leave you to it, then. 70 00:03:14,700 --> 00:03:16,020 Thanks. Um... 71 00:03:16,220 --> 00:03:18,940 Oh, and, sir, um... 72 00:03:19,140 --> 00:03:22,140 Thank you for trusting me with this. 73 00:03:22,340 --> 00:03:24,220 - Can't think of a better man for the job. 74 00:03:24,420 --> 00:03:29,380 ♪♪ 75 00:03:29,580 --> 00:03:34,820 ♪♪ 76 00:03:35,020 --> 00:03:36,940 [ Protesters shouting ] 77 00:03:37,140 --> 00:03:43,820 ♪♪ 78 00:03:44,020 --> 00:03:46,580 Um, who are they? 79 00:03:46,780 --> 00:03:49,940 - Ah, they call themselves Edith's Army. 80 00:03:50,140 --> 00:03:52,260 - Who's Edith? - According to them, 81 00:03:52,460 --> 00:03:55,380 the person who really painted "The Solo Mare." 82 00:03:55,580 --> 00:03:56,800 Really? 83 00:04:00,240 --> 00:04:02,340 Okay, so that's everyone. 84 00:04:02,540 --> 00:04:05,380 Mr Witham? Uh... 85 00:04:05,580 --> 00:04:07,300 - You'll lock the door behind us, yes? 86 00:04:07,500 --> 00:04:09,040 - Yes, sir. - Good. 87 00:04:14,320 --> 00:04:17,740 No one is to go beyond those ropes 88 00:04:17,940 --> 00:04:19,500 until I return in the morning, yes? 89 00:04:19,700 --> 00:04:21,380 Understood, sir. 90 00:04:21,580 --> 00:04:28,820 ♪♪ 91 00:04:29,020 --> 00:04:36,460 ♪♪ 92 00:04:36,660 --> 00:04:43,900 ♪♪ 93 00:04:44,100 --> 00:04:51,580 ♪♪ 94 00:04:51,780 --> 00:04:54,300 [ Hisses ] 95 00:04:54,500 --> 00:04:55,700 Ahhh. 96 00:04:55,900 --> 00:04:56,780 Ah. 97 00:04:56,980 --> 00:05:02,980 ♪♪ 98 00:05:03,180 --> 00:05:05,260 Take that, Margo. 99 00:05:05,460 --> 00:05:07,000 Yeah. 100 00:05:09,400 --> 00:05:12,260 [ Makes whooshing sounds ] 101 00:05:12,460 --> 00:05:18,780 ♪♪ 102 00:05:18,980 --> 00:05:20,700 [ Suspenseful music plays ] 103 00:05:20,900 --> 00:05:27,020 ♪♪ 104 00:05:27,220 --> 00:05:33,300 ♪♪ 105 00:05:33,500 --> 00:05:35,120 Thanks, Mum. 106 00:05:46,240 --> 00:05:47,980 [ Bang ] 107 00:05:48,180 --> 00:05:49,800 [ Mouth full ] Hello? 108 00:05:52,680 --> 00:05:54,000 Hello? 109 00:05:55,000 --> 00:05:56,320 Hello? 110 00:05:58,520 --> 00:05:59,540 Hello? 111 00:05:59,740 --> 00:06:06,340 ♪♪ 112 00:06:06,540 --> 00:06:07,660 Power's gone out. 113 00:06:07,860 --> 00:06:10,540 [ Clock chiming ] 114 00:06:10,740 --> 00:06:18,660 ♪♪ 115 00:06:18,860 --> 00:06:20,380 Hello? 116 00:06:20,580 --> 00:06:29,340 ♪♪ 117 00:06:29,540 --> 00:06:30,620 Hello? 118 00:06:30,820 --> 00:06:39,460 ♪♪ 119 00:06:39,660 --> 00:06:48,100 ♪♪ 120 00:06:48,300 --> 00:06:56,780 ♪♪ 121 00:06:56,980 --> 00:07:05,540 ♪♪ 122 00:07:05,740 --> 00:07:14,420 ♪♪ 123 00:07:14,620 --> 00:07:23,060 ♪♪ 124 00:07:23,260 --> 00:07:24,900 [ Bang ] 125 00:07:25,100 --> 00:07:29,420 ♪♪ 126 00:07:29,620 --> 00:07:31,860 [ Mid-tempo music plays ] 127 00:07:32,060 --> 00:07:39,220 ♪♪ 128 00:07:39,420 --> 00:07:46,660 ♪♪ 129 00:07:46,860 --> 00:07:49,380 [ Snoring softly ] 130 00:07:49,580 --> 00:07:51,500 [ Knock on door ] 131 00:07:51,700 --> 00:07:53,740 You know me. 132 00:07:53,940 --> 00:07:56,740 [ Mumbles ] 133 00:07:56,940 --> 00:07:58,540 [ Knock on door ] Ah! 134 00:07:58,740 --> 00:08:00,680 DC Hartford? Hello? 135 00:08:04,840 --> 00:08:06,740 Is everything okay? 136 00:08:06,940 --> 00:08:09,620 Uh, yes, Mrs Lloyd. 137 00:08:09,820 --> 00:08:11,700 - Excellent. I wonder, would you stay around 138 00:08:11,900 --> 00:08:13,380 until Lady Louise and Mr Witham come up? 139 00:08:13,580 --> 00:08:15,260 They're just having breakfast downstairs. 140 00:08:15,460 --> 00:08:16,660 Of course. 141 00:08:16,860 --> 00:08:19,020 - Shall I bring you up a bacon sandwich? 142 00:08:19,220 --> 00:08:22,000 - Oh, yes, please. - [ Chuckles ] 143 00:08:23,280 --> 00:08:24,500 [ Shouting indistinctly ] 144 00:08:24,700 --> 00:08:27,980 [ Horn honking ] 145 00:08:28,180 --> 00:08:36,620 ♪♪ 146 00:08:36,820 --> 00:08:45,460 ♪♪ 147 00:08:45,660 --> 00:08:47,780 - Hello. - Hello. 148 00:08:47,980 --> 00:08:49,620 Mwah. Need a hand? 149 00:08:49,820 --> 00:08:51,020 No, it's the last one. 150 00:08:51,220 --> 00:08:54,740 - Mini Yorkshire puddings. Excellent. 151 00:08:54,940 --> 00:08:57,660 I'll save you one. 152 00:08:57,860 --> 00:09:00,260 - Thank you all very much for coming 153 00:09:00,460 --> 00:09:03,940 to help us mark the historic return 154 00:09:04,140 --> 00:09:07,340 of Shipton Abbott's very own "Solo Mare." 155 00:09:07,540 --> 00:09:09,460 As acting chair of the Arts Committee, 156 00:09:09,660 --> 00:09:12,220 I'd like to thank. Lady Louise Fitzallan 157 00:09:12,420 --> 00:09:14,340 for inviting us into her home, 158 00:09:14,540 --> 00:09:17,300 and not to mention agreeing to buy the painting 159 00:09:17,500 --> 00:09:19,020 on behalf of Shipton Abbott. 160 00:09:19,220 --> 00:09:21,920 [ Applause ] 161 00:09:24,880 --> 00:09:27,340 I'd also like to thank Mr Terrence Witham, 162 00:09:27,540 --> 00:09:29,780 the current owner of "Solo Mare," 163 00:09:29,980 --> 00:09:32,180 for agreeing to allow it to return home, 164 00:09:32,380 --> 00:09:34,780 to come back, as it were, to its rightful place, 165 00:09:34,980 --> 00:09:37,580 to the manor house where it was conceived. 166 00:09:37,780 --> 00:09:40,220 After the unveiling, we will all witness 167 00:09:40,420 --> 00:09:43,340 this historic moment live, as it were, 168 00:09:43,540 --> 00:09:46,300 when the deeds of agreement are signed 169 00:09:46,500 --> 00:09:48,140 and the transaction completed. 170 00:09:48,340 --> 00:09:49,940 So without further ado, 171 00:09:50,140 --> 00:09:52,580 I would like to invite the mayor and mayoress to step forward 172 00:09:52,780 --> 00:09:54,900 and reveal to us 173 00:09:55,100 --> 00:09:58,400 what we have all been waiting a very long time to see. 174 00:09:59,960 --> 00:10:01,720 Thank you. 175 00:10:03,560 --> 00:10:07,340 On behalf of everyone in Shipton Abbott, 176 00:10:07,540 --> 00:10:09,040 welcome home. 177 00:10:11,160 --> 00:10:13,540 [ Audience gasping ] 178 00:10:13,740 --> 00:10:20,260 ♪♪ 179 00:10:20,460 --> 00:10:23,140 - I will sue. I'll sue you. I will sue the Arts Committee. 180 00:10:23,340 --> 00:10:25,220 I mean, there was a police officer in this room, 181 00:10:25,420 --> 00:10:26,780 for goodness' sake -- in the room! 182 00:10:26,980 --> 00:10:28,320 - There's nothing we could have done... 183 00:10:30,560 --> 00:10:32,980 - I've checked with Mrs Fitzallan in case anyone could have hidden 184 00:10:33,180 --> 00:10:34,820 in the room before it was locked. 185 00:10:35,020 --> 00:10:37,500 There are no secret compartments or false walls 186 00:10:37,700 --> 00:10:40,220 - anywhere in this room. - This window latch is broken, 187 00:10:40,420 --> 00:10:42,020 which means it could be opened from the outside. 188 00:10:42,220 --> 00:10:44,220 - I saw someone out that window running across the lawn 189 00:10:44,420 --> 00:10:47,820 alone with a, uh -- an orange cap on. 190 00:10:48,020 --> 00:10:50,860 - What time? - Midnight. 191 00:10:51,060 --> 00:10:52,740 - Would you know them if you saw them again? 192 00:10:52,940 --> 00:10:54,580 - I'm not sure, sir. It -- 193 00:10:54,780 --> 00:10:57,980 It was dark and it happened just after the electric went off. 194 00:10:58,180 --> 00:11:00,340 - There was a power cut? - You didn't say anything. 195 00:11:00,540 --> 00:11:02,860 - Well, it came back on again. - But you didn't leave the room? 196 00:11:03,060 --> 00:11:04,300 No. 197 00:11:04,500 --> 00:11:06,740 Well, not really. I -- 198 00:11:06,940 --> 00:11:10,260 I-I opened the door when the power went off. 199 00:11:10,460 --> 00:11:12,020 You opened the door? 200 00:11:12,220 --> 00:11:14,740 - To see if anyone was sorting out the electric. 201 00:11:14,940 --> 00:11:16,600 But you stayed in the room? 202 00:11:20,520 --> 00:11:24,060 - I might of stepped out for a minute. 203 00:11:24,260 --> 00:11:29,380 ♪♪ 204 00:11:29,580 --> 00:11:32,300 - Gallery room needs to remain sealed until forensics get here. 205 00:11:32,500 --> 00:11:34,700 I want a list of everyone who stayed at the house last night. 206 00:11:34,900 --> 00:11:36,620 - Can someone tell me what's going on? 207 00:11:36,820 --> 00:11:38,820 - We'll bring you up to speed as soon as we know more, sir. 208 00:11:39,020 --> 00:11:40,980 - I heard they came in through the window, 209 00:11:41,180 --> 00:11:43,700 in which case, how the hell did they get past him, hmm? 210 00:11:43,900 --> 00:11:45,440 Unless he left the room. 211 00:11:48,840 --> 00:11:50,700 You did, didn't you? 212 00:11:50,900 --> 00:11:52,300 Sir, that's enough. 213 00:11:52,500 --> 00:11:54,420 Please go back inside and let us do our job. 214 00:11:54,620 --> 00:11:56,860 - Ha! You haven't exactly covered yourself in glory so far, 215 00:11:57,060 --> 00:11:59,340 have you? I want answers. 