1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:06,005 --> 00:00:12,000 >> ON MARCH 27, 2023, THREE NINE YEAR OLDS EVELYN DIECKHAUS, 3 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 4 00:00:12,000 --> 00:00:12,946 >> ON MARCH 27, 2023, THREE NINE YEAR OLDS EVELYN DIECKHAUS, 5 00:00:13,012 --> 00:00:16,916 WILLIAM KINNEY, AND HALLIE SCRUGGS, ALONG WITH DR. 6 00:00:16,983 --> 00:00:18,000 KATHERINE KOONCE, CYNTHIA PEAK AND MIKE HILL WALKED INTO 7 00:00:18,000 --> 00:00:22,222 KATHERINE KOONCE, CYNTHIA PEAK AND MIKE HILL WALKED INTO 8 00:00:22,288 --> 00:00:24,000 THE COVENANT SCHOOL AND DIDN'T WALK OUT. 9 00:00:24,000 --> 00:00:26,993 THE COVENANT SCHOOL AND DIDN'T WALK OUT. 10 00:00:27,060 --> 00:00:30,000 THE COMMUNITY OF SORROW OVER THIS AND THE 130 MASS SHOOTINGS 11 00:00:30,000 --> 00:00:36,000 THE COMMUNITY OF SORROW OVER THIS AND THE 130 MASS SHOOTINGS 12 00:00:36,000 --> 00:00:36,636 THE COMMUNITY OF SORROW OVER THIS AND THE 130 MASS SHOOTINGS 13 00:00:36,703 --> 00:00:39,305 IN THE U.S. THIS YEAR ALONE, STRETCHES FROM COAST TO COAST. 14 00:00:39,372 --> 00:00:42,000 I WANTED TO PERSONALLY STAND UP HERE AND SHARE THIS MOMENT 15 00:00:42,000 --> 00:00:43,743 I WANTED TO PERSONALLY STAND UP HERE AND SHARE THIS MOMENT 16 00:00:43,810 --> 00:00:47,781 BECAUSE ON AUGUST 21, 2008, I WATCHED RYAN MCDONALD, MY 17 00:00:47,847 --> 00:00:48,000 15-YEAR-OLD CLASSMATE AT CENTRAL HIGH SCHOOL IN 18 00:00:48,000 --> 00:00:52,218 15-YEAR-OLD CLASSMATE AT CENTRAL HIGH SCHOOL IN 19 00:00:52,285 --> 00:00:53,686 KNOXVILLE, TENNESSEE LOSE HIS LIFE TO A GUN IN THE 20 00:00:53,753 --> 00:00:54,000 SCHOOL CAFETERIA. 21 00:00:54,000 --> 00:00:56,356 SCHOOL CAFETERIA. 22 00:00:56,423 --> 00:01:00,000 TONIGHT'S BROADCAST IS DEDICATED TO THE EVER-GROWING LIST OF 23 00:01:00,000 --> 00:01:03,830 TONIGHT'S BROADCAST IS DEDICATED TO THE EVER-GROWING LIST OF 24 00:01:03,897 --> 00:01:06,000 FAMILIES, FRIENDS, SURVIVORS, WITNESSES, AND RESPONDERS WHOSE 25 00:01:06,000 --> 00:01:08,902 FAMILIES, FRIENDS, SURVIVORS, WITNESSES, AND RESPONDERS WHOSE 26 00:01:08,968 --> 00:01:12,000 LIVES CONTINUE TO BE FOREVER CHANGED BY GUN VIOLENCE. 27 00:01:12,000 --> 00:01:16,009 LIVES CONTINUE TO BE FOREVER CHANGED BY GUN VIOLENCE. 28 00:01:16,075 --> 00:01:18,000 I PRAY THAT THE CLOSENESS AND COMMUNITY WE FEEL THROUGH THE 29 00:01:18,000 --> 00:01:22,182 I PRAY THAT THE CLOSENESS AND COMMUNITY WE FEEL THROUGH THE 30 00:01:22,248 --> 00:01:24,000 NEXT FEW HOURS OF MUSIC CAN SOON TURN INTO ACTION THAT MOVES US 31 00:01:24,000 --> 00:01:30,000 NEXT FEW HOURS OF MUSIC CAN SOON TURN INTO ACTION THAT MOVES US 32 00:01:30,000 --> 00:01:32,525 NEXT FEW HOURS OF MUSIC CAN SOON TURN INTO ACTION THAT MOVES US 33 00:01:32,592 --> 00:01:35,595 FORWARD TOGETHER TO CREATE CHANGE FOR THE SAFETY OF OUR 34 00:01:35,662 --> 00:01:36,000 KIDS AND LOVED ONES. 35 00:01:36,000 --> 00:01:39,999 KIDS AND LOVED ONES. 36 00:01:59,385 --> 00:02:00,000 [CHEERS AND APPLAUSE] >> WELL, I CAN'T SEE ANYTHING IN 37 00:02:00,000 --> 00:02:02,021 [CHEERS AND APPLAUSE] >> WELL, I CAN'T SEE ANYTHING IN 38 00:02:02,088 --> 00:02:02,856 HERE! 39 00:02:02,922 --> 00:02:06,000 BUT IF THIS IS AUSTIN, I STILL LOVE YA! 40 00:02:06,000 --> 00:02:06,559 BUT IF THIS IS AUSTIN, I STILL LOVE YA! 41 00:02:06,626 --> 00:02:10,730 [CHEERS AND APPLAUSE] ♪ 42 00:02:10,797 --> 00:02:12,000 ♪ 43 00:02:12,000 --> 00:02:18,000 ♪ 44 00:02:18,000 --> 00:02:24,000 ♪ 45 00:02:24,000 --> 00:02:25,678 ♪ 46 00:02:25,745 --> 00:02:26,846 ♪ 47 00:02:27,780 --> 00:02:30,000 THAT NEON SUN'S A-RISIN' I'M SITTIN' HERE, ADMIRIN' 48 00:02:30,000 --> 00:02:30,483 THAT NEON SUN'S A-RISIN' I'M SITTIN' HERE, ADMIRIN' 49 00:02:30,550 --> 00:02:36,000 THE SUMMER DRESS THAT'S SHININ' THROUGH HAD JUST ENOUGH TO TELL 50 00:02:36,000 --> 00:02:36,689 THE SUMMER DRESS THAT'S SHININ' THROUGH HAD JUST ENOUGH TO TELL 51 00:02:36,756 --> 00:02:39,058 YOU THE TRUTH DON'T WANNA SCOOT THE BOOTS 52 00:02:39,125 --> 00:02:42,000 WITH NO BODY GET STRAIGHT TEQUILA DRUNK 53 00:02:42,000 --> 00:02:43,897 WITH NO BODY GET STRAIGHT TEQUILA DRUNK 54 00:02:43,963 --> 00:02:48,000 ON NO BODY WRAP THESE ARMS 55 00:02:48,000 --> 00:02:49,002 ON NO BODY WRAP THESE ARMS 56 00:02:49,068 --> 00:02:54,000 AROUND NO BODY NO BODY BUT YOURS 57 00:02:54,000 --> 00:02:56,543 AROUND NO BODY NO BODY BUT YOURS 58 00:02:56,609 --> 00:03:00,000 DON'T WANNA SHADOW DANCE WITH NO BODY 59 00:03:00,000 --> 00:03:01,347 DON'T WANNA SHADOW DANCE WITH NO BODY 60 00:03:01,414 --> 00:03:05,852 SLIDE SOME COTTON OFF OF NO BODY 61 00:03:05,919 --> 00:03:06,000 DON'T WANNA WAKE UP KISSIN' NO BODY 62 00:03:06,000 --> 00:03:10,757 DON'T WANNA WAKE UP KISSIN' NO BODY 63 00:03:10,823 --> 00:03:12,000 NO BODY BUT YOURS ♪ 64 00:03:12,000 --> 00:03:18,000 NO BODY BUT YOURS ♪ 65 00:03:18,000 --> 00:03:20,533 NO BODY BUT YOURS ♪ 66 00:03:20,600 --> 00:03:22,201 HONEYSUCKLE TALKIN' LAST CALL OLD MILWAUKIN' 67 00:03:22,268 --> 00:03:24,000 OUT THERE TO A CHECKERED CAB B-LINE TO YOUR CONDO 68 00:03:24,000 --> 00:03:28,508 OUT THERE TO A CHECKERED CAB B-LINE TO YOUR CONDO 69 00:03:28,575 --> 00:03:30,000 CONWAY ON THE STEREO GIRL, I'D LOVE TO LAY YOU DOWN, 70 00:03:30,000 --> 00:03:34,581 CONWAY ON THE STEREO GIRL, I'D LOVE TO LAY YOU DOWN, 71 00:03:34,647 --> 00:03:36,000 DOWN, DOWN DON'T WANNA SCOT THE BOOTS 72 00:03:36,000 --> 00:03:38,484 DOWN, DOWN DON'T WANNA SCOT THE BOOTS 73 00:03:38,551 --> 00:03:42,000 WITH NO BODY GET STRAIGHT TEQUILA DRUNK 74 00:03:42,000 --> 00:03:43,957 WITH NO BODY GET STRAIGHT TEQUILA DRUNK 75 00:03:44,023 --> 00:03:48,000 ON NO BODY WRAP THESE ARMS 76 00:03:48,000 --> 00:03:50,296 ON NO BODY WRAP THESE ARMS 77 00:03:50,363 --> 00:03:54,000 AROUND NO BODY NO BODY BUT YOURS 78 00:03:54,000 --> 00:03:54,100 AROUND NO BODY NO BODY BUT YOURS 79 00:03:54,167 --> 00:04:00,000 DON'T WANNA SHADOW DANCE WITH NO BODY 80 00:04:00,000 --> 00:04:01,841 DON'T WANNA SHADOW DANCE WITH NO BODY 81 00:04:01,908 --> 00:04:06,000 SLIDE SOME COTTON OFF OF NO BODY 82 00:04:06,000 --> 00:04:06,145 SLIDE SOME COTTON OFF OF NO BODY 83 00:04:06,212 --> 00:04:11,050 DON'T WANNA WAKE UP KISSIN' NO BODY 84 00:04:11,117 --> 00:04:12,000 NO BODY BUT YOURS ♪ 85 00:04:12,000 --> 00:04:18,000 NO BODY BUT YOURS ♪ 86 00:04:18,000 --> 00:04:22,762 NO BODY BUT YOURS ♪ 87 00:04:22,829 --> 00:04:23,896 DON'T WANNA HOLD NO BODY LAY EYES ON NO BODY 88 00:04:23,963 --> 00:04:24,000 LOVE UP ON NO BODY DON'T WANNA SCOOT THE BOOTS 89 00:04:24,000 --> 00:04:26,766 LOVE UP ON NO BODY DON'T WANNA SCOOT THE BOOTS 90 00:04:26,833 --> 00:04:30,000 WITH NO BODY GET STRAIGHT TEQUILA DRUNK 91 00:04:30,000 --> 00:04:31,037 WITH NO BODY GET STRAIGHT TEQUILA DRUNK 92 00:04:31,104 --> 00:04:34,974 ON NO BODY WRAP THESE ARMS 93 00:04:35,041 --> 00:04:36,000 AROUND NO BODY NO BODY BUT YOURS 94 00:04:36,000 --> 00:04:42,000 AROUND NO BODY NO BODY BUT YOURS 95 00:04:42,000 --> 00:04:43,683 AROUND NO BODY NO BODY BUT YOURS 96 00:04:43,750 --> 00:04:47,820 DON'T WANNA SHADOW DANCE WITH NO BODY 97 00:04:47,887 --> 00:04:48,000 SLIDE SOME COTTON OFF OF NO BODY 98 00:04:48,000 --> 00:04:52,992 SLIDE SOME COTTON OFF OF NO BODY 99 00:04:53,059 --> 00:04:54,000 ♪ DON'T WANNA WAKE UP ♪ ♪ KISSIN' NO BODY ♪ 100 00:04:54,000 --> 00:04:55,461 ♪ DON'T WANNA WAKE UP ♪ ♪ KISSIN' NO BODY ♪ 101 00:04:55,528 --> 00:05:00,000 ♪ NO BODY BUT YOURS ♪ ♪ DON'T WANNA WAKE UP ♪ 102 00:05:00,000 --> 00:05:02,869 ♪ NO BODY BUT YOURS ♪ ♪ DON'T WANNA WAKE UP ♪ 103 00:05:02,935 --> 00:05:04,937 ♪ KISSIN' NO BODY ♪ ♪ NO BODY BUT YOURS ♪ 104 00:05:23,322 --> 00:05:24,000 >> Announcer: LIVE FROM AUSTIN TEXAS, THIS IS THE 2023 CMT 105 00:05:24,000 --> 00:05:28,928 >> Announcer: LIVE FROM AUSTIN TEXAS, THIS IS THE 2023 CMT 106 00:05:28,995 --> 00:05:30,000 MUSIC AWARDS ON CBS! 107 00:05:30,000 --> 00:05:31,998 MUSIC AWARDS ON CBS! 108 00:05:32,065 --> 00:05:35,568 HOSTED BY KELSEA BALLERINI AND KANE BROWN 109 00:05:35,635 --> 00:05:36,000 WITH PERFORMANCES BY ALANIS MORISSETTE, 110 00:05:36,000 --> 00:05:39,005 WITH PERFORMANCES BY ALANIS MORISSETTE, 111 00:05:39,072 --> 00:05:40,473 BLAKE SHELTON, CARLY PEARCE, 112 00:05:40,540 --> 00:05:42,000 CARRIE UNDERWOOD, CODY JOHNSON, 113 00:05:42,000 --> 00:05:42,842 CARRIE UNDERWOOD, CODY JOHNSON, 114 00:05:42,909 --> 00:05:45,244 THE BLACK CROWES AND DARIUS RUCKER, 115 00:05:45,311 --> 00:05:47,680 GARY CLARK, JR. GWEN STEFANI, 116 00:05:47,747 --> 00:05:48,000 INGRID ANDRESS, JELLY ROLL, 117 00:05:48,000 --> 00:05:49,949 INGRID ANDRESS, JELLY ROLL, 118 00:05:50,016 --> 00:05:53,453 KANE BROWN AND KATELYN BROWN, KEITH URBAN, 119 00:05:53,519 --> 00:05:54,000 KELSEA BALLERINI, LAINEY WILSON, 120 00:05:54,000 --> 00:05:56,222 KELSEA BALLERINI, LAINEY WILSON, 121 00:05:56,289 --> 00:05:58,725 MADELINE EDWARDS, MORGAN WADE, 122 00:05:58,791 --> 00:06:00,000 TYLER HUBBARD, WYNONNA JUDD 123 00:06:00,000 --> 00:06:00,460 TYLER HUBBARD, WYNONNA JUDD 124 00:06:00,526 --> 00:06:03,096 WITH ASHLEY MCBRYDE, A SPECIAL TRIBUTE TO GARY 125 00:06:03,162 --> 00:06:06,000 ROSSINGTON AND LYNYRD SKYNYRD WITH BILLY GIBBONS, 126 00:06:06,000 --> 00:06:06,199 ROSSINGTON AND LYNYRD SKYNYRD WITH BILLY GIBBONS, 127 00:06:06,265 --> 00:06:12,000 PAUL RODGERS, SLASH, CHUCK LEAVELL, 128 00:06:12,000 --> 00:06:13,239 PAUL RODGERS, SLASH, CHUCK LEAVELL, 129 00:06:13,306 --> 00:06:15,308 WARREN HAYNES, WYNONNA JUDD, AND LEANN RIMES. 130 00:06:15,374 --> 00:06:17,510 FROM THE RAM TRUCK STAGE AVERY ANNA, 131 00:06:17,577 --> 00:06:18,000 CHAPEL HART, JACKSON DEAN, 132 00:06:18,000 --> 00:06:20,213 CHAPEL HART, JACKSON DEAN, 133 00:06:20,279 --> 00:06:24,000 LILY ROSE, MEGAN MORONEY, 134 00:06:24,000 --> 00:06:24,717 LILY ROSE, MEGAN MORONEY, 135 00:06:24,784 --> 00:06:26,018 NATE SMITH, WITH APPEARANCES BY 136 00:06:26,085 --> 00:06:30,000 CHARLES ESTEN, HARDY,D'AMELIO,- 137 00:06:30,000 --> 00:06:36,000 CHARLES ESTEN, HARDY,D'AMELIO,- 138 00:06:36,000 --> 00:06:36,896 CHARLES ESTEN, HARDY,D'AMELIO,- 139 00:06:36,963 --> 00:06:38,131 IAN BOHEN, JEN LANDON, 140 00:06:38,197 --> 00:06:39,465 JON PARDI, MADISON BAILEY, 141 00:06:39,532 --> 00:06:41,434 MAX THIERIOT, MEGAN THEE STALLION, 142 00:06:41,501 --> 00:06:42,000 PARKER MCCOLLUM, NOAH SCHNAP, 143 00:06:42,000 --> 00:06:42,935 PARKER MCCOLLUM, NOAH SCHNAP, 144 00:06:43,002 --> 00:06:46,239 PETER FRAMPTON, SHANIA TWAIN, 145 00:06:46,305 --> 00:06:48,000 STEVE HOWEY, TRAVIS KELCE, 146 00:06:48,000 --> 00:06:48,941 STEVE HOWEY, TRAVIS KELCE, 147 00:06:49,008 --> 00:06:51,010 AND NOW PLEASE WELCOME KELSEA BALLERINI AND KANE BROWN! 148 00:07:16,969 --> 00:07:18,000 >> WHAT A WAY TO START THE SHOW! 149 00:07:18,000 --> 00:07:18,905 >> WHAT A WAY TO START THE SHOW! 150 00:07:18,971 --> 00:07:23,910 HOW ARE WE FEELING? 151 00:07:23,976 --> 00:07:24,000 >> BLAKE TOTALLY KILLED IT. 152 00:07:24,000 --> 00:07:24,510 >> BLAKE TOTALLY KILLED IT. 153 00:07:24,577 --> 00:07:29,916 WHAT'S UP, AUSTIN, TEXAS! 154 00:07:29,982 --> 00:07:30,000 >> WE ARE SO EXCITED TO BE HERE TONIGHT FOR THE FIRST EVER CMT 155 00:07:30,000 --> 00:07:36,000 >> WE ARE SO EXCITED TO BE HERE TONIGHT FOR THE FIRST EVER CMT 156 00:07:36,000 --> 00:07:37,490 >> WE ARE SO EXCITED TO BE HERE TONIGHT FOR THE FIRST EVER CMT 157 00:07:37,557 --> 00:07:42,000 MUSIC AWARDS IN TEXAS. 158 00:07:42,000 --> 00:07:43,095 MUSIC AWARDS IN TEXAS. 159 00:07:43,162 --> 00:07:44,096 >> THAT'S RIGHT. 160 00:07:44,163 --> 00:07:48,000 WE'RE BRINGING THE STARS TO THE LONE STAR STATE. 161 00:07:48,000 --> 00:07:49,502 WE'RE BRINGING THE STARS TO THE LONE STAR STATE. 162 00:07:49,569 --> 00:07:51,938 >> THAT WAS PUNNY. 163 00:07:52,004 --> 00:07:52,538 I LIKE IT. 164 00:07:52,605 --> 00:07:53,372 THIS IS SO COOL. 165 00:07:53,439 --> 00:07:54,000 LOOKING AROUND THIS ROOM, IT'S CLEAR. 166 00:07:54,000 --> 00:07:54,473 LOOKING AROUND THIS ROOM, IT'S CLEAR. 167 00:07:54,540 --> 00:07:59,412 COUNTRY MUSIC STRETCHES FROM NASHVILLE, WHERE WE LIVE, 168 00:07:59,478 --> 00:08:00,000 TO AUSTIN TO YELLOWSTONE 169 00:08:00,000 --> 00:08:06,000 TO AUSTIN TO YELLOWSTONE 170 00:08:06,000 --> 00:08:08,187 TO AUSTIN TO YELLOWSTONE 171 00:08:08,254 --> 00:08:12,000 TO THE OUTER BANKS! 172 00:08:12,000 --> 00:08:13,759 TO THE OUTER BANKS! 173 00:08:13,826 --> 00:08:14,927 >> I WANNA SHOUT OUT THAT WE HAVE SO MANY INCREDIBLE WOMEN 174 00:08:14,994 --> 00:08:17,463 HERE. 175 00:08:17,530 --> 00:08:18,000 >> YEAH. 176 00:08:18,000 --> 00:08:18,931 >> YEAH. 177 00:08:18,998 --> 00:08:24,000 >> SHANIA TWAIN IS IN THE BUILDING! 178 00:08:24,000 --> 00:08:28,741 >> SHANIA TWAIN IS IN THE BUILDING! 179 00:08:28,808 --> 00:08:29,742 >> MY QUEEN. 180 00:08:29,809 --> 00:08:30,000 THIS IS, LIKE, MY DREAM LINEUP. 181 00:08:30,000 --> 00:08:33,246 THIS IS, LIKE, MY DREAM LINEUP. 182 00:08:33,312 --> 00:08:34,680 AMAZING, POWERFUL WOMEN. 183 00:08:34,747 --> 00:08:36,000 LAINEY WILSON. 184 00:08:36,000 --> 00:08:36,215 LAINEY WILSON. 185 00:08:36,282 --> 00:08:37,516 CARLY PEARCE. 186 00:08:37,583 --> 00:08:42,000 CARRIE UNDERWOOD. 187 00:08:42,000 --> 00:08:44,524 CARRIE UNDERWOOD. 188 00:08:44,590 --> 00:08:47,927 AND Y'ALL, IT'S NOT JUST THE LINEUP. 189 00:08:47,994 --> 00:08:48,000 THE MUSIC IS ALL ABOUT EMPOWERMENT AND STRENGTH, 190 00:08:48,000 --> 00:08:51,731 THE MUSIC IS ALL ABOUT EMPOWERMENT AND STRENGTH, 191 00:08:51,797 --> 00:08:54,000 AND WE ALL NEED THAT RIGHT NOW AND ALWAYS. 192 00:08:54,000 --> 00:08:54,567 AND WE ALL NEED THAT RIGHT NOW AND ALWAYS. 193 00:08:54,634 --> 00:09:00,000 >> AND DON'T FORGET ALANIS MORRISSETTE. 194 00:09:00,000 --> 00:09:01,073 >> AND DON'T FORGET ALANIS MORRISSETTE. 195 00:09:01,140 --> 00:09:05,544 AND GWEN STEFANI'S IN THE HOUSE! 196 00:09:05,611 --> 00:09:06,000 >> CASUAL. 197 00:09:06,000 --> 00:09:06,979 >> CASUAL. 198 00:09:07,046 --> 00:09:07,747 >> THAT'S RIGHT. 199 00:09:07,813 --> 00:09:08,948 TONIGHT IS COUNTRY'S NIGHT TO ROCK. 200 00:09:09,015 --> 00:09:11,817 >> THIS PLACE IS PACKED WITH ROCK STARS, WHICH MAKES PERFECT 201 00:09:11,884 --> 00:09:12,000 SENSE, BECAUSE COUNTRY AND ROCK? 202 00:09:12,000 --> 00:09:15,021 SENSE, BECAUSE COUNTRY AND ROCK? 203 00:09:15,087 --> 00:09:17,390 THEY'RE NOT THAT DIFFERENT. 204 00:09:17,456 --> 00:09:18,000 LET US EXPLAIN. 205 00:09:18,000 --> 00:09:18,491 LET US EXPLAIN. 206 00:09:18,557 --> 00:09:23,262 >> WE'VE ALL HEARD OF "SEX, DRUGS AND ROCK 'N ROLL..." 207 00:09:23,329 --> 00:09:24,000 >> WE HAVE. 208 00:09:24,000 --> 00:09:24,297 >> WE HAVE. 209 00:09:24,363 --> 00:09:26,699 IN COUNTRY, IT'S JUST "HUNTIN, FISHIN, AND LOVING 210 00:09:26,766 --> 00:09:29,735 EVERY DAY." 211 00:09:29,802 --> 00:09:30,000 SAME THING. 212 00:09:30,000 --> 00:09:31,404 SAME THING. 213 00:09:31,470 --> 00:09:34,540 >> COUNTRY HAS DARIUS RUCKER. 214 00:09:34,607 --> 00:09:36,000 >> YES, WE SURE DO. 215 00:09:36,000 --> 00:09:37,109 >> YES, WE SURE DO. 216 00:09:37,176 --> 00:09:37,843 HE'S THE BEST. 217 00:09:37,910 --> 00:09:38,978 AND ROCK HAS... 218 00:09:39,045 --> 00:09:42,000 DARIUS RUCKER. 219 00:09:42,000 --> 00:09:44,583 DARIUS RUCKER. 220 00:09:44,650 --> 00:09:45,985 HONESTLY, THEY SHOULD COLLAB SOMETIME. 221 00:09:46,052 --> 00:09:48,000 >> WE'RE GONNA SEE DARIUS LATER WITH THE BLACK CROWES. 222 00:09:48,000 --> 00:09:51,490 >> WE'RE GONNA SEE DARIUS LATER WITH THE BLACK CROWES. 223 00:09:51,557 --> 00:09:52,758 >> IT'S INCREDIBLE. 224 00:09:52,825 --> 00:09:53,159 I CAN'T WAIT! 225 00:09:53,225 --> 00:09:53,826 SO GOOD. 226 00:09:53,893 --> 00:09:54,000 >> ROCK HAS POST MALONE. 227 00:09:54,000 --> 00:09:56,495 >> ROCK HAS POST MALONE. 228 00:09:56,562 --> 00:10:00,000 >> I LOVE POSTY. 229 00:10:00,000 --> 00:10:01,901 >> I LOVE POSTY. 230 00:10:01,968 --> 00:10:02,768 I AM ALSO ALWAYS TIRED. 231 00:10:02,835 --> 00:10:04,870 >> HE ROCKS. 232 00:10:04,937 --> 00:10:06,000 >> BUT COUNTRY HAS JELLY ROLL! 233 00:10:06,000 --> 00:10:12,000 >> BUT COUNTRY HAS JELLY ROLL! 234 00:10:12,000 --> 00:10:12,678 >> BUT COUNTRY HAS JELLY ROLL! 235 00:10:12,745 --> 00:10:18,000 [CHEERS AND APPLAUSE] THAT'S ON US. 236 00:10:18,000 --> 00:10:19,952 [CHEERS AND APPLAUSE] THAT'S ON US. 237 00:10:20,019 --> 00:10:22,388 I THINK WE GOT THAT MIXED UP. 238 00:10:22,455 --> 00:10:24,000 >>I THINK WE NAILED IT. 239 00:10:24,000 --> 00:10:25,958 >>I THINK WE NAILED IT. 240 00:10:26,025 --> 00:10:27,960 JELLY ROLL HAS SO MANY NOMINATIONS TONIGHT. 241 00:10:28,027 --> 00:10:30,000 REAL BREAKOUT YEAR FOR HIM, COME ON NOW. 242 00:10:30,000 --> 00:10:31,864 REAL BREAKOUT YEAR FOR HIM, COME ON NOW. 243 00:10:31,931 --> 00:10:32,965 COME ON. 244 00:10:33,032 --> 00:10:34,800 WE'RE SO HAPPY FOR YOU, BUDDY. 245 00:10:34,867 --> 00:10:36,000 >> Y'ALL, WE'VE GOT SO MANY GREAT PERFORMANCES. 246 00:10:36,000 --> 00:10:38,871 >> Y'ALL, WE'VE GOT SO MANY GREAT PERFORMANCES. 247 00:10:38,938 --> 00:10:41,173 A BUNCH OF AWARDS TO HAND OUT. 248 00:10:41,240 --> 00:10:42,000 BUT BEFORE WE GET STARTED, KANE, THIS IS OUR THIRD TIME 249 00:10:42,000 --> 00:10:43,976 BUT BEFORE WE GET STARTED, KANE, THIS IS OUR THIRD TIME 250 00:10:44,043 --> 00:10:46,979 HOSTING TOGETHER. 251 00:10:47,046 --> 00:10:47,580 THIRD TIME'S A CHARM. 252 00:10:47,646 --> 00:10:48,000 >> HAPPY ANNIVERSARY! 253 00:10:48,000 --> 00:10:50,883 >> HAPPY ANNIVERSARY! 254 00:10:50,950 --> 00:10:51,617 >> THANK YOU. 255 00:10:51,684 --> 00:10:52,018 >> I ACTUALLY GOT YOU SOMETHING. 256 00:10:52,084 --> 00:10:54,000 >> OH, MY GOD. 257 00:10:54,000 --> 00:10:54,854 >> OH, MY GOD. 258 00:10:54,920 --> 00:10:57,256 >> I DID. 259 00:10:57,323 --> 00:11:00,000 >> WOW. 260 00:11:00,000 --> 00:11:06,000 >> WOW. 261 00:11:06,000 --> 00:11:07,900 >> WOW. 262 00:11:07,967 --> 00:11:11,270 I GOT YOU SOMETHING TOO! 263 00:11:11,337 --> 00:11:12,000 >> YOU DI? 264 00:11:12,000 --> 00:11:13,372 >> YOU DI? 265 00:11:13,439 --> 00:11:18,000 >> YES. 266 00:11:18,000 --> 00:11:22,448 >> YES. 267 00:11:22,515 --> 00:11:24,000 YEEHAW! 268 00:11:24,000 --> 00:11:25,051 YEEHAW! 269 00:11:25,117 --> 00:11:29,055 WHOO! 270 00:11:29,121 --> 00:11:29,688 >> IT'S A LITTLE SMALL. 271 00:11:29,755 --> 00:11:30,000 I THINK WE LOOK GOOD! 272 00:11:30,000 --> 00:11:33,159 I THINK WE LOOK GOOD! 273 00:11:33,225 --> 00:11:34,927 THIS IS THE ONLY COUNTRY AWARDS SHOW WHERE THE FANS GET TO PICK 274 00:11:34,994 --> 00:11:36,000 THE WINNERS, AND THERE'S STILL ONE AWARD YOU 275 00:11:36,000 --> 00:11:37,963 THE WINNERS, AND THERE'S STILL ONE AWARD YOU 276 00:11:38,030 --> 00:11:39,532 CAN HELP DECIDE. 277 00:11:39,598 --> 00:11:42,000 >> IT'S THE BIGGEST AWARD OF THE NIGHT, VIDEO OF THE YEAR. 278 00:11:42,000 --> 00:11:42,468 >> IT'S THE BIGGEST AWARD OF THE NIGHT, VIDEO OF THE YEAR. 279 00:11:42,535 --> 00:11:44,336 WE STARTED OUT WITH 16 NOMINEES AND NOW WE'RE DOWN TO THE TOP 280 00:11:44,403 --> 00:11:46,705 THREE. 281 00:11:46,772 --> 00:11:48,000 >> TAKE A LOOK. 282 00:11:48,000 --> 00:11:53,312 >> TAKE A LOOK. 283 00:11:53,379 --> 00:11:54,000 >> VIDEO OF THE YEAR. 284 00:11:54,000 --> 00:11:58,084 >> VIDEO OF THE YEAR. 285 00:11:58,150 --> 00:12:00,000 CARRIE UNDERWOOD, HARDY, THANK GOD. 286 00:12:00,000 --> 00:12:05,257 CARRIE UNDERWOOD, HARDY, THANK GOD. 287 00:12:05,324 --> 00:12:06,000 CAST YOUR VOTES NOW. 288 00:12:06,000 --> 00:12:10,096 CAST YOUR VOTES NOW. 289 00:12:10,162 --> 00:12:12,000 FOR CARRIE UNDERWOOD. 290 00:12:12,000 --> 00:12:14,700 FOR CARRIE UNDERWOOD. 291 00:12:14,767 --> 00:12:17,903 FOR HARDY AND LAINEY WILSON. 292 00:12:17,970 --> 00:12:18,000 FOR KANE BROWN AND KATELYN BRO BROWN, COMMENT... 293 00:12:18,000 --> 00:12:23,876 FOR KANE BROWN AND KATELYN BRO BROWN, COMMENT... 294 00:12:23,943 --> 00:12:24,000 MAKE SURE TO VOTE NOW. 295 00:12:24,000 --> 00:12:26,479 MAKE SURE TO VOTE NOW. 296 00:12:26,545 --> 00:12:30,000 VIDEO OF THE VOTING IS PRESENTED BY RAM TRUCKS. 297 00:12:30,000 --> 00:12:33,252 VIDEO OF THE VOTING IS PRESENTED BY RAM TRUCKS. 298 00:12:33,319 --> 00:12:36,000 >> YOU CAN CAST YOUR VOTES ON THE CMT AWARDS FACEBOOK PAGE. 299 00:12:36,000 --> 00:12:39,291 >> YOU CAN CAST YOUR VOTES ON THE CMT AWARDS FACEBOOK PAGE. 300 00:12:39,358 --> 00:12:42,000 MAKE SURE YOU SHOW YOUR LOVE TO YOUR FAVORITE ARTIST. 301 00:12:42,000 --> 00:12:42,928 MAKE SURE YOU SHOW YOUR LOVE TO YOUR FAVORITE ARTIST. 302 00:12:42,995 --> 00:12:44,830 >> WHEN CMT BRINGS IT, WE TAKE OVER THE WHOLE CITY. 303 00:12:44,897 --> 00:12:47,133 RIGHT NOW, A CMT FAVORITE WHO DROPPED HIS DEBUT SOLO ALBUM 304 00:12:47,199 --> 00:12:48,000 EARLIER THIS YEAR IS STEPPING ONTO OUR STAGE IN FRONT OF THE 305 00:12:48,000 --> 00:12:49,568 EARLIER THIS YEAR IS STEPPING ONTO OUR STAGE IN FRONT OF THE 306 00:12:49,635 --> 00:12:53,806 TEXAS STATE CAPITOL. 307 00:12:53,873 --> 00:12:54,000 >> Y'ALL MAKE SOME NOISE FOR TYLER HUBBARD! 308 00:12:54,000 --> 00:13:00,000 >> Y'ALL MAKE SOME NOISE FOR TYLER HUBBARD! 309 00:13:00,000 --> 00:13:02,882 >> Y'ALL MAKE SOME NOISE FOR TYLER HUBBARD! 310 00:13:11,123 --> 00:13:11,991 >> CMT AWARDS! 311 00:13:12,057 --> 00:13:14,126 ♪ THEM NEON LIGHTS ♪ ♪ LOOK GOOD ON YOU ♪ 312 00:13:14,193 --> 00:13:16,095 ♪ BUT WE AIN'T GOT ♪ ♪ NO ROOM TO MOVE ♪ 313 00:13:16,162 --> 00:13:18,000 ♪ NO ROOM TO MOVE ♪ ♪ WE NEED SOME SPACE ♪ 314 00:13:18,000 --> 00:13:18,430 ♪ NO ROOM TO MOVE ♪ ♪ WE NEED SOME SPACE ♪ 315 00:13:18,497 --> 00:13:22,034 ♪ AND I KNOW A PLACE ♪ ♪ OUTSIDE OF TOWN 316 00:13:22,101 --> 00:13:24,000 WHERE IT DON'T EVER CLOSE DOWN ♪ ♪ NO, WE NEVER CLOSE DOWN ♪ 317 00:13:24,000 --> 00:13:26,672 WHERE IT DON'T EVER CLOSE DOWN ♪ ♪ NO, WE NEVER CLOSE DOWN ♪ 318 00:13:26,739 --> 00:13:27,973 ♪ YEAH, WE CAN TWO STEP ♪ ♪ PUT YOUR BOOTS ON, BABY ♪ 319 00:13:28,040 --> 00:13:30,000 ♪ WE CAN DO THAT ♪ ♪ GIRL, CUT A LITTLE LOOSE ♪ 320 00:13:30,000 --> 00:13:30,843 ♪ WE CAN DO THAT ♪ ♪ GIRL, CUT A LITTLE LOOSE ♪ 321 00:13:30,910 --> 00:13:36,000 ♪ MOVE THAT ♪ ♪ AW, YEAH ♪ 322 00:13:36,000 --> 00:13:36,949 ♪ MOVE THAT ♪ ♪ AW, YEAH ♪ 323 00:13:37,016 --> 00:13:40,519 I'LL TAKE YOU DANCIN' IN THE COUNTRY 324 00:13:40,586 --> 00:13:42,000 ♪ LEVI'S IN THEM LOW BEAMS ♪ ♪ SPIN YOU IN SOME RED DIRT ♪ 325 00:13:42,000 --> 00:13:42,521 ♪ LEVI'S IN THEM LOW BEAMS ♪ ♪ SPIN YOU IN SOME RED DIRT ♪ 326 00:13:42,588 --> 00:13:45,124 ♪ SWEEP YOU OFF OF BOTH FEET ♪ ♪ OUT HERE WHERE THE SUN SETS ♪ 327 00:13:45,191 --> 00:13:48,000 ♪ SILVERADO BACKBEAT ♪ ♪ YOU'LL NEVER WANNA GO HOME ♪ 328 00:13:48,000 --> 00:13:50,329 ♪ SILVERADO BACKBEAT ♪ ♪ YOU'LL NEVER WANNA GO HOME ♪ 329 00:13:50,396 --> 00:13:54,000 ♪ AND NEVER WANNA NOT BE ♪ DANCIN' IN THE COUNTRY ♪ 330 00:13:54,000 --> 00:14:00,000 ♪ AND NEVER WANNA NOT BE ♪ DANCIN' IN THE COUNTRY ♪ 331 00:14:00,000 --> 00:14:00,873 ♪ AND NEVER WANNA NOT BE ♪ DANCIN' IN THE COUNTRY ♪ 332 00:14:00,940 --> 00:14:03,542 Y'ALL KNOW WHAT I'M TALKING ABOUT? 333 00:14:03,609 --> 00:14:04,743 ♪ YEAH, IT GOES LEFT, RIGHT, LEFT ♪ 334 00:14:04,810 --> 00:14:06,000 ♪ YOU MAKIN' ME WANNA SWAY ♪ ♪ YOU MAKIN' ME WANNA PLAY ♪ 335 00:14:06,000 --> 00:14:07,213 ♪ YOU MAKIN' ME WANNA SWAY ♪ ♪ YOU MAKIN' ME WANNA PLAY ♪ 336 00:14:07,279 --> 00:14:10,249 ♪ SOME ALABAMA AND JACKSON ♪ ♪ GOT YOU 'ROUND MY NECK ♪ 337 00:14:10,316 --> 00:14:12,000 ♪ MAKIN' ME WANNA STAY ♪ ♪ MAKIN' ME WANNA LAY YOU 338 00:14:12,000 --> 00:14:14,119 ♪ MAKIN' ME WANNA STAY ♪ ♪ MAKIN' ME WANNA LAY YOU 339 00:14:14,186 --> 00:14:17,856 DOWN HERE IN THE PASTURE ♪ ♪ YEAH, WE CAN TWO STEP ♪ 340 00:14:17,923 --> 00:14:18,000 ♪ PUT YOUR BOOTS ON, BABY ♪ ♪ WE CAN DO THAT GIRL ♪ 341 00:14:18,000 --> 00:14:19,024 ♪ PUT YOUR BOOTS ON, BABY ♪ ♪ WE CAN DO THAT GIRL ♪ 342 00:14:19,091 --> 00:14:21,126 ♪ CUT A LITTLE LOOSE ♪ ♪ YOU CAN MOVE THAT ♪ 343 00:14:21,193 --> 00:14:24,000 ♪ MOVE THAT ♪ ♪ AW, YEAH ♪ 344 00:14:24,000 --> 00:14:27,266 ♪ MOVE THAT ♪ ♪ AW, YEAH ♪ 345 00:14:27,333 --> 00:14:30,000 I'LL TAKE YOU DANCIN' IN THE COUNTRY 346 00:14:30,000 --> 00:14:30,536 I'LL TAKE YOU DANCIN' IN THE COUNTRY 347 00:14:30,603 --> 00:14:32,037 ♪ LEVI'S IN THEM LOW BEAMS ♪ ♪ SPIN YOU IN SOME RED DIRT ♪ 348 00:14:32,104 --> 00:14:33,973 ♪ SWEEP YOU OFF OF BOTH FEET ♪ ♪ OUT HERE WHERE THE SUN SETS ♪ 349 00:14:34,039 --> 00:14:36,000 ♪ SILVERADO BACKBEAT ♪ ♪ YOU'LL NEVER WANNA GO HOME ♪ 350 00:14:36,000 --> 00:14:38,544 ♪ SILVERADO BACKBEAT ♪ ♪ YOU'LL NEVER WANNA GO HOME ♪ 351 00:14:38,611 --> 00:14:42,000 ♪ AND NEVER WANNA NOT BE ♪ DANCIN' IN THE COUNTRY ♪ 352 00:14:42,000 --> 00:14:48,000 ♪ AND NEVER WANNA NOT BE ♪ DANCIN' IN THE COUNTRY ♪ 353 00:14:48,000 --> 00:14:48,454 ♪ AND NEVER WANNA NOT BE ♪ DANCIN' IN THE COUNTRY ♪ 354 00:14:48,520 --> 00:14:54,000 ♪ WE'RE DANCIN' IN THE COUNTRY ♪ ONE TIME, BOYS! 355 00:14:54,000 --> 00:14:55,060 ♪ WE'RE DANCIN' IN THE COUNTRY ♪ ONE TIME, BOYS! 356 00:14:56,829 --> 00:15:00,000 ♪ ♪ ♪ I KNOW YOU FEEL THAT HEAT ♪ 357 00:15:00,000 --> 00:15:01,100 ♪ ♪ ♪ I KNOW YOU FEEL THAT HEAT ♪ 358 00:15:01,166 --> 00:15:04,370 ♪ WATERMELON SUMMER ♪ ♪ GET THEM LUCCHESES ♪ 359 00:15:04,436 --> 00:15:06,000 ♪ STOMPIN' LIKE THE THUNDER ♪ GET YOUR HANDS UP! 360 00:15:06,000 --> 00:15:12,000 ♪ STOMPIN' LIKE THE THUNDER ♪ GET YOUR HANDS UP! 361 00:15:12,000 --> 00:15:13,679 ♪ STOMPIN' LIKE THE THUNDER ♪ GET YOUR HANDS UP! 362 00:15:13,746 --> 00:15:18,000 ARE WE HAVING A GOOD TIME TONIGHT OR WHAT? 363 00:15:18,000 --> 00:15:20,786 ARE WE HAVING A GOOD TIME TONIGHT OR WHAT? 364 00:15:20,853 --> 00:15:22,788 WHO'S READY TO DANCE TONIGHT? 365 00:15:22,855 --> 00:15:23,789 AUSTIN! 366 00:15:23,856 --> 00:15:24,000 ♪ I'LL TAKE YOU DANCIN' ♪ ♪ IN THE COUNTRY ♪ 367 00:15:24,000 --> 00:15:30,000 ♪ I'LL TAKE YOU DANCIN' ♪ ♪ IN THE COUNTRY ♪ 368 00:15:30,000 --> 00:15:31,930 ♪ I'LL TAKE YOU DANCIN' ♪ ♪ IN THE COUNTRY ♪ 369 00:15:31,997 --> 00:15:33,932 ♪ LEVI'S IN THEM LOW BEAMS ♪ ♪ SPIN YOU IN SOME RED DIRT ♪ 370 00:15:33,999 --> 00:15:36,000 ♪ SWEEP YOU OFF OF BOTH FEET ♪ ♪ OUT HERE WHERE THE SUN SETS ♪ 371 00:15:36,000 --> 00:15:37,770 ♪ SWEEP YOU OFF OF BOTH FEET ♪ ♪ OUT HERE WHERE THE SUN SETS ♪ 372 00:15:37,836 --> 00:15:41,740 ♪ SILVERADO BACKBEAT ♪ ♪ YOU'LL NEVER WANNA GO HOME ♪ 373 00:15:41,807 --> 00:15:42,000 ♪ AND NEVER WANNA NOT BE ♪ DANCIN' IN THE COUNTRY ♪ 374 00:15:42,000 --> 00:15:48,000 ♪ AND NEVER WANNA NOT BE ♪ DANCIN' IN THE COUNTRY ♪ 375 00:15:48,000 --> 00:15:50,149 ♪ AND NEVER WANNA NOT BE ♪ DANCIN' IN THE COUNTRY ♪ 376 00:15:50,215 --> 00:15:54,000 WE'RE DANCIN' IN THE COUNTRY ♪ AW, YEAH! 377 00:15:54,000 --> 00:15:56,822 WE'RE DANCIN' IN THE COUNTRY ♪ AW, YEAH! 378 00:15:56,889 --> 00:15:59,558 DANCIN' IN THE COUNTRY ♪ WE'RE DANCIN' IN THE COUNTRY ♪ 379 00:15:59,625 --> 00:16:00,000 AW, YEAH! 380 00:16:00,000 --> 00:16:06,000 AW, YEAH! 381 00:16:06,000 --> 00:16:09,201 AW, YEAH! 382 00:16:09,268 --> 00:16:10,602 AUSTIN, YOU GUYS ARE AMAZING. 