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00:00:05,630 --> 00:00:09,259
♪ (UPBEAT ELECTRONIC MUSIC
PLAYING) ♪
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(SCANNER BEEPING)
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(SCANNER BEEPING)
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(SCANNER BEEPING)
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(INDISTINCT CLAMOR)
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CREW MEMBER: (OVER MICROPHONE)
Stand by.
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DANIEL: All right, background,
listen up.
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Fish People, find an eye line
to the second moon.
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Moss Men, camera right
of the temple ruins. Thank you.
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I'm sorry,
I wasn't really listening.
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So I'm-- I'm having
a bit of difficulty...
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Fish head, man legs,
second moon.
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Thank you. All right.
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Daniel. Dag, the new third.
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Oh, hey. Nice to meet you.
Where are we on lighting?
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Also, talk to catering.
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- No soup for the Fish People.
- (OBJECT THUDS)
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Yeah, I don't want...
Quiet on set!
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...fluids on their scales.
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- Adam, mate. How's your morning?
- Try this.
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Turkey meat, Muscle Milk,
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it's like Thanksgiving dinner
on steroids.
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Wow, turkey on steroids.
Gobble, gobble.
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Mum. No, sorry, bye.
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- Do me a favor.
Go and smell Gary.
- Smell him?
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- Gary, the boom guy.
- (OBJECT THUDS)
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I need to know if he's...
Quiet on set!
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...drunk or high or both.
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Dan, we have a Fish Person
in a panic spiral.
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I'm sorry, I think
I'm having a panic attack.
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- I think it must be the latex.
- (WALKIE-TALKIE BEEPS)
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Boz, how long 'til we wrap
the Fish People?
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- BOZ: About an hour and a half.
- Twenty minutes.
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Can you give me twenty minutes,
mate? Yeah, try this.
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It's kiwi and passionfruit.
All right.
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So, I smelled Gary.
I think weed.
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Okay, great. High is good.
He can operate when he's high.
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Can you interrupt me
in six seconds?
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Peter, good sir.
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Oh, Dan,
I've got a joke for you.
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- Probably not okay but fuck it.
- Great, hit me.
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So, a transsexual goes
into a swamp--
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- Daniel, bit of an emergency.
- Hold that punchline.
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Emergency, nurse! Good work.
Where are we on lighting?
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Also, do not let Peter
finish that joke.
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(TRUCK BEEPING)
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Holy fucking shit,
the studio's on fire!
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♪ (MUSIC STOPS ABRUPTLY) ♪
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- Okay, it's just some houses.
- ♪ (UPBEAT MUSIC RESUMES) ♪
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- DANIEL: We're back, everyone.
- (TRUCK BEEPING)
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Please ignore
the burning houses.
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Daniel,
I think Eric's concerned.
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He's very white,
even for a German.
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- I'm concerned.
- DANIEL: That's concerning.
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Daniel, I'm concerned.
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My big waterfall scene,
16 set-ups.
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- I don't think we'll get it.
- DANIEL: Eric, trust me.
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- You have my word. We'll get it!
- Good.
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(BELL RINGS)
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Yeah, we're not gonna get it.
Absolutely no way.
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Today's a fireball
and it'll kill us all.
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Shane is online.
He may have notes.
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Shane is online.
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Great. Excellent.
Keep me looped.
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- God, I love my life.
- Fish Man incoming.
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- DANIEL: Outstanding.
- I just really want this off me!
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Easy, easy.
That's four hours in the chair.
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Look, I don't know
if you know the comics.
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I do. It's the last thing
my dad read to me.
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And, sir, I would switch places
with you in a heartbeat.
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'Cause you're a Fish Man!
Yeah?
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- (SIGHS) Yeah.
- Thank you.
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JAZ: Fish Man travelling.
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DAG: Oh my God,
was that actually real?
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Well, my dad is dead,
but he was more into sports.
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Where are we on lighting?
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Update from Shane.
Shane has no notes.
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Shane has no notes.
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Great, well, thank you
for conveying his lack of input.
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JAZ: Lighting is set,
lighting is set.
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Okay, we are set
for rehearsal, everyone.
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We are rehearsing.
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- CREW: Rehearsal!
- We set on camera?
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- HORST: Set!
- Okay, let's bring up the wind.
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- CREW: Bring up the wind!
- (FANS BLOWING)
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Okay, we're good on atmos.
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Go water.
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CREW: Go water!
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DANIEL: So, just another 83 days
and then we're done.
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Let's savor every moment.
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(THROUGH MICROPHONE)
Fish helmet!
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And... action!
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♪ (UPBEAT MUSIC CONCLUDES) ♪
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ERIC: And finally, we come
to the heart of the matter.
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Meeting of the elders.
Eye. Tecto.
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Magic hour,
the sun has just set.
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All dusky.
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Everything's so fucking dark
these days, isn't it?
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Restaurants. Mad.
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ERIC: And the blue screen,
a thunderous waterfall.
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Yes, love it, love it.
How thunderous?
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Can we show Adam the pre-vis?
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Yeah, looking up
for the pre-vis.
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Looking up to the pre-vis,
folks!
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Yeah, yeah. Holy shit.
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(LAUGHS) Wow, that looks great.
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(LAUGHING) Why am I walking
like that, though?
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ERIC:
Obviously, the walking is weird,
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but the swagger is interesting.
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- Mm-hmm.
- Swaggering, but anxious.
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Okay.
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- Like a panther...
- Oh.
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...on its way
to a job interview.
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- Wh... what?
- ERIC: Well, not that, but that.
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Can you take me there?
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In a walk.
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I'm Tecto, bitch. Yeah. Yeah.
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Okay, that's last looks, everyone.
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- Thank you.
- Last looks, folks. Thank you.
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Heads up, we don't really
say "folks," yeah?
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We're not line dancing.
Not to be a dick.
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Thirty-two percent
sleep efficiency.
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- Oh.
- No wonder he's fussy.
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Eric. I bought him a sleep ring.
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Just to monitor his well-being.
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Would love to get him
horizontal.
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- Very, very pro-nap.
- Why is that there?
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STEPH: Sorry.
Pat Shannon's coming.
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Cheese and crackers.
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ERIC: Okay, sure.
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Not panicking. I'm--
Just take five, everyone!
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- PA: Take five!
- I am cold as ice.
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Justin, it's me.
Pat Shannon's here.
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Repeat, repeat, repeat.
The Toy Man cometh.
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- Do you want me to ask the boy?
- Negative.
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Do not engage the boy.
The boy is not a boy.
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Steph, I need you to wrangle
Eric back to his trailer.
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Oh, I am angling
for a wrangling.
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(KNOCKING ON DOOR)
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Eric! The studio's
coming to see you today.
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Pat Shannon's personally coming
to see you.
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- (DOOR CLOSES)
- So... (SIGHS)
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...the day hath come,
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when the suits shall flutter
down from the trees.
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Thoughts towards a new ending,
Steph?
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Oh, Eric, gladly.
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Why is he here?
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He's apparently in town
to launch some new inflatables
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at the European Toy Convention.
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(SCOFFS) My God, the banality.
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The money man. God's Rottweiler.
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Some say he can't read.
That's sad.
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So, while Pat's in town,
how do we feel about
154
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a little extra lighting?
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Ah!
156
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So you want me to do
my little dance for the Toy Man.
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And you clap and spank me
and we all laugh.
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Never.
We'd never laugh or spank.
