1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:07,841 --> 00:00:12,000 ♪ ♪ 3 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 4 00:00:12,000 --> 00:00:18,000 ♪ ♪ 5 00:00:18,000 --> 00:00:24,000 ♪ ♪ 6 00:00:24,000 --> 00:00:26,960 ♪ ♪ 7 00:00:27,026 --> 00:00:30,000 ♪ MTV ♪ 8 00:00:30,000 --> 00:00:35,902 ♪ MTV ♪ 9 00:00:35,969 --> 00:00:36,000 VMAs! 10 00:00:36,000 --> 00:00:39,973 VMAs! 11 00:00:40,039 --> 00:00:42,000 ♪ ♪ 12 00:00:42,000 --> 00:00:46,079 ♪ ♪ 13 00:00:46,146 --> 00:00:46,679 BEST RAPPER! 14 00:00:46,746 --> 00:00:48,000 EVERYBODY! 15 00:00:48,000 --> 00:00:53,787 EVERYBODY! 16 00:00:53,853 --> 00:00:54,000 ♪ WHAT THE [...] THOUGH? ♪ 17 00:00:54,000 --> 00:00:54,587 ♪ WHAT THE [...] THOUGH? ♪ 18 00:00:54,654 --> 00:00:55,321 ♪ WHERE THE LOVE GO? ♪ 19 00:00:55,388 --> 00:00:56,055 ♪ FIVE, FOUR, THREE, TWO ♪ 20 00:00:56,122 --> 00:00:56,723 ♪ I LET ONE GO ♪ 21 00:00:56,790 --> 00:00:57,190 ♪ BOW ♪ 22 00:00:57,257 --> 00:00:57,857 ♪ GET THE THOUGH ♪ 23 00:00:57,924 --> 00:00:58,591 ♪ I DON'T BLUFF, BRO ♪ 24 00:00:58,658 --> 00:00:59,292 ♪ AIMIN' AT YOUR HEAD ♪ 25 00:00:59,359 --> 00:00:59,959 ♪ LIKE A BUFFALO ♪ 26 00:01:00,026 --> 00:01:00,627 ♪ YOU A ROUGHNECK, I'M A 27 00:01:00,693 --> 00:01:01,127 CUTTHROAT ♪ 28 00:01:01,194 --> 00:01:01,795 ♪ YOU'RE A TOUGH GUY ♪ 29 00:01:01,861 --> 00:01:02,562 ♪ THAT'S ENOUGH JOKES ♪ 30 00:01:02,629 --> 00:01:03,196 ♪ THEN THE SUN DIE ♪ 31 00:01:03,263 --> 00:01:04,531 ♪ THE NIGHT IS YOUNG THOUGH ♪ 32 00:01:04,597 --> 00:01:06,000 ♪ THE DIAMONDS STILL SHINE IN 33 00:01:06,000 --> 00:01:09,836 ♪ THE DIAMONDS STILL SHINE IN 34 00:01:09,903 --> 00:01:11,871 THE ♪ 35 00:01:11,938 --> 00:01:12,000 ♪ WHAT THE [...] THOUGH? ♪ 36 00:01:12,000 --> 00:01:12,705 ♪ WHAT THE [...] THOUGH? ♪ 37 00:01:12,772 --> 00:01:13,440 ♪ WHERE THE LOVE GO? ♪ 38 00:01:13,506 --> 00:01:14,240 ♪ FIVE, FOUR, THREE, TWO ♪ 39 00:01:14,307 --> 00:01:14,974 ♪ WHERE THE ONES GO? ♪ 40 00:01:15,041 --> 00:01:15,575 ♪ IT'S A S- SHOW ♪ 41 00:01:15,642 --> 00:01:16,342 ♪ PUT YOU FRONT ROW ♪ 42 00:01:16,409 --> 00:01:17,043 ♪ TALKIN' S-, BRO? ♪ 43 00:01:17,110 --> 00:01:18,000 ♪ LET YOUR TONGUE SHOW ♪ 44 00:01:18,000 --> 00:01:20,847 ♪ LET YOUR TONGUE SHOW ♪ 45 00:01:20,914 --> 00:01:24,000 ♪ MONEY OVER FEELINGS AND ABOVE 46 00:01:24,000 --> 00:01:24,517 ♪ MONEY OVER FEELINGS AND ABOVE 47 00:01:24,584 --> 00:01:24,884 DOUGH ♪ 48 00:01:24,951 --> 00:01:25,618 ♪ THAT IS STILL MY FAVORITE 49 00:01:25,685 --> 00:01:26,186 LOVE QUOTE ♪ 50 00:01:26,252 --> 00:01:26,920 ♪ PUT THE [...] INSIDE ♪ 51 00:01:26,986 --> 00:01:27,720 ♪ WHAT THE [...] FOR? ♪ 52 00:01:27,787 --> 00:01:28,455 ♪ I SLEEP WITH THE [...] AND 53 00:01:28,521 --> 00:01:29,122 SHE DON'T SNORE ♪ 54 00:01:29,189 --> 00:01:29,889 ♪ WHAT THE [...] , YO? ♪ 55 00:01:29,956 --> 00:01:30,000 ♪ WHERE THE LOVE GO? ♪ 56 00:01:30,000 --> 00:01:30,623 ♪ WHERE THE LOVE GO? ♪ 57 00:01:30,690 --> 00:01:31,291 ♪ TRADE THE SKI MASK ♪ 58 00:01:31,357 --> 00:01:31,991 ♪ FOR THE MUZZLE ♪ 59 00:01:32,058 --> 00:01:32,659 ♪ IT'S A BLOOD BATH ♪ 60 00:01:32,725 --> 00:01:33,426 ♪ WHERE THE SUDS GO? ♪ 61 00:01:33,493 --> 00:01:34,093 ♪ IT'S A SWIZZ BEAT ♪ 62 00:01:34,160 --> 00:01:36,000 ♪ THERE THE DRUMS GO ♪ 63 00:01:36,000 --> 00:01:37,397 ♪ THERE THE DRUMS GO ♪ 64 00:01:37,464 --> 00:01:41,901 [CHEERS AND APPLAUSE] 65 00:01:41,968 --> 00:01:42,000 LET'S GO! 66 00:01:42,000 --> 00:01:46,473 LET'S GO! 67 00:01:46,539 --> 00:01:48,000 ♪ I JUST PUT IT ALL UP ♪ 68 00:01:48,000 --> 00:01:49,943 ♪ I JUST PUT IT ALL UP ♪ 69 00:01:50,009 --> 00:01:51,411 ♪ FACE, WOAH, NOXZEMA ♪ 70 00:01:51,478 --> 00:01:52,946 ♪ BAD, ALL UP ON MY CASE ♪ 71 00:01:53,012 --> 00:01:53,580 ♪ HANGING OUT THAT CAT 72 00:01:53,646 --> 00:01:53,980 SUIT ♪ 73 00:01:54,047 --> 00:01:54,581 ♪ OO SERENA ♪ 74 00:01:54,647 --> 00:01:55,215 ♪ OO SERENA ♪ 75 00:01:55,281 --> 00:01:55,782 ♪ OO SERENA ♪ 76 00:01:55,849 --> 00:01:56,516 ♪ BOOTY HANGING OUT THAT CAT 77 00:01:56,583 --> 00:01:57,884 SUIT ♪ 78 00:01:57,951 --> 00:02:00,000 ♪ OO SERENA ♪ 79 00:02:00,000 --> 00:02:01,621 ♪ OO SERENA ♪ 80 00:02:01,688 --> 00:02:02,322 ♪ OH, I EAT HER ♪ 81 00:02:02,388 --> 00:02:03,389 ♪ LIKE, HYENA ♪ 82 00:02:03,456 --> 00:02:04,023 ♪ COME HERE, GIRL ♪ 83 00:02:04,090 --> 00:02:04,791 ♪ I GOT THAT CAT FOOD ♪ 84 00:02:04,858 --> 00:02:05,358 ♪ OO PURINA ♪ 85 00:02:05,425 --> 00:02:05,925 ♪ OO PURINA ♪ 86 00:02:05,992 --> 00:02:06,000 ♪ OO PURINA ♪ 87 00:02:06,000 --> 00:02:06,493 ♪ OO PURINA ♪ 88 00:02:06,559 --> 00:02:07,193 ♪ HANGING OUT THAT CAT 89 00:02:07,260 --> 00:02:09,896 SUIT ♪ 90 00:02:09,963 --> 00:02:10,663 ♪ OO, A CHEETAH ♪ 91 00:02:10,730 --> 00:02:12,000 ♪ OO, I EAT HER ♪ 92 00:02:12,000 --> 00:02:12,131 ♪ OO, I EAT HER ♪ 93 00:02:12,198 --> 00:02:12,832 ♪ LIKE, HYENA ♪ 94 00:02:12,899 --> 00:02:13,466 ♪ COME HERE, GIRL ♪ 95 00:02:13,533 --> 00:02:14,267 ♪ I GOT THAT CAT FOOD ♪ 96 00:02:14,334 --> 00:02:18,000 ♪ OO PURINA ♪ 97 00:02:18,000 --> 00:02:19,772 ♪ OO PURINA ♪ 98 00:02:19,839 --> 00:02:20,640 ♪ MY AK-47 GOT MY 40 JEALOUS ♪ 99 00:02:20,707 --> 00:02:21,908 ♪ GREEN GOBLIN SHE RED ROBBING ♪ 100 00:02:21,975 --> 00:02:23,710 ♪ WE LOOK LIKE WATERMELON ♪ 101 00:02:23,776 --> 00:02:24,000 ♪ LAST PERSON GAVE ME STANK EYE 102 00:02:24,000 --> 00:02:24,577 ♪ LAST PERSON GAVE ME STANK EYE 103 00:02:24,644 --> 00:02:25,411 ♪ 104 00:02:25,478 --> 00:02:26,246 ♪ I LET CORONER SMELL HIM ♪ 105 00:02:26,312 --> 00:02:26,980 ♪ EVERYBODY SCREAMING "THANK 106 00:02:27,046 --> 00:02:27,413 GOD" ♪ 107 00:02:27,480 --> 00:02:28,648 ♪ I TELL THEM ALL "YOU'RE 108 00:02:28,715 --> 00:02:29,115 WELCOME" ♪ 109 00:02:29,182 --> 00:02:29,716 ♪ WE BE POPPING X FOR 110 00:02:29,782 --> 00:02:30,000 BREAKFAST ♪ 111 00:02:30,000 --> 00:02:30,216 BREAKFAST ♪ 112 00:02:30,283 --> 00:02:31,117 ♪ SO SAY GOOD MORNING MALCOLM ♪ 113 00:02:31,184 --> 00:02:31,818 ♪ MONEY NEED A HOME AND MY 114 00:02:31,885 --> 00:02:32,285 POCKETS ♪ 115 00:02:32,352 --> 00:02:33,186 ♪ LOOK LIKE A HOMELESS SHELTER ♪ 116 00:02:33,253 --> 00:02:33,920 ♪ SHE ANXIOUS, SHE OBSESSIVE 117 00:02:33,987 --> 00:02:34,320 OVER ♪ 118 00:02:34,387 --> 00:02:34,988 ♪ THEM FRAGRANCE ♪ 119 00:02:35,054 --> 00:02:35,755 ♪ UNDRESS HER AND THEN I SPANK 120 00:02:35,822 --> 00:02:36,000 HER ♪ 121 00:02:36,000 --> 00:02:37,123 HER ♪ 122 00:02:37,190 --> 00:02:38,024 ♪ GOT DEVILS POSING AS ANGELS ♪ 123 00:02:38,091 --> 00:02:38,858 ♪ GOT EVERYWHERE, INSECTS ♪ 124 00:02:38,925 --> 00:02:40,059 ♪ SPRAYING AT 'EM LIKE WINDEX ♪ 125 00:02:40,126 --> 00:02:40,927 ♪ LIKE A SHARK ♪ 126 00:02:40,994 --> 00:02:41,728 ♪ AND I STILL AIN'T LEARN HOW TO 127 00:02:41,794 --> 00:02:42,000 SWIM YET ♪ 128 00:02:42,000 --> 00:02:42,195 SWIM YET ♪ 129 00:02:42,262 --> 00:02:42,862 ♪ STILL AIN'T HER FRIEND 130 00:02:42,929 --> 00:02:43,930 YET ♪ 131 00:02:43,997 --> 00:02:47,934 ♪ ONCE I DO I'M A DIPSET ♪ 132 00:02:48,001 --> 00:02:48,735 ♪ PUT A RED BOW ON THAT GIRL 133 00:02:48,801 --> 00:02:49,536 AND ♪ 134 00:02:49,602 --> 00:02:50,236 ♪ SEND HER BACK TO HIM ♪ 135 00:02:50,303 --> 00:02:50,870 ♪ GIFT WRAPPED ♪ 136 00:02:50,937 --> 00:02:51,437 ♪ DE NADA ♪ 137 00:02:51,504 --> 00:02:52,138 ♪ I'M DAY DREAMING ♪ 138 00:02:52,205 --> 00:02:52,805 ♪ I'M COLD, DEMON ♪ 139 00:02:52,872 --> 00:02:53,506 ♪ I'M SLOW WALKING ♪ 140 00:02:53,573 --> 00:02:54,000 ♪ I'M FLOATING, HOUDINI ♪ 141 00:02:54,000 --> 00:02:54,307 ♪ I'M FLOATING, HOUDINI ♪ 142 00:02:54,374 --> 00:02:55,108 ♪ MY GIRL, SHE SCREAMING ♪ 143 00:02:55,174 --> 00:02:55,909 ♪ FOR MORE, SHE FIENDING ♪ 144 00:02:55,975 --> 00:02:56,643 ♪ I JUST TURNED HER DAYDREAMS 145 00:02:56,709 --> 00:02:57,710 TO WET DREAMS ♪ 146 00:02:57,777 --> 00:02:58,311 ♪ NO BIKINI ♪ 147 00:02:58,378 --> 00:02:58,912 ♪ NO BIKINI ♪ 148 00:02:58,978 --> 00:03:00,000 ♪ NO DEMEANOR ♪ 149 00:03:00,000 --> 00:03:00,580 ♪ NO DEMEANOR ♪ 150 00:03:00,647 --> 00:03:01,881 ♪ YEAH ♪ 151 00:03:01,948 --> 00:03:02,348 ♪ YEAH ♪ 152 00:03:02,415 --> 00:03:03,216 ♪ YEAH ♪ 153 00:03:03,283 --> 00:03:04,284 ♪ YEAH ♪ 154 00:03:04,350 --> 00:03:06,000 ♪ YEAH ♪ 155 00:03:06,000 --> 00:03:06,052 ♪ YEAH ♪ 156 00:03:06,119 --> 00:03:08,221 ♪ YEAH ♪ 157 00:03:08,288 --> 00:03:09,889 ♪ OO SERENA ♪ 158 00:03:09,956 --> 00:03:11,324 ♪ OO SERENA ♪ 159 00:03:11,391 --> 00:03:12,000 ♪ BOOTY HANGING OUT THAT CAT 160 00:03:12,000 --> 00:03:12,759 ♪ BOOTY HANGING OUT THAT CAT 161 00:03:12,825 --> 00:03:13,893 SUIT ♪ 162 00:03:13,960 --> 00:03:16,262 ♪ OO SERENA ♪ 163 00:03:16,329 --> 00:03:16,896 ♪ OOH, I EAT HER ♪ 164 00:03:16,963 --> 00:03:17,830 ♪ LIKE, HYENA ♪ 165 00:03:17,897 --> 00:03:18,000 ♪ COME HERE, GIRL, I GOT THAT 166 00:03:18,000 --> 00:03:18,598 ♪ COME HERE, GIRL, I GOT THAT 167 00:03:18,665 --> 00:03:19,065 CAT FOOD ♪ 168 00:03:19,132 --> 00:03:19,933 ♪ OO PURINA ♪ 169 00:03:19,999 --> 00:03:21,868 ♪ OO PURINA ♪ 170 00:03:21,935 --> 00:03:24,000 ♪ OO PURINA ♪ 171 00:03:24,000 --> 00:03:24,704 ♪ OO PURINA ♪ 172 00:03:24,771 --> 00:03:25,905 ♪ OO PURINA ♪ 173 00:03:25,972 --> 00:03:27,073 ♪ OO PURINA ♪ 174 00:03:27,140 --> 00:03:28,408 ♪ OO PURINA ♪ 175 00:03:28,474 --> 00:03:30,000 ♪ I GOT THAT CAT FOOD ♪ 176 00:03:30,000 --> 00:03:34,180 ♪ I GOT THAT CAT FOOD ♪ 177 00:03:34,247 --> 00:03:35,715 EVERYBODY ON YOUR FEET RIGHT 178 00:03:35,782 --> 00:03:35,982 NOW! 179 00:03:36,049 --> 00:03:36,482 ♪ HANDS UP ♪ 180 00:03:36,549 --> 00:03:37,750 ♪ HANDS UP ♪ 181 00:03:37,817 --> 00:03:38,251 ♪ HANDS UP ♪ 182 00:03:38,318 --> 00:03:38,952 ♪ EVERYBODY, HANDS UP ♪ 183 00:03:39,018 --> 00:03:42,000 ♪ HANDS UP ♪ 184 00:03:42,000 --> 00:03:42,989 ♪ HANDS UP ♪ 185 00:03:43,056 --> 00:03:43,656 ♪ ♪ 186 00:03:43,723 --> 00:03:44,324 ♪ SHE BAD, UH-HUH ♪ 187 00:03:44,390 --> 00:03:44,991 ♪ GOT ASS, UH-HUH ♪ 188 00:03:45,058 --> 00:03:45,725 ♪ GOT FRIENDS, UH-HUH ♪ 189 00:03:45,792 --> 00:03:46,459 ♪ THEY DANCE, UH-HUH ♪ 190 00:03:46,526 --> 00:03:48,000 ♪ HANDS ON YOUR KNEES, BUST IT 191 00:03:48,000 --> 00:03:48,227 ♪ HANDS ON YOUR KNEES, BUST IT 192 00:03:48,294 --> 00:03:48,628 DOWN ♪ 193 00:03:48,695 --> 00:03:49,896 ♪ LET ME SEE THAT BOOTY JUMP FOR 194 00:03:49,963 --> 00:03:50,630 ME ♪ 195 00:03:50,697 --> 00:03:52,398 ♪ UP AND DOWN ♪ 196 00:03:52,465 --> 00:03:53,933 ♪ JUMP AROUND, UH ♪ 197 00:03:54,000 --> 00:03:54,701 ♪ WAIT, WAIT, WAIT ♪ 198 00:03:54,767 --> 00:03:57,470 ♪ HANDS ON YOUR KNEES, BUST IT 199 00:03:57,537 --> 00:03:57,904 DOWN ♪ 200 00:03:57,971 --> 00:03:58,705 ♪ H-H-HANDS ON YOUR KNEES, BUST 201 00:03:58,771 --> 00:03:59,172 IT DOWN ♪ 202 00:03:59,238 --> 00:03:59,973 ♪ LET ME SEE THAT BOOTY JUMP FOR 203 00:04:00,039 --> 00:04:00,473 ME ♪ 204 00:04:00,540 --> 00:04:06,000 ♪ UP AND DOWN ♪ 205 00:04:06,000 --> 00:04:06,479 ♪ UP AND DOWN ♪ 206 00:04:06,546 --> 00:04:08,448 ♪ BUST IT DOWN ♪♪ 207 00:04:08,514 --> 00:04:09,916 THANK YOU. 208 00:04:09,983 --> 00:04:12,000 [CHEERS AND APPLAUSE] 209 00:04:12,000 --> 00:04:18,000 [CHEERS AND APPLAUSE] 210 00:04:18,000 --> 00:04:19,258 [CHEERS AND APPLAUSE] 211 00:04:19,325 --> 00:04:21,527 >> OLIVIA RODRIGO IN THREE, TWO, 212 00:04:21,594 --> 00:04:21,894 ONE. 213 00:04:21,961 --> 00:04:24,000 ♪ ♪ 214 00:04:24,000 --> 00:04:30,000 ♪ ♪ 215 00:04:30,000 --> 00:04:36,000 ♪ ♪ 216 00:04:36,000 --> 00:04:39,412 ♪ ♪ 217 00:04:39,479 --> 00:04:41,381 >> ♪♪ HATE TO GIVE THE 218 00:04:41,447 --> 00:04:41,881 SATISFACTION ♪ 219 00:04:41,948 --> 00:04:42,000 ♪ ASKING HOW YOU'RE DOING NOW ♪ 220 00:04:42,000 --> 00:04:42,749 ♪ ASKING HOW YOU'RE DOING NOW ♪ 221 00:04:42,815 --> 00:04:43,483 ♪ HOW'S THE CASTLE BUILT OFF 222 00:04:43,549 --> 00:04:44,550 PEOPLE ♪ 223 00:04:44,617 --> 00:04:46,252 ♪ YOU PRETEND TO CARE ABOUT? ♪ 224 00:04:46,319 --> 00:04:48,000 ♪ JUST WHAT YOU WANTED ♪ 225 00:04:48,000 --> 00:04:48,287 ♪ JUST WHAT YOU WANTED ♪ 226 00:04:48,354 --> 00:04:49,889 ♪ LOOK AT YOU, COOL GUY, YOU GOT 227 00:04:49,956 --> 00:04:52,992 IT ♪ 228 00:04:53,059 --> 00:04:54,000 ♪ I SEE THE PARTIES AND THE 229 00:04:54,000 --> 00:04:55,294 ♪ I SEE THE PARTIES AND THE 230 00:04:55,361 --> 00:04:57,630 DIAMONDS SOMETIMES ♪ 231 00:04:57,697 --> 00:04:58,398 ♪ WHEN I CLOSE MY EYES ♪ 232 00:04:58,464 --> 00:04:59,198 ♪ SIX MONTHS OF TORTURE YOU SOLD 233 00:04:59,265 --> 00:04:59,999 AS SOME FORBIDDEN PARADISE ♪ 234 00:05:00,066 --> 00:05:02,268 ♪ I LOVED YOU TRULY ♪ 235 00:05:02,335 --> 00:05:05,371 ♪ GOTTA LAUGH AT THE STUPIDITY ♪ 236 00:05:05,438 --> 00:05:06,000 ♪ 'CAUSE I'VE MADE SOME REAL BIG 237 00:05:06,000 --> 00:05:09,876 ♪ 'CAUSE I'VE MADE SOME REAL BIG 238 00:05:09,942 --> 00:05:12,000 MISTAKES ♪ 239 00:05:12,000 --> 00:05:12,879 MISTAKES ♪ 240 00:05:12,945 --> 00:05:14,347 ♪ BUT YOU MAKE THE WORST ONE 241 00:05:14,414 --> 00:05:14,847 LOOK FINE ♪ 242 00:05:14,914 --> 00:05:16,983 ♪ I SHOULD'VE KNOWN IT WAS 243 00:05:17,050 --> 00:05:17,917 STRANGE ♪ 244 00:05:17,984 --> 00:05:18,000 ♪ YOU ONLY COME OUT AT NIGHT ♪ 245 00:05:18,000 --> 00:05:19,819 ♪ YOU ONLY COME OUT AT NIGHT ♪ 246 00:05:19,886 --> 00:05:24,000 ♪ I USED TO THINK I WAS SMART ♪ 247 00:05:24,000 --> 00:05:24,323 ♪ I USED TO THINK I WAS SMART ♪ 248 00:05:24,390 --> 00:05:25,391 ♪ BUT YOU MADE ME LOOK SO 249 00:05:25,458 --> 00:05:26,726 NAIVE ♪ 250 00:05:26,793 --> 00:05:29,862 ♪ THE WAY YOU SOLD ME FOR 251 00:05:29,929 --> 00:05:30,000 PARTS ♪ 252 00:05:30,000 --> 00:05:32,832 PARTS ♪ 253 00:05:32,899 --> 00:05:34,033 ♪ AS YOU SUNK YOUR TEETH INTO 254 00:05:34,100 --> 00:05:35,501 ME, OH ♪ 255 00:05:35,568 --> 00:05:36,000 ♪ BLOODSUCKER, DREAM CRUSHER ♪ 256 00:05:36,000 --> 00:05:39,806 ♪ BLOODSUCKER, DREAM CRUSHER ♪ 257 00:05:39,872 --> 00:05:41,140 ♪ BLEEDIN' ME DRY LIKE A 258 00:05:41,207 --> 00:05:42,000 DAMN VAMPIRE ♪ 259 00:05:42,000 --> 00:05:42,642 DAMN VAMPIRE ♪ 260 00:05:42,709 --> 00:05:48,000 ♪ ♪ 261 00:05:48,000 --> 00:05:49,215 ♪ ♪ 262 00:05:49,282 --> 00:05:50,750 ♪ YOU SAID IT WAS TRUE LOVE, BUT 263 00:05:50,817 --> 00:05:52,552 WOULDN'T THAT BE HARD? ♪ 264 00:05:52,618 --> 00:05:54,000 ♪ YOU CAN'T LOVE ANYONE ♪ 265 00:05:54,000 --> 00:05:55,254 ♪ YOU CAN'T LOVE ANYONE ♪ 266 00:05:55,321 --> 00:05:56,122 ♪ 'CAUSE THAT WOULD MEAN YOU HAD 267 00:05:56,189 --> 00:05:57,156 A HEART ♪ 268 00:05:57,223 --> 00:05:58,257 ♪ I TRIED YOU HELP YOU OUT, NOW 269 00:05:58,324 --> 00:05:59,258 I KNOW THAT I CAN'T ♪ 270 00:05:59,325 --> 00:06:00,000 ♪ 'CAUSE HOW YOU THINK'S THE 271 00:06:00,000 --> 00:06:01,861 ♪ 'CAUSE HOW YOU THINK'S THE 272 00:06:01,928 --> 00:06:02,361 KIND OF THING ♪ 273 00:06:02,428 --> 00:06:06,000 ♪ I'LL NEVER UNDERSTAND ♪ 274 00:06:06,000 --> 00:06:06,599 ♪ I'LL NEVER UNDERSTAND ♪ 275 00:06:06,666 --> 00:06:09,068 ♪ OH ♪ 276 00:06:09,135 --> 00:06:12,000 ♪ ♪ 277 00:06:12,000 --> 00:06:13,473 ♪ ♪ 278 00:06:13,539 --> 00:06:15,608 ♪ YOU BETRAYED ME ♪ 279 00:06:15,675 --> 00:06:18,000 [CHEERS AND APPLAUSE] 280 00:06:18,000 --> 00:06:21,047 [CHEERS AND APPLAUSE] 281 00:06:21,114 --> 00:06:22,215 ♪ ♪ 282 00:06:22,281 --> 00:06:24,000 ♪ WELL, GOOD FOR YOU, YOU LOOK 283 00:06:24,000 --> 00:06:25,952 ♪ WELL, GOOD FOR YOU, YOU LOOK 284 00:06:26,018 --> 00:06:30,000 HAPPY AND HEAL-EL-EL ♪ 285 00:06:30,000 --> 00:06:30,590 HAPPY AND HEAL-EL-EL ♪ 286 00:06:30,656 --> 00:06:33,893 ♪ I WANT TO GET HIM BACK, BACK, 287 00:06:33,960 --> 00:06:36,000 BACK ♪ 288 00:06:36,000 --> 00:06:36,129 BACK ♪ 289 00:06:36,195 --> 00:06:42,000 ♪ ♪ 290 00:06:42,000 --> 00:06:47,306 ♪ ♪ 291 00:06:47,373 --> 00:06:48,000 ♪ I WANNA GET HIM BACK ♪ 292 00:06:48,000 --> 00:06:49,242 ♪ I WANNA GET HIM BACK ♪ 293 00:06:49,308 --> 00:06:49,976 ♪ I WANNA MAKE HIM REALLY 294 00:06:50,042 --> 00:06:50,977 JEALOUS ♪ 295 00:06:51,043 --> 00:06:52,178 ♪ WANNA MAKE HIM FEEL BAD ♪ 296 00:06:52,245 --> 00:06:54,000 ♪ OH, I WANNA GET HIM BACK ♪ 297 00:06:54,000 --> 00:06:55,615 ♪ OH, I WANNA GET HIM BACK ♪ 298 00:06:55,681 --> 00:06:56,382 ♪ 'CAUSE THEN AGAIN, I REALLY 299 00:06:56,449 --> 00:06:57,984 MISS HIM ♪ 300 00:06:58,050 --> 00:06:58,818 ♪ AND IT MAKES ME REAL SAD ♪ 301 00:06:58,885 --> 00:07:00,000 ♪ OH, I WANT SWEET REVENGE AND I 302 00:07:00,000 --> 00:07:01,921 ♪ OH, I WANT SWEET REVENGE AND I 303 00:07:01,988 --> 00:07:06,000 WANT HIM AGAIN ♪ 304 00:07:06,000 --> 00:07:07,126 WANT HIM AGAIN ♪ 305 00:07:07,193 --> 00:07:10,062 ♪ I WANT TO GET HIM BACK ♪ 306 00:07:10,129 --> 00:07:12,000 ♪ AND THEN? ♪ 307 00:07:12,000 --> 00:07:15,001 ♪ AND THEN? ♪ 308 00:07:15,067 --> 00:07:16,569 ♪ I WANT TO GET HIM BACK, BACK, 309 00:07:16,636 --> 00:07:16,969 BACK ♪ 310 00:07:17,036 --> 00:07:18,000 ♪ I WANNA KEY HIS CAR ♪ 311 00:07:18,000 --> 00:07:18,571 ♪ I WANNA KEY HIS CAR ♪ 312 00:07:18,638 --> 00:07:21,808 ♪ I WANNA MAKE HIM LUNCH ♪ 313 00:07:21,874 --> 00:07:24,000 ♪ I WANNA BREAK HIS HEART ♪ 314 00:07:24,000 --> 00:07:25,044 ♪ I WANNA BREAK HIS HEART ♪ 315 00:07:25,111 --> 00:07:26,045 ♪ THEN BE THE ONE TO STITCH IT 316 00:07:26,112 --> 00:07:28,247 UP ♪ 317 00:07:28,314 --> 00:07:30,000 ♪ WANNA KISS HIS FACE ♪ 318 00:07:30,000 --> 00:07:30,516 ♪ WANNA KISS HIS FACE ♪ 319 00:07:30,583 --> 00:07:34,287 ♪ WITH AN UPPERCUT ♪ 320 00:07:34,353 --> 00:07:36,000 ♪ I WANNA MEET HIS MOM ♪ 321 00:07:36,000 --> 00:07:38,224 ♪ I WANNA MEET HIS MOM ♪ 322 00:07:38,291 --> 00:07:39,559 ♪ JUST TO TELL HER HER SON 323 00:07:39,625 --> 00:07:41,961 SUCKS ♪ 324 00:07:42,028 --> 00:07:42,695 ♪ OH, I WANNA KEY HIS CAR, I 325 00:07:42,762 --> 00:07:44,096 WANNA MAKE HIM LUNCH ♪ 326 00:07:44,163 --> 00:07:45,531 ♪ I WANNA BREAK HIS HEART, 327 00:07:45,598 --> 00:07:46,265 STITCH IT RIGHT BACK UP ♪ 328 00:07:46,332 --> 00:07:47,200 ♪ I WANNA KISS HIS FACE WITH AN 329 00:07:47,266 --> 00:07:48,000 UPPERCUT ♪ 330 00:07:48,000 --> 00:07:49,035 UPPERCUT ♪ 331 00:07:49,101 --> 00:07:53,773 ♪ I WANNA MEET HIS MOM AND TELL 332 00:07:53,840 --> 00:07:54,000 HER HER SON SUCKS ♪ 333 00:07:54,000 --> 00:07:58,077 HER HER SON SUCKS ♪ 334 00:07:58,144 --> 00:07:59,312 ♪ I WANT TO GET HIM BACK ♪ 335 00:07:59,378 --> 00:08:00,000 ♪ I WANNA MAKE HIM REALLY 336 00:08:00,000 --> 00:08:00,279 ♪ I WANNA MAKE HIM REALLY 337 00:08:00,346 --> 00:08:01,013 JEALOUS ♪ 338 00:08:01,080 --> 00:08:01,814 ♪ WANNA MAKE HIM FEEL BAD ♪ 339 00:08:01,881 --> 00:08:02,648 ♪ OH, I WANNA GET HIM BACK ♪ 340 00:08:02,715 --> 00:08:03,416 ♪ 'CAUSE THEN AGAIN, I REALLY 341 00:08:03,482 --> 00:08:05,918 MISS HIM ♪ 342 00:08:05,985 --> 00:08:06,000 ♪ AND IT MAKES ME REAL SAD ♪ 343 00:08:06,000 --> 00:08:06,752 ♪ AND IT MAKES ME REAL SAD ♪ 344 00:08:06,819 --> 00:08:09,355 ♪ OH, I WANT SWEET REVENGE AND I 345 00:08:09,422 --> 00:08:09,922 WANT HIM AGAIN ♪ 346 00:08:09,989 --> 00:08:12,000 ♪ I WANT TO GET HIM BACK ♪ 347 00:08:12,000 --> 00:08:17,496 ♪ I WANT TO GET HIM BACK ♪ 348 00:08:17,563 --> 00:08:18,000 ♪ AND THEN? ♪ 349 00:08:18,000 --> 00:08:18,431 ♪ AND THEN? ♪ 350 00:08:18,497 --> 00:08:21,868 ♪ I WANT TO GET HIM BACK, BACK, 351 00:08:21,934 --> 00:08:23,002 BACK ♪ 352 00:08:23,069 --> 00:08:24,000 ♪ ♪ 353 00:08:24,000 --> 00:08:30,000 ♪ ♪ 354 00:08:30,000 --> 00:08:31,244 ♪ ♪ 355 00:08:31,310 --> 00:08:36,000 [CHEERS AND APPLAUSE] 356 00:08:36,000 --> 00:08:42,000 [CHEERS AND APPLAUSE] 357 00:08:42,000 --> 00:08:48,000 [CHEERS AND APPLAUSE] 358 00:08:48,000 --> 00:08:54,000 [CHEERS AND APPLAUSE] 359 00:08:54,000 --> 00:08:57,870 [CHEERS AND APPLAUSE] 360 00:08:57,937 --> 00:08:58,871 ♪ ♪ 361 00:08:58,938 --> 00:09:00,000 >> IT'S THE 2023 MTV VIDEO MUSIC 362 00:09:00,000 --> 00:09:01,240 >> IT'S THE 2023 MTV VIDEO MUSIC 363 00:09:01,307 --> 00:09:02,942 AWARDS LIVE FROM NEWARK, 364 00:09:03,009 --> 00:09:06,000 NEW JERSEY. 365 00:09:06,000 --> 00:09:09,282 NEW JERSEY. 366 00:09:09,348 --> 00:09:12,000 ♪ ♪ 367 00:09:12,000 --> 00:09:16,989 ♪ ♪ 368 00:09:17,056 --> 00:09:18,000 PLEASE WELCOME NICKI MINAJ! 369 00:09:18,000 --> 00:09:21,027 PLEASE WELCOME NICKI MINAJ! 370 00:09:21,093 --> 00:09:24,000 [CHEERS AND APPLAUSE] 371 00:09:24,000 --> 00:09:30,000 [CHEERS AND APPLAUSE] 372 00:09:30,000 --> 00:09:36,000 [CHEERS AND APPLAUSE] 373 00:09:36,000 --> 00:09:42,000 [CHEERS AND APPLAUSE] 374 00:09:42,000 --> 00:09:48,000 [CHEERS AND APPLAUSE] 375 00:09:48,000 --> 00:09:53,025 [CHEERS AND APPLAUSE] 376 00:09:53,092 --> 00:09:54,000 >> HEY! 377 00:09:54,000 --> 00:09:57,863 >> HEY! 378 00:09:57,930 --> 00:10:00,000 HEY! 379 00:10:00,000 --> 00:10:03,069 HEY! 380 00:10:03,135 --> 00:10:04,503 MTV, MAKE SOME NOISE! 381 00:10:04,570 --> 00:10:06,000 [CHEERS AND APPLAUSE] 382 00:10:06,000 --> 00:10:12,000 [CHEERS AND APPLAUSE] 383 00:10:12,000 --> 00:10:14,180 [CHEERS AND APPLAUSE] 384 00:10:14,246 --> 00:10:15,481 I LOVE YOU SO MUCH. 385 00:10:15,548 --> 00:10:17,016 I LOVE YOU SO MUCH. 386 00:10:17,083 --> 00:10:18,000 I JUST REALIZED THAT ONE OF MY 387 00:10:18,000 --> 00:10:18,384 I JUST REALIZED THAT ONE OF MY 388 00:10:18,451 --> 00:10:24,000 SHOES WERE NOT BUTTONED. 389 00:10:24,000 --> 00:10:26,826 SHOES WERE NOT BUTTONED. 390 00:10:26,892 --> 00:10:27,727 ONE, TWO, BUCKLE MY MOTHER- 391 00:10:27,793 --> 00:10:30,000 SHOE. 392 00:10:30,000 --> 00:10:33,199 SHOE. 393 00:10:33,265 --> 00:10:36,000 MAKE SOME NOISE, YOU GUYS, FOR 394 00:10:36,000 --> 00:10:41,474 MAKE SOME NOISE, YOU GUYS, FOR 395 00:10:41,540 --> 00:10:42,000 THE INCREDIBLE GENIUS GREATEST 396 00:10:42,000 --> 00:10:42,208 THE INCREDIBLE GENIUS GREATEST 397 00:10:42,274 --> 00:10:43,242 RAPPER OF ALL TIME, LIL WAYNE, 398 00:10:43,309 --> 00:10:43,943 AND MAKE SOME NOISE FOR OLIVIA 399 00:10:44,010 --> 00:10:48,000 RODRIGO! 400 00:10:48,000 --> 00:10:49,849 RODRIGO! 401 00:10:49,915 --> 00:10:51,083 [CHEERS AND APPLAUSE] 402 00:10:51,150 --> 00:10:54,000 NOW, LISTEN REAL QUICK. 403 00:10:54,000 --> 00:10:54,387 NOW, LISTEN REAL QUICK. 404 00:10:54,453 --> 00:10:57,990 MTV IS PETRIFIED BECAUSE THEY 405 00:10:58,057 --> 00:11:00,000 GOT A COUPLE CALLS YESTERDAY, 406 00:11:00,000 --> 00:11:01,961 GOT A COUPLE CALLS YESTERDAY, 407 00:11:02,028 --> 00:11:05,231 AND PEOPLE WERE SAYING, WHAT IF 408 00:11:05,297 --> 00:11:05,898 NICKI SAYS THIS AND IF NICKI 409 00:11:05,965 --> 00:11:06,000 SAYS THAT? 410 00:11:06,000 --> 00:11:08,801 SAYS THAT? 411 00:11:08,868 --> 00:11:10,036 AND, YOU KNOW, I SAID, IT'S 412 00:11:10,102 --> 00:11:12,000 OKAY, MTV. 413 00:11:12,000 --> 00:11:12,304 OKAY, MTV. 414 00:11:12,371 --> 00:11:15,908 I CAN CONTROL MYSELF. 415 00:11:15,975 --> 00:11:17,910 BECAUSE IF YOU CAN'T CONTROL 416 00:11:17,977 --> 00:11:18,000 YOURSELF, YOU CAN'T CONTROL 417 00:11:18,000 --> 00:11:19,211 YOURSELF, YOU CAN'T CONTROL 418 00:11:19,278 --> 00:11:21,981 ANYTHING AROUND YOU, RIGHT? 419 00:11:22,048 --> 00:11:24,000 BUT YOU KNOW WHO CAN'T CONTROL 420 00:11:24,000 --> 00:11:25,885 BUT YOU KNOW WHO CAN'T CONTROL 421 00:11:25,951 --> 00:11:29,555 THEMSELVES? 422 00:11:29,622 --> 00:11:30,000 [CHEERS AND APPLAUSE] 423 00:11:30,000 --> 00:11:36,000 [CHEERS AND APPLAUSE] 424 00:11:36,000 --> 00:11:37,029 [CHEERS AND APPLAUSE] 425 00:11:37,096 --> 00:11:37,897 SO I'LL THINK ABOUT IT. 426 00:11:37,963 --> 00:11:38,631 NEW YORK, NEW JERSEY, MAKE SOME 427 00:11:38,697 --> 00:11:41,567 NOISE! 428 00:11:41,634 --> 00:11:42,000 LISTEN, LISTEN, LISTEN, Y'ALL. 429 00:11:42,000 --> 00:11:48,000 LISTEN, LISTEN, LISTEN, Y'ALL. 430 00:11:48,000 --> 00:11:48,340 LISTEN, LISTEN, LISTEN, Y'ALL. 431 00:11:48,407 --> 00:11:53,079 THIS IS AN ICONIC MOMENT, SO 432 00:11:53,145 --> 00:11:54,000 LET'S BE QUIET ONE SECOND. 