1
00:00:16,934 --> 00:00:22,636
[AUDIENCE APPLAUDING]

2
00:00:23,332 --> 00:00:25,247
And the nominees
for the Best Yell

3
00:00:25,334 --> 00:00:27,249
in an Action Film are...

4
00:00:27,380 --> 00:00:30,905
Vin Spiegel
in <i>Go Forth Gut-wrenched.</i>

5
00:00:31,210 --> 00:00:33,168
[DRAMATIC MUSIC PLAYING]
DEEP ROBOTIC VOICE: <i>Ten, nine,</i>

6
00:00:33,255 --> 00:00:36,041
<i>eight, seven, six,</i>

7
00:00:36,389 --> 00:00:39,174
<i>five, four, three...</i>[YELLS]

8
00:00:39,348 --> 00:00:40,654
[MUSIC FADES]

9
00:00:40,784 --> 00:00:44,919
And Professor Piero Pomponi
for <i>Bad Informations.</i>

10
00:00:45,789 --> 00:00:47,835
[SONAR DINGS]

11
00:00:48,531 --> 00:00:49,532
[DRAMATIC MUSIC PLAYING]

12
00:00:49,619 --> 00:00:54,363
[MUFFLED YELLING]

13
00:00:55,495 --> 00:00:57,236
[YELLS]

14
00:00:57,584 --> 00:00:58,976
[AUDIENCE APPLAUDING]

15
00:00:59,064 --> 00:01:00,804
And Brick Maxwell
for <i>The Big Bang II:</i>

16
00:01:00,935 --> 00:01:04,547
<i>Light the Fuse.</i>[AUDIENCE CHEERING, APPLAUDING]

17
00:01:06,245 --> 00:01:10,205
[INTENSE MUSIC PLAYING]

18
00:01:13,078 --> 00:01:15,819
[SCREAMS][MUSIC FADES]

19
00:01:15,906 --> 00:01:17,647
[AUDIENCE APPLAUDING]

20
00:01:18,039 --> 00:01:21,825
And Nic Cassino for <i>Spike Five:
Death Match 3000.</i>

21
00:01:21,956 --> 00:01:24,437
[AUDIENCE CHEERING, APPLAUDING]

22
00:01:27,092 --> 00:01:31,444
[BOTH GRUNT][DRAMATIC MUSIC PLAYING]

23
00:01:31,705 --> 00:01:32,532
[MASKED MAN YELLS]

24
00:01:36,753 --> 00:01:40,670
[GRUNTS, YELLS]

25
00:01:41,715 --> 00:01:43,717
[AUDIENCE APPLAUDING]

26
00:01:45,022 --> 00:01:49,070
And the award goes to...[FANFARE MUSIC PLAYING]

27
00:01:51,290 --> 00:01:53,466
- My God! Brick Maxwell!
- Ooh! Brick Maxwell

28
00:01:53,553 --> 00:01:55,685
for <i>The Big Bang II:
Light the Fuse!</i>

29
00:01:55,772 --> 00:01:58,166
[AUDIENCE CHEERING, APPLAUDING]

30
00:01:58,253 --> 00:02:00,821
[TRIUMPHANT MUSIC PLAYING]

31
00:02:00,908 --> 00:02:01,778
Whoo!

32
00:02:05,217 --> 00:02:09,351
[AUDIENCE CHEERING, APPLAUDING]

33
00:02:09,438 --> 00:02:11,919
[MUSIC CONTINUES FAINTLY]

34
00:02:12,006 --> 00:02:15,096
[INDISTINCT CHATTER]

35
00:02:20,667 --> 00:02:22,495
How about a Slow Screw
Against the Wall?

36
00:02:24,366 --> 00:02:25,585
Can you believe this kid?

37
00:02:27,804 --> 00:02:28,979
Can't even do a pushup

38
00:02:29,066 --> 00:02:30,329
and he's the new face
of action films.

39
00:02:30,894 --> 00:02:31,939
Please.

40
00:02:32,026 --> 00:02:33,810
Estrogen
is the new testosterone.

41
00:02:34,028 --> 00:02:35,203
The demographic is changing

42
00:02:35,290 --> 00:02:36,552
and they want
a new kind of hero.

43
00:02:37,379 --> 00:02:39,468
One who's
a little more vulnerable.

44
00:02:40,295 --> 00:02:42,079
Shit, it's all done
with computers anyway.

45
00:02:42,254 --> 00:02:44,952
That's what I'm saying, Jack.
Award's for action films.

46
00:02:45,126 --> 00:02:46,562
- Not action cartoons.
- Hmm.

47
00:02:46,649 --> 00:02:48,260
- NIC: The stuff I do is real.
- JACK: Yeah.

48
00:02:48,347 --> 00:02:50,262
Fire, explosions, car chases.

49
00:02:50,349 --> 00:02:53,700
- This scar. Morocco, 2016.
- JACK: Yeah.

50
00:02:53,830 --> 00:02:56,311
You won this award
- three years running.
- Yeah.

51
00:02:56,442 --> 00:02:58,792
And your next film
is testing through the roof.

52
00:02:59,271 --> 00:03:00,185
You're still young.

53
00:03:01,229 --> 00:03:02,839
Jack, I'm 53.

54
00:03:03,231 --> 00:03:04,363
Fifty is the new 20.

55
00:03:04,450 --> 00:03:06,669
[SCOFFS] Yeah, right.[JACK CHUCKLES]

56
00:03:06,756 --> 00:03:09,368
Fifty. Still haven't done
my <i>Streetcar Named Desire.</i>

57
00:03:09,455 --> 00:03:10,847
The world needs to see...

58
00:03:11,108 --> 00:03:12,327
[MIMICS MARLON BRANDO]
...the Brando.

59
00:03:12,414 --> 00:03:14,068
I'm gonna swallow a bug.[JACK CHUCKLES]

60
00:03:14,155 --> 00:03:15,983
Why don't you come by
my office tomorrow, we can talk.

61
00:03:16,462 --> 00:03:19,595
I might have something for you.
A Disney project.

62
00:03:20,074 --> 00:03:21,510
- Disney?
- JACK: Disney.

63
00:03:21,945 --> 00:03:23,773
- NIC: Family films?
- Yeah, why not?

64
00:03:25,862 --> 00:03:27,777
Yeah, could show my range.

65
00:03:28,691 --> 00:03:30,737
Exactly.
It's an opportunity for you.

66
00:03:31,564 --> 00:03:32,652
Interesting.

67
00:03:36,743 --> 00:03:38,397
<i>Magilla Gorilla?</i>

68
00:03:39,398 --> 00:03:40,399
What?

69
00:03:40,573 --> 00:03:43,489
It's got heat.
They're talking ensemble cast.

70
00:03:43,706 --> 00:03:46,013
Check this out.
Danny DeVito as Mr. Peebles.

71
00:03:46,143 --> 00:03:49,059
I'm not playing a gorilla, Jack!
That's where I draw the line.

72
00:03:49,582 --> 00:03:51,584
You're not gonna play a gorilla.

73
00:03:51,714 --> 00:03:54,326
Just lend your voice.[GRUNTS] No!

74
00:03:54,717 --> 00:03:56,284
The old man would turn
in his grave

75
00:03:56,371 --> 00:03:58,112
if he knew his son
was playing an ape.

76
00:03:58,199 --> 00:04:00,070
Nic, it's a payday.

77
00:04:00,462 --> 00:04:01,985
It could be a future franchise.

78
00:04:02,116 --> 00:04:03,639
What's happening
with <i>The Horseman?</i>

79
00:04:05,337 --> 00:04:07,426
Listen, I gotta call you back.[CELL PHONE BEEPS]

80
00:04:08,731 --> 00:04:11,778
[SIGHS] They're going
with Brick Maxwell.

81
00:04:13,562 --> 00:04:15,042
They wanted someone
a little more...

82
00:04:15,434 --> 00:04:16,652
prepubescent.

83
00:04:18,915 --> 00:04:20,482
What? What does that mean?

84
00:04:21,614 --> 00:04:22,615
Younger, Nic.

85
00:04:23,398 --> 00:04:25,705
They wanted someone younger.

86
00:04:26,009 --> 00:04:27,924
Look, kid, it happens fast
in this business.

87
00:04:28,621 --> 00:04:30,187
One day,
you're on the top of the hill,

88
00:04:30,275 --> 00:04:32,277
the next day you're over it.[FOOTSTEPS APPROACHING]

89
00:04:34,583 --> 00:04:35,584
[JACK SIGHS]

90
00:04:35,802 --> 00:04:37,325
It kills me that
you're not getting the parts.

91
00:04:37,412 --> 00:04:38,457
Believe me.

92
00:04:39,066 --> 00:04:42,069
I raised my tent on your pole.
Remember?

93
00:04:42,199 --> 00:04:44,680
<i>Spike? Spike II? Spike III?</i>

94
00:04:44,985 --> 00:04:47,248
[SIGHS] But things change.

95
00:04:47,727 --> 00:04:49,729
Yesterday,
it was underdog action heroes.

96
00:04:49,859 --> 00:04:52,471
Today, it's... teenage zombies.

97
00:04:55,430 --> 00:04:57,389
Hey, here's something
you might like.

98
00:04:58,215 --> 00:05:00,043
No cartoons, Jack. Not now.

99
00:05:00,217 --> 00:05:01,784
- No cartoons.
- JACK: No. No, no.

100
00:05:02,089 --> 00:05:05,875
A festival in Italy wants to do
a retrospective on your career.

101
00:05:06,572 --> 00:05:09,575
Why don't you take Aurora
and have a nice trip?

102
00:05:10,097 --> 00:05:11,577
I haven't seen her
since the awards.

103
00:05:11,664 --> 00:05:15,145
- Uh, a retrospective?
- Then go yourself.

104
00:05:15,232 --> 00:05:16,756
The Italians have
always loved your films.

105
00:05:17,322 --> 00:05:18,410
[SCOFFS]

106
00:05:19,106 --> 00:05:21,761
Sure. Like, where? Where is it?

107
00:05:21,935 --> 00:05:24,546
In Naples.
The Giffoni Film Festival.

108
00:05:25,547 --> 00:05:26,505
Hmm.

109
00:05:29,116 --> 00:05:30,465
I could use a bit of love.

110
00:05:31,423 --> 00:05:32,902
I think. [INHALES]

111
00:05:33,294 --> 00:05:35,165
[EXHALES DEEPLY]

112
00:05:39,561 --> 00:05:42,216
Mr. Cassino?
We're ready to go.

113
00:05:42,521 --> 00:05:43,565
Great.

114
00:05:43,783 --> 00:05:47,656
["MOVING ALONG" PLAYING]

115
00:05:55,534 --> 00:05:58,014
[PLANE ENGINE ROARING]

116
00:05:59,407 --> 00:06:02,410
<i>♪ If I could, you know
I would try and tell you ♪</i>

117
00:06:03,542 --> 00:06:06,458
<i>♪ How it all went gone to seed</i>

118
00:06:06,893 --> 00:06:09,112
<i>♪ If I could move
When you shoot ♪</i>

119
00:06:09,199 --> 00:06:11,114
<i>♪ I'd fire back at you ♪</i>

120
00:06:11,854 --> 00:06:13,987
<i>♪ I'm in an awful way</i>

121
00:06:29,611 --> 00:06:32,614
<i>♪ When I was poor
I was a harder man, I tell you ♪</i>

122
00:06:33,485 --> 00:06:36,575
<i>♪ Worked 47 hours a week</i>

123
00:06:37,140 --> 00:06:39,447
<i>♪ But with holes in my shoes ♪</i>

124
00:06:39,534 --> 00:06:41,623
<i>♪ I didn't have no blues ♪</i>

125
00:06:41,971 --> 00:06:44,321
<i>♪ I'm in an awful place ♪</i>

126
00:06:44,409 --> 00:06:46,628
<i>♪ Now, you're cutting me off
At the knees ♪</i>

127
00:06:47,673 --> 00:06:50,502
<i>♪ And you're cutting me off
At the heart ♪</i>

128
00:06:51,285 --> 00:06:53,809
<i>♪ I caught some trouble
Under my feet ♪</i>

129
00:06:53,896 --> 00:06:55,289
[CROWD CHEERING]

130
00:06:55,376 --> 00:06:58,118
<i>♪ But I gotta be moving along ♪</i>

131
00:07:00,207 --> 00:07:02,905
Whoo!

132
00:07:03,950 --> 00:07:05,168
Whoo![CELL PHONE CLICKS]

133
00:07:06,909 --> 00:07:09,042
Whoo![CAMERA SHUTTERS CLICKING]

134
00:07:09,912 --> 00:07:11,392
[YELLS]

135
00:07:11,479 --> 00:07:13,263
[SONG CONTINUES]

136
00:07:15,657 --> 00:07:17,267
Whoo!

137
00:07:17,616 --> 00:07:19,444
[CAMERA SHUTTERS CLICKING]

138
00:07:19,531 --> 00:07:21,794
Whoo! Whoo!

139
00:07:21,881 --> 00:07:23,752
<i>♪ I gotta be moving on ♪</i>

140
00:07:23,883 --> 00:07:28,627
<i>♪ Moving on ♪</i>

141
00:07:29,758 --> 00:07:30,890
<i>♪ Move!</i>

142
00:07:32,413 --> 00:07:36,765
[SCATTERED APPLAUSE][SONG FADES]

143
00:07:37,766 --> 00:07:40,334
[IN ITALIAN]
Ladies and gentlemen, kids.

144
00:07:40,552 --> 00:07:42,989
[IN ENGLISH] Stay, stay, stay!
Just a moment! Stay!

145
00:07:43,119 --> 00:07:46,166
The director of the film
is in attendance

146
00:07:46,383 --> 00:07:49,082
and will be available
for a Q&A.

147
00:07:49,212 --> 00:07:51,954
[DOOR CLOSES]
Stay! Stay, stay, stay!

148
00:07:52,520 --> 00:07:54,740
Please! Just a moment!

149
00:07:54,870 --> 00:07:55,828
A question?

150
00:07:59,484 --> 00:08:00,833
I have a question.

151
00:08:00,920 --> 00:08:03,444
The American superhero,
Nic Cassino?

152
00:08:03,749 --> 00:08:05,054
Where is the conference?

153
00:08:07,013 --> 00:08:09,450
FABRIZIO: <i>Uh, Lore,
do you remember Fausto?</i>

154
00:08:09,581 --> 00:08:11,496
We taught filmmaking together

155
00:08:11,583 --> 00:08:12,975
at the Centro Sperimentale.[CHUCKLES]

156
00:08:13,062 --> 00:08:16,022
Ah, yes, of course.
The days of hope and glory.

157
00:08:16,152 --> 00:08:18,851
[CHUCKLES] I told Fabrizio,

158
00:08:18,981 --> 00:08:22,115
any service I can provide
to help his career.

159
00:08:22,202 --> 00:08:24,160
I am, as we say in Naples...

160
00:08:24,247 --> 00:08:25,510
[IN ITALIAN] I am available.

161
00:08:25,684 --> 00:08:26,902
[IN ENGLISH] Whatever you need.

162
00:08:27,294 --> 00:08:28,991
Do you sell life insurance?

163
00:08:29,601 --> 00:08:30,602
Ah!

164
00:08:30,689 --> 00:08:33,822
[ALL LAUGH]
It was a joke.

165
00:08:33,909 --> 00:08:35,650
Fabrizio, you know, it's late.

166
00:08:36,129 --> 00:08:38,566
The hydrofoil for Ischia
is leaving in an hour.

167
00:08:38,740 --> 00:08:39,872
And Ombretta?

168
00:08:40,002 --> 00:08:42,352
She's outside trying
to get a signal.

169
00:08:42,483 --> 00:08:44,746
Nello is calling
to meet us at the port.

170
00:08:44,877 --> 00:08:46,792
- So, very nice to meet you.
- Bye.

171
00:08:48,750 --> 00:08:50,143
Our daughter.[CHUCKLES]

172
00:08:50,230 --> 00:08:51,840
She's an actress.[CHUCKLES]

173
00:08:51,927 --> 00:08:53,581
- Can we go now?
- Yes, we go.

174
00:08:53,886 --> 00:08:55,583
- Is it Lello?
- Nello.

175
00:08:55,714 --> 00:08:57,977
Nello, Lello.
What's the difference?

176
00:08:58,107 --> 00:09:00,196
[SPEAKS ITALIAN]

177
00:09:00,545 --> 00:09:02,111
"Marry and buy cattle

178
00:09:02,198 --> 00:09:05,114
from your own town
and you won't be let down."

179
00:09:05,245 --> 00:09:06,855
Yes. Of course.

180
00:09:07,769 --> 00:09:10,990
- A lot of good it did me. Hmm.
- NIC: <i>Jack!</i>

181
00:09:11,294 --> 00:09:13,514
Yep, safe and sound.[FAINT CHEERING IN BACKGROUND]

182
00:09:13,645 --> 00:09:15,081
Could've warned me
about the Amalfi drive.

183
00:09:15,168 --> 00:09:16,517
You know what I'm like
with heights.

184
00:09:16,996 --> 00:09:18,475
JACK: [OVER PHONE] <i>Hey,
I got some news for you.</i>[CROWD CHEERING]

185
00:09:18,867 --> 00:09:20,869
Mm-hmm?
<i>The Horseman</i> came through?

186
00:09:21,696 --> 00:09:22,915
JACK: <i>You sittin' down?</i>

187
00:09:23,219 --> 00:09:26,832
Uh... [GRUNTS]
I am now. I'm sitting.

188
00:09:26,962 --> 00:09:28,268
What's the news?

189
00:09:28,747 --> 00:09:30,009
JACK: <i>Not that kind of news.</i>

190
00:09:30,096 --> 00:09:32,141
- NIC: Uh-huh?
- JACK: <i>Aurora came by.</i>

191
00:09:32,315 --> 00:09:35,014
- NIC: Right?
- JACK: <i>She's filing for divorce.</i>

192
00:09:35,928 --> 00:09:39,975
Hmm. Interesting.
That's... That's terrific.

193
00:09:40,715 --> 00:09:42,848
Yeah! I love you, too.[CROWD CHEERING]

194
00:09:42,935 --> 00:09:44,850
My wife's filing for divorce.

195
00:09:45,285 --> 00:09:48,418
[CHUCKLES] Yeah, she's off
with Brick... Brick Maxwell.

196
00:09:48,549 --> 00:09:50,464
Noodle arms. Spaghetti arms.

197
00:09:50,856 --> 00:09:52,858
The guy who pretends
he's an action hero.

198
00:09:52,945 --> 00:09:55,469
Really not. I love you, too.

199
00:09:56,209 --> 00:09:58,037
<i>Jack, you need
to get me out of this.</i>

200
00:09:58,124 --> 00:09:59,952
JACK: [OVER PHONE] <i>You wanna use
the food allergy routine?</i>

201
00:10:00,866 --> 00:10:02,781
Yeah. Whatever, yeah.

202
00:10:03,738 --> 00:10:05,261
JACK: <i>I'll try to hold the jet
for you.</i>

203
00:10:06,219 --> 00:10:09,439
Right. Uh, wait.
Uh, Jack. Um...

204
00:10:09,570 --> 00:10:11,920
I need some time. Is there...

205
00:10:12,878 --> 00:10:15,532
any place out here where
I can stay low for a few days?

206
00:10:16,229 --> 00:10:17,534
JACK: <i>Well,
George Clooney's villa</i>

207
00:10:17,622 --> 00:10:19,101
<i>is up for sale.</i>[SIGHS]

208
00:10:19,188 --> 00:10:20,625
JACK: <i>But it's way up north.</i>

209
00:10:22,801 --> 00:10:24,193
What about Sofia's?

210
00:10:24,629 --> 00:10:26,065
JACK:
<i>Vin Spiegel's staying there.</i>

211
00:10:26,152 --> 00:10:28,502
[INHALES] <i>They're prepping</i>
Sergeant Stone.

212
00:10:28,981 --> 00:10:31,331
Right, well-- God.

213
00:10:31,505 --> 00:10:33,899
Anywhere where no one knows
who I am.

214
00:10:35,291 --> 00:10:36,771
- All right.
- JACK: <i>Wait a second.</i>

215
00:10:37,163 --> 00:10:39,861
<i>There's an Italian actress
who's got a villa nearby.</i>

216
00:10:40,296 --> 00:10:42,298
<i>Place called Ischia.</i>

217
00:10:42,429 --> 00:10:45,214
Yeah. Ischia.
Sounds great. All right.

218
00:10:45,345 --> 00:10:47,086
[SHIP HORN BLARING]

219
00:10:48,565 --> 00:10:50,959
[INDISTINCT CHATTER]

220
00:10:55,442 --> 00:10:59,446
[CHUCKLES] Nello, I introduce
my mother, Lorella.

221
00:10:59,533 --> 00:11:02,797
- Nice to meet you.
- And my father, Fabrizio.

222
00:11:02,928 --> 00:11:05,539
It's a pleasure
and an honor to meet you.

223
00:11:05,757 --> 00:11:07,715
I've heard so much
of your films.

224
00:11:08,455 --> 00:11:10,413
- Have you seen any of them?
- NELLO: No.

225
00:11:11,850 --> 00:11:13,373
But I feel as I have.

226
00:11:13,852 --> 00:11:16,550
Ombretta has spoken
of them so often.

227
00:11:17,029 --> 00:11:19,727
Such courage to make
a three-hour film

228
00:11:19,814 --> 00:11:21,207
in this day and age.

229
00:11:22,208 --> 00:11:25,080
Courage?
Interesting point of view.

230
00:11:25,994 --> 00:11:27,474
- Listen, Lello.
- Nello.

231
00:11:28,301 --> 00:11:32,044
Sorry. Nello.
We are very tired.

232
00:11:32,348 --> 00:11:35,787
Six hours on the train,
three hours at the festival.

233
00:11:36,091 --> 00:11:38,354
Can we just go to the hydrofoil?

234
00:11:38,485 --> 00:11:41,227
Papa. Nello has
a surprise for you.

235
00:11:41,314 --> 00:11:42,532
- Yes?
- OMBRETTA: Yes.

236
00:11:43,577 --> 00:11:46,188
A private boat and tour.

237
00:11:50,497 --> 00:11:52,412
Wow. Hmm.

238
00:11:52,499 --> 00:11:54,283
["CI PENSIAMO DOMANI" PLAYING]

239
00:11:54,370 --> 00:11:57,069
[SINGING IN ITALIAN]

240
00:12:11,387 --> 00:12:16,175
And as we reach
the end of our tour,

241
00:12:16,262 --> 00:12:20,832
I'd like to show you
the most beautiful jewels

242
00:12:20,962 --> 00:12:23,443
of our exotic island.

243
00:12:25,184 --> 00:12:27,708
[LAUGHS]

244
00:12:27,795 --> 00:12:29,144
I am speaking, of course,

245
00:12:29,231 --> 00:12:32,582
of the many celebrity villas
here in Ischia.

246
00:12:32,669 --> 00:12:35,020
We are in the district of Zaro.