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Look, I don't think this,
but we already know
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the studio thinks
the movie's too dark, so...
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(SCOFFS)
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They know what I am.
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I'm a weird, difficult guy.
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I look like
this hipster chinos man
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who goes to Muji to buy a towel,
but I'm not.
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I'm strange and I'm serious.
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I don't know how to think
like the kind of guy
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who washes his car,
eats a chicken drumstick
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with his wife,
and then has a bath.
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If that's what they want,
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hire Ron Howard.
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Church. And Eric,
if the studio tries
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to muck about
with your vision in any way,
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I will cut my heart out
with a sushi knife.
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- (SIGHS)
- Won't we, guys?
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Absolutely, one hundred percent.
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Sorry, this is literally
my first day, so...
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00:06:38,690 --> 00:06:41,568
Call Justin. I want my producer
here to fight my corner.
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00:06:41,568 --> 00:06:42,736
Justin's cutting short
the Morocco scout.
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He's coming straight back.
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00:06:44,612 --> 00:06:46,114
Look, Eric.
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00:06:46,114 --> 00:06:47,824
A little bit of extra lighting
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00:06:47,824 --> 00:06:49,909
will buy you
the relationship capital, yeah?
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00:06:49,909 --> 00:06:51,745
So then you can make
the movie you want to make,
185
00:06:51,745 --> 00:06:54,205
but behind the movie
they think you're making.
186
00:06:54,205 --> 00:06:56,207
All that stuff about the planet,
about fracking--
187
00:06:56,207 --> 00:06:59,502
I do want to say something
about fracking.
188
00:06:59,502 --> 00:07:02,547
But there can be no more light.
There's no light source.
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00:07:03,840 --> 00:07:04,841
DANIEL: Mm.
190
00:07:06,009 --> 00:07:07,177
Unless...
191
00:07:07,802 --> 00:07:09,262
there's a second sun.
192
00:07:10,930 --> 00:07:12,223
Not sunset...
193
00:07:13,808 --> 00:07:15,101
but sunrise.
194
00:07:15,101 --> 00:07:17,145
STEPH: Oh, bravo.
He's done it again.
195
00:07:17,145 --> 00:07:19,356
That's why you won
the Golden Leopard at Locarno.
196
00:07:19,356 --> 00:07:22,817
You know, this is really
good stuff, Eric.
197
00:07:22,817 --> 00:07:25,236
- (DOOR CLOSES)
- Suck his dick, Greta Gerwig.
198
00:07:27,822 --> 00:07:29,866
DANIEL: Okay, we need
to clean house
199
00:07:29,866 --> 00:07:32,160
for the big visit,
so smell Gary again.
200
00:07:32,160 --> 00:07:33,620
If he still smells of weed,
201
00:07:33,620 --> 00:07:36,289
speak to wardrobe,
have him sprayed.
202
00:07:36,289 --> 00:07:39,250
And make sure nobody shows
Pat around P stage.
203
00:07:39,250 --> 00:07:40,752
What's on P stage?
204
00:07:40,752 --> 00:07:43,338
About 60 live
Yoshino cherry trees
205
00:07:43,338 --> 00:07:44,964
we had imported from Kyoto
206
00:07:44,964 --> 00:07:46,841
and then... (CLICKS TONGUE)
...cut from the script.
207
00:07:47,717 --> 00:07:48,760
The waste!
208
00:07:49,552 --> 00:07:51,346
You could build
a children's hospital.
209
00:07:52,222 --> 00:07:54,224
It's absolutely hilarious.
210
00:07:54,224 --> 00:07:56,685
- Yeah. But what price dreams?
- (TIRES SCREECH)
211
00:07:58,687 --> 00:08:00,647
- Instead of sunset...
- Mm-hmm.
212
00:08:00,647 --> 00:08:01,898
...sunrise.
213
00:08:01,898 --> 00:08:03,608
(GASPS)
But here's the genius part.
214
00:08:04,734 --> 00:08:05,777
Two suns.
215
00:08:08,363 --> 00:08:10,323
Wow, double sunri-- Okay.
216
00:08:10,323 --> 00:08:12,117
Thank you. Maestro.
217
00:08:12,617 --> 00:08:14,077
Done it again.
218
00:08:14,077 --> 00:08:16,246
Breast-fed Ted.
Breast-fed Ted.
219
00:08:16,246 --> 00:08:19,749
Please board
the emergency vessel.
220
00:08:19,749 --> 00:08:22,585
Bah! Bah! Bah!
221
00:08:22,585 --> 00:08:25,880
- All right, fuck off.
- ADAM: Bah! Bah!
222
00:08:25,880 --> 00:08:27,841
PETER: Okay,
let's go now. (CLAPS)
223
00:08:27,841 --> 00:08:29,551
DANIEL: All right, picture's up.
Let's roll sound
224
00:08:29,551 --> 00:08:31,678
- and bring up that wind.
- OPERATOR: Rolling.
225
00:08:31,678 --> 00:08:34,889
The genocidal jockey tip-toed
gently past the baby's coffin.
226
00:08:36,224 --> 00:08:37,851
Okay, and...
227
00:08:38,935 --> 00:08:40,395
action.
228
00:08:40,395 --> 00:08:42,480
♪ (DRAMATIC MUSIC PLAYING) ♪
229
00:08:46,443 --> 00:08:48,069
ADAM: (LOUDLY) The great Eye,
230
00:08:48,069 --> 00:08:49,946
reduced to begging
231
00:08:49,946 --> 00:08:51,823
before the Council
of the Moss Men.
232
00:08:51,823 --> 00:08:53,700
(LAUGHS) For a man
with second sight--
233
00:08:53,700 --> 00:08:55,618
Sorry, why are you shouting?
234
00:08:55,618 --> 00:08:56,953
- ♪ (MUSIC STOPS) ♪
- Why is he shouting?
235
00:08:56,953 --> 00:08:59,289
I'm not shouting.
I'm-- I'm raising my voice
236
00:08:59,289 --> 00:09:00,957
because we're next
to a waterfall,
237
00:09:00,957 --> 00:09:02,917
- so I would be project--
- ERIC: Okay, cut.
238
00:09:02,917 --> 00:09:04,586
- DANIEL: All right, cut there.
- CREW: Cut there.
239
00:09:04,586 --> 00:09:07,422
Why would we be having
a judicial meeting
240
00:09:07,422 --> 00:09:09,632
next to a waterfall
if we had to shout?
241
00:09:09,632 --> 00:09:11,551
ADAM: That's just how loud
waterfalls are.
242
00:09:11,551 --> 00:09:14,179
- Eric, how loud are waterfalls?
- ERIC: They're deafening.
243
00:09:14,179 --> 00:09:15,680
Dan, can we play in the sound
244
00:09:15,680 --> 00:09:17,515
of the thunderous waterfall
from Fiji?
245
00:09:17,515 --> 00:09:18,975
- No.
- Why not?
246
00:09:18,975 --> 00:09:20,685
‘Cause Milo said no.
(SHOUTS) Milo!
247
00:09:21,311 --> 00:09:22,312
No one told me.
248
00:09:22,312 --> 00:09:23,855
If you need a guide,
you'll have to shout.
249
00:09:24,522 --> 00:09:25,523
Waterfall!
250
00:09:26,274 --> 00:09:27,525
They're like that loud.
251
00:09:29,819 --> 00:09:31,446
Waterfall! Waterfall!