383 00:16:10,669 --> 00:16:12,000 I LOVE YOU. 384 00:16:12,000 --> 00:16:13,305 I LOVE YOU. 385 00:16:13,372 --> 00:16:18,000 THANK YOU, CMT. 386 00:16:18,000 --> 00:16:21,980 THANK YOU, CMT. 387 00:16:22,047 --> 00:16:23,382 THANK Y'ALL SO MUCH. 388 00:16:23,449 --> 00:16:24,000 YOU GUYS ARE AMAZING. 389 00:16:24,000 --> 00:16:24,950 YOU GUYS ARE AMAZING. 390 00:16:25,017 --> 00:16:29,588 SEE YOU LATER, HAVE AN AWESOME NIGHT. 391 00:16:29,655 --> 00:16:30,000 >> TYLER HUBBARD, EVERYBODY! 392 00:16:30,000 --> 00:16:33,125 >> TYLER HUBBARD, EVERYBODY! 393 00:16:33,192 --> 00:16:36,000 ALL RIGHT, WE GOTTA GO BIG IN TEXAS, AND IT DOESN'T GET MUCH 394 00:16:36,000 --> 00:16:36,528 ALL RIGHT, WE GOTTA GO BIG IN TEXAS, AND IT DOESN'T GET MUCH 395 00:16:36,595 --> 00:16:42,000 BIGGER AROUND HERE THAN THIS GUY. 396 00:16:42,000 --> 00:16:42,568 BIGGER AROUND HERE THAN THIS GUY. 397 00:16:42,634 --> 00:16:48,000 HE'S FROM AUSTIN ONE OF THE BEST GUITAR PLAYERS 398 00:16:48,000 --> 00:16:50,275 HE'S FROM AUSTIN ONE OF THE BEST GUITAR PLAYERS 399 00:16:50,342 --> 00:16:51,510 ON EARTH. 400 00:16:51,577 --> 00:16:52,878 >> HE'S HERE WITH A PERFORMANCE HONORING THE CITY'S PRIDE AND 401 00:16:52,945 --> 00:16:53,746 JOY, THE LATE, GREAT STEVIE RAY VAUGHAN. 402 00:16:53,812 --> 00:16:54,000 HERE IS GARY CLARK JR.! 403 00:16:54,000 --> 00:16:58,717 HERE IS GARY CLARK JR.! 404 00:17:00,386 --> 00:17:03,589 ♪ ♪ ♪ WELL, THE HOUSE 405 00:17:03,655 --> 00:17:05,457 IS A ROCKIN' ♪ ♪ DON'T BOTHER KNOCKIN' ♪ 406 00:17:05,524 --> 00:17:06,000 ♪ YEAH, THE HOUSE IS A ROCKIN' ♪ ♪ DON'T BOTHER KNOCKIN' ♪ 407 00:17:06,000 --> 00:17:08,293 ♪ YEAH, THE HOUSE IS A ROCKIN' ♪ ♪ DON'T BOTHER KNOCKIN' ♪ 408 00:17:08,360 --> 00:17:12,000 ♪ YEAH, THE HOUSE IS A ROCKIN' ♪ ♪ DON'T BOTHER COME ON IN ♪ 409 00:17:12,000 --> 00:17:13,532 ♪ YEAH, THE HOUSE IS A ROCKIN' ♪ ♪ DON'T BOTHER COME ON IN ♪ 410 00:17:13,599 --> 00:17:16,568 ♪ KICK OFF YOUR SHOES ♪ ♪ START LOSIN' THE BLUES ♪ 411 00:17:16,635 --> 00:17:18,000 ♪ THIS OLD HOUSE ♪ ♪ AIN'T GOT NOTHIN' TO LOSE ♪ 412 00:17:18,000 --> 00:17:18,771 ♪ THIS OLD HOUSE ♪ ♪ AIN'T GOT NOTHIN' TO LOSE ♪ 413 00:17:18,837 --> 00:17:24,000 ♪ SEEN IT ALL FOR YEARS ♪ ♪ START SPREADIN' THE NEWS ♪ 414 00:17:24,000 --> 00:17:24,176 ♪ SEEN IT ALL FOR YEARS ♪ ♪ START SPREADIN' THE NEWS ♪ 415 00:17:24,243 --> 00:17:27,146 ♪ WE GOT ROOM ON THE FLOOR ♪ ♪ COME ON, BABY ♪ 416 00:17:27,212 --> 00:17:30,000 ♪ SHAKE SUMPIN' LOOSE ♪ ♪ WELL, THE HOUSE IS A ROCKIN' ♪ 417 00:17:30,000 --> 00:17:31,483 ♪ SHAKE SUMPIN' LOOSE ♪ ♪ WELL, THE HOUSE IS A ROCKIN' ♪ 418 00:17:31,550 --> 00:17:34,753 ♪ DON'T BOTHER KNOCKIN' ♪ ♪ YEAH, THE HOUSE IS A ROCKIN' ♪ 419 00:17:34,820 --> 00:17:36,000 ♪ DON'T BOTHER KNOCKIN' ♪ ♪ YEAH, THE HOUSE IS A ROCKIN' ♪ 420 00:17:36,000 --> 00:17:37,656 ♪ DON'T BOTHER KNOCKIN' ♪ ♪ YEAH, THE HOUSE IS A ROCKIN' ♪ 421 00:17:37,723 --> 00:17:41,960 ♪ DON'T BOTHER ♪ COME ON IN ♪ 422 00:17:42,027 --> 00:17:45,898 GO AHEAD! 423 00:17:47,566 --> 00:17:48,000 ♪ ♪ 424 00:17:48,000 --> 00:17:54,000 ♪ ♪ 425 00:17:54,000 --> 00:18:00,000 ♪ ♪ 426 00:18:00,000 --> 00:18:02,448 ♪ ♪ 427 00:18:02,514 --> 00:18:03,649 ♪ ♪ 428 00:18:12,958 --> 00:18:18,000 ♪ ♪ ♪ WELL, THE HOUSE IS A ROCKIN' ♪ 429 00:18:18,000 --> 00:18:24,000 ♪ ♪ ♪ WELL, THE HOUSE IS A ROCKIN' ♪ 430 00:18:24,000 --> 00:18:24,403 ♪ ♪ ♪ WELL, THE HOUSE IS A ROCKIN' ♪ 431 00:18:24,470 --> 00:18:26,405 ♪ DON'T BOTHER KNOCKIN' ♪ ♪ YEAH, THE HOUSE IS A ROCKIN' ♪ 432 00:18:26,472 --> 00:18:29,608 ♪ DON'T BOTHER KNOCKIN' ♪ ♪ YEAH, THE HOUSE IS A ROCKIN' ♪ 433 00:18:29,675 --> 00:18:30,000 ♪ DON'T BOTHER ♪ COME ON IN ♪ 434 00:18:30,000 --> 00:18:33,312 ♪ DON'T BOTHER ♪ COME ON IN ♪ 435 00:18:33,378 --> 00:18:36,000 ♪ WALKIN' UP THE STREET ♪ ♪ YOU CAN HEAR THE SOUND ♪ 436 00:18:36,000 --> 00:18:36,415 ♪ WALKIN' UP THE STREET ♪ ♪ YOU CAN HEAR THE SOUND ♪ 437 00:18:36,482 --> 00:18:38,450 ♪ OF SOME BAD HONKY TONKERS ♪ ♪ REALLY LAYIN' IT DOWN ♪ 438 00:18:38,517 --> 00:18:40,752 ♪ THEY'VE SEEN IT ALL FOR YEARS ♪ 439 00:18:40,819 --> 00:18:42,000 ♪ GOT NOTHIN' TO LOSE ♪ ♪ SO GET DOWN ON THE FLOOR ♪ 440 00:18:42,000 --> 00:18:45,657 ♪ GOT NOTHIN' TO LOSE ♪ ♪ SO GET DOWN ON THE FLOOR ♪ 441 00:18:45,724 --> 00:18:48,000 ♪ SHIMMY 'TIL YOU SHAKE ♪ ♪ SUMPIN' LOOSE ♪ 442 00:18:48,000 --> 00:18:49,094 ♪ SHIMMY 'TIL YOU SHAKE ♪ ♪ SUMPIN' LOOSE ♪ 443 00:18:49,161 --> 00:18:51,730 ♪ WELL, THE HOUSE IS A ROCKIN' ♪ ♪ DON'T BOTHER KNOCKIN' ♪ 444 00:18:51,797 --> 00:18:54,000 ♪ YEAH, THE HOUSE IS A ROCKIN' ♪ ♪ DON'T BOTHER KNOCKIN' ♪ 445 00:18:54,000 --> 00:18:54,366 ♪ YEAH, THE HOUSE IS A ROCKIN' ♪ ♪ DON'T BOTHER KNOCKIN' ♪ 446 00:18:54,433 --> 00:18:57,569 ♪ YEAH, THE HOUSE IS A ROCKIN' ♪ ♪ DON'T BOTHER 447 00:18:57,636 --> 00:19:00,000 ♪ COME ON IN ♪ THE HOUSE IS A ROCKIN' ♪ 448 00:19:00,000 --> 00:19:02,674 ♪ COME ON IN ♪ THE HOUSE IS A ROCKIN' ♪ 449 00:19:02,741 --> 00:19:05,644 ♪ DON'T BOTHER ♪ COME ON IN ♪ 450 00:19:05,711 --> 00:19:06,000 ♪ WOO, HOO, HOO, HOO ♪ ♪ WOO, OOH, OOM, HOO ♪ 451 00:19:06,000 --> 00:19:12,000 ♪ WOO, HOO, HOO, HOO ♪ ♪ WOO, OOH, OOM, HOO ♪ 452 00:19:12,000 --> 00:19:18,000 ♪ WOO, HOO, HOO, HOO ♪ ♪ WOO, OOH, OOM, HOO ♪ 453 00:19:18,000 --> 00:19:18,824 ♪ WOO, HOO, HOO, HOO ♪ ♪ WOO, OOH, OOM, HOO ♪ 454 00:19:18,891 --> 00:19:22,928 ♪ WOO, OOH, OOH, OOH ♪ 455 00:19:23,929 --> 00:19:24,000 ♪ ♪ 456 00:19:24,000 --> 00:19:30,000 ♪ ♪ 457 00:19:30,000 --> 00:19:36,000 ♪ ♪ 458 00:19:36,000 --> 00:19:38,810 ♪ ♪ 459 00:19:38,877 --> 00:19:40,445 ♪ ♪ 460 00:19:55,327 --> 00:20:00,000 ♪ ♪ 461 00:20:00,000 --> 00:20:06,000 ♪ ♪ 462 00:20:06,000 --> 00:20:10,208 ♪ ♪ 463 00:20:10,275 --> 00:20:11,410 ♪ ♪ 464 00:20:14,513 --> 00:20:18,000 [CHEERS AND APPLAUSE] >> OH, THIS HOUSE IS ROCKIN'! 465 00:20:18,000 --> 00:20:24,000 [CHEERS AND APPLAUSE] >> OH, THIS HOUSE IS ROCKIN'! 466 00:20:24,000 --> 00:20:28,894 [CHEERS AND APPLAUSE] >> OH, THIS HOUSE IS ROCKIN'! 467 00:20:28,961 --> 00:20:30,000 AUSTEN'S OWN, GARY CLARK JR., EVERYBODY. 468 00:20:30,000 --> 00:20:32,497 AUSTEN'S OWN, GARY CLARK JR., EVERYBODY. 469 00:20:32,564 --> 00:20:33,732 WE'VE GOT SOME OF THE BIGGEST NAMES IN MUSIC HERE, BUT THE CMT 470 00:20:33,799 --> 00:20:36,000 MUSIC AWARDS ALSO GIVE A STAGE TO SOME OF THE MOST EXCITING 471 00:20:36,000 --> 00:20:39,338 MUSIC AWARDS ALSO GIVE A STAGE TO SOME OF THE MOST EXCITING 472 00:20:39,404 --> 00:20:40,472 BREAKOUT ARTISTS. 473 00:20:40,539 --> 00:20:41,006 AND YOU'RE GONNA GET TO SEE SIX OF THEM HERE ON THE RAM 474 00:20:41,073 --> 00:20:42,000 TRUCKS STAGE TONIGHT. 475 00:20:42,000 --> 00:20:43,976 TRUCKS STAGE TONIGHT. 476 00:20:44,042 --> 00:20:45,477 KICKING IT OFF, WE'VE GOT AN ARTIST WHO IS HAVING A HUGE 477 00:20:45,544 --> 00:20:46,511 YEAR. 478 00:20:46,578 --> 00:20:48,000 PERFORMING HER NEW SONG, "WHATCHA KNOW ABOUT THAT," 479 00:20:48,000 --> 00:20:48,981 PERFORMING HER NEW SONG, "WHATCHA KNOW ABOUT THAT," 480 00:20:49,047 --> 00:20:54,000 GIVE IT UP FOR MY GIRL, LILY ROSE! 481 00:20:54,000 --> 00:20:55,053 GIVE IT UP FOR MY GIRL, LILY ROSE! 482 00:20:56,421 --> 00:21:00,000 ♪ DO YOU LOVE IT ♪ ♪ WHEN IT RAINS ♪ 483 00:21:00,000 --> 00:21:00,158 ♪ DO YOU LOVE IT ♪ ♪ WHEN IT RAINS ♪ 484 00:21:00,225 --> 00:21:05,931 ♪ UNDER A TIN ROOF ♪ ♪ SITTIN' ON A PORCH SWING ♪ 485 00:21:05,998 --> 00:21:06,000 ♪ EVER TASTE THAT ♪ ♪ SMALL TOWN FAME ♪ 486 00:21:06,000 --> 00:21:08,967 ♪ EVER TASTE THAT ♪ ♪ SMALL TOWN FAME ♪ 487 00:21:09,034 --> 00:21:12,000 ♪ YEAH, I THINK WE'RE THE SAME ♪ ♪ COME ON, TELL ME, BABY ♪ 488 00:21:12,000 --> 00:21:13,271 ♪ YEAH, I THINK WE'RE THE SAME ♪ ♪ COME ON, TELL ME, BABY ♪ 489 00:21:13,338 --> 00:21:17,342 ♪ I WANNA KNOW ♪ ♪ WHAT YOU KNOW ABOUT THAT ♪ 490 00:21:17,409 --> 00:21:18,000 ♪ DO YOU LOVE A LITTLE DOLLY P ♪ ♪ COMIN' THROUGH THE DASH ♪ 491 00:21:18,000 --> 00:21:21,313 ♪ DO YOU LOVE A LITTLE DOLLY P ♪ ♪ COMIN' THROUGH THE DASH ♪ 492 00:21:21,380 --> 00:21:24,000 ♪ DOES YOUR MAMA'S SWEET TEA ♪ ♪ MAKE THE HOT DAYS COLD ♪ 493 00:21:24,000 --> 00:21:25,817 ♪ DOES YOUR MAMA'S SWEET TEA ♪ ♪ MAKE THE HOT DAYS COLD ♪ 494 00:21:25,884 --> 00:21:29,755 ♪ MM-MM THAT'S YOU AND ME BOTH ♪ ♪ YEAH, WHAT IF I TOLD YOU ♪ 495 00:21:29,821 --> 00:21:30,000 ♪ I WANT THAT KIND OF LOVE ♪ ♪ THAT'S GONNA LAST ♪ 496 00:21:30,000 --> 00:21:33,158 ♪ I WANT THAT KIND OF LOVE ♪ ♪ THAT'S GONNA LAST ♪ 497 00:21:33,225 --> 00:21:36,000 ♪ YEAH, I WANNA KNOW ♪ ♪ WHAT YOU KNOW ABOUT THAT ♪ 498 00:21:36,000 --> 00:21:37,229 ♪ YEAH, I WANNA KNOW ♪ ♪ WHAT YOU KNOW ABOUT THAT ♪ 499 00:21:48,040 --> 00:21:49,975 [CHEERS AND APPLAUSE] >> COMING UP, WE HAND OUT THE 500 00:21:50,042 --> 00:21:51,109 FIRST AWARD OF THE NIGHT. 501 00:21:51,176 --> 00:21:54,000 PLUS, PERFORMANCES BY CARLY PEARCE, 502 00:21:54,000 --> 00:21:54,012 PLUS, PERFORMANCES BY CARLY PEARCE, 503 00:21:54,079 --> 00:21:57,082 JELLY ROLL, CODY JOHNSON, KEITH URBAN, AND A SPECIAL 504 00:21:57,149 --> 00:21:59,918 COLLABORATION FROM WYNONA JUDD AND ASHLEY McBRYDE. 505 00:21:59,985 --> 00:22:00,000 AND AN ALL-STAR CELEBRATION OF LYNYRD SKYNYRD. 506 00:22:00,000 --> 00:22:03,455 AND AN ALL-STAR CELEBRATION OF LYNYRD SKYNYRD. 507 00:22:03,522 --> 00:22:06,000 FOR EVEN MORE CMT MUSIC AWARDS, FOLLOW @CMT! 508 00:22:06,000 --> 00:22:10,929 FOR EVEN MORE CMT MUSIC AWARDS, FOLLOW @CMT! 509 00:22:10,996 --> 00:22:12,000 >> THE 2023 CMT MUSIC AWARDS IS SPONSORED BY RAM TRUCKS. 510 00:22:12,000 --> 00:22:13,999 >> THE 2023 CMT MUSIC AWARDS IS SPONSORED BY RAM TRUCKS. 511 00:22:29,014 --> 00:22:30,000 ♪ ♪ >> THE FIRST AWARD IS COMING UP, 512 00:22:30,000 --> 00:22:30,949 ♪ ♪ >> THE FIRST AWARD IS COMING UP, 513 00:22:31,016 --> 00:22:36,000 AND SINCE THIS OUR FIRST SHOW IN TEXAS, WE ARE PROUD TO PRESENT 514 00:22:36,000 --> 00:22:36,555 AND SINCE THIS OUR FIRST SHOW IN TEXAS, WE ARE PROUD TO PRESENT 515 00:22:36,621 --> 00:22:42,000 OUR BRAND NEW, CUSTOM MADE, TEXAS CMT TROPHY. 516 00:22:42,000 --> 00:22:45,964 OUR BRAND NEW, CUSTOM MADE, TEXAS CMT TROPHY. 517 00:22:46,031 --> 00:22:47,165 I KNOW WHAT YOU'RE THINKING. 518 00:22:47,232 --> 00:22:48,000 THAT IS THE REGULAR CMT TROPHY BUT I ASSURE YOU IT'S AS TEXAS 519 00:22:48,000 --> 00:22:51,136 THAT IS THE REGULAR CMT TROPHY BUT I ASSURE YOU IT'S AS TEXAS 520 00:22:51,203 --> 00:22:53,138 AS IT GETS. 521 00:22:53,205 --> 00:22:53,805 ARE YOU READY. 522 00:22:53,872 --> 00:22:54,000 CHECK IT OUT. 523 00:22:54,000 --> 00:22:55,574 CHECK IT OUT. 524 00:22:55,640 --> 00:23:00,000 >> ALL RIGHT, ALL RIGHT, ALL RIGHT. 525 00:23:00,000 --> 00:23:00,545 >> ALL RIGHT, ALL RIGHT, ALL RIGHT. 526 00:23:00,612 --> 00:23:03,915 >> YEAH, THAT'S RIGHT. 527 00:23:03,982 --> 00:23:04,750 IT'S THE CMMT AWARD. 528 00:23:04,816 --> 00:23:06,000 THE EXTRA M STANDS FOR McCONAUGHEY. 529 00:23:06,000 --> 00:23:07,252 THE EXTRA M STANDS FOR McCONAUGHEY. 530 00:23:07,319 --> 00:23:12,000 LET'S HAND ONE OF THESE BABIES OUT. 531 00:23:12,000 --> 00:23:14,226 LET'S HAND ONE OF THESE BABIES OUT. 532 00:23:14,292 --> 00:23:15,427 >> YES. 533 00:23:15,494 --> 00:23:16,027 THANK YOU. 534 00:23:16,094 --> 00:23:18,000 I WILL TAKE ONE OF THOSE. 535 00:23:18,000 --> 00:23:19,564 I WILL TAKE ONE OF THOSE. 536 00:23:19,631 --> 00:23:24,000 >> NO, NO, SORRY, MATTHEW. 537 00:23:24,000 --> 00:23:24,035 >> NO, NO, SORRY, MATTHEW. 538 00:23:24,102 --> 00:23:25,804 YOU'VE GOTTA WIN THEM JUST LIKE EVERYONE ELSE! 539 00:23:25,871 --> 00:23:28,640 TO PRESENT THE FIRST AWARD OF THE NIGHT, HERE'S ONE OF THE 540 00:23:28,707 --> 00:23:30,000 STARS OF THE MASSIVE HIT SERIES "STRANGER THINGS," NOAH SCHNAPP! 541 00:23:30,000 --> 00:23:36,000 STARS OF THE MASSIVE HIT SERIES "STRANGER THINGS," NOAH SCHNAPP! 542 00:23:36,000 --> 00:23:42,000 STARS OF THE MASSIVE HIT SERIES "STRANGER THINGS," NOAH SCHNAPP! 543 00:23:42,000 --> 00:23:43,455 STARS OF THE MASSIVE HIT SERIES "STRANGER THINGS," NOAH SCHNAPP! 544 00:23:43,522 --> 00:23:44,589 >> WOW, HELLO. 545 00:23:44,656 --> 00:23:47,359 I'M EXCITED TO BE HERE TO PRESENT THE AWARD FOR BEST 546 00:23:47,425 --> 00:23:48,000 COLLABORATIVE VIDEO TO A BUNCH OF ARTISTS THAT I HAVE 547 00:23:48,000 --> 00:23:51,963 COLLABORATIVE VIDEO TO A BUNCH OF ARTISTS THAT I HAVE 548 00:23:52,030 --> 00:23:52,798 ON REPEAT. 549 00:23:52,864 --> 00:23:54,000 COUNTRY SUPERSTARS JOINING FORCES WITH 550 00:23:54,000 --> 00:23:55,367 COUNTRY SUPERSTARS JOINING FORCES WITH 551 00:23:55,433 --> 00:23:57,068 POP SINGERS, ROCKERS, AND AN INCREIBLY TALENTED MARRIED 552 00:23:57,135 --> 00:24:00,000 COUPLE ALL THESE COLLABORATIONS MERGED 553 00:24:00,000 --> 00:24:00,438 COUPLE ALL THESE COLLABORATIONS MERGED 554 00:24:00,505 --> 00:24:02,774 TWO ARTISTIC VOICES TO CREATE SOMETHING ALTOGETHER NEW 555 00:24:02,841 --> 00:24:06,000 AND BEAUTIFUL. 556 00:24:06,000 --> 00:24:07,579 AND BEAUTIFUL. 557 00:24:07,646 --> 00:24:08,580 I LOVE YOU. 558 00:24:08,647 --> 00:24:12,000 HERE ARE THE NOMINEES. 559 00:24:12,000 --> 00:24:18,000 HERE ARE THE NOMINEES. 560 00:24:18,000 --> 00:24:18,557 HERE ARE THE NOMINEES. 561 00:24:18,623 --> 00:24:19,491 >> "WORTH A SHOT." 562 00:24:19,558 --> 00:24:21,126 ELLE KING FEATURING DIERKS BENTLEY 563 00:24:21,193 --> 00:24:23,461 "WAIT IN THE TRUCK." 564 00:24:23,528 --> 00:24:24,000 HARDY FEATURING LAINEY WILSON. 565 00:24:24,000 --> 00:24:25,163 HARDY FEATURING LAINEY WILSON. 566 00:24:25,230 --> 00:24:28,266 "WISHFUL DRINKING." 567 00:24:28,333 --> 00:24:30,000 INGRID ANDRESS WITH SAM HUNT. 568 00:24:30,000 --> 00:24:31,736 INGRID ANDRESS WITH SAM HUNT. 569 00:24:31,803 --> 00:24:33,405 "THANK GOD." 570 00:24:33,471 --> 00:24:36,000 KANE BROWN & KATELYN BROWN. 571 00:24:36,000 --> 00:24:37,809 KANE BROWN & KATELYN BROWN. 572 00:24:37,876 --> 00:24:40,245 "LONGNECK WAY TO GO." 573 00:24:40,312 --> 00:24:42,000 MIDLAND FEATURING JON PARDI. 574 00:24:42,000 --> 00:24:46,218 MIDLAND FEATURING JON PARDI. 575 00:24:46,284 --> 00:24:48,000 "SHE LIKES IT." 576 00:24:48,000 --> 00:24:48,119 "SHE LIKES IT." 577 00:24:48,186 --> 00:24:54,000 RUSSELL DICKERSON FEATURING JAKE SCOTT. 578 00:24:54,000 --> 00:24:54,259 RUSSELL DICKERSON FEATURING JAKE SCOTT. 579 00:24:54,326 --> 00:24:55,861 "WHERE WE STARTED." 580 00:24:55,927 --> 00:25:00,000 THOMAS RHETT & KATY PERRY. 581 00:25:00,000 --> 00:25:04,936 THOMAS RHETT & KATY PERRY. 582 00:25:05,003 --> 00:25:06,000 COLLABORATIVE VIDEO OF THE YEAR. 583 00:25:06,000 --> 00:25:12,000 COLLABORATIVE VIDEO OF THE YEAR. 584 00:25:12,000 --> 00:25:12,177 COLLABORATIVE VIDEO OF THE YEAR. 585 00:25:12,244 --> 00:25:16,982 >> AND THE WINNER IS... 586 00:25:17,048 --> 00:25:18,000 HARDY FEATURING LAINEY WILSON! 587 00:25:18,000 --> 00:25:24,000 HARDY FEATURING LAINEY WILSON! 588 00:25:24,000 --> 00:25:26,224 HARDY FEATURING LAINEY WILSON! 589 00:25:26,291 --> 00:25:30,000 >> ♪ WAIT IN THE TRUCK ♪ ♪ JUST WAIT IN THE TRUCK ♪ 590 00:25:30,000 --> 00:25:36,000 >> ♪ WAIT IN THE TRUCK ♪ ♪ JUST WAIT IN THE TRUCK ♪ 591 00:25:36,000 --> 00:25:36,935 >> ♪ WAIT IN THE TRUCK ♪ ♪ JUST WAIT IN THE TRUCK ♪ 592 00:25:37,002 --> 00:25:42,000 HAVE MERCY ON ME, LORD ♪ ♪ HAVE MERCY ON ME ♪ 593 00:25:42,000 --> 00:25:45,076 HAVE MERCY ON ME, LORD ♪ ♪ HAVE MERCY ON ME ♪ 594 00:25:45,143 --> 00:25:48,000 ♪ SHE STILL COMES TO SEE ME FROM TIME TO TIME ♪ 595 00:25:48,000 --> 00:25:49,114 ♪ SHE STILL COMES TO SEE ME FROM TIME TO TIME ♪ 596 00:25:49,180 --> 00:25:54,000 ♪ IT WAS WORTH THE PRICE TO SEE THE BRIGHTER SIDE OF THE GIRL I 597 00:25:54,000 --> 00:25:54,586 ♪ IT WAS WORTH THE PRICE TO SEE THE BRIGHTER SIDE OF THE GIRL I 598 00:25:54,653 --> 00:25:59,724 PICKED UP THAT NIGHT. 599 00:25:59,791 --> 00:26:00,000 >> IT IS SO HARD NOT TO CUSS. 600 00:26:00,000 --> 00:26:06,000 >> IT IS SO HARD NOT TO CUSS. 601 00:26:06,000 --> 00:26:06,998 >> IT IS SO HARD NOT TO CUSS. 602 00:26:07,065 --> 00:26:08,633 >> THIS IS INCREDIBLE. 603 00:26:08,700 --> 00:26:12,000 I REMEMBER THE DAY JORDAN SCHMIDT TO I WROTE THIS SONG 604 00:26:12,000 --> 00:26:12,537 I REMEMBER THE DAY JORDAN SCHMIDT TO I WROTE THIS SONG 605 00:26:12,604 --> 00:26:13,738 WITH SENT ME THE DEMO. 606 00:26:13,805 --> 00:26:17,342 I SAT DOWN I WAS SO INSPIRED THAT I WROTE THE ENTIRE SCRIPT, 607 00:26:17,409 --> 00:26:18,000 IF YOU WILL, FOR THE MUSIC VIDEO BECAUSE OF HOW POWERFUL I KNEW 608 00:26:18,000 --> 00:26:21,479 IF YOU WILL, FOR THE MUSIC VIDEO BECAUSE OF HOW POWERFUL I KNEW 609 00:26:21,546 --> 00:26:22,681 THE SONG WOULD BE. 610 00:26:22,747 --> 00:26:24,000 I'VE GOT TO SAY THANK YOU TO LAINEY FOR WORKING SO HARD. 611 00:26:24,000 --> 00:26:30,000 I'VE GOT TO SAY THANK YOU TO LAINEY FOR WORKING SO HARD. 612 00:26:30,000 --> 00:26:32,357 I'VE GOT TO SAY THANK YOU TO LAINEY FOR WORKING SO HARD. 613 00:26:32,424 --> 00:26:33,124 AND JUSTIN, WHO DIRECTED THE VIDEO. 614 00:26:33,191 --> 00:26:34,392 THANK YOU SO MUCH. 615 00:26:34,459 --> 00:26:36,000 YOURI BEAST. 616 00:26:36,000 --> 00:26:37,395 YOURI BEAST. 617 00:26:37,462 --> 00:26:37,829 THINK I 618 00:26:38,763 --> 00:26:42,000 JUST GUY JUST GOT TO SAY I'M SO PROUD TO BE A SMALL PART OF THE 619 00:26:42,000 --> 00:26:42,600 JUST GUY JUST GOT TO SAY I'M SO PROUD TO BE A SMALL PART OF THE 620 00:26:42,667 --> 00:26:44,235 SONG. 621 00:26:44,302 --> 00:26:48,000 WHEN I HEARD THE SONG, I TELL YOU, IT'S AN OPPORTUNITY FOR 622 00:26:48,000 --> 00:26:48,206 WHEN I HEARD THE SONG, I TELL YOU, IT'S AN OPPORTUNITY FOR 623 00:26:48,273 --> 00:26:51,609 PEOPLE WHO HAVE BEEN THROUGH THIS TO FEEL LIKE THEY ARE NOT 624 00:26:51,676 --> 00:26:54,000 ALONE IN ITS OPPORTUNITY FOR THE PEOPLE HAVE BEEN DOING THIS, 625 00:26:54,000 --> 00:26:55,413 ALONE IN ITS OPPORTUNITY FOR THE PEOPLE HAVE BEEN DOING THIS, 626 00:26:55,480 --> 00:26:58,116 DON'T EVEN GET ME STARTED. 627 00:26:58,183 --> 00:27:00,000 THANK YOU SO MUCH TO HARDY. 628 00:27:00,000 --> 00:27:01,753 THANK YOU SO MUCH TO HARDY. 629 00:27:01,820 --> 00:27:06,000 I LOVE YOU. 630 00:27:06,000 --> 00:27:09,995 I LOVE YOU. 631 00:27:10,061 --> 00:27:12,000 >> MAKE SOME NOISE 632 00:27:12,000 --> 00:27:15,367 >> MAKE SOME NOISE 633 00:27:15,433 --> 00:27:16,368 FOR JON PARDI! 634 00:27:16,434 --> 00:27:17,635 >> OUR NEXT PERFORMER IS NOMINATED FOR TWO AWARDS 635 00:27:17,702 --> 00:27:18,000 TONIGHT, INCLUDING FEMALE VIDEO OF THE YEAR, AND SHE'S HERE WITH 636 00:27:18,000 --> 00:27:24,000 TONIGHT, INCLUDING FEMALE VIDEO OF THE YEAR, AND SHE'S HERE WITH 637 00:27:24,000 --> 00:27:27,946 TONIGHT, INCLUDING FEMALE VIDEO OF THE YEAR, AND SHE'S HERE WITH 638 00:27:28,013 --> 00:27:29,481 THE SONG THAT WAS NUMBER ONE IN THE COUNTRY 639 00:27:29,547 --> 00:27:30,000 THIS WEEK. 640 00:27:30,000 --> 00:27:30,648 THIS WEEK. 641 00:27:30,715 --> 00:27:31,549 "WHAT HE DIDN'T DO," MAKE SOME NOISE FOR 642 00:27:31,616 --> 00:27:36,000 CARLY PEARCE! 643 00:27:36,000 --> 00:27:36,321 CARLY PEARCE! 644 00:27:39,090 --> 00:27:42,000 ♪ ♪ ♪ EVERYBODY'S ASKING ♪ 645 00:27:42,000 --> 00:27:45,296 ♪ ♪ ♪ EVERYBODY'S ASKING ♪ 646 00:27:45,363 --> 00:27:48,000 ♪ WHAT THE HELL HAPPENED ♪ ♪ WONDERING WHY IT ♪ 647 00:27:48,000 --> 00:27:48,867 ♪ WHAT THE HELL HAPPENED ♪ ♪ WONDERING WHY IT ♪ 648 00:27:48,933 --> 00:27:51,936 ♪ ALL WENT WRONG ♪ ♪ MAMA ALWAYS SAID ♪ 649 00:27:52,003 --> 00:27:54,000 ♪ IF YOU CAN'T SAY ♪ ♪ SOMETHING NICE ♪ 650 00:27:54,000 --> 00:27:54,506 ♪ IF YOU CAN'T SAY ♪ ♪ SOMETHING NICE ♪ 651 00:27:54,572 --> 00:27:57,709 ♪ THEN DON'T SAY ANYTHING ♪ ♪ AT ALL ♪ 652 00:27:57,776 --> 00:28:00,000 ♪ I'VE GOT MY SIDE OF THE STORY ♪ 653 00:28:00,000 --> 00:28:00,979 ♪ I'VE GOT MY SIDE OF THE STORY ♪ 654 00:28:01,046 --> 00:28:05,683 ♪ AND HE'S GOT HIS SIDE, TOO ♪ ♪ SO, I AIN'T GONNA GO AND ♪ 655 00:28:05,750 --> 00:28:06,000 ♪ TELL YOU WHAT HE DID ♪ ♪ BUT I'LL TELL YOU ♪ 656 00:28:06,000 --> 00:28:08,119 ♪ TELL YOU WHAT HE DID ♪ ♪ BUT I'LL TELL YOU ♪ 657 00:28:08,186 --> 00:28:11,222 ♪ WHAT HE DIDN'T DO ♪ ♪ TREAT ME RIGHT ♪ 658 00:28:11,289 --> 00:28:12,000 ♪ PUT ME FIRST ♪ ♪ BE A MAN OF HIS WORD ♪ 659 00:28:12,000 --> 00:28:13,858 ♪ PUT ME FIRST ♪ ♪ BE A MAN OF HIS WORD ♪ 660 00:28:13,925 --> 00:28:17,796 ♪ STAY HOME ♪ ♪ 'CAUSE HE WANTED TO ♪ 661 00:28:17,862 --> 00:28:18,000 ♪ ALWAYS FIGHT FOR MY LOVE ♪ ♪ HOLD ON TIGHT 662 00:28:18,000 --> 00:28:20,732 ♪ ALWAYS FIGHT FOR MY LOVE ♪ ♪ HOLD ON TIGHT 663 00:28:20,799 --> 00:28:22,434 LIKE IT'S SOMETHING ♪ ♪ THAT HE COULDN'T ♪ 664 00:28:22,500 --> 00:28:24,000 ♪ STAND TO LOSE ♪ ♪ THE DEVIL'S IN THE DETAILS ♪ 665 00:28:24,000 --> 00:28:30,000 ♪ STAND TO LOSE ♪ ♪ THE DEVIL'S IN THE DETAILS ♪ 666 00:28:30,000 --> 00:28:30,341 ♪ STAND TO LOSE ♪ ♪ THE DEVIL'S IN THE DETAILS ♪ 667 00:28:30,408 --> 00:28:32,677 ♪ I WON'T TELL ♪ ♪ THE HELL THAT ♪ 668 00:28:32,744 --> 00:28:36,000 ♪ HE PUT ME THROUGH ♪ ♪ ALL I KNOW IS IN THE END ♪ 669 00:28:36,000 --> 00:28:36,714 ♪ HE PUT ME THROUGH ♪ ♪ ALL I KNOW IS IN THE END ♪ 670 00:28:36,781 --> 00:28:42,000 ♪ IT WASN'T WHAT HE DID, NO ♪ ♪ IT WAS WHAT HE DIDN'T DO ♪ 671 00:28:42,000 --> 00:28:46,224 ♪ IT WASN'T WHAT HE DID, NO ♪ ♪ IT WAS WHAT HE DIDN'T DO ♪ 672 00:28:48,026 --> 00:28:51,463 ♪ ♪ ♪ I'M ALREADY HALFWAY ♪ 673 00:28:51,529 --> 00:28:54,000 ♪ OVER HIM AND I AIN'T ♪ ♪ TAKING TIME TO TURN AROUND ♪ 674 00:28:54,000 --> 00:28:56,468 ♪ OVER HIM AND I AIN'T ♪ ♪ TAKING TIME TO TURN AROUND ♪ 675 00:28:56,534 --> 00:28:59,971 ♪ SO, I'MA TAKE THE HIGH ROAD ♪ ♪ EVEN THOUGH WE BOTH KNOW ♪ 676 00:29:00,038 --> 00:29:03,541 ♪ I COULD RUN HIM ♪ ♪ OUT OF THIS TOWN ♪ 677 00:29:03,608 --> 00:29:06,000 ♪ THAT'S JUST DIRTY LAUNDRY ♪ ♪ I DON'T NEED ♪ 678 00:29:06,000 --> 00:29:07,812 ♪ THAT'S JUST DIRTY LAUNDRY ♪ ♪ I DON'T NEED ♪ 679 00:29:07,879 --> 00:29:11,282 ♪ TO WEAR THE TRUTH ♪ ♪ SO, I AIN'T GONNA TELL YOU 680 00:29:11,349 --> 00:29:12,000 EVERYTHING HE DID ♪ ♪ BUT I'LL TELL YOU ♪ 681 00:29:12,000 --> 00:29:14,319 EVERYTHING HE DID ♪ ♪ BUT I'LL TELL YOU ♪ 682 00:29:14,385 --> 00:29:17,655 ♪ WHAT HE DIDN'T DO ♪ ♪ TREAT ME RIGHT ♪ 683 00:29:17,722 --> 00:29:18,000 ♪ PUT ME FIRST ♪ ♪ BE A MAN OF HIS WORD ♪ 684 00:29:18,000 --> 00:29:20,258 ♪ PUT ME FIRST ♪ ♪ BE A MAN OF HIS WORD ♪ 685 00:29:20,325 --> 00:29:23,962 ♪ STAY HOME ♪ ♪ 'CAUSE HE WANTED TO ♪ 686 00:29:24,028 --> 00:29:26,030 ♪ ALWAYS FIGHT FOR MY LOVE ♪ ♪ HOLD ON TIGHT ♪ 687 00:29:26,097 --> 00:29:29,067 ♪ LIKE IT'S SOMETHING ♪ ♪ THAT HE COULDN'T ♪ 688 00:29:29,134 --> 00:29:30,000 ♪ STAND TO LOSE ♪ ♪ THE DEVIL'S IN THE DETAILS ♪ 689 00:29:30,000 --> 00:29:32,237 ♪ STAND TO LOSE ♪ ♪ THE DEVIL'S IN THE DETAILS ♪ 690 00:29:32,303 --> 00:29:34,539 ♪ I WON'T TELL ♪ ♪ THE HELL ♪ 691 00:29:34,606 --> 00:29:36,000 ♪ THAT HE PUT ME THROUGH ♪ ♪ ALL I KNOW IS IN THE END ♪ 692 00:29:36,000 --> 00:29:39,611 ♪ THAT HE PUT ME THROUGH ♪ ♪ ALL I KNOW IS IN THE END ♪ 693 00:29:39,677 --> 00:29:42,000 ♪ IT WASN'T WHAT HE DID, NO ♪ ♪ IT WAS WHAT HE DIDN'T DO ♪ 694 00:29:42,000 --> 00:29:48,000 ♪ IT WASN'T WHAT HE DID, NO ♪ ♪ IT WAS WHAT HE DIDN'T DO ♪ 695 00:29:48,000 --> 00:29:50,255 ♪ IT WASN'T WHAT HE DID, NO ♪ ♪ IT WAS WHAT HE DIDN'T DO ♪ 696 00:29:50,321 --> 00:29:54,000 ♪ OH, YEAH ♪ ♪ ♪ 697 00:29:54,000 --> 00:29:59,164 ♪ OH, YEAH ♪ ♪ ♪ 698 00:29:59,230 --> 00:30:00,000 ♪ I AIN'T MET ♪ ♪ THE RIGHT ONE YET ♪ 699 00:30:00,000 --> 00:30:03,601 ♪ I AIN'T MET ♪ ♪ THE RIGHT ONE YET ♪ 700 00:30:03,668 --> 00:30:06,000 ♪ BUT I KNOW WHEN I DO ♪ ♪ HE'LL TREAT ME RIGHT ♪ 701 00:30:06,000 --> 00:30:08,039 ♪ BUT I KNOW WHEN I DO ♪ ♪ HE'LL TREAT ME RIGHT ♪ 702 00:30:08,106 --> 00:30:10,942 ♪ PUT ME FIRST ♪ ♪ BE A MAN OF HIS WORD ♪ 703 00:30:11,009 --> 00:30:12,000 ♪ STAY HOME 'CAUSE HE WANTED TO ♪ 704 00:30:12,000 --> 00:30:14,179 ♪ STAY HOME 'CAUSE HE WANTED TO ♪ 705 00:30:14,245 --> 00:30:17,849 ♪ ALWAYS FIGHT FOR MY LOVE ♪ ♪ HOLD ON TIGHT ♪ 706 00:30:17,916 --> 00:30:18,000 ♪ LIKE IT'S SOMETHING ♪ ♪ THAT HE CAN'T STAND TO LOSE ♪ 707 00:30:18,000 --> 00:30:21,586 ♪ LIKE IT'S SOMETHING ♪ ♪ THAT HE CAN'T STAND TO LOSE ♪ 708 00:30:21,653 --> 00:30:24,000 ♪ THE DEVIL'S IN THE DETAILS ♪ ♪ I WON'T TELL ♪ 709 00:30:24,000 --> 00:30:24,022 ♪ THE DEVIL'S IN THE DETAILS ♪ ♪ I WON'T TELL ♪ 710 00:30:24,088 --> 00:30:28,259 ♪ THE HELL ♪ ♪ THAT HE PUT ME THROUGH ♪ 711 00:30:28,326 --> 00:30:30,000 ♪ ALL I KNOW IS IN THE END ♪ ♪ IT WASN'T WHAT HE DID, NO ♪ 712 00:30:30,000 --> 00:30:31,462 ♪ ALL I KNOW IS IN THE END ♪ ♪ IT WASN'T WHAT HE DID, NO ♪ 713 00:30:31,529 --> 00:30:36,000 ♪ IT WAS WHAT HE DIDN'T DO ♪ ♪ ALL I KNOW IS IN THE END ♪ 714 00:30:36,000 --> 00:30:37,702 ♪ IT WAS WHAT HE DIDN'T DO ♪ ♪ ALL I KNOW IS IN THE END ♪ 715 00:30:37,769 --> 00:30:39,771 ♪ IT WASN'T WHAT HE DID, NO ♪ ♪ IT WAS WHAT HE DIDN'T DO ♪ 716 00:30:52,050 --> 00:30:52,984 [CHEERS AND APPLAUSE] >> WHAT'S UP, CMT FANS! 717 00:30:53,051 --> 00:30:53,885 I'M CODY ALAN. 718 00:30:53,952 --> 00:30:54,000 CHECK THIS PLACE OUT. 719 00:30:54,000 --> 00:30:55,987 CHECK THIS PLACE OUT. 720 00:30:56,054 --> 00:30:58,256 I'M HERE IN THE SOLITAIRE GRAND HARVEST GAME LOUNGE AND IT'S 721 00:30:58,323 --> 00:31:00,000 TAKING PLACE BACKSTAGE TO EXPERIENCE 722 00:31:00,000 --> 00:31:01,459 TAKING PLACE BACKSTAGE TO EXPERIENCE 723 00:31:01,526 --> 00:31:02,594 TO A WHOLE NEW LEVEL. 724 00:31:02,660 --> 00:31:03,528 IT'S SET UP SO THAT ALL THE STARS HERE TONIGHT GET TO DO 725 00:31:03,595 --> 00:31:06,000 WHAT THEY DO BEST. 726 00:31:06,000 --> 00:31:07,932 WHAT THEY DO BEST. 727 00:31:07,999 --> 00:31:09,133 THAT IS PLAY. 728 00:31:09,200 --> 00:31:12,000 BECAUSE EVERYONE NEEDS TO CUT LOOSE, KICK BACK AND HAVE SOME 729 00:31:12,000 --> 00:31:12,937 BECAUSE EVERYONE NEEDS TO CUT LOOSE, KICK BACK AND HAVE SOME 730 00:31:13,004 --> 00:31:14,072 FUN. 731 00:31:14,138 --> 00:31:16,474 AND FANS AT HOME CAN GET IN ON THE ACTION TONIGHT. 732 00:31:16,541 --> 00:31:18,000 SCAN THE QR CODE BELOW TO SEE WHAT IT'S LIKE TO HAVE YOUR OWN 733 00:31:18,000 --> 00:31:18,743 SCAN THE QR CODE BELOW TO SEE WHAT IT'S LIKE TO HAVE YOUR OWN 734 00:31:18,810 --> 00:31:21,846 WINNING MOMENT. 735 00:31:21,913 --> 00:31:22,247 HEY! 736 00:31:22,313 --> 00:31:22,947 DUSTIN LYNCH! 737 00:31:23,014 --> 00:31:24,000 IS IT MY TURN YET? 738 00:31:24,000 --> 00:31:26,084 IS IT MY TURN YET? 739 00:31:26,150 --> 00:31:29,854 >> WE'LL BE BACK A LITTLE LATER. 