1 00:00:00,600 --> 00:00:02,520 - Here we are, Joy. Home sweet home. 2 00:00:02,520 --> 00:00:06,600 - GRACE: I should be the one looking after her, like she looked after me and Walt. 3 00:00:06,600 --> 00:00:09,280 - Do you wanna come to the film festival with me tomorrow? 4 00:00:09,280 --> 00:00:13,880 Bridge is up in Auckland. I just― I hate going by myself. 5 00:00:16,160 --> 00:00:18,440 - We've got ya kayak, ya prick! 6 00:00:18,440 --> 00:00:19,760 - PENNY: Should I go and get Walt's car seat? 7 00:00:19,760 --> 00:00:21,480 - Nah, nah, it's all good. I'm just gonna crawl along. 8 00:00:21,480 --> 00:00:22,960 - Tom, that's breaking the law, isn't it? 9 00:00:22,960 --> 00:00:24,520 - PHIL: Ollie's parents are on their way over. 10 00:00:24,520 --> 00:00:28,120 - What's Ollie got to do with this? - I saw my husband sexually abusing your son. 11 00:00:28,120 --> 00:00:29,520 - No, that's not true! 12 00:00:29,520 --> 00:00:31,480 - Five years you've peddled this shit. 13 00:00:31,480 --> 00:00:34,880 - All I've done is tell the fucking truth. 14 00:00:36,160 --> 00:00:38,760 - Nature's first green is gold, 15 00:00:39,480 --> 00:00:41,480 her hardest hue to hold. 16 00:00:42,000 --> 00:00:45,800 Her early leaf's a flower, but only so an hour. 17 00:00:45,880 --> 00:00:48,160 Then leaf subsides to leaf, 18 00:00:49,480 --> 00:00:51,480 Eden sank to grief. 19 00:00:53,280 --> 00:00:55,280 So dawn goes down to day. 20 00:00:56,560 --> 00:00:58,560 Nothing gold can stay. 21 00:00:58,760 --> 00:01:01,880 - Mum, Mum, Mum, no. Wait, wait, wait. I'm just gonna get Grace, OK? 22 00:01:01,880 --> 00:01:04,040 - Oh, well, hurry. - Hold on. Hold on. Yep. 23 00:01:04,040 --> 00:01:08,640 Have you seen Grace? - No. No. She'll be around, though. 24 00:01:08,680 --> 00:01:10,400 She― Whoa. 25 00:01:10,400 --> 00:01:13,360 What is this that I see? - (CHUCKLES) It's just a cake, Phil. 26 00:01:13,360 --> 00:01:19,000 - Not just a cake; that belongs in a museum ― the London Museum of Cakes. 27 00:01:19,000 --> 00:01:21,280 Come on. Let's put this... - Oh. 28 00:01:21,280 --> 00:01:25,920 - ...this to Cake-o-Vision. Say the two magic words ― cheese and cake ― one after the other. 29 00:01:25,920 --> 00:01:27,920 - BOTH: Cheesecake. 30 00:01:31,440 --> 00:01:34,320 - GRACE: What's happening? - What the fuck is wrong with you? 31 00:01:34,320 --> 00:01:37,000 - I saw you. I fucking saw you. How could you? 32 00:01:37,000 --> 00:01:38,560 - Mum, stop. - What's going on? 33 00:01:38,560 --> 00:01:42,120 - He was in bed with Ollie. He was touching him. - Oh, fuck this. I'm outta here. 34 00:01:42,120 --> 00:01:48,040 - Don't you walk away from me. - No, no, no. You're fucking sick in the head. 35 00:01:48,040 --> 00:01:50,040 - Ollie? 36 00:01:50,240 --> 00:01:54,920 Sweetheart, come on. Let's― Let's just cover you up, all right? I'm gonna take you withme. 37 00:01:54,920 --> 00:01:56,080 You come with me too, Grace. 38 00:01:56,080 --> 00:02:00,240 Come on, sweetheart. It's all right. Come on. Come on. 39 00:02:00,240 --> 00:02:02,240 - Phil! Phil! 40 00:02:03,160 --> 00:02:05,160 Look at me! 41 00:02:05,440 --> 00:02:10,280 What the fuck were you doing up there? He was naked, you sick fuck! 42 00:02:10,280 --> 00:02:13,160 - Stop it, Penny. You've had too much to drink. 43 00:02:13,160 --> 00:02:17,040 - Mum, I know what I saw. - Whatever you saw, it wasn't that. 44 00:02:17,040 --> 00:02:20,440 - Mum! - You're making a fool of yourself. 45 00:02:21,840 --> 00:02:23,840 Come on. 46 00:02:24,320 --> 00:02:26,320 Quickly. 47 00:02:27,080 --> 00:02:29,080 - (INHALES SHAKILY) 48 00:02:29,120 --> 00:02:31,000 (TUNE-YARDS' 'JAMAICAN') 49 00:02:31,000 --> 00:02:35,080 - # Crazy days of crumpets in a crazy raisin rhyme. 50 00:02:35,280 --> 00:02:39,080 # Sell it for a nickel when you buy it for a dime. 51 00:02:39,720 --> 00:02:43,520 # Underneath the water is a crackle and a line. 52 00:02:44,360 --> 00:02:48,560 # Lay upon your belly like a stone along your spine. 53 00:02:48,560 --> 00:02:52,360 # I see you. 54 00:02:53,160 --> 00:02:56,600 # I see you. 55 00:02:57,000 --> 00:02:57,960 # Oh, yes I do. 56 00:02:57,960 --> 00:03:00,960 # I see you. 57 00:03:01,960 --> 00:03:05,720 # I see you. 58 00:03:06,040 --> 00:03:07,360 # Ooh, she's not Jamaican. 59 00:03:07,360 --> 00:03:08,320 # See, I told you so. 60 00:03:08,320 --> 00:03:09,440 # She's all white; she's not black. 61 00:03:09,440 --> 00:03:10,480 # She doesn't have any soul. 62 00:03:10,480 --> 00:03:12,480 # Get soul. # 63 00:03:13,440 --> 00:03:16,840 - No, no, no, no, no. Work with each other. 