1
00:00:06,241 --> 00:00:07,344
GIDEON: Gideon Fletcher.

2
00:00:07,448 --> 00:00:09,103
I'm in need
of a new dissection partner.

3
00:00:09,172 --> 00:00:10,586
SILAS: I'll be there.
GIDEON: Good.

4
00:00:10,655 --> 00:00:11,655
IRIS:
I've had an offer.

5
00:00:11,724 --> 00:00:13,620
I'm going to do it
if he agrees to teach me.

6
00:00:13,724 --> 00:00:16,551
ROSE: A model is no better
than a prostitute.

7
00:00:16,620 --> 00:00:17,931
MRS. SALTER:
You set foot outside that door,

8
00:00:18,000 --> 00:00:19,310
you're never coming back.

9
00:00:19,379 --> 00:00:22,275
LOUIS: The Imprisonment
of Guigemar's Queen.

10
00:00:22,344 --> 00:00:23,689
FILIGREE [OOV]: I think both
pieces will do well

11
00:00:23,793 --> 00:00:25,379
in the zoological section.

12
00:00:25,448 --> 00:00:28,655
SILAS: The best day. The best.

13
00:00:28,724 --> 00:00:31,896
SILAS: We are... friends.

14
00:00:31,965 --> 00:00:34,758
ROSE:
She's all yours, Mr. Frost.

15
00:00:34,827 --> 00:00:35,862
ROSSETTI:
To Iris Whittle.

16
00:00:35,931 --> 00:00:37,310
SILAS:
Don't laugh at me.

17
00:00:37,413 --> 00:00:39,448
BLUEBELL: Silent, starey Silas.

18
00:00:39,517 --> 00:00:42,034
SILAS:
Where did your last model go?

19
00:00:42,137 --> 00:00:44,172
LOUIS:
Oh, my God, Bluebell, I'm so--

20
00:00:44,241 --> 00:00:47,379
BLUEBELL: Fucking pricks,
every last one of them.

21
00:00:51,172 --> 00:00:54,275
[BELL RINGING]

22
00:00:59,068 --> 00:01:03,310
MADAME:
This is where she was alive.

23
00:01:06,137 --> 00:01:10,862
When you want
to remember her, come here.

24
00:01:10,931 --> 00:01:16,033
Don't bother with that bit of
stone they put her name on.

25
00:01:16,137 --> 00:01:19,137
She'd want us raging,
not mourning.

26
00:01:19,206 --> 00:01:21,965
Here is where
we'll remember her.

27
00:01:22,068 --> 00:01:27,033
Not in a gruesome alleyway at
the hands of some pathetic man.

28
00:01:27,103 --> 00:01:29,758
How dare he steal
a whole life away?

29
00:01:29,827 --> 00:01:35,758
[HAUNTING MUSIC]

30
00:01:37,655 --> 00:01:38,758
Bluebell.

31
00:02:11,482 --> 00:02:13,724
MADAME: I'll find the bastard
that did those things to her

32
00:02:13,793 --> 00:02:16,586
if it's the last thing I do.

33
00:02:16,689 --> 00:02:18,310
ROSSETTI: It won't be.

34
00:03:09,862 --> 00:03:12,103
[BELLS RINGING]

35
00:03:12,172 --> 00:03:14,551
[DOOR THUDS SHUT]

36
00:03:16,379 --> 00:03:19,206
MILLAIS [OOV]: Good day, Reed.

37
00:03:19,275 --> 00:03:20,379
SILAS: Good day.

38
00:03:20,482 --> 00:03:23,655
MILLAIS: I don't suppose
you have a little dog

39
00:03:23,758 --> 00:03:26,310
that is looking
for a new owner.

40
00:03:26,379 --> 00:03:28,793
I'm in need
of something sort of...

41
00:03:32,448 --> 00:03:33,965
SILAS: I don't.

42
00:03:34,034 --> 00:03:36,655
MILLAIS:
Oh, might you be able to rustle

43
00:03:36,724 --> 00:03:40,689
something up
within the month?

44
00:03:40,793 --> 00:03:43,724
SILAS: It's not a small job.

45
00:03:43,793 --> 00:03:46,103
MILLAIS: I hope you haven't
been stewing, Reed.

46
00:03:46,172 --> 00:03:48,379
We were all drinking.

47
00:03:48,482 --> 00:03:51,620
Spirits were high.

48
00:03:51,689 --> 00:03:53,586
SILAS: I only meant to speak up
for Miss Whittle's honour.

49
00:03:53,689 --> 00:03:55,172
MILLAIS: I'm sure.

50
00:03:55,275 --> 00:03:57,655
And besides, everything else
that happened

51
00:03:57,724 --> 00:04:00,206
that night puts our little
disagreement into perspective.

52
00:04:00,275 --> 00:04:03,965
Don't you agree?

53
00:04:04,068 --> 00:04:06,517
Surely you heard?

54
00:04:06,586 --> 00:04:08,620
SILAS: I haven't been back
to the Dolphin since.

55
00:04:08,724 --> 00:04:13,034
MILLAIS: But you must have
read about it in the papers.

56
00:04:16,000 --> 00:04:20,206
Bluebell...

57
00:04:20,274 --> 00:04:24,448
she was murdered
that night two weeks ago.

58
00:04:24,517 --> 00:04:29,758
Found by Lamplighters in an
alley off of Charlotte Street.

59
00:04:29,862 --> 00:04:32,103
SILAS: I didn't know.

60
00:04:32,206 --> 00:04:36,586
MILLAIS:
Oh. Now you do.

61
00:04:36,655 --> 00:04:38,344
Perhaps you can light a candle

62
00:04:38,413 --> 00:04:40,620
for her next time
you're at church.

63
00:04:43,517 --> 00:04:46,275
SILAS:
Mm. Sure.

64
00:04:48,517 --> 00:04:52,344
I'll have the dog ready for you
by the end of the month.