433 00:11:54,000 --> 00:11:54,080 LET'S BE QUIET ONE SECOND. 434 00:11:54,146 --> 00:11:57,817 FOR THE FIRST TIME EVER BACK 435 00:11:57,883 --> 00:11:58,517 TOGETHER IN, LIKE, A DECADE, 436 00:11:58,584 --> 00:11:59,151 MAKE SOME NOISE FOR NSNYC. 437 00:11:59,218 --> 00:12:00,000 [CHEERS AND APPLAUSE] 438 00:12:00,000 --> 00:12:05,925 [CHEERS AND APPLAUSE] 439 00:12:05,991 --> 00:12:06,000 ♪ ♪ 440 00:12:06,000 --> 00:12:08,260 ♪ ♪ 441 00:12:08,327 --> 00:12:12,000 ♪ BYE BYE ♪ 442 00:12:12,000 --> 00:12:13,933 ♪ BYE BYE ♪ 443 00:12:13,999 --> 00:12:17,903 ♪ ♪ 444 00:12:17,970 --> 00:12:18,000 [CHEERS AND APPLAUSE] 445 00:12:18,000 --> 00:12:24,000 [CHEERS AND APPLAUSE] 446 00:12:24,000 --> 00:12:27,480 [CHEERS AND APPLAUSE] 447 00:12:27,546 --> 00:12:30,000 >> HELLO, VMAs! 448 00:12:30,000 --> 00:12:33,919 >> HELLO, VMAs! 449 00:12:33,986 --> 00:12:36,000 [CHEERS AND APPLAUSE] 450 00:12:36,000 --> 00:12:42,000 [CHEERS AND APPLAUSE] 451 00:12:42,000 --> 00:12:43,662 [CHEERS AND APPLAUSE] 452 00:12:43,729 --> 00:12:44,864 OVER 20 YEARS AGO, WON BEST 453 00:12:44,930 --> 00:12:47,032 VIDEO FOR "BYE, BYE, BYE." 454 00:12:47,099 --> 00:12:48,000 IT WAS OUR FIRST VMA AND IT 455 00:12:48,000 --> 00:12:49,935 IT WAS OUR FIRST VMA AND IT 456 00:12:50,002 --> 00:12:50,503 MEANT THE WORLD TO US. 457 00:12:50,569 --> 00:12:53,873 THAT AWARD VALIDATED OUR HARD 458 00:12:53,939 --> 00:12:54,000 WORK. 459 00:12:54,000 --> 00:12:54,340 WORK. 460 00:12:54,406 --> 00:12:57,309 WELL, WE MIGHT HAVE WON AGAIN 461 00:12:57,376 --> 00:12:58,511 FOR POP, BUT -- YOU GUYS 462 00:12:58,577 --> 00:13:00,000 REMEMBER THAT? 463 00:13:00,000 --> 00:13:01,914 REMEMBER THAT? 464 00:13:01,981 --> 00:13:03,449 >> I REMEMBER. 465 00:13:03,516 --> 00:13:05,584 >> A LOT HAS CHANGED IN TWO 466 00:13:05,651 --> 00:13:05,918 DECADES. 467 00:13:05,985 --> 00:13:06,000 ONE THING REMAINS CONSTANT, 468 00:13:06,000 --> 00:13:12,000 ONE THING REMAINS CONSTANT, 469 00:13:12,000 --> 00:13:13,726 ONE THING REMAINS CONSTANT, 470 00:13:13,792 --> 00:13:14,426 A CREATIVE, BOUNDARY PUSHING 471 00:13:14,493 --> 00:13:15,394 VIDEO LEAVES A MARK FOR DECADES. 472 00:13:15,461 --> 00:13:16,061 >> WE WANT TO SAY THANK YOU, 473 00:13:16,128 --> 00:13:17,930 MTV, THANK YOU, ALL OF YOU GUYS. 474 00:13:17,997 --> 00:13:18,000 EACH AND ALL OF YOU FOR ALWAYS 475 00:13:18,000 --> 00:13:21,934 EACH AND ALL OF YOU FOR ALWAYS 476 00:13:22,001 --> 00:13:24,000 SUPPORTING YOUR FAVORITE 477 00:13:24,000 --> 00:13:25,538 SUPPORTING YOUR FAVORITE 478 00:13:25,604 --> 00:13:26,005 MUSICAL ARTISTS. 479 00:13:26,071 --> 00:13:27,173 THANK YOU, GUYS. 480 00:13:27,239 --> 00:13:28,541 >> Y'ALL READY TO GIVE OUT THE 481 00:13:28,607 --> 00:13:29,074 FIRST AWARD? 482 00:13:29,141 --> 00:13:29,642 [CHEERS AND APPLAUSE] 483 00:13:29,708 --> 00:13:30,000 >> HERE ARE THE NOMINEES FOR 484 00:13:30,000 --> 00:13:30,309 >> HERE ARE THE NOMINEES FOR 485 00:13:30,376 --> 00:13:33,012 BEST POP. 486 00:13:33,078 --> 00:13:36,000 >> BEST POP. 487 00:13:36,000 --> 00:13:37,983 >> BEST POP. 488 00:13:38,050 --> 00:13:41,854 MILEY CYRUS, "FLOWERS." 489 00:13:41,921 --> 00:13:42,000 ♪ ♪ 490 00:13:42,000 --> 00:13:42,555 ♪ ♪ 491 00:13:42,621 --> 00:13:45,824 TAYLOR SWIFT, "ANTI-HERO." 492 00:13:45,891 --> 00:13:48,000 ♪ ♪ 493 00:13:48,000 --> 00:13:50,229 ♪ ♪ 494 00:13:50,296 --> 00:13:53,866 ED SHEERAN, "EYES CLOSED." 495 00:13:53,933 --> 00:13:54,000 ♪ ♪ 496 00:13:54,000 --> 00:13:57,937 ♪ ♪ 497 00:13:58,003 --> 00:13:58,537 PINK, "TRUSTFALL." 498 00:13:58,604 --> 00:14:00,000 ♪ ♪ 499 00:14:00,000 --> 00:14:05,311 ♪ ♪ 500 00:14:05,377 --> 00:14:05,878 DEMI LOVATO, "SWINE." 501 00:14:05,945 --> 00:14:06,000 ♪ ♪ 502 00:14:06,000 --> 00:14:08,113 ♪ ♪ 503 00:14:08,180 --> 00:14:10,749 OLIVIA RODRIGO, "VAMPIRE." 504 00:14:10,816 --> 00:14:12,000 ♪ ♪ 505 00:14:12,000 --> 00:14:15,020 ♪ ♪ 506 00:14:15,087 --> 00:14:18,000 DUA LIPA, "DANCE THE NIGHT" 507 00:14:18,000 --> 00:14:23,095 DUA LIPA, "DANCE THE NIGHT" 508 00:14:23,162 --> 00:14:24,000 FROM "'BARBIE' THE ALBUM." 509 00:14:24,000 --> 00:14:25,898 FROM "'BARBIE' THE ALBUM." 510 00:14:25,965 --> 00:14:26,265 ♪ ♪ 511 00:14:26,332 --> 00:14:29,101 [CHEERS AND APPLAUSE] 512 00:14:29,168 --> 00:14:29,535 >> ALL RIGHT. 513 00:14:29,602 --> 00:14:30,000 ALL RIGHT. 514 00:14:30,000 --> 00:14:34,106 ALL RIGHT. 515 00:14:34,173 --> 00:14:36,000 AND THE VMA GOES TO... 516 00:14:36,000 --> 00:14:42,000 AND THE VMA GOES TO... 517 00:14:42,000 --> 00:14:42,114 AND THE VMA GOES TO... 518 00:14:42,181 --> 00:14:45,918 THE UNSTOPPABLE TAYLOR SWIFT. 519 00:14:45,985 --> 00:14:46,485 [CHEERS AND APPLAUSE] 520 00:14:46,552 --> 00:14:48,000 ♪ ♪ 521 00:14:48,000 --> 00:14:49,688 ♪ ♪ 522 00:14:49,755 --> 00:14:50,556 ♪♪ IT'S ME, HI, I'M THE PROBLEM, 523 00:14:50,623 --> 00:14:53,959 IT'S ME ♪ 524 00:14:54,026 --> 00:14:55,961 ♪ AT TEATIME, EVERYBODY AGREES ♪ 525 00:14:56,028 --> 00:14:57,963 ♪ I'LL STARE DIRECTLY AT THE SUN 526 00:14:58,030 --> 00:15:00,000 BUT NEVER IN THE MIRROR ♪ 527 00:15:00,000 --> 00:15:00,599 BUT NEVER IN THE MIRROR ♪ 528 00:15:00,666 --> 00:15:01,700 ♪ IT MUST BE EXHAUSTING ALWAYS 529 00:15:01,767 --> 00:15:06,000 ROOTING FOR THE ANTIHERO ♪ 530 00:15:06,000 --> 00:15:12,000 ROOTING FOR THE ANTIHERO ♪ 531 00:15:12,000 --> 00:15:12,544 ROOTING FOR THE ANTIHERO ♪ 532 00:15:12,611 --> 00:15:13,545 ♪ SOMETIMES I FEEL LIKE 533 00:15:13,612 --> 00:15:18,000 EVERYBODY IS A SEXY BABY ♪ 534 00:15:18,000 --> 00:15:21,220 EVERYBODY IS A SEXY BABY ♪ 535 00:15:21,287 --> 00:15:22,354 ♪ AND I'M A MONSTER ON THE 536 00:15:22,421 --> 00:15:24,000 HILL ♪ 537 00:15:24,000 --> 00:15:26,292 HILL ♪ 538 00:15:26,358 --> 00:15:27,259 ♪ TOO BIG TO HANG OUT ♪ 539 00:15:27,326 --> 00:15:28,494 ♪ SLOWLY LURCHING TOWARD YOUR 540 00:15:28,560 --> 00:15:29,028 FAVORITE CITY ♪ 541 00:15:29,094 --> 00:15:30,000 ♪ PIERCED THROUGH THE HEART BUT 542 00:15:30,000 --> 00:15:30,529 ♪ PIERCED THROUGH THE HEART BUT 543 00:15:30,596 --> 00:15:36,000 NEVER KILLED ♪ 544 00:15:36,000 --> 00:15:36,335 NEVER KILLED ♪ 545 00:15:36,402 --> 00:15:37,870 [CHEERS AND APPLAUSE] 546 00:15:37,936 --> 00:15:38,604 >> I AM NOT DOING WELL PIVOTING 547 00:15:38,671 --> 00:15:40,272 FROM THIS TO THIS. 548 00:15:40,339 --> 00:15:42,000 LIKE, I HAD YOUR DOLLS. 549 00:15:42,000 --> 00:15:45,210 LIKE, I HAD YOUR DOLLS. 550 00:15:45,277 --> 00:15:46,045 I, LIKE -- LIKE, ARE YOU DOING 551 00:15:46,111 --> 00:15:48,000 SOMETHING? 552 00:15:48,000 --> 00:15:49,915 SOMETHING? 553 00:15:49,982 --> 00:15:50,616 WHAT IS GOING TO HAPPEN NOW? 554 00:15:50,683 --> 00:15:52,851 THEY ARE GOING TO DO SOMETHING 555 00:15:52,918 --> 00:15:54,000 AND I NEED TO KNOW WHAT IT IS. 556 00:15:54,000 --> 00:15:56,955 AND I NEED TO KNOW WHAT IT IS. 557 00:15:57,022 --> 00:16:00,000 YOU ARE POP PERSONIFIED, AND SO 558 00:16:00,000 --> 00:16:00,993 YOU ARE POP PERSONIFIED, AND SO 559 00:16:01,060 --> 00:16:05,864 RECEIVE THIS FROM YOUR GOLDEN 560 00:16:05,931 --> 00:16:06,000 POP HANDS, REALLY, IT'S TOO 561 00:16:06,000 --> 00:16:06,532 POP HANDS, REALLY, IT'S TOO 562 00:16:06,598 --> 00:16:08,867 MUCH. 563 00:16:08,934 --> 00:16:10,436 THANK YOU FOR THE FRIENDSHIP 564 00:16:10,502 --> 00:16:12,000 BRACELET. 565 00:16:12,000 --> 00:16:14,540 BRACELET. 566 00:16:14,606 --> 00:16:15,741 I LOVE MAKING POP MUSIC, I LOVE 567 00:16:15,808 --> 00:16:16,775 MAKING POP MUSIC VIDEOS, I ALSO 568 00:16:16,842 --> 00:16:18,000 LOVE MAKING COUNTRY, I LOVE 569 00:16:18,000 --> 00:16:18,510 LOVE MAKING COUNTRY, I LOVE 570 00:16:18,577 --> 00:16:19,978 SLINKING AROUND DIFFERENT 571 00:16:20,045 --> 00:16:24,000 GENRES. 572 00:16:24,000 --> 00:16:24,717 GENRES. 573 00:16:24,783 --> 00:16:26,185 AND THE ONLY REASON I'M ALLOWED 574 00:16:26,251 --> 00:16:30,000 TO DO THAT IS BECAUSE YOU COME 575 00:16:30,000 --> 00:16:33,092 TO DO THAT IS BECAUSE YOU COME 576 00:16:33,158 --> 00:16:34,393 THE FANS, GAVE ME THE 577 00:16:34,460 --> 00:16:35,627 OPPORTUNITY TO DO THAT. 578 00:16:35,694 --> 00:16:36,000 ALWAYS ONE BIG ADVENTURE, AND SO 579 00:16:36,000 --> 00:16:36,395 ALWAYS ONE BIG ADVENTURE, AND SO 580 00:16:36,462 --> 00:16:40,099 MUCH FUN TO CHALLENGE MYSELF, I 581 00:16:40,165 --> 00:16:41,200 JUST LOVE YOU FOR IT, BUT I 582 00:16:41,266 --> 00:16:42,000 REALLY LOVE MAKING POP MUSIC. 583 00:16:42,000 --> 00:16:44,470 REALLY LOVE MAKING POP MUSIC. 584 00:16:44,536 --> 00:16:45,904 SO THANK YOU SO, SO MUCH. 585 00:16:45,971 --> 00:16:48,000 [CHEERS AND APPLAUSE] 586 00:16:48,000 --> 00:16:54,000 [CHEERS AND APPLAUSE] 587 00:16:54,000 --> 00:16:57,883 [CHEERS AND APPLAUSE] 588 00:16:57,950 --> 00:16:58,650 ♪ ♪ 589 00:16:58,717 --> 00:17:00,000 >> PLEASE WELCOME DOVE CAMERON. 590 00:17:00,000 --> 00:17:06,000 >> PLEASE WELCOME DOVE CAMERON. 591 00:17:06,000 --> 00:17:06,091 >> PLEASE WELCOME DOVE CAMERON. 592 00:17:06,158 --> 00:17:09,027 >> ALL YEAR LONG, MTV HELPS 593 00:17:09,094 --> 00:17:10,429 AMPLIFY BREAKOUT ARTISTS, 594 00:17:10,496 --> 00:17:11,630 EXPANDING THEIR FAN BASE AND THE 595 00:17:11,697 --> 00:17:12,000 GOLDEN REACH. 596 00:17:12,000 --> 00:17:17,202 GOLDEN REACH. 597 00:17:17,269 --> 00:17:18,000 TONIGHT, IT IS UP TO YOU WHO 598 00:17:18,000 --> 00:17:18,003 TONIGHT, IT IS UP TO YOU WHO 599 00:17:18,070 --> 00:17:21,874 WILL BE NAMED THIS YEAR'S BEST 600 00:17:21,940 --> 00:17:24,000 NEW ARTIST. 601 00:17:24,000 --> 00:17:27,513 NEW ARTIST. 602 00:17:27,579 --> 00:17:28,180 PAST WINNERS OF THIS CAREER 603 00:17:28,247 --> 00:17:29,448 DEFINING AWARD INCLUDE 604 00:17:29,515 --> 00:17:30,000 LADY GAGA, TYLER THE CREATOR, 605 00:17:30,000 --> 00:17:30,149 LADY GAGA, TYLER THE CREATOR, 606 00:17:30,215 --> 00:17:31,717 BILLIE EILISH, AND ME! 607 00:17:31,784 --> 00:17:32,084 VOTE NOW. 608 00:17:32,151 --> 00:17:34,520 >> THE POWER IS IN YOUR HANDS TO 609 00:17:34,586 --> 00:17:36,000 NAME THIS YEAR'S BEST NEW ARTIST 610 00:17:36,000 --> 00:17:36,088 NAME THIS YEAR'S BEST NEW ARTIST 611 00:17:36,155 --> 00:17:37,589 AND YOU NARROWED IT DOWN TO 612 00:17:37,656 --> 00:17:37,956 THREE. 613 00:17:38,023 --> 00:17:39,057 TONIGHT, ICE SPICE, RENEE RAPP, 614 00:17:39,124 --> 00:17:41,960 AND PESO PLUMA BATTLE IT OUT TO 615 00:17:42,027 --> 00:17:46,131 CLAIM THE ULTIMATE TITLE. 616 00:17:46,198 --> 00:17:48,000 CLAIM THE ULTIMATE TITLE. 617 00:17:48,000 --> 00:17:48,534 CLAIM THE ULTIMATE TITLE. 618 00:17:48,600 --> 00:17:49,234 WHO WILL WIN THE VMA FOR BEST 619 00:17:49,301 --> 00:17:49,902 NEW ARTIST? 620 00:17:49,968 --> 00:17:50,369 IT'S YOUR CALL. 621 00:17:50,436 --> 00:17:51,203 SCAN THIS QR CODE OR HEAD TO 622 00:17:51,270 --> 00:17:53,338 MTV'S SNAPCHAT TO MAKE YOUR 623 00:17:53,405 --> 00:17:53,972 VOICE HEARD. 624 00:17:54,039 --> 00:17:57,876 IT'S THE 2023 MTV VIDEO MUSIC 625 00:17:57,943 --> 00:18:00,000 AWARDS. 626 00:18:00,000 --> 00:18:01,914 AWARDS. 627 00:18:01,980 --> 00:18:02,714 YOU VOTED. 628 00:18:02,781 --> 00:18:06,000 WHO WILL TAKE HOME THE VMA FOR 629 00:18:06,000 --> 00:18:07,753 WHO WILL TAKE HOME THE VMA FOR 630 00:18:07,820 --> 00:18:09,555 SONG OF THE YEAR, 631 00:18:09,621 --> 00:18:10,088 BEST COLLABORATION, 632 00:18:10,155 --> 00:18:10,656 AND VIDEO OF THE YEAR? 633 00:18:10,722 --> 00:18:12,000 LATIN POWERHOUSE SHAKIRA ACCEPTS 634 00:18:12,000 --> 00:18:12,691 LATIN POWERHOUSE SHAKIRA ACCEPTS 635 00:18:12,758 --> 00:18:13,759 OUR HIGHEST HONOR, THE VIDEO 636 00:18:13,826 --> 00:18:14,426 VANGUARD AWARD, AND GIVES A 637 00:18:14,493 --> 00:18:15,894 CAREER-DEFINING PERFORMANCE. 638 00:18:15,961 --> 00:18:17,563 MTV GLOBAL ICON DIDDY PERFORMS 639 00:18:17,629 --> 00:18:18,000 HIS GREATEST HITS OF ALL TIME. 640 00:18:18,000 --> 00:18:24,000 HIS GREATEST HITS OF ALL TIME. 641 00:18:24,000 --> 00:18:27,206 HIS GREATEST HITS OF ALL TIME. 642 00:18:27,272 --> 00:18:27,873 FEATURING KEISHA COLE, YUNG 643 00:18:27,940 --> 00:18:28,574 MIAMI. 644 00:18:28,640 --> 00:18:29,141 PLUS PERFORMANCES BY 645 00:18:29,208 --> 00:18:29,675 DOJA CAT, 646 00:18:29,741 --> 00:18:30,000 NICKI MINAJ, 647 00:18:30,000 --> 00:18:30,075 NICKI MINAJ, 648 00:18:30,142 --> 00:18:30,409 ANITTA, 649 00:18:30,476 --> 00:18:31,477 CARDI B, 650 00:18:31,543 --> 00:18:32,010 MEGAN THEE STALLION, 651 00:18:32,077 --> 00:18:33,178 MANESKIN, 652 00:18:33,245 --> 00:18:33,579 DEMI LOVATO, 653 00:18:33,645 --> 00:18:35,914 KAROL G, 654 00:18:35,981 --> 00:18:36,000 PESO PLUMA, 655 00:18:36,000 --> 00:18:36,915 PESO PLUMA, 656 00:18:36,982 --> 00:18:37,883 METRO BOOMIN WITH FUTURE, 657 00:18:37,950 --> 00:18:38,383 SWAE LEE, A BOOGIE 658 00:18:38,450 --> 00:18:39,451 WIT DA HOODIE, AND NAV, 659 00:18:39,518 --> 00:18:41,920 A K-POP TAKEOVER WITH 660 00:18:41,987 --> 00:18:42,000 TOMORROW X TOGETHER 661 00:18:42,000 --> 00:18:42,521 TOMORROW X TOGETHER 662 00:18:42,588 --> 00:18:44,189 AND STRAY KIDS, 663 00:18:44,256 --> 00:18:44,523 KALIII, 664 00:18:44,590 --> 00:18:45,057 RENEE RAPP, 665 00:18:45,123 --> 00:18:45,724 THE WARNING, 666 00:18:45,791 --> 00:18:46,892 KELSEA BALLERINI, 667 00:18:46,959 --> 00:18:48,000 FALL OUT BOY, 668 00:18:48,000 --> 00:18:48,160 FALL OUT BOY, 669 00:18:48,227 --> 00:18:49,761 AND HIP-HOP ICONS UNITE 670 00:18:49,828 --> 00:18:50,996 TO CELEBRATE 50 YEARS 671 00:18:51,063 --> 00:18:53,732 OF THE GENRE THAT CHANGED MUSIC 672 00:18:53,799 --> 00:18:54,000 FOREVER. 673 00:18:54,000 --> 00:18:54,066 FOREVER. 674 00:18:54,132 --> 00:18:55,267 WITH GRANDMASTER FLASH, 675 00:18:55,334 --> 00:18:57,903 THE FURIOUS FIVE, 676 00:18:57,970 --> 00:18:58,370 DOUG E. FRESH, 677 00:18:58,437 --> 00:19:00,000 SLICK RICK, 678 00:19:00,000 --> 00:19:01,373 SLICK RICK, 679 00:19:01,440 --> 00:19:01,840 DMC, 680 00:19:01,907 --> 00:19:04,810 LL COOL J, 681 00:19:04,877 --> 00:19:05,210 NICKI MINAJ, 682 00:19:05,277 --> 00:19:05,911 AND LIL WAYNE. 683 00:19:05,978 --> 00:19:06,000 >> ♪ HE WANT THE WAP 684 00:19:06,000 --> 00:19:06,512 >> ♪ HE WANT THE WAP 685 00:19:06,578 --> 00:19:08,046 BUT I JUST WANT THE FETTY ♪ 686 00:19:08,113 --> 00:19:09,014 >> ANYTHING COULD HAPPEN 687 00:19:09,081 --> 00:19:09,948 ON THE MTV VIDEO MUSIC AWARDS, 688 00:19:10,015 --> 00:19:12,000 SO DON'T GO ANYWHERE. 689 00:19:12,000 --> 00:19:13,819 SO DON'T GO ANYWHERE. 690 00:19:13,886 --> 00:19:14,186 ♪ ♪ 691 00:19:14,253 --> 00:19:15,187 >> THE BIGGEST SUPERSTARS IN 692 00:19:15,254 --> 00:19:18,000 MUSIC ARE BATTLING IT OUT FOR 693 00:19:18,000 --> 00:19:21,827 MUSIC ARE BATTLING IT OUT FOR 694 00:19:21,894 --> 00:19:22,861 THE MOST COVETED AWARD OF THE 695 00:19:22,928 --> 00:19:23,462 NIGHT. 696 00:19:23,529 --> 00:19:24,000 WHO WILL TAKE HOME THE VMA FOR 697 00:19:24,000 --> 00:19:24,162 WHO WILL TAKE HOME THE VMA FOR 698 00:19:24,229 --> 00:19:24,696 VIDEO OF THE YEAR? 699 00:19:24,763 --> 00:19:25,864 WILL DOJA CAT GET ALL THE 700 00:19:25,931 --> 00:19:30,000 ATTENTION? 701 00:19:30,000 --> 00:19:31,637 ATTENTION? 702 00:19:31,703 --> 00:19:36,000 OR WILL MILEY CYRUS EARN HER 703 00:19:36,000 --> 00:19:36,375 OR WILL MILEY CYRUS EARN HER 704 00:19:36,441 --> 00:19:37,876 "FLOWERS?" 705 00:19:37,943 --> 00:19:38,644 WILL NICKI MINAJ REIGN SUPERIOR 706 00:19:38,710 --> 00:19:42,000 WITH "SUPER FREAKY GIRL?" 707 00:19:42,000 --> 00:19:43,181 WITH "SUPER FREAKY GIRL?" 708 00:19:43,248 --> 00:19:44,983 WILL TAYLOR SWIFT MAKE A HEROIC 709 00:19:45,050 --> 00:19:48,000 RISE WITH "ANTI-HERO?" 710 00:19:48,000 --> 00:19:50,722 RISE WITH "ANTI-HERO?" 711 00:19:50,789 --> 00:19:54,000 OR WILL OLIVIA RODRIGO'S 712 00:19:54,000 --> 00:19:54,560 OR WILL OLIVIA RODRIGO'S 713 00:19:54,626 --> 00:20:00,000 "VAMPIRE" TAKE A BITE OUT 714 00:20:00,000 --> 00:20:01,900 "VAMPIRE" TAKE A BITE OUT 715 00:20:01,967 --> 00:20:06,000 OF THE COMPETITION? 716 00:20:06,000 --> 00:20:06,204 OF THE COMPETITION? 717 00:20:06,271 --> 00:20:07,039 WILL SAM SMITH AND KIM PETRA 718 00:20:07,105 --> 00:20:07,639 EARN A VMA FOR "UNHOLY?" 719 00:20:07,706 --> 00:20:09,975 OR WILL SZA DESTROY THE 720 00:20:10,042 --> 00:20:11,310 COMPETITION WITH "KILL BILL?" 721 00:20:11,376 --> 00:20:12,000 FIND OUT WHO TAKES HOME VIDEO OF 722 00:20:12,000 --> 00:20:12,411 FIND OUT WHO TAKES HOME VIDEO OF 723 00:20:12,477 --> 00:20:13,879 THE YEAR WHEN THE MTV VIDEO 724 00:20:21,653 --> 00:20:22,721 [CHEERS AND APPLAUSE] 725 00:20:22,788 --> 00:20:24,000 ♪ ♪ 726 00:20:24,000 --> 00:20:30,000 ♪ ♪ 727 00:20:30,000 --> 00:20:35,067 ♪ ♪ 728 00:20:35,133 --> 00:20:36,000 ♪ ♪ 729 00:20:36,000 --> 00:20:42,000 ♪ ♪ 730 00:20:42,000 --> 00:20:47,446 ♪ ♪ 731 00:20:47,512 --> 00:20:48,000 [CHEERS AND APPLAUSE] 732 00:20:48,000 --> 00:20:48,013 [CHEERS AND APPLAUSE] 733 00:20:48,080 --> 00:20:50,949 ♪ ♪ 734 00:20:51,016 --> 00:20:51,783 ♪ [..], EAT THIS [..] LIKE A 735 00:20:51,850 --> 00:20:53,051 PLUM ♪ 736 00:20:53,118 --> 00:20:54,000 ♪ THIS [..] TIGHT LIKE A NUN ♪ 737 00:20:54,000 --> 00:20:54,353 ♪ THIS [..] TIGHT LIKE A NUN ♪ 738 00:20:54,419 --> 00:20:55,120 ♪ BETTER CHEW IT UP LIKE IT'S 739 00:20:55,187 --> 00:20:56,321 GUM ♪ 740 00:20:56,388 --> 00:20:57,322 ♪ THEN WIPE YOUR MOUTH WHEN YOU 741 00:20:57,389 --> 00:20:59,992 DONE ♪ 742 00:21:00,058 --> 00:21:01,226 ♪ I'M HOT LIKE NEVADA, [..] GET 743 00:21:01,293 --> 00:21:02,394 POPPED, PIÑATA ♪ 744 00:21:02,461 --> 00:21:04,696 ♪ BITCH, I LOOK LIKE MONEY ♪ 745 00:21:04,763 --> 00:21:05,464 ♪ YOU COULD PRINT MY FACE ON A 746 00:21:05,530 --> 00:21:06,000 DOLLAR ♪ 747 00:21:06,000 --> 00:21:06,732 DOLLAR ♪ 748 00:21:06,798 --> 00:21:07,332 ♪ BEAT IT UP ♪ 749 00:21:07,399 --> 00:21:08,000 ♪ BONG-BONG-BONG ♪ 750 00:21:08,066 --> 00:21:08,600 ♪ BEAT IT UP ♪ 751 00:21:08,667 --> 00:21:09,468 ♪ BONG-BONG-BONG ♪ 752 00:21:09,534 --> 00:21:10,068 ♪ BEAT IT UP ♪ 753 00:21:10,135 --> 00:21:11,470 ♪ BONG-BONG-BONG ♪ 754 00:21:11,536 --> 00:21:12,000 ♪ BEAT IT UP ♪ 755 00:21:12,000 --> 00:21:12,571 ♪ BEAT IT UP ♪ 756 00:21:12,638 --> 00:21:14,139 ♪ BONG, OKAY ♪ 757 00:21:14,206 --> 00:21:15,440 ♪ FIVE, FOUR, THREE, TWO, ONE, 758 00:21:15,507 --> 00:21:16,508 LIFT OFF ♪ 759 00:21:16,575 --> 00:21:17,309 ♪ HONEY, I'M HOME, SHOES GETTIN' 760 00:21:17,376 --> 00:21:18,000 KICKED OFF ♪ 761 00:21:18,000 --> 00:21:18,677 KICKED OFF ♪ 762 00:21:18,744 --> 00:21:19,144 ♪ UH ♪ 763 00:21:19,211 --> 00:21:20,679 ♪ EVERY TIME I TURN AROUND, A 764 00:21:20,746 --> 00:21:21,279 BITCH PISSED OFF ♪ 765 00:21:21,346 --> 00:21:22,147 ♪ AH-HA ♪ 766 00:21:22,214 --> 00:21:23,649 ♪ LITTLE DUSTY ASS HOES NEED A 767 00:21:23,715 --> 00:21:24,000 LINT BRUSH ♪ 768 00:21:24,000 --> 00:21:24,182 LINT BRUSH ♪ 769 00:21:24,249 --> 00:21:24,983 ♪ YOU GON' SETTLE DOWN, YOU GON' 770 00:21:25,050 --> 00:21:25,550 LIVE WITH HIM ♪ 771 00:21:25,617 --> 00:21:26,351 ♪ I DON'T EVEN WANNA POST A PIC 772 00:21:26,418 --> 00:21:26,818 WITH HIM ♪ 773 00:21:26,885 --> 00:21:28,620 ♪ THE BAG HE JUST BOUGHT ME WAS 774 00:21:28,687 --> 00:21:29,121 A GOYARD ♪ 775 00:21:29,187 --> 00:21:29,855 ♪ THAT AIN'T YOUR [..], HE IS 776 00:21:29,921 --> 00:21:30,000 BOTH OURS ♪ 777 00:21:30,000 --> 00:21:30,355 BOTH OURS ♪ 778 00:21:30,422 --> 00:21:32,290 ♪ [..] TIGHT LIKE A NUN ♪ 779 00:21:32,357 --> 00:21:33,358 ♪ COUNTIN' UP HUNDREDS WITH MY 780 00:21:33,425 --> 00:21:33,792 THUMB ♪ 781 00:21:33,859 --> 00:21:36,000 ♪ I DON'T CARE WHERE YOU FROM ♪ 782 00:21:36,000 --> 00:21:37,362 ♪ I DON'T CARE WHERE YOU FROM ♪ 783 00:21:37,429 --> 00:21:38,130 ♪ BETTER BEAT THIS SHIT LIKE A 784 00:21:38,196 --> 00:21:38,664 DRUM ♪ 785 00:21:38,730 --> 00:21:39,498 ♪ DON'T BE TALKIN' SHIT LIKE YOU 786 00:21:39,564 --> 00:21:40,365 KNOW ME ♪ 787 00:21:40,432 --> 00:21:41,333 ♪ I RIDE [..] LIKE A PONY, 788 00:21:41,400 --> 00:21:41,767 GIRL ♪ 789 00:21:41,833 --> 00:21:42,000 ♪ THAT [..] LOOK LIKE A BROKEY ♪ 790 00:21:42,000 --> 00:21:44,803 ♪ THAT [..] LOOK LIKE A BROKEY ♪ 791 00:21:44,870 --> 00:21:45,604 ♪ GO AND [..] WITH HIS HOMIE, HE 792 00:21:45,671 --> 00:21:48,000 A- ♪ 793 00:21:48,000 --> 00:21:50,542 A- ♪ 794 00:21:50,609 --> 00:21:51,109 [CHEERS AND APPLAUSE] 795 00:21:51,176 --> 00:21:51,810 ♪ THIS ASS SIT LIKE THE 796 00:21:51,877 --> 00:21:52,244 STALLION ♪ 797 00:21:52,310 --> 00:21:53,345 ♪ ALL THESE WANNABES MY LIL' 798 00:21:53,412 --> 00:21:54,000 PONIES ♪ 799 00:21:54,000 --> 00:21:56,682 PONIES ♪ 800 00:21:56,748 --> 00:21:57,349 ♪ CAMPED OUT IN THE 801 00:21:57,416 --> 00:21:57,783 COMMENTS ♪ 802 00:21:57,849 --> 00:21:58,550 ♪ ALWAYS TALKIN' LIKE THEY KNOW 803 00:21:58,617 --> 00:21:59,317 ME ♪ 804 00:21:59,384 --> 00:22:00,000 ♪ THICK BITCHES IN THE BLACK 805 00:22:00,000 --> 00:22:00,285 ♪ THICK BITCHES IN THE BLACK 806 00:22:00,352 --> 00:22:00,886 TRUCK, PACKED IN ♪ 807 00:22:00,952 --> 00:22:01,586 ♪ EAT WHOEVER IN MY WAY, 808 00:22:01,653 --> 00:22:02,087 MS. PACMAN ♪ 809 00:22:02,154 --> 00:22:03,255 ♪ HERMES, MADE A REAL BIG 810 00:22:03,321 --> 00:22:03,722 PURCHASE ♪ 811 00:22:03,789 --> 00:22:04,523 ♪ PURSE SO BIG, HAD TO TREAT IT 812 00:22:04,589 --> 00:22:06,000 LIKE A PERSON ♪ 813 00:22:06,000 --> 00:22:08,527 LIKE A PERSON ♪ 814 00:22:08,593 --> 00:22:09,161 ♪ IN REAL LIFE ♪ 815 00:22:09,227 --> 00:22:09,961 ♪ SHOW ME REAL LOVE ♪ 816 00:22:10,028 --> 00:22:10,762 ♪ YEAH, YEAH, GIVE A [...] ABOUT 817 00:22:10,829 --> 00:22:11,263 THEM LIKES ♪ 818 00:22:11,329 --> 00:22:12,000 ♪ 'BOUT THEM LIKES ♪ 819 00:22:12,000 --> 00:22:18,000 ♪ 'BOUT THEM LIKES ♪ 820 00:22:18,000 --> 00:22:18,637 ♪ 'BOUT THEM LIKES ♪ 821 00:22:18,704 --> 00:22:19,871 REAL MEAT PIES ♪ 822 00:22:19,938 --> 00:22:20,672 ♪ I BE SPILLIN' LIKE MY ASS OUT 823 00:22:20,739 --> 00:22:22,441 THESE JEANS WHEN THEY TIGHT ♪ 824 00:22:22,507 --> 00:22:23,075 ♪ WAIT, WAIT ♪ 825 00:22:23,141 --> 00:22:23,809 ♪ HOLD UP, WAIT, WAIT ♪ 826 00:22:23,875 --> 00:22:24,000 ♪ HOLD UP, WAIT ♪ 827 00:22:24,000 --> 00:22:25,844 ♪ HOLD UP, WAIT ♪ 828 00:22:25,911 --> 00:22:26,511 ♪ POP PILLS, BUT I'M THE 829 00:22:26,578 --> 00:22:27,179 ONE THEY CAN'T TAKE ♪ 830 00:22:27,245 --> 00:22:27,879 ♪ HOT GIRL SHIT, I'MA MAKE 831 00:22:27,946 --> 00:22:28,480 SOMETHIN' SHAKE ♪ 832 00:22:28,547 --> 00:22:29,247 ♪ I KNOW THESE STIFF HOES CAN'T 833 00:22:29,314 --> 00:22:29,681 RELATE ♪ 834 00:22:29,748 --> 00:22:30,000 ♪ SHOOT YOUR SHOT LIKE A FREE 835 00:22:30,000 --> 00:22:30,449 ♪ SHOOT YOUR SHOT LIKE A FREE 836 00:22:30,515 --> 00:22:31,483 THROW ♪ 837 00:22:31,550 --> 00:22:32,350 ♪ JUST KNOW THIS [..] AIN'T 838 00:22:32,417 --> 00:22:36,000 FREE, THOUGH ♪ 839 00:22:36,000 --> 00:22:38,256 FREE, THOUGH ♪ 840 00:22:38,323 --> 00:22:38,924 ♪ MY BD IS A MIGO,YOUR 841 00:22:38,990 --> 00:22:39,591 BD IS A ZERO ♪ 842 00:22:39,658 --> 00:22:40,292 ♪ MY BACK SHOTS SOUND LIKE 843 00:22:40,358 --> 00:22:40,726 BONGOS ♪ 844 00:22:40,792 --> 00:22:41,893 ♪ I AIN'T SCARED TO ADMIT, I'M A 845 00:22:41,960 --> 00:22:42,000 FREAK ♪ 846 00:22:42,000 --> 00:22:42,928 FREAK ♪ 847 00:22:42,994 --> 00:22:43,628 ♪ AT LEAST I'M GETTIN' MY 848 00:22:43,695 --> 00:22:44,696 MONEY ♪ 849 00:22:44,763 --> 00:22:45,464 ♪ Y'ALL HOES BROKE, [..] TOOK 850 00:22:45,530 --> 00:22:48,000 MORE TURNS THAN A KEY HOLE ♪ 851 00:22:48,000 --> 00:22:49,334 MORE TURNS THAN A KEY HOLE ♪ 852 00:22:49,401 --> 00:22:53,905 ♪ ♪ 853 00:22:53,972 --> 00:22:54,000 WHAT'S UP, WE TEN, THE ALREADY 854 00:22:54,000 --> 00:22:57,175 WHAT'S UP, WE TEN, THE ALREADY 855 00:22:59,878 --> 00:23:00,000 [CHEERS AND APPLAUSE] 856 00:23:00,000 --> 00:23:03,148 [CHEERS AND APPLAUSE] 857 00:23:03,215 --> 00:23:06,000 ♪ ♪ 858 00:23:06,000 --> 00:23:12,000 ♪ ♪ 859 00:23:12,000 --> 00:23:12,858 ♪ ♪ 860 00:23:12,924 --> 00:23:16,595 ♪ ♪ 861 00:23:16,661 --> 00:23:17,329 ♪ BIG BOOTY, IT BE EATIN' UP 862 00:23:17,395 --> 00:23:18,000 THE THONG ♪ 863 00:23:18,000 --> 00:23:19,164 THE THONG ♪ 864 00:23:19,231 --> 00:23:19,998 ♪ I'M SO SEXY, I COULD MET GALA 865 00:23:20,065 --> 00:23:20,499 IN A ROBE ♪ 866 00:23:20,565 --> 00:23:20,866 ♪ ♪ 867 00:23:20,932 --> 00:23:21,733 ♪ I COULD BODY EVERY LOOK AND I 868 00:23:21,800 --> 00:23:22,434 COULD BODY EVERY POSE ♪ 869 00:23:22,501 --> 00:23:23,201 ♪ NECK FULL OF DIAMONDS, YEAH, 870 00:23:23,268 --> 00:23:24,000 I'M FOREVER FROZE ♪ 871 00:23:24,000 --> 00:23:24,803 I'M FOREVER FROZE ♪ 872 00:23:24,870 --> 00:23:25,537 ♪ WILL CARDI EVER FALL OFF? 873 00:23:25,604 --> 00:23:26,271 BITCH, WE'LL NEVER KNOW ♪ 874 00:23:26,338 --> 00:23:29,174 ♪ WOO ♪ 875 00:23:29,241 --> 00:23:30,000 ♪ BEAT IT UP ♪ 876 00:23:30,000 --> 00:23:33,078 ♪ BEAT IT UP ♪ 877 00:23:33,145 --> 00:23:36,000 ♪ ♪ 878 00:23:36,000 --> 00:23:41,353 ♪ ♪ 879 00:23:41,419 --> 00:23:42,000 [CHEERS AND APPLAUSE] 880 00:23:42,000 --> 00:23:45,557 [CHEERS AND APPLAUSE] 881 00:23:45,624 --> 00:23:48,000 YEAH! 882 00:23:48,000 --> 00:23:51,029 YEAH! 883 00:23:51,096 --> 00:23:51,329 YEAH! 884 00:23:51,396 --> 00:23:54,000 ♪ ♪ 885 00:23:54,000 --> 00:23:57,636 ♪ ♪ 886 00:23:57,702 --> 00:24:00,000 [CHEERS AND APPLAUSE] 887 00:24:00,000 --> 00:24:04,876 [CHEERS AND APPLAUSE] 888 00:24:04,943 --> 00:24:06,000 ♪ ♪ 889 00:24:06,000 --> 00:24:12,000 ♪ ♪ 890 00:24:12,000 --> 00:24:13,351 ♪ ♪ 891 00:24:13,418 --> 00:24:15,520 ♪ ♪ 892 00:24:15,587 --> 00:24:16,321 ♪ NEVER HAD TROUBLE GETTING WHAT 893 00:24:16,388 --> 00:24:16,922 I WANT ♪ 894 00:24:16,988 --> 00:24:17,689 ♪ BUT WHEN IT COMES TO YOU, I'M 895 00:24:17,756 --> 00:24:18,000 NEVER GOOD ENOUGH ♪ 896 00:24:18,000 --> 00:24:19,758 NEVER GOOD ENOUGH ♪ 897 00:24:19,825 --> 00:24:21,960 ♪ WHEN I DON'T CARE, I CAN PLAY 898 00:24:22,027 --> 00:24:24,000 'EM LIKE A KEN DOLL ♪ 899 00:24:24,000 --> 00:24:24,196 'EM LIKE A KEN DOLL ♪ 900 00:24:24,262 --> 00:24:27,866 ♪ WON'T WASH MY HAIR, THEN MAKE 901 00:24:27,933 --> 00:24:29,668 'EM BOUNCE LIKE A BASKETBALL ♪ 902 00:24:29,734 --> 00:24:30,000 ♪ BUT YOU MAKE ME WANNA ACT LIKE 903 00:24:30,000 --> 00:24:31,169 ♪ BUT YOU MAKE ME WANNA ACT LIKE 904 00:24:31,236 --> 00:24:32,337 A GIRL ♪ 905 00:24:32,404 --> 00:24:33,738 ♪ PAINT MY NAILS AND WEAR HIGH 906 00:24:33,805 --> 00:24:35,106 HEELS ♪ 907 00:24:35,173 --> 00:24:36,000 ♪ YES, YOU MAKE ME SO NERVOUS ♪ 908 00:24:36,000 --> 00:24:36,308 ♪ YES, YOU MAKE ME SO NERVOUS ♪ 909 00:24:36,374 --> 00:24:39,945 ♪ THAT I JUST CAN'T HOLD YOUR 910 00:24:40,011 --> 00:24:42,000 ♪ YOU MAKE ME GLOW ♪ 911 00:24:42,000 --> 00:24:42,514 ♪ YOU MAKE ME GLOW ♪ 912 00:24:42,581 --> 00:24:44,182 ♪ BUT I COVER UP, WON'T LET IT 913 00:24:44,249 --> 00:24:48,000 SHOW ♪ 914 00:24:48,000 --> 00:24:50,222 SHOW ♪ 915 00:24:50,288 --> 00:24:52,924 ♪ SO I'M PUTTING MY DEFENSES 916 00:24:52,991 --> 00:24:53,291 UP ♪ 917 00:24:53,358 --> 00:24:54,000 ♪ 'CAUSE I DON'T WANNA FALL IN 918 00:24:54,000 --> 00:24:54,059 ♪ 'CAUSE I DON'T WANNA FALL IN 919 00:24:54,125 --> 00:24:56,361 LOVE ♪ 920 00:24:56,428 --> 00:24:57,896 ♪ IF I EVER DID THAT, I THINK 921 00:24:57,963 --> 00:25:00,000 I'D HAVE A HEART ATTACK ♪ 922 00:25:00,000 --> 00:25:02,334 I'D HAVE A HEART ATTACK ♪ 923 00:25:02,400 --> 00:25:03,535 ♪ I THINK I'D HAVE A HEART 924 00:25:03,602 --> 00:25:06,000 ATTACK ♪ 925 00:25:06,000 --> 00:25:07,839 ATTACK ♪ 926 00:25:07,906 --> 00:25:09,307 ♪ I THINK I'D HAVE A HEART 927 00:25:09,374 --> 00:25:12,000 ATTACK ♪ 928 00:25:12,000 --> 00:25:13,345 ATTACK ♪ 929 00:25:13,411 --> 00:25:16,815 ♪ ♪ 930 00:25:16,882 --> 00:25:18,000 ♪ NOW, I'M OUT HERE LOOKIN' LIKE 931 00:25:18,000 --> 00:25:18,083 ♪ NOW, I'M OUT HERE LOOKIN' LIKE 932 00:25:18,149 --> 00:25:19,451 REVENGE ♪ 933 00:25:19,517 --> 00:25:20,852 ♪ FEELIN' LIKE A TEN, THE BEST 934 00:25:20,919 --> 00:25:22,654 I'VE EVER BEEN ♪ 935 00:25:22,721 --> 00:25:24,000 ♪ AND, YEAH, I KNOW HOW BAD IT 936 00:25:24,000 --> 00:25:24,322 ♪ AND, YEAH, I KNOW HOW BAD IT 937 00:25:24,389 --> 00:25:26,892 MUST HURT TO SEE ME LIKE THIS ♪ 938 00:25:26,958 --> 00:25:30,000 ♪ BUT IT GETS WORSE ♪ 939 00:25:30,000 --> 00:25:30,195 ♪ BUT IT GETS WORSE ♪ 940 00:25:30,262 --> 00:25:30,962 ♪ NOW, YOU'RE OUT HERE LOOKIN' 941 00:25:31,029 --> 00:25:32,264 LIKE REGRET ♪ 942 00:25:32,330 --> 00:25:33,064 ♪ AIN'T TOO PROUD TO BEG, SECOND 943 00:25:33,131 --> 00:25:35,300 CHANCE, YOU'LL NEVER GET ♪ 944 00:25:35,367 --> 00:25:36,000 ♪ AND, YEAH, I KNOW HOW BAD IT 945 00:25:36,000 --> 00:25:37,068 ♪ AND, YEAH, I KNOW HOW BAD IT 946 00:25:37,135 --> 00:25:39,037 MUST HURT TO SEE ME LIKE THIS ♪ 947 00:25:39,104 --> 00:25:42,000 ♪ BUT IT GETS WORSE ♪ 948 00:25:42,000 --> 00:25:42,908 ♪ BUT IT GETS WORSE ♪ 949 00:25:42,974 --> 00:25:44,309 ♪ NOW, PAYBACK IS A BAD BITCH ♪ 950 00:25:44,376 --> 00:25:45,877 ♪ AND BABY, I'M THE BADDEST ♪ 951 00:25:45,944 --> 00:25:46,678 ♪ YOU [...] WITH A SAVAGE ♪ 952 00:25:46,745 --> 00:25:47,445 ♪ CAN'T HAVE THIS, CAN'T HAVE 953 00:25:47,512 --> 00:25:48,000 THIS ♪ 954 00:25:48,000 --> 00:25:49,447 THIS ♪ 955 00:25:49,514 --> 00:25:50,849 ♪ AND IT'D BE NICE OF ME TO TAKE 956 00:25:50,916 --> 00:25:53,919 IT EASY ON YA, BUT NAH ♪ 957 00:25:53,985 --> 00:25:54,000 ♪ BABY, I'M SORRY ♪ 958 00:25:54,000 --> 00:25:56,588 ♪ BABY, I'M SORRY ♪ 959 00:25:56,655 --> 00:25:57,622 ♪ I'M NOT SORRY ♪ 960 00:25:57,689 --> 00:25:58,823 ♪ BABY, I'M SORRY ♪ 961 00:25:58,890 --> 00:26:00,000 ♪ I'M NOT SORRY ♪ 962 00:26:00,000 --> 00:26:00,625 ♪ I'M NOT SORRY ♪ 963 00:26:00,692 --> 00:26:02,294 ♪ BEIN' SO BAD GOT ME FEELIN' SO 964 00:26:02,360 --> 00:26:03,295 GOOD ♪ 965 00:26:03,361 --> 00:26:04,863 ♪ SHOWIN' YOU UP LIKE I KNEW 966 00:26:04,930 --> 00:26:06,000 THAT I WOULD ♪ 967 00:26:06,000 --> 00:26:10,268 THAT I WOULD ♪ 968 00:26:10,335 --> 00:26:12,000 ♪ ♪ 969 00:26:12,000 --> 00:26:18,000 ♪ ♪ 970 00:26:18,000 --> 00:26:21,012 ♪ ♪ 971 00:26:21,079 --> 00:26:24,000 ♪ ♪ 972 00:26:24,000 --> 00:26:30,000 ♪ ♪ 973 00:26:30,000 --> 00:26:32,557 ♪ ♪ 974 00:26:32,624 --> 00:26:34,059 ♪ TELL ME WHAT YOU WANT, WHAT 975 00:26:34,125 --> 00:26:36,000 YOU LIKE, IT'S OKAY ♪ 976 00:26:36,000 --> 00:26:36,127 YOU LIKE, IT'S OKAY ♪ 977 00:26:36,194 --> 00:26:40,365 ♪ I'M A LITTLE CURIOUS TOO ♪ 978 00:26:40,432 --> 00:26:42,000 ♪ TELL ME IF IT'S WRONG, IF IT'S 979 00:26:42,000 --> 00:26:42,701 ♪ TELL ME IF IT'S WRONG, IF IT'S 980 00:26:42,767 --> 00:26:44,736 RIGHT, I DON'T CARE ♪ 981 00:26:44,803 --> 00:26:45,837 ♪ I CAN KEEP A SECRET, CAN 982 00:26:45,904 --> 00:26:48,000 YOU? ♪ 983 00:26:48,000 --> 00:26:48,640 YOU? ♪ 984 00:26:48,707 --> 00:26:49,908 ♪ GOT MY MIND ON YOUR BODY AND 985 00:26:49,975 --> 00:26:53,378 YOUR BODY ON MY MIND ♪ 986 00:26:53,445 --> 00:26:54,000 ♪ GOT A TASTE FOR THE CHERRY, I 987 00:26:54,000 --> 00:26:54,446 ♪ GOT A TASTE FOR THE CHERRY, I 988 00:26:54,512 --> 00:26:57,882 JUST NEED TO TAKE A BITE ♪ 989 00:26:57,949 --> 00:26:59,985 ♪ GO TELL YOUR MOTHER ♪ 990 00:27:00,051 --> 00:27:01,820 ♪ KISS ONE ANOTHER ♪ 991 00:27:01,886 --> 00:27:06,000 ♪ DIE FOR EACH OTHER ♪ 992 00:27:06,000 --> 00:27:12,000 ♪ DIE FOR EACH OTHER ♪ 993 00:27:12,000 --> 00:27:12,931 ♪ DIE FOR EACH OTHER ♪ 994 00:27:12,998 --> 00:27:15,767 ♪ ♪ 995 00:27:15,834 --> 00:27:18,000 ♪ TAKE ME DOWN ♪ 996 00:27:18,000 --> 00:27:24,000 ♪ TAKE ME DOWN ♪ 997 00:27:24,000 --> 00:27:27,012 ♪ TAKE ME DOWN ♪ 998 00:27:27,078 --> 00:27:29,314 ♪ JUST SOMETHING THAT WE WANNA 999 00:27:29,381 --> 00:27:30,000 TRY ♪ 1000 00:27:30,000 --> 00:27:33,351 TRY ♪ 1001 00:27:33,418 --> 00:27:34,119 ♪ 'CAUSE YOU AND I, WE'RE COOL 1002 00:27:34,185 --> 00:27:35,587 FOR THE SUMMER ♪ 1003 00:27:35,653 --> 00:27:36,000 ♪ TAKE ME DOWN ♪ 1004 00:27:36,000 --> 00:27:42,000 ♪ TAKE ME DOWN ♪ 1005 00:27:42,000 --> 00:27:46,064 ♪ TAKE ME DOWN ♪ 1006 00:27:46,131 --> 00:27:47,766 ♪ JUST SOMETHING THAT WE WANNA 1007 00:27:47,832 --> 00:27:48,000 TRY ♪ 1008 00:27:48,000 --> 00:27:48,166 TRY ♪ 1009 00:27:48,233 --> 00:27:54,000 ♪ YOU AND I ♪ 1010 00:27:54,000 --> 00:27:57,275 ♪ YOU AND I ♪ 1011 00:27:57,342 --> 00:27:59,744 ♪ WE'RE COOL FOR THE SUMMER ♪ 1012 00:28:00,145 --> 00:28:04,716 ♪ WE'RE COOL FOR THE SUMMER ♪♪ 1013 00:28:04,783 --> 00:28:06,000 [CHEERS AND APPLAUSE] 1014 00:28:06,000 --> 00:28:12,000 [CHEERS AND APPLAUSE] 1015 00:28:12,000 --> 00:28:16,828 [CHEERS AND APPLAUSE] 1016 00:28:16,895 --> 00:28:17,262 ♪ ♪ 1017 00:28:17,328 --> 00:28:18,000 >> PLEASE WELCOME DIXIE AND 1018 00:28:18,000 --> 00:28:21,366 >> PLEASE WELCOME DIXIE AND 1019 00:28:21,433 --> 00:28:23,435 CHARLI D'AMELIO! 1020 00:28:23,501 --> 00:28:24,000 [CHEERS AND APPLAUSE] 1021 00:28:24,000 --> 00:28:27,372 [CHEERS AND APPLAUSE] 1022 00:28:27,439 --> 00:28:29,574 >> K-POP IS MORE THAN JUST A 1023 00:28:29,641 --> 00:28:30,000 GENRE, IT'S A CULTURAL 1024 00:28:30,000 --> 00:28:31,976 GENRE, IT'S A CULTURAL 1025 00:28:32,043 --> 00:28:33,244 PHENOMENON THAT HAS TAKEN THE 1026 00:28:33,311 --> 00:28:34,512 WORLD BY STORM AND CONTINUES TO 1027 00:28:34,579 --> 00:28:36,000 REDEFINE MUSIC AS WE KNOW IT. 1028 00:28:36,000 --> 00:28:37,949 REDEFINE MUSIC AS WE KNOW IT. 1029 00:28:38,016 --> 00:28:39,350 FROM THE SICK CHOREOGRAPHY, THE 1030 00:28:39,417 --> 00:28:40,051 MELODIES YOU CAN'T GET OUT OF 1031 00:28:40,118 --> 00:28:42,000 YOUR HEAD, THE FASHION, AND 1032 00:28:42,000 --> 00:28:42,687 YOUR HEAD, THE FASHION, AND 1033 00:28:42,754 --> 00:28:46,424 OF COURSE, THE INCREDIBLE FANS, 1034 00:28:46,491 --> 00:28:48,000 K-POP CONTINUES TO CAPTIVATE THE 1035 00:28:48,000 --> 00:28:49,327 K-POP CONTINUES TO CAPTIVATE THE 1036 00:28:49,394 --> 00:28:49,627 WORLD. 1037 00:28:49,694 --> 00:28:53,331 HERE ARE THE NOMINEES. 1038 00:28:53,398 --> 00:28:54,000 >> BEST K-POP. 1039 00:28:54,000 --> 00:28:57,402 >> BEST K-POP. 1040 00:28:57,469 --> 00:28:59,204 BLACKPINK, "PINK VENOM." 1041 00:28:59,270 --> 00:29:00,000 STRAY KIDS, "S-CLASS." 1042 00:29:00,000 --> 00:29:04,375 STRAY KIDS, "S-CLASS." 1043 00:29:04,442 --> 00:29:06,000 AESPA, "GIRLS." 1044 00:29:06,000 --> 00:29:10,048 AESPA, "GIRLS." 1045 00:29:10,115 --> 00:29:12,000 SEVENTEEN, "SUPER." 1046 00:29:12,000 --> 00:29:17,555 SEVENTEEN, "SUPER." 1047 00:29:17,622 --> 00:29:18,000 FIFTY FIFTY, "CUPID." 1048 00:29:18,000 --> 00:29:24,000 FIFTY FIFTY, "CUPID." 1049 00:29:24,000 --> 00:29:25,663 FIFTY FIFTY, "CUPID." 1050 00:29:25,730 --> 00:29:28,299 TOMORROW X TOGETHER, "SUGAR RUSH 1051 00:29:28,366 --> 00:29:30,000 RIDE." 1052 00:29:30,000 --> 00:29:34,405 RIDE." 1053 00:29:34,472 --> 00:29:36,000 [CHEERS AND APPLAUSE] 1054 00:29:36,000 --> 00:29:37,375 [CHEERS AND APPLAUSE] 1055 00:29:37,442 --> 00:29:40,011 >> AND THE VMA GOES TO... 1056 00:29:40,078 --> 00:29:42,000 STRAY KIDS! 1057 00:29:42,000 --> 00:29:48,000 STRAY KIDS! 1058 00:29:48,000 --> 00:29:48,253 STRAY KIDS! 1059 00:29:48,319 --> 00:29:48,820 [CHEERS AND APPLAUSE] 1060 00:29:48,887 --> 00:29:54,000 ♪ ♪ 1061 00:29:54,000 --> 00:30:00,000 ♪ ♪ 1062 00:30:00,000 --> 00:30:03,201 ♪ ♪ 1063 00:30:03,268 --> 00:30:06,000 [CHEERS AND APPLAUSE] 1064 00:30:06,000 --> 00:30:07,605 [CHEERS AND APPLAUSE] 1065 00:30:07,672 --> 00:30:11,176 ♪ ♪ 1066 00:30:11,242 --> 00:30:12,000 [CHEERS AND APPLAUSE] 1067 00:30:12,000 --> 00:30:14,712 [CHEERS AND APPLAUSE] 1068 00:30:14,779 --> 00:30:17,682 >> HELLO. 1069 00:30:17,749 --> 00:30:18,000 HELLO, WE ARE STRAY KIDS. 1070 00:30:18,000 --> 00:30:20,151 HELLO, WE ARE STRAY KIDS. 1071 00:30:20,218 --> 00:30:23,922 FIRST OF, WOULD LIKE TO THANK 1072 00:30:23,988 --> 00:30:24,000 THE VMAs FOR INVITING US. 1073 00:30:24,000 --> 00:30:25,290 THE VMAs FOR INVITING US. 1074 00:30:25,356 --> 00:30:28,660 WE'VE BEEN MAKING OUR MUSIC 1075 00:30:28,726 --> 00:30:30,000 SINCE THE START OF OUR CAREER 1076 00:30:30,000 --> 00:30:30,094 SINCE THE START OF OUR CAREER 1077 00:30:30,161 --> 00:30:30,862 BUT TO RECEIVE THIS AWARD MEANS 1078 00:30:30,929 --> 00:30:32,864 A LOT TO US. 1079 00:30:32,931 --> 00:30:34,532 IS THERE ANYTHING ELSE YOU WANT 1080 00:30:34,599 --> 00:30:36,000 TO SAYS WELL? 1081 00:30:36,000 --> 00:30:37,602 TO SAYS WELL? 1082 00:30:37,669 --> 00:30:38,236 >> Felix: WE JUST WANT TO 1083 00:30:38,303 --> 00:30:40,572 THANK OUR LABEL, JADE WIFEY, AND 1084 00:30:40,638 --> 00:30:42,000 WE WANT TO THANK 1085 00:30:42,000 --> 00:30:42,307 WE WANT TO THANK 1086 00:30:42,707 --> 00:30:44,876 REPUBLIC RECORDS AND ALSO WE 1087 00:30:44,943 --> 00:30:47,378 WANT TO THINK OUR FANS, STAYS 1088 00:30:47,445 --> 00:30:48,000 FOR BEING SO SUPPORTIVE. 1089 00:30:48,000 --> 00:30:49,948 FOR BEING SO SUPPORTIVE. 1090 00:30:50,014 --> 00:30:51,115 WE HAVE SO MUCH TO SHOW YOU GUYS 1091 00:30:51,182 --> 00:30:52,217 COME SO PLEASE LOOK FORWARD TO 1092 00:30:52,283 --> 00:30:52,617 THE FUTURE. 1093 00:30:52,684 --> 00:30:54,000 THANK YOU SO MUCH. 1094 00:30:54,000 --> 00:30:56,521 THANK YOU SO MUCH. 1095 00:30:56,588 --> 00:30:58,223 BECAUSE THANK YOU, EVERYONE 1096 00:30:59,157 --> 00:31:00,000 ! 1097 00:31:00,000 --> 00:31:01,893 ! 1098 00:31:01,960 --> 00:31:06,000 >> GIVE IT UP FOR -- 1099 00:31:06,000 --> 00:31:09,734 >> GIVE IT UP FOR -- 1100 00:31:09,801 --> 00:31:12,000 >> VMAs, WHAT'S GOOD, YEAH! 1101 00:31:12,000 --> 00:31:14,072 >> VMAs, WHAT'S GOOD, YEAH! 1102 00:31:14,138 --> 00:31:17,842 MTV IS ALL ABOUT THE HOTTEST NEW 1103 00:31:17,909 --> 00:31:18,000 TALENT. 1104 00:31:18,000 --> 00:31:18,176 TALENT. 1105 00:31:18,243 --> 00:31:18,977 MTV IS BRINGING OUT SOME OF THE 1106 00:31:19,043 --> 00:31:24,000 MOST FIRE NEW ARTIST FIRST UP, 1107 00:31:24,000 --> 00:31:25,917 MOST FIRE NEW ARTIST FIRST UP, 1108 00:31:25,984 --> 00:31:28,119 COMING ON TOUR WITH ME THIS 1109 00:31:28,186 --> 00:31:29,254 WELCOME MAKE SOME NOISE FOR MY 1110 00:31:29,320 --> 00:31:30,000 GIRL KALIII. 1111 00:31:30,000 --> 00:31:36,000 GIRL KALIII. 1112 00:31:36,000 --> 00:31:36,394 GIRL KALIII. 1113 00:31:36,461 --> 00:31:42,000 [CHEERS AND APPLAUSE] 1114 00:31:42,000 --> 00:31:46,104 [CHEERS AND APPLAUSE] 1115 00:31:46,170 --> 00:31:47,238 MUSICAL PHYSICAL 1116 00:31:47,305 --> 00:31:47,772 ♪ I TOLD HIM ♪ 1117 00:31:47,839 --> 00:31:48,000 ♪ WELL, I'M A LITTLE BUSY ♪ 1118 00:31:48,000 --> 00:31:48,706 ♪ WELL, I'M A LITTLE BUSY ♪ 1119 00:31:48,773 --> 00:31:49,440 ♪ HE SAID, DANG, I'M IN YOUR 1120 00:31:49,507 --> 00:31:49,807 CITY ♪ 1121 00:31:49,874 --> 00:31:50,341 ♪ BUT ANYWAY ♪ 1122 00:31:50,408 --> 00:31:50,875 ♪ IT'S OKAY ♪ 1123 00:31:50,942 --> 00:31:51,643 ♪ HOPE YOU HAVE A GOOD DAY ♪ 1124 00:31:51,709 --> 00:31:52,410 ♪ I'MA SEND YOU ABOUT 850 ♪ 1125 00:31:52,477 --> 00:31:53,044 ♪ THEN I TOLD HIM ♪ 1126 00:31:53,111 --> 00:31:53,878 ♪ YOU TREAT ME SO WELL ♪ 1127 00:31:53,945 --> 00:31:54,000 ♪ HE SAID, CASHAPP OR ZELLE? ♪ 1128 00:31:54,000 --> 00:31:54,712 ♪ HE SAID, CASHAPP OR ZELLE? ♪ 1129 00:31:54,779 --> 00:31:56,281 ♪ MATTER OF FACT, SCRATCH THAT ♪ 1130 00:31:56,347 --> 00:31:57,015 ♪ I'MA SEND YOU A STACK ♪ 1131 00:31:57,081 --> 00:31:57,882 ♪ JUST 'CAUSE YOU FINE AS HELL ♪ 1132 00:31:57,949 --> 00:31:58,483 ♪ AND I TOLD HIM ♪ 1133 00:31:58,549 --> 00:31:59,217 ♪ WELL, THANK YOU, BABY ♪ 1134 00:31:59,284 --> 00:31:59,951 ♪ "ANYTHING FOR MY FAVORITE 1135 00:32:00,018 --> 00:32:00,318 LADY" ♪ 1136 00:32:00,385 --> 00:32:00,952 ♪ WELL, I GOTTA GO ♪ 1137 00:32:01,019 --> 00:32:02,053 ♪ THEY JUST LET ME KNOW ♪ 1138 00:32:02,120 --> 00:32:05,056 ♪ THAT I COULD PICK UP MY 1139 00:32:05,123 --> 00:32:05,523 MERCEDES ♪ 1140 00:32:05,590 --> 00:32:06,000 ♪ I GOT, HUH, MIGHT JUST BE ♪ 1141 00:32:06,000 --> 00:32:06,324 ♪ I GOT, HUH, MIGHT JUST BE ♪ 1142 00:32:06,391 --> 00:32:07,558 ♪ IN DIFFERENT AREA CODES ♪ 1143 00:32:07,625 --> 00:32:08,126 ♪ VMAs, Y'ALL KNOW 1144 00:32:08,192 --> 00:32:08,960 WHAT'S UP ♪ 1145 00:32:09,027 --> 00:32:11,696 ♪ SOME OF 'EM BROS ♪ 1146 00:32:11,763 --> 00:32:12,000 ♪ AND I BE PIMPIN' 1147 00:32:12,000 --> 00:32:12,263 ♪ AND I BE PIMPIN' 1148 00:32:12,330 --> 00:32:13,698 'CAUSE THEY KNOW ♪ 1149 00:32:13,765 --> 00:32:18,000 ♪ THEY KNOW WHAT'S UP ♪♪ 1150 00:32:18,000 --> 00:32:18,803 ♪ THEY KNOW WHAT'S UP ♪♪ 1151 00:32:18,870 --> 00:32:24,000 [CHEERS AND APPLAUSE] 1152 00:32:24,000 --> 00:32:24,575 [CHEERS AND APPLAUSE] 1153 00:32:24,642 --> 00:32:25,243 >> COMING UP, INTERNATIONAL 1154 00:32:25,310 --> 00:32:26,411 SUPERSTAR SHAKIRA IS CROWNED IS 1155 00:32:26,477 --> 00:32:29,681 THIS YEAR'S MTV VIDEO VANGUARD! 1156 00:32:29,747 --> 00:32:30,000 BRAZILIAN BOMBSHELL ANITTA 1157 00:32:30,000 --> 00:32:35,586 BRAZILIAN BOMBSHELL ANITTA 1158 00:32:35,653 --> 00:32:36,000 BRINGS A FIRE PER 1159 00:32:36,000 --> 00:32:36,120 BRINGS A FIRE PER 1160 00:32:44,696 --> 00:32:47,632 >> GIVE IT UP FOR NELLY 1161 00:32:47,699 --> 00:32:48,000 FURTADO AND TIMBALAND. 1162 00:32:48,000 --> 00:32:54,000 FURTADO AND TIMBALAND. 1163 00:32:54,000 --> 00:32:55,106 FURTADO AND TIMBALAND. 1164 00:32:55,173 --> 00:33:00,000 [APPLAUSE]. 1165 00:33:00,000 --> 00:33:01,279 [APPLAUSE]. 1166 00:33:01,346 --> 00:33:04,215 >> HA, HA. 1167 00:33:04,282 --> 00:33:05,249 >> HELLO. 1168 00:33:05,316 --> 00:33:06,000 >> YO! 1169 00:33:06,000 --> 00:33:10,321 >> YO! 1170 00:33:10,388 --> 00:33:12,000 WHAT'S UP, VMAS? 1171 00:33:12,000 --> 00:33:14,459 WHAT'S UP, VMAS? 1172 00:33:14,525 --> 00:33:17,762 WE ARE HERE TO PRESENT THE 1173 00:33:17,829 --> 00:33:18,000 AWARD FOR THE SONG OF THE 1174 00:33:18,000 --> 00:33:18,996 AWARD FOR THE SONG OF THE 1175 00:33:19,063 --> 00:33:20,164 YEAR. 1176 00:33:20,231 --> 00:33:23,067 [APPLAUSE]. 1177 00:33:23,134 --> 00:33:24,000 >> THESE GLOBAL CHART TOPPERS 1178 00:33:24,000 --> 00:33:25,603 >> THESE GLOBAL CHART TOPPERS 1179 00:33:25,670 --> 00:33:29,540 AND IS DENSE, MADE US FEEL, 1180 00:33:29,607 --> 00:33:30,000 MADE US SING AT THE TOP OF 1181 00:33:30,000 --> 00:33:30,241 MADE US SING AT THE TOP OF 1182 00:33:30,308 --> 00:33:31,876 OUR LUNGS, AND THEY DEFINED 1183 00:33:31,943 --> 00:33:33,077 THE YEAR IN MUSIC. 1184 00:33:33,144 --> 00:33:36,000 >> AND HERE ARE THE THREE KEY 1185 00:33:36,000 --> 00:33:36,013 >> AND HERE ARE THE THREE KEY 1186 00:33:36,080 --> 00:33:37,515 FREAKY NOMINEES. 1187 00:33:37,582 --> 00:33:39,650 >> LET'S GO! 1188 00:33:39,717 --> 00:33:41,519 >> SONG OF THE YEAR 1189 00:33:41,586 --> 00:33:42,000 SAM SMITH AND KIM PETRAS, 1190 00:33:42,000 --> 00:33:42,854 SAM SMITH AND KIM PETRAS, 1191 00:33:42,920 --> 00:33:48,000 "UNHOLY." 1192 00:33:48,000 --> 00:33:49,026 "UNHOLY." 1193 00:33:49,093 --> 00:33:49,360 REMA AND 1194 00:33:49,427 --> 00:33:49,961 REMA AND SELENA GOMEZ, "CALM 1195 00:33:50,027 --> 00:33:54,000 DOWN." 1196 00:33:54,000 --> 00:33:56,634 DOWN." 1197 00:33:56,701 --> 00:33:57,001 ♪ 1198 00:33:57,068 --> 00:34:00,000 OLIVIA RODRIGO, "VAMPIRE." 1199 00:34:00,000 --> 00:34:02,039 OLIVIA RODRIGO, "VAMPIRE." 1200 00:34:02,106 --> 00:34:03,174 ♪ 1201 00:34:03,241 --> 00:34:06,000 STEVE LACY, "BAD HABIT." 1202 00:34:06,000 --> 00:34:06,644 STEVE LACY, "BAD HABIT." 1203 00:34:06,711 --> 00:34:12,000 ♪ 1204 00:34:12,000 --> 00:34:12,183 ♪ 1205 00:34:12,250 --> 00:34:15,620 SZA, "KILL BILL." 1206 00:34:15,686 --> 00:34:18,000 ♪ 1207 00:34:18,000 --> 00:34:20,892 ♪ 1208 00:34:20,958 --> 00:34:24,000 MILEY CYRUS, "FLOWERS." 1209 00:34:24,000 --> 00:34:30,000 MILEY CYRUS, "FLOWERS." 1210 00:34:30,000 --> 00:34:30,134 MILEY CYRUS, "FLOWERS." 1211 00:34:30,201 --> 00:34:36,000 TAYLOR SWIFT, "ANTI-HERO." 1212 00:34:36,000 --> 00:34:38,276 TAYLOR SWIFT, "ANTI-HERO." 1213 00:34:38,342 --> 00:34:38,543 . 1214 00:34:38,609 --> 00:34:42,000 >> SO EXCITING, YES. 1215 00:34:42,000 --> 00:34:43,448 >> SO EXCITING, YES. 1216 00:34:43,514 --> 00:34:46,484 >> SONG OF THE YEAR IS TAYLOR 1217 00:34:46,551 --> 00:34:48,000 SWIFT! 1218 00:34:48,000 --> 00:34:54,000 SWIFT! 1219 00:34:54,000 --> 00:34:55,259 SWIFT! 1220 00:34:55,326 --> 00:35:00,000 [APPLAUSE] 1221 00:35:00,000 --> 00:35:06,000 [APPLAUSE] 1222 00:35:06,000 --> 00:35:12,000 [APPLAUSE] 1223 00:35:12,000 --> 00:35:12,477 [APPLAUSE] 1224 00:35:12,543 --> 00:35:18,000 ♪ . 1225 00:35:18,000 --> 00:35:23,821 ♪ . 1226 00:35:23,888 --> 00:35:24,000 >> I AM SORRY, I AM JUST 1227 00:35:24,000 --> 00:35:24,856 >> I AM SORRY, I AM JUST 1228 00:35:24,922 --> 00:35:26,624 VERY, VERY, MILLENNIAL 1229 00:35:26,691 --> 00:35:28,292 TRIGGERED BY MY CHOICES OF 1230 00:35:28,359 --> 00:35:29,494 CENTERS TONIGHT. 1231 00:35:29,560 --> 00:35:30,000 THIS IS LIKE ROCKING MY WOR 1232 00:35:30,000 --> 00:35:32,430 THIS IS LIKE ROCKING MY WOR 1233 00:35:32,497 --> 00:35:33,197 WORLD. 1234 00:35:33,264 --> 00:35:35,566 YOU GUYS, YOU GUYS ARE GOING 1235 00:35:35,633 --> 00:35:36,000 TO DO SOMETHING, RIGHT? 1236 00:35:36,000 --> 00:35:37,602 TO DO SOMETHING, RIGHT? 1237 00:35:37,668 --> 00:35:42,000 OH, MY GOD, SO EXCITED. 1238 00:35:42,000 --> 00:35:42,340 OH, MY GOD, SO EXCITED. 1239 00:35:42,406 --> 00:35:43,107 I WANT TO SAY, I AM REALLY, 1240 00:35:43,174 --> 00:35:44,909 REALLY LUCKY THAT I GET TO 1241 00:35:44,976 --> 00:35:46,444 WRITE SONGS WITH ONE OF MY 1242 00:35:46,511 --> 00:35:47,411 BEST FRIENDS IN THE WORLD TO 1243 00:35:47,478 --> 00:35:48,000 HIS NAME IS JOHN CANZANO. 1244 00:35:48,000 --> 00:35:54,000 HIS NAME IS JOHN CANZANO. 1245 00:35:54,000 --> 00:35:57,421 HIS NAME IS JOHN CANZANO. 1246 00:35:57,488 --> 00:35:58,089 HE IS SO TALENTED IT IS 1247 00:35:58,155 --> 00:35:58,823 INCOME PRINCIPAL, AND I'M SO 1248 00:35:58,890 --> 00:35:59,557 LUCKY, I'VE BEEN MAKING MUSIC 1249 00:35:59,624 --> 00:36:00,000 WITH HIM AS WE WORK ON AN 1250 00:36:00,000 --> 00:36:00,258 WITH HIM AS WE WORK ON AN 1251 00:36:00,324 --> 00:36:03,794 ALBUM CALLED 1989. 1252 00:36:03,861 --> 00:36:04,462 WE WILL CONTINUE WORKING 1253 00:36:04,529 --> 00:36:06,000 TOGETHER UNTIL 2089. 1254 00:36:06,000 --> 00:36:07,431 TOGETHER UNTIL 2089. 1255 00:36:07,498 --> 00:36:09,700 [APPLAUSE]. 1256 00:36:09,767 --> 00:36:12,000 >> THE MATH DOESN'T MATH. 1257 00:36:12,000 --> 00:36:13,771 >> THE MATH DOESN'T MATH. 1258 00:36:13,838 --> 00:36:17,608 ANYWHERE, SO I AM SO, SO 1259 00:36:17,675 --> 00:36:18,000 HAPPY BECAUSE THIS IS 1260 00:36:18,000 --> 00:36:18,209 HAPPY BECAUSE THIS IS 1261 00:36:18,276 --> 00:36:18,910 VALIDATING MY FAVORITE PART 1262 00:36:18,976 --> 00:36:23,314 OF WHAT I GET TO DO. 1263 00:36:23,381 --> 00:36:24,000 I STARTED RIDING SONGS SINCE 1264 00:36:24,000 --> 00:36:24,048 I STARTED RIDING SONGS SINCE 1265 00:36:24,115 --> 00:36:24,715 I WAS 12, AND THAT ALWAYS 1266 00:36:24,782 --> 00:36:25,416 STARTS WITH A VERY ISOLATED 1267 00:36:25,483 --> 00:36:27,151 EMOTION, LIKE A VERY SPECIFIC 1268 00:36:27,218 --> 00:36:29,854 TYPE OF SECURITY OR 1269 00:36:29,921 --> 00:36:30,000 SELF-LOATHING AND I FEEL LIKE 1270 00:36:30,000 --> 00:36:30,588 SELF-LOATHING AND I FEEL LIKE 1271 00:36:30,655 --> 00:36:31,923 I'M THE ONLY ONE WHO IS 1272 00:36:31,989 --> 00:36:32,723 FEELING IN THAT MOMENT, BUT 1273 00:36:32,790 --> 00:36:35,359 THEN LIKE TO GO OUT ON TOUR 1274 00:36:35,426 --> 00:36:36,000 AND I WAS STADIUM SINGING THE 1275 00:36:36,000 --> 00:36:36,494 AND I WAS STADIUM SINGING THE 1276 00:36:36,561 --> 00:36:40,231 WORDS BACK TO ME, IT BRINGS 1277 00:36:40,298 --> 00:36:42,000 ME TO THIS VERY RELAXING 1278 00:36:42,000 --> 00:36:43,467 ME TO THIS VERY RELAXING 1279 00:36:43,534 --> 00:36:46,137 FEELING OF MAYBE WE ALL HAVE 1280 00:36:46,203 --> 00:36:48,000 THE SAME ISSUES. 