1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:00:10,510 --> 00:00:13,471             dramatic music          4 00:00:13,513 --> 00:00:15,807                                    5 00:00:15,849 --> 00:00:17,100         [cheers and applause]        6 00:00:17,142 --> 00:00:19,728        [MC Lyte]   The National              Football League welcomes you    7 00:00:19,769 --> 00:00:23,648       to the Pepsi Super Bowl LVI                  Halftime Show.           8 00:00:26,609 --> 00:00:29,279      LA in the house, baby! LA!      9 00:00:29,320 --> 00:00:33,742                                    10 00:00:33,783 --> 00:00:34,993              [announcer]                       Forty-three Grammys,        11 00:00:35,035 --> 00:00:36,953              19 number one                       Billboard albums,          12 00:00:36,995 --> 00:00:41,166      and 5 legendary artists on the       biggest stage in Los Angeles.    13 00:00:41,207 --> 00:00:43,668      [Jesse]   Absolute superstars               all coming together.        14 00:00:43,710 --> 00:00:44,836         And at the top of it         15 00:00:44,878 --> 00:00:49,174          is one of the greatest                producers of all time.       16 00:00:49,215 --> 00:00:50,800                [Adam]                        Huge moment for hip-hop.      17 00:00:50,842 --> 00:00:52,886     [Anderson .Paak]   These people          weren't supposed to make it     18 00:00:52,927 --> 00:00:54,262       outta where they come from.     19 00:00:54,304 --> 00:00:56,848            For them to be                  some of the biggest icons      20 00:00:56,890 --> 00:00:58,600       the world has ever seen,       21 00:00:58,641 --> 00:01:00,393        it will go down in history                     forever.              22 00:01:01,269 --> 00:01:04,105     [Fatima]   And when you listen                 to the music...           23 00:01:05,648 --> 00:01:08,860      ...when you listen to the hits       back-to-back-to-back-to-back,    24 00:01:08,902 --> 00:01:11,654        you can't help but feel                 a certain weight.          25 00:01:11,696 --> 00:01:13,364            [laughs] Yeah.            26 00:01:13,406 --> 00:01:14,574     [Adam]   Don't get it twisted.     27 00:01:14,616 --> 00:01:16,785             We are literally                    fitting a music show        28 00:01:16,826 --> 00:01:18,411             in the middle                     of a football game.         29 00:01:20,038 --> 00:01:22,791         [Cap]   Due to the size                      of the set,             30 00:01:22,832 --> 00:01:24,834         this is tremendously                   more ground cover          31 00:01:24,876 --> 00:01:26,878    than we've ever put out before.  32 00:01:26,920 --> 00:01:29,130       [Jesse]   How do you build              something in eight minutes     33 00:01:29,172 --> 00:01:32,467        and take it down in six            and still make it something     34 00:01:32,509 --> 00:01:34,094    that people will never forget?    35 00:01:35,845 --> 00:01:37,347        We're gonna make history.      36 00:01:37,388 --> 00:01:40,058      This is gonna be the greatest              halftime show ever.         37 00:01:40,100 --> 00:01:45,563              [producer]                    Five, four, three, two, one.    38 00:02:03,540 --> 00:02:04,791           -[Adam] Yo, man.                 -[person] How you doing?       39 00:02:04,833 --> 00:02:06,501       [Adam] Top of the shelf.       40 00:02:06,543 --> 00:02:09,629             Yo! [laughs]             41 00:02:10,964 --> 00:02:12,465      Let's go from the top, man.               How you feelin'?           42 00:02:12,507 --> 00:02:14,092      -[producer] Good. I'm good.           -[Adam] All right, cool.       43 00:02:14,134 --> 00:02:17,470       [drummer playing rhythm]       44 00:02:21,182 --> 00:02:22,851       My name is Adam Blackstone,     45 00:02:22,892 --> 00:02:24,894      and I am the musical director                 of this year's           46 00:02:24,936 --> 00:02:26,980             Pepsi Super Bowl                       Halftime Show.           47 00:02:27,021 --> 00:02:31,067       I am in charge of everything              live music oriented,        48 00:02:31,109 --> 00:02:33,444        from curating the set list     49 00:02:33,486 --> 00:02:36,447     to mixing, to pre-recording,     50 00:02:36,489 --> 00:02:39,951      to making sure everybody's          vocals are cool and in sync.     51 00:02:39,993 --> 00:02:41,870          Everything that has                to do with music, man,        52 00:02:41,911 --> 00:02:43,955            it falls on me                  as the musical director.       53 00:02:43,997 --> 00:02:46,291              And this is my                      fourth time being          54 00:02:46,332 --> 00:02:48,585        a part of the Super Bowl,                  third time being          55 00:02:48,626 --> 00:02:49,752         a part of the halftime.       56 00:02:49,794 --> 00:02:53,339           I was blessed to do                 Justin Timberlake 2018.       57 00:02:53,381 --> 00:02:56,467          I then did Shakira and                    J.Lo in 2020,            58 00:02:56,509 --> 00:02:59,387           which was super huge                   for Latin culture.         59 00:02:59,429 --> 00:03:02,015          And I'm so excited                   for this one, man.          60 00:03:02,056 --> 00:03:04,726         This is gonna really,             really break some barriers      61 00:03:04,767 --> 00:03:06,561      and knock down some walls.      62 00:03:07,770 --> 00:03:09,689            This is really big                     for the culture,          63 00:03:09,731 --> 00:03:10,982         really big for hip-hop.       64 00:03:11,024 --> 00:03:13,985     I've worked with Dr. Dre now            for the last ten years.       65 00:03:14,027 --> 00:03:16,946        We did Coachella 2012.        66 00:03:16,988 --> 00:03:18,698        And ever since then, man,      67 00:03:18,740 --> 00:03:20,450                we've had                    an incredible relationship.     68 00:03:20,491 --> 00:03:23,161            I'm grateful that                he trusts me with his sound.    69 00:03:23,203 --> 00:03:24,829        You know what I'm sayin'?      70 00:03:24,871 --> 00:03:27,290         And that's gonna keep me                 pushing, for sure.         71 00:03:27,332 --> 00:03:31,002           My job is to create                       a song list.            72 00:03:31,044 --> 00:03:33,379          Dre knew the songs                  that he wanted to do,        73 00:03:33,421 --> 00:03:35,506          but then he trusted me                     to kinda put            74 00:03:35,548 --> 00:03:37,008      everybody else's set together.  75 00:03:37,050 --> 00:03:41,012          And to squeeze that in            with one artist in 13 minutes    76 00:03:41,054 --> 00:03:42,222            is already a task.         77 00:03:42,263 --> 00:03:45,725      But now I have five artists              to concentrate on,          78 00:03:45,767 --> 00:03:48,186       and so the time is split.      79 00:03:48,228 --> 00:03:49,520         Time's up, over, blaow      80 00:03:49,562 --> 00:03:52,774           Snap back to reality               oh, there goes gravity       81 00:03:52,815 --> 00:03:56,152                [Adam]                      Dr. Dre, Snoop Dogg, Eminem,    82 00:03:56,194 --> 00:03:58,655      Kendrick Lamar, Mary J. Blige.  83 00:03:58,696 --> 00:04:01,366     I think my first sketch might         have been 16 or 17 minutes.     84 00:04:01,407 --> 00:04:04,661         And then I get to try                to show each artist,         85 00:04:04,702 --> 00:04:06,788           "Hey, you like this?        86 00:04:06,829 --> 00:04:08,706        Cool, but we're over time.     87 00:04:08,748 --> 00:04:11,417      Where would you wanna cut?"     88 00:04:11,459 --> 00:04:14,337            After about seven,                  eight, nine sketches,        89 00:04:14,379 --> 00:04:16,881         it got signed off on                 as far as the songs.         90 00:04:16,923 --> 00:04:19,300         And then from there,                 we've been tweaking.         91 00:04:21,636 --> 00:04:24,764         [somber brass melody]        92 00:04:26,849 --> 00:04:29,102               [person]                  I wasn't ready. Sounds awesome.  93 00:04:29,143 --> 00:04:32,313          We're on version 18                   of our set list.           94 00:04:32,355 --> 00:04:34,065           And I think that it                   still might be going        95 00:04:34,107 --> 00:04:36,442       with tweaks here and there.     96 00:04:37,777 --> 00:04:38,903        [forceful brass music]        97 00:04:38,945 --> 00:04:40,905    Play that. Play down like that.  98 00:04:43,449 --> 00:04:48,454       It was very difficult for me           to get down to 13 minutes.     99 00:04:54,544 --> 00:04:55,920              That's it.              100 00:04:55,962 --> 00:04:57,922         [Adam]   Dre texted me                after the first rehearsal.     101 00:04:57,964 --> 00:04:59,257             He was like,                    "Man, I got goosebumps.       102 00:04:59,299 --> 00:05:01,551            Like, you know,                  this is gonna be epic."       103 00:05:01,592 --> 00:05:06,180        And Kendrick, very similar               vibes and feelings.         104 00:05:06,222 --> 00:05:09,600            And so I'm seeing                  Mary J. Blige this week.      105 00:05:09,642 --> 00:05:14,564      I'm seeing Marshall Mathers         this week, and Snoop as well.    106 00:05:14,605 --> 00:05:17,191          So I'm hoping that              they give the same sentiment.    107 00:05:17,233 --> 00:05:20,611       [playing sustained note]       108 00:05:24,615 --> 00:05:26,534             [line trills]            109 00:05:26,576 --> 00:05:28,619             -[Jesse] Hey.                     -[Seth]   Hey, Jesse.         110 00:05:28,661 --> 00:05:31,247    [Jesse] Are you at the gig yet?  111 00:05:31,289 --> 00:05:32,999                [Seth]                       Almost leaving the hotel.      112 00:05:33,041 --> 00:05:34,125              I'll be there.           113 00:05:34,167 --> 00:05:35,501          Yeah, the one thing                I wanna talk about is,        114 00:05:35,543 --> 00:05:38,046      so you know, it looks like             the phone gag is gone.        115 00:05:38,087 --> 00:05:39,672            I'll confirm it                    with Dre tomorrow,          116 00:05:39,714 --> 00:05:42,425      but the phone gag is gone.      117 00:05:42,467 --> 00:05:44,260         You heard the track,                      how it goes             118 00:05:44,302 --> 00:05:46,554     from Kendrick to Em and back?    119 00:05:46,596 --> 00:05:47,930              [Seth]   Yup.             120 00:05:47,972 --> 00:05:51,184         I guess the look is,                 Dre is in the studio.        121 00:05:51,225 --> 00:05:54,187              And, like,                     he's controlling that.        122 00:05:54,228 --> 00:05:55,313            [Seth]   Mm-hmm.            123 00:05:55,355 --> 00:05:59,776       So it's a little bit more                of a studio look.          124 00:05:59,817 --> 00:06:00,985      So I think that'll be cool.     125 00:06:01,027 --> 00:06:02,362                [Seth]                        Do your best. All right.      126 00:06:02,403 --> 00:06:04,238      -All right, see you later.          -[Seth]   I'll see you tonight.    127 00:06:04,280 --> 00:06:05,656           Bye. Thanks. Bye.          128 00:06:08,201 --> 00:06:09,452            Some of the shows                    that we've produced         129 00:06:09,494 --> 00:06:11,245             at Jesse Collins                       Entertainment.           130 00:06:11,287 --> 00:06:13,373        We've done the BET Awards.     131 00:06:13,414 --> 00:06:16,918         I've been on the Grammys                 for over 15 years.         132 00:06:16,959 --> 00:06:20,004             But last year                   was my first time doing       133 00:06:20,046 --> 00:06:22,090      the Super Bowl Halftime Show.    134 00:06:22,131 --> 00:06:25,635           And it went well                'cause I get to come back.      135 00:06:25,676 --> 00:06:27,387            You never know.           136 00:06:27,428 --> 00:06:30,515        So it's always special.       137 00:06:30,556 --> 00:06:34,394          I remember when Dre               and Snoop first came out,      138 00:06:34,435 --> 00:06:37,146          the culture exploded.        139 00:06:37,188 --> 00:06:38,189               We loved it.            140 00:06:38,231 --> 00:06:40,316         It was a whole new sound                    in hip-hop.             141 00:06:40,358 --> 00:06:45,363      So for me, to now reconnect                on this moment            142 00:06:45,405 --> 00:06:47,949    is something I'll never forget.  143 00:06:47,990 --> 00:06:50,201             [line trills]            144 00:06:50,243 --> 00:06:51,994        Hey, what's happening?        145 00:06:52,036 --> 00:06:54,872        I heard that yesterday              and, Curtis, you tell me       146 00:06:54,914 --> 00:06:56,958     that Dre asked for the stems,    147 00:06:56,999 --> 00:06:59,419          and he added, like,                   a kick somewhere?          148 00:06:59,460 --> 00:07:03,005      So version--an official 18               is probably coming.         149 00:07:03,047 --> 00:07:05,091      [Curtis]   We had a sit down              yesterday by Danny Chang      150 00:07:05,133 --> 00:07:07,552         on Tuesday, version 19.       151 00:07:07,593 --> 00:07:08,970               Nineteen?              152 00:07:09,011 --> 00:07:11,139          -[Curtis]   Correct.                         -Okay.                153 00:07:11,180 --> 00:07:13,433       You know, let's just get            a final sign-off from Dre,      154 00:07:13,474 --> 00:07:15,893            and then let's                     just make the sign.         155 00:07:15,935 --> 00:07:17,645        [Curtis]   Rock and roll.                     No problem.             156 00:07:17,687 --> 00:07:18,896              All right.              157 00:07:18,938 --> 00:07:19,981             Thanks, bro.             158 00:07:22,024 --> 00:07:23,818           So today, I'll go                   by dance rehearsal.         159 00:07:23,860 --> 00:07:25,111            I'll see Fatima                     and the dancers,           160 00:07:25,153 --> 00:07:26,612          and I know all that                    will be great.            161 00:07:26,654 --> 00:07:29,115          And we'll just have             a good creative conversation     162 00:07:29,157 --> 00:07:33,202    on where we are and, you know,        what we gotta do to execute.     163 00:07:33,244 --> 00:07:35,204         I can't wait for you                     to see this!             164 00:07:35,246 --> 00:07:37,081              Oh, my God.             165 00:07:37,123 --> 00:07:38,374                  Oh!                 166 00:07:38,416 --> 00:07:40,668     What up, sir? How you doing?     167 00:07:40,710 --> 00:07:41,878               You good?              168 00:07:41,919 --> 00:07:43,880    Which song did they do so far?    169 00:07:43,921 --> 00:07:46,257    "m.A.A.d city" into "Alright."    170 00:07:46,299 --> 00:07:49,552            If Pirus and Crips                    all got along            171 00:07:49,594 --> 00:07:53,347       They'd probably gun me down           by the end of this song       172 00:07:53,389 --> 00:07:55,766        Seems like the whole city                 go against me            173 00:07:55,808 --> 00:07:58,102              Every time I'm                  in the street, I hear        174 00:07:58,144 --> 00:08:00,313        Yawk! Yawk! Yawk! Yawk!      175 00:08:00,354 --> 00:08:02,398       Man down, where you from?     176 00:08:02,440 --> 00:08:05,610           Frick who you know,                   where you from?           177 00:08:05,651 --> 00:08:09,447         Where your grandma stay,                  huh, my man?            178 00:08:09,489 --> 00:08:11,282          This m.A.A.d city I        179 00:08:11,324 --> 00:08:13,201           Run, run, run, run        180 00:08:13,242 --> 00:08:17,288      Fatima Robinson is so much           more than a choreographer.      181 00:08:17,330 --> 00:08:19,123       She is a creative visionary.    182 00:08:19,165 --> 00:08:20,458            She is a director.         183 00:08:20,500 --> 00:08:24,879         Fatima figures out a way           to tell a story through dance.  184 00:08:24,921 --> 00:08:26,464            And she's from LA.         185 00:08:26,506 --> 00:08:30,426      She understands what the West         Coast culture and hip-hop is.    186 00:08:30,468 --> 00:08:34,514     And so she's created movement                in this show             187 00:08:34,555 --> 00:08:38,559       that will represent that                  for the world.            188 00:08:38,601 --> 00:08:42,313              All's my life                       I has to fight           189 00:08:42,355 --> 00:08:44,524              I got the call                      a few months back          190 00:08:44,565 --> 00:08:49,278           from Dre himself,                  who said, "You know,         191 00:08:49,320 --> 00:08:52,031     I be up here thinkin' a lot."    192 00:08:52,073 --> 00:08:53,824       And I'm like, "Yes, Dre?"      193 00:08:53,866 --> 00:08:57,370     And he's like, "I'm thinkin'         about doing the Super Bowl."     194 00:08:57,411 --> 00:09:00,957         And I'm like, "Yes!"                       [laughs]               195 00:09:00,998 --> 00:09:02,708          We gon' be all right       196 00:09:02,750 --> 00:09:06,295         Dre and I have known             each other for over 20 years.    197 00:09:06,337 --> 00:09:08,714               I was on the                    "California Love" video.      198 00:09:08,756 --> 00:09:11,676          We did the first-ever                     hip-hop tango            199 00:09:11,717 --> 00:09:14,262      in the "Been There Done That"                     video.               200 00:09:14,303 --> 00:09:16,973          Man, Mary J. and I                     go back so far.           201 00:09:17,014 --> 00:09:22,186          I did "I'm Going Down"             with Mary, "Family Affair."     202 00:09:22,228 --> 00:09:25,940         Snoop, aww, my Snoop!        203 00:09:25,982 --> 00:09:27,191               [laughs]               204 00:09:27,233 --> 00:09:28,651         I think the first thing                    I did with him           205 00:09:28,693 --> 00:09:30,653       was "Drop It Like It's Hot."    206 00:09:30,695 --> 00:09:33,781        And it's so great working               with all these artists       207 00:09:33,823 --> 00:09:37,034      'cause it does really feel                  like family.             208 00:09:37,076 --> 00:09:38,869             Boom, my life           209 00:09:38,911 --> 00:09:41,038    -[dancer]    Whoo, whoo, whoo                     -Yes.                210 00:09:41,080 --> 00:09:42,164       [dancer]    Whack, whack       211 00:09:42,206 --> 00:09:43,207          But don't pick up.          212 00:09:43,249 --> 00:09:45,209    You're not picking up this one.               Just whoo.              213 00:09:45,251 --> 00:09:47,044                [both]                       Whoo, whoo, whack, whack     214 00:09:47,086 --> 00:09:48,462            [Fatima] Yeah.            215 00:09:48,504 --> 00:09:51,132            This Super Bowl                 is particularly exciting       216 00:09:51,173 --> 00:09:54,218          because it's in LA                   in the new stadium.         217 00:09:54,260 --> 00:09:56,846         And having such a legend                    like Dr. Dre            218 00:09:56,887 --> 00:10:01,559         lead this body of music            and these artists who are all    219 00:10:01,601 --> 00:10:05,146           still so incredible               and relevant now makes this     220 00:10:05,187 --> 00:10:06,689        such a special Super Bowl.     221 00:10:06,731 --> 00:10:09,025              And so it just                      feels good to see          222 00:10:09,066 --> 00:10:12,778           hip-hop has gone                   from the clubs to now        223 00:10:12,820 --> 00:10:14,488       Super Bowl Halftime Show.      224 00:10:14,530 --> 00:10:15,865             It's awesome.            225 00:10:15,906 --> 00:10:18,409         But homicide be looking            at you from the face down      226 00:10:18,451 --> 00:10:20,119          What MAC-11 even boom                 with the bass down         227 00:10:20,161 --> 00:10:23,581                For me,                     Tia is my drill sergeant.      228 00:10:23,623 --> 00:10:28,127        She puts everything in            perspective, formation, boom.    229 00:10:28,169 --> 00:10:32,632            She drives home               your intention of your moves.    