216 00:11:59,540 --> 00:12:02,820 - Then I suggest you leave us alone to find some. 217 00:12:03,020 --> 00:12:04,720 Bloody amateurs. 218 00:12:07,000 --> 00:12:08,900 This is all my fault. 219 00:12:09,100 --> 00:12:11,300 - Hey. I think you better see this. 220 00:12:11,500 --> 00:12:13,240 No. 221 00:12:16,960 --> 00:12:18,420 Just under the gallery room. 222 00:12:18,620 --> 00:12:21,380 - Must have been the guy who Kelby saw running away. 223 00:12:21,580 --> 00:12:23,140 - Yeah, but if he was here to steal the painting, 224 00:12:23,340 --> 00:12:25,780 why risk getting caught to stop and do graffiti? 225 00:12:25,980 --> 00:12:27,420 Well, let's get it all taped off 226 00:12:27,620 --> 00:12:29,460 and have forensics check it while they're here. 227 00:12:29,660 --> 00:12:32,380 - We waited all this time, and it was here one night. 228 00:12:32,580 --> 00:12:34,180 We'll get it back, Margo. 229 00:12:34,380 --> 00:12:36,180 You better go and open the station. 230 00:12:36,380 --> 00:12:38,820 Yeah. 231 00:12:39,020 --> 00:12:41,460 What shall I do? 232 00:12:41,660 --> 00:12:43,460 Maybe you go, too. 233 00:12:43,660 --> 00:12:50,140 ♪♪ 234 00:12:50,340 --> 00:12:52,340 If Kelby's right about only being on the landing 235 00:12:52,540 --> 00:12:53,980 a couple of minutes, that's not long enough 236 00:12:54,180 --> 00:12:55,220 to break in, get into the room, 237 00:12:55,420 --> 00:12:56,700 take the painting from the frame, 238 00:12:56,900 --> 00:12:58,420 and get back out again. 239 00:12:58,620 --> 00:12:59,780 He must have been out of the room longer. 240 00:12:59,980 --> 00:13:02,620 - Yes. Agreed. - How's it going? 241 00:13:02,820 --> 00:13:04,340 - I'm a bit flummoxed, to be honest. 242 00:13:04,540 --> 00:13:06,380 - Mum's distraught. - It's not her fault. 243 00:13:06,580 --> 00:13:10,700 - That's not how she sees it. She organised everything. 244 00:13:10,900 --> 00:13:12,860 You'll get it back for her, won't you? 245 00:13:13,060 --> 00:13:15,020 [ Camera shutter clicking ] 246 00:13:15,220 --> 00:13:22,820 ♪♪ 247 00:13:23,020 --> 00:13:24,540 It's gonna be all right. 248 00:13:24,740 --> 00:13:27,900 Okay. Bye. 249 00:13:28,100 --> 00:13:31,220 That was Dot Trolman. Lost 25 sheep. 250 00:13:31,420 --> 00:13:33,540 - Got out of a bottom field. - I'll head down there. 251 00:13:33,740 --> 00:13:36,620 - Oh, Margo, um, anything back from the scene yet? 252 00:13:36,820 --> 00:13:39,300 - Forensics have just arrived. - Right. 253 00:13:39,500 --> 00:13:41,860 Okay, well, while we're waiting for them, 254 00:13:42,060 --> 00:13:43,500 let's start building a picture. 255 00:13:43,700 --> 00:13:45,340 Background checks on these to start with, please. 256 00:13:45,540 --> 00:13:46,440 Thank you. 257 00:13:48,080 --> 00:13:50,220 - [ Snorts ] Missing a few, aren't we? 258 00:13:50,420 --> 00:13:52,100 Uh, who? 259 00:13:52,300 --> 00:13:54,980 - Any of the Arts Committee who organised everything. 260 00:13:55,180 --> 00:13:56,700 Caterers. 261 00:13:56,900 --> 00:13:58,540 - You want me to investigate my future mother-in-law 262 00:13:58,740 --> 00:14:00,860 and my fiancée? 263 00:14:01,060 --> 00:14:03,820 - Depends if you want to be thorough or not. 264 00:14:04,020 --> 00:14:06,600 - Just those people on the list. Thank you, Margo. 265 00:14:14,280 --> 00:14:16,780 Kelby. 266 00:14:16,980 --> 00:14:20,220 You mustn't blame yourself, you know. 267 00:14:20,420 --> 00:14:22,700 I was the one guarding it. 268 00:14:22,900 --> 00:14:24,700 Um... 269 00:14:24,900 --> 00:14:27,500 Well, then, we -- we find out what happened, 270 00:14:27,700 --> 00:14:30,540 we arrest whoever's responsible, and we get the painting back. 271 00:14:30,740 --> 00:14:33,580 And we do that as a team. We do it together. Okay? 272 00:14:33,780 --> 00:14:36,360 - Yes, sir. - Well. 273 00:14:39,480 --> 00:14:41,060 Okay. 274 00:14:41,260 --> 00:14:44,300 So let's assume that whoever stole "The Solo Mare" 275 00:14:44,500 --> 00:14:46,100 now intends to sell it. 276 00:14:46,300 --> 00:14:48,540 So let's think about how they would go about that. 277 00:14:48,740 --> 00:14:50,220 - Well, they can't just stick it on eBay. 278 00:14:50,420 --> 00:14:52,940 - Exactly. So what does that tell us? 279 00:14:53,140 --> 00:14:54,540 Is this someone in the know? 280 00:14:54,740 --> 00:14:57,820 - Any of the Arts Committee? - Thank you, Margo. 281 00:14:58,020 --> 00:15:00,860 And if the power being cut was there as a diversion, 282 00:15:01,060 --> 00:15:02,340 then where is the master fuse board? 283 00:15:02,540 --> 00:15:03,900 And who had access to that? 284 00:15:04,100 --> 00:15:05,820 And our protesters -- 285 00:15:06,020 --> 00:15:08,940 surely they had the biggest motive of all, did they not, 286 00:15:09,140 --> 00:15:10,540 if they believe that "The Solo Mare" 287 00:15:10,740 --> 00:15:12,300 doesn't belong to the current owner, 288 00:15:12,500 --> 00:15:14,500 or that it shouldn't be displayed at Shipton Manor. 289 00:15:14,700 --> 00:15:15,820 So who are they? 290 00:15:16,020 --> 00:15:17,220 Can they account for their whereabouts? 291 00:15:17,420 --> 00:15:18,620 And is Kelby's mystery man 292 00:15:18,820 --> 00:15:21,380 in the orange baseball cap one of them? 293 00:15:21,580 --> 00:15:30,540 ♪♪ 294 00:15:30,740 --> 00:15:32,300 Did you know about this feud over the painting? 295 00:15:32,500 --> 00:15:34,380 Most of Shipton does. 296 00:15:34,580 --> 00:15:37,740 Augustus Craig had a young stable girl called Edith Jay 297 00:15:37,940 --> 00:15:39,260 who worked on the estate, 298 00:15:39,460 --> 00:15:42,300 but then went on to be an artist in her own right. 299 00:15:42,500 --> 00:15:46,260 The claim is that she was Craig's secret protégé. 300 00:15:46,460 --> 00:15:49,500 Not only that, but because of the subject, 301 00:15:49,700 --> 00:15:52,660 some believe she's the one that painted "The Solo Mare." 302 00:15:52,860 --> 00:15:56,100 - Now, yes, but wasn't it signed by Augustus Craig? 303 00:15:56,300 --> 00:15:59,180 - Yeah, but they still believe she painted it. 304 00:15:59,380 --> 00:16:04,020 Both families have argued about the provenance for generations. 305 00:16:04,220 --> 00:16:05,120 Right. 306 00:16:08,520 --> 00:16:10,060 Isla Jay? 307 00:16:10,260 --> 00:16:11,660 [ Scoffs ] 308 00:16:11,860 --> 00:16:13,780 Surprise, surprise. 309 00:16:13,980 --> 00:16:20,840 ♪♪ 310 00:16:28,040 --> 00:16:31,020 - Looks like you're expecting another painting, Isla. 311 00:16:31,220 --> 00:16:32,820 Very funny. 312 00:16:33,020 --> 00:16:35,420 - You do claim that, uh, "The Solo Mare" was painted 313 00:16:35,620 --> 00:16:36,700 by one of your ancestors. 314 00:16:36,900 --> 00:16:40,300 I don't claim anything. 315 00:16:40,500 --> 00:16:41,980 I know it was. 316 00:16:42,180 --> 00:16:45,500 By Edith Jay, the stable girl? 317 00:16:45,700 --> 00:16:49,900 - My great-great-great grandmother. 318 00:16:50,100 --> 00:16:53,500 - Yes, but, now, Mr Witham is an expert. He -- 319 00:16:53,700 --> 00:16:56,780 He seems clear that it was painted by Augustus Craig. 320 00:16:56,980 --> 00:17:00,340 - It's in his interest for it to be painted by Craig. 321 00:17:00,540 --> 00:17:02,880 More money for him if it is. 322 00:17:05,800 --> 00:17:08,500 So, you gonna ask me? 323 00:17:08,700 --> 00:17:10,500 - Ask you what? - If I nicked it. 324 00:17:10,700 --> 00:17:12,120 - Did you? - No. 325 00:17:15,600 --> 00:17:17,540 But I would have done if I could. 326 00:17:17,740 --> 00:17:23,060 ♪♪ 327 00:17:23,260 --> 00:17:25,620 - Uh, there are others who feel as passionately 328 00:17:25,820 --> 00:17:27,260 about Edith as you. 329 00:17:27,460 --> 00:17:31,020 Do you think any of them could be responsible? 330 00:17:31,220 --> 00:17:33,420 - How would I know? Better ask them. 331 00:17:33,620 --> 00:17:36,340 - Yeah, one of them wears an orange baseball cap, I believe. 332 00:17:36,540 --> 00:17:39,380 What was his name again? 333 00:17:39,580 --> 00:17:41,720 - No idea who you're talking about. 334 00:17:43,880 --> 00:17:45,620 And blame who you like. 335 00:17:45,820 --> 00:17:49,160 All I know is I can't steal something that's already mine. 336 00:17:50,920 --> 00:17:52,740 And I can prove it. 337 00:17:52,940 --> 00:17:58,860 ♪♪ 338 00:17:59,060 --> 00:18:05,220 ♪♪ 339 00:18:05,420 --> 00:18:08,080 Found in Gran's things when she passed. 340 00:18:10,160 --> 00:18:12,060 It belonged to Edith Jay. 341 00:18:12,260 --> 00:18:19,860 ♪♪ 342 00:18:20,060 --> 00:18:27,860 ♪♪ 343 00:18:28,060 --> 00:18:30,220 A sketch of "The Solo Mare." 344 00:18:30,420 --> 00:18:32,420 - Or a plan of how she wanted to paint it. 345 00:18:32,620 --> 00:18:39,700 ♪♪ 346 00:18:39,900 --> 00:18:43,420 - I'll never live it down. - Stop worrying. 