1
00:00:00,720 --> 00:00:01,960
There's nothing left.

2
00:00:01,960 --> 00:00:03,800
You know, how'd they even find
the warehouse?

3
00:00:03,800 --> 00:00:05,440
I don't know.

4
00:00:07,840 --> 00:00:09,600
Just lay low.

5
00:00:09,600 --> 00:00:12,560
So, what is it? Punishment
for bringing the pigs to their door?

6
00:00:12,560 --> 00:00:14,000
'Or a warning.'

7
00:00:17,280 --> 00:00:19,400
If you help them
to land a bigger fish,

8
00:00:19,400 --> 00:00:20,480
one of your associates...

9
00:00:20,480 --> 00:00:22,640
Not a chance.
Trying to rip off the RA?

10
00:00:22,640 --> 00:00:24,960
You'd better be tougher
than you look.

11
00:00:28,520 --> 00:00:33,160
If I make a deal, the IRA kill me.
If I don't, I get ten years.

12
00:00:33,160 --> 00:00:35,640
We have to run. To Spain.

13
00:00:35,640 --> 00:00:39,200
It won't be cheap.
You got the Irish in. You owe me.

14
00:00:42,560 --> 00:00:45,400
Joan? I miss that smile.

15
00:00:45,400 --> 00:00:49,280
Bernard's.
I mean clear the place out.

16
00:00:49,280 --> 00:00:52,960
Every single piece
of that premier collection.

17
00:00:52,960 --> 00:00:55,480
Now, that would buy us a new life.

18
00:00:55,480 --> 00:00:59,840
We go on our own,
and I'll come back for her. OK.

19
00:00:59,840 --> 00:01:00,920
'More cameras?'

20
00:01:00,920 --> 00:01:04,560
And a panic button,
straight through to the police.

21
00:01:11,560 --> 00:01:14,360
Access is through the alley here.

22
00:01:14,360 --> 00:01:15,840
We'll need another man to watch him.

23
00:01:15,840 --> 00:01:18,280
Are you in?
I'll let you know.

24
00:01:18,280 --> 00:01:21,040
'I need you to add Kelly to my
passport so I can take her with us.'

25
00:01:21,040 --> 00:01:24,920
Promise me you'll tell him.
Before the job. Promise.

26
00:01:24,920 --> 00:01:27,200
RECEPTIONIST ON PHONE:
'Hello, King's Morton.'

27
00:01:27,200 --> 00:01:29,480
JOAN IN AMERICAN ACCENT:
'Hello, it's Simone Highsmith

28
00:01:29,480 --> 00:01:31,000
'from the New York Herald.'

29
00:02:03,840 --> 00:02:06,960
DOOR UNLOCKS,
FOOTSTEPS

30
00:02:08,640 --> 00:02:10,680
DOOR CLOSES

31
00:02:15,360 --> 00:02:16,520
PHONE RINGS

32
00:02:16,520 --> 00:02:18,160
RECEPTIONIST:
'Hello, King's Morton.'

33
00:02:18,160 --> 00:02:20,200
IN AMERICAN ACCENT:
Hello, it's Simone Highsmith

34
00:02:20,200 --> 00:02:21,240
from the New York Herald.

35
00:02:21,240 --> 00:02:24,080
I'm just calling to confirm my visit
to the school tomorrow.

36
00:02:24,080 --> 00:02:25,280
'Oh, yes.

37
00:02:25,280 --> 00:02:27,520
'The headmaster is asking
if you could bring it forward

38
00:02:27,520 --> 00:02:28,840
'to three o'clock.'
No, I can't.

39
00:02:28,840 --> 00:02:31,160
I'm unavailable until 3:30.
I'm sorry. 'Right.

40
00:02:31,160 --> 00:02:33,760
'As long as you're aware that
the children will be outside then?'

41
00:02:33,760 --> 00:02:38,680
Great. As I told him, my article
is about British children at play.

42
00:02:38,680 --> 00:02:42,280
'OK, I'll let him know.'
Thank you so much.

43
00:02:42,280 --> 00:02:43,680
See you tomorrow.
'Goodbye.'

44
00:02:43,680 --> 00:02:45,280
Bye.

45
00:02:48,640 --> 00:02:50,760
PHONE RINGS

46
00:02:52,000 --> 00:02:53,160
ALBIE OVER PHONE: 'Hello?'

47
00:02:53,160 --> 00:02:55,720
IN OWN ACCENT: Albie, can you talk?
'Yeah, briefly. What is it?'

48
00:02:55,720 --> 00:02:57,400
I need the bloody passport.
DOOR UNLOCKS

49
00:02:57,400 --> 00:03:00,440
'Midday, at the caf.'
All right, lunchtime. Got it.

50
00:03:00,440 --> 00:03:02,560
Albie, can you...?
BOISIE: Joan?

51
00:03:02,560 --> 00:03:03,640
'Joan?'

52
00:03:07,800 --> 00:03:10,160
Forgot my cigs. What did Alb want?

53
00:03:10,160 --> 00:03:12,240
Nothing, really.

54
00:03:12,240 --> 00:03:15,200
I mean,
just confirming the meet with Paul.

55
00:03:21,400 --> 00:03:22,880
It's gonna be OK.

56
00:03:26,000 --> 00:03:27,760
What?

57
00:03:27,760 --> 00:03:30,880
Oh, nothing. I was just gonna say...

58
00:03:30,880 --> 00:03:32,320
You love me?

59
00:03:32,320 --> 00:03:34,240
You're finally gonna admit it?

60
00:03:34,240 --> 00:03:36,440
No, not today!

61
00:04:04,400 --> 00:04:06,600
Morning.
KIRSTY: Morning.