230 00:10:33,215 --> 00:10:35,926         Now, tell my mama I love           her, but this what I like      231 00:10:35,968 --> 00:10:37,345          [Fatima] Hey, hey!          232 00:10:37,386 --> 00:10:40,014    Adrian, you got Kendrick down!    233 00:10:40,056 --> 00:10:43,017         Oh, my God! [laughs]         234 00:10:43,059 --> 00:10:45,227            Ah, I love it.            235 00:10:45,269 --> 00:10:48,105              Adrian is just                      my right-hand man.         236 00:10:48,147 --> 00:10:49,857     Adrian, just quick question.     237 00:10:49,899 --> 00:10:50,941           Should we put a--          238 00:10:50,983 --> 00:10:53,152           could we just put                    a march on that?           239 00:10:53,194 --> 00:10:54,654      They just march into that?      240 00:10:54,695 --> 00:10:56,155                  Ah!                 241 00:10:56,197 --> 00:11:00,034              -[Tia] Ooh.                      -[Fatima] Yes. Yes!         242 00:11:00,076 --> 00:11:03,579        You know, Team Fatima,           we really mesh so well together  243 00:11:03,621 --> 00:11:07,166        because we bounce ideas          off of each other in the room.    244 00:11:07,208 --> 00:11:09,460        Flip, flip, flip, flip!      245 00:11:09,502 --> 00:11:11,337            All's my life...         246 00:11:11,379 --> 00:11:13,297              It's day one,                       but I think it was         247 00:11:13,339 --> 00:11:16,717           so much anticipation                      of this day             248 00:11:16,759 --> 00:11:18,886            that today really                     went really well.          249 00:11:18,928 --> 00:11:20,346            So good, yeah.            250 00:11:20,388 --> 00:11:22,056           We got super far                   in our choreography,         251 00:11:22,098 --> 00:11:23,641        further than I thought                    we would go.             252 00:11:23,683 --> 00:11:26,185     Well, you just keep on, like,         hittin', hittin', hittin'.      253 00:11:26,227 --> 00:11:28,771    Four, five, six, seven, eight.              One, two, three.           254 00:11:28,813 --> 00:11:31,273            We came in with                    zero choreography,          255 00:11:31,315 --> 00:11:32,566    and we got through a lot of it    256 00:11:32,608 --> 00:11:34,735         because we were able                     to co-create             257 00:11:34,777 --> 00:11:37,071              and bounce off                    of each other's ideas.       258 00:11:37,113 --> 00:11:40,199            And five, six,                     seven, eight, boom.         259 00:11:40,241 --> 00:11:44,995        Two, three, four, five,                six, seven, eight.          260 00:11:45,037 --> 00:11:47,456             [line trills]            261 00:11:47,498 --> 00:11:49,458           Hello? No, okay.           262 00:11:49,500 --> 00:11:51,127            I mean, listen,                   I think the track is         263 00:11:51,168 --> 00:11:53,379    sitting around 12:50 or 12:55.    264 00:11:53,421 --> 00:11:57,383        So there's room to put               a little breath in it.        265 00:11:57,425 --> 00:11:59,468         Adam's in the studio                  with Dre right now,         266 00:11:59,510 --> 00:12:01,595    so maybe we'll have a version.    267 00:12:01,637 --> 00:12:04,140       I'll hit him now and see            if he'll have a new version     268 00:12:04,181 --> 00:12:06,559        before we meet tonight.       269 00:12:06,600 --> 00:12:08,561          So we got that one.         270 00:12:09,937 --> 00:12:11,480        [reporter]   This will be               the third straight year       271 00:12:11,522 --> 00:12:14,233        that Jay-Z has had a hand               in the halftime show,        272 00:12:14,275 --> 00:12:15,735      the result of the partnership    273 00:12:15,776 --> 00:12:18,154        between Jay-Z's Roc Nation                   and the NFL,            274 00:12:18,195 --> 00:12:21,282           in which Jay serves               as the entertainment advisor    275 00:12:21,323 --> 00:12:23,033          for the halftime show.       276 00:12:23,075 --> 00:12:26,746        [Jana]   NFL does sports,            and Roc Nation knows culture.    277 00:12:26,787 --> 00:12:28,622         Roc Nation knows music.       278 00:12:28,664 --> 00:12:31,417    I think it's just how you say,                    "LA--                279 00:12:31,459 --> 00:12:34,336         what defines LA more         280 00:12:34,378 --> 00:12:35,880             than Dr. Dre?            281 00:12:35,921 --> 00:12:40,801         And the sound and how it           transcends Los Angeles even?"    282 00:12:40,843 --> 00:12:45,598         This is hip-hop getting              the platform it deserves.      283 00:12:45,639 --> 00:12:46,932           Da, da, da, da, da        284 00:12:46,974 --> 00:12:48,809          It's the one and only                    D-O-double-G            285 00:12:48,851 --> 00:12:50,561       - Snoop Dogg! Snoop Dogg!     286 00:12:50,603 --> 00:12:51,854           Da, da, da, da, da        287 00:12:51,896 --> 00:12:54,482           You know I'm mobbin'                   with the D-R-E           288 00:12:54,523 --> 00:12:56,442            Yeah, yeah, yeah         289 00:12:56,484 --> 00:12:59,904          [musicians playing                     dramatic music]           290 00:13:10,998 --> 00:13:13,292            [Jesse]   So part                   of the creative process,      291 00:13:13,334 --> 00:13:15,169           a lot of the artists                   went in the studio         292 00:13:15,211 --> 00:13:16,462        and they recorded vocals,      293 00:13:16,504 --> 00:13:18,506           and that gives them                  a chance to practice.        294 00:13:18,547 --> 00:13:20,341       And it gives us a chance                    to rehearse             295 00:13:20,382 --> 00:13:22,718          without having them                   have to sing out           296 00:13:22,760 --> 00:13:24,470      or rap through every pass.      297 00:13:24,512 --> 00:13:26,096           Sometimes, we can                   just play the vocal         298 00:13:26,138 --> 00:13:29,850       and let them lip a rehearsal              to rest vocal cords.        299 00:13:29,892 --> 00:13:32,978         On on one, on on one,                     on on one.              300 00:13:35,815 --> 00:13:37,233          [Jesse]   So the fact                     that the artists          301 00:13:37,274 --> 00:13:40,736           are willing to go in              for this and lay vocals down    302 00:13:40,778 --> 00:13:42,279             helps all of us.          303 00:13:47,535 --> 00:13:49,370           -[Adam] What up?                    -'Bout everything.          304 00:13:49,411 --> 00:13:50,579           -What's up, girl?                  -How you doin', Adam?        305 00:13:50,621 --> 00:13:51,747              -I'm great.                        -How you been?            306 00:13:51,789 --> 00:13:53,207              -I'm good.                          -That's good.            307 00:13:53,249 --> 00:13:54,500         You just got in town                   or you were here?          308 00:13:54,542 --> 00:13:55,793              Yesterday.                    Just got here yesterday.       309 00:13:55,835 --> 00:13:57,419            Oh, good, good,                     good, good, good.          310 00:13:57,461 --> 00:13:59,296          Yeah, we just gon'                 play the shit for you,        311 00:13:59,338 --> 00:14:00,798          and then, you know.         312 00:14:02,842 --> 00:14:04,635        [Adam]   Dre was thinking              of a different Mary song.      313 00:14:04,677 --> 00:14:07,429            I was thinking                  of a different Mary song.      314 00:14:07,471 --> 00:14:10,724          Fatima was thinking               of a different Mary song.      315 00:14:10,766 --> 00:14:14,436        She was really the hardest                for us to land on.         316 00:14:14,478 --> 00:14:17,606         I had to really sell                 what this moment was.        317 00:14:17,648 --> 00:14:19,900          Me being a Mary fan                   helped that too.           318 00:14:19,942 --> 00:14:22,820           Come on, everybody,                     get on down             319 00:14:22,862 --> 00:14:25,364         'Cause you know we gots                 to get it crunk           320 00:14:25,406 --> 00:14:27,491              Mary J. is in                      the spot tonight          321 00:14:27,533 --> 00:14:30,202             And I'ma make it                     feel all right           322 00:14:30,244 --> 00:14:33,038              Come on, baby,                    just party with me         323 00:14:33,080 --> 00:14:35,875            Let loose and set                     your body free           324 00:14:35,916 --> 00:14:37,543          Leave your situations                    at the door             325 00:14:37,585 --> 00:14:40,754        And when you step inside,               jump on the floor          326 00:14:40,796 --> 00:14:42,006        Let's get it crunk up on     327 00:14:42,047 --> 00:14:44,091        So--so--so right there.                   Let me get...            328 00:14:44,133 --> 00:14:46,927        And when you step inside,               jump on the floor          329 00:14:46,969 --> 00:14:48,679         And let me keep going                     from there.             330 00:14:48,721 --> 00:14:52,433        And when you step inside,               jump on the floor          331 00:14:52,474 --> 00:14:54,560          Let's get it crunk up                       on the               332 00:14:54,602 --> 00:14:56,812        Let's get crunk up on it     333 00:14:56,854 --> 00:14:59,356            In this dancery          334 00:14:59,398 --> 00:15:01,942             Hey, hey, yeah          335 00:15:01,984 --> 00:15:04,528         You gotta dance for me      336 00:15:04,570 --> 00:15:06,572           Just dance for me         337 00:15:06,614 --> 00:15:09,158       Come on, now dance, dance     338 00:15:09,199 --> 00:15:10,618            Get percolatin'          339 00:15:10,659 --> 00:15:14,538             [vocalizing]             340 00:15:14,580 --> 00:15:17,875                 Hater               341 00:15:19,585 --> 00:15:22,338     [Adam]   I wanted to dive into,                   you know,              342 00:15:22,379 --> 00:15:24,757       what the people would want.     343 00:15:24,798 --> 00:15:27,635     And we ended up with "Family          Affair" and "No More Drama,     344 00:15:27,676 --> 00:15:30,346           and I'm excited.                 She seemed happy as well.      345 00:15:30,387 --> 00:15:32,139        And Mary's another one.       346 00:15:32,181 --> 00:15:34,683     She said, "Yo, if you want me           to do 'No More Drama,'        347 00:15:34,725 --> 00:15:37,227      you gotta extend that joint              'cause I can't even         348 00:15:37,269 --> 00:15:38,604          get to the part..."         349 00:15:38,646 --> 00:15:40,230                 Hater               350 00:15:40,272 --> 00:15:41,899      [Adam]   "Unless you give me                    this part."             351 00:15:41,941 --> 00:15:43,567            And I was like,                "Mary, we don't got time."      352 00:15:43,609 --> 00:15:45,694             She was like,                 "Adam, just figure it out."     353 00:15:45,736 --> 00:15:48,072          I was like, "Okay."                       [laughs]               354 00:15:48,113 --> 00:15:50,449           So that Mary moment                      has continued            355 00:15:50,491 --> 00:15:53,869      to be an intense conversation           based off of people havin'     356 00:15:53,911 --> 00:15:55,621      their own favorite Mary joint.  357 00:15:55,663 --> 00:15:57,164           And I'm grateful                     that Dre trust me          358 00:15:57,206 --> 00:16:01,752     with his sound and to lead us          into the right direction       359 00:16:01,794 --> 00:16:03,045       musically and sonically.       360 00:16:03,087 --> 00:16:08,300       No more, no more, no more     361 00:16:08,342 --> 00:16:10,761                No more              362 00:16:10,803 --> 00:16:12,888          I'm tired, so tired        363 00:16:12,930 --> 00:16:17,351            No, no, no more          364 00:16:17,393 --> 00:16:19,269           Whoo! Shit, okay.          365 00:16:20,604 --> 00:16:21,981          I think we got it.          366 00:16:22,022 --> 00:16:23,565        -That shit is soprano.              -I was about to head in--      367 00:16:23,607 --> 00:16:25,943             -yep, mm-hmm.                         -[laughter]             368 00:16:28,946 --> 00:16:30,280        So we're at Barker Hangar.     369 00:16:30,322 --> 00:16:33,742      [Jesse]   This is SoFi for us            for the next couple weeks.     370 00:16:33,784 --> 00:16:36,286       Zooms are great just to get               the nuts and bolts,         371 00:16:36,328 --> 00:16:40,290            but to really get                    those special ideas,        372 00:16:40,332 --> 00:16:43,460       it takes everybody, I think,            vibin' off of each other      373 00:16:43,502 --> 00:16:44,670         and hearing the music        374 00:16:44,712 --> 00:16:46,005           and just getting                    into the moment of,         375 00:16:46,046 --> 00:16:49,925      and people just sparking ideas             and conversation,          376 00:16:49,967 --> 00:16:51,802            which you can only                     do it in person.          377 00:16:51,844 --> 00:16:55,514       Five, six, seven, eight,                     and Dre.               378 00:16:55,556 --> 00:16:57,224          Dre is coming here.               That's the Glitch, right?      379 00:16:57,266 --> 00:16:58,350        That's the Glitch Mob.        380 00:16:58,392 --> 00:17:02,646     Then Snoop is coming through             with the drill team.         381 00:17:02,688 --> 00:17:03,772              And then...             382 00:17:03,814 --> 00:17:05,607           Da, da, da, da, da        383 00:17:05,649 --> 00:17:07,943    Drill teams, da-da-da-da-da-da.  384 00:17:07,985 --> 00:17:10,779        now they come together                   right in here.            385 00:17:10,821 --> 00:17:13,198            With the D-R-E.           386 00:17:13,240 --> 00:17:15,743      Boom, and then that's when              you go up the stairs.        387 00:17:15,784 --> 00:17:17,786        [hip-hop music playing]       388 00:17:17,828 --> 00:17:19,580       [producer] Okay, can you                  stop it there?            389 00:17:19,621 --> 00:17:21,040                 Huh?                 390 00:17:21,081 --> 00:17:24,877       So basically, Snoop does           his whole verse on the roof?     391 00:17:24,918 --> 00:17:28,088          Yup, mm-hmm. Yeah.          392 00:17:28,130 --> 00:17:29,965            Because they're                 conversing then, rapping,      393 00:17:30,007 --> 00:17:31,800         when they're sayin',                 "Da, da, da, da, da."        394 00:17:31,842 --> 00:17:33,510        [Adam]   Music and dance                    go hand in hand.          395 00:17:33,552 --> 00:17:37,681     Sometimes, Fatima will ask me        for the music well in advance    396 00:17:37,723 --> 00:17:40,517    so that she can put her vision               to what it is.            397 00:17:40,559 --> 00:17:41,852     Or sometimes, she might say,     398 00:17:41,894 --> 00:17:43,270       "Hey, we've been rehearsing                    to this."              399 00:17:43,312 --> 00:17:45,481            And the good thing                     about Fatima is,          400 00:17:45,522 --> 00:17:47,107       she might make her own edit.    401 00:17:47,149 --> 00:17:48,400        You know what I'm sayin'?      402 00:17:48,442 --> 00:17:49,985    And say, "Check out what I did.  403 00:17:50,027 --> 00:17:51,820      Now, you just put the sauce                on top of it."            404 00:17:51,862 --> 00:17:55,866          And that's, you know,                  such a genius thing.        405 00:17:55,908 --> 00:17:58,994         And one of my attributes                  is kinda, like,           406 00:17:59,036 --> 00:18:00,996              just enhancing                       people's vision.          407 00:18:01,038 --> 00:18:02,623      Dig you put that Inglewood?     408 00:18:02,664 --> 00:18:04,416      Did you put that in there?      409 00:18:04,458 --> 00:18:05,417                  No.                 410 00:18:06,794 --> 00:18:09,004       [Adam]   She challenges me.                  I challenge her.          411 00:18:09,046 --> 00:18:11,381      At the end of the day, it's a          constant learning experience    412 00:18:11,423 --> 00:18:15,677      for me because she has such            creative juices flowing       413 00:18:15,719 --> 00:18:17,971       through her that she sees              sometimes the vision         414 00:18:18,013 --> 00:18:20,057         and hears the vision                   before it's even           415 00:18:20,099 --> 00:18:22,476       actually into fruition, so.     416 00:18:22,518 --> 00:18:26,063    [Fatima] So Adam, can you build     another two more bars in there?  417 00:18:26,105 --> 00:18:29,691         So he goes, you know,           "Give it up for my boy, Snoop!    418 00:18:29,733 --> 00:18:31,401      It's the mother... D-R-E."      419 00:18:31,443 --> 00:18:32,653         You know what I mean?        420 00:18:32,694 --> 00:18:33,779         -Well, I was gonna--                    -[Fatima] Okay.           421 00:18:33,821 --> 00:18:35,280       You just said what I was              actually about to say,        422 00:18:35,322 --> 00:18:36,824          -which is reverse.                     -[Fatima] Okay.           423 00:18:36,865 --> 00:18:39,201          Why don't we start                   with the Dre name?          424 00:18:39,243 --> 00:18:42,871          Da, da, da, da, da,               it's the mother... D-R-E.      425 00:18:42,913 --> 00:18:44,832           'Cause right now,              he's sayin', "D-O-double-G."     426 00:18:44,873 --> 00:18:46,041            -[Fatima] Okay.                      -[Jesse] Right.           427 00:18:46,083 --> 00:18:48,836      So why don't I reverse it,            and he can own the moment      428 00:18:48,877 --> 00:18:51,255          without even having                   to add more bars.          429 00:18:51,296 --> 00:18:52,131                 Okay.                430 00:18:52,172 --> 00:18:53,715           Da, da, da, da, da        431 00:18:53,757 --> 00:18:55,717          It's the one and only                       D-R-E                432 00:18:55,759 --> 00:18:58,387         -[Fatima] What's up?                  -[Jesse] Yes. Yes.          433 00:18:58,428 --> 00:19:00,264              Snoop Dogg!             434 00:19:00,305 --> 00:19:02,224     [Adam] And then keep talking.                Keep talkin'.            435 00:19:02,266 --> 00:19:05,144           What's up, SoFi?                       [indistinct]             436 00:19:05,185 --> 00:19:06,979             Okay, got it.                  I should put that there.       437 00:19:07,020 --> 00:19:08,188                [Adam]                      Raise it up! Raise it up!      438 00:19:08,230 --> 00:19:11,775        Give it up for my boy,                     Snoop Dogg!             439 00:19:11,817 --> 00:19:14,736         See, I thought it was                 about [indistinct].         440 00:19:14,778 --> 00:19:15,946                Got it.                  I see what you're sayin', Adam.  441 00:19:15,988 --> 00:19:17,197                -I see.                        -Okay, cool. Yeah.          442 00:19:17,239 --> 00:19:19,032        We just gotta sell that                  to him because            443 00:19:19,074 --> 00:19:22,161     he's not a different lyricist               type of person.           444 00:19:22,202 --> 00:19:24,163       -So we just gotta do it.                  -[Fatima] Yes.            445 00:19:24,204 --> 00:19:26,915         I think he'll get it                     once he sees.            446 00:19:26,957 --> 00:19:28,500    -[Fatima] He'll get used to it.                 -Yeah.                447 00:19:28,542 --> 00:19:29,835         [Fatima] Yeah, okay.         448 00:19:29,877 --> 00:19:31,170                [Jesse]                         Now, as we've gotten        449 00:19:31,211 --> 00:19:33,630              into two weeks                       before the show,          450 00:19:33,672 --> 00:19:35,090        Adam is more important                      than ever              451 00:19:35,132 --> 00:19:38,010        because as we start to              find out that, like, oh,       452 00:19:38,051 --> 00:19:41,054    we need another four bars here         so somebody can get there.      453 00:19:41,096 --> 00:19:43,891      Oh, let's cut two bars here           because we don't need it.      454 00:19:43,932 --> 00:19:46,059           All those things,                 that's what Adam does.        455 00:19:46,101 --> 00:19:48,020           And he has to do all                   of that on the fly         456 00:19:48,061 --> 00:19:52,274      and still maintain the musical          integrity of the piece.       457 00:19:52,316 --> 00:19:54,651              All right.              