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(tense music)
(dramatic music) (lightning crashing)
- [Narrator] There's a story we're all familiar with
about a boy and a bear,
but as Ernest Hemingway once said,
all things truly wicked start from innocence.
(thunder rumbling) (dramatic music)
Now friends, see the true version of events
surrounding this bear
and how exceptionally different they are
to what we've all been told.
Since last we saw our Christopher Robin,
things haven't been so good.
The 100 Acre Massacre, as it came to be known,
sent shockwaves through the quiet community of Ashdown.
And the public outcry against Christopher was fierce.
Suspicions grew.
Few believed him.
Most did not.
He became a pariah.
But a small group of locals believed Christopher
and set out to hunt the creatures of the 100 Acre Wood.
Over the course of months, they searched and searched.
If Pooh and his friends were out there,
the places they could hide were diminishing.
Since then, some time has passed
and winter has arrived once more.
A cold and unforgiving time.
With the 100 Acre Wood no longer safe,
Pooh was forced to reunite
with some of his long lost friends,
necessary if they had any hope of surviving.
In an effort to pick up the pieces,
Christopher finished his medical training
and joined the staff at Ashdown Hospital
as a junior doctor.
But it quickly became clear,
the community didn't trust Christopher.
His future was very much in doubt.
Unknowingly, both Christopher and Pooh
were facing the same ostracism.
Unwanted.
Hated.
They knew they could not go on like this.
Change was coming.
However, one thing remains certain,
wherever they go and whatever happens to them on their journey,
that boy and his bear will always be playing.
And sadly, there would be many casualties along the way.
(tense music)
- Spirits of the 100 Acre Wood,
do you have a message for us?
Take control of- (Jamie laughing)
- What? I can't believe we're really doing this right now.
- Can you just focus for once, Jamie?
- Oh, okay. Calm down, Mia. Damn.
- Say, just focus.
(Mia clears throat)
Spirits, if you're here,
please move the plunger to yes.
- If you can,
if you're here,
please give us a sign of your presence.
(intense music) (everyone screaming)
- Shit! Holy shit!
(Alice breathes heavily) Holy shit.
You guys heard that, right?
- No, Mia, we didn't hear the loud fucking bang on the roof.
This is so stupid. (Mia yells indistinctly)
- Just stop. Stop!
- [Owl] You shouldn't be here.
- Shouldn't someone go check that out? - [Mia] Oh.
- You first.
What? You were the one who asked for a sign, Alice.
- What, are you afraid?
- Yes, I am.
And I am not about to fuck around and find out.
- And what do you think is gonna happen to you?
- (scoffs) I don't-
(tense music) (Mia and Alice screaming)
(everyone breathes heavily)
(wind howling) (door creaking)
(intense music) (Alice grunting)
(intense music) (Mia screaming)
(Mia panting)
- Jamie, the door!
(suspense music) (Jamie screaming)
(suspense music)
(Mia screaming)
Oh my God!
Shit.
(Mia grunting)
Oh my God!
(Mia grunting)
(suspense music)
(vehicle thudding)
(tense music)
(engine rumbling)
Fuck.
(engine rumbling) No!
(engine rumbling)
No!
(Jamie screaming)
(Mia grunting)
No! No!
(explosion booming)
(animal trap clanging) (Mia screaming)
(fire roaring)
(Jamie gasping)
- How dare you try and survive.
- No! Please!
(Jamie gasping and groaning)
(Mia screaming) Help me!
(chain clanging) (Mia crying)
(cries) No! Please!
(Jamie crying)
No! No!
No, no.
(bone crunching) (Mia screaming)
No, no, no, no!
(bone crunching) (Mia screaming)
No! No, no. Please!
(bone crunching) (Mia screaming)
(Mia screaming and crying)
No, no.
(Mia sobbing) (animal trap clanging)
No! (tense music)
(Mia sobbing)
(Jamie gasping)
(Mia sobbing)
(head thudding) (intense music)
(Jamie screaming and crying)
(tense music) (Jamie crying)
- Who's the abomination now?
(tense music) (Jamie screaming and crying)
(blood squelching)
(intense music)
- Christopher.
(intense music)
(finger snapping)
And you're fully awake.
Take a moment.
How are you feeling?
- Good, I think.
- Do you recall anything from the session?
Any images or...?
- Yeah, yeah, um,
I, I started to remember, um,
when I was younger,
playing with Pooh in the Woodland, and,
my mom and dad didn't know.
(metronome ticking)
It just goes blank.
- It's okay.
It takes time for our minds to organize
what's unearthed in hypnotherapy.
See you tomorrow.
Same time. - Uh, yeah.
(somber music)
(phone beeping) - Chris is eight meters away.
(car honking)
- What are you doing here?
- So, how was it?
- Fine. Yeah. Good.
- And?
- And I appreciate you caring about me, but, um,
yeah, I think you should keep your distance for a bit
and keep driving.