62
00:04:24,800 --> 00:04:27,640
TOILET FLUSHES

63
00:04:32,120 --> 00:04:35,200
Morning.
Morning.

64
00:04:37,120 --> 00:04:38,520
Joan...

65
00:04:40,640 --> 00:04:44,440
..we're still on for the, er,
stocktake tomorrow lunchtime?

66
00:04:44,440 --> 00:04:45,760
Course.

67
00:05:24,000 --> 00:05:26,840
Val. What can I do you for?

68
00:05:29,880 --> 00:05:34,400
1920s cigarette case?
Absolute steal at £15.

69
00:05:36,240 --> 00:05:38,480
My husband and your wife.

70
00:05:38,480 --> 00:05:39,840
What about 'em?

71
00:05:39,840 --> 00:05:42,320
They've been meeting up...

72
00:05:42,320 --> 00:05:43,520
"for work".

73
00:05:45,880 --> 00:05:49,440
Well, Joan's in the business.
You know that, Val.

74
00:05:52,080 --> 00:05:54,200
So, d'you want to buy something?

75
00:05:57,960 --> 00:05:59,600
DOOR SLAMS

76
00:06:00,920 --> 00:06:04,160
No-one else.
Scope it out Sunday week.

77
00:06:06,080 --> 00:06:08,080
Haven't heard from me
unless there's a problem.

78
00:06:08,080 --> 00:06:11,240
All right.
No fuck-ups, please.

79
00:06:21,040 --> 00:06:22,800
Albie.

80
00:06:22,800 --> 00:06:25,240
Hello. How you doing?

81
00:06:25,240 --> 00:06:27,000
Just hand it over.

82
00:06:27,000 --> 00:06:29,000
Please.

83
00:06:29,000 --> 00:06:32,320
Sorry, I'm stressed.
Yeah, well, doing a job on bail...

84
00:06:32,320 --> 00:06:33,960
I'm not going to prison.

85
00:06:33,960 --> 00:06:35,760
I'm not losing Kelly.
All right.

86
00:06:35,760 --> 00:06:37,880
Anything I can do to help?

87
00:06:37,880 --> 00:06:42,040
It's just the timings are so tight.
For getting Kelly.

88
00:06:42,040 --> 00:06:44,880
I have to be at the school tomorrow
at 3:30

89
00:06:44,880 --> 00:06:47,240
so she's outside playing,
3:40 latest.

90
00:06:50,280 --> 00:06:52,120
Right, thanks.

91
00:06:52,120 --> 00:06:53,960
Better go,
or we'll be late for Paul.

92
00:06:53,960 --> 00:06:56,320
You get there first.
I'll walk round the block.

93
00:06:59,000 --> 00:07:01,760
So, Boisie's cool about Kelly?

94
00:07:02,800 --> 00:07:06,080
I'm telling him tonight.
Jesus Christ.

95
00:07:06,080 --> 00:07:09,360
Look, just... just, please,
don't screw this up...

96
00:07:09,360 --> 00:07:11,400
or he'll pull out the whole job.

97
00:07:11,400 --> 00:07:14,440
You think
I don't fucking know that? Jesus.

98
00:07:23,880 --> 00:07:25,680
PAUL APPLAUDS

99
00:07:25,680 --> 00:07:27,760
Bang on time.
Yeah.

100
00:07:28,880 --> 00:07:31,080
Right, is everyone clear
on the plan?

101
00:07:32,240 --> 00:07:34,880
Me and Boisie break in,
scare Bernard.

102
00:07:34,880 --> 00:07:38,080
Paul stays with him while you
and me do the safe, clear the shop.

103
00:07:38,080 --> 00:07:40,960
You work in total silence.
Fast as we can.

104
00:07:40,960 --> 00:07:43,200
Slow and steady. No rush.

105
00:07:43,200 --> 00:07:46,160
No, we need to be in and out, Paul.
I don't wanna fuck around.

106
00:07:46,160 --> 00:07:48,760
I get it, Joan. No fucking around.

107
00:07:50,400 --> 00:07:51,560
Look, I'll be in the alley.

108
00:07:51,560 --> 00:07:53,560
Soon as we're loaded,
we head to Wrentham Street.

109
00:07:53,560 --> 00:07:58,480
Where the getaway car will be.
We share out the gear, then...

110
00:08:07,840 --> 00:08:10,800
Then you drive here. Directions.

111
00:08:10,800 --> 00:08:12,400
ALBIE CLEARS THROAT
There's a caravan.

112
00:08:12,400 --> 00:08:14,240
Bit basic, but it's out of the way.

113
00:08:15,280 --> 00:08:18,120
Stay there till dawn,
then head to Newhaven.

114
00:08:18,120 --> 00:08:19,800
Why can't we get an earlier ferry?

115
00:08:21,680 --> 00:08:25,000
We need to wait for Albie's man
to be on shift. Mm.

116
00:08:27,640 --> 00:08:31,600
So... one o'clock,
I'll give Albie the nod,

117
00:08:31,600 --> 00:08:34,200
he drives round the back,
two of you break in straight away.

118
00:08:34,200 --> 00:08:35,440
We wait till half past.

119
00:08:35,440 --> 00:08:36,960
Five past.

120
00:08:36,960 --> 00:08:39,680
What if he decides to serve another
customer? Go out for a sandwich?

121
00:08:39,680 --> 00:08:41,960
He won't.
We need to build in some slack.

122
00:08:41,960 --> 00:08:44,560
Look, I can control Bernard,
all right? Trust me.

123
00:08:44,560 --> 00:08:47,000
He's got a point, Joan.
It's not worth cutting it too fine.