740 00:31:29,921 --> 00:31:30,000 >> STILL O COME, MALE AND FEMALE BREAKTHROUGH 741 00:31:30,000 --> 00:31:33,091 >> STILL O COME, MALE AND FEMALE BREAKTHROUGH 742 00:31:33,157 --> 00:31:36,000 VIDEO OF THE YEAR, PERFORMANCES FROM LAINEY WILSON 743 00:31:36,000 --> 00:31:37,095 VIDEO OF THE YEAR, PERFORMANCES FROM LAINEY WILSON 744 00:31:37,161 --> 00:31:38,229 AND CARRIE UNDERWOOD, AND A SPECIAL COLLABORATION FROM 745 00:31:38,296 --> 00:31:41,966 WYNONNA JUDD AND ASHLEY McBRYDE. 746 00:31:42,033 --> 00:31:43,735 BE SURE TO CAST YOUR VOTE ON THE CMT MUSIC AWARDS FACEBOOK 747 00:31:43,801 --> 00:31:48,000 PAGE, VOTING PRESENTED BY RAM TRUCKS. 748 00:31:48,000 --> 00:31:49,107 PAGE, VOTING PRESENTED BY RAM TRUCKS. 749 00:31:49,173 --> 00:31:50,975 THE CMT MUSIC AWARDS CONTINUES 750 00:31:51,042 --> 00:31:52,443 LIVE FROM AUSTIN, TEXAS. 751 00:31:52,510 --> 00:31:53,511 THIS IS CBS. 752 00:31:57,048 --> 00:31:59,217 >> THE 2023 CMT MUSIC AWARDS SPONSORED BY 753 00:31:59,284 --> 00:32:00,000 SOLITAIRE GRAND HARVEST. 754 00:32:00,000 --> 00:32:01,919 SOLITAIRE GRAND HARVEST. 755 00:32:01,986 --> 00:32:02,587 REINVENTING NOSTALGIC FUN! 756 00:32:02,654 --> 00:32:04,656 DOWNLOAD FOR FREE NOW. 757 00:32:41,326 --> 00:32:42,000 ♪ ♪ >> KELSEA AND I LOVE NASHVILLE. 758 00:32:42,000 --> 00:32:43,261 ♪ ♪ >> KELSEA AND I LOVE NASHVILLE. 759 00:32:43,328 --> 00:32:44,962 BUT GETTING TO HANG OUT IN AUSTIN THIS WEEK HAS BEEN PRETTY 760 00:32:45,029 --> 00:32:47,965 COOL. 761 00:32:48,032 --> 00:32:50,968 WE LOVE HOT CHICKEN IN NASHVILLE, BUT YOU GUYS ARE 762 00:32:51,035 --> 00:32:52,804 CRAZY ABOUT BARBECUE. 763 00:32:52,870 --> 00:32:54,000 LIKE, I SMELL BRISKET EVERYWHERE. 764 00:32:54,000 --> 00:32:57,241 LIKE, I SMELL BRISKET EVERYWHERE. 765 00:32:57,308 --> 00:32:58,843 KANE, WHERE'D YOU GET THAT? 766 00:32:58,910 --> 00:33:00,000 >> MY POCKET. 767 00:33:00,000 --> 00:33:06,000 >> MY POCKET. 768 00:33:06,000 --> 00:33:08,886 >> MY POCKET. 769 00:33:08,953 --> 00:33:09,787 >> YOU WANT SOME? 770 00:33:09,854 --> 00:33:12,000 >> THAT'S A PASS ON POCKET BRISKET, THANKS. 771 00:33:12,000 --> 00:33:13,758 >> THAT'S A PASS ON POCKET BRISKET, THANKS. 772 00:33:13,825 --> 00:33:15,293 >> RIGHT NOW WE'VE GOT ANOTHER GENUINE TEXAN HERE TO PRESENT 773 00:33:15,360 --> 00:33:18,000 THE NEXT AWARD. 774 00:33:18,000 --> 00:33:18,763 THE NEXT AWARD. 775 00:33:18,830 --> 00:33:19,764 HE WON BREAKTHROUGH VIDEO OF THE YEAR IN 2022. 776 00:33:19,831 --> 00:33:21,833 >> HERE IS PARKER McCOLLUM! 777 00:33:34,846 --> 00:33:36,000 >> WHAT'S UP, AUSTIN? 778 00:33:36,000 --> 00:33:37,749 >> WHAT'S UP, AUSTIN? 779 00:33:37,815 --> 00:33:42,000 WINNING THIS CATEGORY WINNING THIS CATEGORY 780 00:33:42,000 --> 00:33:43,087 WINNING THIS CATEGORY WINNING THIS CATEGORY 781 00:33:43,154 --> 00:33:46,424 LAST YEAR WAS A HIGHLIGHT SHARE THAT FEELING 782 00:33:46,491 --> 00:33:47,191 WITH TONIGHT'S WINNERS. 783 00:33:47,258 --> 00:33:48,000 SO HOW 'BOUT WE GET RIGHT TO IT. 784 00:33:48,000 --> 00:33:49,193 SO HOW 'BOUT WE GET RIGHT TO IT. 785 00:33:49,260 --> 00:33:51,763 FIRST UP, HERE ARE THE NOMINEES FOR 786 00:33:51,829 --> 00:33:54,000 BREAKTHROUGH FEMALE VIDEO OF THE YEAR. 787 00:33:54,000 --> 00:33:59,237 BREAKTHROUGH FEMALE VIDEO OF THE YEAR. 788 00:33:59,303 --> 00:34:00,000 "NARCISSIST" AVERY ANNA. 789 00:34:00,000 --> 00:34:01,906 "NARCISSIST" AVERY ANNA. 790 00:34:01,973 --> 00:34:05,977 "IF HE WANTED TO HE COULD" KYLIE MORGAN, 791 00:34:06,043 --> 00:34:06,744 "PICKUP" MACKENZIE PORTER, 792 00:34:06,811 --> 00:34:10,615 "TENNESSEE ORANGE" MEGAN MORONEY, 793 00:34:10,681 --> 00:34:12,000 MORGAN WADE, "WILDER DAYS" 794 00:34:12,000 --> 00:34:13,484 MORGAN WADE, "WILDER DAYS" 795 00:34:13,551 --> 00:34:18,000 "FOUND IT IN YOU" TIERA KENNEDY. 796 00:34:18,000 --> 00:34:23,995 "FOUND IT IN YOU" TIERA KENNEDY. 797 00:34:24,061 --> 00:34:27,265 >> AND THE WINNER IS... 798 00:34:27,331 --> 00:34:30,000 MEGAN MORONEY, "TENNESSEE ORANGE." 799 00:34:30,000 --> 00:34:36,000 MEGAN MORONEY, "TENNESSEE ORANGE." 800 00:34:36,000 --> 00:34:37,575 MEGAN MORONEY, "TENNESSEE ORANGE." 801 00:34:37,642 --> 00:34:41,546 >> ♪ I MET SOMEBODY ♪ ♪ HE'S GOT BLUE EYES ♪ 802 00:34:41,612 --> 00:34:42,000 ♪ HE OPENS THE DOOR ♪ ♪ HE'S GOT THE DOING THINGS I'VE 803 00:34:42,000 --> 00:34:48,000 ♪ HE OPENS THE DOOR ♪ ♪ HE'S GOT THE DOING THINGS I'VE 804 00:34:48,000 --> 00:34:49,454 ♪ HE OPENS THE DOOR ♪ ♪ HE'S GOT THE DOING THINGS I'VE 805 00:34:49,520 --> 00:34:54,000 NEVER DONE ♪ ♪ IN GEORGIA, THEY CALL IT A 806 00:34:54,000 --> 00:34:55,226 NEVER DONE ♪ ♪ IN GEORGIA, THEY CALL IT A 807 00:34:55,293 --> 00:34:59,931 SIN ♪ >> WHAT? 808 00:34:59,997 --> 00:35:00,000 OH, MY GOD. 809 00:35:00,000 --> 00:35:01,132 OH, MY GOD. 810 00:35:01,199 --> 00:35:03,334 WHAT IS GOING ON? 811 00:35:03,401 --> 00:35:05,603 THANK YOU, CMT, SO MUCH. 812 00:35:05,670 --> 00:35:06,000 THANK YOU TO MY FANS. 813 00:35:06,000 --> 00:35:06,537 THANK YOU TO MY FANS. 814 00:35:06,604 --> 00:35:12,000 I WOULDN'T BE APPEAR IF IT WASN'T FOR Y'ALL. 815 00:35:12,000 --> 00:35:12,543 I WOULDN'T BE APPEAR IF IT WASN'T FOR Y'ALL. 816 00:35:12,610 --> 00:35:14,745 THANK YOU TO THE INCREDIBLE VIDEO TEAM AT COLUMBIA FOR 817 00:35:14,812 --> 00:35:18,000 PUTTING THIS TOGETHER THE DAY THANK YOU TO THE DIRECTOR, JASON 818 00:35:18,000 --> 00:35:20,985 PUTTING THIS TOGETHER THE DAY THANK YOU TO THE DIRECTOR, JASON 819 00:35:21,052 --> 00:35:24,000 LESTER, FOR REALLY BRINGING MY IDEAS TO LIFE IN THIS VIDEO. 820 00:35:24,000 --> 00:35:24,856 LESTER, FOR REALLY BRINGING MY IDEAS TO LIFE IN THIS VIDEO. 821 00:35:24,922 --> 00:35:28,793 I ALSO WANT TO THANK MY PARENTS, ESPECIALLY MY MOM. 822 00:35:28,860 --> 00:35:30,000 BECAUSE MY FLIGHT GOT CANCELED THE NIGHT BEFORE ENCHANTED DRIVE 823 00:35:30,000 --> 00:35:32,296 BECAUSE MY FLIGHT GOT CANCELED THE NIGHT BEFORE ENCHANTED DRIVE 824 00:35:32,363 --> 00:35:36,000 ME THROUGH THE NIGHT TO NASHVILLE. 825 00:35:36,000 --> 00:35:38,536 ME THROUGH THE NIGHT TO NASHVILLE. 826 00:35:38,603 --> 00:35:39,403 SO THANK YOU, MOM. 827 00:35:39,470 --> 00:35:42,000 I LOVE YOU SO MUCH. 828 00:35:42,000 --> 00:35:43,407 I LOVE YOU SO MUCH. 829 00:35:43,474 --> 00:35:45,443 THANK YOU, CMT. 830 00:35:45,510 --> 00:35:48,000 A HOLY CRAP 831 00:35:48,000 --> 00:35:48,112 A HOLY CRAP 832 00:35:51,549 --> 00:35:52,950 >> AND NOW, HERE ARE THE NOMINEES FOR BREAKTHROUGH MALE 833 00:35:53,017 --> 00:35:54,000 VIDEO OF THE YEAR. 834 00:35:54,000 --> 00:35:55,019 VIDEO OF THE YEAR. 835 00:36:00,391 --> 00:36:02,326 >> "FALL IN LOVE" BAILEY ZIMMERMAN, 836 00:36:02,393 --> 00:36:04,862 "WILD AS HER" COREY KENT, 837 00:36:04,929 --> 00:36:05,763 "SOUNDS LIKE SOMETHING I'D DO" 838 00:36:05,830 --> 00:36:06,000 DRAKE MILLIGAN, "DON'T COME LOOKIN'" 839 00:36:06,000 --> 00:36:07,098 DRAKE MILLIGAN, "DON'T COME LOOKIN'" 840 00:36:07,164 --> 00:36:11,369 JACKSON DEAN, "SON OF A SINNER" 841 00:36:11,435 --> 00:36:12,000 JELLY ROLL, "WHISKEY ON YOU" 842 00:36:12,000 --> 00:36:15,806 JELLY ROLL, "WHISKEY ON YOU" 843 00:36:15,873 --> 00:36:18,000 NATE SMITH, >> AND THE WINNER IS... 844 00:36:18,000 --> 00:36:24,000 NATE SMITH, >> AND THE WINNER IS... 845 00:36:24,000 --> 00:36:25,149 NATE SMITH, >> AND THE WINNER IS... 846 00:36:25,216 --> 00:36:30,000 JELLY ROLL! 847 00:36:30,000 --> 00:36:36,000 JELLY ROLL! 848 00:36:36,000 --> 00:36:40,097 JELLY ROLL! 849 00:36:40,164 --> 00:36:42,000 JELLY ROLL! 850 00:36:42,000 --> 00:36:43,067 JELLY ROLL! 851 00:36:58,416 --> 00:37:00,000 [CHEERS AND APPLAUSE] >> THEY LET A LOSER WIN TONIGHT, 852 00:37:00,000 --> 00:37:06,000 [CHEERS AND APPLAUSE] >> THEY LET A LOSER WIN TONIGHT, 853 00:37:06,000 --> 00:37:12,000 [CHEERS AND APPLAUSE] >> THEY LET A LOSER WIN TONIGHT, 854 00:37:12,000 --> 00:37:13,297 [CHEERS AND APPLAUSE] >> THEY LET A LOSER WIN TONIGHT, 855 00:37:13,364 --> 00:37:13,598 [CHEERS AND APPLAUSE] >> THEY LET A LOSER WIN TONIGHT, 856 00:37:13,664 --> 00:37:14,732 BABY! 857 00:37:14,799 --> 00:37:18,000 THEY LET A LOSER WIN TO MY CREDIT WANT TO THANK MY RECORD 858 00:37:18,000 --> 00:37:18,402 THEY LET A LOSER WIN TO MY CREDIT WANT TO THANK MY RECORD 859 00:37:18,469 --> 00:37:24,000 LABEL, MY MANAGEMENT, MY BEAUTIFUL WIFE. 860 00:37:24,000 --> 00:37:24,976 LABEL, MY MANAGEMENT, MY BEAUTIFUL WIFE. 861 00:37:25,042 --> 00:37:28,546 THIS IS MORE THAN AN AWARD. 862 00:37:28,613 --> 00:37:30,000 IT'S FOR THE FANS. 863 00:37:30,000 --> 00:37:33,684 IT'S FOR THE FANS. 864 00:37:33,751 --> 00:37:35,653 THE ONLY FANS VOTING AWARD SHOW IN AMERICA. 865 00:37:35,720 --> 00:37:36,000 THIS IS FOR TH UNDERDOGS, BABY! 866 00:37:36,000 --> 00:37:39,824 THIS IS FOR TH UNDERDOGS, BABY! 867 00:37:39,890 --> 00:37:42,000 THIS IS FOR THE LOSERS AND THE HAVE-NOTS. 868 00:37:42,000 --> 00:37:42,426 THIS IS FOR THE LOSERS AND THE HAVE-NOTS. 869 00:37:42,493 --> 00:37:45,329 GOD TAKES THE IMPOSSIBLE AND MAKES IT LOOK SMALL. 870 00:37:45,396 --> 00:37:48,000 LET'S GO, BABY! 871 00:37:48,000 --> 00:37:53,137 LET'S GO, BABY! 872 00:37:53,204 --> 00:37:54,000 >> CMT HAS ALWAYS BROUGHT FANS THEIR FAVORITE MUSIC WITH THE 873 00:37:54,000 --> 00:37:57,675 >> CMT HAS ALWAYS BROUGHT FANS THEIR FAVORITE MUSIC WITH THE 874 00:37:57,742 --> 00:38:00,000 FLAGSHIP SHOW "CMT CROSSROADS" AND NOW, WITH ALL NEW EPISODES 875 00:38:00,000 --> 00:38:00,978 FLAGSHIP SHOW "CMT CROSSROADS" AND NOW, WITH ALL NEW EPISODES 876 00:38:01,045 --> 00:38:04,148 OF THE LEGENDARY SERIES "STORYTELLERS." 877 00:38:04,215 --> 00:38:06,000 SINCE A PARAMOUNT+ SUBSCRIPTION IS NOW INCLUDED 878 00:38:06,000 --> 00:38:07,051 SINCE A PARAMOUNT+ SUBSCRIPTION IS NOW INCLUDED 879 00:38:07,118 --> 00:38:12,000 WITH A WALMART PLUS MEMBERSHIP, AT NO ADDITIONAL COST, MEMBERS 880 00:38:12,000 --> 00:38:12,556 WITH A WALMART PLUS MEMBERSHIP, AT NO ADDITIONAL COST, MEMBERS 881 00:38:12,623 --> 00:38:16,694 CAN STREAM THOSE SHOWS AND GREAT MUSIC DOCUMENTARIES LIKE 882 00:38:16,761 --> 00:38:18,000 "KACEY MUSGRAVES: STAR CROSSED" "THE MARFA TAPES," 883 00:38:18,000 --> 00:38:19,730 "KACEY MUSGRAVES: STAR CROSSED" "THE MARFA TAPES," 884 00:38:19,797 --> 00:38:21,899 AND THE UPCOMING "WYNONNA JUDD: 885 00:38:21,966 --> 00:38:24,000 BETWEEN HELL AND HALLELUJAH." 886 00:38:24,000 --> 00:38:25,169 BETWEEN HELL AND HALLELUJAH." 887 00:38:25,236 --> 00:38:30,000 PLUS, HIT ORIGINAL SERIES LIKE THE "YELLOWSTONE" ORIGIN STORIES 888 00:38:30,000 --> 00:38:32,343 PLUS, HIT ORIGINAL SERIES LIKE THE "YELLOWSTONE" ORIGIN STORIES 889 00:38:32,410 --> 00:38:33,611 "1883" AND "1923," "TULSA KING," 890 00:38:33,678 --> 00:38:35,046 "RABBIT HOLE," "JOE PICKETT," AND COMING SOON, 891 00:38:35,112 --> 00:38:36,000 "GREASE: RISE OF THE PINK LADIES." 892 00:38:36,000 --> 00:38:38,582 "GREASE: RISE OF THE PINK LADIES." 893 00:38:38,649 --> 00:38:42,000 ALL THIS AND MORE, STREAMING ON PARAMOUNT+. 894 00:38:42,000 --> 00:38:46,290 ALL THIS AND MORE, STREAMING ON PARAMOUNT+. 895 00:38:46,357 --> 00:38:48,000 I WAS SO HONORED TO JOIN THE JUDDS FINAL TOUR AND WITNESS OUR 896 00:38:48,000 --> 00:38:48,693 I WAS SO HONORED TO JOIN THE JUDDS FINAL TOUR AND WITNESS OUR 897 00:38:48,759 --> 00:38:54,000 ARTIST COMMUNITY COME TOGETHER IN SUPPORT OF MISS WYNONNA JUDD. 898 00:38:54,000 --> 00:38:55,599 ARTIST COMMUNITY COME TOGETHER IN SUPPORT OF MISS WYNONNA JUDD. 899 00:38:55,666 --> 00:38:58,202 THAT JOURNEY IS CAPTURED IN THE SPECIAL "CMT PRESENTS THE JUDDS: 900 00:38:58,269 --> 00:39:00,000 LOVE IS ALIVE: THE FINAL CONCERT" THAT WILL 901 00:39:00,000 --> 00:39:01,338 LOVE IS ALIVE: THE FINAL CONCERT" THAT WILL 902 00:39:01,405 --> 00:39:05,776 PREMIERE ON APRIL 29TH ON CMT. 903 00:39:05,843 --> 00:39:06,000 OH, MY GOSH, YOU GUYS! 904 00:39:06,000 --> 00:39:07,878 OH, MY GOSH, YOU GUYS! 905 00:39:07,945 --> 00:39:09,914 SHE IS HERE NOW. 906 00:39:09,980 --> 00:39:12,000 WITH ANOTHER GREAT ARTIST WHO JOINED HER THAT HISTORIC NIGHT, 907 00:39:12,000 --> 00:39:12,817 WITH ANOTHER GREAT ARTIST WHO JOINED HER THAT HISTORIC NIGHT, 908 00:39:12,883 --> 00:39:14,785 PERFORMING ONE OF WYNONNA'S FAVORITE SONGS FROM THE '80s. 909 00:39:14,852 --> 00:39:18,000 FOREIGNER'S CLASSIC "I WANT TO KNOW WHAT LOVE IS." 910 00:39:18,000 --> 00:39:23,494 FOREIGNER'S CLASSIC "I WANT TO KNOW WHAT LOVE IS." 911 00:39:23,561 --> 00:39:24,000 YOU ARE IN FOR SUCH A TREAT. 912 00:39:24,000 --> 00:39:24,762 YOU ARE IN FOR SUCH A TREAT. 913 00:39:24,829 --> 00:39:30,000 PLEASE WELCOME WYNONNA JUDD AND ASHLEY McBRYDE! 914 00:39:30,000 --> 00:39:30,968 PLEASE WELCOME WYNONNA JUDD AND ASHLEY McBRYDE! 915 00:39:32,503 --> 00:39:36,000 ♪ I'VE GOTTA TAKE ♪ ♪ A LITTLE TIME ♪ 916 00:39:36,000 --> 00:39:40,277 ♪ I'VE GOTTA TAKE ♪ ♪ A LITTLE TIME ♪ 917 00:39:40,344 --> 00:39:42,000 ♪ A LITTLE TIME ♪ ♪ TO THINK THINGS OVER ♪ 918 00:39:42,000 --> 00:39:48,000 ♪ A LITTLE TIME ♪ ♪ TO THINK THINGS OVER ♪ 919 00:39:48,000 --> 00:39:54,000 ♪ A LITTLE TIME ♪ ♪ TO THINK THINGS OVER ♪ 920 00:39:54,000 --> 00:39:55,226 ♪ A LITTLE TIME ♪ ♪ TO THINK THINGS OVER ♪ 921 00:39:55,292 --> 00:39:55,760 ♪ A LITTLE TIME ♪ ♪ TO THINK THINGS OVER ♪ 922 00:39:58,362 --> 00:40:00,000 ♪ ♪ ♪ I BETTER ♪ 923 00:40:00,000 --> 00:40:00,765 ♪ ♪ ♪ I BETTER ♪ 924 00:40:00,831 --> 00:40:05,703 ♪ READ BETWEEN THE LINES ♪ ♪ IN CASE I NEED IT ♪ 925 00:40:05,770 --> 00:40:06,000 ♪ WHEN I'M OLDER ♪ ♪ OOH ♪ 926 00:40:06,000 --> 00:40:12,000 ♪ WHEN I'M OLDER ♪ ♪ OOH ♪ 927 00:40:12,000 --> 00:40:17,081 ♪ WHEN I'M OLDER ♪ ♪ OOH ♪ 928 00:40:17,148 --> 00:40:18,000 ♪ THIS MOUNTAIN ♪ ♪ I MUST CLIMB ♪ 929 00:40:18,000 --> 00:40:24,000 ♪ THIS MOUNTAIN ♪ ♪ I MUST CLIMB ♪ 930 00:40:24,000 --> 00:40:26,690 ♪ THIS MOUNTAIN ♪ ♪ I MUST CLIMB ♪ 931 00:40:26,757 --> 00:40:30,000 ♪ IT FEELS LIKE THE WORLD'S ♪ ♪ UPON MY SHOULDERS ♪ 932 00:40:30,000 --> 00:40:32,730 ♪ IT FEELS LIKE THE WORLD'S ♪ ♪ UPON MY SHOULDERS ♪ 933 00:40:32,797 --> 00:40:34,665 ♪ BUT THROUGH THOSE CLOUDS ♪ ♪ I SEE LOVE SHINE ♪ 934 00:40:34,732 --> 00:40:36,000 ♪ IT KEEPS ME WARM ♪ ♪ AS LIFE GROWS COLDER ♪ 935 00:40:36,000 --> 00:40:42,000 ♪ IT KEEPS ME WARM ♪ ♪ AS LIFE GROWS COLDER ♪ 936 00:40:42,000 --> 00:40:42,406 ♪ IT KEEPS ME WARM ♪ ♪ AS LIFE GROWS COLDER ♪ 937 00:40:42,473 --> 00:40:46,477 ♪ IN MY LIFE ♪ ♪ OH, THERE'S BEEN HEARTACHE ♪ 938 00:40:46,544 --> 00:40:48,000 ♪ AND PAIN ♪ ♪ I DON'T KNOW ♪ 939 00:40:48,000 --> 00:40:51,882 ♪ AND PAIN ♪ ♪ I DON'T KNOW ♪ 940 00:40:51,949 --> 00:40:54,000 ♪ IF I CAN FACE IT AGAIN ♪ ♪ AND I CAN'T STOP NOW ♪ 941 00:40:54,000 --> 00:40:58,923 ♪ IF I CAN FACE IT AGAIN ♪ ♪ AND I CAN'T STOP NOW ♪ 942 00:40:58,989 --> 00:41:00,000 ♪ 'CAUSE I'VE TRAVELED SO FAR ♪ ♪ TO CHANGE THIS LONELY LIFE ♪ 943 00:41:00,000 --> 00:41:06,000 ♪ 'CAUSE I'VE TRAVELED SO FAR ♪ ♪ TO CHANGE THIS LONELY LIFE ♪ 944 00:41:06,000 --> 00:41:12,000 ♪ 'CAUSE I'VE TRAVELED SO FAR ♪ ♪ TO CHANGE THIS LONELY LIFE ♪ 945 00:41:12,000 --> 00:41:12,102 ♪ 'CAUSE I'VE TRAVELED SO FAR ♪ ♪ TO CHANGE THIS LONELY LIFE ♪ 946 00:41:12,169 --> 00:41:15,039 >> ♪ I WANT TO KNOW WHAT LOVE IS ♪ 947 00:41:15,105 --> 00:41:18,000 ♪ OH, I WANT YOU TO SHOW ME ♪ ♪ I WANT TO FEEL WHAT LOVE IS ♪ 948 00:41:18,000 --> 00:41:24,000 ♪ OH, I WANT YOU TO SHOW ME ♪ ♪ I WANT TO FEEL WHAT LOVE IS ♪ 949 00:41:24,000 --> 00:41:26,951 ♪ OH, I WANT YOU TO SHOW ME ♪ ♪ I WANT TO FEEL WHAT LOVE IS ♪ 950 00:41:27,017 --> 00:41:30,000 ♪ OH, YES, I KNOW I WANT YOU TO SHOW ME ♪ 951 00:41:30,000 --> 00:41:36,000 ♪ OH, YES, I KNOW I WANT YOU TO SHOW ME ♪ 952 00:41:36,000 --> 00:41:37,561 ♪ OH, YES, I KNOW I WANT YOU TO SHOW ME ♪ 953 00:41:37,628 --> 00:41:42,000 ♪ YEAH! ♪ ♪ GONNA TAKE A LITTLE TIME ♪ 954 00:41:42,000 --> 00:41:46,470 ♪ YEAH! ♪ ♪ GONNA TAKE A LITTLE TIME ♪ 955 00:41:46,537 --> 00:41:48,000 ♪ A LITTLE TIME ♪ ♪ TO LOOK AROUND ME ♪ 956 00:41:48,000 --> 00:41:53,510 ♪ A LITTLE TIME ♪ ♪ TO LOOK AROUND ME ♪ 957 00:41:53,577 --> 00:41:54,000 ♪ I'VE GOT NOWHERE ♪ ♪ LEFT TO HIDE ♪ 958 00:41:54,000 --> 00:41:58,849 ♪ I'VE GOT NOWHERE ♪ ♪ LEFT TO HIDE ♪ 959 00:41:58,916 --> 00:42:00,000 ♪ LOOKS LIKE LOVE ♪ ♪ HAS FINALLY FOUND ME ♪ 960 00:42:00,000 --> 00:42:04,221 ♪ LOOKS LIKE LOVE ♪ ♪ HAS FINALLY FOUND ME ♪ 961 00:42:04,288 --> 00:42:06,000 ♪ IN MY LIFE ♪ ♪ THERE'S BEEN HEARTACHE ♪ 962 00:42:06,000 --> 00:42:09,793 ♪ IN MY LIFE ♪ ♪ THERE'S BEEN HEARTACHE ♪ 963 00:42:09,860 --> 00:42:12,000 ♪ AND PAIN ♪ ♪ I DON'T KNOW ♪ 964 00:42:12,000 --> 00:42:13,597 ♪ AND PAIN ♪ ♪ I DON'T KNOW ♪ 965 00:42:13,664 --> 00:42:18,000 ♪ IF I CAN FACE IT AGAIN ♪ ♪ AND I CAN'T STOP NOW ♪ 966 00:42:18,000 --> 00:42:20,704 ♪ IF I CAN FACE IT AGAIN ♪ ♪ AND I CAN'T STOP NOW ♪ 967 00:42:20,771 --> 00:42:24,000 ♪ 'CAUSE I'VE TRAVELED TOO FAR ♪ ♪ TO CHANGE THIS LONELY LIFE ♪ 968 00:42:24,000 --> 00:42:30,000 ♪ 'CAUSE I'VE TRAVELED TOO FAR ♪ ♪ TO CHANGE THIS LONELY LIFE ♪ 969 00:42:30,000 --> 00:42:30,214 ♪ 'CAUSE I'VE TRAVELED TOO FAR ♪ ♪ TO CHANGE THIS LONELY LIFE ♪ 970 00:42:30,281 --> 00:42:36,000 ♪ I WANT TO KNOW WHAT LOVE IS ♪ ♪ I WANT YOU TO SHOW ME ♪ 971 00:42:36,000 --> 00:42:42,000 ♪ I WANT TO KNOW WHAT LOVE IS ♪ ♪ I WANT YOU TO SHOW ME ♪ 972 00:42:42,000 --> 00:42:42,626 ♪ I WANT TO KNOW WHAT LOVE IS ♪ ♪ I WANT YOU TO SHOW ME ♪ 973 00:42:42,693 --> 00:42:48,000 ♪ I WANT TO FEEL WHAT LOVE IS ♪ TALKIN' ABOUT LOVE THAT YOU 974 00:42:48,000 --> 00:42:52,236 ♪ I WANT TO FEEL WHAT LOVE IS ♪ TALKIN' ABOUT LOVE THAT YOU 975 00:42:52,303 --> 00:42:54,000 FEEL INSIDE ♪ ♪ I KNOW YOU CAN SHOW ME ♪ 976 00:42:54,000 --> 00:43:00,000 FEEL INSIDE ♪ ♪ I KNOW YOU CAN SHOW ME ♪ 977 00:43:00,000 --> 00:43:03,314 FEEL INSIDE ♪ ♪ I KNOW YOU CAN SHOW ME ♪ 978 00:43:03,380 --> 00:43:06,000 MAMA, YOU NEED TO HERE TONIGHT I MISS YOU AND I LOVE YOU 979 00:43:06,000 --> 00:43:10,988 MAMA, YOU NEED TO HERE TONIGHT I MISS YOU AND I LOVE YOU 980 00:43:11,055 --> 00:43:12,000 ♪ I WANT TO KNOW WHAT LOVE IS ♪ ♪ I WANT TO KNOW WHAT LOVE IS ♪ 981 00:43:12,000 --> 00:43:18,000 ♪ I WANT TO KNOW WHAT LOVE IS ♪ ♪ I WANT TO KNOW WHAT LOVE IS ♪ 982 00:43:18,000 --> 00:43:20,531 ♪ I WANT TO KNOW WHAT LOVE IS ♪ ♪ I WANT TO KNOW WHAT LOVE IS ♪ 983 00:43:20,597 --> 00:43:24,000 ♪ I KNOW YOU CAN SHOW ME ♪ ♪ YEAH! ♪ 984 00:43:24,000 --> 00:43:30,000 ♪ I KNOW YOU CAN SHOW ME ♪ ♪ YEAH! ♪ 985 00:43:30,000 --> 00:43:35,479 ♪ I KNOW YOU CAN SHOW ME ♪ ♪ YEAH! ♪ 986 00:43:35,546 --> 00:43:36,000 ♪ I KNOW YOU CAN SHOW ME ♪ ♪ YEAH! ♪ 987 00:43:36,000 --> 00:43:40,284 ♪ I KNOW YOU CAN SHOW ME ♪ ♪ YEAH! ♪ 988 00:43:40,351 --> 00:43:42,000 ♪ YEAH ♪ [CHEERS AND APPLAUSE] 989 00:43:42,000 --> 00:43:42,353 ♪ YEAH ♪ [CHEERS AND APPLAUSE] 990 00:43:52,763 --> 00:43:54,000 >> GET READY TO ROCK ON THE STREETS OF AUSTIN WITH 991 00:43:54,000 --> 00:43:55,366 >> GET READY TO ROCK ON THE STREETS OF AUSTIN WITH 992 00:43:55,432 --> 00:43:58,969 KEITH URBAN AND MORE PERFORMANCES, INCLUDING 993 00:43:59,036 --> 00:44:00,000 ALANIS MORRISETTE, THE BLACK CROWES AND DARIUS 994 00:44:00,000 --> 00:44:00,938 ALANIS MORRISETTE, THE BLACK CROWES AND DARIUS 995 00:44:01,005 --> 00:44:02,373 RUCKER. 996 00:44:02,439 --> 00:44:06,000 PLUS, SHANIA TWAIN RECEIVES THE CMT EQUAL PLAY AWARD. 997 00:44:06,000 --> 00:44:06,210 PLUS, SHANIA TWAIN RECEIVES THE CMT EQUAL PLAY AWARD. 998 00:44:06,276 --> 00:44:10,180 WE'RE LIVE BEHIND THE SCENES OF THE CMT MUSIC AWARDS! 999 00:44:10,247 --> 00:44:12,000 CHECK IT OUT ON YOUTUBE NOW. 1000 00:44:12,000 --> 00:44:13,350 CHECK IT OUT ON YOUTUBE NOW. 1001 00:44:13,417 --> 00:44:13,917 THIS IS CBS. 1002 00:44:19,990 --> 00:44:20,924 >> PLEASE WELCOME THREE-TIME GRAMMY WINNER 1003 00:44:20,991 --> 00:44:24,000 MEGAN THEE STALLION. 1004 00:44:24,000 --> 00:44:25,095 MEGAN THEE STALLION. 1005 00:44:25,162 --> 00:44:30,000 [CHEERS AND APPLAUSE] >> OKAY! 1006 00:44:30,000 --> 00:44:36,000 [CHEERS AND APPLAUSE] >> OKAY! 1007 00:44:36,000 --> 00:44:40,044 [CHEERS AND APPLAUSE] >> OKAY! 1008 00:44:40,110 --> 00:44:41,078 [CHEERS AND APPLAUSE] >> OKAY! 1009 00:44:41,145 --> 00:44:42,000 [CHEERING] OKAY, Y'ALL LET ME SAY IT. 1010 00:44:42,000 --> 00:44:48,000 [CHEERING] OKAY, Y'ALL LET ME SAY IT. 1011 00:44:48,000 --> 00:44:49,953 [CHEERING] OKAY, Y'ALL LET ME SAY IT. 1012 00:44:50,020 --> 00:44:54,000 Y'ALL MAKING ME FEEL TOO GOOD. 1013 00:44:54,000 --> 00:44:56,960 Y'ALL MAKING ME FEEL TOO GOOD. 1014 00:44:57,027 --> 00:45:00,000 CMT HAS BEEN A LEADER IN THE FIGHT FOR DIVERSITY AND 1015 00:45:00,000 --> 00:45:00,964 CMT HAS BEEN A LEADER IN THE FIGHT FOR DIVERSITY AND 1016 00:45:01,031 --> 00:45:06,000 INCLUSION IN COUNTRY MUSIC FOR THE PAST DECADE, WITH 1017 00:45:06,000 --> 00:45:06,737 INCLUSION IN COUNTRY MUSIC FOR THE PAST DECADE, WITH 1018 00:45:06,804 --> 00:45:09,273 INITIATIVES LIKE NEXT WOMEN OF COUNTRY AND CMT EQUAL PLAY 1019 00:45:09,339 --> 00:45:12,000 AND EQUAL ACCESS. 1020 00:45:12,000 --> 00:45:12,109 AND EQUAL ACCESS. 1021 00:45:12,176 --> 00:45:15,179 THE CMT EQUAL PLAY AWARD RECOGNIZES TRAILBLAZERS WHO USE 1022 00:45:15,245 --> 00:45:18,000 THEIR PLATFORM TO BREAK BARRIERS, SPEAK OUT AGAINST 1023 00:45:18,000 --> 00:45:19,216 THEIR PLATFORM TO BREAK BARRIERS, SPEAK OUT AGAINST 1024 00:45:19,283 --> 00:45:24,000 INJUSTICES, AND CHALLENGE THE STATUS QUO. 1025 00:45:24,000 --> 00:45:27,825 INJUSTICES, AND CHALLENGE THE STATUS QUO. 1026 00:45:27,891 --> 00:45:30,000 [CHEERING] THIS YEAR, WE ARE RECOGNIZING 1027 00:45:30,000 --> 00:45:30,427 [CHEERING] THIS YEAR, WE ARE RECOGNIZING 1028 00:45:30,494 --> 00:45:36,000 THE INCREDIBLE SHANIA TWAIN! 1029 00:45:36,000 --> 00:45:37,601 THE INCREDIBLE SHANIA TWAIN! 1030 00:45:37,668 --> 00:45:42,000 UH-HUH! 1031 00:45:42,000 --> 00:45:43,073 UH-HUH! 1032 00:45:43,140 --> 00:45:45,275 SHANIA TWAIN! 1033 00:45:45,342 --> 00:45:48,000 OKAY! 1034 00:45:48,000 --> 00:45:48,412 OKAY! 1035 00:45:48,479 --> 00:45:52,416 SHANIA ISN'T JUST THE BIGGEST-SELLING COUNTRY FEMALE 1036 00:45:52,483 --> 00:45:54,000 ARTIST OF ALL TIME, SHE HAS SHATTERED CEILINGS 1037 00:45:54,000 --> 00:45:56,153 ARTIST OF ALL TIME, SHE HAS SHATTERED CEILINGS 1038 00:45:56,220 --> 00:46:00,000 AND REDEFINED STYLE AND SOUND IN COUNTRY MUSIC AND BEYOND. 1039 00:46:00,000 --> 00:46:03,527 AND REDEFINED STYLE AND SOUND IN COUNTRY MUSIC AND BEYOND. 1040 00:46:03,594 --> 00:46:06,000 SHE HAS BEEN OUTSPOKEN. 1041 00:46:06,000 --> 00:46:10,834 SHE HAS BEEN OUTSPOKEN. 1042 00:46:10,901 --> 00:46:12,000 I DON'T WANT TO CHEESE THIS AGAINST HATE OF EVERY KIND, 1043 00:46:12,000 --> 00:46:14,872 I DON'T WANT TO CHEESE THIS AGAINST HATE OF EVERY KIND, 1044 00:46:14,938 --> 00:46:18,000 I JUST MET HER. 1045 00:46:18,000 --> 00:46:18,475 I JUST MET HER. 1046 00:46:18,542 --> 00:46:19,977 SHE IS MY NEW BESTIE. 1047 00:46:20,043 --> 00:46:24,000 SHE HAS BEEN AN OUTSPOKEN ALLY AGAINST HATE OF EVERY KIND, 1048 00:46:24,000 --> 00:46:24,948 SHE HAS BEEN AN OUTSPOKEN ALLY AGAINST HATE OF EVERY KIND, 1049 00:46:25,015 --> 00:46:30,000 CALLING OUT GENDER GAPS, AGEISM, YES. 1050 00:46:30,000 --> 00:46:30,454 CALLING OUT GENDER GAPS, AGEISM, YES. 1051 00:46:30,521 --> 00:46:32,689 UH-HUH, YES! 1052 00:46:32,756 --> 00:46:36,000 YES, SHANIA! 1053 00:46:36,000 --> 00:46:38,862 YES, SHANIA! 1054 00:46:38,929 --> 00:46:42,000 IMPACTING INEQUALITIES AGAINST THE LGBTQ+ COMMUNITY, 1055 00:46:42,000 --> 00:46:42,399 IMPACTING INEQUALITIES AGAINST THE LGBTQ+ COMMUNITY, 1056 00:46:42,466 --> 00:46:43,433 AND MORE. 1057 00:46:43,500 --> 00:46:48,000 SHE'S AN INSPIRATION TO ME AND MILLIONS OF OTHERS! 1058 00:46:48,000 --> 00:46:49,406 SHE'S AN INSPIRATION TO ME AND MILLIONS OF OTHERS! 1059 00:46:49,473 --> 00:46:52,342 PLEASE WELCOME THIS YEAR'S EQUAL PLAY AWARD RECIPIENT, 1060 00:46:52,409 --> 00:46:54,000 SHANIA TWAIN. 1061 00:46:54,000 --> 00:46:58,882 SHANIA TWAIN. 1062 00:47:01,852 --> 00:47:03,854 [CHEERS AND APPLAUSE] ♪ ♪ 1063 00:47:29,846 --> 00:47:30,000 >> THANK YOU, MEGAN. 1064 00:47:30,000 --> 00:47:35,185 >> THANK YOU, MEGAN. 1065 00:47:35,252 --> 00:47:36,000 YOU'RE SO TALL. 1066 00:47:36,000 --> 00:47:38,922 YOU'RE SO TALL. 1067 00:47:38,989 --> 00:47:39,923 I LOST MY HAT. 1068 00:47:39,990 --> 00:47:41,124 THANK YOU. 1069 00:47:41,191 --> 00:47:41,959 THANK YOU SO MUCH. 1070 00:47:42,025 --> 00:47:48,000 LET ME START BY SAYING LET'S GO, GIRLS. 1071 00:47:48,000 --> 00:47:49,833 LET ME START BY SAYING LET'S GO, GIRLS. 1072 00:47:49,900 --> 00:47:54,000 LISTEN, WHEN I WROTE THE PHRASE "MAN, I FEEL LIKE A WOMAN," I 1073 00:47:54,000 --> 00:47:56,907 LISTEN, WHEN I WROTE THE PHRASE "MAN, I FEEL LIKE A WOMAN," I 1074 00:47:56,974 --> 00:47:58,942 HAD NO IDEA IT WOULD BECOME AN UNDERCURRENT OF A DECADES LONG 1075 00:47:59,009 --> 00:48:00,000 CAREER. 1076 00:48:00,000 --> 00:48:02,112 CAREER. 1077 00:48:02,179 --> 00:48:06,000 IT'S AMAZING HOW JUST ONE STATEMET CAN EMPOWER SO MANY. 1078 00:48:06,000 --> 00:48:09,353 IT'S AMAZING HOW JUST ONE STATEMET CAN EMPOWER SO MANY. 1079 00:48:09,419 --> 00:48:10,587 "MAN! 1080 00:48:10,654 --> 00:48:12,000 I FEEL LIKE A WOMAN" HAS BEEN ADOPTED BY AN ARRAY OF FANTASTIC 1081 00:48:12,000 --> 00:48:13,523 I FEEL LIKE A WOMAN" HAS BEEN ADOPTED BY AN ARRAY OF FANTASTIC 1082 00:48:13,590 --> 00:48:15,425 COMMUNITIES ALL AROUND THE WORLD AND BECOME A GENUINE PATH OF 1083 00:48:15,492 --> 00:48:18,000 POWER AND PROGRESS FOR WOMEN. 1084 00:48:18,000 --> 00:48:19,296 POWER AND PROGRESS FOR WOMEN. 1085 00:48:19,363 --> 00:48:21,832 WOMEN IN COUNTRY MUSIC. 1086 00:48:21,898 --> 00:48:24,000 WHICH BRINGS ME SO MUCH JOY. 1087 00:48:24,000 --> 00:48:26,737 WHICH BRINGS ME SO MUCH JOY. 1088 00:48:26,803 --> 00:48:30,000 THANK YOU TO CMT FOR PUSHING THE EQUAL PLAY AGENDA AND THANK YOU 1089 00:48:30,000 --> 00:48:31,375 THANK YOU TO CMT FOR PUSHING THE EQUAL PLAY AGENDA AND THANK YOU 1090 00:48:31,441 --> 00:48:32,576 FOR ALWAYS SUPPORTING ME. 1091 00:48:32,643 --> 00:48:36,000 IN FACT, YOU KNOW WHAT, YOU MAY NOT KNOW THIS. 1092 00:48:36,000 --> 00:48:38,148 IN FACT, YOU KNOW WHAT, YOU MAY NOT KNOW THIS. 1093 00:48:38,215 --> 00:48:42,000 BUT THE CMT RISING STAR AWARD WAS MY VERY FIRST AWARD EVER. 1094 00:48:42,000 --> 00:48:44,988 BUT THE CMT RISING STAR AWARD WAS MY VERY FIRST AWARD EVER. 1095 00:48:45,055 --> 00:48:48,000 30 YEARS AGO. 1096 00:48:48,000 --> 00:48:48,158 30 YEARS AGO. 1097 00:48:48,225 --> 00:48:49,993 THAT WAS IN 1993. 1098 00:48:50,060 --> 00:48:54,000 CMT HOLDS A VERY SPECIAL PLACE IN MY HEART. 1099 00:48:54,000 --> 00:48:55,732 CMT HOLDS A VERY SPECIAL PLACE IN MY HEART. 1100 00:48:55,799 --> 00:49:00,000 AND I PROMISE I WILL CONTINUE TO CHAMPION THE MANY OUTSTANDING 1101 00:49:00,000 --> 00:49:00,370 AND I PROMISE I WILL CONTINUE TO CHAMPION THE MANY OUTSTANDING 1102 00:49:00,437 --> 00:49:02,072 COUNTRY ARTISTS WHO ARE NOT CURRENTLY PLAYED. 