252
00:09:31,446 --> 00:09:33,782
- Waterfall! Waterfall!
- Waterfall!
253
00:09:33,782 --> 00:09:36,409
- BOTH: Waterfall! Waterfall!
- The Great Eye...
254
00:09:36,409 --> 00:09:38,620
- Waterfall! Waterfall!
- And that's the sound
255
00:09:38,620 --> 00:09:40,413
of the water pounding
on the rocks.
256
00:09:40,413 --> 00:09:42,957
- Waterfall!
- Waterfall!
257
00:09:43,708 --> 00:09:45,585
It's a fucking council meeting
258
00:09:45,585 --> 00:09:47,712
to consider
an extradition proceeding.
259
00:09:47,712 --> 00:09:49,422
If it was loud,
we'd be in an office.
260
00:09:49,422 --> 00:09:51,132
But they--
they don't have offices,
261
00:09:51,132 --> 00:09:52,842
because they're 80 percent moss.
262
00:09:52,842 --> 00:09:55,095
And yet they have paperweights
for their paperwork.
263
00:09:55,095 --> 00:09:56,763
I mean, we're not savages.
264
00:09:56,763 --> 00:09:58,932
I'm sorry. Am I getting input
from the stuff
265
00:09:58,932 --> 00:10:01,017
that grows on fucking rocks now?
Can this one go away, please?
266
00:10:01,017 --> 00:10:03,311
I'm sorry, Peter.
I really am. I really am.
267
00:10:03,311 --> 00:10:06,106
But I-- I just really committed
to the idea
268
00:10:06,106 --> 00:10:08,066
- of raising my voice and, um--
- Peter, how would you feel
269
00:10:08,066 --> 00:10:10,235
about meeting Adam halfway,
volume-wise?
270
00:10:10,235 --> 00:10:12,153
Well, I can't, actually,
because I've got polyps
271
00:10:12,153 --> 00:10:14,906
on my vocal nodes,
brought on by TMT.
272
00:10:14,906 --> 00:10:16,324
Too Much Theatre. Sorry.
273
00:10:16,324 --> 00:10:19,244
More like TMV.
Too Much Vino.
274
00:10:19,244 --> 00:10:21,162
So, I think the man is coming.
275
00:10:22,288 --> 00:10:23,415
The studio man?
276
00:10:23,415 --> 00:10:24,708
Wowzers.
277
00:10:24,708 --> 00:10:29,212
He's a... burly man, isn't he?
Big, hurly-burly man.
278
00:10:29,212 --> 00:10:30,922
DANIEL: Eric, I think
tactical lighting break
279
00:10:30,922 --> 00:10:32,549
while we welcome the studio.
280
00:10:34,676 --> 00:10:35,760
Horst!
281
00:10:36,094 --> 00:10:39,472
(IN GERMAN)
282
00:10:43,018 --> 00:10:44,227
(IN ENGLISH)
Is there any swearing
283
00:10:44,227 --> 00:10:46,229
you'd like to do
beforehand, or...
284
00:10:46,229 --> 00:10:47,605
Shitwit.
285
00:10:47,605 --> 00:10:49,399
Cocktangle money fascist.
286
00:10:50,734 --> 00:10:53,737
Fuck-clump cosmic anus
human hambone prick.
287
00:10:54,446 --> 00:10:55,864
Such an imagination.
288
00:10:55,864 --> 00:10:57,073
Granny fucker.
289
00:10:58,908 --> 00:11:01,036
Not sure if you remember,
I was third AD on Thunderon--
290
00:11:01,036 --> 00:11:03,038
Eric Bouchard, The Unlikening.
291
00:11:03,038 --> 00:11:04,581
What a movie. (CHUCKLES)
292
00:11:04,581 --> 00:11:07,584
- Truly, not worthy.
- Oh my God. Wow. Thank you.
293
00:11:07,584 --> 00:11:10,378
Hey, can I get a selfie, please?
My kids will kill me if I don't.
294
00:11:10,378 --> 00:11:12,422
- Of course.
- Yeah? Thanks.
295
00:11:12,422 --> 00:11:13,757
- (SHUTTER CLICKS)
- There it is. Thanks.
296
00:11:13,757 --> 00:11:15,967
No, thank you, man, for letting
me play in your sandbox.
297
00:11:15,967 --> 00:11:17,886
Steph, his right-leg woman.
298
00:11:17,886 --> 00:11:20,764
I wish I could just crack open
your head and drink the juice.
299
00:11:20,764 --> 00:11:22,474
Hand man, woman.
300
00:11:22,474 --> 00:11:23,641
You know what?
Let's go to crafty.
301
00:11:23,641 --> 00:11:25,393
I have the need for feed.
Come on.
302
00:11:26,936 --> 00:11:28,021
(WHISPERS) What?
303
00:11:28,021 --> 00:11:29,773
(NORMAL VOICE) Um,
do you mind dealing with all--
304
00:11:29,773 --> 00:11:30,982
- Yeah.
- DANIEL: Yeah.
305
00:11:30,982 --> 00:11:32,484
(INDISTINCT CHATTER)
306
00:11:32,484 --> 00:11:34,819
Here it comes.
Charge of the Light Brigade.
307
00:11:34,819 --> 00:11:37,572
Oh-ho, the second sun!
308
00:11:37,572 --> 00:11:40,241
- Beautiful! Horst...
- HORST: (IN GERMAN)
309
00:11:40,241 --> 00:11:41,409
ADAM: (IN ENGLISH)
...give me a tan!
310
00:11:41,409 --> 00:11:43,995
(IN GERMAN)
311
00:11:43,995 --> 00:11:45,205
(LIGHT HUMS)
312
00:11:45,205 --> 00:11:46,706
ADAM: Whoo!
313
00:11:46,706 --> 00:11:50,335
Now that is
a luxurious cheese plate, huh?
314
00:11:51,002 --> 00:11:52,337
Right-hand woman.
315
00:11:52,337 --> 00:11:54,673
I do know the difference
between hands and legs.
316
00:11:55,840 --> 00:11:56,966
So, Maestro.
317
00:11:58,301 --> 00:12:00,929
Just to let you know,
professional courtesy,
318
00:12:01,513 --> 00:12:04,265
there has been a genocide.
319
00:12:04,265 --> 00:12:06,643
- Genocide?
- Yeah.
320
00:12:06,643 --> 00:12:09,562
We needed a sweetener
for Centurios 2.
321
00:12:09,562 --> 00:12:12,691
We had a run of dry plot pellets
and we needed a little chutney
322
00:12:12,691 --> 00:12:14,484
to get over that third act hump.
323
00:12:14,484 --> 00:12:16,194
So we massacred the Fish People.
324
00:12:18,029 --> 00:12:19,489
- Chutney?
- (PAT CLICKS TONGUE)
325
00:12:19,489 --> 00:12:20,740
Visceral chutney.
326
00:12:20,740 --> 00:12:24,619
Man, woman, child.
Brutal, devastating, badass.
327
00:12:25,704 --> 00:12:27,038
The Fish People are in my movie.
328
00:12:27,038 --> 00:12:28,248
Oh, sure.
329
00:12:28,623 --> 00:12:29,541
Or are they?
330
00:12:29,541 --> 00:12:32,544
(CHUCKLES) Right.
No, but they are.
