1 00:00:01,268 --> 00:00:24,190 ♪ 2 00:00:24,190 --> 00:00:28,662 [ APPLAUSE ] 3 00:00:28,662 --> 00:00:30,230 >> HELLO, FRIENDS. 4 00:00:30,230 --> 00:00:32,332 WELCOME TO OUR EMMYS 5 00:00:32,332 --> 00:00:34,234 NEIGHBORHOOD ON A BEAUTIFUL MLK 6 00:00:34,234 --> 00:00:35,202 DAY. 7 00:00:35,202 --> 00:00:36,503 YOU KNOW... 8 00:00:36,503 --> 00:00:39,639 [ APPLAUSE ] 9 00:00:39,639 --> 00:00:42,309 I LOVE TELEVISION AND 10 00:00:42,309 --> 00:00:44,177 TONIGHT WE CELEBRATE 75 YEARS OF 11 00:00:44,177 --> 00:00:45,278 EMMYS! 12 00:00:45,278 --> 00:00:46,646 WE'RE GOING TO COMMEMORATE THE 13 00:00:46,646 --> 00:00:48,148 GREATEST SHOWS OF TODAY WHILE 14 00:00:48,148 --> 00:00:49,950 PAYING TRIBUTE TO SOME OF THE 15 00:00:49,950 --> 00:00:52,152 ICONIC SERIES THAT MEAN SO MUCH 16 00:00:52,152 --> 00:00:53,220 TO US. 17 00:00:53,220 --> 00:00:55,388 SIMPLY PUT, TELEVISION HAS 18 00:00:55,388 --> 00:00:56,856 SHAPED THE WORLD AND MORE 19 00:00:56,856 --> 00:00:59,559 IMPORTANTLY, IT SHAPED ME. 20 00:00:59,559 --> 00:01:02,762 NOW, I HAVE LEARNED A GREAT DEAL 21 00:01:02,762 --> 00:01:05,065 ABOUT LIFE FROM MY MOTHER. 22 00:01:05,065 --> 00:01:07,534 SHE TAUGHT ME EVERYTHING I KNOW, 23 00:01:07,534 --> 00:01:09,469 BUT I ALSO LEARNED A LOT FROM 24 00:01:09,469 --> 00:01:11,037 THE TELEVISION SHOWS THAT I 25 00:01:11,037 --> 00:01:13,106 WATCHED GROWING UP. 26 00:01:13,106 --> 00:01:15,141 I'D WATCH IN MY LIVING ROOM. 27 00:01:15,141 --> 00:01:19,579 IT WAS JUST ME, MY TV, MY PIANO 28 00:01:19,579 --> 00:01:21,648 AND A SMALL LOCAL DIVERSE AND 29 00:01:21,648 --> 00:01:24,584 INCLUSIVE CHOIR FROM COMPTON. 30 00:01:25,318 --> 00:01:25,952 YEAH! 31 00:01:25,952 --> 00:01:27,454 YOU'RE PROBABLY WONDERING WHY I 32 00:01:27,454 --> 00:01:28,788 HAVE THE WHITE DUDE IN THE 33 00:01:28,788 --> 00:01:29,956 CHOIR. 34 00:01:29,956 --> 00:01:33,159 FUN FACT, KEVIN COSTNER IS FROM 35 00:01:33,159 --> 00:01:34,494 COMPTON. 36 00:01:34,494 --> 00:01:35,629 I WONDER IF HE WAS A CRIP OR A 37 00:01:35,629 --> 00:01:37,430 BLOOD. 38 00:01:37,430 --> 00:01:38,665 WHO KNOWS... 39 00:01:40,100 --> 00:01:41,501 ALRIGHT. 40 00:01:41,501 --> 00:01:43,036 >> ANYWAY, FROM THIS GREAT 41 00:01:43,036 --> 00:01:47,240 SERIES CREATED BY NORMAN LEAR 42 00:01:47,240 --> 00:01:49,676 AND ERIC MONTE, I LEARNED ABOUT 43 00:01:49,676 --> 00:01:51,811 THE IMPORTANCE OF FAMILY, A 44 00:01:51,811 --> 00:01:54,514 DYNAMITE CATCHPHRASE AND SPINOFF 45 00:01:54,514 --> 00:01:56,383 MONEY. 46 00:01:56,383 --> 00:02:02,822 NO GOOD TIMES, NO GROWNISH. 47 00:02:02,822 --> 00:02:05,358 NONE OF THAT ISH. 48 00:02:05,358 --> 00:02:06,893 CHOIR, HIT IT! 49 00:02:06,893 --> 00:02:08,795 ♪ KEEPIN' YOUR HEAD ABOVE 50 00:02:08,795 --> 00:02:10,530 WATER MAKING A WAVE WHEN 51 00:02:10,530 --> 00:02:12,666 YOU CAN ♪ 52 00:02:12,666 --> 00:02:14,100 ♪ LAY OFFS GOOD TIMES EASY 53 00:02:14,100 --> 00:02:16,736 CREDIT RIP OFFS GOOD TIMES 54 00:02:16,736 --> 00:02:19,506 SCRATCHING ♪ 55 00:02:19,506 --> 00:02:21,508 ♪ AND SURVIVING GOOD TIMES 56 00:02:21,508 --> 00:02:23,577 HANGING OUT AND 57 00:02:23,577 --> 00:02:26,746 JIVING GOOD TIMES ♪ 58 00:02:26,746 --> 00:02:30,417 ♪ AIN'T WE LUCKY WE GOT EM 59 00:02:30,417 --> 00:02:34,354 GOOD TIMES 60 00:02:34,354 --> 00:02:35,589 ♪ 61 00:02:35,589 --> 00:02:39,559 [ APPLAUSE ] 62 00:02:39,559 --> 00:02:40,060 >> ALL RIGHT! 63 00:02:40,060 --> 00:02:41,695 ALL RIGHT. 64 00:02:41,695 --> 00:02:43,697 I SEE YOU. 65 00:02:43,697 --> 00:02:44,197 OKAY. 66 00:02:44,197 --> 00:02:46,433 HEY, FLETCHER, YOU ALWAYS 67 00:02:46,433 --> 00:02:49,069 INVITED TO THE COOKOUT. 68 00:02:49,069 --> 00:02:51,404 NOW, TV GAVE ME MY FIRST CRUSH. 69 00:02:51,404 --> 00:02:52,973 I WAS WATCHING "FACTS OF LIFE" 70 00:02:52,973 --> 00:02:54,507 WHEN A BEAUTIFUL GIRL WITH 71 00:02:54,507 --> 00:02:55,275 PIGTAILS SKATED ACROSS MY TV AND 72 00:02:55,275 --> 00:02:57,143 STOLE MY HEART. 73 00:02:57,143 --> 00:03:04,918 I LOVE YOU TOOTIE! 74 00:03:04,918 --> 00:03:07,888 BUT THEN I REALIZED THAT TOOTIE 75 00:03:07,888 --> 00:03:09,389 WOULDN'T REALLY UNDERSTAND ME. 76 00:03:09,389 --> 00:03:13,793 I NEEDED SOMEONE GROWN AND MORE 77 00:03:13,793 --> 00:03:14,094 REFINED. 78 00:03:14,094 --> 00:03:15,662 AND THERE SHE WAS. 79 00:03:15,662 --> 00:03:20,033 MRS. GARRETT. 80 00:03:20,033 --> 00:03:20,634 MM-HM. 81 00:03:20,634 --> 00:03:22,402 NOW, SHE COULD TEACH ME THE 82 00:03:22,402 --> 00:03:22,836 FACTS OF LIFE. 83 00:03:22,836 --> 00:03:24,671 [ LAUGHTER ] 84 00:03:24,671 --> 00:03:26,239 ♪ YOU TAKE THE GOOD YOU TAKE 85 00:03:26,239 --> 00:03:26,873 THE BAD YOU TAKE THEM BOTH 86 00:03:26,873 --> 00:03:27,474 AND THERE YOU HAVE ♪ 87 00:03:27,474 --> 00:03:29,910 ♪ THE FACTS OF LIFE THE 88 00:03:29,910 --> 00:03:31,511 FACTS OF LIFE 89 00:03:31,511 --> 00:03:32,546 THERE'S A TIME YOU GOT TO GO 90 00:03:32,546 --> 00:03:33,580 AND SHOW YOU'RE GROWING ♪ 91 00:03:33,580 --> 00:03:34,681 ♪ NOW YOU KNOW ABOUT THE 92 00:03:34,681 --> 00:03:35,749 FACTS OF LIFE 93 00:03:35,749 --> 00:03:37,784 THE FACTS OF LIFE 94 00:03:37,784 --> 00:03:38,885 WHEN THE ♪ 95 00:03:38,885 --> 00:03:42,022 ♪ WORLD NEVER SEEMS TO BE 96 00:03:42,022 --> 00:03:44,157 LIVING UP TO YOUR DREAMS 97 00:03:44,157 --> 00:03:45,725 THEN SUDDENLY YOU'RE 98 00:03:45,725 --> 00:03:46,226 FINDING OUT ♪ 99 00:03:46,226 --> 00:03:46,860 ♪ THE FACTS OF LIFE ARE 100 00:03:46,860 --> 00:03:49,396 ALL ABOUT 101 00:03:49,396 --> 00:03:53,667 YOU YOU ♪ 102 00:03:53,667 --> 00:03:58,305 [ APPLAUSE ] 103 00:03:58,305 --> 00:03:58,638 ING. 104 00:03:58,638 --> 00:03:59,706 >> YEAH. 105 00:03:59,706 --> 00:04:03,343 NOW, MAMA SAID IF I WANTED A 106 00:04:03,343 --> 00:04:05,545 GROWN, MATURE WOMAN, I NEEDED TO 107 00:04:05,545 --> 00:04:07,614 GET COOL. 108 00:04:07,614 --> 00:04:08,348 I DIDN'T KNOW WHAT SHE MEANT 109 00:04:08,348 --> 00:04:12,219 UNTIL MIAMI VICE TAUGHT ME ALL I 110 00:04:12,219 --> 00:04:14,054 NEEDED WAS A TAN, WHITE FRIEND 111 00:04:14,054 --> 00:04:16,623 AND A COOL WHITE JACKET. 112 00:04:16,623 --> 00:04:19,559 IT'S CRAZY TO THINK THAT PHILLIP 113 00:04:19,559 --> 00:04:22,629 MICHAEL THOMAS COINED THE PHRASE 114 00:04:22,629 --> 00:04:23,663 EGOT. 115 00:04:23,663 --> 00:04:25,999 DAMMIT, HE AIN'T GOT ONE! 116 00:04:25,999 --> 00:04:29,069 ♪ 117 00:04:29,069 --> 00:04:31,671 ♪ I CAN FEEL IT COMING IN THE 118 00:04:31,671 --> 00:04:32,205 AIR TONIGHT ♪ 119 00:04:32,205 --> 00:04:38,678 ♪ OH LORD 120 00:04:38,678 --> 00:04:40,614 ♪ I BEEN WAITING FOR THIS MOMENT 121 00:04:40,614 --> 00:04:42,148 FOR ALL MY LIFE ♪ 122 00:04:42,148 --> 00:04:46,419 ♪ OH LORD 123 00:04:46,419 --> 00:04:51,324 ♪ OH LORD 124 00:04:51,324 --> 00:04:52,959 >> YEAH! 125 00:04:52,959 --> 00:04:55,762 GIVE IT UP FOR TRAVIS BARKER! 126 00:04:55,762 --> 00:04:58,031 HEY, TRAVIS, YOU CAN PLAY AT MY 127 00:04:58,031 --> 00:04:59,199 WEDDING, MAN. 128 00:04:59,199 --> 00:05:00,600 YOU MISSED THE FIRST ONE. 129 00:05:00,600 --> 00:05:01,067 THE SECOND ONE. 130 00:05:01,067 --> 00:05:03,503 ALL RIGHT. 131 00:05:03,503 --> 00:05:06,540 LET'S GET INTO IT, EVERYBODY. 132 00:05:06,540 --> 00:05:08,675 TONIGHT, IS A CELEBRATION. 133 00:05:08,675 --> 00:05:10,744 WE'RE HONORING THE BEST OF BEST 134 00:05:10,744 --> 00:05:11,811 FROM ACTORS, WRITERS, DIRECTORS, 135 00:05:11,811 --> 00:05:13,380 AND THE SHOWS THAT KEPT US GLUED 136 00:05:13,380 --> 00:05:18,318 TO THE TUBE. 137 00:05:18,318 --> 00:05:21,254 TONIGHT WE'RE GIVING OUT 27 138 00:05:21,254 --> 00:05:21,621 AWARDS. 139 00:05:21,621 --> 00:05:25,458 THAT MEANS 27 ACCEPTANCE 140 00:05:25,458 --> 00:05:25,825 SPEECHES. 141 00:05:25,825 --> 00:05:28,128 SO I'D LIKE TO ASK YOU ALL TO 142 00:05:28,128 --> 00:05:30,664 KEEP THOSE SPEECHES TIGHT. 143 00:05:30,664 --> 00:05:32,832 NOW, NORMALLY ON AWARDS SHOWS WE 144 00:05:32,832 --> 00:05:38,672 DO WHAT'S CALLED "PLAYOFF MUSIC" 145 00:05:38,672 --> 00:05:40,240 WHICH EVERYONE TENDS TO IGNORE. 146 00:05:40,240 --> 00:05:40,941 BUT THIS YEAR I'VE GOT SOMETHING 147 00:05:40,941 --> 00:05:42,309 THAT NOBODY CAN IGNORE. 148 00:05:42,309 --> 00:05:50,884 MY MOMMA. 149 00:05:50,884 --> 00:05:56,156 NOW, TONIGHT, MY MOMMA -- 150 00:05:56,156 --> 00:05:56,556 [ APPLAUSE ] 151 00:05:56,556 --> 00:05:58,391 >> TONIGHT, MY MOMMA, SHE IS 152 00:05:58,391 --> 00:06:00,360 GOING TO BE THE EMMYS "PLAYOFF 153 00:06:00,360 --> 00:06:02,062 MOMMA." 154 00:06:02,062 --> 00:06:03,096 WHEN YOU SEE MY MOMMA COMING, 155 00:06:03,096 --> 00:06:03,863 JUST THANK JESUS AND YOUR FAMILY 156 00:06:03,863 --> 00:06:04,297 AND WRAP IT UP. 157 00:06:04,297 --> 00:06:08,768 ALRIGHT NOW, THAT'S ENOUGH. 158 00:06:08,768 --> 00:06:10,537 I DON'T WANT NOBODY TO GET 159 00:06:10,537 --> 00:06:11,838 DISRESPECTFUL WITH MY MOMMA, 160 00:06:11,838 --> 00:06:13,573 BECAUSE MY MOMMA IS FROM THE 161 00:06:13,573 --> 00:06:15,675 WEST SIDE OF CHICAGO AND SHE CAN 162 00:06:15,675 --> 00:06:18,879 THROW HANDS. 163 00:06:18,879 --> 00:06:19,279 >> SHUT UP! 164 00:06:19,279 --> 00:06:19,913 >> MOMMA. 165 00:06:19,913 --> 00:06:22,616 >> I WANT TO GO TO THE 166 00:06:22,616 --> 00:06:23,016 AFTERPARTY. 167 00:06:23,016 --> 00:06:24,551 >> OKAY, MOMMA. 168 00:06:24,551 --> 00:06:25,185 ALL RIGHT. 169 00:06:25,185 --> 00:06:26,586 YOU'RE SUPPOSED TO BE YELLING AT 170 00:06:26,586 --> 00:06:28,622 THE OTHER PEOPLE, NOT AT ME, NOT 171 00:06:28,622 --> 00:06:30,290 IN THE MIDDLE OF THE MONOLOGUE. 172 00:06:30,290 --> 00:06:30,957 >> TIME'S UP, BABY. 173 00:06:30,957 --> 00:06:34,094 CUT TO THE CHASE! 174 00:06:34,094 --> 00:06:38,899 >> SEE WHAT I MEAN? 175 00:06:38,899 --> 00:06:39,666 MY MOMMA DON'T PLAY. 176 00:06:39,666 --> 00:06:41,735 YOU'VE ALL BEEN WARNED. 177 00:06:41,735 --> 00:06:42,836 >> OUR FIRST PRESENTER MADE HER 178 00:06:42,836 --> 00:06:43,870 TELEVISION DEBUT AT THE AGE OF 179 00:06:43,870 --> 00:06:45,939 ONE. 180 00:06:45,939 --> 00:06:49,109 THINK ABOUT IT, WHILE I GREW UP 181 00:06:49,109 --> 00:06:53,246 WATCHING TV, SHE GREW UP ON TV. 182 00:06:53,246 --> 00:06:55,348 SHE'S AN EMMY WINNER AND A 183 00:06:55,348 --> 00:06:56,416 NOMINEE AGAIN TONIGHT. 184 00:06:56,416 --> 00:06:59,686 IT IS MY HONOR TO INTRODUCE 185 00:06:59,686 --> 00:07:02,322 CHRISTINA APPLEGATE. 186 00:07:02,322 --> 00:07:02,656 ♪ 187 00:07:02,656 --> 00:07:05,692 [ APPLAUSE ] 188 00:07:05,692 --> 00:07:09,429 [ LOVE & MARRIAGE ] 189 00:07:09,429 --> 00:07:14,467 ♪ 190 00:07:14,467 --> 00:07:17,504 ♪ LOVE & MARRIAGE 191 00:07:17,504 --> 00:07:19,739 ♪ LOVE & MARRIAGE 192 00:07:19,739 --> 00:07:24,744 ♪ GO TOGETHER LIKE A HORSE AND 193 00:07:24,744 --> 00:07:25,745 CARRIAGE ♪ 194 00:07:25,745 --> 00:07:26,880 ♪ YOU CAN'T HAVE ONE WITHOUT THE 195 00:07:26,880 --> 00:07:31,318 OTHER ♪ 196 00:07:31,318 --> 00:07:35,655 ♪ LOVE & MARRIAGE 197 00:07:35,655 --> 00:07:36,056 [ APPLAUSE ] 198 00:07:36,056 --> 00:07:37,991 >> THANK YOU SO MUCH. 199 00:07:37,991 --> 00:07:40,493 OH MY GOD, YOU'RE TOTALLY 200 00:07:40,493 --> 00:07:42,062 SHAMING ME WITH DISABILITY BY 201 00:07:42,062 --> 00:07:42,929 STANDING UP. 202 00:07:42,929 --> 00:07:46,132 IT'S FINE. 203 00:07:46,132 --> 00:07:46,533 [ LAUGHTER ] 204 00:07:46,533 --> 00:07:50,203 >> BODY NOT BY OZEMPIC. 205 00:07:50,203 --> 00:07:51,271 OKAY, LET'S GO. 206 00:07:51,271 --> 00:07:59,179 SOME OF YOU MAY KNOW ME AS KELLY 207 00:07:59,179 --> 00:08:00,847 BUNDY FROM "MARRIED, WITH 208 00:08:00,847 --> 00:08:01,882 CHILDREN," OR SAMANTHA FROM 209 00:08:01,882 --> 00:08:02,616 "SAMANTHA WHO?," OR JEN HARDING 210 00:08:02,616 --> 00:08:07,087 FROM "DEAD TO ME." 211 00:08:07,087 --> 00:08:07,687 [ CHEERS AND APPLAUSE ] 212 00:08:07,687 --> 00:08:08,121 >> THANK YOU. 213 00:08:08,121 --> 00:08:13,793 VERY FEW OF YOU PROBABLY KNOW ME 214 00:08:13,793 --> 00:08:16,496 FROM THAT DEBUT -- I'M GOING TO 215 00:08:16,496 --> 00:08:21,134 CRY, MORE THAN I'VE BEEN CRYING. 216 00:08:21,134 --> 00:08:21,868 BABY BURT GRIZELL ON "DAYS OF 217 00:08:21,868 --> 00:08:22,736 OUR LIVES." 218 00:08:22,736 --> 00:08:23,336 IT WAS MY BREAKOUT ROLE. 219 00:08:23,336 --> 00:08:26,239 AND FOR ALL THESE YEARS, IT'S 220 00:08:26,239 --> 00:08:26,673 LOOK AT THAT. 221 00:08:26,673 --> 00:08:27,340 BEEN AN HONOR TO PLAY FUNNY, 222 00:08:27,340 --> 00:08:28,108 FLAWED, COMPLEX CHARACTERS LIKE 223 00:08:28,108 --> 00:08:29,943 THE WOMEN NOMINATED FOR 224 00:08:29,943 --> 00:08:32,546 SUPPORTING ACTRESS IN A COMEDY 225 00:08:32,546 --> 00:08:34,648 SERIES. 226 00:08:34,648 --> 00:08:39,586 ♪ 227 00:08:39,586 --> 00:08:44,024 >> Announcer: ALEX BORSTEIN, 228 00:08:44,024 --> 00:08:45,158 "THE MARVELOUS MRS. MAISEL." 229 00:08:45,158 --> 00:08:47,460 JANELLE JAMES, "ABBOTT 230 00:08:47,460 --> 00:08:48,662 ELEMENTARY." 231 00:08:48,662 --> 00:08:50,497 SHERYL LEE RALPH, "ABBOTT 232 00:08:50,497 --> 00:08:51,131 ELEMENTARY." 233 00:08:51,131 --> 00:08:54,067 JUNO TEMPLE, "TED LASSO." 234 00:08:54,067 --> 00:08:57,704 HANNAH WADDINGHAM, "TED LASSO." 235 00:08:57,704 --> 00:09:03,376 JESSICA WILLIAMS, "SHRINKING." 236 00:09:03,376 --> 00:09:06,413 >> AND THE EMMY GOES TO. 237 00:09:06,413 --> 00:09:07,280 AYO EDEBIRI, GET YOUR ASS UP 238 00:09:07,280 --> 00:09:08,548 HERE! 239 00:09:08,548 --> 00:09:14,888 [ APPLAUSE ] 240 00:09:14,888 --> 00:09:25,065 ♪ 241 00:09:25,065 --> 00:09:34,407 [ APPLAUSE ] 242 00:09:34,407 --> 00:09:41,982 >> CONGRATULATIONS! 243 00:09:41,982 --> 00:09:42,949 >> HI. 244 00:09:42,949 --> 00:09:44,951 I HAVE 43 SECONDS. 245 00:09:44,951 --> 00:09:45,352 OKAY. 246 00:09:45,352 --> 00:09:47,254 I'M SO INCREDIBLY GRATEFUL FOR 247 00:09:47,254 --> 00:09:49,589 THIS FOR SO MANY REASONS. 248 00:09:49,589 --> 00:09:52,559 BUT THE MAIN ONE, THIS IS A SHOW 249 00:09:52,559 --> 00:09:54,027 ABOUT FAMILY AND FOUND FAMILY 250 00:09:54,027 --> 00:09:55,328 AND REAL FAMILY. 251 00:09:55,328 --> 00:09:58,064 MY PARENTS ARE HERE TONIGHT. 252 00:09:58,064 --> 00:10:00,233 I'M MAKING THEM SIT KIND OF FAR 253 00:10:00,233 --> 00:10:02,202 AWAY FROM ME, BECAUSE I'M A BAD 254 00:10:02,202 --> 00:10:02,469 KID. 255 00:10:02,469 --> 00:10:05,739 BUT I LOVE YOU GUYS SO MUCH. 256 00:10:05,739 --> 00:10:08,341 THANK YOU SO MUCH FOR LOVING ME 257 00:10:08,341 --> 00:10:11,177 AND LETTING ME FEEL BEAUTIFUL 258 00:10:11,177 --> 00:10:14,514 AND BLACK AND PROUD OF ALL OF 259 00:10:14,514 --> 00:10:15,115 THAT. 260 00:10:15,115 --> 00:10:18,418 I JUST LOVE YOU SO MUCH. 261 00:10:18,418 --> 00:10:20,420 IT'S A DREAM TO EMIGRATE TO THIS 262 00:10:20,420 --> 00:10:24,391 COUNTRY AND HAVE YOUR CHILD BE 263 00:10:24,391 --> 00:10:27,027 LIKE, "I WANT TO DO IMPROV." 264 00:10:27,027 --> 00:10:28,094 THANK YOU SO MUCH. 265 00:10:28,094 --> 00:10:28,662 THIS MEANS THE WORLD. 266 00:10:28,662 --> 00:10:30,096 THANK YOU. 267 00:10:30,096 --> 00:10:30,497 [ APPLAUSE ] 268 00:10:30,497 --> 00:10:40,173 ♪ 269 00:10:40,173 --> 00:10:42,008 >> I ACTUALLY DON'T NEED HIM 270 00:10:42,008 --> 00:10:42,409 HERE. 271 00:10:42,409 --> 00:10:42,943 HE'S JUST REALLY CUTE. 272 00:10:42,943 --> 00:10:45,212 [ LAUGHTER ] 273 00:10:45,212 --> 00:10:47,047 >> THIS IS A BIG ONE FOR ME. 274 00:10:47,047 --> 00:10:48,982 I HAVE ONLY HAD ONE PICTURE 275 00:10:48,982 --> 00:10:51,451 FRAMED IN MY HOME AND IT'S OF 276 00:10:51,451 --> 00:10:52,719 THIS PERSON AND MYSELF. 277 00:10:52,719 --> 00:10:55,155 I MEAN, ALL OF YOU ARE VERY 278 00:10:55,155 --> 00:10:57,357 FAMOUS, BUT SHE'S MORE IMPORTANT 279 00:10:57,357 --> 00:10:58,725 TO ME THAN ANY OF YOU. 280 00:10:58,725 --> 00:11:00,227 I'M SO SORRY. 281 00:11:00,227 --> 00:11:02,329 YOU'RE REALLY COOL. 282 00:11:02,329 --> 00:11:05,932 ANYWAY, CAROL BURNETT. 283 00:11:05,932 --> 00:11:08,068 CAROL BURNETT FOREVER CHANGED 284 00:11:08,068 --> 00:11:08,602 VARIETY TELEVISION. 285 00:11:08,602 --> 00:11:09,302 BEFORE CAROL, VARIETY WAS AN ALL 286 00:11:09,302 --> 00:11:10,136 MALE DOMINION. 287 00:11:10,136 --> 00:11:10,871 THE JACK BENNYS AND RED SKELTONS 288 00:11:10,871 --> 00:11:12,806 AND ANDY WILLIAMS ON TELEVISION 289 00:11:12,806 --> 00:11:14,341 WERE GREAT BUT IT WAS CAROL WHO 290 00:11:14,341 --> 00:11:15,375 BROKE NEW GROUND FOR ALL THE 291 00:11:15,375 --> 00:11:17,510 SHOWS THAT FOLLOWED, WITH 292 00:11:17,510 --> 00:11:18,278 SKETCHES THAT HAVE WITHSTOOD THE 293 00:11:18,278 --> 00:11:21,748 TEST OF TIME. 294 00:11:21,748 --> 00:11:24,351 AND NOW PLEASE WELCOME THE 295 00:11:24,351 --> 00:11:26,987 LEGEND WHO BLAZED A TRAIL FOR ME 296 00:11:26,987 --> 00:11:29,122 AND FOR EVERY WOMAN ON 297 00:11:29,122 --> 00:11:34,261 TELEVISION, 7-TIME EMMY WINNER 298 00:11:34,261 --> 00:11:37,230 WHO BROUGHT HOME HER LATEST EMMY 299 00:11:37,230 --> 00:11:39,766 A WEEK AGO FOR OUTSTANDING 300 00:11:39,766 --> 00:11:40,634 VARIETY SPECIAL. 301 00:11:40,634 --> 00:11:42,469 HERE IS THE LEGENDARY CAROL 302 00:11:42,469 --> 00:11:42,836 BURNETT. 303 00:11:42,836 --> 00:11:43,637 [ CAROL'S THEME ] 304 00:11:43,637 --> 00:11:50,410 ♪ 305 00:11:50,410 --> 00:12:05,292 [ CHEERS AND APPLAUSE ] 306 00:12:05,292 --> 00:12:07,460 >> I WAS LUCKY ENOUGH TO BE THE 307 00:12:07,460 --> 00:12:09,496 FIRST FEMALE HOST OF A COMEDY 308 00:12:09,496 --> 00:12:13,066 VARIETY SHOW FROM 1967 TO 1978. 309 00:12:13,066 --> 00:12:14,668 11 YEARS! 310 00:12:14,668 --> 00:12:18,071 THAT WAS A LONG TIME AGO, AND 311 00:12:18,071 --> 00:12:22,275 I JUST WANT TO SAY THAT A LOT 312 00:12:22,275 --> 00:12:24,144 HAS CHANGED IN THE LAST 46 YEARS 313 00:12:24,144 --> 00:12:24,778 FOR THE BETTER. 314 00:12:24,778 --> 00:12:28,481 PROGRESS HAS BEEN MADE. 315 00:12:28,481 --> 00:12:29,549 IT TRULY WARMS MY HEART TO SEE 316 00:12:29,549 --> 00:12:30,283 HOW WELL MEN ARE DOING IN COMEDY 317 00:12:30,283 --> 00:12:31,718 NOW. 318 00:12:31,718 --> 00:12:40,627 [ LAUGHTER ] 319 00:12:40,627 --> 00:12:40,961 GOOD. 320 00:12:40,961 --> 00:12:41,661 AND NOW, HERE ARE THE NOMINEES 321 00:12:41,661 --> 00:12:42,762 FOR A LEAD ACTRESS IN A COMEDY 322 00:12:42,762 --> 00:12:47,801 SERIES. 323 00:12:47,801 --> 00:12:50,170 >> Announcer: CHRISTINA 324 00:12:50,170 --> 00:12:52,873 APPLEGATE, "DEAD TO ME." 325 00:12:52,873 --> 00:12:56,810 RACHEL BROSNAHAN, "THE MARVELOUS 326 00:12:56,810 --> 00:12:57,878 MRS. MAISEL." 327 00:12:57,878 --> 00:13:00,547 WINTER, "ABBOTT ELEMENTARY." 328 00:13:00,547 --> 00:13:02,215 NATASHA LYONNE, "POKER FACE." 329 00:13:02,215 --> 00:13:07,220 JENNA ORTEGA, "WEDNESDAY." 330 00:13:07,220 --> 00:13:07,787 >> OKAY. 331 00:13:07,787 --> 00:13:13,360 AND THE EMMY GOES TO QUINTA 332 00:13:13,360 --> 00:13:14,628 BRUNSON, "ABBOTT ELEMENTARY"! 333 00:13:14,628 --> 00:13:28,508 ♪ 334 00:13:28,508 --> 00:13:45,191 ♪ 335 00:13:45,191 --> 00:13:46,860 >> WOW. 336 00:13:46,860 --> 00:13:48,094 THANK YOU SO MUCH. 337 00:13:48,094 --> 00:13:48,828 I DON'T EVEN KNOW. 338 00:13:48,828 --> 00:13:50,830 I'M SO EMOTIONAL. 339 00:13:50,830 --> 00:13:51,565 LIKE THE CAROL BURNETT OF IT 340 00:13:51,565 --> 00:13:51,831 ALL. 341 00:13:51,831 --> 00:13:55,368 [ LAUGHTER ] 342 00:13:55,368 --> 00:13:55,835 THANK YOU SO MUCH. 343 00:13:55,835 --> 00:13:57,237 I LOVE MAKING "ABBOTT 344 00:13:57,237 --> 00:13:58,271 ELEMENTARY" SO MUCH. 345 00:13:58,271 --> 00:14:04,144 AND I AM SO HAPPY TO BE ABLE TO 346 00:14:04,144 --> 00:14:07,847 LIVE MY DREAM AND ACT OUT 347 00:14:07,847 --> 00:14:08,181 COMEDY. 348 00:14:08,181 --> 00:14:09,783 I SAY THAT EVERY TIME. 349 00:14:09,783 --> 00:14:12,519 I JUST LOVE COMEDY SO MUCH. 350 00:14:12,519 --> 00:14:15,455 I'M SO HAPPY TO BE ABLE TO GET 351 00:14:15,455 --> 00:14:15,789 THIS. 352 00:14:15,789 --> 00:14:17,390 I DIDN'T PREPARE ANYTHING, 353 00:14:17,390 --> 00:14:20,360 BECAUSE I JUST DIDN'T THINK -- 354 00:14:20,360 --> 00:14:21,094 OH GOD. 355 00:14:21,094 --> 00:14:24,798 I LOVE MY MOM, MY DAD, MY 356 00:14:24,798 --> 00:14:27,000 SISTERS, MY BROTHERS, MY ENTIRE 357 00:14:27,000 --> 00:14:28,068 FAMILY SO MUCH. 358 00:14:28,068 --> 00:14:29,669 I LOVE MY HUSBAND. 359 00:14:29,669 --> 00:14:30,670 I'M SO HAPPY. 360 00:14:30,670 --> 00:14:32,038 I LOVE MY CAST. 361 00:14:32,038 --> 00:14:33,707 I LOVE "ABBOTT ELEMENTARY." 