1103 00:49:02,139 --> 00:49:06,000 THEY ARE NOT STREAMED, TOURS SIGNED OR AWARDED AT THE LEVEL 1104 00:49:06,000 --> 00:49:08,478 THEY ARE NOT STREAMED, TOURS SIGNED OR AWARDED AT THE LEVEL 1105 00:49:08,545 --> 00:49:12,000 THEY DESERVE SO I BELIEVE IN AN ALL-INCLUSIVE COUNTRY MUSIC. 1106 00:49:12,000 --> 00:49:12,049 THEY DESERVE SO I BELIEVE IN AN ALL-INCLUSIVE COUNTRY MUSIC. 1107 00:49:12,115 --> 00:49:16,820 WE ARE A FAMILY. 1108 00:49:16,887 --> 00:49:18,000 THIS IS A GENRE OF MUSIC WITH A RICH HISTORY THAT RAISED AND 1109 00:49:18,000 --> 00:49:24,000 THIS IS A GENRE OF MUSIC WITH A RICH HISTORY THAT RAISED AND 1110 00:49:24,000 --> 00:49:24,494 THIS IS A GENRE OF MUSIC WITH A RICH HISTORY THAT RAISED AND 1111 00:49:24,561 --> 00:49:28,932 NURTURED MY OWN SONGWRITING AND PERFORMANCE AND RECORDING CAREER 1112 00:49:28,999 --> 00:49:30,000 FROM CHILDHOOD. 1113 00:49:30,000 --> 00:49:30,200 FROM CHILDHOOD. 1114 00:49:30,267 --> 00:49:35,972 CURRENTLY THE INDUSTRY STANDARD DOES A REAL DISSERVICE TO THIS. 1115 00:49:36,039 --> 00:49:42,000 LET US, THE COUNTRY MUSIC INDUSTRY, DO OUR PART TO CLOSE 1116 00:49:42,000 --> 00:49:43,613 LET US, THE COUNTRY MUSIC INDUSTRY, DO OUR PART TO CLOSE 1117 00:49:43,680 --> 00:49:44,948 WORK SPACE FOR ALL TALENT. 1118 00:49:45,015 --> 00:49:48,000 THIS YEAR, I'M TAKING MANY AMAZING ARTISTS ON MY QUEEN OF 1119 00:49:48,000 --> 00:49:51,855 THIS YEAR, I'M TAKING MANY AMAZING ARTISTS ON MY QUEEN OF 1120 00:49:51,922 --> 00:49:52,055 KNEE 1121 00:49:56,793 --> 00:50:00,000 TOUR ROBIN, PRISCILLA, SEVERAL MORE. 1122 00:50:00,000 --> 00:50:01,765 TOUR ROBIN, PRISCILLA, SEVERAL MORE. 1123 00:50:01,832 --> 00:50:06,000 MY HOPE IS THAT THIS OPPORTUNITY AND SPOTLIGHT IMPRESSES YOU MU 1124 00:50:06,000 --> 00:50:07,037 MY HOPE IS THAT THIS OPPORTUNITY AND SPOTLIGHT IMPRESSES YOU MU 1125 00:50:07,104 --> 00:50:10,006 MUCH. 1126 00:50:10,073 --> 00:50:12,000 AND LIFTS UP THE CAREERS OF THESE VERY TALENTED PEOPLE ON 1127 00:50:12,000 --> 00:50:12,976 AND LIFTS UP THE CAREERS OF THESE VERY TALENTED PEOPLE ON 1128 00:50:13,043 --> 00:50:14,177 THEIR JOURNEY. 1129 00:50:14,244 --> 00:50:17,547 I WILL CONTINUE TO DO MY BEST AS A TRAILBLAZER AND TOGETHER, 1130 00:50:17,614 --> 00:50:18,000 LET'S ENSURE THAT ALL OUR FELLOW ARTISTS GET EQUAL PLAY 1131 00:50:18,000 --> 00:50:22,052 LET'S ENSURE THAT ALL OUR FELLOW ARTISTS GET EQUAL PLAY 1132 00:50:22,119 --> 00:50:24,000 REGARDLESS OF GENDER, AGE, OR RACE. 1133 00:50:24,000 --> 00:50:26,022 REGARDLESS OF GENDER, AGE, OR RACE. 1134 00:50:26,089 --> 00:50:30,000 THANK YOU AGAIN FOR HONORING ME. 1135 00:50:30,000 --> 00:50:30,060 THANK YOU AGAIN FOR HONORING ME. 1136 00:50:30,127 --> 00:50:31,661 SPECIAL THANK YOU TO ALL MY FANS. 1137 00:50:31,728 --> 00:50:36,000 I AM TRULY TOUCHED BY THIS MOMENT. 1138 00:50:36,000 --> 00:50:36,767 I AM TRULY TOUCHED BY THIS MOMENT. 1139 00:50:36,833 --> 00:50:41,938 THANK YOU. 1140 00:50:42,005 --> 00:50:46,543 PLEASE WELCOME THE STAR OF 1141 00:50:46,610 --> 00:50:48,000 THE NEW CBS SERIES "TRUE LIES," BONAFIDE TEXAN STEVE HOWEY! 1142 00:50:48,000 --> 00:50:49,012 THE NEW CBS SERIES "TRUE LIES," BONAFIDE TEXAN STEVE HOWEY! 1143 00:50:49,079 --> 00:50:54,000 >> THE STARS AT NIGHT ARE BIG AND BRIGHT 1144 00:50:54,000 --> 00:50:54,918 >> THE STARS AT NIGHT ARE BIG AND BRIGHT 1145 00:50:54,985 --> 00:50:58,922 >> DEEP IN THE HEART OF TEXAS! 1146 00:50:58,989 --> 00:50:59,856 >> YES, THANK YOU! 1147 00:50:59,923 --> 00:51:00,000 WE'RE IN LONGHORN COUNTRY, BABY. 1148 00:51:00,000 --> 00:51:02,926 WE'RE IN LONGHORN COUNTRY, BABY. 1149 00:51:02,993 --> 00:51:04,928 ALL RIGHT. 1150 00:51:04,995 --> 00:51:06,000 I JUST HAD TO BE HERE FOR THE FIRST EVER CMT MUSIC AWARDS 1151 00:51:06,000 --> 00:51:11,134 I JUST HAD TO BE HERE FOR THE FIRST EVER CMT MUSIC AWARDS 1152 00:51:11,201 --> 00:51:12,000 THERE'S CODY. 1153 00:51:12,000 --> 00:51:15,305 THERE'S CODY. 1154 00:51:15,372 --> 00:51:16,273 HE JUST POINTED AT ME. 1155 00:51:16,339 --> 00:51:18,000 FIRST EVER CMT MUSIC AWARDS IN MY HOME STATE. 1156 00:51:18,000 --> 00:51:21,311 FIRST EVER CMT MUSIC AWARDS IN MY HOME STATE. 1157 00:51:21,378 --> 00:51:23,780 I WAS BORN IN SAN ANTONIO. 1158 00:51:23,847 --> 00:51:24,000 I LOVE AUSTIN. 1159 00:51:24,000 --> 00:51:28,885 I LOVE AUSTIN. 1160 00:51:28,952 --> 00:51:30,000 THIS NEXT ARTIST ISN'T JUST BIG. 1161 00:51:30,000 --> 00:51:30,120 THIS NEXT ARTIST ISN'T JUST BIG. 1162 00:51:30,187 --> 00:51:32,589 HE'S TEXAS BIG. 1163 00:51:32,656 --> 00:51:36,000 HE TOOK OVER COUNTRY WITH HIS BREAKOUT HIT LAST YEAR, TOOK 1164 00:51:36,000 --> 00:51:37,360 HE TOOK OVER COUNTRY WITH HIS BREAKOUT HIT LAST YEAR, TOOK 1165 00:51:37,427 --> 00:51:40,730 HOME A FEW CMTS, AND HAS JUST KEPT GOING EVER SINCE. 1166 00:51:40,797 --> 00:51:42,000 WITH HIS LATEST HIT, "HUMAN," HERE IS CODY JOHNSON! 1167 00:51:42,000 --> 00:51:47,971 WITH HIS LATEST HIT, "HUMAN," HERE IS CODY JOHNSON! 1168 00:51:49,906 --> 00:51:54,000 ♪ ♪ ♪ I THOUGHT BY NOW ♪ 1169 00:51:54,000 --> 00:52:00,000 ♪ ♪ ♪ I THOUGHT BY NOW ♪ 1170 00:52:00,000 --> 00:52:01,852 ♪ ♪ ♪ I THOUGHT BY NOW ♪ 1171 00:52:01,918 --> 00:52:04,621 ♪ I'D HAVE IT FIGURED OUT ♪ ♪ HOW NOT TO MAKE ♪ 1172 00:52:04,688 --> 00:52:06,000 ♪ THE EASY THING ♪ ♪ SO HARD TO DO ♪ 1173 00:52:06,000 --> 00:52:09,292 ♪ THE EASY THING ♪ ♪ SO HARD TO DO ♪ 1174 00:52:09,359 --> 00:52:12,000 ♪ I BET THAT I'D BE ♪ ♪ FURTHER DOWN THIS ROAD ♪ 1175 00:52:12,000 --> 00:52:14,364 ♪ I BET THAT I'D BE ♪ ♪ FURTHER DOWN THIS ROAD ♪ 1176 00:52:14,431 --> 00:52:18,000 ♪ IF I COULD READ THE SIGNS ♪ ♪ THAT POINT ME TO THE TRUTH ♪ 1177 00:52:18,000 --> 00:52:20,570 ♪ IF I COULD READ THE SIGNS ♪ ♪ THAT POINT ME TO THE TRUTH ♪ 1178 00:52:20,637 --> 00:52:24,000 ♪ I NEVER PLANNED ON ♪ ♪ BEING NOTHIN' BUT A COWBOY ♪ 1179 00:52:24,000 --> 00:52:26,243 ♪ I NEVER PLANNED ON ♪ ♪ BEING NOTHIN' BUT A COWBOY ♪ 1180 00:52:26,309 --> 00:52:30,000 ♪ BUT SOMEWHERE ♪ ♪ I PICKED UP THIS OLD GUITAR ♪ 1181 00:52:30,000 --> 00:52:32,516 ♪ BUT SOMEWHERE ♪ ♪ I PICKED UP THIS OLD GUITAR ♪ 1182 00:52:32,582 --> 00:52:36,000 ♪ GIRL, ALL I CAN SAY ♪ ♪ IS THAT I'M SORRY ♪ 1183 00:52:36,000 --> 00:52:37,454 ♪ GIRL, ALL I CAN SAY ♪ ♪ IS THAT I'M SORRY ♪ 1184 00:52:37,521 --> 00:52:42,000 ♪ IF I GET KIND OF CARELESS ♪ ♪ WITH YOUR HEART ♪ 1185 00:52:42,000 --> 00:52:48,000 ♪ IF I GET KIND OF CARELESS ♪ ♪ WITH YOUR HEART ♪ 1186 00:52:48,000 --> 00:52:48,899 ♪ IF I GET KIND OF CARELESS ♪ ♪ WITH YOUR HEART ♪ 1187 00:52:48,965 --> 00:52:51,434 ALL THE MIDNIGHTS ♪ CHASING ALL THAT EMPTY ♪ 1188 00:52:51,501 --> 00:52:54,000 ♪ STILL AIN'T GOT IT RIGHT ♪ ♪ ALL THE CRAZY ♪ 1189 00:52:54,000 --> 00:52:55,505 ♪ STILL AIN'T GOT IT RIGHT ♪ ♪ ALL THE CRAZY ♪ 1190 00:52:55,572 --> 00:53:00,000 ♪ ALL THE GYPSY ♪ ♪ I GUESS ALL I'M SAYIN' IS 1191 00:53:00,000 --> 00:53:00,644 ♪ ALL THE GYPSY ♪ ♪ I GUESS ALL I'M SAYIN' IS 1192 00:53:00,710 --> 00:53:03,480 FORGIVE ME ♪ ♪ IF I DON'T KNOW WHAT I'M 1193 00:53:03,547 --> 00:53:06,000 DOING ♪ ♪ 'CAUSE I'M STILL LEARNIN' TO 1194 00:53:06,000 --> 00:53:11,321 DOING ♪ ♪ 'CAUSE I'M STILL LEARNIN' TO 1195 00:53:11,388 --> 00:53:12,000 BE HUMAN ♪ ♪ SO FAR I'VE BEEN GOOD ♪ 1196 00:53:12,000 --> 00:53:17,928 BE HUMAN ♪ ♪ SO FAR I'VE BEEN GOOD ♪ 1197 00:53:17,994 --> 00:53:18,000 ♪ AT BURNIN' BRIDGES ♪ ♪ STRIKE A MATCH ♪ 1198 00:53:18,000 --> 00:53:22,899 ♪ AT BURNIN' BRIDGES ♪ ♪ STRIKE A MATCH ♪ 1199 00:53:22,966 --> 00:53:24,000 ♪ AND RIDE RIGHT OUT OF TOWN ♪ ♪ BLESS YOUR HEART FOR NEVER 1200 00:53:24,000 --> 00:53:28,638 ♪ AND RIDE RIGHT OUT OF TOWN ♪ ♪ BLESS YOUR HEART FOR NEVER 1201 00:53:28,705 --> 00:53:30,000 TRYIN' TO FIX ME ♪ ♪ OR QUIT ME ♪ 1202 00:53:30,000 --> 00:53:36,000 TRYIN' TO FIX ME ♪ ♪ OR QUIT ME ♪ 1203 00:53:36,000 --> 00:53:36,880 TRYIN' TO FIX ME ♪ ♪ OR QUIT ME ♪ 1204 00:53:36,947 --> 00:53:42,000 ♪ OR SLOW ME DOWN ♪ ♪ ALL THE MIDNIGHTS ♪ 1205 00:53:42,000 --> 00:53:47,123 ♪ OR SLOW ME DOWN ♪ ♪ ALL THE MIDNIGHTS ♪ 1206 00:53:47,190 --> 00:53:48,000 ♪ CHASING ALL THAT EMPTY ♪ ♪ STILL AIN'T GOT IT RIGHT ♪ 1207 00:53:48,000 --> 00:53:51,995 ♪ CHASING ALL THAT EMPTY ♪ ♪ STILL AIN'T GOT IT RIGHT ♪ 1208 00:53:52,062 --> 00:53:54,000 ♪ ALL THE CRAZY ♪ ♪ ALL THE GYPSY ♪ 1209 00:53:54,000 --> 00:53:57,901 ♪ ALL THE CRAZY ♪ ♪ ALL THE GYPSY ♪ 1210 00:53:57,968 --> 00:54:00,000 ♪ I GUESS ALL I'M SAYIN' IS FORGIVE ME ♪ 1211 00:54:00,000 --> 00:54:01,871 ♪ I GUESS ALL I'M SAYIN' IS FORGIVE ME ♪ 1212 00:54:01,938 --> 00:54:06,000 ♪ IF I DON'T KNOW ♪ ♪ WHAT I'M DOING ♪ 1213 00:54:06,000 --> 00:54:09,179 ♪ IF I DON'T KNOW ♪ ♪ WHAT I'M DOING ♪ 1214 00:54:09,245 --> 00:54:12,000 ♪ 'CAUSE I'M STILL LEARNIN' ♪ ♪ TO BE HUMAN ♪ 1215 00:54:12,000 --> 00:54:14,284 ♪ 'CAUSE I'M STILL LEARNIN' ♪ ♪ TO BE HUMAN ♪ 1216 00:54:14,351 --> 00:54:18,000 AIN'T WE ALL, HUH, AUSTIN? 1217 00:54:18,000 --> 00:54:21,524 AIN'T WE ALL, HUH, AUSTIN? 1218 00:54:21,591 --> 00:54:24,000 ♪ ALL THE HIGHWAYS ♪ ♪ PLAYIN' OUTLAW ♪ 1219 00:54:24,000 --> 00:54:26,730 ♪ ALL THE HIGHWAYS ♪ ♪ PLAYIN' OUTLAW ♪ 1220 00:54:26,796 --> 00:54:30,000 ♪ ROLLIN' OUTTA NOWHERE ♪ ♪ WITH THE BRAKES OFF ♪ 1221 00:54:30,000 --> 00:54:30,934 ♪ ROLLIN' OUTTA NOWHERE ♪ ♪ WITH THE BRAKES OFF ♪ 1222 00:54:31,001 --> 00:54:36,000 ♪ ALL THE CRAZY ♪ ♪ AND THE WHISKEY ♪ 1223 00:54:36,000 --> 00:54:37,040 ♪ ALL THE CRAZY ♪ ♪ AND THE WHISKEY ♪ 1224 00:54:37,107 --> 00:54:42,000 ♪ WAKIN' UP AND WONDERIN' ♪ ♪ WHAT HIT ME ♪ 1225 00:54:42,000 --> 00:54:42,112 ♪ WAKIN' UP AND WONDERIN' ♪ ♪ WHAT HIT ME ♪ 1226 00:54:42,178 --> 00:54:45,548 ♪ WHOA, FORGIVE ME ♪ ♪ I REALLY DON'T KNOW ♪ 1227 00:54:45,615 --> 00:54:48,000 ♪ WHAT I'M DOIN' ♪ ♪ 'CAUSE I'M STILL ♪ 1228 00:54:48,000 --> 00:54:50,387 ♪ WHAT I'M DOIN' ♪ ♪ 'CAUSE I'M STILL ♪ 1229 00:54:50,453 --> 00:54:54,000 ♪ LEARNIN' TO BE HUMAN ♪ ♪ MMM, STILL LEARNIN' ♪ 1230 00:54:54,000 --> 00:54:56,259 ♪ LEARNIN' TO BE HUMAN ♪ ♪ MMM, STILL LEARNIN' ♪ 1231 00:54:56,326 --> 00:55:00,000 ♪ TO BE HUMAN ♪ 1232 00:55:00,000 --> 00:55:04,534 ♪ TO BE HUMAN ♪ 1233 00:55:06,236 --> 00:55:12,000 ♪ ♪ [CHEERS AND APPLAUSE] 1234 00:55:12,000 --> 00:55:18,000 ♪ ♪ [CHEERS AND APPLAUSE] 1235 00:55:18,000 --> 00:55:21,117 ♪ ♪ [CHEERS AND APPLAUSE] 1236 00:55:21,184 --> 00:55:22,719 ♪ ♪ [CHEERS AND APPLAUSE] 1237 00:55:33,096 --> 00:55:34,097 >> CODY JOHNSON! 1238 00:55:34,164 --> 00:55:35,465 THIS NEXT ARTIST IS KNOWN FOR HIS MASSIVE SONGS, HIS 1239 00:55:35,532 --> 00:55:36,000 INCREDIBLE GUITAR CHOPS AND FOR HIS GAME CHANGING PERFORMANCES 1240 00:55:36,000 --> 00:55:37,300 INCREDIBLE GUITAR CHOPS AND FOR HIS GAME CHANGING PERFORMANCES 1241 00:55:37,367 --> 00:55:39,769 RIGHT HERE AT THE CMT MUSIC AWARDS. 1242 00:55:39,836 --> 00:55:42,000 TONIGHT, HE'S COMING FROM OUR CAPITOL STAGE 1243 00:55:42,000 --> 00:55:43,573 TONIGHT, HE'S COMING FROM OUR CAPITOL STAGE 1244 00:55:43,640 --> 00:55:45,642 IN THE HEART OF AUSTIN, KEITH URBAN, EVERYBODY! 1245 00:56:06,129 --> 00:56:09,132 ♪ ♪ ♪ YOU MADE UP YOUR MIND ♪ 1246 00:56:09,199 --> 00:56:12,000 ♪ GOT OFF THE COUCH ♪ ♪ YOU DID UP YOUR HAIR ♪ 1247 00:56:12,000 --> 00:56:13,103 ♪ GOT OFF THE COUCH ♪ ♪ YOU DID UP YOUR HAIR ♪ 1248 00:56:13,169 --> 00:56:17,073 ♪ NOW YOU'RE GOIN' OUT ♪ ♪ YOU PUT ON THAT PARTY DRESS ♪ 1249 00:56:17,140 --> 00:56:18,000 ♪ EVEN THOUGH ♪ ♪ YOUR HEART'S A MESS ♪ 1250 00:56:18,000 --> 00:56:20,877 ♪ EVEN THOUGH ♪ ♪ YOUR HEART'S A MESS ♪ 1251 00:56:20,944 --> 00:56:24,000 ♪ YOUR FRIENDS SWUNG BY ♪ ♪ YOU JUMPED IN THE CAR ♪ 1252 00:56:24,000 --> 00:56:24,481 ♪ YOUR FRIENDS SWUNG BY ♪ ♪ YOU JUMPED IN THE CAR ♪ 1253 00:56:24,547 --> 00:56:27,350 ♪ YOU WALKED IN HERE ♪ ♪ AND NOW HERE WE ARE ♪ 1254 00:56:27,417 --> 00:56:30,000 ♪ PUTTIN' THE HURTIN' ♪ ♪ ON SOME JOSE ♪ 1255 00:56:30,000 --> 00:56:30,987 ♪ PUTTIN' THE HURTIN' ♪ ♪ ON SOME JOSE ♪ 1256 00:56:31,054 --> 00:56:34,491 ♪ AND CATCHIN' UP ♪ ♪ WHILE THE BAND PLAYS ♪ 1257 00:56:34,557 --> 00:56:36,000 ♪ YOU SAY YOU MISS THE GIRL ♪ ♪ YOU USED TO BE ♪ 1258 00:56:36,000 --> 00:56:37,360 ♪ YOU SAY YOU MISS THE GIRL ♪ ♪ YOU USED TO BE ♪ 1259 00:56:37,427 --> 00:56:40,530 ♪ BET I CAN FIND HER ♪ ♪ IF YOU LET ME ♪ 1260 00:56:40,597 --> 00:56:42,000 ♪ I CAN PUT THE SMILE ♪ ♪ RIGHT BACK WHERE ♪ 1261 00:56:42,000 --> 00:56:42,465 ♪ I CAN PUT THE SMILE ♪ ♪ RIGHT BACK WHERE ♪ 1262 00:56:42,532 --> 00:56:45,101 ♪ YOUR SMILE GOES ♪ ♪ DREAMS BACK IN ♪ 1263 00:56:45,168 --> 00:56:47,270 ♪ WHAT YOU SEE ♪ ♪ WHEN YOUR EYES CLOSE ♪ 1264 00:56:47,337 --> 00:56:48,000 ♪ I'LL BE THE BUZZ ♪ ♪ THAT YOU FEEL ♪ 1265 00:56:48,000 --> 00:56:49,072 ♪ I'LL BE THE BUZZ ♪ ♪ THAT YOU FEEL ♪ 1266 00:56:49,139 --> 00:56:51,975 ♪ WHEN YOU SIP SLOW ♪ ♪ SLOW DANCE ♪ 1267 00:56:52,041 --> 00:56:54,000 ♪ RIGHT BACK ♪ ♪ IN YOUR DIRT ROAD ♪ 1268 00:56:54,000 --> 00:56:54,177 ♪ RIGHT BACK ♪ ♪ IN YOUR DIRT ROAD ♪ 1269 00:56:54,244 --> 00:56:57,247 ♪ I CAN PUT THE SUN ♪ ♪ RIGHT BACK IN YOUR SUNSHINE ♪ 1270 00:56:57,313 --> 00:57:00,000 ♪ BRING A LITTLE LOVE ♪ ♪ BACK INTO YOUR LATE NIGHT ♪ 1271 00:57:00,000 --> 00:57:00,583 ♪ BRING A LITTLE LOVE ♪ ♪ BACK INTO YOUR LATE NIGHT ♪ 1272 00:57:00,650 --> 00:57:05,455 ♪ AIN'T GOTTA BE NOTHIN' MORE ♪ ♪ THAN ONE MORE DRINK ♪ 1273 00:57:05,522 --> 00:57:06,000 ♪ AND MAYBE I CAN TAKE THE BLUE ♪ 1274 00:57:06,000 --> 00:57:07,524 ♪ AND MAYBE I CAN TAKE THE BLUE ♪ 1275 00:57:07,590 --> 00:57:12,000 ♪ OUT OF YOUR BROWN EYES, BABY ♪ ♪ ♪ 1276 00:57:12,000 --> 00:57:15,565 ♪ OUT OF YOUR BROWN EYES, BABY ♪ ♪ ♪ 1277 00:57:15,632 --> 00:57:18,000 ♪ AND THAT WILD SIDE ♪ ♪ THAT YOU LEARNED TO TAME ♪ 1278 00:57:18,000 --> 00:57:18,601 ♪ AND THAT WILD SIDE ♪ ♪ THAT YOU LEARNED TO TAME ♪ 1279 00:57:18,668 --> 00:57:21,871 ♪ SHE'LL ROLL IN ♪ ♪ LIKE A MIDNIGHT TRAIN ♪ 1280 00:57:21,938 --> 00:57:24,000 ♪ ALMOST LIKE SHE NEVER ♪ ♪ LEFT HERE ♪ 1281 00:57:24,000 --> 00:57:24,541 ♪ ALMOST LIKE SHE NEVER ♪ ♪ LEFT HERE ♪ 1282 00:57:24,607 --> 00:57:28,244 ♪ AND I'LL BE READY ♪ ♪ BABY, WHEN SHE GETS HERE ♪ 1283 00:57:28,311 --> 00:57:30,000 ♪ I CAN PUT THE SMILE ♪ ♪ RIGHT BACK WHERE ♪ 1284 00:57:30,000 --> 00:57:30,814 ♪ I CAN PUT THE SMILE ♪ ♪ RIGHT BACK WHERE ♪ 1285 00:57:30,880 --> 00:57:32,916 ♪ YOUR SMILE GOES ♪ ♪ DREAMS BACK IN ♪ 1286 00:57:32,982 --> 00:57:34,617 ♪ WHAT YOU SEE ♪ ♪ WHEN YOUR EYES CLOSE ♪ 1287 00:57:34,684 --> 00:57:36,000 ♪ I'LL BE THE BUZZ ♪ ♪ THAT YOU FEEL ♪ 1288 00:57:36,000 --> 00:57:36,986 ♪ I'LL BE THE BUZZ ♪ ♪ THAT YOU FEEL ♪ 1289 00:57:37,053 --> 00:57:40,423 ♪ WHEN YOU SIP SLOW ♪ ♪ SLOW DANCE RIGHT BACK ♪ 1290 00:57:40,490 --> 00:57:42,000 ♪ IN YOUR DIRT ROAD ♪ ♪ I CAN PUT THE SUN ♪ 1291 00:57:42,000 --> 00:57:43,960 ♪ IN YOUR DIRT ROAD ♪ ♪ I CAN PUT THE SUN ♪ 1292 00:57:44,027 --> 00:57:46,496 ♪ RIGHT BACK IN YOUR SUNSHINE ♪ ♪ BRING A LITTLE LOVE ♪ 1293 00:57:46,563 --> 00:57:48,000 ♪ BACK INTO YOUR LATE NIGHT ♪ ♪ AIN'T GOTTA BE ♪ 1294 00:57:48,000 --> 00:57:50,200 ♪ BACK INTO YOUR LATE NIGHT ♪ ♪ AIN'T GOTTA BE ♪ 1295 00:57:50,266 --> 00:57:53,736 ♪ NOTHIN' MORE THAN ♪ ♪ ONE MORE DRINK ♪ 1296 00:57:53,803 --> 00:57:54,000 ♪ AND MAYBE I CAN TAKE THE BLUE ♪ 1297 00:57:54,000 --> 00:57:55,872 ♪ AND MAYBE I CAN TAKE THE BLUE ♪ 1298 00:57:55,939 --> 00:58:00,000 ♪ OUT OF YOUR BROWN EYES, BABY ♪ ♪ ♪ 1299 00:58:00,000 --> 00:58:06,000 ♪ OUT OF YOUR BROWN EYES, BABY ♪ ♪ ♪ 1300 00:58:06,000 --> 00:58:09,485 ♪ OUT OF YOUR BROWN EYES, BABY ♪ ♪ ♪ 1301 00:58:11,087 --> 00:58:12,000 ♪ PUT THE FULL ♪ ♪ BACK IN YOUR HALF EMPTY ♪ 1302 00:58:12,000 --> 00:58:13,256 ♪ PUT THE FULL ♪ ♪ BACK IN YOUR HALF EMPTY ♪ 1303 00:58:13,323 --> 00:58:16,226 ♪ AND PUT THE TWO ♪ ♪ IN YOUR STEP AGAIN ♪ 1304 00:58:16,292 --> 00:58:18,000 ♪ ABOUT TO SEE ♪ ♪ WHERE LEANIN' IN GETS ME ♪ 1305 00:58:18,000 --> 00:58:19,462 ♪ ABOUT TO SEE ♪ ♪ WHERE LEANIN' IN GETS ME ♪ 1306 00:58:19,529 --> 00:58:24,000 ♪ BABY, JUST SAY WHEN ♪ ♪ 'CAUSE I CAN PUT THE SMILE ♪ 1307 00:58:24,000 --> 00:58:24,133 ♪ BABY, JUST SAY WHEN ♪ ♪ 'CAUSE I CAN PUT THE SMILE ♪ 1308 00:58:24,200 --> 00:58:26,169 ♪ RIGHT BACK ♪ ♪ WHERE YOUR SMILE GOES ♪ 1309 00:58:26,236 --> 00:58:30,000 ♪ DREAMS BACK IN ♪ ♪ WHAT YOU SEE ♪ 1310 00:58:30,000 --> 00:58:30,673 ♪ DREAMS BACK IN ♪ ♪ WHAT YOU SEE ♪ 1311 00:58:30,740 --> 00:58:32,342 ♪ WHEN YOUR EYES CLOSE ♪ ♪ I'LL BE THE BUZZ ♪ 1312 00:58:32,408 --> 00:58:35,478 ♪ THAT YOU FEEL ♪ ♪ WHEN YOU SIP SLOW ♪ 1313 00:58:35,545 --> 00:58:36,000 ♪ SLOW DANCE RIGHT BACK ♪ ♪ IN YOUR DIRT ROAD ♪ 1314 00:58:36,000 --> 00:58:37,747 ♪ SLOW DANCE RIGHT BACK ♪ ♪ IN YOUR DIRT ROAD ♪ 1315 00:58:37,814 --> 00:58:40,116 ♪ I CAN PUT THE SUN ♪ ♪ RIGHT BACK IN YOUR SUNSHINE ♪ 1316 00:58:40,183 --> 00:58:42,000 ♪ BRING A LITTLE LOVE ♪ ♪ BACK INTO YOUR LATE NIGHT ♪ 1317 00:58:42,000 --> 00:58:43,019 ♪ BRING A LITTLE LOVE ♪ ♪ BACK INTO YOUR LATE NIGHT ♪ 1318 00:58:43,086 --> 00:58:47,357 ♪ AIN'T GOTTA BE NOTHIN' MORE ♪ ♪ THAN ONE MORE DRINK ♪ 1319 00:58:47,423 --> 00:58:48,000 ♪ AND MAYBE I CAN TAKE THE BLUE ♪ 1320 00:58:48,000 --> 00:58:50,093 ♪ AND MAYBE I CAN TAKE THE BLUE ♪ 1321 00:58:50,159 --> 00:58:54,000 ♪ OUT OF YOUR BROWN EYES, BABY ♪ ♪ MMM, TAKE THE BLUE OUT OF ♪ 1322 00:58:54,000 --> 00:58:59,669 ♪ OUT OF YOUR BROWN EYES, BABY ♪ ♪ MMM, TAKE THE BLUE OUT OF ♪ 1323 00:58:59,736 --> 00:59:00,000 ♪ YOUR BROWN EYES, BABY ♪ ♪ OH, YEAH ♪ 1324 00:59:00,000 --> 00:59:01,738 ♪ YOUR BROWN EYES, BABY ♪ ♪ OH, YEAH ♪ 1325 00:59:08,278 --> 00:59:12,000 ♪ ♪ 1326 00:59:12,000 --> 00:59:15,852 ♪ ♪ 1327 00:59:30,500 --> 00:59:32,502 ♪ ♪ [CHEERS AND APPLAUSE] 1328 00:59:37,974 --> 00:59:38,908 >> I LOVE YOU, AUSTIN! 1329 00:59:38,975 --> 00:59:41,878 THANK YOU, CMT! 1330 00:59:41,945 --> 00:59:42,000 >> HOW MUCH DO WE LOVE KEITH URBAN? 1331 00:59:42,000 --> 00:59:46,549 >> HOW MUCH DO WE LOVE KEITH URBAN? 1332 00:59:46,616 --> 00:59:48,000 SO GREAT TO SEE ALL THOSE FANS OUT THERE. 1333 00:59:48,000 --> 00:59:51,321 SO GREAT TO SEE ALL THOSE FANS OUT THERE. 1334 00:59:51,387 --> 00:59:54,000 EARLIER TONIGHT WE ANNOUNCED THAT THE WINNER THE GROUP DO A 1335 00:59:54,000 --> 00:59:56,459 EARLIER TONIGHT WE ANNOUNCED THAT THE WINNER THE GROUP DO A 1336 00:59:56,526 --> 01:00:00,000 VIDEO IS ZAC BROWN BAND FOR OUT IN THE MIDDLE. 1337 01:00:00,000 --> 01:00:00,296 VIDEO IS ZAC BROWN BAND FOR OUT IN THE MIDDLE. 1338 01:00:00,363 --> 01:00:06,000 SPEAKING OF THE MIDDLE , WE ARE IN THE MIDDLE OF THE SHOW NOW. 1339 01:00:06,000 --> 01:00:07,937 SPEAKING OF THE MIDDLE , WE ARE IN THE MIDDLE OF THE SHOW NOW. 1340 01:00:08,004 --> 01:00:09,939 KANE HAD A SNACK. 1341 01:00:10,006 --> 01:00:12,000 HE HAD A BRISKET. 1342 01:00:12,000 --> 01:00:12,475 HE HAD A BRISKET. 1343 01:00:12,542 --> 01:00:13,543 IT'S MY TURN. 1344 01:00:13,609 --> 01:00:17,880 TIME TO INTRODUCE MY BURRITO CLUTCH. 1345 01:00:17,947 --> 01:00:18,000 DO YOU MIND? 1346 01:00:18,000 --> 01:00:24,000 DO YOU MIND? 1347 01:00:24,000 --> 01:00:27,023 DO YOU MIND? 1348 01:00:27,090 --> 01:00:29,092 IT'S DIFFERENT DOWN HERE. 1349 01:00:33,029 --> 01:00:34,964 SPEAKING OF THINGS THAT ARE CLUTCH, 1350 01:00:35,031 --> 01:00:36,000 HERE TO PERFORM "WHISKEY ON YOU," FROM THE RAM TRUCKS STAGE, 1351 01:00:36,000 --> 01:00:36,265 HERE TO PERFORM "WHISKEY ON YOU," FROM THE RAM TRUCKS STAGE, 1352 01:00:36,332 --> 01:00:42,000 IT'S NATE SMITH! 1353 01:00:42,000 --> 01:00:44,974 IT'S NATE SMITH! 1354 01:00:45,041 --> 01:00:46,943 ♪ LINE 'EM UP ♪ ♪ LINE 'EM UP ♪ 1355 01:00:47,010 --> 01:00:48,000 ♪ POUR 'EM TALL ♪ ♪ HERE'S TO US ♪ 1356 01:00:48,000 --> 01:00:50,980 ♪ POUR 'EM TALL ♪ ♪ HERE'S TO US ♪ 1357 01:00:51,047 --> 01:00:53,316 ♪ HAPPILY NEVER AFTER ALL ♪ ♪ AIN'T GONNA WASTE ♪ 1358 01:00:53,383 --> 01:00:54,000 ♪ ONE MORE NIGHT ♪ ♪ MISSING, WANTING YOU BACK ♪ 1359 01:00:54,000 --> 01:00:58,021 ♪ ONE MORE NIGHT ♪ ♪ MISSING, WANTING YOU BACK ♪ 1360 01:00:58,087 --> 01:01:00,000 ♪ NO, I AIN'T GONNA CRY ♪ ♪ ANOTHER TEAR IN THIS GLASS ♪ 1361 01:01:00,000 --> 01:01:01,024 ♪ NO, I AIN'T GONNA CRY ♪ ♪ ANOTHER TEAR IN THIS GLASS ♪ 1362 01:01:01,090 --> 01:01:04,761 ♪ YOU DIDN'T WASTE ANY TIME ♪ ♪ FINDING SOMEBODY NEW ♪ 1363 01:01:04,827 --> 01:01:06,000 ♪ SO I AIN'T GONNA WASTE ♪ ♪ ANOTHER DROP OF WHISKEY ♪ 1364 01:01:06,000 --> 01:01:07,864 ♪ SO I AIN'T GONNA WASTE ♪ ♪ ANOTHER DROP OF WHISKEY ♪ 1365 01:01:07,930 --> 01:01:11,300 ♪ ON YOU ♪ ♪ NO, I AIN'T GONNA WASTE ♪ 1366 01:01:11,367 --> 01:01:12,000 ♪ ANOTHER DROP OF WHISKEY ♪ ♪ ON YOU ♪ 1367 01:01:12,000 --> 01:01:14,237 ♪ ANOTHER DROP OF WHISKEY ♪ ♪ ON YOU ♪ 1368 01:01:14,303 --> 01:01:18,000 ♪ NO, I AIN'T ♪ ♪ NO, I AIN'T ♪ 1369 01:01:18,000 --> 01:01:19,776 ♪ NO, I AIN'T ♪ ♪ NO, I AIN'T ♪ 1370 01:01:19,842 --> 01:01:21,811 ♪ NO, I AIN'T GONNA WASTE ♪ ♪ ANOTHER DROP OF WHISKEY ♪ 1371 01:01:21,878 --> 01:01:24,000 ♪ ON YOU ♪ [CHEERS AND APPLAUSE] 1372 01:01:24,000 --> 01:01:30,000 ♪ ON YOU ♪ [CHEERS AND APPLAUSE] 1373 01:01:30,000 --> 01:01:31,621 ♪ ON YOU ♪ [CHEERS AND APPLAUSE] 1374 01:01:31,687 --> 01:01:34,390 >> NEXT, LAINEY WILSON WITH HER HIT "HEART LIKE A TRUCK," 1375 01:01:34,457 --> 01:01:36,000 AND GWEN STEFANI TAKES THE STAGE WITH HER ICONIC "JUST A GIRL," 1376 01:01:36,000 --> 01:01:36,526 AND GWEN STEFANI TAKES THE STAGE WITH HER ICONIC "JUST A GIRL," 1377 01:01:36,592 --> 01:01:39,962 WITH SPECIAL GUEST CARLY PEARCE. 1378 01:01:40,029 --> 01:01:41,297 WHO WILL WIN VIDEO OF THE YEAR? 1379 01:01:41,364 --> 01:01:42,000 IT'S UP TO YOU. 1380 01:01:42,000 --> 01:01:42,665 IT'S UP TO YOU. 1381 01:01:42,732 --> 01:01:44,767 CAST YOUR VOTES RIGHT NOW ON THE CMT MUSIC AWARDS FACEBOOK 1382 01:01:44,834 --> 01:01:46,402 PAGE. 1383 01:01:46,469 --> 01:01:48,000 THE VOTING IS PRESENTED BY RAM TRUCKS. 1384 01:01:48,000 --> 01:01:49,072 THE VOTING IS PRESENTED BY RAM TRUCKS. 1385 01:01:49,138 --> 01:01:52,275 THE CMT MUSIC AWARDS CONTINUES LIVE FROM AUSTIN, TEXAS. 1386 01:01:52,341 --> 01:01:54,000 THIS IS CBS. 1387 01:01:54,000 --> 01:01:55,278 THIS IS CBS. 1388 01:01:55,344 --> 01:02:00,000 >> THE 2023 CMT MUSIC AWARDS SPONSORED BY... 1389 01:02:00,000 --> 01:02:00,216 >> THE 2023 CMT MUSIC AWARDS SPONSORED BY... 1390 01:02:00,283 --> 01:02:01,184 PROGRESSIVE. 1391 01:02:01,250 --> 01:02:02,118 SAVE WHEN YOU BUNDLE AUTO, HOME, OR MOTORCYCLE 1392 01:02:02,185 --> 01:02:02,685 INSURANCE. 1393 01:02:22,371 --> 01:02:24,000 >> WELCOME BACK TO THE 2023 CMT MUSIC AWARDS. 1394 01:02:24,000 --> 01:02:24,874 >> WELCOME BACK TO THE 2023 CMT MUSIC AWARDS. 1395 01:02:24,941 --> 01:02:28,010 I'M BACK HERE IN THE SOLITAIRE GRAND HARVEST GAME LOUNGE. 1396 01:02:28,077 --> 01:02:30,000 DUSTIN LYNCH IS HAVING A BLAST WITH ALL THE GAMES 1397 01:02:30,000 --> 01:02:30,680 DUSTIN LYNCH IS HAVING A BLAST WITH ALL THE GAMES 1398 01:02:30,746 --> 01:02:32,115 IN THIS PLACE. 1399 01:02:32,181 --> 01:02:35,918 THE NEXT THREE PRESENTERS HAVE A LOT IN COMMON. 1400 01:02:35,985 --> 01:02:36,000 THEY'VE ALL WORKED WITH LAINEY WILSON, AND NONE OF THEM 1401 01:02:36,000 --> 01:02:37,620 THEY'VE ALL WORKED WITH LAINEY WILSON, AND NONE OF THEM 1402 01:02:37,687 --> 01:02:40,123 CAN TELL ME ANYTHING ABOUT THE NEXT SEASON 1403 01:02:40,189 --> 01:02:41,057 OF "YELLOWSTONE." 1404 01:02:41,124 --> 01:02:42,000 ALTHOUGH HARDY HAS SOME GOOD THEORIES. 1405 01:02:42,000 --> 01:02:44,293 ALTHOUGH HARDY HAS SOME GOOD THEORIES. 1406 01:02:44,360 --> 01:02:48,000 PLEASE WELCOME IAN BOHEN, JEN LANDON, AND HARDY! 1407 01:02:48,000 --> 01:02:53,569 PLEASE WELCOME IAN BOHEN, JEN LANDON, AND HARDY! 1408 01:02:53,636 --> 01:02:54,000 [CHEERS AND APPLAUSE] >> THIS NEXT PERFORMER IS ONE OF 1409 01:02:54,000 --> 01:02:59,408 [CHEERS AND APPLAUSE] >> THIS NEXT PERFORMER IS ONE OF 1410 01:02:59,475 --> 01:03:00,000 MY FAVORITE ARTISTS IN COUNTRY MUSIC, AND I'M NOT ONLY SAYING 1411 01:03:00,000 --> 01:03:06,000 MY FAVORITE ARTISTS IN COUNTRY MUSIC, AND I'M NOT ONLY SAYING 1412 01:03:06,000 --> 01:03:07,583 MY FAVORITE ARTISTS IN COUNTRY MUSIC, AND I'M NOT ONLY SAYING 1413 01:03:07,650 --> 01:03:11,187 THAT BECAUSE SHE PLAYS MY GIRLFRIEND ON "YELLOWSTONE." 1414 01:03:11,254 --> 01:03:12,000 >> SHE CAN ACT, SHE'S A GREAT SONGWRITER, SHE'S GOT 1415 01:03:12,000 --> 01:03:13,356 >> SHE CAN ACT, SHE'S A GREAT SONGWRITER, SHE'S GOT 1416 01:03:13,422 --> 01:03:14,524 A KILLER VOICE. 1417 01:03:14,590 --> 01:03:18,000 AND SHE'S ONE OF THE NICEST PEOPLE YOU'LL NEVER MEET. 1418 01:03:18,000 --> 01:03:18,427 AND SHE'S ONE OF THE NICEST PEOPLE YOU'LL NEVER MEET. 1419 01:03:18,494 --> 01:03:24,000 >> PERFORMING "HEART LIKE A TRUCK," 1420 01:03:24,000 --> 01:03:24,767 >> PERFORMING "HEART LIKE A TRUCK," 1421 01:03:24,834 --> 01:03:27,603 NUMBER ONE SONG IN COUNTRY THIS WEEK. 1422 01:03:27,670 --> 01:03:28,638 HERE IS OUR FRIEND AND MY SOON-TO-BE TOURING MATE, 1423 01:03:28,704 --> 01:03:30,000 LAINEY WILSON! 1424 01:03:30,000 --> 01:03:32,441 LAINEY WILSON! 