64 00:03:17,440 --> 00:03:20,640 Hey, I'll put you on for Nathan soon, all right? 65 00:03:20,640 --> 00:03:26,240 - The legal organisation I work with... (CONTINUES INDISTINCTLY) 66 00:03:29,920 --> 00:03:31,920 - Where's your attack? 67 00:03:32,280 --> 00:03:33,920 Oop. 68 00:03:33,920 --> 00:03:36,320 (APPLAUSE, WHISTLE TRILLS) 69 00:03:41,360 --> 00:03:43,360 - Hello. - Hi. 70 00:03:43,480 --> 00:03:45,160 - How's it going? 71 00:03:45,160 --> 00:03:48,560 - Oh, well, we're terrible at the moment. 72 00:03:50,840 --> 00:03:52,840 - I forgive you. 73 00:03:53,480 --> 00:03:55,480 - What for? 74 00:03:55,480 --> 00:03:57,880 - For not returning my calls. 75 00:03:58,280 --> 00:04:00,280 - Sorry, Bridge. 76 00:04:00,400 --> 00:04:02,680 Sorry. Been a shit of a week. 77 00:04:04,600 --> 00:04:06,600 - It's fine. 78 00:04:07,960 --> 00:04:10,120 (WHISTLE TRILLS, APPLAUSE) 79 00:04:10,120 --> 00:04:11,800 - Are you in Auckland? 80 00:04:11,800 --> 00:04:15,320 - Yeah, I spent the whole week feeling guilty for not being at home, 81 00:04:15,320 --> 00:04:18,280 and then I get the blimmin' silent treatment. 82 00:04:18,280 --> 00:04:22,200 - With Simon? - No, from Jules. Simon can't keep his hands off me. 83 00:04:22,200 --> 00:04:24,880 It's like I've been gone a month. 84 00:04:26,520 --> 00:04:29,000 What was that look? - Nothing. 85 00:04:32,440 --> 00:04:37,360 - I think you just need a really good fuck up the arse. - (LAUGHS) 86 00:04:37,360 --> 00:04:39,880 - You know, you've just got so much tension. You've just gotta... - Oh my God, Bridget. 87 00:04:39,880 --> 00:04:41,560 - ...get a good fuck. - (CHUCKLES) 88 00:04:41,560 --> 00:04:44,680 Three cheers for black. - ALL: Hooray, hooray, hooray! 89 00:04:44,680 --> 00:04:46,120 - One for the ref. - Hooray! 90 00:04:46,120 --> 00:04:47,680 - One for the coach. - Hooray. 91 00:04:47,680 --> 00:04:49,320 - All right. See you next week. 92 00:04:49,320 --> 00:04:51,320 (WHISTLE TRILLS) 93 00:04:54,720 --> 00:04:56,720 - PHIL: Gather round. 94 00:04:57,680 --> 00:04:59,680 OK, take a knee. 95 00:05:05,160 --> 00:05:09,360 My name's Mr McKenzie. Some of you may know me as Scottie. 96 00:05:09,360 --> 00:05:13,880 This year, I'm recruiting for the national development training camp. 97 00:05:13,880 --> 00:05:20,320 It doesn't matter how long you've been playing. It doesn't matter how good or bad you think you are. 98 00:05:20,320 --> 00:05:25,360 The trials are next weekend, and I want to see you all there. OK? 99 00:05:25,360 --> 00:05:32,680 There's forms at the door. I want you to fill them in, bring your best game, show us what you can do. 100 00:05:32,680 --> 00:05:33,960 All right? 101 00:05:33,960 --> 00:05:37,360 Yeah? OK, off you go. (STUDENTS CHATTER) 102 00:05:50,720 --> 00:05:52,080 - Oh! 103 00:05:52,080 --> 00:05:54,680 Oh, that is so good. (CHUCKLES) 104 00:05:56,680 --> 00:06:00,840 - So, where was Simon taking the boys? - Indian, I think. 105 00:06:00,840 --> 00:06:03,600 Hey, you're not coming in in those; you'll ruin them. 106 00:06:03,600 --> 00:06:06,120 - You― You sure they're not gonna come back? 107 00:06:06,120 --> 00:06:10,520 - Since when has a life drawing model been so prudish? 108 00:06:11,120 --> 00:06:12,960 - All right, then. 109 00:06:12,960 --> 00:06:15,440 Well, you know, teenage boys. 110 00:06:15,840 --> 00:06:17,920 - God, they're hormonal. 111 00:06:18,240 --> 00:06:22,320 The whole monosyllabic thing ― it's just doing my head in, you know? - (CHUCKLES) 112 00:06:22,320 --> 00:06:26,800 - He's tuned into a channel, and I'm just... I'm just static. 113 00:06:26,800 --> 00:06:30,800 - Well, did you try talking with him, reasoning? 114 00:06:30,840 --> 00:06:33,120 - Yes. Of course I did. - Hmm. 115 00:06:33,280 --> 00:06:35,080 That's your problem. 116 00:06:35,080 --> 00:06:37,640 Boys are like dogs. - (CHUCKLES) 117 00:06:37,640 --> 00:06:42,520 - It's true. Only speak to them in three-word sentences and make it non-negotiable, right? 118 00:06:42,520 --> 00:06:44,200 Eat your dinner. Do your homework. Go to bed. 119 00:06:44,200 --> 00:06:46,360 - Wait, does this work with husbands? - Probably. 120 00:06:46,360 --> 00:06:51,760 - Pour me wine. Cook me dinner. - Shoot my ex. Fuck off to Scotland. 121 00:06:52,280 --> 00:06:54,280 - That's four words. 122 00:06:54,760 --> 00:06:58,200 - Could you believe him today? Could you fucking believe today? - I know. I know. 123 00:06:58,200 --> 00:06:59,400 But Phil is not your problem any more. 124 00:06:59,400 --> 00:07:03,680 - No, he really is. If he's going away with more boys, he is. 125 00:07:03,680 --> 00:07:06,640 I have to warn the Basketball Association. There is no other way round this. 126 00:07:06,640 --> 00:07:08,720 - Penny. - I mean, what kind of― (BOYS CHATTER IN DISTANCE) 127 00:07:08,720 --> 00:07:12,040 - SIMON: Guys, guys, I'm calling it. - Fucking hell. - So sorry. 