124
00:08:47,000 --> 00:08:49,400
Oh, you want me to cuddle up
to Bernard for half an hour?

125
00:08:49,400 --> 00:08:51,720
Does that not bother you, no?

126
00:08:52,880 --> 00:08:55,760
Quarter past, then?
Fuck's sake!

127
00:08:55,760 --> 00:08:57,280
I know what I'm doing.

128
00:08:57,280 --> 00:08:59,320
Look, I think we should trust Joan
on this.

129
00:08:59,320 --> 00:09:00,920
Should we?

130
00:09:00,920 --> 00:09:03,040
Yeah. It's her job.

131
00:09:03,040 --> 00:09:06,320
Thanks, Alb. Five past one.

132
00:09:08,200 --> 00:09:09,880
If we're done?

133
00:09:09,880 --> 00:09:12,200
Where the hell are you going?
Work.

134
00:09:13,280 --> 00:09:14,880
If that's OK with you?

135
00:09:18,280 --> 00:09:19,680
Fuck's up with her?

136
00:09:55,080 --> 00:09:56,880
GUN CLICKS

137
00:11:08,600 --> 00:11:09,760
Boisie?

138
00:11:10,800 --> 00:11:12,320
I need to talk to you.

139
00:11:14,640 --> 00:11:16,000
Boisie?

140
00:11:27,120 --> 00:11:29,480
I was just about to tell you,
I promise.

141
00:11:30,560 --> 00:11:32,720
Before the heist or after?

142
00:11:32,720 --> 00:11:35,040
No, that's... that's not fair.

143
00:11:36,320 --> 00:11:37,840
Job's off.

144
00:11:40,800 --> 00:11:42,280
Hey.

145
00:11:42,280 --> 00:11:43,760
Leave me alone.

146
00:11:57,400 --> 00:11:59,800
I mean,
what was I supposed to do, Boise?

147
00:12:01,360 --> 00:12:03,320
If you really,
really want something...

148
00:12:03,320 --> 00:12:04,720
Why don't you get it?

149
00:12:06,520 --> 00:12:08,200
It's not about what you want.

150
00:12:09,360 --> 00:12:13,080
It's about Kelly,
what's best for her.

151
00:12:13,080 --> 00:12:14,600
Is it?

152
00:12:14,600 --> 00:12:17,720
Or is it what's best
for Boisie fucking Hannington?

153
00:12:17,720 --> 00:12:18,800
What?

154
00:12:18,800 --> 00:12:22,160
Insecure, jealous...

155
00:12:22,160 --> 00:12:25,200
prefers paintings to people.

156
00:12:25,200 --> 00:12:26,680
Doesn't trust a soul.

157
00:12:26,680 --> 00:12:29,760
Convinced his own wife is up
to all sorts with his best mate!

158
00:12:29,760 --> 00:12:32,480
Cos you were.
No, no, no. No.

159
00:12:32,480 --> 00:12:34,880
No, that's not what this is.

160
00:12:34,880 --> 00:12:37,960
What is it, then? Tell me.

161
00:12:37,960 --> 00:12:39,680
You just don't want her to come.

162
00:12:40,920 --> 00:12:44,400
You'd rather I lost my daughter
than allow her into our life.

163
00:12:47,240 --> 00:12:49,160
Are you crazy?

164
00:12:50,600 --> 00:12:53,600
I'm coming back to get her.

165
00:12:53,600 --> 00:12:57,560
I'm returning as a wanted man,
risking years inside,

166
00:12:57,560 --> 00:12:59,560
and I'm doing that for you.

167
00:13:00,920 --> 00:13:02,960
For you, Joan.

168
00:13:14,240 --> 00:13:19,880
I can't, Boisie. I can't...
I can't wait. She'll forget me.

169
00:13:19,880 --> 00:13:22,480
No. I'll lose her.
It's already started.

170
00:13:22,480 --> 00:13:27,760
She's... She's happy there.
She's settled.

171
00:13:28,960 --> 00:13:30,880
She sits on that...

172
00:13:32,560 --> 00:13:33,920
..on that woman's lap.

173
00:13:33,920 --> 00:13:35,520
Do you know how that feels?

174
00:13:35,520 --> 00:13:39,240
It's like a... a blade
to my fucking heart.

175
00:13:39,240 --> 00:13:41,120
Joan, listen.

176
00:13:41,120 --> 00:13:43,600
No, I won't. You know why? Cos...

177
00:13:46,600 --> 00:13:51,360
..all I want... is to be happy.

178
00:13:53,280 --> 00:13:55,280
Is that so bad?

179
00:13:57,600 --> 00:13:59,320
To want a family?

180
00:13:59,320 --> 00:14:01,480
A home?

181
00:14:02,840 --> 00:14:06,360
What I've never had,
you've never had.

182
00:14:07,600 --> 00:14:09,880
This is our chance, Boisie.

183
00:14:20,200 --> 00:14:23,280
DOOR OPENS,
SHUTS

184
00:14:52,240 --> 00:14:54,120
Thought I'd find you here.

185
00:15:10,400 --> 00:15:12,360
Your mum gave you up.

186
00:15:15,360 --> 00:15:20,320
You must understand
why I can't do that to Kel.

187
00:15:20,320 --> 00:15:22,360
I can't.

188
00:15:22,360 --> 00:15:23,880
I won't.

189
00:15:25,200 --> 00:15:27,480
I'm her mother.

190
00:15:27,480 --> 00:15:29,360
She needs to be with me.

191
00:15:33,640 --> 00:15:37,360
When I was a kid,
I learnt not to need anyone...

192
00:15:38,560 --> 00:15:39,840
..anything at all.