247
00:12:35,324 --> 00:12:38,284
And here,
at one time or another,

248
00:12:38,893 --> 00:12:41,287
famous director
Luchino Visconti,

249
00:12:41,417 --> 00:12:43,637
international actress
Liz Taylor,

250
00:12:43,985 --> 00:12:46,683
and her lover, Richard Burton,

251
00:12:46,771 --> 00:12:48,773
made Ischia
their summer residence.

252
00:12:48,860 --> 00:12:52,602
[SONG CONTINUES]

253
00:12:57,607 --> 00:12:59,784
Sorry, can you close it?

254
00:13:00,654 --> 00:13:01,698
Thank you.

255
00:13:02,438 --> 00:13:06,965
And so, <i>signori,</i>
I now bid you <i>arrivederci.</i>

256
00:13:07,313 --> 00:13:08,401
<i>Auf Wiedersehen.</i>

257
00:13:09,097 --> 00:13:10,229
<i>Au revoir.</i>

258
00:13:10,925 --> 00:13:12,013
<i>Ni hao.</i>

259
00:13:12,318 --> 00:13:14,233
Bye! [LAUGHS]

260
00:13:14,320 --> 00:13:15,756
[SONG CONTINUES]

261
00:13:15,887 --> 00:13:18,019
[SINGING IN ITALIAN]

262
00:13:45,264 --> 00:13:48,093
[SONG FADES][SHIP HORN BLARING]

263
00:13:48,223 --> 00:13:50,791
[LORELLA MURMURS]
Uh, excuse me.

264
00:13:50,878 --> 00:13:53,881
Are you looking perhaps
for "Favuzzo?"

265
00:13:54,490 --> 00:13:58,364
Oh, <i>si!</i>[LAUGHS] Favuzzo!

266
00:13:58,799 --> 00:14:01,236
[SMOOCHES, LAUGHS][CHUCKLES]

267
00:14:01,323 --> 00:14:03,021
I am Angioletto.

268
00:14:03,195 --> 00:14:05,893
Di Meglio. I am the father of--

269
00:14:05,980 --> 00:14:08,287
- Ah, Lello. Of course.
- Nello.

270
00:14:08,417 --> 00:14:11,203
Oh. Nello, Lello.
What's the difference, huh?

271
00:14:11,290 --> 00:14:12,987
[SMOOCHES]
You're right.

272
00:14:13,074 --> 00:14:14,771
[CHUCKLES]
Thank you. [CHUCKLES]

273
00:14:14,859 --> 00:14:16,164
But... But--

274
00:14:16,251 --> 00:14:17,949
Where are the two <i>fidanzatini?</i>

275
00:14:18,079 --> 00:14:19,907
The... the young lovers.

276
00:14:19,994 --> 00:14:23,128
Nello went to check
for our hotel.

277
00:14:23,432 --> 00:14:24,738
- We are very tired.
- Yeah.

278
00:14:24,825 --> 00:14:26,958
Oh! You are our guests.

279
00:14:27,045 --> 00:14:29,569
Filomena has already prepared
your room,

280
00:14:29,656 --> 00:14:32,224
and she has been cooking
for three days.

281
00:14:32,354 --> 00:14:35,531
Ah, but we have just met.
We really can't impose.

282
00:14:35,662 --> 00:14:37,229
No, no, no--We can't impose, we--

283
00:14:37,316 --> 00:14:39,535
With the engagement
of our children,

284
00:14:39,622 --> 00:14:41,015
we are practically family.

285
00:14:41,189 --> 00:14:43,583
[CHUCKLES] And besides
we have plenty of room.[CHUCKLES]

286
00:14:43,670 --> 00:14:46,760
[CHUCKLES]
Oh, come on! Come on! [LAUGHS]

287
00:14:46,847 --> 00:14:48,153
Plenty of room...

288
00:14:52,244 --> 00:14:54,899
[ENGINE REVVING]

289
00:14:55,943 --> 00:14:57,640
Plenty of room!

290
00:14:59,860 --> 00:15:00,861
Lello!

291
00:15:00,992 --> 00:15:02,515
- NELLO: It's Nello.
- Nello. Nello.

292
00:15:02,819 --> 00:15:06,171
- How many kilometers?
- Just ten!

293
00:15:06,954 --> 00:15:08,086
- Just ten?
- NELLO: Yes.

294
00:15:08,173 --> 00:15:09,304
Ah, we are lucky.

295
00:15:09,435 --> 00:15:11,089
- LORELLA: [LAUGHS] Yes.
- Yes.

296
00:15:11,176 --> 00:15:12,742
- Very lucky.
- Very lucky.

297
00:15:12,873 --> 00:15:16,921
[UPBEAT MUSIC PLAYING]

298
00:15:32,762 --> 00:15:34,851
SABRINA: [IN ITALIAN]
The Great Nic Cassino!

299
00:15:35,243 --> 00:15:36,766
Welcome to Villa Antonietta.

300
00:15:37,376 --> 00:15:39,378
Nicola. <i>Grazie mille.</i>

301
00:15:39,465 --> 00:15:40,814
[IN ENGLISH]
Thanks for the hospitality.

302
00:15:40,901 --> 00:15:42,207
Ah, you speak Italian!

303
00:15:42,685 --> 00:15:45,601
Well, kinda. Not really.

304
00:15:46,733 --> 00:15:48,561
<i>Well, my dad taught me
and my brother,</i>

305
00:15:48,648 --> 00:15:50,432
but I stopped using it
when he died.

306
00:15:50,955 --> 00:15:53,174
Ah! Your brother is died?

307
00:15:53,653 --> 00:15:55,742
No. Uh, we just haven't spoken

308
00:15:55,829 --> 00:15:57,918
in English or Italian
in a long time. [CHUCKLES]

309
00:15:58,092 --> 00:16:01,139
[LAUGHS] I'm sorry.
My English not so fine.

310
00:16:01,226 --> 00:16:05,056
- Well, my Italian's not so fine.
- Ah. I think.

311
00:16:05,447 --> 00:16:06,666
[IN ITALIAN] Okay.

312
00:16:06,796 --> 00:16:08,755
- [IN ENGLISH] Come. Come here.
- NIC: Great.

313
00:16:09,364 --> 00:16:11,366
[BIRDS CHIRPING]

314
00:16:12,324 --> 00:16:13,499
This is the gym.

315
00:16:14,065 --> 00:16:15,240
Ah.[CHUCKLES]

316
00:16:15,327 --> 00:16:16,371
[IN ITALIAN] Fabulous!

317
00:16:17,155 --> 00:16:19,548
[IN ENGLISH] At any mode,
here are the keys.

318
00:16:19,940 --> 00:16:24,336
[SIGHS] <i>Accomodati.</i>
Uh, make yourself at home.

319
00:16:24,423 --> 00:16:25,424
Hmm.

320
00:16:25,511 --> 00:16:27,078
[IN ITALIAN] Very kind of you.

321
00:16:27,165 --> 00:16:28,644
Uh...

322
00:16:28,862 --> 00:16:31,952
Can I eat you tonight?

323
00:16:33,127 --> 00:16:34,085
Hmm?

324
00:16:34,694 --> 00:16:36,087
[IN ENGLISH] Uh. Ask her

325
00:16:36,174 --> 00:16:38,219
if she wants to have dinner
with me tonight.

326
00:16:38,306 --> 00:16:40,526
[IN ITALIAN]
Mr. Cassino's asking if you want
to have dinner with him tonight.

327
00:16:40,613 --> 00:16:42,397
Ah! [INHALES]

328
00:16:42,571 --> 00:16:44,008
Thanks, but...

329
00:16:44,225 --> 00:16:45,792
[IN ENGLISH] I can't, um...

330
00:16:46,532 --> 00:16:48,273
[IN ITALIAN]
Sorry, tell him I can't.

331
00:16:48,490 --> 00:16:49,752
I have to go back to Rome.

332
00:16:49,883 --> 00:16:51,580
I have a role
in the Sergeant Stone movie.

333
00:16:52,233 --> 00:16:53,713
MARCO: [IN ENGLISH]
Mr. Nic, she is going to Rome.

334
00:16:53,974 --> 00:16:55,584
For the <i>Sergeant Stone</i> movie.

335
00:16:56,498 --> 00:16:59,327
Ah. Well,
give my regards to Vin.

336
00:17:00,198 --> 00:17:02,026
[IN ITALIAN]
Nic, now I really have to go.

337
00:17:02,722 --> 00:17:04,158
[SPEAKS ITALIAN]

338
00:17:04,332 --> 00:17:06,291
[IN ENGLISH]
For anything, call me.

339
00:17:06,378 --> 00:17:09,120
Mm-hmm. <i>Chiamami.</i> The keys.

340
00:17:10,077 --> 00:17:11,122
[IN ITALIAN] Thanks.

341
00:17:11,252 --> 00:17:12,993
[IN ENGLISH] Bye, Nic. [KISSES]
NIC: Bye.

342
00:17:13,385 --> 00:17:14,734
SABRINA: Bye. <i>Ciao.</i>

343
00:17:16,649 --> 00:17:18,346
NIC: Jack, it's great.
You nailed it.

344
00:17:18,433 --> 00:17:19,608
It's got a gym and everything.

345
00:17:19,695 --> 00:17:21,828
And the view... Mediterranean.

346
00:17:22,568 --> 00:17:24,309
Stunning. Beautiful.

347
00:17:25,571 --> 00:17:27,268
Jack, I've been thinking.

348
00:17:27,355 --> 00:17:29,183
It's time for me
to get back to basics,

349
00:17:29,314 --> 00:17:31,011
like when I wrote <i>Spike</i>
in three days

350
00:17:31,142 --> 00:17:32,665
in that sweatbox.

351
00:17:32,926 --> 00:17:35,059
Reclaim the throne, so to speak.

352
00:17:35,885 --> 00:17:36,886
[SIGHS]

353
00:17:43,328 --> 00:17:44,807
Uh, Jack.

354
00:17:45,243 --> 00:17:46,853
It's time for me
to get back to work.

355
00:17:47,332 --> 00:17:49,551
[IN ITALIAN]
Enjoy, enjoy, help yourself!

356
00:17:49,682 --> 00:17:50,987
[LAUGHS]

357
00:17:51,118 --> 00:17:52,685
[IN ENGLISH]
I am allergic to liver.

358
00:17:52,815 --> 00:17:56,384
No. No liver.
No liver. You can eat.

359
00:17:56,515 --> 00:17:58,256
- FABRIZIO: Uh-huh.
- LORELLA: No liver.

360
00:17:59,735 --> 00:18:02,738
Ah, do you like it? [EXCLAIMS]

361
00:18:02,825 --> 00:18:04,000
[IN ITALIAN] It's testicles!

362
00:18:04,218 --> 00:18:07,743
[IN ENGLISH] The balls
are the best part. [LAUGHS]

363
00:18:08,918 --> 00:18:11,007
[ALL LAUGH][KICKS TABLE]

364
00:18:11,356 --> 00:18:13,836
[CHUCKLES]
You see... you see,

365
00:18:13,923 --> 00:18:16,100
I am convinced that here

366
00:18:16,578 --> 00:18:19,233
I will receive an inspiration.

367
00:18:19,320 --> 00:18:20,626
- An inspiration.
- Ah.

368
00:18:20,713 --> 00:18:24,412
For me, coming to Ischia
is like a pilgrimage.

369
00:18:25,239 --> 00:18:28,808
And La Colombaia,
the villa of Visconti,

370
00:18:28,938 --> 00:18:31,376
is the holy land for...

371
00:18:31,550 --> 00:18:32,986
[IN ITALIAN] Neorealism.

372
00:18:33,160 --> 00:18:34,901
[FORK CLATTERS]
Oh!

373
00:18:35,031 --> 00:18:37,773
[IN ENGLISH]
Perhaps our son will someday

374
00:18:37,860 --> 00:18:40,080
become a famous director
like you.

375
00:18:40,211 --> 00:18:41,560
[CHUCKLES]
LORELLA: Like him!

376
00:18:41,821 --> 00:18:44,128
[CHUCKLES, IN ITALIAN]
No... let's hope not!

377
00:18:44,606 --> 00:18:46,217
[ALL LAUGH]

378
00:18:46,391 --> 00:18:47,392
[SMOOCHES]

379
00:18:47,696 --> 00:18:49,002
LORELLA: [IN ENGLISH]
Just kidding! Just kidding!

380
00:18:49,089 --> 00:18:50,699
Ah, ah.

381
00:18:50,786 --> 00:18:51,961
Cheers, cheers, cheers!

382
00:18:52,048 --> 00:18:53,528
ALL: Cheers! Cheers!

383
00:18:53,615 --> 00:18:55,443
[ANGIOLETTO CHUCKLES]
Thank you.

384
00:18:55,835 --> 00:18:58,098
[NIC PANTS]

385
00:18:58,229 --> 00:19:00,231
[BIRDS CHIRPING]

386
00:19:01,319 --> 00:19:03,886
NIC: [GROANS] Maurizio.

387
00:19:04,017 --> 00:19:05,497
- Marco.
- MARCO: Mr. Nic?

388
00:19:05,627 --> 00:19:07,499
[NIC PANTS]
MARCO: Huh? Mr. Nic?

389
00:19:07,716 --> 00:19:09,196
Breathe, breathe.

390
00:19:09,675 --> 00:19:11,155
Breathe slowly.

391
00:19:12,112 --> 00:19:13,244
Breathe.

392
00:19:14,158 --> 00:19:15,768
Breathe. Breathe.

393
00:19:17,509 --> 00:19:21,295
[GENTLE ACCORDION MUSIC PLAYING]

394
00:19:24,298 --> 00:19:25,517
[YAWNS]

395
00:19:28,607 --> 00:19:29,608
[WHISPERS] Fabrizio...

396
00:19:42,186 --> 00:19:45,145
[MUSIC CONTINUES]

397
00:19:49,976 --> 00:19:51,412
GUARD: Ladies and gentlemen,

398
00:19:51,717 --> 00:19:53,675
La Colombaia is now closing.

399
00:19:54,372 --> 00:19:55,634
Please, this way.

400
00:19:57,505 --> 00:20:02,423
[MYSTERIOUS MUSIC PLAYING]

401
00:20:27,796 --> 00:20:29,320
[GATE LOCK CLICKING]

402
00:20:34,716 --> 00:20:36,544
[WIND WHOOSHES]

403
00:20:41,723 --> 00:20:43,508
Could this be...

404
00:20:44,944 --> 00:20:46,902
Visconti's writing room?

405
00:20:50,993 --> 00:20:52,081
[CLEARS THROAT]

406
00:20:54,258 --> 00:20:56,347
GUARD: [OVER PA]
<i>La Colombaia is now closing.</i>

407
00:20:57,043 --> 00:20:59,001
<i>Please proceed to the exit.</i>

408
00:20:59,437 --> 00:21:01,395
[MUSIC FADES][WIND BLOWING]

409
00:21:03,876 --> 00:21:04,877
LORELLA: <i>Eh...</i> OMBRETTA: <i>Papa?</i>

410
00:21:05,443 --> 00:21:07,140
- Papa?
- Ah. Papa?

411
00:21:08,620 --> 00:21:09,577
ANGIOLETTO: Oh, no.

412
00:21:11,884 --> 00:21:12,754
[IN ITALIAN] Excuse me.

413
00:21:12,885 --> 00:21:13,755
LORELLA: Fabrizio!

414
00:21:14,060 --> 00:21:15,017
[KNOCKING ON GATE]
ANGIOLETTO: Excuse me.

415
00:21:15,627 --> 00:21:17,193
[IN ENGLISH] Excuse me!

416
00:21:17,324 --> 00:21:19,413
[WHIMSICAL MUSIC PLAYING]

417
00:21:20,196 --> 00:21:21,676
[GRUNTS]

418
00:21:24,331 --> 00:21:26,290
[CELL PHONE BEEPING]

419
00:21:38,214 --> 00:21:39,215
Hello!

420
00:21:39,955 --> 00:21:42,393
Help! Please!

421
00:21:43,263 --> 00:21:45,483
- Fabrizio!
- Papa?

422
00:21:56,145 --> 00:21:58,234
[FABRIZIO WHIMPERS]

423
00:21:58,800 --> 00:22:01,325
Help. [WHIMPERS] Help!

424
00:22:02,500 --> 00:22:04,850
[WHIMPERS][PIPE CREAKING]

425
00:22:05,198 --> 00:22:06,460
[FABRIZIO YELPS]

426
00:22:06,591 --> 00:22:08,244
[WHIMPERS]

427
00:22:08,767 --> 00:22:10,203
[YELPS]

428
00:22:10,421 --> 00:22:12,118
[YELPS, GROANS]

429
00:22:12,466 --> 00:22:15,034
Help! Help!

430
00:22:15,382 --> 00:22:18,864
Help! [SCREAMS][MUSIC CONCLUDES]

431
00:22:23,738 --> 00:22:25,740
[GROANS]

432
00:22:26,480 --> 00:22:27,481
[GROANS]

433
00:22:28,003 --> 00:22:29,440
[IN ITALIAN] Ouch, that hurt!

434
00:22:29,744 --> 00:22:33,269
[GRUNTS, GROANS]

435
00:22:33,400 --> 00:22:34,749
Ouch, that hurt!

436
00:22:35,750 --> 00:22:39,711
[GRUNTS, PANTS]

437
00:22:42,453 --> 00:22:46,370
[SOFT CLASSICAL MUSIC PLAYING]

438
00:22:47,153 --> 00:22:48,372
[GASPS SOFTLY]

439
00:23:23,407 --> 00:23:24,538
[GASPS]

440
00:23:26,018 --> 00:23:27,236
[BREATHES SHAKILY]

441
00:23:29,238 --> 00:23:34,243
[IN ENGLISH] Visconti's
long lost masterpiece...

442
00:23:37,943 --> 00:23:40,685
"IN SEARCH OF LOST TIME"
LUCHINO VISCONTI

443
00:23:40,772 --> 00:23:42,164
[FOOTSTEPS APPROACHING][KEYS JINGLING]

444
00:23:42,251 --> 00:23:43,383
[BIRD WINGS FLAPPING]

445
00:23:56,352 --> 00:23:58,442
Oh! [GASPS]

446
00:23:59,704 --> 00:24:01,662
[BREATHES RAPIDLY]

447
00:24:03,838 --> 00:24:06,493
[LAUGHS]

448
00:24:06,841 --> 00:24:09,017
[IN ITALIAN] Oh mamma, oh mamma.

449
00:24:09,627 --> 00:24:12,499
Slowly, slowly...

450
00:24:19,288 --> 00:24:21,290
[EXHALES]

451
00:24:22,291 --> 00:24:24,250
[MUSIC FADES]

452
00:24:27,035 --> 00:24:29,560
[IN ENGLISH] <i>And here we are
on the set ofThe Horseman,</i>

453
00:24:29,647 --> 00:24:31,431
<i>the latest apocalyptic
action film...</i>

454
00:24:31,518 --> 00:24:33,651
[CHUCKLES, SIGHS] <i>...currently filming
in New York,</i>

455
00:24:33,738 --> 00:24:36,088
<i>starring rising action
movie star Brick Maxwell.</i>

456
00:24:36,218 --> 00:24:37,524
[BRICK MAXWELL SCREAMING]

457
00:24:38,830 --> 00:24:40,309
<i>And speaking of Armageddon,</i>

458
00:24:40,440 --> 00:24:42,224
<i>NASA's just reported
that the path</i>

459
00:24:42,311 --> 00:24:44,444
<i>of the massive asteroid
set to miss Earth</i>

460
00:24:44,575 --> 00:24:47,229
<i>by 100,000 miles
has been recalculated.</i>

461
00:24:47,403 --> 00:24:49,275
<i>Make that 200,000--</i>[SMACKS LIPS] Stupid.

462
00:24:54,193 --> 00:24:55,411
[LORELLA SNORES]

463
00:24:58,110 --> 00:25:00,199
[LAUGHS QUIETLY]

464
00:25:06,597 --> 00:25:09,425
[LORELLA SNORES SOFTLY]

465
00:25:10,688 --> 00:25:12,603
[WHISPERS] Luchino!
[KISSES, CHUCKLES]

466
00:25:14,169 --> 00:25:16,432
[SNORES][PLAYFUL MUSIC PLAYING]

467
00:25:21,133 --> 00:25:22,308
[LORELLA SNORES]

468
00:25:34,102 --> 00:25:35,713
FABRIZIO: "Book number one."

469
00:25:37,062 --> 00:25:39,804
- But... where is book two?
- LORELLA: Huh?

470
00:25:40,413 --> 00:25:42,546
Book two.[SNORTS]

471
00:25:56,603 --> 00:25:57,778
[BRAKES SQUEAK]

472
00:25:59,911 --> 00:26:01,956
FABRIZIO: Excuse me! Excuse me!

473
00:26:02,043 --> 00:26:03,305
[METAL GATE CREAKING]

474
00:26:03,436 --> 00:26:05,743
- But... why is closed?
- GUARD: Huh?

475
00:26:05,917 --> 00:26:08,223
<i>Inagibile.</i> Condemned.[KEYS JANGLING]

476
00:26:08,876 --> 00:26:11,487
"Condemned due
to a recent collapse."

477
00:26:11,792 --> 00:26:14,621
But... but I must enter.

478
00:26:14,882 --> 00:26:17,189
I left something inside,
very important.

479
00:26:17,276 --> 00:26:18,625
GUARD: If you wish,
I can search.

480
00:26:18,712 --> 00:26:20,366
What did it look like?

481
00:26:22,107 --> 00:26:24,500
A last glimmer of hope.

482
00:26:36,687 --> 00:26:38,253
[MUSIC FADES]

483
00:26:38,384 --> 00:26:41,213
[PANTS]

484
00:26:51,919 --> 00:26:52,920
[GRUNTS]

485
00:26:55,880 --> 00:26:58,360
ANGIOLETTO: Is there anything
I can help you find?

486
00:26:59,231 --> 00:27:01,668
The highest precipice
on the island.

487
00:27:04,540 --> 00:27:05,541
Okay.

488
00:27:06,151 --> 00:27:08,022
Come on.[ENGINE STARTS]

489
00:27:09,197 --> 00:27:13,419
[MELANCHOLIC MUSIC PLAYING][ENGINE REVVING]

490
00:27:14,899 --> 00:27:18,076
You may find what
you are looking for here.

491
00:27:19,033 --> 00:27:20,165
If not,

492
00:27:20,295 --> 00:27:22,863
there is a nice cliff
over there.

493
00:27:23,124 --> 00:27:24,169
[CHUCKLES]

494
00:27:26,867 --> 00:27:30,131
SILENCE AND PRAYER

495
00:27:42,840 --> 00:27:44,406
[MUSIC FADES]

496
00:27:45,494 --> 00:27:46,626
Hello.

497
00:27:48,802 --> 00:27:49,847
It's me.

498
00:27:50,543 --> 00:27:51,979
Fabrizio Favuzzo.

499
00:27:52,980 --> 00:27:55,896
You remember? Uh, <i>Obtusion?</i>

500
00:27:57,376 --> 00:27:58,507
[IN ITALIAN] <i>Nonsense.</i>

501
00:27:58,725 --> 00:27:59,726
<i>The Scream.</i>

502
00:27:59,900 --> 00:28:00,901
[CHUCKLES]

503
00:28:00,988 --> 00:28:02,033
[SPEAKS ITALIAN]

504
00:28:06,211 --> 00:28:07,691
[IN ENGLISH] Maybe not, huh?