- No, sorry. It's not gonna happen.
Look, can you just get in the car?
- I'm serious, - Chris,
I'm serious. Get in the car.
Thank you.
You know, you keep doing this lately.
- What am I doing?
- You keep trying to push me away and it's not gonna happen.
- I'm not. I'm not. Honest.
It's just with my parents getting harassed in the town
and their house getting vandalized,
Bunny getting shit at school,
I just don't wanna be dragging my mates into it.
- Look, Chris, I-I just, I-I don't care what people think,
and I know you,
and I know they are all wrong.
I mean, that's what friends are for.
Yeah?
- Well, get driving then. - Should we go?
Okay.
(car rumbling) (soft music)
- See you.
- Oh, uh, by the way, I'm babysitting that little shit Freddie
the next couple nights.
So, sadly, I'm not gonna make it to Cara's rave.
- Um, no, that's not a thing.
You are coming. I ain't going to that fetishy place on my own.
- Honestly, I need the cash.
So, no, sorry.
And also, I didn't really fancy
dressing up like a gimp for the night anyway.
- I hate you. - I love you.
Oh, can you ask Finn if he still needs a ride?
Bye.
- Hey.
- Oh, mate, I'm gonna kick off.
I finished working up on your car.
I drove it here, parked,
and went inside to chat for your dad for like five minutes,
and then come outside
and some cunt had already lit it up.
- I didn't want you to see this, Chris.
- Uh, I'm gonna duck out.
Don't take it personally, dude.
- Thanks.
Sorry.
- It's all right.
That'll come off. - No, I don't,
I don't think this is okay. - Hey, hey, hey, hey.
You've got this, kid, okay?
I love you.
Just give it time.
It'll change, okay?
- Yeah, yeah, you're right.
- Yeah, I'm right.
(somber music)
(tense music)
- Oh, dear Lord.
Call it in.
(somber music)
- [Officer 1] Officer 942 reporting three casualties
at B Tree in the Hundred Acre Wood.
Uh, requesting immediate assistance.
(somber music)
(gun booming) - Fuck!
Those freaks can't hide from us forever.
- Darrell,
we're losing light.
- So we what?
Go back?
No.
You need to relax, man.
All you gotta do is keep your eyes open
because we ain't going anywhere
until those things pay for what they did to my girl.
- [Shepard] Darrell, mate, they're not out there.
- I saw 'em once.
They were right here.
- We'll be all right, mate.
We're gonna find them.
There can't be many more places that they're hiding.
(Owl swooshing)
(tense music)
(feet thudding)
(tense music)
- They're close.
Closer than they've ever been.
Pooh, Ashdown views our existence as a plague,
as horrors of the 100 Acre Wood,
an evil which they created.
(door clanging)
They will never cease their hunt for us.
We trusted Christopher.
- We can never trust him ever again.
- Look what our lives have become.
Each day, we get weaker and weaker.
But remember,
remember what happened last time.
Pooh, it's time to decide.
Either we take the fight to them
and perhaps survive,
(Tigger growling)
or we lay down and die. (tense music)
(leaves crunching)
(branch snapping)
- You see that?
- Yeah. I see it.
(feet thudding)
- Guys, I heard someone else there too.
- Go check it the fuck out then.
Go on.
(branch snapping)
(tense music)
(branch snapping)
Oh, shit!
What's going on, man?
(branch snapping)
- There's definitely something out there.
- Yeah? Let's kill it then.
(branch snapping)
(Owl swooshing) (birds squawking)
(suspense music) (Piglet growling)
Don't fucking move!
- It's fucking real.
I've never seen anything like it. Chris was right.
- All of Ashdown will burn.
- Fuck off. (gun booming)
- Darrell! (intense music)
(Shepard sputtering)
(suspense music)
- You ugly fuck. - What the fuck is it?
- Fuck knows. (Shepard screaming)
- Shep. Shep!
Shep. Oh, Shep.
Oh, fuck. Oh, shit. - Shit, what happened, man?
Shep! (Shep gasping)
- Oh, fuck. - Who did this, man?
(branch snapping)
(tense music)
(gun booming)
(blood squelching)
(tense music)
Fuck you.
(Pooh growling) (intense music)
(birds squawking)
(tense music)
(chain clanging)
(Owl swooshing)
(animal trap clanging)
(tense music)
- Okay, so Alex, my name is Chris,
and I am gonna make this really, really simple, okay?
It's gonna be over in seconds.
So Ruby, you're gonna hold on to Alex's hand
really, really tight.
It's just gonna be like a sharp, little scratch.
No. - No, no, no, no, no, no.
You're gonna be good. You're gonna be good, okay?
It's gonna be over in seconds.
And as soon as we do this,
it is gonna feel 20 million times better for you, okay?
Okay, ready?
Okay, deep breath for me.
Come on, you've got this.