65
00:04:52,413 --> 00:04:55,724
MILLAIS: Thank you, Reed.
Truly.

66
00:05:11,931 --> 00:05:14,413
AEVIE: How many you got?

67
00:05:14,482 --> 00:05:16,206
ALBIE: Two.

68
00:05:16,310 --> 00:05:17,517
EVIE: How many more to go?

69
00:05:17,620 --> 00:05:21,137
ALBIE: He says he needs 150?

70
00:05:21,206 --> 00:05:22,379
EVIE: What?

71
00:05:22,448 --> 00:05:24,724
ALBIE: He doesn't know
I can't count past ten.

72
00:05:24,827 --> 00:05:31,034
EVIE:
[LAUGHS] Oh, it seems a shame

73
00:05:31,103 --> 00:05:32,551
they've gotta die.

74
00:05:32,655 --> 00:05:34,068
ALBIE: Yeah.

75
00:05:36,344 --> 00:05:40,172
EVIE: I should head home.
Get back to work.

76
00:05:40,241 --> 00:05:41,965
ALBIE: Alright.

77
00:05:42,068 --> 00:05:48,137
[SOFT MUSIC]

78
00:06:45,172 --> 00:06:48,482
LOUIS:
I'm going to become a lawyer.

79
00:06:48,551 --> 00:06:50,241
This isn't a profession,
this is torture.

80
00:06:50,344 --> 00:06:52,620
This...

81
00:06:52,724 --> 00:06:54,482
it's Guigemar!

82
00:06:54,551 --> 00:06:56,965
He's a man
kneeling at a woman's feet.

83
00:06:57,034 --> 00:07:00,965
It's just so--
IRIS: Derivative?

84
00:07:01,034 --> 00:07:04,068
LOUIS:
Air. We need air. Come on.

85
00:07:04,137 --> 00:07:06,724
LOUIS: It's actually your
fault, you know?

86
00:07:06,793 --> 00:07:11,413
That rubbish you were sprouting
about idealized love.

87
00:07:11,482 --> 00:07:13,551
IRIS: Well, yes,
because it's insincere.

88
00:07:13,655 --> 00:07:16,620
LOUIS: Insincere? Thank you.

89
00:07:19,551 --> 00:07:22,931
IRIS: Why don't you
paint something true?

90
00:07:23,000 --> 00:07:25,000
LOUIS: Like what?

91
00:07:25,103 --> 00:07:27,413
IRIS:
You could paint all of her hope

92
00:07:27,517 --> 00:07:29,896
and her suffering
and her desire.

93
00:07:30,000 --> 00:07:33,758
LOUIS: No, no. It's all wrong.
It's all wrong.

94
00:07:33,827 --> 00:07:35,655
IRIS:
Frame her differently.

95
00:07:35,724 --> 00:07:38,068
You don't need Guigemar.

96
00:07:38,172 --> 00:07:39,275
LOUIS:
Well, of course I do.

97
00:07:39,379 --> 00:07:41,931
How else would we know
she's been rescued?

98
00:07:42,034 --> 00:07:44,137
IRIS:
Tell a different story.

99
00:07:44,241 --> 00:07:48,275
And she's been captured
by her jealous husband.

100
00:07:48,344 --> 00:07:50,310
Moments before
she breaks free.

101
00:07:50,379 --> 00:07:51,344
LOUIS: Mm?

102
00:07:51,448 --> 00:07:54,137
IRIS: Have her hand reaching
for the bird,

103
00:07:54,206 --> 00:07:56,655
a door open,
reflected in the mirror.

104
00:07:56,724 --> 00:07:58,517
LOUIS: She hasn't seen that
yet, no doubt.

105
00:07:58,620 --> 00:08:02,448
You're a genius.
You're a genius!

106
00:08:02,551 --> 00:08:03,586
FLOWER SELLER [OOV]:
That's a shilling, sir.

107
00:08:03,655 --> 00:08:04,586
LOUIS: Thank you.

108
00:08:07,620 --> 00:08:11,000
It's not quite an iris,
but it'll do.

109
00:08:13,413 --> 00:08:16,344
[DOG BARKS]

110
00:08:17,931 --> 00:08:20,551
ALBIE: Miss Iris!

111
00:08:20,620 --> 00:08:22,482
IRIS: Albie!
LOUIS: Hello.

112
00:08:22,551 --> 00:08:26,103
IRIS: Hello. Hi.

113
00:08:26,172 --> 00:08:27,793
You have to meet Mr. Frost.

114
00:08:27,896 --> 00:08:29,344
LOUIS: What a smile.

115
00:08:29,413 --> 00:08:31,724
ALBIE: I'm saving for a set
of sea cow ivories.

116
00:08:31,793 --> 00:08:34,068
LOUIS: Why would you bother?

117
00:08:34,136 --> 00:08:35,206
And who's this?

118
00:08:35,275 --> 00:08:37,586
ALBIE: Just started
following me around.

119
00:08:37,655 --> 00:08:39,413
He'll scarper when he finds
someone with food.

120
00:08:39,517 --> 00:08:43,688
Won't you?
Good boy. Good boy.

121
00:08:43,793 --> 00:08:45,310
IRIS: So how's Rose?

122
00:08:45,379 --> 00:08:47,137
ALBIE:
Always saying I smell.

123
00:08:50,448 --> 00:08:51,448
IRIS:
Next time you're in the shop

124
00:08:51,551 --> 00:08:54,655
will you tell her
that I miss her?

125
00:08:54,758 --> 00:08:56,793
ALBIE:
I don't think she'd hear it.

126
00:08:59,551 --> 00:09:03,344
LOUIS: Don't you think he would
make the perfect shepherd boy?

127
00:09:03,413 --> 00:09:04,931
IRIS: Yes.

128
00:09:05,000 --> 00:09:06,517
ALBIE: How much you paying?