1425 01:03:32,508 --> 01:03:33,009 [CHEERS AND APPLAUSE] 1426 01:03:47,890 --> 01:03:48,000 ♪ ♪ ♪ I NEVER STAY ♪ 1427 01:03:48,000 --> 01:03:49,659 ♪ ♪ ♪ I NEVER STAY ♪ 1428 01:03:49,725 --> 01:03:53,296 ♪ IN ONE PLACE TOO LONG ♪ ♪ THE DIRT ROAD SINGIN' ME ♪ 1429 01:03:53,362 --> 01:03:54,000 ♪ A SIREN'S SONG I GOTTA ♪ ♪ FIND A FIELD ♪ 1430 01:03:54,000 --> 01:03:57,500 ♪ A SIREN'S SONG I GOTTA ♪ ♪ FIND A FIELD ♪ 1431 01:03:57,567 --> 01:04:00,000 ♪ I NEED TO SPIN MY WHEELS ♪ ♪ I GOTTA A'HANKERIN' ♪ 1432 01:04:00,000 --> 01:04:04,140 ♪ I NEED TO SPIN MY WHEELS ♪ ♪ I GOTTA A'HANKERIN' ♪ 1433 01:04:04,207 --> 01:04:06,000 ♪ FOR FOUR WIDE TIRES ♪ ♪ AND I CAN'T HELP IT ♪ 1434 01:04:06,000 --> 01:04:07,210 ♪ FOR FOUR WIDE TIRES ♪ ♪ AND I CAN'T HELP IT ♪ 1435 01:04:07,276 --> 01:04:12,000 ♪ IT'S THE WAY I'M WIRED ♪ ♪ 'FORE YOU GET TOO CLOSE ♪ 1436 01:04:12,000 --> 01:04:12,415 ♪ IT'S THE WAY I'M WIRED ♪ ♪ 'FORE YOU GET TOO CLOSE ♪ 1437 01:04:12,481 --> 01:04:17,887 ♪ BOY, YOU NEED TO KNOW ♪ ♪ I GOT A HEART LIKE A TRUCK ♪ 1438 01:04:17,954 --> 01:04:18,000 ♪ IT'S BEEN DRUG THROUGH ♪ ♪ THE MUD ♪ 1439 01:04:18,000 --> 01:04:22,158 ♪ IT'S BEEN DRUG THROUGH ♪ ♪ THE MUD ♪ 1440 01:04:22,225 --> 01:04:24,000 ♪ RUNS ON DREAMS AND GASOLINE ♪ ♪ AND THAT OLE HIGHWAY ♪ 1441 01:04:24,000 --> 01:04:26,128 ♪ RUNS ON DREAMS AND GASOLINE ♪ ♪ AND THAT OLE HIGHWAY ♪ 1442 01:04:26,195 --> 01:04:29,398 ♪ HOLDS THE KEY ♪ ♪ IT'S GOT A LEAD FOOT ♪ 1443 01:04:29,465 --> 01:04:30,000 ♪ DOWN WHEN IT'S LEAVIN' ♪ ♪ LORD KNOWS IT'S TAKEN ♪ 1444 01:04:30,000 --> 01:04:32,134 ♪ DOWN WHEN IT'S LEAVIN' ♪ ♪ LORD KNOWS IT'S TAKEN ♪ 1445 01:04:32,201 --> 01:04:36,000 ♪ A HELL OF A BEATIN' ♪ ♪ A LITTLE BIT OF LOVE ♪ 1446 01:04:36,000 --> 01:04:36,072 ♪ A HELL OF A BEATIN' ♪ ♪ A LITTLE BIT OF LOVE ♪ 1447 01:04:36,138 --> 01:04:40,876 ♪ IS ALL THAT IT'S NEEDIN' ♪ ♪ BUT IT'S GOOD AS IT IS TOUGH ♪ 1448 01:04:40,943 --> 01:04:42,000 ♪ I GOT A HEART LIKE A TRUCK ♪ ♪ THERE AIN'T NO BRAKIN' ♪ 1449 01:04:42,000 --> 01:04:47,550 ♪ I GOT A HEART LIKE A TRUCK ♪ ♪ THERE AIN'T NO BRAKIN' ♪ 1450 01:04:47,617 --> 01:04:48,000 ♪ WHEN I THROW IT IN DRIVE ♪ ♪ DON'T ALWAYS KEEP IT 1451 01:04:48,000 --> 01:04:51,721 ♪ WHEN I THROW IT IN DRIVE ♪ ♪ DON'T ALWAYS KEEP IT 1452 01:04:51,787 --> 01:04:54,000 IN BETWEEN THE LINES ♪ ♪ IF YOU'RE READY 1453 01:04:54,000 --> 01:04:57,560 IN BETWEEN THE LINES ♪ ♪ IF YOU'RE READY 1454 01:04:57,627 --> 01:04:59,428 ♪ PEDAL DOWN STATE OF MIND ♪ ♪ BOY, I TELL YOU WHAT ♪ 1455 01:04:59,495 --> 01:05:00,000 ♪ YOU BETTER BUCKLE UP ♪ ♪ I GOT A HEART LIKE A TRUCK ♪ 1456 01:05:00,000 --> 01:05:02,231 ♪ YOU BETTER BUCKLE UP ♪ ♪ I GOT A HEART LIKE A TRUCK ♪ 1457 01:05:02,298 --> 01:05:06,000 ♪ IT'S BEEN DRUG THROUGH ♪ ♪ THE MUD ♪ 1458 01:05:06,000 --> 01:05:06,068 ♪ IT'S BEEN DRUG THROUGH ♪ ♪ THE MUD ♪ 1459 01:05:06,135 --> 01:05:10,840 ♪ RUNS ON DREAMS AND GASOLINE ♪ ♪ AND THAT OLD HIGHWAY ♪ 1460 01:05:10,906 --> 01:05:12,000 ♪ HOLDS THE KEY ♪ ♪ IT'S GOT A LEAD FOOT DOWN ♪ 1461 01:05:12,000 --> 01:05:14,510 ♪ HOLDS THE KEY ♪ ♪ IT'S GOT A LEAD FOOT DOWN ♪ 1462 01:05:14,577 --> 01:05:17,446 ♪ WHEN IT'S LEAVIN' ♪ ♪ LORD KNOWS IT'S TAKEN ♪ 1463 01:05:17,513 --> 01:05:18,000 ♪ A HELL OF A BEATIN' ♪ ♪ A LITTLE BIT OF LOVE ♪ 1464 01:05:18,000 --> 01:05:20,650 ♪ A HELL OF A BEATIN' ♪ ♪ A LITTLE BIT OF LOVE ♪ 1465 01:05:20,716 --> 01:05:24,000 ♪ IS ALL THAT IT'S NEEDIN' ♪ ♪ BUT IT'S GOOD AS IT IS TOUGH ♪ 1466 01:05:24,000 --> 01:05:27,523 ♪ IS ALL THAT IT'S NEEDIN' ♪ ♪ BUT IT'S GOOD AS IT IS TOUGH ♪ 1467 01:05:27,590 --> 01:05:30,000 ♪ I GOT A HEART LIKE A TRUCK ♪ 1468 01:05:30,000 --> 01:05:36,000 ♪ I GOT A HEART LIKE A TRUCK ♪ 1469 01:05:36,000 --> 01:05:36,365 ♪ I GOT A HEART LIKE A TRUCK ♪ 1470 01:05:38,034 --> 01:05:41,337 ♪ ♪ ♪ GO ON AND SEE ♪ 1471 01:05:41,404 --> 01:05:42,000 ♪ IF YOU CAN ♪ ♪ KNOCK OFF THE DUST, YEAH ♪ 1472 01:05:42,000 --> 01:05:43,572 ♪ IF YOU CAN ♪ ♪ KNOCK OFF THE DUST, YEAH ♪ 1473 01:05:43,639 --> 01:05:47,610 ♪ SHINE IT UP, REV IT UP ♪ ♪ AND LET IT RUN, YEAH ♪ 1474 01:05:47,677 --> 01:05:48,000 ♪ IT GETS A HIGH RIDIN' ♪ ♪ OFF INTO THE SUN, YEAH ♪ 1475 01:05:48,000 --> 01:05:53,916 ♪ IT GETS A HIGH RIDIN' ♪ ♪ OFF INTO THE SUN, YEAH ♪ 1476 01:05:53,983 --> 01:05:54,000 ♪ I GOT A HEART LIKE A TRUCK ♪ ♪ IT'S BEEN ♪ 1477 01:05:54,000 --> 01:05:58,921 ♪ I GOT A HEART LIKE A TRUCK ♪ ♪ IT'S BEEN ♪ 1478 01:05:58,988 --> 01:06:00,000 ♪ DRUG THROUGH THE MUD ♪ ♪ RUNS ON DREAMS AND GASOLINE ♪ 1479 01:06:00,000 --> 01:06:03,559 ♪ DRUG THROUGH THE MUD ♪ ♪ RUNS ON DREAMS AND GASOLINE ♪ 1480 01:06:03,626 --> 01:06:06,000 ♪ AND THAT OLD HIGHWAY ♪ ♪ HOLDS THE KEY ♪ 1481 01:06:06,000 --> 01:06:07,730 ♪ AND THAT OLD HIGHWAY ♪ ♪ HOLDS THE KEY ♪ 1482 01:06:07,797 --> 01:06:09,799 ♪ IT'S GOT A LEAD FOOT DOWN ♪ ♪ WHEN IT'S LEAVIN' ♪ 1483 01:06:09,865 --> 01:06:12,000 ♪ LORD KNOWS IT'S TAKEN ♪ ♪ A HELL OF A BEATIN' ♪ 1484 01:06:12,000 --> 01:06:15,871 ♪ LORD KNOWS IT'S TAKEN ♪ ♪ A HELL OF A BEATIN' ♪ 1485 01:06:15,938 --> 01:06:18,000 ♪ A LITTLE BIT OF LOVE ♪ ♪ IS ALL THAT IT'S NEEDIN' ♪ 1486 01:06:18,000 --> 01:06:19,875 ♪ A LITTLE BIT OF LOVE ♪ ♪ IS ALL THAT IT'S NEEDIN' ♪ 1487 01:06:19,942 --> 01:06:24,000 ♪ BUT IT'S GOOD AS IT IS TOUGH ♪ ♪ I GOT A HEART ♪ 1488 01:06:24,000 --> 01:06:29,952 ♪ BUT IT'S GOOD AS IT IS TOUGH ♪ ♪ I GOT A HEART ♪ 1489 01:06:30,019 --> 01:06:36,000 ♪ LIKE A TRUCK ♪ ♪ GO ON AND SEE ♪ 1490 01:06:36,000 --> 01:06:39,328 ♪ LIKE A TRUCK ♪ ♪ GO ON AND SEE ♪ 1491 01:06:39,395 --> 01:06:41,097 ♪ IF YOU CAN ♪ ♪ KNOCK OFF THE DUST, YEAH ♪ 1492 01:06:41,163 --> 01:06:42,000 ♪ SHINE IT UP, REV IT UP ♪ ♪ AND LET IT RUN, YEAH ♪ 1493 01:06:42,000 --> 01:06:46,836 ♪ SHINE IT UP, REV IT UP ♪ ♪ AND LET IT RUN, YEAH ♪ 1494 01:06:46,902 --> 01:06:48,000 ♪ IT GETS A HIGH RIDIN' OFF ♪ ♪ INTO THE SUN, YEAH ♪ 1495 01:06:48,000 --> 01:06:48,337 ♪ IT GETS A HIGH RIDIN' OFF ♪ ♪ INTO THE SUN, YEAH ♪ 1496 01:06:48,404 --> 01:06:54,000 ♪ IT GETS A HIGH RIDIN' OFF ♪ ♪ INTO THE SUN ♪ 1497 01:06:54,000 --> 01:06:57,012 ♪ IT GETS A HIGH RIDIN' OFF ♪ ♪ INTO THE SUN ♪ 1498 01:06:57,079 --> 01:07:00,000 [CHEERS AND APPLAUSE] >> ON THE RAM TRUCKS STAGE WITH 1499 01:07:00,000 --> 01:07:04,553 [CHEERS AND APPLAUSE] >> ON THE RAM TRUCKS STAGE WITH 1500 01:07:04,620 --> 01:07:06,000 "DON'T COME LOOKIN'" JACKSON DEAN! 1501 01:07:06,000 --> 01:07:10,025 "DON'T COME LOOKIN'" JACKSON DEAN! 1502 01:07:14,730 --> 01:07:16,332 ♪ GOT A HEAD ♪ ♪ FULL O' NOISE ♪ 1503 01:07:16,399 --> 01:07:18,000 ♪ 'BOUT A HUNDRED ♪ ♪ DIFFERENT THINGS ♪ 1504 01:07:18,000 --> 01:07:18,134 ♪ 'BOUT A HUNDRED ♪ ♪ DIFFERENT THINGS ♪ 1505 01:07:18,200 --> 01:07:21,103 ♪ I'M TRYNA AVOID ♪ ♪ I GOT A MIND ♪ 1506 01:07:21,170 --> 01:07:24,000 ♪ IN THE GUTTER ♪ ♪ TROUBLE ON ONE HAND ♪ 1507 01:07:24,000 --> 01:07:24,573 ♪ IN THE GUTTER ♪ ♪ TROUBLE ON ONE HAND ♪ 1508 01:07:24,640 --> 01:07:28,344 ♪ A BEER IN THE OTHER ♪ ♪ GOT THE WINDOWS DOWN ♪ 1509 01:07:28,411 --> 01:07:30,000 ♪ AND MY FINGERS CROSSED ♪ ♪ JUST LOOKING FOR ♪ 1510 01:07:30,000 --> 01:07:34,183 ♪ AND MY FINGERS CROSSED ♪ ♪ JUST LOOKING FOR ♪ 1511 01:07:34,250 --> 01:07:36,000 ♪ A BRAND-NEW WAY ♪ ♪ TO GET LOST ♪ 1512 01:07:36,000 --> 01:07:40,489 ♪ A BRAND-NEW WAY ♪ ♪ TO GET LOST ♪ 1513 01:07:40,556 --> 01:07:42,000 ♪ SO LONG, FOUR WHEELS TURNIN' ♪ ♪ GOT A TANK FULL OF GAS ♪ 1514 01:07:42,000 --> 01:07:44,059 ♪ SO LONG, FOUR WHEELS TURNIN' ♪ ♪ GOT A TANK FULL OF GAS ♪ 1515 01:07:44,126 --> 01:07:46,896 ♪ DOWN THE ROAD I'M BURNIN' ♪ ♪ CAN'T SAY I WOULD ♪ 1516 01:07:46,962 --> 01:07:48,000 ♪ AND I CAN'T SAY I WOULDN'T ♪ ♪ AND IF I DON'T COME BACK ♪ 1517 01:07:48,000 --> 01:07:51,267 ♪ AND I CAN'T SAY I WOULDN'T ♪ ♪ AND IF I DON'T COME BACK ♪ 1518 01:07:51,333 --> 01:07:54,000 ♪ DON'T COME A LOOKIN' ♪ [CHEERS AND APPLAUSE] 1519 01:07:54,000 --> 01:08:00,000 ♪ DON'T COME A LOOKIN' ♪ [CHEERS AND APPLAUSE] 1520 01:08:00,000 --> 01:08:02,378 ♪ DON'T COME A LOOKIN' ♪ [CHEERS AND APPLAUSE] 1521 01:08:02,445 --> 01:08:05,080 >> STILL TO HIT THE STAGE, WE'VE GOT JELLY ROLL, 1522 01:08:05,147 --> 01:08:06,000 KELSEA BALLERINI, AND KANE AND KATELYN BROWN. 1523 01:08:06,000 --> 01:08:07,850 KELSEA BALLERINI, AND KANE AND KATELYN BROWN. 1524 01:08:07,917 --> 01:08:10,453 PLUS, SHANIA TWAIN PRESENTS FEMALE VIDEO OF THE YEAR. 1525 01:08:10,519 --> 01:08:12,000 BUT UP NEXT, A POWERFUL PERFORMANCE FROM GWEN STEFANI 1526 01:08:12,000 --> 01:08:12,855 BUT UP NEXT, A POWERFUL PERFORMANCE FROM GWEN STEFANI 1527 01:08:12,922 --> 01:08:15,057 AND CARLY PEARCE. 1528 01:08:15,124 --> 01:08:18,000 FOLLOW @CMT FOR MORE BEHIND THE SCENES AT THE CMT MUSIC AWARDS. 1529 01:08:18,000 --> 01:08:18,961 FOLLOW @CMT FOR MORE BEHIND THE SCENES AT THE CMT MUSIC AWARDS. 1530 01:08:19,028 --> 01:08:21,797 TO SUPPORT RELIEF EFFORTS FOR THOSE AFFECTED BY THE TORNADOES 1531 01:08:21,864 --> 01:08:24,000 IN THE SOUTH AND MIDWEST, PLEASE VISIT www.RedCross.org/CMT. 1532 01:08:24,000 --> 01:08:30,000 IN THE SOUTH AND MIDWEST, PLEASE VISIT www.RedCross.org/CMT. 1533 01:08:30,000 --> 01:08:30,105 IN THE SOUTH AND MIDWEST, PLEASE VISIT www.RedCross.org/CMT. 1534 01:08:30,172 --> 01:08:33,909 >> THE 2023 CMT MUSIC AWARDS SPONSORED BY 1535 01:08:33,976 --> 01:08:34,977 RAM TRUCKS, BUILT TO SERVE. 1536 01:08:43,419 --> 01:08:46,355 ♪ ♪ >> WE HAVE A ROOM FULL OF 1537 01:08:46,422 --> 01:08:47,356 AMAZING COUNTRY FANS. 1538 01:08:47,423 --> 01:08:48,000 BUT I GOTTA KNOW, WHERE MY GIRLS AT? 1539 01:08:48,000 --> 01:08:50,626 BUT I GOTTA KNOW, WHERE MY GIRLS AT? 1540 01:08:50,693 --> 01:08:54,000 WE GOTTA HOLD ON TIGHT BECAUSE WE ARE ALL ABOUT TO 1541 01:08:54,000 --> 01:08:57,366 WE GOTTA HOLD ON TIGHT BECAUSE WE ARE ALL ABOUT TO 1542 01:08:57,433 --> 01:09:00,000 HAVE A SCREAM SING MOMENT WITH THIS NEXT SONG. 1543 01:09:00,000 --> 01:09:00,369 HAVE A SCREAM SING MOMENT WITH THIS NEXT SONG. 1544 01:09:00,436 --> 01:09:01,570 HERE WITH THE ICONIC "JUST A GIRL," 1545 01:09:01,637 --> 01:09:06,000 IT'S GWEN STEFANI AND CARLY PEARCE! 1546 01:09:06,000 --> 01:09:12,000 IT'S GWEN STEFANI AND CARLY PEARCE! 1547 01:09:12,000 --> 01:09:14,316 IT'S GWEN STEFANI AND CARLY PEARCE! 1548 01:09:14,383 --> 01:09:16,919 ♪ TAKE THIS PINK RIBBON ♪ ♪ OFF MY EYES ♪ 1549 01:09:16,986 --> 01:09:18,000 ♪ I'M EXPOSED ♪ ♪ IT'S NO BIG SURPRISE ♪ 1550 01:09:18,000 --> 01:09:21,490 ♪ I'M EXPOSED ♪ ♪ IT'S NO BIG SURPRISE ♪ 1551 01:09:21,557 --> 01:09:24,000 ♪ DON'T YOU THINK I KNOW ♪ ♪ EXACTLY WHERE I STAND ♪ 1552 01:09:24,000 --> 01:09:28,330 ♪ DON'T YOU THINK I KNOW ♪ ♪ EXACTLY WHERE I STAND ♪ 1553 01:09:28,397 --> 01:09:30,000 ♪ THIS WORLD IS FORCING ME ♪ ♪ TO HOLD YOUR HAND ♪ 1554 01:09:30,000 --> 01:09:32,902 ♪ THIS WORLD IS FORCING ME ♪ ♪ TO HOLD YOUR HAND ♪ 1555 01:09:32,968 --> 01:09:36,000 ♪ 'CAUSE I'M JUST A GIRL ♪ ♪ A LITTLE OL' ME ♪ 1556 01:09:36,000 --> 01:09:36,872 ♪ 'CAUSE I'M JUST A GIRL ♪ ♪ A LITTLE OL' ME ♪ 1557 01:09:36,939 --> 01:09:42,000 ♪ WELL, DON'T LET ME ♪ ♪ OUT OF YOUR SIGHT ♪ 1558 01:09:42,000 --> 01:09:43,579 ♪ WELL, DON'T LET ME ♪ ♪ OUT OF YOUR SIGHT ♪ 1559 01:09:43,646 --> 01:09:47,616 ♪ I'M JUST A GIRL ♪ ♪ ALL PRETTY AND PETITE ♪ 1560 01:09:47,683 --> 01:09:48,000 ♪ DON'T LET ME ♪ ♪ HAVE ANY RIGHTS ♪ 1561 01:09:48,000 --> 01:09:52,955 ♪ DON'T LET ME ♪ ♪ HAVE ANY RIGHTS ♪ 1562 01:09:53,022 --> 01:09:54,000 ♪ WHOA, I'VE HAD IT UP TO HERE ♪ ♪ THE MOMENT ♪ 1563 01:09:54,000 --> 01:10:00,000 ♪ WHOA, I'VE HAD IT UP TO HERE ♪ ♪ THE MOMENT ♪ 1564 01:10:00,000 --> 01:10:01,430 ♪ WHOA, I'VE HAD IT UP TO HERE ♪ ♪ THE MOMENT ♪ 1565 01:10:01,497 --> 01:10:04,700 ♪ THAT I STEP OUTSIDE ♪ ♪ SO MANY REASONS ♪ 1566 01:10:04,767 --> 01:10:06,000 ♪ FOR ME TO RUN AND HIDE ♪ ♪ I CAN'T DO THE LITTLE THINGS ♪ 1567 01:10:06,000 --> 01:10:09,605 ♪ FOR ME TO RUN AND HIDE ♪ ♪ I CAN'T DO THE LITTLE THINGS ♪ 1568 01:10:09,672 --> 01:10:12,000 ♪ I HOLD SO DEAR ♪ ♪ 'CAUSE IT'S ALL THOSE ♪ 1569 01:10:12,000 --> 01:10:12,608 ♪ I HOLD SO DEAR ♪ ♪ 'CAUSE IT'S ALL THOSE ♪ 1570 01:10:12,675 --> 01:10:17,079 ♪ LITTLE THINGS ♪ ♪ THAT I FEAR ♪ 1571 01:10:17,146 --> 01:10:18,000 ♪ 'CAUSE I'M JUST A GIRL ♪ ♪ I'D RATHER NOT BE ♪ 1572 01:10:18,000 --> 01:10:21,717 ♪ 'CAUSE I'M JUST A GIRL ♪ ♪ I'D RATHER NOT BE ♪ 1573 01:10:21,784 --> 01:10:24,000 ♪ 'CAUSE THEY WON'T LET ME ♪ ♪ DRIVE LATE AT NIGHT ♪ 1574 01:10:24,000 --> 01:10:26,655 ♪ 'CAUSE THEY WON'T LET ME ♪ ♪ DRIVE LATE AT NIGHT ♪ 1575 01:10:26,722 --> 01:10:29,124 ♪ OH, I'M JUST A GIRL ♪ ♪ GUESS I'M ♪ 1576 01:10:29,191 --> 01:10:30,000 ♪ SOME KIND OF FREAK ♪ ♪ 'CAUSE THEY ALL ♪ 1577 01:10:30,000 --> 01:10:31,293 ♪ SOME KIND OF FREAK ♪ ♪ 'CAUSE THEY ALL ♪ 1578 01:10:31,360 --> 01:10:35,097 ♪ SIT AND STARE ♪ ♪ WITH THEIR EYES ♪ 1579 01:10:35,164 --> 01:10:36,000 ♪ OH, I'M JUST A GIRL ♪ ♪ TAKE A GOOD LOOK AT ME ♪ 1580 01:10:36,000 --> 01:10:39,368 ♪ OH, I'M JUST A GIRL ♪ ♪ TAKE A GOOD LOOK AT ME ♪ 1581 01:10:39,435 --> 01:10:42,000 ♪ JUST YOUR TYPICAL PROTOTYPE ♪ ♪ WHOA ♪ 1582 01:10:42,000 --> 01:10:46,709 ♪ JUST YOUR TYPICAL PROTOTYPE ♪ ♪ WHOA ♪ 1583 01:10:46,775 --> 01:10:48,000 ♪ I'VE HAD IT UP TO HERE ♪ 1584 01:10:48,000 --> 01:10:51,246 ♪ I'VE HAD IT UP TO HERE ♪ 1585 01:10:54,617 --> 01:11:00,000 ♪ ♪ ♪ OH! ♪ 1586 01:11:00,000 --> 01:11:06,000 ♪ ♪ ♪ OH! ♪ 1587 01:11:06,000 --> 01:11:08,397 ♪ ♪ ♪ OH! ♪ 1588 01:11:08,464 --> 01:11:12,000 ♪ AM I MAKING MYSELF CLEAR ♪ ♪ AM I MAKING MYSELF CLEAR ♪ 1589 01:11:12,000 --> 01:11:15,638 ♪ AM I MAKING MYSELF CLEAR ♪ ♪ AM I MAKING MYSELF CLEAR ♪ 1590 01:11:15,704 --> 01:11:18,000 ♪ I'M JUST A GIRL ♪ ♪ I'M JUST A GIRL ♪ 1591 01:11:18,000 --> 01:11:20,943 ♪ I'M JUST A GIRL ♪ ♪ I'M JUST A GIRL ♪ 1592 01:11:21,010 --> 01:11:24,000 ♪ IN THE WORLD ♪ ♪ 'CAUSE THAT'S ALL ♪ 1593 01:11:24,000 --> 01:11:27,650 ♪ IN THE WORLD ♪ ♪ 'CAUSE THAT'S ALL ♪ 1594 01:11:27,716 --> 01:11:30,000 ♪ THAT YOU'LL LET ME BE! ♪ ♪ 'CAUSE I'M JUST A GIRL ♪ 1595 01:11:30,000 --> 01:11:30,386 ♪ THAT YOU'LL LET ME BE! ♪ ♪ 'CAUSE I'M JUST A GIRL ♪ 1596 01:11:30,452 --> 01:11:34,056 ♪ LIVING IN CAPTIVITY ♪ ♪ YOUR RULE OF THUMB ♪ 1597 01:11:34,123 --> 01:11:36,000 ♪ MAKES ME WORRY SOME ♪ ♪ OH, I'M JUST A GIRL ♪ 1598 01:11:36,000 --> 01:11:40,062 ♪ MAKES ME WORRY SOME ♪ ♪ OH, I'M JUST A GIRL ♪ 1599 01:11:40,129 --> 01:11:42,000 ♪ YEAH, WHAT'S MY DESTINY ♪ ♪ WHAT I'VE SUCCUMBED TO ♪ 1600 01:11:42,000 --> 01:11:43,032 ♪ YEAH, WHAT'S MY DESTINY ♪ ♪ WHAT I'VE SUCCUMBED TO ♪ 1601 01:11:43,098 --> 01:11:47,736 ♪ IS MAKING ME NUMB ♪ ♪ OH, I'M JUST A GIRL ♪ 1602 01:11:47,803 --> 01:11:48,000 ♪ MY APOLOGIES ♪ ♪ WHAT I'VE BECOME 1603 01:11:48,000 --> 01:11:51,907 ♪ MY APOLOGIES ♪ ♪ WHAT I'VE BECOME 1604 01:11:51,974 --> 01:11:54,000 IS SO BURDENSOME ♪ ♪ OH, I'M JUST A GIRL ♪ 1605 01:11:54,000 --> 01:11:58,347 IS SO BURDENSOME ♪ ♪ OH, I'M JUST A GIRL ♪ 1606 01:11:58,414 --> 01:12:00,000 ♪ YEAH, LUCKY ME ♪ ♪ TWIDDLE-DUM ♪ 1607 01:12:00,000 --> 01:12:00,582 ♪ YEAH, LUCKY ME ♪ ♪ TWIDDLE-DUM ♪ 1608 01:12:00,649 --> 01:12:05,754 ♪ THERE'S NO COMPARISON ♪ ♪ OH ♪ 1609 01:12:05,821 --> 01:12:06,000 ♪ I'VE HAD IT UP TO ♪ ♪ OH! ♪ 1610 01:12:06,000 --> 01:12:10,059 ♪ I'VE HAD IT UP TO ♪ ♪ OH! ♪ 1611 01:12:10,125 --> 01:12:12,000 ♪ I'VE HAD IT UP TO ♪ ♪ WHOA, WHOA, 1612 01:12:12,000 --> 01:12:16,799 ♪ I'VE HAD IT UP TO ♪ ♪ WHOA, WHOA, 1613 01:12:16,865 --> 01:12:18,000 OH, I'VE HAD IT UP TO HERE ♪ 1614 01:12:18,000 --> 01:12:24,000 OH, I'VE HAD IT UP TO HERE ♪ 1615 01:12:24,000 --> 01:12:27,710 OH, I'VE HAD IT UP TO HERE ♪ 1616 01:12:30,212 --> 01:12:36,000 [CHEERS AND APPLAUSE] >> ONCE AGAIN, SHANIA TWAIN! 1617 01:12:36,000 --> 01:12:40,656 [CHEERS AND APPLAUSE] >> ONCE AGAIN, SHANIA TWAIN! 1618 01:12:40,723 --> 01:12:42,000 >> SINCE THIS NEXT CATEGORY CHAMPIONS WOMEN IN COUNTRY MUSIC 1619 01:12:42,000 --> 01:12:43,559 >> SINCE THIS NEXT CATEGORY CHAMPIONS WOMEN IN COUNTRY MUSIC 1620 01:12:43,625 --> 01:12:45,627 THAT I DEEPLY RESPECT AND ADMIRE, IT'S THE PERFECT MOMENT 1621 01:12:45,694 --> 01:12:48,000 TO HIGHLIGHT THE VOICES OF THIS CRAZY 1622 01:12:48,000 --> 01:12:50,632 TO HIGHLIGHT THE VOICES OF THIS CRAZY 1623 01:12:50,699 --> 01:12:53,736 TALENTED FEMALE GROUP, THE BOYKINZ. 1624 01:12:53,802 --> 01:12:54,000 LET'S DO THIS, GIRLS. 1625 01:12:54,000 --> 01:12:54,803 LET'S DO THIS, GIRLS. 1626 01:13:00,409 --> 01:13:02,411 SMILES FOR MILES. 1627 01:13:06,415 --> 01:13:08,417 WE AIN'T GOT TIME TO WASTE. 1628 01:13:16,358 --> 01:13:18,000 JUNK IN THE CITY ♪ ♪ WHEN YOU GET STUCK, A LITTLE 1629 01:13:18,000 --> 01:13:21,363 JUNK IN THE CITY ♪ ♪ WHEN YOU GET STUCK, A LITTLE 1630 01:13:24,366 --> 01:13:30,000 LOVE ♪ ♪ OWN NAH, NAH, NAH, NAH ♪ 1631 01:13:30,000 --> 01:13:30,305 LOVE ♪ ♪ OWN NAH, NAH, NAH, NAH ♪ 1632 01:13:30,372 --> 01:13:36,000 ♪ GIDDYUP ♪ >> THANK YOU, GIRLS. 1633 01:13:36,000 --> 01:13:36,445 ♪ GIDDYUP ♪ >> THANK YOU, GIRLS. 1634 01:13:36,512 --> 01:13:42,000 NOW HERE ARE THE NOMINEES FOR FEMALE VIDEO OF THE YEAR. 1635 01:13:42,000 --> 01:13:45,320 NOW HERE ARE THE NOMINEES FOR FEMALE VIDEO OF THE YEAR. 1636 01:13:45,387 --> 01:13:48,000 "WHAT HE DIDN'T DO" CARLY PEARCE. 1637 01:13:48,000 --> 01:13:52,327 "WHAT HE DIDN'T DO" CARLY PEARCE. 1638 01:13:52,394 --> 01:13:54,000 "GHOST STORY" CARRIE UNDERWOOD. 1639 01:13:54,000 --> 01:13:57,933 "GHOST STORY" CARRIE UNDERWOOD. 1640 01:13:58,000 --> 01:14:00,000 "PICK ME UP" GABBY BARRETT. 1641 01:14:00,000 --> 01:14:03,705 "PICK ME UP" GABBY BARRETT. 1642 01:14:03,772 --> 01:14:06,000 "HEARTFIRST" KELSEA BALLERINI. 1643 01:14:06,000 --> 01:14:10,179 "HEARTFIRST" KELSEA BALLERINI. 1644 01:14:10,245 --> 01:14:12,000 "HEART LIKE A TRUCK" LAINEY WILSON. 1645 01:14:12,000 --> 01:14:16,618 "HEART LIKE A TRUCK" LAINEY WILSON. 1646 01:14:16,685 --> 01:14:18,000 "HUMBLE QUEST" MAREN MORRIS. 1647 01:14:18,000 --> 01:14:22,791 "HUMBLE QUEST" MAREN MORRIS. 1648 01:14:22,858 --> 01:14:24,000 "ACTIN' UP" MIRANDA LAMBERT. 1649 01:14:24,000 --> 01:14:29,765 "ACTIN' UP" MIRANDA LAMBERT. 1650 01:14:29,832 --> 01:14:30,000 FEMALE VIDEO OF THE YEAR. 1651 01:14:30,000 --> 01:14:35,204 FEMALE VIDEO OF THE YEAR. 1652 01:14:35,270 --> 01:14:36,000 >> AND THE WINNER IS... 1653 01:14:36,000 --> 01:14:39,374 >> AND THE WINNER IS... 1654 01:14:39,441 --> 01:14:41,443 LAINEY WILSON. 1655 01:14:41,510 --> 01:14:42,000 "HEART LIKE A TRUCK." 1656 01:14:42,000 --> 01:14:46,315 "HEART LIKE A TRUCK." 1657 01:14:49,251 --> 01:14:54,000 ♪ ♪ [CHEERS AND APPLAUSE] 1658 01:14:54,000 --> 01:15:00,000 ♪ ♪ [CHEERS AND APPLAUSE] 1659 01:15:00,000 --> 01:15:04,132 ♪ ♪ [CHEERS AND APPLAUSE] 1660 01:15:04,199 --> 01:15:06,000 ♪ ♪ [CHEERS AND APPLAUSE] 1661 01:15:06,000 --> 01:15:09,638 ♪ ♪ [CHEERS AND APPLAUSE] 1662 01:15:18,247 --> 01:15:20,249 ♪ ♪ >> WHOO! 1663 01:15:36,531 --> 01:15:39,668 MY HEART IS ABOUT TO BE TRIED OUT OF MY CHEST, I'LL BE HONEST 1664 01:15:39,735 --> 01:15:42,000 WITH Y'ALL. 1665 01:15:42,000 --> 01:15:42,471 WITH Y'ALL. 1666 01:15:42,537 --> 01:15:45,407 THIS SONG IS ABOUT FINDING FREEDOM AND STRENGTH. 1667 01:15:45,474 --> 01:15:48,000 IT'S ABOUT NOT BEING AFRAID OF THE SCRATCHES AND THE DENTS ON 1668 01:15:48,000 --> 01:15:50,512 IT'S ABOUT NOT BEING AFRAID OF THE SCRATCHES AND THE DENTS ON 1669 01:15:50,579 --> 01:15:52,481 THE BUMPS ALONG THE WAY WE'VE ALL GOT A STORY TO TELL AND I'M 1670 01:15:52,547 --> 01:15:54,000 SO PROUD OF THIS MUSIC VIDEO. 1671 01:15:54,000 --> 01:15:55,851 SO PROUD OF THIS MUSIC VIDEO. 1672 01:15:55,918 --> 01:16:00,000 IT WAS FILMED, PRODUCED, WRITTEN AND DIRECTED BY ALL WOMEN. 1673 01:16:00,000 --> 01:16:00,055 IT WAS FILMED, PRODUCED, WRITTEN AND DIRECTED BY ALL WOMEN. 1674 01:16:00,122 --> 01:16:04,660 CAN I GET TO "COME ON." 1675 01:16:04,726 --> 01:16:05,761 IT IS SO WILD. 1676 01:16:05,827 --> 01:16:06,000 I WANT TO SAY FIRST OF ALL, THANK YOU, JESUS, FOR THIS 1677 01:16:06,000 --> 01:16:09,932 I WANT TO SAY FIRST OF ALL, THANK YOU, JESUS, FOR THIS 1678 01:16:09,998 --> 01:16:11,133 OPPORTUNITY. 1679 01:16:11,199 --> 01:16:12,000 AND I WANT TO SAY THANK YOU, CMT, FOR LITERALLY BELIEVING IN 1680 01:16:12,000 --> 01:16:18,000 AND I WANT TO SAY THANK YOU, CMT, FOR LITERALLY BELIEVING IN 1681 01:16:18,000 --> 01:16:18,907 AND I WANT TO SAY THANK YOU, CMT, FOR LITERALLY BELIEVING IN 1682 01:16:18,974 --> 01:16:21,343 ME BEFORE A LOT OF FOLKS DID. 1683 01:16:21,410 --> 01:16:24,000 BUT I ALSO WANT TO SAY THANK YOU SO MUCH TO THE FANS. 1684 01:16:24,000 --> 01:16:24,146 BUT I ALSO WANT TO SAY THANK YOU SO MUCH TO THE FANS. 1685 01:16:24,212 --> 01:16:27,382 I FEEL LIKE I AM WATCHING MY DREAMS COME TRUE RIGHT BEFORE MY 1686 01:16:27,449 --> 01:16:30,000 EYES, TRULY, Y'ALL. 1687 01:16:30,000 --> 01:16:33,355 EYES, TRULY, Y'ALL. 1688 01:16:33,422 --> 01:16:35,624 THIS IS FOR Y'ALL. 1689 01:16:35,691 --> 01:16:36,000 I LOVE Y'ALL SO MUCH. 1690 01:16:36,000 --> 01:16:36,625 I LOVE Y'ALL SO MUCH. 1691 01:16:36,692 --> 01:16:37,626 THANK YOU. 1692 01:16:37,693 --> 01:16:39,695 GOD BLESS Y'ALL. 1693 01:16:45,000 --> 01:16:47,069 >> JELLY ROLL IS ABOUT TO TAKE OVER THE STAGE. 1694 01:16:47,135 --> 01:16:48,000 PLUS, ALANIS MORISSETTE CELEBRATES THE TENTH ANNIVERSARY 1695 01:16:48,000 --> 01:16:50,706 PLUS, ALANIS MORISSETTE CELEBRATES THE TENTH ANNIVERSARY 1696 01:16:50,772 --> 01:16:52,874 OF CMT'S NEXT WOMEN OF COUNTRY WITH LAINEY WILSON, 1697 01:16:52,941 --> 01:16:54,000 INGRID ANDRESS, MADELINE EDWARDS, 1698 01:16:54,000 --> 01:16:54,309 INGRID ANDRESS, MADELINE EDWARDS, 1699 01:16:54,376 --> 01:16:57,312 AND MORGAN WADE. 1700 01:16:57,379 --> 01:17:00,000 VOTING IS STILL OPEN FOR THE VIDEO OF THE YEAR. 1701 01:17:00,000 --> 01:17:00,716 VOTING IS STILL OPEN FOR THE VIDEO OF THE YEAR. 1702 01:17:00,782 --> 01:17:02,884 CAST YOUR VOTES RIGHT NOW ON THE CMT MUSIC AWARDS FACEBOOK PAGE. 1703 01:17:02,951 --> 01:17:04,953 THE VOTING IS PRESENTED BY RAM TRUCKS. 1704 01:17:05,020 --> 01:17:06,000 THE CMT MUSIC AWARDS CONTINUES. 1705 01:17:06,000 --> 01:17:06,888 THE CMT MUSIC AWARDS CONTINUES. 1706 01:17:06,955 --> 01:17:07,522 LIVE FROM AUSTIN, TEXAS. 1707 01:17:07,589 --> 01:17:08,590 THIS IS CBS. 1708 01:17:28,910 --> 01:17:30,000 ♪ ♪ >> NICE SHIRT, RIGHT? 1709 01:17:30,000 --> 01:17:35,851 ♪ ♪ >> NICE SHIRT, RIGHT? 1710 01:17:35,917 --> 01:17:36,000 MUSIC HAS THE POWER TO UNITE, HEAL, AND CHANGE LIVES AND 1711 01:17:36,000 --> 01:17:38,854 MUSIC HAS THE POWER TO UNITE, HEAL, AND CHANGE LIVES AND 1712 01:17:38,920 --> 01:17:40,856 THAT'S WHY WE ARE ALL PROUD TO SUPPORT ST. JUDE'S CHILDREN'S 1713 01:17:40,922 --> 01:17:42,000 RESEARCH HOSPITAL FLIGHT TO END CHILDHOOD CANCER. 1714 01:17:42,000 --> 01:17:46,862 RESEARCH HOSPITAL FLIGHT TO END CHILDHOOD CANCER. 1715 01:17:46,928 --> 01:17:48,000 YOU CAN GET YOUR OWN SHIRT BY VISITING MusicGives.org 1716 01:17:48,000 --> 01:17:49,831 YOU CAN GET YOUR OWN SHIRT BY VISITING MusicGives.org 1717 01:17:49,898 --> 01:17:51,867 ALL PROCEEDS GO TO ST. JUDE TO ENSURE NO FAMILY EVER 1718 01:17:51,933 --> 01:17:53,068 RECEIVES A BILL FROM ST. JUDE FOR TREATMENT, TRAVEL, HOUSIG 1719 01:17:53,135 --> 01:17:54,000 OR FOOD. 1720 01:17:54,000 --> 01:17:54,269 OR FOOD. 1721 01:17:54,336 --> 01:17:58,573 THIS NEXT ARTIST CAN BE CALLED ROCK OR HIP HOP, BUT HIS HEART 1722 01:17:58,640 --> 01:18:00,000 IS ALL COUNTRY. 1723 01:18:00,000 --> 01:18:06,000 IS ALL COUNTRY. 1724 01:18:06,000 --> 01:18:07,883 IS ALL COUNTRY. 1725 01:18:07,949 --> 01:18:09,951 HE'S ALREADY A WINNER TONIGHT. 1726 01:18:10,018 --> 01:18:12,000 TEXAS, GIVE SOME LOVE TO JELLY ROLL! 1727 01:18:12,000 --> 01:18:13,021 TEXAS, GIVE SOME LOVE TO JELLY ROLL! 1728 01:18:20,862 --> 01:18:22,864 ♪ ♪ HOME 1729 01:18:37,913 --> 01:18:42,000 OH, OH, OH, OH ♪ ♪ HAIL MARY 1730 01:18:42,000 --> 01:18:48,000 OH, OH, OH, OH ♪ ♪ HAIL MARY 1731 01:18:48,000 --> 01:18:50,859 OH, OH, OH, OH ♪ ♪ HAIL MARY 1732 01:18:50,926 --> 01:18:54,000 ♪ I ONLY TALK TO GOD ♪ ♪ WHEN I NEED A FAVOR ♪ 1733 01:18:54,000 --> 01:18:56,731 ♪ I ONLY TALK TO GOD ♪ ♪ WHEN I NEED A FAVOR ♪ 1734 01:18:56,798 --> 01:19:00,000 ♪ AND I ONLY PRAY ♪ ♪ WHEN I AIN'T GOT A PRAYER ♪ 1735 01:19:00,000 --> 01:19:02,404 ♪ AND I ONLY PRAY ♪ ♪ WHEN I AIN'T GOT A PRAYER ♪ 1736 01:19:02,471 --> 01:19:03,772 ♪ SO WHO THE HELL ♪ ♪ AM I ♪ 1737 01:19:03,839 --> 01:19:06,000 ♪ WHO THE HELL AM I ♪ ♪ TO EXPECT A SAVIOR ♪ 1738 01:19:06,000 --> 01:19:06,708 ♪ WHO THE HELL AM I ♪ ♪ TO EXPECT A SAVIOR ♪ 1739 01:19:06,775 --> 01:19:12,000 ♪ OH ♪ ♪ WHEN I ONLY TALK TO GOD ♪ 1740 01:19:12,000 --> 01:19:17,686 ♪ OH ♪ ♪ WHEN I ONLY TALK TO GOD ♪ 1741 01:19:17,752 --> 01:19:18,000 IF I NEED A FAVOR ♪ ♪ BUT, GOD, I NEED A FAVOR ♪ 1742 01:19:18,000 --> 01:19:20,155 IF I NEED A FAVOR ♪ ♪ BUT, GOD, I NEED A FAVOR ♪ 1743 01:19:20,222 --> 01:19:21,389 ♪ I KNOW AMAZIN' GRACE ♪ ♪ BUT I AIN'T BEEN ♪ 1744 01:19:21,456 --> 01:19:24,000 ♪ LIVIN' THEM WORDS ♪ ♪ I SWEAR I SPEND MOST SUNDAYS ♪ 1745 01:19:24,000 --> 01:19:24,493 ♪ LIVIN' THEM WORDS ♪ ♪ I SWEAR I SPEND MOST SUNDAYS ♪ 1746 01:19:24,559 --> 01:19:27,762 ♪ DRUNK OFF MY ASS ♪ ♪ THAN I HAVE AT CHURCH ♪ 1747 01:19:27,829 --> 01:19:30,000 ♪ HARD COVER KING JAMES ♪ ♪ ONLY BEEN SAVIN' DUST ♪ 1748 01:19:30,000 --> 01:19:32,200 ♪ HARD COVER KING JAMES ♪ ♪ ONLY BEEN SAVIN' DUST ♪ 1749 01:19:32,267 --> 01:19:35,904 ♪ ON THE NIGHTSTAND ♪ ♪ AND I DON'T KNOW WHAT TO SAY ♪ 1750 01:19:35,971 --> 01:19:36,000 ♪ BY THE TIME I FOLD MY HANDS ♪ ♪ I ONLY TALK TO GOD ♪ 1751 01:19:36,000 --> 01:19:40,308 ♪ BY THE TIME I FOLD MY HANDS ♪ ♪ I ONLY TALK TO GOD ♪ 1752 01:19:40,375 --> 01:19:42,000 ♪ WHEN I NEED A FAVOR ♪ ♪ AND I ONLY PRAY ♪ 1753 01:19:42,000 --> 01:19:45,447 ♪ WHEN I NEED A FAVOR ♪ ♪ AND I ONLY PRAY ♪ 1754 01:19:45,514 --> 01:19:48,000 ♪ WHEN I AIN'T GOT A PRAYER ♪ ♪ SO WHO THE HELL AM I ♪ 1755 01:19:48,000 --> 01:19:52,754 ♪ WHEN I AIN'T GOT A PRAYER ♪ ♪ SO WHO THE HELL AM I ♪ 1756 01:19:52,821 --> 01:19:54,000 ♪ WHO THE HELL AM I ♪ ♪ TO EXPECT A SAVIOR ♪ 1757 01:19:54,000 --> 01:19:54,956 ♪ WHO THE HELL AM I ♪ ♪ TO EXPECT A SAVIOR ♪ 1758 01:19:55,023 --> 01:19:59,961 ♪ OH ♪ ♪ IF I ONLY TALK TO GOD ♪ 1759 01:20:00,028 --> 01:20:06,000 ♪ WHEN I NEED A FAVOR ♪ ♪ AND, GOD, I NEED A FAVOR ♪ 1760 01:20:06,000 --> 01:20:09,070 ♪ WHEN I NEED A FAVOR ♪ ♪ AND, GOD, I NEED A FAVOR ♪ 1761 01:20:09,137 --> 01:20:11,106 YEAH ♪ ♪ YEAH, I OWE YOU ♪ 1762 01:20:11,173 --> 01:20:12,000 ♪ MORE THAN ONE ♪ ♪ AND BEGGARS CAN'T BE 1763 01:20:12,000 --> 01:20:12,774 ♪ MORE THAN ONE ♪ ♪ AND BEGGARS CAN'T BE 1764 01:20:12,841 --> 01:20:17,078 CHOOSERS ♪ ♪ BUT I'LL PAY ♪ 1765 01:20:17,145 --> 01:20:18,000 ♪ FOR ALL I'VE DONE ♪ ♪ JUST PLEASE ♪ 1766 01:20:18,000 --> 01:20:18,880 ♪ FOR ALL I'VE DONE ♪ ♪ JUST PLEASE ♪ 1767 01:20:18,947 --> 01:20:23,285 ♪ DON'T LET ME LOSE HER ♪ ♪ I ONLY TALK TO GOD ♪ 1768 01:20:23,351 --> 01:20:24,000 ♪ WHEN I NEED A FAVOR ♪ ♪ AND I ONLY PRAY ♪ 1769 01:20:24,000 --> 01:20:28,823 ♪ WHEN I NEED A FAVOR ♪ ♪ AND I ONLY PRAY ♪ 1770 01:20:28,890 --> 01:20:30,000 ♪ WHEN I AIN'T GOT A PRAYER ♪ ♪ SO WHO THE HELL AM I ♪ 1771 01:20:30,000 --> 01:20:33,828 ♪ WHEN I AIN'T GOT A PRAYER ♪ ♪ SO WHO THE HELL AM I ♪ 1772 01:20:33,895 --> 01:20:36,000 ♪ WHO THE HELL AM I ♪ ♪ TO EXPECT A SAVIOR ♪ 1773 01:20:36,000 --> 01:20:37,632 ♪ WHO THE HELL AM I ♪ ♪ TO EXPECT A SAVIOR ♪ 1774 01:20:37,699 --> 01:20:41,403 ♪ OH ♪ ♪ IF I ONLY TALK TO GOD ♪ 1775 01:20:41,469 --> 01:20:42,000 ♪ WHEN I NEED A FAVOR ♪ ♪ AND, GOD, I NEED A FAVOR ♪ 1776 01:20:42,000 --> 01:20:48,000 ♪ WHEN I NEED A FAVOR ♪ ♪ AND, GOD, I NEED A FAVOR ♪ 1777 01:20:48,000 --> 01:20:53,515 ♪ WHEN I NEED A FAVOR ♪ ♪ AND, GOD, I NEED A FAVOR ♪ 1778 01:20:55,350 --> 01:21:00,000 ♪ ♪ ♪ HANGIN' IN THERE ♪ 1779 01:21:00,000 --> 01:21:00,121 ♪ ♪ ♪ HANGIN' IN THERE ♪ 1780 01:21:00,188 --> 01:21:02,390 ♪ JUST BARELY ♪ ♪ THROWIN' UP PRAYERS ♪ 1781 01:21:02,457 --> 01:21:05,961 ♪ LIKE HAIL MARYS ♪ ♪ IF YOU'RE STILL THERE ♪ 1782 01:21:06,027 --> 01:21:07,862 ♪ LORD, SPARE ME ♪ ♪ OH, MY GOD ♪ 1783 01:21:07,929 --> 01:21:09,764 ♪ OH, MY GOD ♪ ♪ HAIL MARY ♪ 1784 01:21:09,831 --> 01:21:12,000 ♪ HANGIN' IN THERE ♪ ♪ JUST BARELY ♪ 1785 01:21:12,000 --> 01:21:12,767 ♪ HANGIN' IN THERE ♪ ♪ JUST BARELY ♪ 1786 01:21:12,834 --> 01:21:16,571 ♪ THROWIN' UP PRAYERS ♪ ♪ LIKE HAIL MARYS ♪ 1787 01:21:16,638 --> 01:21:18,000 ♪ IF YOU'RE STILL THERE ♪ ♪ LORD, SPARE ME ♪ 1788 01:21:18,000 --> 01:21:24,000 ♪ IF YOU'RE STILL THERE ♪ ♪ LORD, SPARE ME ♪ 1789 01:21:24,000 --> 01:21:24,412 ♪ IF YOU'RE STILL THERE ♪ ♪ LORD, SPARE ME ♪ 1790 01:21:24,479 --> 01:21:25,714 CMT! 1791 01:21:25,780 --> 01:21:28,783 ♪ I ONLY TALK TO GOD ♪ ♪ WHEN I NEED A FAVOR ♪ 1792 01:21:28,850 --> 01:21:30,000 ♪ AND I ONLY PRAY ♪ ♪ WHEN I AIN'T GOT A PRAYER ♪ 1793 01:21:30,000 --> 01:21:36,000 ♪ AND I ONLY PRAY ♪ ♪ WHEN I AIN'T GOT A PRAYER ♪ 1794 01:21:36,000 --> 01:21:36,424 ♪ AND I ONLY PRAY ♪ ♪ WHEN I AIN'T GOT A PRAYER ♪ 1795 01:21:36,491 --> 01:21:42,000 ♪ WHO THE HELL AM I ♪ ♪ TO EXPECT A SAVIOR ♪ 1796 01:21:42,000 --> 01:21:42,230 ♪ WHO THE HELL AM I ♪ ♪ TO EXPECT A SAVIOR ♪ 1797 01:21:42,297 --> 01:21:45,100 ONLY TALK TO GOD ♪ ♪ WHEN I NEED A FAVOR ♪ 1798 01:21:45,166 --> 01:21:48,000 ♪ AND, GOD, I NEED A FAVOR ♪ ♪ AMEN ♪ 1799 01:21:48,000 --> 01:21:54,000 ♪ AND, GOD, I NEED A FAVOR ♪ ♪ AMEN ♪ 1800 01:21:54,000 --> 01:21:58,380 ♪ AND, GOD, I NEED A FAVOR ♪ ♪ AMEN ♪ 1801 01:21:58,446 --> 01:22:00,000 ♪ AMEN ♪ [CHEERS AND APPLAUSE] 1802 01:22:00,000 --> 01:22:06,000 ♪ AMEN ♪ [CHEERS AND APPLAUSE] 1803 01:22:06,000 --> 01:22:10,625 ♪ AMEN ♪ [CHEERS AND APPLAUSE] 1804 01:22:10,692 --> 01:22:12,000 >> FROM THE HIT NETFLIX SERIES "OUTER BANKS," PLEASE WELCOME 1805 01:22:12,000 --> 01:22:13,595 >> FROM THE HIT NETFLIX SERIES "OUTER BANKS," PLEASE WELCOME 1806 01:22:13,662 --> 01:22:18,000 MADISON BAILEY AND CHARLES ESTEN. 