Three, two...
There we go. That is all done.
Thank you very much, Alex.
You're gonna feel so much better after that.
Okay, well done.
- Can I have a word?
- Here, will you grab it?
- Chris? - Yeah.
- Now, I didn't wanna have to do this during the holidays,
but at this point, I have no choice.
- Uh-huh.
- People I answer to don't like the attention
that all this has been getting on the hospital.
We've had complaints.
- About me?
- And with all this stuff
that's happened around the horror film that's come out,
it's, it's the perfect storm.
But listen, I know you didn't do those awful things.
There's no doubt in my mind.
And I've told them over and over-
- But-but-but what? Like, seriously.
Like, I've worked really, really fucking hard to be here.
I had something shit happen to me.
- They don't care about that, okay?
They only care about getting the heat off themselves. Okay?
(gloomy music)
(tense music)
(door banging) (tense music)
- Can we get phase six ready, please?
- Oh my God, that's Aaron. Uh...
Hey, hey, hey, uh, what happened to him?
- I'm not sure. He was picked up on the outskirts of town like this.
Do you know him?
- Yeah, that's Aaron Jones.
He's from my school. - Quick! He's losing blood.
(gloomy music)
- [Daphne] Oh, sweetheart.
That's awful. I'm so sorry.
- Can you blame them? - Alan!
- Well, these people don't care about their workers, Daphne.
They just pretend they do, and now that it's become a problem,
they're just trying to distance themselves from it.
I didn't say it's the right thing to do.
I just said I'm not surprised.
- Ella! Dinner's nearly ready.
Can you come on down?
Are you joining us?
- Nope. I'm gonna just probably grab something
when I'm en route to my therapy session.
- Ow. I wish you'd load this properly.
Ella! Come on.
Chris, can you go and get her?
Before I wring her neck?
- Yes.
(knuckles rapping)
(door creaking)
- Hello?
You know Mom has been calling you for ages.
She's getting annoyed.
Hello?
- Because she called me Ella, and my name is Bunny.
- I mean, you've got two names.
Which is absolutely fine.
- Nope. Just Bunny.
- And just Ella.
- Just Bunny.
(Chris chuckling)
- What are you doing up here then?
What's all this? - Before you get mad,
I asked Mom and she said it was fine.
- What was fine?
Is that Billy's Teddy?
Did you go in Billy's room and get that?
- Mom said Billy would've wanted me to have it.
- Okay, Bunny, in future,
you really need to ask me
before you just go in there and take stuff, okay?
- Why? It's not your bear.
Besides I'm doing this to protect us.
- Protect us from what?
- Girls at school told me you were crazy
because you believe there were scary animal people
in the 100 Acre Wood.
But since I know you're not crazy,
just a little bit weird,
that must mean the scary animal people are real.
So, I'm making this to keep an eye out
and make sure nothing bad happens to us.
- Well, I mean, now you've explained it,
just so much more sense.
Okay, look.
I might be like a little bit weird, right?
- Big bit. - Big bit? Really?
- You are. - Okay. Alright, cool.
Okay. I'm weird, alright?
But I want to promise you
that nothing bad is gonna happen to you.
I'm not gonna let it happen, okay?
Deal? Yes. Yeah.
I actually really think that Billy
would've kind of liked this,
so I'm sorry if I got a bit annoyed.
But, do you know who's gonna get more annoyed at you?
Guess? Mummy.
And I think we are gonna need protection from her
if we don't get down there. Wah!
- No sudden movement, son.
Now, look right up at that tree.
Straight ahead.
And what can you see?
- Is that a cardinal?
- That's right. Good job. (both laughing)
Okay, how about over here, Luke.
Just up there. What can you see?
- Looks like a sparrow.
- Great job, Luke. (both laughing)
Why don't you find something for me?
- Okay.
How about...
(intense music)
I don't wanna play this game. - Luke?
(suspense music)
(bird watcher grunting)
- [Luke] Daddy? Where are you, Dad?
(tense music) (water splashing)
- Chris,
did you know that unconscious fear-driven memories
can remain totally hidden from our conscious mind?
- Is that what I saw last time?
- I believe so.
I'm going to take you back there.
(inhales deeply) Now, let's begin.
- Mm-hmm.
(metronome ticking)
- Feel all weight drift away.
(metronome ticking)
Focus only on me.
Feel reality shift and wane
from now to the past,
from your conscious memory
to your unconscious.
(tense music)
Take a deep breath.
Sit back and relax.
Close your eyes.
Imagine yourself in that place.
Become fully immersed.
Can you see it?
(tense music)
- [Narrator] Oh, how our memories deceive us.
Christopher imagined his early moments with Pooh
filled with joy, innocence, and happiness.
But the truth was much darker.
(tense music)
Pooh was never who Christopher thought he was.
His naive young mind simply wiped away
what he couldn't understand or explain.