128 00:07:12,040 --> 00:07:13,760 No. No. 129 00:07:13,760 --> 00:07:15,080 - Mum! 130 00:07:15,080 --> 00:07:17,960 - Can you just go round the other way, please? 131 00:07:17,960 --> 00:07:21,560 - Max, you too, mate. Off you hop. (CHUCKLES) 132 00:07:21,560 --> 00:07:25,920 - Penny's being prudish. - I'm their basketball coach. What the fuck do you expect? 133 00:07:25,920 --> 00:07:27,200 - I thought that you were eating out. 134 00:07:27,200 --> 00:07:30,120 - Nah, nah, they wanted takeaways, and I wanted alcohol, so, um... 135 00:07:30,120 --> 00:07:32,120 Hey, mind if I join ya? - No! No. No! I mind. 136 00:07:32,120 --> 00:07:35,000 - He is teasing. - I'm teasing, Pen. 137 00:07:36,600 --> 00:07:39,080 All right. - Feed the animals. 138 00:07:44,760 --> 00:07:46,760 - Hey, Pen. Wait up. 139 00:07:47,560 --> 00:07:50,960 Take some of this. I ordered way too much. 140 00:07:51,080 --> 00:07:53,080 - OK. - Hey, um... 141 00:07:53,720 --> 00:07:55,720 We're OK, eh? 142 00:07:55,760 --> 00:07:57,760 - Yeah. Yeah. 143 00:07:58,480 --> 00:08:00,880 You didn't tell her, did you? - No. 144 00:08:00,880 --> 00:08:04,840 - You sure? - Yeah, no, I didn't say anything. - Mm. 145 00:08:04,840 --> 00:08:10,960 Well, maybe you should have. I mean, it was just a stupid kiss, and now it's a big, stupid secret. 146 00:08:10,960 --> 00:08:15,160 - Nah. I know. It meant nothing. - Yeah, I know that. 147 00:08:18,400 --> 00:08:20,480 (LOW, ORCHESTRAL MUSIC) 148 00:08:33,640 --> 00:08:35,640 (MUSIC CONTINUES) 149 00:08:46,840 --> 00:08:48,840 (DOGS BARK INSIDE) 150 00:08:53,720 --> 00:08:55,720 (DOGS BARK LOUDER) 151 00:08:55,800 --> 00:08:57,800 - Shush. Shush, Tonka. 152 00:08:58,480 --> 00:09:00,480 No. 153 00:09:00,520 --> 00:09:03,200 - (CLEARS THROAT) (LOCKS CLICK) 154 00:09:05,480 --> 00:09:07,480 - Oh. Penny, hi. 155 00:09:07,840 --> 00:09:09,840 - Hi, Catherine. 156 00:09:10,880 --> 00:09:12,200 How are you? 157 00:09:12,200 --> 00:09:14,200 - Yeah, good. 158 00:09:14,680 --> 00:09:18,160 - I-I'm sorry to just turn up unannounced. 159 00:09:18,760 --> 00:09:21,640 Can― Can we have a word? (DOGS BARK) 160 00:09:21,920 --> 00:09:25,480 - Uh, well, the house is, um, you know― it's a... it's a real 161 00:09:25,480 --> 00:09:27,480 Tonka! No! 162 00:09:28,440 --> 00:09:32,960 (STAMMERS) It's, um― It's a pigsty. Zach's moved back in. You know what boys are like. 163 00:09:32,960 --> 00:09:34,960 (DOG BARKS) Tonka! 164 00:09:35,480 --> 00:09:38,560 Zach, can you take Tonka? (DOG BARKS) 165 00:09:39,400 --> 00:09:41,400 - Is your husband home? 166 00:09:42,000 --> 00:09:44,000 - What― What do you want? 167 00:09:45,680 --> 00:09:51,360 - Listen, Phil's back. He's teaching at Wakefield College, and I... 168 00:09:51,440 --> 00:09:53,280 - Why's she here? 169 00:09:53,280 --> 00:09:55,880 - Hi, Zach. - Can you take Tonka? 170 00:09:56,440 --> 00:09:58,440 - Nah. (DOG BARKS) 171 00:10:04,120 --> 00:10:07,200 - Has Phil been in contact with Ollie? 172 00:10:07,200 --> 00:10:08,920 - I-I don't know. 173 00:10:08,920 --> 00:10:11,600 - How is he? - Yeah, yeah, he's OK. 174 00:10:14,160 --> 00:10:19,240 - Could you tell me where I could find him? - No, I can't do that. 175 00:10:20,800 --> 00:10:22,800 You just leave us alone. 176 00:10:22,800 --> 00:10:24,800 Please. 177 00:10:26,720 --> 00:10:28,720 (DOG BARKS) 178 00:10:30,320 --> 00:10:32,320 (MOTOR SPUTTERS) 179 00:10:33,960 --> 00:10:35,960 (MOTOR SPUTTERS) 180 00:10:36,160 --> 00:10:38,240 (MOTOR SPUTTERS) - Fuck! 181 00:10:39,800 --> 00:10:41,800 (MOTOR SPUTTERS) Fuck. 182 00:10:42,920 --> 00:10:44,920 (MOTOR SPUTTERS) 183 00:10:46,840 --> 00:10:48,840 (MOTOR SPUTTERS) Fuck. 184 00:10:51,040 --> 00:10:55,240 - Bit of an expert there, Zach (!) - Carburettor's fucked. 185 00:10:55,240 --> 00:10:57,240 - Can you fix it? 186 00:11:00,080 --> 00:11:02,080 - What do you want? 187 00:11:02,640 --> 00:11:06,640 - Can you tell me where I might find your brother? 188 00:11:08,160 --> 00:11:10,160 - You got any money? 189 00:11:10,880 --> 00:11:15,120 - Just tell me where I can find him. - Why would I do that? 190 00:11:15,120 --> 00:11:18,600 - Just looking our for him, Zach. - (SIGHS) 191 00:11:18,880 --> 00:11:22,440 All I know is that he works at some gay restaurant on Cuba St. 192 00:11:22,440 --> 00:11:27,680 Think it's called Lily's or Lilac or some fucking thing. Why do you wanna talk to him? 193 00:11:27,680 --> 00:11:29,880 - Doesn't matter. Thanks. 