505
00:28:09,301 --> 00:28:12,304
My films are totally
forgettable, as am I.

506
00:28:13,000 --> 00:28:13,958
[SIGHS]

507
00:28:15,046 --> 00:28:16,961
But to be shown the heavens

508
00:28:17,396 --> 00:28:19,572
only to be dashed to the rocks

509
00:28:19,703 --> 00:28:23,271
is crueler than any failure
I could direct.

510
00:28:25,143 --> 00:28:27,667
There must be a design for me.

511
00:28:28,842 --> 00:28:32,324
Some grand storyboard.

512
00:28:34,935 --> 00:28:38,243
If there is a way for me
to make this film,

513
00:28:38,330 --> 00:28:42,464
please, please give me a sign.

514
00:28:42,769 --> 00:28:45,946
[ORCHESTRAL RINGTONE PLAYING]

515
00:28:49,863 --> 00:28:50,821
[GASPS]

516
00:28:51,604 --> 00:28:52,692
[IN ITALIAN] Hello.

517
00:28:54,215 --> 00:28:55,260
Ah, Lorella.

518
00:28:56,043 --> 00:28:57,044
Yes...

519
00:28:58,132 --> 00:29:00,308
Yes, I wanted... I wanted...

520
00:29:00,439 --> 00:29:01,440
Mm-hmm?

521
00:29:02,049 --> 00:29:03,529
Yes, but...

522
00:29:04,399 --> 00:29:06,750
Exactly... I wanted...

523
00:29:07,315 --> 00:29:08,316
[SPLUTTERS]

524
00:29:08,403 --> 00:29:10,405
Hello? Hello?

525
00:29:12,407 --> 00:29:14,801
[IN ENGLISH] My wife reminds me
we have a reservation

526
00:29:14,888 --> 00:29:16,324
at Il Bracconiere.

527
00:29:16,629 --> 00:29:17,630
ANGIOLETTO: [IN ITALIAN] Uh-oh!

528
00:29:17,717 --> 00:29:19,458
[IN ENGLISH] I almost forgot.

529
00:29:20,154 --> 00:29:22,026
I have to drop you off,
then I am...

530
00:29:22,113 --> 00:29:23,070
[IN ITALIAN] I'm working...

531
00:29:23,201 --> 00:29:24,985
[IN ENGLISH] ...at the port.
[PANTS]

532
00:29:25,116 --> 00:29:26,204
Ah!

533
00:29:29,337 --> 00:29:30,556
Come on.

534
00:29:33,907 --> 00:29:36,910
[MELANCHOLIC MUSIC PLAYING]

535
00:29:55,450 --> 00:29:56,538
ANGIOLETTO: Fabrizio.

536
00:29:57,365 --> 00:29:59,063
Fabrizio, where are you going?

537
00:29:59,150 --> 00:30:02,980
You said it was this way
to the cliff?

538
00:30:08,942 --> 00:30:09,813
[GRUNTS]

539
00:30:10,726 --> 00:30:11,858
[IN ITALIAN] Sorry.

540
00:30:20,562 --> 00:30:21,868
[ECHOING] Sorry.

541
00:30:26,481 --> 00:30:29,006
[DRAMATIC MUSIC PLAYING]

542
00:30:30,268 --> 00:30:33,184
[JET ENGINE ROARING]

543
00:30:33,314 --> 00:30:35,099
[DRAMATIC MUSIC BUILDS]

544
00:30:35,186 --> 00:30:38,232
[HELICOPTER WHIRRING OVERHEAD]

545
00:30:43,063 --> 00:30:44,935
[BOMBS WHISTLING, BOOMING]

546
00:30:45,022 --> 00:30:48,416
[RAPID GUNFIRE]

547
00:30:54,248 --> 00:30:57,730
[GUNFIRE CONTINUES]

548
00:31:04,302 --> 00:31:09,046
[MUSIC FADES][BIRDS CHIRPING]

549
00:31:13,093 --> 00:31:14,747
Everything alright?

550
00:31:15,661 --> 00:31:18,272
[IN ENGLISH] Angioletto,
it's a sign.

551
00:31:19,752 --> 00:31:23,147
<i>La Madonna</i> has shown me
a miracle.

552
00:31:24,104 --> 00:31:26,324
Nic Cassino will do my film.

553
00:31:27,760 --> 00:31:30,719
But what Nic Cassino?
That was a <i>sosia.</i>

554
00:31:30,894 --> 00:31:31,938
A body double.

555
00:31:32,547 --> 00:31:34,332
Ischia is famous for them.

556
00:31:34,854 --> 00:31:37,117
Did you see how he spoke
to you in Italian?

557
00:31:37,204 --> 00:31:40,991
No, no. No, no, it was him.
I'm sure of it.

558
00:31:43,036 --> 00:31:45,082
It's my destiny.

559
00:31:46,387 --> 00:31:50,478
Everything in my life
has brought me to Ischia.

560
00:31:51,610 --> 00:31:54,047
To find the manuscript.

561
00:31:54,526 --> 00:31:56,876
To cross paths
with the great Nic Cassino.

562
00:31:58,443 --> 00:32:00,924
We must find him. Will you help?

563
00:32:02,795 --> 00:32:04,101
To find another cliff?

564
00:32:09,758 --> 00:32:10,977
[IN ITALIAN] Yes.

565
00:32:11,586 --> 00:32:12,587
[KISSES]

566
00:32:13,197 --> 00:32:14,285
[CHUCKLES SOFTLY]

567
00:32:15,851 --> 00:32:16,852
ANGIOLETTO: <i>Guys...</i>

568
00:32:17,766 --> 00:32:20,160
[IN ENGLISH] Anyone seen
Nic Cassino on the island?

569
00:32:20,247 --> 00:32:22,162
Of course. He's playing
at Cinema delle Vittorie

570
00:32:22,249 --> 00:32:23,468
in Forio for another week

571
00:32:23,555 --> 00:32:24,904
before they close
for the summer.

572
00:32:25,122 --> 00:32:26,123
No.

573
00:32:26,514 --> 00:32:29,213
Not in the cinema.
On the island.

574
00:32:29,430 --> 00:32:32,825
Angioletto,
I saw Sylvester Stallone

575
00:32:32,956 --> 00:32:35,262
- at Ischia Ponte.
- MAN 1: Sylvester Stallone?

576
00:32:35,349 --> 00:32:37,699
[IN ITALIAN] Are you nuts?[CHATTERING IN ITALIAN]

577
00:32:37,830 --> 00:32:38,962
TITINA: Good morning.

578
00:32:39,092 --> 00:32:40,137
MAN 2: Morning, Titina.

579
00:32:40,354 --> 00:32:42,313
[IN ENGLISH] Hi, guys.[MAN 3 SPEAKS ITALIAN]

580
00:32:42,617 --> 00:32:44,184
[IN ENGLISH]
An ice cream. Strawberry.

581
00:32:44,315 --> 00:32:45,620
Hi, Titina.

582
00:32:46,665 --> 00:32:50,495
Titi. What do know
about any celebrities on Ischia?

583
00:32:50,712 --> 00:32:54,151
Oh, besides the fact that
they are ruining the island?

584
00:32:54,325 --> 00:32:58,242
But... but have you seen
anyone lately?

585
00:32:58,851 --> 00:32:59,852
Mm.

586
00:33:00,157 --> 00:33:02,724
There is an American
staying in Zaro.

587
00:33:02,811 --> 00:33:05,771
- At Sabrina Fiorucci's villa.
- ANGIOLETTO: Hmm.

588
00:33:06,380 --> 00:33:07,991
And do you know who it is?

589
00:33:09,557 --> 00:33:10,906
[IN ITALIAN] So what?

590
00:33:11,037 --> 00:33:12,256
[IN ENGLISH] Who gives a shit?

591
00:33:12,343 --> 00:33:14,084
[PATRONS APPLAUD]
MAN: [IN ITALIAN] Well done.

592
00:33:14,171 --> 00:33:15,650
[IN ENGLISH] Thank you, guys!

593
00:33:15,824 --> 00:33:17,739
[CHUCKLES]
TITINA: Bye!

594
00:33:22,396 --> 00:33:26,096
[WHISPERS] Fabrizio.[WHIMSICAL MUSIC PLAYING]

595
00:33:26,531 --> 00:33:27,706
Fabrizio.

596
00:33:29,403 --> 00:33:33,364
- FABRIZIO: Who is it?
- Angioletto. Come outside.

597
00:33:37,759 --> 00:33:38,978
Oh. Come on.

598
00:33:40,327 --> 00:33:41,546
[FABRIZIO SIGHS]

599
00:33:44,549 --> 00:33:45,767
Come on, come on.

600
00:33:48,205 --> 00:33:49,380
[FABRIZIO YAWNS]

601
00:33:50,076 --> 00:33:51,817
He is at Zaro.

602
00:33:52,165 --> 00:33:54,254
Sabrina Fiorucci's villa.

603
00:33:55,821 --> 00:33:58,519
- Who?
- Nic Cassino.

604
00:33:59,390 --> 00:34:00,956
Nic Cassino? Let's go!

605
00:34:01,479 --> 00:34:02,915
[YELPS, GROANS]

606
00:34:03,350 --> 00:34:05,831
Fabrizio, Fabrizio.
Are you all right?

607
00:34:06,310 --> 00:34:08,225
- Yes, yes.
- Okay, listen to me.

608
00:34:08,573 --> 00:34:09,835
There is a problem.

609
00:34:10,357 --> 00:34:12,664
The villa is <i>blindato.</i>
Locked down.

610
00:34:13,056 --> 00:34:15,449
There are walls
and security cameras.

611
00:34:15,623 --> 00:34:17,060
There is no way to get in.

612
00:34:20,933 --> 00:34:22,021
We need a plan.

613
00:34:22,108 --> 00:34:23,109
Yeah.

614
00:34:23,631 --> 00:34:27,331
We need actors. Props.[YAWNS]

615
00:34:27,418 --> 00:34:28,680
Wardrobe.

616
00:34:30,160 --> 00:34:31,987
[IN ITALIAN] Special effects.

617
00:34:34,860 --> 00:34:37,384
[IN ENGLISH]
You need an assistant director.

618
00:34:37,906 --> 00:34:39,343
- Lello!
- Nello.

619
00:34:39,430 --> 00:34:40,518
[SNAPS FINGERS]

620
00:34:43,869 --> 00:34:46,089
[MUSIC FADES]

621
00:34:51,094 --> 00:34:53,139
Mr. Nic,
there is a phone call for you.

622
00:34:53,400 --> 00:34:54,401
Who is it?

623
00:34:54,880 --> 00:34:57,665
Someone named Fabrizio Favuzzo.
He said he is a director.

624
00:34:58,101 --> 00:35:00,277
Who the hell
is Fabrizio Favuzzo?

625
00:35:01,147 --> 00:35:03,280
Who the hell
is Fabrizio Favuzzo?

626
00:35:04,498 --> 00:35:05,847
He said to look out the window.

627
00:35:06,239 --> 00:35:07,240
What?

628
00:35:07,371 --> 00:35:08,720
He said to look out the window.

629
00:35:10,417 --> 00:35:11,418
[SIGHS]

630
00:35:19,948 --> 00:35:24,127
[UPBEAT MUSIC PLAYING]

631
00:35:27,042 --> 00:35:30,133
NIC: What is this?
An episode of <i>Gilligan's Island?</i>

632
00:35:39,359 --> 00:35:40,708
Mr. Cassino!

633
00:35:58,639 --> 00:36:02,513
NIC: So, uh, <i>Maestro--</i>
I mean, <i>Mastro</i> Favuzzo.

634
00:36:02,948 --> 00:36:05,342
I gotta say, I'm not much
of a fan of European cinema.

635
00:36:05,472 --> 00:36:08,649
I find the, uh,
the subtitles distracting.

636
00:36:08,954 --> 00:36:10,347
But what can I do for you?

637
00:36:10,477 --> 00:36:11,652
[CHUCKLES]

638
00:36:12,697 --> 00:36:18,268
It's not what you can do for me.
It's what I can do for you.

639
00:36:19,356 --> 00:36:20,357
Interesting.[SNAPS FINGERS]

640
00:36:24,230 --> 00:36:25,797
I have here

641
00:36:26,189 --> 00:36:30,105
an original script
by Luchino Visconti.

642
00:36:31,019 --> 00:36:35,285
An unedited opera
and neorealistic masterpiece

643
00:36:35,633 --> 00:36:40,420
based on Proust's novel,
<i>AÀ la recherche du temps perdu.</i>

644
00:36:40,507 --> 00:36:43,031
<i>The Search for Lost Time.</i>

645
00:36:43,162 --> 00:36:46,948
An unfinished work
and culmination

646
00:36:47,035 --> 00:36:49,603
of his artistic vision

647
00:36:49,951 --> 00:36:53,955
that has never seen
the light of day.

648
00:36:57,655 --> 00:36:58,743
And?

649
00:36:59,874 --> 00:37:04,357
And I want you to star in it.

650
00:37:04,879 --> 00:37:05,924
Hmm.

651
00:37:08,579 --> 00:37:10,972
- Visconti?
- Yes. Yes.

652
00:37:11,234 --> 00:37:14,889
Maybe you have heard of him?
Um...

653
00:37:15,455 --> 00:37:17,240
<i>Death in Venice?</i>

654
00:37:18,197 --> 00:37:19,242
Can't say that I have.

655
00:37:21,505 --> 00:37:23,158
<i>The Leopard? Il Gattopardo.</i>

656
00:37:24,943 --> 00:37:27,206
Uh, <i>Leopard.</i> Sounds familiar.

657
00:37:30,035 --> 00:37:32,777
<i>Bellissima?</i> Uh, <i>Ossessione?</i>

658
00:37:33,125 --> 00:37:34,039
<i>Senso!</i>

659
00:37:35,083 --> 00:37:37,216
Yeah. Sex films.

660
00:37:38,652 --> 00:37:42,743
Uh, Lello? Hmm. Uh... Um...

661
00:37:43,570 --> 00:37:46,921
<i>Rocco e i suoi fratelli.
Rocky and His Brothers.</i>

662
00:37:47,095 --> 00:37:50,925
- It's a boxing film.
- Ah! Boxing! Boxing film.

663
00:37:51,274 --> 00:37:53,450
Now we're getting somewhere.[CHUCKLES]

664
00:37:53,667 --> 00:37:55,408
- But have you seen it?
- No.

665
00:37:55,974 --> 00:37:57,236
Listen, Favuzzo.

666
00:37:57,367 --> 00:37:59,369
I'm booked solid
for the next ten years

667
00:37:59,456 --> 00:38:01,675
doing blockbusters,
and I'm writing my own film.

668
00:38:01,980 --> 00:38:04,504
But anyway, listen.
I'll give you my agent's number.

669
00:38:04,591 --> 00:38:06,419
No, no.[SCRIBBLING ON PAPER]

670
00:38:08,595 --> 00:38:11,250
And... yeah. Just call me.

671
00:38:12,425 --> 00:38:13,861
- Right.
- At some point.

672
00:38:14,775 --> 00:38:17,387
Okay, uh, but... but--

673
00:38:21,042 --> 00:38:22,696
- Oh, uh, Favuzzo.
- Yeah?

674
00:38:23,001 --> 00:38:24,089
Pleasure meeting you.

675
00:38:24,916 --> 00:38:27,048
- America!
- American.

676
00:38:29,094 --> 00:38:31,357
Uh, good luck with your film.

677
00:38:31,531 --> 00:38:33,664
- Thank you very much.
- NIC: My pleasure.

678
00:38:35,753 --> 00:38:40,192
Hmm. Art films.
No. No. Not happening.

679
00:38:40,366 --> 00:38:44,022
FABRIZIO: He doesn't know
Luchino Visconti.

680
00:38:44,283 --> 00:38:46,329
- NELLO: Incredible.
- NIC: Maurizio.

681
00:38:46,677 --> 00:38:48,983
See if you can find me
a copy of that <i>Rocco</i> movie.

682
00:38:49,070 --> 00:38:52,596
[BOAT ENGINE REVVING]

683
00:39:01,039 --> 00:39:02,214
[SIGHS]

684
00:39:05,609 --> 00:39:07,785
You haven't written a page
in four and a half days.

685
00:39:08,481 --> 00:39:10,657
You wrote <i>Spike</i>
in half that time.

686
00:39:12,267 --> 00:39:13,356
[SIGHS]

687
00:39:15,009 --> 00:39:16,141
Maurizio.

688
00:39:17,229 --> 00:39:21,059
I need a break.
Is there a town around here?

689
00:39:21,407 --> 00:39:22,408
Yes, Mr. Nic.

690
00:39:22,539 --> 00:39:24,541
All right. Let's...
let's get out of here.

691
00:39:25,063 --> 00:39:27,021
Ah. Where's the limo?

692
00:39:27,500 --> 00:39:30,808
No limousines in Ischia,
but we have a minivan instead.

693
00:39:31,243 --> 00:39:34,289
Mm-hmm?
Looks more like a skinny van.

694
00:39:34,899 --> 00:39:35,987
Interesting.

695
00:39:36,422 --> 00:39:39,251
["UN POSTO MIGLIORE" PLAYING]

696
00:39:39,382 --> 00:39:40,644
[VAN DOOR SLIDES OPEN]

697
00:39:42,036 --> 00:39:43,516
[NIC GROANS]

698
00:39:43,647 --> 00:39:46,563
[SINGING IN ITALIAN]

699
00:39:47,215 --> 00:39:48,826
[ENGINE STARTS]

700
00:39:52,220 --> 00:39:53,396
[VAN DOOR CLOSES]

701
00:40:01,882 --> 00:40:03,101
[EXHALES]

702
00:40:30,781 --> 00:40:31,825
NIC: [HESITANTLY] <i>"Torno s..."</i>

703
00:40:31,912 --> 00:40:33,697
I'LL BE BACK TOMORROW

704
00:40:33,784 --> 00:40:34,872
<i>...sebati."</i>

705
00:40:37,614 --> 00:40:38,876
"Next Saturday."

706
00:40:41,182 --> 00:40:44,185
<i>"Torno subito."
Subito</i> not <i>sabato.</i>

707
00:40:44,272 --> 00:40:45,796
It means "right away."

708
00:40:45,926 --> 00:40:48,233
- Hmm.
- TITINA: You don't eat lunch
in America?

709
00:40:48,668 --> 00:40:51,323
Uh, well, I usually start

710
00:40:51,410 --> 00:40:52,759
with breakfast
and a piece of fruit.

711
00:40:52,890 --> 00:40:53,978
Uh...

712
00:40:54,108 --> 00:40:55,806
How'd... how'd you know
I was American?

713
00:40:56,023 --> 00:40:59,853
[SCOFFS] Only Americans
wear boots in summer.

714
00:40:59,984 --> 00:41:00,985
NIC: Hmm.

715
00:41:02,160 --> 00:41:03,161
Interesting.

716
00:41:04,467 --> 00:41:07,339
You don't know who I am.I... I really don't care.

717
00:41:07,426 --> 00:41:10,951
- Unless you're a tourist.
- Well, I played a tourist.

718
00:41:11,169 --> 00:41:12,823
- Uh, in a film.
- TITINA: Hmm?

719
00:41:12,910 --> 00:41:15,216
It was a character
who spoiled a plot

720
00:41:15,303 --> 00:41:16,696
to blow up Saint Peter's...

721
00:41:16,827 --> 00:41:19,046
Uh, Nic Cassino.

722
00:41:19,133 --> 00:41:21,353
Uh, you might recognize me
from film and TV.

723
00:41:21,440 --> 00:41:22,485
- Thanks.
- Hmm.

724
00:41:23,573 --> 00:41:26,706
Oh, yes. I've seen your posters.

725
00:41:27,620 --> 00:41:28,752
But not the movies.

726
00:41:28,882 --> 00:41:32,669
- They are too fantastic for me.
- I guess they are.

727
00:41:32,756 --> 00:41:35,541
Yeah, like a video game
or a cartoon.

728
00:41:36,150 --> 00:41:37,543
Not at all important.

729
00:41:37,630 --> 00:41:39,284
What do you mean, uh, important?

730
00:41:39,371 --> 00:41:40,851
I'LL BE BACK TOMORROW

731
00:41:40,981 --> 00:41:42,200
Just curious.

732
00:41:43,593 --> 00:41:47,205
I mean that important
is like Visconti.

733
00:41:47,771 --> 00:41:50,077
Like <i>Rocco and His Brothers.</i>

734
00:41:50,164 --> 00:41:52,602
About two brothers
who fight over a woman.

735
00:41:53,037 --> 00:41:55,169
Do you know Visconti?

736
00:41:55,430 --> 00:41:58,564
Yeah. Visconti.
He did that, uh, boxing film.

737
00:41:58,651 --> 00:41:59,696
With Rocky.

738
00:42:00,610 --> 00:42:02,481
Yeah. I guess so.

739
00:42:02,612 --> 00:42:04,178
WOMAN: [IN ITALIAN]
<i>What's got into you,
bringing her here?</i>

740
00:42:08,182 --> 00:42:10,054
WOMAN: [CHUCKLES] <i>Pretty?</i>

741
00:42:10,184 --> 00:42:12,665
<i>She's got goose bumps.
She's pale, she's nothing.</i>

742
00:42:14,624 --> 00:42:16,582
ACTOR 1:

743
00:42:17,017 --> 00:42:19,237
<i>Say that again,
if you've got the guts.</i>

744
00:42:21,500 --> 00:42:22,632
[GROANS]

745
00:42:23,894 --> 00:42:25,243
ACTOR 2: <i>Simone, stop!</i>

746
00:42:26,331 --> 00:42:28,028
<i>You're my brother,
I can't help that!</i>

747
00:42:28,681 --> 00:42:31,554
ACTOR 1: <i>Couldn't you
have thought of that before,
that I was your brother?</i>

748
00:42:31,858 --> 00:42:34,687
<i>You only think of that now
'cause you're scared.</i>

749
00:42:34,818 --> 00:42:36,733
[GROANS]
ACTOR 2: <i>No, I'm not scared.</i>

750
00:42:37,342 --> 00:42:40,606
<i>No? Okay, come on, let me see.</i>

751
00:42:40,867 --> 00:42:43,000
[ACTOR 1 GRUNTS][SOBS]

752
00:42:44,523 --> 00:42:46,394
ACTOR 2: <i>Simone, you're crazy!
Someone could come!</i>

753
00:42:46,525 --> 00:42:48,005
ACTOR 1: <i>Out of my way!</i>

754
00:42:48,701 --> 00:42:52,183
NIC: [SOBBING] Oh, Carla...[TRAIN WHISTLE BLOWS]

755
00:42:52,270 --> 00:42:54,968
[SIGHS, GROANS]

756
00:42:56,274 --> 00:42:57,449
[GROANS]

757
00:42:58,015 --> 00:42:59,582
[IN ENGLISH] Sorry, Luigi.