362 00:14:33,707 --> 00:14:34,241 THANK YOU SO MUCH. 363 00:14:34,241 --> 00:14:35,475 [ CHEERS AND APPLAUSE ] 364 00:14:35,475 --> 00:14:38,879 ♪ 365 00:14:38,879 --> 00:14:40,447 >> COMING UP ON THE EMMYS, SOME 366 00:14:40,447 --> 00:14:41,114 OF YOUR FAVORITE STARS FROM 367 00:14:41,114 --> 00:14:43,016 "MARTIN," "CHEERS," "GREY'S 368 00:14:43,016 --> 00:14:44,684 ANATOMY," "ALLY McBEAL," "THE 369 00:14:44,684 --> 00:14:46,186 SOPRANOS," AND MORE. 370 00:14:46,186 --> 00:14:48,255 HERE ON FOX. 371 00:14:52,525 --> 00:14:58,832 ♪ 372 00:14:58,832 --> 00:15:01,268 ♪ GOT YOURSELF A GUN 373 00:15:01,268 --> 00:15:03,770 ♪ GOT YOURSELF A GUN 374 00:15:03,770 --> 00:15:05,772 ♪ 375 00:15:08,708 --> 00:15:10,744 >>> WHY HERE? 376 00:15:10,744 --> 00:15:12,345 WHY PAY TRIBUTE TO THE SOPRANOS 377 00:15:12,345 --> 00:15:14,981 IN THIS THERAPIST'S OFFICE? 378 00:15:14,981 --> 00:15:16,550 BECAUSE FROM THE MOMENT 379 00:15:16,550 --> 00:15:18,118 TONY SOPRANO WALKED INTO THIS 380 00:15:18,118 --> 00:15:20,754 SETTING, DOING THE UNTHINKABLE, 381 00:15:20,754 --> 00:15:22,355 SHARING HIS FEELINGS WITH 382 00:15:22,355 --> 00:15:23,890 DR. MELFI, TELEVISION HISTORY 383 00:15:23,890 --> 00:15:27,093 WAS ABOUT TO BE MADE. 384 00:15:27,093 --> 00:15:29,729 BY THE END OF ITS SIX SEASONS 385 00:15:29,729 --> 00:15:31,831 THIS SERIES WAS ACCLAIMED TIME 386 00:15:31,831 --> 00:15:33,400 AND TIME AGAIN AS ONE OF THE 387 00:15:33,400 --> 00:15:35,468 GREATEST DRAMAS OF ALL TIME, 388 00:15:35,468 --> 00:15:37,604 NOMINATED FOR OVER 100 EMMY 389 00:15:37,604 --> 00:15:38,271 NOMINATIONS, WINNING 21 EMMY 390 00:15:38,271 --> 00:15:39,206 AWARDS. 391 00:15:39,206 --> 00:15:42,342 [ KNOCK ON DOOR ] 392 00:15:42,342 --> 00:15:43,910 ♪ 393 00:15:43,910 --> 00:15:46,046 HERE ARE FOUR-TIME EMMY NOMINEE 394 00:15:46,046 --> 00:15:47,581 LORRAINE BRACCO AND EMMY WINNER, 395 00:15:47,581 --> 00:15:51,585 MICHAEL IMPERIOLI. 396 00:15:51,585 --> 00:15:52,819 [ CHEERS AND APPLAUSE ] 397 00:15:52,819 --> 00:16:02,562 ♪ 398 00:16:02,562 --> 00:16:05,232 >> 2024 MARKS THE 25TH 399 00:16:05,232 --> 00:16:06,233 ANNIVERSARY OF THIS SERIES THAT 400 00:16:06,233 --> 00:16:07,267 LORRAINE AND I WERE SO FORTUNATE 401 00:16:07,267 --> 00:16:09,903 TO BE PART OF. 402 00:16:09,903 --> 00:16:16,376 >> AND SPEAKING FOR MICHAEL, 403 00:16:16,376 --> 00:16:18,478 MYSELF AND THE ENTIRE CAST AND 404 00:16:18,478 --> 00:16:23,450 CREW, IT WAS AN HONOR WORKING 405 00:16:23,450 --> 00:16:27,354 WITH "SOPRANOS" CREATOR DAVID 406 00:16:27,354 --> 00:16:31,157 CHASE AND, OF COURSE, THE GREAT 407 00:16:31,157 --> 00:16:31,658 JAMES GANDOLFINI. 408 00:16:31,658 --> 00:16:32,292 >> AND NOW, HERE ARE THE 409 00:16:32,292 --> 00:16:33,026 NOMINEES FOR SUPPORTING ACTRESS 410 00:16:33,026 --> 00:16:35,929 IN A DRAMA SERIES. 411 00:16:35,929 --> 00:16:39,332 >> Announcer: JENNIFER COOLIDGE, 412 00:16:39,332 --> 00:16:40,934 "THE WHITE LOTUS." 413 00:16:40,934 --> 00:16:46,473 ELIZABETH DEBICKI, "THE CROWN." 414 00:16:46,473 --> 00:16:48,508 MEGHANN FAHY, "THE WHITE 415 00:16:48,508 --> 00:16:51,745 LOTUS." 416 00:16:51,745 --> 00:16:53,513 SABRINA, "THE WHITE LOTUS" 417 00:16:53,513 --> 00:16:57,284 AUBREY PLAZA, "THE WHITE LOTUS." 418 00:16:57,284 --> 00:16:58,418 "BETTER CALL SAUL." 419 00:16:58,418 --> 00:17:06,860 JAMES CAMERON, "SUCCESSION." 420 00:17:06,860 --> 00:17:10,564 >> AND THE EMMY GOES TO. 421 00:17:10,564 --> 00:17:14,134 >> JENNIFER COOLIDGE, "THE WHITE 422 00:17:14,134 --> 00:17:14,467 LOTUS." 423 00:17:14,467 --> 00:17:17,837 [ CHEERS AND APPLAUSE ] 424 00:17:17,837 --> 00:17:30,984 ♪ 425 00:17:30,984 --> 00:17:46,399 ♪ 426 00:17:46,399 --> 00:17:47,467 >> WOW. 427 00:17:47,467 --> 00:17:48,235 TH 428 00:17:48,235 --> 00:17:48,602 THANK YOU. 429 00:17:48,602 --> 00:17:49,836 YOU KNOW, I JUST WANT TO SAY -- 430 00:17:49,836 --> 00:17:51,104 I HAVE TO PUT THIS DOWN. 431 00:17:51,104 --> 00:17:55,842 I STILL DON'T HAVE THE STRENGTH. 432 00:17:55,842 --> 00:17:56,243 [ LAUGHTER ] 433 00:17:56,243 --> 00:18:00,146 I GOT THE HOOK LAST YEAR, THIS 434 00:18:00,146 --> 00:18:01,681 GIANT HOOK COMES OUT AND TAKES 435 00:18:01,681 --> 00:18:04,351 YOU AWAY. 436 00:18:04,351 --> 00:18:05,452 I'M GOING TO BE SO FAST. 437 00:18:05,452 --> 00:18:10,657 MIKE WHITE, THANK YOU FOR THIS. 438 00:18:10,657 --> 00:18:12,092 MIKE WHITE. 439 00:18:12,092 --> 00:18:13,526 THANK YOU FOR GIVING ME THIS 440 00:18:13,526 --> 00:18:14,694 OPPORTUNITY TO PLAY THIS 441 00:18:14,694 --> 00:18:15,262 INCREDIBLE CHARACTER. 442 00:18:15,262 --> 00:18:17,330 HE SAYS I'M DEFINITELY DEAD, SO 443 00:18:17,330 --> 00:18:21,167 I'M GOING ALONG WITH IT. 444 00:18:21,167 --> 00:18:22,869 [ LAUGHTER ] 445 00:18:22,869 --> 00:18:32,078 NO. 446 00:18:32,078 --> 00:18:33,213 IT'S RUNNING OUT. 447 00:18:33,213 --> 00:18:39,519 I JUST WANT TO THANK ALL THE 448 00:18:39,519 --> 00:18:42,889 EVIL GAYS. 449 00:18:42,889 --> 00:18:49,896 [ APPLAUSE ] 450 00:18:49,896 --> 00:18:53,333 YES, PAOLO, FRANCESCO AND BRUNO, 451 00:18:53,333 --> 00:18:54,000 THANK YOU. 452 00:18:54,000 --> 00:18:55,602 WRAP IT UP. 453 00:18:55,602 --> 00:18:56,269 >> BABY. 454 00:18:56,269 --> 00:18:59,606 I LOVE YOU, BABY, BUT TIME, 455 00:18:59,606 --> 00:18:59,906 TIME. 456 00:18:59,906 --> 00:19:00,574 >> GUESS WHAT? 457 00:19:00,574 --> 00:19:01,508 ONE MORE THING. 458 00:19:01,508 --> 00:19:02,709 I LOVE YOU TOO. 459 00:19:02,709 --> 00:19:04,778 I JUST WANT TO SAY ONE LAST 460 00:19:04,778 --> 00:19:05,111 THING. 461 00:19:05,111 --> 00:19:07,948 I HAD A LITTLE DREAM IN MY 462 00:19:07,948 --> 00:19:11,384 LITTLE TOWN AND EVERYONE SAID IT 463 00:19:11,384 --> 00:19:15,322 WAS IMPRACTICAL AND FAR-FETCHED. 464 00:19:15,322 --> 00:19:17,090 IT DID HAPPEN AFTER ALL. 465 00:19:17,090 --> 00:19:19,092 SO DON'T GIVE UP ON YOUR DREAM. 466 00:19:19,092 --> 00:19:20,527 >> Announcer: HE'S NOMINATED FOR 467 00:19:20,527 --> 00:19:22,562 THREE EMMYS THIS YEAR, PLEASE 468 00:19:22,562 --> 00:19:25,332 WELCOME PEDRO PASCAL. 469 00:19:25,332 --> 00:19:25,732 [ APPLAUSE ] 470 00:19:25,732 --> 00:19:33,240 ♪ 471 00:19:33,240 --> 00:19:34,908 >> BEFORE WE GET INTO THE 472 00:19:34,908 --> 00:19:36,109 NOMINEES FOR BEST SUPPORTING 473 00:19:36,109 --> 00:19:38,511 ACTOR IN A DRAMA SERIES, I'D 474 00:19:38,511 --> 00:19:39,479 LIKE TO TAKE JUST A SECOND AND 475 00:19:39,479 --> 00:19:40,313 MAKE THIS ABOUT ME. 476 00:19:40,313 --> 00:19:44,150 [ LAUGHTER ] 477 00:19:44,150 --> 00:19:46,319 A LOT OF PEOPLE HAVE BEEN ASKING 478 00:19:46,319 --> 00:19:49,422 ABOUT MY ARM, ACTUALLY MY 479 00:19:49,422 --> 00:19:49,789 SHOULDER. 480 00:19:49,789 --> 00:19:51,825 I THINK TONIGHT IS A PERFECT 481 00:19:51,825 --> 00:19:56,196 TIME TO TELL EVERYONE THAT 482 00:19:56,196 --> 00:19:57,864 KIERAN CULKIN -- 483 00:19:57,864 --> 00:20:06,039 [ LAUGHTER ] 484 00:20:06,039 --> 00:20:09,676 HERE ARE THE NOMINEES FOR 485 00:20:09,676 --> 00:20:14,047 SUPPORTING ACTOR IN A DRAMA 486 00:20:14,047 --> 00:20:19,953 SERIES. 487 00:20:19,953 --> 00:20:24,457 [ APPLAUSE ] 488 00:20:24,457 --> 00:20:25,825 >> Ann 489 00:20:25,825 --> 00:20:26,826 >> Announcer: JAMES "THE WHITE 490 00:20:26,826 --> 00:20:32,165 LOTUS," MATTHEW McFADDEN, 491 00:20:32,165 --> 00:20:32,566 "SUCCESSION." 492 00:20:32,566 --> 00:20:35,902 BILL SHARP, "THE WHITE LOTUS," 493 00:20:35,902 --> 00:20:38,872 ALEXANDER SKARSG ÅRD, 494 00:20:38,872 --> 00:20:39,306 "SUCCESSION." 495 00:20:39,306 --> 00:20:45,245 >> AND THE EMMY GOES TO, MATTHEW 496 00:20:45,245 --> 00:20:49,282 McFADDEN FOR "SUCCESSION." 497 00:20:49,282 --> 00:20:49,683 [ APPLAUSE ] 498 00:20:49,683 --> 00:21:15,108 ♪ 499 00:21:15,108 --> 00:21:16,943 >> THANK YOU SO MUCH TO THE 500 00:21:16,943 --> 00:21:20,046 TELEVISION ACADEMY AND TO THE 501 00:21:20,046 --> 00:21:22,515 ENTIRE "SUCCESSION" FAMILY, 502 00:21:22,515 --> 00:21:24,684 DIRECTORS, WHITERS, PRODUCERS, 503 00:21:24,684 --> 00:21:29,789 CAST AND CREW, OUR PEERLESS 504 00:21:29,789 --> 00:21:31,625 CREW, EVERY DEPARTMENT OFTEN 505 00:21:31,625 --> 00:21:35,295 UNSUNG, ALWAYS BRILLIANT. 506 00:21:35,295 --> 00:21:37,864 I MUST MAKE SPECIAL MENTION OF 507 00:21:37,864 --> 00:21:41,601 MY ONSCREEN WIFE SARAH SNOOK AND 508 00:21:41,601 --> 00:21:46,706 MY OTHER ONSCREEN WIFE NICHOLAS 509 00:21:46,706 --> 00:21:47,374 BRAUN. 510 00:21:47,374 --> 00:21:48,742 ACTING WITH YOU HAS BEEN ONE OF 511 00:21:48,742 --> 00:21:50,544 THE MOST WONDERFUL THINGS IN MY 512 00:21:50,544 --> 00:21:50,877 CAREER. 513 00:21:50,877 --> 00:21:51,945 THANK YOU, NICK. 514 00:21:51,945 --> 00:21:53,413 THANK YOU, SARAH. 515 00:21:53,413 --> 00:21:54,514 IT'S BEEN A JOY. 516 00:21:54,514 --> 00:21:55,348 THANK YOU TO MY ACTUAL WIFE 517 00:21:55,348 --> 00:21:56,950 KEELY. 518 00:21:56,950 --> 00:21:59,753 THANK YOU VERY MUCH. 519 00:21:59,753 --> 00:22:00,987 IT'S A GREAT HONOR. 520 00:22:00,987 --> 00:22:02,022 THANK YOU. 521 00:22:02,022 --> 00:22:04,658 [ APPLAUSE ] 522 00:22:04,658 --> 00:22:05,892 >> Announcer: OUTSTANDING 523 00:22:05,892 --> 00:22:07,360 SUPPORTING AND LEAD ACTOR IN A 524 00:22:07,360 --> 00:22:08,728 COMEDY SERIES ARE NEXT. 525 00:22:08,728 --> 00:22:10,830 PLUS, THE CAST OF "CHEERS" AND 526 00:22:10,830 --> 00:22:12,432 "MARTIN" REUNITE. 527 00:22:12,432 --> 00:22:13,667 KEEP WATCHING THE EMMYS 528 00:22:13,667 --> 00:22:15,769 ON FOX. 529 00:22:19,539 --> 00:22:20,473 [ "TWO AND A HALF MEN" THEME 530 00:22:20,473 --> 00:22:21,007 SONG ] 531 00:22:21,007 --> 00:22:21,675 >> Announcer: PLEASE WELCOME 532 00:22:21,675 --> 00:22:22,309 EMMY WINNERS, JON CRYER AND 533 00:22:22,309 --> 00:22:25,245 HOLLAND TAYLOR. 534 00:22:25,245 --> 00:22:27,814 [ APPLAUSE ] 535 00:22:33,720 --> 00:22:36,356 >> LIKE A GOOD BRA, A SUPPORTING 536 00:22:36,356 --> 00:22:37,257 ACTOR MAKES THINGS LOOK 537 00:22:37,257 --> 00:22:38,825 EFFORTLESS WHILE SECRETLY 538 00:22:38,825 --> 00:22:42,095 HOLDING UP THE WHOLE SHOW. 539 00:22:42,095 --> 00:22:44,297 [ LAUGHTER ] 540 00:22:44,297 --> 00:22:46,366 >> YOU KNOW, I ACTUALLY WON THIS 541 00:22:46,366 --> 00:22:50,003 AWARD, SO YOU COULD SAY I'M A 542 00:22:50,003 --> 00:22:53,807 GOOD BRA. 543 00:22:53,807 --> 00:22:56,109 >> DARLING, I DON'T THINK I 544 00:22:56,109 --> 00:22:58,478 WOULD EVER SAY THAT. 545 00:22:58,478 --> 00:23:00,513 I CERTAINLY HOPE NONE OF OUR 546 00:23:00,513 --> 00:23:01,915 NOMINEES FOR SUPPORTING ACTOR IN 547 00:23:01,915 --> 00:23:06,319 A COMEDY SERIES DO EITHER. 548 00:23:06,319 --> 00:23:10,190 >> Announcer: ANTHONY CARRIGAN, 549 00:23:10,190 --> 00:23:13,693 "BARRY." 550 00:23:13,693 --> 00:23:14,094 "TED LASSO." 551 00:23:14,094 --> 00:23:17,797 JAMES MARSDEN, "JURY DUTY." 552 00:23:17,797 --> 00:23:20,267 TYLER JAMES WILLIAMS, "ABBOTT 553 00:23:20,267 --> 00:23:20,901 ELEMENTARY." 554 00:23:20,901 --> 00:23:28,074 HENRY WINKLER, "BARRY." 555 00:23:28,074 --> 00:23:43,990 >> AND THE EMMY GOES TO. 556 00:23:43,990 --> 00:23:47,594 E 557 00:23:47,594 --> 00:23:48,895 E 558 00:23:48,895 --> 00:23:49,963 EVAN 559 00:23:49,963 --> 00:23:55,168 EVAN MOSS-BACHRACH. 560 00:23:55,168 --> 00:24:09,649 ♪ 561 00:24:09,649 --> 00:24:14,721 >> WOW. 562 00:24:14,721 --> 00:24:15,021 OKAY. 563 00:24:15,021 --> 00:24:15,789 THANK YOU VERY MUCH, EMMY 564 00:24:15,789 --> 00:24:18,024 ACADEMY, TELEVISION ACADEMY. 565 00:24:18,024 --> 00:24:18,825 I DON'T KNOW. 566 00:24:18,825 --> 00:24:20,427 THIS JOB IS SUCH A GIFT 567 00:24:20,427 --> 00:24:21,728 PREPONDERATE IT'S SUCH A 568 00:24:21,728 --> 00:24:23,597 PRIVILEGE TO WORK WITH THESE 569 00:24:23,597 --> 00:24:26,099 WONDERFUL ACTORS. 570 00:24:26,099 --> 00:24:27,801 WE HAVE THE BEST CREW. 571 00:24:27,801 --> 00:24:32,038 WE HAVE THIS INCREDIBLE CHICAGO 572 00:24:32,038 --> 00:24:36,509 CREW, LED BY OUR AMAZING -- 573 00:24:36,509 --> 00:24:38,311 THANK YOU FOR TRUSTING ME WITH 574 00:24:38,311 --> 00:24:40,547 THIS PART. 575 00:24:40,547 --> 00:24:45,185 THANK YOU JEANNIE BACKRACK FOR 576 00:24:45,185 --> 00:24:46,152 MAKING THIS BEAUTIFUL GROUP THAT 577 00:24:46,152 --> 00:24:48,021 I GET TO PLAY WITH ALL THE TIME. 578 00:24:48,021 --> 00:24:50,390 THANK YOU STEPHANIE RITZ. 579 00:24:50,390 --> 00:24:57,430 THANK YOU BRIAN NOSKOFF. 580 00:24:57,430 --> 00:24:58,164 THANK YOU. 581 00:24:58,164 --> 00:24:59,866 I LOVE YOU SO MUCH. 582 00:24:59,866 --> 00:25:02,068 THANK YOU SASHA. 583 00:25:02,068 --> 00:25:02,435 ALL RIGHT. 584 00:25:02,435 --> 00:25:02,869 SEE YOU GUYS. 585 00:25:02,869 --> 00:25:06,106 THANKS. 586 00:25:06,106 --> 00:25:12,012 ♪ 587 00:25:12,012 --> 00:25:15,315 >> Announcer: FROM THE HIT TV 588 00:25:15,315 --> 00:25:22,222 SERIES "MARTIN," 589 00:25:22,222 --> 00:25:22,856 HERE ARE TISHA CAMPBELL, 590 00:25:22,856 --> 00:25:23,423 CARL ANTHONY PAYNE, 591 00:25:23,423 --> 00:25:23,957 TICHINA ARNOLD, AND 592 00:25:23,957 --> 00:25:24,424 MARTIN LAWRENCE. 593 00:25:24,424 --> 00:25:25,425 [ "MARTIN" THEME SONG ] 594 00:25:25,425 --> 00:25:25,959 ♪ 595 00:25:25,959 --> 00:25:26,626 >> CAN YOU BELIEVE THIS? 596 00:25:26,626 --> 00:25:30,263 THIS IS A REAL MOMENT. 597 00:25:30,263 --> 00:25:32,866 >> WE FINALLY ABOUT TO -- 598 00:25:32,866 --> 00:25:33,400 >> WHAT? 599 00:25:33,400 --> 00:25:39,072 >> WE GETTING OUR EMMY TONIGHT. 600 00:25:39,072 --> 00:25:39,472 [ LAUGHTER ] 601 00:25:39,472 --> 00:25:41,107 >> MATTER OF FACT, I GOT MY 602 00:25:41,107 --> 00:25:44,945 SPEECH ON DECK TOO. 603 00:25:44,945 --> 00:25:46,680 >> NO. 604 00:25:46,680 --> 00:25:51,551 >> THEY BETTER NOT SEND MOMMA D 605 00:25:51,551 --> 00:25:53,553 OUT TO PLAY ME OFF. 606 00:25:53,553 --> 00:25:54,221 >> CARL, WE'RE NOT WINNING AN 607 00:25:54,221 --> 00:25:55,622 EMMY, HUN. 608 00:25:55,622 --> 00:25:59,459 >> WE'RE PRESENTING AN EMMY, NOT 609 00:25:59,459 --> 00:26:03,063 BEING PRESENTED WITH ONE, 610 00:26:03,063 --> 00:26:07,067 KNUCKLEHEAD. 611 00:26:07,067 --> 00:26:07,434 >> WAIT. 612 00:26:07,434 --> 00:26:08,101 >> BUT CARL ISN'T WRONG, GUYS. 613 00:26:08,101 --> 00:26:09,169 WE SHOULD'VE HAD A COUPLE OF 614 00:26:09,169 --> 00:26:11,771 EMMYS DURING OUR RUN, BUT WE 615 00:26:11,771 --> 00:26:15,542 WERE NEVER EVEN NOMINATED, 616 00:26:15,542 --> 00:26:20,213 DESPITE 132 EPISODES, HUGE 617 00:26:20,213 --> 00:26:25,986 RATINGS, AND BEING IN 618 00:26:25,986 --> 00:26:27,787 SYNDICATION SO MUCH THAT IT'S A 619 00:26:27,787 --> 00:26:31,491 LITTLE HARD TO SEEING THE '90s 620 00:26:31,491 --> 00:26:33,293 SPANK-LESS VERSION OF MYSELF. 621 00:26:33,293 --> 00:26:36,263 [ LAUGHTER ] 622 00:26:36,263 --> 00:26:37,130 >> NO. 623 00:26:37,130 --> 00:26:40,267 I STILL LOOK GOOD. 624 00:26:40,267 --> 00:26:40,867 >> WOW. 625 00:26:40,867 --> 00:26:43,069 >> HEY, HEY, HEY, HOLD ON. 626 00:26:43,069 --> 00:26:44,604 I WANT TO THANK YOU GUYS FOR 627 00:26:44,604 --> 00:26:46,640 YOUR CONTRIBUTION TO TELEVISION. 628 00:26:46,640 --> 00:26:51,144 >> THANK YOU. 629 00:26:51,144 --> 00:26:54,047 >> UNLIKE ME, FOR THE LAST 11 630 00:26:54,047 --> 00:26:56,550 TIMES YOU'RE NOT GOING TO GET AN 631 00:26:56,550 --> 00:26:56,883 EMMY. 632 00:26:56,883 --> 00:26:58,485 >> WHAT DO YOU MEAN? 633 00:26:58,485 --> 00:26:59,686 >> WHY? 634 00:26:59,686 --> 00:27:02,188 >> THAT KIND OF SUCKS. 635 00:27:02,188 --> 00:27:03,723 >> HE'S TRICKING US. 636 00:27:03,723 --> 00:27:04,190 KEEP GOING. 637 00:27:04,190 --> 00:27:06,259 >> IT'S ALL GOOD. 638 00:27:06,259 --> 00:27:08,128 YOU KNOW, I'M JUST EXCITED TO BE 639 00:27:08,128 --> 00:27:12,365 HERE ON THE EMMYS STAGE WITH 640 00:27:12,365 --> 00:27:15,068 THIS TREMENDOUS CAST OF THE 641 00:27:15,068 --> 00:27:15,535 MARTIN SHOW. 642 00:27:15,535 --> 00:27:16,369 >> THAT'S RIGHT. 643 00:27:16,369 --> 00:27:24,377 >> YEAH, YEAH. 644 00:27:24,377 --> 00:27:26,780 >> TO PRESENT THE NEXT AWARD, 645 00:27:26,780 --> 00:27:29,516 NOMINEES FOR A LEAD ACTOR IN A 646 00:27:29,516 --> 00:27:30,383 COMEDY SERIES. 647 00:27:30,383 --> 00:27:32,986 >> Announcer: BILL HADER, 648 00:27:32,986 --> 00:27:34,387 "BARRY." 649 00:27:34,387 --> 00:27:37,224 JASON SEGEL, "SHRINKING." 650 00:27:37,224 --> 00:27:40,393 MARTIN SHORT, "ONLY MURDERS IN 651 00:27:40,393 --> 00:27:40,860 THE BUILDING." 652 00:27:40,860 --> 00:27:43,663 JASON SUDEIKIS, "TED LASSO." 653 00:27:43,663 --> 00:28:03,617 JEREMY ALLEN WHITE,. 654 00:28:03,617 --> 00:28:08,488 >> AND THE EMMY GOES TO JEREMY 655 00:28:08,488 --> 00:28:20,901 ALLEN WHITE. 656 00:28:20,901 --> 00:28:22,135 "THE BEAR." 657 00:28:22,135 --> 00:28:24,104 ♪ 658 00:28:24,104 --> 00:28:26,106 [ APPLAUSE ] 659 00:28:26,106 --> 00:28:28,909 ♪ 660 00:28:28,909 --> 00:28:32,512 >> THANK YOU, THANK YOU. 661 00:28:32,512 --> 00:28:33,513 I'M SO PROUD. 662 00:28:33,513 --> 00:28:35,782 I'M SO FULL OF GRATITUDE TO BE 663 00:28:35,782 --> 00:28:37,551 STANDING IN FRONT OF YOU ALL. 664 00:28:37,551 --> 00:28:39,586 I LOVE THE SHOW SO MUCH. 665 00:28:39,586 --> 00:28:40,987 IT FILLED ME UP. 666 00:28:40,987 --> 00:28:44,991 IT GAVE ME A PASSION, SET A FIRE 667 00:28:44,991 --> 00:28:47,894 IN ME TO MATCH THE BEAUTIFUL 668 00:28:47,894 --> 00:28:48,228 WORK. 669 00:28:48,228 --> 00:28:49,529 I LOVE YOU GUYS. 670 00:28:49,529 --> 00:28:51,464 THANK YOU, THANK YOU, THANK YOU. 671 00:28:51,464 --> 00:28:54,768 THE BEAUTIFUL CAST AND BEAUTIFUL 672 00:28:54,768 --> 00:28:58,271 CREW I GET TO SHARE A SPACE AND 673 00:28:58,271 --> 00:28:59,472 STAGE WITH. 674 00:28:59,472 --> 00:29:00,340 MY PARENTS. 675 00:29:00,340 --> 00:29:02,576 I LOVE YOU, THANK YOU FOR YOUR 676 00:29:02,576 --> 00:29:03,210 SUPPORT, DAD. 677 00:29:03,210 --> 00:29:05,712 I LOVE YOU SO MUCH. 678 00:29:05,712 --> 00:29:07,214 THANK YOU SO MUCH. 679 00:29:07,214 --> 00:29:08,949 THANK YOU TO ALL THOSE WHO HAVE 680 00:29:08,949 --> 00:29:10,483 STAYED CLOSE TO ME, ESPECIALLY 681 00:29:10,483 --> 00:29:11,851 IN THIS PAST YEAR. 682 00:29:11,851 --> 00:29:12,619 YOU KNOW WHO YOU ARE. 683 00:29:12,619 --> 00:29:14,387 I LOVE YOU, I LOVE YOU. 684 00:29:14,387 --> 00:29:16,256 THANK YOU FOR BELIEVING IN ME 685 00:29:16,256 --> 00:29:18,091 WHEN I HAD TROUBLE BELIEVING IN 686 00:29:18,091 --> 00:29:18,458 MYSELF. 687 00:29:18,458 --> 00:29:19,492 I LOVE YOU. 688 00:29:19,492 --> 00:29:21,528 AND DELORES, I LOVE YOU SO MUCH. 689 00:29:21,528 --> 00:29:22,462 THIS IS FOR YOU. 690 00:29:22,462 --> 00:29:23,430 THANK YOU, THANK YOU, THANK YOU. 691 00:29:23,430 --> 00:29:24,564 THANK YOU, GUYS. 692 00:29:24,564 --> 00:29:26,132 [ APPLAUSE ] 693 00:29:26,132 --> 00:29:30,103 >> Announcer: WHEN WE RETURN, AN 694 00:29:30,103 --> 00:29:32,105 EMMY EDITION OF SNL'S "WEEKEND 695 00:29:32,105 --> 00:29:35,842 UPDATE... 696 00:29:41,014 --> 00:29:42,015 ♪ 697 00:29:42,015 --> 00:29:43,183 >> WELCOME BACK TO THE 698 00:29:43,183 --> 00:29:45,151 75 PRIMETIME EMMY AWARDS. 699 00:29:45,151 --> 00:29:48,188 PLEASE WELCOME TAYLOR TOMLINSON 700 00:29:48,188 --> 00:29:50,624 AND TEN-TIME EMMY WINNER 701 00:29:50,624 --> 00:29:55,228 STEPHEN COLBERT. 702 00:29:55,228 --> 00:30:00,667 [ APPLAUSE ] 703 00:30:00,667 --> 00:30:05,405 >> TAYLOR, YOUR SHOW "AFTER 704 00:30:05,405 --> 00:30:06,873 MIDNIGHT" PREMIERS RIGHT AFTER 705 00:30:06,873 --> 00:30:07,474 ANY SHOW. 706 00:30:07,474 --> 00:30:08,775 THIS IS YOUR FIRST EMMYS. 707 00:30:08,775 --> 00:30:09,943 HOW ARE YOU FEELING? 708 00:30:09,943 --> 00:30:11,111 >> AMAZING. 709 00:30:11,111 --> 00:30:12,946 I LOVE THAT GEN Z IS ABSOLUTELY 710 00:30:12,946 --> 00:30:14,314 DESTROYING ME ONLINE RIGHT NOW. 711 00:30:14,314 --> 00:30:16,082 >> NO, THEY'RE NOT. 712 00:30:16,082 --> 00:30:17,183 YOU'RE YOUNG AND COOL. 713 00:30:17,183 --> 00:30:18,184 >> NO. 714 00:30:18,184 --> 00:30:21,421 I'M 30, STEPHEN. 715 00:30:21,421 --> 00:30:23,723 I'M BASICALLY MUMMY DUST. 716 00:30:23,723 --> 00:30:25,225 >> WHAT AM I? 717 00:30:25,225 --> 00:30:26,393 >> A PYRAMID. 718 00:30:26,393 --> 00:30:28,628 BECAUSE A LOT OF PEOPLE DIED TO 719 00:30:28,628 --> 00:30:31,898 BUILD YOU. 720 00:30:31,898 --> 00:30:34,434 >> I TOLD YOU NOT TO READ THE 721 00:30:34,434 --> 00:30:34,801 COMMENTS. 722 00:30:34,801 --> 00:30:36,503 >> YOU'RE NOT MY DAD! 723 00:30:36,503 --> 00:30:38,471 >> HERE ARE THE NOMINEES FOR 724 00:30:38,471 --> 00:30:41,908 OUTSTANDING SCRIPTED VARIETY 725 00:30:41,908 --> 00:30:42,709 SERIES. 726 00:30:42,709 --> 00:30:48,248 >> Announcer: "A BLACK LADY 727 00:30:48,248 --> 00:30:52,085 SKETCH SHOW." 728 00:30:52,085 --> 00:30:55,088 LAST WEEK TONIGHT WITH JOHN 729 00:30:55,088 --> 00:30:55,388 OLIVER. 730 00:30:55,388 --> 00:30:58,425 >> AND THE EMMY GOES TO -- 731 00:30:58,425 --> 00:31:00,627 >> "LAST WEEK TONIGHT WITH JOHN 732 00:31:00,627 --> 00:31:02,395 OLIVER." 733 00:31:02,395 --> 00:31:07,901 ♪ 734 00:31:07,901 --> 00:31:11,204 >> Announcer: "LAST WEEK TONIGHT 735 00:31:11,204 --> 00:31:13,206 WITH JOHN OLIVER" HAS RECEIVED 736 00:31:13,206 --> 00:31:15,141 FOUR NOMINATIONS THIS YEAR AND A 737 00:31:15,141 --> 00:31:19,246 TOTAL OF 61, PRODUCTION DESIGN, 738 00:31:19,246 --> 00:31:19,679 WRITING. 