194 00:11:34,920 --> 00:11:37,000 (TV PLAYS INDISTINCTLY) 195 00:11:41,560 --> 00:11:43,560 (DOOR OPENS, SHUTS) 196 00:11:43,880 --> 00:11:46,280 - GRACE: Hey, sorry I'm late. 197 00:11:46,480 --> 00:11:49,200 - Oh, Mummy's here! - Hello! - WALT: Hey, Mama. 198 00:11:49,200 --> 00:11:51,200 - He's had a big day. 199 00:11:52,440 --> 00:11:54,440 - Oh, sauce face. 200 00:11:54,440 --> 00:11:56,080 - Bolognese. Hope you don't mind. 201 00:11:56,080 --> 00:11:59,000 - No, it's OK. Can I have some? I'm hungry. 202 00:11:59,000 --> 00:12:02,000 - It's got meat in it. - Oh, that's OK. 203 00:12:02,720 --> 00:12:07,400 - Thought you and your dad were vegetarian. - Sometimes. 204 00:12:14,600 --> 00:12:18,880 This is better, right ― you bringing Walt back here? 205 00:12:19,400 --> 00:12:21,400 - Yeah, it is. 206 00:12:22,600 --> 00:12:25,720 - Have you seen Gran? - Not since the weekend, no. 207 00:12:25,720 --> 00:12:31,560 - OK, well, I wanna make sure that someone visits her every day. I made a schedule. Here you go. 208 00:12:31,560 --> 00:12:36,520 Do you think you can go and see her tomorrow? Think she wants to talk to you about something. 209 00:12:36,520 --> 00:12:39,720 - What? - I dunno. Legal stuff, I think. 210 00:12:42,360 --> 00:12:44,360 (STUDENTS CHATTER) 211 00:12:48,320 --> 00:12:50,920 (BIKE BELL DINGS) - Beep, beep. 212 00:12:51,200 --> 00:12:54,080 - Yo, it's crazy, man. - Kahu. Kahu. 213 00:12:57,080 --> 00:13:05,080 Essay credits require 1500 words on human homeostasis, andyougave me 800 words on composting toilets. 214 00:13:05,080 --> 00:13:05,920 What the hell? 215 00:13:05,920 --> 00:13:10,560 - Yeah, based on the same principles of stability and balance in a biological system. 216 00:13:10,560 --> 00:13:13,920 - Yeah, yeah, that's very smart, but it's not gonna get you into law school, is it? 217 00:13:13,920 --> 00:13:16,720 - Who said I wanna go to law school? 218 00:13:16,920 --> 00:13:18,560 - OK. 219 00:13:18,560 --> 00:13:20,240 Well, what do you want? 220 00:13:20,240 --> 00:13:26,360 - I dunno ― something that's not just about making money to buy more crap to fuck up the planet. 221 00:13:26,360 --> 00:13:33,240 - Or you could become a teacher. Money's shit, so you can't buy anything. Listen... 222 00:13:33,600 --> 00:13:39,480 you work out what matters to you. Bugger everyone else. It's your life. 223 00:13:42,400 --> 00:13:44,400 (SEAGULLS CAW) 224 00:13:54,800 --> 00:13:56,800 - MUFFLED: Nurse? 225 00:13:57,440 --> 00:13:59,440 Help. 226 00:14:01,520 --> 00:14:03,520 - Mum? - Huh? 227 00:14:04,720 --> 00:14:06,720 (GRUNTS) 228 00:14:07,160 --> 00:14:09,160 MOANS: Ow. 229 00:14:09,880 --> 00:14:12,280 I can't reach. I can't reach. 230 00:14:15,360 --> 00:14:17,480 - You're using the wrong arm, Mum. - What? 231 00:14:17,480 --> 00:14:20,520 - You gotta use your good arm. - No, I can't. There's just― There's just― There's just― 232 00:14:20,520 --> 00:14:22,720 - All right. - No, no, just leave me. 233 00:14:22,720 --> 00:14:24,920 - I'll just get some other― - Just leave me alone. 234 00:14:24,920 --> 00:14:28,680 - What's happening here, my love? - She's interfering. - WHISPERS: No, I'm not. 235 00:14:28,680 --> 00:14:30,680 - It's OK. I've got this. 236 00:14:31,680 --> 00:14:33,600 - Thanks. 237 00:14:33,600 --> 00:14:36,480 - OK. Come on. Let's get you sorted. 238 00:15:02,040 --> 00:15:04,040 All done. Easy as pie. 239 00:15:05,120 --> 00:15:07,400 Now, let's get you settled. 240 00:15:09,960 --> 00:15:15,040 - Sorry, I didn't mean to upset you, Mum. - You didn't upset me. 241 00:15:15,040 --> 00:15:17,040 - Here we go. - (GRUNTS) 242 00:15:23,880 --> 00:15:25,880 - You all right? - Yes. 243 00:15:38,400 --> 00:15:40,400 Careful. - Yeah. 244 00:15:41,800 --> 00:15:43,800 All right? - Mm. 245 00:15:49,520 --> 00:15:56,200 - Grace said you wanted to talk to me about something. - (SIGHS) What? About what? 246 00:15:57,000 --> 00:15:59,200 - Something legal? - Oh... 247 00:16:00,120 --> 00:16:02,120 Not now. 248 00:16:02,360 --> 00:16:04,360 (SIGHS) 249 00:16:17,680 --> 00:16:21,480 - Note the shadow on the weight-bearing foot. 250 00:16:26,760 --> 00:16:28,760 (LOW, GENTLE MUSIC) 251 00:16:49,160 --> 00:16:51,160 (MUSIC CONTINUES) 252 00:17:18,560 --> 00:17:21,560 (GLASSES CLINK, CUTLERY CLATTERS) 253 00:17:23,000 --> 00:17:26,520 - The order was made under Miss Lilah's, so could you chase that up? 254 00:17:26,520 --> 00:17:27,800 Thank you. 255 00:17:27,800 --> 00:17:29,760 Uh, and I'll call you back. 256 00:17:29,760 --> 00:17:32,080 Sorry, we don't open until midday. 