758
00:43:01,584 --> 00:43:06,632
[SOBS] Sorry, Luigi. [SOBBING]

759
00:43:08,634 --> 00:43:12,377
[VIDEO GAME BEEPING][NIC SOBBING]

760
00:43:16,729 --> 00:43:17,817
Thank you.

761
00:43:18,426 --> 00:43:20,254
Thank you. Very nice. Thank you.

762
00:43:23,606 --> 00:43:25,564
[IN ITALIAN] Lorella, wait.

763
00:43:26,260 --> 00:43:28,045
Here is the Parmigiana recipe.

764
00:43:28,262 --> 00:43:30,656
[CHUCKLES]
Thank you, that's so cute!

765
00:43:30,787 --> 00:43:32,353
[IN ENGLISH] You're so kind.

766
00:43:32,440 --> 00:43:34,834
[ORCHESTRAL RINGTONE PLAYING][SIGHS]

767
00:43:36,488 --> 00:43:39,796
Favuzzo speaking.[CHURCH BELLS TOLLING]

768
00:43:43,321 --> 00:43:47,064
[SPLUTTERS] I have to... I...

769
00:43:47,499 --> 00:43:48,543
What?

770
00:43:48,848 --> 00:43:51,459
[BABBLES, SPLUTTERS]

771
00:43:51,764 --> 00:43:53,853
[SPLUTTERS]
Who is it?

772
00:43:54,027 --> 00:43:55,376
[FABRIZIO GROANS]
LORELLA: Who is it?

773
00:43:55,550 --> 00:43:57,422
- Yeah?
- LORELLA: Are you okay?

774
00:43:57,509 --> 00:43:59,772
- NELLO: Who is it?
- Are you okay?

775
00:44:02,906 --> 00:44:04,429
It's Nic Cassino!

776
00:44:04,559 --> 00:44:06,213
[GASPS]
He wants to do your film!

777
00:44:06,518 --> 00:44:09,260
[ALL EXCLAIM]
Exactly!

778
00:44:09,347 --> 00:44:12,045
[UPBEAT MUSIC PLAYING][ALL LAUGH, CHEER]

779
00:44:12,132 --> 00:44:13,960
Yeah, yeah. Sure!

780
00:44:15,962 --> 00:44:17,442
This is fantastic!

781
00:44:18,530 --> 00:44:20,750
[BOTH EXCLAIM, LAUGH]

782
00:44:20,924 --> 00:44:24,101
[ALL CHATTERING HAPPILY]

783
00:44:24,884 --> 00:44:26,059
Don't... don't drink.

784
00:44:26,146 --> 00:44:28,192
Don't drink too much!
Hey. Come on.

785
00:44:28,322 --> 00:44:31,630
[GRUNTS][ALL LAUGH]

786
00:44:32,196 --> 00:44:35,155
Lello! [YELLS, LAUGHS]

787
00:44:35,982 --> 00:44:38,289
Sorry. Sorry again. Sorry.

788
00:44:39,159 --> 00:44:40,508
[PANTS]

789
00:44:41,205 --> 00:44:42,554
[BICYCLE BELL DINGS]

790
00:44:42,685 --> 00:44:43,816
Taxi!

791
00:44:46,645 --> 00:44:48,386
[ENGINE REVVING]

792
00:44:52,477 --> 00:44:53,870
[BUZZES]

793
00:44:56,046 --> 00:44:58,613
[FABRIZIO CLAPS][LOCK CLICKING]

794
00:45:00,877 --> 00:45:02,139
DINO: Cut!

795
00:45:02,226 --> 00:45:04,445
[IN ITALIAN]
Fabrizio, is that you?

796
00:45:04,619 --> 00:45:05,533
[IN ENGLISH] Come on!

797
00:45:06,143 --> 00:45:08,232
[GROANS][EXCLAIMS] Are you all right?

798
00:45:08,362 --> 00:45:10,538
Yeah, come on. [SPEAKS ITALIAN]

799
00:45:10,669 --> 00:45:13,280
And so, my friend.
What brings you to Roma?

800
00:45:13,977 --> 00:45:16,980
- Uh, I have a script.
- DINO: Mm-hmm?

801
00:45:17,328 --> 00:45:21,027
I have Nic Cassino.
I need a producer.

802
00:45:21,158 --> 00:45:24,465
Yeah. And I have
the Johnny Depp, you know?

803
00:45:24,814 --> 00:45:26,772
In the film I'm making
in the back room.

804
00:45:26,859 --> 00:45:28,861
Wait. Johnny!

805
00:45:28,992 --> 00:45:31,516
[DISTANT SIRENS WAILING]

806
00:45:32,212 --> 00:45:33,561
[IN ITALIAN]
Maestro, please tell us.

807
00:45:33,692 --> 00:45:35,346
[IN ENGLISH] Hey.
Nice work in there.

808
00:45:36,173 --> 00:45:37,435
[IN ITALIAN] Thank you, master.

809
00:45:37,565 --> 00:45:39,785
DINO: Well done. [CHUCKLES]

810
00:45:40,699 --> 00:45:43,049
[IN ENGLISH] Dino,
when you told me

811
00:45:43,136 --> 00:45:45,225
you were doing art films... DINO: No.

812
00:45:45,312 --> 00:45:47,271
...I thought--No, no. Stop. Stop.

813
00:45:47,358 --> 00:45:50,970
Fabrizio, no. Not art films.

814
00:45:51,362 --> 00:45:53,756
Hard films. Okay?

815
00:45:54,321 --> 00:45:56,976
My friend, who goes
to see art films? Come on.

816
00:45:57,368 --> 00:45:59,849
Uh, and then again,
what is an art film

817
00:46:00,110 --> 00:46:03,287
if not a kind of soft hard film,
huh? [CHUCKLES]

818
00:46:03,678 --> 00:46:07,378
But what happened
to the ambitious producer

819
00:46:07,465 --> 00:46:08,771
- and director?
- Hmm.

820
00:46:08,901 --> 00:46:11,817
We're going to revive
the glory days

821
00:46:11,904 --> 00:46:13,079
of Italian cinema.

822
00:46:13,384 --> 00:46:16,256
Do you remember our first film?
Cannes!

823
00:46:16,387 --> 00:46:17,997
The Directors' Fortnight.

824
00:46:18,389 --> 00:46:20,913
What happened to those dreams?

825
00:46:21,131 --> 00:46:23,524
Venice? The Gold Lion?

826
00:46:24,090 --> 00:46:26,745
Yeah. But Fabrizio,

827
00:46:27,441 --> 00:46:31,271
now...
now we are old lions. Hmm?

828
00:46:32,229 --> 00:46:34,797
I'm sorry, my friend.
I'm really sorry.

829
00:46:36,668 --> 00:46:38,975
You can say no to me.[CELL PHONE KEYS CLICKING]

830
00:46:39,366 --> 00:46:43,980
But let me see you
say no to him.

831
00:46:45,242 --> 00:46:49,289
[YELLS DRAMATICALLY]

832
00:46:49,681 --> 00:46:51,552
NELLO: <i>Thank you!
Thank you! Great!</i>

833
00:46:51,683 --> 00:46:52,815
<i>My pleasure.</i>

834
00:46:53,728 --> 00:46:55,165
<i>Come on. After you.</i> FABRIZIO: <i>Yes.</i>

835
00:46:55,295 --> 00:46:56,688
[IN ITALIAN]
Are you kidding me?

836
00:46:57,994 --> 00:47:01,084
[IN ENGLISH] That is the best
body double I've ever seen.

837
00:47:01,388 --> 00:47:02,476
[CHUCKLES]

838
00:47:03,826 --> 00:47:05,871
Yeah! <i>Si!</i>

839
00:47:06,437 --> 00:47:08,047
<i>Si! Si!</i>[LAUGHS]

840
00:47:08,178 --> 00:47:11,572
Yeah! [CHUCKLES] Great!

841
00:47:11,790 --> 00:47:12,660
NIC: <i>Morning.</i>

842
00:47:13,836 --> 00:47:14,837
Hi.

843
00:47:17,665 --> 00:47:20,190
If you wish,
- you can also remove your hat.
- NIC: Hmm?

844
00:47:20,277 --> 00:47:22,757
The word in Ischia is you are
no more than a lookalike.

845
00:47:23,541 --> 00:47:24,803
- Huh.
- TITINA: Mm-hmm.

846
00:47:25,021 --> 00:47:26,413
Gotta be careful of the sun.

847
00:47:26,892 --> 00:47:29,764
[SCOFFS] Are you worried
about more wrinkles?

848
00:47:29,852 --> 00:47:32,202
Ah. Good one. I like that.[CHUCKLES]

849
00:47:33,594 --> 00:47:36,771
Fact is, a suntan is the kiss
of death for an actor.

850
00:47:37,120 --> 00:47:40,601
Especially when he's filming.
Messes with continuity.

851
00:47:41,080 --> 00:47:43,213
So, you are making a film
on Ischia?

852
00:47:44,257 --> 00:47:47,434
Yeah, uh, a script by Visconti.

853
00:47:48,392 --> 00:47:49,436
Heard of him?

854
00:47:51,134 --> 00:47:52,613
- Really?
- Mm-hmm.

855
00:47:53,440 --> 00:47:54,746
- Huh?
- NIC: Uh...

856
00:47:55,007 --> 00:47:58,924
Yeah, uh, anyway, my process,
it's... it's complicated.

857
00:47:59,011 --> 00:48:01,057
I like to familiarize myself
with the environment.

858
00:48:01,144 --> 00:48:03,886
Get to know the people,
uh, and the settings.

859
00:48:04,321 --> 00:48:08,978
Uh, I didn't want to say,
but I'm a method actor.

860
00:48:10,153 --> 00:48:11,719
- Method actor?
- Mm-hmm.

861
00:48:12,503 --> 00:48:14,287
If you want a tour,
I recommend...

862
00:48:14,374 --> 00:48:15,419
[IN ITALIAN]
"Tour of the island."

863
00:48:15,985 --> 00:48:18,988
[IN ENGLISH] Hmm. Sounds great.
How do I get to see the island?

864
00:48:20,903 --> 00:48:23,862
- Come with me.
- Great! Let's do it!

865
00:48:24,036 --> 00:48:27,692
[UPBEAT FUNKY MUSIC PLAYING]

866
00:48:29,955 --> 00:48:32,175
[SEAGULLS SQUAWKING]

867
00:48:35,047 --> 00:48:37,615
TITINA: <i>Ischia was born
from the sea</i>

868
00:48:37,702 --> 00:48:40,009
<i>by a volcano shooting
all the way</i>

869
00:48:40,096 --> 00:48:40,966
<i>to the highest point.</i>

870
00:48:42,011 --> 00:48:45,275
Mount Epomeo, nearly 800 meters.

871
00:48:46,102 --> 00:48:47,146
Hmm.

872
00:48:48,234 --> 00:48:50,715
Not gonna get me up there. Nope.

873
00:48:52,847 --> 00:48:56,764
The island is also divided
into six communes,

874
00:48:57,243 --> 00:48:59,071
each with its own mayor,

875
00:48:59,506 --> 00:49:02,945
which is probably
why nothing ever gets done. Hmm.

876
00:49:03,858 --> 00:49:04,859
Ischia was once...

877
00:49:05,556 --> 00:49:07,993
[IN ITALIAN]
A paradise, a green island.

878
00:49:08,776 --> 00:49:09,821
<i>Para...</i>

879
00:49:09,952 --> 00:49:11,170
Paradise.

880
00:49:11,301 --> 00:49:13,651
<i>Paradiso. Paradiso.</i> TITINA: <i>Paradiso.</i>

881
00:49:13,825 --> 00:49:16,393
[IN ENGLISH] Well, it's...
it's still paradise.

882
00:49:17,742 --> 00:49:18,961
Thanks.

883
00:49:20,310 --> 00:49:22,616
Have you ever gone scuba diving?

884
00:49:24,183 --> 00:49:26,881
Scuba diving? Yeah, in a film.

885
00:49:27,534 --> 00:49:30,450
- In a pool with lifeguards.
- TITINA: Hmm?

886
00:49:32,496 --> 00:49:34,498
If you really want
to see Ischia,

887
00:49:35,107 --> 00:49:37,762
the best place is underwater.

888
00:49:38,806 --> 00:49:39,677
Underwater?

889
00:49:40,634 --> 00:49:42,636
- Do you want?
- Yeah.

890
00:49:43,159 --> 00:49:44,203
- Yeah?
- NIC: Yeah.

891
00:49:44,377 --> 00:49:45,291
Come on.

892
00:49:45,465 --> 00:49:48,642
[ETHEREAL MUSIC PLAYING]

893
00:49:54,822 --> 00:49:56,737
[WATER RUSHING][MUSIC FADES]

894
00:49:58,261 --> 00:50:00,567
[PANTS]

895
00:50:01,873 --> 00:50:04,180
- Hey, how are you?
- Sorry about that.

896
00:50:04,702 --> 00:50:06,791
Sometimes I suffer
from claustrophobia.

897
00:50:07,270 --> 00:50:08,227
And, uh...

898
00:50:09,272 --> 00:50:12,057
acrophobia, and thalassophobia.

899
00:50:12,231 --> 00:50:16,714
- Uh, what is thalassophobia?
- It's, uh, fear of the sea.

900
00:50:17,584 --> 00:50:21,066
Oh, I'm so sorry!
Why didn't you tell me?

901
00:50:21,153 --> 00:50:23,068
[SIGHS] I... I forgot.

902
00:50:23,851 --> 00:50:26,941
- What's up with the bubbles?
- Oh, carbon dioxide.

903
00:50:27,290 --> 00:50:29,553
Uh, Ischia is a volcanic island

904
00:50:29,640 --> 00:50:32,773
and the entire Bay of Naples
is a sleeping super-volcano.

905
00:50:32,904 --> 00:50:36,734
Um, when the bubbles rise,
there is activity somewhere.

906
00:50:38,388 --> 00:50:39,867
- Super-volcano?
- Yeah.

907
00:50:42,609 --> 00:50:43,697
Hmm.

908
00:50:49,529 --> 00:50:50,574
[SOFTLY] Ah.

909
00:50:55,318 --> 00:50:58,190
NIC: <i>Fade in.
Exterior, outer space.</i>

910
00:50:58,321 --> 00:50:59,626
<i>Smash cut to...</i>

911
00:51:00,845 --> 00:51:01,933
[CHUCKLES]

912
00:51:02,455 --> 00:51:05,154
<i>...a fiery asteroid is racing
towards Earth</i>

913
00:51:05,284 --> 00:51:07,721
<i>on a collision course
with a super-volcano.</i>

914
00:51:08,896 --> 00:51:11,203
<i>Hmm. Interesting.</i>

915
00:51:12,552 --> 00:51:13,988
[INSTRUMENTAL MUSIC PLAYING]

916
00:51:14,119 --> 00:51:15,425
[IN ITALIAN] Good morning, Nic.

917
00:51:15,555 --> 00:51:16,556
[IN ENGLISH] Something to drink?

918
00:51:16,774 --> 00:51:18,036
[IN ITALIAN]
Coffee, cappuccino, aperitif?

919
00:51:18,254 --> 00:51:20,212
[IN ENGLISH] Yeah, uh,
- the last one. Great.
- NELLO: Okay.

920
00:51:20,343 --> 00:51:21,605
- Come with me. Come with me.
- All right.

921
00:51:21,692 --> 00:51:24,956
Uh, listen, Nic.
We have informed the authorities

922
00:51:25,043 --> 00:51:26,610
that we are using a <i>sosia.</i>

923
00:51:26,740 --> 00:51:29,482
Body double.
No one knows that you are you.

924
00:51:29,613 --> 00:51:31,354
Only Fabrizio and I...

925
00:51:31,745 --> 00:51:34,661
- and you know that you are you.
- Right. Mm-hmm.

926
00:51:34,792 --> 00:51:36,054
And I am Nello.

927
00:51:36,185 --> 00:51:37,751
- Assistant director.
- Nello, Nello.

928
00:51:38,361 --> 00:51:40,058
I was expecting a larger crew.

929
00:51:41,625 --> 00:51:42,843
Where is everyone?

930
00:51:43,017 --> 00:51:46,586
No, no, no. Maestro Favuzzo
prefers a small troupe

931
00:51:46,717 --> 00:51:49,372
so as to adhere
to the minimalistic principles

932
00:51:49,459 --> 00:51:51,113
of the Dogma school, you know?

933
00:51:51,200 --> 00:51:53,637
- Established by Lars von Trier.
- Uh-huh.

934
00:51:54,116 --> 00:51:56,248
Speaking of the, uh, maestro.

935
00:51:56,335 --> 00:51:58,468
Yeah, Maestro Favuzzo. Um...

936
00:51:59,033 --> 00:52:00,165
Fabrizio?

937
00:52:02,559 --> 00:52:04,387
Papa?[KNOCKING ON DOOR]

938
00:52:04,561 --> 00:52:07,259
FABRIZIO: Please![RATTLING, KNOCKING ON DOOR]

939
00:52:07,346 --> 00:52:08,391
FABRIZIO: Please help me!

940
00:52:08,478 --> 00:52:10,436
[BANGING ON DOOR][HANDLE RATTLES]

941
00:52:10,523 --> 00:52:12,525
FABRIZIO: Anybody?[BANGING ON DOOR]

942
00:52:12,699 --> 00:52:14,788
FABRIZIO: I'm locked in![BANGING ON DOOR]

943
00:52:14,875 --> 00:52:17,965
FABRIZIO: Please! Help me!

944
00:52:18,052 --> 00:52:20,490
Many of you have asked me,

945
00:52:20,707 --> 00:52:23,057
"What is the film
we are making?"

946
00:52:24,537 --> 00:52:27,627
I will now tell you!

947
00:52:30,674 --> 00:52:36,419
My film is a loose adaptation
of Marcel Proust's masterpiece,

948
00:52:36,593 --> 00:52:39,552
<i>The Search for Lost Time.</i>

949
00:52:39,683 --> 00:52:42,425
<i>AÀ la recherche du temps perdu</i>

950
00:52:42,729 --> 00:52:46,298
as envisioned by...

951
00:52:47,517 --> 00:52:48,822
Luchino Visconti.

952
00:52:50,781 --> 00:52:54,219
It is a story of captives
and fugitives.

953
00:52:54,350 --> 00:52:57,657
Of Sodom and Gomorrah.

954
00:52:58,136 --> 00:53:02,619
Of past, present, and future!
Of love...

955
00:53:03,707 --> 00:53:05,274
and perversion.

956
00:53:06,884 --> 00:53:09,321
For the role of Albertina,

957
00:53:10,235 --> 00:53:11,932
the love interest,

958
00:53:12,194 --> 00:53:15,632
we have my lovely
and talented daughter, Ombretta.

959
00:53:16,023 --> 00:53:20,158
[ALL APPLAUD]

960
00:53:20,245 --> 00:53:22,639
FABRIZIO:
And for the role of Marcello,

961
00:53:23,074 --> 00:53:24,858
we have engaged the services

962
00:53:24,945 --> 00:53:28,035
of the most capable actor
from America who,

963
00:53:28,122 --> 00:53:31,169
if he's not actually
Nic Cassino,

964
00:53:31,256 --> 00:53:34,259
is his long-lost twin.

965
00:53:35,173 --> 00:53:37,306
[ALL APPLAUD]
Whoo!

966
00:53:37,567 --> 00:53:38,698
Nic.

967
00:53:38,829 --> 00:53:40,657
What's with the... the suitcase?

968
00:53:41,397 --> 00:53:44,487
[CHUCKLES] The suitcase.

969
00:53:46,184 --> 00:53:47,664
The suitcase

970
00:53:48,230 --> 00:53:51,755
is the accumulated baggage
of your past,

971
00:53:51,842 --> 00:53:54,497
that which we all carry.

972
00:53:56,150 --> 00:53:59,066
Genius. Love it. Oh, uh...

973
00:53:59,545 --> 00:54:01,155
- FABRIZIO: Yes?
- The script.

974
00:54:02,244 --> 00:54:05,812
[ALL MURMURING]
There is no script.

975
00:54:05,899 --> 00:54:06,944
Huh?

976
00:54:07,858 --> 00:54:10,121
We improvise!

977
00:54:10,252 --> 00:54:12,210
[BRIGHT MUSIC PLAYING]

978
00:54:12,297 --> 00:54:15,344
- Huh?
- And action!

979
00:54:15,431 --> 00:54:17,259
[ALL APPLAUDING][LAUGHS]

980
00:54:17,346 --> 00:54:21,654
In this scene, Marcello
has decided to return to Balbec,

981
00:54:21,915 --> 00:54:24,309
on the seaside, with Albertina.

982
00:54:24,396 --> 00:54:27,878
Here, grief
at his grandmother's suffering

983
00:54:28,357 --> 00:54:29,880
overwhelms him.

984
00:54:30,402 --> 00:54:33,710
He ponders
the intermittencies of the heart

985
00:54:34,145 --> 00:54:37,322
and the ways of dealing
with sad memories.

986
00:54:37,409 --> 00:54:40,499
And so, without further <i>adieu.</i>

987
00:54:41,021 --> 00:54:42,022
Slate!

988
00:54:43,676 --> 00:54:44,982
[IN ITALIAN] Background...

989
00:54:45,069 --> 00:54:46,810
- [IN ENGLISH] And action!
- Wait, wait, wait.

990
00:54:47,332 --> 00:54:49,813
- Cut, cut, cut.
- Is there dialogue in this scene?

991
00:54:50,248 --> 00:54:52,598
- Of course.
- So where's the sound mixer?

992
00:54:52,772 --> 00:54:55,253
FABRIZIO: There is none.
We film now.

993
00:54:55,340 --> 00:54:57,560
Later we dub the voices.

994
00:54:57,908 --> 00:55:00,258
As in the European tradition.

995
00:55:00,780 --> 00:55:03,348
Well, that's great,
but for the cameras...

996
00:55:04,218 --> 00:55:06,003
how do we use our mouths?

997
00:55:06,264 --> 00:55:07,744
- FABRIZIO: Count.
- Count?

998
00:55:07,831 --> 00:55:08,919
Just count.

999
00:55:09,398 --> 00:55:10,877
[IN ITALIAN] Background...

1000
00:55:11,051 --> 00:55:12,357
[IN ENGLISH] And action!

1001
00:55:12,879 --> 00:55:14,054
NIC: One.

1002
00:55:14,620 --> 00:55:15,621
Two.

1003
00:55:17,101 --> 00:55:18,276
Three.

1004
00:55:19,059 --> 00:55:21,148
- Four.
- OMBRETTA: [IN ITALIAN] One.

1005
00:55:21,323 --> 00:55:23,455
Two. Three.

1006
00:55:23,629 --> 00:55:25,588
[IN ENGLISH] Five, six![CAMERA WHIRRING]

1007
00:55:26,153 --> 00:55:27,546
OMBRETTA: [IN ITALIAN]
Six, seven.

1008
00:55:28,721 --> 00:55:30,941
[IN ENGLISH] Six, seven![SOBS]

1009
00:55:31,071 --> 00:55:33,117
[IN ITALIAN] Eight.[NIC GROANS]

1010
00:55:33,683 --> 00:55:35,467
Nine. <i>Mamma mia!</i>

1011
00:55:36,990 --> 00:55:38,862
[SOBS] And ten!