347 00:18:43,620 --> 00:18:47,820 If anyone can figure out what's happened, it's Humphrey. 348 00:18:48,020 --> 00:18:50,700 - I can only imagine what your dad would say. 349 00:18:50,900 --> 00:18:53,300 When he was chair, all he ever talked about 350 00:18:53,500 --> 00:18:56,780 was bringing "The Solo Mare" home. 351 00:18:56,980 --> 00:18:58,740 - Hello. - Oh. 352 00:18:58,940 --> 00:19:01,580 Humphrey, please tell me you found it. 353 00:19:01,780 --> 00:19:03,660 Oh, well, not quite. 354 00:19:03,860 --> 00:19:05,460 But we're making excellent progress. 355 00:19:05,660 --> 00:19:07,060 - Really? - Yes. 356 00:19:07,260 --> 00:19:09,460 See, Mum? Told you. 357 00:19:09,660 --> 00:19:13,020 - Anne, so where do you stand on the whole 358 00:19:13,220 --> 00:19:14,860 Edith Jay/Augustus Craig debate? 359 00:19:15,060 --> 00:19:17,860 - Oh, the families have been arguing about it for years. 360 00:19:18,060 --> 00:19:20,220 It was signed by Craig, but -- 361 00:19:20,420 --> 00:19:22,900 but Martha's father had a great deal of sympathy 362 00:19:23,100 --> 00:19:25,500 for the Jay family. He supported looking into it 363 00:19:25,700 --> 00:19:28,740 if "The Solo Mare" was ever found. 364 00:19:28,940 --> 00:19:31,540 But we lost him before that happened. 365 00:19:31,740 --> 00:19:32,980 Rosé, as requested. 366 00:19:33,180 --> 00:19:35,860 Oh, thank you. 367 00:19:36,060 --> 00:19:37,260 - Humphrey. - Hi. 368 00:19:37,460 --> 00:19:40,060 - Anne, oh, I heard about the painting. 369 00:19:40,260 --> 00:19:41,900 Must have been quite a blow, I imagine. 370 00:19:42,100 --> 00:19:43,460 You've no idea. 371 00:19:43,660 --> 00:19:44,860 - Is there anything I can do to help? 372 00:19:45,060 --> 00:19:46,100 - Not unless you know who stole it. 373 00:19:46,300 --> 00:19:48,140 Afraid not. 374 00:19:48,340 --> 00:19:50,020 - Well, I better get back. - Oh, Marty, 375 00:19:50,220 --> 00:19:52,700 did you mention to Humph what we were talking about? 376 00:19:52,900 --> 00:19:55,580 Oh, no. Sorry. 377 00:19:55,780 --> 00:19:57,140 - Oh, don't worry. Nothing too deep. 378 00:19:57,340 --> 00:19:58,660 Just thought it might be nice for you and I 379 00:19:58,860 --> 00:20:01,020 to grab a beer sometime. 380 00:20:01,220 --> 00:20:03,500 - Beer? - Get to know each other. 381 00:20:03,700 --> 00:20:05,860 After all, I am in partnership with your fiancée. 382 00:20:06,060 --> 00:20:08,940 I'm sure Humphrey's very busy. 383 00:20:09,140 --> 00:20:10,380 Nonsense. 384 00:20:10,580 --> 00:20:12,620 - Great. What about later? After work? 385 00:20:12,820 --> 00:20:13,900 Uh, Kitty Jay's. 386 00:20:14,100 --> 00:20:16,220 Couple of pints, bag of crisps, 387 00:20:16,420 --> 00:20:18,020 and we can exchange some war stories. 388 00:20:18,220 --> 00:20:20,740 - Oh, why not? - Good man. 389 00:20:20,940 --> 00:20:22,760 - Oh, at 6:30? - I look forward to it. 390 00:20:25,600 --> 00:20:27,640 Right. 391 00:20:29,840 --> 00:20:30,860 Back on the case. 392 00:20:31,060 --> 00:20:39,020 ♪♪ 393 00:20:39,220 --> 00:20:41,000 [ Mobile phone buzzes ] 394 00:20:43,600 --> 00:20:45,220 Esther, hello. 395 00:20:45,420 --> 00:20:46,940 - There were nine protesters outside the gates. 396 00:20:47,140 --> 00:20:48,860 I'm working my way through them. 397 00:20:49,060 --> 00:20:51,340 Oh, and it seems the only people staying at the house last night 398 00:20:51,540 --> 00:20:53,700 were Louise Fitzallan and Terrence Witham. 399 00:20:53,900 --> 00:20:55,500 Mr Fitzallan is away on business, 400 00:20:55,700 --> 00:20:57,540 and there are no live-in staff. 401 00:20:57,740 --> 00:20:59,620 - Okay. Very good. Thank you. See you back at the station. 402 00:20:59,820 --> 00:21:01,760 Okay, see you soon. 403 00:21:06,640 --> 00:21:08,700 - Well, of course I'm aware of the controversy 404 00:21:08,900 --> 00:21:10,500 surrounding the painting. 405 00:21:10,700 --> 00:21:13,580 My father and Howard Jay almost came to blows over it. 406 00:21:13,780 --> 00:21:14,780 Can you imagine? 407 00:21:14,980 --> 00:21:16,420 And Howard Jay is...? 408 00:21:16,620 --> 00:21:19,460 - Isla Jay's father. - I see. 409 00:21:19,660 --> 00:21:21,940 - She and I have had the occasional interaction, 410 00:21:22,140 --> 00:21:25,460 - but nothing quite so heated. - What kind of interaction? 411 00:21:25,660 --> 00:21:28,580 - Well, it usually consists of her shouting at me in public 412 00:21:28,780 --> 00:21:29,860 and me smiling politely. 413 00:21:30,060 --> 00:21:32,100 It's all rather vulgar. 414 00:21:32,300 --> 00:21:35,060 - So when you went to your room last night, 415 00:21:35,260 --> 00:21:37,220 you didn't see or hear anything until this morning? 416 00:21:37,420 --> 00:21:40,420 - Nothing. - PC Hartford said he might have 417 00:21:40,620 --> 00:21:44,460 seen someone in the grounds last night about midnight 418 00:21:44,660 --> 00:21:47,140 wearing an orange baseball cap. 419 00:21:47,340 --> 00:21:49,500 You have any idea who that might have been? 420 00:21:49,700 --> 00:21:53,300 - Um, no. Staff go home at 6:00, so if there was anyone 421 00:21:53,500 --> 00:21:56,260 in the garden after that, they were trespassing. 422 00:21:56,460 --> 00:21:57,780 Ah. 423 00:21:57,980 --> 00:22:05,900 ♪♪ 424 00:22:06,100 --> 00:22:09,700 Can I ask if you saw or heard anything last night? 425 00:22:09,900 --> 00:22:11,420 Like what? 426 00:22:11,620 --> 00:22:14,700 - Were you aware there was a power cut, for example? 427 00:22:14,900 --> 00:22:15,780 - Around midnight? - No. 428 00:22:15,980 --> 00:22:18,020 - You were asleep? - Yes. 429 00:22:18,220 --> 00:22:20,060 Listen, since you're here, maybe I can get back 430 00:22:20,260 --> 00:22:21,940 into the gallery room. 431 00:22:22,140 --> 00:22:24,620 Need to collect my things before I go -- the display stand. 432 00:22:24,820 --> 00:22:26,780 The frame itself is actually quite valuable. 433 00:22:26,980 --> 00:22:29,140 - You'll just need to bear with us a while longer. 434 00:22:29,340 --> 00:22:31,540 We need to keep the room sealed. 435 00:22:31,740 --> 00:22:34,100 Perhaps if you came back tomorrow. 436 00:22:34,300 --> 00:22:36,340 Don't suppose I have a choice. 437 00:22:36,540 --> 00:22:40,060 We'll be as quick as we can. 438 00:22:40,260 --> 00:22:43,060 Can I ask -- 439 00:22:43,260 --> 00:22:44,940 Were you aware of the controversy 440 00:22:45,140 --> 00:22:46,380 surrounding "The Solo Mare"? 441 00:22:46,580 --> 00:22:48,580 [ Chuckles ] Of course. 442 00:22:48,780 --> 00:22:51,700 The Jay family are talking absolute nonsense. 443 00:22:51,900 --> 00:22:53,740 - And you feel that "The Solo Mare" is 444 00:22:53,940 --> 00:22:56,020 in keeping with other works produced by Augustus Craig? 445 00:22:56,220 --> 00:22:58,420 Without a shadow of a doubt. 446 00:22:58,620 --> 00:23:02,420 It has his signature on it. 447 00:23:02,620 --> 00:23:03,940 So if someone wanted to sell 448 00:23:04,140 --> 00:23:06,620 a stolen painting of this quality, 449 00:23:06,820 --> 00:23:08,640 how do they go about it? 450 00:23:11,480 --> 00:23:14,460 - Painting of this importance, Inspector, 451 00:23:14,660 --> 00:23:17,540 is almost always stolen to order. 452 00:23:17,740 --> 00:23:20,100 - So they would have a buyer already in place. 453 00:23:20,300 --> 00:23:22,500 - Oh, I can think of a dozen private collectors 454 00:23:22,700 --> 00:23:24,420 who'd pay good money for it. 455 00:23:24,620 --> 00:23:28,440 - What was the price agreed between you and Mrs Fitzallan? 456 00:23:30,400 --> 00:23:32,220 500,000. 457 00:23:32,420 --> 00:23:35,100 Gosh. 458 00:23:35,300 --> 00:23:37,900 So a buyer would pay that? 459 00:23:38,100 --> 00:23:40,060 Even if they knew it was stolen? 460 00:23:40,260 --> 00:23:42,820 Oh, maybe more. 461 00:23:43,020 --> 00:23:46,100 Art, Inspector, is enhanced 462 00:23:46,300 --> 00:23:49,420 by the tales that surround it. 463 00:23:49,620 --> 00:23:52,180 And a painting that was stolen from under the nose 464 00:23:52,380 --> 00:23:57,380 of a police officer while he was in the room -- 465 00:23:57,580 --> 00:24:00,460 well, that is quite a story to recount over dinner, isn't it? 466 00:24:00,660 --> 00:24:02,660 Hmm? 467 00:24:02,860 --> 00:24:10,180 ♪♪ 468 00:24:10,380 --> 00:24:17,700 ♪♪ 469 00:24:17,900 --> 00:24:20,060 - You've been to see Dot Trolman yet? 470 00:24:20,260 --> 00:24:23,780 - No, I haven't got time to go looking for missing sheep. 471 00:24:23,980 --> 00:24:27,220 I need to find this bloke I saw last night. 472 00:24:27,420 --> 00:24:31,180 Do you know how many mug shots were in the county database? 