458 00:19:54,693 --> 00:19:56,236       That was actually useful.      459 00:19:56,278 --> 00:19:58,780     Every time we come together,           we accomplish something.       460 00:19:58,822 --> 00:20:00,574               [Fatima]                       Uh-huh. Easy breezy.         461 00:20:00,616 --> 00:20:03,702              upbeat music           462 00:20:14,671 --> 00:20:18,133                 [Cap]                         My name is Cap Spence.       463 00:20:18,175 --> 00:20:21,261            This is my 21st                 Super Bowl Halftime Show       464 00:20:21,303 --> 00:20:24,723        as staging supervisor,             the person whose department     465 00:20:24,765 --> 00:20:26,391              is responsible                    for getting everything       466 00:20:26,433 --> 00:20:29,770         from outside the stadium                  onto the field,           467 00:20:29,811 --> 00:20:31,730         assembled mechanically,       468 00:20:31,772 --> 00:20:35,025       powered up with electricity                     and data              469 00:20:35,067 --> 00:20:38,528       in five to seven minutes.      470 00:20:38,570 --> 00:20:42,074         [Jesse]   Cap Spence's               Super Bowl Halftime history.    471 00:20:42,115 --> 00:20:44,701    He's been on it probably longer              than anybody             472 00:20:44,743 --> 00:20:45,827        on the crew right now.        473 00:20:45,869 --> 00:20:48,789         He knows how to motivate                   the field crew           474 00:20:48,830 --> 00:20:50,290            to get this done.          475 00:20:50,332 --> 00:20:52,334            He has his own way                       of doing it.            476 00:20:52,376 --> 00:20:54,753            It's very unique,                       but it works.            477 00:20:54,795 --> 00:20:55,712            They get it done.          478 00:20:55,754 --> 00:20:57,506             dramatic music          479 00:20:57,547 --> 00:20:59,758                 [Cap]                     All Super Bowl Halftime Shows    480 00:20:59,800 --> 00:21:02,469          have their own gravity                    of some sort.            481 00:21:02,511 --> 00:21:07,099         But this particular one,             due to the size of the set     482 00:21:07,140 --> 00:21:10,185        and the individual pieces                    in the set,             483 00:21:10,227 --> 00:21:14,439      is significant in that they're          taller, they're heavier.      484 00:21:14,481 --> 00:21:17,109         This is tremendously                   more ground cover          485 00:21:17,150 --> 00:21:19,236    than we've ever put out before.  486 00:21:19,278 --> 00:21:21,280      The structures in the middle,    487 00:21:21,321 --> 00:21:23,949            which we refer to                    as the neighborhood,        488 00:21:23,991 --> 00:21:28,912         consist of Dre's studio,                    a nightclub,            489 00:21:28,954 --> 00:21:30,372              Snoop's house,           490 00:21:30,414 --> 00:21:34,042      a hamburger place, on and on.    491 00:21:34,084 --> 00:21:37,838         Along the sidelines,               these black pieces here,       492 00:21:37,879 --> 00:21:40,215                once these                       are parked in place,        493 00:21:40,257 --> 00:21:43,218             the ground cover                   deploys out from that        494 00:21:43,260 --> 00:21:47,097            towards the center                     from both edges.          495 00:21:47,139 --> 00:21:51,810            And it represents                 an aerial view of Compton.     496 00:21:54,062 --> 00:21:55,897                [Adam]                         Compton is Dre's home.       497 00:21:55,939 --> 00:21:59,067          And he carries Compton                with him to this day.        498 00:21:59,109 --> 00:22:02,154          This show is a tribute             to Compton in so many ways.     499 00:22:02,195 --> 00:22:05,866         [Jesse]   The creation              and the concept behind the set  500 00:22:05,907 --> 00:22:09,077        really sits with Es Devlin                     and Dre.              501 00:22:09,119 --> 00:22:11,788           I don't even know                   how to describe Es          502 00:22:11,830 --> 00:22:14,333        other than that she is              an incredible visionary.       503 00:22:14,374 --> 00:22:17,127        But she's done everything                    from Grammys            504 00:22:17,169 --> 00:22:19,755      to Olympic ceremonies, plays.    505 00:22:19,796 --> 00:22:21,548          She's done everything.       506 00:22:23,342 --> 00:22:25,552            With anything,                  and this is no different,      507 00:22:25,594 --> 00:22:28,138            it has to start                 with understanding music,      508 00:22:28,180 --> 00:22:29,598          understanding where                 the music comes from.        509 00:22:29,639 --> 00:22:32,768             For me, Compton,                    like anywhere else,         510 00:22:32,809 --> 00:22:34,311         has its cultural icons.       511 00:22:34,353 --> 00:22:37,189       And they're ordinary things,           but they've become iconic      512 00:22:37,230 --> 00:22:38,774          because of the people                     and the music            513 00:22:38,815 --> 00:22:40,192        that came from that place.     514 00:22:40,233 --> 00:22:43,528       That's how icons are formed          in people or in architecture.    515 00:22:43,570 --> 00:22:46,531         The influence that those               streets, through Dre,        516 00:22:46,573 --> 00:22:49,076            through Kendrick,                    through many others,        517 00:22:49,117 --> 00:22:51,912          have had on the sound                  of the world's music        518 00:22:51,953 --> 00:22:54,122            is extraordinary.          519 00:22:54,164 --> 00:22:57,459         Es found some places             that were significant to Dre.    520 00:22:57,501 --> 00:23:02,089           There are set pieces             that you can find in Compton.    521 00:23:02,130 --> 00:23:04,007          There's Tam's Burgers.       522 00:23:05,133 --> 00:23:08,261        There's the MLK Memorial.      523 00:23:08,303 --> 00:23:11,306             The Compton map                       is on the field.          524 00:23:11,348 --> 00:23:13,100            There were so many                      different ways           525 00:23:13,141 --> 00:23:15,310            that he could have                   gone with this show,        526 00:23:15,352 --> 00:23:17,729           and this is the way                     he chose to go.           527 00:23:18,772 --> 00:23:21,900         [indistinct chatter]         528 00:23:26,363 --> 00:23:27,656      What's this shit feel like?     529 00:23:27,697 --> 00:23:30,659        I mean, did you see you           and Dre ever doing this shit?    530 00:23:30,700 --> 00:23:32,577            Going back '94?           531 00:23:49,386 --> 00:23:51,430       [Jesse]   Today is day one                    of rehearsals.           532 00:23:51,471 --> 00:23:55,058          After months of Zooms                    and phone calls           533 00:23:55,100 --> 00:23:57,769         and looking at pictures                    and animatics,           534 00:23:57,811 --> 00:23:58,812         today was the first day       535 00:23:58,854 --> 00:24:01,440         that Dre got to walk in                 and see the vision,         536 00:24:01,481 --> 00:24:05,527        the vision that he's been            wanting to see from day one.    537 00:24:05,569 --> 00:24:07,612      And he's gonna see more of it.  538 00:24:07,654 --> 00:24:09,448              By Sunday,                      it'll all be in here.        539 00:24:09,489 --> 00:24:13,452     The first da, da, da, da, da,        because they're filming you,     540 00:24:13,493 --> 00:24:16,913            they wanna say,               "And the one and only D-R-E."    541 00:24:16,955 --> 00:24:18,415     And then you throw to Snoop.     542 00:24:18,457 --> 00:24:21,626         -Da, da, da, da, da.               -Where am I sayin' that?       543 00:24:21,668 --> 00:24:23,295         Normally, at the top,                     Snoop says,             544 00:24:23,336 --> 00:24:25,213           "The one and only                     D-O-double-G."            545 00:24:25,255 --> 00:24:26,840           They wanna say--           546 00:24:26,882 --> 00:24:28,967            The crowd ain't                     gon' go for that.          547 00:24:29,009 --> 00:24:30,218       Okay, go ahead. Go ahead.      548 00:24:30,260 --> 00:24:31,595          I don't understand                   what you're saying.         549 00:24:31,636 --> 00:24:34,556     So watch--can we just listen        to the beginning for a second?    550 00:24:34,598 --> 00:24:36,766        Snoop's mic is gon' be                hot here too, right?         551 00:24:36,808 --> 00:24:39,102                -Yeah.                           -So maybe me--            552 00:24:39,144 --> 00:24:41,438          Da, da, da, da, da.         553 00:24:41,480 --> 00:24:43,690                -D-R-E.                             -No, no.               554 00:24:43,732 --> 00:24:46,151    Like, why ain't we sayin' it's       the one and only D-O-double-G?    555 00:24:46,193 --> 00:24:47,777       Why isn't he sayin' that?      556 00:24:47,819 --> 00:24:48,904       We should keep it there.       557 00:24:48,945 --> 00:24:50,363      We didn't have him up yet.      558 00:24:50,405 --> 00:24:54,868    We just had you there, and then       he comes up a little later.     559 00:24:54,910 --> 00:24:56,119      Listen to it one more time.     560 00:24:56,161 --> 00:24:57,412       That sounds weird as shit                     'cause                561 00:24:57,454 --> 00:25:00,415      -I'm so used to hearing it.          -I know, but Dre--but Dre--     562 00:25:00,457 --> 00:25:01,666    I just know what the fans like.  563 00:25:01,708 --> 00:25:04,836      You can't make them change             they mind the night of.       564 00:25:04,878 --> 00:25:07,964          When you hear that,              the first thing you say is,     565 00:25:08,006 --> 00:25:09,799             "Snoop Dogg!"            566 00:25:10,634 --> 00:25:12,802      There's 100% one shot that                we can show you,           567 00:25:12,844 --> 00:25:14,262    right, 'cause it's really wide.            He's over there.           568 00:25:14,304 --> 00:25:16,181          -You're over there.            -Yeah, there's not a two-shot.    569 00:25:16,223 --> 00:25:17,724           No, it's not one                    shot you can show.          570 00:25:17,766 --> 00:25:18,892             You can cut.             571 00:25:18,934 --> 00:25:21,895    You know, we're here to figure          out the blocking, a'ight?      572 00:25:21,937 --> 00:25:23,396               [Fatima]                          Mm-hmm. Mm-hmm.           573 00:25:23,438 --> 00:25:25,232    I like the song the way it is.    574 00:25:25,273 --> 00:25:26,358    I don't wanna change the song.    575 00:25:26,399 --> 00:25:29,236                -Okay.                    -Okay. So I have a solution.     576 00:25:29,277 --> 00:25:32,072            Once we keep it                 to sayin', "Snoop Dogg!"       577 00:25:32,113 --> 00:25:35,367          right, "I'm mobbin'                    with the D-R-E.           578 00:25:35,408 --> 00:25:36,618       Yeah, yeah, yeah, yeah."       579 00:25:36,660 --> 00:25:40,705       Let's let Dre address us               for those four bars.         580 00:25:40,747 --> 00:25:42,999       We gon' figure that out.             You know what I'm sayin'?      581 00:25:43,041 --> 00:25:46,336    And that is his throw to Snoop.  582 00:25:46,378 --> 00:25:47,462          So we gon' take...          583 00:25:47,504 --> 00:25:49,381                [Seth]                      When you have five artists,     584 00:25:49,422 --> 00:25:50,382         the biggest question is,      585 00:25:50,423 --> 00:25:52,092           how does the show                     come together?            586 00:25:52,133 --> 00:25:53,885          Like, how are they                  gonna work together?         587 00:25:53,927 --> 00:25:56,096    How are they gonna collaborate?  588 00:25:56,137 --> 00:25:58,765          -[all] Snoop Dogg.                     -Mm-hmm, okay.            589 00:25:58,807 --> 00:26:01,851         You know I'm mobbin'                    with the D-R-E.           590 00:26:01,893 --> 00:26:03,353       -[all] Yeah, yeah, yeah.                      -SoFi!                591 00:26:03,395 --> 00:26:05,897           -What's up, SoFi?                  -Yeah, waving your...        592 00:26:05,939 --> 00:26:07,649         [Seth]   You can't just                have them each rehearse       593 00:26:07,691 --> 00:26:10,277      their own individual piece                  and then just            594 00:26:10,318 --> 00:26:11,778      puzzle a piece up together.     595 00:26:11,820 --> 00:26:14,948         They have to be there                  together working.          596 00:26:14,990 --> 00:26:17,242       -Yeah. Okay, okay, okay.          -Okay, that's what we're doin'.  597 00:26:17,284 --> 00:26:18,618         All right. All right.        598 00:26:18,660 --> 00:26:21,329         [Seth]   There's no way                 a five-headliner show        599 00:26:21,371 --> 00:26:23,290               with artists                       of this magnitude,         600 00:26:23,331 --> 00:26:27,252      who all could do 12 minutes             on their own easily,         601 00:26:27,294 --> 00:26:31,298       there's no way this works                without Dr. Dre.           602 00:26:31,339 --> 00:26:32,966        Who's Snoop's stand-in?       603 00:26:33,008 --> 00:26:35,427         Snoop, your stand-in                    is right here.            604 00:26:35,468 --> 00:26:38,471        [Seth]   Being the person             that the other artists trust    605 00:26:38,513 --> 00:26:41,683      and they can look to and know                that if he says           606 00:26:41,725 --> 00:26:44,936      this is gonna work for the          show, we can all trust that.     607 00:26:44,978 --> 00:26:47,522               California            608 00:26:47,564 --> 00:26:50,317           Knows how to party        609 00:26:50,358 --> 00:26:52,485        [hip-hop music playing]       610 00:26:52,527 --> 00:26:55,280      Cut. Cut the track, please.     611 00:26:55,322 --> 00:26:56,573               [Dionne]                      So you'll walk through.       612 00:26:56,615 --> 00:26:59,326         You'll walk up stairs              that are along the side.       613 00:26:59,367 --> 00:27:00,452     And then you're on the roof.     614 00:27:00,493 --> 00:27:03,872        As co-executive producer,                    it's my job             615 00:27:03,913 --> 00:27:07,709        to really work with all            of the different creatives      616 00:27:07,751 --> 00:27:12,213     who are involved in the show,         whether it's the director,      617 00:27:12,255 --> 00:27:15,425           lighting, wardrobe,                      choreography,            618 00:27:15,467 --> 00:27:18,470       set design, to make sure                that we can execute         619 00:27:18,511 --> 00:27:20,305      the vision of our artists.      620 00:27:20,347 --> 00:27:23,642       [dramatic hip-hop music]       621 00:27:36,571 --> 00:27:39,199              Yeah, SoFi!             622 00:27:40,575 --> 00:27:42,619     Everybody, get up right now!     623 00:27:43,244 --> 00:27:44,954         Guess who's back home       624 00:27:46,122 --> 00:27:47,624                  Yeah               625 00:27:47,666 --> 00:27:49,292      We still doin' that, right?     626 00:27:49,334 --> 00:27:51,211               Yes, sir.              627 00:27:51,252 --> 00:27:53,129                -Ha-ha.                              -Yeah.                628 00:27:53,171 --> 00:27:54,339           Take it off, Dre.          629 00:27:54,381 --> 00:27:56,800        It's still Dre, yeah, AK     630 00:27:56,841 --> 00:27:59,135         Though I've grown a lot,            can't keep it home a lot      631 00:27:59,177 --> 00:28:01,096        'cause when I frequent the         spots that I'm known to rock   632 00:28:01,137 --> 00:28:02,555               [Fatima]                      That was a good first day.     633 00:28:02,597 --> 00:28:04,432             [Jesse]   Yeah,                   it was a great first day.      634 00:28:04,474 --> 00:28:07,602      We saw Fatima's brilliance                   on display,             635 00:28:07,644 --> 00:28:11,189         saw the choreography,                 saw the movements.          636 00:28:11,231 --> 00:28:13,400        She's got Dre dancing.        637 00:28:13,441 --> 00:28:15,318        Record! Record! Record!       638 00:28:15,360 --> 00:28:17,987          Oh, my God, record!         639 00:28:18,029 --> 00:28:19,614      [Tía]   That's the best part                    of this job.            640 00:28:19,656 --> 00:28:23,368           It's like being at a               Unplugged every rehearsal,     641 00:28:23,410 --> 00:28:25,036            every performance.         642 00:28:25,078 --> 00:28:28,456      But to see their chemistry,            30 years of chemistry,        643 00:28:28,498 --> 00:28:30,542    it's an amazing thing to watch.  644 00:28:30,583 --> 00:28:33,545          Still got love for the               streets, reppin' 213        645 00:28:33,586 --> 00:28:36,715         [Jesse]   Seeing Dre's                 comfort with everything,      646 00:28:36,756 --> 00:28:39,342             his excitement,                       same with Snoop,          647 00:28:39,384 --> 00:28:41,010          seeing the two of them                      together.              648 00:28:41,052 --> 00:28:43,430        And he was happy with it.      649 00:28:43,471 --> 00:28:45,849              All right.                     That's comin' together.       650 00:28:45,890 --> 00:28:46,850                 Yeah.                651 00:28:46,891 --> 00:28:48,601           And I still got love                  for the streets           652 00:28:48,643 --> 00:28:50,770             It's the D-R-E          653 00:28:52,313 --> 00:28:54,816              upbeat music           654 00:28:54,858 --> 00:28:56,609                [Adam]                     So when the creative came back  655 00:28:56,651 --> 00:28:59,738        and Eminem was gonna have,                  like, a band,            656 00:28:59,779 --> 00:29:02,490          me and Dre had tossed              around the idea of it being     657 00:29:02,532 --> 00:29:04,284      maybe, like, an All-Star band.  658 00:29:04,325 --> 00:29:07,328            And, you know,                    Dre has had his hands        659 00:29:07,370 --> 00:29:09,080      in so many people's career.     660 00:29:09,122 --> 00:29:13,543      And even for the new blood,           having Kendrick and then,      661 00:29:13,585 --> 00:29:16,463        you know, Anderson .Paak,             man, just one of the most      662 00:29:16,504 --> 00:29:18,381          phenomenal talents...        663 00:29:21,634 --> 00:29:22,886         ...it felt right for me       664 00:29:22,927 --> 00:29:24,971          to have him up there--              you know what I'm sayin'--     665 00:29:25,013 --> 00:29:27,056            as a Dre protégé.          666 00:29:27,098 --> 00:29:29,017       [Anderson .Paak]   I got my            first big break with Dr. Dre    667 00:29:29,058 --> 00:29:32,854           back in, like, 2015                 with his   Compton   album.       668 00:29:32,896 --> 00:29:34,564       He invited me to the studio.    669 00:29:34,606 --> 00:29:36,566         He heard a song of mine                   called "Suede."           670 00:29:36,608 --> 00:29:39,944      And he just, he blasted it,                 turnt it up,             671 00:29:39,986 --> 00:29:42,447       and had it running back,                 like, five times.          672 00:29:42,489 --> 00:29:44,115       Once he gives you this...      673 00:29:44,157 --> 00:29:45,283               [as Dre]                         "That's gangster.          674 00:29:45,325 --> 00:29:47,368       Hey, P, that's gangster."      675 00:29:47,410 --> 00:29:49,454           [in normal voice]               I knew I was on after that.     676 00:29:49,496 --> 00:29:52,248    I was on private jets, jewelry.  677 00:29:52,290 --> 00:29:54,042               Everything's                     different after that.        678 00:29:54,083 --> 00:29:55,877       - Time's up, over, blaow!                 -Three, four.            679 00:29:55,919 --> 00:30:00,006          Snap back to reality,               oh, there goes gravity       680 00:30:00,048 --> 00:30:01,341               Awesome.               681 00:30:01,382 --> 00:30:03,051         [Anderson]   I grew up                  in Oxnard, California.       682 00:30:03,092 --> 00:30:06,679         It's not Los Angeles,              but it was close enough.       