331
00:12:33,378 --> 00:12:34,421
Well, all I'm saying
332
00:12:34,421 --> 00:12:35,755
is they've been slaughtered
in the movie
333
00:12:35,755 --> 00:12:38,883
sequentially prior to the one
you're making, so, hmm.
334
00:12:38,883 --> 00:12:40,927
- ERIC: Shane knows?
- BRYSON: Shane knows everything.
335
00:12:40,927 --> 00:12:42,679
Shane's super happy
with how it turned out.
336
00:12:42,679 --> 00:12:43,847
Spectacular. I'm telling you,
337
00:12:43,847 --> 00:12:45,557
it'll blow your eyeballs
out of your asshole.
338
00:12:45,557 --> 00:12:47,517
Shane said the first cut
of the genocide sequence
339
00:12:47,517 --> 00:12:48,935
made him giddy
like a schoolgirl.
340
00:12:48,935 --> 00:12:50,562
Shane loves
what you're doing up here.
341
00:12:50,562 --> 00:12:52,188
I do. Uh, we do.
342
00:12:52,564 --> 00:12:53,648
He does.
343
00:12:53,648 --> 00:12:55,692
In Shane we trust.
Guy's never wrong.
344
00:12:55,692 --> 00:12:56,901
We're blushing.
345
00:12:56,901 --> 00:12:58,528
Sorry. I'm, uh, just trying
to recalibrate
346
00:12:58,528 --> 00:13:00,530
- my sense of the universe.
- Oh, sure.
347
00:13:00,530 --> 00:13:02,323
You take your time, sir.
348
00:13:02,323 --> 00:13:04,284
I get it,
everything's connected.
349
00:13:04,284 --> 00:13:05,827
It's all just one big thing.
350
00:13:05,827 --> 00:13:08,872
The Fish People are carrying
a lot of thematic luggage.
351
00:13:08,872 --> 00:13:10,874
All right.
(CLEARS THROAT) Look.
352
00:13:10,874 --> 00:13:12,250
- ERIC: Napkin?
- PAT: Thanks.
353
00:13:12,250 --> 00:13:15,545
Centurios 2 is our tentpole,
all right?
354
00:13:15,545 --> 00:13:17,630
Without our tentpole,
we don't have a tent.
355
00:13:17,630 --> 00:13:19,841
And without a tent,
we get eaten in our sleep
356
00:13:19,841 --> 00:13:21,217
- by 9-year-old TikTok kids...
- (PHONE BUZZES)
357
00:13:21,217 --> 00:13:22,469
...with superhero fatigue.
358
00:13:23,386 --> 00:13:26,348
Which is not a real illness
and a scam.
359
00:13:26,348 --> 00:13:29,601
- (PHONE BUZZES)
- Excuse me one second.
360
00:13:29,601 --> 00:13:32,312
Yeah, you got 25 seconds.
Start talking or I'm hanging up.
361
00:13:33,897 --> 00:13:35,648
ERIC:
What the fuck just happened?
362
00:13:35,648 --> 00:13:38,109
Tentpole?
Then what the fuck are we?
363
00:13:38,109 --> 00:13:40,695
We're a tentpole. We are.
Tents have many poles.
364
00:13:40,695 --> 00:13:42,572
Where's Justin?
Where's my producer?
365
00:13:42,572 --> 00:13:45,075
I cannot think studio logic.
I'm not a left-brain guy.
366
00:13:45,075 --> 00:13:47,160
Hey, you have two right brains.
Maybe more.
367
00:13:47,160 --> 00:13:49,245
Justin is wheels-up
in Tangier, no later
368
00:13:49,245 --> 00:13:50,455
- than oh-thirteen hundred.
- (SIGHS)
369
00:13:50,455 --> 00:13:51,873
Now, how do we feel about a nap?
370
00:13:51,873 --> 00:13:53,875
I don't want a nap, Stephanie!
371
00:13:53,875 --> 00:13:55,585
I want my fucking Fish People!
372
00:13:57,712 --> 00:14:00,215
Oh, and I want a parking space
and a craft nook.
373
00:14:00,215 --> 00:14:01,424
We're all making compromises.
374
00:14:01,424 --> 00:14:03,593
- Okay, call lunch.
- That's lunch, folks!
375
00:14:03,593 --> 00:14:05,637
- Guys!
- Escort Pat to the taco truck.
376
00:14:05,637 --> 00:14:07,681
Do not let him out
of your sight.
377
00:14:07,681 --> 00:14:09,557
No P stage. We all breathe.
378
00:14:10,266 --> 00:14:11,726
God, this is so rewarding.
379
00:14:12,602 --> 00:14:13,687
Anyone wanna...
380
00:14:13,687 --> 00:14:15,814
hang out for a sandwich
and a chat or...
381
00:14:16,940 --> 00:14:17,982
No?
382
00:14:18,650 --> 00:14:19,734
Okay.
383
00:14:22,946 --> 00:14:25,115
So many Maximum movies.
384
00:14:25,115 --> 00:14:28,076
And thank God. (CHUCKLES)
385
00:14:28,076 --> 00:14:30,412
Toxic Man.
Pretty sure I dated him.
386
00:14:30,412 --> 00:14:31,705
Uh-huh. Yeah.
387
00:14:32,831 --> 00:14:35,500
Crimson Splash. Could be a UTI.
388
00:14:35,500 --> 00:14:37,210
Watch the film, see your doctor.
389
00:14:37,210 --> 00:14:38,628
Uh-huh.
390
00:14:38,628 --> 00:14:41,214
Uh, but, uh,
just to make you aware,
391
00:14:41,214 --> 00:14:43,967
very open to something
on the corporate side.
392
00:14:43,967 --> 00:14:47,429
Current role, bad pay,
lots of standing up.
393
00:14:47,429 --> 00:14:49,889
It's kind of like being a cow
or a camel
394
00:14:49,889 --> 00:14:51,057
if they were badly paid,
395
00:14:51,057 --> 00:14:52,726
which I suppose,
in a way, they are.
396
00:14:52,726 --> 00:14:55,145
Excuse me a second.
Could you shut the fuck up?
397
00:14:55,145 --> 00:14:56,646
Are you kidding?
398
00:14:56,646 --> 00:14:58,565
My God, so happy to shut up.
399
00:14:58,565 --> 00:15:01,234
Appreciate it.
All right, yeah, I'm back.
400
00:15:01,234 --> 00:15:06,156
Centurios 2: Chrontinuum Begins.
Cannot wait. (CHUCKLES)
401
00:15:07,657 --> 00:15:09,868
Ah, your chariot, sire!
402
00:15:12,871 --> 00:15:14,289
(EXHALES)
403
00:15:16,374 --> 00:15:17,959
What? What is it?
Are we back on?
404
00:15:17,959 --> 00:15:19,085
DAG: Pat's at the truck.
405
00:15:19,085 --> 00:15:20,670
I just need to sit and eat.
406
00:15:20,670 --> 00:15:22,505
I was up at three
for the commute.
407
00:15:22,505 --> 00:15:24,591
Three? That's a lie-in.
408
00:15:25,550 --> 00:15:28,261
That's a... cool pillow.
409
00:15:28,261 --> 00:15:30,764
Sleep tech.
Not meant to be cool.
410
00:15:30,764 --> 00:15:33,350
What a day.
No wonder you all look so tired.
411
00:15:33,350 --> 00:15:35,101
Today? This is nothing.
412
00:15:35,101 --> 00:15:36,936
You should've been here
the day the rigging collapsed.