473 00:24:31,380 --> 00:24:33,500 Surprise me. 474 00:24:33,700 --> 00:24:37,940 219,411. 475 00:24:38,140 --> 00:24:39,340 And how many of you looked at? 476 00:24:39,540 --> 00:24:41,860 209. 477 00:24:42,060 --> 00:24:43,020 - And how many of them are wearing 478 00:24:43,220 --> 00:24:45,380 an orange baseball cap? 479 00:24:45,580 --> 00:24:47,380 None. 480 00:24:47,580 --> 00:24:49,020 Chin up. 481 00:24:49,220 --> 00:24:53,200 Only another 219,202 to go. 482 00:24:55,160 --> 00:24:56,760 Thanks. 483 00:24:59,000 --> 00:25:00,940 Nothing on any of the protesters, sir. 484 00:25:01,140 --> 00:25:02,900 All either in bed or can prove they were 485 00:25:03,100 --> 00:25:06,100 - nowhere near the manor. - Yes, I suspected as much. 486 00:25:06,300 --> 00:25:08,620 Margo, are forensics at Shipton Manor? 487 00:25:08,820 --> 00:25:11,380 - Good news or bad news? - Oh, good. 488 00:25:11,580 --> 00:25:12,660 - They got prints from the window. 489 00:25:12,860 --> 00:25:15,300 Great. And the bad? 490 00:25:15,500 --> 00:25:17,540 - There were around 30 people in the room, 491 00:25:17,740 --> 00:25:19,900 so they'll need to do exclusion prints on all of them. 492 00:25:20,100 --> 00:25:22,260 I also checked with the power company. 493 00:25:22,460 --> 00:25:24,820 There were no disruptions in the power supply last night. 494 00:25:25,020 --> 00:25:27,620 Yes, all very unhelpful. 495 00:25:27,820 --> 00:25:29,160 You're welcome. 496 00:25:32,560 --> 00:25:35,500 Oh, wait. 497 00:25:35,700 --> 00:25:38,540 - I have got some good news. - Yes? 498 00:25:38,740 --> 00:25:40,580 - The chief superintendent's been on, 499 00:25:40,780 --> 00:25:44,580 wants you at the hub, 9:00 tomorrow morning. 500 00:25:44,780 --> 00:25:46,780 How is that good news? 501 00:25:46,980 --> 00:25:50,140 - You can get croissants and coffee on your way back. 502 00:25:50,340 --> 00:25:51,780 Yes. [ Chuckles ] 503 00:25:51,980 --> 00:25:53,300 Right, um, come on. Come on, everyone. 504 00:25:53,500 --> 00:25:56,340 What are we missing? Gate cameras? 505 00:25:56,540 --> 00:25:59,300 - Nothing. And the manor house has a three-mile perimeter. 506 00:25:59,500 --> 00:26:01,140 There's lots of places they could have got in. 507 00:26:01,340 --> 00:26:02,740 - Okay, what about this power cut? 508 00:26:02,940 --> 00:26:04,260 If it wasn't the grid, 509 00:26:04,460 --> 00:26:06,820 then it must have been cut off in the house. 510 00:26:07,020 --> 00:26:08,740 - And only Terrence Witham and Louise Fitzallan 511 00:26:08,940 --> 00:26:10,580 were inside the house. 512 00:26:10,780 --> 00:26:12,100 Background checks? 513 00:26:12,300 --> 00:26:13,500 Did Miss Fitzallan first, 514 00:26:13,700 --> 00:26:15,820 thought that'd be the most interesting. 515 00:26:16,020 --> 00:26:19,740 Turns out the Fitzallans aren't as loaded as I thought. 516 00:26:19,940 --> 00:26:21,340 The husband inherited the house, 517 00:26:21,540 --> 00:26:23,140 but they struggled to afford the running costs. 518 00:26:23,340 --> 00:26:25,940 - They can afford half a million pounds for a painting, though. 519 00:26:26,140 --> 00:26:28,660 - What about our art dealer, Terrence Witham? 520 00:26:28,860 --> 00:26:30,380 - Well-known for his niche taste, 521 00:26:30,580 --> 00:26:32,100 beginning his career specialising in works 522 00:26:32,300 --> 00:26:34,420 depicting alternative lifestyles, 523 00:26:34,620 --> 00:26:38,620 escapologists, circus performers, and the like, 524 00:26:38,820 --> 00:26:40,420 discovered "The Solo Mare" 525 00:26:40,620 --> 00:26:44,140 in a small-town auction in January 2022. 526 00:26:44,340 --> 00:26:48,780 Lists his heroes as Banksy, Mozart, and the Dalai Lama. 527 00:26:48,980 --> 00:26:50,540 Yes, an eclectic mix. 528 00:26:50,740 --> 00:26:53,020 But, again, as he already owned the painting, 529 00:26:53,220 --> 00:26:55,540 what possible motive could he have to steal it? 530 00:26:55,740 --> 00:26:57,060 - So we're back to our man in the baseball cap. 531 00:26:57,260 --> 00:26:59,380 - Yes, yes, he definitely feels like 532 00:26:59,580 --> 00:27:03,900 he is the key to unlock everything. 533 00:27:04,100 --> 00:27:06,080 We need to find him. 534 00:27:08,200 --> 00:27:10,300 You were seen. 535 00:27:10,500 --> 00:27:14,540 Doesn't matter by who. Just don't do anything else. 536 00:27:14,740 --> 00:27:15,780 The police have been here all afternoon. 537 00:27:15,980 --> 00:27:18,260 Just wait. 538 00:27:18,460 --> 00:27:21,260 No, we had an agreement. 539 00:27:21,460 --> 00:27:29,980 ♪♪ 540 00:27:30,180 --> 00:27:31,700 - So football -- I'm a Chelsea man. 541 00:27:31,900 --> 00:27:33,140 - What about you? - I don't really follow football. 542 00:27:33,340 --> 00:27:35,300 - Sorry. - Rugby? 543 00:27:35,500 --> 00:27:37,760 - Gosh, I'm not sure I know the rules, to be honest. 544 00:27:43,960 --> 00:27:45,700 - So you and Martha -- 545 00:27:45,900 --> 00:27:48,460 the Caribbean, right? 546 00:27:48,660 --> 00:27:51,420 - Uh, yes. Well, I was stationed there. 547 00:27:51,620 --> 00:27:53,260 She was travelling. 548 00:27:53,460 --> 00:27:56,020 We had met briefly a year or so before in London. 549 00:27:56,220 --> 00:27:58,060 A happy coincidence. 550 00:27:58,260 --> 00:28:01,860 - I still wake up every morning and... 551 00:28:02,060 --> 00:28:03,460 well, wonder what she sees me, really. 552 00:28:03,660 --> 00:28:05,780 [ Chuckles ] 553 00:28:05,980 --> 00:28:07,740 Okay. 554 00:28:07,940 --> 00:28:09,900 - I guess it's just one of life's mysteries. 555 00:28:10,100 --> 00:28:12,140 Best not to think about it too much 556 00:28:12,340 --> 00:28:14,180 in case I jinx it. 557 00:28:14,380 --> 00:28:15,620 [ Chuckles ] 558 00:28:15,820 --> 00:28:17,980 - We could always ask her. - Oh, I do. 559 00:28:18,180 --> 00:28:20,500 She says we're the perfect fit. 560 00:28:20,700 --> 00:28:22,720 You know, like yin and yang. 561 00:28:24,760 --> 00:28:27,820 I don't know which is which. 562 00:28:28,020 --> 00:28:29,880 I think I may be yang. 563 00:28:34,720 --> 00:28:38,060 - Perversely, I used to think we were perfect together. 564 00:28:38,260 --> 00:28:40,300 Turns out she didn't feel the same way. 565 00:28:40,500 --> 00:28:42,060 Lucky for me. 566 00:28:42,260 --> 00:28:45,520 - Sorry. - Don't be. It's true. 567 00:28:49,360 --> 00:28:51,300 So I need to ask -- 568 00:28:51,500 --> 00:28:54,260 does it bother you, us working together 569 00:28:54,460 --> 00:28:56,060 Should it? 570 00:28:56,260 --> 00:28:58,180 Of course not. 571 00:28:58,380 --> 00:29:07,980 ♪♪ 572 00:29:08,180 --> 00:29:17,740 ♪♪ 573 00:29:17,940 --> 00:29:18,820 [ Banging ] 574 00:29:19,020 --> 00:29:21,260 [ Gasps ] 575 00:29:21,460 --> 00:29:23,580 - Ha! - Hi. 576 00:29:23,780 --> 00:29:26,980 - [ Chuckles ] How did it go? - It was brilliant. 577 00:29:27,180 --> 00:29:29,820 Yeah, turns out we have loads in common. 578 00:29:30,020 --> 00:29:32,820 - You have nothing in common. - That's not true, actually. 579 00:29:33,020 --> 00:29:36,140 We narrowed it down to [chuckles] you 580 00:29:36,340 --> 00:29:38,700 and cheese-and-onion crisps. 581 00:29:38,900 --> 00:29:40,420 Was a disaster? 582 00:29:40,620 --> 00:29:43,720 - [ Sighs ] Not a disaster, no, but, uh... 583 00:29:47,680 --> 00:29:50,180 I'm not sure on what you saw in either of us, to be honest. 584 00:29:50,380 --> 00:29:52,380 What should we do for dinner? 585 00:29:52,580 --> 00:29:54,860 - Oh, Mum's still upset about the missing painting, 586 00:29:55,060 --> 00:29:57,660 so I said we'd eat with her, if that's okay. 587 00:29:57,860 --> 00:29:59,560 Yeah, of course. 588 00:30:02,640 --> 00:30:04,120 [ Sighs ] 589 00:30:07,600 --> 00:30:11,300 Archie asked me if we're planning to start a family. 590 00:30:11,500 --> 00:30:13,740 I didn't know what to tell him. 591 00:30:13,940 --> 00:30:16,860 So what did you say? 592 00:30:17,060 --> 00:30:19,580 - Told him we were thinking about it. 593 00:30:19,780 --> 00:30:22,380 And we are. 594 00:30:22,580 --> 00:30:24,320 Are we? 595 00:30:26,240 --> 00:30:27,380 Come on. 596 00:30:27,580 --> 00:30:28,460 Mum's waiting. 597 00:30:28,660 --> 00:30:30,400 Okay. 598 00:30:35,400 --> 00:30:37,220 I knew you'd still be in here. 599 00:30:37,420 --> 00:30:39,000 I need to find him. 600 00:30:41,840 --> 00:30:44,120 - Home. - Just give me 10 more minutes. 601 00:30:46,200 --> 00:30:48,540 - Now. - Okay. 602 00:30:48,740 --> 00:30:51,020 - I've got a fancy-dress party at Jamie Alvin's, 603 00:30:51,220 --> 00:30:52,980 and I'm late as it is. 604 00:30:53,180 --> 00:30:55,780 Who you going as? 605 00:30:55,980 --> 00:30:58,420 Kenny Everett. 