1807 01:22:18,000 --> 01:22:20,001 MADISON BAILEY AND CHARLES ESTEN. 1808 01:22:20,068 --> 01:22:24,000 >> JELLY ROLL! 1809 01:22:24,000 --> 01:22:25,340 >> JELLY ROLL! 1810 01:22:25,407 --> 01:22:28,710 >> MADDIE, EVERYONE KNOWS THAT WINNING A CMT 1811 01:22:28,777 --> 01:22:30,000 MUSIC AWARD IS A HUGE HONOR. 1812 01:22:30,000 --> 01:22:30,045 MUSIC AWARD IS A HUGE HONOR. 1813 01:22:30,111 --> 01:22:33,581 YOU GET RECOGNITION, YOU GET TO MAKE A COOL SPEECH, AND YOU GET 1814 01:22:33,648 --> 01:22:36,000 TO GO HOME WITH A TROPHY THAT IF I'M HONEST 1815 01:22:36,000 --> 01:22:38,053 TO GO HOME WITH A TROPHY THAT IF I'M HONEST 1816 01:22:38,119 --> 01:22:38,820 LOOKS LIKE A PIECE OF TREASURE. 1817 01:22:38,887 --> 01:22:41,556 >> IT DOES A LITTLE. 1818 01:22:41,623 --> 01:22:42,000 AND IF ANYBODY KNOWS HOW HARD IT IS TO GET YOUR HANDS ON 1819 01:22:42,000 --> 01:22:44,826 AND IF ANYBODY KNOWS HOW HARD IT IS TO GET YOUR HANDS ON 1820 01:22:44,893 --> 01:22:48,000 TREASURE, IT'S US. 1821 01:22:48,000 --> 01:22:50,532 TREASURE, IT'S US. 1822 01:22:50,598 --> 01:22:54,000 >> THAT'S WHY I'VE HIDDEN THE TROPHY SOMEWHERE IN THE VENUE, 1823 01:22:54,000 --> 01:22:55,070 >> THAT'S WHY I'VE HIDDEN THE TROPHY SOMEWHERE IN THE VENUE, 1824 01:22:55,136 --> 01:23:00,000 AND ONLY THE MOST NOBLE AND RESILIENT HEART WILL FIND IT. 1825 01:23:00,000 --> 01:23:03,144 AND ONLY THE MOST NOBLE AND RESILIENT HEART WILL FIND IT. 1826 01:23:03,211 --> 01:23:06,000 >> WE TALKED ABOUT THIS. 1827 01:23:06,000 --> 01:23:06,348 >> WE TALKED ABOUT THIS. 1828 01:23:06,414 --> 01:23:12,000 I THOUGHT WE WERE GOING TO JUST GIVE IT TO THEM. 1829 01:23:12,000 --> 01:23:18,000 I THOUGHT WE WERE GOING TO JUST GIVE IT TO THEM. 1830 01:23:18,000 --> 01:23:20,729 I THOUGHT WE WERE GOING TO JUST GIVE IT TO THEM. 1831 01:23:20,795 --> 01:23:24,000 >> FROM CMT GIANTS, VINCE GILL, WHENEVER YOU COME AROUND. 1832 01:23:24,000 --> 01:23:30,000 >> FROM CMT GIANTS, VINCE GILL, WHENEVER YOU COME AROUND. 1833 01:23:30,000 --> 01:23:30,271 >> FROM CMT GIANTS, VINCE GILL, WHENEVER YOU COME AROUND. 1834 01:23:30,338 --> 01:23:33,975 FROM 2022 CMT MUSIC AWARDS. 1835 01:23:34,042 --> 01:23:35,143 CODY JOHNSON. 1836 01:23:35,210 --> 01:23:36,000 "NEVER SAY NEVER" COLE SWINDELL & LAINEY WILSON. 1837 01:23:36,000 --> 01:23:42,000 "NEVER SAY NEVER" COLE SWINDELL & LAINEY WILSON. 1838 01:23:42,000 --> 01:23:43,385 "NEVER SAY NEVER" COLE SWINDELL & LAINEY WILSON. 1839 01:23:43,451 --> 01:23:44,819 "LET HER CRY" DARIUS RUCKER 1840 01:23:44,886 --> 01:23:46,454 FROM COAL MINER'S DAUGHTER CELEBRATION OF THE LIFE & MUSIC 1841 01:23:46,521 --> 01:23:48,000 OF LORETTA LYNN. 1842 01:23:48,000 --> 01:23:49,824 OF LORETTA LYNN. 1843 01:23:49,891 --> 01:23:54,000 "LAY ME DOWN" EMMY RUSSELL & LUKAS NELSON. 1844 01:23:54,000 --> 01:23:54,195 "LAY ME DOWN" EMMY RUSSELL & LUKAS NELSON. 1845 01:23:54,262 --> 01:23:57,399 FROM 2022 CMT MUSIC AWARDS. 1846 01:23:57,465 --> 01:23:58,299 "WILD HEARTS" KEITH URBAN 1847 01:23:58,366 --> 01:24:00,000 FROM CMT CROSSROADS: LEANN RIMES & FRIENDS 1848 01:24:00,000 --> 01:24:00,969 FROM CMT CROSSROADS: LEANN RIMES & FRIENDS 1849 01:24:01,035 --> 01:24:05,840 "ONE WAY TICKET" LEANN RIMES WITH ASHLEY MCBRYDE 1850 01:24:05,907 --> 01:24:06,000 AND CARLY PEARCE FROM 2022 CMT MUSIC AWARDS. 1851 01:24:06,000 --> 01:24:11,946 AND CARLY PEARCE FROM 2022 CMT MUSIC AWARDS. 1852 01:24:12,013 --> 01:24:13,848 "LOVE CAN BUILD A BRIDGE" THE JUDDS 1853 01:24:13,915 --> 01:24:15,984 FROM NAOMI JUDD: A RIVER OF TIME CELEBRATION. 1854 01:24:16,050 --> 01:24:18,000 "THE ROSE" WYNONNA JUDD & BRANDI CARLILE 1855 01:24:18,000 --> 01:24:21,923 "THE ROSE" WYNONNA JUDD & BRANDI CARLILE 1856 01:24:21,990 --> 01:24:24,000 CMT PERFORMANCE OF THE YEAR. 1857 01:24:24,000 --> 01:24:25,093 CMT PERFORMANCE OF THE YEAR. 1858 01:24:25,160 --> 01:24:30,000 >> AND THE WINNER IS... 1859 01:24:30,000 --> 01:24:30,498 >> AND THE WINNER IS... 1860 01:24:30,565 --> 01:24:36,000 CODY JOHNSON, "TIL YOU CAN'T." 1861 01:24:36,000 --> 01:24:41,142 CODY JOHNSON, "TIL YOU CAN'T." 1862 01:24:44,579 --> 01:24:48,000 ♪ ♪ 1863 01:24:48,000 --> 01:24:54,000 ♪ ♪ 1864 01:24:54,000 --> 01:24:59,461 ♪ ♪ 1865 01:24:59,527 --> 01:25:00,000 ♪ ♪ 1866 01:25:00,000 --> 01:25:01,896 ♪ ♪ 1867 01:25:02,530 --> 01:25:06,000 >> ♪ IF YOU'VE GOT A CHANCE, TAKE IT. 1868 01:25:06,000 --> 01:25:06,634 >> ♪ IF YOU'VE GOT A CHANCE, TAKE IT. 1869 01:25:06,701 --> 01:25:12,000 IF YOU'VE GOT A DREAM, SHE SAID ♪ 1870 01:25:12,000 --> 01:25:14,943 IF YOU'VE GOT A DREAM, SHE SAID ♪ 1871 01:25:15,009 --> 01:25:18,000 >> ONCE AGAIN, I DIDN'T PREPARE ANYTHING TO SAY. 1872 01:25:18,000 --> 01:25:20,582 >> ONCE AGAIN, I DIDN'T PREPARE ANYTHING TO SAY. 1873 01:25:20,648 --> 01:25:24,000 I WILL SAY TONIGHT IT'S GREAT TO BE IN MY HOME STATE OF TEXAS. 1874 01:25:24,000 --> 01:25:25,086 I WILL SAY TONIGHT IT'S GREAT TO BE IN MY HOME STATE OF TEXAS. 1875 01:25:25,153 --> 01:25:30,000 [CHEERS AND APPLAUSE] BEFORE I THANK WARNER MUSIC 1876 01:25:30,000 --> 01:25:31,526 [CHEERS AND APPLAUSE] BEFORE I THANK WARNER MUSIC 1877 01:25:31,593 --> 01:25:35,430 NASHVILLE, BEFORE I THINK MY BAND, MY CREW, THIS IS 1878 01:25:35,497 --> 01:25:36,000 PERFORMANCE OF THE YEAR. 1879 01:25:36,000 --> 01:25:36,598 PERFORMANCE OF THE YEAR. 1880 01:25:36,664 --> 01:25:41,936 MY BAND AND MY CREW, THEY HAVE WORKED TO THEIR TAIL OFF FOR 1881 01:25:42,003 --> 01:25:43,271 THIS. 1882 01:25:43,338 --> 01:25:45,673 WHAT I PERSONALLY WOULD LIKE BEFORE I DO THE SAME OLD SPEECH 1883 01:25:45,740 --> 01:25:48,000 MOST PEOPLE DO IS WHAT I WOULD LIKE IS FOR EVERYBODY IN HERE 1884 01:25:48,000 --> 01:25:48,710 MOST PEOPLE DO IS WHAT I WOULD LIKE IS FOR EVERYBODY IN HERE 1885 01:25:48,776 --> 01:25:53,047 ALL AT ONCE, ARE YOU HAVING FUN AT THE CMT AWARDS? 1886 01:25:53,114 --> 01:25:54,000 MAKE SOME NOISE. 1887 01:25:54,000 --> 01:25:56,651 MAKE SOME NOISE. 1888 01:25:56,718 --> 01:26:00,000 THAT'S WHAT PERFORMANCE IS ABOUT AND THAT'S WHAT MY PERFORMANCE 1889 01:26:00,000 --> 01:26:00,188 THAT'S WHAT PERFORMANCE IS ABOUT AND THAT'S WHAT MY PERFORMANCE 1890 01:26:00,255 --> 01:26:01,856 IS ABOUT, YOUR PLEASURE. 1891 01:26:01,923 --> 01:26:02,891 THANK YOU SO MUCH. 1892 01:26:02,957 --> 01:26:06,000 GOD BLESS YOU. 1893 01:26:06,000 --> 01:26:06,961 GOD BLESS YOU. 1894 01:26:13,234 --> 01:26:16,871 THE BLACK CROWES TAKE THE STAGE WITH DARIUS RUCKER, 1895 01:26:16,938 --> 01:26:18,000 HEAD TO YOUTUBE TO GO BACKSTAGE AT THE CMT MUSIC AWARDS! 1896 01:26:18,000 --> 01:26:19,908 HEAD TO YOUTUBE TO GO BACKSTAGE AT THE CMT MUSIC AWARDS! 1897 01:26:19,974 --> 01:26:22,577 WE'RE LIVE NOW. 1898 01:26:22,644 --> 01:26:24,000 THIS IS CBS. 1899 01:26:24,000 --> 01:26:24,646 THIS IS CBS. 1900 01:26:26,581 --> 01:26:30,000 >> THE 2023 CMT MUSIC AWARDS SPONSORED BY LACTAID. 1901 01:26:30,000 --> 01:26:30,552 >> THE 2023 CMT MUSIC AWARDS SPONSORED BY LACTAID. 1902 01:26:30,618 --> 01:26:31,619 TRY TELLING OUR FARMERS IT ISN'T REAL MILK. 1903 01:26:47,001 --> 01:26:48,000 >> PLEASE WELCOME SUPER BOWL CHAMPION AND COUNTRY MUSIC 1904 01:26:48,000 --> 01:26:48,870 >> PLEASE WELCOME SUPER BOWL CHAMPION AND COUNTRY MUSIC 1905 01:26:48,937 --> 01:26:54,000 SUPERFAN, FROM THE KANSAS CITY CHIEFS, 1906 01:26:54,000 --> 01:26:54,342 SUPERFAN, FROM THE KANSAS CITY CHIEFS, 1907 01:26:54,409 --> 01:26:56,945 TRAVIS KELCE! 1908 01:26:57,011 --> 01:26:58,012 >> CMT, HOW ARE WE FEELING? 1909 01:26:58,079 --> 01:27:00,000 IT'S AN HONOR TO BE HERE TONIGHT. 1910 01:27:00,000 --> 01:27:02,951 IT'S AN HONOR TO BE HERE TONIGHT. 1911 01:27:03,017 --> 01:27:06,000 AFTER SPENDING THE ENTIRE MORNING IN SOUND CHECK AND THEN 1912 01:27:06,000 --> 01:27:07,956 AFTER SPENDING THE ENTIRE MORNING IN SOUND CHECK AND THEN 1913 01:27:08,022 --> 01:27:11,893 HOURS IN HAIR AND MAKE-UP, IT TURNS OUT I'M NOT THE KELSEA 1914 01:27:11,960 --> 01:27:12,000 EVERYONE WANTED TO SEE PERFORM. 1915 01:27:12,000 --> 01:27:15,863 EVERYONE WANTED TO SEE PERFORM. 1916 01:27:15,930 --> 01:27:18,000 BUT IF YOU WANT TO SEE ME SING I'LL BE IN THE 1917 01:27:18,000 --> 01:27:18,266 BUT IF YOU WANT TO SEE ME SING I'LL BE IN THE 1918 01:27:18,333 --> 01:27:20,668 PARKING LOT AFTER THE SHOW. 1919 01:27:20,735 --> 01:27:24,000 GOING CRAZY ON "WAGON WHEEL," A LITTLE BIG GREEN TRACTOR. 1920 01:27:24,000 --> 01:27:26,708 GOING CRAZY ON "WAGON WHEEL," A LITTLE BIG GREEN TRACTOR. 1921 01:27:26,774 --> 01:27:27,575 I LOVE THIS NEXT ARTIST. 1922 01:27:27,642 --> 01:27:29,210 WE RECENTLY GOT TO DO SNL TOGETHER. 1923 01:27:29,277 --> 01:27:30,000 SHE'S BEEN KILLING IT TONIGHT. 1924 01:27:30,000 --> 01:27:30,612 SHE'S BEEN KILLING IT TONIGHT. 1925 01:27:30,678 --> 01:27:36,000 MY FRIEND, KELSEA BALLERINI! 1926 01:27:36,000 --> 01:27:36,451 MY FRIEND, KELSEA BALLERINI! 1927 01:27:38,987 --> 01:27:42,000 ♪ ♪ >> YOU FEELING GOOD, Y'ALL? 1928 01:27:42,000 --> 01:27:48,000 ♪ ♪ >> YOU FEELING GOOD, Y'ALL? 1929 01:27:48,000 --> 01:27:50,999 ♪ ♪ >> YOU FEELING GOOD, Y'ALL? 1930 01:27:51,065 --> 01:27:52,467 ♪ I'VE KNOWN YOU ♪ ♪ SINCE BRAD AND ANGELINA ♪ 1931 01:27:52,533 --> 01:27:54,000 ♪ WE GO BACK LIKE PONTIAC SEATS ♪ 1932 01:27:54,000 --> 01:27:54,869 ♪ WE GO BACK LIKE PONTIAC SEATS ♪ 1933 01:27:54,936 --> 01:27:57,138 ♪ IF I GOT AN AISLE ♪ ♪ WITH A MESS I GOTTA CLEAN UP ♪ 1934 01:27:57,205 --> 01:28:00,000 ♪ I KNOW YOU'LL BE ♪ ♪ SHOWIN' UP WITH BLEACH ♪ 1935 01:28:00,000 --> 01:28:03,611 ♪ I KNOW YOU'LL BE ♪ ♪ SHOWIN' UP WITH BLEACH ♪ 1936 01:28:03,678 --> 01:28:06,000 ♪ ALL THOSE NAMES ♪ ♪ THAT WE DON'T EVER SPEAK OF ♪ 1937 01:28:06,000 --> 01:28:06,981 ♪ ALL THOSE NAMES ♪ ♪ THAT WE DON'T EVER SPEAK OF ♪ 1938 01:28:07,048 --> 01:28:10,485 ♪ GOT A COUPLE NIGHTS ♪ ♪ THAT HAVE SLIPPED MY MIND ♪ 1939 01:28:10,551 --> 01:28:12,000 ♪ PROOF AND PHOTOGRAPHS ♪ ♪ HAVE BEEN DELETED ♪ 1940 01:28:12,000 --> 01:28:14,155 ♪ PROOF AND PHOTOGRAPHS ♪ ♪ HAVE BEEN DELETED ♪ 1941 01:28:14,222 --> 01:28:18,000 ♪ IF YOU EVER NEEDED AN ALIBI ♪ ♪ 'CAUSE DIRT ON YOU ♪ 1942 01:28:18,000 --> 01:28:18,126 ♪ IF YOU EVER NEEDED AN ALIBI ♪ ♪ 'CAUSE DIRT ON YOU ♪ 1943 01:28:18,192 --> 01:28:21,529 ♪ IS DIRT ON ME ♪ ♪ AND WE BOTH KNOW ♪ 1944 01:28:21,596 --> 01:28:24,000 ♪ OUR HANDS AIN'T CLEAN ♪ ♪ IF IT ALL BLOWS UP ♪ 1945 01:28:24,000 --> 01:28:25,133 ♪ OUR HANDS AIN'T CLEAN ♪ ♪ IF IT ALL BLOWS UP ♪ 1946 01:28:25,199 --> 01:28:28,136 ♪ AND WE END UP ON THE NEWS ♪ ♪ IF YOU GO DOWN ♪ 1947 01:28:28,202 --> 01:28:30,000 ♪ I'M GOIN' DOWN TOO ♪ THAT'S RIGHT. 1948 01:28:30,000 --> 01:28:36,000 ♪ I'M GOIN' DOWN TOO ♪ THAT'S RIGHT. 1949 01:28:36,000 --> 01:28:39,047 ♪ I'M GOIN' DOWN TOO ♪ THAT'S RIGHT. 1950 01:28:39,113 --> 01:28:40,448 ♪ IT'S A GOOD THING ♪ ♪ WE'RE EACH OTHER'S ♪ 1951 01:28:40,515 --> 01:28:42,000 ♪ KINDA CRAZY ♪ ♪ AIN'T NO JUDGMENT ♪ 1952 01:28:42,000 --> 01:28:42,684 ♪ KINDA CRAZY ♪ ♪ AIN'T NO JUDGMENT ♪ 1953 01:28:42,750 --> 01:28:45,053 ♪ OR KEEPIN' SCORE ♪ ♪ IF YOU ROB A BANK ♪ 1954 01:28:45,119 --> 01:28:48,000 ♪ I'M YOUR GETAWAY MERCEDES ♪ ♪ GOD KNOWS THAT'S WHAT ♪ 1955 01:28:48,000 --> 01:28:48,723 ♪ I'M YOUR GETAWAY MERCEDES ♪ ♪ GOD KNOWS THAT'S WHAT ♪ 1956 01:28:48,790 --> 01:28:51,526 ♪ FRIENDS ARE FOR ♪ ♪ 'CAUSE DIRT ON YOU ♪ 1957 01:28:51,592 --> 01:28:54,000 ♪ IS DIRT ON ME ♪ ♪ AND WE BOTH KNOW ♪ 1958 01:28:54,000 --> 01:28:54,195 ♪ IS DIRT ON ME ♪ ♪ AND WE BOTH KNOW ♪ 1959 01:28:54,262 --> 01:28:58,633 ♪ OUR HANDS AIN'T CLEAN ♪ ♪ IF IT ALL BLOWS UP ♪ 1960 01:28:58,700 --> 01:29:00,000 ♪ AND WE END UP ON THE NEWS ♪ ♪ IF YOU GO DOWN ♪ 1961 01:29:00,000 --> 01:29:02,537 ♪ AND WE END UP ON THE NEWS ♪ ♪ IF YOU GO DOWN ♪ 1962 01:29:02,603 --> 01:29:06,000 ♪ I'M GOIN' DOWN TOO ♪ ♪ IF YOU GO DOWN ♪ 1963 01:29:06,000 --> 01:29:06,441 ♪ I'M GOIN' DOWN TOO ♪ ♪ IF YOU GO DOWN ♪ 1964 01:29:06,507 --> 01:29:12,000 ♪ I'M GOIN' DOWN TOO ♪ YEAH ♪ 1965 01:29:12,000 --> 01:29:18,000 ♪ I'M GOIN' DOWN TOO ♪ YEAH ♪ 1966 01:29:18,000 --> 01:29:21,389 ♪ I'M GOIN' DOWN TOO ♪ YEAH ♪ 1967 01:29:21,456 --> 01:29:22,423 ♪ I'M GOIN' DOWN TOO ♪ YEAH ♪ 1968 01:29:22,490 --> 01:29:24,000 ♪ I KEEP ALL YOUR SECRETS ♪ ♪ BY THE DOZEN ♪ 1969 01:29:24,000 --> 01:29:27,962 ♪ I KEEP ALL YOUR SECRETS ♪ ♪ BY THE DOZEN ♪ 1970 01:29:28,029 --> 01:29:30,000 ♪ YOU KNOW WHERE ♪ ♪ MY SKELETONS SLEEP ♪ 1971 01:29:30,000 --> 01:29:30,965 ♪ YOU KNOW WHERE ♪ ♪ MY SKELETONS SLEEP ♪ 1972 01:29:31,032 --> 01:29:33,534 ♪ HYPOTHETICALLY ♪ ♪ IF YOU EVER KILL YOUR 1973 01:29:33,601 --> 01:29:36,000 HUSBAND ♪ ♪ HAND ON THE BIBLE ♪ 1974 01:29:36,000 --> 01:29:36,404 HUSBAND ♪ ♪ HAND ON THE BIBLE ♪ 1975 01:29:36,471 --> 01:29:37,972 ♪ I'D BE LYIN' THROUGH MY TEETH ♪ 1976 01:29:38,039 --> 01:29:41,142 ♪ 'CAUSE DIRT ON YOU ♪ ♪ IS DIRT ON ME ♪ 1977 01:29:41,209 --> 01:29:42,000 ♪ AND WE BOTH KNOW ♪ ♪ OUR HANDS AIN'T CLEAN ♪ 1978 01:29:42,000 --> 01:29:44,212 ♪ AND WE BOTH KNOW ♪ ♪ OUR HANDS AIN'T CLEAN ♪ 1979 01:29:44,278 --> 01:29:48,000 ♪ IF IT ALL BLOWS UP ♪ ♪ AND WE END UP ON THE NEWS ♪ 1980 01:29:48,000 --> 01:29:48,683 ♪ IF IT ALL BLOWS UP ♪ ♪ AND WE END UP ON THE NEWS ♪ 1981 01:29:48,750 --> 01:29:52,320 ♪ IF YOU GO DOWN ♪ ♪ I'M GOIN' DOWN TOO ♪ 1982 01:29:52,386 --> 01:29:54,000 ♪ OUR BODIES ARE BURIED ♪ ♪ AND THEY'RE IN THE SAME 1983 01:29:54,000 --> 01:29:54,622 ♪ OUR BODIES ARE BURIED ♪ ♪ AND THEY'RE IN THE SAME 1984 01:29:54,689 --> 01:29:56,724 DITCH ♪ ♪ SO EVEN IF I WANTED TO ♪ 1985 01:29:56,791 --> 01:30:00,000 ♪ I CAN'T SNITCH ♪ ♪ THIRTY TO LIFE ♪ 1986 01:30:00,000 --> 01:30:00,361 ♪ I CAN'T SNITCH ♪ ♪ THIRTY TO LIFE ♪ 1987 01:30:00,428 --> 01:30:04,398 ♪ WOULD GO QUICKER WITH YOU ♪ ♪ YEAH ♪ 1988 01:30:04,465 --> 01:30:06,000 ♪ SO, IF YOU GO DOWN ♪ ♪ I'M GOIN' DOWN TOO ♪ 1989 01:30:06,000 --> 01:30:07,668 ♪ SO, IF YOU GO DOWN ♪ ♪ I'M GOIN' DOWN TOO ♪ 1990 01:30:07,735 --> 01:30:10,705 ♪ IF YOU GO DOWN ♪ ♪ I'M GOIN' DOWN TOO ♪ 1991 01:30:10,772 --> 01:30:12,000 ♪ IF YOU GO DOWN ♪ ♪ I'M GOIN' DOWN TOO ♪ 1992 01:30:12,000 --> 01:30:18,000 ♪ IF YOU GO DOWN ♪ ♪ I'M GOIN' DOWN TOO ♪ 1993 01:30:18,000 --> 01:30:24,000 ♪ IF YOU GO DOWN ♪ ♪ I'M GOIN' DOWN TOO ♪ 1994 01:30:24,000 --> 01:30:24,952 ♪ IF YOU GO DOWN ♪ ♪ I'M GOIN' DOWN TOO ♪ 1995 01:30:25,019 --> 01:30:27,955 [CHEERS AND APPLAUSE] >> HE'S ONE OF THE HOTTEST STARS 1996 01:30:28,022 --> 01:30:30,000 ON CBS'S "FIRE COUNTRY" PLEASE WELCOME MAX THIERIOT! 1997 01:30:30,000 --> 01:30:31,959 ON CBS'S "FIRE COUNTRY" PLEASE WELCOME MAX THIERIOT! 1998 01:30:32,026 --> 01:30:34,829 >> WHAT'S UP, CMT! 1999 01:30:34,896 --> 01:30:36,000 WHAT'S GOING ON? 2000 01:30:36,000 --> 01:30:37,899 WHAT'S GOING ON? 2001 01:30:37,965 --> 01:30:41,402 I DON'T WANNA BRAG, BUT I GOT TO WORK ALONGSIDE ONE OF OUR 2002 01:30:41,469 --> 01:30:42,000 HOSTS TONIGHT WHEN HE GUEST STARRED ON "FIRE COUNTRY." 2003 01:30:42,000 --> 01:30:48,000 HOSTS TONIGHT WHEN HE GUEST STARRED ON "FIRE COUNTRY." 2004 01:30:48,000 --> 01:30:50,178 HOSTS TONIGHT WHEN HE GUEST STARRED ON "FIRE COUNTRY." 2005 01:30:50,244 --> 01:30:53,548 LET ME TELL YOU, HE'S GREAT IN THE SHOW. 2006 01:30:53,614 --> 01:30:54,000 RIGHT NOW WE GET TO SEE HIM DO WHAT HE ABSOLUTELY DOES BEST. 2007 01:30:54,000 --> 01:30:55,049 RIGHT NOW WE GET TO SEE HIM DO WHAT HE ABSOLUTELY DOES BEST. 2008 01:30:55,116 --> 01:30:59,053 AND HE'S PERFORMING WITH HIS WIFE. 2009 01:30:59,120 --> 01:31:00,000 HERE WITH THE FASTEST RISING HIT OF HIS CAREER, 2010 01:31:00,000 --> 01:31:00,521 HERE WITH THE FASTEST RISING HIT OF HIS CAREER, 2011 01:31:00,588 --> 01:31:03,524 WE'RE GOING BACK OUTSIDE. 2012 01:31:03,591 --> 01:31:05,593 IT'S KANE AND KATELYN BROWN! 2013 01:31:12,934 --> 01:31:18,000 ♪ ♪ ♪ I WAS LOST ♪ 2014 01:31:18,000 --> 01:31:19,540 ♪ ♪ ♪ I WAS LOST ♪ 2015 01:31:19,607 --> 01:31:22,076 ♪ YOU FOUND A WAY ♪ ♪ TO BRING ME BACK ♪ 2016 01:31:22,143 --> 01:31:24,000 ♪ NEEDED FORGIVENESS ♪ ♪ YOU ALWAYS GAVE ME THAT ♪ 2017 01:31:24,000 --> 01:31:26,781 ♪ NEEDED FORGIVENESS ♪ ♪ YOU ALWAYS GAVE ME THAT ♪ 2018 01:31:26,848 --> 01:31:30,000 ♪ GIRL, I'M A WITNESS ♪ ♪ OF YOUR LOVE ♪ 2019 01:31:30,000 --> 01:31:31,219 ♪ GIRL, I'M A WITNESS ♪ ♪ OF YOUR LOVE ♪ 2020 01:31:31,285 --> 01:31:33,888 ♪ 'CAUSE YOU DON'T BE GIVIN' UP ♪ 2021 01:31:33,955 --> 01:31:36,000 ♪ AND IT'S CRAZY ♪ ♪ HOW YOU SAVED ME ♪ 2022 01:31:36,000 --> 01:31:37,124 ♪ AND IT'S CRAZY ♪ ♪ HOW YOU SAVED ME ♪ 2023 01:31:37,191 --> 01:31:39,627 ♪ HAND ON THE BIBLE ♪ ♪ DON'T KNOW HOW I GOT YOU ♪ 2024 01:31:39,694 --> 01:31:42,000 ♪ BUT I COULDN'T ASK FOR MORE ♪ ♪ GIRL, WHAT WE GOT'S ♪ 2025 01:31:42,000 --> 01:31:43,598 ♪ BUT I COULDN'T ASK FOR MORE ♪ ♪ GIRL, WHAT WE GOT'S ♪ 2026 01:31:43,664 --> 01:31:47,501 ♪ WORTH THANKING GOD FOR ♪ ♪ SO THANK GOD ♪ 2027 01:31:47,568 --> 01:31:48,000 ♪ I GET TO WAKE UP ♪ ♪ BY YOUR SIDE ♪ 2028 01:31:48,000 --> 01:31:49,770 ♪ I GET TO WAKE UP ♪ ♪ BY YOUR SIDE ♪ 2029 01:31:49,837 --> 01:31:52,874 ♪ AND THANK GOD ♪ ♪ YOUR HAND FITS ♪ 2030 01:31:52,940 --> 01:31:54,000 ♪ PERFECTLY IN MINE ♪ ♪ AND THANK GOD ♪ 2031 01:31:54,000 --> 01:31:56,711 ♪ PERFECTLY IN MINE ♪ ♪ AND THANK GOD ♪ 2032 01:31:56,777 --> 01:32:00,000 ♪ YOU LOVED ME ♪ ♪ WHEN YOU DIDN'T HAVE TO ♪ 2033 01:32:00,000 --> 01:32:00,147 ♪ YOU LOVED ME ♪ ♪ WHEN YOU DIDN'T HAVE TO ♪ 2034 01:32:00,214 --> 01:32:02,283 ♪ BUT YOU DID ♪ ♪ AND YOU DO ♪ 2035 01:32:02,350 --> 01:32:06,000 ♪ AND HE KNEW ♪ ♪ THANK GOD FOR GIVING ME YOU ♪ 2036 01:32:06,000 --> 01:32:10,224 ♪ AND HE KNEW ♪ ♪ THANK GOD FOR GIVING ME YOU ♪ 2037 01:32:10,291 --> 01:32:12,000 ♪ THANK GOD ♪ ♪ THANK GOD 2038 01:32:12,000 --> 01:32:17,798 ♪ THANK GOD ♪ ♪ THANK GOD 2039 01:32:17,865 --> 01:32:18,000 ♪ NEVER THOUGHT I'D FIND ♪ ♪ AN ANGEL UNDERCOVER ♪ 2040 01:32:18,000 --> 01:32:20,034 ♪ NEVER THOUGHT I'D FIND ♪ ♪ AN ANGEL UNDERCOVER ♪ 2041 01:32:20,101 --> 01:32:23,137 ♪ MADE A CHANGE TO EVERYTHING ♪ ♪ FROM MY HEART ♪ 2042 01:32:23,204 --> 01:32:24,000 ♪ TO MY LAST NAME ♪ ♪ HEY ♪ 2043 01:32:24,000 --> 01:32:25,806 ♪ TO MY LAST NAME ♪ ♪ HEY ♪ 2044 01:32:25,873 --> 01:32:29,377 ♪ HARD TO TELL, WHEN HE FELL ♪ ♪ THAT BOY WAS HEAVEN SENT ♪ 2045 01:32:29,443 --> 01:32:30,000 ♪ AND EVERY NIGHT ♪ ♪ WHEN I CLOSE MY EYES ♪ 2046 01:32:30,000 --> 01:32:31,779 ♪ AND EVERY NIGHT ♪ ♪ WHEN I CLOSE MY EYES ♪ 2047 01:32:31,846 --> 01:32:35,149 ♪ BEFORE I SAY AMEN ♪ ♪ I THANK GOD ♪ 2048 01:32:35,216 --> 01:32:36,000 ♪ I GET TO WAKE UP BY YOUR SIDE ♪ 2049 01:32:36,000 --> 01:32:37,818 ♪ I GET TO WAKE UP BY YOUR SIDE ♪ 2050 01:32:37,885 --> 01:32:40,488 ♪ AND THANK GOD ♪ ♪ YOUR HAND ♪ 2051 01:32:40,554 --> 01:32:42,000 ♪ FITS PERFECTLY IN MINE ♪ ♪ AND THANK GOD ♪ 2052 01:32:42,000 --> 01:32:44,425 ♪ FITS PERFECTLY IN MINE ♪ ♪ AND THANK GOD ♪ 2053 01:32:44,492 --> 01:32:47,662 ♪ YOU LOVED ME ♪ ♪ WHEN YOU DIDN'T HAVE TO ♪ 2054 01:32:47,728 --> 01:32:48,000 ♪ BUT YOU DID ♪ ♪ AND YOU DO ♪ 2055 01:32:48,000 --> 01:32:50,364 ♪ BUT YOU DID ♪ ♪ AND YOU DO ♪ 2056 01:32:50,431 --> 01:32:54,000 ♪ AND HE KNEW ♪ ♪ THANK GOD FOR GIVING ME YOU ♪ 2057 01:32:54,000 --> 01:32:54,669 ♪ AND HE KNEW ♪ ♪ THANK GOD FOR GIVING ME YOU ♪ 2058 01:32:54,735 --> 01:33:00,000 ♪ THANK GOD ♪ ♪ THANK GOD ♪ 2059 01:33:00,000 --> 01:33:03,978 ♪ THANK GOD ♪ ♪ THANK GOD ♪ 2060 01:33:04,045 --> 01:33:05,813 ♪ HAND ON THE BIBLE ♪ ♪ DON'T KNOW HOW I GOT YOU ♪ 2061 01:33:05,880 --> 01:33:06,000 ♪ I COULDN'T ASK FOR MORE ♪ >> ♪ GIRL, WHAT WE GOT'S ♪ 2062 01:33:06,000 --> 01:33:10,551 ♪ I COULDN'T ASK FOR MORE ♪ >> ♪ GIRL, WHAT WE GOT'S ♪ 2063 01:33:10,618 --> 01:33:12,000 ♪ WORTH THANKING GOD FOR ♪ >> ♪ SO THANK GOD ♪ 2064 01:33:12,000 --> 01:33:14,455 ♪ WORTH THANKING GOD FOR ♪ >> ♪ SO THANK GOD ♪ 2065 01:33:14,522 --> 01:33:16,390 ♪ I GET TO WAKE UP BY YOUR SIDE ♪ 2066 01:33:16,457 --> 01:33:18,000 ♪ AND THANK GOD ♪ ♪ YOUR HAND ♪ 2067 01:33:18,000 --> 01:33:19,927 ♪ AND THANK GOD ♪ ♪ YOUR HAND ♪ 2068 01:33:19,994 --> 01:33:23,164 ♪ FITS PERFECTLY IN MINE ♪ ♪ AND THANK GOD ♪ 2069 01:33:23,230 --> 01:33:24,000 ♪ YOU LOVED ME ♪ ♪ WHEN YOU DIDN'T HAVE TO ♪ 2070 01:33:24,000 --> 01:33:26,267 ♪ YOU LOVED ME ♪ ♪ WHEN YOU DIDN'T HAVE TO ♪ 2071 01:33:26,334 --> 01:33:28,436 ♪ BUT YOU DID ♪ ♪ AND YOU DO ♪ 2072 01:33:28,502 --> 01:33:30,000 ♪ AND HE KNEW ♪ ♪ THANK GOD FOR GIVING ME YOU ♪ 2073 01:33:30,000 --> 01:33:33,140 ♪ AND HE KNEW ♪ ♪ THANK GOD FOR GIVING ME YOU ♪ 2074 01:33:33,207 --> 01:33:36,000 ♪ I THANK GOD ♪ ♪ I GET TO WAKE UP 2075 01:33:36,000 --> 01:33:40,081 ♪ I THANK GOD ♪ ♪ I GET TO WAKE UP 2076 01:33:40,147 --> 01:33:41,549 BY YOUR SIDE ♪ ♪ AND THANK GOD ♪ 2077 01:33:41,615 --> 01:33:42,000 ♪ YOUR HAND ♪ ♪ FITS PERFECTLY IN MINE ♪ 2078 01:33:42,000 --> 01:33:42,750 ♪ YOUR HAND ♪ ♪ FITS PERFECTLY IN MINE ♪ 2079 01:33:42,817 --> 01:33:44,151 ♪ AND THANK GOD ♪ ♪ YOU LOVED ME ♪ 2080 01:33:44,218 --> 01:33:46,821 ♪ WHEN YOU DIDN'T HAVE TO ♪ ♪ BUT YOU DID ♪ 2081 01:33:46,887 --> 01:33:48,000 ♪ AND YOU DO ♪ ♪ AND HE KNEW ♪ 2082 01:33:48,000 --> 01:33:50,191 ♪ AND YOU DO ♪ ♪ AND HE KNEW ♪ 2083 01:33:50,257 --> 01:33:54,000 ♪ THANK GOD FOR GIVING ME YOU ♪ >> CMT, MAKE SOME NOISE FOR MY 2084 01:33:54,000 --> 01:34:00,000 ♪ THANK GOD FOR GIVING ME YOU ♪ >> CMT, MAKE SOME NOISE FOR MY 2085 01:34:00,000 --> 01:34:05,139 ♪ THANK GOD FOR GIVING ME YOU ♪ >> CMT, MAKE SOME NOISE FOR MY 2086 01:34:05,206 --> 01:34:06,000 ♪ THANK GOD FOR GIVING ME YOU ♪ >> CMT, MAKE SOME NOISE FOR MY 2087 01:34:06,000 --> 01:34:07,174 ♪ THANK GOD FOR GIVING ME YOU ♪ >> CMT, MAKE SOME NOISE FOR MY 2088 01:34:07,241 --> 01:34:07,675 BEAUTIFUL WIFE ONE TIME. 2089 01:34:07,742 --> 01:34:08,909 >> THANK YOU! 2090 01:34:08,976 --> 01:34:09,744 >> FROM THE RAM TRUCKS STAGE, WITH A DEBUT PERFORMANCE OF HER 2091 01:34:09,810 --> 01:34:12,000 SONG "NARCISSIST," HERE IS ANNA AVERY. 2092 01:34:12,000 --> 01:34:15,016 SONG "NARCISSIST," HERE IS ANNA AVERY. 2093 01:34:15,082 --> 01:34:18,000 ♪ MY PARENTS DON'T LIKE YOU ♪ ♪ WHY WOULD THEY WANT TO ♪ 2094 01:34:18,000 --> 01:34:18,219 ♪ MY PARENTS DON'T LIKE YOU ♪ ♪ WHY WOULD THEY WANT TO ♪ 2095 01:34:18,285 --> 01:34:22,923 ♪ AFTER THEY FOUND ME ♪ ♪ CRYING ON THE BATHROOM FLOOR ♪ 2096 01:34:22,990 --> 01:34:24,000 ♪ I DON'T EVEN LIKE ME ANYMORE ♪ ♪ 'CAUSE YOU SAY ♪ 2097 01:34:24,000 --> 01:34:27,762 ♪ I DON'T EVEN LIKE ME ANYMORE ♪ ♪ 'CAUSE YOU SAY ♪ 2098 01:34:27,828 --> 01:34:30,000 ♪ THAT I'M CRAZY ♪ ♪ YOU SAY THAT YOU'RE SORRY ♪ 2099 01:34:30,000 --> 01:34:31,932 ♪ THAT I'M CRAZY ♪ ♪ YOU SAY THAT YOU'RE SORRY ♪ 2100 01:34:31,999 --> 01:34:36,000 ♪ WON'T HAPPEN AGAIN ♪ ♪ YOU SAY I'M DRAMATIC ♪ 2101 01:34:36,000 --> 01:34:36,771 ♪ WON'T HAPPEN AGAIN ♪ ♪ YOU SAY I'M DRAMATIC ♪ 2102 01:34:36,837 --> 01:34:41,475 ♪ I'M OVERREACTING ♪ ♪ AND MAYBE I AM ♪ 2103 01:34:41,542 --> 01:34:42,000 ♪ AND I KNOW ♪ ♪ YOU GET OVER ME ♪ 2104 01:34:42,000 --> 01:34:44,945 ♪ AND I KNOW ♪ ♪ YOU GET OVER ME ♪ 2105 01:34:45,012 --> 01:34:46,781 ♪ BUT CAN YOU GET OVER YOURSELF ♪ 2106 01:34:46,847 --> 01:34:48,000 ♪ BEFORE YOU ♪ ♪ GO AND LOVE SOMEBODY ELSE ♪ 2107 01:34:48,000 --> 01:34:50,684 ♪ BEFORE YOU ♪ ♪ GO AND LOVE SOMEBODY ELSE ♪ 2108 01:34:50,751 --> 01:34:52,753 ♪ YOU SHOULD PROBABLY ♪ ♪ GET SOME HELP ♪ 2109 01:34:59,126 --> 01:35:00,000 [CHEERS AND APPLAUSE] >> NEXT, THE BLACK CROWES 2110 01:35:00,000 --> 01:35:00,561 [CHEERS AND APPLAUSE] >> NEXT, THE BLACK CROWES 2111 01:35:00,628 --> 01:35:02,396 AND DARIUS RUCKER. 2112 01:35:02,463 --> 01:35:04,198 PLUS, PERFORMANCES FROM ALANIS MORRISETTE 2113 01:35:04,265 --> 01:35:05,399 AND CARRIE UNDERWOOD. 2114 01:35:05,466 --> 01:35:06,000 TIME IS RUNNING OUT TO CAST YOUR VOTE FOR VIDEO OF THE YEAR, 2115 01:35:06,000 --> 01:35:07,868 TIME IS RUNNING OUT TO CAST YOUR VOTE FOR VIDEO OF THE YEAR, 2116 01:35:07,935 --> 01:35:09,804 PRESENTED BY RAM TRUCKS. 2117 01:35:09,870 --> 01:35:12,000 GO TO THE CMT MUSIC AWARDS FACEBOOK PAGE AND COMMENT RIGHT 2118 01:35:12,000 --> 01:35:13,074 GO TO THE CMT MUSIC AWARDS FACEBOOK PAGE AND COMMENT RIGHT 2119 01:35:13,140 --> 01:35:16,710 NOW TO VOTE AND FIND OUT WHO WINS IN JUST A BIT. 2120 01:35:16,777 --> 01:35:18,000 THE CMT MUSIC AWARDS CONTINUES. 2121 01:35:18,000 --> 01:35:19,180 THE CMT MUSIC AWARDS CONTINUES. 2122 01:35:19,246 --> 01:35:20,014 LIVE FROM AUSTIN, TEXAS. 2123 01:35:20,081 --> 01:35:21,082 THIS IS CBS. 2124 01:35:40,201 --> 01:35:42,000 >> PLEASE WELCOME THE ARTIST WITH THE MOST CMT MUSIC AWARD 2125 01:35:42,000 --> 01:35:42,303 >> PLEASE WELCOME THE ARTIST WITH THE MOST CMT MUSIC AWARD 2126 01:35:42,369 --> 01:35:43,204 WINS EVER. 2127 01:35:43,270 --> 01:35:46,140 AND SHE'S UP FOR ANOTHER ONE LATER TONIGHT. 2128 01:35:46,207 --> 01:35:48,000 CARRIE UNDERWOOD. 2129 01:35:48,000 --> 01:35:51,145 CARRIE UNDERWOOD. 2130 01:35:51,212 --> 01:35:53,547 >> EARLIER THIS WEEK DARIUS RUCKER TOOK THE STAGE HERE IN 2131 01:35:53,614 --> 01:35:54,000 AUSTIN WITH THE BLACK CROWS FOR AN UPCOMING EPISODE OF "CMT 2132 01:35:54,000 --> 01:35:57,852 AUSTIN WITH THE BLACK CROWS FOR AN UPCOMING EPISODE OF "CMT 2133 01:35:57,918 --> 01:35:58,986 CROSSROADS THIS MAY. 2134 01:35:59,053 --> 01:36:00,000 NOW THEY ARE PERFORMING ONE OF MY FAVORITES "SHE TALKS TO 2135 01:36:00,000 --> 01:36:02,523 NOW THEY ARE PERFORMING ONE OF MY FAVORITES "SHE TALKS TO 2136 01:36:02,590 --> 01:36:04,658 ANGELS." 2137 01:36:04,725 --> 01:36:06,000 IT'S THE BLACK CROWES AND DARIUS RUCKER!! 2138 01:36:06,000 --> 01:36:06,861 IT'S THE BLACK CROWES AND DARIUS RUCKER!! 