193
00:15:44,040 --> 00:15:45,960
I just wanted to feel safe.

194
00:15:47,120 --> 00:15:48,640
I know.

195
00:15:52,680 --> 00:15:54,520
And I'm fine here.

196
00:15:56,960 --> 00:15:58,280
Then stay.

197
00:16:03,800 --> 00:16:07,120
Or... take a risk.

198
00:16:08,720 --> 00:16:11,640
And if it doesn't work out,
that's fine.

199
00:16:11,640 --> 00:16:17,840
But don't spend the rest
of your life... wondering.

200
00:16:21,760 --> 00:16:24,000
BOISIE SIGHS

201
00:16:30,200 --> 00:16:31,880
JOAN SNIFFLES

202
00:16:34,880 --> 00:16:36,760
You're crazy, do you know that?

203
00:16:36,760 --> 00:16:38,680
SHE CHUCKLES

204
00:16:39,760 --> 00:16:41,040
Yeah.

205
00:16:43,640 --> 00:16:46,440
You're stuck with me now.
SHE SNIFFLES

206
00:16:48,600 --> 00:16:50,320
I love you.

207
00:16:51,400 --> 00:16:53,680
WHISPERS: I love you so much.

208
00:16:57,040 --> 00:16:58,680
JOAN LAUGHS

209
00:17:15,800 --> 00:17:17,120
I'm heading off.

210
00:17:18,520 --> 00:17:19,840
Joan...

211
00:17:21,040 --> 00:17:23,200
I dunno, it doesn't feel right.

212
00:17:24,200 --> 00:17:27,280
No, it'll be fine.
I've worked it all out.

213
00:17:29,840 --> 00:17:33,320
It's gonna be OK, Boise.

214
00:17:33,320 --> 00:17:37,280
Five past one,
you and Paul storm the back door.

215
00:17:37,280 --> 00:17:41,120
'Paul takes Bernard into the back
while we empty the safe.

216
00:17:41,120 --> 00:17:43,920
'Once the safe's done, we move
to the shop and clear the cabinets.

217
00:17:43,920 --> 00:17:47,240
'It's... It's a good plan, Boise.

218
00:17:47,240 --> 00:17:48,600
'Foolproof.'

219
00:18:00,760 --> 00:18:02,440
Penny for your thoughts?

220
00:18:02,440 --> 00:18:04,800
SHE LAUGHS
Worth more than that.

221
00:18:04,800 --> 00:18:06,640
HE CHUCKLES

222
00:18:19,000 --> 00:18:22,120
KIRSTY: I hate it when it's quiet.
It's so boring.

223
00:18:24,080 --> 00:18:28,400
D'you wanna hear my theory
about this place, Joan?

224
00:18:28,400 --> 00:18:30,400
You listening, Joan?
Yeah.

225
00:18:30,400 --> 00:18:32,600
Mondays, the blokes come in -

226
00:18:32,600 --> 00:18:35,320
engagement rings if they've popped
the question on the weekend...

227
00:18:35,320 --> 00:18:37,520
PHONE RINGS
..or little gifts for the missus

228
00:18:37,520 --> 00:18:39,000
if they've had a row.

229
00:18:39,000 --> 00:18:41,240
Tuesdays, dead as a doornail.

230
00:18:41,240 --> 00:18:44,320
Bernard Jones, can I help you? Joan?
Wednesdays, people browsing.

231
00:18:44,320 --> 00:18:46,880
Starts to pick up around lunchtime.
No, that won't be possible.

232
00:18:46,880 --> 00:18:49,160
And Thursdays, normally busy.

233
00:18:49,160 --> 00:18:51,480
Absolutely not. Goodbye.

234
00:18:52,760 --> 00:18:56,240
That was for you.
Urgent, apparently.

235
00:18:57,480 --> 00:18:59,960
What? Who was it?

236
00:18:59,960 --> 00:19:02,160
You know
you're not allowed personal calls.

237
00:19:03,200 --> 00:19:04,920
Sorry.

238
00:19:04,920 --> 00:19:06,840
But did he say who it was?

239
00:19:06,840 --> 00:19:08,240
Wouldn't leave a name.

240
00:19:08,240 --> 00:19:10,320
Said he needed to speak to you
about this afternoon.

241
00:19:11,680 --> 00:19:13,320
If you've got other plans,

242
00:19:13,320 --> 00:19:16,120
I can always ask Kirsty
to do the stocktake.

243
00:19:16,120 --> 00:19:18,760
No, no, no. I'd never let you down.

244
00:19:19,840 --> 00:19:24,440
Then, er, maybe we should
just close up and push on with it?

245
00:19:24,440 --> 00:19:25,800
No.

246
00:19:27,040 --> 00:19:29,320
We might miss a sale.

247
00:19:29,320 --> 00:19:30,360
True enough.

248
00:19:30,360 --> 00:19:32,080
You haven't even had
your morning coffee.

249
00:19:32,080 --> 00:19:33,840
Look, why don't the two of you
take a break,

250
00:19:33,840 --> 00:19:36,000
and I'll, er, organise the stock?

251
00:19:36,000 --> 00:19:37,640
Good idea.

252
00:19:43,480 --> 00:19:46,160
Just the one sugar, Kirsty.

253
00:20:05,800 --> 00:20:07,440
FROM KITCHEN:
Can I bring you one, Joan?

254
00:20:07,440 --> 00:20:08,880
No, thanks.

255
00:20:24,960 --> 00:20:28,080
Oh! Well done.

256
00:20:39,200 --> 00:20:41,480
Here's your sale, smarty-pants.

257
00:20:43,960 --> 00:20:46,920
Hello, sir. How can I help you?