129
00:09:06,586 --> 00:09:08,344
IRIS [OOV]: [LAUGHS]

130
00:09:12,413 --> 00:09:15,137
LOUIS: I love London
this time of year.

131
00:09:20,241 --> 00:09:22,931
IRIS:
It's very beautiful.

132
00:09:23,000 --> 00:09:25,551
I've been studying it
from my window.

133
00:09:32,206 --> 00:09:36,448
LOUIS: It's a real sense
of possibility.

134
00:09:44,793 --> 00:09:47,586
IRIS: There was a man.

135
00:09:47,655 --> 00:09:49,586
LOUIS: Where?

136
00:09:49,655 --> 00:09:52,379
It could be a mad man
with a knife come to accost us.

137
00:09:52,448 --> 00:09:55,068
IRIS: Don't.
LOUIS: Oh, Iris, I was joking.

138
00:09:55,137 --> 00:09:56,620
I'm sorry.
I didn't mean to scare you.

139
00:09:56,689 --> 00:09:59,241
IRIS: I'm not one of those
damsels in distress you like to
paint.

140
00:09:59,310 --> 00:10:01,068
LOUIS: Iris, where are you
going?

141
00:10:01,137 --> 00:10:02,758
IRIS: I'm going to explore.

142
00:10:02,862 --> 00:10:04,379
LOUIS: It's getting dark.

143
00:10:04,448 --> 00:10:06,103
What about all the mad men?

144
00:10:06,172 --> 00:10:08,137
IRIS: I can only see one.

145
00:10:29,827 --> 00:10:32,275
LOUIS: Would you paint this?

146
00:11:01,931 --> 00:11:04,586
IRIS: First one to the heart
wins!

147
00:11:13,965 --> 00:11:16,551
LOUIS [OOV]: Iris?

148
00:11:16,620 --> 00:11:22,551
[UNSETTLING MUSIC]

149
00:11:59,275 --> 00:12:02,206
[DOG BARKS DISTANTLY]

150
00:12:02,310 --> 00:12:04,000
IRIS: Louis? Louis?

151
00:12:04,103 --> 00:12:06,206
[DOG WHINING]

152
00:12:08,206 --> 00:12:11,275
Louis?

153
00:13:01,379 --> 00:13:05,206
IRIS: Ah, stop.
No, Louis. No.

154
00:13:18,827 --> 00:13:20,137
LOUIS: Iris.

155
00:13:20,206 --> 00:13:23,275
[THUNDER RUMBLES]

156
00:13:29,689 --> 00:13:32,068
IRIS: Please stop following me.

157
00:13:32,172 --> 00:13:34,896
LOUIS [OOV]: You're ridiculous.
I'll walk you home.

158
00:13:34,965 --> 00:13:36,586
IRIS: I'd rather you didn't.
LOUIS: You'd rather I didn't?

159
00:13:36,655 --> 00:13:38,551
Well, do you honestly think
I'm gonna force my way

160
00:13:38,620 --> 00:13:42,034
into your lodgings because
of one silly nighttime romp?

161
00:13:54,517 --> 00:14:00,448
[MOURNFUL MUSIC]

162
00:15:03,620 --> 00:15:04,965
SILAS: I heard the music.

163
00:15:05,068 --> 00:15:09,344
Um, I'm not usually
a devote man.

164
00:15:09,448 --> 00:15:12,586
IRIS: Thank heavens.
[BOTH LAUGH]

165
00:15:21,241 --> 00:15:25,827
SILAS: You could have told me
about him.

166
00:15:25,896 --> 00:15:27,413
I-I met your sister.

167
00:15:27,482 --> 00:15:29,724
IRIS:
You went to the doll shop?

168
00:15:29,793 --> 00:15:32,827
SILAS: I was looking for you.

169
00:15:32,896 --> 00:15:38,310
IRIS: What did she say?

170
00:15:38,379 --> 00:15:39,931
It's alright.

171
00:15:40,034 --> 00:15:41,862
I know what she would've said.

172
00:15:41,965 --> 00:15:44,241
SILAS: Don't need
to feel ashamed, Iris.

173
00:15:44,310 --> 00:15:46,103
Not in front of me.

174
00:15:46,172 --> 00:15:48,034
No matter what choices you've
made,

175
00:15:48,137 --> 00:15:51,137
I-I know
you've got a good heart.

176
00:15:55,620 --> 00:15:58,793
Louis Frost, I know he's
colourful.

177
00:15:58,862 --> 00:16:03,482
They all are, those men.

178
00:16:03,551 --> 00:16:06,517
But you should know
there have been so many girls.

179
00:16:09,793 --> 00:16:14,275
I don't mean to offend you,
but...

180
00:16:14,344 --> 00:16:18,517
you are one in a very long
line.

181
00:16:20,034 --> 00:16:23,482
I tried to warn you.

182
00:16:23,586 --> 00:16:27,172
IRIS: I know.

183
00:16:27,241 --> 00:16:31,413
SILAS:
Is it because he's a gentleman?

184
00:16:31,482 --> 00:16:32,862
Money?

185
00:16:32,965 --> 00:16:34,034
IRIS: Of course not.

186
00:16:34,103 --> 00:16:36,793
SILAS:
No, I--of course I shouldn't.

187
00:16:36,896 --> 00:16:41,413
IRIS: I needed--I needed an
escape.

188
00:16:41,482 --> 00:16:44,034
I'm sure
you can understand that.

189
00:16:44,103 --> 00:16:45,172
SILAS: Like I did.

190
00:16:45,275 --> 00:16:48,448
IRIS [OOV]:
Exactly. And like your friend.

191
00:16:48,517 --> 00:16:53,103
SILAS:
Flick, her name was Flick.

192
00:16:56,206 --> 00:16:58,241
IRIS: Did you ever find out
what happened to her?