739 00:31:19,679 --> 00:31:20,313 ACCEPTING THE EMMY IS JOHN 740 00:31:20,313 --> 00:31:25,085 OLIVER. 741 00:31:25,085 --> 00:31:26,753 >> THANK YOU SO MUCH. 742 00:31:26,753 --> 00:31:28,188 THANKS SO MUCH TO MY STAFF. 743 00:31:28,188 --> 00:31:30,156 MANY OF THEM ARE HERE TONIGHT. 744 00:31:30,156 --> 00:31:31,191 TIM IS NOT HERE. 745 00:31:31,191 --> 00:31:32,759 HE'S BACK IN NEW YORK WITH SOME 746 00:31:32,759 --> 00:31:34,794 OF OUR OTHER STAFF BURNING DOWN 747 00:31:34,794 --> 00:31:35,795 A BAR SOMEWHERE THERE. 748 00:31:35,795 --> 00:31:36,429 THANK YOU. 749 00:31:36,429 --> 00:31:37,831 THEY ALL WORK SO HARD. 750 00:31:37,831 --> 00:31:39,666 THANK YOU TO HBO AND OUR 751 00:31:39,666 --> 00:31:41,868 LAWYERS, WHO ARE ANGRY WITH US 752 00:31:41,868 --> 00:31:43,003 ALL THE TIME. 753 00:31:43,003 --> 00:31:44,671 THANK YOU TO MY WIFE KATE, WHO 754 00:31:44,671 --> 00:31:45,272 IS HERE TONIGHT. 755 00:31:45,272 --> 00:31:46,806 I LOVE YOU VERY MUCH. 756 00:31:46,806 --> 00:31:48,008 OUR KIDS ARE NOT HERE. 757 00:31:48,008 --> 00:31:50,310 THEY ARE SO MAD THAT I LEFT THIS 758 00:31:50,310 --> 00:31:50,677 MORNING. 759 00:31:50,677 --> 00:31:54,714 I PROMISED THEM POKEMON CARDS. 760 00:31:54,714 --> 00:31:55,348 I DON'T KNOW WHERE TO GET 761 00:31:55,348 --> 00:31:56,116 POKEMON CARDS IN L.A. 762 00:31:56,116 --> 00:31:58,552 IF ANYONE KNOWS WHERE TO GET 763 00:31:58,552 --> 00:31:59,886 POKEMON CARDS BETWEEN HERE AND 764 00:31:59,886 --> 00:32:01,421 LAX, IT'S A SIGNIFICANT PROBLEM 765 00:32:01,421 --> 00:32:03,223 I'VE WORKED MYSELF INTO. 766 00:32:03,223 --> 00:32:03,623 [ LAUGHTER ] 767 00:32:03,623 --> 00:32:05,592 I'M NOT LEAVING WITHOUT GETTING 768 00:32:05,592 --> 00:32:07,694 PLAYED OFF BY ANTHONY ANDERSON'S 769 00:32:07,694 --> 00:32:09,996 MOM, SO I'M GOING TO START 770 00:32:09,996 --> 00:32:11,631 READING OFF THE NAMES OF THE 771 00:32:11,631 --> 00:32:12,198 FOOTBALL TEAM. 772 00:32:12,198 --> 00:32:15,268 IN GOAL, ALLISON BECKER, 773 00:32:15,268 --> 00:32:17,337 ALEXANDER ARNOLD, VIRGIL VAN 774 00:32:17,337 --> 00:32:18,104 DYKE, OBVIOUSLY. 775 00:32:18,104 --> 00:32:19,539 OH, SHE'S NOT HERE? 776 00:32:19,539 --> 00:32:21,975 I CAN GET THROUGH THE WHOLE TEAM 777 00:32:21,975 --> 00:32:22,309 THEN. 778 00:32:22,309 --> 00:32:22,676 >> BABY. 779 00:32:22,676 --> 00:32:24,911 >> I'D LIKE TO THANK JESUS AND 780 00:32:24,911 --> 00:32:25,312 MY FAMILY. 781 00:32:25,312 --> 00:32:25,645 >> OKAY. 782 00:32:25,645 --> 00:32:32,686 [ APPLAUSE ] 783 00:32:32,686 --> 00:32:38,425 ♪ MOVIN' ON UP 784 00:32:38,425 --> 00:32:41,661 >> PLEASE WELCOME QUINTA BRUNSON 785 00:32:41,661 --> 00:32:46,066 JOINED BY FIVE-TIME EMMY NOMINEE 786 00:32:46,066 --> 00:32:46,466 MARLA GIBBS. 787 00:32:46,466 --> 00:32:49,603 [ APPLAUSE ] 788 00:32:49,603 --> 00:32:52,205 ♪ FISH DON'T FRY IN THE KITCHEN, 789 00:32:52,205 --> 00:32:54,274 BEANS DON'T BURN ON THE GRILL ♪ 790 00:32:54,274 --> 00:32:55,876 ♪ TOOK A WHOLE LOT OF TRYIN' 791 00:32:55,876 --> 00:32:58,478 JUST TO GET UP THAT HILL ♪ 792 00:32:58,478 --> 00:33:11,758 [ APPLAUSE ] 793 00:33:11,758 --> 00:33:14,094 >> I AM SO HONORED TO BE 794 00:33:14,094 --> 00:33:16,830 PRESENTED THIS AWARD WITH THE 795 00:33:16,830 --> 00:33:20,300 INCOMPARABLE MARLA GIBBS. 796 00:33:20,300 --> 00:33:21,668 YOUR CAREER HAS LITERALLY 797 00:33:21,668 --> 00:33:22,669 SPANNED DECADES. 798 00:33:22,669 --> 00:33:24,905 YOU GOT YOUR FIRST JOB IN 1973, 799 00:33:24,905 --> 00:33:25,539 AND YOU ARE STILL WORKING. 800 00:33:25,539 --> 00:33:31,478 WHAT'S THE SECRET? 801 00:33:31,478 --> 00:33:33,847 >> THAT'S EASY, BABY. 802 00:33:33,847 --> 00:33:34,714 THE WAGE GAP. 803 00:33:34,714 --> 00:33:36,349 I GOT TO WORK 20 MORE YEARS 804 00:33:36,349 --> 00:33:37,751 BEFORE I CAN RETIRE. 805 00:33:37,751 --> 00:33:39,519 BUT IF YOU GREAT WRITERS WRITE 806 00:33:39,519 --> 00:33:41,755 SOMETHING FOR ME, I'LL JUST KEEP 807 00:33:41,755 --> 00:33:42,455 ON WORKING AND CUT INTO THAT 808 00:33:42,455 --> 00:33:51,431 WAGE GAP. 809 00:33:51,431 --> 00:33:52,399 IT'S NEVER TOO LATE. 810 00:33:52,399 --> 00:33:53,233 >> FACTS. 811 00:33:53,233 --> 00:33:58,505 >> LET'S LOOK AT THE NOM FINEES 812 00:33:58,505 --> 00:34:05,312 FOR SUPPORTING ACTRESS. 813 00:34:05,312 --> 00:34:10,417 >> ANNALEIGH ASHFORD, "WELCOME 814 00:34:10,417 --> 00:34:11,751 TO CHIPPENDALES." 815 00:34:11,751 --> 00:34:12,986 CLAIRE DANES. 816 00:34:12,986 --> 00:34:14,988 "FLEISHMAN IS IN TROUBLE." 817 00:34:14,988 --> 00:34:15,989 JULIETTE LEWIS, "WELCOME TO 818 00:34:15,989 --> 00:34:16,823 CHIPPENDALES." 819 00:34:16,823 --> 00:34:19,192 CAMILLA MORRONE, "DAISY JONES & 820 00:34:19,192 --> 00:34:22,262 THE SIX." 821 00:34:22,262 --> 00:34:24,931 NIECY NASH-BETTS, "DAHMER - 822 00:34:24,931 --> 00:34:25,632 MONSTER: THE JEFFREY DAHMER 823 00:34:25,632 --> 00:34:25,932 STORY." 824 00:34:25,932 --> 00:34:26,666 MERIT WEAVER, "TINY BEAUTIFUL 825 00:34:26,666 --> 00:34:29,035 THINGS." 826 00:34:29,035 --> 00:34:37,510 >> AND THE EMMY GOES TO NIECY 827 00:34:37,510 --> 00:34:38,245 NASH-BETTS, "DAHMER - MONSTER: 828 00:34:38,245 --> 00:34:38,879 THE JEFFREY DAHMER STORY." 829 00:34:38,879 --> 00:34:39,279 [ APPLAUSE ] 830 00:34:39,279 --> 00:35:02,135 ♪ 831 00:35:02,135 --> 00:35:13,179 ♪ 832 00:35:13,179 --> 00:35:19,519 >> I'M A WINNER, BABY! 833 00:35:19,519 --> 00:35:21,821 THANK YOU TO THE MOST HIGH FOR 834 00:35:21,821 --> 00:35:22,956 THIS DIVINE MOMENT. 835 00:35:22,956 --> 00:35:26,993 THANK YOU, RYAN FMURPHY FOR 836 00:35:26,993 --> 00:35:27,794 SEEING ME. 837 00:35:27,794 --> 00:35:30,196 EVAN PETERS, I LOVE YOU. 838 00:35:30,196 --> 00:35:30,497 NETFLIX. 839 00:35:30,497 --> 00:35:31,865 EVERY SINGLE PERSON WHO VOTED 840 00:35:31,865 --> 00:35:32,465 FOR ME. 841 00:35:32,465 --> 00:35:33,099 THANK YOU. 842 00:35:33,099 --> 00:35:35,869 MY BETTER HALF, WHO PICKED ME UP 843 00:35:35,869 --> 00:35:37,037 WHEN I WAS GUTTED FROM THIS 844 00:35:37,037 --> 00:35:37,304 WORK. 845 00:35:37,304 --> 00:35:37,837 THANK YOU. 846 00:35:37,837 --> 00:35:38,471 I WANT TO THANK ME. 847 00:35:38,471 --> 00:35:41,875 [ CHEERS AND APPLAUSE ] 848 00:35:41,875 --> 00:35:43,877 FOR BELIEVING IN ME AND DOING 849 00:35:43,877 --> 00:35:45,946 WHAT THEY SAID I COULD NOT DO. 850 00:35:45,946 --> 00:35:47,714 I WANT TO SAY TO MYSELF IN FRONT 851 00:35:47,714 --> 00:35:51,318 OF ALL YOU BEAUTIFUL PEOPLE, GO, 852 00:35:51,318 --> 00:35:54,421 GIRL, WITH YOU BAD SELF. 853 00:35:54,421 --> 00:35:55,922 YOU DID THAT. 854 00:35:55,922 --> 00:35:58,058 FINALLY, I ACCEPT THIS AWARD ON 855 00:35:58,058 --> 00:36:00,860 BEHALF OF EVERY BLACK AND BROWN 856 00:36:00,860 --> 00:36:03,897 WOMAN WHO HAVE GONE UNHEARD, YET 857 00:36:03,897 --> 00:36:05,332 OVERPOLICED, LIKE GLENDA 858 00:36:05,332 --> 00:36:12,038 CLEVELAND, LIKE SANDRA BLAND, 859 00:36:12,038 --> 00:36:15,375 LIKE BRIEEONNA TAYLOR. 860 00:36:15,375 --> 00:36:17,677 I'M GOING TO DO IT UNTIL THE DAY 861 00:36:17,677 --> 00:36:17,944 I DIE. 862 00:36:17,944 --> 00:36:19,479 MOMMA, I WON! 863 00:36:19,479 --> 00:36:25,352 [ APPLAUSE ] 864 00:36:25,352 --> 00:36:26,219 >> Announcer: COMING UP LATER, 865 00:36:26,219 --> 00:36:28,054 THE AWARDS FOR OUTSTANDING LEAD 866 00:36:28,054 --> 00:36:29,990 ACTOR AND ACTRESS IN A DRAMA 867 00:36:29,990 --> 00:36:30,690 SERIES. 868 00:36:30,690 --> 00:36:32,792 AND UP NEXT THE CAST OF "CHEERS" 869 00:36:32,792 --> 00:36:33,860 REUNITES. 870 00:36:33,860 --> 00:36:36,696 IT'S THE EMMYS ON FOX. 871 00:36:40,267 --> 00:36:44,204 [ "CURB YOUR ENTHUSIASM" THEME ] 872 00:36:44,204 --> 00:36:45,305 >>> THERE HAVE BEEN A LOT OF 873 00:36:45,305 --> 00:36:46,506 BRILLIANT SITCOMS IN THE 874 00:36:46,506 --> 00:36:48,241 75 YEARS OF THE EMMYS -- SOME 875 00:36:48,241 --> 00:36:49,142 SET IN THE WORKPLACE, OTHERS IN 876 00:36:49,142 --> 00:36:53,446 THE HOME, SOME IN RESTAURANTS. 877 00:36:53,446 --> 00:36:55,248 BUT ONE OF THE GREATEST SITCOMS 878 00:36:55,248 --> 00:36:58,084 OF ALL TIME, WINNER OF 28 EMMYS, 879 00:36:58,084 --> 00:36:59,786 WAS SET HERE, IN THE MOST ICONIC 880 00:36:59,786 --> 00:37:02,856 BAR IN TELEVISION HISTORY -- 881 00:37:02,856 --> 00:37:04,190 "CHEERS." 882 00:37:04,190 --> 00:37:06,393 [ APPLAUSE ] 883 00:37:06,393 --> 00:37:08,295 ♪ YOU WANT TO BE WHERE YOU CAN 884 00:37:08,295 --> 00:37:11,631 SEE TROUBLES ARE ALL THE SAME ♪ 885 00:37:11,631 --> 00:37:12,432 ♪ YOU WANT TO BE WHERE EVERYBODY 886 00:37:12,432 --> 00:37:16,503 KNOWS YOUR NAME ♪ 887 00:37:16,503 --> 00:37:18,038 >> ANTHONY, THANK YOU FOR 888 00:37:18,038 --> 00:37:19,873 GETTING US ALL HERE. 889 00:37:19,873 --> 00:37:21,641 THIS FEELS NICE TO BE HERE. 890 00:37:21,641 --> 00:37:22,542 THANK YOU. 891 00:37:22,542 --> 00:37:24,778 >> JUST THINK OF IT AS A LONG 892 00:37:24,778 --> 00:37:25,946 OVERDUE CLASS REUNION. 893 00:37:25,946 --> 00:37:26,780 >> BEING TOGETHER BRINGS BACK 894 00:37:26,780 --> 00:37:27,547 SOME GREAT MEMORIES OF A SHOW WE 895 00:37:27,547 --> 00:37:28,081 ARE ALL SO PROUD OF. 896 00:37:28,081 --> 00:37:28,715 >> AND IF SOMEONE HAS THE 897 00:37:28,715 --> 00:37:29,583 ENVELOPE WE CAN PRESENT THE 898 00:37:29,583 --> 00:37:33,553 AWARD. 899 00:37:33,553 --> 00:37:33,853 >> YEAH. 900 00:37:33,853 --> 00:37:40,093 >> All: GEORGE! 901 00:37:40,093 --> 00:37:42,929 >> GEORGIE PORGIE. 902 00:37:42,929 --> 00:37:43,663 >> WE'RE HONORED TO PRESENT THE 903 00:37:43,663 --> 00:37:48,168 EMMY FOR OUTSTANDING DIRECTING 904 00:37:48,168 --> 00:37:49,336 IN A COMEDY SERIES. 905 00:37:49,336 --> 00:37:51,671 HERE ARE THE NOMINEES. 906 00:37:51,671 --> 00:37:55,075 >> Announcer: BILL HADER, 907 00:37:55,075 --> 00:37:55,876 "BARRY." 908 00:37:55,876 --> 00:38:00,614 CHRISTOPHER, "THE BEAR." 909 00:38:00,614 --> 00:38:06,786 AMY SHERMAN PALADINO, "THE 910 00:38:06,786 --> 00:38:08,688 MARVELOUS MRS. MAISEL." 911 00:38:08,688 --> 00:38:09,089 "TED LASSO." 912 00:38:09,089 --> 00:38:14,261 TIM BURTON, "WEDNESDAY." 913 00:38:14,261 --> 00:38:19,466 >> AND THE EMMY GOES TO 914 00:38:19,466 --> 00:38:34,881 CHRISTOPHER STORER. 915 00:38:34,881 --> 00:38:36,349 CHRISTOPHER IS UNABLE TO BE HERE 916 00:38:36,349 --> 00:38:37,918 TONIGHT, SO WE ACCEPT THIS AWARD 917 00:38:37,918 --> 00:38:38,351 ON HIS BEHALF. 918 00:38:38,351 --> 00:38:44,224 [ APPLAUSE ] 919 00:38:44,224 --> 00:38:44,858 >> AND NOW, HERE ARE THE 920 00:38:44,858 --> 00:38:45,825 NOMINEES FOR WRITING FOR A 921 00:38:45,825 --> 00:38:46,560 COMEDY SERIES, AN AWARD WON BY 922 00:38:46,560 --> 00:38:47,260 TWO OF CHEERS CREATORS, LES AND 923 00:38:47,260 --> 00:38:47,661 GLEN CHARLES. 924 00:38:51,031 --> 00:38:53,133 >> Announcer: BILL HADER, 925 00:38:53,133 --> 00:38:53,700 "BARRY." 926 00:38:53,700 --> 00:38:59,339 CHRISTOPHER STORER, "THE BEAR." 927 00:38:59,339 --> 00:39:00,273 "JURY DUTY." 928 00:39:00,273 --> 00:39:07,180 JOHN HOFFMAN, "ONLY MURDERS IN 929 00:39:07,180 --> 00:39:13,386 THE BUILDING". 930 00:39:13,386 --> 00:39:13,987 "TED LASSO." 931 00:39:13,987 --> 00:39:17,791 >> AND THE EMMY GOES TO. 932 00:39:17,791 --> 00:39:19,459 CHRISTOPHER STORER "THE BEAR." 933 00:39:19,459 --> 00:39:22,495 [ APPLAUSE ] 934 00:39:22,495 --> 00:39:24,331 >> WELL, CHRISTOPHER IS UNABLE 935 00:39:24,331 --> 00:39:25,165 TO BE HERE TONIGHT. 936 00:39:25,165 --> 00:39:25,966 WE ACCEPT THIS AWARD ON HIS 937 00:39:25,966 --> 00:39:28,902 BEHALF. 938 00:39:28,902 --> 00:39:30,704 ♪ 939 00:39:30,704 --> 00:39:31,304 >> Announcer: COMING UP, 940 00:39:31,304 --> 00:39:33,306 JOEL McHALE AND KEN JEONG. 941 00:39:33,306 --> 00:39:36,610 AN EMMY EDITION OF "SNL'S" 942 00:39:36,610 --> 00:39:38,345 WEEKEND UPDATE WITH TINA FEY AND 943 00:39:38,345 --> 00:39:40,747 AMY POEHLER, ARSENIO HALL, AND 944 00:39:40,747 --> 00:39:42,349 THE CAST OF "IT'S ALWAYS SUNNY 945 00:39:42,349 --> 00:39:44,451 IN PHILADELPHIA." 946 00:39:44,451 --> 00:39:45,385 PLUS, A "GREY'S ANATOMY" 947 00:39:45,385 --> 00:39:47,087 REUNION. 948 00:39:55,095 --> 00:39:56,596 >> OUR NEXT PRESENTERS ARE TWO 949 00:39:56,596 --> 00:39:58,331 OF THE MOST OVEREXPOSED PEOPLE 950 00:39:58,331 --> 00:39:59,065 IN TELEVISION AND MOVIES, GIVE 951 00:39:59,065 --> 00:39:59,900 IT UP FOR JOEL MCHALE AND 952 00:39:59,900 --> 00:40:02,836 KEN JEONG! 953 00:40:02,836 --> 00:40:05,739 [ APPLAUSE ] 954 00:40:05,739 --> 00:40:08,008 ♪ 955 00:40:08,008 --> 00:40:15,515 [ APPLAUSE ] 956 00:40:15,515 --> 00:40:16,116 >> YOU'RE ONE TO TALK, 957 00:40:16,116 --> 00:40:20,520 ANTHONY ANDERSON. 958 00:40:20,520 --> 00:40:23,957 CALL US ON YOUR T-MOBILE PHONE. 959 00:40:23,957 --> 00:40:29,229 >> ZING. 960 00:40:29,229 --> 00:40:29,829 WE'RE HERE TO HONOR THE 961 00:40:29,829 --> 00:40:33,099 OUTSTANDING REALITY COMPETITION 962 00:40:33,099 --> 00:40:33,466 PROGRAMS. 963 00:40:33,466 --> 00:40:36,236 >> WE KNOW A THING OR TWO ABOUT 964 00:40:36,236 --> 00:40:37,237 REALITY COMPETITION SHOWS. 965 00:40:37,237 --> 00:40:39,039 >> BECAUSE KEN IS FINALLY OVER 966 00:40:39,039 --> 00:40:41,241 THE HEIGHT REQUIREMENT TO 967 00:40:41,241 --> 00:40:42,209 PARTICIPATE IN THE PROFIT 968 00:40:42,209 --> 00:40:42,509 SHARING. 969 00:40:42,509 --> 00:40:43,043 WAY TO GO. 970 00:40:43,043 --> 00:40:43,343 >> STOP. 971 00:40:43,343 --> 00:40:49,649 SERIOUSLY, LIVE TV. 972 00:40:49,649 --> 00:40:52,285 REALITY IS THE MOST NOBLE OF 973 00:40:52,285 --> 00:40:52,652 CALLINGS. 974 00:40:52,652 --> 00:40:53,653 EVEN MORE THAN MEDICINE. 975 00:40:53,653 --> 00:40:54,921 >> HERE WE GO. 976 00:40:54,921 --> 00:40:56,156 YOU WERE THROWN OUT OF MEDICINE. 977 00:40:56,156 --> 00:40:57,224 HE KILLED A GUY. 978 00:40:57,224 --> 00:40:59,025 >> YOU CAN'T SAY THAT. 979 00:40:59,025 --> 00:41:01,027 IT'S NOT IN THE PROMPTER. 980 00:41:01,027 --> 00:41:03,997 YOU CANNOT SAY THAT. 981 00:41:03,997 --> 00:41:05,599 YOU CAN'T SAY THAT! 982 00:41:05,599 --> 00:41:06,933 THE INSTRUMENT THAT ALMOST 983 00:41:06,933 --> 00:41:08,401 KILLED THAT DUDE WERE THE ONES 984 00:41:08,401 --> 00:41:09,903 THE NURSES LEFT IN, OKAY? 985 00:41:09,903 --> 00:41:13,306 THE ONES THAT SAVED HIS LIFE, I 986 00:41:13,306 --> 00:41:14,274 LEFT IN. 987 00:41:14,274 --> 00:41:15,075 GIVE ME A BREAK. 988 00:41:15,075 --> 00:41:16,643 >> OKAY. 989 00:41:16,643 --> 00:41:18,879 >> AND THAT IS THE END OF OUR 990 00:41:18,879 --> 00:41:19,279 COMEDY BIT. 991 00:41:19,279 --> 00:41:23,016 >> IT NEVER STARTED! 992 00:41:23,016 --> 00:41:23,416 [ LAUGHTER ] 993 00:41:23,416 --> 00:41:25,185 >> HERE ARE THE NOMINEES FOR 994 00:41:25,185 --> 00:41:28,922 OUTSTANDING REALITY COMPETITION 995 00:41:28,922 --> 00:41:29,756 PROGRAM. 996 00:41:29,756 --> 00:41:32,392 >> Announcer: "THE AMAZING 997 00:41:32,392 --> 00:41:34,561 RACE." 998 00:41:34,561 --> 00:41:36,630 "RuPAUL'S DRAG RACE." 999 00:41:36,630 --> 00:41:37,230 "SURVIVOR." 1000 00:41:37,230 --> 00:41:38,765 "TALK SHOW." 1001 00:41:38,765 --> 00:41:43,036 "THE VOICE." 1002 00:41:43,036 --> 00:41:45,972 >> AND THE EMMY GOES TO -- 1003 00:41:45,972 --> 00:41:46,673 "RuPAUL'S DRAG RACE"! 1004 00:41:46,673 --> 00:41:58,552 [ CHEERS AND APPLAUSE ] 1005 00:41:58,552 --> 00:41:59,286 >> Announcer: "RuPAUL'S DRAG 1006 00:41:59,286 --> 00:42:01,988 RACE" HAS EARNED A TOTAL OF 63 1007 00:42:01,988 --> 00:42:02,956 EMMY NOMINATIONS. 1008 00:42:02,956 --> 00:42:05,158 THIS IS THE SHOW'S FIFTH WIN IN 1009 00:42:05,158 --> 00:42:06,393 THIS CATEGORY. 1010 00:42:06,393 --> 00:42:08,295 ACCEPTING THE EMMY ON BEHALF OF 1011 00:42:08,295 --> 00:42:11,197 THE TEAM IS RUPAUL. 1012 00:42:11,197 --> 00:42:12,265 THIS MARKS THE EIGHTH 1013 00:42:12,265 --> 00:42:15,936 CONSECUTIVE WIN FOR RUPAUL AS 1014 00:42:15,936 --> 00:42:16,469 HOST OF THE SHOW. 1015 00:42:16,469 --> 00:42:21,007 RUPAUL IS THE MOST AWARDED HOST 1016 00:42:21,007 --> 00:42:24,544 IN EMMYS HISTORY. 1017 00:42:24,544 --> 00:42:26,379 >> THANK YOU SO MUCH. 1018 00:42:26,379 --> 00:42:28,048 THANK YOU SO MUCH, YOU LOVELY, 1019 00:42:28,048 --> 00:42:28,882 LOVELY PEOPLE. 1020 00:42:28,882 --> 00:42:33,119 WE ARE SO HONORED TO HAVE THIS 1021 00:42:33,119 --> 00:42:33,620 AWARD. 1022 00:42:33,620 --> 00:42:37,190 LISTEN, YOU GUYS ARE JUST PURE 1023 00:42:37,190 --> 00:42:39,559 LOVELY FOR HONORING OUR SHOW AND 1024 00:42:39,559 --> 00:42:41,861 RECOGNIZING ALL THESE QUEENS. 1025 00:42:41,861 --> 00:42:46,499 WE HAVE RELEASED INTO THE WILD 1026 00:42:46,499 --> 00:42:47,067 HUNDREDS OF DRAG QUEENS. 1027 00:42:47,067 --> 00:42:50,770 [ CHEERS AND APPLAUSE ] 1028 00:42:50,770 --> 00:42:52,672 AND THEY'RE BEAUTIFUL. 1029 00:42:52,672 --> 00:42:55,775 ON BEHALF OF ALL OF THEM, WE 1030 00:42:55,775 --> 00:42:56,543 THANK YOU. 1031 00:42:56,543 --> 00:42:58,345 LISTEN, IF A DRAG QUEEN WANTS TO 1032 00:42:58,345 --> 00:43:03,183 READ YOU A STORY AT A LIBRARY, 1033 00:43:03,183 --> 00:43:07,554 LISTEN TO HER, BECAUSE KNOWLEDGE 1034 00:43:07,554 --> 00:43:08,355 IS POWER. 1035 00:43:08,355 --> 00:43:11,391 IF SOMEONE TRIES TO RESTRICT 1036 00:43:11,391 --> 00:43:13,894 YOUR ACCESS TO POWER, THEY ARE 1037 00:43:13,894 --> 00:43:15,061 TRYING TO SCARE YOU. 1038 00:43:15,061 --> 00:43:16,630 SO LISTEN TO A DRAG QUEEN! 1039 00:43:16,630 --> 00:43:17,030 WE LOVE YOU. 1040 00:43:17,030 --> 00:43:17,631 THANK YOU! 1041 00:43:17,631 --> 00:43:20,467 [ CHEERS AND APPLAUSE ] 1042 00:43:20,467 --> 00:43:20,934 >> THANK YOU. 1043 00:43:20,934 --> 00:43:24,538 THANK YOU. 1044 00:43:24,538 --> 00:43:27,440 >> FROM THE PEACOCK THEATER IN 1045 00:43:27,440 --> 00:43:33,113 THE HEARTH OF DOWNTOWN LOS 1046 00:43:33,113 --> 00:43:34,381 ANGELES, IT'S ARSENIO HALL! 1047 00:43:34,381 --> 00:43:39,786 ♪ 1048 00:43:39,786 --> 00:43:40,887 [ THE ARSENIO HALL SHOW THEME ] 1049 00:43:40,887 --> 00:43:55,635 ♪ 1050 00:43:55,635 --> 00:44:00,140 >> THANK YOU. 1051 00:44:00,140 --> 00:44:01,641 THANK YOU. 1052 00:44:01,641 --> 00:44:06,146 AS A KID, I IDOLIZED JOHNNY 1053 00:44:06,146 --> 00:44:06,479 CARSON. 1054 00:44:06,479 --> 00:44:07,881 WHEN MOST KIDS IN CLEVELAND 1055 00:44:07,881 --> 00:44:09,149 WANTED TO BE FOOTBALL STARS LIKE 1056 00:44:09,149 --> 00:44:11,952 JIM BROWN, I WANTED TO BE AN OLD 1057 00:44:11,952 --> 00:44:12,586 WHITE MAN WITH A TALK SHOW. 1058 00:44:12,586 --> 00:44:17,624 [ LAUGHTER ] 1059 00:44:17,624 --> 00:44:20,260 I WAS A WEIRD 10-YEAR OLD. 1060 00:44:20,260 --> 00:44:22,429 I EVEN WAS A MAGICIAN LIKE 1061 00:44:22,429 --> 00:44:22,729 JOHNNY. 1062 00:44:22,729 --> 00:44:24,064 CHECK THIS OUT. 1063 00:44:24,064 --> 00:44:26,633 YES, THERE I AMOUNT IN A BLACK 1064 00:44:26,633 --> 00:44:28,435 SUIT AND TIE DOING MAGIC IN THE 1065 00:44:28,435 --> 00:44:32,639 GHETTO OF CLEVELAND. 1066 00:44:32,639 --> 00:44:37,244 YES, AND I'M STILL ALIVE. 1067 00:44:37,244 --> 00:44:40,914 BY BUT I GOT MY [ BLEEP ] BEAT A 1068 00:44:40,914 --> 00:44:41,181 LOT. 1069 00:44:41,181 --> 00:44:41,915 I LOVED JOHNNY SO MUCH I DID 1070 00:44:41,915 --> 00:44:45,952 "THE TONIGHT SHOW" IN MY 1071 00:44:45,952 --> 00:44:48,288 BASEMENT WITH MY FRIENDS AS 1072 00:44:48,288 --> 00:44:48,588 GUESTS. 1073 00:44:48,588 --> 00:44:50,223 EVENTUALLY I BECAME A STANDUP 1074 00:44:50,223 --> 00:44:50,790 COMIC. 1075 00:44:50,790 --> 00:44:53,526 I GOT MY BIG BREAK ON "LATE 1076 00:44:53,526 --> 00:44:55,595 NIGHT WITH DAVID LETTERMAN." 1077 00:44:55,595 --> 00:44:59,165 ON JANUARY 3rd, 1989, I DEBUTED 1078 00:44:59,165 --> 00:45:01,801 THE ARSENIO HALL SHOW. 1079 00:45:01,801 --> 00:45:02,202 I WAS HOST. 1080 00:45:02,202 --> 00:45:06,072 [ APPLAUSE ] 1081 00:45:06,072 --> 00:45:07,841 I WAS HOST OF THAT SHOW THAT I 1082 00:45:07,841 --> 00:45:09,743 USED TO DO IN MY BASEMENT. 1083 00:45:09,743 --> 00:45:11,211 I GOT TO GO HEAD TO HEAD WITH 1084 00:45:11,211 --> 00:45:15,882 THE KING, JOHNNY CARSON, AND HIS 1085 00:45:15,882 --> 00:45:18,184 HEIRS TO THE THRONE DAVE AND 1086 00:45:18,184 --> 00:45:18,418 JAY. 1087 00:45:18,418 --> 00:45:20,153 IT WAS AN HONOR TO FACE OFF 1088 00:45:20,153 --> 00:45:22,355 AGAINST THE TALENTED TRIO, BUT 1089 00:45:22,355 --> 00:45:28,028 TO BE HONEST, I WISH THEY HAD 1090 00:45:28,028 --> 00:45:29,896 SUCKED. 1091 00:45:29,896 --> 00:45:31,097 BUT THEY DIDN'T. 1092 00:45:31,097 --> 00:45:32,899 AND HERE ARE SOME OTHER FOLKS 1093 00:45:32,899 --> 00:45:35,502 WHO ABSOLUTELY DO NOT SUCK, THE 1094 00:45:35,502 --> 00:45:40,674 NOMINATED TEAMS FOR OUT SSTANDI 1095 00:45:40,674 --> 00:45:43,877 WRITER IN A VARIETY SERIES. 