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The following programme contains
strong language and violent scenes.

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(MUFFLED GUNSHOT)
Someone I've been working with

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has misunderstood
their obligations to me.

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(MUFFLED GUNSHOT)
(WHIMPERS)

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There's another deal brewing.

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ZINA: 'Why are you still in Munich?
Have you loose ends to tie up?'

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Fuck you.

8
00:00:41,320 --> 00:00:42,879
We'll need a codename for you.

9
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Why not the Jackal?

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(THEY SPEAK SPANISH)

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I can get your daughter
out of prison.

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Just get me Norman's phone number
and I'll do the rest.

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(TENSE MUSIC)

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(CAMERA SHUTTER CLICKS)

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I need a priority location
on a phone.

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Aaargh!
(ENGINE REVS)

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(BULLETS RICOCHET)
Fuck!

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This is Mr Carver.
He cleans up messes for us.

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I spoke to Sparrow this morning.
She's on the hook.

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Did you tell her
that her daughter's dead?

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CELESTE: # Some flowers

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♪ Never get to bloom and see the day

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♪ Some flowers

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♪ Are content to wish
their lives away

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♪ Some may rise

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♪ And some may fall

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♪ But only

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♪ You make

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♪ Heaven

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♪ Seem it's true

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♪ So, only

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♪ You can

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♪ Tell them

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♪ This is who I am

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♪ This is who I am!

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♪ No lie

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♪ Know that

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♪ This is who I am ♪

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(TRAIN CLATTERS)

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♪ THE SEI: Metroma

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♪ We brought this on

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♪ Resisting...

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ANNOUNCER: 'We are now approaching
London Liverpool Street

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where this train terminates.'

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♪ ..we're missing

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(STIFLES SOBS)

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♪ Don't ask why

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(LARRY SOBS)

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♪ I close my eyes... ♪

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(SONG CONTINUES)

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(BEEP)

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Did you get anything
from Norman's phone?

53
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No, it's been wiped remotely. But
there'll probably be some residue.

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Paddy, this one's urgent.

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(EXHALES)

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What did you get from his bag?
Might wanna take a look at this.

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Now you're gonna love this, Bianca.
It's er... very clever.

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(LOW CONVERSATIONS)

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This operation has been a total and
utter shambles from start to finish.

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We have Emma Stoke,
completely innocent,

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whose death went unreported
for more than 36 hours.

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And we have two
top Special Forces operatives

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killed in a botched snatch.

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All of it based on nothing more than
a hunch you had about Norman Stoke.

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You, and this operation,
need to be shut down now!

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I can't see a reason
to keep it alive. Thank you, Bianca.

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I retrieved this... bag

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from the suspect's location.

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So you found a bag that looks like
a million other bags,

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one of which the assassin
happened to have.

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What does that prove?

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(CLICKING)

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(CLICK)

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(GENTLE THUD)

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I took this with me
through Customs this morning.

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I had no idea I was bringing
a sniper rifle with me

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and neither did Security.

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It's a prototype.
That is actually bloody clever.

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The sniper took the weapon
he used to kill Fest with him.

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And this is how he did it.

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All thanks to Norman Stoke.

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Isabel?
(SOFTLY) No...

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It's complicated.

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We just lost two men on an op
that supposedly no-one knew about.

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Let's get to the bottom
of what went wrong in Belarus

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as quickly as possible.

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In the meantime...

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your operation
is very much alive, Bianca.

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Thank you.

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(BREATHES DEEPLY)

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(CLEARS THROAT)

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VOICEMAIL: 'This is Alison,
leave a message.' (BEEP)

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Hi, Alison, it's Nadine.

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(EXHALES) I...I can't
tell you how sorry I am.

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What you must be going through
right now is just...

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Look, I know I'm the last person
you wanna speak to right now.

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But I've been doing some digging
and it would mean a lot to me

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if you'd allow me to sit down
with you face-to-face,

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so I can explain what happened

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and... try and make
some sense of all of this.

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You deserve that.

102
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Again, I'm... so sorry.

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OK, er... call me back
when you get this. Thanks.

104
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That was very good.

105
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Well, I'm off to Hereford,
see if they've got any names for us.

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Why hasn't that been done already?
(SIGHS)

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(DOOR CLOSES)

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(WOMAN SPEAKS GERMAN)

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Oh!

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(THEY SPEAK GERMAN)

111
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(SPEAKS GERMAN)

112
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(INHALES DEEPLY)

113
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(TEARFUL)

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(CLOCK TICKING)

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Nein.

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Ja, ja, ja, ja, ja, ja.

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Naturlich.

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(FOOTSTEPS)

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(BLINDS SWISHING)

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(TENSE MUSIC)

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(CLICK)

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(PILLS RATTLE)

123
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(MOUSE CLICKS)

124
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(MUSIC INTENSIFIES)

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Mm-hm.

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(SIGHS)

127
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(PHYSIO SPEAKS GERMAN)

128
00:11:04,280 --> 00:11:06,280
(REPLIES IN GERMAN)

129
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(BREATHES DEEPLY)

130
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(BEEP)

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(WHIRRING)

132
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(LABOURED BREATHS)

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(GRUNTS)

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(RAPID BREATHS, EXHALES DEEPLY)

135
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(CHUCKLES)

136
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(TYPES)

137
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(BIRDS CHIRRUPING)

138
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(BABY GURGLES)

139
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(SPEAKS SPANISH)

140
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(REPLIES IN SPANISH)

141
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(PHONE VIBRATES)

142
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Hey.