683 00:30:06,721 --> 00:30:10,391         And we grew up to Dre            and Snoop and Cube and Tupac,    684 00:30:10,433 --> 00:30:13,144       and that was everything.             So it started like that.       685 00:30:17,106 --> 00:30:19,025            Eminem is another                       musical hero.            686 00:30:19,067 --> 00:30:22,362      When him and Dre got together,         they did something unique,     687 00:30:22,403 --> 00:30:23,947        something that was daring.     688 00:30:23,988 --> 00:30:26,157              And I remember                    watching those videos,       689 00:30:26,199 --> 00:30:27,617         listening to that music.      690 00:30:27,659 --> 00:30:28,868      I always loved their stuff.     691 00:30:28,910 --> 00:30:31,579          Snap back to reality,               oh, there goes gravity       692 00:30:31,621 --> 00:30:33,331         With the drums on "Lose              Yourself," a lot of people     693 00:30:33,373 --> 00:30:37,293      might not pick up on the intro        where he's rapping the bass,    694 00:30:37,335 --> 00:30:39,212    the kick-drum pound, you know.    695 00:30:39,254 --> 00:30:41,714           Boom, boom-boom,           696 00:30:41,756 --> 00:30:44,384      boom, mm-mm, boom-boom, mm,     697 00:30:44,425 --> 00:30:46,511         du-du-boom, dun, dun,                     boom-boom.              698 00:30:46,553 --> 00:30:47,720         It's real intricate.         699 00:30:47,762 --> 00:30:50,014         It's not just, like,              a simple kick-drum pattern.     700 00:30:50,056 --> 00:30:52,767       It's got these different                 little variations          701 00:30:52,809 --> 00:30:55,478    that you have to sync up with.    702 00:30:55,520 --> 00:30:58,064             And that was                  probably the hardest part,      703 00:30:58,106 --> 00:30:59,816         just memorizing that.        704 00:31:02,652 --> 00:31:03,820                [Adam]                       When I saw Anderson play,      705 00:31:03,862 --> 00:31:05,113      I felt like he was a natural.    706 00:31:05,154 --> 00:31:07,073               I felt like                       he did his homework.        707 00:31:07,115 --> 00:31:09,075                 Two.                 708 00:31:09,117 --> 00:31:11,578         You better lose yourself            in the music, the moment      709 00:31:11,619 --> 00:31:13,997               You own it,                  you better never let it--      710 00:31:14,038 --> 00:31:14,998                 Yeah.                711 00:31:15,039 --> 00:31:17,208          I was just giving him               a few points in the studio     712 00:31:17,250 --> 00:31:21,504        really just about what Dre            was used to hearing, like,     713 00:31:21,546 --> 00:31:23,882        making sure, you know,              nothing changes too much.      714 00:31:23,923 --> 00:31:26,885     But I wanted him to give his         own flavor on what that was.     715 00:31:26,926 --> 00:31:28,219        So I think he did that                     very well.              716 00:31:28,261 --> 00:31:30,013               Do not miss                     your chance to blow         717 00:31:30,054 --> 00:31:32,557          This opportunity comes                once in a lifetime         718 00:31:32,599 --> 00:31:34,684        You better lose yourself     719 00:31:34,726 --> 00:31:38,104       [Eminem's "Lose Yourself"                    playing]               720 00:31:39,188 --> 00:31:40,899              [Anderson]                     It's a very intense song.      721 00:31:40,940 --> 00:31:43,776           And you only got                    one shot, you know?         722 00:31:43,818 --> 00:31:46,279           So you can't miss                  your chance to blow.         723 00:31:46,321 --> 00:31:47,906                 And, um,              724 00:31:47,947 --> 00:31:50,408           opportunity comes                   once in a lifetime.         725 00:31:50,450 --> 00:31:51,618         You only get one shot       726 00:31:51,659 --> 00:31:53,161               Do not miss                     your chance to blow         727 00:31:53,202 --> 00:31:55,788          This opportunity comes                once in a lifetime         728 00:31:55,830 --> 00:31:56,873               You better            729 00:31:56,915 --> 00:31:59,876          [Fatima] All right,                  you go right there!         730 00:32:03,504 --> 00:32:05,214              [reporter]                       NFC Championship time.       731 00:32:05,256 --> 00:32:07,300            49ers at the Rams.         732 00:32:07,342 --> 00:32:08,509              [reporter]                      Rams will play at home,       733 00:32:08,551 --> 00:32:09,969             but niners have                    dominated this matchup       734 00:32:10,011 --> 00:32:12,513        between these two coaches           and these two teams recently.    735 00:32:12,555 --> 00:32:13,932        [caller]   I'm gonna take                   Matthew Stafford          736 00:32:13,973 --> 00:32:15,058          over Jimmy Garoppolo.        737 00:32:15,099 --> 00:32:16,643              [reporter]                     I just think between that      738 00:32:16,684 --> 00:32:19,938       and the upward trend of what           we've seen from the Rams,      739 00:32:19,979 --> 00:32:23,983          I think they go 24-21             and pull off the win at home.    740 00:32:24,025 --> 00:32:28,780      [Jesse]   You know, the Rams           going to the NFC Championship,  741 00:32:28,821 --> 00:32:31,074      it was great for some people.    742 00:32:33,409 --> 00:32:34,577          Dre got very excited.        743 00:32:34,619 --> 00:32:36,245          He was very happy.          744 00:32:39,165 --> 00:32:43,419      [Jesse]   My biggest fear was          Dre wanting to go to the game.  745 00:32:44,379 --> 00:32:45,964      -I can't. I gotta be here.                      -Oh.                 746 00:32:46,005 --> 00:32:48,383        So I want that trailer.       747 00:32:48,424 --> 00:32:49,342              Absolutely.             748 00:32:49,384 --> 00:32:50,677       Okay, that's really cool.      749 00:32:50,718 --> 00:32:54,681      When we explained that Sunday             is a big rehearsal day       750 00:32:54,722 --> 00:32:57,100      at Barker Hangar, he said,      751 00:32:57,141 --> 00:32:59,936       "As long as you guys get              a TV there, I'm good."        752 00:33:01,562 --> 00:33:06,025              [producer]                      Three, two, one, track.       753 00:33:07,485 --> 00:33:10,863        [dramatic hip-hop music                     playing]               754 00:33:18,579 --> 00:33:19,914               [Fatima]                     We have all the buildings up    755 00:33:19,956 --> 00:33:21,833        for the first time today.      756 00:33:21,874 --> 00:33:24,127         And it really was about               timing and about moving       757 00:33:24,168 --> 00:33:28,464    from each song and each artist              for the dancers,           758 00:33:28,506 --> 00:33:30,466        for the artists themselves                     to see--              759 00:33:30,508 --> 00:33:34,303        to run a show essentially.     760 00:33:34,345 --> 00:33:36,139           Now they rush in.          761 00:33:36,180 --> 00:33:37,306                Go up!                762 00:33:41,936 --> 00:33:44,313     This is our first time seeing    763 00:33:44,355 --> 00:33:47,108     all the pieces come together.    764 00:33:47,150 --> 00:33:50,737              -[laughter]                   -The bike is killing me.       765 00:33:50,778 --> 00:33:51,904               [Fatima]                       And we knew it was gonna      766 00:33:51,946 --> 00:33:53,072        be a bit of a train wreck.     767 00:33:53,114 --> 00:33:55,033           Some people weren't                 gonna know where to go.       768 00:33:55,074 --> 00:33:56,617            They shouldn't                      all be in a line.          769 00:33:56,659 --> 00:33:58,786     -No, they should spread out.                 -Move around.            770 00:33:58,828 --> 00:34:00,788             Come around!             771 00:34:00,830 --> 00:34:03,499         [Fatima]   But overall,                  the bones are there.        772 00:34:03,541 --> 00:34:05,960          Now we just have to                  keep rehearsing it          773 00:34:06,002 --> 00:34:10,381     till we get our timing down,          fix little musical things,      774 00:34:10,423 --> 00:34:12,633         fix entrances and exits.      775 00:34:12,675 --> 00:34:16,387         But now that we see how              it all strings together...     776 00:34:16,429 --> 00:34:17,930               These days,                     everybody wanna talk        777 00:34:17,972 --> 00:34:19,640         Like they got somethin'                      to say               778 00:34:19,682 --> 00:34:23,770      ...we're making it so that             it all feels connected.       779 00:34:23,811 --> 00:34:24,812             It's Eminem.             780 00:34:24,854 --> 00:34:26,564               -Eminem?                              -Yeah.                781 00:34:26,606 --> 00:34:29,192        Eminem, just come over.                     Support.               782 00:34:30,276 --> 00:34:32,570          His palms are sweaty,             knees weak, arms are heavy     783 00:34:32,612 --> 00:34:35,907       There's vomit on his sweater         already, mom's spaghetti      784 00:34:35,948 --> 00:34:39,118       [Fatima]   Eminem actually                called me to his room.       785 00:34:39,160 --> 00:34:43,247       And he said, "I'm having            a little choreography envy.     786 00:34:43,289 --> 00:34:46,542    He was just like, "Wait, why is      all this happening around me?    787 00:34:46,584 --> 00:34:48,169       I don't get any of that?"                    [laughs]               788 00:34:48,211 --> 00:34:51,214        So I had to explain to him               how all those people        789 00:34:51,255 --> 00:34:55,510      come rushing in on him and how          they all bob their head       790 00:34:55,551 --> 00:34:57,261          while he's rising up.        791 00:34:57,303 --> 00:35:02,433       And I think his moment is           gonna be one of the biggest     792 00:35:02,475 --> 00:35:03,643         moments of the show.         793 00:35:03,684 --> 00:35:04,977         You only get one shot       794 00:35:05,019 --> 00:35:06,354               Do not miss                     your chance to blow         795 00:35:06,395 --> 00:35:08,981          This opportunity comes                once in a lifetime         796 00:35:09,023 --> 00:35:10,483               You better            797 00:35:12,860 --> 00:35:16,322             -[Mary] Whoo!                           -Whoo!                798 00:35:16,364 --> 00:35:17,740           [Mary] That's it!          799 00:35:17,782 --> 00:35:20,326                 Yeah!                800 00:35:23,204 --> 00:35:25,414                 Whoo!                801 00:35:25,456 --> 00:35:27,083       That's a good first run.       802 00:35:27,125 --> 00:35:30,169      All right, everybody, we're         gonna take just five minutes     803 00:35:30,211 --> 00:35:32,588    here, five minutes to regroup.    804 00:35:33,840 --> 00:35:35,842         [Jesse]   We were about                  to do another pass,         805 00:35:35,883 --> 00:35:39,053        and Eminem and Kendrick               were like, "Don't you        806 00:35:39,095 --> 00:35:40,680     wanna watch the last minute?"    807 00:35:40,721 --> 00:35:42,682            And I was like,                    "Oh, shit, we gotta         808 00:35:42,723 --> 00:35:43,808    let the moment be the moment."    809 00:35:43,850 --> 00:35:46,269        And so we all stopped.        810 00:35:46,310 --> 00:35:48,855             [commentator]                   Garoppolo under pressure.      811 00:35:48,896 --> 00:35:51,023        -Intercepted by the Rams!                 -[all shouting]           812 00:35:51,065 --> 00:35:55,611          And the Rams are going                  to Super Bowl LVI.         813 00:35:55,653 --> 00:35:58,114            What's up, boy?           814 00:35:58,865 --> 00:36:00,533          You gotta do [...].         815 00:36:00,575 --> 00:36:02,743           You go to [...].           816 00:36:02,785 --> 00:36:05,371           Let's go, [...]!           817 00:36:05,413 --> 00:36:07,582       We got Dre in the house!       818 00:36:07,623 --> 00:36:10,042            California love          819 00:36:10,084 --> 00:36:12,170    [all]    Ba-da-da-bup-bup-bup     820 00:36:12,211 --> 00:36:17,425                California                      knows how to party         821 00:36:17,466 --> 00:36:19,635             California...           822 00:36:19,677 --> 00:36:21,262                [Jesse]                     To see Snoop and Dre's face     823 00:36:21,304 --> 00:36:22,972           and Kendrick's face                      and everybody            824 00:36:23,014 --> 00:36:25,558              that's from LA                     and really everybody        825 00:36:25,600 --> 00:36:29,270              in that room,                 even people with 49er jerseys,  826 00:36:29,312 --> 00:36:32,523          I think they became               Rams fans in that moment.      827 00:36:32,565 --> 00:36:33,691         We all came together.        828 00:36:33,733 --> 00:36:36,694           And so it was an                     incredible thing.          829 00:36:36,736 --> 00:36:37,778                 Whoo!                830 00:36:37,820 --> 00:36:39,113       [person]    In the city        831 00:36:39,155 --> 00:36:41,115           [Adam]   The energy                   in our rehearsal room,       832 00:36:41,157 --> 00:36:44,118        you could just tell it                was like they wanted         833 00:36:44,160 --> 00:36:45,661      to do this for their city.      834 00:36:45,703 --> 00:36:47,747        All right, here we go.                 Stand by, everyone.         835 00:36:47,788 --> 00:36:49,040      Here we go with the tracks.     836 00:36:49,081 --> 00:36:52,585        [hip-hop music playing]       837 00:36:52,627 --> 00:36:55,838         [indistinct chatter]         838 00:37:08,142 --> 00:37:11,103          Yeah, this has been                     fun as shit.             839 00:37:11,145 --> 00:37:13,773            And the energy                   in the fucking stadium,       840 00:37:13,814 --> 00:37:15,900          especially now that                     the Rams won.            841 00:37:15,942 --> 00:37:17,735              Yeah, man.              842 00:37:17,777 --> 00:37:19,695              -You happy?                         -Very happy.             843 00:37:19,737 --> 00:37:21,239    I can't wait to see you finish.  844 00:37:21,280 --> 00:37:23,282         -Man, this is my gig.                        -Yes.                845 00:37:23,324 --> 00:37:26,035      [Jesse]   We're ahead in some           places and behind in others.    846 00:37:26,077 --> 00:37:29,163          It's like we're ahead                     with everybody           847 00:37:29,205 --> 00:37:30,915      knowing what they have to do.    848 00:37:30,957 --> 00:37:35,211     We're behind in the details,            especially the ending.        849 00:37:35,253 --> 00:37:38,422           suspenseful music         850 00:37:38,464 --> 00:37:43,594                                    851 00:37:48,557 --> 00:37:53,437        One, two, three, four,              five, six, seven, eight.       852 00:37:53,479 --> 00:37:55,731        [Fatima]   So we got the                Black Diamond Drill Team      853 00:37:55,773 --> 00:37:59,277       from Compton, and they bring           just a whole nother energy     854 00:37:59,318 --> 00:38:01,195           to the performance.         855 00:38:01,237 --> 00:38:02,905           Everything is, like,                  double-time to 'em,         856 00:38:02,947 --> 00:38:05,157           and it has that bit                       of militant             857 00:38:05,199 --> 00:38:06,742        mixed with a bit of dance.     858 00:38:06,784 --> 00:38:11,455        They syncopate their hands           with the smacks on the legs     859 00:38:11,497 --> 00:38:12,707        and the kat, kat, kat.        860 00:38:12,748 --> 00:38:14,542           I love it so much                  'cause it reminds me         861 00:38:14,583 --> 00:38:17,753      of when I was a young girl              in the hood, dancing,        862 00:38:17,795 --> 00:38:21,132        making up routines on the             streets with the friends.      863 00:38:21,173 --> 00:38:22,883            You know, we used                     to do all of that.         864 00:38:22,925 --> 00:38:25,845            Come on. Okay.            865 00:38:25,886 --> 00:38:27,013             I see y'all.             866 00:38:27,054 --> 00:38:28,514            Black Diamonds                    bring a authenticity         867 00:38:28,556 --> 00:38:30,433           to the performance.         868 00:38:34,562 --> 00:38:36,314               [Celeste]                     My name is Celeste Harris.     869 00:38:36,355 --> 00:38:38,149           I'm the director                   of the Black Diamonds        870 00:38:38,190 --> 00:38:39,275      Drill Team and Drum Squad.      871 00:38:39,317 --> 00:38:41,819       I've been drillin' since               I was five years old,        872 00:38:41,861 --> 00:38:43,404         so it's in my blood.         873 00:38:43,446 --> 00:38:47,074             And these are                   my children, you know?        874 00:38:47,116 --> 00:38:48,951           They're amazing.           875 00:38:50,494 --> 00:38:54,040       The Black Diamond Drill Team           is a community drill team.     876 00:38:54,081 --> 00:38:56,959            We started in '91.         877 00:38:57,001 --> 00:39:00,129            We're a family.                     We work together.          878 00:39:00,171 --> 00:39:02,381         We have fun together.                 We laugh together.          879 00:39:02,423 --> 00:39:05,801         We go through different                 situations together.        880 00:39:05,843 --> 00:39:08,387          Anytime my members                   need me, I'm there.         881 00:39:08,429 --> 00:39:11,891          [playing energetic                   percussive rhythm]          882 00:39:15,311 --> 00:39:20,566      Drill is basically the feeling            you get in your soul        883 00:39:20,608 --> 00:39:24,570           when you hear beats.        884 00:39:26,322 --> 00:39:29,116         And you move your hands                   with your feet,           885 00:39:29,158 --> 00:39:31,369        but you give it your all.      886 00:39:34,080 --> 00:39:36,457             Sometimes when I                      see some members          887 00:39:36,499 --> 00:39:38,292       just really get into it,                   I say, "Okay,            888 00:39:38,334 --> 00:39:40,127          you have the Drill                     Team Holy Ghost           889 00:39:40,169 --> 00:39:42,004        'cause this is a feeling.      890 00:39:42,046 --> 00:39:45,424           And the way you on,                    it feel so good."          891 00:39:46,717 --> 00:39:49,637              serene music           892 00:39:49,678 --> 00:39:51,430                                    893 00:39:51,472 --> 00:39:53,265     [Diamond]   When I first heard                that we were gonna         894 00:39:53,307 --> 00:39:56,060        be performing at the Super            Bowl, we were at practice.     895 00:39:56,102 --> 00:39:58,270       It didn't really hit me.       896 00:39:58,312 --> 00:40:00,523          I'm still in shock.         897 00:40:00,564 --> 00:40:02,149         [De'Ja]   I don't think                 it's gon' hit me until       898 00:40:02,191 --> 00:40:04,819        I'm actually, like, really              finna perform at SoFi        899 00:40:04,860 --> 00:40:07,488      and Snoop is walkin' past me.    900 00:40:07,530 --> 00:40:09,698       It's just, I don't know,             so many, like, emotions,       901 00:40:09,740 --> 00:40:11,200         but it's so exciting.        902 00:40:11,242 --> 00:40:14,537        [Celeste]   Heard Snoop,             Dr. Dre growing up in Compton,  903 00:40:14,578 --> 00:40:17,665       and being from our community              and witnessing some         904 00:40:17,706 --> 00:40:20,918    of the stuff that we have seen              and been through           905 00:40:20,960 --> 00:40:22,420       what we've been through.       906 00:40:22,461 --> 00:40:26,257        It's just amazing how they           developed and how they grew.    907 00:40:26,298 --> 00:40:29,135          And being at practice               and rehearsals just, like,     908 00:40:29,176 --> 00:40:31,137          it felt like we doin'                  something positive.         909 00:40:31,178 --> 00:40:34,723        And I always tell them           every time we go perform places  910 00:40:34,765 --> 00:40:37,435      or whatever, you never know              who might see you,          911 00:40:37,476 --> 00:40:39,186       so always give it your all.     912 00:40:39,228 --> 00:40:42,940              So to see them                   from the first practice       913 00:40:42,982 --> 00:40:45,526        all the way until now,                  I'm just really,           914 00:40:45,568 --> 00:40:48,320             really proud                      of all my Diamonds.         