1281 00:36:48,000 --> 00:36:48,205 THE SAME ISSUES. 1282 00:36:48,272 --> 00:36:52,610 [APPLAUSE]. 1283 00:36:52,677 --> 00:36:53,311 >> SO THANK YOU SO MUCH THE 1284 00:36:53,377 --> 00:36:53,644 FANS. 1285 00:36:53,711 --> 00:36:54,000 I LOVE YOU SO MUCH, THIS 1286 00:36:54,000 --> 00:36:54,512 I LOVE YOU SO MUCH, THIS 1287 00:36:54,579 --> 00:36:55,313 MEANS THE WORLD TO ME, THANK 1288 00:36:55,379 --> 00:36:55,813 YOU. 1289 00:36:55,880 --> 00:37:00,000 [APPLAUSE]. 1290 00:37:00,000 --> 00:37:03,688 [APPLAUSE]. 1291 00:37:03,754 --> 00:37:06,000 >> PLEASE WELCOME MADELEINE 1292 00:37:06,000 --> 00:37:06,057 >> PLEASE WELCOME MADELEINE 1293 00:37:06,123 --> 00:37:11,796 KLEIN IS THAT PERFORMER 1294 00:37:11,862 --> 00:37:12,000 PROBABLY REPRESENTS BRAZIL. 1295 00:37:12,000 --> 00:37:13,164 PROBABLY REPRESENTS BRAZIL. 1296 00:37:13,230 --> 00:37:13,998 SHE'S ONE OF THE BOLDEST 1297 00:37:14,065 --> 00:37:15,399 SUPERSTARS ON THE PLANET. 1298 00:37:15,466 --> 00:37:17,868 VIDEOS HAVE BEEN STRAINED 1299 00:37:17,935 --> 00:37:18,000 OVER 7 BILLION TIMES. 1300 00:37:18,000 --> 00:37:18,636 OVER 7 BILLION TIMES. 1301 00:37:18,703 --> 00:37:21,739 SHE MADE HISTORY AT LAST YE 1302 00:37:21,806 --> 00:37:24,000 YEAR'S VMAS AND NOW SHE IS 1303 00:37:24,000 --> 00:37:24,075 YEAR'S VMAS AND NOW SHE IS 1304 00:37:24,141 --> 00:37:26,544 RETURNING TO BLOWUP AGAIN. 1305 00:37:26,611 --> 00:37:29,046 GIVE IT UP FOR ANITTA! 1306 00:37:29,113 --> 00:37:30,000 [APPLAUSE] 1307 00:37:30,000 --> 00:37:30,881 [APPLAUSE] 1308 00:37:30,948 --> 00:37:36,000 "Used To Be" 1309 00:37:36,000 --> 00:37:37,054 "Used To Be" 1310 00:37:37,121 --> 00:37:38,422 . 1311 00:37:38,489 --> 00:37:38,923 ♪ AH, AH♪ 1312 00:37:38,990 --> 00:37:39,223 ♪ MM-MM ♪ 1313 00:37:39,290 --> 00:37:39,824 ♪ I USED TO BE A HOE ♪ 1314 00:37:39,890 --> 00:37:40,758 ♪ BUT NOW I AIN'T NO MORE ♪ 1315 00:37:40,825 --> 00:37:42,000 ♪ BEEN SWIMMIN' THROUGH THE 1316 00:37:42,000 --> 00:37:42,059 ♪ BEEN SWIMMIN' THROUGH THE 1317 00:37:42,126 --> 00:37:43,327 ♪ NOW I'M BACK TO SHORE ♪ 1318 00:37:43,394 --> 00:37:44,095 ♪ I LOOK AT WHO I DID ♪ 1319 00:37:44,161 --> 00:37:45,162 ♪ AND I'M LIKE, "OH, MY LORD" ♪ 1320 00:37:45,229 --> 00:37:46,797 ♪ I USED TO BE A HOE, OH, OH, 1321 00:37:46,864 --> 00:37:48,000 OH ♪ 1322 00:37:48,000 --> 00:37:49,400 OH ♪ 1323 00:37:49,467 --> 00:37:51,502 ♪ OH, OH, OH, OH, OH, OH, OH, 1324 00:37:51,569 --> 00:37:53,070 OH ♪ 1325 00:37:53,137 --> 00:37:54,000 ♪ NOW I AIN'T NO MORE ♪ 1326 00:37:54,000 --> 00:37:54,105 ♪ NOW I AIN'T NO MORE ♪ 1327 00:37:54,171 --> 00:37:55,940 ♪ OH, OH, OH, OH, OH ♪ 1328 00:37:56,007 --> 00:37:57,274 ♪ I USED TO BE A HOE, OH, OH, 1329 00:37:57,341 --> 00:37:59,610 OH ♪ 1330 00:37:59,677 --> 00:38:00,000 ♪ OH, OH ♪ 1331 00:38:00,000 --> 00:38:00,411 ♪ OH, OH ♪ 1332 00:38:00,478 --> 00:38:01,479 ♪ NOW I AIN'T NO MORE, OH, OH, 1333 00:38:01,545 --> 00:38:02,313 OH ♪ 1334 00:38:02,380 --> 00:38:03,247 ♪ OH, OH, OH ♪ 1335 00:38:03,314 --> 00:38:04,215 ♪ I USED TO BE A HOE ♪ 1336 00:38:04,281 --> 00:38:05,216 ♪ BUT NOW I AIN'T NO MORE ♪ 1337 00:38:05,282 --> 00:38:06,000 ♪ I USED TO BE A HOE ♪ 1338 00:38:06,000 --> 00:38:06,083 ♪ I USED TO BE A HOE ♪ 1339 00:38:06,150 --> 00:38:07,051 ♪ BUT NOW I AIN'T NO MORE ♪ 1340 00:38:07,118 --> 00:38:07,685 ♪ BEEN SWIMMIN' THROUGH THE 1341 00:38:07,752 --> 00:38:08,719 WATER ♪ 1342 00:38:08,786 --> 00:38:09,620 ♪ NOW I'M BACK TO SHORE ♪ 1343 00:38:09,687 --> 00:38:10,588 ♪ I LOOK AT WHO I DID ♪ 1344 00:38:10,655 --> 00:38:11,689 ♪ AND I'M LIKE, "OH, MY LORD" ♪ 1345 00:38:11,756 --> 00:38:12,000 ♪ I USED TO BE A HOE, OH, OH, 1346 00:38:12,000 --> 00:38:12,723 ♪ I USED TO BE A HOE, OH, OH, 1347 00:38:12,790 --> 00:38:13,290 OH ♪ 1348 00:38:13,357 --> 00:38:18,000 ♪ OH, OH, OH, OH, OH, OH, OH 1349 00:38:18,000 --> 00:38:22,900 ♪ OH, OH, OH, OH, OH, OH, OH 1350 00:38:22,967 --> 00:38:24,000 ♪ 1351 00:38:24,000 --> 00:38:26,037 ♪ 1352 00:38:26,103 --> 00:38:30,000 [APPLAUSE] 1353 00:38:30,000 --> 00:38:32,743 [APPLAUSE] 1354 00:38:32,810 --> 00:38:36,000 ♪ LOOK AT WHAT YOU 1355 00:38:36,000 --> 00:38:39,950 ♪ LOOK AT WHAT YOU 1356 00:38:40,017 --> 00:38:42,000 >♪♪. TASTY SI PRUEBA ♪. 1357 00:38:42,000 --> 00:38:42,687 >♪♪. TASTY SI PRUEBA ♪. 1358 00:38:42,753 --> 00:38:48,000 ♪ VAS A DEJAR A TU JEVA 1359 00:38:48,000 --> 00:38:49,393 ♪ VAS A DEJAR A TU JEVA 1360 00:38:49,460 --> 00:38:53,964 ♪ ME LLEVA A LA LOCURA 1361 00:38:54,031 --> 00:38:54,532 ♪ CON LO QUE TENGO EN EL 1362 00:38:54,598 --> 00:38:59,336 BANCO ♪ 1363 00:38:59,403 --> 00:39:00,000 ♪ TÚ ME TENGAS MIEDO 1364 00:39:00,000 --> 00:39:01,972 ♪ TÚ ME TENGAS MIEDO 1365 00:39:02,039 --> 00:39:02,740 ♪ QUE NO MUERDO, PERO TOCO 1366 00:39:02,807 --> 00:39:05,710 TO' ♪ 1367 00:39:05,776 --> 00:39:06,000 ♪ PÍSALA, CHÓCALA, SÁCALA, 1368 00:39:06,000 --> 00:39:06,444 ♪ PÍSALA, CHÓCALA, SÁCALA, 1369 00:39:06,510 --> 00:39:08,713 TÓMALA ♪ 1370 00:39:08,779 --> 00:39:09,480 ♪ PÍSALA, CHÓCALA, SÁCALA, 1371 00:39:09,547 --> 00:39:12,000 TÓMALA ♪ 1372 00:39:12,000 --> 00:39:13,617 TÓMALA ♪ 1373 00:39:13,684 --> 00:39:16,587 ♪ SÁ-SÁCALA, TÓMALA 1374 00:39:16,654 --> 00:39:18,000 ♪ SÁ-SÁCALA, TÓMALA 1375 00:39:18,000 --> 00:39:21,892 ♪ SÁ-SÁCALA, TÓMALA 1376 00:39:21,959 --> 00:39:24,000 ♪ SÁ-SÁCALA, TÓMALA 1377 00:39:24,000 --> 00:39:27,298 ♪ SÁ-SÁCALA, TÓMALA 1378 00:39:27,364 --> 00:39:30,000 ♪ SÁ-SÁCALA, TÓMALA 1379 00:39:30,000 --> 00:39:33,104 ♪ SÁ-SÁCALA, TÓMALA 1380 00:39:33,170 --> 00:39:36,000 ♪ QUÉ HERMOSA GUSTOSA 1381 00:39:36,000 --> 00:39:36,073 ♪ QUÉ HERMOSA GUSTOSA 1382 00:39:36,140 --> 00:39:42,000 ♪ PELIGROSA 1383 00:39:42,000 --> 00:39:46,150 ♪ PELIGROSA 1384 00:39:46,217 --> 00:39:47,017 ♪ THIS LITTLE FUCKER GOT GRIP 1385 00:39:47,084 --> 00:39:48,000 GRIP GRIP ♪ 1386 00:39:48,000 --> 00:39:54,000 GRIP GRIP ♪ 1387 00:39:54,000 --> 00:39:56,827 GRIP GRIP ♪ 1388 00:39:56,894 --> 00:39:58,395 ♪ LET HER KNOW WHO YOU MESSING 1389 00:39:58,462 --> 00:39:59,096 WITH WITH WITH ♪ 1390 00:39:59,163 --> 00:40:00,000 ♪ I CAN MAKE YOU FACE MY JAM ♪ 1391 00:40:00,000 --> 00:40:00,231 ♪ I CAN MAKE YOU FACE MY JAM ♪ 1392 00:40:00,297 --> 00:40:00,698 ♪ SIT SIT SIT ♪ 1393 00:40:00,765 --> 00:40:02,733 ♪ MAKE YOU SPEND ALL THAT CASH 1394 00:40:02,800 --> 00:40:03,100 QUICK QUICK ♪ 1395 00:40:03,167 --> 00:40:03,868 ♪ BUT I'M TOO BUSY WITH THIS BAD 1396 00:40:03,934 --> 00:40:06,000 GIRL ♪ 1397 00:40:06,000 --> 00:40:10,007 GIRL ♪ 1398 00:40:10,074 --> 00:40:12,000 ♪ GRIP GRIP GRIP ♪ 1399 00:40:12,000 --> 00:40:12,176 ♪ GRIP GRIP GRIP ♪ 1400 00:40:12,243 --> 00:40:13,944 ♪ QUICK QUICK ♪ 1401 00:40:14,011 --> 00:40:16,747 ♪ BUT I'M TOO BUSY WITH THIS BAD 1402 00:40:16,814 --> 00:40:18,000 GIRL ♪ 1403 00:40:18,000 --> 00:40:21,018 GIRL ♪ 1404 00:40:21,085 --> 00:40:24,000 [APPLAUSE]. 1405 00:40:24,000 --> 00:40:30,000 [APPLAUSE]. 1406 00:40:30,000 --> 00:40:36,000 [APPLAUSE]. 1407 00:40:36,000 --> 00:40:37,168 [APPLAUSE]. 1408 00:40:37,234 --> 00:40:42,000 >> PLEASE WELCOME CHANTE AND 1409 00:40:42,000 --> 00:40:48,000 >> PLEASE WELCOME CHANTE AND 1410 00:40:48,000 --> 00:40:49,747 >> PLEASE WELCOME CHANTE AND 1411 00:40:49,814 --> 00:40:53,717 FRED MONTANA. 1412 00:40:53,784 --> 00:40:54,000 >> HEY. 1413 00:40:54,000 --> 00:40:58,556 >> HEY. 1414 00:40:58,622 --> 00:41:00,000 OKAY, I FELL IN LOVE WITH R&B 1415 00:41:00,000 --> 00:41:02,359 OKAY, I FELL IN LOVE WITH R&B 1416 00:41:02,426 --> 00:41:03,093 BECAUSE OF ITS MANY STORIES 1417 00:41:03,160 --> 00:41:04,962 ABOUT LOVE, PAIN, HAPPINESS 1418 00:41:05,029 --> 00:41:06,000 AND JOY AND YOU KNOW I WRITE 1419 00:41:06,000 --> 00:41:07,565 AND JOY AND YOU KNOW I WRITE 1420 00:41:07,631 --> 00:41:08,265 ALL ABOUT THAT IN MY MUSIC 1421 00:41:08,332 --> 00:41:08,732 TOO. 1422 00:41:08,799 --> 00:41:10,367 [APPLAUSE]. 1423 00:41:10,434 --> 00:41:12,000 >> BEFORE WE GET TO THE 1424 00:41:12,000 --> 00:41:13,037 >> BEFORE WE GET TO THE 1425 00:41:13,103 --> 00:41:13,737 NOMINEES, I WANT TO SPREAD 1426 00:41:13,804 --> 00:41:15,639 SOME LOVE AND LIGHT TO 1427 00:41:15,706 --> 00:41:16,640 MARROCCO. 1428 00:41:16,707 --> 00:41:17,975 THEY BEEN HIT WITH A BIG 1429 00:41:18,042 --> 00:41:18,409 EARTHQUAKE. 1430 00:41:18,475 --> 00:41:19,877 >> LOTS OF LOVE. 1431 00:41:19,944 --> 00:41:21,946 I SENT AN EMERGENCY FUND WI 1432 00:41:22,012 --> 00:41:24,000 WITH globalcitizen.org slash 1433 00:41:24,000 --> 00:41:25,149 WITH globalcitizen.org slash 1434 00:41:25,216 --> 00:41:25,549 Marrocco. 1435 00:41:25,616 --> 00:41:26,851 I WILL BE DONATING MYSELF TO 1436 00:41:26,917 --> 00:41:28,819 WE ARE HONORED TO CELEBRATE 1437 00:41:28,886 --> 00:41:29,753 HIS BIGGEST TALENT AND THE 1438 00:41:29,820 --> 00:41:30,000 GENRE. 1439 00:41:30,000 --> 00:41:30,621 GENRE. 1440 00:41:30,688 --> 00:41:36,000 HERE'S THE NOMINEES. 1441 00:41:36,000 --> 00:41:36,193 HERE'S THE NOMINEES. 1442 00:41:39,196 --> 00:41:39,964 >> BEST R&B. 1443 00:41:40,030 --> 00:41:40,564 ALICIA KEYS FEATURING LUCKY 1444 00:41:40,631 --> 00:41:42,000 DAYE, "STAY." 1445 00:41:42,000 --> 00:41:43,701 DAYE, "STAY." 1446 00:41:43,767 --> 00:41:44,368 ♪ 1447 00:41:44,435 --> 00:41:48,000 SZA, "SHIRT." 1448 00:41:48,000 --> 00:41:50,474 SZA, "SHIRT." 1449 00:41:50,541 --> 00:41:51,108 ♪ 1450 00:41:51,175 --> 00:41:52,176 METRO BOOMIN, THE WEEKND, 21 1451 00:41:52,243 --> 00:41:54,000 SAVAGE, AND DIDDY, "CREEPIN' 1452 00:41:54,000 --> 00:41:54,345 SAVAGE, AND DIDDY, "CREEPIN' 1453 00:41:54,411 --> 00:41:57,715 (REMIX)." 1454 00:41:57,781 --> 00:41:59,183 ♪ 1455 00:41:59,250 --> 00:42:00,000 TOOSII, "FAVORITE SONG." 1456 00:42:00,000 --> 00:42:02,486 TOOSII, "FAVORITE SONG." 1457 00:42:02,553 --> 00:42:06,000 ♪ 1458 00:42:06,000 --> 00:42:08,993 ♪ 1459 00:42:09,059 --> 00:42:12,000 CHLOE FEATURING CHRIS BROWN 1460 00:42:12,000 --> 00:42:13,497 CHLOE FEATURING CHRIS BROWN 1461 00:42:13,564 --> 00:42:13,964 ♪ 1462 00:42:14,031 --> 00:42:18,000 "HOW DOES IT FEEL." 1463 00:42:18,000 --> 00:42:18,569 "HOW DOES IT FEEL." 1464 00:42:18,636 --> 00:42:19,803 YUNG BLEU AND NICKI MINAJ, "LOVE 1465 00:42:19,870 --> 00:42:24,000 IN THE WAY." 1466 00:42:24,000 --> 00:42:25,776 IN THE WAY." 1467 00:42:25,843 --> 00:42:30,000 ♪ . 1468 00:42:30,000 --> 00:42:31,415 ♪ . 1469 00:42:31,482 --> 00:42:36,000 >> AND THE VMA GOES TO 1470 00:42:36,000 --> 00:42:37,855 >> AND THE VMA GOES TO 1471 00:42:37,922 --> 00:42:42,000 LIPSITCH J19! 1472 00:42:42,000 --> 00:42:43,193 LIPSITCH J19! 1473 00:42:43,260 --> 00:42:44,228 CHAIR 19! 1474 00:42:44,295 --> 00:42:48,000 TO BE, WELL, 19 COMPETE THE 1475 00:42:48,000 --> 00:42:50,567 TO BE, WELL, 19 COMPETE THE 1476 00:42:50,634 --> 00:42:51,268 NEXT WEEKS OF THIS WORD ON 1477 00:42:51,335 --> 00:42:51,702 YOUR BEHALF. 1478 00:42:51,769 --> 00:42:54,000 WE LOVE YOU, SZA, 1479 00:42:54,000 --> 00:42:57,808 WE LOVE YOU, SZA, 1480 00:42:57,875 --> 00:42:58,442 CONGRATULATIONS. 1481 00:42:58,509 --> 00:43:00,000 >> GIVE IT UP FOR ICE SPICE. 1482 00:43:00,000 --> 00:43:03,714 >> GIVE IT UP FOR ICE SPICE. 1483 00:43:03,781 --> 00:43:06,000 >> I AM SO EXCITED. 1484 00:43:06,000 --> 00:43:06,383 >> I AM SO EXCITED. 1485 00:43:06,450 --> 00:43:09,186 FOZ HI. 1486 00:43:09,253 --> 00:43:10,220 I AM SO EXCITED TO BE GOING 1487 00:43:10,287 --> 00:43:12,000 ON TOUR WITH INCREDIBLY 1488 00:43:12,000 --> 00:43:13,290 ON TOUR WITH INCREDIBLY 1489 00:43:13,357 --> 00:43:17,494 TALENTED GLOBAL SENSATION. 1490 00:43:17,561 --> 00:43:18,000 SHE JUST ONE NUMBER 1 AGAIN 1491 00:43:18,000 --> 00:43:18,195 SHE JUST ONE NUMBER 1 AGAIN 1492 00:43:18,262 --> 00:43:18,963 ON BILLBOARD AND IS NOMINATED 1493 00:43:19,029 --> 00:43:19,964 SIX TIMES TONIGHT. 1494 00:43:20,030 --> 00:43:24,000 GIVE IT UP FOR A TOOSI E 1495 00:43:24,000 --> 00:43:30,000 GIVE IT UP FOR A TOOSI E 1496 00:43:30,000 --> 00:43:36,000 GIVE IT UP FOR A TOOSI E 1497 00:43:36,000 --> 00:43:41,618 GIVE IT UP FOR A TOOSI E 1498 00:43:41,685 --> 00:43:42,000 ♪ I REDIRECT THE BOOKIN' ♪ 1499 00:43:42,000 --> 00:43:42,353 ♪ I REDIRECT THE BOOKIN' ♪ 1500 00:43:42,419 --> 00:43:43,320 ♪ I READ IT, ALL THE COMMENTS ♪ 1501 00:43:43,387 --> 00:43:43,954 ♪ SAYIN', "D, I'M REALLY 1502 00:43:44,021 --> 00:43:44,288 SHOOKETH" ♪ 1503 00:43:44,355 --> 00:43:44,855 ♪ "D, YOU NEED TO SEE A 1504 00:43:44,922 --> 00:43:45,389 THERAPIST ♪ 1505 00:43:45,456 --> 00:43:46,123 ♪ IS YOU LOOKIN'?" ♪ 1506 00:43:46,190 --> 00:43:46,991 ♪ YES, THE ONE I GOT ♪ 1507 00:43:47,057 --> 00:43:47,791 ♪ THEY REALLY ARE THE BEST ♪ 1508 00:43:47,858 --> 00:43:48,000 ♪ NOW I FEEL LIKE I CAN SEE 1509 00:43:48,000 --> 00:43:48,959 ♪ NOW I FEEL LIKE I CAN SEE 1510 00:43:49,026 --> 00:43:50,260 YOU ♪ 1511 00:43:50,327 --> 00:43:51,395 ♪ BITCHES IS DEPRESSED ♪ 1512 00:43:51,462 --> 00:43:52,763 ♪ I AM NOT AFRAID TO FINALLY 1513 00:43:52,830 --> 00:43:53,964 SAY SHIT WITH MY CHEST♪ 1514 00:43:54,031 --> 00:43:54,865 ♪ LOST A LIL' WEIGHT ♪ 1515 00:43:54,932 --> 00:43:55,966 ♪ BUT I AIN'T NEVER LOST A 1516 00:43:56,033 --> 00:43:56,333 TUSHY ♪ 1517 00:43:56,400 --> 00:43:57,001 ♪ LOOKIN' GOOD ♪ 1518 00:43:57,067 --> 00:43:58,602 ♪ BUT NOW MY BALD HEAD MATCH 1519 00:43:58,669 --> 00:43:59,870 MY ♪ 1520 00:43:59,937 --> 00:44:00,000 ♪ LOOKIN' GOOD ♪ 1521 00:44:00,000 --> 00:44:01,071 ♪ LOOKIN' GOOD ♪ 1522 00:44:01,138 --> 00:44:02,306 ♪ BUT NOW THEY ALL SAYIN' THAT 1523 00:44:02,373 --> 00:44:03,207 I'M UGLY ♪ 1524 00:44:03,273 --> 00:44:04,008 ♪ BOO-HOO, MY NIGGA ♪ 1525 00:44:04,074 --> 00:44:04,975 ♪ I AIN'T SAD ♪ 1526 00:44:05,042 --> 00:44:06,000 ♪ YOU WON'T FUCK ME ♪ 1527 00:44:06,000 --> 00:44:06,110 ♪ YOU WON'T FUCK ME ♪ 1528 00:44:06,176 --> 00:44:06,810 ♪ I'M SAD THAT YOU REALLY 1529 00:44:06,877 --> 00:44:07,411 THOUGHT ♪ 1530 00:44:07,478 --> 00:44:08,712 ♪ YOUR ASS WAS ABOVE ME ♪ 1531 00:44:08,779 --> 00:44:09,747 ♪ YOU'RE LUCKY 'CAUSE I JUST 1532 00:44:09,813 --> 00:44:09,980 PAID ♪ 1533 00:44:10,047 --> 00:44:11,215 ♪ YOUR BILL WITH A REPLY ♪ 1534 00:44:11,281 --> 00:44:12,000 ♪ I JUST MADE YOUR MONEY PILE ♪ 1535 00:44:12,000 --> 00:44:12,282 ♪ I JUST MADE YOUR MONEY PILE ♪ 1536 00:44:12,349 --> 00:44:12,649 ♪ KNEE HIGH ♪ 1537 00:44:12,716 --> 00:44:13,617 ♪ I JUST MADE YOUR STATS PEAK ♪ 1538 00:44:13,684 --> 00:44:15,085 ♪ NOW YOU GOT A BLUE CHECK ♪ 1539 00:44:15,152 --> 00:44:16,353 ♪ NOW YOU CAN AFFORD TO GO AND ♪ 1540 00:44:16,420 --> 00:44:17,321 ♪ REINSTALL A NEW WIG ♪ 1541 00:44:17,388 --> 00:44:18,000 ♪ NOW YOU CAN AFFORD TO NOT BE 1542 00:44:18,000 --> 00:44:18,389 ♪ NOW YOU CAN AFFORD TO NOT BE 1543 00:44:18,455 --> 00:44:19,223 LOUSY ♪ 1544 00:44:19,289 --> 00:44:20,257 ♪ GO AND DO SHIT ♪ 1545 00:44:20,324 --> 00:44:21,525 ♪ TALK YOUR SHIT ABOUT ME ♪ 1546 00:44:21,592 --> 00:44:22,760 ♪ I CAN EASILY DISPROVE IT ♪ 1547 00:44:22,826 --> 00:44:23,460 ♪ IT'S STUPID ♪ 1548 00:44:23,527 --> 00:44:24,000 ♪ YOU FOLLOW ME, BUT YOU DON'T ♪ 1549 00:44:24,000 --> 00:44:24,495 ♪ YOU FOLLOW ME, BUT YOU DON'T ♪ 1550 00:44:24,561 --> 00:44:26,430 ♪ REALLY CARE ABOUT THE MUSIC ♪ 1551 00:44:26,497 --> 00:44:27,798 ♪ BABY, IF YOU LIKE IT ♪ 1552 00:44:27,865 --> 00:44:29,800 ♪ JUST REACH OUT AND PET IT ♪ 1553 00:44:29,867 --> 00:44:30,000 ♪ THIS ONE DOESN'T BITE ♪ 1554 00:44:30,000 --> 00:44:32,536 ♪ THIS ONE DOESN'T BITE ♪ 1555 00:44:32,603 --> 00:44:36,000 ♪ IT DOESN'T GET AGGRESSIVE ♪ 1556 00:44:36,000 --> 00:44:36,073 ♪ IT DOESN'T GET AGGRESSIVE ♪ 1557 00:44:36,140 --> 00:44:38,108 ♪ SHOW YOU HOW TO TOUCH IT ♪ 1558 00:44:38,175 --> 00:44:40,144 ♪ HOLD IT LIKE IT'S PRECIOUS ♪ 1559 00:44:40,210 --> 00:44:42,000 ♪ IT DON'T NEED YOUR LOVIN' ♪ 1560 00:44:42,000 --> 00:44:43,213 ♪ IT DON'T NEED YOUR LOVIN' ♪ 1561 00:44:43,280 --> 00:44:47,117 ♪ IT JUST NEEDS ATTENTION ♪ 1562 00:44:47,184 --> 00:44:48,000 ♪ LOVE ME 1563 00:44:48,000 --> 00:44:48,952 ♪ LOVE ME 1564 00:44:49,019 --> 00:44:52,056 ♪ IT NEEDS, IT SEEKS AFFECTION ♪ 1565 00:44:52,122 --> 00:44:53,957 ♪ SO SWEET 1566 00:44:54,024 --> 00:44:57,194 ♪ HUNGRY, IT FIENDS ATTENTION ♪ 1567 00:44:57,261 --> 00:44:59,229 ♪ HUNGRY 1568 00:44:59,296 --> 00:45:00,000 ♪ IT NEEDS, IT SEEKS AFFECTION ♪ 1569 00:45:00,000 --> 00:45:00,564 ♪ IT NEEDS, IT SEEKS AFFECTION ♪ 1570 00:45:00,631 --> 00:45:04,802 ♪ BABY 1571 00:45:04,868 --> 00:45:06,000 ♪ HUNGRY, IT FIENDS ♪ 1572 00:45:06,000 --> 00:45:07,805 ♪ HUNGRY, IT FIENDS ♪ 1573 00:45:07,871 --> 00:45:12,000 ♪ YEAH 1574 00:45:12,000 --> 00:45:12,176 ♪ YEAH 1575 00:45:12,242 --> 00:45:18,000 "Paint the Town Red" 1576 00:45:18,000 --> 00:45:21,718 "Paint the Town Red" 1577 00:45:21,785 --> 00:45:24,000 ♪ WALK ON BY♪ 1578 00:45:24,000 --> 00:45:26,123 ♪ WALK ON BY♪ 1579 00:45:26,190 --> 00:45:27,791 ♪ WALK ON BY ♪ 1580 00:45:27,858 --> 00:45:28,625 ♪ YEAH, BITCH 1581 00:45:28,692 --> 00:45:29,626 ♪ I SAID WHAT I SAID ♪ 1582 00:45:29,693 --> 00:45:30,000 ♪ I'D RATHER BE FAMOUS INSTEAD ♪ 1583 00:45:30,000 --> 00:45:32,229 ♪ I'D RATHER BE FAMOUS INSTEAD ♪ 1584 00:45:32,296 --> 00:45:33,497 ♪ I LET ALL THAT GET TO MY 1585 00:45:33,564 --> 00:45:34,998 HEAD ♪ 1586 00:45:35,065 --> 00:45:36,000 ♪ I DON'T CARE ♪ 1587 00:45:36,000 --> 00:45:36,233 ♪ I DON'T CARE ♪ 1588 00:45:36,300 --> 00:45:37,634 ♪ I PAINT THE TOWN RED ♪ 1589 00:45:37,701 --> 00:45:39,236 ♪ BITCH, I SAID WHAT I SAID ♪ 1590 00:45:39,303 --> 00:45:41,071 ♪ I'D RATHER BE FAMOUS INSTEAD ♪ 1591 00:45:41,138 --> 00:45:42,000 ♪ I LET ALL THAT GET TO MY 1592 00:45:42,000 --> 00:45:42,406 ♪ I LET ALL THAT GET TO MY 1593 00:45:42,473 --> 00:45:43,974 HEAD ♪ 1594 00:45:44,041 --> 00:45:45,042 ♪ I DON'T CARE ♪ 1595 00:45:45,109 --> 00:45:46,577 ♪ I PAINT THE TOWN RED ♪ 1596 00:45:46,643 --> 00:45:48,000 ♪ MM, SHE THE DEVIL ♪ 1597 00:45:48,000 --> 00:45:48,278 ♪ MM, SHE THE DEVIL ♪ 1598 00:45:48,345 --> 00:45:49,146 ♪ SHE A BAD LIL' BITCH, SHE A 1599 00:45:49,213 --> 00:45:50,247 REBEL ♪ 1600 00:45:50,314 --> 00:45:51,782 ♪ SHE PUT HER FOOT TO THE 1601 00:45:51,849 --> 00:45:52,649 PEDAL ♪ 1602 00:45:52,716 --> 00:45:53,984 ♪ IT'LL TAKE A WHOLE LOT ♪ 1603 00:45:54,051 --> 00:45:56,220 ♪ FOR ME TO SETTLE ♪ 1604 00:45:56,286 --> 00:45:57,221 ♪ SHE A BAD LIL' BITCH, SHE A 1605 00:45:57,287 --> 00:45:58,522 REBEL ♪ 1606 00:45:58,589 --> 00:45:59,590 ♪ SHE PUT HER FOOT TO THE 1607 00:45:59,656 --> 00:46:00,000 PEDAL ♪ 1608 00:46:00,000 --> 00:46:00,858 PEDAL ♪ 1609 00:46:00,924 --> 00:46:02,059 ♪ IT'LL TAKE A WHOLE LOT ♪ 1610 00:46:02,126 --> 00:46:04,561 ♪ FOR ME TO SETTLE ♪ 1611 00:46:04,628 --> 00:46:06,000 "Demons" 1612 00:46:06,000 --> 00:46:09,333 "Demons" 1613 00:46:09,399 --> 00:46:12,000 ♪ 1614 00:46:12,000 --> 00:46:16,306 ♪ 1615 00:46:16,373 --> 00:46:18,000 ♪ HOW MY DEMONS LOOK♪ 1616 00:46:18,000 --> 00:46:19,176 ♪ HOW MY DEMONS LOOK♪ 1617 00:46:19,243 --> 00:46:22,546 ♪ NOW THAT MY POCKETS FULL? ♪ 1618 00:46:22,613 --> 00:46:24,000 ♪ HOW MY DEMONS LOOK ♪ 1619 00:46:24,000 --> 00:46:24,414 ♪ HOW MY DEMONS LOOK ♪ 1620 00:46:24,481 --> 00:46:26,550 ♪ NOW THAT YOU BITCHES SHOOK? ♪ 1621 00:46:26,617 --> 00:46:30,000 ♪ I AM ON TO BIGGER THINGS ♪ 1622 00:46:30,000 --> 00:46:36,000 ♪ I AM ON TO BIGGER THINGS ♪ 1623 00:46:36,000 --> 00:46:37,528 ♪ I AM ON TO BIGGER THINGS ♪ 1624 00:46:37,594 --> 00:46:40,964 ♪ I JUST BOUGHT A LIMOUSINE ♪ 1625 00:46:41,031 --> 00:46:41,865 ♪ YOU LIVE LIKE ME IN YOUR 1626 00:46:41,932 --> 00:46:42,000 DREAMS ♪ 1627 00:46:42,000 --> 00:46:44,468 DREAMS ♪ 1628 00:46:44,535 --> 00:46:47,504 ♪ I JUST QUIT THE NICOTINE ♪ 1629 00:46:47,571 --> 00:46:48,000 ♪ IF YOU THROWIN' DICK AT ME ♪ 1630 00:46:48,000 --> 00:46:49,239 ♪ IF YOU THROWIN' DICK AT ME ♪ 1631 00:46:49,306 --> 00:46:51,108 ♪ NIGGA, THAT SHIT SHOULD BE 1632 00:46:51,175 --> 00:46:53,544 BIG ♪ 1633 00:46:53,610 --> 00:46:54,000 ♪ AT LEAST ♪ 1634 00:46:54,000 --> 00:46:54,811 ♪ AT LEAST ♪ 1635 00:46:54,878 --> 00:46:55,879 ♪ NIGGA, NIGGA ♪ 1636 00:46:55,946 --> 00:46:56,880 ♪ I'MA BRING THE HEAT ♪ 1637 00:46:56,947 --> 00:46:58,615 ♪ I'MA BRING THE COLD ♪ 1638 00:46:58,682 --> 00:47:00,000 ♪ YOU SHOULD BRING YOUR SKIS ♪ 1639 00:47:00,000 --> 00:47:01,952 ♪ YOU SHOULD BRING YOUR SKIS ♪ 1640 00:47:02,019 --> 00:47:05,155 ♪ IM A FUCKIN' QUEEN ♪ 1641 00:47:05,222 --> 00:47:06,000 ♪ I AM EXPEDITIOUSLY ♪ 1642 00:47:06,000 --> 00:47:08,058 ♪ I AM EXPEDITIOUSLY ♪ 1643 00:47:08,125 --> 00:47:11,028 ♪ ARE YOU OFF A KEY? ♪ 1644 00:47:11,094 --> 00:47:12,000 ♪ I WOULD NEVER LET YOU IN MY 1645 00:47:12,000 --> 00:47:12,062 ♪ I WOULD NEVER LET YOU IN MY 1646 00:47:12,129 --> 00:47:13,997 VIP ♪ 1647 00:47:14,064 --> 00:47:14,631 ♪ WE ARE ENEMIES ♪ 1648 00:47:14,698 --> 00:47:15,132 ♪ WE ARE FOES ♪ 1649 00:47:15,199 --> 00:47:15,699 ♪ WHO ARE YOU ♪ 1650 00:47:15,766 --> 00:47:18,000 ♪ WHAT ARE THOSE? ♪ 1651 00:47:18,000 --> 00:47:18,202 ♪ WHAT ARE THOSE? ♪ 1652 00:47:18,268 --> 00:47:24,000 ♪ YOU ARE GROSS ♪ 1653 00:47:24,000 --> 00:47:24,308 ♪ YOU ARE GROSS ♪ 1654 00:47:24,374 --> 00:47:25,676 ♪ PERCOCET GOT YOU ♪ 1655 00:47:25,742 --> 00:47:27,711 ♪ PLAYIN' WITH YOUR NOSE ♪ 1656 00:47:27,778 --> 00:47:30,000 ♪ HOW MY DEMONS LOOK ♪ 1657 00:47:30,000 --> 00:47:32,583 ♪ HOW MY DEMONS LOOK ♪ 1658 00:47:32,649 --> 00:47:36,000 ♪ NOW THAT MY POCKETS FULL? ♪ 1659 00:47:36,000 --> 00:47:36,153 ♪ NOW THAT MY POCKETS FULL? ♪ 1660 00:47:36,220 --> 00:47:39,289 ♪ HOW MY DEMONS LOOK ♪ 1661 00:47:39,356 --> 00:47:41,725 ♪ NOW THAT YOU BITCHES SHOOK? ♪ 1662 00:47:41,792 --> 00:47:42,000 ♪ I'M A PUPPET ♪ 1663 00:47:42,000 --> 00:47:43,160 ♪ I'M A PUPPET ♪ 1664 00:47:43,227 --> 00:47:43,660 ♪ I'M SHEEP ♪ 1665 00:47:43,727 --> 00:47:44,928 ♪ I'M A CASH COW ♪ 1666 00:47:44,995 --> 00:47:45,629 ♪ I'M THE FASTEST GROWING 1667 00:47:45,696 --> 00:47:46,430 BITCH ♪ 1668 00:47:46,496 --> 00:47:48,000 ♪ ON ALL YOUR APPS NOW ♪ 1669 00:47:48,000 --> 00:47:48,065 ♪ ON ALL YOUR APPS NOW ♪ 1670 00:47:48,131 --> 00:47:49,166 ♪ YOU ARE TIRED OF ME ♪ 1671 00:47:49,233 --> 00:47:51,602 ♪ 'CAUSE I'M ON YOUR ASS NOW ♪ 1672 00:47:51,668 --> 00:47:52,669 ♪ YOU ARE MAD AT ME ♪ 1673 00:47:52,736 --> 00:47:53,437 ♪ 'CAUSE I AM ALL THEY SLAP 1674 00:47:53,503 --> 00:47:54,000 NOW ♪ 1675 00:47:54,000 --> 00:47:55,005 NOW ♪ 1676 00:47:55,072 --> 00:47:56,607 ♪ I CAN NAP NOW ♪ 1677 00:47:56,673 --> 00:47:57,841 ♪ LOTS OF PEOPLE THAT WERE ♪ 1678 00:47:57,908 --> 00:47:59,943 ♪ SLEEPING SAY I RAP NOW ♪ 1679 00:48:00,010 --> 00:48:01,111 ♪ LOTS OF PEOPLE'S HOPES AND 1680 00:48:01,178 --> 00:48:02,079 DREAMS ♪ 1681 00:48:02,145 --> 00:48:03,447 ♪ ARE FINALLY TRASHED NOW ♪ 1682 00:48:03,513 --> 00:48:04,948 ♪ LOTS OF PEOPLE SAY THEY MET 1683 00:48:05,015 --> 00:48:05,515 ME ♪ 1684 00:48:05,582 --> 00:48:06,000 ♪ IN THE PAST NOW ♪ 1685 00:48:06,000 --> 00:48:06,984 ♪ IN THE PAST NOW ♪ 1686 00:48:07,050 --> 00:48:08,619 ♪ I DONE TOOK THE SPOTLIGHT ♪ 1687 00:48:08,685 --> 00:48:10,420 ♪ AND MADE 'EM BLACK OUT ♪ 1688 00:48:10,487 --> 00:48:12,000 ♪ I DONE TOOK THE WHOLE DICK ♪ 1689 00:48:12,000 --> 00:48:12,055 ♪ I DONE TOOK THE WHOLE DICK ♪ 1690 00:48:12,122 --> 00:48:14,091 ♪ AND BLEW MY BACK OUT ♪ 1691 00:48:14,157 --> 00:48:14,891 ♪ I JUST SWALLOWED ALL HIS 1692 00:48:14,958 --> 00:48:15,993 KIDS ♪ 1693 00:48:16,059 --> 00:48:17,394 ♪ AND SPIT THE CLASS OUT ♪ 1694 00:48:17,461 --> 00:48:18,000 ♪ I TAKE THE TRASH OUT ♪ 1695 00:48:18,000 --> 00:48:18,829 ♪ I TAKE THE TRASH OUT ♪ 1696 00:48:18,895 --> 00:48:20,697 ♪ I'M FINNA CASH OUT ♪ 1697 00:48:20,764 --> 00:48:22,966 ♪ BITCH, DO NOT PASS OUT ♪ 1698 00:48:23,033 --> 00:48:24,000 ♪ HOW MY DEMONS LOOK ♪ 1699 00:48:24,000 --> 00:48:26,937 ♪ HOW MY DEMONS LOOK ♪ 1700 00:48:27,004 --> 00:48:30,000 ♪ NOW THAT MY POCKETS FULL? ♪ 1701 00:48:30,000 --> 00:48:30,374 ♪ NOW THAT MY POCKETS FULL? ♪ 1702 00:48:30,440 --> 00:48:33,977 ♪ HOW MY DEMONS LOOK ♪ 1703 00:48:34,044 --> 00:48:36,000 ♪ NOW THAT YOU BITCHES SHOOK? ♪ 1704 00:48:36,000 --> 00:48:42,000 ♪ NOW THAT YOU BITCHES SHOOK? ♪ 1705 00:48:42,000 --> 00:48:48,000 ♪ NOW THAT YOU BITCHES SHOOK? ♪ 1706 00:48:48,000 --> 00:48:54,000 ♪ NOW THAT YOU BITCHES SHOOK? ♪ 1707 00:48:54,000 --> 00:49:00,000 ♪ NOW THAT YOU BITCHES SHOOK? ♪ 1708 00:49:00,000 --> 00:49:06,000 ♪ NOW THAT YOU BITCHES SHOOK? ♪ 1709 00:49:06,000 --> 00:49:09,413 ♪ NOW THAT YOU BITCHES SHOOK? ♪ 1710 00:49:09,479 --> 00:49:12,000 [APPLAUSE] 1711 00:49:12,000 --> 00:49:17,988 [APPLAUSE] 1712 00:49:18,055 --> 00:49:24,000 ♪ 1713 00:49:24,000 --> 00:49:30,000 ♪ 1714 00:49:30,000 --> 00:49:31,501 ♪ 1715 00:49:31,568 --> 00:49:36,000 ♪ 1716 00:49:36,000 --> 00:49:36,206 ♪ 1717 00:49:36,273 --> 00:49:37,240 ♪ HEARD THEM BITCHES SAY 1718 00:49:37,307 --> 00:49:42,000 ♪ THEY OUTSIDE 1719 00:49:42,000 --> 00:49:44,581 ♪ THEY OUTSIDE 1720 00:49:44,648 --> 00:49:48,000 ♪ 1721 00:49:48,000 --> 00:49:51,488 ♪ 1722 00:49:51,555 --> 00:49:53,657 ♪ WHERE THEY AT? 1723 00:49:53,724 --> 00:49:54,000 ♪ AH, AH, KEEP STEPPIN' 1724 00:49:54,000 --> 00:49:54,591 ♪ AH, AH, KEEP STEPPIN' 1725 00:49:54,658 --> 00:49:55,292 ♪ SHE AIN'T [...] 