143
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'Hey! Sorry I haven't called.'

144
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I knew the deal
was gonna be complicated,

145
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but it's got ridiculous.

146
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'Is everything alright?'

147
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Nuria?

148
00:14:05,800 --> 00:14:08,439
The other day
when I left you at the airport.

149
00:14:08,440 --> 00:14:11,360
'Yeah?'

150
00:14:14,080 --> 00:14:16,520
I was at Plaza Las Flores...

151
00:14:18,880 --> 00:14:20,240
I saw you pass in a taxi.

152
00:14:23,000 --> 00:14:25,479
Wait, what do you mean?

153
00:14:25,480 --> 00:14:27,520
'I saw you in a taxi, Charles.'

154
00:14:30,680 --> 00:14:34,160
OK, well, I don't know who you saw
but it definitely wasn't me.

155
00:14:35,400 --> 00:14:38,239
But I saw you.

156
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(SCOFFS)

157
00:14:39,920 --> 00:14:43,399
Nuria, I have no idea who you saw,
but I was straight on that plane.

158
00:14:43,400 --> 00:14:46,120
I don't know where you went.

159
00:14:49,360 --> 00:14:50,839
Where are you now?

160
00:14:50,840 --> 00:14:55,079
Now, I'm in an incredibly
overpriced hotel in Amsterdam.

161
00:14:55,080 --> 00:14:57,919
OK, let me see.

162
00:14:57,920 --> 00:14:59,719
Go on video.
Oh, no, please.

163
00:14:59,720 --> 00:15:01,559
You know I hate the video thing,
come on.

164
00:15:01,560 --> 00:15:04,839
Do you have a woman with you?
'(SCOFFS)'

165
00:15:04,840 --> 00:15:07,839
Of course I don't have
a woman with me.

166
00:15:07,840 --> 00:15:09,640
'Then let me see you.'

167
00:15:10,800 --> 00:15:11,919
'Nuria.'

168
00:15:11,920 --> 00:15:14,679
Charles, let me see you
or I will come to Amsterdam tonight.

169
00:15:14,680 --> 00:15:16,720
OK, OK. Alright, alright.

170
00:15:22,280 --> 00:15:26,600
Hello, it's your husband.
Look, wait, wait, wait.

171
00:15:28,200 --> 00:15:29,680
No woman.

172
00:15:30,600 --> 00:15:33,480
Let me see the bathroom.
Honestly?

173
00:15:34,960 --> 00:15:37,320
OK, let's do this.

174
00:15:39,000 --> 00:15:42,000
So... There's um...

175
00:15:44,920 --> 00:15:49,639
...no make-up, no creams, no jars.

176
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No woman.

177
00:15:51,720 --> 00:15:53,800
'Satisfied?'

178
00:15:55,280 --> 00:15:56,919
She might be a very ugly woman.

179
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(CHUCKLES) Yeah, I only have affairs
with incredibly ugly women.

180
00:16:00,720 --> 00:16:02,320
Now can I see my son, please?

181
00:16:07,480 --> 00:16:08,599
'Ma?'

182
00:16:08,600 --> 00:16:11,679
Ma? Que vea Carlitos.

183
00:16:11,680 --> 00:16:13,679
Mira, mira, mira!
Hola.

184
00:16:13,680 --> 00:16:15,039
(GURGLES)
Oh!

185
00:16:15,040 --> 00:16:17,759
Oh! Que?

186
00:16:17,760 --> 00:16:19,199
Hi.

187
00:16:19,200 --> 00:16:22,399
Que tal?
(THEY LAUGH)

188
00:16:22,400 --> 00:16:25,039
Look at him, I think,
I think his face has changed.

189
00:16:25,040 --> 00:16:26,479
Is that possible?

190
00:16:26,480 --> 00:16:28,079
Hola!
A-bo!

191
00:16:28,080 --> 00:16:30,879
- A-bo!
- I miss him.
Adios a papa.

192
00:16:30,880 --> 00:16:34,159
Bye-bye. (KISSING SOUND)
I love you. Bye-bye.

193
00:16:34,160 --> 00:16:35,840
(MARISA CHUCKLES)

194
00:16:36,840 --> 00:16:38,560
I miss him.

195
00:16:41,920 --> 00:16:43,680
'He misses you.'

196
00:16:47,640 --> 00:16:49,280
I'm coming to Amsterdam.

197
00:16:52,080 --> 00:16:53,959
I would love that,

198
00:16:53,960 --> 00:16:56,879
but I think they've probably
got me leaving tomorrow, so...

199
00:16:56,880 --> 00:17:00,239
What's wrong, Charles?
You don't want me to come?

200
00:17:00,240 --> 00:17:03,559
No, I would love you to come,
but I...at the moment, honestly,

201
00:17:03,560 --> 00:17:07,559
Nuria, it's so frenzied here that I
literally don't have a minute.

202
00:17:07,560 --> 00:17:09,439
This life we're living,
it's not normal.

203
00:17:09,440 --> 00:17:12,799
(SIGHS) Yeah, I know it's not.

204
00:17:12,800 --> 00:17:16,319
'You're always away.
For business you say,

205
00:17:16,320 --> 00:17:19,079
but you never tell me anything
about your business.

206
00:17:19,080 --> 00:17:21,199
I never met any of your colleagues.'