915 00:40:53,451 --> 00:40:56,036     [producer]   Okay, if everybody            can take a seat, please,      916 00:40:56,078 --> 00:40:57,830      we're ready to get started.     917 00:40:57,872 --> 00:40:59,248         [cheers and applause]        918 00:40:59,290 --> 00:41:03,043        Welcome Super Bowl LVI                 field team members.         919 00:41:03,085 --> 00:41:05,921              [all] Whoo!             920 00:41:05,963 --> 00:41:08,757                 [Cap]                       In 13 days from today,        921 00:41:08,799 --> 00:41:12,636         the teams will return               to their locker rooms,        922 00:41:12,678 --> 00:41:15,681         and the halftime show                  will take place.           923 00:41:15,723 --> 00:41:19,018             This show is             924 00:41:19,059 --> 00:41:23,772        at the white-hot center       925 00:41:23,814 --> 00:41:28,652    of the hottest media spotlight    926 00:41:28,694 --> 00:41:29,987               on Earth.              927 00:41:31,113 --> 00:41:34,033      During that halftime show,                   each of you             928 00:41:34,074 --> 00:41:36,327            and your fellow                    field team members          929 00:41:36,368 --> 00:41:40,331            will move a set           930 00:41:40,372 --> 00:41:43,959       that is state of the art                  with lighting,            931 00:41:44,001 --> 00:41:48,255             video, sound,            932 00:41:48,297 --> 00:41:51,425     pyrotechnics, and all manners    933 00:41:51,467 --> 00:41:54,303        of dancing and shaking                    of the booty.            934 00:41:54,345 --> 00:41:57,681         [cheers and applause]        935 00:42:00,476 --> 00:42:02,603           [Cap]   This year,           936 00:42:02,645 --> 00:42:05,523              it's gonna be                    a whole nother ballgame       937 00:42:05,564 --> 00:42:08,526         'cause we got big pieces                 and a lot of 'em.          938 00:42:10,319 --> 00:42:14,323      The amount of time to do this,            first time we do it,        939 00:42:14,365 --> 00:42:16,909              it'll take us                    about a hour and a half.      940 00:42:18,118 --> 00:42:20,246         The last time we do it,                it had better take us        941 00:42:20,287 --> 00:42:22,623          five to seven minutes.       942 00:42:22,665 --> 00:42:26,085            It's an unheard-of                      amount of time           943 00:42:26,126 --> 00:42:28,003        to do something like this.     944 00:42:28,045 --> 00:42:29,463            Clockwise turn!           945 00:42:29,505 --> 00:42:33,509         Most of the operational             and production capabilities     946 00:42:33,551 --> 00:42:36,470          that I have, I learned                   in the military.          947 00:42:36,512 --> 00:42:39,598             [supervisor]                   Turn in three, two, one!       948 00:42:39,640 --> 00:42:41,517        [Cap]   I was in the army                    for ten years.           949 00:42:41,559 --> 00:42:43,477       I went to Vietnam two times.    950 00:42:43,519 --> 00:42:45,104         Well, you're right in              the middle of the field,       951 00:42:45,145 --> 00:42:47,356        so it's either that way                   or this way.             952 00:42:47,398 --> 00:42:49,692        And I got out of the army.     953 00:42:49,733 --> 00:42:54,154    I went immediately to work for        a hippie rock and roll band.     954 00:42:54,196 --> 00:42:55,531             [supervisor]                    Towards me, towards me!       955 00:42:55,573 --> 00:42:57,992       [Cap]   And it's a problem-             solving process, you know,     956 00:42:58,033 --> 00:43:00,828         that involves people and            equipment and moving stuff.     957 00:43:00,869 --> 00:43:03,497        In the military, they just              train you to do that.        958 00:43:03,539 --> 00:43:07,418             [supervisor]                 Three, two, one, push! Push!     959 00:43:07,459 --> 00:43:09,336          From the back end,                     push that way!            960 00:43:09,378 --> 00:43:10,629           Go to this side.           961 00:43:10,671 --> 00:43:12,631      [Cap]   There's been a couple           of Super Bowl Halftime Shows    962 00:43:12,673 --> 00:43:14,508             where I've said                      to the producers,          963 00:43:14,550 --> 00:43:17,011          "You won't see this                    go on the field           964 00:43:17,052 --> 00:43:19,888       in five to seven minutes                  until game day.           965 00:43:19,930 --> 00:43:21,682         It just won't happen.        966 00:43:21,724 --> 00:43:23,684      But game day, it will happen."  967 00:43:23,726 --> 00:43:25,436         Keepin' it straight!                 Keepin' it straight!         968 00:43:25,477 --> 00:43:28,689              Turn right!                   Drop in three, two, one!       969 00:43:28,731 --> 00:43:32,234             -Little back!                    -[indistinct yelling]        970 00:43:32,276 --> 00:43:34,069            Good job, guys!           971 00:43:34,111 --> 00:43:37,114           suspenseful music         972 00:43:37,156 --> 00:43:42,494                                    973 00:43:43,787 --> 00:43:47,625                 [Tia]                        So today is our last day      974 00:43:47,666 --> 00:43:49,084          here at Barker Hangar.       975 00:43:49,126 --> 00:43:51,045    We've been rehearsing all week.  976 00:43:51,086 --> 00:43:55,049     Dre, if you can make it here         when you walk out to do that.    977 00:43:55,090 --> 00:43:57,259    [Dre] How many people are gonna       be in here when I do that?      978 00:43:57,301 --> 00:43:59,970       Three. Those three guys.               Yeah, the same ones.         979 00:44:00,012 --> 00:44:03,140     [Dre] You had a problem with           somebody, or you had a--       980 00:44:03,182 --> 00:44:06,226       -No, it was always three.                   -[laughter]             981 00:44:06,727 --> 00:44:09,980           Tonight, we'll have                   all of the artists,         982 00:44:10,022 --> 00:44:12,399            Dre, Snoop, Mary,          983 00:44:12,441 --> 00:44:15,402      Em, Kendrick, Anderson .Paak.    984 00:44:15,444 --> 00:44:18,822         They'll all be here,               and we'll run it through.      985 00:44:18,864 --> 00:44:22,117     Obviously, don't tell anybody          about our special guest.       986 00:44:22,159 --> 00:44:25,287        [dramatic hip-hop music                     playing]               987 00:44:25,329 --> 00:44:27,539      50 Cent is our special guest.    988 00:44:27,581 --> 00:44:31,251           You know, keeping 50                 a secret has been a--        989 00:44:31,293 --> 00:44:33,128            been a little bit                      of a challenge.           990 00:44:33,170 --> 00:44:35,589       It means that, you know,               we've referred to him        991 00:44:35,631 --> 00:44:37,633    as special guest on paperwork.    992 00:44:37,675 --> 00:44:39,760       And we just haven't answered            the question when people      993 00:44:39,802 --> 00:44:41,804          have asked, you know,                       who it is.             994 00:44:41,845 --> 00:44:43,972          And we just kept it on                a need-to-know basis.        995 00:44:44,014 --> 00:44:45,432           It's your birthday        996 00:44:45,474 --> 00:44:47,184       [Jesse]   He's so excited.       997 00:44:47,226 --> 00:44:49,144             Loves everybody                     in the performance.         998 00:44:49,186 --> 00:44:50,729            They all love him.         999 00:44:50,771 --> 00:44:53,607          He's excited to do the               upside-down thing for us      1000 00:44:53,649 --> 00:44:55,859        to see him actually do it.     1001 00:44:55,901 --> 00:44:59,071              So, you know,                  the energy will just change     1002 00:44:59,113 --> 00:45:00,739        with him in the building.      1003 00:45:03,575 --> 00:45:05,452              [applause]              1004 00:45:05,494 --> 00:45:07,121         -[Fatima] That's it.               -[Tia] The dance was off.      1005 00:45:07,162 --> 00:45:08,372            [Fatima] Yeah.            1006 00:45:08,414 --> 00:45:10,749        Definitely blowing the            building on this one, right?     1007 00:45:10,791 --> 00:45:15,337          All right, so where                  is young Marshall?          1008 00:45:17,631 --> 00:45:20,676        [Seth]   This Super Bowl                Halftime Show is by far       1009 00:45:20,718 --> 00:45:23,929          the most complex show              we've ever attempted to do.     1010 00:45:25,764 --> 00:45:27,641          Every day, every run,        1011 00:45:27,683 --> 00:45:29,810              the show gets                      a little bit better.        1012 00:45:29,852 --> 00:45:32,896       And it's like molding clay.     1013 00:45:32,938 --> 00:45:35,524       You're making slight tweaks,                slight changes.           1014 00:45:35,566 --> 00:45:37,651      You're building it every day.    1015 00:45:37,693 --> 00:45:38,944       So every rehearsal matters.     1016 00:45:38,986 --> 00:45:42,489        Every time that we're able             to do a run of the show,      1017 00:45:42,531 --> 00:45:43,991       it gets a little bit better.    1018 00:45:44,032 --> 00:45:45,826      And it's just been incredible                 to watch them            1019 00:45:45,868 --> 00:45:49,329         not only collaborate,              but champion each other,       1020 00:45:49,371 --> 00:45:50,664           support each other,         1021 00:45:50,706 --> 00:45:52,541             wrap their arms                      around each other.         1022 00:45:52,583 --> 00:45:54,418        And I think that's been               the most special part        1023 00:45:54,460 --> 00:45:55,961       of the rehearsal process.      1024 00:45:56,003 --> 00:45:59,047     [Hamish] All right, everyone,           this is official wrap.        1025 00:45:59,089 --> 00:46:01,175     We can start to pack this in.    1026 00:46:01,216 --> 00:46:03,761     [Jesse]   We have all the tools            to make something great.      1027 00:46:03,802 --> 00:46:05,179          The records are right.       1028 00:46:05,220 --> 00:46:07,765          The creative is right.              The choreography is right.     1029 00:46:07,806 --> 00:46:09,266    Now we just have to capture it.  1030 00:46:09,308 --> 00:46:12,311         And if we capture it,                we're gonna be great.        1031 00:46:12,352 --> 00:46:13,729           Next stop, SoFi.           1032 00:46:13,771 --> 00:46:17,024           suspenseful music         1033 00:46:17,065 --> 00:46:20,944                                    1034 00:46:20,986 --> 00:46:22,821       [reporter]   SoFi Stadium,                 located in the city         1035 00:46:22,863 --> 00:46:25,949          of Inglewood and home                   to Super Bowl LVI,         1036 00:46:25,991 --> 00:46:28,535               hailed as an                   architectural masterpiece.     1037 00:46:28,577 --> 00:46:30,913           At an estimated cost                     of $5 billion,           1038 00:46:30,954 --> 00:46:35,751      the 70,000-seat stadium is the       most expensive in NFL history.  1039 00:46:39,588 --> 00:46:41,632       [Seth]   All the carts that              have been at the hangar       1040 00:46:41,673 --> 00:46:44,551      for the last week and a half,          they were loaded onto trucks    1041 00:46:44,593 --> 00:46:46,553             and brought over                      to the stadium.           1042 00:46:46,595 --> 00:46:49,139       The way the stadium works                 is that it has            1043 00:46:49,181 --> 00:46:52,559           one of the biggest,                  widest service levels        1044 00:46:52,601 --> 00:46:53,811       of any stadium in the world.    1045 00:46:53,852 --> 00:46:55,771         So the whole Super Bowl                  halftime stage is          1046 00:46:55,813 --> 00:46:57,523      currently sitting underground.  1047 00:46:57,564 --> 00:47:00,484      Gets wheeled out of the tunnel              for rehearsals.           1048 00:47:00,526 --> 00:47:01,944         And it won't be leaving                     the building            1049 00:47:01,985 --> 00:47:05,280          until after Super Bowl                    halftime ends.           1050 00:47:07,282 --> 00:47:08,408     [Cap] All right, here we go.     1051 00:47:08,450 --> 00:47:13,038     Five, four, three, two, one.     1052 00:47:13,080 --> 00:47:15,791             Let's go out.                   Moving out. Moving out.       1053 00:47:16,750 --> 00:47:20,003             Looking good.                     It's looking good.          1054 00:47:23,465 --> 00:47:27,052             Good job, 25!                     Good job! Good job!         1055 00:47:28,637 --> 00:47:30,389    All right, the last two pieces    1056 00:47:30,430 --> 00:47:31,849       coming out of this tunnel                   right now.              1057 00:47:31,890 --> 00:47:35,894    Two minutes, 23 seconds so far.  1058 00:47:35,936 --> 00:47:38,355    That means nothing, of course.    1059 00:47:38,397 --> 00:47:40,732               You know,                     it's all about the end.       1060 00:47:40,774 --> 00:47:45,571              Today, we have                  additional 387 field cast,     1061 00:47:45,612 --> 00:47:47,781          40-somethin' dancers.        1062 00:47:47,823 --> 00:47:50,659            We have bicycles.                       We have cars.            1063 00:47:50,701 --> 00:47:53,829      All things we have not had                up to this point.          1064 00:47:53,871 --> 00:47:55,956         It looks incredible.                Are you guys timing it?       1065 00:47:55,998 --> 00:47:57,749         Yeah, we're at 10 1/2                     right now.              1066 00:47:57,791 --> 00:47:59,877           It was under ten                   to get the carts set.        1067 00:47:59,918 --> 00:48:02,880    [Cap]   You know, there's 44,000          square feet of ground cover     1068 00:48:02,921 --> 00:48:07,175          and 2,000 square feet                    of neighborhood.          1069 00:48:08,468 --> 00:48:10,012                [Jesse]                   And this will get more taut.     1070 00:48:10,053 --> 00:48:13,891     It looks like the way I used         to make my bed when I was 12.    1071 00:48:13,932 --> 00:48:15,058        It didn't, like, have,                    like, that--             1072 00:48:15,100 --> 00:48:16,852          It didn't have the                 exact squareness to it.       1073 00:48:16,894 --> 00:48:18,020         There were no edges.         1074 00:48:18,061 --> 00:48:19,771           No, it was, like,                     that, like, ah!           1075 00:48:19,813 --> 00:48:21,231       The mattress was covered.      1076 00:48:21,273 --> 00:48:24,860      [Jesse]   I think our biggest          worry right now is the nodes.    1077 00:48:24,902 --> 00:48:26,653      When the dancers are dancing,    1078 00:48:26,695 --> 00:48:29,615         the tarp was bunching up                  like bedsheets.           1079 00:48:29,656 --> 00:48:33,785      And so we can't change the           choreography at this point,     1080 00:48:33,827 --> 00:48:37,205       so we have to figure out            how to make this thing work     1081 00:48:37,247 --> 00:48:38,665        so that the dancers can do     1082 00:48:38,707 --> 00:48:40,000       what they're supposed to do                      on it.               1083 00:48:40,042 --> 00:48:41,543         So if we had to do it                     right now,              1084 00:48:41,585 --> 00:48:42,794          -you see the nodes.                    -[Hamish] Yeah.           1085 00:48:42,836 --> 00:48:45,047      -[Fatima] Yeah. We see 'em.             -You see everything.         1086 00:48:45,088 --> 00:48:47,633       [Cap]   We're talking about            a tremendous amount of stuff    1087 00:48:47,674 --> 00:48:50,594     to get out here on the field          in a finite amount of time      1088 00:48:50,636 --> 00:48:51,845          and get it perfect.         1089 00:48:51,887 --> 00:48:54,514     And we just aren't there yet.    1090 00:48:54,556 --> 00:48:56,350             Today's Sunday.           1091 00:48:56,391 --> 00:48:57,809         It takes 45 minutes now.      1092 00:48:57,851 --> 00:48:59,895      You know, our dress rehearsal                 is Wednesday,            1093 00:48:59,937 --> 00:49:04,191          so we need to have it                 correct at that point.       1094 00:49:04,232 --> 00:49:09,279                                    1095 00:49:16,745 --> 00:49:18,372           [child]   Hi, Dad.           1096 00:49:18,413 --> 00:49:19,790            Hi there, baby.           1097 00:49:19,831 --> 00:49:21,166           Give your brother                     a kiss for me.            1098 00:49:21,208 --> 00:49:22,584       Give your brother a kiss.      1099 00:49:22,626 --> 00:49:24,169                 Mwah.                1100 00:49:24,211 --> 00:49:26,505           Daddy loves you.           1101 00:49:26,546 --> 00:49:27,506           Daddy loves you.           1102 00:49:29,925 --> 00:49:33,261        Okay, what time is the                 halftime gonna be?          1103 00:49:33,303 --> 00:49:35,097           5:20, 5:25, 5:30?          1104 00:49:35,138 --> 00:49:37,849          'Cause I wanna try                to run as close to real.       1105 00:49:41,228 --> 00:49:42,354             [Jesse] Okay.            1106 00:49:42,396 --> 00:49:45,023          [Dionne]   This show                 is actually built for TV.      1107 00:49:45,065 --> 00:49:47,067        Sometimes you're oriented                   one direction,           1108 00:49:47,109 --> 00:49:50,028     and sometimes you're oriented           in the other direction.       1109 00:49:50,070 --> 00:49:53,407          And there's something                 going on in each room.       1110 00:49:53,448 --> 00:49:55,283      So as a viewer in the stadium,  1111 00:49:55,325 --> 00:49:58,495          you're never gonna get              the full experience really     1112 00:49:58,537 --> 00:50:01,248        because you're only gonna           be able to see one side of it.  1113 00:50:01,289 --> 00:50:06,545          But through the lens,              it'll really tell the story.    1114 00:50:06,586 --> 00:50:09,047         I think that television                      helps you              1115 00:50:09,089 --> 00:50:11,800      to piece that all together                  in the order             1116 00:50:11,842 --> 00:50:13,468       that we want it to play.       1117 00:50:13,510 --> 00:50:16,096    [Hamish] All right, everybody,       let's go back to the sidelines.  1118 00:50:16,138 --> 00:50:19,057      We're gonna take a 15 here,        and then we're gonna go again.    1119 00:50:19,099 --> 00:50:20,809         At the very beginning                     of 50 Cent              1120 00:50:20,851 --> 00:50:22,978     when they do the double clap,    1121 00:50:23,020 --> 00:50:25,605       is it possible--when all              of the dancers do that,       1122 00:50:25,647 --> 00:50:27,941       is it possible to be more                on a head-to-toe           1123 00:50:27,983 --> 00:50:29,234      to capture more of the room     1124 00:50:29,276 --> 00:50:31,987      so that you see everybody's            doing this double clap?       1125 00:50:32,029 --> 00:50:34,406           One of my strengths                      as a producer            1126 00:50:34,448 --> 00:50:36,074        is my attention to detail.     1127 00:50:36,116 --> 00:50:39,119        And that's something that           Jesse really leans on me for.    1128 00:50:39,161 --> 00:50:41,913               So as we're                       watching rehearsals,        1129 00:50:41,955 --> 00:50:44,624          that's something that                  I really step in on.        1130 00:50:44,666 --> 00:50:47,085          And Hamish and I speak                  the same language.         1131 00:50:47,127 --> 00:50:49,671       And I'm really able to go          through every shot with him.     1132 00:50:49,713 --> 00:50:52,716         On Kendrick, you have                 all of the dancers          1133 00:50:52,758 --> 00:50:56,887         who are kind of doing              that, like, shotgun move.      1134 00:50:56,928 --> 00:50:59,097              Can we get                     a straight-on of that?        1135 00:50:59,139 --> 00:51:01,725            Because of my love                   for music and dance,        1136 00:51:01,767 --> 00:51:05,145              I'm hyperaware                  of Fatima's choreography.      