257 00:17:32,080 --> 00:17:34,400 - Oh, nah, I'm just looking for Ollie Gleeson. 258 00:17:34,400 --> 00:17:37,800 - Right. Uh, excuse me a minute. - Thanks. 259 00:18:03,320 --> 00:18:05,720 (INDISTINCT CONVERSATION) 260 00:18:10,160 --> 00:18:12,160 (FOOTSTEPS APPROACH) 261 00:18:13,480 --> 00:18:16,680 - Sorry, Ollie can't see you right now. 262 00:18:17,240 --> 00:18:19,240 If you don't mind... 263 00:18:19,760 --> 00:18:21,760 - Sure. 264 00:18:55,760 --> 00:18:57,760 (CAR ENGINE STARTS) 265 00:19:06,560 --> 00:19:08,640 (LOW, INTRIGUING MUSIC) 266 00:19:30,480 --> 00:19:33,680 No, no, no, no, no, no, no, no, no. Fuck. 267 00:19:37,360 --> 00:19:39,600 (SIGHS) (INDICATOR TICKS) 268 00:19:39,600 --> 00:19:42,400 (CROSSING SIGNAL BEEPS) Come on. 269 00:20:04,520 --> 00:20:06,520 (INDICATOR TICKS) 270 00:20:10,720 --> 00:20:13,000 (INTRIGUING MUSIC BUILDS) 271 00:20:44,640 --> 00:20:46,560 (SEATBELT CLICKS) 272 00:20:46,560 --> 00:20:48,560 (HANDBRAKE CREAKS) 273 00:20:50,720 --> 00:20:54,920 (CELL PHONE VIBRATES) - OLLIE: See you guys later. 274 00:20:58,400 --> 00:21:01,240 - Hey. What's up? - GRACE ON PHONE: Mum. 275 00:21:01,240 --> 00:21:03,240 - Grace? 276 00:21:03,640 --> 00:21:05,640 - It's Gran. 277 00:21:05,760 --> 00:21:07,760 (SOLEMN MUSIC) 278 00:21:19,480 --> 00:21:21,680 - Penny? Uh, just a moment. 279 00:21:22,600 --> 00:21:24,600 She's been moved. 280 00:21:24,840 --> 00:21:26,840 Come with me. 281 00:21:28,080 --> 00:21:30,080 (DOOR OPENS) 282 00:21:42,120 --> 00:21:44,120 - Um... 283 00:21:45,000 --> 00:21:47,480 She had a lie-down after lunch 284 00:21:48,640 --> 00:21:50,640 and just didn't wake up. 285 00:21:51,600 --> 00:21:56,400 They think it must have been another stroke. - SOFTLY: Oh. 286 00:21:57,560 --> 00:21:59,560 - (INHALES SHAKILY) 287 00:22:01,200 --> 00:22:04,200 - WHISPERS: Sweetheart. Come here. 288 00:22:05,240 --> 00:22:07,240 Come here. - (SOBS) 289 00:22:08,000 --> 00:22:10,000 - I'm so, so, so sorry. 290 00:22:12,040 --> 00:22:14,040 I'm so sorry, darling. 291 00:23:14,200 --> 00:23:16,200 (LOW STRING MUSIC) 292 00:23:29,080 --> 00:23:31,360 (ORCHESTRAL STRING MUSIC) 293 00:23:46,600 --> 00:23:48,600 - That's a nice one. 294 00:23:51,200 --> 00:23:53,200 - (SIGHS) 295 00:23:54,560 --> 00:23:56,560 How Great Thou Art. 296 00:23:56,880 --> 00:24:00,080 - Really? - She loved Howard Morrison. 297 00:24:00,720 --> 00:24:02,720 - Sure. 298 00:24:05,560 --> 00:24:10,960 - Do they have a CD player at the chapel? - Nah, we can just stream it. 299 00:24:10,960 --> 00:24:12,960 - OK. 300 00:24:16,720 --> 00:24:18,720 - Got the programs. 301 00:24:24,960 --> 00:24:27,040 - It's really beautiful. 302 00:24:31,240 --> 00:24:35,840 Will you hand them out? - No, the funeral people do that. 303 00:24:36,840 --> 00:24:40,640 - I was thinking it might be best if I don't come. - What? 304 00:24:40,640 --> 00:24:42,920 - I loved Joy; you know that. 305 00:24:43,200 --> 00:24:45,200 I just... 306 00:24:45,440 --> 00:24:48,040 I don't want anyone to feel awkward. 307 00:24:48,040 --> 00:24:49,600 - You mean Mum? 308 00:24:49,600 --> 00:24:53,880 - I can stay here, just get things ready for the wake. 309 00:24:55,680 --> 00:24:57,880 - No, I need you to be there. 310 00:24:58,840 --> 00:25:00,920 - That OK with you, Penny? 311 00:25:01,440 --> 00:25:03,440 - Yep, absolutely fine. 312 00:25:13,360 --> 00:25:15,360 - Hi. 313 00:25:15,480 --> 00:25:19,920 - Hi, Marie. I'm so glad you could be here. - Me too. Mum would be pleased. 314 00:25:19,920 --> 00:25:23,920 - Yeah, I know. - Take care, love. - I will. See ya. 315 00:25:27,680 --> 00:25:30,280 - Hey, Pen. I'm sorry. - Thanks. 316 00:25:31,920 --> 00:25:36,240 - Bridget's, um― she's― she's got that work thing in Auckland and... - No, no, no, it'sOK. 317 00:25:36,240 --> 00:25:38,240 - She should be here. 318 00:25:38,400 --> 00:25:41,080 - Well, I'm pleased you're here. 319 00:25:45,200 --> 00:25:47,160 - TOM: Do you want them to start the music? 320 00:25:47,160 --> 00:25:50,360 - Uh, yeah, yeah, that'd be good. - Yes. 321 00:25:50,840 --> 00:25:52,840 - You OK? - Yeah. 322 00:25:53,680 --> 00:25:56,880 SOFTLY: Yeah. - You're gonna be great. 323 00:25:56,920 --> 00:25:58,920 Thanks, Tom. - All good. 324 00:25:58,920 --> 00:26:00,680 (SIR HOWARD MORRISON'S 'HOW GREAT THOU ART' PLAYS) 325 00:26:00,680 --> 00:26:03,560 - Pen. - Thank God you're here, Nix. 326 00:26:12,640 --> 00:26:15,920 - Nau mai, haere mai. Hello and welcome. 