1012
00:55:38,992 --> 00:55:40,559
FABRIZIO:
[IN ENGLISH] Cut, cut, cut!

1013
00:55:40,690 --> 00:55:43,345
No, no, no!
You are overcounting!

1014
00:55:44,215 --> 00:55:47,044
I will not stand
for overcounting on my set.

1015
00:55:47,131 --> 00:55:49,481
- No divas.
- LORELLA: She was fantastic!

1016
00:55:49,699 --> 00:55:52,354
[YELLS, SIGHS]

1017
00:55:52,919 --> 00:55:54,704
Too much! Again!

1018
00:55:56,096 --> 00:55:57,576
Seven was good.

1019
00:55:57,794 --> 00:56:01,537
Eight, so and so.
Ten is too much! Please, again!

1020
00:56:04,061 --> 00:56:05,323
[SIGHS]

1021
00:56:10,459 --> 00:56:12,504
JACK: [OVER PHONE]
<i>A film? Are you nuts?</i>

1022
00:56:12,635 --> 00:56:14,288
<i>How come I don't know
anything about a film?</i>

1023
00:56:14,376 --> 00:56:16,595
Uh, it's a...
it's an art film, Jack,

1024
00:56:16,682 --> 00:56:18,597
by that acclaimed
Italian director.

1025
00:56:18,858 --> 00:56:23,123
You know the guy, uh, uh...
Fabrizio Fravuzzo.

1026
00:56:23,210 --> 00:56:24,647
He scored the rights to, uh,

1027
00:56:24,777 --> 00:56:27,693
Luchino Visconti's
unfinished masterpiece.

1028
00:56:27,867 --> 00:56:30,217
The point is, we're gonna finish
the unfinished masterpiece

1029
00:56:30,348 --> 00:56:34,178
and turn it into a masterpiece.
Jack, I'm feeling...

1030
00:56:36,441 --> 00:56:38,443
I'm feeling rejuvenated, Jack.

1031
00:56:38,922 --> 00:56:41,881
JACK: <i>The word is "senile."
Did they even talk money?</i>

1032
00:56:43,666 --> 00:56:45,015
I'll get it on the back end.

1033
00:56:45,755 --> 00:56:48,932
JACK: <i>Let's hope you don't.</i> What? Yeah. Uh...

1034
00:56:49,628 --> 00:56:50,847
Whatever. Um...

1035
00:56:51,195 --> 00:56:53,197
I'm exercising,
I'm eating right.

1036
00:56:53,545 --> 00:56:55,329
Uh, I'm not drinking.

1037
00:56:55,417 --> 00:56:59,725
[INDISTINCT CHATTER]

1038
00:57:00,857 --> 00:57:01,945
Fabrizio.

1039
00:57:03,207 --> 00:57:04,861
Is it true? There is no script?

1040
00:57:06,863 --> 00:57:09,082
There is and there isn't.

1041
00:57:09,953 --> 00:57:12,303
I have Visconti's
shooting notes.

1042
00:57:13,565 --> 00:57:15,437
But, uh... But?

1043
00:57:16,742 --> 00:57:18,614
Only for half the film.

1044
00:57:20,137 --> 00:57:21,268
So how does it end?

1045
00:57:21,921 --> 00:57:22,966
Abruptly.

1046
00:57:23,053 --> 00:57:24,315
DINO: Abruptly? <i>Si.</i>

1047
00:57:24,402 --> 00:57:27,405
No! How do we finish the film?

1048
00:57:28,101 --> 00:57:29,146
Dino.

1049
00:57:29,276 --> 00:57:31,061
I will jump off that bridge

1050
00:57:31,148 --> 00:57:32,758
- when I come to it.
- Uh.

1051
00:57:33,063 --> 00:57:34,586
NIC: Awesome, yes.

1052
00:57:35,761 --> 00:57:39,025
Until then,
we have the great Nic Cassino.

1053
00:57:42,594 --> 00:57:45,771
NIC: Jack. Jack.
Just... just relax, all right?

1054
00:57:45,858 --> 00:57:47,686
Just take it easy.

1055
00:57:48,644 --> 00:57:51,473
I got this, Jack.
I got four words for you,

1056
00:57:51,908 --> 00:57:57,391
Nic Cassino is back!

1057
00:57:57,522 --> 00:58:00,482
["MACHINE GUN" PLAYING]

1058
00:58:05,399 --> 00:58:06,618
[EXHALES]

1059
00:58:21,633 --> 00:58:23,461
- Mr. Nic!
- Mr. Nic!

1060
00:58:23,592 --> 00:58:28,031
This scene
is about involuntary memory...

1061
00:58:28,118 --> 00:58:29,728
[SOBS LOUDLY]

1062
00:58:31,469 --> 00:58:32,949
[NIC AND OMBRETTA SOB]

1063
00:58:33,036 --> 00:58:34,646
[SONG CONTINUES]

1064
00:58:47,311 --> 00:58:50,967
[GROANS]

1065
00:58:51,881 --> 00:58:53,099
[EXHALES SHARPLY]

1066
00:58:54,361 --> 00:58:56,755
[YELPS PLAYFULLY][CHUCKLES]

1067
00:59:02,456 --> 00:59:04,850
FABRIZIO:
This scene is about anxiety

1068
00:59:04,937 --> 00:59:07,984
and how it leads
to manipulation.

1069
00:59:08,114 --> 00:59:10,682
[LORELLA SQUEALS, SHRIEKS]

1070
00:59:17,515 --> 00:59:20,257
Slate and action!

1071
00:59:23,521 --> 00:59:24,522
[NIC GRUNTS]

1072
00:59:33,575 --> 00:59:37,796
"Story by Nic Cassino.
Untitled action film."

1073
00:59:38,014 --> 00:59:42,148
And this scene
is about the nature of art

1074
00:59:42,235 --> 00:59:45,587
and how drunkenness
affects perception.

1075
00:59:45,891 --> 00:59:47,023
Slate!

1076
00:59:48,372 --> 00:59:50,417
And... action!

1077
00:59:52,115 --> 00:59:55,074
[SONG CONTINUES]

1078
01:00:04,736 --> 01:00:08,435
[PANTS]

1079
01:00:11,047 --> 01:00:14,441
[YELLS DRAMATICALLY]

1080
01:00:14,790 --> 01:00:18,141
Yes!

1081
01:00:22,014 --> 01:00:23,320
I'm back.

1082
01:00:25,801 --> 01:00:26,976
I'm back.

1083
01:00:27,846 --> 01:00:30,414
The great Nic Cassino.[GROANS]

1084
01:00:30,501 --> 01:00:31,807
[SONG FADES]

1085
01:00:31,894 --> 01:00:35,288
- Beautiful place.
- Oh, yes. [CHUCKLES]

1086
01:00:35,941 --> 01:00:39,292
Is it true that you made love
to five women at one time?

1087
01:00:40,642 --> 01:00:42,426
Physically impossible. No.

1088
01:00:43,296 --> 01:00:46,778
Then it was five women
consecutively?

1089
01:00:48,519 --> 01:00:52,175
I'm more of a sprinter
than an endurance guy.

1090
01:00:53,524 --> 01:00:57,659
Then it was one woman
for five hours?

1091
01:00:59,138 --> 01:01:01,532
- I think that was Sting.
- Uh--

1092
01:01:01,837 --> 01:01:04,013
- Where's my guys?
- OMBRETTA: I can drive you home.

1093
01:01:04,622 --> 01:01:05,623
If you want.

1094
01:01:06,755 --> 01:01:09,366
We can go rehearse our scenes
for tomorrow.

1095
01:01:11,716 --> 01:01:14,284
The... big screen kiss.

1096
01:01:15,067 --> 01:01:17,896
- Hmm?
- The big screen kiss.

1097
01:01:18,288 --> 01:01:20,464
Ah. Yes.

1098
01:01:20,986 --> 01:01:24,729
Well, as an actor,
I like to keep things fresh.

1099
01:01:26,252 --> 01:01:27,253
Maurizio.

1100
01:01:28,124 --> 01:01:29,473
Fire up the skinny van.

1101
01:01:30,126 --> 01:01:31,344
Bedtime for Bonzo.

1102
01:01:31,997 --> 01:01:34,130
See you tomorrow. Good night.

1103
01:01:37,350 --> 01:01:38,787
[CLEARS THROAT]

1104
01:01:51,974 --> 01:01:55,891
FABRIZIO: Marcello has been
spending time with Albertina,

1105
01:01:56,021 --> 01:01:59,372
whom he now suspects
of lesbianism,

1106
01:01:59,938 --> 01:02:04,421
then tells his mother
he must marry Albertina.

1107
01:02:04,769 --> 01:02:08,555
Here our protagonists give way

1108
01:02:08,642 --> 01:02:12,385
to their sad
and unconsummated love.

1109
01:02:13,299 --> 01:02:14,300
[IN ITALIAN] Background...

1110
01:02:14,953 --> 01:02:16,650
[IN ENGLISH] And... action!

1111
01:02:17,173 --> 01:02:18,652
[CAMERA WHIRRING]

1112
01:02:23,745 --> 01:02:25,529
Cut! Works for me.[WHIRRING STOPS]

1113
01:02:26,704 --> 01:02:28,706
- DINO: The gate is clean.
- NELLO: Okay, moving on.

1114
01:02:28,793 --> 01:02:30,752
No. Was not good for me.

1115
01:02:31,709 --> 01:02:33,319
I want another take.

1116
01:02:34,799 --> 01:02:38,237
- But we have to change location.
- OMBRETTA: Was no good.

1117
01:02:39,064 --> 01:02:40,936
It, um, didn't, um...

1118
01:02:41,545 --> 01:02:44,156
feel true. One more take!

1119
01:02:44,809 --> 01:02:45,810
[IN ITALIAN] Okay, okay.

1120
01:02:46,071 --> 01:02:48,073
- [IN ENGLISH] One more, please.
- One more take.

1121
01:02:48,204 --> 01:02:49,640
- Okay, one more.
- NIC: All right.

1122
01:02:49,771 --> 01:02:52,730
FABRIZIO: Please. Thank you.
One more. Again!

1123
01:02:53,296 --> 01:02:54,297
DINO: Okay.

1124
01:02:56,908 --> 01:02:58,040
[NIC SIGHS]

1125
01:02:58,867 --> 01:03:01,826
Uh, what about, uh, continuity?
Wasn't...

1126
01:03:02,653 --> 01:03:04,916
Doesn't matter. Okay? Okay.

1127
01:03:05,003 --> 01:03:06,483
[IN ITALIAN] Background...

1128
01:03:06,613 --> 01:03:08,180
[IN ENGLISH] And... action!

1129
01:03:08,311 --> 01:03:09,791
[CAMERA WHIRRING]

1130
01:03:11,314 --> 01:03:13,838
[CREW MURMURING]

1131
01:03:13,969 --> 01:03:16,014
[CREW EXCLAIMING]
NIC: Hey! Relax!

1132
01:03:16,101 --> 01:03:17,233
[IN ITALIAN] What is she doing?

1133
01:03:17,363 --> 01:03:18,321
NIC: [IN ENGLISH] Relax!

1134
01:03:18,408 --> 01:03:20,540
[CREW EXCLAIM]
NELLO: Stop! Stop!

1135
01:03:20,671 --> 01:03:22,325
[OVERLAPPING CHATTER]

1136
01:03:22,455 --> 01:03:24,806
["DO ME ALL NIGHT" PLAYING]
Relax, relax!

1137
01:03:24,936 --> 01:03:27,025
Cut! Cut, Dino! Cut!

1138
01:03:27,504 --> 01:03:28,853
[NIC EXCLAIMS]

1139
01:03:29,419 --> 01:03:33,553
[CREW YELL]

1140
01:03:33,684 --> 01:03:35,555
[INDISTINCT CHATTER]
LORELLA: Stop it!

1141
01:03:35,686 --> 01:03:37,035
NIC: The brakes!

1142
01:03:37,166 --> 01:03:39,472
FABRIZIO: The brakes![SHRIEKS]

1143
01:03:43,346 --> 01:03:44,608
NIC: Whoa!

1144
01:03:47,350 --> 01:03:48,960
[ANGIOLETTO YELLING]

1145
01:03:49,091 --> 01:03:50,179
No!

1146
01:03:52,311 --> 01:03:54,357
Stop![TIRES SCREECHING]

1147
01:03:55,053 --> 01:03:57,099
[ALL SCREAM]

1148
01:03:58,100 --> 01:04:01,407
[INDISTINCT CHATTER]

1149
01:04:02,365 --> 01:04:05,368
[OMBRETTA SIGHS][STRAINS, GRUNTS]

1150
01:04:05,629 --> 01:04:07,065
[IN ITALIAN] Push harder!

1151
01:04:07,239 --> 01:04:08,850
[CONTINUES STRAINING]

1152
01:04:09,981 --> 01:04:13,071
[PANTS]

1153
01:04:15,117 --> 01:04:17,119
The little fake saint!

1154
01:04:17,728 --> 01:04:21,123
[CONTINUES PANTING, STRAINING]

1155
01:04:25,518 --> 01:04:27,825
FILOMENA:
Don't think about that.

1156
01:04:28,130 --> 01:04:30,915
[CONTINUES IN ITALIAN]

1157
01:04:31,046 --> 01:04:32,569
[IN ENGLISH]
It's okay. It's okay.

1158
01:04:33,962 --> 01:04:34,963
[WHISPERS IN ITALIAN]

1159
01:04:38,923 --> 01:04:41,230
[NIC STRAINS][FILOMENA EXCLAIMS]

1160
01:04:41,447 --> 01:04:42,971
What the heck are you doing?

1161
01:04:43,101 --> 01:04:44,755
[IN ENGLISH] Hey, hey! Relax!

1162
01:04:44,842 --> 01:04:46,061
[IN ITALIAN]
Mind your own business!

1163
01:04:46,235 --> 01:04:47,758
Did you jump on him?

1164
01:04:47,889 --> 01:04:49,891
[IN ENGLISH] Hey! Relax!

1165
01:04:50,239 --> 01:04:51,327
[IN ITALIAN]
Mind your own business!

1166
01:04:51,588 --> 01:04:53,111
[IN ENGLISH] Take it easy,
big fella. Just relax.

1167
01:04:53,372 --> 01:04:57,115
[IN ITALIAN]
What the heck do you want?
This idiot, this gorilla!

1168
01:04:57,594 --> 01:04:58,682
[IN ENGLISH] What'd you call me?

1169
01:04:59,596 --> 01:05:03,382
I said you are nothing more
than an insensitive brute.

1170
01:05:03,687 --> 01:05:06,298
A punch-drunk gorilla.

1171
01:05:06,472 --> 01:05:09,301
[GROANS]
FILOMENA: Nello! No, no, no!

1172
01:05:09,388 --> 01:05:11,086
You shouldn't have
said that to me!

1173
01:05:11,216 --> 01:05:13,349
- Easy, easy!
- Shouldn't have said that to me!

1174
01:05:13,479 --> 01:05:15,133
You shouldn't have
called me that!

1175
01:05:16,787 --> 01:05:19,050
Easy, calm down! Calm down.

1176
01:05:20,573 --> 01:05:21,531
I'm sorry.

1177
01:05:21,618 --> 01:05:22,793
[IN ITALIAN] Go away!

1178
01:05:23,054 --> 01:05:24,273
LORELLA: [IN ENGLISH]
- Do something!
- I'm sorry!

1179
01:05:24,403 --> 01:05:26,014
[FABRIZIO GASPS]
Easy, easy!

1180
01:05:26,579 --> 01:05:27,885
DINO: What have you done?

1181
01:05:30,453 --> 01:05:31,889
[PANTS]

1182
01:05:32,063 --> 01:05:33,760
- [IN ITALIAN] What are you doing?
- Go away!

1183
01:05:34,370 --> 01:05:36,807
LORELLA: [IN ENGLISH]
Are you okay? Are you okay?

1184
01:05:41,333 --> 01:05:43,945
NIC: My old man was the reason
I got into acting.

1185
01:05:45,163 --> 01:05:47,949
My father. <i>Capisce?</i>

1186
01:05:48,775 --> 01:05:53,606
Oh. Father.
Understand. <i>Capisce.</i> Father.

1187
01:05:56,609 --> 01:05:58,176
[WAVES LAPPING]

1188
01:06:00,613 --> 01:06:01,745
[IN ITALIAN] Where is he?

1189
01:06:02,615 --> 01:06:03,877
Over there.

1190
01:06:04,530 --> 01:06:06,054
WOMAN: What happened?

1191
01:06:15,802 --> 01:06:17,413
NIC: [IN ENGLISH]
My dad, he was a...

1192
01:06:17,543 --> 01:06:18,544
[PHONE BEEPS SOFTLY]

1193
01:06:18,631 --> 01:06:20,590
NIC: He was a janitor. Smart.

1194
01:06:21,286 --> 01:06:22,244
Cultured.

1195
01:06:23,288 --> 01:06:24,246
Really cultured.

1196
01:06:25,595 --> 01:06:28,076
He couldn't read
but he'd take us to the movies.

1197
01:06:29,338 --> 01:06:32,341
That was his library.
Barely speak English.

1198
01:06:33,385 --> 01:06:36,432
He'd say, "No, no,
no, no, no, no, no, no, no."

1199
01:06:38,608 --> 01:06:39,913
"If you can't feel it here,

1200
01:06:40,697 --> 01:06:43,439
and it doesn't make you cry
just... just a little...

1201
01:06:44,701 --> 01:06:46,007
the words don't matter."

1202
01:06:47,834 --> 01:06:49,401
[GROANS] I was nine
when he died.

1203
01:06:49,880 --> 01:06:51,229
I didn't cry at the funeral.

1204
01:06:52,187 --> 01:06:53,623
That's what my brother told me.

1205
01:06:55,146 --> 01:06:57,844
Said I didn't have
a sensitive bone in my body.

1206
01:06:59,324 --> 01:07:00,934
That's when I took up fighting.

1207
01:07:05,374 --> 01:07:06,940
My brother was smart.

1208
01:07:08,986 --> 01:07:10,031
Really smart.

1209
01:07:11,249 --> 01:07:13,164
And kids used to beat up on him.

1210
01:07:14,861 --> 01:07:15,862
Tease him.

1211
01:07:17,821 --> 01:07:20,041
And I used to beat
the livin' crap out of 'em.

1212
01:07:23,174 --> 01:07:24,349
We were close.

1213
01:07:25,568 --> 01:07:28,614
Nothin'... nothin'
could get in between us.

1214
01:07:32,140 --> 01:07:33,663
Not... not love.

1215
01:07:34,925 --> 01:07:35,926
Certainly not love.

1216
01:07:38,624 --> 01:07:39,712
[GROANS SOFTLY]

1217
01:07:43,238 --> 01:07:48,634
[SNIFFLES, SOBS][SOFT MUSIC PLAYING]

1218
01:07:50,419 --> 01:07:52,725
[NIC SNIFFLING]

1219
01:07:53,465 --> 01:07:56,686
[CONTINUES SOBBING][TITINA SCOFFS]

1220
01:07:58,383 --> 01:07:59,558
TITINA: Zi Isidoro.

1221
01:08:00,646 --> 01:08:05,608
[WEEPS, SNIFFLES, BLUBBERS]

1222
01:08:07,479 --> 01:08:09,916
[WEEPING CONTINUES]

1223
01:08:10,874 --> 01:08:13,616
[CRYING]
Luigi, I'm so sorry!

1224
01:08:15,052 --> 01:08:18,577
I didn't... [SOBS]
I didn't mean to do...

1225
01:08:20,013 --> 01:08:21,014
[SOBS]

1226
01:08:22,886 --> 01:08:24,583
[SNIFFLES, INHALES]

1227
01:08:26,585 --> 01:08:27,673
[NIC GROANS]

1228
01:08:28,587 --> 01:08:30,502
I sent Zi Isidoro home
to his wife.

1229
01:08:32,548 --> 01:08:34,985
Don't worry.
Your secrets are safe.

1230
01:08:36,073 --> 01:08:37,770
He doesn't understand
a word of English.

1231
01:08:41,948 --> 01:08:42,993
Carmela!

1232
01:08:43,211 --> 01:08:44,951
[IN ITALIAN] Two coffees, quick!

1233
01:08:45,474 --> 01:08:46,518
[GROANS]

1234
01:08:54,787 --> 01:08:57,399
NIC: [IN ENGLISH] So, uh,
what's your story anyway?

1235
01:08:57,486 --> 01:08:59,314
Why aren't you
married or engaged?

1236
01:09:01,098 --> 01:09:02,099
Um...

1237
01:09:03,840 --> 01:09:06,495
My fiancé works
on Costa Caribbean.

1238
01:09:07,191 --> 01:09:09,062
He is studying
to become a captain.

1239
01:09:09,324 --> 01:09:11,108
- Hmm.
- TITINA: He has ambitions.

1240
01:09:11,630 --> 01:09:13,415
He has plans for his career.

1241
01:09:13,545 --> 01:09:16,635
Mm-hmm. But...
but he doesn't have you.

1242
01:09:20,770 --> 01:09:22,337
We see each other
when he comes back.

1243
01:09:23,120 --> 01:09:25,427
[TITINA GRUNTS]
Here, it's normal.

1244
01:09:25,601 --> 01:09:27,516
- Mm-hmm?
- In Ischia...

1245
01:09:27,646 --> 01:09:33,478
...you either work in tourism
or <i>imbarcare...</i> sail.

1246
01:09:33,739 --> 01:09:37,134
- NIC: Mm-mm.
- My father was at sea
when I was born.

1247
01:09:38,353 --> 01:09:41,530
And my mother raised us
to be independent.

1248
01:09:43,227 --> 01:09:45,795
But I did miss my father.

1249
01:09:46,491 --> 01:09:48,145
Yeah. [INHALES DEEPLY]

1250
01:09:48,406 --> 01:09:51,409
Sometimes ships bring
families together,

1251
01:09:51,627 --> 01:09:53,455
sometimes they keep them apart.

1252
01:09:54,543 --> 01:09:57,067
Hmm. Sounds familiar.

1253
01:09:58,503 --> 01:10:01,506
Except my ship's the Titanic
and my wife's the iceberg.

1254
01:10:01,985 --> 01:10:03,726
[BOTH CHUCKLE]
Remember that scene

1255
01:10:04,030 --> 01:10:05,728
when the ship
heaves out of the water,

1256
01:10:05,858 --> 01:10:07,425
and looks like
a giant skyscraper,

1257
01:10:07,512 --> 01:10:09,253
and you got
these tiny little people

1258
01:10:09,340 --> 01:10:11,995
that look like ants and they're
falling into the abyss below?

1259
01:10:12,125 --> 01:10:15,781
[INHALES SHARPLY]
Talk about a multiphobic ending.

1260
01:10:16,565 --> 01:10:20,003
[LAUGHS SOFTLY] For someone
who has saved the world

1261
01:10:20,090 --> 01:10:23,572
from certain destruction
so many times,

1262
01:10:23,702 --> 01:10:25,269
you... you have many phobias.