1726 00:49:55,359 --> 00:49:56,226 ♪ GIVE A [...] WHAT SHE 1727 00:49:56,293 --> 00:49:57,094 REPPIN' ♪ 1728 00:49:57,160 --> 00:49:58,028 ♪ IS HER [...] WITH ME? 1729 00:49:58,095 --> 00:50:00,000 ♪ SHE CHECKIN' ♪ 1730 00:50:00,000 --> 00:50:01,865 ♪ SHE CHECKIN' ♪ 1731 00:50:01,932 --> 00:50:06,000 [APPLAUSE]. 1732 00:50:06,000 --> 00:50:06,770 [APPLAUSE]. 1733 00:50:06,837 --> 00:50:12,000 >> COMING UP, NICKI MINAJ 1734 00:50:12,000 --> 00:50:13,477 >> COMING UP, NICKI MINAJ 1735 00:50:13,543 --> 00:50:14,077 THAT CONTENT WITH THE 1736 00:50:14,144 --> 00:50:14,811 PERFORMANCE YOU BEEN WAITING 1737 00:50:14,878 --> 00:50:15,779 FOR. 1738 00:50:15,846 --> 00:50:16,780 OUR GLOBAL ICON 1739 00:50:24,020 --> 00:50:26,223 >> AND NOW, TOYOTA CELEBRATES 1740 00:50:26,289 --> 00:50:26,857 THIS YEAR'S MTV VIDEO VANGUARD, 1741 00:50:26,923 --> 00:50:30,000 SHAKIRA. 1742 00:50:30,000 --> 00:50:33,897 SHAKIRA. 1743 00:50:33,964 --> 00:50:35,499 ♪♪. 1744 00:50:35,565 --> 00:50:36,000 ♪♪. 1745 00:50:36,000 --> 00:50:41,004 ♪♪. 1746 00:50:41,071 --> 00:50:42,000 ♪ SHAKIRA, SHAKIRA 1747 00:50:42,000 --> 00:50:42,205 ♪ SHAKIRA, SHAKIRA 1748 00:50:42,272 --> 00:50:43,273 ♪ CON MI CUERPO UN EGOISTA 1749 00:50:43,340 --> 00:50:44,574 ♪ TÚ ERES PURO, PURO 1750 00:50:44,641 --> 00:50:46,543 CHANTAJE ♪ 1751 00:50:46,610 --> 00:50:47,077 ♪ TÚ ERES PURO, PURO 1752 00:50:47,144 --> 00:50:48,000 CHANTAJE ♪ 1753 00:50:48,000 --> 00:50:50,914 CHANTAJE ♪ 1754 00:50:50,981 --> 00:50:51,481 ♪ TÚ ERES PURO, PURO 1755 00:50:51,548 --> 00:50:52,682 CHANTAJE ♪ 1756 00:50:52,749 --> 00:50:53,884 ♪ SIEMPRE ES A TU MANERA 1757 00:50:53,950 --> 00:50:54,000 ♪ YO TE QUIERO AUNQUE NO 1758 00:50:54,000 --> 00:50:54,418 ♪ YO TE QUIERO AUNQUE NO 1759 00:50:54,484 --> 00:50:57,053 QUIERA ♪ 1760 00:50:57,120 --> 00:51:00,000 ♪ PURO, PURO CHANTAJE 1761 00:51:00,000 --> 00:51:05,662 ♪ PURO, PURO CHANTAJE 1762 00:51:05,729 --> 00:51:06,000 ♪ SO BE WISE AND KEEP ON ♪ 1763 00:51:06,000 --> 00:51:06,596 ♪ SO BE WISE AND KEEP ON ♪ 1764 00:51:06,663 --> 00:51:07,564 ♪ READING THE SIGNS OF MY BODY ♪ 1765 00:51:07,631 --> 00:51:08,131 ♪ I'M ON TONIGHT♪ 1766 00:51:08,198 --> 00:51:11,768 ♪ YOU KNOW MY HIPS DON'T LIE ♪ 1767 00:51:11,835 --> 00:51:12,000 ♪ AND I'M STARTING TO FEEL IT'S 1768 00:51:12,000 --> 00:51:12,936 ♪ AND I'M STARTING TO FEEL IT'S 1769 00:51:13,003 --> 00:51:14,137 RIGHT ♪ 1770 00:51:14,204 --> 00:51:15,439 ♪ COME ON, LET'S GO, REAL SLOW ♪ 1771 00:51:15,505 --> 00:51:18,000 ♪ BABY, LIKE THIS IS PERFECTO ♪ 1772 00:51:18,000 --> 00:51:23,079 ♪ BABY, LIKE THIS IS PERFECTO ♪ 1773 00:51:23,146 --> 00:51:24,000 ♪ ESTOY A TUS PIES 1774 00:51:24,000 --> 00:51:24,481 ♪ ESTOY A TUS PIES 1775 00:51:24,548 --> 00:51:27,317 ♪ CONTIGO, MI VIDA 1776 00:51:27,384 --> 00:51:30,000 QUIERO VIVIR LA VIDA ♪ 1777 00:51:30,000 --> 00:51:32,022 QUIERO VIVIR LA VIDA ♪ 1778 00:51:32,088 --> 00:51:33,857 ♪ Y LO QUE ME QUEDA DE VIDA 1779 00:51:33,924 --> 00:51:36,000 ♪ CONTIGO MI VIDA 1780 00:51:36,000 --> 00:51:39,663 ♪ CONTIGO MI VIDA 1781 00:51:39,729 --> 00:51:41,898 ♪ YA SABES MI VIDA 1782 00:51:41,965 --> 00:51:42,000 >> COMING UP, SHAKIRA'S VMA 1783 00:51:42,000 --> 00:51:48,000 >> COMING UP, SHAKIRA'S VMA 1784 00:51:48,000 --> 00:51:52,542 >> COMING UP, SHAKIRA'S VMA 1785 00:51:52,609 --> 00:51:53,276 VANGUARD AWARD AND PERFORMANCE, 1786 00:51:53,343 --> 00:51:54,000 BROUGHT TO YOU BY TOYOTA AND THE 1787 00:51:54,000 --> 00:51:54,578 BROUGHT TO YOU BY TOYOTA AND THE 1788 00:51:54,644 --> 00:51:57,447 ALL-NEW PRIUS. 1789 00:52:09,693 --> 00:52:12,000 TONIGHT WE HONOR MONGA WE 1790 00:52:12,000 --> 00:52:12,162 TONIGHT WE HONOR MONGA WE 1791 00:52:12,229 --> 00:52:16,032 WANT TO WELCOME SHAKIRA. 1792 00:52:16,099 --> 00:52:18,000 HOLD 1793 00:52:18,000 --> 00:52:20,637 HOLD 1794 00:52:20,704 --> 00:52:24,000 >> ¡HOLA HOLA! 1795 00:52:24,000 --> 00:52:30,000 >> ¡HOLA HOLA! 1796 00:52:30,000 --> 00:52:36,000 >> ¡HOLA HOLA! 1797 00:52:36,000 --> 00:52:39,456 >> ¡HOLA HOLA! 1798 00:52:39,523 --> 00:52:41,491 LET'S TALK. 1799 00:52:41,558 --> 00:52:42,000 SHE HAS SOLD 95 MILLION 1800 00:52:42,000 --> 00:52:44,361 SHE HAS SOLD 95 MILLION 1801 00:52:44,427 --> 00:52:45,795 RECORDS WORLDWIDE. 1802 00:52:45,862 --> 00:52:48,000 Y'ALL, MAKE SOME NOISE FOR 1803 00:52:48,000 --> 00:52:49,799 Y'ALL, MAKE SOME NOISE FOR 1804 00:52:49,866 --> 00:52:50,500 THAT. 1805 00:52:50,567 --> 00:52:51,201 MAKING HER THE BEST-SELLING 1806 00:52:51,268 --> 00:52:52,702 ARTIST OF ALL TIMES. 1807 00:52:52,769 --> 00:52:54,000 SHAKIRA HAVE BEEN RIDING 1808 00:52:54,000 --> 00:52:55,605 SHAKIRA HAVE BEEN RIDING 1809 00:52:55,672 --> 00:52:56,406 SONGS SINCE SHE WAS A LITTLE 1810 00:52:56,473 --> 00:52:57,841 GIRL IN COLUMBIA. 1811 00:52:57,908 --> 00:52:59,509 YEAH. 1812 00:52:59,576 --> 00:53:00,000 AND FOR THE NEXT THREE 1813 00:53:00,000 --> 00:53:01,211 AND FOR THE NEXT THREE 1814 00:53:01,278 --> 00:53:04,047 DECADES, SHE HAS REDEFINED 1815 00:53:04,114 --> 00:53:06,000 LET MUSIC WITH HER 1816 00:53:06,000 --> 00:53:07,284 LET MUSIC WITH HER 1817 00:53:07,350 --> 00:53:10,320 ONE-OF-A-KIND VOICE, 1818 00:53:10,387 --> 00:53:11,588 PASSIONATE POP SONGS, AND 1819 00:53:11,655 --> 00:53:12,000 TRADEMARK CHOREOGRAPHY. 1820 00:53:12,000 --> 00:53:14,024 TRADEMARK CHOREOGRAPHY. 1821 00:53:14,090 --> 00:53:15,225 RIGHT ABOUT NOW, NEW 1822 00:53:15,292 --> 00:53:17,694 JERUSALEM, NEW JERSEY, 1823 00:53:17,761 --> 00:53:18,000 FREEDOM WAVES. 1824 00:53:18,000 --> 00:53:19,029 FREEDOM WAVES. 1825 00:53:19,095 --> 00:53:20,597 YOUNGKIN GIVE IT UP FOR 1826 00:53:20,664 --> 00:53:24,000 SHAKIRA. 1827 00:53:24,000 --> 00:53:24,901 SHAKIRA. 1828 00:53:24,968 --> 00:53:30,000 ♪ SHAKIRA! 1829 00:53:30,000 --> 00:53:33,243 ♪ SHAKIRA! 1830 00:53:33,310 --> 00:53:36,000 "She Wolf" 1831 00:53:36,000 --> 00:53:42,000 "She Wolf" 1832 00:53:42,000 --> 00:53:48,000 "She Wolf" 1833 00:53:48,000 --> 00:53:54,000 "She Wolf" 1834 00:53:54,000 --> 00:54:00,000 "She Wolf" 1835 00:54:00,000 --> 00:54:03,540 "She Wolf" 1836 00:54:03,607 --> 00:54:04,741 ♪ A DOMESTICATED GIRL, THAT'S 1837 00:54:04,808 --> 00:54:06,000 ALL YOU ASK OF ME ♪ 1838 00:54:06,000 --> 00:54:06,710 ALL YOU ASK OF ME ♪ 1839 00:54:06,776 --> 00:54:08,211 ♪ DARLING, IT IS NO JOKE, THIS 1840 00:54:08,278 --> 00:54:10,180 IS LYCANTHROPY ♪ 1841 00:54:10,246 --> 00:54:11,781 ♪ THE MOON'S AWAKE NOW, WITH 1842 00:54:11,848 --> 00:54:12,000 EYES WIDE OPEN ♪ 1843 00:54:12,000 --> 00:54:14,050 EYES WIDE OPEN ♪ 1844 00:54:14,117 --> 00:54:15,885 ♪ MY BODY'S CRAVING, SO FEED THE 1845 00:54:15,952 --> 00:54:17,787 HUNGRY ♪ 1846 00:54:17,854 --> 00:54:18,000 ♪ I'VE BEEN DEVOTING MYSELF TO 1847 00:54:18,000 --> 00:54:19,289 ♪ I'VE BEEN DEVOTING MYSELF TO 1848 00:54:19,356 --> 00:54:20,090 YOU ♪ 1849 00:54:20,156 --> 00:54:21,057 ♪ MONDAY TO MONDAY AND FRIDAY TO 1850 00:54:21,124 --> 00:54:22,192 FRIDAY ♪ 1851 00:54:22,258 --> 00:54:22,959 ♪ NOT GETTING ENOUGH 1852 00:54:23,026 --> 00:54:23,860 RETRIBUTION ♪ 1853 00:54:23,927 --> 00:54:24,000 ♪ OR DECENT INCENTIVES TO KEEP 1854 00:54:24,000 --> 00:54:24,561 ♪ OR DECENT INCENTIVES TO KEEP 1855 00:54:24,628 --> 00:54:25,829 ME AT IT ♪ 1856 00:54:25,895 --> 00:54:27,530 ♪ I'M STARTING TO FEEL JUST A 1857 00:54:27,597 --> 00:54:27,998 LITTLE ABUSED ♪ 1858 00:54:28,064 --> 00:54:28,632 ♪ LIKE A COFFEE MACHINE IN AN 1859 00:54:28,698 --> 00:54:29,566 OFFICE ♪ 1860 00:54:29,633 --> 00:54:30,000 ♪ SO I'M GONNA GO SOMEWHERE COZY 1861 00:54:30,000 --> 00:54:30,700 ♪ SO I'M GONNA GO SOMEWHERE COZY 1862 00:54:30,767 --> 00:54:31,768 TO GET ME A LOVER ♪ 1863 00:54:31,835 --> 00:54:33,470 ♪ AND TELL YOU ABOUT IT ♪ 1864 00:54:33,536 --> 00:54:34,638 ♪ THERE'S A SHE-WOLF IN THE 1865 00:54:34,704 --> 00:54:36,000 CLOSET ♪ 1866 00:54:36,000 --> 00:54:36,840 CLOSET ♪ 1867 00:54:36,906 --> 00:54:39,743 ♪ OPEN UP AND SET IT FREE ♪ 1868 00:54:39,809 --> 00:54:42,000 ♪ THERE'S A SHE-WOLF IN YOUR 1869 00:54:42,000 --> 00:54:44,247 ♪ THERE'S A SHE-WOLF IN YOUR 1870 00:54:44,314 --> 00:54:45,482 CLOSET ♪ 1871 00:54:45,548 --> 00:54:48,000 ♪ LET IT OUT SO IT CAN BREATHE ♪ 1872 00:54:48,000 --> 00:54:54,000 ♪ LET IT OUT SO IT CAN BREATHE ♪ 1873 00:54:54,000 --> 00:54:56,059 ♪ LET IT OUT SO IT CAN BREATHE ♪ 1874 00:54:56,126 --> 00:54:56,693 ♪ POR COMPLETARTE ME ROMPÍ 1875 00:54:56,760 --> 00:54:58,361 EN PEDAZOS ♪ 1876 00:54:58,428 --> 00:54:58,962 ♪ ME LO ADVIRTIERON PERO NO 1877 00:54:59,029 --> 00:55:00,000 HICE CASO ♪ 1878 00:55:00,000 --> 00:55:00,263 HICE CASO ♪ 1879 00:55:00,330 --> 00:55:00,864 ♪ ME DI CUENTA QUE LO TUYO 1880 00:55:00,930 --> 00:55:02,532 ES FALSO ♪ 1881 00:55:02,599 --> 00:55:03,199 ♪ FUE LA GOTA QUE REBALSÓ EL 1882 00:55:03,266 --> 00:55:04,701 VASO ♪ 1883 00:55:04,768 --> 00:55:06,000 ♪ NO ME DIGAS QUE LO SIENTES 1884 00:55:06,000 --> 00:55:07,303 ♪ NO ME DIGAS QUE LO SIENTES 1885 00:55:07,370 --> 00:55:08,238 ♪ 1886 00:55:08,304 --> 00:55:09,539 ♪ ESO PARECE SINCERO 1887 00:55:09,606 --> 00:55:10,173 ♪ PERO TE CONOZCO BIEN Y SÉ 1888 00:55:10,240 --> 00:55:12,000 QUE MIENTES ♪ 1889 00:55:12,000 --> 00:55:13,810 QUE MIENTES ♪ 1890 00:55:13,877 --> 00:55:14,644 ♪ TE FELICITO, QUÉ BIEN 1891 00:55:14,711 --> 00:55:17,013 ACTÚAS ♪ 1892 00:55:17,080 --> 00:55:18,000 ♪ DE ESO NO ME CABE DUDA 1893 00:55:18,000 --> 00:55:20,784 ♪ DE ESO NO ME CABE DUDA 1894 00:55:20,850 --> 00:55:23,319 ♪ CON TU PAPEL CONTINÚA 1895 00:55:23,386 --> 00:55:24,000 ♪ TE QUEDA BIEN ESE SHOW 1896 00:55:24,000 --> 00:55:28,858 ♪ TE QUEDA BIEN ESE SHOW 1897 00:55:28,925 --> 00:55:29,426 ♪ TE FELICITO, QUÉ BIEN 1898 00:55:29,492 --> 00:55:30,000 ACTÚAS ♪ 1899 00:55:30,000 --> 00:55:31,161 ACTÚAS ♪ 1900 00:55:31,227 --> 00:55:33,129 ♪ DE ESO NO ME CABE DUDA 1901 00:55:33,196 --> 00:55:35,598 ♪ CON TU PAPEL CONTINÚA 1902 00:55:35,665 --> 00:55:36,000 ♪ TE QUEDA BIEN ESE SHOW 1903 00:55:36,000 --> 00:55:37,000 ♪ TE QUEDA BIEN ESE SHOW 1904 00:55:37,067 --> 00:55:37,600 ♪ TE FELICITO, QUÉ BIEN 1905 00:55:37,667 --> 00:55:41,905 ACTÚAS ♪ 1906 00:55:41,971 --> 00:55:42,000 ♪ BEBÉ, ¿QUÉ FUE? ♪ 1907 00:55:42,000 --> 00:55:43,640 ♪ BEBÉ, ¿QUÉ FUE? ♪ 1908 00:55:43,707 --> 00:55:44,441 ♪ ¿NO PUES QUE MUY 1909 00:55:44,507 --> 00:55:48,000 TRAGADITO? ♪ 1910 00:55:48,000 --> 00:55:48,878 TRAGADITO? ♪ 1911 00:55:48,945 --> 00:55:49,579 ♪ ¿QUÉ HACES BUSCÁNDOME EL 1912 00:55:49,646 --> 00:55:53,483 LA'O ♪ 1913 00:55:53,550 --> 00:55:54,000 ♪ SI SABES QUE YO ERRORES NO 1914 00:55:54,000 --> 00:55:54,084 ♪ SI SABES QUE YO ERRORES NO 1915 00:55:54,150 --> 00:55:54,984 REPITO? 1916 00:55:55,051 --> 00:55:56,986 ♪ DILE A TU NUEVA BEBÉ 1917 00:55:57,053 --> 00:55:57,587 ♪ QUE POR HOMBRES NO COMPITO 1918 00:55:57,654 --> 00:55:58,655 ♪ 1919 00:55:58,722 --> 00:55:59,255 ♪ QUE DEJE DE ESTAR TIRANDO 1920 00:55:59,322 --> 00:56:00,000 ♪ 1921 00:56:00,000 --> 00:56:00,056 ♪ 1922 00:56:00,123 --> 00:56:00,690 ♪ QUE AL MENO' YO TE TENÍA 1923 00:56:00,757 --> 00:56:06,000 BONITO ♪ 1924 00:56:06,000 --> 00:56:07,363 BONITO ♪ 1925 00:56:07,430 --> 00:56:08,064 ♪ DÁNDOLE LIKE A LA FOTO MÍA 1926 00:56:08,131 --> 00:56:08,865 ♪ 1927 00:56:08,932 --> 00:56:09,499 ♪ TÚ BUSCANDO POR FUERA LA 1928 00:56:09,566 --> 00:56:10,734 COMIDA ♪ 1929 00:56:10,800 --> 00:56:11,234 ♪ YO DICIENDO QUE ERA 1930 00:56:11,301 --> 00:56:12,000 MONOTONÍA ♪ 1931 00:56:12,000 --> 00:56:13,236 MONOTONÍA ♪ 1932 00:56:13,303 --> 00:56:13,837 ♪ Y AHORA QUIERES VOLVER, YA 1933 00:56:13,903 --> 00:56:15,472 LO SUPONÍA ♪ 1934 00:56:15,538 --> 00:56:16,172 ♪ DÁNDOLE LIKE A LA FOTO MÍA 1935 00:56:16,239 --> 00:56:17,774 ♪ 1936 00:56:17,841 --> 00:56:18,000 ♪ TE VES FELIZ CON TU NUEVA 1937 00:56:18,000 --> 00:56:18,374 ♪ TE VES FELIZ CON TU NUEVA 1938 00:56:18,441 --> 00:56:19,909 VIDA, PERO ♪ 1939 00:56:19,976 --> 00:56:20,443 ♪ SI ELLA SUPIERA QUE ME 1940 00:56:20,510 --> 00:56:24,000 BUSCA' TODAVÍA ♪ 1941 00:56:24,000 --> 00:56:30,000 BUSCA' TODAVÍA ♪ 1942 00:56:30,000 --> 00:56:35,125 BUSCA' TODAVÍA ♪ 1943 00:56:35,191 --> 00:56:36,000 "Objection Tango" 1944 00:56:36,000 --> 00:56:40,029 "Objection Tango" 1945 00:56:40,096 --> 00:56:42,000 ♪ 1946 00:56:42,000 --> 00:56:48,000 ♪ 1947 00:56:48,000 --> 00:56:54,000 ♪ 1948 00:56:54,000 --> 00:56:54,210 ♪ 1949 00:56:54,277 --> 00:56:55,278 ♪ IT'S NOT HER FAULT THAT SHE'S 1950 00:56:55,345 --> 00:56:58,815 SO IRRESISTIBLE ♪ 1951 00:56:58,882 --> 00:56:59,649 ♪ EVERY 20 SECONDS YOU REPEAT 1952 00:56:59,716 --> 00:57:00,000 HER NAME ♪ 1953 00:57:00,000 --> 00:57:02,685 HER NAME ♪ 1954 00:57:02,752 --> 00:57:03,787 ♪ BUT WHEN IT COMES TO ME YOU 1955 00:57:03,853 --> 00:57:06,000 DON'T CARE ♪ 1956 00:57:06,000 --> 00:57:07,924 DON'T CARE ♪ 1957 00:57:07,991 --> 00:57:09,225 ♪ IF I'M ALIVE OR DEAD ♪ 1958 00:57:09,292 --> 00:57:10,093 ♪ SO OBJECTION, I DON'T WANNA 1959 00:57:10,160 --> 00:57:11,327 THE BE THE EXCEPTION ♪ 1960 00:57:11,394 --> 00:57:12,000 ♪ TO GET A BIT OF YOUR 1961 00:57:12,000 --> 00:57:12,729 ♪ TO GET A BIT OF YOUR 1962 00:57:12,796 --> 00:57:14,597 ATTENTION ♪ 1963 00:57:14,664 --> 00:57:15,965 ♪ I LOVE YOU FOR FREE AND I'M 1964 00:57:16,032 --> 00:57:17,267 NOT YOUR MOTHER ♪ 1965 00:57:17,333 --> 00:57:18,000 ♪ BUT YOU DON'T EVEN BOTHER ♪ 1966 00:57:18,000 --> 00:57:20,003 ♪ BUT YOU DON'T EVEN BOTHER ♪ 1967 00:57:20,069 --> 00:57:21,905 ♪ OBJECTION, I'M TIRED OF THIS 1968 00:57:21,971 --> 00:57:22,772 TRIANGLE ♪ 1969 00:57:22,839 --> 00:57:24,000 ♪ GOT DIZZY DANCING TANGO ♪ 1970 00:57:24,000 --> 00:57:24,841 ♪ GOT DIZZY DANCING TANGO ♪ 1971 00:57:24,908 --> 00:57:26,276 ♪ I'M FALLING APART IN YOUR 1972 00:57:26,342 --> 00:57:27,844 HANDS AGAIN ♪ 1973 00:57:27,911 --> 00:57:30,000 ♪ NO WAY, I'VE GOT TO GET AWAY ♪ 1974 00:57:30,000 --> 00:57:32,282 ♪ NO WAY, I'VE GOT TO GET AWAY ♪ 1975 00:57:32,348 --> 00:57:36,000 ♪ I WISH THERE WAS A CHANCE FOR 1976 00:57:36,000 --> 00:57:36,653 ♪ I WISH THERE WAS A CHANCE FOR 1977 00:57:36,719 --> 00:57:38,588 YOU AND ME ♪ 1978 00:57:38,655 --> 00:57:42,000 ♪ AWAY FROM HERE ♪ 1979 00:57:42,000 --> 00:57:46,796 ♪ AWAY FROM HERE ♪ 1980 00:57:46,863 --> 00:57:48,000 ♪ THIS IS PATHETIC AND 1981 00:57:48,000 --> 00:57:49,065 ♪ THIS IS PATHETIC AND 1982 00:57:49,132 --> 00:57:50,400 SARDONIC ♪ 1983 00:57:50,466 --> 00:57:51,768 ♪ IT'S SADISTIC AND PSYCHOTIC ♪ 1984 00:57:51,835 --> 00:57:54,000 ♪ BUT DON'T YOU COUNT ON ME ♪ 1985 00:57:54,000 --> 00:57:54,337 ♪ BUT DON'T YOU COUNT ON ME ♪ 1986 00:57:54,404 --> 00:57:55,471 ♪ OH, DON'T YOU COUNT ON ME, 1987 00:57:55,538 --> 00:58:00,000 BOY ♪ 1988 00:58:00,000 --> 00:58:01,778 BOY ♪ 1989 00:58:01,845 --> 00:58:06,000 ♪ 1990 00:58:06,000 --> 00:58:07,383 ♪ 1991 00:58:07,450 --> 00:58:09,652 ♪ OBJECTION, I DON'T WANNA BE 1992 00:58:09,719 --> 00:58:10,053 THE EXCEPTION ♪ 1993 00:58:10,119 --> 00:58:10,954 ♪ TO GET A BIT OF YOUR 1994 00:58:11,020 --> 00:58:12,000 ATTENTION ♪ 1995 00:58:12,000 --> 00:58:12,155 ATTENTION ♪ 1996 00:58:12,222 --> 00:58:13,323 ♪ I'M FALLING APART IN YOUR 1997 00:58:13,389 --> 00:58:14,290 HANDS AGAIN ♪ 1998 00:58:14,357 --> 00:58:17,927 ♪ NO WAY, I'VE GOT TO GET AWAY ♪ 1999 00:58:17,994 --> 00:58:18,000 ♪ EH, EH, EH, GET AWAY ♪ 2000 00:58:18,000 --> 00:58:20,296 ♪ EH, EH, EH, GET AWAY ♪ 2001 00:58:20,363 --> 00:58:23,399 ♪ GET AWAY ♪ 2002 00:58:23,466 --> 00:58:24,000 ♪ EH, EH, EH, GET AWAY ♪ 2003 00:58:24,000 --> 00:58:26,436 ♪ EH, EH, EH, GET AWAY ♪ 2004 00:58:26,502 --> 00:58:30,000 ♪ I'VE GOT TO GET AWAY ♪ 2005 00:58:30,000 --> 00:58:34,611 ♪ I'VE GOT TO GET AWAY ♪ 2006 00:58:34,677 --> 00:58:36,000 ♪♪. 2007 00:58:36,000 --> 00:58:40,783 ♪♪. 2008 00:58:40,850 --> 00:58:41,584 ♪ AYER CONOCÍ UN CIELO SIN 2009 00:58:41,651 --> 00:58:42,000 SOL ♪ 2010 00:58:42,000 --> 00:58:44,888 SOL ♪ 2011 00:58:44,954 --> 00:58:48,000 ♪ Y UN HOMBRE SIN SUELO 2012 00:58:48,000 --> 00:58:50,460 ♪ Y UN HOMBRE SIN SUELO 2013 00:58:50,526 --> 00:58:54,000 ♪♪. 2014 00:58:54,000 --> 00:58:59,669 ♪♪. 2015 00:58:59,736 --> 00:59:00,000 "Whenever Wherever" 2016 00:59:00,000 --> 00:59:05,808 "Whenever Wherever" 2017 00:59:05,875 --> 00:59:06,000 ♪ 2018 00:59:06,000 --> 00:59:12,000 ♪ 2019 00:59:12,000 --> 00:59:18,000 ♪ 2020 00:59:18,000 --> 00:59:24,000 ♪ 2021 00:59:24,000 --> 00:59:25,328 ♪ 2022 00:59:25,395 --> 00:59:26,095 ♪ LUCKY YOU WERE BORN THAT FAR 2023 00:59:26,162 --> 00:59:27,397 AWAY SO ♪ 2024 00:59:27,463 --> 00:59:29,365 ♪ WE COULD BOTH MAKE FUN OF 2025 00:59:29,432 --> 00:59:29,666 DISTANCE ♪ 2026 00:59:29,732 --> 00:59:30,000 ♪ LUCKY THAT I LOVE A FOREIGN 2027 00:59:30,000 --> 00:59:30,433 ♪ LUCKY THAT I LOVE A FOREIGN 2028 00:59:30,500 --> 00:59:31,234 LAND FOR ♪ 2029 00:59:31,301 --> 00:59:32,168 ♪ THE LUCKY FACT OF YOUR 2030 00:59:32,235 --> 00:59:33,803 EXISTENCE ♪ 2031 00:59:33,870 --> 00:59:35,338 ♪ LE-DO-LO-LE-LO-LE, 2032 00:59:35,405 --> 00:59:36,000 LE-DO-LO-LE-LO-LE ♪ 2033 00:59:36,000 --> 00:59:37,907 LE-DO-LO-LE-LO-LE ♪ 2034 00:59:37,974 --> 00:59:38,975 ♪ CAN'T YOU SEE? I'M AT YOUR 2035 00:59:39,042 --> 00:59:41,911 FEET ♪ 2036 00:59:41,978 --> 00:59:42,000 ♪ WHENEVER, WHEREVER ♪ 2037 00:59:42,000 --> 00:59:44,380 ♪ WHENEVER, WHEREVER ♪ 2038 00:59:44,447 --> 00:59:46,716 ♪ WE'RE MEANT TO BE TOGETHER ♪ 2039 00:59:46,783 --> 00:59:47,684 ♪ I'LL BE THERE, AND YOU'LL BE 2040 00:59:47,750 --> 00:59:48,000 NEAR ♪ 2041 00:59:48,000 --> 00:59:48,918 NEAR ♪ 2042 00:59:48,985 --> 00:59:50,553 ♪ AND THAT'S THE DEAL, MY DEAR ♪ 2043 00:59:50,620 --> 00:59:53,022 ♪ THERE OVER, HERE UNDER ♪ 2044 00:59:53,089 --> 00:59:54,000 ♪ YOU'LL NEVER HAVE TO WONDER ♪ 2045 00:59:54,000 --> 00:59:54,724 ♪ YOU'LL NEVER HAVE TO WONDER ♪ 2046 00:59:54,791 --> 00:59:56,659 ♪ WE CAN ALWAYS PLAY BY EAR ♪ 2047 00:59:56,726 --> 01:00:00,000 ♪ BUT THAT'S THE DEAL, MY DEAR ♪ 2048 01:00:00,000 --> 01:00:06,000 ♪ BUT THAT'S THE DEAL, MY DEAR ♪ 2049 01:00:06,000 --> 01:00:07,003 ♪ BUT THAT'S THE DEAL, MY DEAR ♪ 2050 01:00:07,070 --> 01:00:08,938 "Hips Don't Lie" 2051 01:00:09,005 --> 01:00:10,206 ♪ SHAKIRA, SHAKIRA♪ 2052 01:00:10,273 --> 01:00:11,975 ♪ OH, BABY, WHEN YOU TALK LIKE 2053 01:00:12,041 --> 01:00:12,208 THAT ♪ 2054 01:00:12,275 --> 01:00:14,177 ♪ YOU MAKE A WOMAN GO MAD ♪ 2055 01:00:14,243 --> 01:00:16,746 ♪ SO BE WISE AND KEEP ON ♪ 2056 01:00:16,813 --> 01:00:18,000 ♪ READING THE SIGNS OF MY BODY ♪ 2057 01:00:18,000 --> 01:00:19,649 ♪ READING THE SIGNS OF MY BODY ♪ 2058 01:00:19,716 --> 01:00:23,286 ♪ I'M ON TONIGHT, HEY, HEY, HEY, 2059 01:00:23,353 --> 01:00:24,000 HEY, HEY ♪ 2060 01:00:24,000 --> 01:00:26,055 HEY, HEY ♪ 2061 01:00:26,122 --> 01:00:27,190 ♪ I'M ON TONIGHT ♪ 2062 01:00:27,256 --> 01:00:30,000 ♪ PUT YOUR HANDS IN THE AIR ♪ 2063 01:00:30,000 --> 01:00:30,660 ♪ PUT YOUR HANDS IN THE AIR ♪ 2064 01:00:30,727 --> 01:00:32,295 COME ON 2065 01:00:32,362 --> 01:00:33,463 ♪ I'M ON TONIGHT, HEY, HEY, HEY, 2066 01:00:33,529 --> 01:00:34,964 HEY, HEY ♪ 2067 01:00:35,031 --> 01:00:36,000 ♪ I'M ON TONIGHT ♪ 2068 01:00:36,000 --> 01:00:42,000 ♪ I'M ON TONIGHT ♪ 2069 01:00:42,000 --> 01:00:42,472 ♪ I'M ON TONIGHT ♪ 2070 01:00:42,538 --> 01:00:44,774 ♪♪. 2071 01:00:44,841 --> 01:00:47,610 ♪♪. 2072 01:00:47,677 --> 01:00:48,000 ♪♪. EN BARRANQUILLA SE 2073 01:00:48,000 --> 01:00:49,178 ♪♪. EN BARRANQUILLA SE 2074 01:00:49,245 --> 01:00:54,000 BAILA ASí ♪♪. 2075 01:00:54,000 --> 01:00:55,918 BAILA ASí ♪♪. 2076 01:00:55,985 --> 01:00:57,353 ♪ I'M ON TONIGHT, YOU KNOW MY 2077 01:00:57,420 --> 01:00:58,388 HIPS DON'T LIE ♪ 2078 01:00:58,454 --> 01:01:00,000 ♪ AND I'M STARTING TO FEEL YOU, 2079 01:01:00,000 --> 01:01:00,089 ♪ AND I'M STARTING TO FEEL YOU, 2080 01:01:00,156 --> 01:01:02,258 BOY ♪ 2081 01:01:02,325 --> 01:01:03,393 ♪ COME ON, LET'S GO, REAL SLOW ♪ 2082 01:01:03,459 --> 01:01:04,794 ♪ DON'T YOU SEE, BABY, THIS IS 2083 01:01:04,861 --> 01:01:06,000 PERFECTION ♪ 2084 01:01:06,000 --> 01:01:06,162 PERFECTION ♪ 2085 01:01:06,229 --> 01:01:07,597 ♪ OH, YOU KNOW I'M ON TONIGHT, 2086 01:01:07,663 --> 01:01:08,731 YOU KNOW MY HIPS DON'T LIE ♪ 2087 01:01:08,798 --> 01:01:09,699 ♪ AND I AM STARTING TO FEEL IT'S 2088 01:01:09,766 --> 01:01:10,633 RIGHT ♪ 2089 01:01:10,700 --> 01:01:11,801 ♪ THE ATTRACTION, THE TENSION ♪ 2090 01:01:11,868 --> 01:01:12,000 ♪ DON'T YOU SEE, BABY, THIS IS 2091 01:01:12,000 --> 01:01:13,302 ♪ DON'T YOU SEE, BABY, THIS IS 2092 01:01:13,369 --> 01:01:16,372 PERFECTION ♪ 2093 01:01:16,439 --> 01:01:18,000 ♪ NO FIGHTING ♪ 2094 01:01:18,000 --> 01:01:24,000 ♪ NO FIGHTING ♪ 2095 01:01:24,000 --> 01:01:25,181 ♪ NO FIGHTING ♪ 2096 01:01:25,248 --> 01:01:27,283 ♪♪. 