606 00:30:58,620 --> 00:31:00,860 - Who's that? - Ugh. 607 00:31:01,060 --> 00:31:02,540 Before your time. 608 00:31:02,740 --> 00:31:04,260 Come on. 609 00:31:04,460 --> 00:31:07,540 Find Mr Baseball Cap tomorrow. 610 00:31:07,740 --> 00:31:09,460 - Okay. - [ Chuckles ] 611 00:31:09,660 --> 00:31:18,380 ♪♪ 612 00:31:18,580 --> 00:31:21,500 - Uh, yes, so he was a Caucasian male, 613 00:31:21,700 --> 00:31:23,260 um... 614 00:31:23,460 --> 00:31:26,380 height-wise, he was up around here, 615 00:31:26,580 --> 00:31:27,900 my height, uh, 616 00:31:28,100 --> 00:31:29,860 and was wearing a baseball cap. 617 00:31:30,060 --> 00:31:31,160 Have you seen him? 618 00:31:33,480 --> 00:31:35,700 Hi, there. Uh... 619 00:31:35,900 --> 00:31:37,620 Baseball cap. Orange. 620 00:31:37,820 --> 00:31:39,860 Um, about this height. 621 00:31:40,060 --> 00:31:40,900 About this height. 622 00:31:41,100 --> 00:31:42,500 He had an orange cap on. 623 00:31:42,700 --> 00:31:45,020 ♪♪ 624 00:31:45,220 --> 00:31:46,660 All right. Thank you. 625 00:31:46,860 --> 00:31:56,060 ♪♪ 626 00:31:56,260 --> 00:32:05,580 ♪♪ 627 00:32:05,780 --> 00:32:07,160 Excuse me. 628 00:32:11,440 --> 00:32:13,900 - Oh! - Oh! So sorry! 629 00:32:14,100 --> 00:32:16,800 Um, sorry. 630 00:32:19,400 --> 00:32:21,700 - Oh, gosh, not again. - Okay. 631 00:32:21,900 --> 00:32:25,060 Oh, sorry. I think I'm just a bit nervous. 632 00:32:25,260 --> 00:32:28,340 I'm meant to meet my new chief superintendent. 633 00:32:28,540 --> 00:32:30,380 Does nothing but moan about how much money 634 00:32:30,580 --> 00:32:32,660 Shipton Abbott is spending. 635 00:32:32,860 --> 00:32:35,020 - Oh, you're from one of old station houses? 636 00:32:35,220 --> 00:32:37,420 - Yes, well, old but perfectly formed. 637 00:32:37,620 --> 00:32:40,060 - Or pretty but not very efficient. 638 00:32:40,260 --> 00:32:42,900 - I think we're efficient enough. - Oh, I don't doubt it as people. 639 00:32:43,100 --> 00:32:44,980 But we've moved on, haven't we? 640 00:32:45,180 --> 00:32:46,980 From a system of individual outposts 641 00:32:47,180 --> 00:32:49,740 towards a more modern and joined-up approach. 642 00:32:49,940 --> 00:32:52,020 With shared information and technology. 643 00:32:52,220 --> 00:32:54,500 Facial recognition systems. Biometric. 644 00:32:54,700 --> 00:32:57,140 - I just prefer good, old-fashioned policing. 645 00:32:57,340 --> 00:33:00,420 - Running around with whistles? - Well... [ Laughs ] 646 00:33:00,620 --> 00:33:03,340 Well, with respect, um, that's your interpretation. 647 00:33:03,540 --> 00:33:05,060 And as an inspector sitting behind a desk -- 648 00:33:05,260 --> 00:33:07,620 - Except I'm not an inspector. - You have two pips. 649 00:33:07,820 --> 00:33:09,820 Pip and a crown. 650 00:33:10,020 --> 00:33:11,420 Oh, gosh. Sorry. 651 00:33:11,620 --> 00:33:14,140 That -- That makes you a... 652 00:33:14,340 --> 00:33:16,900 chief superintendent. 653 00:33:17,100 --> 00:33:18,780 Shall we go to my office? 654 00:33:18,980 --> 00:33:22,060 [ Walk the Moon's "Jenny" plays ] 655 00:33:22,260 --> 00:33:24,140 - ♪ You got curves like the ocean 656 00:33:24,340 --> 00:33:25,780 ♪ Gonna take it in slow motion ♪ 657 00:33:25,980 --> 00:33:28,460 ♪ Got emotions that'll make it last ♪ 658 00:33:28,660 --> 00:33:30,380 ♪ You got freckles on your shoulder ♪ 659 00:33:30,580 --> 00:33:32,300 ♪ Ammunition like a soldier ♪ 660 00:33:32,500 --> 00:33:35,100 ♪ And visions, ambitions to be the best ♪ 661 00:33:35,300 --> 00:33:37,060 ♪ Oh, and Jenny, why don't we ♪ 662 00:33:37,260 --> 00:33:41,380 ♪ Jenny, why don't we be gettin' together? ♪ 663 00:33:41,580 --> 00:33:43,540 ♪ I said, Jenny, shouldn't we ♪ 664 00:33:43,740 --> 00:33:47,660 ♪ Jenny, shouldn't we be gettin' together? ♪ 665 00:33:47,860 --> 00:33:49,460 ♪ Jenny's got a... ♪ 666 00:33:49,660 --> 00:33:53,740 ♪♪ 667 00:33:53,940 --> 00:33:56,220 - Well, I'm guessing you'd like an update on "The Solo Mare." 668 00:33:56,420 --> 00:33:58,460 Do you have one? 669 00:33:58,660 --> 00:34:00,260 We're still pursuing leads. 670 00:34:00,460 --> 00:34:02,460 So that's a no. 671 00:34:02,660 --> 00:34:04,380 Actually, that's not why I brought you here, 672 00:34:04,580 --> 00:34:07,140 nor was it to listen to your views on 21st century policing, 673 00:34:07,340 --> 00:34:08,820 enlightening as that was, 674 00:34:09,020 --> 00:34:10,380 or even to tell you of face to face 675 00:34:10,580 --> 00:34:13,620 for spending too much money. 676 00:34:13,820 --> 00:34:15,620 Did you have a look around earlier? 677 00:34:15,820 --> 00:34:19,460 You'll find every force in the county with a base here. 678 00:34:19,660 --> 00:34:22,580 This place is the beating heart of the Southwest Police. 679 00:34:22,780 --> 00:34:24,460 - And what does that make us? The kidney? 680 00:34:24,660 --> 00:34:26,900 - More like a benign growth -- fine for now, 681 00:34:27,100 --> 00:34:29,860 dangerous if left unchecked. 682 00:34:30,060 --> 00:34:32,660 Tactical Command are considering bringing you and your team 683 00:34:32,860 --> 00:34:34,420 into this building, 684 00:34:34,620 --> 00:34:36,300 closing down the old station house. 685 00:34:36,500 --> 00:34:39,300 - Well, that's a shame. - For who? 686 00:34:39,500 --> 00:34:41,180 Us, but also the community 687 00:34:41,380 --> 00:34:43,340 have been using that building for 100 years. 688 00:34:43,540 --> 00:34:45,540 - They'll have more support here, more resources, 689 00:34:45,740 --> 00:34:46,900 community liaison, 690 00:34:47,100 --> 00:34:49,040 be part of a bigger picture. 691 00:34:51,400 --> 00:34:53,300 [ Nathan Evans' "Wellerman" plays ] 692 00:34:53,500 --> 00:34:55,860 - ♪ There once was a ship that put to sea ♪ 693 00:34:56,060 --> 00:34:58,500 ♪ The name of the ship was the Billy O'Tea ♪ 694 00:34:58,700 --> 00:35:00,940 ♪ The winds blew up, her bow dipped down ♪ 695 00:35:01,140 --> 00:35:03,740 ♪ Oh, blow, my bully boys, blow, huh ♪ 696 00:35:03,940 --> 00:35:06,220 ♪ Soon may the Wellerman come ♪ 697 00:35:06,420 --> 00:35:08,340 ♪ To bring us sugar and tea and rum ♪ 698 00:35:08,540 --> 00:35:09,900 Oi! 699 00:35:10,100 --> 00:35:12,020 Here! You gotta pay for that! 700 00:35:12,220 --> 00:35:13,540 ♪♪ 701 00:35:13,740 --> 00:35:15,900 ♪ Take our leave and go ♪ 702 00:35:16,100 --> 00:35:17,460 ♪ Soon may the Wellerman come ♪ 703 00:35:17,660 --> 00:35:19,300 ♪ To bring us sugar and tea and rum ♪ 704 00:35:19,500 --> 00:35:21,380 ♪ One day, when the tonguing is done ♪ 705 00:35:21,580 --> 00:35:22,820 ♪ We'll take our leave and go ♪ 706 00:35:23,020 --> 00:35:24,420 Sorry, mate, sorry. 707 00:35:24,620 --> 00:35:30,980 ♪♪ 708 00:35:31,180 --> 00:35:33,400 - You all right? - Yeah. 709 00:35:34,560 --> 00:35:36,180 - ♪ One day, when the tonguing is done ♪ 710 00:35:36,380 --> 00:35:39,360 ♪ We'll take our leave and go ♪ 711 00:35:40,720 --> 00:35:42,100 What are you doing here? 712 00:35:42,300 --> 00:35:43,820 - Gonna have it out with my computer. 713 00:35:44,020 --> 00:35:46,620 It's got my wholesale order on it. 714 00:35:46,820 --> 00:35:48,580 What are these? 715 00:35:48,780 --> 00:35:53,260 We had a Turner visit in 1987. 716 00:35:53,460 --> 00:35:56,980 Your father planned it all, went off beautifully. 717 00:35:57,180 --> 00:36:00,060 Oh, Mum, I've told you, 718 00:36:00,260 --> 00:36:02,180 you can't keep blaming yourself. 719 00:36:02,380 --> 00:36:04,140 You weren't even there. 720 00:36:04,340 --> 00:36:08,500 - I really just can't help thinking that I let him down. 721 00:36:08,700 --> 00:36:10,120 Marty. 722 00:36:15,320 --> 00:36:16,520 [ Sighs ] 723 00:36:18,520 --> 00:36:20,340 So how is the chief super? 724 00:36:20,540 --> 00:36:23,020 Oh, good. Spilt coffee on her. 725 00:36:23,220 --> 00:36:25,300 Then got given a lecture on modern policing methods. 726 00:36:25,500 --> 00:36:28,220 - Oh, dear. But this will cheer you up. 727 00:36:28,420 --> 00:36:32,100 Kelby found our mystery baseball-cap man. 728 00:36:32,300 --> 00:36:34,860 - Where? - At the fish market, apparently. 729 00:36:35,060 --> 00:36:36,740 Anyway, he's processing him now. 730 00:36:36,940 --> 00:36:38,180 - Excellent! - We have got other things 731 00:36:38,380 --> 00:36:39,900 to be doing, you know. 732 00:36:40,100 --> 00:36:42,780 We're not all sitting here twiddling our thumbs. 733 00:36:42,980 --> 00:36:47,780 Now, I said we'll get to it, and we will. Right? 734 00:36:47,980 --> 00:36:49,060 What was that? 735 00:36:49,260 --> 00:36:51,860 - Seems everyone's moaning at me today. 736 00:36:52,060 --> 00:36:55,260 That was Dot Trolman moaning about her sheep. 