Scary, wicked things.
- [Therapist] Deeper. Deeper.
(swing creaking)
Go deeper.
(tense music)
- [Christopher] It's...
It's mine and Billy's birthday.
Flynn, Lexi, Cara, Ava,
everyone's here.
This...
This, this was the day Billy was taken.
- [Therapist] Christopher, focus.
What is happening?
- No! (intense music)
(Christopher gasping)
- Okay. Okay. - I saw him.
- Saw who, Chris?
- No, fucking saw his face, it was...
- It's okay. It's okay.
- I can't, it was blurry but I could fucking see him.
- Who? Who? Who did you see? - I don't know. I don't know.
I saw him though. - Okay. Okay.
- He took my brother.
He took my brother.
- Okay.
It's okay.
- Help me. Please, help me.
Okay. Now, Chris, listen to me.
You're doing really well.
Listen to me.
Chris, it just takes time.
And we're going to break through.
Just stay with it.
(gloomy music)
- You know, it's like, I could literally see him,
but it was just blurry and I just...
I, I think I'm getting close to something, you know?
- That's incredible, Chris.
That's a proper breakthrough.
- Oh yeah. I mean, it would be if I could actually see him.
- Yeah, I know, but look, I've tried to
and we were so young,
no one remembers anything from that age.
You know, but still, I can't believe no one ever cracked it
or found out what happened to them.
I mean, that monster is still out there.
Speaking of monsters, I'm going to murder this kid.
- What, is he that bad?
- Die! Die! Die! Die!
- Alright, lemme put it this way.
Tonight the maniac's decided
he's the killer in a slasher film.
- (laughs) Well, I mean, I guess,
you know, he's got good taste.
- It's not funny, Chris!
He's been setting bloody booby traps trying to kill me.
It's like a horror version of "Home Alone."
Ugh, Cara is calling me, again.
She is relentless.
It's like, I'm sorry I can't come to your rave.
I dunno what else to say.
- Well, don't worry about that.
I will sort it out for you, okay?
But I am...
I want, I wanted to say something to you.
I wanted to, um, say thank you
for just being there for me.
And I'm sorry if it feels
like I'm pushing you away at times.
- Wow. Way to make it awkward, Chris.
- It was cringey, wasn't it? (chuckles)
Sorry, just ignore what I said. Anything.
- I'm kidding. Of course I'm here for you.
Well, unless you piss me off,
and then I'm gonna set psycho Freddie on you.
(Christopher laughing)
Speaking of, I should probably go check
he's not burning the house down.
- Alright. Okay. I'll chat to you soon.
(gentle music)
- Oy, Freddy Krueger, what are you watching?
- Isn't this movie about your boyfriend?
(actress screaming)
- Uh, okay, first of all, he's not my boyfriend,
and second, yes, but it's all lies.
- Was he wearing a bear mask when he killed all those people?
- What? No, he didn't, he didn't kill anyone.
Besides, you should not be watching this.
- Why? My dad lets me watch whatever movies I want.
- Well, clearly, he shouldn't.
You're too young and impressionable
and potentially sociopathic.
- Socio-what? - Doesn't matter, okay?
I'm turning it off.
Besides, it is your bedtime, Mister.
(ominous music)
Okay, Freddie.
Freddie, where'd you go?
Okay, Freddie, this isn't funny, okay?
Come on out. Fre-Freddie.
(suspense music)
(intense music) (Freddie screaming)
- (screams) You. You're about to find out
that Jason loses in this one!
- Jason never loses! - Go to bed.
Go! Get on to bed. Go! (both laughing)
(suspense music)
- It's Poohin' time.
(leaves crunching)
(Owl growling)
- [Owl] Like pigs to the slaughter (laughs).
(tense music)
- Dear God. It's like a nightmare.
(radio static crackling)
(door clanging)
(tense music)
(suspense music)
- Fuck it, let's bounce.
- That's my line (growls).
(intense music) (Officer 2 gasping)
- Boo! (Officer Dacer screaming)
(tense music)
- [Christopher] My therapist said that I should talk about this.
I just wanna remember.
- When the, uh, searches started,
it was like a dream,
like a nightmare, really.
And then...
(sighs) One day, the, uh,
the town just gave up looking.
(sighs) Yeah.
Since that day,
Ashdown changed.
It was...
you know, like a dark cloud hovered over it,
and everyone seemed hollow.
The town,
all those children,
we all let them down. - No.
- Yeah. - No, you didn't.
(door creaking)
- Sorry to interrupt.
- No, no, no, Dad, it's okay.
I wanna talk to you both about today.
Today I, um, had a memory from back then.
This blurry image of this man, and I,
I think that's the guy that took him.
And then I remember calling out to you, Dad,
and then he just...
He just drove off.
(somber music)
- Are we sure this isn't one of those, uh,
like false memory?
You know, the mind can make up all sorts of things.