327 00:26:17,440 --> 00:26:20,440 For those who don't know me, I'm Tom. 328 00:26:21,560 --> 00:26:23,560 Joy was my great-aunt. 329 00:26:24,880 --> 00:26:33,160 It's an honour to lead this service as we gather to remember Joy's life and share our memoriesof her. 330 00:26:33,520 --> 00:26:39,800 First up, I'd like to invite Joy's granddaughter, Grace, to say a few words. 331 00:26:47,480 --> 00:26:49,480 - (EXHALES SHAKILY) 332 00:26:50,040 --> 00:26:52,040 Um... 333 00:26:52,400 --> 00:26:55,800 Gran lived her whole life in Wellington. 334 00:26:57,120 --> 00:26:59,120 She went to school here, 335 00:26:59,200 --> 00:27:01,200 got married here. 336 00:27:03,080 --> 00:27:05,160 She liked simple things ― 337 00:27:05,680 --> 00:27:07,680 baking, 338 00:27:07,680 --> 00:27:09,440 gardening. 339 00:27:09,440 --> 00:27:15,800 Her favourite author was Danielle Steel, which she never gave up trying to get me to read. 340 00:27:15,800 --> 00:27:18,800 Sorry, Gran. Still not going there. 341 00:27:20,680 --> 00:27:22,680 Gran loved to drink gin 342 00:27:23,840 --> 00:27:25,840 and dance 343 00:27:26,640 --> 00:27:29,320 and had a wicked sense of humour. 344 00:27:30,480 --> 00:27:37,080 VOICE BREAKS: But what I'll miss most about my gran is her kindness. (SNIFFLES) 345 00:27:37,240 --> 00:27:39,240 Um... (SNIFFLES) 346 00:27:39,280 --> 00:27:41,280 When I got pregnant... 347 00:27:42,760 --> 00:27:44,760 Joy was the only person 348 00:27:45,480 --> 00:27:49,280 who didn't think I was crazy for keeping Walt. 349 00:27:49,520 --> 00:27:53,280 She was the one who made it possible by letting us live with her 350 00:27:53,280 --> 00:27:57,480 and by teaching me what it means to be a good mother ― 351 00:27:58,520 --> 00:28:01,800 how you don't get to put yourself first. 352 00:28:04,240 --> 00:28:06,240 - WALT: I want Mum. 353 00:28:11,080 --> 00:28:12,400 - Um... 354 00:28:12,400 --> 00:28:16,280 Gran never lectured me when I got things wrong. 355 00:28:17,600 --> 00:28:20,560 (SNIFFLES) She was just there with so much love, 356 00:28:20,560 --> 00:28:25,760 and she showed me that that's all you really need to be a mother. 357 00:28:28,000 --> 00:28:30,200 (CHUCKLES SOFTLY) Sorry. 358 00:28:34,000 --> 00:28:35,360 - Um... 359 00:28:35,360 --> 00:28:40,960 Please stand as we sing one of Joy's favourite hymns, Abide With Me. 360 00:28:42,240 --> 00:28:44,240 - OK, let's sing. 361 00:28:45,320 --> 00:28:48,800 - ALL: # Abide with me. 362 00:28:49,000 --> 00:28:54,640 # Fast falls the eventide. 363 00:28:55,520 --> 00:29:00,600 # The darkness deepens... # 364 00:29:07,880 --> 00:29:10,160 (SOFT INDISTINCT CHATTER) 365 00:29:12,000 --> 00:29:14,000 (LOW, SOLEMN MUSIC) 366 00:29:39,360 --> 00:29:44,240 - How are you doing, Miss McKenzie? - I'm all right, Reggie. 367 00:29:56,120 --> 00:30:00,480 - Jeez, Pen. I haven't been here since I was a kid, but nothing's changed. 368 00:30:00,480 --> 00:30:02,960 - CHUCKLES: I know. I know. I know. 369 00:30:02,960 --> 00:30:05,440 God, I was thinking about, um... 370 00:30:05,440 --> 00:30:08,160 Do you remember when you used to prank call― - ...Mr Crouchley. 371 00:30:08,160 --> 00:30:10,960 - Mr Crouchley! Yes! - (CHUCKLES) 372 00:30:10,960 --> 00:30:14,360 And Joy used to tell us off all the time for pinching her Blackberry Nip. 373 00:30:14,360 --> 00:30:17,280 Yeah? You remember? - I loved that stuff. - It was awesome. 374 00:30:17,280 --> 00:30:19,840 - Getting drunk on that. - Hey, Gracie, Gracie, haere mai. 375 00:30:19,840 --> 00:30:25,560 I was just saying to your mum, hey, nothing in this whare has changed, eh? Do you think you'llkeep it? 376 00:30:25,560 --> 00:30:30,400 - I mean, I haven't thought about it yet, and Grace is living here. 377 00:30:30,400 --> 00:30:34,280 - Didn't Gran talk to you about it? - No, no. Why? 378 00:30:35,440 --> 00:30:37,520 - She left the house to me. 379 00:30:44,240 --> 00:30:47,640 - Did she? - Yeah. I thought that you knew. 380 00:30:48,320 --> 00:30:50,320 - No. - Oh. - No, I didn't. 381 00:30:51,960 --> 00:30:53,960 But it's... 382 00:30:54,200 --> 00:30:56,200 It makes perfect sense. 383 00:30:57,360 --> 00:31:01,160 It makes great sense. I'll be back in a minute. 384 00:31:20,160 --> 00:31:22,160 (SIGHS) 385 00:31:25,080 --> 00:31:27,080 (INDISTINCT CHATTER) 386 00:31:38,240 --> 00:31:40,320 - Looking for the whisky? 387 00:31:41,600 --> 00:31:43,880 Up here with the fancy cups. 388 00:31:45,840 --> 00:31:49,840 Joy caught Walt playing with her Royal Alberts. 