737 00:36:55,460 --> 00:36:57,780 Then I had that Witham on earlier, 738 00:36:57,980 --> 00:36:59,420 wanted to know if he can get in the gallery yet 739 00:36:59,620 --> 00:37:00,900 to get his stuff out. 740 00:37:01,100 --> 00:37:03,980 - Um, I'd say yes. I think we're done there. 741 00:37:04,180 --> 00:37:05,460 Okay. 742 00:37:05,660 --> 00:37:08,020 He is in the interview room, ready for you. 743 00:37:08,220 --> 00:37:10,740 - Thanks, Kelby. - Yes. Great work, Kelby. 744 00:37:10,940 --> 00:37:14,220 - Sir, um, this might not be important, 745 00:37:14,420 --> 00:37:19,140 but when I saw him first -- and I'm not sure about this -- 746 00:37:19,340 --> 00:37:20,820 but he was with a woman, 747 00:37:21,020 --> 00:37:24,580 and it looked like she was passing something to him. 748 00:37:24,780 --> 00:37:26,220 She was a little older, 749 00:37:26,420 --> 00:37:29,460 and it looked like Mrs Fitzallan from the manor. 750 00:37:29,660 --> 00:37:38,340 ♪♪ 751 00:37:38,540 --> 00:37:40,820 Aaron Cole, 752 00:37:41,020 --> 00:37:45,580 previous for criminal damage, theft, and common assault. 753 00:37:45,780 --> 00:37:48,500 Okay, so, uh, 754 00:37:48,700 --> 00:37:50,140 can you tell us what you were doing in the grounds 755 00:37:50,340 --> 00:37:54,700 of Shipton Manor the night before last around midnight? 756 00:37:54,900 --> 00:37:56,500 You were seen. 757 00:37:56,700 --> 00:37:59,300 - On the night a painting worth £500,000 was stolen. 758 00:37:59,500 --> 00:38:01,020 - Whoa, whoa, whoa, whoa, whoa. You ain't pinning that on me. 759 00:38:01,220 --> 00:38:03,500 - Unless you got a really good explanation for being there, 760 00:38:03,700 --> 00:38:05,620 it doesn't look good, does it? 761 00:38:05,820 --> 00:38:08,220 - Right now you're our prime suspect. 762 00:38:08,420 --> 00:38:10,940 - I didn't steal anything, I swear. 763 00:38:11,140 --> 00:38:12,540 - Well, look, if you're innocent, you can be out of this room 764 00:38:12,740 --> 00:38:15,380 in five minutes. 765 00:38:15,580 --> 00:38:17,060 I mean, you're no stranger to this process 766 00:38:17,260 --> 00:38:18,780 by the sound of things, are you, Aaron? 767 00:38:18,980 --> 00:38:21,900 So you know full well that the only way that's gonna happen 768 00:38:22,100 --> 00:38:24,340 is if you tell us the truth and... 769 00:38:24,540 --> 00:38:27,600 if you tell us exactly why you were there. 770 00:38:30,920 --> 00:38:36,020 If it helps, we already know about Mrs Fitzallan. 771 00:38:36,220 --> 00:38:38,560 Do you really think she's gonna protect you? 772 00:38:41,600 --> 00:38:43,220 - She wanted me to nick the painting. 773 00:38:43,420 --> 00:38:45,180 - So you admit stealing it? - No. 774 00:38:45,380 --> 00:38:47,060 I was supposed to draw that stuff 775 00:38:47,260 --> 00:38:48,740 on the back of the house the first night. 776 00:38:48,940 --> 00:38:50,780 Then the second night, she was supposed to leave the window 777 00:38:50,980 --> 00:38:53,660 open and the alarm off so I could get the painting. 778 00:38:53,860 --> 00:38:56,460 That way, people would blame the protesters. 779 00:38:56,660 --> 00:39:00,660 But she phoned me yesterday to call it all off. 780 00:39:00,860 --> 00:39:03,620 Arranged to meet her in town. Told her I wanted paying anyway. 781 00:39:03,820 --> 00:39:05,460 Wait. So the plan was for you 782 00:39:05,660 --> 00:39:07,140 to steal the painting last night? 783 00:39:07,340 --> 00:39:09,100 Yeah. 784 00:39:09,300 --> 00:39:11,520 But it looks like someone beat me to it. 785 00:39:16,520 --> 00:39:19,940 - Aaron Cole was at school with my son, James. 786 00:39:20,140 --> 00:39:22,380 I spent most of their teenage years telling James 787 00:39:22,580 --> 00:39:25,420 to stay away from him. 788 00:39:25,620 --> 00:39:26,820 Rather ironic. 789 00:39:27,020 --> 00:39:29,780 So you contacted him? 790 00:39:29,980 --> 00:39:33,220 - My circle of criminal acquaintances is rather small. 791 00:39:33,420 --> 00:39:36,460 - So you admit you were paying him to steal the painting. 792 00:39:36,660 --> 00:39:38,580 - [ Sighs ] After what you've just said, 793 00:39:38,780 --> 00:39:40,760 it would be rather churlish not to. 794 00:39:42,840 --> 00:39:47,140 You see, my husband isn't away on business. 795 00:39:47,340 --> 00:39:51,100 Charles is actually in Antigua... 796 00:39:51,300 --> 00:39:53,660 with his secretary... 797 00:39:53,860 --> 00:39:55,760 and most of our money. 798 00:39:57,720 --> 00:39:59,140 I'm sorry. 799 00:39:59,340 --> 00:40:02,540 - Then why go through with buying the painting? 800 00:40:02,740 --> 00:40:04,980 Because I'm a Fitzallan. 801 00:40:05,180 --> 00:40:06,460 And the guardianship of this house 802 00:40:06,660 --> 00:40:09,100 comes with responsibilities. 803 00:40:09,300 --> 00:40:10,620 The homecoming of "The Solo Mare" 804 00:40:10,820 --> 00:40:12,300 brought the entire community back together. 805 00:40:12,500 --> 00:40:13,940 How could I suddenly announce I wasn't going to 806 00:40:14,140 --> 00:40:17,280 go through with it? It would have been excruciating. 807 00:40:21,240 --> 00:40:23,700 Charles had arranged to borrow the money, convinced me 808 00:40:23,900 --> 00:40:27,020 to use the manor as security against the loan. 809 00:40:27,220 --> 00:40:29,340 - So you hoped to claim on insurance 810 00:40:29,540 --> 00:40:31,500 to help pay back the loan. 811 00:40:31,700 --> 00:40:33,500 And save face in the process. 812 00:40:33,700 --> 00:40:36,180 - Rather tawdry solution, don't you think? 813 00:40:36,380 --> 00:40:39,420 - Which means that the painting had to be stolen last night 814 00:40:39,620 --> 00:40:42,780 because until then, you didn't actually own it. 815 00:40:42,980 --> 00:40:45,180 Exactly. 816 00:40:45,380 --> 00:40:47,740 The only good thing to come out of this conversation 817 00:40:47,940 --> 00:40:50,020 is that you will now see that it wasn't in my interest 818 00:40:50,220 --> 00:40:52,460 to steal it any sooner. 819 00:40:52,660 --> 00:41:00,780 ♪♪ 820 00:41:00,980 --> 00:41:09,300 ♪♪ 821 00:41:09,500 --> 00:41:11,020 Sir. 822 00:41:11,220 --> 00:41:12,380 Yes. Coming. 823 00:41:12,580 --> 00:41:20,820 ♪♪ 824 00:41:21,020 --> 00:41:22,140 - Mr Witham. - Hmm? 825 00:41:22,340 --> 00:41:23,420 Please let me help. 826 00:41:23,620 --> 00:41:25,120 - Yes. I'll take that. Thank you. 827 00:41:27,440 --> 00:41:29,060 - Sorry we couldn't let you go any sooner. 828 00:41:29,260 --> 00:41:30,880 Yeah, whatever. 829 00:41:37,880 --> 00:41:39,220 Aaron Cole could be lying. 830 00:41:39,420 --> 00:41:41,100 He might have stolen the painting anyway. 831 00:41:41,300 --> 00:41:43,060 Yes, very true. 832 00:41:43,260 --> 00:41:45,900 And nothing in this case is quite what it seems. 833 00:41:46,100 --> 00:41:48,780 I'm starting to think we may never find out what happened. 834 00:41:48,980 --> 00:41:58,820 ♪♪ 835 00:41:59,020 --> 00:42:01,860 - I suppose me taking over his place on the Arts Committee 836 00:42:02,060 --> 00:42:06,380 was my way of holding on to him a bit longer. 837 00:42:06,580 --> 00:42:08,160 I know. 838 00:42:10,840 --> 00:42:13,620 I still miss him. 839 00:42:13,820 --> 00:42:17,040 You see, but I know I shouldn't after all this time. 840 00:42:19,480 --> 00:42:21,220 We stop mentioning it to people. 841 00:42:21,420 --> 00:42:27,020 Well, because it starts to be a bit awkward after a while. 842 00:42:27,220 --> 00:42:29,020 As if sympathy as he use-by date, 843 00:42:29,220 --> 00:42:31,020 and once you pass that date, 844 00:42:31,220 --> 00:42:33,340 you're supposed to snap out of it, 845 00:42:33,540 --> 00:42:37,020 stop harking back to the past, move on. 846 00:42:37,220 --> 00:42:42,260 And it's difficult to move on on your own. 847 00:42:42,460 --> 00:42:46,180 You're so used to doing everything together. 848 00:42:46,380 --> 00:42:49,000 - I miss him, too. - Oh, I know you do. 849 00:42:51,400 --> 00:42:53,660 You don't get your own way as much as you used to 850 00:42:53,860 --> 00:42:54,780 when he was here. 851 00:42:54,980 --> 00:42:56,500 True. 852 00:42:56,700 --> 00:42:58,940 Just my luck to get left with the strict parent. 853 00:42:59,140 --> 00:43:01,780 Mm. 854 00:43:01,980 --> 00:43:04,100 I know why you came back. 855 00:43:04,300 --> 00:43:06,140 Oh? 856 00:43:06,340 --> 00:43:09,060 - You were worried about me being on my own. 857 00:43:09,260 --> 00:43:11,260 Oh, I'm sure the dream of opening your own cafe 858 00:43:11,460 --> 00:43:14,140 and being fed up with London is all true, too. 859 00:43:14,340 --> 00:43:17,740 But that's not why you came back. 860 00:43:17,940 --> 00:43:19,720 And you were right. 