258
00:20:46,920 --> 00:20:49,200
I saw a ring in that case.

259
00:20:50,440 --> 00:20:55,360
IN HUSHED VOICE: So, Paul's decided
he can't trust you, just pulled out.

260
00:20:55,360 --> 00:20:56,400
Fuck.

261
00:20:56,400 --> 00:20:58,120
We'll have to stand down,
set it up again.

262
00:20:58,120 --> 00:21:00,240
No, we can't.
I've already cut the wires.

263
00:21:00,240 --> 00:21:01,440
Fucking hell.

264
00:21:01,440 --> 00:21:03,160
Tell Albie we need
to find someone new.

265
00:21:03,160 --> 00:21:04,680
In an hour? Who?

266
00:21:04,680 --> 00:21:06,040
I don't care. Anyone.

267
00:21:07,600 --> 00:21:10,200
Tell Albie to offer a third
of the take.

268
00:21:10,200 --> 00:21:12,160
Christ.

269
00:21:12,160 --> 00:21:14,560
I mean, he knows half of London.
He'll find someone.

270
00:21:14,560 --> 00:21:17,000
And we leave that someone alone
with Bernard?

271
00:21:18,440 --> 00:21:21,680
You take care of Bernard,
I'll work with the new guy.

272
00:21:21,680 --> 00:21:23,920
Just find someone, anyone.

273
00:21:23,920 --> 00:21:25,440
Everything OK over here?

274
00:21:26,640 --> 00:21:30,200
Fine.
Ah! You said you'd come back.

275
00:21:30,200 --> 00:21:34,360
Eternity ring,
married a few months, madly in love.

276
00:21:34,360 --> 00:21:35,800
Never forget a face.

277
00:21:36,880 --> 00:21:38,960
Joan, you try it on for him.

278
00:21:38,960 --> 00:21:40,520
Best way for the gentleman
to decide.

279
00:21:43,280 --> 00:21:45,960
I think you should go ahead, sir.

280
00:21:45,960 --> 00:21:47,880
Yes, trust the lady.

281
00:21:47,880 --> 00:21:49,240
It's a big decision.

282
00:21:49,240 --> 00:21:52,560
You won't regret it, I promise.

283
00:21:52,560 --> 00:21:55,000
Your wife... Your wife will...

284
00:21:55,000 --> 00:21:58,720
It's an eternity ring.
She'll love you forever. Mm.

285
00:21:59,880 --> 00:22:01,200
Are you sure?

286
00:22:03,880 --> 00:22:07,280
OK, then. You talked me into it.

287
00:22:08,960 --> 00:22:10,160
Excellent.

288
00:22:10,160 --> 00:22:13,400
Final sale
before the stocktake, Joan.

289
00:22:13,400 --> 00:22:14,920
Mark it down.

290
00:22:47,640 --> 00:22:49,280
We're on.

291
00:23:04,160 --> 00:23:05,600
KNOCKING

292
00:23:10,360 --> 00:23:13,280
KIRSTY: I left my purse somewhere.
Do you really need it now?

293
00:23:13,280 --> 00:23:15,600
What?
I could lend you a tenner.

294
00:23:22,840 --> 00:23:24,200
What did I do with it?

295
00:23:26,080 --> 00:23:27,440
What did I do with it?

296
00:23:29,720 --> 00:23:33,640
Ah! Hm, what am I like?
Right, off you go.

297
00:23:33,640 --> 00:23:35,480
Bye!
Bye.

298
00:23:41,520 --> 00:23:44,640
Shall we start
with the premier collection?

299
00:23:44,640 --> 00:23:46,600
Why don't we just go straight
to the safe?

300
00:23:48,080 --> 00:23:51,800
You go get the ledger.
I'll open her up.

301
00:24:00,080 --> 00:24:01,320
Three minutes.

302
00:24:02,920 --> 00:24:05,080
D'you want me to open the safe?
Just a minute.

303
00:24:09,880 --> 00:24:12,000
If you could pick any one...

304
00:24:12,000 --> 00:24:14,480
Oh, I can't afford diamonds,
Bernard.

305
00:24:14,480 --> 00:24:17,400
Present... from me.

306
00:24:23,080 --> 00:24:24,960
I mean, I'd feel bad. Are you sure?

307
00:24:26,160 --> 00:24:27,920
Choose one.

308
00:25:08,800 --> 00:25:10,520
I know you want it, Joan.

309
00:25:12,920 --> 00:25:15,160
Why don't I give you
a back rub first?

310
00:25:21,040 --> 00:25:23,400
BOISIE:
Stick with her. Follow her orders.

311
00:25:23,400 --> 00:25:26,960
GARY: Oh, Joan'll love that.
You know her?

312
00:25:28,840 --> 00:25:30,400
Yeah, I'm Kelly's dad.

313
00:25:32,280 --> 00:25:34,960
Don't want any trouble,
just my share of the gear.

314
00:25:44,240 --> 00:25:45,520
Go!

315
00:25:50,280 --> 00:25:52,240
We're in. Go!

316
00:25:52,240 --> 00:25:54,320
JOAN SCREAMS

317
00:25:54,320 --> 00:25:57,000
You, out the back. Go on! Move!

318
00:25:57,000 --> 00:25:59,480
Don't hurt her, please.
Open the safe.

319
00:25:59,480 --> 00:26:02,160
What are you doing?
Where are you taking me?

320
00:26:02,160 --> 00:26:05,120
Gary, what the fuck?
Go on, then!

321
00:26:08,760 --> 00:26:11,240
Sit down. Keep your gob shut.