207
00:17:21,200 --> 00:17:23,799
I don't know what you do
when you're away.

208
00:17:23,800 --> 00:17:26,319
'I work, Nuria.

209
00:17:26,320 --> 00:17:30,000
I work, that's all I do.
I just work.'

210
00:17:30,960 --> 00:17:32,519
When are you coming back?

211
00:17:32,520 --> 00:17:34,919
Soon, a couple of days, I-

212
00:17:34,920 --> 00:17:37,119
'When?'
I... Honestly, I don't know.

213
00:17:37,120 --> 00:17:38,440
I'm not sure.

214
00:17:40,400 --> 00:17:42,720
You never know.

215
00:17:44,040 --> 00:17:46,759
It's not good enough, Charles.

216
00:17:46,760 --> 00:17:48,800
(BEEP)

217
00:17:50,080 --> 00:17:52,120
(SOMBRE MUSIC)

218
00:17:59,480 --> 00:18:01,480
(DOOR CREAKS)

219
00:18:03,800 --> 00:18:05,800
(SOLEMN MUSIC)

220
00:18:24,400 --> 00:18:26,400
(GENTLE THUD)

221
00:18:37,440 --> 00:18:38,880
(LOCK TURNS)

222
00:19:14,560 --> 00:19:17,440
(DRAWERS GENTLY SCRAPING)

223
00:19:18,280 --> 00:19:20,280
(CLINKING)

224
00:19:26,240 --> 00:19:28,240
(MUSIC BUILDS)

225
00:19:29,560 --> 00:19:31,560
(METALLIC SWISHING)

226
00:19:35,160 --> 00:19:37,160
(CLICK)

227
00:19:38,040 --> 00:19:39,440
(TENSE MUSIC)

228
00:19:52,080 --> 00:19:53,480
(MUSIC FADES)

229
00:19:54,320 --> 00:19:56,320
(SIREN WAILING IN DISTANCE)

230
00:19:58,800 --> 00:20:00,800
(WINGS FLUTTERING)

231
00:20:21,320 --> 00:20:23,320
Are you coming?

232
00:20:28,480 --> 00:20:30,840
Love, are you coming?

233
00:20:33,120 --> 00:20:35,520
They get you over here
to identify her...

234
00:20:36,680 --> 00:20:39,840
...and then they don't
even fucking call you.

235
00:20:42,600 --> 00:20:45,080
Bit of fresh air will do you good.

236
00:20:49,320 --> 00:20:50,719
You go.

237
00:20:50,720 --> 00:20:52,160
(INHALES DEEPLY)

238
00:21:02,640 --> 00:21:04,640
(REFUSE TRUCK RUMBLES)

239
00:21:25,240 --> 00:21:27,280
(PHONE VIBRATES)

240
00:21:34,080 --> 00:21:36,880
Who's this?
'Who the fuck do you think it is?'

241
00:21:39,160 --> 00:21:40,800
About ye, Norman?

242
00:21:42,440 --> 00:21:44,440
(BIRDS CHIRPING)

243
00:21:49,560 --> 00:21:53,119
I'm so sorry about Emma.

244
00:21:53,120 --> 00:21:54,959
I can't imagine
what you're going through.

245
00:21:54,960 --> 00:21:58,199
No, you can't.

246
00:21:58,200 --> 00:22:01,359
Larry and me are here
to take Emma home.

247
00:22:01,360 --> 00:22:03,119
Can you not just let us do that?

248
00:22:03,120 --> 00:22:05,960
Do you have no common decency?

249
00:22:12,120 --> 00:22:15,119
You said on the phone
you'd been digging?

250
00:22:15,120 --> 00:22:16,959
I've spoken to everybody.

251
00:22:16,960 --> 00:22:20,840
And I have to tell you
that no one behaved improperly.

252
00:22:23,240 --> 00:22:26,840
Did you know that Emma had
- a pre-existing condition?
- No.

253
00:22:28,080 --> 00:22:30,759
First I heard of it was when
they rang us to tell us the news.

254
00:22:30,760 --> 00:22:34,079
It could just as easily
have happened at home, in bed.

255
00:22:34,080 --> 00:22:36,239
But she wasn't in her bed, was she?

256
00:22:36,240 --> 00:22:38,639
She was in a police cell
and you put her there.

257
00:22:38,640 --> 00:22:40,559
I didn't, Alison.
And I've told you that.

258
00:22:40,560 --> 00:22:43,360
Do you even know what the truth is?

259
00:22:44,240 --> 00:22:46,559
Listen to me carefully, Alison.

260
00:22:46,560 --> 00:22:52,440
Norman killed two British officers
yesterday and now he's disappeared.

261
00:22:53,320 --> 00:22:56,239
What's that got to do with me?
That's nothing to do with me.

262
00:22:56,240 --> 00:22:58,799
Larry's number
was in Norman's phone. So...

263
00:22:58,800 --> 00:23:02,479
(SCOFFS) We were trying to get
the money to go to London.

264
00:23:02,480 --> 00:23:03,720
Alison.

265
00:23:04,880 --> 00:23:08,640
Assisting an offender
carries a ten-year sentence.

266
00:23:10,320 --> 00:23:12,960
More,
with everything Larry's been up to.

267
00:23:14,360 --> 00:23:17,520
But I've turned a blind eye
because I like you...

268
00:23:19,400 --> 00:23:21,400
...and I want to help.

269
00:23:22,840 --> 00:23:25,640
But now you have to help me.