413
00:15:36,936 --> 00:15:39,439
That... was fun.
414
00:15:39,439 --> 00:15:42,442
Not for everyone, sadly.
But, nah.
415
00:15:42,442 --> 00:15:43,568
Everything's exactly
416
00:15:43,568 --> 00:15:45,403
- as it's meant to be.
- (PHONE CHIMES)
417
00:15:45,403 --> 00:15:48,907
(GROANS) Hey Siri,
read new messages.
418
00:15:48,907 --> 00:15:50,742
SIRI:
Lucas heard me crying again.
419
00:15:50,742 --> 00:15:53,370
We need to talk to him
about the divorce.
420
00:15:53,370 --> 00:15:55,914
I don't care if you're busy
with your shitty movie
421
00:15:55,914 --> 00:15:57,957
for masturbating fucknerds.
422
00:15:57,957 --> 00:15:59,042
Crying face emoji,
423
00:15:59,042 --> 00:16:01,586
crying face emoji,
crying face emoji.
424
00:16:05,465 --> 00:16:07,550
Everything's exactly
as it's meant to be.
425
00:16:07,550 --> 00:16:09,219
Do you know where
the production office is?
426
00:16:09,219 --> 00:16:11,471
- Anita.
- Sorry, do I know you?
427
00:16:12,889 --> 00:16:13,932
It's Daniel.
428
00:16:15,183 --> 00:16:16,393
What are you, um...
429
00:16:16,393 --> 00:16:17,936
Uh, I'm firsting on Tecto.
430
00:16:18,687 --> 00:16:19,938
(SIGHS) Okay.
431
00:16:21,564 --> 00:16:23,441
Uh, well,
I see you're sleeping, so...
432
00:16:23,441 --> 00:16:25,402
DANIEL: Um, so I, um...
433
00:16:25,402 --> 00:16:27,112
heard that you're producing now?
434
00:16:27,112 --> 00:16:29,739
Oh, yeah,
on the TV side of Maximum.
435
00:16:29,739 --> 00:16:32,158
The League
of Exceptional Jessicas.
436
00:16:32,158 --> 00:16:34,661
Vulture, I think it was,
called it, um,
437
00:16:34,661 --> 00:16:36,913
"one of last month's
top seven promos dominating
438
00:16:36,913 --> 00:16:39,207
the cultural conversation."
So... (CHUCKLES) Yeah.
439
00:16:39,582 --> 00:16:40,709
Right.
440
00:16:40,709 --> 00:16:42,085
No idea.
I've barely even heard of that.
441
00:16:42,085 --> 00:16:44,045
Dag, do you--
You said you needed to--
442
00:16:44,045 --> 00:16:45,714
DAG: Oh, no, I'm good.
Thanks, Dan.
443
00:16:46,131 --> 00:16:47,132
Love your cape.
444
00:16:47,132 --> 00:16:49,134
Thank you.
Not all heroes wear them.
445
00:16:49,134 --> 00:16:51,094
But just so I've got it clear
in my head,
446
00:16:51,094 --> 00:16:52,262
how long are you in town?
447
00:16:52,262 --> 00:16:55,056
- (PHONE BUZZES)
- Sorry, I have to take this.
448
00:16:55,056 --> 00:16:56,599
Yes, I have an update for you.
449
00:16:56,599 --> 00:16:57,809
(SIGHS)
450
00:16:59,227 --> 00:17:01,396
God. You okay?
451
00:17:02,063 --> 00:17:03,106
Brutal.
452
00:17:03,106 --> 00:17:05,567
- What was?
- The way she just cut you dead.
453
00:17:05,567 --> 00:17:07,569
'Cause what's the history there?
Did you two...
454
00:17:07,569 --> 00:17:09,946
This is not an appropriate
third AD interaction, yeah?
455
00:17:09,946 --> 00:17:11,990
So, I need you to just swap
the battery out on that
456
00:17:11,990 --> 00:17:13,783
and...
457
00:17:13,783 --> 00:17:15,660
- charge my vape. Thanks.
- (RUNNING FOOTSTEPS)
458
00:17:16,870 --> 00:17:17,954
Peter can't see.
459
00:17:17,954 --> 00:17:20,665
(PANTING)
460
00:17:20,665 --> 00:17:21,875
Peter can't see.
461
00:17:25,003 --> 00:17:26,463
Peter can't see!
462
00:17:26,463 --> 00:17:27,672
- (WALKIE-TALKIE CRACKLES)
- Peter can't see.
463
00:17:27,672 --> 00:17:28,798
Peter can't see.
464
00:17:28,798 --> 00:17:30,967
- CATERER: Hot muffins at crafty.
- Get off channel two.
465
00:17:30,967 --> 00:17:32,594
CATERER:
Sorry, didn't catch that.
466
00:17:32,594 --> 00:17:35,221
Hot muffins at crafty. Over.
467
00:17:35,221 --> 00:17:36,639
Sorry, if we've been massacred,
468
00:17:36,639 --> 00:17:38,767
- do we still get our per diem?
- Just talk to production.
469
00:17:38,767 --> 00:17:40,935
That's a wrap
on the Fish People, everyone.
470
00:17:40,935 --> 00:17:42,228
- Beautiful work.
- (CREW APPLAUDS)
471
00:17:42,228 --> 00:17:44,272
- DANIEL: Is he in there?
- Come on, Daniel.
472
00:17:44,272 --> 00:17:46,149
- He doesn't interrupt your naps.
- (BANGS ON DOOR)
473
00:17:46,149 --> 00:17:47,859
- DANIEL: Eric!
- (DOOR OPENS)
474
00:17:47,859 --> 00:17:49,194
Eric, Peter can't see.
475
00:17:49,194 --> 00:17:50,487
What do you mean he can't see?
476
00:17:50,487 --> 00:17:52,155
From his eyes.
He can't see from his eyes.
477
00:17:52,155 --> 00:17:54,157
He has to be able to see.
He's Eye.
478
00:17:54,157 --> 00:17:55,867
He can't. He can't see,
because we left him
479
00:17:55,867 --> 00:17:57,786
in front of the new sunrise rig
you asked for
480
00:17:57,786 --> 00:17:59,162
and we've sunburnt his eyes.
481
00:17:59,162 --> 00:18:00,330
Sunburnt?
482
00:18:00,330 --> 00:18:02,332
With the lights, yeah.
We've burnt a man's eyes.
483
00:18:02,332 --> 00:18:03,875
But he has second sight.
484
00:18:03,875 --> 00:18:06,086
Yeah, but that's not a real eye
on his helmet, is it, Steph?
485
00:18:06,086 --> 00:18:07,629
His real eyes are the ones
inside his face.
486
00:18:07,629 --> 00:18:10,131
- Those are the ones we've burnt.
- Right. No, that is bad.
487
00:18:10,131 --> 00:18:12,008
- (WALKIE-TALKIE CRACKLES)
- Peter wants a fucking word.
488
00:18:12,008 --> 00:18:13,677
I didn't have time to edit that.
489
00:18:13,677 --> 00:18:15,470
And is this a director thing?
490
00:18:15,470 --> 00:18:17,263
Very much yes. Very, very yes.
491
00:18:19,265 --> 00:18:20,308
Peter, sir,
492
00:18:21,226 --> 00:18:23,353
- how are we feeling?
- It fucking hurts.