- No, Mom, I'm sure about this, seriously.
- He's not making it up, Daph.
I remember it.
I remember hearing Chris calling out for me.
I remember seeing him stand in the middle of a dirt road.
Frozen.
I'll never forget the look on your face.
(sighs) Chris, look,
I didn't think that this hypnotherapy
was gonna do anything for you.
But maybe I'm wrong.
If you can remember that person in any kind of detail,
anything at all,
it could reopen the whole investigation.
(somber music)
(tense music)
(keyboard clacking)
- "Ashdown home mysteriously burnt down.
Death and suspected arson.
Arthur Gallup.
Disturbing practices.
Unexplained disappearance."
(tense music)
[Dispatcher Officer] All units, multiple officers
are missing in 100 Acre Wood.
I repeat, multiple officers are missing in 100 Acre Wood.
All units please respond to assess the situation. Over.
(tense music) (Christopher gasping)
(tense music)
- What's, uh, what's, uh, going on?
- Well, Officer Daughtry
just wanted to ask you a few questions, Chris.
That's all.
- Morning, Chris.
I was just telling your parents
there was another incident in the 100 Acre Wood
the night before last.
Two hunters were attacked and killed
and one seriously injured.
I believe you know him.
- Yeah, Aaron, I...
Sorry, you said that he was attacked.
I thought it was an accident.
- Yeah, well, we've got all hands on deck
out there now scouring for clues.
Some feel there's some unsettling similarities
to the 100 Acre Massacre,
and given your involvement in that,
we wanted to speak with you. Is that all right?
- Yeah. Yeah, it's fine. - I appreciate that.
Chris, can you tell me where you were the night before last?
- I, yeah, was just here with Mom and Dad.
- And Mr. and Mrs. Robin, you can confirm that to be true?
- Yes, it was, uh, me, his dad,
our daughter Ella, and then, and Chris.
- Alright, that's good. I just needed to clarify that.
Mrs. Robin, we may require a statement.
We get a lot of false reports about Chris,
but considering the recent events,
it's paramount that you are completely honest with me.
(solemn music)
We've also got word that Aaron is awake.
We're trying to get him to open up,
but he says he'd like to speak to you first
later today, Chris.
- What's he like? God, honestly.
- Hello!
- Hey, man. - Hey, how are you?
- Very good. How you doing?
- Good, thanks. - Hello.
- Then let's go inside.
- Right. Here we go.
- Wow, look at this. Hey! - Oh, cool.
- Oh, hi! - Hi!
- Oh my God. It's been a minute.
How are you? - Hey, Cara, how are you?
- Hi!
- How many people are coming to this...?
- Oh, God, like a hundred.
It's been fucking madness.
Everything's finally almost done.
It's gonna be the best party ever.
Did you guys check out the masks?
- Yeah, they look great. - What are these even for?
- Okay, grab a drink if you want.
Aves and I are gonna give you the grand tour.
- [Lexy] Great.
- Here's where people can come chill,
smoke, hook up, whatever.
Uh, Aves, can you make sure
you get all this construction shit out of here in time?
Over here, we've got this ridiculous silent disco.
I'm so glad you're all comin'.
- Oh, Cara, babe, I told you I'm working. I can't come.
- Hey. - I'm sorry. I'm sorry.
- Look, totally don't mind you not showing,
but does that mean Chris is a no-go too?
- What? No, he is probably gonna come with Finn. Why?
- I just think with the murders and all...
- Cara, stop. - Like, I'm struggling
to get people to actually commit.
Let alone if they found out a murderer is gonna be here.
- Well, yeah, but I didn't actually do anything. FYI.
- No one's saying you did. I just, you know,
all this town does is talk about what happened last year,
and I want them to talk about this.
And I can't let anything get in the way of that.
- Don't worry about me.
I'll, I'll go home then.
- Why did you say that? - What's the point of this?
- Chris. - I don't want to talk.
(car rumbling)
- Mate, I am so sorry that this happened to you.
(tense music) You are gonna fight, alright?
And you're gonna get through this.
When they, um, when they called me,
they said that you had something you wanted to tell me.
Good.
(Aaron groaning)
(suspense music)
Hey, um, could we grab a moment just us, please?
You, what do you mean? Did you see them?
How many of them were there? What did they look like?
Tell me, tell me everything that you saw, please.
(tense music) (pen screeching)
(tense music)
(Aaron grunting)
Aaron, hey.
(suspense music intensifies)
Hey, hey, hey. What are you, what are you doin'?
(tense music)
(water spattering)
(Owl gagging)
(suspenseful music)
(tense music)
(Owl growling) (tense music)
(Finn grunting) (tense music)
- My God.
- There is no God in this atrocious town.
(intense music)
(Finn gagging)
(Finn screaming) (suspense music)
(tense music)
(car rumbling)
(window creaking)
(tense music)
(tense music continues)
- I know what you did.