1263
01:10:25,443 --> 01:10:27,184
Yeah, I do. Lots.[TITINA CHUCKLES SOFTLY]

1264
01:10:29,230 --> 01:10:31,928
But... you wanna know
what my biggest fear is?

1265
01:10:32,320 --> 01:10:35,366
It's not...
[INHALES SHARPLY, SIGHS]

1266
01:10:35,497 --> 01:10:39,065
...physical danger,
real or imagined.

1267
01:10:40,632 --> 01:10:42,199
The scariest thing for me is...

1268
01:10:42,852 --> 01:10:46,203
[SIGHS]
...not being taken seriously.

1269
01:10:47,813 --> 01:10:50,294
That's why I'm doing this film.
To prove to the world I can act.

1270
01:10:50,381 --> 01:10:52,775
That I'm not some
glorified meathead or...

1271
01:10:53,384 --> 01:10:55,691
some broken-down stuntman.

1272
01:10:58,041 --> 01:11:01,262
You know? [MURMURS]
It's impossible.

1273
01:11:03,089 --> 01:11:05,788
Because you are
the great Nic Cassino.

1274
01:11:06,441 --> 01:11:07,833
No, seriously.

1275
01:11:08,225 --> 01:11:12,185
You are larger than life.
You... you really are big.

1276
01:11:13,012 --> 01:11:16,277
Yeah, I guess.
IMDb has me down at...

1277
01:11:17,452 --> 01:11:18,888
6'3." I'm actually 6'2."

1278
01:11:19,845 --> 01:11:22,021
When I got to Hollywood,
I was shocked.

1279
01:11:22,326 --> 01:11:24,546
The actors,
they're kinda small.

1280
01:11:25,068 --> 01:11:26,243
Like, kinda like... Hmm?

1281
01:11:26,548 --> 01:11:28,811
Well, I don't wanna say,
but kinda like jockeys.

1282
01:11:29,464 --> 01:11:33,946
- Jockeys? What?
- Yeah. Like a...
like a small person.

1283
01:11:34,338 --> 01:11:35,513
- Oh.
- NIC: But not really.

1284
01:11:35,644 --> 01:11:37,080
It is...

1285
01:11:40,605 --> 01:11:42,912
[SOFT MUSIC PLAYING]

1286
01:11:43,478 --> 01:11:44,435
Sorry.

1287
01:11:52,356 --> 01:11:53,575
Sorry.

1288
01:12:05,326 --> 01:12:07,371
[SIGHS] Wow.

1289
01:12:08,590 --> 01:12:09,547
NIC: Mmm.

1290
01:12:10,635 --> 01:12:12,594
I guess all that training
came in handy.

1291
01:12:16,249 --> 01:12:17,250
[NIC CHUCKLES]

1292
01:12:23,126 --> 01:12:24,214
TITINA: You write by hand?

1293
01:12:26,129 --> 01:12:27,130
NIC: Yeah.

1294
01:12:27,652 --> 01:12:29,175
Something about writing
with a pencil

1295
01:12:29,306 --> 01:12:31,569
and a piece of paper
that makes it more real.

1296
01:12:33,223 --> 01:12:35,747
Like a Michelangelo sketch.

1297
01:12:37,009 --> 01:12:38,271
So, you are creating
a masterpiece.

1298
01:12:38,750 --> 01:12:39,925
I wouldn't say a masterpiece.[CHUCKLES]

1299
01:12:40,186 --> 01:12:43,015
It's more of a...
an apocalyptic disaster film.

1300
01:12:43,146 --> 01:12:44,190
End-of-the-world stuff.

1301
01:12:44,365 --> 01:12:47,368
Why do Americans like
these kind of movies?

1302
01:12:50,109 --> 01:12:51,110
I don't know.

1303
01:12:52,764 --> 01:12:54,766
Maybe it gives them
a sense of hope.

1304
01:12:54,897 --> 01:12:57,116
Like truth, justice,
the American way.

1305
01:12:57,682 --> 01:12:58,640
Who said that?

1306
01:12:58,944 --> 01:12:59,989
Superman.

1307
01:13:00,163 --> 01:13:01,556
- Hollywood's first action hero.
- Superman.

1308
01:13:01,643 --> 01:13:03,253
Around the world
in a single bound.

1309
01:13:03,384 --> 01:13:04,863
[LAUGHS] Yeah.

1310
01:13:07,126 --> 01:13:08,345
What's your excuse?

1311
01:13:10,782 --> 01:13:11,783
For what?

1312
01:13:13,002 --> 01:13:16,092
Not flying around the world
in a single bound?

1313
01:13:17,528 --> 01:13:20,226
Why didn't you, um,
sail with your fiancé?

1314
01:13:24,883 --> 01:13:27,016
Giosy asked me to go with him.

1315
01:13:28,626 --> 01:13:29,888
I don't know why I didn't go.

1316
01:13:31,542 --> 01:13:32,717
Maybe I was scared.

1317
01:13:33,196 --> 01:13:35,067
Or maybe you didn't have
a good enough reason.

1318
01:13:35,807 --> 01:13:37,418
Like a motivation.

1319
01:13:39,245 --> 01:13:40,986
- A motivation?
- Yeah.

1320
01:13:41,596 --> 01:13:43,293
Every character needs
a motivation

1321
01:13:43,467 --> 01:13:46,514
in order to move forward,
to do great things.

1322
01:13:47,166 --> 01:13:48,211
Oh, like...

1323
01:13:48,559 --> 01:13:49,734
[IN GRUFF VOICE]
...save the world?

1324
01:13:50,213 --> 01:13:51,780
Like <i>salute.</i>"Save.""Save."

1325
01:13:52,171 --> 01:13:53,434
BOTH: "Save... save."[CHUCKLES]

1326
01:13:53,738 --> 01:13:55,261
- Save the world?
- Save the world.

1327
01:13:55,348 --> 01:13:57,002
Again and again... And again.

1328
01:13:57,786 --> 01:13:59,178
And again... And again.

1329
01:13:59,788 --> 01:14:01,311
- And again.
- And again.

1330
01:14:01,485 --> 01:14:02,486
And again.

1331
01:14:09,232 --> 01:14:10,886
[SEAGULLS SQUAWKING]

1332
01:14:13,454 --> 01:14:15,673
[BIRDS CHIRPING]

1333
01:14:18,110 --> 01:14:20,809
[GASPS] Luigi! [PANTS]

1334
01:14:22,332 --> 01:14:24,421
What's happening? Oh.

1335
01:14:26,249 --> 01:14:27,511
Hi. Um...

1336
01:14:29,121 --> 01:14:30,122
Um...

1337
01:14:30,775 --> 01:14:33,038
I have a tour group
this morning.

1338
01:14:33,212 --> 01:14:36,041
- Germans. Very punctual.
- Ah.

1339
01:14:37,173 --> 01:14:39,697
Well, uh...
I know you're busy today,

1340
01:14:39,828 --> 01:14:41,786
but you wanna maybe
hang out tomorrow?

1341
01:14:42,178 --> 01:14:45,486
Come on set
and see some real acting?

1342
01:14:47,792 --> 01:14:48,837
Um...

1343
01:14:57,715 --> 01:14:58,847
Maybe.

1344
01:15:14,689 --> 01:15:15,777
Maybe.

1345
01:15:17,648 --> 01:15:18,997
Maybe. [SIGHS]

1346
01:15:26,962 --> 01:15:28,703
[IN ITALIAN] Man without values!

1347
01:15:29,921 --> 01:15:31,096
Peasant.

1348
01:15:31,749 --> 01:15:32,750
[SNICKERS]

1349
01:15:32,968 --> 01:15:34,796
Without any shame!

1350
01:15:36,188 --> 01:15:37,538
Mafioso.

1351
01:15:37,668 --> 01:15:38,930
ANGIOLETTO: Ha!

1352
01:15:40,105 --> 01:15:41,063
I cannot hear you.

1353
01:15:41,150 --> 01:15:42,151
<i>No?</i>

1354
01:15:42,760 --> 01:15:44,153
Mafioso!

1355
01:15:44,327 --> 01:15:46,285
[CHUCKLES]

1356
01:15:46,503 --> 01:15:48,200
- Did you hear me now?
- Who is the mafioso?

1357
01:15:48,331 --> 01:15:49,201
To you.

1358
01:15:49,375 --> 01:15:51,203
[LAUGHS]

1359
01:15:51,508 --> 01:15:53,728
Say that again
if you have the courage.

1360
01:15:53,945 --> 01:15:55,860
Mafioso.

1361
01:15:56,121 --> 01:15:57,558
- Mafioso to whom?
- To you.

1362
01:15:57,732 --> 01:15:58,863
To me?

1363
01:15:59,124 --> 01:16:00,212
- Say that again!
- Mafioso.

1364
01:16:00,473 --> 01:16:01,823
- ANGIOLETTO: And say that again!
- FABRIZIO: Mafioso.

1365
01:16:01,997 --> 01:16:03,738
ANGIOLETTO: Mafioso?
Don't do it again!

1366
01:16:03,912 --> 01:16:06,871
[CLAMORING][CONTINUE ARGUING]

1367
01:16:07,002 --> 01:16:07,959
[NELLO YELLS]

1368
01:16:08,090 --> 01:16:09,657
Stop!

1369
01:16:10,396 --> 01:16:11,963
[YELLS]

1370
01:16:12,094 --> 01:16:13,791
[IN ENGLISH] We have a film
to finish. No?

1371
01:16:13,878 --> 01:16:15,140
Yes, that's right!

1372
01:16:15,445 --> 01:16:16,751
And Ombretta?

1373
01:16:17,229 --> 01:16:19,101
[IN ITALIAN] The little saint...[IN ENGLISH]
Shut up! We are better.

1374
01:16:19,275 --> 01:16:20,363
Women's problems, you know?

1375
01:16:20,493 --> 01:16:21,930
[IMITATES MOCKINGLY]
"Women's problems."

1376
01:16:22,060 --> 01:16:23,279
[IN ITALIAN] Good boy...

1377
01:16:23,409 --> 01:16:24,497
[IN ENGLISH]
Nothing in the oven.

1378
01:16:24,585 --> 01:16:25,977
We are in the clear.

1379
01:16:26,064 --> 01:16:27,849
[IMITATES MOCKINGLY]
"Nothing in the oven!"

1380
01:16:27,979 --> 01:16:29,154
[IMITATES]
Nothing in the oven!

1381
01:16:29,285 --> 01:16:33,071
[ALL ARGUE IN ITALIAN]

1382
01:16:34,290 --> 01:16:35,552
Whoa, whoa, whoa!

1383
01:16:35,683 --> 01:16:38,555
[IN ENGLISH] Hey, hey, hey!
Hey, hey! Whoa, whoa!

1384
01:16:38,686 --> 01:16:41,036
Whoa, whoa![CAR SIREN WAILING]

1385
01:16:41,253 --> 01:16:42,559
Hey, the cops!

1386
01:16:42,646 --> 01:16:44,256
Someone's called the cops.

1387
01:16:45,780 --> 01:16:47,999
[IN ITALIAN] Guys, guys.

1388
01:16:48,478 --> 01:16:49,479
[IN ENGLISH] From Rome.

1389
01:16:50,045 --> 01:16:51,002
The dailies!

1390
01:16:51,873 --> 01:16:52,917
ALL: The dailies!

1391
01:16:53,048 --> 01:16:55,267
The dailies, yeah.[SIGHS] The dailies...

1392
01:16:55,398 --> 01:16:57,356
[SCATTERED CHUCKLE]

1393
01:16:59,881 --> 01:17:01,230
The great Nic Cassino!

1394
01:17:01,404 --> 01:17:03,014
[ALL LAUGH, CHEER]

1395
01:17:03,145 --> 01:17:05,060
[CHEERING CONTINUES]
Dailies! Nothing happened!

1396
01:17:05,190 --> 01:17:06,452
Wanna grab it?

1397
01:17:06,583 --> 01:17:08,498
[PROJECTOR WHIRRING]

1398
01:17:09,020 --> 01:17:10,108
The dailies!

1399
01:17:10,282 --> 01:17:12,241
- [LAUGHS] The dailies!
- Yeah.

1400
01:17:12,807 --> 01:17:14,199
[BOTH CHUCKLE]

1401
01:17:18,290 --> 01:17:20,684
[NELLO SIGHS][SMOOCHES]

1402
01:17:21,337 --> 01:17:22,686
[SNIFFLES]

1403
01:17:31,260 --> 01:17:33,262
- NIC: Hmm.
- Mm.

1404
01:17:39,747 --> 01:17:41,531
[HUMS] Dailies.

1405
01:17:42,619 --> 01:17:43,794
Not bad.

1406
01:17:58,243 --> 01:17:59,723
[MURMURS SOFTLY]

1407
01:18:10,081 --> 01:18:11,561
[SIGHS DEEPLY]

1408
01:18:24,661 --> 01:18:26,489
[ANGIOLETTO SNORES, GRUNTS]

1409
01:18:27,577 --> 01:18:28,796
Hmm.

1410
01:18:31,363 --> 01:18:33,670
[EXHALES EXCITEDLY]

1411
01:18:34,497 --> 01:18:35,541
[CHUCKLES]

1412
01:18:40,068 --> 01:18:41,199
[GROANS]

1413
01:18:54,343 --> 01:18:55,344
[SOFTLY] Wow.

1414
01:18:58,564 --> 01:18:59,740
[GASPS]

1415
01:19:05,397 --> 01:19:06,877
[OMBRETTA GROANS SOFTLY]

1416
01:19:08,749 --> 01:19:09,924
[WHIMPERS]

1417
01:19:10,881 --> 01:19:12,448
[IN ITALIAN] Not bad, eh?

1418
01:19:12,535 --> 01:19:14,363
[INDISTINCT CHATTERING][IN ENGLISH] Genius.

1419
01:19:14,450 --> 01:19:15,973
[CHURCH BELL TOLLING]

1420
01:19:21,370 --> 01:19:23,285
Shame on you. [SCOFFS]

1421
01:19:24,112 --> 01:19:27,289
Poor Nello.
Poor son of mine.

1422
01:19:35,993 --> 01:19:37,168
[EXHALES DEEPLY]

1423
01:19:39,214 --> 01:19:40,258
Lorella...

1424
01:19:40,519 --> 01:19:42,130
- Where is the cliff?
- What?

1425
01:19:42,565 --> 01:19:43,740
- The cliff.
- Come on.

1426
01:19:43,958 --> 01:19:45,394
It wasn't that bad.

1427
01:19:54,882 --> 01:19:55,883
What have you done?

1428
01:20:01,192 --> 01:20:03,804
<i>Jack, it's me.</i> JACK: [OVER PHONE] <i>Nic,
where the hell have you been?</i>

1429
01:20:03,891 --> 01:20:05,240
<i>I've been trying
to reach you all day.</i>

1430
01:20:05,806 --> 01:20:08,199
I've been on set all day. Jack,
you gotta get me out of here.

1431
01:20:08,504 --> 01:20:09,592
Why'd you call?

1432
01:20:10,071 --> 01:20:11,420
JACK: <i>You won't believe
what happened.</i>

1433
01:20:11,768 --> 01:20:13,465
<i>Brick Maxwell's
in the hospital.</i>

1434
01:20:13,770 --> 01:20:15,554
<i>Some kind
of intestinal infection.</i>

1435
01:20:15,816 --> 01:20:17,121
<i>He says it's from colonics,</i>

1436
01:20:17,295 --> 01:20:19,558
<i>but the word is it has more
to do with a small rodent.</i>

1437
01:20:20,081 --> 01:20:22,083
<i>Anyway, kid, the part's yours.</i>

1438
01:20:23,258 --> 01:20:25,129
- What part?
- JACK: <i>The Horseman.</i>

1439
01:20:25,564 --> 01:20:26,827
<i>They want you, Nic.</i>

1440
01:20:27,044 --> 01:20:28,611
<i>But you gotta get here
right away.</i>

1441
01:20:28,785 --> 01:20:31,222
<i>They're filming already.
How soon can you leave?</i>

1442
01:20:32,223 --> 01:20:33,224
<i>Nic?</i>

1443
01:20:33,834 --> 01:20:35,618
["LIVE YOUR LIFE" PLAYS]

1444
01:20:35,748 --> 01:20:37,446
[SHIP HORN BLARING]

1445
01:20:55,856 --> 01:20:58,467
<i>♪ To go away
And not look back ♪</i>

1446
01:20:58,641 --> 01:21:01,165
<i>♪ Think of what people say ♪</i>

1447
01:21:01,296 --> 01:21:03,951
<i>♪ To go ahead
And live your life ♪</i>

1448
01:21:04,081 --> 01:21:07,171
<i>♪ No regard to what is said ♪</i>

1449
01:21:07,432 --> 01:21:09,086
<i>♪ Hey</i>

1450
01:21:10,218 --> 01:21:13,917
<i>♪ To what is said</i>

1451
01:21:14,178 --> 01:21:16,702
<i>♪ Oh</i>

1452
01:21:23,535 --> 01:21:26,103
<i>♪ Go away and not look back</i>

1453
01:21:26,277 --> 01:21:29,411
<i>♪ Think of what people say ♪</i>

1454
01:21:30,760 --> 01:21:32,283
<i>♪ Hey</i>

1455
01:21:32,414 --> 01:21:34,372
[SONG FADES OUT]

1456
01:21:35,243 --> 01:21:36,940
[IN ITALIAN] So, Nic?

1457
01:21:38,986 --> 01:21:39,987
[IN ENGLISH] Are you sure?

1458
01:21:40,291 --> 01:21:41,902
I checked with Tonino
at the port.

1459
01:21:42,641 --> 01:21:44,426
He rented a boat
early this morning

1460
01:21:44,600 --> 01:21:45,601
for the mainland.

1461
01:21:46,558 --> 01:21:47,646
He's gone.

1462
01:21:49,126 --> 01:21:50,127
Gone?

1463
01:21:50,911 --> 01:21:52,260
DINO: [IN ITALIAN] Oh, no!

1464
01:21:52,434 --> 01:21:54,740
[VEHICLE APPROACHING]

1465
01:22:00,094 --> 01:22:01,269
[CAR DOORS CLOSING]

1466
01:22:05,534 --> 01:22:06,665
MAN: Fabrizio Favuzzo?

1467
01:22:07,536 --> 01:22:08,580
Depends.

1468
01:22:08,754 --> 01:22:10,365
MAN: I am here
on behalf of the SIAE.

1469
01:22:10,582 --> 01:22:12,715
<i>Società Italiana di Artisti
e Editori.</i>

1470
01:22:13,759 --> 01:22:16,937
I have an order to confiscate
all film and pirated material.

1471
01:22:18,460 --> 01:22:19,330
And the manuscript?

1472
01:22:20,679 --> 01:22:23,073
Uh... What manuscript?

1473
01:22:23,421 --> 01:22:24,683
Visconti's manuscript.

1474
01:22:24,814 --> 01:22:29,645
Ah. [CHUCKLES]
I have no manuscript.

1475
01:22:31,342 --> 01:22:32,517
I have no script.

1476
01:22:33,910 --> 01:22:35,651
I have no actor.

1477
01:22:35,781 --> 01:22:37,131
[SOFT MUSIC PLAYING]

1478
01:22:37,261 --> 01:22:38,523
I have no film.

1479
01:22:39,394 --> 01:22:40,743
No career.

1480
01:22:41,483 --> 01:22:42,919
No life insurance.

1481
01:22:44,747 --> 01:22:45,922
[IN ITALIAN] Banned?

1482
01:22:46,792 --> 01:22:49,708
[IN ENGLISH]
Fabrizio's been blacklisted.

1483
01:22:50,144 --> 01:22:52,015
MAN: For copyright violation
and infringement

1484
01:22:52,146 --> 01:22:54,496
of intellectual property rights.

1485
01:22:54,800 --> 01:22:55,801
Fabrizio.

1486
01:22:57,325 --> 01:22:58,500
[IN ITALIAN]
Where are you going?

1487
01:22:59,022 --> 01:23:00,415
Where are you going, Fabrizio?

1488
01:23:00,893 --> 01:23:01,982
[IN ENGLISH] To the cliff!

1489
01:23:11,034 --> 01:23:12,905
FILOMENA: Ah!

1490
01:23:13,384 --> 01:23:15,082
[OMBRETTA GROANS]
LORELLA: Ombretta!

1491
01:23:15,212 --> 01:23:17,301
Come on. Hey, hey!

1492
01:23:17,432 --> 01:23:19,216
[OMBRETTA GASPS]

1493
01:23:19,347 --> 01:23:20,348
Eat something!

1494
01:23:20,435 --> 01:23:21,653
[IN ITALIAN] No, water.

1495
01:23:21,827 --> 01:23:23,438
[INDISTINCT CHATTER]

1496
01:23:35,319 --> 01:23:37,017
[CHATTERING CONTINUES]

1497
01:23:38,714 --> 01:23:41,021
Angioletto, where is he?

1498
01:23:42,022 --> 01:23:43,023
Who?

1499
01:23:43,675 --> 01:23:44,807
Nic, the American.

1500
01:23:44,981 --> 01:23:46,026
[SCOFFS]

1501
01:23:46,939 --> 01:23:48,985
[IN ENGLISH] He has gone
back to Hollywood

1502
01:23:49,159 --> 01:23:51,422
and abandoned everyone.

1503
01:23:52,728 --> 01:23:53,816
What do you mean?

1504
01:23:55,122 --> 01:23:57,689
"The great Nic Cassino."

1505
01:23:58,081 --> 01:24:00,605
[SARDONIC CHUCKLE]
Nic Cassino was in this film?

1506
01:24:00,692 --> 01:24:02,825
[IN ITALIAN] Yes, you wish!

1507
01:24:03,869 --> 01:24:06,785
[IN ENGLISH] Unfortunately,
he was just a <i>sosia,</i>

1508
01:24:06,872 --> 01:24:08,004
a body double.

1509
01:24:09,005 --> 01:24:11,660
The real Nic Cassino
would never run away.

1510
01:24:13,749 --> 01:24:15,272
[ENGINE STARTS]

1511
01:24:17,535 --> 01:24:19,102
[ENGINE REVVING]

1512
01:24:22,366 --> 01:24:24,716
[EXCLAIMS] Oh! Ombretta.

1513
01:24:25,239 --> 01:24:29,852
[SHIP HORN BLARING]

1514
01:24:31,854 --> 01:24:33,116
Bye.

1515
01:24:34,465 --> 01:24:35,510
- Thank you.
- Mm.

1516
01:24:39,775 --> 01:24:40,776
LORELLA: Bye.

1517
01:24:47,435 --> 01:24:50,351
[INDISTINCT CHATTER]
LORELLA: Bye!

1518
01:24:56,661 --> 01:24:58,489
There is just one thing.

1519
01:24:58,924 --> 01:25:01,710
It is Lello or Nello?

1520
01:25:04,234 --> 01:25:05,366
What difference now?

1521
01:25:18,074 --> 01:25:19,467
[CAMERA SHUTTER CLICKING]

1522
01:25:19,597 --> 01:25:20,903
And action!