1137 00:51:05,187 --> 00:51:07,731           So making sure that                     on those moments          1138 00:51:07,773 --> 00:51:10,484       where there's a big move,                   that Hamish             1139 00:51:10,525 --> 00:51:12,986           is covering that                    the way that Fatima         1140 00:51:13,028 --> 00:51:15,030     might want it to be covered.     1141 00:51:15,072 --> 00:51:16,656       [Jesse] How do you feel?       1142 00:51:16,698 --> 00:51:18,158       [Seth] I feel good, man.               It looks even better.        1143 00:51:18,200 --> 00:51:20,786          The only thing is,                 the reprise is so long.       1144 00:51:20,827 --> 00:51:23,038       There's, like, such a gap         before the music comes back in.  1145 00:51:23,080 --> 00:51:25,832     [Jesse] No, I--we're gonna--         I think he was trying to wait    1146 00:51:25,874 --> 00:51:27,793       -for Dre and Mary to hug.                 -[Seth] Gotcha.           1147 00:51:27,834 --> 00:51:29,503           [Jesse] But look,                we have control of that.       1148 00:51:29,544 --> 00:51:30,754             [Seth] Sure.             1149 00:51:30,796 --> 00:51:32,047                [Jesse]                     So Hamish can call that.       1150 00:51:32,089 --> 00:51:36,259       [Fatima]   There was a lot            of talk about the ending shot.  1151 00:51:36,301 --> 00:51:39,846      In rehearsals, we had them              ending on the floor.         1152 00:51:39,888 --> 00:51:43,100     But when we got here, it just         didn't feel dynamic enough.     1153 00:51:43,141 --> 00:51:45,644              At the end,                 give them some kind of pose,     1154 00:51:45,685 --> 00:51:46,853     some kind of rock star thing.    1155 00:51:46,895 --> 00:51:48,105           They'll do that,                   and then we're done.         1156 00:51:48,146 --> 00:51:49,481      [Fatima] Okay. At the end.      1157 00:51:49,523 --> 00:51:50,982         -For all the artists?                       -Yeah.                1158 00:51:51,024 --> 00:51:55,737    And so we decided to have them             end on the rooftop,         1159 00:51:55,779 --> 00:51:59,074    which was so much more dynamic.  1160 00:51:59,116 --> 00:52:01,576        [Dionne] Can Mary step              just a little bit behind?      1161 00:52:01,618 --> 00:52:04,037          Just take a couple                  of steps back, Mary.         1162 00:52:04,079 --> 00:52:06,706          [Hamish] Step back                   just a little more.         1163 00:52:06,748 --> 00:52:08,875            A little more.                     Stand right there.          1164 00:52:08,917 --> 00:52:10,085    Okay, these are the new poses.    1165 00:52:10,127 --> 00:52:12,754       Yes, I think we fixed it.      1166 00:52:12,796 --> 00:52:18,135                                    1167 00:52:25,892 --> 00:52:28,186       -[Jesse] Are you excited?                 -[Roger] Yeah.            1168 00:52:28,228 --> 00:52:30,730    [Dionne] Are you gonna be here             for the rehearsal?          1169 00:52:30,772 --> 00:52:32,399            You know what?                     I told him I'm not.         1170 00:52:32,440 --> 00:52:33,942             You know why?                'Cause I don't wanna see it.     1171 00:52:33,984 --> 00:52:37,112     [Dionne] You wanna be fresh?               Oh, I love that.           1172 00:52:39,072 --> 00:52:40,532           Yeah, absolutely.          1173 00:52:40,574 --> 00:52:42,951        Yeah, Kendrick and Dre.       1174 00:52:42,993 --> 00:52:44,327     [Jesse]   Today is a huge day.     1175 00:52:44,369 --> 00:52:46,204            Today is our first                  full dress rehearsal.        1176 00:52:46,246 --> 00:52:50,083          Everybody in wardrobe                loading in in real time.      1177 00:52:50,125 --> 00:52:51,751               [Dionne]                  We're also making our backup...  1178 00:52:51,793 --> 00:52:52,711             [Jesse] Yes.             1179 00:52:52,752 --> 00:52:54,588       In case anything happens                   on show day.             1180 00:52:54,629 --> 00:52:57,924        Let's say all the cameras               go down and you still        1181 00:52:57,966 --> 00:52:59,426          have to show something                       on TV...              1182 00:52:59,467 --> 00:53:00,510             [Jesse] Yes.             1183 00:53:00,552 --> 00:53:02,262         [Dionne]   You hit play                on that dress rehearsal.      1184 00:53:02,304 --> 00:53:04,973            It's time of day.                It's everybody in wardrobe.     1185 00:53:05,015 --> 00:53:07,517          It's exactly how it                  will be on Sunday.          1186 00:53:07,559 --> 00:53:09,352         And that's what goes.        1187 00:53:11,229 --> 00:53:14,524        [hip-hop music playing]       1188 00:53:20,030 --> 00:53:21,031     [Mary] Like, more like that?     1189 00:53:21,072 --> 00:53:22,449                [Jesse]                     So you want that earlier?      1190 00:53:22,490 --> 00:53:23,909      [Mary] That earlier. Yeah.      1191 00:53:23,950 --> 00:53:26,286         But earlier, we were                waiting for the screen.       1192 00:53:26,328 --> 00:53:27,996    [Mary] So get the lights ready.  1193 00:53:28,038 --> 00:53:29,664       -[Jesse] And then hit it.            -[Mary] Storm is coming.       1194 00:53:29,706 --> 00:53:30,874    Yeah, it's called the mud spin.  1195 00:53:30,916 --> 00:53:32,959            -[Jesse] Okay.                 -[Tia] So it's a slow burn?     1196 00:53:33,001 --> 00:53:34,377           So get it ready.           1197 00:53:34,419 --> 00:53:36,796       And then by the time the                 screen come, agh!          1198 00:53:36,838 --> 00:53:37,964             There's shit                      all over the place.         1199 00:53:38,006 --> 00:53:40,258            -[Jesse] Okay.                 -Like, that's even better.      1200 00:53:40,300 --> 00:53:41,885               [Fatima]                    Mary, I just have one note.     1201 00:53:41,927 --> 00:53:44,596        Smile at the beginning                 just a little bit.          1202 00:53:44,638 --> 00:53:45,347             Smile? Okay.             1203 00:53:45,388 --> 00:53:47,432            Yeah, when you                      do that kick, mm,          1204 00:53:47,474 --> 00:53:49,976            it's just like,                   give a little, like,         1205 00:53:50,018 --> 00:53:52,062     -you're up there having fun.                    -Okay.                1206 00:53:52,103 --> 00:53:54,856      [Fatima] 'Cause right now,         it looks like you're frowning.    1207 00:53:54,898 --> 00:53:57,108              -This is--                         -I know, babe.            1208 00:53:57,150 --> 00:53:59,319     -So many people tell me too.                    -Same.                1209 00:53:59,361 --> 00:54:01,279    But, uh-uh, I will compensate.                  I got it.              1210 00:54:01,321 --> 00:54:03,448      Yes, okay. Thank you, baby.     1211 00:54:03,490 --> 00:54:06,952     Yeah, the Mary note was when          we get to "No More Drama,"      1212 00:54:06,993 --> 00:54:08,203     start it simple and elegant.     1213 00:54:08,245 --> 00:54:10,330       But as she starts getting              into "No More Drama"         1214 00:54:10,372 --> 00:54:13,291    and starts getting that tempo,          don't go to the strobes,       1215 00:54:13,333 --> 00:54:15,418      -but definitely pick it up.             -[Fatima] All right.         1216 00:54:15,460 --> 00:54:17,754          Okay, great. Great.         1217 00:54:17,796 --> 00:54:18,964     [Dre]   I'm starting like this?    1218 00:54:19,005 --> 00:54:21,383      Yes, that's it. That's it.            There's one other thing.       1219 00:54:21,424 --> 00:54:24,928     Remember we did that cracking         of the knuckles for piano?      1220 00:54:24,970 --> 00:54:26,846                -Yeah.                      -Remember? You have time.      1221 00:54:26,888 --> 00:54:29,015            Like, you know,                  milk this a little bit.       1222 00:54:29,057 --> 00:54:31,309      Then when you play, can you          look to the right a little?     1223 00:54:31,351 --> 00:54:34,813       It'll be just nice to get           that face look right there.     1224 00:54:34,854 --> 00:54:36,106        -Okay, let me try that.                    -All right.             1225 00:54:36,147 --> 00:54:37,315              -Thank you.                          -All right.             1226 00:54:37,357 --> 00:54:40,443     [Fatima]   Dre is so committed                 to this process.          1227 00:54:40,485 --> 00:54:44,572        And it's widely known that              he is a perfectionist,       1228 00:54:44,614 --> 00:54:47,826         and he is gonna take              all the time that he needs      1229 00:54:47,867 --> 00:54:49,160        to get something right.       1230 00:54:49,202 --> 00:54:50,787             -How we look?                           -Good.                1231 00:54:50,829 --> 00:54:52,163        We're gonna be on time.       1232 00:54:52,205 --> 00:54:57,127     We're trying to get the Tupac            thing pushed through.        1233 00:54:57,168 --> 00:54:58,753    Oh, that's gon' happen tonight?  1234 00:54:58,795 --> 00:54:59,963      Well, Adam's got the track.     1235 00:55:00,005 --> 00:55:01,214            I'm just trying                    to get it cleared.          1236 00:55:01,256 --> 00:55:02,882        So if it doesn't happen                   on this pass,            1237 00:55:02,924 --> 00:55:04,259      it'll happen at some point.     1238 00:55:04,301 --> 00:55:06,052      I know that was a long shot        'cause I just hit him with that  1239 00:55:06,094 --> 00:55:07,345      just a couple of hours ago.     1240 00:55:07,387 --> 00:55:09,097      But you hit Adam Blackstone                  with that.              1241 00:55:09,139 --> 00:55:10,223              [Dre] Yeah.             1242 00:55:10,265 --> 00:55:13,560      This would be a much better                  piano chord             1243 00:55:13,601 --> 00:55:16,313     -than "Fur Elise," you know?                -Right. Right.            1244 00:55:16,354 --> 00:55:19,774       [Fatima]   This most recent            change was in between Eminem    1245 00:55:19,816 --> 00:55:21,234             and "Still Dre,"          1246 00:55:21,276 --> 00:55:23,111        there's a piano interlude      1247 00:55:23,153 --> 00:55:25,322         with the Beethoven song                     "Fur Elise."            1248 00:55:25,363 --> 00:55:28,199         [playing Beethoven's                     "Fur Elise"]             1249 00:55:28,241 --> 00:55:31,661         And that leads into the              beginning of "Still Dre."      1250 00:55:35,123 --> 00:55:37,167            Well, Dre decided                      he wanted to use          1251 00:55:37,208 --> 00:55:40,795       the piano interlude from          "I Ain't Mad at Cha" by Tupac.    1252 00:55:40,837 --> 00:55:41,963             Did he do it?            1253 00:55:42,005 --> 00:55:43,590      Yeah, that's what he said.                   He did it.              1254 00:55:43,631 --> 00:55:45,133      Yeah, I'd rather play that.     1255 00:55:45,175 --> 00:55:46,551          [Jesse] All right.          1256 00:55:46,593 --> 00:55:51,264    [Adam]   There has been creative          juices flowing this morning.    1257 00:55:51,306 --> 00:55:56,061    What that means for me is that        I am time coding and redoing     1258 00:55:56,102 --> 00:55:59,522       a big segment of the show             just to try to let him        1259 00:55:59,564 --> 00:56:01,066       hear what is in his head.      1260 00:56:01,107 --> 00:56:04,027       I don't know, but it'd be             great if we could that.       1261 00:56:04,069 --> 00:56:05,445                -Yeah.                    -Then I can just act it out.     1262 00:56:05,487 --> 00:56:09,074     [Adam]   And, yeah, I'm getting          blasted by all departments.     1263 00:56:09,115 --> 00:56:11,701          This is probably gonna                happen all the way up        1264 00:56:11,743 --> 00:56:13,161         until Saturday, Sunday.       1265 00:56:13,203 --> 00:56:15,538          And of course, because              it starts with the music,      1266 00:56:15,580 --> 00:56:18,792      it's all on me if it goes down              or if it goes up          1267 00:56:18,833 --> 00:56:20,251      or if it goes double down.      1268 00:56:20,293 --> 00:56:22,754       So I'm trying to hold it          together and keep my composure    1269 00:56:22,796 --> 00:56:25,423       so that all departments,                    I can lead              1270 00:56:25,465 --> 00:56:27,967     by showing them my calmness.     1271 00:56:28,009 --> 00:56:30,261     But inside, I'm going crazy.     1272 00:56:30,303 --> 00:56:31,513      [crew member] [indistinct]      1273 00:56:31,554 --> 00:56:33,264            It's just a piano                     interlude, right?          1274 00:56:33,306 --> 00:56:35,558        It's just instead of...             [hums "Fur Elise" melody]      1275 00:56:35,600 --> 00:56:38,853         ...he wants to go...                [hums different melody]       1276 00:56:38,895 --> 00:56:40,605        ...no vocals changing.        1277 00:56:40,647 --> 00:56:41,940             Keep working.            1278 00:56:41,981 --> 00:56:43,691              All right,                      I'm slowing him down.        1279 00:56:43,733 --> 00:56:45,402      I'm gonna keep going. Okay.     1280 00:56:45,443 --> 00:56:47,862              [reporter]                   Football fans across the world  1281 00:56:47,904 --> 00:56:49,656       are gearing up for game day.    1282 00:56:49,697 --> 00:56:51,032       [reporter]   And right here                  in Los Angeles,           1283 00:56:51,074 --> 00:56:52,450           everything's kicking                    into high gear.           1284 00:56:52,492 --> 00:56:55,412            From stadium preps               to the star-studded parties,    1285 00:56:55,453 --> 00:56:57,622           the city is buzzing                   with football fever         1286 00:56:57,664 --> 00:56:59,874             as we count down                     to Super Bowl LVI,         1287 00:56:59,916 --> 00:57:02,419       now less than 48 hours away.    1288 00:57:05,338 --> 00:57:08,883          [Cap]   We got it on                      in 6:47 tonight.          1289 00:57:08,925 --> 00:57:10,969            So I'm very happy.         1290 00:57:11,010 --> 00:57:13,930            Just doing it over                    and over and over,         1291 00:57:13,972 --> 00:57:18,226      the time just falls away like           scales, almost, you know?      1292 00:57:18,268 --> 00:57:22,272    If you're not working on speed,        it just comes naturally.       1293 00:57:22,313 --> 00:57:24,149     [Hamish] All right, everyone,               we're gonna go            1294 00:57:24,190 --> 00:57:25,817     in about three minutes here.     1295 00:57:28,403 --> 00:57:32,740          We are here at what            I'm calling the wrap rehearsal,  1296 00:57:32,782 --> 00:57:34,159               W-R-A-P.               1297 00:57:34,200 --> 00:57:36,995       This is our last run-through                 before you see           1298 00:57:37,036 --> 00:57:39,164         the real thing happening                     on Sunday.             1299 00:57:39,205 --> 00:57:40,665        I'm excited for what's                  about to happen.           1300 00:57:40,707 --> 00:57:44,085      This is a culture changer,                a music changer.           1301 00:57:44,127 --> 00:57:47,589        We gon' shift the world                 in a couple days.          1302 00:57:51,885 --> 00:57:53,595           What's the deal?           1303 00:57:53,636 --> 00:57:54,762                 Seth?                1304 00:57:56,181 --> 00:57:58,016         So there's an issue.               We don't have camera one.      1305 00:57:58,057 --> 00:57:59,225               [Hamish]                       Can you hear me, please?      1306 00:57:59,267 --> 00:58:01,102          -That's camera one.             -And that's the main camera.     1307 00:58:01,144 --> 00:58:03,646          That is the main--                the whole show is on one.      1308 00:58:07,775 --> 00:58:09,486                                    1309 00:58:09,527 --> 00:58:11,779    [Jesse]   So tonight is supposed           to be a nice little easy,      1310 00:58:11,821 --> 00:58:13,490            light run-through.         1311 00:58:13,531 --> 00:58:16,659              And technology                       had other plans.          1312 00:58:17,577 --> 00:58:19,287         All right, everybody,              thanks for your patience.      1313 00:58:19,329 --> 00:58:20,497              Here we go.             1314 00:58:20,538 --> 00:58:22,707     You know, we just had cameras            that didn't come in,         1315 00:58:22,749 --> 00:58:25,210      audio issues, all of it one            right after the other,        1316 00:58:25,251 --> 00:58:26,961     boom, boom, boom, boom, boom.    1317 00:58:30,965 --> 00:58:33,092       [Jesse] He's saying stop.                He's saying stop.          1318 00:58:33,134 --> 00:58:34,385           He's saying stop.          1319 00:58:34,427 --> 00:58:36,471           He's saying stop.          1320 00:58:40,266 --> 00:58:41,684        [Dionne] What happened?       1321 00:58:41,726 --> 00:58:44,187      He wants to see it up here                 on the screens,           1322 00:58:44,229 --> 00:58:45,563    but we don't have that tonight.  1323 00:58:45,605 --> 00:58:47,815           So he's not gonna                     see it tonight.           1324 00:58:51,486 --> 00:58:53,112        -[Jesse] No, game day?                 -Yeah, it is. Yeah.         1325 00:58:53,154 --> 00:58:54,697      [Jesse] Game day? Game day?     1326 00:58:56,366 --> 00:58:58,201         [Jesse] We're having                 a technical problem.         1327 00:58:58,243 --> 00:58:59,536               Oh, yeah.              1328 00:59:03,122 --> 00:59:05,667     [Jesse]   We're on a very tight         schedule with the NFL tonight.  1329 00:59:05,708 --> 00:59:09,170         We were supposed to have            our first run done by 7:50,     1330 00:59:09,212 --> 00:59:11,089          then the second run                 straight up at 8:00,         1331 00:59:11,130 --> 00:59:12,715      and off the field at 8:15.      1332 00:59:12,757 --> 00:59:14,676           We have to be off                   the field by 8:30.          1333 00:59:14,717 --> 00:59:18,263    So if we don't do this, we get        no more chances until Sunday.    1334 00:59:18,304 --> 00:59:19,806            But he's saying                     he doesn't wanna           1335 00:59:19,847 --> 00:59:21,182      do it unless he can see it.     1336 00:59:21,224 --> 00:59:24,143        So if he can't see it,               he doesn't wanna do it.       1337 00:59:24,185 --> 00:59:27,939          Yeah, he went down                     to talk to Dre.           1338 00:59:27,981 --> 00:59:29,232                [Jesse]                       When we were out there,       1339 00:59:29,274 --> 00:59:30,358       I was explaining the issues.    1340 00:59:30,400 --> 00:59:31,943            Listen, the screen                      isn't working.           1341 00:59:31,985 --> 00:59:35,780           This isn't working.                He wants it to be perfect.     1342 00:59:35,822 --> 00:59:39,409      And then magically, at that            moment when I was like,       1343 00:59:39,450 --> 00:59:41,035           "You gotta run,"                     and he's sayin',           1344 00:59:41,077 --> 00:59:42,787          "I don't wanna run                   till it's running,"         1345 00:59:42,829 --> 00:59:45,373         and then it came on,            and I was like, "Look at that."  1346 00:59:45,415 --> 00:59:46,874          [Hamish] All right,                here we go, everybody.        1347 00:59:46,916 --> 00:59:49,919        Counting the pre-roll.           Let's clear the field, please.    1348 00:59:52,547 --> 00:59:55,174        [Jesse]   NFL let us have               our second run after all      1349 00:59:55,216 --> 00:59:57,135       'cause we really needed it.     1350 00:59:57,176 --> 00:59:58,469            Artists needed it.         1351 00:59:58,511 --> 01:00:02,098          We all needed to walk                into the show confident.      1352 01:00:03,558 --> 01:00:04,976             The crazy thing                      about tonight was,         1353 01:00:05,018 --> 01:00:09,939       the plan was the first run,          addressing notes and perfect.    1354 01:00:09,981 --> 01:00:12,775         Second run was supposed               to be the disaster run.       1355 01:00:12,817 --> 01:00:17,405         We were going to pretend            the cameras were going down     1356 01:00:17,447 --> 01:00:18,906      and that audio was going down.  1357 01:00:18,948 --> 01:00:21,909          We were supposed to--               all of our contingencies.      