322
00:26:11,240 --> 00:26:14,600
Stop fucking about. Open it.
Get out of my face.

323
00:26:14,600 --> 00:26:16,080
Calm down, Joanie.

324
00:26:16,080 --> 00:26:18,720
Go in the front.
Start on the cabinets.

325
00:26:18,720 --> 00:26:21,760
If you're sure, boss (!)
Quiet and fast as you can.

326
00:26:35,440 --> 00:26:39,320
Shit. Fucking keys!

327
00:27:01,640 --> 00:27:04,360
What the hell are you doing?
You said fast.

328
00:27:04,360 --> 00:27:07,000
And quiet. Someone'll hear us,
if they haven't already.

329
00:27:07,000 --> 00:27:08,920
Give me five minutes.
Grab as much as possible.

330
00:27:08,920 --> 00:27:11,040
Stop. Stop!
Is that an order, is it?

331
00:27:11,040 --> 00:27:13,360
Stop!
I said stop, you fucking idiot.

332
00:27:13,360 --> 00:27:16,520
What d'you fucking call me?
It ain't even loaded.

333
00:27:16,520 --> 00:27:18,040
Isn't it?

334
00:27:26,680 --> 00:27:29,560
Out my way.
Through there. Now. Now!

335
00:27:32,520 --> 00:27:35,120
ENGINE REVS

336
00:27:36,120 --> 00:27:37,920
Get in the van now.
I'm getting my share.

337
00:27:37,920 --> 00:27:40,320
You're getting fuck all.
You ain't in charge.

338
00:27:40,320 --> 00:27:41,960
Get in the van.
Fuck off.

339
00:27:41,960 --> 00:27:43,680
Tell him, Joan. You're in charge.

340
00:27:44,960 --> 00:27:48,440
You fired a fucking gun!
Get in the fucking van.

341
00:27:56,640 --> 00:28:00,080
No. N-No.

342
00:28:06,400 --> 00:28:08,440
What the fuck?

343
00:28:13,400 --> 00:28:14,640
No, don't!

344
00:28:24,360 --> 00:28:28,880
BOISIE GRUNTS
AND WHIMPERS

345
00:28:28,880 --> 00:28:32,480
Oh, no. No, no, no.

346
00:28:37,840 --> 00:28:41,440
Help me. Help me!

347
00:28:46,440 --> 00:28:49,640
It's OK. I'm all right.
I'm all right.

348
00:28:49,640 --> 00:28:52,400
Tie, give me your tie.
Joan...

349
00:28:54,360 --> 00:28:57,400
What the fuck happened?
Boisie got himself shot.

350
00:28:58,880 --> 00:29:00,120
Fucking drive.

351
00:29:05,720 --> 00:29:08,480
TYRES SCREECH

352
00:29:10,600 --> 00:29:12,160
You fucking liar.

353
00:29:22,160 --> 00:29:24,000
OK.

354
00:29:24,000 --> 00:29:25,720
BOISIE GRUNTS
Tight.

355
00:29:27,400 --> 00:29:30,680
Tighter.
I've cut the wires.

356
00:29:30,680 --> 00:29:33,600
Let us get away,
or I will fucking kill you.

357
00:29:33,600 --> 00:29:37,360
OK. Right.
You need to lean on me, OK?

358
00:29:37,360 --> 00:29:40,080
A few steps to the van. Come on.
I can't.

359
00:29:40,080 --> 00:29:42,600
You have to. You have to, Boisie.

360
00:29:42,600 --> 00:29:44,400
Come on. Come on.

361
00:29:45,400 --> 00:29:47,040
JOAN GROANS

362
00:29:48,640 --> 00:29:53,120
That's it.
Come on. Use your good leg.

363
00:29:53,120 --> 00:29:54,520
You're doing it, Boisie.

364
00:29:56,240 --> 00:29:59,320
Keep going. No, keep going.

365
00:29:59,320 --> 00:30:03,320
No, no, you're not trying.
Try again. Try again.

366
00:30:04,520 --> 00:30:09,360
Get Kelly.
No. No, I'm not leaving you. Stop.

367
00:30:09,360 --> 00:30:11,000
Boisie!

368
00:30:12,120 --> 00:30:14,240
Come on. Come on, get up. Please.

369
00:30:14,240 --> 00:30:16,440
Please, try. Please, try.
Please, try.

370
00:30:17,840 --> 00:30:19,080
Try.

371
00:30:20,560 --> 00:30:21,760
No. No.

372
00:30:26,320 --> 00:30:29,160
You fucking bastards.

373
00:30:29,160 --> 00:30:31,320
No! Come on.

374
00:30:32,360 --> 00:30:35,120
Hey. Hey.

375
00:30:36,320 --> 00:30:39,480
I'm right here. You're not going.

376
00:30:39,480 --> 00:30:43,320
No, you're not going.
Hey. I'm right here, hey.

377
00:30:44,840 --> 00:30:47,240
Boisie. Boisie.

378
00:30:54,680 --> 00:31:00,320
Boisie. Boise, you wake up.
Boisie, no...

379
00:31:00,320 --> 00:31:02,800
No.
SHE SOBS

380
00:31:02,800 --> 00:31:06,560
Boisie! Boisie!

381
00:31:10,000 --> 00:31:13,400
JOAN SOBS

382
00:31:17,040 --> 00:31:20,480
POLICE SIRENS WAIL

383
00:31:45,480 --> 00:31:49,280
JOAN SOBS

384
00:32:33,040 --> 00:32:37,560
You're fine. You're fine.
You're fine.

385
00:33:36,280 --> 00:33:40,400
Welcome. I'm Walter Roberts,
the headmaster here.