193
00:17:02,310 --> 00:17:07,586
SILAS: I like to imagine
that she escaped somewhere too.

194
00:17:07,655 --> 00:17:11,931
I-I picture her happy.

195
00:17:12,034 --> 00:17:13,517
Stuffing herself
with blackberries,

196
00:17:13,619 --> 00:17:17,172
like the ones we used to forage
together in the woods.

197
00:17:17,275 --> 00:17:20,792
But then I think
of how her father was

198
00:17:20,862 --> 00:17:24,550
prone to outbursts
and extreme cruelty.

199
00:17:24,655 --> 00:17:29,793
And I fear that her father
went too far one day.

200
00:17:29,896 --> 00:17:35,827
[EERIE MUSIC]

201
00:18:01,931 --> 00:18:04,103
IRIS [OOV]: I'm so sorry.

202
00:18:06,517 --> 00:18:09,137
SILAS: It's good to remember
people.

203
00:18:09,206 --> 00:18:11,655
It's good to remember her.

204
00:18:11,724 --> 00:18:13,551
I doubt many do.

205
00:18:17,586 --> 00:18:19,448
I went to the doll shop
looking for you

206
00:18:19,517 --> 00:18:22,551
because I wanted to tell you
that I've been accepted

207
00:18:22,620 --> 00:18:24,413
into the Great Exhibition.

208
00:18:24,482 --> 00:18:26,413
Two pieces.
IRIS: Oh, my goodness.

209
00:18:26,482 --> 00:18:29,517
SILAS: I-I knew you of all
people

210
00:18:29,586 --> 00:18:32,620
would appreciate the
acknowledgement of my work.

211
00:18:32,689 --> 00:18:35,172
IRIS: I am so happy for you.

212
00:18:35,275 --> 00:18:36,586
You truly deserve it.

213
00:18:36,689 --> 00:18:41,413
PRIEST: I'm afraid I-I need
to close up.

214
00:18:41,482 --> 00:18:48,275
The doors will open at sunrise
for private contemplation.

215
00:18:48,379 --> 00:18:49,482
SILAS: It will be you next.

216
00:18:49,586 --> 00:18:53,965
Your opus,
your moment of recognition.

217
00:18:54,068 --> 00:18:58,689
IRIS: But you,
and the Great Exhibition.

218
00:19:00,758 --> 00:19:02,103
SILAS: I'll send you a ticket.

219
00:19:02,172 --> 00:19:04,379
IRIS: I would like that very
much.

220
00:21:32,482 --> 00:21:35,862
LOUIS: I know it's not good,
but I can't do anything.

221
00:21:35,931 --> 00:21:38,206
CLARISSA: Well, do you expect
me to?

222
00:21:40,137 --> 00:21:43,310
IRIS: What's that? LOUIS: It's
a new sketch. No good.

223
00:21:49,172 --> 00:21:51,586
IRIS: Sorry. Am I intruding?

224
00:21:51,655 --> 00:21:53,724
CLARISSA: Uh, not at all.

225
00:21:53,793 --> 00:21:57,034
Just a spontaneous visit.

226
00:21:57,137 --> 00:21:59,275
Louis was just saying
your painting

227
00:21:59,344 --> 00:22:00,896
is coming along quite nicely.

228
00:22:00,965 --> 00:22:02,517
Show me?

229
00:22:02,620 --> 00:22:04,068
IRIS: Course.

230
00:22:04,172 --> 00:22:10,206
[SOFT ORCHESTRAL MUSIC]

231
00:22:26,413 --> 00:22:29,379
CLARISSA: Hm.

232
00:22:29,448 --> 00:22:31,310
Well, at this rate
you'll need your own studio.

233
00:22:34,241 --> 00:22:36,172
She's outpainting you,
brother.

234
00:22:36,241 --> 00:22:38,448
LOUIS: Mm. In quantity.

235
00:22:38,517 --> 00:22:43,413
CLARISSA: Hm. I love your
colours. LOUIS: The colours.

236
00:22:43,482 --> 00:22:46,896
Oh, what insight. Such
critique.

237
00:22:47,000 --> 00:22:49,655
CLARISSA [OOV]: Thank you.

238
00:22:49,724 --> 00:22:53,137
LOUIS: Which isn't to say that
I think Iris is untalented.

239
00:22:53,241 --> 00:22:55,379
Quite the opposite.

240
00:22:56,586 --> 00:22:58,344
I'd hate for her to think
that I have anything

241
00:22:58,413 --> 00:23:01,586
but the utmost respect for her
and her work.

242
00:23:07,931 --> 00:23:09,206
CLARISSA: I should be leaving.

243
00:23:14,413 --> 00:23:15,586
Enjoy the party.

244
00:23:15,655 --> 00:23:17,172
LOUIS: You're not coming?
CLARISSA: Louis,

245
00:23:17,241 --> 00:23:19,068
at her last birthday, I was
retching over the sink for
three days.

246
00:23:19,137 --> 00:23:22,310
I could barely keep down
a glass of water.

247
00:23:22,379 --> 00:23:24,344
Have fun.

248
00:23:26,758 --> 00:23:29,517
FEMALE [OOV]: # For she's a
jolly good fellow #

249
00:23:29,586 --> 00:23:36,482
# For she's a jolly good
fellow, for she's a jolly good
fellow #

250
00:23:36,586 --> 00:23:39,172
# And so say all of us #

251
00:23:39,275 --> 00:23:41,793
ALL: # And so say all of us #

252
00:23:41,862 --> 00:23:44,586
# And so say all of us #

253
00:23:44,655 --> 00:23:50,068
# For she's a jolly good
fellow, for she's a jolly good
fellow #

254
00:23:50,137 --> 00:23:55,551
# For she's a jolly good fellow
#

255
00:23:55,620 --> 00:24:00,517
# And so say all of us #

256
00:24:00,586 --> 00:24:03,275
[CHEERS AND APPLAUSE]

257
00:24:06,103 --> 00:24:08,793
[LIGHT CHATTER]

258
00:24:15,137 --> 00:24:17,586
ROSSETTI: Well, I, for one,
will not be buying a ticket.