389 00:31:53,280 --> 00:31:58,440 - You think she'd be happy with us drinking out of them? - Probably not. 390 00:31:58,440 --> 00:32:05,040 But then she wasn't happy when Walt was trying to piss in them either. - (LAUGHS) 391 00:32:09,360 --> 00:32:11,360 - To Joy. 392 00:32:11,760 --> 00:32:13,760 - To Joy. (CHUCKLES) 393 00:32:16,520 --> 00:32:18,520 (CHUCKLES) 394 00:32:32,200 --> 00:32:34,600 - Hi, Pen. You all right? - No. 395 00:32:36,560 --> 00:32:40,440 - You gonna drink the whole bottle by yourself? 396 00:32:42,360 --> 00:32:44,360 - I was gonna. 397 00:32:45,080 --> 00:32:47,080 Feel like sharing? 398 00:33:06,960 --> 00:33:10,960 I don't begrudge her. I mean, I don't. Not Grace. 399 00:33:10,960 --> 00:33:12,960 I just... 400 00:33:13,600 --> 00:33:18,400 I just don't know why they didn't tell me. Why didn't Mum tell me? 401 00:33:18,400 --> 00:33:21,600 How did she think it would make me feel? 402 00:33:21,960 --> 00:33:25,880 - Maybe she was just worried you'd get angry at her. 403 00:33:25,880 --> 00:33:30,200 - Well, I am angry now. - CHUCKLES: Yeah. (ROCK PLOPS IN WATER) 404 00:33:30,200 --> 00:33:32,560 Yeah, I know. - I feel like the angriest person in the world. 405 00:33:32,560 --> 00:33:37,160 - (CHUCKLES) Yeah. - I am. I'm angry at Phil, obviously, 406 00:33:37,680 --> 00:33:43,680 and every other dumb fuck who can't see what a manipulative motherfu... 407 00:33:46,040 --> 00:33:50,800 Angry at Mum for dying. - Yeah. She didn't even give you the head's up (!) 408 00:33:50,800 --> 00:33:52,800 - Nope. - Nah. Bullshit. 409 00:33:53,160 --> 00:33:56,240 - Yeah. Bullshit. (ROCK PLOPS IN WATER) 410 00:33:56,240 --> 00:33:59,760 I'm just angry at everyone. Everyone's fucked. 411 00:33:59,760 --> 00:34:05,200 - LAUGHS: Yeah, they're fucked. - They're fucked, eh? Every single human being is fucked. 412 00:34:05,200 --> 00:34:09,280 I mean, look at that ― that's fucked. Look. - Yeah. 413 00:34:13,280 --> 00:34:15,360 - Look how fucked this is. 414 00:34:22,760 --> 00:34:24,760 (GRUNTS) 415 00:34:27,040 --> 00:34:29,040 (GRUNTS) 416 00:34:41,000 --> 00:34:45,520 - Pen, I don't think you're angry. I just think that you... 417 00:34:45,520 --> 00:34:49,800 I think you're just, um... - What, sad? - Yeah. Yeah. 418 00:34:54,320 --> 00:34:56,760 - I shouldn't have kissed you, by the way. - No, no, it's OK. 419 00:34:56,760 --> 00:35:04,240 Pen, look, I have this thing that I'm kind of handsome, and I-I need to be more aware of that. 420 00:35:04,760 --> 00:35:07,840 - Yeah, me too. - Yeah. Gosh. (LAUGHS) 421 00:35:08,800 --> 00:35:13,000 I just― We have to be careful. - (LAUGHS) - (LAUGHS) 422 00:35:18,080 --> 00:35:21,800 Hey, by the way, I don't think you're fucked; I think you're great. 423 00:35:21,800 --> 00:35:27,480 I think what you did to Burley's boat ― that took guts. Should give yourself some credit. 424 00:35:27,480 --> 00:35:29,760 - Thanks. - You're welcome. 425 00:35:33,760 --> 00:35:37,240 - I mean, the bastards still have my kayak. 426 00:35:40,000 --> 00:35:42,680 (INTRIGUING PERCUSSIVE MUSIC) 427 00:35:43,240 --> 00:35:46,760 There it is ― just past the truck. Past the truck. 428 00:35:46,760 --> 00:35:48,760 Oh my gosh. 429 00:35:50,880 --> 00:35:54,680 Oh! OK, we're getting you out of these chains. 430 00:36:00,600 --> 00:36:05,440 OK, have you got some bolt cutters? - Ah, gosh, no, not on me. 431 00:36:05,440 --> 00:36:07,640 Whoa. You fucking pissed this guy off. 432 00:36:07,640 --> 00:36:11,960 - Yeah, well, they pissed me off fish-fucking arseholes. 433 00:36:11,960 --> 00:36:13,960 - Yeah, we got this. - Really? 434 00:36:13,960 --> 00:36:18,560 - Yeah, have confidence. Who needs bolt cutters when you got rope? 435 00:36:18,560 --> 00:36:21,360 I use this on the boat cos it, uh... 436 00:36:22,680 --> 00:36:27,080 it's rot-resistant. - LAUGHS: Wow! Rot-resistant. 437 00:36:30,000 --> 00:36:32,960 - OK, this is― yeah, this is gonna work. (LAUGHS) 438 00:36:32,960 --> 00:36:36,400 - Yip! - Penny, just, you know, get back. - OK. 439 00:36:36,400 --> 00:36:38,600 (ENGINE STARTS) (WHOOPS) 440 00:36:38,880 --> 00:36:40,880 (EXCLAIMS, LAUGHS) 441 00:36:42,000 --> 00:36:44,760 Fuck you, fish-fucker! 442 00:36:44,760 --> 00:36:46,440 (LAUGHS) - Shit. Whole thing came down. 443 00:36:46,440 --> 00:36:49,040 - Whoo! You did it. You did it. You did it. (LAUGHS) 444 00:36:49,040 --> 00:36:51,880 - OK, let's get outta here. - Oh my God. 445 00:36:51,880 --> 00:36:53,200 Which way? That way? - This way, yeah, yeah. 446 00:36:53,200 --> 00:36:58,080 - Which way? That way? (GRUNTS) - Yeah, that way. Yeah, that's it. 447 00:36:58,080 --> 00:36:59,760 - (LAUGHS) 448 00:36:59,760 --> 00:37:03,040 - Ooh! Ooh! Oopsie. (LAUGHS) - (LAUGHS) 449 00:37:07,520 --> 00:37:09,520 (LAUGHS) - Go, go, go! 450 00:37:09,680 --> 00:37:11,360 Oh shit! - Oh, sorry. 