386
00:33:40,400 --> 00:33:43,120
WITH AMERICAN ACCENT:
Simone Highsmith, New York Herald.

387
00:33:43,120 --> 00:33:45,800
Sorry, it's warm in here.

388
00:33:45,800 --> 00:33:47,960
Thank you for agreeing
to the article.

389
00:33:47,960 --> 00:33:50,680
Of course.
It's a subject close to my heart.

390
00:33:50,680 --> 00:33:52,080
Here at King's Morton,

391
00:33:52,080 --> 00:33:54,880
we value play just as much
as time spent in the classroom.

392
00:33:54,880 --> 00:33:56,480
That's great.

393
00:33:56,480 --> 00:33:58,560
I-I actually heard the kids
on the way in.

394
00:33:58,560 --> 00:34:00,920
Is it afternoon play now?

395
00:34:00,920 --> 00:34:03,400
Erm, for another few minutes.

396
00:34:03,400 --> 00:34:04,880
We might just
be able to catch them.

397
00:34:12,560 --> 00:34:15,480
Hopscotch.
It's a traditional English game.

398
00:34:15,480 --> 00:34:18,880
Do you know it? Miss Highsmith?

399
00:34:20,240 --> 00:34:24,320
Sure, yes, it's popular. May I?
Of course.

400
00:34:25,560 --> 00:34:29,160
Now, girls, we have a visitor
all the way from America.

401
00:34:29,160 --> 00:34:32,080
Say hello.
GIRLS: Hello.

402
00:34:32,080 --> 00:34:35,400
Come on girls, speak up.
Hello.

403
00:34:35,400 --> 00:34:39,680
Maybe some of the older girls
might be less shy?

404
00:34:39,680 --> 00:34:41,920
Good idea.
I'll find you a couple to talk to.

405
00:34:41,920 --> 00:34:43,080
Thank you.

406
00:34:51,880 --> 00:34:54,600
What's your name?
What do you mean?

407
00:34:55,880 --> 00:34:57,200
WHISPERING: Come on.

408
00:34:58,920 --> 00:35:02,880
Listen carefully, Kel.
Don't go back to your lessons.

409
00:35:04,800 --> 00:35:07,360
Why is your hair like that, Mummy?

410
00:35:07,360 --> 00:35:09,760
Don't worry. It's still me.
It's OK.

411
00:35:10,840 --> 00:35:12,280
Listen very carefully.

412
00:35:12,280 --> 00:35:14,520
I need you to meet me
by the gate, OK?

413
00:35:14,520 --> 00:35:16,600
I'll explain to you when I see you,
all right?

414
00:35:19,920 --> 00:35:22,120
Here we are.
This is Poppy. This is Olivia.

415
00:35:22,120 --> 00:35:24,720
WITH ACCENT:
Poppy, Olivia, I'm Simone.

416
00:35:24,720 --> 00:35:26,160
Nice to meet you.

417
00:35:41,240 --> 00:35:42,520
OK, sweetheart?

418
00:35:45,720 --> 00:35:49,200
Shall we have some music? Yeah?

419
00:35:51,480 --> 00:35:53,480
RADIO CRACKLES

420
00:35:55,720 --> 00:36:00,040
# You gotta speed it up... #
It's our favourite, Kel.

421
00:36:01,280 --> 00:36:04,280
# Cos if you believe
That our love can reach the top

422
00:36:04,280 --> 00:36:07,120
# You gotta play around

423
00:36:07,120 --> 00:36:09,400
# But soon you will find
That there comes a time

424
00:36:09,400 --> 00:36:12,200
# For making your mind up... #

425
00:36:12,200 --> 00:36:13,480
Come on, Kel, sing along!

426
00:36:14,960 --> 00:36:18,040
# And then you've gotta put it out

427
00:36:18,040 --> 00:36:19,320
KELLY: # You gotta be sure

428
00:36:19,320 --> 00:36:23,560
BOTH: # That it's something
Everybody's gonna talk about

429
00:36:23,560 --> 00:36:26,000
# Before you decide
That the time's arrived

430
00:36:26,000 --> 00:36:29,160
# For making your mind up... #
That's it.

431
00:36:29,160 --> 00:36:31,880
# Don't let your indecision... #

432
00:36:31,880 --> 00:36:34,800
That's it.
# Take you from behind

433
00:36:34,800 --> 00:36:37,240
# Trust your inner vision... #

434
00:36:38,840 --> 00:36:41,800
DIAL TONE RINGS

435
00:36:43,480 --> 00:36:45,600
VAL: 'Hello. Alb, is that you?'

436
00:36:45,600 --> 00:36:48,120
It's Joan. Where is he?

437
00:36:48,120 --> 00:36:50,040
You tell me.

438
00:36:50,040 --> 00:36:52,440
I've just got in and found a note
saying, "I've gone abroad.

439
00:36:52,440 --> 00:36:54,280
"Don't expect to hear from me
for a while."

440
00:36:54,280 --> 00:36:55,880
'What the fuck is going on, Joan?'

441
00:36:55,880 --> 00:36:59,040
If he does call,
will you give him a message?

442
00:36:59,040 --> 00:37:02,520
'Tell him I'm looking for him.'
Joan.

443
00:37:02,520 --> 00:37:03,760
'Joan.'

444
00:37:07,680 --> 00:37:10,000
I'm gonna fucking destroy him.

445
00:38:05,480 --> 00:38:07,480
It smells funny.

446
00:38:40,720 --> 00:38:43,280
We're only gonna be here
till tomorrow.

447
00:38:44,600 --> 00:38:46,800
And then we're gonna get on a boat,

448
00:38:46,800 --> 00:38:50,720
and we're gonna drive all the way
to the sunshine.