493
00:18:23,353 --> 00:18:25,397
And I'm terribly
and profoundly blind,
494
00:18:25,397 --> 00:18:27,023
- but apart from that...
- (CHUCKLES)
495
00:18:27,023 --> 00:18:29,109
Your sarcasm is noted
and appreciated.
496
00:18:29,109 --> 00:18:30,443
Also, this man is my lawyer.
497
00:18:30,443 --> 00:18:32,737
He'll be representing me
for damages.
498
00:18:32,737 --> 00:18:34,948
I'm encouraging him
not to comment at this time,
499
00:18:34,948 --> 00:18:36,866
because English
is not his first language.
500
00:18:36,866 --> 00:18:38,451
Tell me, Peter...
501
00:18:38,451 --> 00:18:41,204
are you familiar with Herzog's
The Burden of Dreams?
502
00:18:41,204 --> 00:18:43,081
Eric, do not dress this up
503
00:18:43,081 --> 00:18:45,667
as some noble sacrifice
at the altar of cinema.
504
00:18:46,584 --> 00:18:48,253
- Look at me.
- Oh, Christ.
505
00:18:48,253 --> 00:18:52,007
You flashbanged my eyeballs,
you spineless fuckhead.
506
00:18:53,758 --> 00:18:56,052
- Can you hear me?
- I'm nodding.
507
00:18:56,052 --> 00:18:58,430
I'm disagreeing, but I'm
respecting your point of view
508
00:18:58,430 --> 00:19:00,515
- and I'm conveying that
by nodding.
- (DOOR OPENS)
509
00:19:00,515 --> 00:19:03,226
Guys? Guys, I think there's
something wrong with my eyes.
510
00:19:03,226 --> 00:19:05,311
Oh, here he is. Yale Boy.
511
00:19:05,311 --> 00:19:07,397
Never seen a bandwagon
he didn't want to jump on.
512
00:19:07,397 --> 00:19:09,274
I-- I can't see properly.
513
00:19:09,274 --> 00:19:10,775
If I look straight ahead,
it's-- it's all weird.
514
00:19:10,775 --> 00:19:12,027
- (ALL GROAN)
- DAG: Holy shit.
515
00:19:12,027 --> 00:19:13,528
PETER: What? What's he saying?
What'd he say?
516
00:19:13,528 --> 00:19:15,405
His eyes are considerably worse
than yours.
517
00:19:15,405 --> 00:19:17,073
- Okay--
- What? No. Is it bad?
518
00:19:17,073 --> 00:19:18,366
- Is it permanent?
- No, it's--
519
00:19:18,366 --> 00:19:19,743
it's temporary, okay?
520
00:19:19,743 --> 00:19:21,786
It's sunburn, but for your eyes.
521
00:19:22,370 --> 00:19:24,164
What? I have eye-burn?
522
00:19:24,164 --> 00:19:26,458
What are you talking about?
They look fine.
523
00:19:26,458 --> 00:19:28,877
No, they don't look fine.
Yours look fine.
524
00:19:28,877 --> 00:19:30,628
Are you serious?
You must be blind
525
00:19:30,628 --> 00:19:32,172
- if you can't see these.
- I am.
526
00:19:32,172 --> 00:19:34,716
My eyes look like the tip
of Ronald McDonald's dick.
527
00:19:34,716 --> 00:19:37,052
Oh, now he's raising his voice.
I thought he had polyps.
528
00:19:37,052 --> 00:19:38,762
Oh, what would you know
about fucking polyps?
529
00:19:38,762 --> 00:19:40,263
ADAM: Oh, actually,
I've been running the numbers,
530
00:19:40,263 --> 00:19:41,890
and we've done about the same
amount of theater, so...
531
00:19:41,890 --> 00:19:44,476
Oh. Oh, now I've heard it all.
You getting this, Victor?
532
00:19:44,476 --> 00:19:46,144
You just perjured yourself,
arsehole!
533
00:19:46,144 --> 00:19:47,312
- (ARGUING CONTINUES)
- Pat's on set.
534
00:19:47,312 --> 00:19:49,272
He's in his chair. He's asking
why we're not shooting.
535
00:19:49,272 --> 00:19:51,524
Oh, Peter, you know what?
I truly respect you. I do.
536
00:19:51,524 --> 00:19:52,859
Especially your work
in the '80s.
537
00:19:52,859 --> 00:19:55,945
Can't be that easy playing
that many races in one film.
538
00:19:55,945 --> 00:19:57,072
But fuck you.
539
00:19:57,072 --> 00:19:59,616
You really want to play
whose theater cock is bigger?
540
00:19:59,616 --> 00:20:02,118
Because I'm packing
an absolute rager.
541
00:20:02,118 --> 00:20:04,120
- (LAUGHS FORCEDLY)
- ERIC: Guys, guys, guys.
542
00:20:04,120 --> 00:20:06,122
The studio wanted more lighting.
543
00:20:06,122 --> 00:20:08,917
Because the culture demands
a saturated aesthetic.
544
00:20:09,376 --> 00:20:10,960
So in a way,
545
00:20:10,960 --> 00:20:12,545
- the culture blinded you.
- Fuck off, Eric.
546
00:20:12,545 --> 00:20:13,838
- Get fucked, Eric.
- ERIC: Sure.
547
00:20:13,838 --> 00:20:16,299
Maybe just keep shooting, but
with bells around their necks,
548
00:20:16,299 --> 00:20:18,635
- so they know where to look.
- The Toy Man is gonna find out.
549
00:20:18,635 --> 00:20:20,303
He's like a shark,
but for mistakes.
550
00:20:21,680 --> 00:20:22,681
Someone needs to tell him.
551
00:20:22,681 --> 00:20:25,100
- Hey, guys. Everything okay?
- Yeah, definitely.
552
00:20:25,100 --> 00:20:26,184
Everything's completely amazing.
553
00:20:26,184 --> 00:20:27,977
Cool. Well, Shane's doing
his hot yoga,
554
00:20:27,977 --> 00:20:30,689
so I've got a couple of moments
to eat my-- Namaste, sir.
555
00:20:31,189 --> 00:20:32,232
I'll action that.
556
00:20:33,191 --> 00:20:34,567
Uh, that's not actionable
right now,
557
00:20:34,567 --> 00:20:35,777
but consider it pre-actioned.
558
00:20:35,777 --> 00:20:38,029
Okay, Pat doesn't know
who any of us are, okay?
559
00:20:38,029 --> 00:20:39,447
Not really,
but once we tell him,
560
00:20:39,447 --> 00:20:41,282
we will always be the people
who burned the eyeballs
561
00:20:41,282 --> 00:20:42,992
of a man called "Eye."
562
00:20:42,992 --> 00:20:44,953
Justin's here at four,
so that's 40 minutes.
563
00:20:44,953 --> 00:20:46,913
We stall Pat
and then we hide behind Justin.
564
00:20:46,913 --> 00:20:48,123
We let him absorb
the punishment.
565
00:20:48,123 --> 00:20:49,332
It's his fucking job.
566
00:20:49,332 --> 00:20:50,500
I wouldn't be uninterested
in this.
567
00:20:50,500 --> 00:20:51,543
DANIEL: So let's just shoot.
568
00:20:51,543 --> 00:20:52,544
- Reshoot the master.
- Yeah.
569
00:20:52,544 --> 00:20:54,170
Just eyes on the prize.
570
00:20:54,170 --> 00:20:56,172
With apologies to all those
currently without eyes.