451 00:37:11,360 --> 00:37:14,240 - It's OK. - Sorry. - Keep going. Go. 452 00:37:14,760 --> 00:37:18,840 (LAUGHS) - (LAUGHS) This is... This is too heavy. (LAUGHS) 453 00:37:18,840 --> 00:37:21,120 - Shit! - Shh, shh, shh, shh. 454 00:37:26,360 --> 00:37:28,080 (BOTH LAUGH) 455 00:37:28,080 --> 00:37:30,080 - Come on. - (LAUGHS) 456 00:37:38,000 --> 00:37:40,000 - (CHUCKLES SOFTLY) 457 00:38:01,400 --> 00:38:03,400 (BOTH GRUNT, PANT) 458 00:38:06,000 --> 00:38:08,000 - (GRUNTS) 459 00:38:08,840 --> 00:38:10,840 - (GRUNTS) 460 00:38:13,800 --> 00:38:15,800 (GRUNTS) 461 00:38:15,920 --> 00:38:17,920 - (SIGHS) 462 00:38:21,040 --> 00:38:22,720 (MOANS) 463 00:38:22,720 --> 00:38:23,960 (GRUNTS) 464 00:38:25,080 --> 00:38:27,080 (SHOWER RUNS) 465 00:38:33,800 --> 00:38:36,080 (STRING ORCHESTRAL MUSIC) 466 00:39:01,920 --> 00:39:04,720 (LAUGHTER, INDISTINCT CHATTER) 467 00:39:04,720 --> 00:39:07,120 (JUJULIPPS' 'SAUCY' PLAYS) 468 00:39:18,920 --> 00:39:21,920 (INDISTINCT CHATTER, MUSIC PLAYS) 469 00:39:23,760 --> 00:39:25,760 - Excuse me. 470 00:39:28,520 --> 00:39:30,520 Excuse me. 471 00:39:39,800 --> 00:39:41,800 (MUSIC CONTINUES) 472 00:39:54,000 --> 00:39:56,080 Hey, have you seen Ollie? 473 00:40:01,000 --> 00:40:03,000 (MUSIC CONTINUES) 474 00:40:03,680 --> 00:40:07,680 Hey, has anyone seen Ollie? - In there last I saw. 475 00:40:12,840 --> 00:40:16,840 (BOTTLES CLINK IN FRIDGE, INDISTINCT CHATTER) 476 00:40:29,120 --> 00:40:31,120 (MUSIC CONTINUES) 477 00:40:38,760 --> 00:40:40,760 - Occupied. 478 00:40:49,440 --> 00:40:51,120 - Ollie. 479 00:40:51,120 --> 00:40:53,200 Hi. I'm sorry to disturb. 480 00:40:53,520 --> 00:40:55,600 - What are you doing here? 481 00:40:56,040 --> 00:41:00,160 - Can I... talk to you just for five minutes in private? 482 00:41:00,160 --> 00:41:02,440 - Hey, I can go. - No, no, no. Stay. 483 00:41:02,440 --> 00:41:04,120 - Please. Just five minutes. 484 00:41:04,120 --> 00:41:07,520 - Is this your mum? - No, this is not my mum. 485 00:41:10,480 --> 00:41:12,680 - Did you know Phil's back? 486 00:41:14,040 --> 00:41:16,040 - So? 487 00:41:16,120 --> 00:41:22,000 That has nothing to do with me. - Has he been in touch? - You need to leave. 488 00:41:22,320 --> 00:41:23,880 Now. 489 00:41:23,880 --> 00:41:26,880 - Listen, I spoke to your mum. - She talked to you? 490 00:41:26,880 --> 00:41:28,240 - Yeah. - Ha! 491 00:41:28,240 --> 00:41:32,680 - She told me where you lived. She's worried about you. We all care about what happens to you,Ollie. 492 00:41:32,680 --> 00:41:37,000 - That's bullshit, because... she doesn't even know where I live. 493 00:41:37,000 --> 00:41:39,120 - OK, I don't know who you are, but I think you need to leave. 494 00:41:39,120 --> 00:41:41,600 - It's got nothing to do with you. Stay out of this. 495 00:41:41,600 --> 00:41:43,840 - Excuse me. - Ollie, listen. 496 00:41:43,840 --> 00:41:45,680 You're not 14 any more. 497 00:41:45,680 --> 00:41:47,080 OK? You're a grown-up. 498 00:41:47,080 --> 00:41:50,000 You― Fuck, you need to say something. There could be other kids. 499 00:41:50,000 --> 00:41:51,520 (GRUNTS) 500 00:41:51,520 --> 00:41:54,520 - Ollie. - Ollie, do you want me to go get some help? 501 00:41:54,520 --> 00:41:57,200 - No, no, it's fine. I'm leaving. 502 00:41:57,600 --> 00:41:59,600 Excuse me. Fuck's sake. 503 00:42:00,600 --> 00:42:03,680 (DARTZ' '1 OUTS CAPTAIN COOK' PLAYS) 504 00:42:06,040 --> 00:42:07,960 (INDISTINCT CHATTER, MUSIC PLAYS INSIDE) 505 00:42:07,960 --> 00:42:09,960 - Fuck off, Mum. 506 00:42:15,040 --> 00:42:17,240 - Bye, boomer. (LAUGHTER) 507 00:42:21,680 --> 00:42:24,160 (MUFFLED CHATTER CONTINUES) 508 00:42:26,240 --> 00:42:29,440 (THUD! THUD! LAUGHTER) - Aargh! Fuck! 509 00:42:30,080 --> 00:42:32,080 (ENGINE STARTS) 510 00:42:49,040 --> 00:42:51,040 (LOW PERCUSSIVE MUSIC) 511 00:42:53,800 --> 00:42:55,800 (KEYS JANGLE) 512 00:43:25,120 --> 00:43:27,120 (ORCHESTRAL MUSIC) 513 00:43:38,080 --> 00:43:40,080 - Ollie. - Hi. 514 00:43:41,840 --> 00:43:44,480 - PHIL: All right, get to your class. 515 00:43:44,480 --> 00:43:45,560 Now! 516 00:43:45,560 --> 00:43:48,120 People are going to think what people are going to think. 517 00:43:48,120 --> 00:43:52,040 And I was stupid to ever believe that I could come back here and change it. 518 00:43:52,040 --> 00:43:55,520 - Dad, stop. Stop! Just stop touching him! 519 00:43:56,000 --> 00:43:56,840 - What's going on? 520 00:43:56,840 --> 00:44:00,280 - Grace, come on. I know Penny can be a bit of a dick, but she's not gonna do anything to hurt him. 521 00:44:00,280 --> 00:44:02,760 - She's gone too far this time.