861 00:43:21,720 --> 00:43:23,840 I'm not sure I could have coped on my own. 862 00:43:27,200 --> 00:43:29,180 But that's what you do, isn't it, 863 00:43:29,380 --> 00:43:31,940 for people you love? 864 00:43:32,140 --> 00:43:33,780 Put your own wants and needs to one side 865 00:43:33,980 --> 00:43:37,060 and give them what they need. 866 00:43:37,260 --> 00:43:39,980 - Never thought about it like that. 867 00:43:40,180 --> 00:43:44,560 - All I ever wanted was for your dad to be content and happy. 868 00:43:47,320 --> 00:43:51,100 I suppose that's what Humphrey's doing for you, isn't it? 869 00:43:51,300 --> 00:43:55,380 Giving up everything to come down here with you. 870 00:43:55,580 --> 00:43:58,380 Yes, he is. 871 00:43:58,580 --> 00:44:01,760 - And he's doing that because he loves you. 872 00:44:04,040 --> 00:44:06,840 It's a very precious thing, you know, Marty -- love. 873 00:44:09,920 --> 00:44:13,900 You hold on to it as tightly as you can. 874 00:44:14,100 --> 00:44:20,260 ♪♪ 875 00:44:20,460 --> 00:44:21,900 - Sir, I, um -- 876 00:44:22,100 --> 00:44:23,700 - If our intruder came in through the gallery window 877 00:44:23,900 --> 00:44:27,540 and is already inside the room where the painting actually was, 878 00:44:27,740 --> 00:44:29,140 so why did the power need to be switched off, 879 00:44:29,340 --> 00:44:32,020 and why didn't Kelby see him? 880 00:44:32,220 --> 00:44:35,380 - I don't know, but I asked for the sale memo 881 00:44:35,580 --> 00:44:37,940 from when Witham originally bought the painting -- 882 00:44:38,140 --> 00:44:39,940 part of the auction house's due diligence. 883 00:44:40,140 --> 00:44:41,580 - Why? - Well, I was hoping there might 884 00:44:41,780 --> 00:44:43,740 be something in it that might solve the debate, 885 00:44:43,940 --> 00:44:45,580 give Isla Jay some peace of mind. 886 00:44:45,780 --> 00:44:47,620 - That was a nice thing to do. - Mm. 887 00:44:47,820 --> 00:44:49,660 I'm not sure it helps, though. 888 00:44:49,860 --> 00:44:51,540 The only thing of note 889 00:44:51,740 --> 00:44:53,940 is that the artist may have used the canvas before 890 00:44:54,140 --> 00:44:56,380 and over-painted, but even that's quite common. 891 00:44:56,580 --> 00:44:59,220 - Doesn't that help? - Might make it worse. 892 00:44:59,420 --> 00:45:02,660 If Craig painted over Edith's painting, 893 00:45:02,860 --> 00:45:05,060 it's still an original Craig. 894 00:45:05,260 --> 00:45:07,340 - Ah. You know, I keep coming back 895 00:45:07,540 --> 00:45:10,540 to the power being turned off. 896 00:45:10,740 --> 00:45:13,380 Common sense demands that we look at the two people 897 00:45:13,580 --> 00:45:14,740 who were actually inside the house 898 00:45:14,940 --> 00:45:16,260 when the painting was stolen. 899 00:45:16,460 --> 00:45:18,620 - Hmm. Louise Fitzallan and Terrence Witham. 900 00:45:18,820 --> 00:45:20,560 - But we've discounted them both. 901 00:45:22,760 --> 00:45:25,900 - Sheep! - What? 902 00:45:26,100 --> 00:45:30,740 - She's been on the phone again, threatening to go to HQ. 903 00:45:30,940 --> 00:45:33,260 Fine. I'll go. 904 00:45:33,460 --> 00:45:35,900 But I can't see how you can lose 25 sheep. 905 00:45:36,100 --> 00:45:38,580 It's not like they can turn invisible, is it? 906 00:45:38,780 --> 00:45:40,860 Or maybe they're just playing hide-and-seek. 907 00:45:41,060 --> 00:45:42,560 [ Chuckles ] 908 00:45:48,400 --> 00:45:50,040 Thanks, Margo. 909 00:45:53,280 --> 00:45:56,120 [ Shredder whirring ] 910 00:46:01,240 --> 00:46:02,220 - Hiding! - [ Gasps ] 911 00:46:02,420 --> 00:46:04,780 - What? - Hiding is the only thing 912 00:46:04,980 --> 00:46:07,340 we've never really considered. 913 00:46:07,540 --> 00:46:10,060 I'm not following. 914 00:46:10,260 --> 00:46:11,580 Sir? 915 00:46:11,780 --> 00:46:14,060 - We've always known that it was impossible 916 00:46:14,260 --> 00:46:15,500 to climb in through the window, steal the painting, 917 00:46:15,700 --> 00:46:17,260 and get out again in the two minutes 918 00:46:17,460 --> 00:46:18,300 that Kelby said he was on the landing. 919 00:46:18,500 --> 00:46:19,860 So what did we do? 920 00:46:20,060 --> 00:46:22,820 We chose not to believe him. 921 00:46:23,020 --> 00:46:25,100 But what if he was telling the truth? 922 00:46:25,300 --> 00:46:27,900 What if it was two minutes or less? 923 00:46:28,100 --> 00:46:31,060 - That's not possible. - Exactly. And that's the point. 924 00:46:31,260 --> 00:46:33,580 That's why everything is not quite what it seemed, 925 00:46:33,780 --> 00:46:35,140 because we were trying to prove something 926 00:46:35,340 --> 00:46:37,460 that never actually happened. 927 00:46:37,660 --> 00:46:39,460 See, when Witham left art college, 928 00:46:39,660 --> 00:46:41,060 he worked with the art of the macabre, 929 00:46:41,260 --> 00:46:42,940 with magicians and show people. 930 00:46:43,140 --> 00:46:44,900 - And? - And on his website, 931 00:46:45,100 --> 00:46:47,260 he listed as one of his heroes Banksy, remember? 932 00:46:47,460 --> 00:46:48,700 - Yes. - So? 933 00:46:48,900 --> 00:46:50,740 - So at the auction for Banksy's famous 934 00:46:50,940 --> 00:46:53,780 "Girl with Balloon" picture, what did he do? 935 00:46:53,980 --> 00:46:55,540 He shredded it! 936 00:46:55,740 --> 00:46:57,580 - I remember that! - Yes! 937 00:46:57,780 --> 00:46:58,900 I'm not sure I understand. 938 00:46:59,100 --> 00:47:00,380 - Where's that report you had earlier? 939 00:47:00,580 --> 00:47:01,920 Here. 940 00:47:03,760 --> 00:47:05,460 Thank you. 941 00:47:05,660 --> 00:47:13,180 ♪♪ 942 00:47:13,380 --> 00:47:16,100 Oh, I think I've got it. 943 00:47:16,300 --> 00:47:19,480 - Okay. So who stole "The Solo Mare"? 944 00:47:20,800 --> 00:47:23,060 I did. 945 00:47:23,260 --> 00:47:31,420 ♪♪ 946 00:47:31,620 --> 00:47:33,340 I think when Terrence Witham first got 947 00:47:33,540 --> 00:47:37,060 the auction house report, he saw it exactly as you did. 948 00:47:37,260 --> 00:47:38,700 It confirmed it was of the period 949 00:47:38,900 --> 00:47:41,420 and keeping with the work of Augustus Craig. 950 00:47:41,620 --> 00:47:44,220 And, yes, there was a mention of a possible over-painting 951 00:47:44,420 --> 00:47:47,780 at the bottom of the canvas, but that's not unusual. 952 00:47:47,980 --> 00:47:50,060 As far as he was concerned, everything checked out. 953 00:47:50,260 --> 00:47:52,940 He bought a genuine Augustus Craig 954 00:47:53,140 --> 00:47:55,520 at a fraction of what it was really worth. 955 00:47:56,680 --> 00:47:58,260 [ Laughs ] 956 00:47:58,460 --> 00:47:59,860 But at some point, 957 00:48:00,060 --> 00:48:03,660 he became curious about what was underneath. 958 00:48:03,860 --> 00:48:05,900 The over-painting was at the bottom of the campus 959 00:48:06,100 --> 00:48:08,180 where the signature would be. 960 00:48:08,380 --> 00:48:10,140 So I think he found Edith Jay's signature 961 00:48:10,340 --> 00:48:12,720 beneath that of Augustus Craig. 962 00:48:15,600 --> 00:48:19,300 Thereby confirming the theory 963 00:48:19,500 --> 00:48:22,300 that Craig had signed his protégé's painting. 964 00:48:22,500 --> 00:48:24,860 - So Witham knew it was Edith Jay's all along. 965 00:48:25,060 --> 00:48:29,340 - And he also knew that, unlike an Augustus Craig original, 966 00:48:29,540 --> 00:48:31,100 a painting of a horse's backside by a stable girl 967 00:48:31,300 --> 00:48:32,900 would be worthless in comparison. 968 00:48:33,100 --> 00:48:35,060 - And he'd already agreed the sale with the Art Committee. 969 00:48:35,260 --> 00:48:36,900 But more importantly, 970 00:48:37,100 --> 00:48:39,180 he knew that now the painting was home in Shipton Abbott, 971 00:48:39,380 --> 00:48:40,820 the clamour to have it tested 972 00:48:41,020 --> 00:48:42,860 to finally prove who the real artist was 973 00:48:43,060 --> 00:48:45,140 and end the controversy would be irresistible. 974 00:48:45,340 --> 00:48:48,180 - And if that happened, it would ruin his reputation. 975 00:48:48,380 --> 00:48:50,180 - And no doubt have Louise Fitzallan 976 00:48:50,380 --> 00:48:51,420 demanding her money back. 977 00:48:51,620 --> 00:48:54,500 But the sale already being agreed 978 00:48:54,700 --> 00:48:56,740 also gave him an opportunity. 979 00:48:56,940 --> 00:49:00,460 What better way to disguise the theft of your own painting 980 00:49:00,660 --> 00:49:04,460 than doing it while it's in someone else's care? 981 00:49:04,660 --> 00:49:06,620 Ours. 982 00:49:06,820 --> 00:49:09,180 So what if he was inspired 983 00:49:09,380 --> 00:49:12,500 by a combination of Banksy's shredding frame 984 00:49:12,700 --> 00:49:14,680 and his early work with magicians... 985 00:49:17,000 --> 00:49:19,380 ...and he constructed a frame 986 00:49:19,580 --> 00:49:24,900 designed to hide a painting within it? 987 00:49:25,100 --> 00:49:26,500 Okay, so that's everyone. 