Don't fucking move. - Whoa. Whoa. Calm-
- Don't fucking move. - Ah, calm, calm down.
You must be looking for someone else.
- No, no, no, no, no. I, I fucking saw you.
You took my brother and you took my friends.
Now fucking tell me what happened.
- I can see you're very upset.
- Oh, I swear to fucking God, I'll fucking kill you.
Tell me.
- Alright.
I, just shite luck,
really, for them kids.
See, I never knew what he wanted them for,
and at that time, I didn't care.
- Who wanted them?
- Gallup.
Dr. Gallup.
And he, he offered to pay my gambling debts.
Men I owed made other men disappear.
So, I, I just didn't really know what I was doing.
So, I got very, very, very drunk indeed
and I drove around a bit, you know,
and then I stumbled on this children's sleepover party.
I just grabbed them and dumped them off at Gallup's, and,
and then he, he honored his side of the bargain.
- Is he still alive?
- [Mark] Mm?
- My brother.
- He was experimenting
with them kids in the lab,
disgusting things.
Changing their genetics and whatnot.
Tampering with nature,
combining human and animal DNA.
Playing at God.
And it worked.
(suspenseful music)
He turned them wee kids into monsters.
Then he got spooked.
Decided he had to get rid of them.
Destroy all the evidence of what he'd done.
I kept an eye on him.
I did.
I followed him all the way to 100 Acre Wood.
I tried to stop him,
but I, I, I was too pissed.
I swung at him, and he walloped me with his camera,
and I, I was out.
But when I come around,
he'd killed all the kids.
And then buried them.
I grabbed his pistol.
I shot the bastard between the eyes.
And I think I panicked.
I didn't know what to do.
So I, I, I buried him away, away from the kids.
I made sure that I remembered that place.
The thing is,
them kids,
they didn't stay buried.
I went back the next night,
they were gone.
(tense music)
- So...
So, someone took 'em.
Someone dug them up or...?
- No.
If you dug someone up,
all the soil is displaced.
It's, it's a mess.
This was not that.
The earth was pulled back away from the hole
as if the earth itself was allowing
this horror to rise up.
No.
Them kids pulled themselves out.
(suspense music) (thunder rumbling)
- So...
So they were still alive?
- Last year,
when that massacre happened,
I seen the papers.
I heard the chatter.
Nobody believed you. I did.
I knew what killed them teenagers.
Monsters.
Same ones Gallup killed and buried.
Same ones that dug themselves out of the earth.
Same ones living out there ever since.
After I killed Gallup,
I was not about to get caught.
I had a wife and kids.
I didn't want to lose them.
The irony is that
what I done turned me into a monster.
She left me.
Took the kids.
Karma, I suppose.
That night, I went back to Gallup's lab,
took anything that might incriminate me,
and I set fire to the place.
I burnt the whole fucking house down.
'Cause I knew that this day would come.
So I'd...
I thought I didn't want it to,
but actually, it's a great relief.
No longer bearing all my weight.
Now, the weight is all yours.
I'm really sorry for what I done.
Really.
I am.
May God pardon my soul.
(gun booming) (intense music)
(somber music)
(door banging)
- What the fuck, Lexy?
- Freddie, I'm sorry.
Look, I think there's someone in the house.
- Yeah, right.
I'm not falling for that one.
(tense music) (utensils clanging)
- What is it? What is it? - Come on now. Come on.
Come on, Freddie. Come on. - My mask!
(tense music)
- Uh, 092.
Yeah, uh, listen,
can someone swing by my house
and check on my grandson, Freddie?
He's at home with a babysitter
and they're not answering the phones.
I'd really appreciate it.
(tense music)
(doors banging)
(toy beeping)
(toy screeching)
(toy thudding)
(tense music)
(intense music)
(tense music) (Pooh growling)
- Let's go! (intense music)
- Whoa, whoa, whoa.
Calm down, calm down. What's going on?
- There's a fucking monster inside.
- Is this some sort of joke? - No, no, no.
That thing from the 100 Acre Wood, it's inside.
- She's not joking. It, it tried to kill us.
- Will you just calm down?
My colleague will go in, all right?
Check out back while I search the main premises.
(suspense music)
(intense music) (Officer Williams grunting)
(intense music) (Pooh grunting)
(Officer Williams grunting)
- Fuck you! (Officer Williams grunting)
(Officer Williams screaming)
(intense music) (arms thudding)
(tense music) (Pooh growling)
(rain pattering)
(recorder clacking)
- [Dr. Gallup] This would be my greatest challenge.
And yes, the experiments failed at first,
but I knew I was close.
I persevered.
I knew I had to.
I have finally achieved a genuine breakthrough.
My research, my work is coming to fruition
with these new subjects.
The children,
they resist, but I must continue.
Every day, they're changing, growing,
evolving in ways I could never have imagined.