1523
01:25:23,906 --> 01:25:25,647
Cut, cut, cut!

1524
01:25:26,430 --> 01:25:27,866
I know it's a lot to ask,

1525
01:25:27,997 --> 01:25:30,086
but could you just hit
your mark and snarl?

1526
01:25:30,173 --> 01:25:32,349
Okay? We'll think about acting
in post, right?

1527
01:25:33,350 --> 01:25:36,310
What's with the suitcase?
What's with the suitcase?

1528
01:25:36,397 --> 01:25:38,268
[HESITATES]
Let's just say I found it

1529
01:25:38,442 --> 01:25:39,661
amidst the apocalyptic ruins

1530
01:25:39,748 --> 01:25:41,967
and I'm returning it
to a needy family.

1531
01:25:42,316 --> 01:25:44,056
You're the Fourth Horseman
of the Apocalypse!

1532
01:25:44,187 --> 01:25:46,494
You're the Pale Rider,
not the Pony Express!

1533
01:25:46,755 --> 01:25:49,279
You bring death and destruction,
not lost luggage! [SIGHS]

1534
01:25:51,934 --> 01:25:53,153
That's cold!

1535
01:25:53,327 --> 01:25:55,242
Is it too much to ask
for a hot latte for Chrissake?

1536
01:25:56,025 --> 01:25:57,026
Damn it!

1537
01:25:58,158 --> 01:25:59,376
WOMAN: Nic! Honey!

1538
01:26:03,598 --> 01:26:07,079
[EXCITEDLY] The <i>ATM</i> morning show
wants an exclusive interview!

1539
01:26:07,167 --> 01:26:09,256
[GASPS, HESITATES]
Are you free tomorrow?

1540
01:26:10,822 --> 01:26:12,911
- I'll think about it.
- Oh.

1541
01:26:15,262 --> 01:26:17,351
[COWS MOOING]

1542
01:26:24,227 --> 01:26:25,576
[COWS MOOING]

1543
01:26:25,707 --> 01:26:29,450
[LOUD FLATULENCE]

1544
01:26:29,580 --> 01:26:31,713
[COUGHS]

1545
01:26:31,974 --> 01:26:34,368
[FLATULENCE CONTINUES][COWS MOOING]

1546
01:26:37,197 --> 01:26:40,635
[COUGHS, SHRIEKS][FLATULENCE INTENSIFIES]

1547
01:26:43,377 --> 01:26:47,076
[FLATULENCE, MOOING CONTINUES]

1548
01:26:50,166 --> 01:26:52,037
[PANTS]

1549
01:26:54,866 --> 01:26:56,825
[GRUNTS]

1550
01:27:00,872 --> 01:27:02,700
[INTENSIFYING RUMBLING]

1551
01:27:03,484 --> 01:27:05,399
[HIGH-PITCHED WHISTLING][FABRIZIO SCREAMS]

1552
01:27:07,052 --> 01:27:08,402
[SCREAMING CONTINUES]

1553
01:27:08,532 --> 01:27:10,230
[FLATULENCE][GASPS, PANTS]

1554
01:27:13,537 --> 01:27:15,278
[FLIES BUZZ]

1555
01:27:21,371 --> 01:27:23,373
[COWS MOOING]

1556
01:27:30,554 --> 01:27:31,555
Papa?

1557
01:27:33,035 --> 01:27:35,864
Ombretta, please go outside.

1558
01:27:36,386 --> 01:27:38,823
I can't bear for you
to watch me shoveling shit.

1559
01:27:41,348 --> 01:27:43,741
I just wanted
to tell you that...

1560
01:27:50,226 --> 01:27:51,923
I'm not going back to school.

1561
01:27:53,664 --> 01:27:55,144
But why?

1562
01:27:55,579 --> 01:27:56,798
Let's face it.

1563
01:27:57,886 --> 01:27:59,104
I'm not an actress.

1564
01:28:01,411 --> 01:28:02,369
What's the point?

1565
01:28:03,587 --> 01:28:06,460
Well, there are
many roles in film.

1566
01:28:07,112 --> 01:28:09,637
Perhaps you could direct,
like your father, huh?

1567
01:28:09,767 --> 01:28:10,855
[CHUCKLES SOFTLY]

1568
01:28:11,987 --> 01:28:14,598
No, eh? What about Lello?

1569
01:28:15,251 --> 01:28:16,774
Please. Nello.

1570
01:28:19,299 --> 01:28:20,561
You were right, Papa.

1571
01:28:21,736 --> 01:28:23,868
[IN ITALIAN]
Marry and buy cattle
from your own town.

1572
01:28:24,608 --> 01:28:27,045
[IN ENGLISH]
Nello was too jealous.

1573
01:28:27,785 --> 01:28:30,745
Possessive. Hotheaded.

1574
01:28:32,529 --> 01:28:33,487
I don't know.

1575
01:28:35,663 --> 01:28:38,405
I would be better
with someone like you.

1576
01:28:39,406 --> 01:28:41,364
- Like me?
- OMBRETTA: Yeah, you know.

1577
01:28:42,147 --> 01:28:43,279
Lukewarm.

1578
01:28:44,019 --> 01:28:46,282
Temperate. Stoic.

1579
01:28:46,935 --> 01:28:51,592
Able to deal with failure
and disappointment.

1580
01:28:52,027 --> 01:28:53,245
Of course.

1581
01:28:54,290 --> 01:28:57,728
I almost forgot.
Nello asked me to give you this.

1582
01:28:58,599 --> 01:29:01,123
He says it's rightfully yours.

1583
01:29:08,913 --> 01:29:11,046
I love you, Papa.

1584
01:29:12,047 --> 01:29:13,135
Me too.

1585
01:29:25,669 --> 01:29:26,757
<i>A janitor...</i>

1586
01:29:30,065 --> 01:29:31,675
<i>Smart. Cultured.</i>

1587
01:29:33,285 --> 01:29:34,635
<i>Really cultured.</i>

1588
01:29:35,331 --> 01:29:37,420
<i>Couldn't read, but he'd take
us to the movies.</i>

1589
01:29:39,030 --> 01:29:41,946
<i>That was his library.
Barely could speak English.</i>

1590
01:29:59,834 --> 01:30:00,791
Fabrizio...

1591
01:30:03,403 --> 01:30:04,491
You are awake?

1592
01:30:07,145 --> 01:30:09,496
I need to speak to you
about something.

1593
01:30:12,760 --> 01:30:14,326
Listen... [EXHALES SHARPLY]

1594
01:30:15,458 --> 01:30:18,983
If you want to separate,
I understand.

1595
01:30:20,028 --> 01:30:22,596
After all, who wants to live
with a failure.

1596
01:30:23,248 --> 01:30:25,425
But divorce
is out of the question.

1597
01:30:26,295 --> 01:30:27,514
It's not for the money,

1598
01:30:27,949 --> 01:30:31,213
but I just wouldn't know
how to tell Ombretta...

1599
01:30:31,343 --> 01:30:32,432
[LORELLA IN ITALIAN]
What are you saying?

1600
01:30:33,955 --> 01:30:35,217
[SPEAKS IN ITALIAN]

1601
01:30:35,913 --> 01:30:37,045
[IN ENGLISH]
What's come over you?

1602
01:30:37,393 --> 01:30:39,047
A divorce? A separation?

1603
01:30:39,700 --> 01:30:41,179
[IN ITALIAN]
What do you mean by depression?

1604
01:30:42,224 --> 01:30:44,313
[IN ENGLISH]
No, I just wanted to say

1605
01:30:44,574 --> 01:30:46,533
that for once in my life,

1606
01:30:47,098 --> 01:30:49,579
I was very proud of you.

1607
01:30:50,667 --> 01:30:51,668
[LAUGHS]

1608
01:30:52,103 --> 01:30:55,063
LORELLA: The way you directed
the great Nic Cassino.

1609
01:30:55,846 --> 01:30:59,937
I mean, how you persevered
against all good reason,

1610
01:31:00,590 --> 01:31:02,462
with <i>buon senso,</i> sound judgment.

1611
01:31:03,680 --> 01:31:05,247
And your juvenile faith...
[CHUCKLES]

1612
01:31:05,900 --> 01:31:07,554
...and sheer stubborn,

1613
01:31:07,684 --> 01:31:10,121
narrow-minded
pigheadedness was--

1614
01:31:10,252 --> 01:31:14,430
Stop, stop, stop. [CHUCKLES]
You had me at "pigheaded."

1615
01:31:17,781 --> 01:31:18,739
Okay.

1616
01:31:19,566 --> 01:31:22,220
[BREATHES DEEPLY]

1617
01:31:23,526 --> 01:31:24,658
In any event,

1618
01:31:25,310 --> 01:31:27,312
I don't think you're a failure.

1619
01:31:32,579 --> 01:31:34,102
At least, not yet.

1620
01:31:40,238 --> 01:31:41,936
What do you mean, "not yet?"

1621
01:31:47,202 --> 01:31:48,769
You are only a failure

1622
01:31:48,899 --> 01:31:50,510
if you don't finish
what you start.

1623
01:31:51,511 --> 01:31:53,904
But... how can I finish?

1624
01:31:55,471 --> 01:31:58,605
I have been banned from working
in Italy ever again.

1625
01:31:59,431 --> 01:32:00,607
Blacklisted.

1626
01:32:01,346 --> 01:32:04,262
And who says that you have
to finish this film in Italy?

1627
01:32:04,959 --> 01:32:06,264
Who says that?

1628
01:32:15,143 --> 01:32:16,274
Where did you get this?

1629
01:32:17,537 --> 01:32:20,714
I cashed in
your life insurance policy.

1630
01:32:21,410 --> 01:32:24,544
[CHUCKLES] But...
I don't have a life insurance.

1631
01:32:26,807 --> 01:32:27,808
Really?

1632
01:32:30,158 --> 01:32:31,202
Good night.

1633
01:32:31,899 --> 01:32:33,857
[WHIMSICAL MUSIC PLAYING]

1634
01:32:35,685 --> 01:32:39,297
[LORELLA SIGHS PROUDLY]

1635
01:32:44,999 --> 01:32:46,261
Good night.

1636
01:32:50,395 --> 01:32:52,528
[MUSIC FADES OUT]
NIC: [GROANING] Francesca.

1637
01:32:52,659 --> 01:32:55,705
Can you grab me some ice
and a wrap for my knee, please?

1638
01:32:55,836 --> 01:32:58,403
FRANCESCA: I gotta run down
the street for some ice.

1639
01:32:58,534 --> 01:33:01,581
[DOOR OPENS, CLOSES]

1640
01:33:02,320 --> 01:33:03,757
What the hell's
in that thing anyway?

1641
01:33:04,279 --> 01:33:05,715
[GROANS]

1642
01:33:19,163 --> 01:33:20,948
[GRUNTS, HUFFS]

1643
01:33:22,950 --> 01:33:23,907
[SIGHS]

1644
01:33:27,694 --> 01:33:29,521
[GRUNTS]

1645
01:33:33,482 --> 01:33:36,441
["CARNIVAL OF THE ANIMALS:
VII. AQUARIUM" PLAYING]

1646
01:33:55,156 --> 01:33:58,333
THE UP-AND-DOWN CAREER
OF THE GENIUS FABRIZIO FAVUZZO

1647
01:33:58,463 --> 01:33:59,464
Hmm.

1648
01:34:00,683 --> 01:34:02,380
The accumulated baggage.

1649
01:34:03,947 --> 01:34:05,601
It was Favuzzo's all along.

1650
01:34:21,312 --> 01:34:23,097
[SCOFFS] Interesting.

1651
01:34:23,184 --> 01:34:25,534
FABRIZIO: <i>And action!</i>

1652
01:34:28,232 --> 01:34:29,669
NIC: <i>Hey, hey. Pull over.</i>

1653
01:34:29,886 --> 01:34:31,583
Pull up here.[CLASSICAL MUSIC FADES OUT]

1654
01:34:45,249 --> 01:34:47,469
- Carla.
- Sorry.

1655
01:34:48,035 --> 01:34:48,992
- Nic!
- NIC: Hey.

1656
01:34:49,645 --> 01:34:50,646
How are you?

1657
01:34:51,255 --> 01:34:52,953
- Good. How are you?
- NIC: It's great to see you.

1658
01:34:53,083 --> 01:34:55,477
- CARLA: Yeah, you too.
- What are you doing? PA?

1659
01:34:55,607 --> 01:34:56,826
Yeah, right.

1660
01:34:56,913 --> 01:34:59,394
Um, I got a call
from the film commission.

1661
01:34:59,524 --> 01:35:01,962
They asked me
to cast us some extras

1662
01:35:02,049 --> 01:35:04,138
on an international film
from Italy.

1663
01:35:04,225 --> 01:35:05,617
- Hmm.
- CARLA: Yeah.

1664
01:35:06,053 --> 01:35:07,271
Maybe you heard about it.

1665
01:35:08,185 --> 01:35:11,188
- NIC: Ah, yeah. Mm-hmm.
- CARLA: Quite a cast,
don't you think?

1666
01:35:11,319 --> 01:35:12,668
Yeah, I do. It's, uh-- Yeah.

1667
01:35:12,799 --> 01:35:14,409
I was... I was there
for a film festival.

1668
01:35:14,539 --> 01:35:16,063
They asked me
to do a couple of scenes.

1669
01:35:16,150 --> 01:35:18,587
I thought, "Hey, why not?"
Just help 'em out.

1670
01:35:18,718 --> 01:35:20,371
Hmm. Hmm.[CARLA CHUCKLES]

1671
01:35:21,111 --> 01:35:22,547
Uh, how's Luigi?

1672
01:35:22,939 --> 01:35:26,290
Uh... He's good. [CHUCKLES]
NIC: Good, good.

1673
01:35:26,900 --> 01:35:28,989
Anyway, I...
I'm not feeling too good.

1674
01:35:29,076 --> 01:35:31,295
I'm on painkillers
for my... my knee.

1675
01:35:31,818 --> 01:35:33,645
- So I gotta split.
- Sure.

1676
01:35:33,863 --> 01:35:35,691
Anyway, it was...
it was great seeing you.

1677
01:35:35,822 --> 01:35:37,171
CARLA: You too.
Yeah.

1678
01:35:37,301 --> 01:35:38,694
- Really good.
- Oh. [CHUCKLES]

1679
01:35:39,521 --> 01:35:40,522
All right.

1680
01:35:41,349 --> 01:35:42,524
- CARLA: Take care.
- Bye.

1681
01:35:55,232 --> 01:35:56,843
[DOORBELL CHIMES]

1682
01:35:57,191 --> 01:35:58,366
Please...

1683
01:35:59,323 --> 01:36:00,411
[GRUNTS]

1684
01:36:07,549 --> 01:36:09,159
- Carla?
- Hi, Nic.

1685
01:36:09,986 --> 01:36:11,640
- Come in.
- Thank you.

1686
01:36:12,467 --> 01:36:15,470
- Uh, you want a drink?
- Uh, sure.

1687
01:36:15,862 --> 01:36:18,255
- All right, um, take a seat.
- Thank you.

1688
01:36:21,519 --> 01:36:23,739
NIC: <i>How's little Cosimo?</i> CARLA: <i>He's getting big.</i>

1689
01:36:23,870 --> 01:36:27,090
- He'll be nine in September.
- Nine. Whoa.

1690
01:36:27,830 --> 01:36:31,051
And Luigi has a show opening.

1691
01:36:31,181 --> 01:36:34,184
And he's anxious as usual.
You know Luigi.

1692
01:36:34,750 --> 01:36:38,145
Yeah. Well, that's good for him.

1693
01:36:39,407 --> 01:36:40,582
Luigi doesn't know I came.

1694
01:36:41,888 --> 01:36:44,194
But I told him
about your work in Italy

1695
01:36:44,368 --> 01:36:45,805
and he was pretty impressed.

1696
01:36:48,198 --> 01:36:49,373
Impressed or embarrassed?

1697
01:36:49,852 --> 01:36:54,030
- Nic.
- Well, he's always...

1698
01:36:55,249 --> 01:36:56,293
hated my acting.

1699
01:36:58,034 --> 01:36:59,253
You know how Luigi is.

1700
01:37:00,341 --> 01:37:02,125
It's kind of tough for him
to admit your success.

1701
01:37:02,343 --> 01:37:04,736
I mean, you're his kid brother.

1702
01:37:05,868 --> 01:37:09,393
Yeah. I'm his kid brother. Hmm.

1703
01:37:10,960 --> 01:37:12,744
Used to call me
Punchy the Gorilla.

1704
01:37:13,049 --> 01:37:15,138
Like that stuffed animal
we had as kids.

1705
01:37:15,617 --> 01:37:18,881
But we were close.
I had his back.

1706
01:37:20,056 --> 01:37:23,016
Until this...
pretty girl comes along

1707
01:37:23,146 --> 01:37:24,626
and changes everything.

1708
01:37:25,627 --> 01:37:29,761
I lost my brother
and my girl to one left hook.

1709
01:37:31,067 --> 01:37:32,852
If there's one punch
I could take back,

1710
01:37:33,374 --> 01:37:34,375
it'd be that.

1711
01:37:37,291 --> 01:37:38,509
It wouldn't have mattered.

1712
01:37:40,555 --> 01:37:42,296
I still would have picked Luigi.

1713
01:37:43,601 --> 01:37:45,168
[SIGHS DEEPLY]

1714
01:37:45,865 --> 01:37:46,996
CARLA: Nic...

1715
01:37:49,651 --> 01:37:52,045
I never thought you
stupid or insensitive.

1716
01:37:53,481 --> 01:37:55,265
I just liked Luigi better.

1717
01:37:58,529 --> 01:37:59,661
[SCOFFS]

1718
01:38:03,056 --> 01:38:05,928
Luigi gave this to little Cosimo
on his third birthday

1719
01:38:06,059 --> 01:38:07,582
and kind of outgrown it.

1720
01:38:08,409 --> 01:38:10,237
I thought you might like
to have it.

1721
01:38:18,375 --> 01:38:19,420
[SNIFFS]

1722
01:38:20,900 --> 01:38:23,032
NIC: [SCOFFS]
Punchy the Gorilla.

1723
01:38:23,728 --> 01:38:25,861
CARLA: Nic,
take care of yourself, okay?

1724
01:38:27,167 --> 01:38:28,559
Yeah. You too.

1725
01:38:29,299 --> 01:38:30,431
- Bye.
- NIC: Bye.

1726
01:38:38,134 --> 01:38:40,615
[DOOR SLIDES OPEN]

1727
01:38:43,835 --> 01:38:45,098
Get a grip, Cassino.

1728
01:38:46,273 --> 01:38:49,754
[ELEVATOR BELL CHIMES][NIC SOBBING]

1729
01:39:01,810 --> 01:39:03,464
[BOTTLES CLINKING][NIC GRUNTS]

1730
01:39:03,812 --> 01:39:05,596
[DISTANT DOGS BARKING]

1731
01:39:05,727 --> 01:39:07,990
- Who's there?
- NIC: Luigi.

1732
01:39:09,818 --> 01:39:10,819
Nicky?

1733
01:39:11,559 --> 01:39:12,603
Is that you?

1734
01:39:13,430 --> 01:39:14,562
Yep.

1735
01:39:14,692 --> 01:39:17,478
[GASPS SOFTLY]
What are you doing here?

1736
01:39:18,392 --> 01:39:19,654
Well, I was...

1737
01:39:20,742 --> 01:39:22,135
limpin' around the hood
this morning

1738
01:39:22,265 --> 01:39:24,920
and I saw your name up
in lights and...

1739
01:39:25,747 --> 01:39:26,748
I just thought--

1740
01:39:27,314 --> 01:39:29,316
Well, here's... here's a--

1741
01:39:30,447 --> 01:39:31,448
Do you wanna have a beer?

1742
01:39:32,188 --> 01:39:34,843
[SOFT MUSIC PLAYING]
NIC: <i>Fifteen years, huh?</i>

1743
01:39:35,104 --> 01:39:36,366
Yeah. Just about.

1744
01:39:37,498 --> 01:39:41,502
It was 15 years this Carla
and I finally tied the knot.

1745
01:39:41,981 --> 01:39:42,982
Yeah.

1746
01:39:43,721 --> 01:39:44,853
Sorry about that. I was...

1747
01:39:45,288 --> 01:39:47,595
I was in Vietnam
doing a POW film.

1748
01:39:47,769 --> 01:39:49,727
- One of my better ones.
- Yeah, yeah. I understand.

1749
01:39:49,858 --> 01:39:51,773
You were busy with your career.

1750
01:39:52,078 --> 01:39:54,906
[NIC CLEARS THROAT]
You could have called, though.

1751
01:39:56,256 --> 01:39:59,563
Yeah. Well, I didn't get
the invite till late.

1752
01:39:59,955 --> 01:40:01,435
The mail in Indochina...

1753
01:40:02,523 --> 01:40:04,829
Besides, I'm not the only one
who doesn't reply to mail.

1754
01:40:04,916 --> 01:40:07,354
The amount of awards ceremonies
I invited you to.

1755
01:40:07,789 --> 01:40:09,486
You never came.[SCOFFS]

1756
01:40:09,617 --> 01:40:13,577
Well, maybe...
a personal invitation?

1757
01:40:15,623 --> 01:40:17,407
Instead of sending those stupid

1758
01:40:17,581 --> 01:40:20,584
gold-embossed invitations.
[CHUCKLES]

1759
01:40:22,804 --> 01:40:24,066
NIC: Yeah, well...

1760
01:40:24,806 --> 01:40:28,810
I was-- Well--
I guess I was embarrassed.

1761
01:40:32,727 --> 01:40:33,989
LUIGI: A knock on the door,

1762
01:40:34,598 --> 01:40:37,427
a personal invitation
from your kid brother.

1763
01:40:38,689 --> 01:40:40,039
That's not embarrassing.

1764
01:40:42,215 --> 01:40:43,955
Getting beat up
by your kid brother

1765
01:40:44,043 --> 01:40:46,567
in front of the woman he loves?
Now, that's embarrassing.

1766
01:40:48,569 --> 01:40:50,223
Louie, that was 30 years ago.

1767
01:40:50,745 --> 01:40:52,573
You're never gonna forgive me
for that, are you?

1768
01:40:53,139 --> 01:40:55,663
I mean, I know
I haven't forgiven myself.

1769
01:40:57,665 --> 01:41:00,972
Ah, Nicky.
Look, that wasn't it.

1770
01:41:02,278 --> 01:41:03,453
It wasn't?

1771
01:41:05,847 --> 01:41:06,848
You don't wanna hear it.

1772
01:41:07,631 --> 01:41:09,720
Yeah, I... I do wanna hear it.

1773
01:41:09,938 --> 01:41:10,939
[SIGHS]

1774
01:41:12,332 --> 01:41:14,203
- You wanna hear it?
- Yeah, I wanna hear it.

1775
01:41:15,683 --> 01:41:17,554
It's 'cause you made it
to the top

1776
01:41:18,251 --> 01:41:20,514
and you never even once
threw down a line.

1777
01:41:21,428 --> 01:41:23,299
You could have helped me a bit.