270
00:23:27,160 --> 00:23:29,879
You need to tell me where Norman is.

271
00:23:29,880 --> 00:23:31,520
Fuck off!

272
00:23:37,720 --> 00:23:40,480
(TRAIN CLATTERS IN DISTANCE)

273
00:23:41,880 --> 00:23:45,040
(BREATHING DEEPLY)

274
00:23:49,000 --> 00:23:52,360
(BEEP, DOOR OPENS AND CLOSES)

275
00:24:03,080 --> 00:24:05,160
Did you have a nice walk?

276
00:24:06,920 --> 00:24:08,800
Larry, is everything alright?

277
00:24:27,240 --> 00:24:29,919
What have you done?

278
00:24:29,920 --> 00:24:31,960
What?

279
00:24:35,320 --> 00:24:40,200
Why did you keep on at me
to call Norman?

280
00:24:42,160 --> 00:24:44,600
We needed the money to go to London.

281
00:24:47,480 --> 00:24:51,560
Do you know what happened
to Norman... after I called him?

282
00:24:52,960 --> 00:24:55,839
How would I?

283
00:24:55,840 --> 00:24:58,240
What happened?

284
00:24:59,200 --> 00:25:01,240
They came for him.

285
00:25:04,320 --> 00:25:06,320
He popped a couple of 'em.

286
00:25:08,920 --> 00:25:11,160
Is he all right?

287
00:25:15,560 --> 00:25:18,959
Gimme your phone.

288
00:25:18,960 --> 00:25:20,760
Larry, what are you on about?

289
00:25:21,880 --> 00:25:24,080
Give me your phone.

290
00:25:39,600 --> 00:25:42,600
(BREATHES DEEPLY)

291
00:25:44,800 --> 00:25:46,880
Who's Nadine?

292
00:25:48,760 --> 00:25:51,520
She's the new girl
at the hairdresser's.

293
00:25:52,680 --> 00:25:56,240
So if I call the hairdresser's now
and ask for Nadine...

294
00:25:57,280 --> 00:25:59,560
...is Nadine gonna come on the phone?

295
00:26:00,640 --> 00:26:02,520
She might do. I don't know.

296
00:26:04,800 --> 00:26:07,399
Larry, why are you being like this?

297
00:26:07,400 --> 00:26:09,920
Oh, Alison.

298
00:26:11,040 --> 00:26:13,040
(TEARFUL) Alison.

299
00:26:15,400 --> 00:26:17,480
(SOBS) What have you done?

300
00:26:19,520 --> 00:26:22,480
What the fuck have you done?

301
00:26:24,880 --> 00:26:27,319
No, don't, Larry.

302
00:26:27,320 --> 00:26:29,360
No! (GROANS)

303
00:26:30,840 --> 00:26:32,840
(WHIMPERS)

304
00:26:35,040 --> 00:26:38,319
(GROANS)

305
00:26:38,320 --> 00:26:40,400
(GUNSHOTS)

306
00:26:43,560 --> 00:26:46,800
(GUNSHOTS CONTINUE)

307
00:26:50,960 --> 00:26:53,959
INSTRUCTOR: Cease fire!

308
00:26:53,960 --> 00:26:55,959
Stand up!

309
00:26:55,960 --> 00:26:58,239
(RUSTLING)

310
00:26:58,240 --> 00:27:00,280
Make safe!

311
00:27:01,800 --> 00:27:03,800
Thank you, gentlemen.

312
00:27:07,680 --> 00:27:11,599
These individuals all meet
the parameters I was given.

313
00:27:11,600 --> 00:27:13,799
Do you think any of these men
could have made that shot?

314
00:27:13,800 --> 00:27:16,999
Not unless they've improved
massively from when they were here.

315
00:27:17,000 --> 00:27:19,319
Are you a hundred percent certain
about the distance?

316
00:27:19,320 --> 00:27:21,799
3,815 metres.

317
00:27:21,800 --> 00:27:24,519
That's a fucking long way.
That's what the Germans are saying.

318
00:27:24,520 --> 00:27:25,999
With all due respect to the Germans,

319
00:27:26,000 --> 00:27:28,439
I suggest
someone re-measures the distance,

320
00:27:28,440 --> 00:27:31,039
or else puts me in touch
with whoever modified the weapon,

321
00:27:31,040 --> 00:27:34,359
because whoever it is,
he knows how to make guns.

322
00:27:34,360 --> 00:27:36,759
We could make
very good use of him here.

323
00:27:36,760 --> 00:27:39,200
Yeah, well, thanks for this.

324
00:27:40,760 --> 00:27:43,319
BIANCA: Norman definitely knew
we were coming.

325
00:27:43,320 --> 00:27:47,039
His bags were packed,
and he was ready for a fight.

326
00:27:47,040 --> 00:27:51,199
What's your annual salary?

327
00:27:51,200 --> 00:27:54,759
You know my grade,
you know the pay scales.

328
00:27:54,760 --> 00:27:57,639
And your husband,
he's not a professor, is he?

329
00:27:57,640 --> 00:28:02,759
He's lower down
the university pecking order?

330
00:28:02,760 --> 00:28:04,959
He's a senior lecturer.
Senior lecturer?

331
00:28:04,960 --> 00:28:08,919
So, what does Paul earn? 40, 50?

332
00:28:08,920 --> 00:28:13,120
So it's a comfortable joint wage,
but not mega.