There's been an incredible increase
in bone density and strength.
And they're taking on the physical characteristics
of the very animals their genetic sequence
has been interconnected with.
I am witnessing some extraordinary abilities,
evidence of regenerative capabilities,
particularly in one of them,
born from the axolotl DNA integrated into them.
In other words,
it's working.
(tense music) (rain pattering)
Restraints broken on multiple occasions.
Facial structure subtly shifting.
Heartbeat. Teeth rapidly accelerating and sharpening.
Nails hardening at an almost circular.
Stronger. Unstable.
Dangerous.
But I fear this must come to an end. And soon.
And as much as I try to resist,
I've come to genuinely care for each of them.
Truly.
But they are becoming dangerous, unpredictable.
Their animalistic tendencies are taking over.
Soon, I fear I may become their prey.
So, the only way forward
is to make them my prey first.
And reset.
(monsters growling)
- [Owl] The hunt is on.
- [Tigger] Bouncy, bouncy, bounce (laughs).
(intense music)
- [Lexy] Of course I'm telling you the truth.
It was one of those creatures.
- [Officer Dacre] Yeah, it's exactly what Chris Robin said.
But honestly, Miss,
I can't believe it until I actually see it.
- Officer, look.
- Lexy?
- Oh, Chris. Chris, thank God.
Look, you, you were right about, about everything.
- Sorry. W-what do you mean?
- One of them attacked me and Freddie.
- What? So, are you both okay?
- Yeah, no, we're fine, but,
look, it got away, Chris. It's not safe out there.
There's been loads of murders leading to Ashdown and...
Chris, they've...
They found Finn dead.
Have you tried to contact your parents?
- No.
- Okay, I really think you should. I don't know.
I think they might be in danger.
(suspenseful music)
(chains clacking)
- What are you doing with those?
Ah, I see. Oh.
Yeah, okay.
Well, that's a choice, Bunny,
but now we have a problem because, you see,
Bear's only got one leg.
So, how's he gonna walk?
(Bunny laughing)
- He's probably gonna have to hop around, right?
(both laughing)
Come on! Oh, dear.
(plates clacking)
(tense music)
- Alan?
(suspense music)
(intense music)
(plates clanging)
Oh for goodness sakes, you'll be the death of me.
(tense music) (feet thudding)
(Daphne screaming) (intense music)
(Daphne screaming) - Daphne?
All right, darling, you just wait here.
I'm gonna check Mommy's okay.
(tense music) (Daphne crying)
(Daphne screaming)
(intense music)
(Alan screaming)
- [Bunny] Mom?
(suspense music)
(thunder rumbling)
(tense music)
(thunder rumbling)
(car screeching)
- Mom?
Mom?
(somber music)
(Christopher sobbing)
(Christopher crying)
Bunny?
Please, please! Please!
Bunny! (tense music)
(Christopher sobbing)
(upbeat music) - Yeah!
♪ Sustenance ♪
♪ Extravagance ♪
♪ My arrogance ♪
♪ And pain ♪
♪ Sustenance ♪
♪ Extravagance ♪
♪ My arrogance ♪
♪ And pain ♪
- [Owl] Time for you and Tigger to have some fun (chuckles).
(raver laughing)
- You look so good.
- Thank you.
Have a look at this dickhead.
- What the fuck is he wearing?
- He looks fucking stupid. (Pooh growling)
(bone crunching) (raver screaming)
(upbeat music)
♪ Violence ♪
♪ Ferocity ♪
♪ My chaos ♪
♪ Violence ♪
(bone crunching)
♪ My chaos, chaos, chaos, chaos, chaos, chaos ♪
♪ C-c-c-c-c-c-c-c-Chaos ♪
(head thudding)
♪ My chaos ♪
(upbeat music) (ravers screaming)
♪ My chaos ♪
(upbeat music) (ravers screaming)
(intense music) (Poos grunting)
(tense music)
- Chris. - Lexy, hey, where are you?
- I'm, I'm with the police. Why?
- Okay. Okay.
Stay exactly where you are, okay?
'Cause he's got my little sister
and I need to find him. - Oh, Bunny.
Chris, what's happened? Are you all right?
Are your parents okay?
- Just, just stay where you are, okay?
- [Male Dispatch Officer] Roger control. En route.
Any description of the suspects?
- [Female Dispatch Officer] Um, monsters.
Proceed with extreme caution. Over and out.
(tense music) (car screeching)
- I just don't know- - Look, he's not calling me back.
- No, no. We have to- - Calm down.
- No, you're not listening to me!
He's not calling me back.
Get off me. He's not...
(tense music) (ravers screaming)
(intense music)
(tense music)
(Pooh growling)
(suspense music) (Pooh growling)
(ravers screaming)
(suspense music) (Pooh growling)
(ravers screaming)
(intense music) (Pooh growling)
(ravers screaming)
(Tigger laughing)
(tense music)
(Tigger growling and sniffing)
- Hello, everyone (growls). (tense music)
(ravers screaming)
(chains clanging)
Eenie.