259
00:24:17,655 --> 00:24:19,862
That they dare
to even mention the word "art"

260
00:24:19,931 --> 00:24:22,137
in the context
of their tacky display.

261
00:24:22,241 --> 00:24:24,103
HUNT: And the whole thing
is pure commerce.

262
00:24:24,172 --> 00:24:26,137
MILLAIS: And commerce has no
place in art.

263
00:24:26,241 --> 00:24:27,241
IRIS: What are you talking
about?

264
00:24:27,310 --> 00:24:28,655
LOUIS [OOV]:
Uh, the Great Exhibition.

265
00:24:28,724 --> 00:24:29,931
MILLAIS [OOV]: Yeah.
And do you know that they--

266
00:24:30,000 --> 00:24:31,586
they will allow anyone
to exhibit?

267
00:24:31,689 --> 00:24:32,620
I mean anyone.

268
00:24:32,689 --> 00:24:35,344
My tailor could do it
or Rossetti's mother.

269
00:24:35,413 --> 00:24:37,413
[LAUGHTER]

270
00:24:37,517 --> 00:24:40,310
IRIS: But don't they have
to be approved by a committee?

271
00:24:40,379 --> 00:24:41,689
HUNT [OOV]: Oh, by committee?

272
00:24:41,758 --> 00:24:43,344
ROSSETTI: No better than the
apes who run the Academy.

273
00:24:43,413 --> 00:24:45,896
HUNT [OOV]: Bastards.
ROSSETTI: Hm.

274
00:24:46,000 --> 00:24:47,206
IRIS:
Well, it's fine for all of you.

275
00:24:47,379 --> 00:24:50,000
Your work is exhibited even
when you do disdain the
institution.

276
00:24:53,137 --> 00:24:56,379
ROSSETTI:Are you accusing us of
privilege?

277
00:24:56,448 --> 00:24:59,103
MILLAIS [OOV]:
Never, us, privileged?

278
00:24:59,172 --> 00:25:00,655
HUNT [OOV]: Me? IRIS: I'm
suggesting that perhaps

279
00:25:00,758 --> 00:25:03,448
it's--it's not quite the same
for everybody.

280
00:25:07,517 --> 00:25:08,689
MILLAIS: Well, you know that,
uh,

281
00:25:08,758 --> 00:25:11,206
two of the Academy's founders
were women.

282
00:25:11,310 --> 00:25:12,896
LOUIS: And yet where were
the female fellows

283
00:25:12,965 --> 00:25:14,551
when we were students?

284
00:25:14,620 --> 00:25:16,551
ROSSETTI: Yes, I'm sure you
missed them, Louis, but the
point is,

285
00:25:16,620 --> 00:25:19,379
they will let anyone in.
LOUIS: Technically.

286
00:25:19,448 --> 00:25:22,206
ROSSETTI [OOV]: Well,
the proof sits right here.

287
00:25:22,275 --> 00:25:23,827
LOUIS: Oh, here.
MILLAIS: What?

288
00:25:23,896 --> 00:25:27,482
ROSSETTI: Admitted at the
frankly offensive age of ten
years old.

289
00:25:27,551 --> 00:25:28,482
MILLAIS: Well, eleven.

290
00:25:28,586 --> 00:25:29,965
LOUIS: There was clearly
a clerical error.

291
00:25:30,068 --> 00:25:31,000
HUNT: It was a novelty case.
ROSSETTI [OOV]: Blatant

292
00:25:31,068 --> 00:25:32,344
publicity stunt.
How dare you?

293
00:25:32,448 --> 00:25:34,413
MILLAIS: No, it wasn't. LIZZIE:
No, don't upset Millais.

294
00:25:34,482 --> 00:25:36,310
I desperately want
to be your Ophelia.

295
00:25:36,379 --> 00:25:37,931
ROSSETTI: [GASPS]
LIZZIE: I mean it.

296
00:25:38,000 --> 00:25:39,655
ROSSETTI: You wouldn't rather
be my Beatrice?

297
00:25:39,724 --> 00:25:42,517
LOUIS [OOV]: God, no.

298
00:25:44,827 --> 00:25:46,034
HUNT [OOV]: Oh, what, Frost?

299
00:25:46,137 --> 00:25:48,103
Do you object
to Shakespeare now?

300
00:25:48,206 --> 00:25:52,172
LOUIS: No, no, it's just this,
ah, this courtly love dogshit.

301
00:25:52,275 --> 00:25:53,758
It's getting boring.

302
00:25:56,000 --> 00:25:57,896
The love
that we've been painting,

303
00:25:57,965 --> 00:26:01,379
it's not actually
anything like real love.

304
00:26:01,448 --> 00:26:04,034
It was Iris who enlightened me
to that.

305
00:26:06,517 --> 00:26:08,000
ROSSETTI: Explain.

306
00:26:10,758 --> 00:26:14,517
IRIS: Love, it's--it's not how
it is in your paintings.

307
00:26:16,068 --> 00:26:17,448
HUNT: Oh.

308
00:26:21,206 --> 00:26:23,758
ROSSETTI: How is it in my
paintings?

309
00:26:25,758 --> 00:26:27,793
IRIS: It's beautiful.

310
00:26:27,862 --> 00:26:30,000
ROSSETTI:
And how is it in reality?

311
00:26:31,931 --> 00:26:34,103
IRIS: Messy.

312
00:26:35,862 --> 00:26:37,172
LIZZIE: Mm.

313
00:26:40,034 --> 00:26:41,275
Mm.

314
00:26:41,344 --> 00:26:44,758
MILLAIS: Well, if Guigemar's
Rescue is not courtly love,

315
00:26:44,862 --> 00:26:45,896
I don't know what is.