333
00:28:14,280 --> 00:28:18,199
Is there family money?

334
00:28:18,200 --> 00:28:21,239
Your father was... What was he?
Missing.

335
00:28:21,240 --> 00:28:25,239
And your mother?
Has nothing to do with Norman Stoke.

336
00:28:25,240 --> 00:28:26,959
You've been on this side
of the table.

337
00:28:26,960 --> 00:28:29,320
You know why I'm asking.

338
00:28:32,520 --> 00:28:36,959
My mother, if that's what you
wanna call her, was an alcoholic.

339
00:28:36,960 --> 00:28:39,119
She still is.

340
00:28:39,120 --> 00:28:42,199
She lives in sheltered housing now.
Which you pay for.

341
00:28:42,200 --> 00:28:43,919
(INHALES SHARPLY)

342
00:28:43,920 --> 00:28:45,920
Must cost quite a penny.

343
00:28:46,880 --> 00:28:51,599
(SCOFFS) Are you suggesting
I tipped off Norman Stoke

344
00:28:51,600 --> 00:28:54,039
to pay for
my mother's sheltered housing?

345
00:28:54,040 --> 00:28:56,720
Money is almost always the motive.

346
00:28:58,560 --> 00:29:01,639
Let me tell you something, yeah.

347
00:29:01,640 --> 00:29:05,759
I almost got killed
trying to GET Norman.

348
00:29:05,760 --> 00:29:09,319
Two of the men I was with are dead.

349
00:29:09,320 --> 00:29:12,839
You know I didn't tip him off so why
you going through this charade?

350
00:29:12,840 --> 00:29:16,119
You know the world we live in.

351
00:29:16,120 --> 00:29:18,879
You can't trust anyone.

352
00:29:18,880 --> 00:29:21,919
Everyone lies.

353
00:29:21,920 --> 00:29:24,680
About everything.

354
00:29:29,040 --> 00:29:31,320
(IN SPANISH)

355
00:29:36,960 --> 00:29:39,759
(SIX BEEPS ON NUMBERPAD)

356
00:29:39,760 --> 00:29:41,279
(INCORRECT CODE BEEPS)

357
00:29:41,280 --> 00:29:43,320
No.

358
00:29:47,880 --> 00:29:51,039
(SIX BEEPS ON NUMBERPAD)

359
00:29:51,040 --> 00:29:53,080
(INCORRECT CODE BEEPS)

360
00:30:04,000 --> 00:30:07,079
(SIX BEEPS ON NUMBERPAD)

361
00:30:07,080 --> 00:30:08,280
(BEEPS)

362
00:30:41,760 --> 00:30:43,760
NURIA:

363
00:30:51,160 --> 00:30:53,879
(LIFT BELL DINGS)

364
00:30:53,880 --> 00:30:56,559
Damian?
The Special Forces gave me a list

365
00:30:56,560 --> 00:30:58,679
of the best snipers
who fit our parameters,

366
00:30:58,680 --> 00:31:01,119
but they don't think any of them
could have made that shot.

367
00:31:01,120 --> 00:31:04,279
Well, check them out anyway.
Yeah, I will, just got to...

368
00:31:04,280 --> 00:31:07,400
Yep, yeah.
Yeah.

369
00:31:14,120 --> 00:31:15,519
(KISSES TEETH)

370
00:31:15,520 --> 00:31:17,800
(EXHALES)

371
00:31:19,920 --> 00:31:22,440
(PHONE RINGING)

372
00:31:29,080 --> 00:31:32,479
Anything on Norman Stoke?

373
00:31:32,480 --> 00:31:35,279
Er... I spoke to Sparrow in person.

374
00:31:35,280 --> 00:31:38,239
Did you get anything?

375
00:31:38,240 --> 00:31:43,479
Well, she's devastated
and angry about Emma.

376
00:31:43,480 --> 00:31:46,640
She's not in the mood to talk.

377
00:31:48,840 --> 00:31:51,359
When did you last get some sleep?
I'm fine, honestly.

378
00:31:51,360 --> 00:31:53,359
I need you firing on all cylinders.

379
00:31:53,360 --> 00:31:56,880
Go home, get some rest.

380
00:31:59,640 --> 00:32:02,079
(EXHALES)

381
00:32:02,080 --> 00:32:05,240
(PHONE BUZZING)

382
00:32:11,080 --> 00:32:14,159
OSI: 'Can anyone hear us?'

383
00:32:14,160 --> 00:32:16,719
Why are you calling me
on my personal phone?

384
00:32:16,720 --> 00:32:18,439
What's going on?

385
00:32:18,440 --> 00:32:20,480
(BIRD SQUAWKING)

386
00:32:22,040 --> 00:32:24,040
(SIREN WAILING IN DISTANCE)

387
00:32:35,640 --> 00:32:38,640
I've just had the pleasure
of Carver's company.

388
00:32:40,120 --> 00:32:42,159
How was that for you?

389
00:32:42,160 --> 00:32:44,920
Unpleasant,
and I've got nothing to hide.

390
00:32:45,840 --> 00:32:49,799
But if there's a leak, it
has to be investigated and resolved.

391
00:32:49,800 --> 00:32:53,439
Something definitely
went wrong in Belarus.

392
00:32:53,440 --> 00:32:55,760
Norman knew we were coming.

393
00:32:59,800 --> 00:33:04,959
Let's assume for present purposes,
it's not you and it's not me.