1358 01:00:21,951 --> 01:00:23,578            We had planned out         1359 01:00:23,620 --> 01:00:26,205             the disaster run                    as the second pass.         1360 01:00:26,247 --> 01:00:28,124      And we didn't have to pretend.  1361 01:00:28,166 --> 01:00:31,169       The disaster was like, "Oh,          no, no, y'all want a disaster?  1362 01:00:31,210 --> 01:00:34,672           Let me show you guys                 what disaster can be."       1363 01:00:34,714 --> 01:00:37,550             I'm glad that                    this happened tonight        1364 01:00:37,592 --> 01:00:40,553           and we were able                    to work through it.         1365 01:00:40,595 --> 01:00:42,847        [Adam] Everybody that's            in here workin' hard for us     1366 01:00:42,889 --> 01:00:46,434     and makin' this thing happen,           everybody is fantastic.       1367 01:00:46,476 --> 01:00:48,519        And thank you so much.        1368 01:00:48,561 --> 01:00:50,813           I appreciate it.           1369 01:00:50,855 --> 01:00:54,192         [cheers and applause]        1370 01:00:54,233 --> 01:00:56,694             dramatic music          1371 01:00:56,736 --> 01:00:57,904             [Todd Kaplan]                       Every single year,         1372 01:00:57,945 --> 01:00:59,572           the Pepsi Super Bowl                     Halftime Show            1373 01:00:59,614 --> 01:01:01,991          is the most viewed                  and most talked about        1374 01:01:02,033 --> 01:01:03,743       music moment of the year.      1375 01:01:03,785 --> 01:01:06,996            We have assembled                a powerhouse lineup of stars    1376 01:01:07,038 --> 01:01:08,331            to take the stage.         1377 01:01:08,373 --> 01:01:12,627      Dre, why did it have to be            Dre and his super squad?       1378 01:01:12,669 --> 01:01:14,754            I'm not trying                      to be egotistical          1379 01:01:14,796 --> 01:01:16,506        or anything like that,                 but who else could          1380 01:01:16,547 --> 01:01:17,632       do this show here in LA?       1381 01:01:17,674 --> 01:01:19,384                 -Mm.                        -[host] No one. No one.       1382 01:01:19,425 --> 01:01:21,219        Can I get a prediction                    on the game?             1383 01:01:21,260 --> 01:01:23,304     I gotta go with LA, cuz. LA.                    This is               1384 01:01:23,346 --> 01:01:24,972                -Okay.                               -What?                1385 01:01:25,014 --> 01:01:27,308        [host] Los Angeles Rams               Super Bowl champions.        1386 01:01:27,350 --> 01:01:28,935                [Todd]                      We set up a press conference    1387 01:01:28,976 --> 01:01:30,103          before the Super Bowl.       1388 01:01:30,144 --> 01:01:32,772            And this is the                    first time publicly         1389 01:01:32,814 --> 01:01:34,816       the talent gets to really                address the media          1390 01:01:34,857 --> 01:01:36,984      and talk about their vision                 for the show,            1391 01:01:37,026 --> 01:01:38,277         what they're feeling.        1392 01:01:38,319 --> 01:01:40,488    The vision is to do what I do,    1393 01:01:40,530 --> 01:01:43,032    just leave it all on the stage.  1394 01:01:43,074 --> 01:01:45,118             [Adam Harter]                 The press conference allows us  1395 01:01:45,159 --> 01:01:46,411         to build that momentum,       1396 01:01:46,452 --> 01:01:48,496           that excitement,                   and that anticipation        1397 01:01:48,538 --> 01:01:49,539         for the performance.         1398 01:01:49,580 --> 01:01:50,915          We wanna make sure                     everybody knows           1399 01:01:50,957 --> 01:01:53,584     that this is one of the best             halftime shows ever.         1400 01:01:53,626 --> 01:01:57,797            Not only that,                   we wanna inspire kids,        1401 01:01:57,839 --> 01:01:58,756           and say, "Okay,"           1402 01:01:58,798 --> 01:02:00,383          and maybe they can                    look up and say,           1403 01:02:00,425 --> 01:02:03,010        "Okay, I can get there.              I can do that one day."       1404 01:02:11,728 --> 01:02:13,271              [reporter]                   Well, the big game is upon us.  1405 01:02:13,312 --> 01:02:15,481          And for the first time                 in almost 30 years,         1406 01:02:15,523 --> 01:02:17,442             it's being held                       in Los Angeles.           1407 01:02:17,483 --> 01:02:18,526            So it will be the                      first Super Bowl          1408 01:02:18,568 --> 01:02:20,778            for LA's brand-new                       SoFi Stadium            1409 01:02:20,820 --> 01:02:23,156          since it was completed                       in 2020.              1410 01:02:23,197 --> 01:02:27,410        [MC Lyte]   The National              Football League welcomes you    1411 01:02:27,452 --> 01:02:31,581            to the Super Bowl                     LVI Halftime Show.         1412 01:02:31,622 --> 01:02:35,376       The Pepsi Super Bowl LVI                  Halftime Show.            1413 01:02:37,003 --> 01:02:38,588              [laughter]              1414 01:02:38,629 --> 01:02:40,423    Okay, look at you confusing me.  1415 01:02:40,465 --> 01:02:43,551     The National Football League                 welcomes you             1416 01:02:43,593 --> 01:02:48,014      to the Pepsi Super Bowl LVI                Halftime Show.            1417 01:02:48,055 --> 01:02:53,019        To hear my voice introduce                the halftime show          1418 01:02:53,060 --> 01:02:56,814           for the Super Bowl,               how do you bring it to life?    1419 01:02:56,856 --> 01:03:00,067          Welcomes shouldn't be                     taken lightly.           1420 01:03:00,109 --> 01:03:01,611             Welcomes you.            1421 01:03:01,652 --> 01:03:03,946          You know, you want                    to feel welcomed.          1422 01:03:03,988 --> 01:03:05,656          So I wouldn't say,                     "Welcomes you."           1423 01:03:05,698 --> 01:03:08,493      There are so many other words                  you can use.            1424 01:03:08,534 --> 01:03:09,952        But when you use welcome,      1425 01:03:09,994 --> 01:03:11,746          you wanna make people                     feel welcome.            1426 01:03:11,788 --> 01:03:14,207               Come on in.                       It's the Super Bowl.        1427 01:03:14,248 --> 01:03:16,042                                    1428 01:03:16,083 --> 01:03:18,294         [Seth]   The Super Bowl                  is expected to reach        1429 01:03:18,336 --> 01:03:20,713      well over 100 million viewers.  1430 01:03:20,755 --> 01:03:22,507       The halftime show typically     1431 01:03:22,548 --> 01:03:24,592        is the highest rated piece                   of the game.            1432 01:03:24,634 --> 01:03:27,386         [cheers and applause]        1433 01:03:27,428 --> 01:03:29,305         There are so few things                   left in culture           1434 01:03:29,347 --> 01:03:33,518      that we share as a community.    1435 01:03:33,559 --> 01:03:36,604      Hey, hey! Rams house, baby!     1436 01:03:36,646 --> 01:03:38,606                [Seth]                     To me, that's an opportunity,    1437 01:03:38,648 --> 01:03:39,982            a responsibility.          1438 01:03:40,024 --> 01:03:43,861        There's just nowhere else               that you're gonna feel       1439 01:03:43,903 --> 01:03:46,405        the weight of everybody                  in our country            1440 01:03:46,447 --> 01:03:47,490           at the same time.          1441 01:03:47,532 --> 01:03:50,159       And that's just the power               of the Super Bowl.          1442 01:03:50,201 --> 01:03:52,912     [Todd]   On average, let's say            the Super Bowl is pulling      1443 01:03:52,954 --> 01:03:55,081       around 100 million viewers.     1444 01:03:55,122 --> 01:03:56,541      So that means this would be     1445 01:03:56,582 --> 01:04:00,586             500 sold-out                Madison Square Gardens at once.  1446 01:04:00,628 --> 01:04:04,799                                    1447 01:04:04,841 --> 01:04:08,219     [lively jazz trumpet playing]    1448 01:04:14,976 --> 01:04:16,978         About two hours away                 from one of the most         1449 01:04:17,019 --> 01:04:20,565    epic concerts ever being forced       into a football game ever.      1450 01:04:20,606 --> 01:04:22,775              -[laughter]                    -And I'm very excited.        1451 01:04:22,817 --> 01:04:24,068      We callin' it Dre Day here.     1452 01:04:24,110 --> 01:04:25,903                 Whoo!                1453 01:04:25,945 --> 01:04:27,572             And this is how                       we prepare, man.          1454 01:04:27,613 --> 01:04:29,740            God has been good.                 We woke up this morning.      1455 01:04:29,782 --> 01:04:33,661      And, you know, everybody is in       their right mind and healthy.    1456 01:04:33,703 --> 01:04:35,705         And we're very thankful                  to do what we do.          1457 01:04:35,746 --> 01:04:40,710     I'm really blessed to do what       I do, play music for a living,    1458 01:04:40,751 --> 01:04:42,545       have the hearts and the ears    1459 01:04:42,587 --> 01:04:45,214                of people                       watching these shows,        1460 01:04:45,256 --> 01:04:46,883           and I'm having fun.         1461 01:04:46,924 --> 01:04:49,594           I'm gonna enjoy this                  Super Bowl for sure.        1462 01:04:49,635 --> 01:04:52,305      'Cause it's game day, baby!                   Let's go!              1463 01:04:52,346 --> 01:04:53,681            Game day, baby.           1464 01:04:53,723 --> 01:04:55,766    [spectator]   We live in action.    1465 01:04:55,808 --> 01:04:56,851              Had to wear                    the Kobe jersey today.        1466 01:04:56,893 --> 01:04:58,811            Mama mentality.                     Boom, boom, boom.          1467 01:04:58,853 --> 01:05:02,106       You hear what I'm sayin'?                I'm just excited!          1468 01:05:10,239 --> 01:05:12,992    [Fatima] You see the excitement          in the neighborhood.         1469 01:05:13,034 --> 01:05:15,077         People, like, emptied                   their driveway            1470 01:05:15,119 --> 01:05:17,079        and are selling parking                in their driveway.          1471 01:05:17,121 --> 01:05:18,247       [Dionne] Yeah, oh, I saw.      1472 01:05:18,289 --> 01:05:19,790         On the corner over here,                this guy had a sign,        1473 01:05:19,832 --> 01:05:22,376          2.50 parking all day,                 and it was a driveway.       1474 01:05:22,418 --> 01:05:24,545               [Fatima]                       Yeah, it was a driveway.      1475 01:05:24,587 --> 01:05:26,923          [Dionne]   I'm like,                  "Make your money, boo."       1476 01:05:29,842 --> 01:05:31,928          Y'all look so good.         1477 01:05:34,764 --> 01:05:36,766       [De'Ja]   I think my mama's                  crying right now          1478 01:05:36,807 --> 01:05:39,727       'cause she just called me               and she was crying.         1479 01:05:39,769 --> 01:05:42,647     Good way, though. Good tears.    1480 01:05:42,688 --> 01:05:45,816       I'm nervous, but I'm not           nervous, if that makes sense.    1481 01:05:45,858 --> 01:05:47,276          There's a lot goin'                   through my head.           1482 01:05:47,318 --> 01:05:48,361       I just feel butterflies.       1483 01:05:48,402 --> 01:05:49,654         [De'Ja] You feel me?                   Yeah, that's it.           1484 01:05:49,695 --> 01:05:51,155       Yeah, there's butterflies            going through all around.      1485 01:05:51,197 --> 01:05:53,616               [Celeste]                    This experience is historic.    1486 01:05:53,658 --> 01:05:57,453      And I don't know, I'm just             so anxious to see 'em,        1487 01:05:57,495 --> 01:05:58,955          and I'm happy for 'em.       1488 01:05:58,996 --> 01:06:02,708                 [all]                     Go Mary! Go Mary! Go Mary!      1489 01:06:02,750 --> 01:06:06,087            [all cheering]            1490 01:06:12,802 --> 01:06:17,723         I just wanna say that                    I am so happy            1491 01:06:17,765 --> 01:06:22,645     to be here with such amazing,                  talented,              1492 01:06:22,687 --> 01:06:24,939        wonderful human beings.       1493 01:06:24,981 --> 01:06:29,986     It's been such a long journey               to this place,            1494 01:06:30,027 --> 01:06:34,198    but you guys have been so good.  1495 01:06:34,240 --> 01:06:36,951       And I thank you so much.       1496 01:06:36,993 --> 01:06:39,745         I really, really do.         1497 01:06:39,787 --> 01:06:41,622           [voice breaking]               And when you're out there...     1498 01:06:41,664 --> 01:06:44,583         [cheers and applause]        1499 01:06:44,625 --> 01:06:47,628            heartfelt music          1500 01:06:47,670 --> 01:06:53,009                                    1501 01:06:57,430 --> 01:07:01,642    ...when you're out there today,         dance from your heart.        1502 01:07:02,727 --> 01:07:06,188         Make everybody proud.        1503 01:07:06,230 --> 01:07:11,444      And just be the amazing you                 that you are.            1504 01:07:11,485 --> 01:07:15,031       You know, so many people                   have studied             1505 01:07:15,072 --> 01:07:18,451         and trained and trained                     and trained             1506 01:07:18,492 --> 01:07:20,244        for this moment right now.     1507 01:07:21,787 --> 01:07:24,248         So I'm happy for you.        1508 01:07:24,290 --> 01:07:26,625            A lot of dreams                  are coming true today.        1509 01:07:26,667 --> 01:07:29,712           And I'm so happy                    to be part of that.         1510 01:07:29,754 --> 01:07:31,422         Thank you, everybody.        1511 01:07:31,464 --> 01:07:34,508         [cheers and applause]        1512 01:07:34,550 --> 01:07:39,513                                    1513 01:07:52,985 --> 01:07:55,571         Thank you so much for             lettin' us be part of this.     1514 01:07:55,613 --> 01:07:57,865             -No problem.                       -Thank you, Cap.           1515 01:07:57,907 --> 01:08:00,618                 [Cap]                    Super Bowl LVI Halftime Show,    1516 01:08:00,659 --> 01:08:02,453      probably five minutes out.      1517 01:08:02,495 --> 01:08:06,916       Like Tom Petty said, "The          waiting is the hardest part."    1518 01:08:06,957 --> 01:08:09,376           But not much longer.        1519 01:08:11,545 --> 01:08:14,423     -Are you gonna get the bird?                    -Yeah.                1520 01:08:14,465 --> 01:08:15,800      [Dionne] All right, y'all.      1521 01:08:15,841 --> 01:08:18,552       [Cap]   Move out! Move out!                  [indistinct]             1522 01:08:19,804 --> 01:08:23,766    Come on, cameras, let's do it!                Do it! Do it!            1523 01:08:23,808 --> 01:08:25,226       The countdown's started.       1524 01:08:25,267 --> 01:08:28,896       [Dionne]   Game day is such            a weird thing for Super Bowl    1525 01:08:28,938 --> 01:08:31,232          because it's really                the point of no return.       1526 01:08:31,273 --> 01:08:33,234        Show 'em what you got!                      Let's go!              1527 01:08:33,275 --> 01:08:35,736     [Dionne]   You've rehearsed it.                   It's set.              1528 01:08:35,778 --> 01:08:37,279           And there's nothing                      that we can do           1529 01:08:37,321 --> 01:08:39,698           as producers that's                   gonna change what's         1530 01:08:39,740 --> 01:08:42,409       gonna happen in that moment.    1531 01:08:42,451 --> 01:08:44,036            Three minutes?            1532 01:08:44,078 --> 01:08:46,163       [Dionne]   Everything that                 we've rehearsed over        1533 01:08:46,205 --> 01:08:48,124            and over and over,                     now we just have          1534 01:08:48,165 --> 01:08:49,667       to get out there and do it.     1535 01:08:51,460 --> 01:08:53,045            Less than six.            1536 01:08:53,087 --> 01:08:55,798    We had eight, so. Just for us.    1537 01:08:55,840 --> 01:08:57,091           Now, I don't know                     about the rest,           1538 01:08:57,133 --> 01:08:58,592      but I'm sure we beat eight.     1539 01:08:58,634 --> 01:08:59,677                 Easy.                1540 01:08:59,718 --> 01:09:01,428             [crewmember]                       Dre is in position.         1541 01:09:01,470 --> 01:09:02,972     [Jesse] Good luck, everybody.    1542 01:09:04,140 --> 01:09:06,308        [Anderson]   I think five             seconds before they went on,    1543 01:09:06,350 --> 01:09:09,061     Snoop asked Dre--he was like,              "Hey, cuz, is it           1544 01:09:09,103 --> 01:09:11,188    ladi-dadi-da or dadi-dadi-da?"    1545 01:09:11,230 --> 01:09:14,150     And then the lights went out          and the show was starting.      1546 01:09:15,151 --> 01:09:17,820        [MC Lyte]   The National              Football League welcomes you    1547 01:09:17,862 --> 01:09:21,490       to the Pepsi Super Bowl LVI                  Halftime Show.           1548 01:09:26,912 --> 01:09:30,875              [producer]                      Seven, six, five, four,       1549 01:09:30,916 --> 01:09:34,044           three, two, one.           1550 01:09:34,086 --> 01:09:35,838     Live media and live picture.     1551 01:09:35,880 --> 01:09:39,216       [dramatic music playing]       1552 01:09:48,350 --> 01:09:50,060                [Snoop]                         Da, da, da, da, da        1553 01:09:50,102 --> 01:09:52,271          It's the one and only                    D-O-double-G            1554 01:09:52,313 --> 01:09:53,480              Snoop Dogg!             1555 01:09:53,522 --> 01:09:57,234       Da, da, da, da, da, you know        I'm mobbin' with the D-R-E     1556 01:09:57,276 --> 01:09:59,361      [Dre]    Yeah, yeah, yeah       1557 01:09:59,403 --> 01:10:00,487       Y'all know what this is!       1558 01:10:00,529 --> 01:10:03,949     So can y'all make some noise            for my man, Snoop Dogg?       1559 01:10:03,991 --> 01:10:06,410         [Anderson]   To see Dre             with a genuine look of, like,    1560 01:10:06,452 --> 01:10:09,914          "Wow, I can't believe                 we took it this far."        1561 01:10:09,955 --> 01:10:12,208        You know, you could see            a little glimpse of, like,      1562 01:10:12,249 --> 01:10:14,293            a little young boy                    from Compton that          1563 01:10:14,335 --> 01:10:16,003      was in there with the records    1564 01:10:16,045 --> 01:10:18,380            and messing around                    on the keyboards.          1565 01:10:18,422 --> 01:10:21,050         And you see him when              the riser's coming up like,     1566 01:10:21,091 --> 01:10:23,552          "Hip-hop, we did it."        1567 01:10:25,387 --> 01:10:26,138                  Yo!                 1568 01:10:26,180 --> 01:10:27,264                 [Dre]                          Da, da, da, da, da        1569 01:10:27,306 --> 01:10:29,141          It's the one and only                       D-R-E                1570 01:10:29,183 --> 01:10:30,684      Dr. Dre, you lil' busters!      1571 01:10:30,726 --> 01:10:32,102           Da, da, da, da, da        1572 01:10:32,144 --> 01:10:34,313           You know I'm ridin'                with the D-O-double-G        1573 01:10:34,355 --> 01:10:36,649                [Snoop]                     West Coast, make some noise!    1574 01:10:36,690 --> 01:10:38,984            California love          1575 01:10:39,026 --> 01:10:41,195                 Come on!                   