1096 00:45:43,877 --> 00:45:49,749 "THE LAST OF US," "THE LATE SHOW 1097 00:45:49,749 --> 00:45:51,751 WITH STEPHEN COLBERT". 1098 00:45:55,555 --> 00:45:59,392 >> AND THE EMMY GOES TO -- I'M 1099 00:45:59,392 --> 00:46:01,628 AS NERVOUS AS JOHN OLIVER WILL 1100 00:46:01,628 --> 00:46:03,330 BE. 1101 00:46:03,330 --> 00:46:06,733 THE TEAM FROM "LAST WEEK TONIGHT 1102 00:46:06,733 --> 00:46:12,873 WITH JOHN OLIVER." 1103 00:46:12,873 --> 00:46:14,107 >> Announcer: THIS IS THE EIGHTH 1104 00:46:14,107 --> 00:46:16,409 CONSECUTIVE EMMY WIN IN THIS 1105 00:46:16,409 --> 00:46:17,944 CATEGORY FOR "LAST WEEK TONIGHT 1106 00:46:17,944 --> 00:46:20,480 WITH JOHN OLIVER" WHICH HAS A 1107 00:46:20,480 --> 00:46:26,586 TOTAL OF 51 NOMINATIONS OVERALL. 1108 00:46:26,586 --> 00:46:32,592 THE SERIES DEBUTED -- 1109 00:46:32,592 --> 00:46:46,473 ♪ 1110 00:46:46,473 --> 00:46:46,873 [ APPLAUSE ] 1111 00:46:46,873 --> 00:46:48,308 >> HI. 1112 00:46:48,308 --> 00:46:49,109 THANK YOU. 1113 00:46:49,109 --> 00:46:53,446 THANK YOU TO OUR EXECUTIVE 1114 00:46:53,446 --> 00:46:57,918 PRODUCERS, TIM CARVEL AND LIZ 1115 00:46:57,918 --> 00:47:01,354 STANTON, THANK YOU TO JOHN 1116 00:47:01,354 --> 00:47:01,988 OLIVER AND CAT OWENS. 1117 00:47:01,988 --> 00:47:04,057 THANK YOU TO EVERY DEPARTMENT AT 1118 00:47:04,057 --> 00:47:05,025 "LAST WEEK TONIGHT." 1119 00:47:05,025 --> 00:47:06,993 THEY ARE ALL INCREDIBLE AT WHAT 1120 00:47:06,993 --> 00:47:07,627 THEY DO. 1121 00:47:07,627 --> 00:47:09,062 THEY MAKE THE WHOLE THING 1122 00:47:09,062 --> 00:47:09,429 HAPPEN. 1123 00:47:09,429 --> 00:47:10,964 I ESPECIALLY WANT TO THANK 1124 00:47:10,964 --> 00:47:13,500 EVERYONE AT THE SHOW AND JOHN, 1125 00:47:13,500 --> 00:47:15,068 TIM AND LIZ FOR HOW MUCH THEY 1126 00:47:15,068 --> 00:47:16,236 BACKED US UP DURING THE WRITERS 1127 00:47:16,236 --> 00:47:16,536 STRIKE. 1128 00:47:16,536 --> 00:47:22,676 [ APPLAUSE ] 1129 00:47:22,676 --> 00:47:24,778 THEY WHOLEHEARTEDLY SUPPORTED 1130 00:47:24,778 --> 00:47:26,713 ALL OF US EVEN THOUGH A THIRD OF 1131 00:47:26,713 --> 00:47:29,549 US ARE ANNOYING. 1132 00:47:29,549 --> 00:47:30,250 IT WAS WONDERFUL. 1133 00:47:30,250 --> 00:47:32,786 WE ALSO WARRANT TO THANK OUR 1134 00:47:32,786 --> 00:47:34,788 UNION, THE WGA, AND ALL THE 1135 00:47:34,788 --> 00:47:37,624 UNIONS THAT BACKED WITH SO MUCH 1136 00:47:37,624 --> 00:47:38,091 SOLIDARITY. 1137 00:47:38,091 --> 00:47:39,192 THE STRIKE FELT LONG. 1138 00:47:39,192 --> 00:47:41,494 IT DID NOT FEEL LONELY. 1139 00:47:41,494 --> 00:47:42,062 SO THANK YOU SO MUCH. 1140 00:47:42,062 --> 00:47:42,629 [ APPLAUSE ] 1141 00:47:42,629 --> 00:47:45,398 ♪ 1142 00:47:45,398 --> 00:47:45,999 [ IT'S ALWAYS SUNNY IN 1143 00:47:45,999 --> 00:47:46,633 PHILADELPHIA THEME SONG ] 1144 00:47:46,633 --> 00:47:51,137 >> Announcer: FROM "ALWAYS SUNNY 1145 00:47:51,137 --> 00:47:51,872 IN PHILADELPHIA," A SERIES THAT 1146 00:47:51,872 --> 00:47:52,639 EARNED THREE EMMY NOMINATIONS, 1147 00:47:52,639 --> 00:47:53,807 HERE ARE ROB MCELHENMEY, 1148 00:47:53,807 --> 00:47:58,078 GLENN HOWERTON AND CHARLIE DAY. 1149 00:47:58,078 --> 00:48:04,818 ♪ 1150 00:48:04,818 --> 00:48:05,185 >> OKAY. 1151 00:48:05,185 --> 00:48:07,254 ALL RIGHT. 1152 00:48:07,254 --> 00:48:08,989 THANK YOU. 1153 00:48:08,989 --> 00:48:11,825 >> WHAT AN HONOR IT IS TO BE 1154 00:48:11,825 --> 00:48:15,228 HERE AT THE 75th EMMY AWARDS. 1155 00:48:15,228 --> 00:48:15,929 >> WHAT? 1156 00:48:15,929 --> 00:48:17,063 75 YEARS? 1157 00:48:17,063 --> 00:48:18,098 >> YEAH. 1158 00:48:18,098 --> 00:48:20,834 >> WE'VE BEEN ON THE AIR SINCE 1159 00:48:20,834 --> 00:48:21,468 2005. 1160 00:48:21,468 --> 00:48:22,636 I'VE NEVER EVEN BEEN HERE. 1161 00:48:22,636 --> 00:48:24,437 >> HANG ON. 1162 00:48:24,437 --> 00:48:25,705 HAVE YOU GUYS BEEN DOING THIS 1163 00:48:25,705 --> 00:48:28,308 EVERY SINGLE YEAR WITHOUT US? 1164 00:48:28,308 --> 00:48:30,176 >> THEY DO. 1165 00:48:30,176 --> 00:48:33,146 16 SEASONS WE'VE NEVER PRESENTED 1166 00:48:33,146 --> 00:48:33,580 BEFORE. 1167 00:48:33,580 --> 00:48:34,214 >> OH. 1168 00:48:34,214 --> 00:48:36,616 >> I FEEL LIKE WE'RE GETTING THE 1169 00:48:36,616 --> 00:48:42,789 FULL MARTIN TREATMENT OEVER HER. 1170 00:48:42,789 --> 00:48:45,492 >> DANNY, SURELY THE EMMYS MUST 1171 00:48:45,492 --> 00:48:46,693 HAVE GIVEN YOU AN AWARD. 1172 00:48:46,693 --> 00:48:47,827 >> YEAH, THEY DID. 1173 00:48:47,827 --> 00:48:48,628 >> THEY DID? 1174 00:48:48,628 --> 00:48:50,063 >> YEAH, I GOT ONE. 1175 00:48:50,063 --> 00:48:51,264 >> FOR SUNNY. 1176 00:48:51,264 --> 00:48:51,898 >> NO. 1177 00:48:51,898 --> 00:48:52,399 FOR TAXI. 1178 00:48:52,399 --> 00:49:00,407 [ APPLAUSE ] 1179 00:49:00,407 --> 00:49:02,375 >> HOW LONG WAS TAXI ON THE AIR? 1180 00:49:02,375 --> 00:49:03,577 >> FIVE YEARS. 1181 00:49:03,577 --> 00:49:05,912 >> ONLY FIVE YEARS AND IT GOT 1182 00:49:05,912 --> 00:49:06,246 NOMINATED? 1183 00:49:06,246 --> 00:49:08,815 >> YEAH, WITH 34 NOMINATIONS AND 1184 00:49:08,815 --> 00:49:11,017 18 WINS. 1185 00:49:11,017 --> 00:49:14,621 THAT'S WHY I GOT ONE. 1186 00:49:14,621 --> 00:49:15,055 THANK YOU. 1187 00:49:15,055 --> 00:49:17,490 >> 34 NOMINATIONS IN FIVE YEARS 1188 00:49:17,490 --> 00:49:19,859 VERSUS ZERO NOMINATIONS IN 16 1189 00:49:19,859 --> 00:49:20,126 YEARS. 1190 00:49:20,126 --> 00:49:21,328 THAT MATH IS BAD. 1191 00:49:21,328 --> 00:49:23,630 THE MATH IS BAD. 1192 00:49:23,630 --> 00:49:27,300 >> RHEA WON FOUR FOR "CHEERS". 1193 00:49:27,300 --> 00:49:32,472 >> DON'T RUB IT IN. 1194 00:49:32,472 --> 00:49:35,275 OKAY. 1195 00:49:35,275 --> 00:49:38,478 >> MAYBE THEY HAVE TROPHIES 1196 00:49:38,478 --> 00:49:40,480 BACKSTAGE THEY FORGOT TO GIVE 1197 00:49:40,480 --> 00:49:40,747 US. 1198 00:49:40,747 --> 00:49:41,348 >> NO. 1199 00:49:41,348 --> 00:49:42,816 I WENT BACKSTAGE AND I LOOKED 1200 00:49:42,816 --> 00:49:44,985 FOR THE MARTIN ONES AND THE 1201 00:49:44,985 --> 00:49:47,387 SUNNY ONES AND THEY DIDN'T HAVE 1202 00:49:47,387 --> 00:49:47,721 THEM. 1203 00:49:47,721 --> 00:49:50,457 >> I'M STILL GOING TO POKE 1204 00:49:50,457 --> 00:49:51,625 AROUND BACK THERE. 1205 00:49:51,625 --> 00:49:54,561 >> SO SPEAKING OF GUYS WITH FAR 1206 00:49:54,561 --> 00:49:55,996 TOO MANY NOMINATIONS, HERE ARE 1207 00:49:55,996 --> 00:49:56,897 THE NOMINEES FOR OUTSTANDING 1208 00:49:56,897 --> 00:50:00,433 TALK SERIES. 1209 00:50:00,433 --> 00:50:01,201 >> Announcer: "THE DAILY SHOW 1210 00:50:01,201 --> 00:50:03,136 WITH TREVOR NOAH" WITH TREVOR 1211 00:50:03,136 --> 00:50:05,472 NOAH. 1212 00:50:05,472 --> 00:50:06,072 "JIMMY KIMMEL LIVE!." 1213 00:50:06,072 --> 00:50:07,340 LATE NIGHT WITH SETH MEYERS. 1214 00:50:07,340 --> 00:50:13,046 THE LATE SHOW WITH STEVEN 1215 00:50:13,046 --> 00:50:15,248 COLBERT. 1216 00:50:15,248 --> 00:50:15,949 "THE PROBLEM WITH JON STEWART." 1217 00:50:15,949 --> 00:50:19,586 >> AND THE EMMY GOES TO "THE 1218 00:50:19,586 --> 00:50:20,320 DAILY SHOW WITH TREVOR NOAH." 1219 00:50:20,320 --> 00:50:20,754 HOW ABOUT THAT. 1220 00:50:20,754 --> 00:50:32,499 ♪ 1221 00:50:32,499 --> 00:50:34,267 >> Announcer: D"THE DAILY SHOW 1222 00:50:34,267 --> 00:50:35,235 WITH TREVOR NOAH" RECEIVED THREE 1223 00:50:35,235 --> 00:50:36,469 NOMINATIONS THIS YEAR. 1224 00:50:36,469 --> 00:50:40,974 ACCEPTING THE EMMY IS TREVOR 1225 00:50:40,974 --> 00:50:45,512 NOAH. 1226 00:50:45,512 --> 00:50:48,348 >> I TOLD YOU WE WOULD BEAT JOHN 1227 00:50:48,348 --> 00:50:50,083 OLIVER AND HE WASN'T IN OUR 1228 00:50:50,083 --> 00:50:50,450 CATEGORY. 1229 00:50:50,450 --> 00:50:51,718 WE DID IT! 1230 00:50:51,718 --> 00:50:56,122 WE GOT RID OF JOHN OLIVER. 1231 00:50:56,122 --> 00:50:57,357 I'M SO GLAD EVERYBODY IS COMING 1232 00:50:57,357 --> 00:50:57,991 UP HERE. 1233 00:50:57,991 --> 00:50:59,526 CAN I JUST SAY THIS STORY HAS 1234 00:50:59,526 --> 00:51:02,229 BEEN SO LONG AND SO CRAZY AND SO 1235 00:51:02,229 --> 00:51:02,996 WONDERFUL. 1236 00:51:02,996 --> 00:51:04,698 I START BY THANKING THE CRAZY 1237 00:51:04,698 --> 00:51:09,736 AFRICANS WHO FOLLOWED ME TO THIS 1238 00:51:09,736 --> 00:51:10,070 COUNTRY. 1239 00:51:10,070 --> 00:51:10,604 THANK YOU SO MUCH. 1240 00:51:10,604 --> 00:51:14,875 AND THE WRITERS AND THE TEAM. 1241 00:51:14,875 --> 00:51:18,178 JORDAN'S FLIGHT GOT CANCELLED. 1242 00:51:18,178 --> 00:51:22,649 THE SHOWRUNNER, THIS WOMAN RODE 1243 00:51:22,649 --> 00:51:24,284 WITH ME THROUGH THE TRENCHES. 1244 00:51:24,284 --> 00:51:25,986 THANK YOU SO MUCH TO THE TEAM. 1245 00:51:25,986 --> 00:51:27,487 THE PERSON I ALWAYS THANK 1246 00:51:27,487 --> 00:51:31,958 BECAUSE HE'S A CRAZY GENIUS. 1247 00:51:31,958 --> 00:51:33,193 JON STEWART, THANK YOU FOR 1248 00:51:33,193 --> 00:51:34,461 CALLING ME UP. 1249 00:51:34,461 --> 00:51:36,129 THANK YOU FOR ASKING ME TO JOIN 1250 00:51:36,129 --> 00:51:38,031 YOU ON THIS CRAZY JOURNEY. 1251 00:51:38,031 --> 00:51:39,432 THANK YOU TO THESE PEOPLE. 1252 00:51:39,432 --> 00:51:40,267 WE DID IT, BABY. 1253 00:51:40,267 --> 00:51:40,634 WE DID IT. 1254 00:51:40,634 --> 00:51:44,404 [ APPLAUSE ] 1255 00:51:44,404 --> 00:51:45,438 >> Announcer: COMING UP, 1256 00:51:45,438 --> 00:51:47,040 BRETT GOLDSTEIN AND JUNO TEMPLE, 1257 00:51:47,040 --> 00:51:48,775 CAST REUNIONS FROM "GREY'S 1258 00:51:48,775 --> 00:51:50,710 ANATOMY" AND "ALLY MCBEAL," AND 1259 00:51:50,710 --> 00:51:51,745 TRACEE ELLIS ROSS AND 1260 00:51:51,745 --> 00:51:53,713 NATASHA LYONNE'S "I LOVE LUCY" 1261 00:51:53,713 --> 00:51:55,315 TRIBUTE. 1262 00:51:58,585 --> 00:52:00,520 [ "TED LASSO" THEME SONG ] 1263 00:52:00,520 --> 00:52:01,221 >> Announcer: WELCOME BACK TO 1264 00:52:01,221 --> 00:52:02,756 THE EMMY AWARDS. 1265 00:52:02,756 --> 00:52:04,457 SHE'S A NOMINEE TONIGHT. 1266 00:52:04,457 --> 00:52:06,760 HE'S A TWO-TIME EMMY WINNER. 1267 00:52:06,760 --> 00:52:09,029 PLEASE WELCOME JUNO TEMPLE AND 1268 00:52:09,029 --> 00:52:11,665 BRETT GOLDSTEIN. 1269 00:52:11,665 --> 00:52:16,836 [ APPLAUSE ] 1270 00:52:19,339 --> 00:52:21,308 >> BEING A DIRECTOR REQUIRES A 1271 00:52:21,308 --> 00:52:23,677 DIVERSE SKILL SET THAT GOES WELL 1272 00:52:23,677 --> 00:52:25,278 BEYOND THE CAMERA. 1273 00:52:25,278 --> 00:52:27,347 >> PERHAPS THE HARDEST TASK A 1274 00:52:27,347 --> 00:52:28,715 DIRECTOR HAS IS WALKING UP TO AN 1275 00:52:28,715 --> 00:52:30,217 ACTOR AFTER A TAKE AND SAYING, 1276 00:52:30,217 --> 00:52:32,385 "THAT WAS DOG [ BLEEP ]. 1277 00:52:32,385 --> 00:52:33,720 LIKE, REALLY, REALLY BAD." 1278 00:52:33,720 --> 00:52:35,789 >> WHICH IS WHY BRILLIANT 1279 00:52:35,789 --> 00:52:37,390 DIRECTORS FIND OTHER WAYS TO SAY 1280 00:52:37,390 --> 00:52:38,425 IT, THINGS LIKE, "THAT WAS 1281 00:52:38,425 --> 00:52:39,526 GREAT. 1282 00:52:39,526 --> 00:52:40,193 BUT LET'S GET ANOTHER ONE FOR 1283 00:52:40,193 --> 00:52:41,595 SAFETY." 1284 00:52:41,595 --> 00:52:42,362 >> OR "LET'S TRY ONE WHERE YOU 1285 00:52:42,362 --> 00:52:43,196 JUST THROW IT AWAY. 1286 00:52:43,196 --> 00:52:43,697 JUST THROW IT AWAY. 1287 00:52:43,697 --> 00:52:45,265 DON'T ACT. 1288 00:52:45,265 --> 00:52:53,006 PLEASE DON'T ACT." 1289 00:52:53,006 --> 00:52:55,609 >> AND MY PERSONAL FAVORITE 1290 00:52:55,609 --> 00:52:56,409 "LET'S GO AGAIN EXACTLY THE 1291 00:52:56,409 --> 00:52:59,079 SAME, BUT DIFFERENT." 1292 00:52:59,079 --> 00:53:02,382 >> HERE ARE THE NOMINEES FOR 1293 00:53:02,382 --> 00:53:04,417 OUTSTANDING DIRECTING FOR A 1294 00:53:04,417 --> 00:53:07,721 LIMITED ANTHOLOGY SERIES OR 1295 00:53:07,721 --> 00:53:08,121 MOVIE. 1296 00:53:08,121 --> 00:53:09,789 >> Announcer: "BEEF." 1297 00:53:09,789 --> 00:53:13,426 CARL FRANKLIN, "DAHMER - 1298 00:53:13,426 --> 00:53:14,060 MONSTER: THE JEFFREY DAHMER 1299 00:53:14,060 --> 00:53:15,629 STORY". 1300 00:53:15,629 --> 00:53:18,665 PARIS BARCLAY, "DAHMER - 1301 00:53:18,665 --> 00:53:19,299 MONSTER: THE JEFFREY DAHMER 1302 00:53:19,299 --> 00:53:20,267 STORY." 1303 00:53:20,267 --> 00:53:21,835 VALERIE FARIS AND JONATHAN 1304 00:53:21,835 --> 00:53:24,871 DAYTON, "FLEISHMAN IS IN 1305 00:53:24,871 --> 00:53:25,305 TROUBLE." 1306 00:53:25,305 --> 00:53:29,910 DAN TRACHTENBERG. 1307 00:53:29,910 --> 00:53:36,950 >> AND THE EMMY GOES TO -- 1308 00:53:36,950 --> 00:53:39,886 >> LEE SUNG JIN FOR "BEEF." 1309 00:53:39,886 --> 00:53:44,991 [ APPLAUSE ] 1310 00:53:44,991 --> 00:53:58,638 ♪ 1311 00:53:58,638 --> 00:54:07,581 ♪ 1312 00:54:07,581 --> 00:54:08,148 >> WOW. 1313 00:54:08,148 --> 00:54:11,351 THANK YOU TO THE ACADEMY. 1314 00:54:11,351 --> 00:54:13,720 YOU KNOW, WHEN I FIRST MOVED TO 1315 00:54:13,720 --> 00:54:15,055 L.A., MY BANK ACCOUNT WENT TO 1316 00:54:15,055 --> 00:54:17,224 THE NEGATIVE BY 63 CENTS. 1317 00:54:17,224 --> 00:54:19,292 SO I HAD TO DEPOSIT A DOLLAR 1318 00:54:19,292 --> 00:54:21,161 BILL INTO MY ACCOUNT TO AVOID 1319 00:54:21,161 --> 00:54:22,362 THE OVERDRAFT FEE. 1320 00:54:22,362 --> 00:54:24,698 THE ATM SCREEN SAID, ARE YOU 1321 00:54:24,698 --> 00:54:27,868 SURE YOU WANT TO DEPOSIT ONE 1322 00:54:27,868 --> 00:54:28,301 DOLLAR? 1323 00:54:28,301 --> 00:54:30,637 AND I WAS LIKE NO. 1324 00:54:30,637 --> 00:54:32,839 I WASN'T SURE OF ANYTHING BACK 1325 00:54:32,839 --> 00:54:33,240 THEN. 1326 00:54:33,240 --> 00:54:34,875 I CERTAINLY WASN'T SURE OF 1327 00:54:34,875 --> 00:54:36,576 HOLDING SOMETHING LIKE THIS. 1328 00:54:36,576 --> 00:54:39,846 IT'S REALLY A TESTAMENT TO THE 1329 00:54:39,846 --> 00:54:41,848 AMAZING PEOPLE THAT I'VE BEEN SO 1330 00:54:41,848 --> 00:54:42,949 BLESSED TO BE AROUND. 1331 00:54:42,949 --> 00:54:45,318 THANK YOU TO STEVE AND ALI, 1332 00:54:45,318 --> 00:54:49,689 JOSEPH MARIA, THE AMAZING CAST, 1333 00:54:49,689 --> 00:54:55,996 OUR INCREDIBLE CREW AND EVERYONE 1334 00:54:55,996 --> 00:54:56,396 AT NETFLIX. 1335 00:54:56,396 --> 00:54:59,299 MY MOM, MY DAD, MY SISTER. 1336 00:54:59,299 --> 00:55:00,300 KATIE, I LOVE YOU SO MUCH. 1337 00:55:00,300 --> 00:55:01,268 THIS REALLY MEANS A LOT. 1338 00:55:01,268 --> 00:55:01,735 THANK YOU SO MUCH. 1339 00:55:01,735 --> 00:55:09,843 [ APPLAUSE ] 1340 00:55:09,843 --> 00:55:18,585 >> NOW, I'M A FAN OF POLICE 1341 00:55:18,585 --> 00:55:19,786 PROCE 1342 00:55:19,786 --> 00:55:22,389 PROCEDURALS, LAW AND ORDER SVU 1343 00:55:22,389 --> 00:55:26,626 IS CELEBRATING 25 YEARS ON AIR. 1344 00:55:26,626 --> 00:55:29,963 MY MOMMA WATCHED SO MANY MEDICAL 1345 00:55:29,963 --> 00:55:31,531 SHOWS THAT SHE TRIED TO REMOVE 1346 00:55:31,531 --> 00:55:37,070 MY APPENDIX WITH A BUTTER KNIFE. 1347 00:55:37,070 --> 00:55:38,672 AT ONE POINT, WE COULD BE A 1348 00:55:38,672 --> 00:55:39,873 WHOLE FAMILY SITTING HERE 1349 00:55:39,873 --> 00:55:42,075 WATCHING A SHOW AND EVERYBODY'S 1350 00:55:42,075 --> 00:55:42,842 DOING FINE. 1351 00:55:42,842 --> 00:55:50,150 THEN THE NEXT IT'S 30 CC'S OF 1352 00:55:50,150 --> 00:55:50,517 PROPOFOL. 1353 00:55:50,517 --> 00:55:55,322 MY MOTHER IS YELLING AT THE TV 1354 00:55:55,322 --> 00:55:57,190 "CODE BLUE"! 1355 00:55:57,190 --> 00:55:58,825 NOT MY BABY! 1356 00:55:58,825 --> 00:56:01,027 THE SERIES THAT HAS BEEN PART OF 1357 00:56:01,027 --> 00:56:03,230 OUR LIVES SINCE 2005 AND EARNED 1358 00:56:03,230 --> 00:56:05,332 ITS RIGHTFUL PLACE IN TELEVISION 1359 00:56:05,332 --> 00:56:10,704 HISTORY IS NONE OTHER THAN 1360 00:56:10,704 --> 00:56:11,538 GRGRAY 1361 00:56:11,538 --> 00:56:12,105 E 1362 00:56:12,105 --> 00:56:13,874 GRAY'S ANATOMY. 1363 00:56:13,874 --> 00:56:16,109 WITH 39 EMMY NOMINATIONS AND 1364 00:56:16,109 --> 00:56:17,544 MULTIPLE WINS. 1365 00:56:17,544 --> 00:56:31,625 FROM THE SERIES PLEASE WELCOME 1366 00:56:31,625 --> 00:56:32,392 ELLEN POMPEO, JUSTIN CHAMBERS, 1367 00:56:32,392 --> 00:56:33,059 JAMES PICKENS JR., FIVE-TIME 1368 00:56:33,059 --> 00:56:33,827 EMMY NOMINEE CHANDRA WILSON AND 1369 00:56:33,827 --> 00:56:36,429 EMMY WINNER KATHERINE HEIGL. 1370 00:56:36,429 --> 00:56:38,031 ♪ 1371 00:56:38,031 --> 00:56:39,065 >> WHEN THE FIRST EPISODE OF 1372 00:56:39,065 --> 00:56:40,100 "GREY'S ANATOMY" AIRED IN MARCH 1373 00:56:40,100 --> 00:56:41,635 OF 2005, I'M NOT SURE IF 1374 00:56:41,635 --> 00:56:43,236 SHONDA RHIMES KNEW THAT SHE HAD 1375 00:56:43,236 --> 00:56:44,004 CREATED A SHOW THAT WOULD HAVE A 1376 00:56:44,004 --> 00:56:45,338 LASTING IMPRINT ON TELEVISION 1377 00:56:45,338 --> 00:56:49,042 AND CREATE LIFELONG FRIENDSHIPS. 1378 00:56:49,042 --> 00:56:51,678 >> OVER 400 EPISODES AND 1379 00:56:51,678 --> 00:56:53,713 COUNTING, A TRIBUTE TO EVERYONE 1380 00:56:53,713 --> 00:56:54,381 WHO HAS BEEN A PART OF OUR 1381 00:56:54,381 --> 00:56:57,951 FAMILY. 1382 00:56:57,951 --> 00:57:01,187 >> AND YES, THERE HAVE BEEN 1383 00:57:01,187 --> 00:57:01,888 CHANGES OVER THE YEARS, BUT THE 1384 00:57:01,888 --> 00:57:04,858 ONE CONSTANT IS THE AMAZING 1385 00:57:04,858 --> 00:57:07,460 FANBASE. 1386 00:57:07,460 --> 00:57:09,062 >> YOU STAYED WITH US THROUGH 1387 00:57:09,062 --> 00:57:10,630 PLANE CRASHES, SUPERSTORMS, 1388 00:57:10,630 --> 00:57:13,266 EARTHQUAKES AND A GLOBAL 1389 00:57:13,266 --> 00:57:16,970 PANDEMIC, AND AS WE START OUR 1390 00:57:16,970 --> 00:57:19,706 20th SEASON, WE ARE OFFICIALLY 1391 00:57:19,706 --> 00:57:21,474 THE LONGEST-RUNNING PRIME TIME 1392 00:57:21,474 --> 00:57:22,275 MEDICAL DRAMA IN TV HISTORY. 1393 00:57:22,275 --> 00:57:29,749 [ APPLAUSE ] 1394 00:57:29,749 --> 00:57:31,384 >> AND THAT WOULD NOT BE 1395 00:57:31,384 --> 00:57:34,521 POSSIBLE WITHOUT ALL OF YOU, SO 1396 00:57:34,521 --> 00:57:35,589 TO ALL OUR FANS, AND TO ALL OF 1397 00:57:35,589 --> 00:57:39,059 YOU, THANK YOU. 1398 00:57:39,059 --> 00:57:49,669 [ APPLAUSE ] 1399 00:57:49,669 --> 00:57:51,738 >> NOW WHAT? 1400 00:57:51,738 --> 00:57:52,105 OH RIGHT. 1401 00:57:52,105 --> 00:57:52,873 >> AND NOW HERE ARE THE NOMINEES 1402 00:57:52,873 --> 00:57:53,473 FOR SUPPORTING ACTOR IN A 1403 00:57:53,473 --> 00:57:54,407 LIMITED OR ANTHOLOGY SERIES OR 1404 00:57:54,407 --> 00:57:59,112 MOVIE. 1405 00:57:59,112 --> 00:58:04,751 >> Announcer: MURRAY BARTLETT, 1406 00:58:04,751 --> 00:58:10,257 "WELCOME TO CHIPPENDALES." 1407 00:58:10,257 --> 00:58:11,458 PAUL WALTER HAUSER. 1408 00:58:11,458 --> 00:58:13,326 RICHARD JENKINS "DAHMER - 1409 00:58:13,326 --> 00:58:14,027 MONSTER: THE JEFFREY DAHMER 1410 00:58:14,027 --> 00:58:14,327 STORY." 1411 00:58:14,327 --> 00:58:14,728 JOSEPH LEE. 1412 00:58:14,728 --> 00:58:22,636 RAY LIOTTA, "BLACK BIRD." 1413 00:58:22,636 --> 00:58:27,374 JESSE PLEMONS, "LOVE & DEATH." 1414 00:58:27,374 --> 00:58:31,745 >> AND THE EMMY GOES TO, PAUL 1415 00:58:31,745 --> 00:58:34,614 WALTER HAUSER, "BLACK BIRD." 1416 00:58:34,614 --> 00:58:35,015 [ APPLAUSE ] 1417 00:58:35,015 --> 00:58:50,630 ♪ 1418 00:58:50,630 --> 00:58:52,265 >> Announcer: THIS IS THE FIRST 1419 00:58:52,265 --> 00:58:53,667 EMMY WIN AND NOMINATION FOR PAUL 1420 00:58:53,667 --> 00:58:55,235 WALTER HAUSER. 1421 00:58:55,235 --> 00:59:06,980 ♪ 1422 00:59:06,980 --> 00:59:08,615 >> OH MAN. 1423 00:59:08,615 --> 00:59:09,549 MY WIFE LOVES YOUR SHOW. 1424 00:59:09,549 --> 00:59:12,586 [ LAUGHTER ] 1425 00:59:12,586 --> 00:59:14,221 >> SHE LOVES IT. 1426 00:59:14,221 --> 00:59:17,624 TO MY FELLOW NOMINEES, THAT'S A 1427 00:59:17,624 --> 00:59:20,827 TALENT POOL IF I EVER SAW ONE. 1428 00:59:20,827 --> 00:59:22,696 RICHARD JENKINS. 1429 00:59:22,696 --> 00:59:25,899 HAVE YOU GUYS SEEN "THE 1430 00:59:25,899 --> 00:59:26,266 VISITOR." 1431 00:59:26,266 --> 00:59:27,701 THANK YOU TO THE VOTERS AND THE 1432 00:59:27,701 --> 00:59:28,468 TV ACADEMY. 1433 00:59:28,468 --> 00:59:31,972 THANK YOU MOM AND DAD. 1434 00:59:31,972 --> 00:59:35,041 DENNIS AND TARON EDGERTON. 1435 00:59:35,041 --> 00:59:37,544 YOUR TALENT COULD MOVE BOULDERS. 1436 00:59:37,544 --> 00:59:40,981 I'M HERE TO GIVE YOU A FACELIFT 1437 00:59:40,981 --> 00:59:43,383 IN THOMASVILLE, GEORGIA, YOU 1438 00:59:43,383 --> 00:59:47,254 GAVE ME MY GREATEST GIFT. 1439 00:59:47,254 --> 00:59:52,192 TO RAY LIOTTA, WE'RE DOWN HERE 1440 00:59:52,192 --> 00:59:55,495 WEARING FOSSILS. 1441 00:59:55,495 --> 00:59:57,898 CAA, DEALING WITH MY DAY TO DAY. 1442 00:59:57,898 --> 01:00:01,234 THANK YOU, GOD FOR THIS LIFE. 1443 01:00:01,234 --> 01:00:02,669 THANK YOU FOR HELPING ME FIND 1444 01:00:02,669 --> 01:00:07,007 THE STRAIGHT AND THE FWNARROW. 1445 01:00:07,007 --> 01:00:09,075 TO MY WIFE AMY, YOU MAKE MY 1446 01:00:09,075 --> 01:00:12,279 HEART STRONG AND KNEES WEAK. 1447 01:00:12,279 --> 01:00:14,314 JONAH MAVERICK. 1448 01:00:14,314 --> 01:00:15,882 CAN'T WAIT TO SPEND THE REST OF 1449 01:00:15,882 --> 01:00:17,350 MY LIFE WITH THAT WOLF BACK 1450 01:00:17,350 --> 01:00:19,486 CASTING OUT DEMONS. 