394
00:33:04,960 --> 00:33:07,479
OK.

395
00:33:07,480 --> 00:33:10,599
The only other people
who knew about the operation

396
00:33:10,600 --> 00:33:12,239
are Damian and Isabel.

397
00:33:12,240 --> 00:33:16,399
(SCOFFS) Well, if it's Isabel,
we're all fucked.

398
00:33:16,400 --> 00:33:19,279
Indeed.

399
00:33:19,280 --> 00:33:23,760
Could it be Damian?
Why would Damian do it?

400
00:33:24,960 --> 00:33:28,119
Not an easy fellow to pin down,
is he, Damian?

401
00:33:28,120 --> 00:33:30,160
Has a sort of... slippery quality.

402
00:33:31,920 --> 00:33:34,000
Why are we here?

403
00:33:35,920 --> 00:33:37,719
Just to be on the safe side,

404
00:33:37,720 --> 00:33:40,919
what I'm going to tell you
doesn't go any further.

405
00:33:40,920 --> 00:33:43,280
Agreed?
Agreed.

406
00:33:45,600 --> 00:33:50,159
An American friend
has been in contact.

407
00:33:50,160 --> 00:33:53,199
Unofficial, back channel.

408
00:33:53,200 --> 00:33:55,239
I've known him for 20 years.

409
00:33:55,240 --> 00:33:57,599
Ex-station chief
in Ankara and Tokyo.

410
00:33:57,600 --> 00:34:01,479
Level-headed, very judicious.

411
00:34:01,480 --> 00:34:03,639
The Yanks are worried
that the assassination of Fest

412
00:34:03,640 --> 00:34:06,879
will spark copycat murders
of politicians.

413
00:34:06,880 --> 00:34:08,599
They're very keen
to get to the bottom of it

414
00:34:08,600 --> 00:34:11,119
and had been liaising
closely with us.

415
00:34:11,120 --> 00:34:13,319
But now his department
has been told

416
00:34:13,320 --> 00:34:16,640
to not share
any information with 303.

417
00:34:18,160 --> 00:34:21,479
Well, either Carver's right

418
00:34:21,480 --> 00:34:24,560
or the Americans
are trying to sabotage us.

419
00:34:25,960 --> 00:34:28,679
The Americans didn't know
about the Belarus operation

420
00:34:28,680 --> 00:34:30,920
until after it happened.

421
00:34:35,560 --> 00:34:37,320
So... if my friend is right,

422
00:34:39,200 --> 00:34:41,360
the problem is in-house.

423
00:34:47,120 --> 00:34:52,519
From here on, keep the circle tight.

424
00:34:52,520 --> 00:34:54,560
(OMINOUS MUSIC)

425
00:35:11,600 --> 00:35:13,319
MARISA:

426
00:35:13,320 --> 00:35:15,360
NURIA:

427
00:35:41,320 --> 00:35:42,720
(CLICK)

428
00:35:45,720 --> 00:35:47,120
(CLICK)

429
00:35:54,680 --> 00:35:58,840
(THUD)
(GRUNTS)

430
00:36:09,640 --> 00:36:12,160
(WHIRRING)

431
00:36:13,520 --> 00:36:15,600
(THUD)

432
00:36:18,360 --> 00:36:21,560
(BELL TOLLING)

433
00:36:25,640 --> 00:36:28,200
(PHONE BUZZING)

434
00:36:33,720 --> 00:36:37,159
Good morning.
'Have you checked your account?'

435
00:36:37,160 --> 00:36:39,479
Er, I saw that the er,
commencement fee had landed, yeah.

436
00:36:39,480 --> 00:36:41,159
Good.

437
00:36:41,160 --> 00:36:44,399
Rodin is going to be in Tallinn
on the 22nd.

438
00:36:44,400 --> 00:36:46,799
If you leave now you'll have
plenty of time to prepare.

439
00:36:46,800 --> 00:36:51,239
'How reliable's that information?'
A hundred percent.

440
00:36:51,240 --> 00:36:54,079
Understood.
I will start making arrangements.

441
00:36:54,080 --> 00:36:58,279
And we're assuming you finished
whatever business you had in Munich?

442
00:36:58,280 --> 00:37:00,519
Well, that seems like
a decent assumption.

443
00:37:00,520 --> 00:37:03,159
'Good to hear.
We've paid you a lot of money

444
00:37:03,160 --> 00:37:05,119
and we expect to have
your complete attention.'

445
00:37:05,120 --> 00:37:07,240
Absolutely.
(CALL ENDS)

446
00:37:11,400 --> 00:37:13,199
(ZIP RASPS)

447
00:37:13,200 --> 00:37:15,240
(SUSPENSEFUL MUSIC)

448
00:37:19,360 --> 00:37:21,360
(IMMOBILISER BEEP)

449
00:38:00,080 --> 00:38:02,239
How was the Carver experience?

450
00:38:02,240 --> 00:38:04,439
Yeah, he was just doing his job,
I suppose.

451
00:38:04,440 --> 00:38:06,319
Here's the list of snipers.

452
00:38:06,320 --> 00:38:09,639
Appallingly analogue, I know.
But that's the Army for you.

453
00:38:09,640 --> 00:38:12,719
And they've all left the Service.
Thompson's in prison. Manslaughter.

454
00:38:12,720 --> 00:38:15,519
Clegg has MS.
I have addresses for the others.

455
00:38:15,520 --> 00:38:17,839
What do you want me to do?