Meenie.
Miney.
Mo! (Tigger growling)
(ravers screaming)
(raver grunting) (Tigger growling)
(tense music) (ravers screaming)
Come here, you fluorescent bitch.
(raver screaming)
(tense music) (Tigger growling)
(intense music)
Time to clip them wings.
(tense music) (raver screaming)
(suspense music)
(sultry music)
(tense music)
(car rumbling)
(ravers screaming)
(body thudding)
(tense music)
(body thudding)
(Pooh growling)
- Somebody help me! Anyone!
(raver gasping)
(raver screaming)
- Ava!
- Oh-ho-ho.
Help, Ava. You gonna help, Ava?
(Tigger laughing)
You better watch where you're going, bitch.
(raver crying)
(raver screaming) (body thudding)
(trap door clanging)
(tense music)
(raver panting)
- It's below you!
- Peekaboo. (raver screaming)
Dance, bitch. (raver screaming)
- No!
(raver screaming) (knife clanging)
No!
Stop!
(raver screaming) (knife clanging)
(Ava screaming)
- You're next.
- Pick up, Chris, come on.
Come on.
(tense music)
- Pooh!
(chains clanging)
(intense music) (body thudding)
(Ava gasping)
Ava. Hey, hey, hey, hey, hey.
(Ava gasping)
Where is Pooh?
- He wouldn't do this. (somber music)
Chris, I'm sorry we didn't believe you.
- [Tigger] She can't fly like Owl.
(tense music)
Hello, Christopher.
(Christopher screaming) (gun booming)
- Fuck you!
(knife clanging) (Christopher groaning)
(gun booming)
(Christopher panting)
(Tigger growling)
- Fuck.
(raver screaming) (bone crunching)
(tense music) (raver screaming)
- Come here.
(tense music) (door banging)
(Pooh growling)
- No! (ravers screaming)
(drill whirring) (raver screaming)
(blood squelching)
(raver screaming)
- [Christopher] Hey!
(thunder rumbling) (rain pattering)
(suspense music)
- Where is my sister?
(suspense music) (chainsaw whirring)
Come on!
(Christopher screaming)
Ugh! Fuck you!
(suspense music) (chainsaw whirring)
(glass clanging) (Christopher screaming)
(Christopher grunting)
(glass clanging) (Christopher screaming)
(thunder rumbling) (tense music)
- Chris?
- [Owl] I can see you, you witless bint.
(suspense music) (chainsaw whirring)
(Christopher grunting)
(tense music)
(thunder rumbling) (Pooh growling)
- Billy?
I'm sorry,
uh, that you got taken away.
I'm sorry about what happened to you.
Just give me my sister.
Just please tell me where she is.
Please. (Pooh growling)
- Chris!
(Christopher grunting)
(tense music) (Pooh growling)
- Ah! No!
(suspense music) (chainsaw whirring)
- Billy!
- Oh, bother. (Christopher screaming)
(somber music) (ax squelching)
(somber music) (thunder rumbling)
- I'm sorry, Billy.
- Your brother?
- And he was right there in front of me this entire time.
- That's not your brother, Chris.
He's something different.
- I was meant...
I didn't find Bunny, Lexy.
And I told her that I'd protect her and I failed.
- No, look at me. None of this is your fault.
(police siren blaring)
Are you ready? - (sniffles) Yeah.
(rain pattering)
(Christopher groaning)
- Look who I found at your house.
She's in shock. But she's okay.
- [Bunny] Chris!
- What? Hey! (gentle music)
Are you okay? Are you okay?
Are you okay?
Look, I'm sorry I left you.
I'm sorry I left you.
♪ She'll do better on her own ♪
♪ This house don't feel like home ♪
♪ She'll do drugs that make her sick ♪
♪ 'Cause she don't wanna feel alone ♪
- Why'd you do that, Bunny?
- Because we don't need him anymore.
♪ Feel alone ♪
♪ Too much time spent, too many, too many lies spent on ♪
♪ What would you do if, what would you do if I moved on ♪
♪ I'm falling apart ♪
♪ Too much time spent, too many, too many lies spent on ♪
♪ What would you do if, what would you do if I moved on ♪
♪ I'm falling apart ♪
♪ Too much time spent, too many nights that I felt dead ♪
♪ Too many nights I ♪
♪ Too many nights I grabbed my own chest ♪
♪ Saw my own death ♪
(Owl laughing)
(tense music)
- Foolish, Christopher Robin.
Oh.
How little you know.
Our strength is in our friendship.
Oh Pooh,
you are indeed a bear of little brain,
but I'll bring you back.
Yeah.
We'll all be back for you, Christopher Robin.
(Owl laughing)
(intense music)
(tense dramatic music)
(tense music)