1451 01:00:19,486 --> 01:00:22,756 THAT'S A ONE UP TO JESUS. 1452 01:00:22,756 --> 01:00:28,328 HE'S THE SOLE OWNER. 1453 01:00:28,328 --> 01:00:30,664 DO THINGS A LITTLE BIT 1454 01:00:30,664 --> 01:00:31,164 DIFFERENT. 1455 01:00:31,164 --> 01:00:32,566 BRIAN WALSHE, GET THE TABLES. 1456 01:00:32,566 --> 01:00:37,304 [ APPLAUSE ] 1457 01:00:37,304 --> 01:00:39,273 ♪ 1458 01:00:39,273 --> 01:00:40,707 >> Announcer: WE WILL RETURN WITH JON HAMM, JENNA ORTEGA, SHERYL LEE RALPH, AND PETER DINKLAGE. 1459 01:00:40,707 --> 01:00:42,976 AND A STIRRING PERFORMANCE FROM 1460 01:00:42,976 --> 01:00:44,344 WAR & TREATY. 1461 01:00:44,344 --> 01:00:45,812 AND, WE FIND OUT WHO WINS FOR 1462 01:00:45,812 --> 01:00:47,681 OUTSTANDING DRAMA AND COMEDY 1463 01:00:47,681 --> 01:00:48,348 SERIES. 1464 01:00:48,348 --> 01:00:51,952 IT'S THE EMMYS ON FOX. 1465 01:00:54,454 --> 01:01:01,228 [ "THE X-FILES" THEME SONG ] 1466 01:01:01,228 --> 01:01:04,798 >>> WE'RE BACK AT THE 75TH 1467 01:01:04,798 --> 01:01:05,699 EMMY AWARDS. 1468 01:01:05,699 --> 01:01:06,266 NOW WE JUST SAW SOME 1469 01:01:06,266 --> 01:01:07,234 COMMERCIALS. 1470 01:01:07,234 --> 01:01:08,301 THEY WERE GOOD. 1471 01:01:08,301 --> 01:01:09,002 I'M SURE THEY WERE CREATED BY 1472 01:01:09,002 --> 01:01:13,106 SOME REALLY GOOD AD AGENCIES. 1473 01:01:13,106 --> 01:01:16,209 BUT TO ME, THE GREATEST AD FIRM 1474 01:01:16,209 --> 01:01:21,715 OF THEM ALL WAS THE ONE 1475 01:01:21,715 --> 01:01:26,219 ON MY HIT TV SHOW "BLACKISH." 1476 01:01:26,219 --> 01:01:29,489 ANOTHER GREAT ADD FIRM WAS THE 1477 01:01:29,489 --> 01:01:29,756 ONE 1478 01:01:29,756 --> 01:01:30,323 DON DRAPER WORKED AT, 1479 01:01:30,323 --> 01:01:31,057 STERLING COOPER. 1480 01:01:31,057 --> 01:01:32,058 PLEASE WELCOME, DON DRAPER 1481 01:01:32,058 --> 01:01:38,064 HIMSELF, EMMY WINNER, JON HAMM. 1482 01:01:38,064 --> 01:01:38,465 [ APPLAUSE ] 1483 01:01:38,465 --> 01:01:42,669 ♪ 1484 01:01:42,669 --> 01:01:46,306 >> DURING ITS AMAZING SEVEN 1485 01:01:46,306 --> 01:01:49,509 SEASON RUN, "MAD MEN" RECEIVED 1486 01:01:49,509 --> 01:01:54,814 116 EMMY NOMINATIONS AND WON 16, 1487 01:01:54,814 --> 01:01:55,849 MEANING I WAS RESPONSIBLE FOR AN 1488 01:01:55,849 --> 01:01:56,917 INCREDIBLE ONE-SIXTEENTH OF OUR 1489 01:01:56,917 --> 01:02:00,120 TOTAL. 1490 01:02:00,120 --> 01:02:01,187 IF THAT DOESN'T GET ME THE 1491 01:02:01,187 --> 01:02:02,756 GOVERNORS AWARD ONE DAY, NOTHING 1492 01:02:02,756 --> 01:02:04,858 WILL. 1493 01:02:04,858 --> 01:02:05,892 THREE OF THOSE EMMYS WERE IN THE 1494 01:02:05,892 --> 01:02:09,062 CATEGORY I'M PRESENTING, 1495 01:02:09,062 --> 01:02:09,796 OUTSTANDING WRITING FOR A DRAMA 1496 01:02:09,796 --> 01:02:16,069 SERIES. 1497 01:02:16,069 --> 01:02:22,709 >> Announcer: "ANDOR." 1498 01:02:22,709 --> 01:02:27,314 "THE BEAR." 1499 01:02:27,314 --> 01:02:30,083 "BETTER CALL SAUL." 1500 01:02:30,083 --> 01:02:35,689 PETER GOULD, "BETTER CALL SAUL." 1501 01:02:35,689 --> 01:02:38,124 CRAIG MAZEAN, "THE LAST OF US." 1502 01:02:38,124 --> 01:02:41,728 MIKE WHITE, "THE WHITE LOTUS." 1503 01:02:41,728 --> 01:02:45,565 >> AND THE EMMY FOR BEST WRITING 1504 01:02:45,565 --> 01:02:51,238 EVER FOR DRAMAS LAST YEAR GOES 1505 01:02:51,238 --> 01:02:52,505 TO JESSE ARMSTRONG, 1506 01:02:52,505 --> 01:02:52,906 "SUCCESSION." 1507 01:02:52,906 --> 01:02:53,506 ♪ 1508 01:02:53,506 --> 01:03:04,618 [ APPLAUSE ] 1509 01:03:04,618 --> 01:03:05,919 >> Announcer: THIS IS THE SIXTH 1510 01:03:05,919 --> 01:03:07,520 EMMY WIN AND EIGHTH NOMINATION 1511 01:03:07,520 --> 01:03:09,389 FOR JESSE ARMSTRONG, WHO WAS 1512 01:03:09,389 --> 01:03:11,191 ALSO NOMINATED FOR PRODUCING. 1513 01:03:11,191 --> 01:03:13,293 WITH THIS WIN, HE HAS LOGGED 1514 01:03:13,293 --> 01:03:15,295 FOUR EMMYS FOR WRITING 1515 01:03:15,295 --> 01:03:15,762 "SUCCESSION." 1516 01:03:15,762 --> 01:03:16,763 >> MY GOODNESS, THANK YOU SO 1517 01:03:16,763 --> 01:03:17,264 MUCH. 1518 01:03:17,264 --> 01:03:18,999 THESE ARE SUCH GREAT WRITERS TO 1519 01:03:18,999 --> 01:03:20,133 BE BRACKETED WITH. 1520 01:03:20,133 --> 01:03:22,002 I WANT TO SAY THANK YOU TO HBO. 1521 01:03:22,002 --> 01:03:24,738 I WANT TO SAY THANK YOU TO MY 1522 01:03:24,738 --> 01:03:26,406 EXTRAORDINARY WRITERS ROOM, WHO 1523 01:03:26,406 --> 01:03:27,340 I WORK WITH. 1524 01:03:27,340 --> 01:03:29,009 I WANT TO SAY THANK YOU TO THE 1525 01:03:29,009 --> 01:03:31,711 WHOLE CAST AND CREW OF 1526 01:03:31,711 --> 01:03:34,714 "SUCCESSION," WHO I LOVE. 1527 01:03:34,714 --> 01:03:35,782 THEY'RE WONDERFUL. 1528 01:03:35,782 --> 01:03:37,951 AND I WANT TO SAY THANK YOU TO 1529 01:03:37,951 --> 01:03:39,953 THE WIDER SORT OF CREATIVE 1530 01:03:39,953 --> 01:03:40,754 COMMUNITY IN THE U.S. 1531 01:03:40,754 --> 01:03:44,658 I COME FROM THE U.K. 1532 01:03:44,658 --> 01:03:47,160 OUR SHOW IS ABOUT SOME THINGS 1533 01:03:47,160 --> 01:03:49,763 THAT ARE CLOSE TO THE CENTER OF 1534 01:03:49,763 --> 01:03:52,232 AMERICAN LIFE AND POLITICS, AND 1535 01:03:52,232 --> 01:03:56,036 WE'VE ALWAYS BEEN MET WITH 1536 01:03:56,036 --> 01:03:58,605 GENEROSITY AND GOOD FAITH, AND 1537 01:03:58,605 --> 01:04:00,640 THAT'S PART OF AMERICA'S 1538 01:04:00,640 --> 01:04:01,875 TRADITION OF BEING VERY 1539 01:04:01,875 --> 01:04:03,743 WELCOMING TO OUTSIDERS. 1540 01:04:03,743 --> 01:04:04,778 IT'S VERY NICE. 1541 01:04:04,778 --> 01:04:11,751 FOR SOME REASON, THE NAME OF 1542 01:04:11,751 --> 01:04:14,921 AUSTRALIAN-BORN MEDIA MOGUL 1543 01:04:14,921 --> 01:04:16,623 RUPERT MURDOCH COMES TO MIND. 1544 01:04:16,623 --> 01:04:20,093 I CAN'T SPEAK FOR HIM BUT I'M 1545 01:04:20,093 --> 01:04:21,995 GRATEFUL FOR THE GENEROSITY I'VE 1546 01:04:21,995 --> 01:04:23,496 BEEN SHOWN WORKING IN THIS 1547 01:04:23,496 --> 01:04:23,830 COUNTRY. 1548 01:04:23,830 --> 01:04:25,865 IT WAS A GREAT SADNESS TO LEAVE 1549 01:04:25,865 --> 01:04:28,768 THE SHOW, BUT IT WAS A GREAT 1550 01:04:28,768 --> 01:04:30,170 PLEASURE TO DO IT. 1551 01:04:30,170 --> 01:04:32,272 THANK YOU VERY MUCH. 1552 01:04:32,272 --> 01:04:32,939 >> PLEASE WELCOME KE HUY QUAN 1553 01:04:32,939 --> 01:04:33,640 AND TWO-TIME EMMY NOMINEE, 1554 01:04:33,640 --> 01:04:42,349 TOM HIDDLESTON. 1555 01:04:42,349 --> 01:04:44,117 >> GOOD EVENING, EVERYONE. 1556 01:04:44,117 --> 01:04:45,285 IT'S WONDERFUL TO BE HERE. 1557 01:04:45,285 --> 01:04:46,820 YOU ALL LOOK LOVELY. 1558 01:04:46,820 --> 01:04:48,755 >> HELLO, EVERYONE. 1559 01:04:48,755 --> 01:04:51,057 TOM HIDDLESTON WANTS ALL OF YOU 1560 01:04:51,057 --> 01:04:52,659 TO KNOW THAT HE LOVES ME VERY 1561 01:04:52,659 --> 01:04:52,993 MUCH. 1562 01:04:52,993 --> 01:04:56,529 RIGHT, TOM? 1563 01:04:56,529 --> 01:04:59,666 >> NOW, WHETHER YOU'RE PLAYING 1564 01:04:59,666 --> 01:05:01,801 THE GOD OF MISCHIEF OR A MERE 1565 01:05:01,801 --> 01:05:03,203 MORTAL JUST TRYING TO MAKE IT 1566 01:05:03,203 --> 01:05:06,873 THROUGH THE DAY, WE DON'T GET TO 1567 01:05:06,873 --> 01:05:07,574 PLAY THESE PARTS WITHOUT THE 1568 01:05:07,574 --> 01:05:08,308 WRITERS WHO DREAM THESE WORLDS 1569 01:05:08,308 --> 01:05:08,708 INTO BEING. 1570 01:05:08,708 --> 01:05:09,442 >> EACH JOURNEY BEGINS WITH A 1571 01:05:09,442 --> 01:05:10,143 SCRIPT THAT GRABS YOU AND WON'T 1572 01:05:10,143 --> 01:05:12,145 LET GO. 1573 01:05:12,145 --> 01:05:14,281 TONIGHT, WE HONOR A TALENTED 1574 01:05:14,281 --> 01:05:15,315 COLLECTION OF WRITERS WHO'VE 1575 01:05:15,315 --> 01:05:17,951 CREATED HILARIOUS, TERRIFYING, 1576 01:05:17,951 --> 01:05:19,519 ABSORBING NEW WORLDS FOR US TO 1577 01:05:19,519 --> 01:05:21,621 DISCOVER. 1578 01:05:21,621 --> 01:05:23,723 HERE ARE THE NOMINEES FOR 1579 01:05:23,723 --> 01:05:25,358 OUTSTANDING WRITING FOR A 1580 01:05:25,358 --> 01:05:26,359 LIMITED OR ANTHOLOGY SERIES OR 1581 01:05:26,359 --> 01:05:31,998 MOVIE. 1582 01:05:31,998 --> 01:05:35,969 >> Announcer: LEE SUNG JIN, 1583 01:05:35,969 --> 01:05:36,369 "BEEF." 1584 01:05:36,369 --> 01:05:43,610 KIM BRUCER "FIRE & FURY." 1585 01:05:43,610 --> 01:05:44,177 "FLEISHMAN IS IN TROUBLE." 1586 01:05:44,177 --> 01:05:57,857 DAN TRACK HTENBERG. 1587 01:05:57,857 --> 01:06:00,927 THE WEIRD AL YANKOVIC STORY. 1588 01:06:00,927 --> 01:06:03,430 >> AND THE EMMY GOES TO. 1589 01:06:03,430 --> 01:06:11,838 >> LEE SUNG JIN! 1590 01:06:11,838 --> 01:06:12,939 >> Announcer: THIS IS THE SECOND 1591 01:06:12,939 --> 01:06:16,977 EMMY WIN TONIGHT AND THIRD 1592 01:06:16,977 --> 01:06:17,677 NOMINATION FOR LEE SUNG JIN, 1593 01:06:17,677 --> 01:06:19,412 ALSO NOMINATED THIS YEAR FOR 1594 01:06:19,412 --> 01:06:20,881 DIRECTING AND PRODUCING "BEEF." 1595 01:06:20,881 --> 01:06:28,321 ♪ 1596 01:06:28,321 --> 01:06:29,923 >> FIRST AND FOREMOST, THANK YOU 1597 01:06:29,923 --> 01:06:31,858 TO THE WRITERS. 1598 01:06:31,858 --> 01:06:34,427 WE WROTE THIS OVER ZOOM, WHICH 1599 01:06:34,427 --> 01:06:37,597 IS THE HEALTHIEST WAY TO 1600 01:06:37,597 --> 01:06:37,998 COMMUNICATE. 1601 01:06:37,998 --> 01:06:39,466 THANK YOU FOR POWERING THROUGH 1602 01:06:39,466 --> 01:06:39,733 THAT. 1603 01:06:39,733 --> 01:06:45,839 I WANT TO SAY THANK YOU TO OUR 1604 01:06:45,839 --> 01:06:46,306 OTHER DIRECTORS. 1605 01:06:46,306 --> 01:06:47,040 JAKE HAS BEEN ONE OF MY CLOSEST 1606 01:06:47,040 --> 01:06:49,009 FRIENDS FOR YEARS. 1607 01:06:49,009 --> 01:06:50,143 HE'S LITERALLY TAUGHT ME 1608 01:06:50,143 --> 01:06:54,514 EVERYTHING I KNOW ABOUT FILM 1609 01:06:54,514 --> 01:06:55,649 MAKING. 1610 01:06:55,649 --> 01:06:57,350 LARKIN AND GRACE ARE THE DNA OF 1611 01:06:57,350 --> 01:06:59,219 THE SHOW AND THEY REALLY SHOULD 1612 01:06:59,219 --> 01:07:00,220 HAVE BEEN NOMINATED. 1613 01:07:00,220 --> 01:07:01,288 I'M BIASED. 1614 01:07:01,288 --> 01:07:04,124 THANK YOU TO ALL OUR HODs, 1615 01:07:04,124 --> 01:07:06,526 HELEN, DANA, NICOLE AND SO MANY 1616 01:07:06,526 --> 01:07:06,927 OTHERS. 1617 01:07:06,927 --> 01:07:08,828 I'VE GOT TO DO THE THANKING MY 1618 01:07:08,828 --> 01:07:10,096 REPS THING. 1619 01:07:10,096 --> 01:07:11,965 HONESTLY, THEY'VE BEEN THE BEST, 1620 01:07:11,965 --> 01:07:13,967 TOM RYAN, BEN, KEN, THANK YOU 1621 01:07:13,967 --> 01:07:14,734 VERY MUCH. 1622 01:07:14,734 --> 01:07:15,235 THIS IS SO CRAZY. 1623 01:07:15,235 --> 01:07:16,203 THANK YOU. 1624 01:07:16,203 --> 01:07:18,972 ♪ 1625 01:07:18,972 --> 01:07:20,040 >> Announcer: COMING UP, 1626 01:07:20,040 --> 01:07:21,641 JASON BATEMAN, TARAJI P. HENSON, 1627 01:07:21,641 --> 01:07:23,710 AND DAME JOAN COLLINS. 1628 01:07:23,710 --> 01:07:25,879 PLUS, TINA FEY AND AMY POEHLER'S 1629 01:07:25,879 --> 01:07:28,748 EMMY EDITION OF "SNL'S" WEEKEND 1630 01:07:28,748 --> 01:07:30,383 UPDATE, AND WE VISIT THE 1631 01:07:30,383 --> 01:07:32,352 "AMERICAN HORROR STORY" MURDER 1632 01:07:32,352 --> 01:07:33,286 HOUSE. 1633 01:07:39,392 --> 01:07:47,701 ♪ 1634 01:07:51,738 --> 01:07:53,139 >> MOMMA! 1635 01:07:53,139 --> 01:07:53,940 >> YEAH, BABY. 1636 01:07:53,940 --> 01:07:55,208 >> HOW YOU DOING TONIGHT, MOMMA? 1637 01:07:55,208 --> 01:07:56,443 >> I'M WONDERFUL. 1638 01:07:56,443 --> 01:07:59,079 >> YOU MEETING SOME GOOD STARS 1639 01:07:59,079 --> 01:08:00,247 TONIGHT? 1640 01:08:00,247 --> 01:08:01,114 >> OH YEAH. 1641 01:08:01,114 --> 01:08:02,115 >> WHO DID YOU MEET? 1642 01:08:02,115 --> 01:08:03,750 >> HENRY FORD RIGHT HERE. 1643 01:08:03,750 --> 01:08:04,985 >> WHO IS THAT? 1644 01:08:04,985 --> 01:08:06,853 >> HE GONE! 1645 01:08:06,853 --> 01:08:10,423 >> I WAS LIKE, MOMMA, THAT'S NOT 1646 01:08:10,423 --> 01:08:13,493 HARRISON FORD. 1647 01:08:13,493 --> 01:08:16,596 >> HIS WIFE DID. 1648 01:08:16,596 --> 01:08:17,864 OKAY. 1649 01:08:17,864 --> 01:08:18,498 >> ALL RIGHT. 1650 01:08:18,498 --> 01:08:19,666 EVERYBODY HAVING FUN AT THE 1651 01:08:19,666 --> 01:08:21,701 CHOCOLATE EMMYS TONIGHT? 1652 01:08:21,701 --> 01:08:25,138 [ APPLAUSE ] 1653 01:08:25,138 --> 01:08:28,375 >> WE ARE KILLING IT TONIGHT. 1654 01:08:28,375 --> 01:08:29,576 TYLER, WE ARE KILLING IT 1655 01:08:29,576 --> 01:08:30,043 TONIGHT. 1656 01:08:30,043 --> 01:08:31,945 YOU SEE THAT? 1657 01:08:31,945 --> 01:08:35,015 THIS IS LIKE MLK DAY AND 1658 01:08:35,015 --> 01:08:39,653 JUNETEENTH ALL ROLLED INTO ONE. 1659 01:08:39,653 --> 01:08:42,556 IF I WAS NOMINATED THIS YEAR, 1660 01:08:42,556 --> 01:08:44,090 HELL, I DEFINITELY WOULD HAVE 1661 01:08:44,090 --> 01:08:44,491 WON. 1662 01:08:44,491 --> 01:08:44,891 ALL RIGHT. 1663 01:08:44,891 --> 01:08:47,561 HE STARRED IN "ARRESTED 1664 01:08:47,561 --> 01:08:48,762 DEVELOPMENT" AND THEN STARRED ON 1665 01:08:48,762 --> 01:08:50,864 A SHOW WHERE HIS [ BLEEP ] 1666 01:08:50,864 --> 01:08:53,934 SHOULD HAVE BEEN ARRESTED. 1667 01:08:53,934 --> 01:08:54,568 GIVE IT UP FOR EMMY-WINNING 1668 01:08:54,568 --> 01:09:00,407 ACTOR JASON BATEMAN. 1669 01:09:00,407 --> 01:09:03,777 ♪ 1670 01:09:03,777 --> 01:09:04,844 >> MY FIRST ACTING ROLE WAS IN 1671 01:09:04,844 --> 01:09:05,912 "LITTLE HOUSE ON THE PRAIRIE." 1672 01:09:05,912 --> 01:09:06,947 I WAS 11. 1673 01:09:06,947 --> 01:09:08,014 COMPARED TO CHRISTINA APPLEGATE 1674 01:09:08,014 --> 01:09:15,889 I WAS A LATE BLOOMER. 1675 01:09:15,889 --> 01:09:16,489 THAT'S ME WITHOUT HAIR 1676 01:09:16,489 --> 01:09:19,593 EXTENSIONS AND LIP FILLERS. 1677 01:09:19,593 --> 01:09:21,194 MY CHARACTER WAS AN ORPHAN WHO 1678 01:09:21,194 --> 01:09:22,229 SUFFERED NUMEROUS HARDSHIPS 1679 01:09:22,229 --> 01:09:24,864 INCLUDING GETTING CAUGHT IN A 1680 01:09:24,864 --> 01:09:25,899 BEAR TRAP AND BEING SHOT IN A 1681 01:09:25,899 --> 01:09:26,433 BANK ROBBERY. 1682 01:09:26,433 --> 01:09:28,001 WITHOUT DIRECTION FROM THE GREAT 1683 01:09:28,001 --> 01:09:32,706 MICHAEL LANDON, THERE'S NO WAY I 1684 01:09:32,706 --> 01:09:34,274 COULD'VE PULLED OFF SUCH A 1685 01:09:34,274 --> 01:09:39,012 REALISTIC AND HEARTRENDING 1686 01:09:39,012 --> 01:09:40,080 PORTRAYAL OF A YOUNG, 1687 01:09:40,080 --> 01:09:43,283 THIN-LIPPED ORPHAN WITH A BOB. 1688 01:09:43,283 --> 01:09:44,251 SO, ALL MY RESPECT FOR THE 1689 01:09:44,251 --> 01:09:45,852 FOLLOWING NOMINEES FOR DIRECTING 1690 01:09:45,852 --> 01:09:46,353 FOR A DRAMA SERIES. 1691 01:09:53,293 --> 01:09:55,495 >> Announcer: BEN JA MINUTE 1692 01:09:55,495 --> 01:10:00,901 KAREN, "ANDOR." 1693 01:10:00,901 --> 01:10:01,768 "THE LAST OF US." 1694 01:10:01,768 --> 01:10:08,408 ANDRIJ PAREKH, "SUCCESSION"." 1695 01:10:08,408 --> 01:10:09,009 "SUCCESSION." 1696 01:10:09,009 --> 01:10:14,047 MIKE WHITE, "THE WHITE LOTUS." 1697 01:10:14,047 --> 01:10:24,791 >> AND THE EMMY GOES TO MARK 1698 01:10:24,791 --> 01:10:32,499 MAYLAD, "SUCCESSION." 1699 01:10:32,499 --> 01:10:33,900 >> Announcer: THIS IS THE THIRD 1700 01:10:33,900 --> 01:10:35,435 EMMY WIN AND EIGHTH NOMINATION 1701 01:10:35,435 --> 01:10:36,269 FOR MARK. 1702 01:10:36,269 --> 01:10:38,805 HIS FIRST EMMYS CAME FROM THE 1703 01:10:38,805 --> 01:10:40,006 PRODUCING OF "SUCCESSION." 1704 01:10:40,006 --> 01:10:41,107 THE SHOW "SUCCESSION" HAS THREE 1705 01:10:41,107 --> 01:10:41,641 WINS TONIGHT SO FAR. 1706 01:10:41,641 --> 01:10:52,953 ♪ 1707 01:10:52,953 --> 01:10:54,254 >> THANK YOU. 1708 01:10:54,254 --> 01:10:54,721 THANK YOU SO MUCH. 1709 01:10:54,721 --> 01:10:58,592 WHAT AN INCREDIBLE HONOR. 1710 01:10:58,592 --> 01:10:59,359 TH 1711 01:10:59,359 --> 01:10:59,759 THANK YOU. 1712 01:10:59,759 --> 01:11:01,995 I TAKE THIS ON BEHALF OF ALL MY 1713 01:11:01,995 --> 01:11:07,167 FELLOW DIRECTORS AND NOMINEES. 1714 01:11:07,167 --> 01:11:10,437 THANK HBO, TO CASEY, TO FRANNIE, 1715 01:11:10,437 --> 01:11:11,638 TO NORA. 1716 01:11:11,638 --> 01:11:15,909 THANK YOU TO ZACH AND MY LOVELY 1717 01:11:15,909 --> 01:11:17,911 AGENT, THANK YOU. 1718 01:11:17,911 --> 01:11:19,779 TO MY WIFE AND INSPIRATION, 1719 01:11:19,779 --> 01:11:21,348 THANK YOU. 1720 01:11:21,348 --> 01:11:23,683 TO ALL THE CAST AND CREW OF 1721 01:11:23,683 --> 01:11:24,885 "SUCCESSION" FOR THE TOTAL JOY 1722 01:11:24,885 --> 01:11:28,688 OF WORKING WITH THEM FOR FOUR 1723 01:11:28,688 --> 01:11:30,323 SEASONS, AN ABSOLUTE LIFE 1724 01:11:30,323 --> 01:11:31,458 HIGHLIGHT, CAREER HIGHLIGHT. 1725 01:11:31,458 --> 01:11:32,859 I DON'T KNOW IF IT WILL EVER 1726 01:11:32,859 --> 01:11:35,996 HAPPEN AGAIN, BUT I'M SO 1727 01:11:35,996 --> 01:11:38,498 GRATEFUL OR ALL OF THEM AND THE 1728 01:11:38,498 --> 01:11:39,833 ABSOLUTE STIMULATION EVERY TIME 1729 01:11:39,833 --> 01:11:44,804 I WALKED ONTO SET FOR THEM. 1730 01:11:44,804 --> 01:11:46,306 FINALLY, JESSE ARMSTRONG, THANK 1731 01:11:46,306 --> 01:11:46,706 YOU SO MUCH. 1732 01:11:46,706 --> 01:11:47,641 CHEERS. 1733 01:11:47,641 --> 01:11:55,215 [ APPLAUSE ] 1734 01:11:55,215 --> 01:11:56,550 >> Announcer: AND NOW A SPECIAL 1735 01:11:56,550 --> 01:11:59,119 EMMY EDITION OF "WEEKEND UPDATE" 1736 01:11:59,119 --> 01:12:01,755 WITH TINA FEY AND AMY POEHLER. 1737 01:12:01,755 --> 01:12:14,034 [ CHEERS AND APPLAUSE ] 1738 01:12:14,034 --> 01:12:18,138 >> I'M AMY POEHLER. 1739 01:12:18,138 --> 01:12:20,006 >> I'M TINA FEY. 1740 01:12:20,006 --> 01:12:21,741 WE'VE REACHED THE STAGE IN LIFE 1741 01:12:21,741 --> 01:12:23,476 WHERE WE'LL ONLY PRESENT AWARDS 1742 01:12:23,476 --> 01:12:24,077 SITTING DOWN. 1743 01:12:24,077 --> 01:12:26,947 HERE ARE TONIGHT'S NOMINEES FOR 1744 01:12:26,947 --> 01:12:28,548 OUTSTANDING LIVE VARIETY 1745 01:12:28,548 --> 01:12:28,882 SPECIAL. 1746 01:12:28,882 --> 01:12:30,850 >> THE ONLY SHOW THAT'S LONGER 1747 01:12:30,850 --> 01:12:33,920 THAN WHEN THEY AIRED "TITANIC" 1748 01:12:33,920 --> 01:12:34,921 WITH COMMERCIALS ON TBS, THE 1749 01:12:34,921 --> 01:12:39,059 OSCARS. 1750 01:12:39,059 --> 01:12:39,726 >> "CHRIS ROCK: SELECTIVE 1751 01:12:39,726 --> 01:12:42,529 OUTRAGE." 1752 01:12:42,529 --> 01:12:44,030 CHRIS COULD BE HERE TONIGHT, BUT 1753 01:12:44,030 --> 01:12:47,467 IF HE WINS, WE'LL ACCEPT ON HIS 1754 01:12:47,467 --> 01:12:48,735 BEHALF BECAUSE WE MISS GETTING 1755 01:12:48,735 --> 01:12:53,273 EMMYS. 1756 01:12:53,273 --> 01:12:57,677 >> ELTON JOHN LIVE. 1757 01:12:57,677 --> 01:13:01,915 >> THE CONCERT SO GOOD IT GOT US 1758 01:13:01,915 --> 01:13:05,952 ALL PREGNANT, THE SUPER BOWL 1759 01:13:05,952 --> 01:13:08,521 HALFTIME SHOW STARRING RIHANNA. 1760 01:13:08,521 --> 01:13:10,390 >> CELEBRATING THE BEST IN 1761 01:13:10,390 --> 01:13:12,225 MUSICALS BASED ON MOVIES WHICH 1762 01:13:12,225 --> 01:13:13,894 WILL PROBABLY BE MOVIES AGAIN -- 1763 01:13:13,894 --> 01:13:15,562 >> THERE'S NOTHING WRONG WITH 1764 01:13:15,562 --> 01:13:15,829 THAT. 1765 01:13:15,829 --> 01:13:16,296 >> ABSOLUTELY. 1766 01:13:16,296 --> 01:13:24,271 >> THE 75th ANNUAL TONY AWARDS. 1767 01:13:24,271 --> 01:13:29,476 >> AND THE EMMY GOES TO -- 1768 01:13:29,476 --> 01:13:32,879 >> AND THE EMMY GOES TO "ELTON 1769 01:13:32,879 --> 01:13:35,248 JOHN LIVE, FAREWELL FROM DODGER 1770 01:13:35,248 --> 01:13:36,116 STADIUM." 1771 01:13:36,116 --> 01:13:44,858 ♪ 1772 01:13:44,858 --> 01:13:46,826 >> Announcer: ELTON JOHN LIVE 1773 01:13:46,826 --> 01:13:48,328 FAREWELL FROM DODGER STADIUM 1774 01:13:48,328 --> 01:13:49,563 RECEIVED THREE NOMINATIONS THIS 1775 01:13:49,563 --> 01:13:49,930 YEAR. 1776 01:13:49,930 --> 01:13:51,598 THE CONCERT EVENT TOOKED PLACE 1777 01:13:51,598 --> 01:13:55,168 NOVEMBER 20th, 2022, IN DODGER 1778 01:13:55,168 --> 01:13:59,873 STADIUM WHERE IN 1975 JOHN 1779 01:13:59,873 --> 01:14:02,108 PERFORMED TWO SOLDOUT CONCERTS 1780 01:14:02,108 --> 01:14:05,212 THAT CEMENTED HIS LEGACY. 1781 01:14:05,212 --> 01:14:09,316 HE TOOK THE STAGE IN HIS FINAL 1782 01:14:09,316 --> 01:14:10,984 NORTH AMERICAN SHOW AS PART OF 1783 01:14:10,984 --> 01:14:14,387 HIS FINAL FAREWELL YELLOWBRICK 1784 01:14:14,387 --> 01:14:14,721 TOUR. 1785 01:14:14,721 --> 01:14:17,390 >> I AM NOT ELTON JOHN. 1786 01:14:17,390 --> 01:14:18,692 SADLY, HE'S ABSOLUTELY FINE, BUT 1787 01:14:18,692 --> 01:14:21,161 HE WANTED TO SEND HIS LOVE AND 1788 01:14:21,161 --> 01:14:24,598 THANKS TO THE TELEVISION 1789 01:14:24,598 --> 01:14:25,232 ACADEMY. 1790 01:14:25,232 --> 01:14:28,668 I WANT TO THANK DAVID FURNISH, 1791 01:14:28,668 --> 01:14:31,071 WHO HAD THE CREATIVE VISION FOR 1792 01:14:31,071 --> 01:14:32,038 THIS SHOW. 1793 01:14:32,038 --> 01:14:33,807 I WANT TO THANK LUKE LLOYD DAVIS 1794 01:14:33,807 --> 01:14:35,408 AND ALL THE TEAM AT ROCKET 1795 01:14:35,408 --> 01:14:35,842 ENTERTAINMENT. 1796 01:14:35,842 --> 01:14:37,711 I WANT TO THANK THE TEAM AT 1797 01:14:37,711 --> 01:14:39,779 DISNEY PLUS, CHARLIE, NICOLE, 1798 01:14:39,779 --> 01:14:41,648 MARK, DANA, CRAIG. 