456
00:38:17,840 --> 00:38:22,119
Find out where they were
- when Fest was killed.
- Copy that.

457
00:38:22,120 --> 00:38:24,079
Thank you.
Anything from Sparrow?

458
00:38:24,080 --> 00:38:26,959
Not yet.
Bianca.

459
00:38:26,960 --> 00:38:29,640
Found something very interesting
on the phone.

460
00:38:31,120 --> 00:38:34,319
Can you get me a coffee, please?

461
00:38:34,320 --> 00:38:37,680
Er, black, no sugar.

462
00:38:42,160 --> 00:38:43,519
Cheers.

463
00:38:43,520 --> 00:38:46,679
Eh, what you got for me?
Well, it was tough.

464
00:38:46,680 --> 00:38:49,879
There's some very serious
encryptions. I'd say state level.

465
00:38:49,880 --> 00:38:52,199
Almost all of the data's
been wiped remotely.

466
00:38:52,200 --> 00:38:54,799
And we were only able to recover
incoming and outgoing numbers.

467
00:38:54,800 --> 00:38:57,039
None of the content but...

468
00:38:57,040 --> 00:38:59,319
in the three weeks leading up
to Manfred Fest's murder,

469
00:38:59,320 --> 00:39:02,279
there was a flurry of calls
and messages from a single number.

470
00:39:02,280 --> 00:39:04,039
Now, interestingly,

471
00:39:04,040 --> 00:39:06,519
they stopped completely
the day Fest was murdered.

472
00:39:06,520 --> 00:39:10,639
Did you get a name for the caller?
Yeah, well, Jackal.

473
00:39:10,640 --> 00:39:12,959
Jackal?
Well, it's codename, obviously.

474
00:39:12,960 --> 00:39:14,639
(BOTH CHUCKLE)
Alright.

475
00:39:14,640 --> 00:39:18,320
Alright, I'll leave you to it.
Cheers.

476
00:39:22,560 --> 00:39:24,320
(TYPES)

477
00:39:33,880 --> 00:39:36,120
(TENSE MUSIC)

478
00:39:48,880 --> 00:39:51,279
Frau Muller.
Herr Fest.

479
00:39:51,280 --> 00:39:54,000
(LOW CONVERSATION IN GERMAN)

480
00:40:57,440 --> 00:40:59,480
(FOOTSTEPS RETREATING)

481
00:41:05,320 --> 00:41:07,320
(SUSPENSEFUL MUSIC)

482
00:41:33,680 --> 00:41:35,920
MULLER:

483
00:42:19,400 --> 00:42:21,560
(MUSIC INTENSIFIES)

484
00:42:23,000 --> 00:42:24,480
(IN GERMAN)

485
00:42:40,560 --> 00:42:41,960
(MUFFLED GUNSHOT)
(GASPS)

486
00:42:42,960 --> 00:42:44,519
(TYRES SCREECH)

487
00:42:44,520 --> 00:42:46,000
(ELIAS SPEAKS GERMAN)

488
00:42:46,560 --> 00:42:48,520
(TYRES SCREECH, HORN BLARES)

489
00:42:50,080 --> 00:42:51,919
(ELIAS CRIES OUT)

490
00:42:51,920 --> 00:42:53,519
(ELIAS SHOUTS IN GERMAN)

491
00:42:53,520 --> 00:42:55,760
(GRUNTS, PANICKED BREATHS)

492
00:43:03,840 --> 00:43:04,959
(TYRES SCREECH)

493
00:43:04,960 --> 00:43:07,079
Muller!
(HORN BLARES)

494
00:43:07,080 --> 00:43:08,640
Muller!

495
00:43:09,640 --> 00:43:12,839
Muller! Muller!

496
00:43:12,840 --> 00:43:14,959
(PANICKED SHOUTS AND SCREAMS)

497
00:43:14,960 --> 00:43:16,520
(SMASHING)

498
00:43:17,560 --> 00:43:18,959
(ELIAS CRIES OUT)

499
00:43:18,960 --> 00:43:20,679
(TYRES SCREECH)

500
00:43:20,680 --> 00:43:22,239
(GRUNTS)

501
00:43:22,240 --> 00:43:24,359
(TYRES SCREECH)
(CAR ALARM WAILS)

502
00:43:24,360 --> 00:43:25,960
(ELIAS SHOUTS IN GERMAN)

503
00:43:28,600 --> 00:43:30,880
(TYRES SCREECH)

504
00:43:32,360 --> 00:43:35,159
(GASPS, CRIES OUT)

505
00:43:35,160 --> 00:43:36,839
(GASPS)

506
00:43:36,840 --> 00:43:38,279
(ENGINE REVS)

507
00:43:38,280 --> 00:43:39,360
(GASPS)

508
00:43:46,560 --> 00:43:47,959
(TYRES SCREECH)

509
00:43:47,960 --> 00:43:49,160
(GASPS)

510
00:43:50,720 --> 00:43:52,239
(CLATTERING)

511
00:43:52,240 --> 00:43:54,280
(ENGINE REVS)

512
00:43:55,720 --> 00:43:57,720
(CRACKING, CLATTER)

513
00:43:59,360 --> 00:44:01,240
(IN SPANISH)

514
00:44:02,880 --> 00:44:04,719
(WHIRRS)

515
00:44:04,720 --> 00:44:06,840
(WHINES)

516
00:44:07,600 --> 00:44:09,640
(TYRES SCREECH)

517
00:44:12,480 --> 00:44:13,959
(CRIES OUT IN PAIN)

518
00:44:13,960 --> 00:44:15,679
(MUFFLED GROAN)

519
00:44:15,680 --> 00:44:17,599
(BREATHES SHARPLY)

520
00:44:17,600 --> 00:44:19,640
(BREATHES SHAKILY)

521
00:44:22,800 --> 00:44:24,640
(GASPS) No...