571
00:20:56,172 --> 00:20:58,091
Bring in Adam and Peter's
stand-ins. I'm ten-one.
572
00:21:00,218 --> 00:21:01,261
Update.
573
00:21:01,261 --> 00:21:02,887
- (WALKIE-TALKIE CRACKLES)
- DAG: Ambulance is here.
574
00:21:02,887 --> 00:21:04,931
Peter and Adam are refusing
to travel together.
575
00:21:04,931 --> 00:21:06,808
Calling in a second ambulance.
Over.
576
00:21:06,808 --> 00:21:08,852
- (WALKIE-TALKIE CRACKLES)
- (SIGHS DEEPLY)
577
00:21:16,234 --> 00:21:17,277
Nice merch.
578
00:21:18,778 --> 00:21:20,864
Oh, hello.
579
00:21:20,864 --> 00:21:23,324
PAT: Thunderon, sound of rumble.
580
00:21:23,324 --> 00:21:24,743
Where it all began.
581
00:21:24,743 --> 00:21:28,246
Yeah, I had the hoodie as well,
which is pretty collectable now,
582
00:21:28,246 --> 00:21:30,331
- but my mum threw it away.
- (SIGHS) Yeah.
583
00:21:30,331 --> 00:21:32,083
Your mom's a very stupid lady.
584
00:21:33,168 --> 00:21:35,253
Yeah, she--
she's actually not very well.
585
00:21:36,129 --> 00:21:37,797
And? (SCOFFS)
586
00:21:40,300 --> 00:21:42,093
Why aren't we shooting, son?
587
00:21:42,093 --> 00:21:43,678
- Lighting.
- Ah.
588
00:21:43,678 --> 00:21:45,847
- You know how it goes.
- Yeah.
589
00:21:45,847 --> 00:21:47,932
My God, of course you know.
You're the Pat Shannon.
590
00:21:47,932 --> 00:21:49,934
(BOTH CHUCKLE)
591
00:21:52,270 --> 00:21:53,897
I know what you really think
of me.
592
00:21:54,564 --> 00:21:55,648
Come on.
593
00:21:55,648 --> 00:21:56,983
I'm the thumb-head guy
594
00:21:56,983 --> 00:22:00,111
who botched his high five
with Shane at Comic-Con 2017.
595
00:22:00,111 --> 00:22:01,946
Yeah.
596
00:22:01,946 --> 00:22:04,574
Well...
let me tell you who I am.
597
00:22:06,326 --> 00:22:07,827
'Cause there's above the line,
598
00:22:07,827 --> 00:22:09,120
you know, the actors,
the talent.
599
00:22:09,120 --> 00:22:10,747
(IN HIGH-PITCHED VOICE)
"Ooh, I'm the talent.
600
00:22:10,747 --> 00:22:14,959
I'm so talented.
Look at me. Ooh!" (CHUCKLES)
601
00:22:14,959 --> 00:22:18,046
(IN NORMAL VOICE) Then there's
below the line, the grunts.
602
00:22:18,046 --> 00:22:19,506
(IN DEEP VOICE)
"Ooh, I'm a grip.
603
00:22:19,506 --> 00:22:21,758
I made a camera dolly."
604
00:22:21,758 --> 00:22:23,426
(IN NORMAL VOICE)
Yeah, whoop-di-shit.
605
00:22:24,803 --> 00:22:27,305
- But you know who I am, son?
- (ZIPPER CLOSES)
606
00:22:30,141 --> 00:22:31,726
I am the fucking line.
607
00:22:33,311 --> 00:22:35,563
I'm the one constant force
in this entire universe,
608
00:22:35,563 --> 00:22:36,981
and I'm totally invisible.
609
00:22:38,233 --> 00:22:40,443
I'm also a grown-up.
I'm here to help you.
610
00:22:41,903 --> 00:22:43,488
I know about P stage.
611
00:22:44,239 --> 00:22:45,323
The overspend.
612
00:22:47,158 --> 00:22:48,993
I also know you're 12 days over.
613
00:22:50,286 --> 00:22:51,621
What else do I need to know?
614
00:22:53,998 --> 00:22:55,750
- (DOOR OPENS)
- JUSTIN: Shannon the Cannon.
615
00:22:56,501 --> 00:22:58,628
- What's up, my man?
- Oh, Justin.
616
00:22:58,628 --> 00:23:00,296
Mr. Producer.
617
00:23:00,296 --> 00:23:02,507
Are you throwing my money around
like it's five years ago?
618
00:23:02,507 --> 00:23:04,092
- (EXHALES)
- Shall we?
619
00:23:04,092 --> 00:23:05,760
Yeah, come on,
let's take a walk.
620
00:23:07,804 --> 00:23:09,097
Relax.
621
00:23:09,097 --> 00:23:10,807
I'll tell him to get fucked.
622
00:23:10,807 --> 00:23:13,309
- Justin's here.
- Oh, hooray.
623
00:23:13,309 --> 00:23:15,729
He's telling Pat to get fucked.
I think we should be fine.
624
00:23:15,729 --> 00:23:17,480
Ah! Here he is.
625
00:23:17,480 --> 00:23:19,566
STEPH: Daddy's home.
The rage sponge!
626
00:23:19,566 --> 00:23:22,110
- ERIC: The human ozone.
- Hey, guys. (SIGHS)
627
00:23:22,110 --> 00:23:24,446
So, uh, I just told Pat
to get fucked.
628
00:23:25,030 --> 00:23:26,489
And I got fired.
629
00:23:29,492 --> 00:23:30,535
Sorry.
630
00:23:32,037 --> 00:23:33,538
What does this mean?
631
00:23:33,538 --> 00:23:34,998
It means I don't have a job.
632
00:23:34,998 --> 00:23:38,043
No, sure, but... for me?
633
00:23:38,043 --> 00:23:39,836
Turning tides, I guess.
634
00:23:39,836 --> 00:23:41,463
They've brought in
a new producer.
635
00:23:41,463 --> 00:23:42,964
Holy moly.
636
00:23:42,964 --> 00:23:45,717
- (PHONE BUZZES)
- My God. HR. Already.
637
00:23:47,010 --> 00:23:48,094
Hi, Shelly.
638
00:23:49,721 --> 00:23:51,890
But you can't fire
the ozone layer.
639
00:23:51,890 --> 00:23:53,391
♪ (UPBEAT MUSIC PLAYING) ♪
640
00:23:53,391 --> 00:23:54,517
Daniel.
641
00:23:55,894 --> 00:23:57,354
They're taking my producer.
642
00:23:58,021 --> 00:23:59,064
Dialing Shane.
643
00:23:59,064 --> 00:24:00,732
- He's keen to join in.
- STEPH: My God.
644
00:24:00,732 --> 00:24:03,777
Pat is just a stone-cold fuck.
645
00:24:03,777 --> 00:24:07,155
BRYSON: We're all here.
I am entering the tent.
646
00:24:07,155 --> 00:24:09,240
The sound you're about to hear
is a zipper.
647
00:24:09,574 --> 00:24:11,117
(ZIPPING)
648
00:24:24,172 --> 00:24:25,215
Fuck.
649
00:24:27,217 --> 00:24:30,011
Okay, Moss Men,
camera right of the plinth!
650
00:24:30,011 --> 00:24:33,682
Mo-Cap Men, kindly replacing
our Fish People, RIP.
651
00:24:33,682 --> 00:24:35,225
Eyeline to the second sun!