2097 01:01:27,350 --> 01:01:28,751 VZ1 2098 01:01:28,818 --> 01:01:29,886 ♪ OH, OH 2099 01:01:29,952 --> 01:01:30,000 ♪ PA' TIPOS COMO 2100 01:01:30,000 --> 01:01:30,420 ♪ PA' TIPOS COMO 2101 01:01:30,486 --> 01:01:36,000 TÚ-UH-UH-UH-UH ♪ 2102 01:01:36,000 --> 01:01:38,828 TÚ-UH-UH-UH-UH ♪ 2103 01:01:38,895 --> 01:01:39,328 ♪ PA' TIPOS COMO 2104 01:01:39,395 --> 01:01:42,000 TÚ-UH-UH-UH-UH ♪ 2105 01:01:42,000 --> 01:01:43,466 TÚ-UH-UH-UH-UH ♪ 2106 01:01:43,533 --> 01:01:44,267 ♪ ESTO ES PA' QUE TE 2107 01:01:44,333 --> 01:01:45,401 MORTIFIQUE ♪ 2108 01:01:45,468 --> 01:01:45,902 ♪ MASTIQUE' Y TRAGUE', 2109 01:01:45,968 --> 01:01:47,770 TRAGUE' Y MASTIQUE' ♪ 2110 01:01:47,837 --> 01:01:48,000 ♪ YO CONTIGO YA NO REGRESO 2111 01:01:48,000 --> 01:01:48,404 ♪ YO CONTIGO YA NO REGRESO 2112 01:01:48,471 --> 01:01:50,039 ♪ NI QUE ME LLORES, NI ME 2113 01:01:50,106 --> 01:01:51,741 SUPLIQUE' ♪ 2114 01:01:51,808 --> 01:01:52,341 ♪ ENTENDÍ QUE NO ES CULPA 2115 01:01:52,408 --> 01:01:54,000 MÍA QUE TE CRITIQUEN ♪ 2116 01:01:54,000 --> 01:01:54,644 MÍA QUE TE CRITIQUEN ♪ 2117 01:01:54,710 --> 01:01:55,178 ♪ YO SOLO HAGO MÚSICA, 2118 01:01:55,244 --> 01:01:59,182 PERDÓN QUE TE SALPIQUE ♪ 2119 01:01:59,248 --> 01:01:59,782 ♪ ME DEJASTE DE VECINA A LA 2120 01:01:59,849 --> 01:02:00,000 SUEGRA ♪ 2121 01:02:00,000 --> 01:02:01,184 SUEGRA ♪ 2122 01:02:01,250 --> 01:02:01,784 ♪ CON LA PRENSA EN LA PUERTA 2123 01:02:01,851 --> 01:02:03,553 Y LA DEUDA EN HACIENDA ♪ 2124 01:02:03,619 --> 01:02:04,187 ♪ TE CREÍSTE QUE ME HERISTE 2125 01:02:04,253 --> 01:02:06,000 Y ME VOLVISTE MÁS DURA ♪ 2126 01:02:06,000 --> 01:02:09,892 Y ME VOLVISTE MÁS DURA ♪ 2127 01:02:09,959 --> 01:02:10,493 ♪ LAS MUJERES YA NO LLORAN, 2128 01:02:10,560 --> 01:02:12,000 LAS MUJERES FACTURAN ♪ 2129 01:02:12,000 --> 01:02:14,931 LAS MUJERES FACTURAN ♪ 2130 01:02:14,997 --> 01:02:15,832 ♪ TIENE NOMBRE DE PERSONA 2131 01:02:15,898 --> 01:02:17,867 BUENA ♪ 2132 01:02:17,934 --> 01:02:18,000 ♪ CLARAMENTE NO ES COMO 2133 01:02:18,000 --> 01:02:18,634 ♪ CLARAMENTE NO ES COMO 2134 01:02:18,701 --> 01:02:24,000 SUENA ♪ 2135 01:02:24,000 --> 01:02:25,475 SUENA ♪ 2136 01:02:25,541 --> 01:02:26,042 ♪ TIENE NOMBRE DE PERSONA 2137 01:02:26,109 --> 01:02:29,245 BUENA ♪ 2138 01:02:29,312 --> 01:02:30,000 ♪ CLARAMENTE 2139 01:02:30,000 --> 01:02:30,780 ♪ CLARAMENTE 2140 01:02:30,847 --> 01:02:31,547 ♪ ES IGUALITA QUE 2141 01:02:31,614 --> 01:02:34,851 TÚ-UH-UH-UH-UH ♪ 2142 01:02:34,917 --> 01:02:35,284 ♪ PA' TIPOS COMO 2143 01:02:35,351 --> 01:02:36,000 TÚ-UH-UH-UH-UH ♪ 2144 01:02:36,000 --> 01:02:37,487 TÚ-UH-UH-UH-UH ♪ 2145 01:02:37,553 --> 01:02:38,488 ♪ A TI TE QUEDÉ GRANDE Y POR 2146 01:02:38,554 --> 01:02:39,589 ESTÁS ♪ 2147 01:02:39,655 --> 01:02:40,656 ♪ CON UNA IGUALITA QUE 2148 01:02:40,723 --> 01:02:42,000 TÚ-UH-UH-UH-UH ♪ 2149 01:02:42,000 --> 01:02:45,128 TÚ-UH-UH-UH-UH ♪ 2150 01:02:45,194 --> 01:02:46,395 ♪ PA' TIPOS COMO 2151 01:02:46,462 --> 01:02:47,763 TÚ-UH-UH-UH-UH ♪' 2152 01:02:47,830 --> 01:02:48,000 ♪ DEL AMOR AL ODIO HAY UN 2153 01:02:48,000 --> 01:02:48,331 ♪ DEL AMOR AL ODIO HAY UN 2154 01:02:48,397 --> 01:02:49,398 PASO ♪ 2155 01:02:49,465 --> 01:02:50,032 ♪ POR ACÁ NO VUELVA', HAZME 2156 01:02:50,099 --> 01:02:50,500 CASO ♪ 2157 01:02:50,566 --> 01:02:51,100 ♪ CERO RENCOR, BEBÉ, YO TE 2158 01:02:51,167 --> 01:02:51,734 DESEO QUE ♪ 2159 01:02:51,801 --> 01:02:52,235 ♪ TE VAYA BIEN CON MI 2160 01:02:52,301 --> 01:02:53,769 SUPUESTO REEMPLAZO ♪ 2161 01:02:53,836 --> 01:02:54,000 ♪ NO SÉ NI QUÉ ES LO QUE TE 2162 01:02:54,000 --> 01:02:54,437 ♪ NO SÉ NI QUÉ ES LO QUE TE 2163 01:02:54,504 --> 01:02:55,238 PASÓ ♪ 2164 01:02:55,304 --> 01:02:55,805 ♪ 'TAS TAN RARO QUE NI TE 2165 01:02:55,872 --> 01:02:56,873 DISTINGO ♪ 2166 01:02:56,939 --> 01:02:58,274 ♪ YO VALGO POR DOS DE 22 2167 01:02:58,341 --> 01:02:58,841 ♪ CAMBIASTE UN FERRARI POR 2168 01:02:58,908 --> 01:03:00,000 UN TWINGO ♪ 2169 01:03:00,000 --> 01:03:00,109 UN TWINGO ♪ 2170 01:03:00,176 --> 01:03:00,743 ♪ CAMBIASTE UN ROLEX POR UN 2171 01:03:00,810 --> 01:03:01,777 CASIO ♪ 2172 01:03:01,844 --> 01:03:02,512 ♪ VAS ACELERAO', DALE 2173 01:03:02,578 --> 01:03:03,913 DESPACIO ♪ 2174 01:03:03,980 --> 01:03:06,000 ♪ AH, MUCHO GIMNASIO 2175 01:03:06,000 --> 01:03:10,920 ♪ AH, MUCHO GIMNASIO 2176 01:03:10,987 --> 01:03:12,000 BZ33 2177 01:03:12,000 --> 01:03:18,000 BZ33 2178 01:03:18,000 --> 01:03:18,728 BZ33 2179 01:03:18,794 --> 01:03:19,395 ♪ TIENE NOMBRE DE PERSONA 2180 01:03:19,462 --> 01:03:20,763 BUENA ♪ 2181 01:03:20,830 --> 01:03:21,364 ♪ CLARAMENTE NO ES COMO 2182 01:03:21,430 --> 01:03:24,000 SUENA ♪ 2183 01:03:24,000 --> 01:03:28,504 SUENA ♪ 2184 01:03:28,571 --> 01:03:29,138 ♪ TIENE NOMBRE DE PERSONA 2185 01:03:29,205 --> 01:03:30,000 BUENA ♪ 2186 01:03:30,000 --> 01:03:34,710 BUENA ♪ 2187 01:03:34,777 --> 01:03:35,344 ♪ Y UNA LOBA COMO YO NO ESTÁ 2188 01:03:35,411 --> 01:03:35,711 PA' TIPOS COMO 2189 01:03:35,778 --> 01:03:36,000 TÚ-UH-UH-UH-UH ♪ 2190 01:03:36,000 --> 01:03:38,915 TÚ-UH-UH-UH-UH ♪ 2191 01:03:38,981 --> 01:03:39,315 ♪ PA' TIPOS COMO 2192 01:03:39,382 --> 01:03:42,000 TÚ-UH-UH-UH-UH ♪ 2193 01:03:42,000 --> 01:03:43,352 TÚ-UH-UH-UH-UH ♪ 2194 01:03:43,419 --> 01:03:43,986 ♪ A TI TE QUEDÉ GRANDE Y POR 2195 01:03:44,053 --> 01:03:44,921 ESTÁS ♪ 2196 01:03:44,987 --> 01:03:45,555 ♪ CON UNA IGUALITA QUE 2197 01:03:45,621 --> 01:03:48,000 TÚ-UH-UH-UH-UH ♪ 2198 01:03:48,000 --> 01:03:49,225 TÚ-UH-UH-UH-UH ♪ 2199 01:03:49,292 --> 01:03:54,000 >> ¡GRACIAS! 2200 01:03:54,000 --> 01:04:00,000 >> ¡GRACIAS! 2201 01:04:00,000 --> 01:04:06,000 >> ¡GRACIAS! 2202 01:04:06,000 --> 01:04:12,000 >> ¡GRACIAS! 2203 01:04:12,000 --> 01:04:12,014 >> ¡GRACIAS! 2204 01:04:12,081 --> 01:04:15,051 >> TOYOTA GRADUATES SHAKIRA, 2205 01:04:15,117 --> 01:04:18,000 THE 2023 MTV VIDEO VANGUARD. 2206 01:04:18,000 --> 01:04:20,223 THE 2023 MTV VIDEO VANGUARD. 2207 01:04:20,289 --> 01:04:23,125 >> DON'T GO ANYWHERE, SHAKIRA 2208 01:04:23,192 --> 01:04:24,000 MAKES VMA HISTORY AND ACCEPTS 2209 01:04:24,000 --> 01:04:25,394 MAKES VMA HISTORY AND ACCEPTS 2210 01:04:25,461 --> 01:04:30,000 THE VIDEO VANGUARD AWARD WHEN 2211 01:04:30,000 --> 01:04:30,600 THE VIDEO VANGUARD AWARD WHEN 2212 01:04:30,666 --> 01:04:31,067 WE COME BACK. 2213 01:04:31,133 --> 01:04:31,834 DIDDY ACHIEVES GOOD WHY CAN'T 2214 01:04:31,901 --> 01:04:32,568 THIS WITH HIS BIGGEST HITS OF 2215 01:04:32,635 --> 01:04:32,969 ALL TIME. 2216 01:04:33,035 --> 01:04:33,903 AND LET AND GOT US KAROL G 2217 01:04:33,970 --> 01:04:36,000 TAKE THIS DAVE TH STAGE FOR 2218 01:04:36,000 --> 01:04:36,639 TAKE THIS DAVE TH STAGE FOR 2219 01:04:46,148 --> 01:04:47,617 >> PLEASE LOOKING BACK 2220 01:04:47,683 --> 01:04:48,000 WYCLIFF JOHN. 2221 01:04:48,000 --> 01:04:51,354 WYCLIFF JOHN. 2222 01:04:51,420 --> 01:04:54,000 >> MAKE SOME NOISE, Y'ALL. 2223 01:04:54,000 --> 01:04:56,659 >> MAKE SOME NOISE, Y'ALL. 2224 01:04:56,726 --> 01:04:57,126 DID THIS, MAN. 2225 01:04:57,193 --> 01:04:58,361 I AM WATCHING SHAKIRA AND ALL 2226 01:04:58,427 --> 01:05:00,000 I WANT IS THAT. 2227 01:05:00,000 --> 01:05:01,297 I WANT IS THAT. 2228 01:05:01,364 --> 01:05:02,865 ♪ HEY GIRL, I CAN SEE YOUR 2229 01:05:02,932 --> 01:05:05,201 BODY MOVING. 2230 01:05:05,268 --> 01:05:06,000 ♪ 2231 01:05:06,000 --> 01:05:08,237 ♪ 2232 01:05:08,304 --> 01:05:11,707 ORDER PERFORMANCE, MAN. 2233 01:05:11,774 --> 01:05:12,000 I AM STILL TRYING TO MOVE MY 2234 01:05:12,000 --> 01:05:12,441 I AM STILL TRYING TO MOVE MY 2235 01:05:12,508 --> 01:05:12,775 HIPS. 2236 01:05:12,842 --> 01:05:13,309 SO CHECK IT OUT. 2237 01:05:13,376 --> 01:05:14,877 TONIGHT IS GOING TO GO DOWN 2238 01:05:14,944 --> 01:05:17,246 IN HISTORY. 2239 01:05:17,313 --> 01:05:18,000 COLUMBIA COLUMBIA. 2240 01:05:18,000 --> 01:05:24,000 COLUMBIA COLUMBIA. 2241 01:05:24,000 --> 01:05:24,787 COLUMBIA COLUMBIA. 2242 01:05:24,854 --> 01:05:28,524 IT IS SUCH AN HONOR FOR ME TO 2243 01:05:28,591 --> 01:05:29,358 PRESENT TO YOU SOMEONE I GOT 2244 01:05:29,425 --> 01:05:30,000 A CHANCE TO WORK WITH THAT I 2245 01:05:30,000 --> 01:05:31,894 A CHANCE TO WORK WITH THAT I 2246 01:05:31,961 --> 01:05:32,728 CONSIDER TO BE A MUSICAL 2247 01:05:32,795 --> 01:05:36,000 GENIUS. 2248 01:05:36,000 --> 01:05:36,299 GENIUS. 2249 01:05:36,365 --> 01:05:37,099 LADIES AND GENTLEMEN, MAKE 2250 01:05:37,166 --> 01:05:38,100 SOME NOISE FROM MY FRIEND 2251 01:05:38,167 --> 01:05:42,000 SHAKIRA TO THE MTV VIDEO 2252 01:05:42,000 --> 01:05:43,205 SHAKIRA TO THE MTV VIDEO 2253 01:05:43,272 --> 01:05:45,574 VANGUARD AWARD! 2254 01:05:45,641 --> 01:05:47,109 [APPLAUSE] 2255 01:05:47,176 --> 01:05:48,000 "Last Time I Saw You" 2256 01:05:48,000 --> 01:05:48,177 "Last Time I Saw You" 2257 01:05:48,244 --> 01:05:48,978 ♪ BEGGIN' ME TO STAY, AND THEN 2258 01:05:49,045 --> 01:05:49,378 YOU WALK AWAY ♪ 2259 01:05:49,445 --> 01:05:49,979 ♪ THERE'S SOMETHING THAT YOU 2260 01:05:50,046 --> 01:05:50,379 WANTED TO SAY ♪ 2261 01:05:50,446 --> 01:05:51,614 ♪ I WAS IN A RUSH, BUT YOU SAID 2262 01:05:51,681 --> 01:05:52,081 YOU WERE CRUSHED ♪ 2263 01:05:52,148 --> 01:05:53,049 ♪ AND I SAID, "I'D BE BACK, IT'S 2264 01:05:53,115 --> 01:05:53,316 OKAY" ♪ 2265 01:05:53,382 --> 01:05:54,000 ♪ I WISH I'DA HUGGED YOU TIGHTER 2266 01:05:54,000 --> 01:05:54,016 ♪ I WISH I'DA HUGGED YOU TIGHTER 2267 01:05:54,083 --> 01:05:55,418 THE LAST TIME THAT I SAW YOU ♪ 2268 01:05:55,484 --> 01:05:56,452 ♪ I WISH I DIDN'T WASTE PRECIOUS 2269 01:05:56,519 --> 01:05:56,686 TIME ♪ 2270 01:05:56,752 --> 01:05:57,553 ♪ THE NIGHT WHEN I CALLED YOU ♪ 2271 01:05:57,620 --> 01:05:58,587 ♪ I WISH I REMEMBERED TO SAY I'D 2272 01:05:58,654 --> 01:05:59,221 DO ANYTHING FOR YOU ♪ 2273 01:05:59,288 --> 01:05:59,955 ♪ MAYBE I PUSHED YOU AWAY 2274 01:06:00,022 --> 01:06:00,756 ♪ BECAUSE I THOUGHT THAT I'D 2275 01:06:00,823 --> 01:06:01,023 . 2276 01:06:01,090 --> 01:06:02,124 >> THANK YOU SO MUCH. 2277 01:06:02,191 --> 01:06:06,000 THIS IS AMAZING. 2278 01:06:06,000 --> 01:06:08,631 THIS IS AMAZING. 2279 01:06:08,698 --> 01:06:09,398 AND I TO RECEIVE THIS FROM MY 2280 01:06:09,465 --> 01:06:12,000 FRIEND, MICHAEL SEAN. 2281 01:06:12,000 --> 01:06:13,602 FRIEND, MICHAEL SEAN. 2282 01:06:13,669 --> 01:06:14,737 [CHANTING FROM THE AUDIENCE]. 2283 01:06:14,804 --> 01:06:17,740 >> OKAY, GUYS. 2284 01:06:17,807 --> 01:06:18,000 THANK YOU, MTV TO THANK YOU 2285 01:06:18,000 --> 01:06:20,509 THANK YOU, MTV TO THANK YOU 2286 01:06:20,576 --> 01:06:21,243 FOR BEING SUCH A BIG PART OF 2287 01:06:21,310 --> 01:06:24,000 MY CAREER. 2288 01:06:24,000 --> 01:06:24,113 MY CAREER. 2289 01:06:24,180 --> 01:06:25,081 SINCE I WAS ONLY 18 YEARS OL 2290 01:06:25,147 --> 01:06:25,381 OLD. 2291 01:06:25,448 --> 01:06:27,416 TONIGHT I WANT TO THINK 2292 01:06:27,483 --> 01:06:29,218 PEOPLE WHO HAVE PLAYED A KEY 2293 01:06:29,285 --> 01:06:30,000 ROLE IN MY VISUAL HISTORY. 2294 01:06:30,000 --> 01:06:32,688 ROLE IN MY VISUAL HISTORY. 2295 01:06:32,755 --> 01:06:33,589 VERY DEAR FRIENDS AND 2296 01:06:33,656 --> 01:06:36,000 CREATIVE PARTNERS SUCH AS 2297 01:06:36,000 --> 01:06:40,629 CREATIVE PARTNERS SUCH AS 2298 01:06:40,696 --> 01:06:42,000 THIS MCCOY SIMPLY CAN'T LIVE 2299 01:06:42,000 --> 01:06:42,264 THIS MCCOY SIMPLY CAN'T LIVE 2300 01:06:42,331 --> 01:06:45,735 WITHOUT. 2301 01:06:47,269 --> 01:06:48,000 >> NO SABRíA CóMO HACER SIN 2302 01:06:48,000 --> 01:06:48,938 >> NO SABRíA CóMO HACER SIN 2303 01:06:49,004 --> 01:06:51,140 USTEDES 2304 01:06:51,207 --> 01:06:52,174 >> RAFAEL ARCAUTEZ. 2305 01:06:52,241 --> 01:06:54,000 YOU GUYS ARE AMAZING. 2306 01:06:54,000 --> 01:07:00,000 YOU GUYS ARE AMAZING. 2307 01:07:00,000 --> 01:07:06,000 YOU GUYS ARE AMAZING. 2308 01:07:06,000 --> 01:07:09,592 YOU GUYS ARE AMAZING. 2309 01:07:09,658 --> 01:07:11,494 THANK YOU SO MUCH. 2310 01:07:11,560 --> 01:07:12,000 I WANT TO THANK MY PARENTS. 2311 01:07:12,000 --> 01:07:13,996 I WANT TO THANK MY PARENTS. 2312 01:07:14,063 --> 01:07:16,866 I WANT TO TAKE MY KIDS, NEELA 2313 01:07:16,932 --> 01:07:18,000 AND SASHA WHO ARE HERE. 2314 01:07:18,000 --> 01:07:18,734 AND SASHA WHO ARE HERE. 2315 01:07:18,801 --> 01:07:19,535 THANK YOU SO MUCH FOR 2316 01:07:19,602 --> 01:07:21,504 ACHIEVING ME UP AND FOR 2317 01:07:21,570 --> 01:07:22,238 MAKING ME FEEL THAT MAMA CAN 2318 01:07:22,304 --> 01:07:24,000 DO IT ALL. 2319 01:07:24,000 --> 01:07:27,576 DO IT ALL. 2320 01:07:27,643 --> 01:07:28,244 AND ESPECIALLY I WANT TO 2321 01:07:28,310 --> 01:07:30,000 SHARE THIS AWARD WITH MY FA 2322 01:07:30,000 --> 01:07:30,946 SHARE THIS AWARD WITH MY FA 2323 01:07:31,013 --> 01:07:31,280 FANS. 2324 01:07:31,347 --> 01:07:31,714 [APPLAUSE]. 2325 01:07:31,781 --> 01:07:36,000 >> ALWAYS, ALWAYS SUPPORT ME 2326 01:07:36,000 --> 01:07:36,385 >> ALWAYS, ALWAYS SUPPORT ME 2327 01:07:36,452 --> 01:07:37,019 THROUGH THICK AND THIN. 2328 01:07:37,086 --> 01:07:37,720 THANK YOU SO MUCH FOR BEING 2329 01:07:37,787 --> 01:07:38,154 MY ARMY. 2330 01:07:38,220 --> 01:07:41,157 AND HELPING ME FIND ALL MY 2331 01:07:41,223 --> 01:07:42,000 BATTLES. 2332 01:07:42,000 --> 01:07:44,527 BATTLES. 2333 01:07:44,593 --> 01:07:45,828 >> ESTO ES PARA USTEDES MI 2334 01:07:45,895 --> 01:07:47,763 GENTE 2335 01:07:47,830 --> 01:07:48,000 MI GENTE LATINOAMERICANA, 2336 01:07:48,000 --> 01:07:49,198 MI GENTE LATINOAMERICANA, 2337 01:07:49,265 --> 01:07:50,966 DENTRO Y FUERA DE ESTE 2338 01:07:51,033 --> 01:07:54,000 PAíS,. GRACIAS POR 2339 01:07:54,000 --> 01:07:54,303 PAíS,. GRACIAS POR 2340 01:07:54,370 --> 01:07:55,604 INSPIRARME E INYECTARME 2341 01:07:55,671 --> 01:07:58,707 TANTA FUERZA Y GANAS DE 2342 01:07:58,774 --> 01:08:00,000 SEGUIR ADELANTE. 2343 01:08:00,000 --> 01:08:00,543 SEGUIR ADELANTE. 2344 01:08:00,609 --> 01:08:01,277 LOS QUIERO MUCHíSIMO. 2345 01:08:01,343 --> 01:08:02,044 ♪♪. 2346 01:08:02,111 --> 01:08:06,000 >> PLEASE WELCOME BILLIE 2347 01:08:06,000 --> 01:08:09,185 >> PLEASE WELCOME BILLIE 2348 01:08:09,251 --> 01:08:11,120 PORTER. 2349 01:08:11,187 --> 01:08:12,000 >> WAS GOING ON NEW YORK, HOW 2350 01:08:12,000 --> 01:08:14,089 >> WAS GOING ON NEW YORK, HOW 2351 01:08:14,156 --> 01:08:17,927 YOU ALL DOING TONIGHT? 2352 01:08:17,993 --> 01:08:18,000 THE ENERGY AND HERE IS 2353 01:08:18,000 --> 01:08:18,561 THE ENERGY AND HERE IS 2354 01:08:18,627 --> 01:08:18,961 ELECTRIC. 2355 01:08:19,028 --> 01:08:21,664 FIRST OF ALL I JUST WANT TO 2356 01:08:21,730 --> 01:08:24,000 SAY CONGRATULATIONS TO 2357 01:08:24,000 --> 01:08:25,000 SAY CONGRATULATIONS TO 2358 01:08:25,067 --> 01:08:26,869 SHAKIRA. 2359 01:08:26,936 --> 01:08:29,138 CONGRATULATIONS THE TAYLOR 2360 01:08:29,205 --> 01:08:30,000 SWIFT. 2361 01:08:30,000 --> 01:08:33,442 SWIFT. 2362 01:08:33,509 --> 01:08:34,176 BECAUSE SHE IS THE ONE THAT 2363 01:08:34,243 --> 01:08:36,000 HELPS ME GET MY LITTLE MAN. 2364 01:08:36,000 --> 01:08:38,714 HELPS ME GET MY LITTLE MAN. 2365 01:08:38,781 --> 01:08:40,749 IF YOU REMEMBER, YOU NEED TO 2366 01:08:40,816 --> 01:08:42,000 CALM DOWN. 2367 01:08:42,000 --> 01:08:42,485 CALM DOWN. 2368 01:08:42,551 --> 01:08:46,589 SO THE NEXT PERFORMER IS A 2369 01:08:46,655 --> 01:08:48,000 HIP-HOP ICON. 2370 01:08:48,000 --> 01:08:50,326 HIP-HOP ICON. 2371 01:08:50,392 --> 01:08:53,162 SHE IS THE FIRST WOMAN TO 2372 01:08:53,229 --> 01:08:54,000 CHART OVER 100 HITS ON THE 2373 01:08:54,000 --> 01:09:00,000 CHART OVER 100 HITS ON THE 2374 01:09:00,000 --> 01:09:01,036 CHART OVER 100 HITS ON THE 2375 01:09:01,103 --> 01:09:01,437 HOT 100. 2376 01:09:01,504 --> 01:09:03,105 HAVE YOU EVER HEARD OF SUCH A 2377 01:09:03,172 --> 01:09:04,306 THING? 2378 01:09:04,373 --> 01:09:06,000 I DIDN'T EVEN KNOW THAT WAS 2379 01:09:06,000 --> 01:09:08,143 I DIDN'T EVEN KNOW THAT WAS 2380 01:09:08,210 --> 01:09:08,577 POSSIBLE. 2381 01:09:08,644 --> 01:09:10,746 ARE HIGHLY ANTICIPATED ALBUM, 2382 01:09:10,813 --> 01:09:12,000 "PINK FRIDAY," WHEW -- Y'ALL 2383 01:09:12,000 --> 01:09:15,584 "PINK FRIDAY," WHEW -- Y'ALL 2384 01:09:15,651 --> 01:09:17,453 KNOW WHO I'M TALKING ABOUT 2385 01:09:17,520 --> 01:09:18,000 THIS BACKDROP THIS NOVEMBER. 2386 01:09:18,000 --> 01:09:18,654 THIS BACKDROP THIS NOVEMBER. 2387 01:09:18,721 --> 01:09:23,259 THE SQL. 2388 01:09:23,325 --> 01:09:24,000 BARBS. 2389 01:09:24,000 --> 01:09:25,461 BARBS. 2390 01:09:25,528 --> 01:09:29,331 DID SOMEBODY SAY BARBS? 2391 01:09:29,398 --> 01:09:30,000 AS IN BARBIE? 2392 01:09:30,000 --> 01:09:32,902 AS IN BARBIE? 2393 01:09:32,968 --> 01:09:36,000 AS IN $1 BILLION MOVIE? 2394 01:09:36,000 --> 01:09:40,509 AS IN $1 BILLION MOVIE? 2395 01:09:40,576 --> 01:09:42,000 ARE YOU ALREADY? 2396 01:09:42,000 --> 01:09:42,378 ARE YOU ALREADY? 2397 01:09:42,444 --> 01:09:42,811 [APPLAUSE]. 2398 01:09:42,878 --> 01:09:45,147 >> GIVE IT UP FOR THE QUEEN, 2399 01:09:45,214 --> 01:09:48,000 NIKKI MÉNAGE! 2400 01:09:48,000 --> 01:09:50,152 NIKKI MÉNAGE! 2401 01:09:50,219 --> 01:09:54,000 NICKI MINAJ! 2402 01:09:54,000 --> 01:10:00,000 NICKI MINAJ! 2403 01:10:00,000 --> 01:10:06,000 NICKI MINAJ! 2404 01:10:06,000 --> 01:10:11,073 NICKI MINAJ! 2405 01:10:11,140 --> 01:10:12,000 ♪ . 2406 01:10:12,000 --> 01:10:18,000 ♪ . 2407 01:10:18,000 --> 01:10:23,886 ♪ . 2408 01:10:23,953 --> 01:10:24,000 ♪ . 2409 01:10:24,000 --> 01:10:30,000 ♪ . 2410 01:10:30,000 --> 01:10:30,693 ♪ . 2411 01:10:30,759 --> 01:10:36,000 ♪ 2412 01:10:36,000 --> 01:10:42,000 ♪ 2413 01:10:42,000 --> 01:10:45,407 ♪ 2414 01:10:45,474 --> 01:10:48,000 ♪ . 2415 01:10:48,000 --> 01:10:54,000 ♪ . 2416 01:10:54,000 --> 01:10:55,551 ♪ . 2417 01:10:55,618 --> 01:10:56,552 INSTANT♪ 2418 01:10:56,619 --> 01:10:57,219 ♪ IGNORED THE HINTS OR I MISSED 2419 01:10:57,286 --> 01:10:57,620 IT ♪ 2420 01:10:57,686 --> 01:10:58,520 ♪ I KILLED IT ♪ 2421 01:10:58,587 --> 01:11:00,000 ♪ YOU'D ALWAYS BE IN 2422 01:11:00,000 --> 01:11:00,422 ♪ YOU'D ALWAYS BE IN 2423 01:11:00,489 --> 01:11:06,000 ATTENDANCE ♪ 2424 01:11:06,000 --> 01:11:07,696 ATTENDANCE ♪ 2425 01:11:07,763 --> 01:11:07,963 . 2426 01:11:08,030 --> 01:11:09,665 HEARTBREAK THAT WE NEVER 2427 01:11:09,732 --> 01:11:10,265 AMENDED. 2428 01:11:10,332 --> 01:11:12,000 DOES MESSAGE WAS UNSCENTED 2429 01:11:12,000 --> 01:11:15,638 DOES MESSAGE WAS UNSCENTED 2430 01:11:15,704 --> 01:11:16,372 AND THOSE FRIENDS WE SOMEHOW 2431 01:11:16,438 --> 01:11:17,072 UNFRIENDED AND SHARED ABOUT 2432 01:11:17,139 --> 01:11:17,539 WE OFFENDED. 2433 01:11:17,606 --> 01:11:18,000 ♪ 2434 01:11:18,000 --> 01:11:21,110 ♪ 2435 01:11:21,176 --> 01:11:22,311 ♪ I WISH I'DA HUGGED YOU TIGHTER 2436 01:11:22,378 --> 01:11:24,000 THE LAST TIME THAT I SAW YOU ♪ 2437 01:11:24,000 --> 01:11:25,414 THE LAST TIME THAT I SAW YOU ♪ 2438 01:11:25,481 --> 01:11:28,751 ♪ I WISH I DIDN'T WASTE PRECIOUS 2439 01:11:28,817 --> 01:11:28,984 TIME ♪ 2440 01:11:29,051 --> 01:11:30,000 ♪ THE NIGHT WHEN I CALLED YOU ♪ 2441 01:11:30,000 --> 01:11:32,621 ♪ THE NIGHT WHEN I CALLED YOU ♪ 2442 01:11:32,688 --> 01:11:34,323 ♪ I WISH I REMEMBERED TO SAY I'D 2443 01:11:34,390 --> 01:11:36,000 DO ANYTHING FOR YOU ♪ 2444 01:11:36,000 --> 01:11:39,662 DO ANYTHING FOR YOU ♪ 2445 01:11:39,728 --> 01:11:41,764 ♪ MAYBE I PUSHED YOU AWAY 2446 01:11:41,830 --> 01:11:42,000 ♪ BECAUSE I THOUGHT THAT I'D 2447 01:11:42,000 --> 01:11:43,499 ♪ BECAUSE I THOUGHT THAT I'D 2448 01:11:43,565 --> 01:11:46,735 BORE YOU ♪ 2449 01:11:46,802 --> 01:11:48,000 ♪ STARLIGHT, STARBRIGHT ♪ 2450 01:11:48,000 --> 01:11:48,704 ♪ STARLIGHT, STARBRIGHT ♪ 2451 01:11:48,771 --> 01:11:50,005 ♪ FIRST STAR I SEE TONIGHT ♪ 2452 01:11:50,072 --> 01:11:51,840 ♪ WISH I MAY, I WISH I MIGHT ♪ 2453 01:11:51,907 --> 01:11:53,642 ♪ HAVE THE WISH I WISH TONIGHT ♪ 2454 01:11:53,709 --> 01:11:54,000 ♪ STARLIGHT, STARBRIGHT ♪ 2455 01:11:54,000 --> 01:11:54,977 ♪ STARLIGHT, STARBRIGHT ♪ 2456 01:11:55,044 --> 01:11:56,912 ♪ FIRST STAR I SEE TONIGHT ♪ 2457 01:11:56,979 --> 01:11:58,947 ♪ WISH I MAY, I WISH I MIGHT ♪ 2458 01:11:59,014 --> 01:12:00,000 ♪ HAVE THE WISH I WISH TONIGHT ♪ 2459 01:12:00,000 --> 01:12:01,283 ♪ HAVE THE WISH I WISH TONIGHT ♪ 2460 01:12:01,350 --> 01:12:05,120 ♪ BOMBS AWAY ♪ 2461 01:12:05,187 --> 01:12:06,000 ♪ BOMBS AWAY ♪ 2462 01:12:06,000 --> 01:12:08,824 ♪ BOMBS AWAY ♪ 2463 01:12:08,891 --> 01:12:12,000 ♪ BOMBS AWAY ♪ 2464 01:12:12,000 --> 01:12:12,361 ♪ BOMBS AWAY ♪ 2465 01:12:12,428 --> 01:12:16,298 ♪ BOMBS AWAY ♪ 2466 01:12:16,365 --> 01:12:18,000 ♪ DREAM ABOUT YOU ♪ 2467 01:12:18,000 --> 01:12:21,603 ♪ DREAM ABOUT YOU ♪ 2468 01:12:21,670 --> 01:12:24,000 ♪ DREAM ABOUT YOU ♪ 2469 01:12:24,000 --> 01:12:26,442 ♪ DREAM ABOUT YOU ♪ 2470 01:12:26,508 --> 01:12:29,411 ♪ DREAM ABOUT YOU ♪ 2471 01:12:29,478 --> 01:12:30,000 ♪ I STILL DREAM ABOUT YOU ♪ 2472 01:12:30,000 --> 01:12:33,816 ♪ I STILL DREAM ABOUT YOU ♪ 2473 01:12:33,882 --> 01:12:35,050 ♪ I WISH I'DA HUGGED YOU TIGHTER 2474 01:12:35,117 --> 01:12:36,000 THE LAST TIME THAT I SAW YOU ♪ 2475 01:12:36,000 --> 01:12:40,622 THE LAST TIME THAT I SAW YOU ♪ 2476 01:12:40,689 --> 01:12:42,000 ♪ I WISH I DIDN'T WASTE PRECIOUS 2477 01:12:42,000 --> 01:12:42,324 ♪ I WISH I DIDN'T WASTE PRECIOUS 2478 01:12:42,391 --> 01:12:43,325 TIME ♪ 2479 01:12:43,392 --> 01:12:47,796 ♪ THE NIGHT WHEN I CALLED YOU ♪ 2480 01:12:47,863 --> 01:12:48,000 ♪ I KNEW THE MOMENT I MET YOU 2481 01:12:48,000 --> 01:12:49,598 ♪ I KNEW THE MOMENT I MET YOU 2482 01:12:49,665 --> 01:12:53,769 THAT I'D ALWAYS ADORE YOU ♪ 2483 01:12:53,836 --> 01:12:54,000 ♪ MAYBE I PUSHED YOU AWAY 2484 01:12:54,000 --> 01:12:57,372 ♪ MAYBE I PUSHED YOU AWAY 2485 01:12:57,439 --> 01:12:58,907 ♪ BECAUSE I THOUGHT THAT I'D ♪ 2486 01:12:58,974 --> 01:13:00,000 ♪ BORE YOU ♪ 2487 01:13:00,000 --> 01:13:06,000 ♪ BORE YOU ♪ 2488 01:13:06,000 --> 01:13:07,649 ♪ BORE YOU ♪ 2489 01:13:07,716 --> 01:13:12,000 "Big Difference" 2490 01:13:12,000 --> 01:13:18,000 "Big Difference" 2491 01:13:18,000 --> 01:13:18,327 "Big Difference" 2492 01:13:18,393 --> 01:13:19,428 . 