988 00:49:26,700 --> 00:49:28,600 Mr Witham? 989 00:49:29,920 --> 00:49:32,260 - So on the night of the supposed theft, 990 00:49:32,460 --> 00:49:34,020 it was simple enough for him to make 991 00:49:34,220 --> 00:49:36,580 the last-minute adjustments to the painting before he left. 992 00:49:36,780 --> 00:49:37,860 - You'll lock the door behind us, yes? 993 00:49:38,060 --> 00:49:39,440 Yes, sir. 994 00:49:42,240 --> 00:49:45,140 - No one is to go beyond those ropes 995 00:49:45,340 --> 00:49:46,940 until I return in the morning, yes? 996 00:49:47,140 --> 00:49:48,900 Understood, sir. 997 00:49:49,100 --> 00:49:55,060 ♪♪ 998 00:49:55,260 --> 00:49:57,140 - Like any magician worth his salt, 999 00:49:57,340 --> 00:49:59,700 he knew about the importance of misdirection 1000 00:49:59,900 --> 00:50:00,980 and making the audience look the other way 1001 00:50:01,180 --> 00:50:03,080 to cover what they're really doing. 1002 00:50:06,240 --> 00:50:08,820 - [ Gasps ] Creating the illusion 1003 00:50:09,020 --> 00:50:10,580 that the painting was stolen when the lights went out. 1004 00:50:10,780 --> 00:50:12,720 - Exactly. - Hello? 1005 00:50:15,520 --> 00:50:17,120 Hello? 1006 00:50:19,080 --> 00:50:21,100 Hello? 1007 00:50:21,300 --> 00:50:23,780 Witham waited a minute or two, 1008 00:50:23,980 --> 00:50:25,380 then turned the power back on. 1009 00:50:25,580 --> 00:50:26,940 [ Bang ] 1010 00:50:27,140 --> 00:50:33,420 ♪♪ 1011 00:50:33,620 --> 00:50:36,740 Then, the next morning, when the room opened up again, 1012 00:50:36,940 --> 00:50:39,020 more misdirection as he broke the window latch. 1013 00:50:39,220 --> 00:50:44,020 ♪♪ 1014 00:50:44,220 --> 00:50:46,780 All that was left was to be as surprised as everyone else 1015 00:50:46,980 --> 00:50:48,500 on the morning of the unveiling. 1016 00:50:48,700 --> 00:50:51,980 - On behalf of all of us in Shipton Abbott, 1017 00:50:52,180 --> 00:50:54,940 welcome home. [ Audience gasping ] 1018 00:50:55,140 --> 00:50:56,780 - And now more than Louise Fitzallan, 1019 00:50:56,980 --> 00:50:58,100 who had her own plan in place 1020 00:50:58,300 --> 00:51:00,140 to steal the painting for herself. 1021 00:51:00,340 --> 00:51:01,620 - And that's why Witham was so keen 1022 00:51:01,820 --> 00:51:03,460 to get back in the room and collect his frame. 1023 00:51:03,660 --> 00:51:05,700 Yes, but the person I believe 1024 00:51:05,900 --> 00:51:08,300 actually took the painting from this house... 1025 00:51:08,500 --> 00:51:10,200 was me. 1026 00:51:13,160 --> 00:51:14,660 - Mr Witham. - Hmm. 1027 00:51:14,860 --> 00:51:15,940 Please let me help. 1028 00:51:16,140 --> 00:51:17,780 - Yes. I'll take that. Thank you. 1029 00:51:17,980 --> 00:51:19,340 - Sorry we couldn't let you go any sooner. 1030 00:51:19,540 --> 00:51:21,040 Yeah. 1031 00:51:25,760 --> 00:51:27,780 Okay, fine. 1032 00:51:27,980 --> 00:51:30,500 He left the manor house five minutes ago. 1033 00:51:30,700 --> 00:51:32,900 - Right. Get his vehicle details put out on APB. 1034 00:51:33,100 --> 00:51:34,500 Sure. 1035 00:51:34,700 --> 00:51:41,380 ♪♪ 1036 00:51:41,580 --> 00:51:47,980 ♪♪ 1037 00:51:48,180 --> 00:51:49,980 [ Sheep bleating ] 1038 00:51:50,180 --> 00:51:51,500 - Step aside. [ Horn honks ] 1039 00:51:51,700 --> 00:51:52,980 Step aside, sir. 1040 00:51:53,180 --> 00:51:54,540 [ Horn honks ] 1041 00:51:54,740 --> 00:51:56,220 All right. 1042 00:51:56,420 --> 00:51:57,740 All right, calm down. [ Horn honks ] 1043 00:51:57,940 --> 00:51:59,540 Calm down. It's all right. 1044 00:51:59,740 --> 00:52:00,700 [ Horn honks ] 1045 00:52:00,900 --> 00:52:02,620 All right, everyone. 1046 00:52:02,820 --> 00:52:04,760 Oh. 1047 00:52:06,280 --> 00:52:08,180 - Well, come on, then! - Yeah. calm down. 1048 00:52:08,380 --> 00:52:11,260 Shh. It's all right. [ Line ringing ] 1049 00:52:11,460 --> 00:52:12,820 Mrs Trolman? 1050 00:52:13,020 --> 00:52:14,700 I've got your sheep. 1051 00:52:14,900 --> 00:52:17,940 Um, you're gonna need to bring a truck, all right, and -- 1052 00:52:18,140 --> 00:52:20,160 Oh, geez. 1053 00:52:21,960 --> 00:52:25,220 - Who the hell's in charge here? - I am. 1054 00:52:25,420 --> 00:52:27,380 ♪♪ 1055 00:52:27,580 --> 00:52:30,260 You. 1056 00:52:30,460 --> 00:52:33,580 - APB on black Ford Transit Courier, 1057 00:52:33,780 --> 00:52:38,700 registration Echo November 15 Yankee Sierra Bravo, 1058 00:52:38,900 --> 00:52:43,020 driven by a Terrence Witham -- dark hair, 5'11", 1059 00:52:43,220 --> 00:52:45,020 last seen leaving Shipton Abbott, 1060 00:52:45,220 --> 00:52:46,460 heading towards Exeter. 1061 00:52:46,660 --> 00:52:48,340 Wanted on suspicion of fraud. 1062 00:52:48,540 --> 00:52:49,940 Please apprehend. 1063 00:52:50,140 --> 00:52:52,260 [ Horns honking ] 1064 00:52:52,460 --> 00:52:55,780 ♪♪ 1065 00:52:55,980 --> 00:52:57,540 Excuse me. Excuse me. 1066 00:52:57,740 --> 00:52:58,920 Excuse me. 1067 00:53:00,200 --> 00:53:02,000 Don't! 1068 00:53:02,640 --> 00:53:04,240 Oi! 1069 00:53:05,760 --> 00:53:07,860 Come back! Oi! 1070 00:53:08,060 --> 00:53:15,140 ♪♪ 1071 00:53:15,340 --> 00:53:17,140 Gotcha! 1072 00:53:17,340 --> 00:53:21,960 ♪♪ 1073 00:53:29,480 --> 00:53:32,540 - Care to show us how this works? 1074 00:53:32,740 --> 00:53:35,460 Very well. 1075 00:53:35,660 --> 00:53:37,080 Let's see. 1076 00:53:51,680 --> 00:53:55,980 ♪♪ 1077 00:53:56,180 --> 00:53:59,860 - So it was in the room the whole time. 1078 00:54:00,060 --> 00:54:01,580 It wasn't stolen on my watch. 1079 00:54:01,780 --> 00:54:04,420 No, it wasn't. 1080 00:54:04,620 --> 00:54:08,580 - So my record on guarding valuable paintings 1081 00:54:08,780 --> 00:54:10,900 is still 100%. 1082 00:54:11,100 --> 00:54:12,700 Yes, well done, Kelby. 1083 00:54:12,900 --> 00:54:14,940 Take him away, will you? 1084 00:54:15,140 --> 00:54:16,500 Yes, sir. 1085 00:54:16,700 --> 00:54:24,780 ♪♪ 1086 00:54:24,980 --> 00:54:26,660 Well done, Sergeant. 1087 00:54:26,860 --> 00:54:33,820 ♪♪ 1088 00:54:34,020 --> 00:54:34,940 [ Mobile phone buzzes ] 1089 00:54:35,140 --> 00:54:37,540 - Thank you. - You're welcome. 1090 00:54:37,740 --> 00:54:39,660 Hmm! 1091 00:54:39,860 --> 00:54:42,860 Louise Fitzallan has offered to buy "The Solo Mare" anyway. 1092 00:54:43,060 --> 00:54:45,820 - Really? - At a 10th of the price. 1093 00:54:46,020 --> 00:54:48,020 - Why, if she knows it wasn't painted by her ancestor? 1094 00:54:48,220 --> 00:54:52,460 - Who knows? But Edith Jay was still a local. 1095 00:54:52,660 --> 00:54:55,300 So at this rate, Shipton Abbott 1096 00:54:55,500 --> 00:54:57,740 might just embrace you as one of our own. 1097 00:54:57,940 --> 00:54:59,620 The man who saved "The Solo Mare." 1098 00:54:59,820 --> 00:55:01,340 - Yes, well, right now, I'd happily settle 1099 00:55:01,540 --> 00:55:03,460 for the gratitude of my future mother-in-law. 1100 00:55:03,660 --> 00:55:05,900 [ Chuckles ] 1101 00:55:06,100 --> 00:55:08,600 - Good night, sir. - Sergeant. 1102 00:55:13,520 --> 00:55:15,560 [ Engine starts ] 1103 00:55:17,280 --> 00:55:24,660 ♪♪ 1104 00:55:24,860 --> 00:55:26,820 What do you want? 1105 00:55:27,020 --> 00:55:29,380 - We could start with a cup of tea. 1106 00:55:29,580 --> 00:55:37,340 ♪♪ 1107 00:55:37,540 --> 00:55:45,140 ♪♪ 1108 00:55:45,340 --> 00:55:52,940 ♪♪ 1109 00:55:53,140 --> 00:55:55,380 Ooh. Perfect timing. 1110 00:55:55,580 --> 00:55:57,360 Ah. 1111 00:55:58,880 --> 00:56:01,700 Well, I've just made your mother a very happy woman. 1112 00:56:01,900 --> 00:56:04,080 - I'm not sure if I want you to elaborate or not. 1113 00:56:08,280 --> 00:56:10,040 Just found her painting. 1114 00:56:12,400 --> 00:56:16,220 - I knew you would! - Ah, yes. [ Laughs ] 1115 00:56:16,420 --> 00:56:17,860 [ Wings flap, bird squawks ] 1116 00:56:18,060 --> 00:56:20,660 Selwyn! Selwyn's back. 1117 00:56:20,860 --> 00:56:22,980 - Selwyn? - Yes. 1118 00:56:23,180 --> 00:56:25,100 Well, he need a name, and rather strangely, 1119 00:56:25,300 --> 00:56:27,620 I found myself missing the commissioner. 1120 00:56:27,820 --> 00:56:29,820 This will soften the blow a little. 1121 00:56:30,020 --> 00:56:33,460 - Eat. - Yes. Pasta. 1122 00:56:33,660 --> 00:56:36,940 Just what a hungry man needs after catching a art fraudster. 1123 00:56:37,140 --> 00:56:39,100 Just what a woman needs, too, 1124 00:56:39,300 --> 00:56:44,260 to build up her strength before she starts IVF again. 1125 00:56:44,460 --> 00:56:46,040 What? 1126 00:56:48,360 --> 00:56:49,460 You mean...? 1127 00:56:49,660 --> 00:56:59,140 ♪♪ 1128 00:56:59,340 --> 00:57:08,900 ♪♪ 1129 00:57:09,100 --> 00:57:18,580 ♪♪ 1130 00:57:18,780 --> 00:57:28,420 ♪♪ 1131 00:57:28,620 --> 00:57:38,120 ♪♪