1799 01:14:41,648 --> 01:14:44,184 I WANT TO THANK THE DIRECTOR OF 1800 01:14:44,184 --> 01:14:44,818 THIS SPECIAL. 1801 01:14:44,818 --> 01:14:46,720 I WANT TO THANK SALLY AND THE 1802 01:14:46,720 --> 01:14:48,922 TEAM, LOU, MEREDITH, LAUREN AND 1803 01:14:48,922 --> 01:14:49,289 EVERYBODY. 1804 01:14:49,289 --> 01:14:50,624 WE KNEW THIS SHOW WOULD BE 1805 01:14:50,624 --> 01:14:51,625 HISTORIC BECAUSE IT WAS GOING TO 1806 01:14:51,625 --> 01:14:53,994 BE ELTON'S LAST EVER SHOW IN 1807 01:14:53,994 --> 01:14:55,061 NORTH AMERICA ON TOUR. 1808 01:14:55,061 --> 01:14:56,596 WE KNEW IT WOULD BE HISTORIC 1809 01:14:56,596 --> 01:14:58,798 BECAUSE IT WAS DISNEY'S 1810 01:14:58,798 --> 01:15:00,133 FIRST-EVER LIVE GLOBAL STREAM. 1811 01:15:00,133 --> 01:15:01,735 WE DIDN'T KNOW IT WAS GOING TO 1812 01:15:01,735 --> 01:15:03,537 BE HISTORIC BECAUSE IT WAS GOING 1813 01:15:03,537 --> 01:15:07,173 TO WIN A MAN WHO CREATED THE 1814 01:15:07,173 --> 01:15:07,908 SO 1815 01:15:07,908 --> 01:15:09,776 SOUNDTRACK TO ALL OF OUR LIVES. 1816 01:15:09,776 --> 01:15:11,678 WE DIDN'T KNOW IT WAS GOING TO 1817 01:15:11,678 --> 01:15:13,547 WIN HIM AN EGOT. 1818 01:15:13,547 --> 01:15:14,014 THANK YOU SO MUCH. 1819 01:15:14,014 --> 01:15:14,581 WE ARE SO GRATEFUL. 1820 01:15:14,581 --> 01:15:15,348 THANK YOU. 1821 01:15:15,348 --> 01:15:16,616 ♪ 1822 01:15:16,616 --> 01:15:20,587 [ APPLAUSE ] 1823 01:15:20,587 --> 01:15:21,421 >> Announcer: JUST AHEAD, 1824 01:15:21,421 --> 01:15:22,556 DYLAN McDERMOTT. 1825 01:15:22,556 --> 01:15:24,558 THEN LATER, DAME JOAN COLLINS 1826 01:15:24,558 --> 01:15:27,027 AND TARAJI P. HENSON, AN "I LOVE 1827 01:15:27,027 --> 01:15:28,828 LUCY" TRIBUTE, PETER DINKLAGE 1828 01:15:28,828 --> 01:15:30,063 TAKES THE STAGE. 1829 01:15:30,063 --> 01:15:31,898 AND THE "ALLY McBEAL" CAST 1830 01:15:31,898 --> 01:15:33,366 REUNITES. 1831 01:15:38,104 --> 01:15:41,708 [ "THE TWILIGHT ZONE" THEME SONG ] 1832 01:15:41,708 --> 01:15:44,044 >>> ROD ZERLING'S "TWILIGHT 1833 01:15:44,044 --> 01:15:45,478 ZONE" PAVED WAY FOR AN 1834 01:15:45,478 --> 01:15:47,480 EVER-EVOLVING GENERATION OF WORK 1835 01:15:47,480 --> 01:15:49,883 THAT CONTINUES TO PUSH US INTO A 1836 01:15:49,883 --> 01:15:52,619 NEW DIMENSION ON A JOURNEY INTO 1837 01:15:52,619 --> 01:15:54,154 A HOUSE THAT IS NO AVERAGE 1838 01:15:54,154 --> 01:15:54,721 HOUSE. 1839 01:15:54,721 --> 01:15:56,590 ONE THAT MAY APPEAR STRUCTURALLY 1840 01:15:56,590 --> 01:15:58,391 SOUND, BUT FOLDS UNDER THE 1841 01:15:58,391 --> 01:15:59,859 WEIGHT OF SECRETS OF A DARK 1842 01:15:59,859 --> 01:16:00,860 HISTORY. 1843 01:16:00,860 --> 01:16:02,662 A HOUSE POSSESSED BY RESIDENTS 1844 01:16:02,662 --> 01:16:04,831 PAST WITH A SINISTER AGENDA FOR 1845 01:16:04,831 --> 01:16:06,566 ITS CURRENT OCCUPANTS. 1846 01:16:06,566 --> 01:16:07,801 A DANGEROUS HOUSE. 1847 01:16:07,801 --> 01:16:09,736 A MURDER HOUSE. 1848 01:16:09,736 --> 01:16:10,871 [ "AMERICAN HORROR STORY" THEME 1849 01:16:10,871 --> 01:16:15,976 SONG ] 1850 01:16:15,976 --> 01:16:17,077 >> Announcer: PLEASE WELCOME 1851 01:16:17,077 --> 01:16:18,945 MULTIPLE EMMY NOMINEE DYLAN 1852 01:16:18,945 --> 01:16:19,779 McDERMOTT. 1853 01:16:19,779 --> 01:16:26,786 ♪ 1854 01:16:26,786 --> 01:16:31,391 >> WE WOULD NOT HAVE AMERICAN 1855 01:16:31,391 --> 01:16:33,460 HORROR STORY, A WINNER OF 16 1856 01:16:33,460 --> 01:16:35,061 EMMYS, WITHOUT THE SERIES 1857 01:16:35,061 --> 01:16:35,695 CREATORS, RYAN MURPHY AND 1858 01:16:35,695 --> 01:16:38,131 BRAD FALCHUK. 1859 01:16:38,131 --> 01:16:40,934 [ APPLAUSE ] 1860 01:16:40,934 --> 01:16:42,469 >> IS IT ME OR DOES THIS PLACE 1861 01:16:42,469 --> 01:16:45,105 SEEM HAUNTED? 1862 01:16:45,105 --> 01:16:46,706 IT'S ALMOST LIKE SOMEBODY IS 1863 01:16:46,706 --> 01:16:54,981 WATCHING US. 1864 01:16:54,981 --> 01:16:58,785 OH NO, NOT THIS DUDE AGAIN. 1865 01:16:58,785 --> 01:17:01,154 MAYBE IF I IGNORE HIM, HE'LL 1866 01:17:01,154 --> 01:17:03,990 JUST GO AWAY. 1867 01:17:03,990 --> 01:17:05,525 LET'S TAKE A LOOK AT THE 1868 01:17:05,525 --> 01:17:07,594 NOMINEES FOR LEAD ACTOR IN A 1869 01:17:07,594 --> 01:17:13,900 LIMITED SERIES OR MOVIE. 1870 01:17:13,900 --> 01:17:16,670 >> Announcer: TARON EDGERTON, 1871 01:17:16,670 --> 01:17:17,237 "BLACK BIRD." 1872 01:17:17,237 --> 01:17:21,441 KUMAIL NANJIANI, "WELCOME TO 1873 01:17:21,441 --> 01:17:21,875 CHIPPENDALES." 1874 01:17:21,875 --> 01:17:22,576 EVAN PETERS, "DAHMER - MONSTER: 1875 01:17:22,576 --> 01:17:28,348 THE JEFFREY DAHMER STORY." 1876 01:17:28,348 --> 01:17:30,951 DA 1877 01:17:30,951 --> 01:17:36,756 DANIEL -- MICHAEL SHANNON, 1878 01:17:36,756 --> 01:17:39,226 "GEORGE & TAMMY." 1879 01:17:39,226 --> 01:17:43,163 STEVEN YOUNG. 1880 01:17:43,163 --> 01:17:53,907 >> DO YOU HAVE THE ENVELOPE? 1881 01:17:53,907 --> 01:17:54,441 >> WHERE ARE YOU? 1882 01:17:54,441 --> 01:17:57,978 [ LAUGHTER ] 1883 01:17:57,978 --> 01:18:00,146 >> IT'S HARD TO BREATHE IN THESE 1884 01:18:00,146 --> 01:18:01,548 DARN THINGS. 1885 01:18:01,548 --> 01:18:02,649 I DON'T KNOW HOW THAT DUDE DID 1886 01:18:02,649 --> 01:18:04,618 IT IN PULP FICTION. 1887 01:18:04,618 --> 01:18:06,253 AM I SWEATING BACK THERE? 1888 01:18:06,253 --> 01:18:06,987 >> OH YEAH. 1889 01:18:06,987 --> 01:18:10,624 >> DON'T DO THAT. 1890 01:18:10,624 --> 01:18:11,458 I'M NAKED. 1891 01:18:11,458 --> 01:18:13,660 DUDE, I THOUGHT MY BUTT WAS BIG 1892 01:18:13,660 --> 01:18:16,463 UNTIL I PUT ON THIS THING. 1893 01:18:16,463 --> 01:18:18,865 >> AND THE EMMY GOES TO STEVEN 1894 01:18:18,865 --> 01:18:19,633 YOUNG, "BEEF." 1895 01:18:19,633 --> 01:18:27,908 [ APPLAUSE ] 1896 01:18:27,908 --> 01:18:44,824 ♪ 1897 01:18:44,824 --> 01:18:46,893 >> WELL, THANK YOU FOR THIS. 1898 01:18:46,893 --> 01:18:49,229 THANK YOU FOR THIS IMMENSE HONOR 1899 01:18:49,229 --> 01:18:50,597 AND BLESSING. 1900 01:18:50,597 --> 01:18:52,465 MAN, I HAVE A LOT OF PEOPLE TO 1901 01:18:52,465 --> 01:18:54,568 THANK, A LOT OF PEOPLE THAT 1902 01:18:54,568 --> 01:18:58,505 LOOKED OUT FOR ME ON MY WAY TO 1903 01:18:58,505 --> 01:19:04,211 EVEN GET TO BE IN THIS BUSINESS. 1904 01:19:04,211 --> 01:19:09,115 I WANT TO THANK SUNNY, ALI, 1905 01:19:09,115 --> 01:19:14,454 JAKE, OUR INCREDIBLE CAST AND 1906 01:19:14,454 --> 01:19:15,355 CREW. 1907 01:19:15,355 --> 01:19:17,991 THANK YOU TO A-24, NETFLIX. 1908 01:19:17,991 --> 01:19:22,996 THANK YOU TO MIKE AND PETER. 1909 01:19:22,996 --> 01:19:26,266 I WANT TO THANK ANDREW COOPER 1910 01:19:26,266 --> 01:19:29,870 FOR TALKING TO ME ONE NIGHT. 1911 01:19:29,870 --> 01:19:31,905 OUR INCREDIBLE ONSET 1912 01:19:31,905 --> 01:19:33,106 PHOTOGRAPHER, A LEGEND. 1913 01:19:33,106 --> 01:19:34,641 THERE WERE DAYS WHEN IT WAS 1914 01:19:34,641 --> 01:19:36,877 DIFFICULT TO LIVE IN DANNY'S 1915 01:19:36,877 --> 01:19:37,310 SKIN. 1916 01:19:37,310 --> 01:19:39,112 SOMETIMES I WANTED TO JUDGE HIM. 1917 01:19:39,112 --> 01:19:40,747 SOMETIMES I WANTED TO MAKE FUN 1918 01:19:40,747 --> 01:19:41,214 OF HIM. 1919 01:19:41,214 --> 01:19:43,516 HE PULLED ME ASIDE AND HE'S 1920 01:19:43,516 --> 01:19:50,023 LIKE, NEVER BAIL ON DANNY. 1921 01:19:50,023 --> 01:19:50,390 THANKS. 1922 01:19:50,390 --> 01:19:52,392 I WANT TO SAY THANK YOU TO DANNY 1923 01:19:52,392 --> 01:19:59,900 FOR TEACHING ME THAT JUDGMENT 1924 01:19:59,900 --> 01:20:03,637 AND SHAME IS A LONELY PLACE, BUT 1925 01:20:03,637 --> 01:20:06,072 COMPASSION AND GRACE IS WHERE WE 1926 01:20:06,072 --> 01:20:08,642 CAN ALL MEET. 1927 01:20:08,642 --> 01:20:12,312 [ APPLAUSE ] 1928 01:20:12,312 --> 01:20:16,116 I'M GRATEFUL TO MY WIFE JO. 1929 01:20:16,116 --> 01:20:17,717 THANK YOU ALWAYS. 1930 01:20:17,717 --> 01:20:21,388 JUDE, RUTH, MOM, DAD, BRIAN, 1931 01:20:21,388 --> 01:20:22,155 FAMILY, I LOVE YOU. 1932 01:20:22,155 --> 01:20:22,522 THANK YOU. 1933 01:20:22,522 --> 01:20:24,157 [ APPLAUSE ] 1934 01:20:24,157 --> 01:20:30,063 ♪ 1935 01:20:30,063 --> 01:20:32,232 >> PLEASE WELCOME EMMY NOMINEE 1936 01:20:32,232 --> 01:20:37,370 JENNA ORTEGA AND EMMY WINNER 1937 01:20:37,370 --> 01:20:38,004 SHERYL LEE RALPH. 1938 01:20:38,004 --> 01:20:46,213 ♪ DOING IT OUR WAY 1939 01:20:46,213 --> 01:20:48,748 >> HAPPY MLK DAY, JENNA. 1940 01:20:48,748 --> 01:20:52,786 >> HAPPY MLK DAY TO YOU TOO. 1941 01:20:52,786 --> 01:20:53,987 >> THANK YOU. 1942 01:20:53,987 --> 01:20:57,057 THE DIVINE JESSICA LANGE, THE 1943 01:20:57,057 --> 01:21:04,231 INSPIRING REGINA KING, THE V 1944 01:21:04,231 --> 01:21:06,867 VIVACIOUS HELEN MIRREN AND MERYL 1945 01:21:06,867 --> 01:21:08,835 STREEP. 1946 01:21:08,835 --> 01:21:09,436 >> THE LIST OF ESTEEMED 1947 01:21:09,436 --> 01:21:10,103 ACTRESSES WHOSE INSPIRED AND 1948 01:21:10,103 --> 01:21:10,837 UNFORGETTABLE PERFORMANCES HAVE 1949 01:21:10,837 --> 01:21:11,605 EARNED THEM THIS AWARD IS SECOND 1950 01:21:11,605 --> 01:21:11,905 TO NONE. 1951 01:21:11,905 --> 01:21:12,672 >> TONIGHT, ANOTHER EXCEPTIONAL 1952 01:21:12,672 --> 01:21:13,540 TALENT JOINS THOSE IMPRESSIVE 1953 01:21:13,540 --> 01:21:18,311 RANKS. 1954 01:21:18,311 --> 01:21:19,346 >> HERE ARE THE NOMINEES FOR 1955 01:21:19,346 --> 01:21:20,080 OUTSTANDING LEAD ACTRESS IN A 1956 01:21:20,080 --> 01:21:20,914 LIMITED OR ANTHOLOGY SERIES OR 1957 01:21:20,914 --> 01:21:30,624 MOVIE. 1958 01:21:30,624 --> 01:21:31,358 >> Announcer: LIZZY CAP LANE, 1959 01:21:31,358 --> 01:21:31,958 KAPLAN "FLEISHMAN IS IN 1960 01:21:31,958 --> 01:21:32,325 TROUBLE." 1961 01:21:32,325 --> 01:21:34,127 JESSICA CHASTAIN, "GEORGE & 1962 01:21:34,127 --> 01:21:37,130 TAMMY." 1963 01:21:37,130 --> 01:21:41,001 DOMINIQUE FISHBACK, "SWARM." 1964 01:21:41,001 --> 01:21:43,470 RILEY KEOGH, "DAISY JONES & THE 1965 01:21:43,470 --> 01:21:44,070 SIX." 1966 01:21:44,070 --> 01:21:48,675 ALI WONG, "BEEF." 1967 01:21:48,675 --> 01:21:50,277 >> I LOVE THIS PART. 1968 01:21:50,277 --> 01:21:59,252 AND THE EMMY GOES TO -- ALI 1969 01:21:59,252 --> 01:22:00,353 WONG, "BEEF." 1970 01:22:00,353 --> 01:22:07,961 ♪ 1971 01:22:07,961 --> 01:22:09,029 [ APPLAUSE ] 1972 01:22:09,029 --> 01:22:22,943 ♪ 1973 01:22:22,943 --> 01:22:24,978 >> WOW. 1974 01:22:24,978 --> 01:22:30,116 I HAVE TO, OF COURSE, THANK 1975 01:22:30,116 --> 01:22:32,285 SONNY AND STEVEN AND JAKE, 1976 01:22:32,285 --> 01:22:34,154 MARIA, JOE, YOUNG, THE REST OF 1977 01:22:34,154 --> 01:22:36,389 THE INCREDIBLE TALENTED CAST AND 1978 01:22:36,389 --> 01:22:37,490 CREW OF "BEEF." 1979 01:22:37,490 --> 01:22:39,025 I WOULDN'T BE STANDING HERE 1980 01:22:39,025 --> 01:22:41,962 WITHOUT MY AMAZING PARENTS, MY 1981 01:22:41,962 --> 01:22:44,030 MOTHER AND MY FATHER, WHO I SO 1982 01:22:44,030 --> 01:22:46,433 WISH WAS ALIVE TO SHARE THIS 1983 01:22:46,433 --> 01:22:48,535 MOMENT WITH ME, MY HILARIOUS 1984 01:22:48,535 --> 01:22:51,204 FATHER WHO LOVED ME 1985 01:22:51,204 --> 01:22:52,205 UNCONDITIONALLY AND TAUGHT ME 1986 01:22:52,205 --> 01:22:54,407 THE VALUE OF FAILURE. 1987 01:22:54,407 --> 01:22:57,510 TO MY BEAUTIFUL DAUGHTERS MARI 1988 01:22:57,510 --> 01:22:59,346 AND NIKKI, YOU ARE MY 1989 01:22:59,346 --> 01:22:59,746 EVERYTHING. 1990 01:22:59,746 --> 01:23:02,515 THANK YOU FOR INSPIRING ME. 1991 01:23:02,515 --> 01:23:03,316 THIS IS FOR YOU. 1992 01:23:03,316 --> 01:23:03,683 THANK YOU. 1993 01:23:03,683 --> 01:23:16,496 [ APPLAUSE ] 1994 01:23:16,496 --> 01:23:18,598 >> YOU KNOW, APPARENTLY IT'S 1995 01:23:18,598 --> 01:23:20,133 KIND OF HARD TO PEEL YOURSELF 1996 01:23:20,133 --> 01:23:21,434 OUT OF A LATEX RUBBER SUIT 1997 01:23:21,434 --> 01:23:25,138 QUICKLY. 1998 01:23:25,138 --> 01:23:26,940 I'M REAL MOIST UP IN HERE RIGHT 1999 01:23:26,940 --> 01:23:27,240 NOW. 2000 01:23:27,240 --> 01:23:31,278 I GOT TO TAKE A SHOWER. 2001 01:23:31,278 --> 01:23:32,679 I GOT SWEAT DRIPPING DOWN THE 2002 01:23:32,679 --> 01:23:35,115 CRACK -- YOU KNOW WHERE IT GOES. 2003 01:23:35,115 --> 01:23:37,050 YES, MOMMA. 2004 01:23:37,050 --> 01:23:40,220 WHAT, MOMMA? 2005 01:23:40,220 --> 01:23:41,621 YOU WEREN'T EVEN SUPPOSED TO SAY 2006 01:23:41,621 --> 01:23:43,123 NOTHING RIGHT NOW, MOMMA. 2007 01:23:43,123 --> 01:23:44,391 LET ME DO MY SHOW. 2008 01:23:44,391 --> 01:23:46,126 I'M THE HOST. 2009 01:23:46,126 --> 01:23:48,395 YOU'RE JUST SITTING IN THE 2010 01:23:48,395 --> 01:23:49,763 AUDIENCE. 2011 01:23:49,763 --> 01:23:51,765 YOU'RE RUIN EVERYTHING. 2012 01:23:51,765 --> 01:23:53,833 LET ME INTRODUCE THESE NEXT TWO 2013 01:23:53,833 --> 01:23:57,137 PRESENTERS SO I CAN TAKE A 2014 01:23:57,137 --> 01:23:57,437 SHOWER. 2015 01:23:57,437 --> 01:24:03,243 I'M A LITTLE MUSTY. 2016 01:24:03,243 --> 01:24:04,277 NOMINATED FOR THEIR WORK ON 2017 01:24:04,277 --> 01:24:04,978 "DYNASTY" AND "EMPIRE," HERE ARE 2018 01:24:04,978 --> 01:24:05,879 DAME JOAN COLLINS AND 2019 01:24:05,879 --> 01:24:12,219 TARAJI P. HENSON. 2020 01:24:12,219 --> 01:24:31,371 ♪ 2021 01:24:31,371 --> 01:24:32,906 >> THROUGHOUT THE NIGHT WE HAVE 2022 01:24:32,906 --> 01:24:33,607 BEEN REVISITING SOME OF THE 2023 01:24:33,607 --> 01:24:35,041 GREATEST SETS IN TELEVISION 2024 01:24:35,041 --> 01:24:37,677 HISTORY, BUT ON "DYNASTY," 2025 01:24:37,677 --> 01:24:40,847 CREATED BY AARON SPELLING, IT 2026 01:24:40,847 --> 01:24:41,514 WASN'T ABOUT THE SETS, IT WAS 2027 01:24:41,514 --> 01:24:51,725 ABOUT THE DRAMA AND THE FASHION. 2028 01:24:51,725 --> 01:24:53,326 CREATED BY NOLAN MILLER. 2029 01:24:53,326 --> 01:24:54,027 >> "DYNASTY" LOOKS JUST BLEW ME 2030 01:24:54,027 --> 01:24:55,962 AWAY. 2031 01:24:55,962 --> 01:24:58,031 THE CINCHED WAISTS, THE 2032 01:24:58,031 --> 01:24:58,698 SHOULDERS OUT TO HERE, THE 2033 01:24:58,698 --> 01:25:03,336 JEWELRY, THE GOWNS. 2034 01:25:03,336 --> 01:25:05,472 >> WE LEFT NO DESIGNER UNWORN. 2035 01:25:05,472 --> 01:25:07,040 >> AND ON LEE DANIELS' "EMPIRE," 2036 01:25:07,040 --> 01:25:10,176 WE TOOK UP THAT MANTLE. 2037 01:25:10,176 --> 01:25:10,877 OUR STYLE AND FASHION SENSE 2038 01:25:10,877 --> 01:25:13,346 HELPED ME BRING COOKIE TO LIFE. 2039 01:25:13,346 --> 01:25:14,948 LET'S TAKE A LOOK AT THIS YEAR'S 2040 01:25:14,948 --> 01:25:15,949 NOMINEES FOR OUTSTANDING LIMITED 2041 01:25:15,949 --> 01:25:21,922 OR ANTHOLOGY SERIES. 2042 01:25:21,922 --> 01:25:23,256 >> Announcer: "BEEF." 2043 01:25:23,256 --> 01:25:24,424 >> I DON'T WANT ANYTHING TO DO 2044 01:25:24,424 --> 01:25:25,292 WITH YOU. 2045 01:25:25,292 --> 01:25:26,226 YOU'RE SICK. 2046 01:25:26,226 --> 01:25:27,093 YOU'RE DISEASED. 2047 01:25:27,093 --> 01:25:28,895 >> YOU THINK YOU'RE BETTER THAN 2048 01:25:28,895 --> 01:25:30,830 ME NOW, HUH? 2049 01:25:30,830 --> 01:25:33,867 >> "DAHMER - MONSTER: THE 2050 01:25:33,867 --> 01:25:34,434 JEFFREY DAHMER STORY." 2051 01:25:34,434 --> 01:25:36,870 >> THE GUYS WERE JUST ONE THING 2052 01:25:36,870 --> 01:25:39,706 IN MY LIFE THAT I COULD CONTROL. 2053 01:25:39,706 --> 01:25:40,540 >> "DAISY JONES & THE SIX." 2054 01:25:40,540 --> 01:25:50,784 ♪ 2055 01:25:50,784 --> 01:25:54,187 >> "FLEISHMAN IS IN TROUBLE." 2056 01:25:54,187 --> 01:25:56,389 >> I STILL CAN'T FEEL MY LEGS. 2057 01:25:56,389 --> 01:25:59,793 IT'S NOT SAFE. 2058 01:25:59,793 --> 01:26:02,462 >> "OBI-WAN KENOBI." 2059 01:26:02,462 --> 01:26:07,234 >> I'M SORRY FOR ALL OF IT. 2060 01:26:07,234 --> 01:26:11,938 >> AND THE EMMY GOES TO, "BEEF." 2061 01:26:11,938 --> 01:26:12,906 [ APPLAUSE ] 2062 01:26:12,906 --> 01:26:22,115 ♪ 2063 01:26:22,115 --> 01:26:23,750 >> Announcer: "BEEF" RECEIVED 13 2064 01:26:23,750 --> 01:26:25,151 NOMINATIONS THIS YEAR, WINNING 2065 01:26:25,151 --> 01:26:26,186 FIVE TONIGHT. 2066 01:26:26,186 --> 01:26:29,189 THE SHOW FEATURED BELOVED SONGS 2067 01:26:29,189 --> 01:26:32,058 FROM THE '90s AND EARLY 2000s. 2068 01:26:32,058 --> 01:26:34,961 ACCEPTING ON BEHALF OF THE TEAM 2069 01:26:34,961 --> 01:26:36,229 IS LEE SUNG JIN. 2070 01:26:36,229 --> 01:26:44,838 ♪ 2071 01:26:44,838 --> 01:26:48,909 >> WOW, THANK YOU. 2072 01:26:48,909 --> 01:26:51,912 YOU KNOW, A LOT OF THE SUICIDAL 2073 01:26:51,912 --> 01:26:53,914 IDEATION IN THIS SHOW WAS BASED 2074 01:26:53,914 --> 01:26:56,750 ON STUFF THAT I AND SOME OF THE 2075 01:26:56,750 --> 01:26:58,552 FOLKS UP HERE HAVE STRUGGLED 2076 01:26:58,552 --> 01:27:00,153 WITH OVER THE YEARS. 2077 01:27:00,153 --> 01:27:02,455 SO I'M REALLY GRATEFUL AND 2078 01:27:02,455 --> 01:27:03,757 HUMBLED BY EVERYONE WHO WATCHED 2079 01:27:03,757 --> 01:27:05,458 THE SHOW AND REACHED OUT ABOUT 2080 01:27:05,458 --> 01:27:07,260 THEIR OWN PERSONAL STRUGGLES. 2081 01:27:07,260 --> 01:27:08,795 IT'S VERY LIFE AFFIRMING. 2082 01:27:08,795 --> 01:27:09,896 SO THANK YOU. 2083 01:27:09,896 --> 01:27:13,466 I FEEL LIKE WE LIVE IN A WORLD 2084 01:27:13,466 --> 01:27:15,135 DESIGNED TO KIND OF KEEP US 2085 01:27:15,135 --> 01:27:15,502 SEPARATE. 2086 01:27:15,502 --> 01:27:17,103 EVEN HERE, SOME OF US GO HOME 2087 01:27:17,103 --> 01:27:18,638 WITH TROPHIES, OTHER PEOPLE 2088 01:27:18,638 --> 01:27:18,905 DON'T. 2089 01:27:18,905 --> 01:27:20,574 I THINK FOR SOME OF US WHEN WE 2090 01:27:20,574 --> 01:27:22,542 LIVE IN A WORLD LIKE THIS, YOU 2091 01:27:22,542 --> 01:27:25,178 BEGIN TO THINK THERE'S NO WAY 2092 01:27:25,178 --> 01:27:26,613 ANYONE CAN EVER UNDERSTAND YOU 2093 01:27:26,613 --> 01:27:28,949 OR LIKE YOU OR MUCH LESS NO 2094 01:27:28,949 --> 01:27:30,483 POTENTIAL AT BEING LOVED. 2095 01:27:30,483 --> 01:27:32,619 SO THE GREATEST JOY OF WORKING 2096 01:27:32,619 --> 01:27:34,654 ON "BEEF" HAS TRULY BEEN WORKING 2097 01:27:34,654 --> 01:27:38,358 WITH THE FOLKS UP HERE WHO LOVED 2098 01:27:38,358 --> 01:27:40,227 SO UNCONDITIONALLY. 2099 01:27:40,227 --> 01:27:42,896 THANK YOU TO THEM. 2100 01:27:42,896 --> 01:27:43,296 [ APPLAUSE ] 2101 01:27:43,296 --> 01:27:44,764 >> THANK YOU. 2102 01:27:44,764 --> 01:27:46,499 TO ANYONE OUT THERE WHO DIRECTLY 2103 01:27:46,499 --> 01:27:48,268 OR INDIRECTLY WAS INVOLVED WITH 2104 01:27:48,268 --> 01:27:49,836 THE SHOW, THANK YOU SO MUCH. 2105 01:27:49,836 --> 01:27:51,471 LASTLY, EVERYTHING I DO IS FOR 2106 01:27:51,471 --> 01:27:53,940 MY THREE DOGS. 2107 01:27:53,940 --> 01:27:55,709 THE FEDERAL DRUG ADMINISTRATION, 2108 01:27:55,709 --> 01:27:57,644 IF YOU PLEASE FAST TRACK THAT 2109 01:27:57,644 --> 01:27:59,446 CANINE ANTI-AGING PILL THAT 2110 01:27:59,446 --> 01:27:59,946 WOULD BE SO LOVELY. 2111 01:27:59,946 --> 01:28:05,418 THANK YOU SO MUCH 2112 01:28:05,418 --> 01:28:06,219 >> Announcer: WHEN THE EMMYS 2113 01:28:06,219 --> 01:28:08,021 RETURN, GLAAD RECEIVES THE 2114 01:28:08,021 --> 01:28:10,624 ACADEMY'S GOVERNOR'S AWARD, AND 2115 01:28:10,624 --> 01:28:12,292 WE PAY TRIBUTE TO THE STARS 2116 01:28:12,292 --> 01:28:14,294 WE'VE LOST WITH A PERFORMANCE BY 2117 01:28:14,294 --> 01:28:17,097 WAR & TREATY. 2118 01:28:23,670 --> 01:28:27,140 [ "THE PRICE IS RIGHT" THEME ] 2119 01:28:27,140 --> 01:28:29,109 >>> WELCOME BACK TO THE EMMYS. 2120 01:28:29,109 --> 01:28:30,944 HERE ARE ALONA McCLUNEY, 2121 01:28:30,944 --> 01:28:33,179 JADE DAVIS, AND SUZANNE DeJONG, 2122 01:28:33,179 --> 01:28:35,282 REPRESENTING EY, THE OFFICIAL 2123 01:28:35,282 --> 01:28:37,918 ACCOUNTING FIRM OF THE EMMYS. 2124 01:28:37,918 --> 01:28:40,220 AND NOW PLEASE WELCOME THE CHAIR 2125 01:28:40,220 --> 01:28:41,555 OF THE TELEVISION ACADEMY, 2126 01:28:41,555 --> 01:28:42,756 FRANK SCHERMA. 2127 01:28:42,756 --> 01:28:45,559 [ "GET SMART" THEME ] 2128 01:28:45,559 --> 01:28:57,137 [ APPLAUSE ] 2129 01:28:59,539 --> 01:29:01,341 >> I AM THRILLED TO CELEBRATE AN 2130 01:29:01,341 --> 01:29:03,910 ASTRONOMICAL MILESTONE FOR ANY 2131 01:29:03,910 --> 01:29:06,947 INSTITUTION -- 75. 2132 01:29:06,947 --> 01:29:12,752 [ APPLAUSE ] 2133 01:29:12,752 --> 01:29:15,388 TONIGHT'S EMMY AWARDS MARK 2134 01:29:15,388 --> 01:29:18,024 75 YEARS OF EXCELLENCE IN A 2135 01:29:18,024 --> 01:29:19,059 DYNAMIC MEDIUM THAT IS A 2136 01:29:19,059 --> 01:29:20,627 CONSTANT SOURCE OF BOTH 2137 01:29:20,627 --> 01:29:21,695 ENTERTAINMENT AND INFORMATION 2138 01:29:21,695 --> 01:29:24,864 VITAL TO OUR WORLD. 2139 01:29:24,864 --> 01:29:27,467 AND YET, TV GOES BEYOND 2140 01:29:27,467 --> 01:29:28,501 ENTERTAINING AND INFORMING, WITH 2141 01:29:28,501 --> 01:29:29,236 THE POWER TO ENACT GREAT SOCIAL 2142 01:29:29,236 --> 01:29:31,671 CHANGE. 2143 01:29:31,671 --> 01:29:34,307 AS PART OF OUR CELEBRATION OF 2144 01:29:34,307 --> 01:29:35,876 75 YEARS OF EMMYS, THE 2145 01:29:35,876 --> 01:29:39,579 TELEVISION ACADEMY HAS SELECTED 2146 01:29:39,579 --> 01:29:41,147 75 OF THE MOST IMPACTFUL MOMENTS 2147 01:29:41,147 --> 01:29:44,818 FROM TELEVISION'S RICH HISTORY. 