316
00:26:45,965 --> 00:26:47,862
LOUIS: I'm not painting her
rescue.

317
00:26:47,931 --> 00:26:49,931
HUNT: What are you talking
about? We saw it just today.

318
00:26:50,000 --> 00:26:54,103
LOUIS: I'm painting her escape.

319
00:26:54,172 --> 00:26:55,827
MILLAIS: Ugh.
HUNT [OOV]: Oh, wow.

320
00:26:55,931 --> 00:26:59,000
ROSSETTI: Here we fucking go.

321
00:27:19,034 --> 00:27:21,448
IRIS: I think
the birthday girl's tired.

322
00:27:25,896 --> 00:27:27,827
LOUIS: You'd make
an excellent mother.

323
00:27:29,482 --> 00:27:32,620
IRIS: A mother to iguanas
perhaps.

324
00:27:34,586 --> 00:27:36,448
LOUIS: Mm.

325
00:27:41,931 --> 00:27:45,482
IRIS: I think we've swapped
sides.

326
00:27:51,827 --> 00:27:52,793
LOUIS: Iris.

327
00:27:52,862 --> 00:27:55,620
IRIS: I think the composition
isn't quite right.

328
00:28:38,655 --> 00:28:40,448
IRIS: Stay still.

329
00:28:41,931 --> 00:28:43,413
LOUIS: I'm sorry.

330
00:29:24,310 --> 00:29:28,068
IRIS: You have this--a line
here.

331
00:29:44,758 --> 00:29:46,482
IRIS: If I'm going
to paint the human form,

332
00:29:46,586 --> 00:29:49,137
I need to study it.

333
00:29:58,103 --> 00:30:00,551
Will you teach me?

334
00:30:31,827 --> 00:30:36,172
IRIS: What are these scars?
Where are they from?

335
00:30:36,241 --> 00:30:38,551
LOUIS [OOV]: A pox.

336
00:30:38,620 --> 00:30:40,827
IRIS: They're not pox scars.

337
00:30:43,551 --> 00:30:46,862
LOUIS: Mm.

338
00:30:46,931 --> 00:30:49,482
From scratching.

339
00:30:51,206 --> 00:30:53,310
IRIS: Well, you got off
lightly.

340
00:30:53,379 --> 00:30:56,758
LOUIS: It was, um, chicken pox.

341
00:31:25,620 --> 00:31:27,827
IRIS: I didn't know
it was like this.

342
00:31:29,965 --> 00:31:33,793
LOUIS: And how is it?

343
00:31:33,862 --> 00:31:36,068
Does it hurt?

344
00:31:36,172 --> 00:31:38,000
IRIS: Yes and no.

345
00:31:41,931 --> 00:31:45,275
Have you ever tried
to paint this?

346
00:31:45,344 --> 00:31:48,068
LOUIS: I think they have
another word for that.

347
00:32:42,827 --> 00:32:45,275
SILAS: Can I help?

348
00:32:47,724 --> 00:32:49,965
GIDEON: What the hell is all
this?

349
00:32:50,068 --> 00:32:52,724
I'm told that this is your
shop.

350
00:32:52,793 --> 00:32:55,413
Is that a fucking heart?

351
00:32:55,482 --> 00:32:59,793
SILAS: From a...

352
00:32:59,896 --> 00:33:02,758
from a pig.

353
00:33:02,827 --> 00:33:06,413
GIDEON: You're not a surgeon.

354
00:33:06,482 --> 00:33:09,344
SILAS: I just...

355
00:33:09,413 --> 00:33:13,448
need the money for my training.

356
00:33:13,551 --> 00:33:17,379
I'm--I'm training
to be a surgeon like you.

357
00:33:22,275 --> 00:33:25,068
It's not usual, I know.

358
00:33:25,137 --> 00:33:30,241
So I don't exactly advertise
it.

359
00:33:30,344 --> 00:33:32,862
It's embarrassing to have to
penny-- GIDEON: You're
embarrassed?

360
00:33:32,931 --> 00:33:37,448
How do you think I look,
hanging around with some--

361
00:33:37,517 --> 00:33:40,206
SILAS: I didn't deceive anyone.

362
00:33:40,275 --> 00:33:41,586
GIDEON: People don't want a
surgeon

363
00:33:41,689 --> 00:33:44,379
who used to pickle organs
for a penny.

364
00:33:46,275 --> 00:33:47,689
This is perverse.

365
00:33:50,137 --> 00:33:52,448
SILAS: Well, father didn't pay
for my education.

366
00:34:00,793 --> 00:34:06,758
I appreciate our friendship.

367
00:34:08,034 --> 00:34:12,241
I hope we can remain friends.

368
00:34:17,655 --> 00:34:20,516
GIDEON: Alright.

369
00:34:20,620 --> 00:34:22,379
Alright.

370
00:34:26,688 --> 00:34:30,827
Do you do the voices as well?

371
00:34:30,931 --> 00:34:32,931
HUNT: Fuck you. You know I'm
right.

372
00:34:33,034 --> 00:34:35,551
Did you honestly think I
wouldn't notice that Guigemar's
Rescue

373
00:34:35,620 --> 00:34:37,137
is almost an exact imitation

374
00:34:37,206 --> 00:34:39,379
of my Valentine Rescuing Sylvia
from Proteus?

375
00:34:39,447 --> 00:34:41,344
LOUIS: She's not being rescued.
HUNT: Oh, bullshit.

376
00:34:41,447 --> 00:34:43,379
MILLAIS: Oh, Hunt, be sensible.

377
00:34:43,447 --> 00:34:45,310
You might as well be accusing
me at this rate.

378
00:34:45,413 --> 00:34:47,413
LOUIS: Yeah, well, he'd never
accuse you, would he, Wonder
Boy?