2139 01:36:06,927 --> 01:36:12,000 ♪ SHE NEVER MENTIONS ♪ ♪ THE WORD ADDICTION ♪ 2140 01:36:12,000 --> 01:36:18,000 ♪ SHE NEVER MENTIONS ♪ ♪ THE WORD ADDICTION ♪ 2141 01:36:18,000 --> 01:36:21,809 ♪ SHE NEVER MENTIONS ♪ ♪ THE WORD ADDICTION ♪ 2142 01:36:21,876 --> 01:36:23,844 ♪ SHE NEVER MENTIONS ♪ ♪ THE WORD ADDICTION ♪ 2143 01:36:23,911 --> 01:36:24,000 ♪ IN CERTAIN COMPANY ♪ ♪ YES, SHE TELLS YOU ♪ 2144 01:36:24,000 --> 01:36:29,416 ♪ IN CERTAIN COMPANY ♪ ♪ YES, SHE TELLS YOU ♪ 2145 01:36:29,483 --> 01:36:30,000 ♪ SHE'S AN ORPHAN ♪ ♪ AFTER YOU MEET HER FAMILY ♪ 2146 01:36:30,000 --> 01:36:36,000 ♪ SHE'S AN ORPHAN ♪ ♪ AFTER YOU MEET HER FAMILY ♪ 2147 01:36:36,000 --> 01:36:42,000 ♪ SHE'S AN ORPHAN ♪ ♪ AFTER YOU MEET HER FAMILY ♪ 2148 01:36:42,000 --> 01:36:42,129 ♪ SHE'S AN ORPHAN ♪ ♪ AFTER YOU MEET HER FAMILY ♪ 2149 01:36:46,400 --> 01:36:48,000 ♪ SHE PAINTS HER EYES ♪ ♪ AS BLACK AS NIGHT NOW ♪ 2150 01:36:48,000 --> 01:36:51,739 ♪ SHE PAINTS HER EYES ♪ ♪ AS BLACK AS NIGHT NOW ♪ 2151 01:36:51,805 --> 01:36:54,000 ♪ SHE PULLS THOSE SHADES ♪ ♪ DOWN TIGHT ♪ 2152 01:36:54,000 --> 01:37:00,000 ♪ SHE PULLS THOSE SHADES ♪ ♪ DOWN TIGHT ♪ 2153 01:37:00,000 --> 01:37:02,683 ♪ SHE PULLS THOSE SHADES ♪ ♪ DOWN TIGHT ♪ 2154 01:37:02,750 --> 01:37:06,000 MY GIRL, GIVE A SMILE ♪ ♪ WHEN THE PAIN COMES ♪ 2155 01:37:06,000 --> 01:37:09,256 MY GIRL, GIVE A SMILE ♪ ♪ WHEN THE PAIN COMES ♪ 2156 01:37:09,323 --> 01:37:12,000 ♪ THE PAIN THE ONLY THING ♪ ♪ TO MAKE IT ALL RIGHT 2157 01:37:12,000 --> 01:37:15,329 ♪ THE PAIN THE ONLY THING ♪ ♪ TO MAKE IT ALL RIGHT 2158 01:37:15,396 --> 01:37:18,000 ♪ SAYS SHE TALKS TO ANGELS ♪ ♪ THEY CALL HER OUT ♪ 2159 01:37:18,000 --> 01:37:20,100 ♪ SAYS SHE TALKS TO ANGELS ♪ ♪ THEY CALL HER OUT ♪ 2160 01:37:20,167 --> 01:37:24,000 ♪ BY HER NAME ♪ ♪ OH, YEAH, YOU KNOW 2161 01:37:24,000 --> 01:37:29,176 ♪ BY HER NAME ♪ ♪ OH, YEAH, YOU KNOW 2162 01:37:29,243 --> 01:37:30,000 SHE TALKS TO ANGELS ♪ ♪ THEY CALL HER OUT ♪ 2163 01:37:30,000 --> 01:37:33,380 SHE TALKS TO ANGELS ♪ ♪ THEY CALL HER OUT ♪ 2164 01:37:33,447 --> 01:37:36,000 ♪ BY HER NAME ♪ ♪ SHE KEEPS A LOCK OF HAIR ♪ 2165 01:37:36,000 --> 01:37:37,718 ♪ BY HER NAME ♪ ♪ SHE KEEPS A LOCK OF HAIR ♪ 2166 01:37:37,785 --> 01:37:42,000 ♪ IN HER POCKET ♪ ♪ SHE WEARS A CROSS ♪ 2167 01:37:42,000 --> 01:37:44,458 ♪ IN HER POCKET ♪ ♪ SHE WEARS A CROSS ♪ 2168 01:37:44,525 --> 01:37:48,000 ♪ AROUND HER NECK ♪ ♪ YES, THE HAIR ♪ 2169 01:37:48,000 --> 01:37:51,131 ♪ AROUND HER NECK ♪ ♪ YES, THE HAIR ♪ 2170 01:37:51,198 --> 01:37:54,000 ♪ IS FROM A LITTLE BOY ♪ ♪ THE CROSS IS SOMEONE ♪ 2171 01:37:54,000 --> 01:37:57,671 ♪ IS FROM A LITTLE BOY ♪ ♪ THE CROSS IS SOMEONE ♪ 2172 01:37:57,738 --> 01:38:00,000 ♪ SHE HAS NOT MET ♪ ♪ NOT YET ♪ 2173 01:38:00,000 --> 01:38:05,512 ♪ SHE HAS NOT MET ♪ ♪ NOT YET ♪ 2174 01:38:05,579 --> 01:38:06,000 ♪ YEAH SHE TALKS TO ANGELS ♪ ♪ THEY CALL HER OUT 2175 01:38:06,000 --> 01:38:12,000 ♪ YEAH SHE TALKS TO ANGELS ♪ ♪ THEY CALL HER OUT 2176 01:38:12,000 --> 01:38:15,389 ♪ YEAH SHE TALKS TO ANGELS ♪ ♪ THEY CALL HER OUT 2177 01:38:15,456 --> 01:38:18,000 BY HER NAME ♪ ♪ OH, YEAH ♪ 2178 01:38:18,000 --> 01:38:18,359 BY HER NAME ♪ ♪ OH, YEAH ♪ 2179 01:38:18,425 --> 01:38:24,000 ♪ SHE TALKS TO ANGELS ♪ ♪ SAYS THEY CALL HER OUT ♪ 2180 01:38:24,000 --> 01:38:25,599 ♪ SHE TALKS TO ANGELS ♪ ♪ SAYS THEY CALL HER OUT ♪ 2181 01:38:25,666 --> 01:38:30,000 ♪ BY HER NAME ♪ ♪ SHE DON'T KNOW NO LOVER ♪ 2182 01:38:30,000 --> 01:38:36,000 ♪ BY HER NAME ♪ ♪ SHE DON'T KNOW NO LOVER ♪ 2183 01:38:36,000 --> 01:38:37,811 ♪ BY HER NAME ♪ ♪ SHE DON'T KNOW NO LOVER ♪ 2184 01:38:37,878 --> 01:38:42,000 ♪ NONE THAT I EVER SEEN ♪ ♪ BUT TO HER ♪ 2185 01:38:42,000 --> 01:38:48,000 ♪ NONE THAT I EVER SEEN ♪ ♪ BUT TO HER ♪ 2186 01:38:48,000 --> 01:38:48,722 ♪ NONE THAT I EVER SEEN ♪ ♪ BUT TO HER ♪ 2187 01:38:48,789 --> 01:38:54,000 ♪ THAT DON'T MEAN NOTHIN' ♪ ♪ BUT TO ME ♪ 2188 01:38:54,000 --> 01:38:56,597 ♪ THAT DON'T MEAN NOTHIN' ♪ ♪ BUT TO ME ♪ 2189 01:38:56,664 --> 01:39:00,000 ♪ DON'T YOU KNOW ♪ ♪ MEANS EVERYTHING ♪ 2190 01:39:00,000 --> 01:39:00,200 ♪ DON'T YOU KNOW ♪ ♪ MEANS EVERYTHING ♪ 2191 01:39:00,267 --> 01:39:05,973 ♪ SHE PAINTS HER EYES ♪ ♪ AS BLACK AS NIGHT, NOW ♪ 2192 01:39:06,040 --> 01:39:12,000 ♪ SHE PULLS THOSE SHADES DOWN TIGHT ♪ 2193 01:39:12,000 --> 01:39:13,213 ♪ SHE PULLS THOSE SHADES DOWN TIGHT ♪ 2194 01:39:13,280 --> 01:39:18,000 OH, YEAH ♪ MY GIRL, SHE WANTS TO 2195 01:39:18,000 --> 01:39:20,187 OH, YEAH ♪ MY GIRL, SHE WANTS TO 2196 01:39:20,254 --> 01:39:24,000 GIVE A SMILE ♪ ♪ WHEN THE PAIN COMES ♪ 2197 01:39:24,000 --> 01:39:25,659 GIVE A SMILE ♪ ♪ WHEN THE PAIN COMES ♪ 2198 01:39:25,726 --> 01:39:28,662 ♪ THE PAIN THE ONLY THING ♪ ♪ TO MAKE IT ALL RIGHT ♪ 2199 01:39:28,729 --> 01:39:30,000 ♪ SHE TALKS TO ANGELS ♪ ♪ THEY CALL HER OUT ♪ 2200 01:39:30,000 --> 01:39:36,000 ♪ SHE TALKS TO ANGELS ♪ ♪ THEY CALL HER OUT ♪ 2201 01:39:36,000 --> 01:39:36,236 ♪ SHE TALKS TO ANGELS ♪ ♪ THEY CALL HER OUT ♪ 2202 01:39:36,303 --> 01:39:40,374 ♪ BY HER NAME ♪ ♪ OH, YEAH ♪ 2203 01:39:40,441 --> 01:39:42,000 ♪ SHE TALKS TO ANGELS ♪ ♪ THEY CALL HER OUT ♪ 2204 01:39:42,000 --> 01:39:47,281 ♪ SHE TALKS TO ANGELS ♪ ♪ THEY CALL HER OUT ♪ 2205 01:39:47,348 --> 01:39:48,000 ♪ BY HER NAME ♪ ♪ OH, YEAH ♪ 2206 01:39:48,000 --> 01:39:53,854 ♪ BY HER NAME ♪ ♪ OH, YEAH ♪ 2207 01:39:53,921 --> 01:39:54,000 ♪ SHE TALKS TO ANGELS ♪ ♪ THEY CALL HER OUT ♪ 2208 01:39:54,000 --> 01:39:59,827 ♪ SHE TALKS TO ANGELS ♪ ♪ THEY CALL HER OUT ♪ 2209 01:39:59,893 --> 01:40:00,000 ♪ BY HER NAME ♪ ♪ YES THEY DID ♪ 2210 01:40:00,000 --> 01:40:06,000 ♪ BY HER NAME ♪ ♪ YES THEY DID ♪ 2211 01:40:06,000 --> 01:40:08,936 ♪ BY HER NAME ♪ ♪ YES THEY DID ♪ 2212 01:40:09,002 --> 01:40:12,000 ♪ SHE TALKS TO ANGELS ♪ ♪ BY HER NAME ♪ 2213 01:40:12,000 --> 01:40:13,640 ♪ SHE TALKS TO ANGELS ♪ ♪ BY HER NAME ♪ 2214 01:40:13,707 --> 01:40:18,000 ♪ OH, YEAH ♪ ♪ DON'T YOU KNOW 2215 01:40:18,000 --> 01:40:18,112 ♪ OH, YEAH ♪ ♪ DON'T YOU KNOW 2216 01:40:18,178 --> 01:40:20,481 THEY CALL HER OUT ♪ ♪ CALL HER OUT ♪ 2217 01:40:20,547 --> 01:40:24,000 ♪ CALL HER OUT ♪ ♪ DON'T YOU KNOW ♪ 2218 01:40:24,000 --> 01:40:26,086 ♪ CALL HER OUT ♪ ♪ DON'T YOU KNOW ♪ 2219 01:40:26,153 --> 01:40:30,000 ♪ CALL HER OUT ♪ ♪ BY HER NAME ♪ 2220 01:40:30,000 --> 01:40:33,360 ♪ CALL HER OUT ♪ ♪ BY HER NAME ♪ 2221 01:40:39,666 --> 01:40:41,635 [CHEERS AND APPLAUSE] >> SHE'S ONE OF THE MOST 2222 01:40:41,702 --> 01:40:42,000 POWERFUL VOICES IN COUNTRY. 2223 01:40:42,000 --> 01:40:42,569 POWERFUL VOICES IN COUNTRY. 2224 01:40:42,636 --> 01:40:48,000 PLEASE WELCOME LEANN RIMES. 2225 01:40:48,000 --> 01:40:54,000 PLEASE WELCOME LEANN RIMES. 2226 01:40:54,000 --> 01:40:55,015 PLEASE WELCOME LEANN RIMES. 2227 01:40:55,082 --> 01:40:58,419 >> HELLO, EVERYONE! 2228 01:40:58,485 --> 01:41:00,000 WHAT AN INCREDIBLE PERFORMANCE. 2229 01:41:00,000 --> 01:41:00,187 WHAT AN INCREDIBLE PERFORMANCE. 2230 01:41:00,254 --> 01:41:06,000 THAT WAS A DREAM COME TRUE. 2231 01:41:06,000 --> 01:41:06,126 THAT WAS A DREAM COME TRUE. 2232 01:41:06,193 --> 01:41:08,295 WE ARE GOING TO SHOW THE MEN OF COUNTRIES AND LOVE. 2233 01:41:08,362 --> 01:41:12,000 THESE GUYS HAVE TURNED OUT TRULY UNFORGETTABLE SONGS AND VIDEOS 2234 01:41:12,000 --> 01:41:12,800 THESE GUYS HAVE TURNED OUT TRULY UNFORGETTABLE SONGS AND VIDEOS 2235 01:41:12,866 --> 01:41:14,802 THIS YEAR SO SOME MUCH-NEEDED RECOGNITION IS IN ORDER. 2236 01:41:14,868 --> 01:41:18,000 HERE ARE THE NOMINEES FOR BEST MALE VIDEO OF THE YEAR. 2237 01:41:18,000 --> 01:41:20,874 HERE ARE THE NOMINEES FOR BEST MALE VIDEO OF THE YEAR. 2238 01:41:20,941 --> 01:41:24,000 "ROCK AND A HARD PLACE" BAILEY ZIMMERMAN. 2239 01:41:24,000 --> 01:41:24,845 "ROCK AND A HARD PLACE" BAILEY ZIMMERMAN. 2240 01:41:24,912 --> 01:41:30,000 "HUMAN" CODY JOHNSON. 2241 01:41:30,000 --> 01:41:30,150 "HUMAN" CODY JOHNSON. 2242 01:41:30,217 --> 01:41:32,719 "SHE HAD ME AT HEADS CAROLINA" COLE SWINDELL 2243 01:41:32,786 --> 01:41:34,221 "SON OF A SINNER" JELLY ROLL 2244 01:41:34,288 --> 01:41:36,000 "LIKE I LOVE COUNTRY MUSIC" KANE BROWN. 2245 01:41:36,000 --> 01:41:36,790 "LIKE I LOVE COUNTRY MUSIC" KANE BROWN. 2246 01:41:36,857 --> 01:41:40,494 "THE KIND OF LOVE WE MAKE" LUKE COMBS. 2247 01:41:40,561 --> 01:41:42,000 "WASTED ON YOU" MORGAN WALLEN. 2248 01:41:42,000 --> 01:41:45,466 "WASTED ON YOU" MORGAN WALLEN. 2249 01:41:45,532 --> 01:41:47,734 MALE VIDEO OF THE YEAR. 2250 01:41:47,801 --> 01:41:48,000 >> AND THE WINNER IS... 2251 01:41:48,000 --> 01:41:53,040 >> AND THE WINNER IS... 2252 01:41:53,106 --> 01:41:54,000 JELLY ROLL! 2253 01:41:54,000 --> 01:41:54,575 JELLY ROLL! 2254 01:41:54,641 --> 01:42:00,000 "SON OF A SINNER." 2255 01:42:00,000 --> 01:42:04,184 "SON OF A SINNER." 2256 01:42:08,422 --> 01:42:10,424 [CHEERS AND APPLAUSE] ♪ ♪ 2257 01:42:48,262 --> 01:42:50,264 ♪ ♪ [CHEERS AND APPLAUSE] 2258 01:43:26,266 --> 01:43:29,670 >> I LOVE Y'ALL SO MUCH. 2259 01:43:29,736 --> 01:43:30,000 THANK YOU, CMT, BABY! 2260 01:43:30,000 --> 01:43:30,270 THANK YOU, CMT, BABY! 2261 01:43:30,337 --> 01:43:35,208 THREE AWARDS IN ONE NIGHT! 2262 01:43:35,275 --> 01:43:36,000 I HOPE Y'ALL GIVE ME A SECOND HERE. 2263 01:43:36,000 --> 01:43:40,147 I HOPE Y'ALL GIVE ME A SECOND HERE. 2264 01:43:40,213 --> 01:43:41,448 I'M A LITTLE EMOTIONAL. 2265 01:43:41,515 --> 01:43:42,000 I STARTED DRINKING. 2266 01:43:42,000 --> 01:43:42,316 I STARTED DRINKING. 2267 01:43:42,382 --> 01:43:47,187 I DIDN'T THINK I WAS GOING TO WIN AGAIN. 2268 01:43:47,254 --> 01:43:48,000 IT MAY HAVE LOOKED LIKE IT WAS ONLY 30 YARDS, BUT IT TOOK ME 39 2269 01:43:48,000 --> 01:43:51,425 IT MAY HAVE LOOKED LIKE IT WAS ONLY 30 YARDS, BUT IT TOOK ME 39 2270 01:43:51,491 --> 01:43:54,000 YEARS TO WALK FROM OVER THERE TO WRITE HERE. 2271 01:43:54,000 --> 01:43:58,131 YEARS TO WALK FROM OVER THERE TO WRITE HERE. 2272 01:43:58,198 --> 01:44:00,000 IN I WANT YOU TO KNOW THAT I DON'T KNOW WHAT YOU'RE GOING 2273 01:44:00,000 --> 01:44:00,767 IN I WANT YOU TO KNOW THAT I DON'T KNOW WHAT YOU'RE GOING 2274 01:44:00,834 --> 01:44:03,403 THROUGH AND I DON'T KNOW WHAT YOU'VE BEEN THROUGH BUT I KNOW 2275 01:44:03,470 --> 01:44:03,937 YOU CAN OVERCOME IT. 2276 01:44:04,004 --> 01:44:06,000 I PROMISE YOU YOU CAN. 2277 01:44:06,000 --> 01:44:09,409 I PROMISE YOU YOU CAN. 2278 01:44:09,476 --> 01:44:11,578 AND YOU CAN BE WHATEVER YOU WANT TO BE. 2279 01:44:11,645 --> 01:44:12,000 I PROMISE YOU THAT. 2280 01:44:12,000 --> 01:44:12,746 I PROMISE YOU THAT. 2281 01:44:12,813 --> 01:44:15,048 I TOLD THEM I WANTED TO BE A COUNTRY MUSIC SINGER AND I'VE 2282 01:44:15,115 --> 01:44:18,000 SEEN HERE AT THE CMT AWARDS WITH THE MALE VIDEO OF THE YEAR, BA 2283 01:44:18,000 --> 01:44:21,321 SEEN HERE AT THE CMT AWARDS WITH THE MALE VIDEO OF THE YEAR, BA 2284 01:44:21,388 --> 01:44:24,000 BABY! 2285 01:44:24,000 --> 01:44:24,324 BABY! 2286 01:44:24,391 --> 01:44:27,294 WHEN GOD HAS GOT SOMETHING FOR YOU, NOTHING CAN GET IN YOUR 2287 01:44:27,361 --> 01:44:28,362 WAY. 2288 01:44:28,428 --> 01:44:30,000 MAMA, I KNOW YOU'RE WATCHING. 2289 01:44:30,000 --> 01:44:30,163 MAMA, I KNOW YOU'RE WATCHING. 2290 01:44:30,230 --> 01:44:31,598 MAMA, LOOK AT YOUR BABY BOY. 2291 01:44:31,665 --> 01:44:36,000 I'M FIXING TO GET DRUNK DOWN DOWNTOWN. 2292 01:44:36,000 --> 01:44:41,908 I'M FIXING TO GET DRUNK DOWN DOWNTOWN. 2293 01:44:41,975 --> 01:44:42,000 I WANT TO THANK COUNTRY RADIO FOR ACCEPTING ME KNOWING WHO I 2294 01:44:42,000 --> 01:44:45,545 I WANT TO THANK COUNTRY RADIO FOR ACCEPTING ME KNOWING WHO I 2295 01:44:45,612 --> 01:44:48,000 WAS LETTING ME DO IT MY WAY THE WHOLE WAY TO THE STAGE TONIGHT. 2296 01:44:48,000 --> 01:44:49,783 WAS LETTING ME DO IT MY WAY THE WHOLE WAY TO THE STAGE TONIGHT. 2297 01:44:49,850 --> 01:44:52,085 THAT MEANS THE WORLD TO ME, Y'ALL. 2298 01:44:52,152 --> 01:44:54,000 I WANT TO THANK THE COUNTRY MUSIC COMMUNITY FOR STANDING 2299 01:44:54,000 --> 01:44:54,521 I WANT TO THANK THE COUNTRY MUSIC COMMUNITY FOR STANDING 2300 01:44:54,588 --> 01:44:56,623 BEHIND ME AND STANDING NEXT TO ME THROUGH ALL THIS AND FOR 2301 01:44:56,690 --> 01:44:58,291 EVERYBODY IN THIS CROWD, LISTEN CLOSE. 2302 01:44:58,358 --> 01:45:00,000 THIS WILL BE THE MOST IMPORTANT THING I SAY TONIGHT. 2303 01:45:00,000 --> 01:45:03,397 THIS WILL BE THE MOST IMPORTANT THING I SAY TONIGHT. 2304 01:45:03,463 --> 01:45:05,465 WE ARE SHUTTING SIXTH STREET DOWN TONIGHT, BABY! 2305 01:45:09,936 --> 01:45:11,038 >> COMING UP, AN EPIC PERFORMANCE 2306 01:45:11,104 --> 01:45:12,000 FROM ALANIS MORISSETTE WITH COUNTRY'S RISING STARS 2307 01:45:12,000 --> 01:45:15,175 FROM ALANIS MORISSETTE WITH COUNTRY'S RISING STARS 2308 01:45:15,242 --> 01:45:17,377 LAINEY WILSON, INGRID ANDRESS, MADELINE EDWARDS, 2309 01:45:17,444 --> 01:45:18,000 AND MORGAN WADE, PLUS CARRIE UNDERWOOD LIGHTS UP 2310 01:45:18,000 --> 01:45:20,047 AND MORGAN WADE, PLUS CARRIE UNDERWOOD LIGHTS UP 2311 01:45:20,113 --> 01:45:23,183 DOWNTOWN AUSTIN. 2312 01:45:23,250 --> 01:45:24,000 THE ALL-STARS OF COUNTRY AND ROCK CELEBRATE THE LEGENDRY 2313 01:45:24,000 --> 01:45:24,217 THE ALL-STARS OF COUNTRY AND ROCK CELEBRATE THE LEGENDRY 2314 01:45:24,284 --> 01:45:26,853 LYNYRD SKYNYRD. 2315 01:45:26,920 --> 01:45:27,988 FOLLOW @CMT EVERYWHERE FOR MORE BEHIND THE SCENES AT THE 2316 01:45:28,055 --> 01:45:30,000 CMT MUSIC AWARDS! 2317 01:45:30,000 --> 01:45:33,193 CMT MUSIC AWARDS! 2318 01:45:33,260 --> 01:45:36,000 >> THE 2023 CMT MUSIC AWARDS SPONSORED BY 2319 01:45:36,000 --> 01:45:36,997 >> THE 2023 CMT MUSIC AWARDS SPONSORED BY 2320 01:45:37,064 --> 01:45:37,964 PROGRESSIVE. 2321 01:45:38,031 --> 01:45:38,899 SAVE WHEN YOU BUNDLE AUTO, HOME, OR MOTORCYCLE 2322 01:45:38,965 --> 01:45:39,466 INSURANCE. 2323 01:45:55,215 --> 01:45:59,619 >> PLEASE WELCOME BACK CARLY PEARCE! 2324 01:45:59,686 --> 01:46:00,000 >> 10 YEARS AGO, CMT LAUNCHED ITS NEXT WOMEN OF COUNTRY 2325 01:46:00,000 --> 01:46:02,355 >> 10 YEARS AGO, CMT LAUNCHED ITS NEXT WOMEN OF COUNTRY 2326 01:46:02,422 --> 01:46:06,000 PROGRAM, A MEANINGFUL AND THIS GROUNDBREAKING 2327 01:46:06,000 --> 01:46:07,160 PROGRAM, A MEANINGFUL AND THIS GROUNDBREAKING 2328 01:46:07,227 --> 01:46:08,729 INITIATIVE HIGHLIGHTS A NEW CLASS OF RISING WOMEN 2329 01:46:08,795 --> 01:46:10,597 AND PROVIDES THEM WITH CAREER-CHANGING OPPORTUNITIES. 2330 01:46:10,664 --> 01:46:12,000 SINCE THEN, OVER 100 ARTISTS, INCLUDING MYSELF, HAVE BEEN 2331 01:46:12,000 --> 01:46:17,170 SINCE THEN, OVER 100 ARTISTS, INCLUDING MYSELF, HAVE BEEN 2332 01:46:17,237 --> 01:46:18,000 SUPPORTED THROUGH THE PROGRAM, OPENING DOORS AND MAKING CLEAR 2333 01:46:18,000 --> 01:46:21,141 SUPPORTED THROUGH THE PROGRAM, OPENING DOORS AND MAKING CLEAR 2334 01:46:21,208 --> 01:46:24,000 THAT OUR VOICES ARE VITAL TO COUNTRY MUSIC. 2335 01:46:24,000 --> 01:46:28,014 THAT OUR VOICES ARE VITAL TO COUNTRY MUSIC. 2336 01:46:28,081 --> 01:46:30,000 TONIGHT, FOUR OF THEM ARE HERE TO PERFORM WITH A WOMAN WHOSE 2337 01:46:30,000 --> 01:46:31,752 TONIGHT, FOUR OF THEM ARE HERE TO PERFORM WITH A WOMAN WHOSE 2338 01:46:31,818 --> 01:46:36,000 MUSIC BECAME THE DEFINING SOUNDTRACK FOR GENERATION X. 2339 01:46:36,000 --> 01:46:37,591 MUSIC BECAME THE DEFINING SOUNDTRACK FOR GENERATION X. 2340 01:46:37,657 --> 01:46:40,093 HER ALBUM "JAGGED LITTLE PILL" IS ONE OF THE BEST-SELLING 2341 01:46:40,160 --> 01:46:41,728 ALBUMS OF ALL TIME AND THE SONG "YOU OUGHTA KNOW" BECAME AN 2342 01:46:41,795 --> 01:46:42,000 ANTHEM FOR WOMEN. 2343 01:46:42,000 --> 01:46:48,000 ANTHEM FOR WOMEN. 2344 01:46:48,000 --> 01:46:49,669 ANTHEM FOR WOMEN. 2345 01:46:49,736 --> 01:46:50,904 WITH THE PERFORMANCE HONORING THE 10-YEAR ANNIVERSARY OF NEXT 2346 01:46:50,971 --> 01:46:54,000 WOMEN OF COUNTRY, PLEASE WELCOME LAINEY WILSON, 2347 01:46:54,000 --> 01:46:54,341 WOMEN OF COUNTRY, PLEASE WELCOME LAINEY WILSON, 2348 01:46:54,407 --> 01:46:55,709 INGRID ANDRESS, MADELINE EDWARDS, AND MORGAN 2349 01:46:55,776 --> 01:47:00,000 WADE, WITH THE ONE AND ONLY ALANIS MORRISSETTE! 2350 01:47:00,000 --> 01:47:02,649 WADE, WITH THE ONE AND ONLY ALANIS MORRISSETTE! 2351 01:47:02,716 --> 01:47:06,000 ♪ I WANT YOU TO KNOW ♪ ♪ THAT I'M HAPPY FOR YOU ♪ 2352 01:47:06,000 --> 01:47:10,991 ♪ I WANT YOU TO KNOW ♪ ♪ THAT I'M HAPPY FOR YOU ♪ 2353 01:47:11,057 --> 01:47:12,000 ♪ I WISH NOTHING BUT ♪ ♪ THE BEST FOR YOU BOTH ♪ 2354 01:47:12,000 --> 01:47:18,000 ♪ I WISH NOTHING BUT ♪ ♪ THE BEST FOR YOU BOTH ♪ 2355 01:47:18,000 --> 01:47:20,300 ♪ I WISH NOTHING BUT ♪ ♪ THE BEST FOR YOU BOTH ♪ 2356 01:47:20,367 --> 01:47:24,000 ♪ AN OLDER VERSION OF ME ♪ ♪ IS SHE PERVERTED LIKE ME? ♪ 2357 01:47:24,000 --> 01:47:24,171 ♪ AN OLDER VERSION OF ME ♪ ♪ IS SHE PERVERTED LIKE ME? ♪ 2358 01:47:24,237 --> 01:47:30,000 ♪ WOULD SHE ♪ ON YOU IN A THEATER ♪ 2359 01:47:30,000 --> 01:47:32,746 ♪ WOULD SHE ♪ ON YOU IN A THEATER ♪ 2360 01:47:32,813 --> 01:47:33,980 ♪ DOES SHE SPEAK ELOQUENTLY? ♪ ♪ AND WOULD SHE HAVE YOUR 2361 01:47:34,047 --> 01:47:35,081 BABY? ♪ ♪ I'M SURE SHE'D MAKE ♪ 2362 01:47:35,148 --> 01:47:36,000 ♪ A REALLY EXCELLENT MOTHER ♪ ♪ 'CAUSE THE LOVE ♪ 2363 01:47:36,000 --> 01:47:40,787 ♪ A REALLY EXCELLENT MOTHER ♪ ♪ 'CAUSE THE LOVE ♪ 2364 01:47:40,854 --> 01:47:41,955 ♪ THAT YOU GAVE ♪ ♪ THAT WE MADE ♪ 2365 01:47:42,022 --> 01:47:43,690 ♪ WASN'T ABLE TO MAKE IT ENOUGH ♪ 2366 01:47:43,757 --> 01:47:47,994 ♪ FOR YOU TO BE OPEN WIDE ♪ ♪ NO ♪ 2367 01:47:48,061 --> 01:47:50,463 ♪ AND EVERY TIME YOU ♪ ♪ SPEAK HER NAME ♪ 2368 01:47:50,530 --> 01:47:53,266 ♪ DOES SHE KNOW HOW YOU TOLD ME ♪ 2369 01:47:53,333 --> 01:47:54,000 ♪ YOU'D HOLD ME UNTIL YOU DIED ♪ ♪ TILL YOU DIED ♪ 2370 01:47:54,000 --> 01:47:55,335 ♪ YOU'D HOLD ME UNTIL YOU DIED ♪ ♪ TILL YOU DIED ♪ 2371 01:47:55,402 --> 01:48:00,000 ♪ BUT YOU'RE STILL ALIVE ♪ ♪ AND I'M HERE ♪ 2372 01:48:00,000 --> 01:48:00,941 ♪ BUT YOU'RE STILL ALIVE ♪ ♪ AND I'M HERE ♪ 2373 01:48:01,007 --> 01:48:03,743 ♪ TO REMIND YOU ♪ ♪ OF THE MESS YOU LEFT ♪ 2374 01:48:03,810 --> 01:48:06,000 ♪ WHEN YOU WENT AWAY ♪ ♪ IT'S NOT FAIR ♪ 2375 01:48:06,000 --> 01:48:07,948 ♪ WHEN YOU WENT AWAY ♪ ♪ IT'S NOT FAIR ♪ 2376 01:48:08,014 --> 01:48:12,000 ♪ TO DENY ME ♪ ♪ OF THE CROSS I BEAR ♪ 2377 01:48:12,000 --> 01:48:13,053 ♪ TO DENY ME ♪ ♪ OF THE CROSS I BEAR ♪ 2378 01:48:13,119 --> 01:48:16,323 ♪ THAT YOU GAVE TO ME ♪ ♪ YOU, YOU, YOU ♪ 2379 01:48:16,389 --> 01:48:18,000 ♪ OUGHTA KNOW ♪ ♪ YOU SEEM VERY WELL ♪ 2380 01:48:18,000 --> 01:48:24,000 ♪ OUGHTA KNOW ♪ ♪ YOU SEEM VERY WELL ♪ 2381 01:48:24,000 --> 01:48:24,130 ♪ OUGHTA KNOW ♪ ♪ YOU SEEM VERY WELL ♪ 2382 01:48:24,197 --> 01:48:30,000 ♪ THINGS LOOK PEACEFUL ♪ ♪ I'M NOT QUITE AS WELL ♪ 2383 01:48:30,000 --> 01:48:32,272 ♪ THINGS LOOK PEACEFUL ♪ ♪ I'M NOT QUITE AS WELL ♪ 2384 01:48:32,339 --> 01:48:36,000 ♪ I THOUGHT YOU SHOULD KNOW ♪ ♪ DID YOU FORGET ABOUT ME ♪ 2385 01:48:36,000 --> 01:48:39,012 ♪ I THOUGHT YOU SHOULD KNOW ♪ ♪ DID YOU FORGET ABOUT ME ♪ 2386 01:48:39,079 --> 01:48:42,000 ♪ MR. DUPLICITY ♪ ♪ I HATE TO BUG YOU ♪ 2387 01:48:42,000 --> 01:48:42,249 ♪ MR. DUPLICITY ♪ ♪ I HATE TO BUG YOU ♪ 2388 01:48:42,315 --> 01:48:48,000 ♪ IN THE MIDDLE OF DINNER ♪ ♪ IT WAS A SLAP IN THE FACE ♪ 2389 01:48:48,000 --> 01:48:50,190 ♪ IN THE MIDDLE OF DINNER ♪ ♪ IT WAS A SLAP IN THE FACE ♪ 2390 01:48:50,257 --> 01:48:54,000 ♪ HOW QUICKLY I WAS REPLACED ♪ ♪ AND ARE YOU THINKING OF ME ♪ 2391 01:48:54,000 --> 01:48:57,197 ♪ HOW QUICKLY I WAS REPLACED ♪ ♪ AND ARE YOU THINKING OF ME ♪ 2392 01:48:57,264 --> 01:48:58,431 ♪ WHEN YOU ♪ ♪ 'CAUSE THE LOVE ♪ 2393 01:48:58,498 --> 01:48:59,599 ♪ THAT YOU GAVE ♪ ♪ THAT WE MADE ♪ 2394 01:48:59,666 --> 01:49:00,000 ♪ WASN'T ABLE TO MAKE IT ENOUGH ♪ 2395 01:49:00,000 --> 01:49:01,534 ♪ WASN'T ABLE TO MAKE IT ENOUGH ♪ 2396 01:49:01,601 --> 01:49:06,000 ♪ FOR YOU TO BE OPEN WIDE ♪ ♪ NO ♪ 2397 01:49:06,000 --> 01:49:06,139 ♪ FOR YOU TO BE OPEN WIDE ♪ ♪ NO ♪ 2398 01:49:06,206 --> 01:49:08,174 ♪ AND EVERY TIME ♪ ♪ YOU SPEAK HER NAME ♪ 2399 01:49:08,241 --> 01:49:09,943 ♪ DOES SHE KNOW HOW YOU TOLD ME ♪ 2400 01:49:10,010 --> 01:49:12,000 ♪ YOU'D HOLD ME UNTIL YOU DIED ♪ ♪ 'TIL YOU DIED ♪ 2401 01:49:12,000 --> 01:49:12,579 ♪ YOU'D HOLD ME UNTIL YOU DIED ♪ ♪ 'TIL YOU DIED ♪ 2402 01:49:12,646 --> 01:49:15,649 ♪ BUT YOU'RE STILL ALIVE ♪ ♪ AND I'M HERE ♪ 2403 01:49:15,715 --> 01:49:18,000 ♪ TO REMIND YOU ♪ ♪ OF THE MESS YOU LEFT ♪ 2404 01:49:18,000 --> 01:49:20,787 ♪ TO REMIND YOU ♪ ♪ OF THE MESS YOU LEFT ♪ 2405 01:49:20,854 --> 01:49:24,000 ♪ WHEN YOU WENT AWAY ♪ ♪ IT'S NOT FAIR ♪ 2406 01:49:24,000 --> 01:49:25,859 ♪ WHEN YOU WENT AWAY ♪ ♪ IT'S NOT FAIR ♪ 2407 01:49:25,926 --> 01:49:29,763 ♪ TO DENY ME ♪ ♪ OF THE CROSS I BEAR ♪ 2408 01:49:29,829 --> 01:49:30,000 ♪ THAT YOU GAVE TO ME ♪ ♪ YOU, YOU, YOU ♪ 2409 01:49:30,000 --> 01:49:36,000 ♪ THAT YOU GAVE TO ME ♪ ♪ YOU, YOU, YOU ♪ 2410 01:49:36,000 --> 01:49:38,405 ♪ THAT YOU GAVE TO ME ♪ ♪ YOU, YOU, YOU ♪ 2411 01:49:38,471 --> 01:49:40,774 ♪ OUGHTA KNOW ♪ 2412 01:49:41,708 --> 01:49:42,000 ♪ ♪ ♪ AH, AH, AH ♪ 2413 01:49:42,000 --> 01:49:48,000 ♪ ♪ ♪ AH, AH, AH ♪ 2414 01:49:48,000 --> 01:49:54,000 ♪ ♪ ♪ AH, AH, AH ♪ 2415 01:49:54,000 --> 01:49:56,589 ♪ ♪ ♪ AH, AH, AH ♪ 2416 01:49:56,656 --> 01:50:00,000 ♪ ♪ ♪ AH, AH, AH ♪ 2417 01:50:00,000 --> 01:50:06,000 ♪ ♪ ♪ AH, AH, AH ♪ 2418 01:50:06,000 --> 01:50:09,402 ♪ ♪ ♪ AH, AH, AH ♪ 2419 01:50:09,469 --> 01:50:12,000 ♪ OH, OH, OH ♪ ♪ OH, OH, OH ♪ 2420 01:50:12,000 --> 01:50:18,000 ♪ OH, OH, OH ♪ ♪ OH, OH, OH ♪ 2421 01:50:18,000 --> 01:50:22,682 ♪ OH, OH, OH ♪ ♪ OH, OH, OH ♪ 2422 01:50:22,749 --> 01:50:24,000 ♪ 'CAUSE THE JOKE ♪ ♪ THAT YOU MADE ♪ 2423 01:50:24,000 --> 01:50:24,884 ♪ 'CAUSE THE JOKE ♪ ♪ THAT YOU MADE ♪ 2424 01:50:24,951 --> 01:50:27,187 ♪ IN THE BED THAT WAS ME ♪ ♪ AND I'M NOT GONNA FADE ♪ 2425 01:50:27,253 --> 01:50:30,000 ♪ AS SOON AS YOU CLOSE YOUR EYES ♪ 2426 01:50:30,000 --> 01:50:30,724 ♪ AS SOON AS YOU CLOSE YOUR EYES ♪ 2427 01:50:30,790 --> 01:50:33,660 ♪ AND YOU KNOW IT ♪ ♪ AND EVERY TIME I SCRATCH ♪ 2428 01:50:33,727 --> 01:50:35,996 ♪ MY NAILS ♪ ♪ DOWN SOMEONE ELSE'S BACK ♪ 2429 01:50:36,062 --> 01:50:42,000 ♪ I HOPE YOU FEEL IT ♪ ♪ WELL, CAN YOU FEEL IT? ♪ 2430 01:50:42,000 --> 01:50:42,469 ♪ I HOPE YOU FEEL IT ♪ ♪ WELL, CAN YOU FEEL IT? ♪ 2431 01:50:42,535 --> 01:50:47,640 ♪ YEAH, I'M HERE ♪ ♪ TO REMIND YOU ♪ 2432 01:50:47,707 --> 01:50:48,000 ♪ OF THE MESS YOU LEFT ♪ ♪ WHEN YOU WENT AWAY ♪ 2433 01:50:48,000 --> 01:50:51,144 ♪ OF THE MESS YOU LEFT ♪ ♪ WHEN YOU WENT AWAY ♪ 2434 01:50:51,211 --> 01:50:54,000 ♪ IT'S NOT FAIR ♪ ♪ TO DENY ME ♪ 2435 01:50:54,000 --> 01:50:57,350 ♪ IT'S NOT FAIR ♪ ♪ TO DENY ME ♪ 2436 01:50:57,417 --> 01:50:58,852 ♪ OF THE CROSS I BEAR ♪ ♪ THAT YOU GAVE TO ME ♪ 2437 01:50:58,918 --> 01:51:00,000 ♪ YOU, YOU, YOU ♪ ♪ OUGHTA KNOW WHY I'M HERE ♪ 2438 01:51:00,000 --> 01:51:03,990 ♪ YOU, YOU, YOU ♪ ♪ OUGHTA KNOW WHY I'M HERE ♪ 2439 01:51:04,057 --> 01:51:06,000 ♪ TO REMIND YOU ♪ ♪ OF THE MESS YOU LEFT ♪ 2440 01:51:06,000 --> 01:51:12,000 ♪ TO REMIND YOU ♪ ♪ OF THE MESS YOU LEFT ♪ 2441 01:51:12,000 --> 01:51:12,399 ♪ TO REMIND YOU ♪ ♪ OF THE MESS YOU LEFT ♪ 2442 01:51:12,465 --> 01:51:16,536 ♪ WHEN YOU WENT AWAY ♪ ♪ IT'S NOT FAIR, TO DENY ME ♪ 2443 01:51:16,603 --> 01:51:18,000 ♪ OF THE CROSS I BEAR ♪ ♪ THAT YOU GAVE TO ME ♪ 2444 01:51:18,000 --> 01:51:20,106 ♪ OF THE CROSS I BEAR ♪ ♪ THAT YOU GAVE TO ME ♪ 2445 01:51:20,173 --> 01:51:24,000 ♪ YOU, YOU, YOU ♪ ♪ OUGHTA KNOW ♪ 2446 01:51:24,000 --> 01:51:30,000 ♪ YOU, YOU, YOU ♪ ♪ OUGHTA KNOW ♪ 2447 01:51:30,000 --> 01:51:30,183 ♪ YOU, YOU, YOU ♪ ♪ OUGHTA KNOW ♪ 2448 01:51:30,250 --> 01:51:36,000 [CHEERS AND APPLAUSE] 2449 01:51:36,000 --> 01:51:36,589 [CHEERS AND APPLAUSE] 2450 01:51:43,163 --> 01:51:48,000 >> WITH THE SONG THAT WON HER CMT MUSIC AWARDS NIGHT, 2451 01:51:48,000 --> 01:51:49,469 >> WITH THE SONG THAT WON HER CMT MUSIC AWARDS NIGHT, 2452 01:51:49,536 --> 01:51:54,000 "TENNESSEE ORANGE," HERE TONIGHT ON THE RAM TRUCKS STAGE, 2453 01:51:54,000 --> 01:51:55,508 "TENNESSEE ORANGE," HERE TONIGHT ON THE RAM TRUCKS STAGE, 2454 01:51:55,575 --> 01:51:59,245 IT'S MEGAN MORONEY! 2455 01:51:59,312 --> 01:52:00,000 ♪ TOOK ME TO KNOXVILLE ♪ ♪ LAST SATURDAY ♪ 2456 01:52:00,000 --> 01:52:01,047 ♪ TOOK ME TO KNOXVILLE ♪ ♪ LAST SATURDAY ♪ 2457 01:52:01,114 --> 01:52:02,115 ♪ AND I WORE THE HAT ♪ ♪ ON HIS DASH TO THE GAME ♪ 2458 01:52:02,182 --> 01:52:04,951 ♪ IT SURE WASN'T ATHENS BUT I ♪ ♪ FELL FOR HIM ♪ 2459 01:52:05,018 --> 01:52:06,000 ♪ UNDER THOSE NEYLAND LIGHTS ♪ ♪ I MET SOMEBODY ♪ 2460 01:52:06,000 --> 01:52:09,556 ♪ UNDER THOSE NEYLAND LIGHTS ♪ ♪ I MET SOMEBODY ♪ 2461 01:52:09,622 --> 01:52:12,000 ♪ AND HE'S GOT BLUE EYES ♪ ♪ HE OPENS THE DOOR AND HE ♪ 2462 01:52:12,000 --> 01:52:15,662 ♪ AND HE'S GOT BLUE EYES ♪ ♪ HE OPENS THE DOOR AND HE ♪ 2463 01:52:15,728 --> 01:52:17,764 ♪ DON'T MAKE ME CRY ♪ HE AIN'T ♪ 2464 01:52:17,831 --> 01:52:18,000 ♪ FROM WHERE WE'RE FROM BUT HE ♪ ♪ FEELS LIKE HOME, YEAH ♪ 2465 01:52:18,000 --> 01:52:21,835 ♪ FROM WHERE WE'RE FROM BUT HE ♪ ♪ FEELS LIKE HOME, YEAH ♪ 2466 01:52:21,901 --> 01:52:24,000 ♪ HE'S GOT ME DOIN' THINGS ♪ ♪ I'VE NEVER DONE ♪ 2467 01:52:24,000 --> 01:52:27,040 ♪ HE'S GOT ME DOIN' THINGS ♪ ♪ I'VE NEVER DONE ♪ 2468 01:52:27,107 --> 01:52:30,000 ♪ IN GEORGIA ♪ ♪ THEY'D CALL IT A SIN ♪ 2469 01:52:30,000 --> 01:52:31,311 ♪ IN GEORGIA ♪ ♪ THEY'D CALL IT A SIN ♪ 2470 01:52:31,377 --> 01:52:36,000 ♪ I'M WEARIN' TENNESSEE ORANGE ♪ ♪ FOR HIM ♪ 2471 01:52:36,000 --> 01:52:42,000 ♪ I'M WEARIN' TENNESSEE ORANGE ♪ ♪ FOR HIM ♪ 2472 01:52:42,000 --> 01:52:45,158 ♪ I'M WEARIN' TENNESSEE ORANGE ♪ ♪ FOR HIM ♪ 2473 01:52:45,225 --> 01:52:47,160 [CHEERS AND APPLAUSE] >> VOTING FOR VIDEO OF THE YEAR 2474 01:52:47,227 --> 01:52:48,000 HAS OFFICIALLY CLOSED. 2475 01:52:48,000 --> 01:52:48,094 HAS OFFICIALLY CLOSED. 2476 01:52:48,161 --> 01:52:49,329 FIND OUT THE WINNER LATER. 2477 01:52:49,395 --> 01:52:52,599 BUT NEXT, CARRIE UNDERWOOD TAKES OVER DOWNTOWN AUSTIN ON OUR 2478 01:52:52,665 --> 01:52:53,900 CAPITOL STAGE. 2479 01:52:53,967 --> 01:52:54,000 AND LATER, AN ALL-STAR TRIBUTE OF GARY ROSSINGTON 2480 01:52:54,000 --> 01:52:59,539 AND LATER, AN ALL-STAR TRIBUTE OF GARY ROSSINGTON 2481 01:52:59,606 --> 01:53:00,000 AND LYNYRD SKYNYRD. 2482 01:53:00,000 --> 01:53:00,640 AND LYNYRD SKYNYRD. 2483 01:53:00,707 --> 01:53:02,509 WE'RE LIVE BEHIND THE SCENES OF THE CMT MUSIC AWARDS! 2484 01:53:02,575 --> 01:53:04,177 CHECK IT OUT ON YOUTUBE NOW. 2485 01:53:04,244 --> 01:53:04,744 THIS IS CBS. 2486 01:53:35,208 --> 01:53:36,000 >> STILL HANGING OUT BACK HERE IN THE SOLITAIRE GRAND HARVEST 2487 01:53:36,000 --> 01:53:36,709 >> STILL HANGING OUT BACK HERE IN THE SOLITAIRE GRAND HARVEST 2488 01:53:36,776 --> 01:53:39,145 GAME LOUNGE. 2489 01:53:39,212 --> 01:53:41,881 CODY ALAN IS GETTING HIS CHANCE. 