652
00:24:35,225 --> 00:24:37,268
- Mo-Cap Man incoming.
- DANIEL: Great, excellent.
653
00:24:37,268 --> 00:24:39,062
FRANK: I'm sorry,
this just isn't very breathable.
654
00:24:39,062 --> 00:24:40,730
Peaches and cream. Break a leg.
655
00:24:41,398 --> 00:24:43,400
We must shoot, we will shoot!
656
00:24:43,400 --> 00:24:45,276
♪ (MUSIC FADES) ♪
657
00:24:45,276 --> 00:24:48,571
DANIEL: Big stunt tomorrow.
Got the actors up on wires.
658
00:24:48,571 --> 00:24:49,906
High stakes.
659
00:24:49,906 --> 00:24:51,783
- Literal high stakes.
- DAG: Yep.
660
00:24:51,783 --> 00:24:53,702
Also, tell studio facilities
661
00:24:53,702 --> 00:24:55,620
to get those pigeons
off C stage.
662
00:24:55,620 --> 00:24:57,163
The cooing's gonna kill us.
663
00:24:57,163 --> 00:24:59,290
Got it. Banish the pigeons.
664
00:25:02,669 --> 00:25:06,297
Now you get to go home
for approximately 430 mins.
665
00:25:07,924 --> 00:25:08,967
(SIGHS)
666
00:25:11,302 --> 00:25:12,929
(CAR ENGINE STARTS)
667
00:25:17,142 --> 00:25:18,393
Can I just ask?
668
00:25:19,477 --> 00:25:21,104
Why?
669
00:25:21,104 --> 00:25:24,691
Full disclosure,
just not great vibes.
670
00:25:29,404 --> 00:25:33,283
So, this guy Curly works
in the circus for 30 years,
671
00:25:33,283 --> 00:25:35,285
following the elephants around
with a big bucket,
672
00:25:35,285 --> 00:25:36,953
scooping up
all the elephant shit
673
00:25:36,953 --> 00:25:39,456
and at the end of every night
he has to burn it all.
674
00:25:39,456 --> 00:25:43,960
So he goes home reeking
of burnt elephant shit.
675
00:25:43,960 --> 00:25:46,129
And one day his brother
comes to him and says, "Curly,
676
00:25:46,129 --> 00:25:48,631
great news, I've got you a job
at my office.
677
00:25:48,631 --> 00:25:51,217
Decent salary,
you can work regular hours."
678
00:25:53,261 --> 00:25:54,721
(CHUCKLES) Curly goes,
679
00:25:54,721 --> 00:25:55,847
"What?
680
00:25:56,639 --> 00:25:58,183
And quit show business?"
681
00:25:58,183 --> 00:25:59,351
(CHUCKLES)
682
00:25:59,934 --> 00:26:01,686
(LAUGHS)
683
00:26:03,938 --> 00:26:05,732
- (LAUGHS)
- ♪ (ELECTRONIC MUSIC PLAYING) ♪
684
00:26:05,732 --> 00:26:07,025
Absolute classic.
685
00:26:10,320 --> 00:26:11,529
See you tomorrow.
686
00:26:25,210 --> 00:26:26,670
INTERVIEWER: Peter,
can you describe
687
00:26:26,670 --> 00:26:28,046
the plot of the movie
in ten words?
688
00:26:28,046 --> 00:26:30,548
I'm just gonna talk and you can
use whatever you want.
689
00:26:30,548 --> 00:26:34,260
Now, you asked me
about coming up in theater.
690
00:26:34,260 --> 00:26:35,553
Different world now.
691
00:26:35,553 --> 00:26:38,640
Actors, the craft,
this whole thing now,
692
00:26:38,640 --> 00:26:40,684
"You can't play this
if you're not that."
693
00:26:40,684 --> 00:26:42,018
I can see my PR team,
694
00:26:42,018 --> 00:26:44,104
you know, turning white,
but fuck it.
695
00:26:44,104 --> 00:26:45,647
INTERVIEWER: Can you describe
the plot of Tecto?
696
00:26:45,647 --> 00:26:48,983
It's a story about this guy,
me, uh, Tecto.
697
00:26:48,983 --> 00:26:51,361
I am, um... (CLICKS TONGUE)
698
00:26:51,361 --> 00:26:53,488
...the earthquake guy.
699
00:26:53,488 --> 00:26:55,490
Do-do-do-do.
That, uh, he goes through the--
700
00:26:55,490 --> 00:26:58,451
on a voyage through space with--
to find this guy, Peter,
701
00:26:58,451 --> 00:27:00,161
who plays Eye, as--
702
00:27:00,161 --> 00:27:02,372
Eye as in eye, not I.
703
00:27:02,372 --> 00:27:04,499
He doesn't play me.
I'm-- 'Cause I'm me.
704
00:27:04,499 --> 00:27:05,917
I'm T... I'm Tecto.
705
00:27:05,917 --> 00:27:08,003
Have you ever seen
Sweet and Sour? Buddy movie.
706
00:27:08,003 --> 00:27:10,088
Eddie Murphy.
I play the Chinaman.
707
00:27:10,088 --> 00:27:13,466
My agent calls me, "Peter,
Eddie would like to meet you."
708
00:27:13,466 --> 00:27:14,718
I get to Eddie's place.
709
00:27:14,718 --> 00:27:16,678
Do you know what he has
in the foyer of his house?
710
00:27:16,678 --> 00:27:20,598
A 24-hour international buffet.
I shit you not.
711
00:27:20,598 --> 00:27:23,059
I'm talking a cruise ship
quality buffet.
712
00:27:23,059 --> 00:27:24,436
All the food you could want.
713
00:27:24,436 --> 00:27:27,105
Wanton soup, Thai green curry,
and obviously,
714
00:27:27,105 --> 00:27:28,982
he's got the heat lamps
to keep it all warm.
715
00:27:28,982 --> 00:27:30,859
INTERVIEWER: What's your role?
716
00:27:30,859 --> 00:27:34,571
Uh, I'm first AD.
First assistant director.
717
00:27:34,571 --> 00:27:38,241
It's my job to keep the actors
from, uh, killing...
718
00:27:38,241 --> 00:27:40,577
uh, each other or themselves.
719
00:27:40,577 --> 00:27:41,995
And also,
I work with the director,
720
00:27:41,995 --> 00:27:45,206
sort of assisting his vision.
Uh...
721
00:27:45,206 --> 00:27:46,916
Well, I'm... I'm, uh,
I'm everything.
722
00:27:46,916 --> 00:27:49,544
I... I... I'm Everything Man.
723
00:27:49,544 --> 00:27:52,047
The world's most thankless
superhero. (CHUCKLES)
724
00:27:52,047 --> 00:27:54,090
It was one of the great meals
of my life.
725
00:27:54,090 --> 00:27:56,843
Chili crab cakes, chicken korma,
chocolate fountain.
726
00:27:56,843 --> 00:27:59,012
Obviously, I went back in
for seconds, because you could.
727
00:27:59,012 --> 00:28:00,638
It was buffet style.
No one was counting.
728
00:28:01,473 --> 00:28:02,807
Shame about the movie.
729
00:28:03,600 --> 00:28:05,310
People say
I was very good in it,
730
00:28:05,310 --> 00:28:07,312
but... who knows?
731
00:28:11,983 --> 00:28:13,651
♪ (MUSIC FADES) ♪