2148 01:29:44,818 --> 01:29:46,920 WE ALL LAUGHED WATCHING THE BOLD 2149 01:29:46,920 --> 01:29:51,725 SCRIPTED SERIES OF THE LEGENDARY 2150 01:29:51,725 --> 01:29:55,028 NORMAN LEAR. 2151 01:29:55,028 --> 01:29:57,697 [ APPLAUSE ] 2152 01:29:57,697 --> 01:30:00,300 WE ALL MOURNED, TOGETHER, AS WE 2153 01:30:00,300 --> 01:30:03,436 WATCHED THE TOWERS FALL ON 9/11. 2154 01:30:03,436 --> 01:30:05,005 WE WERE ALL IN AWE AS WE WATCHED 2155 01:30:05,005 --> 01:30:07,140 NEIL ARMSTRONG TAKE HIS FIRST 2156 01:30:07,140 --> 01:30:11,344 STEP ON THE MOON, IN REAL TIME. 2157 01:30:11,344 --> 01:30:12,913 HERE IS JUST A SMALL SAMPLING OF 2158 01:30:12,913 --> 01:30:19,920 THESE 75 INCREDIBLE TOUCHSTONES. 2159 01:30:19,920 --> 01:30:22,289 ENJOY. 2160 01:30:22,289 --> 01:30:24,190 >> FRANKIE, THIS IS IT. 2161 01:30:24,190 --> 01:30:25,458 >> I'M GAY. 2162 01:30:25,458 --> 01:30:28,261 ♪ 2163 01:30:28,261 --> 01:30:30,130 >> CAN WE KEEP HIM, DAD, PLEASE? 2164 01:30:30,130 --> 01:30:44,911 ♪ 2165 01:30:44,911 --> 01:30:45,679 >> 2166 01:30:45,679 --> 01:30:47,414 >> TELL ME I'M DOING THE RIGHT 2167 01:30:47,414 --> 01:30:49,015 THING NOT HAVING THE BABY. 2168 01:30:49,015 --> 01:30:53,086 >> I HAVE A DREAM. 2169 01:30:53,086 --> 01:30:55,355 >> ONE GIANT LEAP FOR MANKIND. 2170 01:30:55,355 --> 01:30:57,524 >> A PLANE HAS CRASHED INTO THE 2171 01:30:57,524 --> 01:30:59,426 WORLD TRADE CENTER. 2172 01:30:59,426 --> 01:31:05,732 ♪ 2173 01:31:05,732 --> 01:31:12,038 [ APPLAUSE ] 2174 01:31:12,038 --> 01:31:21,481 >> I AM YOUR HOST, LIBERACE. 2175 01:31:21,481 --> 01:31:22,249 >> THEY'RE BOTH EMMY WINNERS AND 2176 01:31:22,249 --> 01:31:23,083 SHE'S A NOMINEE TONIGHT, PLEASE 2177 01:31:23,083 --> 01:31:23,750 WELCOME COLMAN DOMINGO AND 2178 01:31:23,750 --> 01:31:39,232 HANNAH WADDINGHAM. 2179 01:31:39,232 --> 01:31:40,867 ♪ 2180 01:31:40,867 --> 01:31:46,506 >> YOU'RE WELCOME. 2181 01:31:46,506 --> 01:31:49,209 >> GOOD EVENING, EVERYBODY. 2182 01:31:49,209 --> 01:31:51,611 COLEMAN AND I ARE SO VERY 2183 01:31:51,611 --> 01:31:54,147 HONORED TO HAVE BEEN ASKED TO 2184 01:31:54,147 --> 01:31:56,616 PRESENT THE 2023 GOVERNOR'S 2185 01:31:56,616 --> 01:32:04,791 AWARD TO GLAAD. 2186 01:32:04,791 --> 01:32:08,295 >> TONIGHT, I AM SO PROUD 2187 01:32:08,295 --> 01:32:15,769 STANDING HERE AS AN ADVOCATE FOR 2188 01:32:15,769 --> 01:32:20,607 RACIAL EQUITY AND THE LGBTQ 2189 01:32:20,607 --> 01:32:20,941 COMMUNITY. 2190 01:32:20,941 --> 01:32:21,708 I UNDERSTAND THE IMPORTANCE OF 2191 01:32:21,708 --> 01:32:23,810 GLAAD'S MISSION AND ITS 2192 01:32:23,810 --> 01:32:26,913 COMMITMENT TO REPRESENTATION, 2193 01:32:26,913 --> 01:32:27,547 >> WHEN WE REPRESENT THE 2194 01:32:27,547 --> 01:32:28,248 DIVERSITY OF OUR SOCIETY, WE 2195 01:32:28,248 --> 01:32:29,049 HELP CHANGE THE NARRATIVES ABOUT 2196 01:32:29,049 --> 01:32:30,083 A COMMUNITY. 2197 01:32:30,083 --> 01:32:32,185 I'M PROUD THAT THIS PAST SEASON 2198 01:32:32,185 --> 01:32:32,786 OF "TED LASSO" INCLUDED 2199 01:32:32,786 --> 01:32:33,520 STORYLINES THAT CELEBRATED LGBTQ 2200 01:32:33,520 --> 01:32:38,858 CHARACTERS. 2201 01:32:38,858 --> 01:32:44,197 [ APPLAUSE ] 2202 01:32:44,197 --> 01:32:47,000 >> AND, UNFORTUNATELY, WITH 2203 01:32:47,000 --> 01:32:48,935 ANTI-LGBTQ FREEDOMS BEING 2204 01:32:48,935 --> 01:32:50,637 DEBATED BOTH HERE AND ABROAD, 2205 01:32:50,637 --> 01:32:52,138 THE COMPLEX CHARACTERS THAT WE 2206 01:32:52,138 --> 01:32:53,874 SEE AND COMPELLING STORIES THAT 2207 01:32:53,874 --> 01:32:55,842 WE TELL ARE AN INCREDIBLY 2208 01:32:55,842 --> 01:32:57,410 IMPORTANT PIECE OF SHOWING THE 2209 01:32:57,410 --> 01:33:00,881 HUMANITY OF WHO WE ACTUALLY ARE, 2210 01:33:00,881 --> 01:33:03,483 DISPELLING TROPES AND OFFERING A 2211 01:33:03,483 --> 01:33:05,352 RICH, VIBRANT RAINBOW OF THE 2212 01:33:05,352 --> 01:33:06,620 HUMAN EXPERIENCE. 2213 01:33:06,620 --> 01:33:07,354 >> WHEN WE VIEW ENTERTAINMENT AS 2214 01:33:07,354 --> 01:33:08,154 A FORM OF ADVOCACY, WE 2215 01:33:08,154 --> 01:33:08,822 UNDERSTAND THAT WE HAVE THE 2216 01:33:08,822 --> 01:33:13,593 POWER TO CREATE REAL CHANGE. 2217 01:33:13,593 --> 01:33:17,797 >> OVER THE PAST FOUR DECADES, 2218 01:33:17,797 --> 01:33:21,234 GLAAD HAS CONSULTED ON NEARLY 2219 01:33:21,234 --> 01:33:25,438 EVERY TV SERIES AND TV MOVIE 2220 01:33:25,438 --> 01:33:28,141 MAKING SURE THE REALITIES WE 2221 01:33:28,141 --> 01:33:29,209 FACE OFF SCREEN ARE REFLECTED ON 2222 01:33:29,209 --> 01:33:30,443 SCREEN. 2223 01:33:30,443 --> 01:33:34,581 ♪ 2224 01:33:34,581 --> 01:33:38,118 >> ONE OF THE WORLD'S MOST 2225 01:33:38,118 --> 01:33:39,753 EFFECTIVE ADVOCATES FOR THE 2226 01:33:39,753 --> 01:33:42,022 LGBTQ COMMUNITY, GLAAD WAS 2227 01:33:42,022 --> 01:33:46,660 ORIGINALLY FOUNDED IN 1985 BY 2228 01:33:46,660 --> 01:33:48,929 VE 2229 01:33:48,929 --> 01:33:51,831 VITO RUSSO AND ACTIVISTS. 2230 01:33:51,831 --> 01:34:01,575 SINCE THEN, IT HAS GROWN INTO A 2231 01:34:01,575 --> 01:34:02,108 GLOBAL ORGANIZATION. 2232 01:34:02,108 --> 01:34:02,842 THIS NOW ICONIC ORGANIZATION IS 2233 01:34:02,842 --> 01:34:03,543 DEDICATED TO TEAMING UP WITH 2234 01:34:03,543 --> 01:34:04,244 CREATORS TO ENSURE ACCURATE 2235 01:34:04,244 --> 01:34:04,878 DESCRIPTIONS OF CHARACTERS, 2236 01:34:04,878 --> 01:34:08,815 CORRECTING FALSE AND HARMFUL 2237 01:34:08,815 --> 01:34:11,218 NARRATIVES AND WORKING 2238 01:34:11,218 --> 01:34:12,285 WITH THE HOLLYWOOD COMMUNITY TO 2239 01:34:12,285 --> 01:34:12,986 INCREASE LGBTQ PRESENCE ON US TV 2240 01:34:12,986 --> 01:34:14,354 TO ITS CURRENT RECORD HIGH. 2241 01:34:14,354 --> 01:34:15,956 FOR ITS ONGOING WORK TO SECURE 2242 01:34:15,956 --> 01:34:18,058 FAIR, ACCURATE AND DIVERSE 2243 01:34:18,058 --> 01:34:20,160 REPRESENTATION OF THE LGBTQ 2244 01:34:20,160 --> 01:34:22,262 COMMUNITY IN THE MEDIA AND 2245 01:34:22,262 --> 01:34:23,830 ENTERTAINMENT INDUSTRIES, THE 2246 01:34:23,830 --> 01:34:25,932 TELEVISION ACADEMY HONORS GLAAD 2247 01:34:25,932 --> 01:34:32,505 WITH THE 2023 GOVERNORS AWARD. 2248 01:34:32,505 --> 01:34:32,839 ♪ 2249 01:34:32,839 --> 01:34:39,312 [ APPLAUSE ] 2250 01:34:39,312 --> 01:34:40,046 >> ACCEPTING THE AWARD ON BEHALF 2251 01:34:40,046 --> 01:34:40,780 OF GLAAD IS PRESIDENT AND CEO OF 2252 01:34:40,780 --> 01:34:46,686 GLAAD, SARAH KATE ELLIS. 2253 01:34:46,686 --> 01:34:48,788 [ "POSE" MAIN THEME ] 2254 01:34:48,788 --> 01:34:59,232 ♪ 2255 01:34:59,232 --> 01:35:10,043 ♪ 2256 01:35:10,043 --> 01:35:12,512 >> THANK YOU. 2257 01:35:12,512 --> 01:35:13,213 THANK YOU SO MUCH. 2258 01:35:13,213 --> 01:35:17,617 THIS IS ACTUALLY A HISTORIC 2259 01:35:17,617 --> 01:35:19,719 MOMENT, AND SO MANY PEOPLE HAVE 2260 01:35:19,719 --> 01:35:24,024 WORKED TIRELESSLY TO GET LGBTQ 2261 01:35:24,024 --> 01:35:26,593 REPRESENTATION HERE, WHERE IT IS 2262 01:35:26,593 --> 01:35:26,893 TODAY. 2263 01:35:26,893 --> 01:35:30,630 FOR ALL OF US AT GLAAD, THIS 2264 01:35:30,630 --> 01:35:31,665 WORK IS PERSONAL. 2265 01:35:31,665 --> 01:35:34,768 FOR ME, IT'S ABOUT MY WIFE AND 2266 01:35:34,768 --> 01:35:38,438 OUR KIDS, BECAUSE WHAT THE WORLD 2267 01:35:38,438 --> 01:35:42,475 SEES ON TV INFLUENCES HOW WE 2268 01:35:42,475 --> 01:35:44,277 TREAT EACH OTHER AND THE 2269 01:35:44,277 --> 01:35:45,712 DECISIONS THAT WE MAKE IN OUR 2270 01:35:45,712 --> 01:35:49,849 LIVING ROOMS, SCHOOLS, AT WORK 2271 01:35:49,849 --> 01:35:52,586 AND AT THE BALLOT BOX. 2272 01:35:52,586 --> 01:36:00,427 [ CHEERS AND APPLAUSE ] 2273 01:36:00,427 --> 01:36:03,697 THE WORLD URGENTLY NEEDS 2274 01:36:03,697 --> 01:36:05,265 CULTURE-CHANGING STORIES ABOUT 2275 01:36:05,265 --> 01:36:08,635 TRANSGENDER PEOPLE. 2276 01:36:08,635 --> 01:36:15,175 [ APPLAUSE ] 2277 01:36:15,175 --> 01:36:17,677 MORE PEOPLE SAY THEY HAVE SEEN A 2278 01:36:17,677 --> 01:36:20,814 GHOST THAN KNOW A TRANSGENDER 2279 01:36:20,814 --> 01:36:21,414 PERSON. 2280 01:36:21,414 --> 01:36:24,484 WHEN YOU DON'T KNOW PEOPLE, IT'S 2281 01:36:24,484 --> 01:36:27,721 EASY TO DEMONIZE THEM. 2282 01:36:27,721 --> 01:36:30,190 VISIBILITY CREATES 2283 01:36:30,190 --> 01:36:32,125 UNDERSTANDING, AND IT OPENS 2284 01:36:32,125 --> 01:36:33,159 DOORS. 2285 01:36:33,159 --> 01:36:36,630 IT'S LIFE SAVING. 2286 01:36:36,630 --> 01:36:40,133 OUR COMMUNITY HAS ACHIEVED SO 2287 01:36:40,133 --> 01:36:43,169 MUCH, AND YET WE ARE STILL BEING 2288 01:36:43,169 --> 01:36:45,739 VICTIMIZED AND VILLAINIZED WITH 2289 01:36:45,739 --> 01:36:49,242 CRUEL AND HARMFUL LIES. 2290 01:36:49,242 --> 01:36:54,147 SHARING STORIES IS THE ANTIDOTE, 2291 01:36:54,147 --> 01:36:58,485 AND NOW IS THE TIME TO TAKE 2292 01:36:58,485 --> 01:37:00,587 ACTION TO SUPPORT EVERYONE IN 2293 01:37:00,587 --> 01:37:03,189 THE LGBTQ COMMUNITY, BECAUSE 2294 01:37:03,189 --> 01:37:07,894 THIS STORY IS STILL BEING TOLD, 2295 01:37:07,894 --> 01:37:11,197 AND WE ALL CAN BE THE HEROS. 2296 01:37:11,197 --> 01:37:13,700 THANK YOU TO THE TELEVISION 2297 01:37:13,700 --> 01:37:18,038 ACADEMY AND THE BOARD OF 2298 01:37:18,038 --> 01:37:18,405 GOVERNORS. 2299 01:37:18,405 --> 01:37:18,805 [ APPLAUSE ] 2300 01:37:18,805 --> 01:37:23,043 ♪ 2301 01:37:23,043 --> 01:37:23,710 >> Announcer: PLEASE WELCOME 2302 01:37:23,710 --> 01:37:28,281 ROB REINER AND SALLY STRUTHERS. 2303 01:37:28,281 --> 01:37:29,015 ["THOSE WERE THE DAYS" FROM "ALL 2304 01:37:29,015 --> 01:37:30,383 IN THE FAMILY" ] 2305 01:37:30,383 --> 01:37:37,224 ♪ 2306 01:37:37,224 --> 01:37:39,859 >> SALLY AND I WERE PART OF A 2307 01:37:39,859 --> 01:37:47,767 UNIQUE TELEVISION FAMILY, NOT 2308 01:37:47,767 --> 01:37:48,602 -- YES. 2309 01:37:48,602 --> 01:37:52,739 THANK YOU. 2310 01:37:52,739 --> 01:37:54,341 WE WERE PART OF A UNIQUE FAMILY, 2311 01:37:54,341 --> 01:38:00,847 NOT JUST THE BUNKERS, BUT NORMAN 2312 01:38:00,847 --> 01:38:02,916 LEAR'S EXTENDED FAMILY. 2313 01:38:02,916 --> 01:38:03,650 OVER THE DECADES NORMAN BROUGHT 2314 01:38:03,650 --> 01:38:04,517 US TOGETHER TO CREATE 2315 01:38:04,517 --> 01:38:06,086 GROUNDBREAKING TELEVISION. 2316 01:38:06,086 --> 01:38:07,087 SHOWS THAT DEPICTED REAL PEOPLE 2317 01:38:07,087 --> 01:38:11,424 THAT MADE US LAUGH, MADE US 2318 01:38:11,424 --> 01:38:13,526 THINK, MADE US PEOPLE. 2319 01:38:13,526 --> 01:38:15,128 THERE IS A YIDDISH WORD THAT 2320 01:38:15,128 --> 01:38:18,265 DESCRIBES NORMAN'S GENIUS, IT'S 2321 01:38:18,265 --> 01:38:20,901 KOCHLEFFEL, A LADLE THAT STIRS 2322 01:38:20,901 --> 01:38:31,444 THE POT. 2323 01:38:31,444 --> 01:38:32,979 AND WHEN NORMAN THE KOCHLEFFEL 2324 01:38:32,979 --> 01:38:34,548 STIRRED THE POT, HE WOUND UP 2325 01:38:34,548 --> 01:38:38,485 CHANGING AMERICAN CULTURE. 2326 01:38:38,485 --> 01:38:45,825 [ APPLAUSE ] 2327 01:38:45,825 --> 01:38:46,493 >> TONIGHT AS WE REMEMBER ALL 2328 01:38:46,493 --> 01:38:48,461 THE LEGENDS OF OUR INDUSTRY WE 2329 01:38:48,461 --> 01:38:50,063 LOST THIS PAST YEAR, WE 2330 01:38:50,063 --> 01:38:52,165 CELEBRATE THEIR LIVES AND 2331 01:38:52,165 --> 01:38:52,866 LEGACY, AND ALL THE JOY THEY 2332 01:38:52,866 --> 01:38:55,802 BROUGHT TO US. 2333 01:38:55,802 --> 01:38:58,505 AND TO ALL THE MEMBERS OF ALL 2334 01:38:58,505 --> 01:38:59,539 OUR TELEVISION FAMILIES WHO HAVE 2335 01:38:59,539 --> 01:39:02,876 PASSED ON -- 2336 01:39:02,876 --> 01:39:07,647 ♪ THOSE WERE THE DAYS 2337 01:39:07,647 --> 01:39:10,450 [ APPLAUSE ] 2338 01:39:10,450 --> 01:39:12,886 >> JOINING US IN OUR TRIBUTE ARE 2339 01:39:12,886 --> 01:39:15,021 THE WAR AND TREATY AND 2340 01:39:15,021 --> 01:39:18,191 CHARLIE PUTH. 2341 01:39:22,929 --> 01:39:27,634 ♪ 2342 01:39:27,634 --> 01:39:31,037 ♪ IT'S BEEN A LONG DAY 2343 01:39:31,037 --> 01:39:33,440 WITHOUT YOU MY FRIEND ♪ 2344 01:39:33,440 --> 01:39:34,574 ♪ AND I'LL TELL YOU 2345 01:39:34,574 --> 01:39:36,076 ALL ABOUT IT 2346 01:39:36,076 --> 01:39:41,314 WHEN I SEE YOU AGAIN ♪ 2347 01:39:41,314 --> 01:39:41,948 ♪ WE'VE COME A LONG WAY 2348 01:39:41,948 --> 01:39:42,382 OOOOH 2349 01:39:42,382 --> 01:39:45,018 FROM WHERE WE BEGAN ♪ 2350 01:39:45,018 --> 01:39:46,052 ♪ OH I'LL TELL YOU 2351 01:39:46,052 --> 01:39:47,654 ALL ABOUT IT 2352 01:39:47,654 --> 01:39:50,323 WHEN I SEE YOU AGAIN 2353 01:39:50,323 --> 01:39:53,960 WHEN I SEE YOU AGAIN ♪ 2354 01:39:53,960 --> 01:39:57,664 ♪ 2355 01:39:57,664 --> 01:40:02,869 ♪ 2356 01:40:02,869 --> 01:40:09,743 ♪ 2357 01:40:09,743 --> 01:40:31,398 ♪ 2358 01:40:31,398 --> 01:40:33,700 ♪ 2359 01:40:33,700 --> 01:40:46,646 ♪ 2360 01:40:46,646 --> 01:40:47,147 ♪ 2361 01:40:47,147 --> 01:40:48,748 ♪ SO LET THE LIGHT 2362 01:40:48,748 --> 01:40:52,419 GUIDE YOUR WAY 2363 01:40:52,419 --> 01:40:53,987 HOLD EVERY MEMORY 2364 01:40:53,987 --> 01:40:57,691 AS YOU GO ♪ 2365 01:40:57,691 --> 01:41:00,894 ♪ AND EVERY ROAD YOU TAKE 2366 01:41:00,894 --> 01:41:02,996 WILL ALWAYS LEAD YOU 2367 01:41:02,996 --> 01:41:09,836 HOME HOME ♪ 2368 01:41:09,836 --> 01:41:11,972 ♪ IT'S BEEN A LONG DAY 2369 01:41:11,972 --> 01:41:14,040 WITHOUT YOU MY FRIEND ♪ 2370 01:41:14,040 --> 01:41:16,676 ♪ AND I'LL TELL YOU 2371 01:41:16,676 --> 01:41:17,210 ALL ABOUT IT 2372 01:41:17,210 --> 01:41:19,846 WHEN I SEE YOU AGAIN ♪ 2373 01:41:19,846 --> 01:41:23,516 ♪ WE'VE COME A LONG WAY 2374 01:41:23,516 --> 01:41:23,850 OOOOH 2375 01:41:23,850 --> 01:41:25,652 FROM WHERE WE BEGAN ♪ 2376 01:41:25,652 --> 01:41:27,220 ♪ OH I'LL TELL YOU 2377 01:41:27,220 --> 01:41:28,288 ALL ABOUT IT 2378 01:41:28,288 --> 01:41:31,424 WHEN I SEE YOU AGAIN 2379 01:41:31,424 --> 01:41:39,332 WHEN I SEE YOU AGAIN ♪ 2380 01:41:39,332 --> 01:41:44,538 ♪ 2381 01:41:44,538 --> 01:41:52,946 ♪ 2382 01:41:52,946 --> 01:41:58,218 ♪ 2383 01:41:58,218 --> 01:42:03,557 ♪ 2384 01:42:03,557 --> 01:42:10,397 ♪ 2385 01:42:10,397 --> 01:42:17,204 ♪ 2386 01:42:17,204 --> 01:42:25,111 ♪ 2387 01:42:25,111 --> 01:42:30,350 ♪ 2388 01:42:30,350 --> 01:42:31,451 ♪ 2389 01:42:31,451 --> 01:42:32,986 ♪ IT'S LIKE 2390 01:42:32,986 --> 01:42:33,520 YOU'RE ALWAYS STUCK 2391 01:42:33,520 --> 01:42:37,123 IN SECOND GEAR ♪ 2392 01:42:37,123 --> 01:42:38,758 ♪ WHEN IT HASN'T BEEN 2393 01:42:38,758 --> 01:42:39,826 YOUR DAY YOUR WEEK YOUR MONTH 2394 01:42:39,826 --> 01:42:42,963 OR EVEN YOUR YEAR BUT ♪ 2395 01:42:42,963 --> 01:42:46,666 ♪ I'LL BE THERE FOR YOU 2396 01:42:46,666 --> 01:42:48,735 WHEN THE RAIN STARTS TO POUR 2397 01:42:48,735 --> 01:42:51,872 I'LL BE THERE FOR YOU LIKE 2398 01:42:51,872 --> 01:42:55,508 I'VE BEEN THERE BEFORE ♪ 2399 01:42:55,508 --> 01:42:58,178 ♪ I'LL BE THERE FOR YOU 2400 01:42:58,178 --> 01:43:00,380 'CAUSE YOU'RE THERE FOR ME 2401 01:43:00,380 --> 01:43:02,616 TOO 2402 01:43:11,358 --> 01:43:13,793 'CAUSE YOU'RE THERE FOR ME 2403 01:43:13,793 --> 01:43:17,030 TOO ♪ 2404 01:43:17,030 --> 01:43:21,034 ♪ 2405 01:43:21,034 --> 01:43:25,539 [ APPLAUSE ] 2406 01:43:29,276 --> 01:43:31,811 [ "SEARCHIN' MY SOUL" FROM 2407 01:43:31,811 --> 01:43:34,481 "ALLY McBEAL" ] 2408 01:43:34,481 --> 01:43:38,552 ♪ 2409 01:43:52,566 --> 01:43:55,735 >>> GIRL, YOU LOOK GOOD. 2410 01:43:55,735 --> 01:44:08,081 ♪ 2411 01:44:08,081 --> 01:44:22,896 ♪ 2412 01:44:22,896 --> 01:44:27,100 ♪ 2413 01:44:27,100 --> 01:44:29,469 >> CALISTA, GIVE OUT THE DAMN 2414 01:44:29,469 --> 01:44:30,503 AWARD! 2415 01:44:30,503 --> 01:44:36,142 ♪ 2416 01:44:36,142 --> 01:44:38,411 ♪ YOU'RE THE FIRST, YOU'RE THE 2417 01:44:38,411 --> 01:44:41,348 LAST, MY EVERYTHING ♪ 2418 01:44:41,348 --> 01:44:47,787 ♪ 2419 01:44:47,787 --> 01:44:51,291 [ APPLAUSE ] 2420 01:44:51,291 --> 01:44:52,826 >> OH BOY. 2421 01:44:53,727 --> 01:44:56,396 I LOVED WORKING WITH PETER GIL 2422 01:44:56,396 --> 01:45:00,867 AND GREG, AND I STILL DO. 2423 01:45:00,867 --> 01:45:03,136 THE ENTIRE "ALLY McBEAL" CAST 2424 01:45:03,136 --> 01:45:06,540 WAS SO TALENTED. 2425 01:45:15,582 --> 01:45:18,084 IT WAS GROUNDBREAKING, 2426 01:45:18,084 --> 01:45:19,753 REVOLUTIONARY, INTRODUCING US TO 2427 01:45:19,753 --> 01:45:21,388 A DANCING BABY AND UNISEX 2428 01:45:21,388 --> 01:45:30,163 BATHROOMS. 2429 01:45:30,163 --> 01:45:32,766 NOW I AM PROUD TO ANNOUNCE THE 2430 01:45:32,766 --> 01:45:36,870 NOMINEES FOR A LEAD ACTOR IN A 2431 01:45:36,870 --> 01:45:38,071 DRAMA SERIES. 2432 01:45:38,071 --> 01:45:41,074 >> Announcer: JEFF BRIDGE BRIDGE 2433 01:45:41,074 --> 01:45:41,508 "THE OLD MAN." 2434 01:45:41,508 --> 01:45:42,876 BRIAN COX "SUCCESSION." 2435 01:45:42,876 --> 01:45:47,647 KIERAN CULKIN, "SUCCESSION." 2436 01:45:47,647 --> 01:45:48,181 B 2437 01:45:48,181 --> 01:45:51,651 BOB ODENKIRK, "BETTER CALL 2438 01:45:51,651 --> 01:45:52,452 SAUL." 2439 01:45:52,452 --> 01:45:54,554 PEDRO PASCAL, "THE LAST OF US." 2440 01:45:54,554 --> 01:45:59,559 JEREMY STRONG, "SUCCESSION." 2441 01:45:59,559 --> 01:46:03,997 >> AND THE EMMY GOES TO -- 2442 01:46:03,997 --> 01:46:06,366 KIERAN CULKIN, "SUCCESSION." 2443 01:46:06,366 --> 01:46:15,709 ♪ 2444 01:46:15,709 --> 01:46:26,019 ♪ 2445 01:46:26,019 --> 01:46:39,833 ♪ 2446 01:46:39,833 --> 01:46:41,868 >> DON'T PICK IT UP. 2447 01:46:41,868 --> 01:46:43,603 I COULDN'T DO THE BUTTON. 2448 01:46:43,603 --> 01:46:45,572 I WASTED ALL MY TIME HUGGING 2449 01:46:45,572 --> 01:46:45,906 EVERYBODY. 2450 01:46:45,906 --> 01:46:47,941 I LOVE YOU ALL SO MUCH, 2451 01:46:47,941 --> 01:46:52,045 ESPECIALLY EVERYONE IN THE CAST, 2452 01:46:52,045 --> 01:46:53,680 EVERY SINGLE ONE. 2453 01:46:53,680 --> 01:46:54,180 THANK YOU SO MUCH. 2454 01:46:54,180 --> 01:46:55,916 I LOVE YOU. 2455 01:46:55,916 --> 01:46:57,450 I'M NOT GOING TO HAVE ANY TIME. 2456 01:46:57,450 --> 01:46:59,986 I DON'T WANT TO GET YELLED AT. 2457 01:46:59,986 --> 01:47:02,422 GOT TO THANK JESSE ARMSTRONG FOR 2458 01:47:02,422 --> 01:47:04,558 BEING A BRILLIANT WRITER, 2459 01:47:04,558 --> 01:47:05,692 SHOWRUNNER AND GENTLEMAN. 2460 01:47:05,692 --> 01:47:07,193 THANK YOU FOR "SUCCESSION." 2461 01:47:07,193 --> 01:47:08,328 THANK YOU FOR EVERYTHING. 2462 01:47:08,328 --> 01:47:09,930 I HAVE TO SWITCH TO THE PERSONAL 2463 01:47:09,930 --> 01:47:10,797 REALLY FAST. 2464 01:47:10,797 --> 01:47:12,799 I HAVE TO THANK MY MOM FOR 2465 01:47:12,799 --> 01:47:16,102 GIVING ME LIFE AND MY CHILDHOOD, 2466 01:47:16,102 --> 01:47:16,903 WHICH WAS GREAT. 2467 01:47:16,903 --> 01:47:21,975 SO THANK YOU FOR THAT. 2468 01:47:21,975 --> 01:47:22,375 [ APPLAUSE ] 2469 01:47:22,375 --> 01:47:23,310 >> THANKS. 2470 01:47:23,310 --> 01:47:27,113 I HAVE TO THANK MY MANAGER WHO 2471 01:47:27,113 --> 01:47:29,149 I'VE BEEN WITH FOR ABOUT 29 2472 01:47:29,149 --> 01:47:29,616 YEARS. 2473 01:47:29,616 --> 01:47:31,918 SORRY, EMILY, YOU PROBABLY 2474 01:47:31,918 --> 01:47:33,420 DIDN'T WANT ME TO SAY THE 2475 01:47:33,420 --> 01:47:33,753 NUMBER. 2476 01:47:33,753 --> 01:47:35,455 I JUST HAVE TO THANK YOU FOR 2477 01:47:35,455 --> 01:47:36,523 KEEPING MY NAME IN THE 2478 01:47:36,523 --> 01:47:38,959 CONVERSATION WHEN NOBODY WAS 2479 01:47:38,959 --> 01:47:40,160 TALKING ABOUT ME SO AS FAR AS 2480 01:47:40,160 --> 01:47:43,163 I'M CONCERNED, THIS IS YOURS. 2481 01:47:43,163 --> 01:47:44,764 OF COURSE MY BEAUTIFUL WIFE 2482 01:47:44,764 --> 01:47:46,299 JAZZ, THANK YOU FOR SHARING YOUR 2483 01:47:46,299 --> 01:47:49,069 LIFE WITH ME AND GIVING ME TWO 2484 01:47:49,069 --> 01:47:49,903 AMAZING KIDS. 2485 01:47:49,903 --> 01:47:52,205 I LOVE YOU SO MANY AND SO MUCH. 2486 01:47:52,205 --> 01:47:53,506 AND JAZZ, I WANT MORE. 2487 01:47:53,506 --> 01:47:59,646 [ LAUGHTER ] 2488 01:47:59,646 --> 01:48:01,648 YOU SAID MAYBE IF I WIN. 2489 01:48:01,648 --> 01:48:02,249 I LOVE YOU SO MUCH. 2490 01:48:02,249 --> 01:48:04,384 THANK YOU. 2491 01:48:04,384 --> 01:48:06,820 [ CHEERS AND APPLAUSE ] 2492 01:48:06,820 --> 01:48:08,388 [ "BEST FRIEND" THEME FROM "THE 2493 01:48:08,388 --> 01:48:10,557 COURTSHIP OF EDDIE'S FATHER ] 2494 01:48:10,557 --> 01:48:16,396 ♪ 2495 01:48:16,396 --> 01:48:18,431 ♪ LET ME TELL YOU ABOUT MY BEST 2496 01:48:18,431 --> 01:48:21,334 FRIEND ♪ 2497 01:48:21,334 --> 01:48:23,637 >> I WANT TO SAY CONGRATULATIONS 2498 01:48:23,637 --> 01:48:24,237 TO "BEEF." 2499 01:48:24,237 --> 01:48:27,908 YOU GUYS ARE KILLING IT TONIGHT. 2500 01:48:27,908 --> 01:48:33,713 AND HOW GREAT WAS THAT ALLY 2501 01:48:33,713 --> 01:48:35,115 McBEAL DANCE? 2502 01:48:35,115 --> 01:48:37,617 HOW ABOUT ALL OF THESE REUNIONS 2503 01:48:37,617 --> 01:48:39,085 TONIGHT? 2504 01:48:39,085 --> 01:48:48,395 "CHEERS," GRAY'S 'S ANATOMY." 