2493 01:13:19,495 --> 01:13:21,930 >> MTV. 2494 01:13:21,997 --> 01:13:24,000 IT WOULDN'T BE RIGHT IF I DID. 2495 01:13:24,000 --> 01:13:30,000 IT WOULDN'T BE RIGHT IF I DID. 2496 01:13:30,000 --> 01:13:36,000 IT WOULDN'T BE RIGHT IF I DID. 2497 01:13:36,000 --> 01:13:37,479 IT WOULDN'T BE RIGHT IF I DID. 2498 01:13:37,546 --> 01:13:38,213 ♪ LIKE MY HUNNIDS BLUE♪ 2499 01:13:38,280 --> 01:13:38,680 ♪ BAD BITCHES, YEAH, 2500 01:13:38,747 --> 01:13:39,181 I KEEP'M BY THE TWO ♪ 2501 01:13:39,248 --> 01:13:39,848 ♪ IT'S A BIG DIFFERENCE 2502 01:13:39,915 --> 01:13:40,649 BETWEEN ME AND YOU ♪ 2503 01:13:40,716 --> 01:13:41,450 ♪ I AIN'T NOTHING LIKE YOU, 2504 01:13:41,517 --> 01:13:42,000 YOU, YOU, OR YOU ♪ 2505 01:13:42,000 --> 01:13:42,918 YOU, YOU, OR YOU ♪ 2506 01:13:42,985 --> 01:13:44,486 ♪ UH ♪ 2507 01:13:44,553 --> 01:13:45,587 ♪ I'M ON A WHOLE NOTHER LEVEL ♪ 2508 01:13:45,654 --> 01:13:46,188 ♪ THESE BITCHES IS 2509 01:13:46,255 --> 01:13:47,089 OUT OF THEY LEAGUE ♪ 2510 01:13:47,156 --> 01:13:48,000 ♪ THESE BITCHES AIN'T BATTING 2511 01:13:48,000 --> 01:13:48,123 ♪ THESE BITCHES AIN'T BATTING 2512 01:13:48,190 --> 01:13:48,991 LIKE ME ♪ 2513 01:13:49,057 --> 01:13:49,658 ♪ THESE BITCHES AIN'T BADDER 2514 01:13:49,725 --> 01:13:50,659 THAN ME ♪ 2515 01:13:50,726 --> 01:13:51,426 ♪ THESE BITCHES DON'T COUNT 2516 01:13:51,493 --> 01:13:52,728 ♪ AND THESE BITCHS CAN'T COUNT 2517 01:13:52,795 --> 01:13:54,000 ♪ I AM NOT THE 1, 2, OR THE 3 ♪ 2518 01:13:54,000 --> 01:13:54,229 ♪ I AM NOT THE 1, 2, OR THE 3 ♪ 2519 01:13:54,296 --> 01:13:55,030 ♪ YOU BITCHES LOOK UP TO ME ♪ 2520 01:13:55,097 --> 01:13:56,298 ♪ YOU SAID YOU LOOK UP TO HER ♪ 2521 01:13:56,365 --> 01:13:57,032 ♪ BUT REALLY, YOU LOOK UP TO 2522 01:13:57,099 --> 01:13:58,600 ME ♪ 2523 01:13:58,667 --> 01:14:00,000 ♪ I CAN'T BE PLAYING WITH 2524 01:14:00,000 --> 01:14:00,035 ♪ I CAN'T BE PLAYING WITH 2525 01:14:00,102 --> 01:14:00,302 NIGGAS ♪ 2526 01:14:00,369 --> 01:14:00,869 ♪ I MARRIED A G ♪ 2527 01:14:00,936 --> 01:14:01,937 ♪ I GOT SOME NIGGAS THAT DO WHAT 2528 01:14:02,004 --> 01:14:02,704 I SAY ♪ 2529 01:14:02,771 --> 01:14:03,505 ♪ IF I TELL 'EM TO SHOOT 2530 01:14:03,572 --> 01:14:04,406 THEY PULL UP FROM THE THREE ♪ 2531 01:14:04,473 --> 01:14:05,641 ♪ WHEN BITCHES BE RAPPING 2532 01:14:05,707 --> 01:14:06,000 I'M LAUGHING ♪ 2533 01:14:06,000 --> 01:14:06,875 I'M LAUGHING ♪ 2534 01:14:06,942 --> 01:14:07,843 ♪ IT SOUND LIKE YOU TRYING TO 2535 01:14:07,910 --> 01:14:08,243 ME ♪ 2536 01:14:08,310 --> 01:14:09,278 ♪ I'M WHO YOU DYING TO BE ♪ 2537 01:14:09,344 --> 01:14:09,845 ♪ WILL SOMEBODY COP 2538 01:14:09,912 --> 01:14:10,646 ALL THESE GROUPIES A TICKET? ♪ 2539 01:14:10,712 --> 01:14:11,446 ♪ 'CAUSE I'M WHO THEY DYING 2540 01:14:11,513 --> 01:14:12,000 TO MEET ♪ 2541 01:14:12,000 --> 01:14:12,014 TO MEET ♪ 2542 01:14:12,080 --> 01:14:12,881 ♪ I'M IN THE CITY 2543 01:14:12,948 --> 01:14:13,849 ♪ I DROP A LOCATION 2544 01:14:13,916 --> 01:14:14,750 ♪ AND ALL OF THE KILLAS COME 2545 01:14:14,817 --> 01:14:15,350 OUT ♪ 2546 01:14:15,417 --> 01:14:16,718 ♪ THESE NIGGAS BE FRONTIN' 2547 01:14:16,785 --> 01:14:17,286 FOR Y'ALL ♪ 2548 01:14:17,352 --> 01:14:18,000 ♪ BUT THEY PLAY THE BACK 2549 01:14:18,000 --> 01:14:18,220 ♪ BUT THEY PLAY THE BACK 2550 01:14:18,287 --> 01:14:18,921 WHEN THEM KILLAS IS OUT ♪ 2551 01:14:18,987 --> 01:14:19,888 ♪ WHEN THEM KILLAS IS OUT ♪ 2552 01:14:19,955 --> 01:14:20,722 ♪ CUT 'EM OFF LIKE THE SCISSORS 2553 01:14:20,789 --> 01:14:21,590 IS OUT ♪ 2554 01:14:21,657 --> 01:14:22,491 ♪ WHEN BARBIE TOUCH DOWN ♪ 2555 01:14:22,558 --> 01:14:23,258 ♪ THE BADDEST OF BITCHES IS 2556 01:14:23,325 --> 01:14:24,000 OUT ♪ 2557 01:14:24,000 --> 01:14:25,627 OUT ♪ 2558 01:14:25,694 --> 01:14:26,595 ♪ LIKE MY HUNNIDS BLUE ♪ 2559 01:14:26,662 --> 01:14:27,462 ♪ BAD BITCHES, YEAH, 2560 01:14:27,529 --> 01:14:28,330 I KEEP'M BY THE TWO ♪ 2561 01:14:28,397 --> 01:14:29,198 ♪ IT'S A BIG DIFFERENCE 2562 01:14:29,264 --> 01:14:30,000 BETWEEN ME AND YOU ♪ 2563 01:14:30,000 --> 01:14:30,065 BETWEEN ME AND YOU ♪ 2564 01:14:30,132 --> 01:14:33,402 ♪ I AIN'T NOTHING LIKE YOU, 2565 01:14:33,468 --> 01:14:36,000 YOU, YOU, OR YOU ♪ 2566 01:14:36,000 --> 01:14:37,039 YOU, YOU, OR YOU ♪ 2567 01:14:37,105 --> 01:14:42,000 ♪ UH ♪ 2568 01:14:42,000 --> 01:14:48,000 ♪ UH ♪ 2569 01:14:48,000 --> 01:14:49,051 ♪ UH ♪ 2570 01:14:49,117 --> 01:14:54,000 [APPLAUSE] 2571 01:14:54,000 --> 01:15:00,000 [APPLAUSE] 2572 01:15:00,000 --> 01:15:00,229 [APPLAUSE] 2573 01:15:00,295 --> 01:15:00,596 ♪ . 2574 01:15:00,662 --> 01:15:04,333 >> QUBIT UP FOR THAT JOANNE 2575 01:15:04,399 --> 01:15:06,000 TILIO -- JOE AND KALIII. 2576 01:15:06,000 --> 01:15:12,000 TILIO -- JOE AND KALIII. 2577 01:15:12,000 --> 01:15:13,876 TILIO -- JOE AND KALIII. 2578 01:15:13,942 --> 01:15:18,000 >> IN THE 2,000'S FIRST LAB 2579 01:15:18,000 --> 01:15:22,951 >> IN THE 2,000'S FIRST LAB 2580 01:15:23,018 --> 01:15:24,000 EXPLOSION, WE HAD A SONG 2581 01:15:24,000 --> 01:15:24,086 EXPLOSION, WE HAD A SONG 2582 01:15:24,152 --> 01:15:25,020 TOGETHER. 2583 01:15:25,087 --> 01:15:26,388 >> WE HAD A LITTLE SOMETHING 2584 01:15:26,455 --> 01:15:28,423 TO DO WITH THAT. 2585 01:15:28,490 --> 01:15:28,824 >> MM-HMM. 2586 01:15:28,891 --> 01:15:29,524 AND NOW WE ARE SUBMITTING 2587 01:15:29,591 --> 01:15:30,000 AGAIN THIS LAB EXPLOSION. 2588 01:15:30,000 --> 01:15:33,729 AGAIN THIS LAB EXPLOSION. 2589 01:15:33,795 --> 01:15:36,000 233 LATINOS STAND UP! 2590 01:15:36,000 --> 01:15:37,132 233 LATINOS STAND UP! 2591 01:15:37,199 --> 01:15:42,000 >> AND, JOE, THIS PAST YEAR, 2592 01:15:42,000 --> 01:15:42,237 >> AND, JOE, THIS PAST YEAR, 2593 01:15:42,304 --> 01:15:43,372 FOR THE FIRST TIME EVER IN 2594 01:15:43,438 --> 01:15:46,608 THE US, LATIN MUSIC MADE A 2595 01:15:46,675 --> 01:15:48,000 BILLION DOLLARS IN STREAMING. 2596 01:15:48,000 --> 01:15:51,346 BILLION DOLLARS IN STREAMING. 2597 01:15:51,413 --> 01:15:53,115 WE ARE TAKING OVER AGAIN. 2598 01:15:53,181 --> 01:15:54,000 >> AND IT WOULDN'T HAVE 2599 01:15:54,000 --> 01:15:56,752 >> AND IT WOULDN'T HAVE 2600 01:15:56,818 --> 01:15:57,486 HAPPENED WITHOUT THE 2601 01:15:57,552 --> 01:15:58,687 SUPERSTARS THIS CATEGORY 2602 01:15:58,754 --> 01:16:00,000 TONIGHT. 2603 01:16:00,000 --> 01:16:01,390 TONIGHT. 2604 01:16:01,456 --> 01:16:02,991 >> EXACTLY. 2605 01:16:03,058 --> 01:16:04,960 AND HERE ARE THE NOMINEES FOR 2606 01:16:05,027 --> 01:16:05,360 BEST LATIN 2607 01:16:05,427 --> 01:16:06,000 >> BEST LATIN. 2608 01:16:06,000 --> 01:16:06,094 >> BEST LATIN. 2609 01:16:06,161 --> 01:16:09,932 . 2610 01:16:09,998 --> 01:16:12,000 ROSALÃA, "DESPECHÃ." 2611 01:16:12,000 --> 01:16:16,004 ROSALÃA, "DESPECHÃ." 2612 01:16:16,071 --> 01:16:18,000 BAD BUNNY, "WHERE SHE GOES." 2613 01:16:18,000 --> 01:16:22,277 BAD BUNNY, "WHERE SHE GOES." 2614 01:16:22,344 --> 01:16:24,000 KAROL G, SHAKIRA, "TQG." 2615 01:16:24,000 --> 01:16:30,000 KAROL G, SHAKIRA, "TQG." 2616 01:16:30,000 --> 01:16:31,019 KAROL G, SHAKIRA, "TQG." 2617 01:16:31,086 --> 01:16:35,524 ANITTA, "FUNK RAVE." 2618 01:16:35,590 --> 01:16:36,000 ESLABON ARMADO, PESO PLUMA, 2619 01:16:36,000 --> 01:16:37,159 ESLABON ARMADO, PESO PLUMA, 2620 01:16:37,225 --> 01:16:42,000 "ELLA BAILA SOLA." 2621 01:16:42,000 --> 01:16:43,465 "ELLA BAILA SOLA." 2622 01:16:43,532 --> 01:16:48,000 SHAKIRA, "ACRÓSTICO." 2623 01:16:48,000 --> 01:16:49,838 SHAKIRA, "ACRÓSTICO." 2624 01:16:49,905 --> 01:16:51,640 GRUPO FRONTERA, BAD BUNNY, "UN 2625 01:16:51,707 --> 01:16:54,000 X100TO." 2626 01:16:54,000 --> 01:17:00,000 X100TO." 2627 01:17:00,000 --> 01:17:03,018 X100TO." 2628 01:17:03,085 --> 01:17:03,285 . 2629 01:17:03,352 --> 01:17:06,000 >> AND THE VMA AWARD GOES TO 2630 01:17:06,000 --> 01:17:12,000 >> AND THE VMA AWARD GOES TO 2631 01:17:12,000 --> 01:17:12,060 >> AND THE VMA AWARD GOES TO 2632 01:17:12,127 --> 01:17:18,000 ANITTA! 2633 01:17:18,000 --> 01:17:24,000 ANITTA! 2634 01:17:24,000 --> 01:17:24,272 ANITTA! 2635 01:17:24,339 --> 01:17:30,000 ♪ . 2636 01:17:30,000 --> 01:17:36,000 ♪ . 2637 01:17:36,000 --> 01:17:42,000 ♪ . 2638 01:17:42,000 --> 01:17:46,928 ♪ . 2639 01:17:46,995 --> 01:17:48,000 >> WOW! 2640 01:17:48,000 --> 01:17:51,867 >> WOW! 2641 01:17:51,933 --> 01:17:54,000 WOW, OH MY GOD, I CAN'T 2642 01:17:54,000 --> 01:17:54,236 WOW, OH MY GOD, I CAN'T 2643 01:17:54,302 --> 01:17:56,605 BELIEVE IT. 2644 01:17:56,671 --> 01:17:57,539 BRAZIL. 2645 01:17:57,606 --> 01:18:00,000 [APPLAUSE] WE ARE HERE AGAIN, 2646 01:18:00,000 --> 01:18:02,978 [APPLAUSE] WE ARE HERE AGAIN, 2647 01:18:03,045 --> 01:18:06,000 BRAZIL, WE ARE HERE AGAIN. 2648 01:18:06,000 --> 01:18:07,249 BRAZIL, WE ARE HERE AGAIN. 2649 01:18:07,315 --> 01:18:08,717 [APPLAUSE]. 2650 01:18:08,784 --> 01:18:12,000 >> FOR THE SECOND TIME, WE 2651 01:18:12,000 --> 01:18:12,287 >> FOR THE SECOND TIME, WE 2652 01:18:12,354 --> 01:18:12,687 ARE HERE. 2653 01:18:12,754 --> 01:18:13,555 THANK YOU SO MUCH FOR MY FA 2654 01:18:13,622 --> 01:18:13,889 FANS. 2655 01:18:13,955 --> 01:18:14,756 WITHOUT YOU I WOULD BE 2656 01:18:14,823 --> 01:18:16,091 NOTHING. 2657 01:18:16,158 --> 01:18:18,000 I'LL YELL YOU EVERYTHING I 2658 01:18:18,000 --> 01:18:19,094 I'LL YELL YOU EVERYTHING I 2659 01:18:19,161 --> 01:18:19,494 HAVE. 2660 01:18:19,561 --> 01:18:20,328 THINKS MY FRIENDS IN BRAZIL 2661 01:18:20,395 --> 01:18:24,000 AND MY FRIENDS IN MEXICO. 2662 01:18:24,000 --> 01:18:26,068 AND MY FRIENDS IN MEXICO. 2663 01:18:26,134 --> 01:18:30,000 >> A LA GENTE DE MéXICO LOS 2664 01:18:30,000 --> 01:18:31,106 >> A LA GENTE DE MéXICO LOS 2665 01:18:31,173 --> 01:18:34,376 >> FOR ALL MY FANS HERE 2666 01:18:34,443 --> 01:18:36,000 TONIGHT, THANK YOU SO MUCH. 2667 01:18:36,000 --> 01:18:36,745 TONIGHT, THANK YOU SO MUCH. 2668 01:18:36,812 --> 01:18:37,379 THANKS MY LABEL, PUBLIC 2669 01:18:37,446 --> 01:18:42,000 RECORDS, THINGS ARE UNIVE 2670 01:18:42,000 --> 01:18:42,384 RECORDS, THINGS ARE UNIVE 2671 01:18:42,451 --> 01:18:43,118 UNIVERSAL, ALL THE SUPPORT TO 2672 01:18:43,185 --> 01:18:43,852 MY TEAM, MY MANAGER REBECCA, 2673 01:18:43,919 --> 01:18:45,821 I LOVE YOU. 2674 01:18:45,887 --> 01:18:46,521 MY BROTHER-IN-LAW, YOU ARE 2675 01:18:46,588 --> 01:18:47,255 THE LOVE OF MY LIFE, I LOVE 2676 01:18:47,322 --> 01:18:47,722 YOU SO MUCH. 2677 01:18:47,789 --> 01:18:48,000 AND THANKS TO ME! 2678 01:18:48,000 --> 01:18:50,625 AND THANKS TO ME! 2679 01:18:50,692 --> 01:18:51,827 [APPLAUSE]. 2680 01:18:51,893 --> 01:18:54,000 >> I WANT TO THINK MYSELF 2681 01:18:54,000 --> 01:18:55,363 >> I WANT TO THINK MYSELF 2682 01:18:55,430 --> 01:18:56,665 BECAUSE I WORKED SO HARD, OH, 2683 01:18:56,731 --> 01:19:00,000 MY GOD. 2684 01:19:00,000 --> 01:19:02,571 MY GOD. 2685 01:19:02,637 --> 01:19:05,707 IN ONE MORE BRAZILIAN SONG. 2686 01:19:05,774 --> 01:19:06,000 YOU GUYS ARE HEARING 2687 01:19:06,000 --> 01:19:07,709 YOU GUYS ARE HEARING 2688 01:19:07,776 --> 01:19:10,212 BRAZILIAN SONG. 2689 01:19:10,278 --> 01:19:11,179 YOU ARE GOING TO HEAR WAY 2690 01:19:11,246 --> 01:19:11,880 MORE BRAZILIAN SONGS IN THE 2691 01:19:11,947 --> 01:19:12,000 WORLD RIGHT NOW, AND THIS IS 2692 01:19:12,000 --> 01:19:12,747 WORLD RIGHT NOW, AND THIS IS 2693 01:19:12,814 --> 01:19:15,150 THE BEGINNING. 2694 01:19:15,217 --> 01:19:18,000 VMAS THANK YOU. 2695 01:19:18,000 --> 01:19:23,758 VMAS THANK YOU. 2696 01:19:23,825 --> 01:19:24,000 >> PLEASE WELCOME EMILY 2697 01:19:24,000 --> 01:19:29,164 >> PLEASE WELCOME EMILY 2698 01:19:29,231 --> 01:19:30,000 MIERKOWSKI -- EMILY 2699 01:19:30,000 --> 01:19:36,000 MIERKOWSKI -- EMILY 2700 01:19:36,000 --> 01:19:42,000 MIERKOWSKI -- EMILY 2701 01:19:42,000 --> 01:19:42,878 MIERKOWSKI -- EMILY 2702 01:19:42,944 --> 01:19:43,411 RATAJOWSKI. 2703 01:19:43,478 --> 01:19:44,012 HELLO, EVERYONE, THEY 2704 01:19:44,079 --> 01:19:44,646 PERFORMER IS ONE OF THE 2705 01:19:44,713 --> 01:19:45,313 HOTTEST PERFORMERS ON THE 2706 01:19:45,380 --> 01:19:46,081 PLANET RIGHT NOW, LOOKING ALL 2707 01:19:46,148 --> 01:19:46,815 SORTS OF RECORDS WITH HER US 2708 01:19:46,882 --> 01:19:48,000 STADIUM TOUR. 2709 01:19:48,000 --> 01:19:49,151 STADIUM TOUR. 2710 01:19:49,217 --> 01:19:52,254 WITH THE FIRST NUMBER 1 ALL 2711 01:19:52,320 --> 01:19:53,755 SPANISH-LANGUAGE ALBUM BY A 2712 01:19:53,822 --> 01:19:54,000 FEMALE ARTIST, THE MUSEUM HAS 2713 01:19:54,000 --> 01:19:57,125 FEMALE ARTIST, THE MUSEUM HAS 2714 01:19:57,192 --> 01:20:00,000 RACKED UP BILLIONS OF STREAMS 2715 01:20:00,000 --> 01:20:02,164 RACKED UP BILLIONS OF STREAMS 2716 01:20:02,230 --> 01:20:02,864 AND WAS NOMINATED FOR FOUR 2717 01:20:02,931 --> 01:20:03,365 AWARDS AND NINE. 2718 01:20:03,431 --> 01:20:04,032 HE SHE IS MAKING HER VMA 2719 01:20:04,099 --> 01:20:06,000 DEBUT, GIVING UP VERY KAROL GG 2720 01:20:06,000 --> 01:20:12,000 DEBUT, GIVING UP VERY KAROL GG 2721 01:20:12,000 --> 01:20:12,140 DEBUT, GIVING UP VERY KAROL GG 2722 01:20:12,207 --> 01:20:17,445 ♪♪. 2723 01:20:17,512 --> 01:20:18,000 ♪♪. 2724 01:20:18,000 --> 01:20:20,448 ♪♪. 2725 01:20:20,515 --> 01:20:21,216 ♪♪. 2726 01:20:21,283 --> 01:20:24,000 ♪ ATRÁS DEJÉ EL VEO QUE 2727 01:20:24,000 --> 01:20:25,520 ♪ ATRÁS DEJÉ EL VEO QUE 2728 01:20:25,587 --> 01:20:26,588 TENÍA ♪ 2729 01:20:26,655 --> 01:20:27,656 ♪ SE DESCUIDÓ Y NO FUE CULPA 2730 01:20:27,722 --> 01:20:29,057 MÍA ♪ 2731 01:20:29,124 --> 01:20:30,000 ♪ EH, EH, BEBÉ 2732 01:20:30,000 --> 01:20:32,093 ♪ EH, EH, BEBÉ 2733 01:20:32,160 --> 01:20:34,329 ♪ EH, EH, DÉJATE VER 2734 01:20:34,396 --> 01:20:36,000 ♪ EH, EH, BEBÉ 2735 01:20:36,000 --> 01:20:39,334 ♪ EH, EH, BEBÉ 2736 01:20:39,401 --> 01:20:41,136 ♪ EH, ¿QUÉ VAMO' A HACER? ♪ 2737 01:20:41,203 --> 01:20:42,000 ♪ EH, EH, BEBÉ 2738 01:20:42,000 --> 01:20:42,704 ♪ EH, EH, BEBÉ 2739 01:20:42,771 --> 01:20:44,172 ♪ EH, EH, DÉJATE VER 2740 01:20:44,239 --> 01:20:45,607 ♪ EH, EH, BEBÉ 2741 01:20:45,674 --> 01:20:48,000 ♪ EH, ¿QUÉ VAMO' A HACER? ♪ 2742 01:20:48,000 --> 01:20:48,210 ♪ EH, ¿QUÉ VAMO' A HACER? ♪ 2743 01:20:48,276 --> 01:20:49,277 ♪ PAPI, ESTATE TRANQUI 2744 01:20:49,344 --> 01:20:49,844 ♪ QUE LA BICHOTA TE RECOGE 2745 01:20:49,911 --> 01:20:50,245 EN EL BANSHEE ♪ 2746 01:20:50,312 --> 01:20:50,812 ♪ ROSADITO TENGO EL PELO Y 2747 01:20:50,879 --> 01:20:53,915 LOS PANTIE' ♪ 2748 01:20:53,982 --> 01:20:54,000 ♪ ABAJITO TAMBIÉN, PERO SOLO 2749 01:20:54,000 --> 01:20:54,549 ♪ ABAJITO TAMBIÉN, PERO SOLO 2750 01:20:54,616 --> 01:20:55,383 PA' TI ♪ 2751 01:20:55,450 --> 01:20:55,951 ♪ ESTÁ GRANDOTA, ES UNA 2752 01:20:56,017 --> 01:20:56,551 CHULERÍA ♪ 2753 01:20:56,618 --> 01:20:57,219 ♪ SE LA PROBÉ, QUÉ RICO LE 2754 01:20:57,285 --> 01:20:57,819 SABÍA ♪ 2755 01:20:57,886 --> 01:20:58,453 ♪ ESTÁ MEJOR DE LO QUE ELLA 2756 01:20:58,520 --> 01:20:59,287 CREÍA ♪ 2757 01:20:59,354 --> 01:20:59,955 ♪ ESTÁ MÁS RICA QUE LA QUE 2758 01:21:00,021 --> 01:21:00,689 TENÍA ♪ 2759 01:21:00,755 --> 01:21:01,323 ♪ PERDÓNAME, EH, LO SIENTO, 2760 01:21:01,389 --> 01:21:05,460 BEBÉ ♪ 2761 01:21:05,527 --> 01:21:05,927 ♪ HABLANDO CLARO, YO 2762 01:21:05,994 --> 01:21:06,000 QUERIÉNDOTE, ¿PA' QUÉ? ♪ 2763 01:21:06,000 --> 01:21:08,496 QUERIÉNDOTE, ¿PA' QUÉ? ♪ 2764 01:21:08,563 --> 01:21:09,064 ♪ TANTOS CULOS CHIMBA' POR 2765 01:21:09,130 --> 01:21:12,000 USTE' PATEÉ ♪ 2766 01:21:12,000 --> 01:21:12,634 USTE' PATEÉ ♪ 2767 01:21:12,701 --> 01:21:13,168 ♪ DEVUÉLVEME TODO' LOS 2768 01:21:13,235 --> 01:21:14,569 CARRO' Y LOS PATEK ♪ 2769 01:21:14,636 --> 01:21:16,104 ♪ OKI DOKI 2770 01:21:16,171 --> 01:21:17,072 ♪ ATRÁS DEJÉ EL JEVO QUE 2771 01:21:17,138 --> 01:21:18,000 TENÍA ♪ 2772 01:21:18,000 --> 01:21:19,541 TENÍA ♪ 2773 01:21:19,608 --> 01:21:20,308 ♪ SE DESCUIDÓ Y NO FUE CULPA 2774 01:21:20,375 --> 01:21:23,945 MÍA ♪ 2775 01:21:24,012 --> 01:21:28,383 ♪ EH, EH, DÉJATE DE ÉL 2776 01:21:28,450 --> 01:21:30,000 ♪ EH, EH, BEBÉ 2777 01:21:30,000 --> 01:21:31,686 ♪ EH, EH, BEBÉ 2778 01:21:31,753 --> 01:21:33,555 ♪ EH, ¿QUÉ VAMO' A HACER? ♪ 2779 01:21:33,622 --> 01:21:36,000 ♪ EH, EH, BEBÉ 2780 01:21:36,000 --> 01:21:37,359 ♪ EH, EH, BEBÉ 2781 01:21:37,425 --> 01:21:38,560 ♪ EH, EH, DÉJATE VER 2782 01:21:38,627 --> 01:21:40,595 ♪ EH, EH, BEBÉ 2783 01:21:40,662 --> 01:21:42,000 ♪ EH, ¿QUÉ VAMO' A HACER? ♪ 2784 01:21:42,000 --> 01:21:44,332 ♪ EH, ¿QUÉ VAMO' A HACER? ♪ 2785 01:21:44,399 --> 01:21:45,634 ♪ BABY, TE ME CUIDAS 2786 01:21:45,700 --> 01:21:46,234 ♪ DE ESTE CULO NO TE OLVIDAS 2787 01:21:46,301 --> 01:21:47,335 ♪ 2788 01:21:47,402 --> 01:21:48,000 ♪ NO ME DIGAS "PUTA" 2789 01:21:48,000 --> 01:21:50,572 ♪ NO ME DIGAS "PUTA" 2790 01:21:50,639 --> 01:21:51,106 ♪ EL ERROR FUE TUYO Y LA 2791 01:21:51,172 --> 01:21:53,208 VIDA ES MÍA ♪ 2792 01:21:53,275 --> 01:21:54,000 ♪ BABY, TE ME CUIDAS 2793 01:21:54,000 --> 01:21:54,509 ♪ BABY, TE ME CUIDAS 2794 01:21:54,576 --> 01:21:56,144 ♪ DE ESTE CULO NO TE OLVIDAS 2795 01:21:56,211 --> 01:21:56,311 ♪ 2796 01:21:56,378 --> 01:21:57,646 ♪ NO ME DIGAS "PUTA" 2797 01:21:57,712 --> 01:21:58,179 ♪ EL ERROR FUE TUYO Y LA 2798 01:21:58,246 --> 01:22:00,000 VIDA ES MÍA ♪ 2799 01:22:00,000 --> 01:22:06,000 VIDA ES MÍA ♪ 2800 01:22:06,000 --> 01:22:07,956 VIDA ES MÍA ♪ 2801 01:22:08,023 --> 01:22:12,000 ♪ MMM, MMM 2802 01:22:12,000 --> 01:22:15,730 ♪ MMM, MMM 2803 01:22:15,797 --> 01:22:17,799 ♪♪. 2804 01:22:17,866 --> 01:22:18,000 ♪♪. 2805 01:22:18,000 --> 01:22:18,600 ♪♪. 2806 01:22:18,667 --> 01:22:19,134 ♪ TIRA A CAMISA, TIRA A 2807 01:22:19,200 --> 01:22:19,734 CAMISA, TIRA-TIRA A CAMISA ♪ 2808 01:22:19,801 --> 01:22:23,838 TOK 2809 01:22:23,905 --> 01:22:24,000 TOK2 2810 01:22:24,000 --> 01:22:26,408 TOK2 2811 01:22:26,474 --> 01:22:26,941 ♪ TIRA A CAMISA, TIRA A 2812 01:22:27,008 --> 01:22:27,909 CAMISA, TIRA-TIRA A CAMISA ♪ 2813 01:22:27,976 --> 01:22:28,443 ♪ TIRA A CAMISA, TIRA A 2814 01:22:28,510 --> 01:22:29,778 CAMISA, TIRA-TIRA A CAMISA ♪ 2815 01:22:29,844 --> 01:22:30,000 ♪ LEVANTE PRO ALTO E COMECE 2816 01:22:30,000 --> 01:22:30,378 ♪ LEVANTE PRO ALTO E COMECE 2817 01:22:30,445 --> 01:22:31,479 A RODAR ♪ 2818 01:22:31,546 --> 01:22:32,013 ♪ TIRA A CAMISA, TIRA A 2819 01:22:32,080 --> 01:22:32,981 CAMISA, TIRA-TIRA A CAMISA ♪ 2820 01:22:33,048 --> 01:22:33,515 ♪ TIRA A CAMISA, TIRA A 2821 01:22:33,581 --> 01:22:34,783 CAMISA, TIRA-TIRA A CAMISA ♪ 2822 01:22:34,849 --> 01:22:36,000 ♪ LEVANTE PRO ALTO E COMECE 2823 01:22:36,000 --> 01:22:36,017 ♪ LEVANTE PRO ALTO E COMECE 2824 01:22:36,084 --> 01:22:41,289 A RODAR ♪ 2825 01:22:41,356 --> 01:22:41,823 ♪ TIRA A CAMISA, TIRA A 2826 01:22:41,890 --> 01:22:42,000 CAMISA, TIRA-TIRA A CAMISA ♪ 2827 01:22:42,000 --> 01:22:42,724 CAMISA, TIRA-TIRA A CAMISA ♪ 2828 01:22:42,791 --> 01:22:43,358 ♪ TIRA A CAMISA, TIRA A 2829 01:22:43,425 --> 01:22:45,493 CAMISA, TIRA-TIRA A CAMISA ♪ 2830 01:22:45,560 --> 01:22:47,729 ♪ LEVANTE PRO ALTO E COMECE 2831 01:22:47,796 --> 01:22:48,000 A RODAR ♪ 2832 01:22:48,000 --> 01:22:54,000 A RODAR ♪ 2833 01:22:54,000 --> 01:22:57,138 A RODAR ♪ 2834 01:22:57,205 --> 01:22:57,739 ♪ NOS HACE FALTA SEÑAL PARA 2835 01:22:57,806 --> 01:22:58,373 QUE CONECTEMOS ♪ 2836 01:22:58,440 --> 01:22:58,973 ♪ TAMO' ENVICIADOS Y ESO LO 2837 01:22:59,040 --> 01:22:59,774 SABEMOS, EH-EH ♪ 2838 01:22:59,841 --> 01:23:00,000 ♪ SE PUSO ATRÁS, ASÍ QUE 2839 01:23:00,000 --> 01:23:00,408 ♪ SE PUSO ATRÁS, ASÍ QUE 2840 01:23:00,475 --> 01:23:01,042 COMENCEMOS ♪ 2841 01:23:01,109 --> 01:23:01,543 ♪ TOCARNOS RICO ES EL 2842 01:23:01,609 --> 01:23:01,976 LENGUAJE QUE AMBOS 2843 01:23:02,043 --> 01:23:05,380 ENTENDEMOS ♪ 2844 01:23:05,447 --> 01:23:06,000 ♪ RELÁJATE, QUE NO HA NACIDO 2845 01:23:06,000 --> 01:23:06,014 ♪ RELÁJATE, QUE NO HA NACIDO 2846 01:23:06,081 --> 01:23:06,614 EL QUE HAGA ENCHULARME, HMM 2847 01:23:06,681 --> 01:23:07,749 ♪ 2848 01:23:07,816 --> 01:23:08,350 ♪ NINGUNA TE HACE LO QUE EN 2849 01:23:08,416 --> 01:23:12,000 EL PARTY ESTA BABY TE HACE ♪ 2850 01:23:12,000 --> 01:23:13,121 EL PARTY ESTA BABY TE HACE ♪ 2851 01:23:13,188 --> 01:23:16,124 ♪ HEY BEBÉ, ¿QUÉ HAY PA' 2852 01:23:16,191 --> 01:23:17,959 HACER? ♪ 2853 01:23:18,026 --> 01:23:18,827 ♪ DESPUÉS DE ESTO, PA'L 2854 01:23:18,893 --> 01:23:19,794 HOTEL ♪ 2855 01:23:19,861 --> 01:23:20,362 ♪ EL NENE SE PUSO TIERNO Y 2856 01:23:20,428 --> 01:23:22,597 TRAJO FLORES PA' PRENDER ♪ 2857 01:23:22,664 --> 01:23:23,231 ♪ SE HOOKEÓ, LO NOTÉ, LA 2858 01:23:23,298 --> 01:23:24,000 FAVELA ES LO DE ÉL ♪ 2859 01:23:24,000 --> 01:23:26,167 FAVELA ES LO DE ÉL ♪ 2860 01:23:26,234 --> 01:23:26,801 ♪ Y A MÍ QUE ME GUSTAN CALLE 2861 01:23:26,868 --> 01:23:30,000 COMO QUE LE VOA'METER ♪ 2862 01:23:30,000 --> 01:23:30,705 COMO QUE LE VOA'METER ♪ 2863 01:23:30,772 --> 01:23:31,272 ♪ ENTAO TOMA, TOMA, TOMA, 2864 01:23:31,339 --> 01:23:34,342 TOMA, TOMA, TOMA, TOMA ♪ 2865 01:23:34,409 --> 01:23:34,909 ♪ TOMA, TOMA, TOMA, TOMA, 2866 01:23:34,976 --> 01:23:35,410 TOMA, TOMA, TOMA, TOMA, 2867 01:23:35,477 --> 01:23:36,000 TOMA, TOMA ♪ 2868 01:23:36,000 --> 01:23:39,547 TOMA, TOMA ♪ 2869 01:23:39,614 --> 01:23:40,081 ♪ TIRA A CAMISA, TIRA A 2870 01:23:40,148 --> 01:23:42,000 CAMISA, TIRA-TIRA A CAMISA ♪ 2871 01:23:42,000 --> 01:23:42,417 CAMISA, TIRA-TIRA A CAMISA ♪ 2872 01:23:42,484 --> 01:23:42,951 ♪ TIRA A CAMISA, TIRA A 2873 01:23:43,017 --> 01:23:44,452 CAMISA, TIRA-TIRA A CAMISA ♪ 2874 01:23:44,519 --> 01:23:45,120 ♪ LEVANTE PRO ALTO E COMECE 2875 01:23:45,186 --> 01:23:48,000 A RODAR ♪ 2876 01:23:48,000 --> 01:23:49,391 A RODAR ♪ 2877 01:23:49,457 --> 01:23:54,000 >> . 2878 01:23:54,000 --> 01:24:00,000 >> . 2879 01:24:00,000 --> 01:24:05,673 >> . 2880 01:24:05,740 --> 01:24:06,000 >> PLEASE WELCOME COCO JONES. 2881 01:24:06,000 --> 01:24:10,011 >> PLEASE WELCOME COCO JONES. 2882 01:24:10,078 --> 01:24:11,846 RNA PERFORMER IS A 2883 01:24:11,913 --> 01:24:12,000 SINGER-SONGWRITER MAKING 2884 01:24:12,000 --> 01:24:13,615 SINGER-SONGWRITER MAKING 2885 01:24:13,681 --> 01:24:17,852 MOVES IN POP CULTURE TO HER 2886 01:24:17,919 --> 01:24:18,000 NEW ALBUM IS THE BEST THING 2887 01:24:18,000 --> 01:24:18,753 NEW ALBUM IS THE BEST THING 2888 01:24:18,820 --> 01:24:19,454 DEBUT FOR A FEMALE POPSTAR 2889 01:24:19,521 --> 01:24:21,656 THIS YEAR, AND HER UPCOMING 2890 01:24:21,723 --> 01:24:22,557 TOUR SOLD OUT IN A MATTER OF 2891 01:24:22,624 --> 01:24:24,000 MINUTES, MAKING HER VMA DEBUT 2892 01:24:24,000 --> 01:24:24,793 MINUTES, MAKING HER VMA DEBUT 2893 01:24:24,859 --> 01:24:27,796 ON THE EXTENDED PLAY STAGE. 2894 01:24:27,862 --> 01:24:30,000 GIVE IT UP FOR RENEÉ RAPP. 2895 01:24:30,000 --> 01:24:36,000 GIVE IT UP FOR RENEÉ RAPP. 2896 01:24:36,000 --> 01:24:41,242 GIVE IT UP FOR RENEÉ RAPP. 2897 01:24:41,309 --> 01:24:42,000 ♪ TODAY I WOKE UP IN A GOOD 2898 01:24:42,000 --> 01:24:42,911 ♪ TODAY I WOKE UP IN A GOOD 2899 01:24:42,977 --> 01:24:43,144 MOOD ♪ 2900 01:24:43,211 --> 01:24:43,478 ♪ FOR ONCE 2901 01:24:43,545 --> 01:24:44,879 ♪ FIRST TIME IN SIX MONTHS 2902 01:24:44,946 --> 01:24:48,000 ♪ I DON'T HATE YOU AS MUCH 2903 01:24:48,000 --> 01:24:48,550 ♪ I DON'T HATE YOU AS MUCH 2904 01:24:48,616 --> 01:24:49,851 ♪ YOU WEREN'T THERE IN MY 2905 01:24:49,918 --> 01:24:51,085 DREAMS ♪ 2906 01:24:51,152 --> 01:24:52,754 ♪ I COULD FINALLY SLEEP 2907 01:24:52,821 --> 01:24:54,000 ♪ I FELT GOOD, BUT IT SUCKS 2908 01:24:54,000 --> 01:24:54,422 ♪ I FELT GOOD, BUT IT SUCKS 2909 01:24:54,489 --> 01:24:57,258 ♪ I DON'T HATE YOU AS MUCH 2910 01:24:57,325 --> 01:24:58,960 ♪ IT'S EASIER HOLDIN' A GRUDGE 2911 01:24:59,027 --> 01:25:00,000 ♪ I'D RATHER BE ANGRY THAN 2912 01:25:00,000 --> 01:25:00,061 ♪ I'D RATHER BE ANGRY THAN 2913 01:25:00,128 --> 01:25:00,995 CRUSHED ♪ 2914 01:25:01,062 --> 01:25:04,165 ♪ I'M DOIN' TOO MUCH 2915 01:25:04,232 --> 01:25:06,000 ♪ I GET SO SICK OF MYSELF 2916 01:25:06,000 --> 01:25:07,569 ♪ I GET SO SICK OF MYSELF 2917 01:25:07,635 --> 01:25:11,439 ♪ CAN'T STOP OVERTHINKIN' 2918 01:25:11,506 --> 01:25:12,000 ♪ I HEARD YOU'RE HAPPY 2919 01:25:12,000 --> 01:25:14,142 ♪ I HEARD YOU'RE HAPPY 2920 01:25:14,209 --> 01:25:16,044 ♪ SOMEWHERE ELSE 2921 01:25:16,110 --> 01:25:18,000 ♪ BUT I DON'T FORGET TOO WELL 2922 01:25:18,000 --> 01:25:20,381 ♪ BUT I DON'T FORGET TOO WELL 2923 01:25:20,448 --> 01:25:22,016 ♪ I HEARD YOU'RE HAPPY 2924 01:25:22,083 --> 01:25:24,000 ♪ SOMEWHERE ELSE 2925 01:25:24,000 --> 01:25:24,018 ♪ SOMEWHERE ELSE 2926 01:25:24,085 --> 01:25:30,000 ♪ BUT I DON'T FORGET TOO WELL ♪ 2927 01:25:30,000 --> 01:25:30,225 ♪ BUT I DON'T FORGET TOO WELL ♪ 2928 01:25:30,291 --> 01:25:33,428 [APPLAUSE]. 2929 01:25:33,495 --> 01:25:36,000 >> COMING UP, WE ARE 2930 01:25:36,000 --> 01:25:36,064 >> COMING UP, WE ARE 2931 01:25:36,130 --> 01:25:39,267 DISMISSED FROM A IDD WE MAY 2932 01:25:39,334 --> 01:25:42,000 TAKE OVER GO ANITA HITS THE 2933 01:25:42,000 --> 01:25:43,505 TAKE OVER GO ANITA HITS THE 2934 01:25:43,571 --> 01:25:43,838 STAGE. 2935 01:25:43,905 --> 01:25:46,508 PLUS, PERMITTED BY PESO PLU 2936 01:25:46,574 --> 01:25:47,842 PLUMA, STRAY KIDS AND SO VERY 2937 01:25:47,909 --> 01:25:48,000 SPECIAL GUEST'S. 2938 01:25:48,000 --> 01:25:49,277 SPECIAL GUEST'S. 2939 01:25:49,344 --> 01:25:53,481 AND LATER 2940 01:26:02,290 --> 01:26:05,994 >> PLEASE WELCOME MARY J 2941 01:26:06,060 --> 01:26:12,000 BLOCKAGE TH -- MARY J. BLIGE. 