379
00:34:47,516 --> 00:34:49,310
HUNT: Look, Louis,
you are the only one

380
00:34:49,413 --> 00:34:52,379
who suffers from a despicable
and chronic lack of
originality.

381
00:34:52,447 --> 00:34:54,793
MILLAIS: Right, well,
my Mariana's the same.

382
00:34:54,896 --> 00:34:58,931
She--she's wistfully
awaiting her love in a chamber.

383
00:34:59,034 --> 00:35:03,172
IRIS: I don't look wistful, do
I?

384
00:35:03,275 --> 00:35:07,310
I was trying for a sort
of depressed defiance.

385
00:35:12,517 --> 00:35:14,344
HUNT: [LAUGHS]

386
00:35:14,413 --> 00:35:17,034
LOUIS:
I've never seen a look like it.

387
00:35:19,724 --> 00:35:22,068
HOUSEKEEPER [OOV]: Mr. Frost,
some letters for you.

388
00:35:22,172 --> 00:35:25,137
LOUIS: Ah, thank you very much.

389
00:35:28,965 --> 00:35:34,103
MILLAIS: Your work, it has a,
uh, dignified simplicity.

390
00:35:34,172 --> 00:35:37,827
And I say "simplicity"
in the best possible way.

391
00:35:37,896 --> 00:35:40,034
How long have you been working
with Louis for now, a month?

392
00:35:40,137 --> 00:35:43,103
LOUIS [OOV]: Five weeks.
MILLAIS: Five weeks.

393
00:35:43,172 --> 00:35:47,275
Your progress, it's
astonishing.

394
00:35:47,344 --> 00:35:51,344
LOUIS: Iris, this one's for
you.

395
00:35:59,724 --> 00:36:02,655
ALBIE: Colville Place. 1:00.

396
00:36:08,068 --> 00:36:12,172
Mr. Silas. Mr. Silas.

397
00:36:14,310 --> 00:36:18,896
SILAS: Mr. Millais has
commissioned a Spaniel.

398
00:36:19,000 --> 00:36:21,034
ALBIE: Do you want me
to find the dog for you?

399
00:36:21,103 --> 00:36:22,620
SILAS: I have the dog.

400
00:36:27,000 --> 00:36:28,620
ALBIE:Want me to call him out
for you?

401
00:36:31,586 --> 00:36:33,275
SILAS: No need.

402
00:36:38,068 --> 00:36:44,137
[SOFT REFLECTIVE MUSIC]

403
00:36:59,724 --> 00:37:01,724
ALBIE:
When do I get paid?

404
00:37:05,965 --> 00:37:07,206
You'll pay now, lovey,

405
00:37:07,275 --> 00:37:09,413
'cause I'm not having you leg
it when it's all over.

406
00:37:11,931 --> 00:37:13,482
I'm no fool, sir.

407
00:37:13,551 --> 00:37:18,137
If you don't hand me my money,
I'm not handing you my cunny.

408
00:37:18,241 --> 00:37:22,448
LOUIS:
[LAUGHS] Well.

409
00:37:36,620 --> 00:37:38,793
Are you--here.

410
00:37:42,103 --> 00:37:44,068
ALBIE: Mr. Frost, sir.

411
00:37:44,137 --> 00:37:46,931
There's a man
outside your house.

412
00:37:47,000 --> 00:37:48,724
LOUIS: Do the buttons up
yourself.

413
00:37:48,827 --> 00:37:51,310
ALBIE: I think he's been
watching Miss Iris.

414
00:37:56,724 --> 00:37:58,517
LOUIS: Well, there's--there's
no one outside.

415
00:37:58,586 --> 00:37:59,931
Why do you think that?

416
00:38:00,034 --> 00:38:02,931
ALBIE: I was there when they
met and he was asking me about
her.

417
00:38:03,000 --> 00:38:04,172
MILLAIS: Asking what?

418
00:38:04,241 --> 00:38:06,275
ALBIE: Just all sorts of
questions.

419
00:38:08,862 --> 00:38:10,413
LOUIS: How do you know this
man?

420
00:38:10,482 --> 00:38:14,655
ALBIE: Do work for him,
but he's sort of scary.

421
00:38:14,724 --> 00:38:16,241
LOUIS: You're scared of him?

422
00:38:16,310 --> 00:38:18,827
ALBIE: I'm not scared of
anyone.

423
00:38:18,896 --> 00:38:21,241
LOUIS: No.

424
00:38:21,344 --> 00:38:23,482
ALBIE: He's got a shop.

425
00:38:23,551 --> 00:38:27,137
I find dead things for him
to stuff and sell in it.

426
00:38:27,206 --> 00:38:31,137
He's called Silas. MILLAIS:
Yes, we know Silas, Albie.

427
00:38:31,206 --> 00:38:32,448
LOUIS: I bet his business took
a turn

428
00:38:32,517 --> 00:38:34,620
since our altercation
at the Dolphin.

429
00:38:34,689 --> 00:38:38,344
ALBIE:He said he was making a
dog for you.

430
00:38:38,413 --> 00:38:40,620
For him.

431
00:38:40,689 --> 00:38:41,965
LOUIS: Did he now?

432
00:38:42,034 --> 00:38:43,413
After what he said to me?

433
00:38:43,517 --> 00:38:45,068
MILLAIS: Louis, it--it's my
work.

434
00:38:45,137 --> 00:38:46,896
ALBIE:I don't think it's true,
though.

435
00:38:46,965 --> 00:38:49,275
LOUIS: Traitor.
MILLAIS: It is true, Albie.

436
00:38:49,344 --> 00:38:51,482
ALBIE: I mean about that being
why he was outside.

437
00:38:51,551 --> 00:38:54,103
MILLAIS: He was probably just
too embarrassed to come in.

438
00:38:54,206 --> 00:38:57,344
LOUIS: As he should be.