1778
01:41:23,386 --> 01:41:25,649
You were in a position
to do so, but you didn't.

1779
01:41:26,433 --> 01:41:27,782
You turned your back.

1780
01:41:29,131 --> 01:41:31,177
You turned your back and ran.

1781
01:41:31,307 --> 01:41:33,744
And you been running scared
ever since.

1782
01:41:36,486 --> 01:41:37,444
You're right.

1783
01:41:38,619 --> 01:41:39,924
I did run.

1784
01:41:40,577 --> 01:41:41,752
Been running my whole life.

1785
01:41:44,059 --> 01:41:45,800
But I never
turned my back on you.

1786
01:41:46,583 --> 01:41:48,107
I always wanted to help you.

1787
01:41:49,804 --> 01:41:51,197
Then why didn't you?

1788
01:41:55,592 --> 01:41:57,768
Lou... Hollywood, it's...

1789
01:41:58,987 --> 01:42:01,294
it's not like film school.
It's not...

1790
01:42:02,338 --> 01:42:04,732
it's not like theater.
It's not hugs and kisses.

1791
01:42:05,994 --> 01:42:07,038
It's tough.

1792
01:42:08,649 --> 01:42:11,869
They don't fight fair.
It's like being a street fighter

1793
01:42:12,043 --> 01:42:13,393
without a corner to sit in.

1794
01:42:13,523 --> 01:42:15,699
It's... it's every man
for himself.

1795
01:42:17,092 --> 01:42:19,050
So you don't think
I could have made it?

1796
01:42:19,138 --> 01:42:20,139
NIC: Lou...

1797
01:42:21,096 --> 01:42:22,750
you can't possibly
imagine the...

1798
01:42:24,099 --> 01:42:27,450
the humiliation, the shame,
the embarrassment that these...

1799
01:42:28,843 --> 01:42:32,455
The fear that this town can...
put on you.

1800
01:42:33,413 --> 01:42:35,719
They build you up and they take
everything from you.

1801
01:42:35,850 --> 01:42:39,419
Your pride, your soul...
[VOICE BREAKS] ...your family.

1802
01:42:40,333 --> 01:42:42,813
You got a family.
You got a beautiful family.

1803
01:42:42,944 --> 01:42:46,382
What do I got?
I got a... fading career.

1804
01:42:46,513 --> 01:42:49,168
A fading face, fading fame.
I mean, I'm a joke.

1805
01:42:49,298 --> 01:42:50,952
You got what you wanted.

1806
01:42:55,261 --> 01:42:56,653
I'm not so sure about that.

1807
01:42:57,045 --> 01:42:59,830
[INHALES SHARPLY]
Well, what is it, Nicky?

1808
01:43:00,614 --> 01:43:01,963
Huh? What do you want?

1809
01:43:02,659 --> 01:43:04,400
What is this all about, huh?

1810
01:43:06,881 --> 01:43:09,100
I don't know. [HESITATES]
I'm... I'm confused.

1811
01:43:09,231 --> 01:43:11,190
Things used to be so simple.

1812
01:43:12,278 --> 01:43:13,235
Like...

1813
01:43:14,367 --> 01:43:15,716
when we went to the movies
with Dad.

1814
01:43:15,846 --> 01:43:17,848
[EMOTIONAL MUSIC PLAYING]
NIC: Remember?

1815
01:43:18,414 --> 01:43:20,286
I remember sitting
next to him thinkin'...

1816
01:43:21,765 --> 01:43:23,289
he wants us up there
on the big screen.

1817
01:43:23,419 --> 01:43:25,073
Not in the cheap seats.[CHUCKLES]

1818
01:43:25,291 --> 01:43:27,597
Up there on the big screen,
winning awards.

1819
01:43:28,294 --> 01:43:30,905
Oscars, Emmys, Tonys.[CHUCKLES]

1820
01:43:31,514 --> 01:43:32,602
All that stuff.

1821
01:43:33,995 --> 01:43:35,475
- The movies.
- Yeah.

1822
01:43:35,649 --> 01:43:38,129
That's when we were family.
That's when we were brothers.

1823
01:43:38,391 --> 01:43:41,263
That's all he wanted.
And that's all I want.

1824
01:43:45,311 --> 01:43:46,355
Cheers.

1825
01:43:47,095 --> 01:43:48,923
- To Dad.
- To Dad.

1826
01:43:52,013 --> 01:43:53,580
[MUSIC FADES OUT]

1827
01:44:06,810 --> 01:44:10,553
[CAR ENGINE REVVING][DRAMATIC MUSIC PLAYING]

1828
01:44:21,608 --> 01:44:22,565
LORELLA: It's Nic.

1829
01:44:23,087 --> 01:44:25,612
Oh, it's Nic!

1830
01:44:43,194 --> 01:44:45,501
[INTENSE ORCHESTRAL MUSIC
PLAYING]

1831
01:45:05,652 --> 01:45:07,436
Must have mixed up
our luggage.

1832
01:45:07,610 --> 01:45:09,612
[MUSIC FADES]

1833
01:45:09,743 --> 01:45:11,788
You left
before I could claim it.

1834
01:45:12,136 --> 01:45:14,530
Hmm. Well, I came back
to finish what we started.

1835
01:45:14,661 --> 01:45:15,749
Under one condition.

1836
01:45:15,879 --> 01:45:17,838
We shoot the final scene
in Ischia.

1837
01:45:18,621 --> 01:45:21,668
At the highest peak
of Mount Epomeo.

1838
01:45:23,060 --> 01:45:26,150
But there is no final scene.

1839
01:45:26,281 --> 01:45:28,109
There is no script.
There never was.

1840
01:45:28,414 --> 01:45:31,591
- Only an opening.
- Mm-hmm. Wait.

1841
01:45:32,113 --> 01:45:34,768
[SOLEMN MUSIC PLAYING]

1842
01:45:38,815 --> 01:45:42,341
Right. Excuse the, uh,
we've got a stain.

1843
01:45:46,257 --> 01:45:48,825
But we have no money
for a <i>sosia.</i>

1844
01:45:48,912 --> 01:45:51,132
A stunt double.
Who will do the scene?

1845
01:45:52,307 --> 01:45:53,526
I'll do it.

1846
01:45:54,701 --> 01:45:55,963
Are you sure?

1847
01:45:57,094 --> 01:45:58,313
You are no longer acrophobe?

1848
01:45:58,444 --> 01:45:59,836
Mmm. Cured.

1849
01:45:59,923 --> 01:46:01,055
[IN ITALIAN] Done.

1850
01:46:01,490 --> 01:46:03,405
[FABRIZIO LAUGHING EXCITEDLY]

1851
01:46:04,972 --> 01:46:05,973
Ah...

1852
01:46:06,582 --> 01:46:07,583
[IN ENGLISH] But you see...

1853
01:46:08,236 --> 01:46:10,020
I can't return to Italy.

1854
01:46:10,369 --> 01:46:13,372
I have been blacklisted.
I'm sorry.

1855
01:46:14,024 --> 01:46:18,202
- I'm sorry to everyone!
- Well, that's fine.

1856
01:46:19,203 --> 01:46:22,642
I have a great idea
for a co-director. Hmm?

1857
01:46:23,599 --> 01:46:25,253
- Really?
- Yeah, really.

1858
01:46:27,211 --> 01:46:29,344
LORELLA:
But who will co-direct?

1859
01:46:31,738 --> 01:46:32,869
A super-volcano?

1860
01:46:33,000 --> 01:46:34,044
Super-volcano!

1861
01:46:34,262 --> 01:46:36,220
[BOTH LAUGH EXCITEDLY][MUSIC INTENSIFIES]

1862
01:46:37,439 --> 01:46:38,571
- FABRIZIO: Yes!
- Yeah!

1863
01:46:38,658 --> 01:46:40,747
Nic Cassino is back!

1864
01:46:40,834 --> 01:46:43,140
[NIC GRUNTS][FABRIZIO LAUGHS]

1865
01:46:45,142 --> 01:46:46,492
Oh, God, that's it!

1866
01:46:54,543 --> 01:46:56,110
[MUSIC FADES OUT]

1867
01:46:57,372 --> 01:47:00,201
TITINA: <i>"Tonno con me."</i> NIC: "Come back with me."

1868
01:47:05,249 --> 01:47:06,903
TITINA: Did you write
that all by yourself?

1869
01:47:08,209 --> 01:47:11,168
Actually, I had help
with Isidoro.

1870
01:47:12,779 --> 01:47:16,565
Did you tell him
you want to eat tuna with me?

1871
01:47:17,087 --> 01:47:19,176
Because that is what is written.

1872
01:47:19,307 --> 01:47:21,918
No, it's... it's the thought
that counts.

1873
01:47:22,266 --> 01:47:24,007
You have a lot of nerve
to show your face,

1874
01:47:24,094 --> 01:47:25,792
"the great Nic Cassino!"

1875
01:47:25,966 --> 01:47:27,010
Yeah, I've...

1876
01:47:27,402 --> 01:47:29,404
I've been sitting here
for an hour and a half and...

1877
01:47:30,318 --> 01:47:31,928
no one's recognized me
except this old lady--

1878
01:47:32,059 --> 01:47:36,585
No one recognized you
because no one cares about you.

1879
01:47:37,368 --> 01:47:39,109
You're... you're a phony,

1880
01:47:39,675 --> 01:47:41,460
even if you are not a <i>sosia.</i>

1881
01:47:43,549 --> 01:47:44,506
Listen.

1882
01:47:45,768 --> 01:47:47,640
You have every right
to... to be angry at me.

1883
01:47:47,770 --> 01:47:50,556
I ran away from you.
I ran away from everyone.

1884
01:47:50,686 --> 01:47:51,861
Yes, you did.

1885
01:47:52,035 --> 01:47:53,080
Why?

1886
01:47:54,211 --> 01:47:56,170
I guess it's, uh... it's...

1887
01:47:56,823 --> 01:47:59,260
I had some character
issues to resolve.

1888
01:47:59,390 --> 01:48:01,131
Uh, like a... like a backstory.

1889
01:48:01,262 --> 01:48:03,177
- [SCOFFS] Backstory?
- NIC: No, please.

1890
01:48:03,307 --> 01:48:05,179
Every great character--
Just listen to me.

1891
01:48:05,832 --> 01:48:08,704
Please. Every great character
needs a backstory.

1892
01:48:08,791 --> 01:48:09,923
And in that backstory

1893
01:48:10,053 --> 01:48:11,881
are the things
that make the character tick.

1894
01:48:12,012 --> 01:48:13,230
And sometimes,

1895
01:48:13,361 --> 01:48:16,277
you gotta go back
and reset the clock.

1896
01:48:17,017 --> 01:48:19,715
- And did you?
- Yeah. Uh...

1897
01:48:20,847 --> 01:48:22,413
Some stuff came up.[TITINA SCOFFS]

1898
01:48:22,588 --> 01:48:24,372
- A lot of stuff.
- TITINA: "Stuff, stuff"...

1899
01:48:24,590 --> 01:48:25,808
Yeah, stuff, you know--

1900
01:48:25,895 --> 01:48:28,245
- Ah. Good stuff or bad stuff?
- NIC: Good, bad...

1901
01:48:29,203 --> 01:48:30,813
But... but you left.

1902
01:48:31,988 --> 01:48:33,033
You left.

1903
01:48:34,295 --> 01:48:38,952
You made people believe in you.
That you were different.

1904
01:48:39,213 --> 01:48:41,911
That you were not just
another celebrity tourist,

1905
01:48:42,259 --> 01:48:44,566
caring nothing for the mess
you leave behind.

1906
01:48:44,697 --> 01:48:46,133
Look, I'm--TITINA: No.

1907
01:48:47,526 --> 01:48:50,311
[SOBS] Why did you come back?

1908
01:48:50,746 --> 01:48:52,269
I came back for you.[TITINA SCOFFS]

1909
01:48:52,356 --> 01:48:53,706
No, I... I did.

1910
01:48:54,533 --> 01:48:55,708
I came back for you.

1911
01:48:57,274 --> 01:48:58,537
I came back for my motivation.

1912
01:48:59,320 --> 01:49:00,321
- Liar.
- No, no

1913
01:49:00,408 --> 01:49:01,452
- No, yeah.
- No.

1914
01:49:03,106 --> 01:49:04,455
No, I'm not lying.

1915
01:49:09,156 --> 01:49:10,157
I'm sorry.

1916
01:49:27,043 --> 01:49:28,436
[GROANS] Whoa.

1917
01:49:29,263 --> 01:49:30,743
- I'm strong?
- Yeah.

1918
01:49:30,873 --> 01:49:31,961
- Very st-- Yeah.
- I know.

1919
01:49:32,092 --> 01:49:33,615
- Ow, that actually hurt.
- Mm.

1920
01:49:34,268 --> 01:49:35,530
All right. Ow.

1921
01:49:35,965 --> 01:49:38,185
Right on the funny bone.
No, not the funny bone, but...

1922
01:49:38,794 --> 01:49:40,056
<i>Citizens of the world.</i>

1923
01:49:40,187 --> 01:49:41,492
I stand before you today

1924
01:49:41,580 --> 01:49:43,016
as we face
our gravest challenge.

1925
01:49:43,582 --> 01:49:46,541
As I speak, an asteroid
the size of a small planet

1926
01:49:46,672 --> 01:49:48,891
<i>hurtles through space
directly at Mt. Vesuvius.</i>

1927
01:49:49,196 --> 01:49:51,154
<i>I ask the nations of the world</i>

1928
01:49:51,241 --> 01:49:53,983
<i>to unleash their nuclear
weapons at the asteroid...[INTENSE RUMBLING]</i>

1929
01:49:55,289 --> 01:49:57,552
<i>...to destroy it
before it destroys us.</i>

1930
01:49:58,074 --> 01:49:59,467
May God be with us all.

1931
01:50:02,252 --> 01:50:03,689
[FABRIZIO CLEARS THROAT]

1932
01:50:06,256 --> 01:50:08,694
Maestro... [sighs]

1933
01:50:10,696 --> 01:50:11,784
With your permission.

1934
01:50:18,747 --> 01:50:19,705
And...

1935
01:50:20,662 --> 01:50:21,924
[IN ITALIAN] Action!

1936
01:50:22,229 --> 01:50:25,362
[BOMBASTIC, JAZZY MUSIC PLAYING]

1937
01:50:29,018 --> 01:50:31,760
OMBRETTA: <i>Marcello.
They heard you. They listened.</i>

1938
01:50:31,891 --> 01:50:34,328
<i>They have sent
their entire nuclear arsenals</i>

1939
01:50:34,458 --> 01:50:37,984
<i>to destroy the asteroid.</i> ["SE BRUCIASSE LA CITTAÀ"
PLAYING]

1940
01:50:51,127 --> 01:50:53,042
Marcello...[AIR RAID SIREN WAILING]

1941
01:50:53,216 --> 01:50:54,609
Do you know what that means?

1942
01:50:55,349 --> 01:50:57,046
NIC: It means the world's safe.

1943
01:50:57,394 --> 01:51:00,354
And the super-volcano can sleep
for another million years.

1944
01:51:00,441 --> 01:51:01,442
No.

1945
01:51:02,530 --> 01:51:04,445
It means a new age of peace.

1946
01:51:05,881 --> 01:51:09,232
No more weapons. No more wars.

1947
01:51:09,406 --> 01:51:11,495
[SIREN WAILING]

1948
01:51:11,670 --> 01:51:13,802
[SONG PEAKS]

1949
01:51:14,455 --> 01:51:17,458
OMBRETTA: <i>Marcello! Look!
Another missile!</i>

1950
01:51:17,588 --> 01:51:19,460
NIC: Time to save
the world again.

1951
01:51:20,200 --> 01:51:21,331
[NIC GRUMBLES]

1952
01:51:21,462 --> 01:51:22,855
I'm gettin' too old
for this shit.

1953
01:51:26,162 --> 01:51:27,207
[GASPS]

1954
01:51:27,729 --> 01:51:28,730
Marcello!

1955
01:51:28,904 --> 01:51:33,866
[YELLS DRAMATICALLY]

1956
01:51:34,170 --> 01:51:35,694
[NIC GRUNTS, WHIMPERS]

1957
01:51:41,047 --> 01:51:42,744
[SONG CONCLUDES]

1958
01:51:42,875 --> 01:51:46,356
[AUDIENCE APPLAUDING,
CHEERING]

1959
01:51:47,531 --> 01:51:50,404
And finally, a clip
from our last nominee.

1960
01:51:52,841 --> 01:51:54,756
[SOBS]

1961
01:51:55,278 --> 01:51:56,802
NIC: [SOBBING] Sorry, Luigi.

1962
01:51:57,324 --> 01:51:59,892
I'm so sorry! [SOBS]

1963
01:52:00,414 --> 01:52:01,589
[JINGLE MUSIC PLAYING]

1964
01:52:01,981 --> 01:52:06,420
And the winner for the Best Rip
Your Heart Out Crying Scene...

1965
01:52:07,595 --> 01:52:11,730
from the first ever
neorealistic action film...

1966
01:52:12,643 --> 01:52:15,951
It's my man, Nic Cassino!

1967
01:52:16,082 --> 01:52:18,737
[TRIUMPHANT MUSIC PLAYING][CROWD CHEERS, APPLAUDS]

1968
01:52:26,527 --> 01:52:28,616
[CROWD CHEER]

1969
01:52:32,707 --> 01:52:33,969
Where's Papa?

1970
01:52:45,851 --> 01:52:47,330
FABRIZIO: Anybody?
[POUNDING ON DOOR]

1971
01:52:47,983 --> 01:52:49,419
[HANDLE RATTLING]
FABRIZIO: Please!

1972
01:52:49,550 --> 01:52:50,899
Do something!

1973
01:52:51,639 --> 01:52:53,162
Please!

1974
01:52:53,641 --> 01:52:55,077
Excuse me! [KNOCKS ON DOOR]

1975
01:52:55,208 --> 01:52:57,340
FABRIZIO:
The winner is in the toilet!

1976
01:52:57,514 --> 01:53:01,867
["MINE AIN'T YOURS" PLAYING]

1977
01:53:18,535 --> 01:53:21,495
<i>♪ It's your last chance
To reign ♪</i>

1978
01:53:22,017 --> 01:53:25,020
<i>♪ Till you fall down
On your knees ♪</i>

1979
01:53:26,326 --> 01:53:28,589
<i>♪ That isn't how you make it</i>

1980
01:53:29,677 --> 01:53:32,071
<i>♪ Mine ain't yours for taking</i>

1981
01:53:32,723 --> 01:53:35,291
<i>♪ Now you're to blame</i>

1982
01:53:35,988 --> 01:53:38,512
<i>♪ For what's going on with me ♪</i>

1983
01:53:38,642 --> 01:53:40,035
<i>♪ You know ♪</i>

1984
01:53:40,166 --> 01:53:42,342
<i>♪ Your life's what
You've made it ♪</i>

1985
01:53:43,647 --> 01:53:45,954
<i>♪ Mine ain't yours for taking</i>

1986
01:53:47,260 --> 01:53:49,610
<i>♪ You never have
To make it right ♪</i>

1987
01:53:49,740 --> 01:53:53,092
<i>♪ But how long
Can you be wrong? ♪</i>

1988
01:53:54,354 --> 01:53:57,792
<i>♪ Don't try to sing
The same old song ♪</i>

1989
01:54:01,230 --> 01:54:03,580
<i>♪ You're never tired
Of making fights ♪</i>

1990
01:54:03,711 --> 01:54:06,801
<i>♪ Tell me how long
Till you're gone ♪</i>

1991
01:54:07,933 --> 01:54:10,805
<i>♪ You never try to see
Eye to eye ♪</i>

1992
01:54:11,588 --> 01:54:14,635
<i>♪ Always looking for
A place to hide ♪</i>

1993
01:54:14,765 --> 01:54:16,855
<i>♪ That isn't how you make it ♪</i>

1994
01:54:18,160 --> 01:54:20,423
<i>♪ Mine ain't yours for taking</i>

1995
01:54:34,829 --> 01:54:37,527
<i>♪ It's your last chance
To reign ♪</i>

1996
01:54:38,137 --> 01:54:41,183
<i>♪ Till you fall down
On your knees ♪</i>

1997
01:54:42,445 --> 01:54:44,752
<i>♪ That isn't how you make it</i>

1998
01:54:45,971 --> 01:54:48,321
<i>♪ Mine ain't yours for taking</i>

1999
01:54:49,104 --> 01:54:51,672
<i>♪ Now you're to blame</i>

2000
01:54:52,064 --> 01:54:54,762
<i>♪ For what's going on with me ♪</i>

2001
01:54:54,893 --> 01:54:56,242
<i>♪ You know ♪</i>

2002
01:54:56,372 --> 01:54:58,461
<i>♪ Your life's what you make it ♪</i>

2003
01:55:00,028 --> 01:55:02,030
<i>♪ Mine ain't yours for taking</i>

2004
01:55:03,466 --> 01:55:05,860
<i>♪ You never have
To make it right ♪</i>

2005
01:55:05,991 --> 01:55:08,776
<i>♪ But how long
Can you be wrong? ♪</i>

2006
01:55:10,430 --> 01:55:13,955
<i>♪ Don't try to sing
The same old song ♪</i>

2007
01:55:17,393 --> 01:55:19,787
<i>♪ You're never tired
Of making fights ♪</i>

2008
01:55:19,918 --> 01:55:22,921
<i>♪ Tell me how long
Till you're gone ♪</i>

2009
01:55:24,139 --> 01:55:26,881
<i>♪ You never try to see
Eye to eye ♪</i>

2010
01:55:27,882 --> 01:55:30,711
<i>♪ Always looking
For a place to hide ♪</i>

2011
01:55:30,841 --> 01:55:33,148
<i>♪ That isn't how you make it ♪</i>

2012
01:55:34,367 --> 01:55:36,630
<i>♪ Mine ain't yours for taking</i>

2013
01:56:19,325 --> 01:56:21,588
<i>♪ You never have
To make it right ♪</i>

2014
01:56:21,718 --> 01:56:24,591
<i>♪ But how long
Can you be wrong? ♪</i>

2015
01:56:26,201 --> 01:56:29,552
<i>♪ Don't try to sing
The same old song ♪</i>

2016
01:56:32,947 --> 01:56:35,167
<i>♪ You never try
To make it right ♪</i>

2017
01:56:35,297 --> 01:56:38,561
<i>♪ Tell me how long
Till you're gone ♪</i>

2018
01:56:39,780 --> 01:56:42,435
<i>♪ You never try to see
Eye to eye ♪</i>

2019
01:56:43,392 --> 01:56:46,265
<i>♪ Always looking
For a place to hide ♪</i>

2020
01:56:46,395 --> 01:56:48,658
<i>♪ That isn't how you make it ♪</i>

2021
01:56:49,877 --> 01:56:52,010
<i>♪ Mine ain't yours for taking</i>

2022
01:56:53,141 --> 01:56:55,317
<i>♪ That isn't how you make it</i>

2023
01:56:56,753 --> 01:56:59,060
<i>♪ Mine ain't yours for taking</i>

2024
01:57:08,635 --> 01:57:10,985
[SONG CONCLUDES]