2490 01:53:41,948 --> 01:53:42,000 LETS KEEP IT GOING WITH SINGER AND SOCIAL MEDIA SENSATION, 2491 01:53:42,000 --> 01:53:47,587 LETS KEEP IT GOING WITH SINGER AND SOCIAL MEDIA SENSATION, 2492 01:53:47,654 --> 01:53:48,000 WHOSE NEW SINGLE IS OUT FRIDAY. 2493 01:53:48,000 --> 01:53:52,158 WHOSE NEW SINGLE IS OUT FRIDAY. 2494 01:53:52,225 --> 01:53:53,693 DIXIE D'AMELIO! 2495 01:53:53,760 --> 01:53:54,000 LET'S GO! 2496 01:53:54,000 --> 01:53:58,264 LET'S GO! 2497 01:53:58,331 --> 01:54:00,000 >> THIS PERFORMER IS AN INSPIRATION TO ANYONE WHO 2498 01:54:00,000 --> 01:54:00,533 >> THIS PERFORMER IS AN INSPIRATION TO ANYONE WHO 2499 01:54:00,600 --> 01:54:04,037 HAS EVER TAKEN THE STAGE, AND YOU ARE ABOUT TO SEE WHY. 2500 01:54:04,103 --> 01:54:06,000 SHE BRINGS IT WITH EVERY NOTE EVERY TIME, WHETHER SHE'S 2501 01:54:06,000 --> 01:54:08,441 SHE BRINGS IT WITH EVERY NOTE EVERY TIME, WHETHER SHE'S 2502 01:54:08,508 --> 01:54:12,000 PERFORMING ON HER SOLD OUT TOUR, HER HIT LAS VEGAS RESIDENCY, 2503 01:54:12,000 --> 01:54:12,245 PERFORMING ON HER SOLD OUT TOUR, HER HIT LAS VEGAS RESIDENCY, 2504 01:54:12,312 --> 01:54:13,646 OR RIGHT HERE ON CMT. 2505 01:54:13,713 --> 01:54:18,000 TEXAS, MAKE SOME NOISE FOR MY FAVORITE, 2506 01:54:18,000 --> 01:54:20,186 TEXAS, MAKE SOME NOISE FOR MY FAVORITE, 2507 01:54:20,253 --> 01:54:24,000 CARRIE UNDERWOOD! 2508 01:54:24,000 --> 01:54:27,460 CARRIE UNDERWOOD! 2509 01:54:31,197 --> 01:54:36,000 ♪ ♪ ♪ I'M FREE AS A BIRD ♪ 2510 01:54:36,000 --> 01:54:40,006 ♪ ♪ ♪ I'M FREE AS A BIRD ♪ 2511 01:54:40,073 --> 01:54:42,000 ♪ NO TIES ♪ ♪ NOTHIN' KEEPING MY WINGS ♪ 2512 01:54:42,000 --> 01:54:42,442 ♪ NO TIES ♪ ♪ NOTHIN' KEEPING MY WINGS ♪ 2513 01:54:42,508 --> 01:54:46,980 ♪ FROM FLYING HIGH ♪ ♪ AND GOING OUT ON THE TOWN ♪ 2514 01:54:47,046 --> 01:54:48,000 ♪ ON A SATURDAY NIGHT ♪ ♪ 'CAUSE HE'S GONE ♪ 2515 01:54:48,000 --> 01:54:50,583 ♪ ON A SATURDAY NIGHT ♪ ♪ 'CAUSE HE'S GONE ♪ 2516 01:54:50,650 --> 01:54:54,000 ♪ WITH THE WIND ♪ ♪ AND LORD KNOWS I DESERVE ♪ 2517 01:54:54,000 --> 01:54:54,487 ♪ WITH THE WIND ♪ ♪ AND LORD KNOWS I DESERVE ♪ 2518 01:54:54,554 --> 01:55:00,000 ♪ TO BE FLIRTED WITH ♪ ♪ BUT THE ONLY PROBLEM IS ♪ 2519 01:55:00,000 --> 01:55:01,961 ♪ TO BE FLIRTED WITH ♪ ♪ BUT THE ONLY PROBLEM IS ♪ 2520 01:55:02,028 --> 01:55:04,797 ♪ I HATE MY HEART RIGHT NOW ♪ ♪ UNDERNEATH THE COVERS ♪ 2521 01:55:04,864 --> 01:55:06,000 ♪ IN THE DARK RIGHT NOW ♪ ♪ WISHIN' I WAS ♪ 2522 01:55:06,000 --> 01:55:07,600 ♪ IN THE DARK RIGHT NOW ♪ ♪ WISHIN' I WAS ♪ 2523 01:55:07,667 --> 01:55:12,000 ♪ SITTING IN A BAR RIGHT NOW ♪ ♪ TWO DRINKS IN ♪ 2524 01:55:12,000 --> 01:55:12,305 ♪ SITTING IN A BAR RIGHT NOW ♪ ♪ TWO DRINKS IN ♪ 2525 01:55:12,372 --> 01:55:16,609 ♪ MAKIN' ME A LAST CALL FRIEND ♪ ♪ I WANT MY FEEL GOOD BACK ♪ 2526 01:55:16,676 --> 01:55:18,000 ♪ INSTEAD OF FEELING BAD ♪ ♪ THAT I CAN'T GET PAST ♪ 2527 01:55:18,000 --> 01:55:19,646 ♪ INSTEAD OF FEELING BAD ♪ ♪ THAT I CAN'T GET PAST ♪ 2528 01:55:19,712 --> 01:55:23,650 ♪ THE FACT THAT I CAN'T LOVE NOBODY ELSE ♪ 2529 01:55:23,716 --> 01:55:24,000 ♪ I WOULD IF I COULD ♪ ♪ BUT I DON'T KNOW HOW ♪ 2530 01:55:24,000 --> 01:55:27,053 ♪ I WOULD IF I COULD ♪ ♪ BUT I DON'T KNOW HOW ♪ 2531 01:55:27,120 --> 01:55:30,000 ♪ I HATE MY HEART ♪ ♪ RIGHT NOW, YEAH ♪ 2532 01:55:30,000 --> 01:55:33,192 ♪ I HATE MY HEART ♪ ♪ RIGHT NOW, YEAH ♪ 2533 01:55:33,259 --> 01:55:36,000 ♪ HATE MY ♪ ♪ HEART RIGHT NOW ♪ 2534 01:55:36,000 --> 01:55:40,033 ♪ HATE MY ♪ ♪ HEART RIGHT NOW ♪ 2535 01:55:40,099 --> 01:55:42,000 ♪ I DON'T WANT HIM BACK ♪ ♪ THAT AIN'T IT ♪ 2536 01:55:42,000 --> 01:55:43,903 ♪ I DON'T WANT HIM BACK ♪ ♪ THAT AIN'T IT ♪ 2537 01:55:43,970 --> 01:55:48,000 ♪ BUT THIS THING IN MY CHEST ♪ ♪ JUST CAN'T FORGET ♪ 2538 01:55:48,000 --> 01:55:49,208 ♪ BUT THIS THING IN MY CHEST ♪ ♪ JUST CAN'T FORGET ♪ 2539 01:55:49,275 --> 01:55:52,545 ♪ IT KEEPS BEATING FOR HIM ♪ ♪ AND IT JUST WON'T QUIT ♪ 2540 01:55:52,612 --> 01:55:54,000 ♪ I HATE MY HEART RIGHT NOW ♪ ♪ UNDERNEATH THE COVERS ♪ 2541 01:55:54,000 --> 01:55:59,152 ♪ I HATE MY HEART RIGHT NOW ♪ ♪ UNDERNEATH THE COVERS ♪ 2542 01:55:59,218 --> 01:56:00,000 ♪ IN THE DARK RIGHT NOW ♪ ♪ WISHIN' I WAS SITTING ♪ 2543 01:56:00,000 --> 01:56:02,088 ♪ IN THE DARK RIGHT NOW ♪ ♪ WISHIN' I WAS SITTING ♪ 2544 01:56:02,155 --> 01:56:06,000 ♪ IN A BAR RIGHT NOW ♪ ♪ TWO DRINKS IN ♪ 2545 01:56:06,000 --> 01:56:06,759 ♪ IN A BAR RIGHT NOW ♪ ♪ TWO DRINKS IN ♪ 2546 01:56:06,826 --> 01:56:12,000 ♪ MAKIN' ME A LAST CALL FRIEND ♪ ♪ I WANT MY FEEL-GOOD BACK ♪ 2547 01:56:12,000 --> 01:56:12,031 ♪ MAKIN' ME A LAST CALL FRIEND ♪ ♪ I WANT MY FEEL-GOOD BACK ♪ 2548 01:56:12,098 --> 01:56:14,467 ♪ INSTEAD OF FEELING BAD ♪ ♪ THAT I CAN'T GET PAST ♪ 2549 01:56:14,534 --> 01:56:18,000 ♪ THE FACT THAT I CAN'T LOVE NOBODY ELSE ♪ 2550 01:56:18,000 --> 01:56:18,237 ♪ THE FACT THAT I CAN'T LOVE NOBODY ELSE ♪ 2551 01:56:18,304 --> 01:56:21,541 ♪ I WOULD IF I COULD ♪ ♪ BUT I DON' KNOW HOW ♪ 2552 01:56:21,607 --> 01:56:24,000 ♪ I HATE MY ♪ ♪ HEART RIGHT NOW ♪ 2553 01:56:24,000 --> 01:56:28,081 ♪ I HATE MY ♪ ♪ HEART RIGHT NOW ♪ 2554 01:56:28,147 --> 01:56:30,000 ♪ I HATE MY HEART RIGHT NOW ♪ ♪ ONE DAY I PRAY ♪ 2555 01:56:30,000 --> 01:56:36,000 ♪ I HATE MY HEART RIGHT NOW ♪ ♪ ONE DAY I PRAY ♪ 2556 01:56:36,000 --> 01:56:39,659 ♪ I HATE MY HEART RIGHT NOW ♪ ♪ ONE DAY I PRAY ♪ 2557 01:56:39,726 --> 01:56:42,000 ♪ HE'LL STAY OUT OF MY HEAD ♪ ♪ I KEEP WAITING ♪ 2558 01:56:42,000 --> 01:56:45,965 ♪ HE'LL STAY OUT OF MY HEAD ♪ ♪ I KEEP WAITING ♪ 2559 01:56:46,032 --> 01:56:48,000 ♪ BUT IT AIN'T HAPPENED YET ♪ ♪ I HATE MY HEART RIGHT NOW ♪ 2560 01:56:48,000 --> 01:56:49,369 ♪ BUT IT AIN'T HAPPENED YET ♪ ♪ I HATE MY HEART RIGHT NOW ♪ 2561 01:56:49,435 --> 01:56:52,305 ♪ UNDERNEATH THE COVERS ♪ ♪ IN THE DARK RIGHT NOW ♪ 2562 01:56:52,372 --> 01:56:54,000 ♪ WISHIN' I WAS ♪ ♪ SITTING IN A BAR RIGHT ♪ 2563 01:56:54,000 --> 01:56:56,876 ♪ WISHIN' I WAS ♪ ♪ SITTING IN A BAR RIGHT ♪ 2564 01:56:56,943 --> 01:57:00,000 ♪ NOW ♪ ♪ WITH A TALL, DARK LAST CALL 2565 01:57:00,000 --> 01:57:00,246 ♪ NOW ♪ ♪ WITH A TALL, DARK LAST CALL 2566 01:57:00,313 --> 01:57:03,416 FRIEND AND MY ♪ ♪ FEEL GOOD BACK ♪ 2567 01:57:03,483 --> 01:57:06,000 ♪ INSTEAD OF FEELING BAD ♪ ♪ THAT I CAN'T GET PAST ♪ 2568 01:57:06,000 --> 01:57:06,152 ♪ INSTEAD OF FEELING BAD ♪ ♪ THAT I CAN'T GET PAST ♪ 2569 01:57:06,219 --> 01:57:09,489 ♪ THE FACT THAT I CAN'T LOVE NOBODY ELSE ♪ 2570 01:57:09,555 --> 01:57:12,000 ♪ I WOULD IF I COULD ♪ ♪ BUT I DON'T KNOW HOW ♪ 2571 01:57:12,000 --> 01:57:13,059 ♪ I WOULD IF I COULD ♪ ♪ BUT I DON'T KNOW HOW ♪ 2572 01:57:13,126 --> 01:57:18,000 ♪ I HATE MY HEART RIGHT NOW ♪ ♪ I HATE MY HEART RIGHT NOW ♪ 2573 01:57:18,000 --> 01:57:24,000 ♪ I HATE MY HEART RIGHT NOW ♪ ♪ I HATE MY HEART RIGHT NOW ♪ 2574 01:57:24,000 --> 01:57:24,370 ♪ I HATE MY HEART RIGHT NOW ♪ ♪ I HATE MY HEART RIGHT NOW ♪ 2575 01:57:24,437 --> 01:57:30,000 ♪ OH, YEAH ♪ 2576 01:57:30,000 --> 01:57:32,545 ♪ OH, YEAH ♪ 2577 01:57:36,616 --> 01:57:42,000 ♪ ♪ 2578 01:57:42,000 --> 01:57:48,000 ♪ ♪ 2579 01:57:48,000 --> 01:57:51,497 ♪ ♪ 2580 01:57:51,564 --> 01:57:52,698 ♪ ♪ 2581 01:57:54,500 --> 01:58:00,000 >> I FEEL LIKE I SHOULD BE DOING SOME SQUATS AFTER THAT BUT IT'S 2582 01:58:00,000 --> 01:58:00,473 >> I FEEL LIKE I SHOULD BE DOING SOME SQUATS AFTER THAT BUT IT'S 2583 01:58:00,540 --> 01:58:01,607 OKAY. 2584 01:58:01,674 --> 01:58:02,942 AND NOW FOR THE FINAL PERFORMANCE 2585 01:58:03,009 --> 01:58:05,244 ON THE RAM TRUCKS STAGE, WE'VE GOT A BAND WHO DOLLY PARTON 2586 01:58:05,311 --> 01:58:06,000 SAYS HAS A FUN NEW TAKE ON ONE OF HER SONGS. 2587 01:58:06,000 --> 01:58:06,813 SAYS HAS A FUN NEW TAKE ON ONE OF HER SONGS. 2588 01:58:06,879 --> 01:58:12,000 PERFORMING, "YOU CAN HAVE HIM JOLENE," THIS IS CHAPEL HART. 2589 01:58:12,000 --> 01:58:14,387 PERFORMING, "YOU CAN HAVE HIM JOLENE," THIS IS CHAPEL HART. 2590 01:58:17,457 --> 01:58:18,000 ♪ OH, JOLENE ♪ ♪ YOU CAN HAVE HIM ♪ 2591 01:58:18,000 --> 01:58:21,260 ♪ OH, JOLENE ♪ ♪ YOU CAN HAVE HIM ♪ 2592 01:58:21,327 --> 01:58:24,000 ♪ 'CAUSE HE DON'T ♪ ♪ MEAN MUCH TO ME ♪ 2593 01:58:24,000 --> 01:58:24,764 ♪ 'CAUSE HE DON'T ♪ ♪ MEAN MUCH TO ME ♪ 2594 01:58:24,831 --> 01:58:30,000 ♪ WELL, I'VE CRIED SO MUCH ♪ ♪ TIL RIVERS TURNED TO SEAS ♪ 2595 01:58:30,000 --> 01:58:31,237 ♪ WELL, I'VE CRIED SO MUCH ♪ ♪ TIL RIVERS TURNED TO SEAS ♪ 2596 01:58:31,304 --> 01:58:33,973 ♪ OH, JOLENE ♪ ♪ WHEN YOU THINK ♪ 2597 01:58:34,040 --> 01:58:35,341 ♪ THAT HE'S IN LOVE ♪ ♪ HE'LL SURELY LEAVE ♪ 2598 01:58:35,408 --> 01:58:36,000 ♪ LIKE HE DID ME ♪ ♪ YOU CAN HAVE HIM, JOLENE ♪ 2599 01:58:36,000 --> 01:58:42,000 ♪ LIKE HE DID ME ♪ ♪ YOU CAN HAVE HIM, JOLENE ♪ 2600 01:58:42,000 --> 01:58:42,014 ♪ LIKE HE DID ME ♪ ♪ YOU CAN HAVE HIM, JOLENE ♪ 2601 01:58:42,081 --> 01:58:48,000 ♪ YOU CAN HAVE HIM, JOLENE ♪ ♪ YOU CAN HAVE HIM ♪ 2602 01:58:48,000 --> 01:58:51,591 ♪ YOU CAN HAVE HIM, JOLENE ♪ ♪ YOU CAN HAVE HIM ♪ 2603 01:58:51,657 --> 01:58:54,000 ♪ JOLENE ♪ [CHEERS AND APPLAUSE] 2604 01:58:54,000 --> 01:59:00,000 ♪ JOLENE ♪ [CHEERS AND APPLAUSE] 2605 01:59:00,000 --> 01:59:02,301 ♪ JOLENE ♪ [CHEERS AND APPLAUSE] 2606 01:59:02,368 --> 01:59:06,000 >> COMING UP, DARIUS RUCKER HANDS OUT 2607 01:59:06,000 --> 01:59:07,206 >> COMING UP, DARIUS RUCKER HANDS OUT 2608 01:59:07,273 --> 01:59:08,741 THE BIGGEST AWARD OF THE NIGHT, VIDEO OF THE YEAR, 2609 01:59:08,808 --> 01:59:12,000 AND THEN WE'RE CLOSING THINGS OUT WITH AN UNFORGETTABLE 2610 01:59:12,000 --> 01:59:13,212 AND THEN WE'RE CLOSING THINGS OUT WITH AN UNFORGETTABLE 2611 01:59:13,279 --> 01:59:15,014 STAR-STUDDED CELEBRATION OF SOUTHERN ROCK GIANTS 2612 01:59:15,081 --> 01:59:15,882 LYNYRD SKYNYRD. 2613 01:59:15,948 --> 01:59:18,000 THE CMT MUSIC AWARDS CONTINUES. 2614 01:59:18,000 --> 01:59:18,217 THE CMT MUSIC AWARDS CONTINUES. 2615 01:59:18,284 --> 01:59:18,784 LIVE FROM AUSTIN, TEXAS. 2616 01:59:18,851 --> 01:59:19,352 THIS IS CBS. 2617 01:59:33,299 --> 01:59:36,000 ♪ ♪ >> YOU HAVE BEEN VOTING ALL 2618 01:59:36,000 --> 01:59:36,903 ♪ ♪ >> YOU HAVE BEEN VOTING ALL 2619 01:59:36,969 --> 01:59:37,904 NIGHT LONG TO HELP PICK THE WINNER OF OUR BIGGEST AWARD, NOW 2620 01:59:37,970 --> 01:59:40,873 IT'S TIME TO FIND OUT WHO IS GOING HOME WITH IT. 2621 01:59:40,940 --> 01:59:42,000 ARE YOU GUYS READY TO KNOW WHO IS GOING TO WIN? 2622 01:59:42,000 --> 01:59:45,044 ARE YOU GUYS READY TO KNOW WHO IS GOING TO WIN? 2623 01:59:45,111 --> 01:59:48,000 THESE ARE THE NOMINEES FOR VIDEO OF THE YEAR. 2624 01:59:48,000 --> 01:59:50,917 THESE ARE THE NOMINEES FOR VIDEO OF THE YEAR. 2625 01:59:50,983 --> 01:59:52,718 >> "HATE MY HEART" CARRIE UNDERWOOD 2626 01:59:52,785 --> 01:59:54,000 "WAIT IN THE TRUCK" HARDY FEATURING LAINEY WILSON 2627 01:59:54,000 --> 01:59:56,923 "WAIT IN THE TRUCK" HARDY FEATURING LAINEY WILSON 2628 01:59:56,989 --> 02:00:00,000 "THANK GOD" KANE BROWN AND KATELYN BROWN 2629 02:00:00,000 --> 02:00:01,627 "THANK GOD" KANE BROWN AND KATELYN BROWN 2630 02:00:01,694 --> 02:00:05,998 VIDEO OF THE YEAR. 2631 02:00:06,065 --> 02:00:08,834 >> AND THE WINNER IS... 2632 02:00:08,901 --> 02:00:12,000 KANE BROWN AND KATELYN BROWN "THANK GOD." 2633 02:00:12,000 --> 02:00:18,000 KANE BROWN AND KATELYN BROWN "THANK GOD." 2634 02:00:18,000 --> 02:00:20,613 KANE BROWN AND KATELYN BROWN "THANK GOD." 2635 02:00:20,680 --> 02:00:24,000 ♪ ♪ 2636 02:00:24,000 --> 02:00:30,000 ♪ ♪ 2637 02:00:30,000 --> 02:00:35,561 ♪ ♪ 2638 02:00:35,628 --> 02:00:36,000 ♪ ♪ 2639 02:00:36,000 --> 02:00:37,196 ♪ ♪ 2640 02:01:06,659 --> 02:01:07,259 >> OH, MY GOSH. 2641 02:01:07,326 --> 02:01:10,563 OH, MY GOSH. 2642 02:01:10,630 --> 02:01:12,000 FIRST OFF, I AM SO NERVOUS. 2643 02:01:12,000 --> 02:01:13,966 FIRST OFF, I AM SO NERVOUS. 2644 02:01:14,033 --> 02:01:15,234 THIS IS SO NEW TO ME. 2645 02:01:15,301 --> 02:01:18,000 WHEN WE RECORDED THE SONG A YEAR AGO, I NEVER IN MY LIFE WOULD 2646 02:01:18,000 --> 02:01:18,904 WHEN WE RECORDED THE SONG A YEAR AGO, I NEVER IN MY LIFE WOULD 2647 02:01:18,971 --> 02:01:22,942 EVER THINK THAT THIS WAS EVER GOING TO HAPPEN. 2648 02:01:23,009 --> 02:01:24,000 BUT I JUST WANT TO SAY THANK YOU SO MUCH TO MY AMAZING HUSBAND. 2649 02:01:24,000 --> 02:01:26,779 BUT I JUST WANT TO SAY THANK YOU SO MUCH TO MY AMAZING HUSBAND. 2650 02:01:26,846 --> 02:01:28,047 I LOVE YOU. 2651 02:01:28,114 --> 02:01:30,000 THIS IS A SPECIAL THAT WE GET TO SHARE THIS TOGETHER EVERY NIGHT 2652 02:01:30,000 --> 02:01:31,283 THIS IS A SPECIAL THAT WE GET TO SHARE THIS TOGETHER EVERY NIGHT 2653 02:01:31,350 --> 02:01:34,587 AND I LOVE YOU SO MUCH. 2654 02:01:34,654 --> 02:01:36,000 >> I'LL BE QUICK. 2655 02:01:36,000 --> 02:01:36,088 >> I'LL BE QUICK. 2656 02:01:36,155 --> 02:01:39,959 I WANT TO SAY THANK YOU TO THE FANS THAT VOTED. 2657 02:01:40,026 --> 02:01:42,000 THANK YOU TO SONY, MY AWESOME MANAGER, THIS IS ALEX. 2658 02:01:42,000 --> 02:01:45,097 THANK YOU TO SONY, MY AWESOME MANAGER, THIS IS ALEX. 2659 02:01:45,164 --> 02:01:45,865 HE MOVED HERE FROM BARCELONA. 2660 02:01:45,931 --> 02:01:47,333 HE WANTED TO BE A VIDEO DIRECTOR. 2661 02:01:47,400 --> 02:01:48,000 HE HAS DONE ALL OF MY MUSIC VIDEOS. 2662 02:01:48,000 --> 02:01:50,002 HE HAS DONE ALL OF MY MUSIC VIDEOS. 2663 02:01:50,069 --> 02:01:53,539 HE IS MAKING THE AMERICAN DREAM COME TRUE. 2664 02:01:53,606 --> 02:01:54,000 I LOVE YOU! 2665 02:01:54,000 --> 02:01:55,741 I LOVE YOU! 2666 02:01:55,808 --> 02:01:56,142 THANK YOU, CMT! 2667 02:01:56,208 --> 02:02:00,000 >> THANK YOU! 2668 02:02:00,000 --> 02:02:00,613 >> THANK YOU! 2669 02:02:00,680 --> 02:02:06,000 >> PLEASE WELCOME A GRAMMY WINNING ICON, 2670 02:02:06,000 --> 02:02:08,354 >> PLEASE WELCOME A GRAMMY WINNING ICON, 2671 02:02:08,421 --> 02:02:12,000 PETER FRAMPTON! 2672 02:02:12,000 --> 02:02:12,958 PETER FRAMPTON! 2673 02:02:13,025 --> 02:02:14,927 >> I AM HERE TONIGHT TO HONOR NA FRIEND AND TOURMATE 2674 02:02:14,994 --> 02:02:15,928 OF MINE GARY ROSSINGTON WAS A SOUTHERN 2675 02:02:15,995 --> 02:02:17,463 ROCK ICON. 2676 02:02:17,530 --> 02:02:18,000 HE WAS AN ORIGINAL FOUNDING MEMBER OF THE BELOVED GROUP 2677 02:02:18,000 --> 02:02:21,434 HE WAS AN ORIGINAL FOUNDING MEMBER OF THE BELOVED GROUP 2678 02:02:21,500 --> 02:02:24,000 LYNYRD SKYNYRD, ALONGSIDE RONNIE VAN ZANT 2679 02:02:24,000 --> 02:02:24,136 LYNYRD SKYNYRD, ALONGSIDE RONNIE VAN ZANT 2680 02:02:24,203 --> 02:02:25,571 AND ALAN COLLINS. 2681 02:02:25,638 --> 02:02:28,641 GARY NOT ONLY HELPED DEFINE THE BAND'S SOUND, HE INSPIRED 2682 02:02:28,708 --> 02:02:30,000 MILLIONS OF FANS AND MUSICIANS. 2683 02:02:30,000 --> 02:02:32,011 MILLIONS OF FANS AND MUSICIANS. 2684 02:02:32,078 --> 02:02:35,981 HE HAS NOW JOINED HIS FELLOW SKYNYRD BAND MATES IN ROCK 2685 02:02:36,048 --> 02:02:42,000 AND ROLL HEAVEN BUT WE WILL ALL ENJOY THEIR MUSIC FOREVER. 2686 02:02:42,000 --> 02:02:45,357 AND ROLL HEAVEN BUT WE WILL ALL ENJOY THEIR MUSIC FOREVER. 2687 02:02:45,424 --> 02:02:48,000 GARY'S WIFE AND BANDMATE DALE AND DAUGHTER MARY, 2688 02:02:48,000 --> 02:02:49,695 GARY'S WIFE AND BANDMATE DALE AND DAUGHTER MARY, 2689 02:02:49,762 --> 02:02:53,299 RICKEY MEDLOCKE, AND JOHNNY VAN ZANT ARE 2690 02:02:53,365 --> 02:02:54,000 HERE TONIGHT AS WELL AS RONNY'S 2691 02:02:54,000 --> 02:03:00,000 HERE TONIGHT AS WELL AS RONNY'S 2692 02:03:00,000 --> 02:03:00,406 HERE TONIGHT AS WELL AS RONNY'S 2693 02:03:00,473 --> 02:03:06,000 WIDOW, JUDY VAN ZANT, AND HIS GRANDDAUGHTER, ARAYAH. 2694 02:03:06,000 --> 02:03:08,380 WIDOW, JUDY VAN ZANT, AND HIS GRANDDAUGHTER, ARAYAH. 2695 02:03:08,447 --> 02:03:12,000 THANK YOU ALL FOR SHARING THIS MOMENT WITH US. 2696 02:03:12,000 --> 02:03:13,352 THANK YOU ALL FOR SHARING THIS MOMENT WITH US. 2697 02:03:13,419 --> 02:03:18,000 IT'S MY PLEASURE TO WELCOME 2698 02:03:18,000 --> 02:03:22,061 IT'S MY PLEASURE TO WELCOME 2699 02:03:22,128 --> 02:03:24,000 MEMBERS OF ZZ TOP, BAD COMPANY, GUNS N' ROSES, THE ALLMAN 2700 02:03:24,000 --> 02:03:26,232 MEMBERS OF ZZ TOP, BAD COMPANY, GUNS N' ROSES, THE ALLMAN 2701 02:03:26,298 --> 02:03:26,866 BROTHERS. 2702 02:03:26,932 --> 02:03:29,001 I AM RUNNING OUT OF FINGERS. 2703 02:03:29,068 --> 02:03:30,000 THREE OF COUNTRY'S GREATEST VOICES, LED BY THE 2704 02:03:30,000 --> 02:03:34,240 THREE OF COUNTRY'S GREATEST VOICES, LED BY THE 2705 02:03:34,306 --> 02:03:36,000 ROLLING STONES' MUSICAL DIRECTOR ON KEYS. 2706 02:03:36,000 --> 02:03:36,575 ROLLING STONES' MUSICAL DIRECTOR ON KEYS. 2707 02:03:36,642 --> 02:03:42,000 THEY ARE ALL HERE TO PAY TRIBUTE TO GARY AND THE KINGS OF 2708 02:03:42,000 --> 02:03:42,882 THEY ARE ALL HERE TO PAY TRIBUTE TO GARY AND THE KINGS OF 2709 02:03:42,948 --> 02:03:44,483 SOUTHERN ROCK! 2710 02:03:44,550 --> 02:03:48,000 LYNYRD SKYNYRD! 2711 02:03:48,000 --> 02:03:48,220 LYNYRD SKYNYRD! 2712 02:03:48,287 --> 02:03:52,525 HERE ARE CODY JOHNSON, BILLY GIBBONS, 2713 02:03:52,591 --> 02:03:54,000 PAUL RODGERS, SLASH, CHUCK LEAVELL, WARREN HAYNES, 2714 02:03:54,000 --> 02:03:55,694 PAUL RODGERS, SLASH, CHUCK LEAVELL, WARREN HAYNES, 2715 02:03:55,761 --> 02:04:00,000 AND OUR HONKETTES FOR TONIGHT WYNONNA JUDD AND LEANN RIMES! 2716 02:04:00,000 --> 02:04:03,302 AND OUR HONKETTES FOR TONIGHT WYNONNA JUDD AND LEANN RIMES! 2717 02:04:07,206 --> 02:04:12,000 ♪ ♪ >> YEAH, YEAH 2718 02:04:12,000 --> 02:04:18,000 ♪ ♪ >> YEAH, YEAH 2719 02:04:18,000 --> 02:04:20,786 ♪ ♪ >> YEAH, YEAH 2720 02:04:20,853 --> 02:04:24,000 ♪ MY MAMA TOLD ME ♪ ♪ WHEN I WAS YOUNG ♪ 2721 02:04:24,000 --> 02:04:24,924 ♪ MY MAMA TOLD ME ♪ ♪ WHEN I WAS YOUNG ♪ 2722 02:04:24,990 --> 02:04:30,000 ♪ COME SIT BESIDE ME ♪ ♪ MY ONLY SON ♪ 2723 02:04:30,000 --> 02:04:32,798 ♪ COME SIT BESIDE ME ♪ ♪ MY ONLY SON ♪ 2724 02:04:32,865 --> 02:04:36,000 ♪ AND LISTEN CLOSELY ♪ ♪ OH, BABY ♪ 2725 02:04:36,000 --> 02:04:36,569 ♪ AND LISTEN CLOSELY ♪ ♪ OH, BABY ♪ 2726 02:04:36,635 --> 02:04:42,000 ♪ TO WHAT I SAY ♪ ♪ AND IF YOU DO THIS ♪ 2727 02:04:42,000 --> 02:04:42,842 ♪ TO WHAT I SAY ♪ ♪ AND IF YOU DO THIS ♪ 2728 02:04:42,908 --> 02:04:48,000 ♪ IT'LL HELP YOU ♪ ♪ SOME SUNNY DAY ♪ 2729 02:04:48,000 --> 02:04:49,481 ♪ IT'LL HELP YOU ♪ ♪ SOME SUNNY DAY ♪ 2730 02:04:49,548 --> 02:04:54,000 ♪ AH, YEAH ♪ OOH, OOH ♪ 2731 02:04:54,000 --> 02:04:57,890 ♪ AH, YEAH ♪ OOH, OOH ♪ 2732 02:04:57,957 --> 02:05:00,000 ♪ GARY WAS A SIMPLE MAN ♪ YEAH, YEAH ♪ 2733 02:05:00,000 --> 02:05:05,531 ♪ GARY WAS A SIMPLE MAN ♪ YEAH, YEAH ♪ 2734 02:05:05,598 --> 02:05:06,000 ♪ OH, TAKE YOUR TIME ♪ ♪ DON'T LIVE TOO FAST ♪ 2735 02:05:06,000 --> 02:05:12,000 ♪ OH, TAKE YOUR TIME ♪ ♪ DON'T LIVE TOO FAST ♪ 2736 02:05:12,000 --> 02:05:18,000 ♪ OH, TAKE YOUR TIME ♪ ♪ DON'T LIVE TOO FAST ♪ 2737 02:05:18,000 --> 02:05:20,479 ♪ OH, TAKE YOUR TIME ♪ ♪ DON'T LIVE TOO FAST ♪ 2738 02:05:20,546 --> 02:05:21,247 ♪ OH, TAKE YOUR TIME ♪ ♪ DON'T LIVE TOO FAST ♪ 2739 02:05:21,313 --> 02:05:24,000 ♪ TROUBLES WILL COME ♪ ♪ OH ♪ 2740 02:05:24,000 --> 02:05:25,317 ♪ TROUBLES WILL COME ♪ ♪ OH ♪ 2741 02:05:25,384 --> 02:05:30,000 ♪ AND THEY WILL PASS ♪ ♪ YOU'LL FIND A WOMAN ♪ 2742 02:05:30,000 --> 02:05:34,226 ♪ AND THEY WILL PASS ♪ ♪ YOU'LL FIND A WOMAN ♪ 2743 02:05:34,293 --> 02:05:36,000 ♪ YEAH, YOU'LL FIND LOVE ♪ ♪ AND DON'T FORGET, SON ♪ 2744 02:05:36,000 --> 02:05:38,664 ♪ YEAH, YOU'LL FIND LOVE ♪ ♪ AND DON'T FORGET, SON ♪ 2745 02:05:38,731 --> 02:05:42,000 ♪ THERE IS SOMEONE UP ABOVE ♪ ♪ AND BE A SIMPLE ♪ 2746 02:05:42,000 --> 02:05:48,000 ♪ THERE IS SOMEONE UP ABOVE ♪ ♪ AND BE A SIMPLE ♪ 2747 02:05:48,000 --> 02:05:48,307 ♪ THERE IS SOMEONE UP ABOVE ♪ ♪ AND BE A SIMPLE ♪ 2748 02:05:48,374 --> 02:05:54,000 ♪ KIND OF MAN ♪ ♪ OH, BE SOMETHING ♪ 2749 02:05:54,000 --> 02:05:56,048 ♪ KIND OF MAN ♪ ♪ OH, BE SOMETHING ♪ 2750 02:05:56,115 --> 02:06:00,000 ♪ YOU LOVE AND UNDERSTAND ♪ ♪ BABY BE A SIMPLE ♪ 2751 02:06:00,000 --> 02:06:03,555 ♪ YOU LOVE AND UNDERSTAND ♪ ♪ BABY BE A SIMPLE ♪ 2752 02:06:03,622 --> 02:06:06,000 ♪ KIND OF MAN ♪ WON'T YOU DO THAT 2753 02:06:06,000 --> 02:06:12,000 ♪ KIND OF MAN ♪ WON'T YOU DO THAT 2754 02:06:12,000 --> 02:06:18,000 ♪ KIND OF MAN ♪ WON'T YOU DO THAT 2755 02:06:18,000 --> 02:06:18,003 ♪ KIND OF MAN ♪ WON'T YOU DO THAT 2756 02:06:18,070 --> 02:06:23,842 ANYTIME YOU CAN ♪ ♪ BABY, BE A SIMPLE ♪ 2757 02:06:23,909 --> 02:06:24,000 ♪ KIND OF MAN ♪ ♪ OH, BE SOMETHING ♪ 2758 02:06:24,000 --> 02:06:27,880 ♪ KIND OF MAN ♪ ♪ OH, BE SOMETHING ♪ 2759 02:06:27,947 --> 02:06:30,000 ♪ YOU LOVE AND UNDERSTAND ♪ ♪ BABY, BE A SIMPLE ♪ 2760 02:06:30,000 --> 02:06:36,000 ♪ YOU LOVE AND UNDERSTAND ♪ ♪ BABY, BE A SIMPLE ♪ 2761 02:06:36,000 --> 02:06:36,288 ♪ YOU LOVE AND UNDERSTAND ♪ ♪ BABY, BE A SIMPLE ♪ 2762 02:06:36,355 --> 02:06:42,000 ♪ KIND OF MAN ♪ ♪ OH, WON'T YOU DO THIS ♪ 2763 02:06:42,000 --> 02:06:42,594 ♪ KIND OF MAN ♪ ♪ OH, WON'T YOU DO THIS ♪ 2764 02:06:42,661 --> 02:06:48,000 ♪ FOR ME, SON ♪ ♪ IF YOU CAN ♪ 2765 02:06:48,000 --> 02:06:50,703 ♪ FOR ME, SON ♪ ♪ IF YOU CAN ♪ 2766 02:06:50,769 --> 02:06:54,000 [CHEERS AND APPLAUSE] ♪ ♪ 2767 02:06:54,000 --> 02:07:00,000 [CHEERS AND APPLAUSE] ♪ ♪ 2768 02:07:00,000 --> 02:07:01,347 [CHEERS AND APPLAUSE] ♪ ♪ 2769 02:07:01,413 --> 02:07:03,482 TURN IT UP NOW! 2770 02:07:03,549 --> 02:07:05,851 ♪ BIG WHEELS ♪ ♪ KEEP ON TURNIN' ♪ 2771 02:07:05,918 --> 02:07:06,000 ♪ CARRY ME HOME ♪ ♪ TO SEE MY KIN ♪ 2772 02:07:06,000 --> 02:07:11,123 ♪ CARRY ME HOME ♪ ♪ TO SEE MY KIN ♪ 2773 02:07:11,190 --> 02:07:12,000 ♪ SINGIN' SONGS ♪ ♪ ABOUT THE SOUTHLAND ♪ 2774 02:07:12,000 --> 02:07:18,000 ♪ SINGIN' SONGS ♪ ♪ ABOUT THE SOUTHLAND ♪ 2775 02:07:18,000 --> 02:07:22,668 ♪ SINGIN' SONGS ♪ ♪ ABOUT THE SOUTHLAND ♪ 2776 02:07:22,735 --> 02:07:24,000 ♪ I MISS ALABAMA ONCE AGAIN ♪ ♪ AND I THINK IT'S A SIN, YES ♪ 2777 02:07:24,000 --> 02:07:30,000 ♪ I MISS ALABAMA ONCE AGAIN ♪ ♪ AND I THINK IT'S A SIN, YES ♪ 2778 02:07:30,000 --> 02:07:36,000 ♪ I MISS ALABAMA ONCE AGAIN ♪ ♪ AND I THINK IT'S A SIN, YES ♪ 2779 02:07:36,000 --> 02:07:37,616 ♪ I MISS ALABAMA ONCE AGAIN ♪ ♪ AND I THINK IT'S A SIN, YES ♪ 2780 02:07:37,683 --> 02:07:38,484 ♪ I MISS ALABAMA ONCE AGAIN ♪ ♪ AND I THINK IT'S A SIN, YES ♪ 2781 02:07:38,550 --> 02:07:39,485 ♪ ♪ ♪ WELL, I HEARD MISTER YOUNG ♪ 2782 02:07:39,551 --> 02:07:42,000 ♪ SING ABOUT HER ♪ ♪ WELL, I HEARD OL' NEIL ♪ 2783 02:07:42,000 --> 02:07:45,724 ♪ SING ABOUT HER ♪ ♪ WELL, I HEARD OL' NEIL ♪ 2784 02:07:45,791 --> 02:07:48,000 ♪ PUT HER DOWN ♪ ♪ KEEP YOUR HEAD ♪ 2785 02:07:48,000 --> 02:07:53,432 ♪ PUT HER DOWN ♪ ♪ KEEP YOUR HEAD ♪ 2786 02:07:53,499 --> 02:07:54,000 ♪ WELL, I HOPE ♪ ♪ THEY WILL REMEMBER ♪ 2787 02:07:54,000 --> 02:07:55,634 ♪ WELL, I HOPE ♪ ♪ THEY WILL REMEMBER ♪ 2788 02:07:55,701 --> 02:07:57,403 ♪ A SOUTHERN MAN ♪ ♪ DON'T NEED HIM AROUND ANYHOW ♪ 2789 02:07:57,469 --> 02:08:00,000 ♪ SWEET HOME ALABAMA ♪ ♪ WHERE THE SKIES ARE SO BLUE ♪ 2790 02:08:00,000 --> 02:08:01,807 ♪ SWEET HOME ALABAMA ♪ ♪ WHERE THE SKIES ARE SO BLUE ♪ 2791 02:08:01,874 --> 02:08:06,000 ♪ SWEET HOME ALABAMA ♪ ♪ LORD, 2792 02:08:06,000 --> 02:08:08,113 ♪ SWEET HOME ALABAMA ♪ ♪ LORD, 2793 02:08:08,180 --> 02:08:12,000 I'M COMIN' HOME TO YOU ♪ 2794 02:08:12,000 --> 02:08:13,118 I'M COMIN' HOME TO YOU ♪ 2795 02:08:14,753 --> 02:08:18,000 ♪ ♪ 2796 02:08:18,000 --> 02:08:24,000 ♪ ♪ 2797 02:08:24,000 --> 02:08:25,464 ♪ ♪ 2798 02:08:26,965 --> 02:08:30,000 ♪ ♪ ♪ HEY, HEY, HEY ♪ 2799 02:08:30,000 --> 02:08:36,000 ♪ ♪ ♪ HEY, HEY, HEY ♪ 2800 02:08:36,000 --> 02:08:41,847 ♪ ♪ ♪ HEY, HEY, HEY ♪ 2801 02:08:41,914 --> 02:08:42,000 ♪ ♪ ♪ HEY, HEY, HEY ♪ 2802 02:08:42,000 --> 02:08:42,781 ♪ ♪ ♪ HEY, HEY, HEY ♪ 2803 02:08:42,848 --> 02:08:46,251 ♪ ALABAMA ♪ ♪ HEY, HEY, HEY ♪ 2804 02:08:46,318 --> 02:08:48,000 ♪ HEY, HEY, HEY ♪ 2805 02:08:48,000 --> 02:08:52,958 ♪ HEY, HEY, HEY ♪ 2806 02:08:54,460 --> 02:09:00,000 ♪ ♪ 2807 02:09:00,000 --> 02:09:06,000 ♪ ♪ 2808 02:09:06,000 --> 02:09:09,341 ♪ ♪ 2809 02:09:09,408 --> 02:09:10,542 ♪ ♪ 2810 02:09:19,451 --> 02:09:22,554 ♪ YEAH, YEAH, YEAH ♪ ♪ ♪ 2811 02:09:22,621 --> 02:09:24,000 ♪ YEAH, YEAH, YEAH ♪ ♪ ALABAMA ♪ 2812 02:09:24,000 --> 02:09:30,000 ♪ YEAH, YEAH, YEAH ♪ ♪ ALABAMA ♪ 2813 02:09:30,000 --> 02:09:33,999 ♪ YEAH, YEAH, YEAH ♪ ♪ ALABAMA ♪ 2814 02:09:34,066 --> 02:09:36,000 ♪ YEAH, YEAH, YEAH ♪ ♪ ♪ 2815 02:09:36,000 --> 02:09:42,000 ♪ YEAH, YEAH, YEAH ♪ ♪ ♪ 2816 02:09:42,000 --> 02:09:46,578 ♪ YEAH, YEAH, YEAH ♪ ♪ ♪ 2817 02:09:46,645 --> 02:09:48,000 [CHEERS AND APPLAUSE] ♪ YEAH! ♪ 2818 02:09:48,000 --> 02:09:54,000 [CHEERS AND APPLAUSE] ♪ YEAH! ♪ 2819 02:09:54,000 --> 02:10:00,000 [CHEERS AND APPLAUSE] ♪ YEAH! ♪ 2820 02:10:00,000 --> 02:10:01,527 [CHEERS AND APPLAUSE] ♪ YEAH! ♪ 2821 02:10:01,593 --> 02:10:06,000 [CHEERS AND APPLAUSE] ♪ YEAH! ♪ 2822 02:10:06,000 --> 02:10:12,000 [CHEERS AND APPLAUSE] ♪ YEAH! ♪ 2823 02:10:12,000 --> 02:10:12,604 [CHEERS AND APPLAUSE] ♪ YEAH! ♪ 2824 02:10:12,671 --> 02:10:18,000 [CHEERS AND APPLAUSE] >> OH, MY GOSH, DID YOU GUYS 2825 02:10:18,000 --> 02:10:21,647 [CHEERS AND APPLAUSE] >> OH, MY GOSH, DID YOU GUYS 2826 02:10:21,713 --> 02:10:23,482 HAVE FUN TONIGHT? 2827 02:10:23,549 --> 02:10:24,000 SO LOADED WAY. 2828 02:10:24,000 --> 02:10:24,483 SO LOADED WAY. 2829 02:10:24,550 --> 02:10:25,450 AS ALWAYS. 2830 02:10:25,517 --> 02:10:28,820 THANK YOU TO THE BEST FANS IN THE WORLD. 2831 02:10:28,887 --> 02:10:30,000 >> CONGRATULATIONS TO ALL THE WINNERS. 2832 02:10:30,000 --> 02:10:33,926 >> CONGRATULATIONS TO ALL THE WINNERS. 2833 02:10:33,992 --> 02:10:35,227 AND THANK YOU, TEXAS! 2834 02:10:35,294 --> 02:10:36,000 GOOD NIGHT! 2835 02:10:36,000 --> 02:10:39,865 GOOD NIGHT! 2836 02:10:39,932 --> 02:10:42,000 ♪ ♪ 2837 02:10:42,000 --> 02:10:48,000 ♪ ♪ 2838 02:10:48,000 --> 02:10:49,875 ♪ ♪ 2839 02:10:53,078 --> 02:10:54,000 ♪ ♪ ♪ SWEET HOME ALABAMA 2840 02:10:54,000 --> 02:11:00,000 ♪ ♪ ♪ SWEET HOME ALABAMA 2841 02:11:00,000 --> 02:11:04,122 ♪ ♪ ♪ SWEET HOME ALABAMA 2842 02:11:04,189 --> 02:11:06,000 ♪ SWEET HOME ALABAMA ♪ ♪ SWEET HOME ALABAMA ♪ 2843 02:11:06,000 --> 02:11:12,000 ♪ SWEET HOME ALABAMA ♪ ♪ SWEET HOME ALABAMA ♪ 2844 02:11:12,000 --> 02:11:16,201 ♪ SWEET HOME ALABAMA ♪ ♪ SWEET HOME ALABAMA ♪ 2845 02:11:16,268 --> 02:11:18,000 ♪ SWEET HOME ALABAMA ♪ ♪ ♪ 2846 02:11:18,000 --> 02:11:22,507 ♪ SWEET HOME ALABAMA ♪ ♪ ♪ 2847 02:11:22,574 --> 02:11:24,000 ♪ SWEET HOME ALABAMA ♪ ♪ SWEET HOME ALABAMA ♪ 2848 02:11:24,000 --> 02:11:29,948 ♪ SWEET HOME ALABAMA ♪ ♪ SWEET HOME ALABAMA ♪ 2849 02:11:30,015 --> 02:11:35,687 ♪ H, YEAH! ♪ ♪ SWEET HOME ALABAMA ♪ 2850 02:11:35,754 --> 02:11:36,000 ♪ SWEET HOME ALABAMA ♪ ♪ SWEET HOME ALABAMA ♪ 2851 02:11:36,000 --> 02:11:37,756 ♪ SWEET HOME ALABAMA ♪ ♪ SWEET HOME ALABAMA ♪