Put your hands in the air!     1576 01:10:41,237 --> 01:10:44,031           Everybody, put your                  hands in the air!          1577 01:10:44,073 --> 01:10:45,282                Come on!             1578 01:10:45,324 --> 01:10:46,575           Everybody, put your                  hands in the air!          1579 01:10:46,617 --> 01:10:48,994              Put your hands                    way up in the air!         1580 01:10:49,036 --> 01:10:50,788          [Dre]    Now let me                    welcome everybody          1581 01:10:50,829 --> 01:10:52,164         To the Wild Wild West       1582 01:10:52,206 --> 01:10:56,919     [MC Lyte]   When Dre and Snoop           were on top of the trailers,    1583 01:10:56,961 --> 01:10:59,797            as they were about                    to take their bow,         1584 01:10:59,838 --> 01:11:00,965         they put their hands up.      1585 01:11:01,006 --> 01:11:02,883            It was like taking                     all of that in.           1586 01:11:02,925 --> 01:11:06,178         It was important that                 it not be a peace,          1587 01:11:06,220 --> 01:11:09,723        that it not be a yeah,                   but it be like,           1588 01:11:09,765 --> 01:11:12,768      "This is all love right here."  1589 01:11:12,810 --> 01:11:14,937             I know that's                     a Fatima direction.         1590 01:11:14,979 --> 01:11:19,733           California knows how                      to party              1591 01:11:20,985 --> 01:11:23,237                [Jesse]                     Here comes the surprise!       1592 01:11:24,863 --> 01:11:29,118             -[Dionne] Oh!                   -Ahh! People losing it!       1593 01:11:29,159 --> 01:11:31,245        [both]    We gon' party               like it's your birthday       1594 01:11:31,287 --> 01:11:32,538     [Jesse]   It all came together     1595 01:11:32,579 --> 01:11:35,249           for the 50 Cent part                      of the show.            1596 01:11:35,291 --> 01:11:37,459          I think everybody was               genuinely surprised at 50.     1597 01:11:37,501 --> 01:11:39,128       [50 Cent]    And you know               we don't give a   [...]          1598 01:11:39,169 --> 01:11:40,546         It's not your birthday      1599 01:11:40,587 --> 01:11:42,840       You can find me in the club,           bottle full of bub'         1600 01:11:42,881 --> 01:11:43,966       Mama, I got what you need     1601 01:11:44,008 --> 01:11:45,342        If you need to feel good     1602 01:11:45,384 --> 01:11:47,469           I'm into havin' sex,              I ain't into makin' love      1603 01:11:47,511 --> 01:11:50,806          So come give me a hug             if you into getting rubbed     1604 01:11:50,848 --> 01:11:52,725             You can find me                       in the club             1605 01:11:52,766 --> 01:11:54,893            [Jesse] And...            1606 01:11:54,935 --> 01:11:57,646                 -Wow!                           -[Dionne] Yay!            1607 01:11:57,688 --> 01:11:59,106         [Mary]    Let's get it                     crunk up on             1608 01:11:59,148 --> 01:12:02,067               Have fun up                       in this dancery           1609 01:12:02,109 --> 01:12:04,945            We got y'all open                    and ya floatin'           1610 01:12:04,987 --> 01:12:07,197           So you gots to dance                       for me               1611 01:12:07,239 --> 01:12:09,742           Come on, everybody,                     get on down             1612 01:12:09,783 --> 01:12:12,077         'Cause you know we gots                 to get it crunk           1613 01:12:12,119 --> 01:12:14,163                Mary J. is                     in the spot tonight         1614 01:12:14,204 --> 01:12:15,831             And I'ma make it                     feel all right           1615 01:12:15,873 --> 01:12:17,374         Make it feel all right      1616 01:12:17,416 --> 01:12:20,169              Come on, baby,                    just party with me         1617 01:12:20,210 --> 01:12:22,588     [Dionne]   I think the biggest             moment for me was seeing      1618 01:12:22,629 --> 01:12:25,299          all of Mary's dancers              on the roof and I was like,     1619 01:12:25,341 --> 01:12:27,259    "Wow, like, this is a moment."    1620 01:12:27,301 --> 01:12:30,888       -[Jesse] Go, go, go, go!                - No more, no more!        1621 01:12:30,929 --> 01:12:33,223             No more drama           1622 01:12:33,265 --> 01:12:35,642             No more drama           1623 01:12:35,684 --> 01:12:39,646        [singing indistinctly]        1624 01:12:41,273 --> 01:12:43,359       Let's get up off your feet   1625 01:12:43,400 --> 01:12:45,319               Go get up             1626 01:12:45,361 --> 01:12:48,072        [singing indistinctly]        1627 01:12:48,113 --> 01:12:50,741               [yelling]              1628 01:12:53,660 --> 01:12:56,163             No more drama!          1629 01:12:56,205 --> 01:13:00,209              No, no, no!            1630 01:13:00,250 --> 01:13:05,214      [Adam]   The Mary-to-Kendrick           transition was very intense.    1631 01:13:05,255 --> 01:13:06,465        Man, I got goosebumps.        1632 01:13:06,507 --> 01:13:08,675        Seems like the whole city                 go against me            1633 01:13:08,717 --> 01:13:11,053              Every time I'm                  in the street, I hear        1634 01:13:11,095 --> 01:13:12,429       "Yawk! Yawk! Yawk! Yawk!"     1635 01:13:12,471 --> 01:13:14,765       Man down, where you from?     1636 01:13:14,807 --> 01:13:16,308            [Dionne] Stop!            1637 01:13:16,350 --> 01:13:17,351          [Jesse] Beautiful!          1638 01:13:17,393 --> 01:13:19,103          [Dionne]   And stop!          1639 01:13:19,144 --> 01:13:22,189         Where your grandma stay,                   huh, man?              1640 01:13:22,231 --> 01:13:23,941          This m.A.A.d city I        1641 01:13:23,982 --> 01:13:25,818            [all grunting]            1642 01:13:25,859 --> 01:13:28,487        [Fatima]   To be honest,              the music drives it so much.    1643 01:13:28,529 --> 01:13:31,281          It's all about whether                we wanna ride the beat       1644 01:13:31,323 --> 01:13:33,951           or whether we wanna                  ride Kendrick's lyrics       1645 01:13:33,992 --> 01:13:35,994            because I know                   Kendrick's gonna always       1646 01:13:36,036 --> 01:13:39,039     put his Kendrick vibe to it.     1647 01:13:39,081 --> 01:13:40,541        I want one, you want one     1648 01:13:40,582 --> 01:13:44,086               God got us,                  we gon' be all right, huh!     1649 01:13:44,128 --> 01:13:46,255       We gon' be all right, ha!     1650 01:13:46,296 --> 01:13:48,173       We gon' be all right, huh!   1651 01:13:48,215 --> 01:13:49,716        [indistinct]   make you stop   1652 01:13:49,758 --> 01:13:51,718           Thinkin' you forgot                      about Dre              1653 01:13:51,760 --> 01:13:52,886             All right, ah!          1654 01:13:52,928 --> 01:13:55,764        [rapping indistinctly]        1655 01:13:55,806 --> 01:13:57,015               All right!            1656 01:13:57,057 --> 01:14:00,144       Ooh, look at 'em, y'all!                     [laughs]               1657 01:14:00,185 --> 01:14:01,728              [Kendrick]                    Just a bunch of gibberish     1658 01:14:01,770 --> 01:14:04,231            And they act like                 they forgot about Dre        1659 01:14:04,273 --> 01:14:07,609        [rapping indistinctly]        1660 01:14:13,115 --> 01:14:14,867       [Eminem's "Lose Yourself"                    playing]               1661 01:14:14,908 --> 01:14:16,076               [Eminem]                              Look...              1662 01:14:16,118 --> 01:14:18,203         [cheers and applause]        1663 01:14:18,245 --> 01:14:20,831             If you had...           1664 01:14:20,873 --> 01:14:23,041      Oh, God, this is beautiful.     1665 01:14:23,083 --> 01:14:25,085               [Eminem]                          One opportunity          1666 01:14:25,127 --> 01:14:28,046           To seize everything                   you ever wanted           1667 01:14:28,088 --> 01:14:29,965       [Anderson]   You can't even               imagine how that feels       1668 01:14:30,007 --> 01:14:31,675         to play in front of all                     these people            1669 01:14:31,717 --> 01:14:33,218             surrounding you                      just with respect.         1670 01:14:33,260 --> 01:14:35,721      [Dionne]   Go, Anderson.Paak.             Come on, Anderson.Paak.       1671 01:14:35,762 --> 01:14:36,638                   Eh!                 1672 01:14:36,680 --> 01:14:38,390               [Eminem]                     Knees weak, arms are heavy   1673 01:14:38,432 --> 01:14:40,434       There's vomit on his sweater         already, Mom's spaghetti      1674 01:14:40,476 --> 01:14:41,810              He's nervous,                     but on the surface         1675 01:14:41,852 --> 01:14:43,854              He looks calm                  and ready to drop bombs       1676 01:14:43,896 --> 01:14:47,107        But he keeps on forgettin'              what he wrote down         1677 01:14:47,149 --> 01:14:48,525             The whole crowd                       goes so loud            1678 01:14:48,567 --> 01:14:51,820           He opens his mouth,             but the words won't come out   1679 01:14:51,862 --> 01:14:52,946           He's chokin', how?        1680 01:14:52,988 --> 01:14:54,281         Everybody's jokin' now      1681 01:14:54,323 --> 01:14:56,867           The clock's run out,              time's up, over, blaow!       1682 01:14:56,909 --> 01:14:58,952          Snap back to reality,               oh, there goes gravity       1683 01:14:58,994 --> 01:15:00,537         Oh, there goes Rabbit       1684 01:15:00,579 --> 01:15:04,291      [Anderson]   And to still be            able to control the audience    1685 01:15:04,333 --> 01:15:08,462      and control that energy is          just, like, ooh, it's unreal.    1686 01:15:08,504 --> 01:15:10,756        He better go capture this            moment and hope it don't      1687 01:15:10,797 --> 01:15:13,926         You better lose yourself            in the music, the moment      1688 01:15:13,967 --> 01:15:16,470               You own it,                  you better never let it go     1689 01:15:16,512 --> 01:15:17,679         You only get one shot       1690 01:15:17,721 --> 01:15:19,264               Do not miss                     your chance to blow         1691 01:15:19,306 --> 01:15:22,226          This opportunity comes                once in a lifetime         1692 01:15:22,267 --> 01:15:24,269              You better!            1693 01:15:24,311 --> 01:15:26,939            [Dionne]   Whoo!            1694 01:15:26,980 --> 01:15:27,856                  Whoo!                1695 01:15:27,898 --> 01:15:31,944         [cheers and applause]        1696 01:15:31,985 --> 01:15:35,072           [dramatic music]           1697 01:15:52,130 --> 01:15:53,966               [Fatima]                     For me, it was so important     1698 01:15:54,007 --> 01:15:56,176        for Dre to play the piano.     1699 01:15:56,218 --> 01:15:58,929            You know, he said,                 "It gives me butterflies      1700 01:15:58,971 --> 01:16:02,474       just thinkin' about playing          in front of that many people."  1701 01:16:02,516 --> 01:16:05,602             But I told Dre,                   "You don't know how many      1702 01:16:05,644 --> 01:16:10,190         young men you affect                  by them seeing you          1703 01:16:10,232 --> 01:16:12,192    play the piano the way you do."  1704 01:16:14,236 --> 01:16:16,029                 Whoo!                1705 01:16:16,071 --> 01:16:18,073            [Dionne]   Whoo!            1706 01:16:18,115 --> 01:16:20,492         [Jesse]   There we go.         1707 01:16:20,534 --> 01:16:23,370           -Hey, we got it!                      -[Dionne] Yay!            1708 01:16:23,412 --> 01:16:25,539           It's still Dre, AK        1709 01:16:25,581 --> 01:16:27,666         Though I've grown a lot,            can't keep it home a lot      1710 01:16:27,708 --> 01:16:30,502        'cause when I frequent the         spots that I'm known to rock   1711 01:16:30,544 --> 01:16:33,005        You hear the bass from the         truck when I'm on the block     1712 01:16:33,046 --> 01:16:35,924         Ladies, they pay homage           but haters say Dre fell off     1713 01:16:35,966 --> 01:16:36,967              How, homie?            1714 01:16:37,009 --> 01:16:38,802              The last album                     was   The Chronic             1715 01:16:38,844 --> 01:16:40,971            They wanna know if                   he still got it           1716 01:16:41,013 --> 01:16:42,222         They say rap's changed      1717 01:16:42,264 --> 01:16:43,473           They wanna know how                   I feel about it           1718 01:16:43,515 --> 01:16:45,809       If you ain't up on thangs     1719 01:16:45,851 --> 01:16:48,478           Dr. Dre is the name,                I'm ahead of my game        1720 01:16:48,520 --> 01:16:50,105          -[Snoop]    Still               -[Dre]    Puffing my leaves      1721 01:16:50,147 --> 01:16:51,565        Still crushing the beats     1722 01:16:51,607 --> 01:16:53,066        Still not loving police      1723 01:16:53,108 --> 01:16:55,611         I'm still rockin' khakis            with a cuff and a crease      1724 01:16:55,652 --> 01:16:58,655         I still got love for the              streets, reppin' 213        1725 01:16:58,697 --> 01:17:00,240          Still the beats bang       1726 01:17:00,282 --> 01:17:01,491          Still doing my thang       1727 01:17:01,533 --> 01:17:03,368              Since I left,                   ain't too much changed       1728 01:17:03,410 --> 01:17:05,078          Still I'm representing                for them gangsters         1729 01:17:05,120 --> 01:17:07,122        - All across the world                 -[both]    Still           1730 01:17:07,164 --> 01:17:08,957    [Snoop]    Hitting them corners            in them low-lows, girl       1731 01:17:08,999 --> 01:17:11,501         And still taking my time              to perfect the beat         1732 01:17:11,543 --> 01:17:13,712           And I still got love                  for the streets           1733 01:17:13,754 --> 01:17:15,130       [all]    It's the D-R-E!       1734 01:17:15,172 --> 01:17:16,923                [Jesse]                       There you go! That's it!      1735 01:17:16,965 --> 01:17:18,258            [Dionne] Yeah!            1736 01:17:18,300 --> 01:17:21,887         [cheers and applause]        1737 01:17:21,928 --> 01:17:25,641                  Yeah!                1738 01:17:40,947 --> 01:17:44,618            triumphant music         1739 01:17:44,660 --> 01:17:47,204         [indistinct chatter]         1740 01:17:47,245 --> 01:17:48,830                [Jesse]                      It takes a lot of teamwork     1741 01:17:48,872 --> 01:17:50,791        to deliver something great                   in the end.             1742 01:17:50,832 --> 01:17:54,961          We set such a high bar            that you gotta live up to it.    1743 01:17:55,003 --> 01:17:59,758         I thought we're spot on             because I see in their faces    1744 01:17:59,800 --> 01:18:01,843      that everybody got the message  1745 01:18:01,885 --> 01:18:04,721         that hip-hop is part               of the American culture,       1746 01:18:04,763 --> 01:18:06,598             and you have                      to understand that,         1747 01:18:06,640 --> 01:18:08,934      appreciate it, and respect it.  1748 01:18:08,975 --> 01:18:12,604              Whoo! Yeah!             1749 01:18:12,646 --> 01:18:15,023             -We did that.                     -We did that, baby.         1750 01:18:18,902 --> 01:18:23,657             -Yeah, yeah!                     -[both] We did that!         1751 01:18:23,699 --> 01:18:25,534           Did you love it?                     Did you like it?           1752 01:18:25,575 --> 01:18:27,244       Was it a culture changer?      1753 01:18:27,285 --> 01:18:28,245             Game changer?            1754 01:18:28,286 --> 01:18:29,538    Music does that for everybody.    1755 01:18:29,579 --> 01:18:31,164          Universal language.                    We love y'all.            1756 01:18:31,206 --> 01:18:32,374    Thank y'all for tuning in, man.  1757 01:18:32,416 --> 01:18:33,750           -God is a great.                    -[person] Come on.          1758 01:18:33,792 --> 01:18:35,043                [Adam]                      Being in this neighborhood,     1759 01:18:35,085 --> 01:18:37,587          being in this stadium,                 being in this city,         1760 01:18:37,629 --> 01:18:40,340     being here for halftime just,                  I think,               1761 01:18:40,382 --> 01:18:43,427           gives people hope                  that you can succeed.        1762 01:18:43,468 --> 01:18:46,096       You know, it doesn't matter                where you're from,         1763 01:18:46,138 --> 01:18:47,639            continue to dream.         1764 01:18:47,681 --> 01:18:49,975        [Cap]   Another one bites                the dust successfully.       1765 01:18:50,016 --> 01:18:50,976               No injuries.            1766 01:18:51,017 --> 01:18:53,395                We were on                      in under six minutes.        1767 01:18:53,437 --> 01:18:56,440           I come back because                   it's a special gig.         1768 01:18:56,481 --> 01:18:58,191           It's a human thing.         1769 01:18:58,233 --> 01:19:00,527               Bro, mm.               1770 01:19:00,569 --> 01:19:01,528                 Ahh!                 1771 01:19:01,570 --> 01:19:03,071          Music history, man.         1772 01:19:03,113 --> 01:19:05,782        [Seth]   People just keep             on saying the words history.    1773 01:19:05,824 --> 01:19:08,493         But I think what you're              seeing with this reaction      1774 01:19:08,535 --> 01:19:12,372     is it speaks to the power of         what these artists have done.    1775 01:19:12,414 --> 01:19:16,042       It speaks to the cultural            relevance of their music       1776 01:19:16,084 --> 01:19:18,545    over the years and still today.  1777 01:19:18,587 --> 01:19:20,338              It really was,                     I think, eye-opening        1778 01:19:20,380 --> 01:19:23,467           for a lot of people                who don't quite understand     1779 01:19:23,508 --> 01:19:26,219         how important hip-hop is                 to so many people.         1780 01:19:28,263 --> 01:19:29,723       [Dionne] Ahh, thank you.       1781 01:19:29,765 --> 01:19:31,892                 -Yo.                            -You killed it.           1782 01:19:31,933 --> 01:19:32,934                 Love.                1783 01:19:32,976 --> 01:19:35,520              It's really                     about doing something        1784 01:19:35,562 --> 01:19:39,232           that shows people                   that it's possible.         1785 01:19:39,274 --> 01:19:41,526              And hopefully,                      this opens a door          1786 01:19:41,568 --> 01:19:46,198      and creates a pipeline 'cause            maybe we were the first,      1787 01:19:46,239 --> 01:19:47,574        but we won't be the last.      1788 01:19:47,616 --> 01:19:50,911         [all] Yay! Yay! Yay!         1789 01:19:55,707 --> 01:19:58,919            [all cheering]            1790 01:19:58,960 --> 01:20:02,881     [Fatima]   I mean, the feedback              has been incredible.        1791 01:20:02,923 --> 01:20:06,092              I was so happy                     that we represented         1792 01:20:06,134 --> 01:20:08,553       West Coast on such a level.     1793 01:20:08,595 --> 01:20:10,263           That is just iconic.        1794 01:20:10,305 --> 01:20:11,389             It's so amazing.          1795 01:20:11,431 --> 01:20:13,308          And it's just so true                      to my heart,            1796 01:20:13,350 --> 01:20:15,310       someone who grew up in LA      1797 01:20:15,352 --> 01:20:19,815      and who just loves hip-hop                    to death.              1798 01:20:21,858 --> 01:20:25,862      [Anderson]   There's been so           many great Super Bowl moments,  1799 01:20:25,904 --> 01:20:29,533            but I think it was               probably one of the biggest     1800 01:20:29,574 --> 01:20:30,742           moments for hip-hop.        1801 01:20:30,784 --> 01:20:32,786              And Dre is one                      of the only people         1802 01:20:32,828 --> 01:20:35,330           that could actually                pull this off for hip-hop.     1803 01:20:35,372 --> 01:20:38,667     Everything that we come from,               we brought it,            1804 01:20:38,708 --> 01:20:40,710           and we brought it                  to the world to see.         1805 01:20:40,752 --> 01:20:42,838       It was just a beautiful,                   beautiful day            1806 01:20:42,879 --> 01:20:44,631      that'll go down in history                    forever.               1807 01:20:44,673 --> 01:20:47,634         [cheers and applause]        1808 01:20:47,676 --> 01:20:53,014                                    1809 01:21:08,780 --> 01:21:11,783             dramatic music          1810 01:21:11,825 --> 01:21:17,080                                    1811 01:22:20,852 --> 01:22:22,520            [baby giggles]            1812 01:22:22,562 --> 01:22:29,485           [seagulls cawing]