2505 01:48:48,395 --> 01:48:50,263 ALL IN THE FAMILY JUST TO NAME A 2506 01:48:50,263 --> 01:48:50,830 FEW. 2507 01:48:50,830 --> 01:48:52,365 CONGRATS TO KIERAN CULKIN FOR 2508 01:48:52,365 --> 01:48:53,099 WINNING LEAD ACTOR IN A DRAMA 2509 01:48:53,099 --> 01:48:53,433 SERIES. 2510 01:48:53,433 --> 01:48:59,673 [ APPLAUSE ] 2511 01:48:59,673 --> 01:49:01,474 >> WE HAVE THREE MORE BIG AWARDS 2512 01:49:01,474 --> 01:49:03,176 TONIGHT, LEAD ACTRESS IN A DRAMA 2513 01:49:03,176 --> 01:49:03,510 SERIES. 2514 01:49:03,510 --> 01:49:05,679 THEN THE AWARDS FOR OUTSTANDING 2515 01:49:05,679 --> 01:49:09,516 COMEDY SERIES AND OUTSTANDING 2516 01:49:09,516 --> 01:49:11,384 DRAMA SERIES. 2517 01:49:11,384 --> 01:49:12,719 SOMEBODY PEAKED A LITTLE TOO 2518 01:49:12,719 --> 01:49:13,153 SOON TONIGHT. 2519 01:49:13,153 --> 01:49:17,257 [ LAUGHTER ] 2520 01:49:17,257 --> 01:49:20,827 >> MOMMA, THE WAY YOU'RE GOING 2521 01:49:20,827 --> 01:49:23,897 TONIGHT, YOU MIGHT WIN FOR 2522 01:49:23,897 --> 01:49:28,535 OUTSTANDING PLAYOFF MOMMA AT THE 2523 01:49:28,535 --> 01:49:28,902 EMMYS. 2524 01:49:28,902 --> 01:49:29,336 >> DAMN RIGHT. 2525 01:49:29,336 --> 01:49:34,174 >> PLEASE WELCOME THE AMAZING, 2526 01:49:34,174 --> 01:49:41,982 REMARKABLE JODI FOSTER. 2527 01:49:41,982 --> 01:49:45,819 ♪ LET ME TELL YOU ABOUT MY BEST 2528 01:49:45,819 --> 01:49:46,219 FRIEND ♪ 2529 01:49:46,219 --> 01:49:47,320 ♪ PEOPLE LET ME TELL YOU ABOUT 2530 01:49:47,320 --> 01:49:52,125 MY BEST FRIEND ♪ 2531 01:49:52,125 --> 01:49:55,195 >> ONE OF MY FIRST TV 2532 01:49:55,195 --> 01:49:57,564 APPEARANCES WAS ON "THE 2533 01:49:57,564 --> 01:50:02,669 COURTSHIP OF EDDIE'S FATHER." 2534 01:50:02,669 --> 01:50:04,204 INTERESTING COMPLICATED WOMEN ON 2535 01:50:04,204 --> 01:50:09,543 TV WERE FEW AND FAR BETWEEN, 2536 01:50:09,543 --> 01:50:10,110 EVEN FOR A 6-YEAR-OLD. 2537 01:50:10,110 --> 01:50:11,912 TODAY TELEVISION PROVIDES THE 2538 01:50:11,912 --> 01:50:13,647 CANVAS FOR TALENTED ACTRESSES TO 2539 01:50:13,647 --> 01:50:16,383 GO DEEP, BARING THEIR SOULS, 2540 01:50:16,383 --> 01:50:17,250 BLOWING OUR MINDS AND BREAKING 2541 01:50:17,250 --> 01:50:23,590 OUR HEARTS. 2542 01:50:23,590 --> 01:50:24,291 IN A GOLDEN AGE, HERE ARE THE 2543 01:50:24,291 --> 01:50:25,025 NOMINEES FOR LEAD ACTRESS IN A 2544 01:50:25,025 --> 01:50:25,425 DRAMA SERIES. 2545 01:50:27,794 --> 01:50:33,266 >> SHARON HORGAN, MELANIE LYNN 2546 01:50:33,266 --> 01:50:34,367 SEE. 2547 01:50:34,367 --> 01:50:35,068 ELISABETH MOSS. 2548 01:50:35,068 --> 01:50:38,405 BELLA RAMSEY, "THE LAST OF US." 2549 01:50:38,405 --> 01:50:41,575 KERI RUSSELL, "THE DIPLOMAT." 2550 01:50:41,575 --> 01:50:46,413 SARAH SNOOK, "SUCCESSION." 2551 01:50:46,413 --> 01:50:46,746 BLAZE. 2552 01:50:46,746 --> 01:50:52,118 >> AND THE EMMY GOES TO SARAH 2553 01:50:52,118 --> 01:50:52,652 SNOOK, "SUCCESSION." 2554 01:50:52,652 --> 01:50:53,286 ♪ 2555 01:50:53,286 --> 01:51:03,763 [ APPLAUSE ] 2556 01:51:03,763 --> 01:51:22,716 ♪ 2557 01:51:22,716 --> 01:51:27,587 >> WOW. 2558 01:51:27,587 --> 01:51:29,589 THANKS TO EVERYONE WHO VOTED AND 2559 01:51:29,589 --> 01:51:31,558 FOR LOVING THE SHOW AS MUCH AS 2560 01:51:31,558 --> 01:51:34,027 WE DID AS A CAST MAKING IT AND 2561 01:51:34,027 --> 01:51:35,362 AS A CREW MAKING IT. 2562 01:51:35,362 --> 01:51:36,963 WE PUT OUR ALL INTO IT AND THE 2563 01:51:36,963 --> 01:51:38,231 BAR WAS SET SO HIGH. 2564 01:51:38,231 --> 01:51:41,134 I THINK THAT'S WHAT SPURRED US 2565 01:51:41,134 --> 01:51:43,169 ON FROM EVERY DEPARTMENT WE ALL 2566 01:51:43,169 --> 01:51:46,840 GAVE IT OUR BEST, LED BY JESSE 2567 01:51:46,840 --> 01:51:48,642 AND MARK AND MY CAST WHO I LOVE 2568 01:51:48,642 --> 01:51:50,176 SO MUCH AND I'M GOING TO MISS. 2569 01:51:50,176 --> 01:51:52,178 TO MY FAMILY, TO MY MOM AND DAD, 2570 01:51:52,178 --> 01:51:53,713 I LOVE YOU. 2571 01:51:53,713 --> 01:51:56,316 THANK YOU FOR HAVING A DRESS-UP 2572 01:51:56,316 --> 01:51:57,918 BOX WHEN I WAS A KID. 2573 01:51:57,918 --> 01:51:59,352 THIS IS WHERE IT GETS YOU. 2574 01:51:59,352 --> 01:52:02,722 ALSO THE BIGGEST THANK YOU IS TO 2575 01:52:02,722 --> 01:52:03,757 SOMEONE WHO WON'T UNDERSTAND 2576 01:52:03,757 --> 01:52:05,191 ANYTHING I'M SAYING AT THE 2577 01:52:05,191 --> 01:52:07,360 MOMENT, BUT I CARRIED HER WITH 2578 01:52:07,360 --> 01:52:09,296 ME IN THIS LAST SEASON AND 2579 01:52:09,296 --> 01:52:11,264 REALLY IT WAS HER WHO CARRIED 2580 01:52:11,264 --> 01:52:11,565 ME. 2581 01:52:11,565 --> 01:52:13,366 IT'S VERY EASY TO ACT WHEN 2582 01:52:13,366 --> 01:52:14,201 YOU'RE PREGNANT, BECAUSE YOU 2583 01:52:14,201 --> 01:52:19,272 HAVE HORMONES RAGING. 2584 01:52:19,272 --> 01:52:21,341 IT WAS THE PROXIMITY OF HER LIFE 2585 01:52:21,341 --> 01:52:23,143 GROWING INSIDE ME THAT GAVE ME 2586 01:52:23,143 --> 01:52:25,512 THE STRENGTH TO DO THIS AND THIS 2587 01:52:25,512 --> 01:52:25,912 PERFORMANCE. 2588 01:52:25,912 --> 01:52:29,983 I LOVE YOU SO MUCH AND IT'S ALL 2589 01:52:29,983 --> 01:52:32,152 FOR YOU FROM HERE ON OUT. 2590 01:52:32,152 --> 01:52:32,519 THANK YOU. 2591 01:52:32,519 --> 01:52:34,588 [ APPLAUSE ] 2592 01:52:34,588 --> 01:52:44,264 ♪ 2593 01:52:44,264 --> 01:52:48,535 ♪ 2594 01:52:48,535 --> 01:52:49,336 >> Announcer: UP NEXT, 2595 01:52:49,336 --> 01:52:50,604 TRACEE ELLIS ROSS AND 2596 01:52:50,604 --> 01:52:52,138 NATASHA LYONNE GIVE THE AWARD 2597 01:52:52,138 --> 01:52:54,407 FOR OUTSTANDING COMEDY SERIES, 2598 01:52:54,407 --> 01:52:56,176 PLUS, PETER DINKLAGE GIVES THE 2599 01:52:56,176 --> 01:52:57,777 AWARD FOR OUTSTANDING DRAMA 2600 01:52:57,777 --> 01:52:58,578 SERIES. 2601 01:52:58,578 --> 01:53:01,749 WHEN THE EMMYS RETURN, ON FOX. 2602 01:53:06,186 --> 01:53:12,325 ♪ 2603 01:53:12,325 --> 01:53:15,495 [ APPLAUSE ] 2604 01:53:15,495 --> 01:53:20,333 >>> OH, I SEE YOU WENT ALL IN. 2605 01:53:20,333 --> 01:53:22,802 >> I ALWAYS DO, NATASHA LYONNE. 2606 01:53:22,802 --> 01:53:25,605 >> I'M SO SORRY, LUCILLE. 2607 01:53:25,605 --> 01:53:27,841 MY BAD. 2608 01:53:27,841 --> 01:53:29,109 >> THANK YOU. 2609 01:53:29,109 --> 01:53:31,478 >> ANYTHING FOR YOU, TRACEE. 2610 01:53:31,478 --> 01:53:32,846 >> LUCY WILL DO. 2611 01:53:32,846 --> 01:53:34,981 >> COPY YOU, MISS BALL. 2612 01:53:34,981 --> 01:53:36,483 [ APPLAUSE ] 2613 01:53:36,483 --> 01:53:38,585 >> ALRIGHT, LISTEN CAREFULLY. 2614 01:53:38,585 --> 01:53:41,021 THIS IS THE NEXT TO LAST AWARD 2615 01:53:41,021 --> 01:53:42,589 AND I NEED YOU TWO TO WRAP THESE 2616 01:53:42,589 --> 01:53:43,823 CHOCOLATES. 2617 01:53:43,823 --> 01:53:46,793 THE CHOCOLATE WILL COME DOWN THE 2618 01:53:46,793 --> 01:53:47,527 CONVEYER BELT AND YOUR JOB IS TO 2619 01:53:47,527 --> 01:53:48,194 TAKE EACH PIECE AND WRAP -- 2620 01:53:48,194 --> 01:53:48,929 >> WE'VE ALL SEEN THE EPISODE, 2621 01:53:48,929 --> 01:53:49,262 ANTHONY. 2622 01:53:49,262 --> 01:53:53,900 GIVE US OUR MOMENT. 2623 01:53:53,900 --> 01:53:54,734 >> THANK YOU, ANTHONY. 2624 01:53:54,734 --> 01:53:55,735 >> LET HER ROLL. 2625 01:53:55,735 --> 01:53:56,269 LET HER ROLL! 2626 01:53:56,269 --> 01:53:57,837 >> YOU READY? 2627 01:53:57,837 --> 01:54:00,540 >> ABSOLUTELY NOT. 2628 01:54:00,540 --> 01:54:06,246 LET'S DO THIS. 2629 01:54:06,246 --> 01:54:06,580 ♪ 2630 01:54:06,580 --> 01:54:08,415 >> NO PAPERS. 2631 01:54:08,415 --> 01:54:09,583 THAT'S ALL RIGHT. 2632 01:54:09,583 --> 01:54:09,983 JUST GO -- 2633 01:54:09,983 --> 01:54:10,317 >> OKAY. 2634 01:54:10,317 --> 01:54:12,118 ALL RIGHT. 2635 01:54:12,118 --> 01:54:25,265 >> DON'T WORRY ABOUT IT. 2636 01:54:25,265 --> 01:54:25,599 >> WHAT? 2637 01:54:25,599 --> 01:54:30,837 >> WHAT? 2638 01:54:30,837 --> 01:54:39,312 ♪ 2639 01:54:39,312 --> 01:54:43,516 >> WOW. 2640 01:54:43,516 --> 01:54:45,518 >> I'M A BIG FAN OF YOUR WORK. 2641 01:54:45,518 --> 01:54:45,852 >> OKAY. 2642 01:54:45,852 --> 01:54:48,822 WHAT THE HELL IS THIS? 2643 01:54:48,822 --> 01:54:50,690 HEY, HEY, HEY. 2644 01:54:50,690 --> 01:54:52,092 WHAT ARE THE AWARDS? 2645 01:54:52,092 --> 01:54:53,526 WHAT'S THE CATEGORY WE'RE 2646 01:54:53,526 --> 01:54:56,363 SUPPOSED TO BE DOING RIGHT NOW? 2647 01:54:56,363 --> 01:54:57,931 [ MUFFLED SPEAKING ] 2648 01:54:57,931 --> 01:54:58,999 >> THE CATEGORY IS COMEDY 2649 01:54:58,999 --> 01:55:02,836 SERIES. 2650 01:55:02,836 --> 01:55:05,005 >> Announcer: "ABBOTT 2651 01:55:05,005 --> 01:55:12,479 ELEMENTARY." 2652 01:55:12,479 --> 01:55:13,980 "BARRY." 2653 01:55:13,980 --> 01:55:15,348 >> I NEVER SHOULD HAVE TAKEN 2654 01:55:15,348 --> 01:55:16,416 THAT ACTING CLASS. 2655 01:55:16,416 --> 01:55:18,151 IF I HADN'T TRIED TO UNDERSTAND 2656 01:55:18,151 --> 01:55:22,255 MYSELF, WE WOULDN'T BE HERE. 2657 01:55:22,255 --> 01:55:24,057 >> Announcer: "THE BEAR." 2658 01:55:24,057 --> 01:55:25,926 >> IT LOOKS LIKE A CARROT. 2659 01:55:25,926 --> 01:55:27,861 >> IT'S CLEARLY A CARROT. 2660 01:55:27,861 --> 01:55:30,196 DO YOU NOT KNOW WHAT A CARROT 2661 01:55:30,196 --> 01:55:31,097 LOOKS LIKE? 2662 01:55:31,097 --> 01:55:34,267 >> Announcer: "JURY DUTY." 2663 01:55:34,267 --> 01:55:38,672 >> A DEHYDRATED MANGO. 2664 01:55:38,672 --> 01:55:39,372 >> Announcer: "THE MARVELOUS 2665 01:55:39,372 --> 01:55:42,876 MRS. MAISEL." 2666 01:55:42,876 --> 01:55:46,112 >> WANT TO THANK BERGDORF GOOD 2667 01:55:46,112 --> 01:55:48,381 MAN FROM THE BOTTOM OF MY HEART. 2668 01:55:48,381 --> 01:55:51,785 THANK YOU AND GOOD NIGHT. 2669 01:55:51,785 --> 01:55:52,519 >> Announcer: "ONLY MURDERS IN 2670 01:55:52,519 --> 01:55:53,553 THE BUILDING." 2671 01:55:53,553 --> 01:55:54,888 >> HAVE WE REACHED THAT POINT IN 2672 01:55:54,888 --> 01:55:58,692 OUR FRIENDSHIP WHERE WE CAN JUST 2673 01:55:58,692 --> 01:56:00,894 SHOW UP AT OUR APARTMENTS IN OUR 2674 01:56:00,894 --> 01:56:07,667 NIGHT CLOTHES? 2675 01:56:07,667 --> 01:56:12,606 >> Announcer: "WEDNESDAY." 2676 01:56:12,606 --> 01:56:14,541 >> HOW WOULD THAT HAVE LOOKED ON 2677 01:56:14,541 --> 01:56:16,376 YOUR RECORD? 2678 01:56:16,376 --> 01:56:17,043 >> TERRIBLE. 2679 01:56:17,043 --> 01:56:17,777 I KNOW I FAILED TO GET THE JOB 2680 01:56:17,777 --> 01:56:20,547 DONE. 2681 01:56:20,547 --> 01:56:24,017 >> CHOCOLATES COMING DOWN. 2682 01:56:24,017 --> 01:56:26,553 >> YOU GOT A LITTLE CHOCOLATE ON 2683 01:56:26,553 --> 01:56:28,822 THE ENVELOPE, A LITTLE SOMETHING 2684 01:56:28,822 --> 01:56:31,424 EXTRA FOR THE WINNER. 2685 01:56:31,424 --> 01:56:32,826 >> EVERYBODY LOVES A LITTLE 2686 01:56:32,826 --> 01:56:33,860 TREAT. 2687 01:56:33,860 --> 01:56:35,028 >> OKAY. 2688 01:56:35,028 --> 01:56:36,196 I'M GOING TO GIVE THEM A 2689 01:56:36,196 --> 01:56:37,797 CHOCOLATE. 2690 01:56:37,797 --> 01:56:43,303 >> AND THE EMMY GOES TO -- "THE 2691 01:56:43,303 --> 01:56:44,871 BEAR"! 2692 01:56:44,871 --> 01:56:54,314 ♪ 2693 01:56:54,314 --> 01:56:57,083 >> Announcer: FOR ITS FIRST 2694 01:56:57,083 --> 01:56:58,718 ELIGIBLE YEAR, "THE BEAR" HAS 2695 01:56:58,718 --> 01:56:59,920 RECEIVED 13 NOMINATIONS. 2696 01:56:59,920 --> 01:57:08,595 TONIGHT THEY HAVE WON SIX EMMYS. 2697 01:57:08,595 --> 01:57:11,665 ♪ 2698 01:57:11,665 --> 01:57:32,886 ♪ 2699 01:57:32,886 --> 01:57:34,988 >> WHAT'S GOOD? 2700 01:57:34,988 --> 01:57:36,790 YEAH, I JUST WANT TO THANK 2701 01:57:36,790 --> 01:57:38,258 RESTAURANTS AS A WHOLE, 2702 01:57:38,258 --> 01:57:41,995 HOSPITALITY AS A WHOLE. 2703 01:57:41,995 --> 01:57:49,803 [ APPLAUSE ] 2704 01:57:49,803 --> 01:57:53,874 >> I LOVE YOU EVAN. 2705 01:57:53,874 --> 01:57:56,476 I JUST LOVE RESTAURANTS SO MUCH, 2706 01:57:56,476 --> 01:57:57,878 THE GOOD, THE BAD. 2707 01:57:57,878 --> 01:57:58,845 IT'S ROUGH. 2708 01:57:58,845 --> 01:58:00,113 WE'RE ALL BROKEN INSIDE AND 2709 01:58:00,113 --> 01:58:02,215 EVERY SINGLE DAY WE'VE GOT TO 2710 01:58:02,215 --> 01:58:04,718 SHOW UP AND COOK AND MAKE PEOPLE 2711 01:58:04,718 --> 01:58:05,919 FEEL GOOD BY EATING SOMETHING 2712 01:58:05,919 --> 01:58:07,654 AND SITTING AT A TABLE. 2713 01:58:07,654 --> 01:58:08,421 IT'S BEAUTIFUL. 2714 01:58:08,421 --> 01:58:11,091 ALL OF US HERE GET TO MAKE A 2715 01:58:11,091 --> 01:58:12,826 SHOW TOGETHER AND GET TO MAKE 2716 01:58:12,826 --> 01:58:14,794 PEOPLE FEEL GOOD OR FILLED WITH 2717 01:58:14,794 --> 01:58:16,463 ANXIETY OR TRIGGERS. 2718 01:58:16,463 --> 01:58:17,631 THIS IS AMAZING. 2719 01:58:17,631 --> 01:58:19,065 IT'S BEAUTIFUL. 2720 01:58:19,065 --> 01:58:21,268 THE CAST AND CREW, THERE ARE SO 2721 01:58:21,268 --> 01:58:22,869 MANY PEOPLE THAT MAKE THIS SHOW 2722 01:58:22,869 --> 01:58:24,337 HAPPEN EVERY SINGLE DAY. 2723 01:58:24,337 --> 01:58:25,205 IT'S BEAUTIFUL. 2724 01:58:25,205 --> 01:58:26,273 IT'S HARD WORK. 2725 01:58:26,273 --> 01:58:28,375 IT'S EARLY HOURS. 2726 01:58:28,375 --> 01:58:30,844 WE DON'T SEE THE SUN FOR THREE 2727 01:58:30,844 --> 01:58:32,646 MONTHS. 2728 01:58:32,646 --> 01:58:33,947 WE SHOOT ON A SOUNDSTAGE. 2729 01:58:33,947 --> 01:58:35,582 IT'S REALLY COOL. 2730 01:58:35,582 --> 01:58:36,983 I'VE NEVER ACTED BEFORE. 2731 01:58:36,983 --> 01:58:38,685 I LOVE ALL THESE PEOPLE SO MUCH. 2732 01:58:38,685 --> 01:58:45,659 I LOVE MY FAMILY! 2733 01:58:45,659 --> 01:58:48,495 I WANT TO THANK FX! 2734 01:58:48,495 --> 01:58:50,230 FX IS TIGHT. 2735 01:58:50,230 --> 01:58:50,964 >> THANK YOU SO MUCH. 2736 01:58:50,964 --> 01:58:55,235 I WANT TO GIVE A SPECIAL 2737 01:58:55,235 --> 01:58:56,836 SHOUTOUT TO JOHN SOLEBERG. 2738 01:58:56,836 --> 01:58:57,904 >> LET'S GO! 2739 01:58:57,904 --> 01:58:59,239 >> THANK YOU. 2740 01:58:59,239 --> 01:59:00,574 >> RED SOX FOREVER! 2741 01:59:00,574 --> 01:59:02,676 [ APPLAUSE ] 2742 01:59:02,676 --> 01:59:07,714 ♪ 2743 01:59:07,714 --> 01:59:25,131 ♪ 2744 01:59:25,131 --> 01:59:27,901 >> WHAT'S MORE DESIRED, AN EMMY 2745 01:59:27,901 --> 01:59:29,502 OR THIS THRONE? 2746 01:59:29,502 --> 01:59:31,538 IT MIGHT BE A TIE. 2747 01:59:31,538 --> 01:59:34,174 AND I MIGHT TAKE THE THRONE. 2748 01:59:34,174 --> 01:59:39,446 [ "GAME OF THRONES" THEME ] 2749 01:59:39,446 --> 01:59:41,715 GAME OF THRONES ENDED UP WITH AN 2750 01:59:41,715 --> 01:59:46,152 AMAZING 159 NOMINATIONS AND 59 2751 01:59:46,152 --> 01:59:47,554 WINS. 2752 01:59:47,554 --> 01:59:49,222 AND NOW, PLEASE WELCOME THE 2753 01:59:49,222 --> 01:59:50,724 ACTOR WHO WON FOUR OF THOSE 2754 01:59:50,724 --> 01:59:53,727 EMMYS, PETER DINKLAGE. 2755 01:59:53,727 --> 02:00:11,211 [ CHEERS AND APPLAUSE ] 2756 02:00:11,211 --> 02:00:15,448 >> THANK YOU. 2757 02:00:15,448 --> 02:00:20,153 HELLO, YOU ROOM FULL OF HOTTIES. 2758 02:00:20,153 --> 02:00:21,621 WOW. 2759 02:00:21,621 --> 02:00:23,690 IT'S BEEN A SECOND. 2760 02:00:23,690 --> 02:00:25,392 HAPPY BIRTHDAY, DR. KING. 2761 02:00:25,392 --> 02:00:30,630 [ APPLAUSE ] 2762 02:00:30,630 --> 02:00:31,665 >> AND NOW I'M GOING TO READ 2763 02:00:31,665 --> 02:00:32,832 THIS. 2764 02:00:33,466 --> 02:00:35,068 THERE'S NOTHING MORE POWERFUL 2765 02:00:35,068 --> 02:00:36,970 THAN A GOOD STORY. 2766 02:00:36,970 --> 02:00:38,672 NOTHING CAN STOP IT. 2767 02:00:38,672 --> 02:00:41,074 NO ENEMY CAN DEFEAT IT. 2768 02:00:41,074 --> 02:00:42,909 AND WHO HAS TOLD STORIES BETTER 2769 02:00:42,909 --> 02:00:45,111 THAN THESE EIGHT NOMINEES FOR 2770 02:00:45,111 --> 02:00:47,514 OUTSTANDING DRAMA SERIES? 2771 02:00:48,715 --> 02:00:50,750 >> Announcer: "ANDOR." 2772 02:00:50,750 --> 02:00:52,252 >> I'D RATHER DIE TRYING TO TAKE 2773 02:00:52,252 --> 02:00:55,488 THEM DOWN. 2774 02:00:55,488 --> 02:00:56,790 >> Announcer: "BETTER CALL 2775 02:00:56,790 --> 02:00:57,958 SAUL." 2776 02:00:57,958 --> 02:01:00,460 >> BETTER CALL SAUL, RIGHT? 2777 02:01:00,460 --> 02:01:03,964 McGILL. 2778 02:01:03,964 --> 02:01:06,299 >> Reporter: "THE CROWN". 2779 02:01:11,271 --> 02:01:12,038 >> Announcer: "HOUSE OF THE 2780 02:01:12,038 --> 02:01:13,240 DRAGON." 2781 02:01:13,240 --> 02:01:17,310 >> THE IRON THRONE. 2782 02:01:17,310 --> 02:01:19,679 >> Announcer: "THE LAST OF US." 2783 02:01:19,679 --> 02:01:20,981 >> SO TIME HEALS ALL WOUNDS, I 2784 02:01:20,981 --> 02:01:21,948 GUESS. 2785 02:01:25,552 --> 02:01:27,520 >> Announcer: "SUCCESSION." 2786 02:01:27,520 --> 02:01:29,556 [ APPLAUSE ] 2787 02:01:30,690 --> 02:01:32,559 >> I'M THE ELDEST BOY! 2788 02:01:34,227 --> 02:01:36,429 >> Announcer: "THE WHITE LOTUS." 2789 02:01:36,429 --> 02:01:41,067 >> WHEN I STAY AT WHITE LOTUS. 2790 02:01:41,067 --> 02:01:47,340 >> Announcer: "YELLOWJACKETS." 2791 02:01:51,211 --> 02:01:55,081 >> AND THE EMMY GOES TO 2792 02:01:55,081 --> 02:01:56,483 "SUCCESSION." 2793 02:01:56,483 --> 02:02:03,256 ♪ 2794 02:02:03,256 --> 02:02:04,391 >> Announcer: "SUCCESSION" 2795 02:02:04,391 --> 02:02:05,625 RECEIVED 27 NOMINATIONS THIS 2796 02:02:05,625 --> 02:02:09,029 YEAR AND A TOTAL OVERALL OF 75. 2797 02:02:09,029 --> 02:02:11,665 THE SHOW HOLDS THIS YEAR'S TOP 2798 02:02:11,665 --> 02:02:13,667 SPOT WITH THE MOST EMMY 2799 02:02:13,667 --> 02:02:14,267 NOMINATIONS. 2800 02:02:14,267 --> 02:02:16,102 ACCEPTING THE EMMY ON BEHALF OF 2801 02:02:16,102 --> 02:02:18,772 THE TEAM IS JESSE ARMSTRONG. 2802 02:02:18,772 --> 02:02:19,472 "SUCCESSION" HAS WON SIX EMMYS 2803 02:02:19,472 --> 02:02:34,387 TONIGHT. 2804 02:02:34,387 --> 02:02:36,756 >> THANK YOU VERY MUCH INDEED. 2805 02:02:36,756 --> 02:02:39,125 WE WANT TO THANK HBO. 2806 02:02:39,125 --> 02:02:40,560 THIS WASN'T NECESSARILY AN EASY 2807 02:02:40,560 --> 02:02:41,995 SHOW TO COMMISSION RIGHT AT THE 2808 02:02:41,995 --> 02:02:43,129 VERY BEGINNING. 2809 02:02:43,129 --> 02:02:48,068 THANK YOU TO KATIE AND FRANCESCA 2810 02:02:48,068 --> 02:02:51,838 AND NORA SKINNER AND RICHARD. 2811 02:02:51,838 --> 02:02:54,441 WE WANT TO SAY HELLO TO JEREMY 2812 02:02:54,441 --> 02:02:59,813 STRONG, WHO'S MAKING A MOVIE AND 2813 02:02:59,813 --> 02:03:00,480 L 2814 02:03:00,480 --> 02:03:02,315 LUCY WHO'S MADE A BABY. 2815 02:03:02,315 --> 02:03:03,950 WE SEND OUR LOVE TO BOTH OF 2816 02:03:03,950 --> 02:03:04,284 THEM. 2817 02:03:04,284 --> 02:03:06,152 I JUST WANT TO SAY THANK YOU TO 2818 02:03:06,152 --> 02:03:09,656 BRIAN COX, WHO THE SHOW REVOLVED 2819 02:03:09,656 --> 02:03:10,957 AROUND WHETHER HE WAS IN IT OR 2820 02:03:10,957 --> 02:03:11,191 NOT. 2821 02:03:11,191 --> 02:03:14,628 [ APPLAUSE ] 2822 02:03:14,628 --> 02:03:16,296 >> THIS IS A SHOW ABOUT FAMILY, 2823 02:03:16,296 --> 02:03:23,870 BUT IT'S ALSO ABOUT WHEN 2824 02:03:23,870 --> 02:03:25,438 PARTISAN POLITICS AND NEWS 2825 02:03:25,438 --> 02:03:28,708 COVERAGE GETS INTERTWINED WITH 2826 02:03:28,708 --> 02:03:30,544 DIVISIVE RIGHT-WING POLITICS. 2827 02:03:30,544 --> 02:03:33,680 AFTER FOUR SEASONS OF SATIRE, 2828 02:03:33,680 --> 02:03:34,848 THAT'S A PROBLEM I UNDERSTAND WE 2829 02:03:34,848 --> 02:03:36,316 HAVE NOW FIXED. 2830 02:03:36,316 --> 02:03:37,684 WE ARE SO HONORED. 2831 02:03:37,684 --> 02:03:41,121 WE'VE LOVED MAKING THE SHOW. 2832 02:03:41,121 --> 02:03:41,788 THANK YOU VERY MUCH INDEED. 2833 02:03:42,622 --> 02:04:00,674 [ APPLAUSE ] 2834 02:04:00,674 --> 02:04:02,242 >> IN ADDITION TO CELEBRATING 2835 02:04:02,242 --> 02:04:04,044 THE VERY BEST OF THE PAST YEAR, 2836 02:04:04,044 --> 02:04:05,712 THIS IS ALSO A DAY TO HONOR 2837 02:04:05,712 --> 02:04:08,281 DR. MARTIN LUTHER KING JR. 2838 02:04:08,281 --> 02:04:12,352 [ APPLAUSE ] 2839 02:04:12,352 --> 02:04:13,620 BY BRINGING YOU A MOMENT FROM HIS 2840 02:04:13,620 --> 02:04:14,921 MOST FAMOUS SPEECH, VOTED BY THE 2841 02:04:14,921 --> 02:04:15,989 TELEVISION ACADEMY ONE OF THE 2842 02:04:15,989 --> 02:04:16,590 MOST IMPACTFUL MOMENTS IN 2843 02:04:16,590 --> 02:04:21,695 TELEVISION HISTORY. 2844 02:04:21,695 --> 02:04:22,896 CONGRATULATIONS TO ALL OF THE 2845 02:04:22,896 --> 02:04:24,497 WINNERS AND NOMINEES. 2846 02:04:24,497 --> 02:04:25,599 GOOD NIGHT. 2847 02:04:25,599 --> 02:04:31,238 [ APPLAUSE ] 2848 02:04:31,238 --> 02:04:35,876 >> WHEN WE ALLOW FREEDOM RING, 2849 02:04:35,876 --> 02:04:38,445 WHEN WE LET IT RING FROM EVERY 2850 02:04:38,445 --> 02:04:41,481 HAMLET AND EVERY STATE AND EVERY 2851 02:04:41,481 --> 02:04:43,850 CITY, WE WILL BE ABLE TO SPEED 2852 02:04:43,850 --> 02:04:47,120 UP THAT DAY WHEN ALL OF GOD'S 2853 02:04:47,120 --> 02:04:48,555 CHILDREN, DARK MEN AND WHITE 2854 02:04:48,555 --> 02:04:53,159 MEN, JEWS AND GENTILES, 2855 02:04:53,159 --> 02:04:54,995 PROTESTANTS AND CATHOLICS WILL 2856 02:04:54,995 --> 02:04:58,265 BE ABLE TO JOIN HANDS AND SING 2857 02:04:58,265 --> 02:05:00,967 "FREE AT LAST, FREE AT LAST, 2858 02:05:00,967 --> 02:05:02,402 THANK GOT ALMIGHTY, WE ARE FREE 2859 02:05:02,402 --> 02:05:04,237 AT LAST." 2860 02:05:04,237 --> 02:05:09,809 [ APPLAUSE ]