522
00:44:25,640 --> 00:44:27,639
You know who I am.

523
00:44:27,640 --> 00:44:32,040
Look. I'm... I'm sorry.

524
00:44:33,920 --> 00:44:36,239
I...I hired you to shoot my father
and then you shot me.

525
00:44:36,240 --> 00:44:38,439
So I was just... I was mad.

526
00:44:38,440 --> 00:44:41,520
Ah, ah, I was just mad.

527
00:44:42,680 --> 00:44:44,839
See it from my point of view, please.

528
00:44:44,840 --> 00:44:46,599
Huh?

529
00:44:46,600 --> 00:44:49,559
I'll pay you, I promise. I promise.

530
00:44:49,560 --> 00:44:53,800
I'll pay you...
I'll pay you whatever you want.

531
00:45:00,640 --> 00:45:02,599
But it's not about the money.

532
00:45:02,600 --> 00:45:04,440
(GRUNTS)
(THUDDING)

533
00:45:06,240 --> 00:45:08,760
(CRIES OUT)
(THUDDING)

534
00:45:09,800 --> 00:45:12,199
Elias.

535
00:45:12,200 --> 00:45:14,559
(SNORTS)

536
00:45:14,560 --> 00:45:16,600
(WHISPERS) Elias.

537
00:45:20,480 --> 00:45:23,000
(BREATHES SHAKILY)

538
00:45:24,440 --> 00:45:27,199
Fuck... You.

539
00:45:27,200 --> 00:45:29,119
(WHIMPERS)

540
00:45:29,120 --> 00:45:31,240
(GENTLE THUD)

541
00:45:39,760 --> 00:45:41,840
♪ THE WHO: Won't Get Fooled Again

542
00:45:51,480 --> 00:45:53,480
(PHONE BUZZES)

543
00:46:03,920 --> 00:46:05,920
(TWO BEEPS)

544
00:46:17,800 --> 00:46:19,960
(LOCK TURNS)

545
00:46:23,640 --> 00:46:26,959
♪ We'll be fighting in the streets

546
00:46:26,960 --> 00:46:29,720
♪ With our children at our feet

547
00:46:31,520 --> 00:46:35,719
♪ And the morals
that they worship will be gone

548
00:46:35,720 --> 00:46:37,919
(EXPLOSION BOOMS)

549
00:46:37,920 --> 00:46:41,279
♪ And the men who spurred us on

550
00:46:41,280 --> 00:46:44,639
♪ Sit in judgment of all wrong

551
00:46:44,640 --> 00:46:49,920
♪ They decide
and the shotgun sings the song

552
00:46:52,440 --> 00:46:55,919
♪ I'll tip my hat
to the new Constitution

553
00:46:55,920 --> 00:46:58,999
♪ Take a bow for the new revolution

554
00:46:59,000 --> 00:47:00,799
(DOOR CLICKS)
♪ Smile and grin

555
00:47:00,800 --> 00:47:02,959
♪ At the change all around

556
00:47:02,960 --> 00:47:06,919
♪ Pick up my guitar and play

557
00:47:06,920 --> 00:47:08,960
♪ Just like yesterday

558
00:47:10,240 --> 00:47:14,280
♪ Then I'll get on my knees and pray

559
00:47:16,840 --> 00:47:19,759
♪ We don't fooled again

560
00:47:19,760 --> 00:47:21,800
(SONG CONTINUES)

561
00:47:33,600 --> 00:47:35,600
(POWER TOOL WHIRS)

562
00:48:15,960 --> 00:48:18,120
(SONG CONTINUES)

563
00:48:29,360 --> 00:48:32,440
♪ Yeah!

564
00:48:36,600 --> 00:48:39,959
♪ Meet the new boss

565
00:48:39,960 --> 00:48:42,559
♪ Same as the old boss ♪

566
00:48:42,560 --> 00:48:44,640
(SONG CONTINUES)

567
00:49:13,400 --> 00:49:14,599
(SONG ENDS)

568
00:49:14,600 --> 00:49:17,480
ETTA JAMES: # Trust in me

569
00:49:18,840 --> 00:49:21,960
♪ In all you do

570
00:49:23,920 --> 00:49:29,480
♪ Have the faith I have in you

571
00:49:31,720 --> 00:49:34,960
♪ Love will see us through

572
00:49:36,000 --> 00:49:40,399
♪ If only you trust in me

573
00:49:40,400 --> 00:49:45,520
♪ Why don't you, you trust me?

574
00:49:46,400 --> 00:49:49,959
♪ Come to me

575
00:49:49,960 --> 00:49:53,719
♪ When things go wrong

576
00:49:53,720 --> 00:49:56,120
♪ Cling to me, daddy

577
00:49:57,240 --> 00:49:59,880
♪ Woah-yeah, and I'll be strong

578
00:50:01,200 --> 00:50:04,960
♪ Oh, if only you trust in me ♪

579
00:50:07,520 --> 00:50:10,960
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