439
00:38:57,448 --> 00:39:01,310
ALBIE:I think he likes her,
Miss Iris.

440
00:39:04,551 --> 00:39:06,241
MILLAIS:Oh, Louis, don't be
angry at me.

441
00:39:06,344 --> 00:39:09,137
LOUIS:It better be a bloody
lovely dog.

442
00:39:09,206 --> 00:39:12,724
That's all I have to say.

443
00:39:50,655 --> 00:39:53,241
IRIS: You'll never finish
if you keep staring at me.

444
00:39:54,724 --> 00:39:56,724
LOUIS: You're my model.

445
00:39:56,793 --> 00:39:59,103
It's my job to stare at you.

446
00:39:59,206 --> 00:40:00,344
Your job to be stared at.

447
00:40:07,379 --> 00:40:10,827
IRIS: Well, I'll be finished
first at this rate.

448
00:40:10,931 --> 00:40:13,827
Maybe I should submit instead.

449
00:40:22,517 --> 00:40:28,482
[OMINOUS MUSIC]

450
00:40:58,241 --> 00:41:00,482
EVIE: Come on, Alb.

451
00:41:00,586 --> 00:41:01,793
It's time to go.

452
00:41:04,344 --> 00:41:09,137
Albie. Albie.

453
00:41:13,103 --> 00:41:14,931
ALBIE [OOV]:
I wish I could keep you safe.

454
00:41:15,034 --> 00:41:18,068
EVIE: You do.

455
00:41:18,137 --> 00:41:21,275
You do. [GROANS]

456
00:41:21,379 --> 00:41:24,068
Come on, Alb.

457
00:41:32,793 --> 00:41:34,586
ALBIE: Megalosaurus.

458
00:41:36,517 --> 00:41:37,689
Megalosaurus.

459
00:41:52,931 --> 00:41:55,310
IRIS: Who is in these sketches?

460
00:43:40,000 --> 00:43:43,068
[POUNDING AT DOOR]

461
00:43:52,793 --> 00:43:53,793
MADAME: I know what you've
done.

462
00:43:53,896 --> 00:43:55,068
SILAS: What are you talking
about?

463
00:43:55,137 --> 00:43:57,103
MADAME: I'll see you hanged
for what you did to her.

464
00:43:57,172 --> 00:43:58,172
SILAS: I don't know
what you're talk--

465
00:43:58,275 --> 00:44:00,551
MADAME: You know exactly
what I'm talking about.

466
00:44:02,931 --> 00:44:05,862
SILAS: Madame, you're upset.

467
00:44:05,965 --> 00:44:08,275
You need water
and you need your bed.

468
00:44:08,344 --> 00:44:11,862
MADAME: What I need is
to feel your flesh

469
00:44:11,965 --> 00:44:16,620
split under my own knife.

470
00:44:16,689 --> 00:44:20,241
You don't deserve to have her
last moments to yourself.

471
00:44:20,344 --> 00:44:23,689
SILAS:Madame, I'm sorry you're
in pain.

472
00:44:23,758 --> 00:44:27,206
You need to leave. You're
drunk.

473
00:44:27,275 --> 00:44:30,620
MADAME: I see you, little man.

474
00:44:30,724 --> 00:44:33,655
Silent, starey Silas.

475
00:44:33,724 --> 00:44:37,275
And I'm gonna make sure that
everyone else can see you too.

476
00:45:05,206 --> 00:45:08,000
ALBIE: I'm sorry about
your friend Bluebell.

477
00:45:08,068 --> 00:45:11,586
I think Mr. Silas has been
watching my friend too.

478
00:45:13,482 --> 00:45:15,758
MADAME: Watching?

479
00:45:21,379 --> 00:45:22,517
ALBIE: People don't notice me

480
00:45:22,586 --> 00:45:25,689
'cause they don't think
I'm important.

481
00:45:25,793 --> 00:45:27,793
But I see all sorts of stuff.

482
00:45:31,862 --> 00:45:35,137
Maybe we can help each other.

483
00:46:03,862 --> 00:46:05,413
ANANYA: May I move now?

484
00:46:09,896 --> 00:46:11,517
IRIS: It's not perfect.

485
00:46:11,620 --> 00:46:13,344
I don't think
I got your eyes right.

486
00:46:13,448 --> 00:46:18,758
The shape is fine,
but the size...

487
00:46:18,827 --> 00:46:20,206
I don't know.
[SIGHS]

488
00:46:20,310 --> 00:46:23,689
I'd like to try again in--
in oils.

489
00:46:31,413 --> 00:46:33,793
Do you hate it?

490
00:46:35,931 --> 00:46:39,275
ANANYA: I don't think anyone
has ever looked at me so
closely.

491
00:46:43,068 --> 00:46:44,310
Can I keep it?

492
00:46:50,172 --> 00:46:52,137
Have you decided
if you'll submit,

493
00:46:52,206 --> 00:46:54,310
I mean, to the Royal Academy?

494
00:46:54,379 --> 00:46:56,551
IRIS: Louis doesn't think I'm
ready.

495
00:46:56,655 --> 00:46:59,000
ANANYA:Does it matter if he
thinks that?

496
00:46:59,068 --> 00:47:01,137
IRIS: It does if I don't
succeed.

497
00:47:01,206 --> 00:47:03,551
ANANYA: You can't try again
next year?

498
00:47:07,620 --> 00:47:11,241
Iris, surely one of the
benefits of being a woman

499
00:47:11,344 --> 00:47:16,689
is that we don't have to suffer
from this awful pride of
theirs.

500
00:47:16,793 --> 00:47:21,758
You try, maybe you fail,
maybe you succeed.

501
00:47:21,862 --> 00:47:24,034
What is there to lose?

502
00:47:30,000 --> 00:47:32,172
ANANYA:
But I don't think you'll fail.

503
00:47:36,827 --> 00:47:42,758
[CURIOUS MUSIC]