449
00:38:50,720 --> 00:38:53,000
Is Boisie coming with us?

450
00:38:56,400 --> 00:38:57,600
Why?

451
00:39:03,640 --> 00:39:07,080
Kelly, I need you to be a good girl.

452
00:39:07,080 --> 00:39:09,520
Just do what I tell you, OK?

453
00:39:09,520 --> 00:39:12,120
Not asking me any questions.
Is that OK?

454
00:39:12,120 --> 00:39:15,240
Shall I find you a colouring book
so you can do some drawing?

455
00:39:36,040 --> 00:39:39,360
JOAN SCREAMING: 'Boisie! Boisie!'

456
00:39:42,160 --> 00:39:43,800
Mummy?

457
00:39:45,920 --> 00:39:47,600
Mummy, I've finished.

458
00:39:55,240 --> 00:39:58,680
Oh, Kel, it's brilliant.
That's me.

459
00:40:00,320 --> 00:40:02,800
And is that Peanuts?
Yes.

460
00:40:04,400 --> 00:40:07,840
And, look, there's me next to you.
No.

461
00:40:09,160 --> 00:40:12,320
That's Mama Sue, my other mummy.

462
00:40:17,720 --> 00:40:19,960
JOAN SOBS

463
00:40:22,960 --> 00:40:25,520
Mummy, stop it. Stop crying.

464
00:40:26,800 --> 00:40:29,480
Look, why don't you go
and take your lipstick off, yeah?

465
00:40:29,480 --> 00:40:33,800
There's tissues in my bag inside.
And take off that silly wig.

466
00:40:38,800 --> 00:40:40,080
Go on.

467
00:40:48,400 --> 00:40:50,920
JOAN SOBS

468
00:41:06,960 --> 00:41:10,600
'It's already started.
She's... She's happy there.'

469
00:41:12,360 --> 00:41:13,720
'It's like a...'
No...

470
00:41:13,720 --> 00:41:17,160
'..a blade to my fucking heart.'

471
00:41:17,160 --> 00:41:19,200
SHE SNIFFS AND SOBS

472
00:41:51,960 --> 00:41:53,640
Mummy! Mummy!
JOAN GASPS

473
00:41:57,360 --> 00:42:00,680
Oh, God. Oh, God. I'm sorry.

474
00:42:01,840 --> 00:42:05,560
I'm sorry, Kel. I'm so sorry.
What have I done?

475
00:42:07,440 --> 00:42:11,080
It's all right.
I'm scared, Mummy.

476
00:42:11,080 --> 00:42:14,000
I'm here. It's all right, Kel.
SHE SIGHS

477
00:42:15,080 --> 00:42:16,400
I'm so sorry.

478
00:42:17,680 --> 00:42:19,600
I want to go home.

479
00:42:47,480 --> 00:42:48,920
I need to keep you safe.

480
00:42:53,520 --> 00:42:57,000
So you're gonna go and...
and stay with Mama Sue now.

481
00:42:59,920 --> 00:43:01,880
I've got to go away.

482
00:43:04,000 --> 00:43:05,840
I'm so sorry.

483
00:43:14,280 --> 00:43:16,640
I love you so much, Kel.

484
00:43:19,520 --> 00:43:21,600
Never, ever forget that.

485
00:44:12,040 --> 00:44:15,120
Bye, Kelly.
Bye, Mummy.

486
00:44:38,240 --> 00:44:39,640
MOUTHING: Bye.

487
00:44:55,240 --> 00:44:58,120
'All I wanted was my own family.'

488
00:44:58,120 --> 00:45:01,200
Now without Kelly, Boisie...

489
00:45:02,800 --> 00:45:05,000
..there's no point.

490
00:46:21,000 --> 00:46:24,680
So, how'd you get out so soon?
You know me.

491
00:46:24,680 --> 00:46:26,120
Good behaviour.

492
00:46:28,640 --> 00:46:30,080
You got my money?

493
00:46:45,400 --> 00:46:46,560
Yeah.

494
00:46:47,760 --> 00:46:51,080
You can put your feet up now.
Going back to work.

495
00:46:51,080 --> 00:46:54,000
Necking stones, snatching rings?

496
00:46:56,160 --> 00:46:58,840
No. No more little cons.

497
00:47:00,880 --> 00:47:03,920
I'm gonna build myself
a bloody empire.

498
00:47:05,560 --> 00:47:08,880
So, you, er, wanna talk business?
Pfft.

499
00:47:11,160 --> 00:47:13,520
You think I'd work with you again?

500
00:47:13,520 --> 00:47:15,600
You left us in a fucking alley.

501
00:47:19,000 --> 00:47:20,840
I'm done with men.

502
00:47:22,960 --> 00:47:25,840
Just go. Fuck off.

503
00:47:32,240 --> 00:47:35,080
Be careful... Joan.

504
00:47:41,040 --> 00:47:45,120
And you. Watch your fucking back.

505
00:47:49,520 --> 00:47:51,440
# Darling, don't you cry

506
00:47:52,880 --> 00:47:54,840
# It's just for a while

507
00:47:54,840 --> 00:47:59,960
# Cos you'll never be the girl
If you let them rule

508
00:47:59,960 --> 00:48:02,760
# Oh, no, you'll never be the girl

509
00:48:02,760 --> 00:48:06,000
# Till you kick those dudes

510
00:48:06,000 --> 00:48:10,360
# Go, oh, glitter girl
Get your glamour on

511
00:48:10,360 --> 00:48:13,000
# Don't let the mirror fall

512
00:48:13,000 --> 00:48:16,960
# Don't let them near your soul. #

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