2942 01:26:12,000 --> 01:26:18,000 BLOCKAGE TH -- MARY J. BLIGE. 2943 01:26:18,000 --> 01:26:23,478 BLOCKAGE TH -- MARY J. BLIGE. 2944 01:26:23,545 --> 01:26:24,000 >> THANK YOU, HOW ARE YOU ALL 2945 01:26:24,000 --> 01:26:27,348 >> THANK YOU, HOW ARE YOU ALL 2946 01:26:27,415 --> 01:26:28,049 DOING? 2947 01:26:28,116 --> 01:26:30,000 [APPLAUSE]. 2948 01:26:30,000 --> 01:26:30,885 [APPLAUSE]. 2949 01:26:30,952 --> 01:26:34,122 >> SO, MTV, THIS IS A SPECIAL 2950 01:26:34,188 --> 01:26:36,000 NIGHT FOR ME, BECAUSE 2951 01:26:36,000 --> 01:26:36,591 NIGHT FOR ME, BECAUSE 2952 01:26:36,658 --> 01:26:39,160 SOMEBODY VERY SPECIAL, 2953 01:26:39,227 --> 01:26:42,000 SOMEBODY THAT GUIDED ME 2954 01:26:42,000 --> 01:26:44,365 SOMEBODY THAT GUIDED ME 2955 01:26:44,432 --> 01:26:45,166 THROUGHOUT ALL MY CAREER, 2956 01:26:45,233 --> 01:26:45,900 GIVE ME THE COURAGE, GAVE ME 2957 01:26:45,967 --> 01:26:46,601 THE STRENGTH, GIVE ME THE 2958 01:26:46,668 --> 01:26:48,000 WISDOM, THE INSIGHT, TO BE 2959 01:26:48,000 --> 01:26:48,469 WISDOM, THE INSIGHT, TO BE 2960 01:26:48,536 --> 01:26:49,170 THIS WOMAN THAT I AM RIGHT 2961 01:26:49,237 --> 01:26:50,939 NOW. 2962 01:26:51,005 --> 01:26:52,373 AND IS MY BIG BROTHER PUFF 2963 01:26:52,440 --> 01:26:53,942 DADDY. 2964 01:26:54,008 --> 01:26:54,776 WE ARE GOING TO HONOR HIM 2965 01:26:54,842 --> 01:26:58,212 TONIGHT. 2966 01:26:58,279 --> 01:27:00,000 AS ARE ASSIGNED TO -- AS I 2967 01:27:00,000 --> 01:27:00,582 AS ARE ASSIGNED TO -- AS I 2968 01:27:00,648 --> 01:27:06,000 SIGNED UP TOWN RECORDS I MET 2969 01:27:06,000 --> 01:27:06,254 SIGNED UP TOWN RECORDS I MET 2970 01:27:06,321 --> 01:27:06,988 THE PRODUCER FOR SUPERVISION 2971 01:27:07,055 --> 01:27:07,689 SUPER HUNGRY TO MAKE A NAME 2972 01:27:07,755 --> 01:27:09,357 FOR HIMSELF. 2973 01:27:09,424 --> 01:27:10,224 I WAS SO INSECURE AT THE TI 2974 01:27:10,291 --> 01:27:10,892 TIME, AND VERY AFRAID OF 2975 01:27:10,959 --> 01:27:12,000 SUCCESS. 2976 01:27:12,000 --> 01:27:13,227 SUCCESS. 2977 01:27:13,294 --> 01:27:13,995 BUT THIS MAN DIDN'T HAVE THAT 2978 01:27:14,062 --> 01:27:14,729 PROBLEM AT ALL, Y'ALL, YOU 2979 01:27:14,796 --> 01:27:16,030 KNOW THAT. 2980 01:27:16,097 --> 01:27:18,000 WITH HIS VISION WE CREATED A 2981 01:27:18,000 --> 01:27:18,166 WITH HIS VISION WE CREATED A 2982 01:27:18,232 --> 01:27:20,535 WHOLE GRAIN A NEW GENRE OF 2983 01:27:20,602 --> 01:27:21,869 MUSIC THAT EVERYBODY WANTED 2984 01:27:21,936 --> 01:27:23,504 TO DO, AND THAT EVERYBODY IS 2985 01:27:23,571 --> 01:27:24,000 DOING NOW. 2986 01:27:24,000 --> 01:27:26,107 DOING NOW. 2987 01:27:26,174 --> 01:27:30,000 LET ME GET TO IT. 2988 01:27:30,000 --> 01:27:30,278 LET ME GET TO IT. 2989 01:27:30,345 --> 01:27:30,979 I'VE BEEN PROUD TO CALL HIM 2990 01:27:31,045 --> 01:27:31,946 MY FRIEND AND MY BROTHER FOR 2991 01:27:32,013 --> 01:27:34,716 OVER A DECADE. 2992 01:27:34,782 --> 01:27:36,000 SORRY, OVER THREE DECADES. 2993 01:27:36,000 --> 01:27:36,317 SORRY, OVER THREE DECADES. 2994 01:27:36,384 --> 01:27:38,620 MY BAD. 2995 01:27:38,686 --> 01:27:40,989 TONIGHT TO CELEBRATE THIS MAN 2996 01:27:41,055 --> 01:27:42,000 THAT YOU ALL KNOW AS DIDDY. 2997 01:27:42,000 --> 01:27:46,794 THAT YOU ALL KNOW AS DIDDY. 2998 01:27:46,861 --> 01:27:48,000 AND EVEN LOVE SOMETIMES. 2999 01:27:48,000 --> 01:27:50,098 AND EVEN LOVE SOMETIMES. 3000 01:27:50,164 --> 01:27:51,099 BUT I'M HERE TO CELEBRATE MY 3001 01:27:51,165 --> 01:27:53,768 BIG BROTHER PUFF DADDY AS HE 3002 01:27:53,835 --> 01:27:54,000 RECEIVES THE MTV GLOBAL ICON 3003 01:27:54,000 --> 01:27:56,070 RECEIVES THE MTV GLOBAL ICON 3004 01:27:56,137 --> 01:27:58,506 AWARD. 3005 01:27:58,573 --> 01:28:00,000 [APPLAUSE]. 3006 01:28:00,000 --> 01:28:03,444 [APPLAUSE]. 3007 01:28:03,511 --> 01:28:05,713 >> THIS MAN HAS ALWAYS BEEN 3008 01:28:05,780 --> 01:28:06,000 AN ICON, AND HAVE DONE MANY 3009 01:28:06,000 --> 01:28:07,649 AN ICON, AND HAVE DONE MANY 3010 01:28:07,715 --> 01:28:09,484 THINGS. 3011 01:28:09,550 --> 01:28:10,184 AND IF WE ARE BEING HONEST, 3012 01:28:10,251 --> 01:28:12,000 THERE'S NOT ONE PUFF WHICH 3013 01:28:12,000 --> 01:28:13,888 THERE'S NOT ONE PUFF WHICH 3014 01:28:13,955 --> 01:28:15,390 RECALLED AN ICON, BUT MANY. 3015 01:28:15,456 --> 01:28:17,358 THERE'S THE MUSICAL ICON WHO 3016 01:28:17,425 --> 01:28:18,000 HAS HAD 11 NUMBER 1 SONG, 3017 01:28:18,000 --> 01:28:21,863 HAS HAD 11 NUMBER 1 SONG, 3018 01:28:21,929 --> 01:28:22,664 EARNED THREE GRAMMIES, TWO 3019 01:28:22,730 --> 01:28:24,000 VMAS, HELPS TAKE THE CAREER 3020 01:28:24,000 --> 01:28:27,535 VMAS, HELPS TAKE THE CAREER 3021 01:28:27,602 --> 01:28:28,536 OF NOTORIOUS BIAGGI, LILLY 3022 01:28:28,603 --> 01:28:29,103 KING, WITH LOVERS. 3023 01:28:29,170 --> 01:28:30,000 SO MANY OTHERS. 3024 01:28:30,000 --> 01:28:31,272 SO MANY OTHERS. 3025 01:28:31,339 --> 01:28:33,274 SOME OF THE MOST MEMORABLE 3026 01:28:33,341 --> 01:28:36,000 SONGS OF THE PAST 30 YEARS 3027 01:28:36,000 --> 01:28:36,244 SONGS OF THE PAST 30 YEARS 3028 01:28:36,310 --> 01:28:36,978 HAVE BEEN BECAUSE OF THIS MAN 3029 01:28:37,045 --> 01:28:41,049 RIGHT HERE. 3030 01:28:41,115 --> 01:28:42,000 IS A BUSINESS ICON, A 3031 01:28:42,000 --> 01:28:43,284 IS A BUSINESS ICON, A 3032 01:28:43,351 --> 01:28:45,620 BILLIONAIRE WHO HAS HAD HIS 3033 01:28:45,687 --> 01:28:48,000 HAND IN SESSIONS, RESTAU 3034 01:28:48,000 --> 01:28:51,092 HAND IN SESSIONS, RESTAU 3035 01:28:51,159 --> 01:28:51,793 RESTAURANTS, TV, NETWORKS, 3036 01:28:51,859 --> 01:28:52,393 MEDIA, AND BEVERAGES. 3037 01:28:52,460 --> 01:28:53,961 JUST TO NAME A FEW. 3038 01:28:54,028 --> 01:28:56,164 AND THERE IS A LABEL ICON 3039 01:28:56,230 --> 01:28:57,799 WHOSE BEDEL RECORDS HAS SOLD 3040 01:28:57,865 --> 01:29:00,000 MORE THAN 500 MILLION ALBUMS 3041 01:29:00,000 --> 01:29:02,036 MORE THAN 500 MILLION ALBUMS 3042 01:29:02,103 --> 01:29:05,273 WORLDWIDE. 3043 01:29:05,339 --> 01:29:06,000 500, WHEW. 3044 01:29:06,000 --> 01:29:06,874 500, WHEW. 3045 01:29:06,941 --> 01:29:11,045 BUT LAST BUT NOT LEAST, HIS 3046 01:29:11,112 --> 01:29:11,746 GREATEST COMPLIMENT OF ALL. 3047 01:29:11,813 --> 01:29:12,000 HE IS AN INCREDIBLE FATHER. 3048 01:29:12,000 --> 01:29:13,681 HE IS AN INCREDIBLE FATHER. 3049 01:29:13,748 --> 01:29:16,117 AND NOBODY DESERVES TO BE 3050 01:29:16,184 --> 01:29:18,000 CALLED AN ICON MORE THAN THIS 3051 01:29:18,000 --> 01:29:18,019 CALLED AN ICON MORE THAN THIS 3052 01:29:18,086 --> 01:29:18,319 MAN. 3053 01:29:18,386 --> 01:29:19,887 IT IS MY HONOR AND A 3054 01:29:19,954 --> 01:29:23,758 PRIVILEGE TO INTRODUCE THE 3055 01:29:23,825 --> 01:29:24,000 MTV GLOBAL ICON, DIDDY, PUFF 3056 01:29:24,000 --> 01:29:27,862 MTV GLOBAL ICON, DIDDY, PUFF 3057 01:29:27,929 --> 01:29:30,000 DADDY, EVERYTHING LOVE, BABY. 3058 01:29:30,000 --> 01:29:33,434 DADDY, EVERYTHING LOVE, BABY. 3059 01:29:33,501 --> 01:29:34,936 "Another One of Me" 3060 01:29:35,002 --> 01:29:36,000 ♪ ANOTHER ONE OF ME♪ 3061 01:29:36,000 --> 01:29:38,005 ♪ ANOTHER ONE OF ME♪ 3062 01:29:38,072 --> 01:29:38,272 . 3063 01:29:38,339 --> 01:29:39,474 >> 3064 01:29:39,540 --> 01:29:40,007 ♪ WON'T COME AROUND ♪ 3065 01:29:40,074 --> 01:29:41,375 ♪ AYO, CHECK THIS OUT ♪ 3066 01:29:41,442 --> 01:29:41,876 ♪ WHEN I FAIL ♪ 3067 01:29:41,943 --> 01:29:42,000 ♪ IT JUST GAVE ME THE VISION ♪ 3068 01:29:42,000 --> 01:29:42,910 ♪ IT JUST GAVE ME THE VISION ♪ 3069 01:29:42,977 --> 01:29:43,511 ♪ TO SEE THE REST ♪ 3070 01:29:43,578 --> 01:29:44,078 ♪ WASN'T EVEN READY ♪ 3071 01:29:44,145 --> 01:29:44,912 ♪ WHEN GOD GAVE ME THE TEST ♪ 3072 01:29:44,979 --> 01:29:45,947 ♪ SO I PRAY YOU FIND LOVE IN ♪ 3073 01:29:46,013 --> 01:29:47,014 ♪ THE PIECES OF ME THAT'S LEFT ♪ 3074 01:29:47,081 --> 01:29:47,782 ♪ YEAH, I PRAY YOU FIND LOVE 3075 01:29:47,849 --> 01:29:47,982 IN ♪ 3076 01:29:48,049 --> 01:29:48,850 ♪ THE PIECES OF ME THAT'S LEFT ♪ 3077 01:29:48,916 --> 01:29:49,584 ♪ FEEL IT IN YOUR SOUL ♪ 3078 01:29:49,650 --> 01:29:50,785 ♪ IT SEPARATES FROM YOUR FLESH ♪ 3079 01:29:50,852 --> 01:29:53,888 ♪ THE NIGHTS THAT I CRY, I'M 3080 01:29:53,955 --> 01:29:54,000 LONELY ♪ 3081 01:29:54,000 --> 01:29:55,089 LONELY ♪ 3082 01:29:55,156 --> 01:29:56,691 ♪ TOLD ME BEST ♪ 3083 01:29:56,758 --> 01:29:57,959 ♪ ANYBODY SHINES LIKE THIS ♪ 3084 01:29:58,025 --> 01:29:58,559 ♪ THEY MIGHTY BLESSED ♪ 3085 01:29:58,626 --> 01:29:59,894 ♪ BUT SOMETIMES YOU GOTTA GO ♪ 3086 01:29:59,961 --> 01:30:00,000 ♪ THROUGH THE DARK TO MANIFEST ♪ 3087 01:30:00,000 --> 01:30:01,863 ♪ THROUGH THE DARK TO MANIFEST ♪ 3088 01:30:01,929 --> 01:30:02,764 ♪ YEAH, TURN ME UP ♪ 3089 01:30:02,830 --> 01:30:03,664 ♪ YO, SOMETIMES YOU GOTTA GO ♪ 3090 01:30:03,731 --> 01:30:04,799 ♪ THROUGH THE DARK TO MANIFEST ♪ 3091 01:30:04,866 --> 01:30:05,533 ♪ SOMETIMES YOU GOTTA SMILE ♪ 3092 01:30:05,600 --> 01:30:06,000 ♪ THROUGH THE AGONY AND THE 3093 01:30:06,000 --> 01:30:06,567 ♪ THROUGH THE AGONY AND THE 3094 01:30:06,634 --> 01:30:07,468 STRESS ♪ 3095 01:30:07,535 --> 01:30:08,569 ♪ MY FEET AIN'T BEEN ON THE 3096 01:30:08,636 --> 01:30:09,837 GROUND ♪ 3097 01:30:09,904 --> 01:30:10,905 ♪ I'M FLYING AND LANDING JETS ♪ 3098 01:30:10,972 --> 01:30:12,000 ♪ THE WORLD WILL NEVER GET ♪ 3099 01:30:12,000 --> 01:30:12,073 ♪ THE WORLD WILL NEVER GET ♪ 3100 01:30:12,140 --> 01:30:13,074 ♪ ANOTHER ME ♪ 3101 01:30:13,141 --> 01:30:14,041 ♪ BUT I AIN'T DID SHIT ♪ 3102 01:30:14,108 --> 01:30:18,000 ♪ IF GOD AIN'T IMPRESSED ♪ 3103 01:30:18,000 --> 01:30:23,084 ♪ IF GOD AIN'T IMPRESSED ♪ 3104 01:30:23,151 --> 01:30:24,000 "I'll Be Missing You" 3105 01:30:24,000 --> 01:30:29,190 "I'll Be Missing You" 3106 01:30:29,257 --> 01:30:30,000 ♪ 3107 01:30:30,000 --> 01:30:36,000 ♪ 3108 01:30:36,000 --> 01:30:38,266 ♪ 3109 01:30:38,332 --> 01:30:39,667 ♪ SEEMS LIKE YESTERDAY ♪ 3110 01:30:39,734 --> 01:30:41,068 ♪ WE USED TO ROCK THE SHOW ♪ 3111 01:30:41,135 --> 01:30:41,969 ♪ I LACED THE TRACK ♪ 3112 01:30:42,036 --> 01:30:42,770 ♪ YOU LOCKED THE FLOW ♪ 3113 01:30:42,837 --> 01:30:43,504 ♪ SO FAR FROM ♪ 3114 01:30:43,571 --> 01:30:44,172 ♪ HANGIN' ON THE BLOCK ♪ 3115 01:30:44,238 --> 01:30:44,806 ♪ FOR DOUGH ♪ 3116 01:30:44,872 --> 01:30:46,107 ♪ NOTORIOUS ♪ 3117 01:30:46,174 --> 01:30:46,707 ♪ THEY GET TO KNOW THAT ♪ 3118 01:30:46,774 --> 01:30:47,708 ♪ LIFE AIN'T ALWAYS ♪ 3119 01:30:47,775 --> 01:30:48,000 ♪ WHAT IT SEEMS TO BE ♪ 3120 01:30:48,000 --> 01:30:48,776 ♪ WHAT IT SEEMS TO BE ♪ 3121 01:30:48,843 --> 01:30:49,744 ♪ WORDS CAN'T EXPRESS ♪ 3122 01:30:49,811 --> 01:30:50,812 ♪ WHAT YOU MEAN TO ME ♪ 3123 01:30:50,878 --> 01:30:51,846 ♪ EVEN THOUGH YOU'RE GONE ♪ 3124 01:30:51,913 --> 01:30:53,080 ♪ WE'RE STILL A TEAM ♪ 3125 01:30:53,147 --> 01:30:54,000 ♪ THROUGH YOUR FAMILY ♪ 3126 01:30:54,000 --> 01:30:54,048 ♪ THROUGH YOUR FAMILY ♪ 3127 01:30:54,115 --> 01:30:55,116 ♪ I'LL FULFILL YOUR DREAM ♪ 3128 01:30:55,183 --> 01:30:56,050 ♪ IN THE FUTURE, CAN'T WAIT TO 3129 01:30:56,117 --> 01:30:57,251 SEE ♪ 3130 01:30:57,318 --> 01:30:59,220 ♪ IF YOU OPEN UP THE GATES FOR 3131 01:30:59,287 --> 01:30:59,420 ME ♪ 3132 01:30:59,487 --> 01:31:00,000 ♪ REMINISCE SOMETIMES ♪ 3133 01:31:00,000 --> 01:31:00,388 ♪ REMINISCE SOMETIMES ♪ 3134 01:31:00,454 --> 01:31:00,922 ♪ THE NIGHT THEY TOOK MY 3135 01:31:00,988 --> 01:31:01,722 FRIEND ♪ 3136 01:31:01,789 --> 01:31:02,657 ♪ TRY TO BLACK IT OUT ♪ 3137 01:31:02,723 --> 01:31:03,891 ♪ BUT IT PLAYS AGAIN ♪ 3138 01:31:03,958 --> 01:31:04,792 ♪ WHEN IT'S REAL FEELINGS ♪ 3139 01:31:04,859 --> 01:31:05,827 ♪ HARD TO CONCEAL ♪ 3140 01:31:05,893 --> 01:31:06,000 ♪ CAN'T IMAGINE ALL THE PAIN ♪ 3141 01:31:06,000 --> 01:31:06,894 ♪ CAN'T IMAGINE ALL THE PAIN ♪ 3142 01:31:06,961 --> 01:31:07,929 ♪ I FEEL ♪ 3143 01:31:07,995 --> 01:31:08,930 ♪ GIVE ANYTHING TO HEAR ♪ 3144 01:31:08,996 --> 01:31:09,864 ♪ HALF YOUR BREATH ♪ 3145 01:31:09,931 --> 01:31:11,199 ♪ I KNOW YOU'RE STILL LIVIN' ♪ 3146 01:31:11,265 --> 01:31:12,000 ♪ YOUR LIFE AFTER DEATH ♪ 3147 01:31:12,000 --> 01:31:13,134 ♪ YOUR LIFE AFTER DEATH ♪ 3148 01:31:13,201 --> 01:31:15,203 ♪ EVERY STEP I TAKE ♪ 3149 01:31:15,269 --> 01:31:18,000 ♪ EVERY MOVE I MAKE ♪ 3150 01:31:18,000 --> 01:31:19,407 ♪ EVERY MOVE I MAKE ♪ 3151 01:31:19,473 --> 01:31:21,742 ♪ EVERY SINGLE DAY ♪ 3152 01:31:21,809 --> 01:31:23,644 ♪ EVERY TIME I PRAY ♪ 3153 01:31:23,711 --> 01:31:24,000 ♪ I'LL BE MISSING YOU ♪ 3154 01:31:24,000 --> 01:31:30,000 ♪ I'LL BE MISSING YOU ♪ 3155 01:31:30,000 --> 01:31:30,051 ♪ I'LL BE MISSING YOU ♪ 3156 01:31:30,117 --> 01:31:30,918 ♪ 3157 01:31:30,985 --> 01:31:33,888 "It's All About the Benjamins" 3158 01:31:33,955 --> 01:31:34,155 . 3159 01:31:34,222 --> 01:31:36,000 >> GIVE IT UP, DO DO DO DO DO 3160 01:31:36,000 --> 01:31:37,558 >> GIVE IT UP, DO DO DO DO DO 3161 01:31:37,625 --> 01:31:40,461 DO! 3162 01:31:40,528 --> 01:31:42,000 ♪ NOW, WHAT Y'ALL WANT TO DO♪ 3163 01:31:42,000 --> 01:31:45,766 ♪ NOW, WHAT Y'ALL WANT TO DO♪ 3164 01:31:45,833 --> 01:31:48,000 Y'ALL WITH ME? 3165 01:31:48,000 --> 01:31:49,136 Y'ALL WITH ME? 3166 01:31:49,203 --> 01:31:50,438 ♪ NOW, WHAT Y'ALL WANT TO DO♪ 3167 01:31:50,504 --> 01:31:51,339 ♪ WANT TO BE BALLERS ♪ 3168 01:31:51,405 --> 01:31:53,107 ♪ SHOT CALLERS ♪ 3169 01:31:53,174 --> 01:31:53,474 ♪ BRAWLERS ♪ 3170 01:31:53,541 --> 01:31:54,000 ♪ WHO BE DIPPING IN THE BENZ ♪ 3171 01:31:54,000 --> 01:31:54,208 ♪ WHO BE DIPPING IN THE BENZ ♪ 3172 01:31:54,275 --> 01:31:55,409 ♪ WITH THE SPOILERS ♪ 3173 01:31:55,476 --> 01:31:56,611 ♪ ON THE LOW FROM THE JAKE ♪ 3174 01:31:56,677 --> 01:31:57,845 ♪ IN THE TAURUS ♪ 3175 01:31:57,912 --> 01:31:59,113 ♪ TRYING TO GET MY HANDS ON 3176 01:31:59,180 --> 01:32:00,000 SOME GRANTS LIKE HORACE ♪ 3177 01:32:00,000 --> 01:32:00,514 SOME GRANTS LIKE HORACE ♪ 3178 01:32:00,581 --> 01:32:01,949 ♪ YEAH, LIVING THE RAW DEAL ♪ 3179 01:32:02,016 --> 01:32:03,584 ♪ THREE-COURSE MEALS ♪ 3180 01:32:03,651 --> 01:32:04,852 ♪ SPAGHETTI, FETTUCCINE, AND 3181 01:32:04,919 --> 01:32:06,000 VEAL ♪ 3182 01:32:06,000 --> 01:32:06,587 VEAL ♪ 3183 01:32:06,654 --> 01:32:07,355 ♪ BUT STILL EVERYTHING'S REAL ♪ 3184 01:32:07,421 --> 01:32:08,122 ♪ IN THE FIELD ♪ 3185 01:32:08,189 --> 01:32:09,156 ♪ AND WHAT YOU CAN'T HAVE NOW ♪ 3186 01:32:09,223 --> 01:32:10,191 ♪ LEAVE IN YOUR WILL ♪ 3187 01:32:10,258 --> 01:32:11,225 ♪ BUT DON'T KNOCK ME ♪ 3188 01:32:11,292 --> 01:32:12,000 ♪ FOR TRYING TO BURY ♪ 3189 01:32:12,000 --> 01:32:12,827 ♪ FOR TRYING TO BURY ♪ 3190 01:32:12,894 --> 01:32:13,995 ♪ SEVEN ZEROS OVER IN ♪ 3191 01:32:14,061 --> 01:32:15,129 ♪ RIO DI JANEIRY ♪ 3192 01:32:15,196 --> 01:32:16,564 ♪ AIN'T NOBODY'S HERO ♪ 3193 01:32:16,631 --> 01:32:18,000 ♪ BUT I WANT TO BE HEARD ♪ 3194 01:32:18,000 --> 01:32:18,266 ♪ BUT I WANT TO BE HEARD ♪ 3195 01:32:18,332 --> 01:32:19,533 ♪ ON YOUR HOT 9-7 EVERY DAY ♪ 3196 01:32:19,600 --> 01:32:24,000 ♪ THAT'S MY WORD ♪ 3197 01:32:24,000 --> 01:32:25,273 ♪ THAT'S MY WORD ♪ 3198 01:32:25,339 --> 01:32:27,074 ♪ . 3199 01:32:27,141 --> 01:32:30,000 >> MTV, PUT YOUR HANDS UP. 3200 01:32:30,000 --> 01:32:36,000 >> MTV, PUT YOUR HANDS UP. 3201 01:32:36,000 --> 01:32:36,017 >> MTV, PUT YOUR HANDS UP. 3202 01:32:36,083 --> 01:32:36,350 YEAH. 3203 01:32:36,417 --> 01:32:39,186 I'M THE DEFINITION OF HALF 3204 01:32:39,253 --> 01:32:40,621 MAN, HALF DRUGS. 3205 01:32:40,688 --> 01:32:42,000 ♪ ASK THE CLUBS, BAD BOY ♪ 3206 01:32:42,000 --> 01:32:42,790 ♪ ASK THE CLUBS, BAD BOY ♪ 3207 01:32:42,857 --> 01:32:43,457 ♪ THAT'S WHAT'S UP ♪ 3208 01:32:43,524 --> 01:32:44,025 ♪ AFTER BUCKS ♪ 3209 01:32:44,091 --> 01:32:44,725 ♪ CRUSH CREWS AFTER US ♪ 3210 01:32:44,792 --> 01:32:45,393 ♪ NO GAMES ♪ 3211 01:32:45,459 --> 01:32:45,993 ♪ WE AIN'T LAUGHIN' MUCH ♪ 3212 01:32:46,060 --> 01:32:46,694 ♪ NOTHIN' BUT BIG THINGS ♪ 3213 01:32:46,761 --> 01:32:47,528 ♪ CHECK THE HIT-LIST ♪ 3214 01:32:47,595 --> 01:32:48,000 ♪ HOW WE TWIST SHIT ♪ 3215 01:32:48,000 --> 01:32:48,262 ♪ HOW WE TWIST SHIT ♪ 3216 01:32:48,329 --> 01:32:49,130 ♪ WHAT CHANGED BUT THE NAME? ♪ 3217 01:32:49,196 --> 01:32:50,031 ♪ WE STILL HERE, YOU'RE 3218 01:32:50,097 --> 01:32:51,866 ROCKIN' ♪ 3219 01:32:51,933 --> 01:32:52,533 ♪ WITH THE BEST ♪ 3220 01:32:52,600 --> 01:32:53,601 ♪ DON'T WORRY IF I WRITE 3221 01:32:53,668 --> 01:32:54,000 RHYMES ♪ 3222 01:32:54,000 --> 01:32:54,735 RHYMES ♪ 3223 01:32:54,802 --> 01:32:59,840 ♪ I WRITE CHECKS ♪ 3224 01:32:59,907 --> 01:33:00,000 ♪ 3225 01:33:00,000 --> 01:33:01,342 ♪ 3226 01:33:01,409 --> 01:33:03,744 "I Need A Girl Pt2" 3227 01:33:03,811 --> 01:33:05,146 ♪ YEAH, IS THAT BOUNCE RIGHT 3228 01:33:05,212 --> 01:33:06,000 HERE ♪ 3229 01:33:06,000 --> 01:33:06,414 HERE ♪ 3230 01:33:06,480 --> 01:33:09,383 ♪ TIME TO MOVE ON, TIME TO BE 3231 01:33:09,450 --> 01:33:10,351 STRONG ♪ 3232 01:33:10,418 --> 01:33:11,786 ♪ DON'T STOP NOW, STRAIGHT TO 3233 01:33:11,852 --> 01:33:12,000 THE TOP NOW ♪ 3234 01:33:12,000 --> 01:33:12,720 THE TOP NOW ♪ 3235 01:33:12,787 --> 01:33:13,554 ♪ SOMEONE WHO TRULY 3236 01:33:13,621 --> 01:33:17,425 UNDERSTANDS ♪ 3237 01:33:17,491 --> 01:33:18,000 ♪ HOW TO TREAT A MAN ♪ 3238 01:33:18,000 --> 01:33:18,526 ♪ HOW TO TREAT A MAN ♪ 3239 01:33:18,592 --> 01:33:21,696 ♪ THIS IS WHAT I NEED ♪ 3240 01:33:21,762 --> 01:33:22,496 ♪ GIRL, YOU MADE ME BELIEVE 3241 01:33:22,563 --> 01:33:23,764 AGAIN ♪ 3242 01:33:23,831 --> 01:33:24,000 ♪ IF YOU HAPPY, THEN BE WITH 3243 01:33:24,000 --> 01:33:24,699 ♪ IF YOU HAPPY, THEN BE WITH 3244 01:33:24,765 --> 01:33:28,102 HIM ♪ 3245 01:33:28,169 --> 01:33:29,203 BREATHE AGAIN ♪ 3246 01:33:29,270 --> 01:33:30,000 "Gotta Move On (Queens Remix)" 3247 01:33:30,000 --> 01:33:33,107 "Gotta Move On (Queens Remix)" 3248 01:33:33,174 --> 01:33:33,441 ♪ 3249 01:33:33,507 --> 01:33:34,875 ♪ GET IT BOY ♪ 3250 01:33:34,942 --> 01:33:35,443 ♪ THIS IS ♪ 3251 01:33:35,509 --> 01:33:36,000 ♪ AYO, TURN IT UP ♪ 3252 01:33:36,000 --> 01:33:36,210 ♪ AYO, TURN IT UP ♪ 3253 01:33:36,277 --> 01:33:36,844 ♪ GET TO THE BAG 3254 01:33:36,911 --> 01:33:37,178 ♪ YEAH 3255 01:33:37,244 --> 01:33:37,878 ♪ WHERE THAT MONEY AT? ♪ 3256 01:33:37,945 --> 01:33:38,612 ♪ GET TO THE BAG 3257 01:33:38,679 --> 01:33:39,046 ♪ AYO 3258 01:33:39,113 --> 01:33:39,647 ♪ WHERE THAT MONEY AT? ♪ 3259 01:33:39,714 --> 01:33:40,648 ♪ STEP ONE, I CAN'T STRESS ME A 3260 01:33:40,715 --> 01:33:41,315 NIGGA ♪ 3261 01:33:41,382 --> 01:33:41,983 ♪ YEAH ♪ 3262 01:33:42,049 --> 01:33:42,616 ♪ FORTY-POINT NECKLACE, I COULD 3263 01:33:42,683 --> 01:33:44,585 BUY ME A NIGGA ♪ 3264 01:33:44,652 --> 01:33:45,586 ♪ THAT'S RIGHT 3265 01:33:45,653 --> 01:33:46,887 ♪ DELEON SIPPIN' BUT MY NEW 3266 01:33:46,954 --> 01:33:47,788 NIGGA RICHER ♪ 3267 01:33:47,855 --> 01:33:48,000 ♪ FACTS ♪ 3268 01:33:48,000 --> 01:33:48,456 ♪ FACTS ♪ 3269 01:33:48,522 --> 01:33:49,423 ♪ HE HIT LIKE THIS TEQUILA, I 3270 01:33:49,490 --> 01:33:50,324 COULD FEEL HIM IN MY LIVER ♪ 3271 01:33:50,391 --> 01:33:50,691 ♪ TAKE THAT ♪ 3272 01:33:50,758 --> 01:33:51,625 ♪ HE AIN'T MOVIN' ON, HE AIN'T 3273 01:33:51,692 --> 01:33:52,193 HAD ENOUGH OF ME ♪ 3274 01:33:52,259 --> 01:33:52,827 ♪ NAH ♪ 3275 01:33:52,893 --> 01:33:53,594 ♪ HALF A MILLION ON A SHOPPIN' 3276 01:33:53,661 --> 01:33:54,000 SPREE AIN'T ENOUGH FOR ME ♪ 3277 01:33:54,000 --> 01:33:54,362 SPREE AIN'T ENOUGH FOR ME ♪ 3278 01:33:54,428 --> 01:33:55,730 ♪ GO ♪ 3279 01:33:55,796 --> 01:33:57,331 ♪ EX NIGGA THINK I'M TRIPPIN' ♪ 3280 01:33:57,398 --> 01:33:58,399 ♪ HOT TUB ON A YACHT, ONLY TIME 3281 01:33:58,466 --> 01:33:59,266 I'M TRIPPIN' ♪ 3282 01:33:59,333 --> 01:34:00,000 ♪ LET'S GO 3283 01:34:00,000 --> 01:34:01,135 ♪ LET'S GO 3284 01:34:01,202 --> 01:34:02,803 ♪ CONCIERGE AND THE BUTLERS, HOW 3285 01:34:02,870 --> 01:34:03,537 I'M LIVIN' ♪ 3286 01:34:03,604 --> 01:34:04,271 ♪ COME ON ♪ 3287 01:34:04,338 --> 01:34:04,972 ♪ WE JUST WENT MISSIN' 3288 01:34:05,039 --> 01:34:05,606 ♪ OW 3289 01:34:05,673 --> 01:34:06,000 ♪ DIOR CHRISTIAN 3290 01:34:06,000 --> 01:34:06,774 ♪ DIOR CHRISTIAN 3291 01:34:06,841 --> 01:34:08,642 ♪ EVERYTHING EXPENSIVE ♪ 3292 01:34:08,709 --> 01:34:08,909 . 3293 01:34:08,976 --> 01:34:12,000 >> MTV, WHAT'S UP! 3294 01:34:12,000 --> 01:34:12,380 >> MTV, WHAT'S UP! 3295 01:34:12,446 --> 01:34:13,247 "Last Night" 3296 01:34:13,314 --> 01:34:14,482 ♪ IF I TOLD YOU ONCE, I TOLD YOU 3297 01:34:14,548 --> 01:34:15,216 TWICE ♪ 3298 01:34:15,282 --> 01:34:16,751 ♪ YOU CAN SEE IT IN MY EYES ♪ 3299 01:34:16,817 --> 01:34:18,000 ♪ I'M ALL CRIED OUT WITH NOTHING 3300 01:34:18,000 --> 01:34:18,486 ♪ I'M ALL CRIED OUT WITH NOTHING 3301 01:34:18,552 --> 01:34:22,189 TO SAY ♪ 3302 01:34:22,256 --> 01:34:23,958 ♪ YOU'RE EVERYTHING I WANTED TO 3303 01:34:24,025 --> 01:34:26,260 BE ♪ 3304 01:34:26,327 --> 01:34:27,895 ♪ IF YOU COULD ONLY SEE YOUR 3305 01:34:27,962 --> 01:34:29,930 HEART BELONGS TO ME ♪ 3306 01:34:29,997 --> 01:34:30,000 ♪ I LOVE YOU SO MUCH ♪ 3307 01:34:30,000 --> 01:34:31,665 ♪ I LOVE YOU SO MUCH ♪ 3308 01:34:31,732 --> 01:34:34,135 ♪ I'M YEARNING FOR YOUR TOUCH ♪ 3309 01:34:34,201 --> 01:34:35,703 ♪ COME AND SET ME FREE ♪ 3310 01:34:35,770 --> 01:34:36,000 ♪ FOREVER YOURS I'LL BE ♪ 3311 01:34:36,000 --> 01:34:37,805 ♪ FOREVER YOURS I'LL BE ♪ 3312 01:34:37,872 --> 01:34:39,907 ♪ BABY, WON'T YOU COME AND TAKE 3313 01:34:39,974 --> 01:34:41,842 THIS PAIN AWAY? ♪ 3314 01:34:41,909 --> 01:34:42,000 ♪ LAST NIGHT, I COULDN'T EVEN 3315 01:34:42,000 --> 01:34:42,743 ♪ LAST NIGHT, I COULDN'T EVEN 3316 01:34:42,810 --> 01:34:45,479 GET AN ANSWER ♪ 3317 01:34:45,546 --> 01:34:48,000 ♪ YOU SAID YOU COULDN'T GET AN 3318 01:34:48,000 --> 01:34:51,552 ♪ YOU SAID YOU COULDN'T GET AN 3319 01:34:51,619 --> 01:34:52,553 ANSWER, BABY ♪ 3320 01:34:52,620 --> 01:34:53,654 ♪ I TRIED TO CALL, BUT MY PRIDE 3321 01:34:53,721 --> 01:34:54,000 WOULDN'T LET ME DIAL ♪ 3322 01:34:54,000 --> 01:34:58,559 WOULDN'T LET ME DIAL ♪ 3323 01:34:58,626 --> 01:35:00,000 ♪ THAT SHOULD NEVER STOP YOU 3324 01:35:00,000 --> 01:35:01,095 ♪ THAT SHOULD NEVER STOP YOU 3325 01:35:01,162 --> 01:35:01,862 ♪ 3326 01:35:01,929 --> 01:35:03,330 ♪ AND I'M SITTING HERE 3327 01:35:03,397 --> 01:35:05,666 ♪ SITTING THERE 3328 01:35:05,733 --> 01:35:05,933 . 3329 01:35:06,000 --> 01:35:08,169 >> BABY BABE 3330 01:35:08,235 --> 01:35:09,103 ♪ AND THE WAY I FEEL 3331 01:35:09,170 --> 01:35:09,937 ♪ THE WAY I FEEL 3332 01:35:10,004 --> 01:35:12,000 ♪ I WANNA CURL UP LIKE A CHILD ♪ 3333 01:35:12,000 --> 01:35:12,807 ♪ I WANNA CURL UP LIKE A CHILD ♪ 3334 01:35:12,873 --> 01:35:13,741 ♪ OOH, BABY ♪ 3335 01:35:13,808 --> 01:35:16,610 ♪ I NEED YOU AND YOU NEED ME ♪ 3336 01:35:16,677 --> 01:35:18,000 ♪ THIS IS SO PLAIN TO SEE ♪ 3337 01:35:18,000 --> 01:35:19,713 ♪ THIS IS SO PLAIN TO SEE ♪ 3338 01:35:19,780 --> 01:35:22,683 ♪ AND I WOULD NEVER LET YOU GO ♪ 3339 01:35:22,750 --> 01:35:24,000 ♪ AND I WILL ALWAYS LOVE YOU SO, 3340 01:35:24,000 --> 01:35:27,388 ♪ AND I WILL ALWAYS LOVE YOU SO, 3341 01:35:27,455 --> 01:35:29,290 I WILL ♪ 3342 01:35:29,356 --> 01:35:30,000 ♪ IF YOU COULD ONLY SEE, YOUR 3343 01:35:30,000 --> 01:35:30,724 ♪ IF YOU COULD ONLY SEE, YOUR 3344 01:35:30,791 --> 01:35:32,626 HEART BELONGS TO ME ♪ 3345 01:35:32,693 --> 01:35:34,095 ♪ I LOVE YOU SO MUCH, I'M 3346 01:35:34,161 --> 01:35:36,000 YEARNING FOR YOUR TOUCH ♪ 3347 01:35:36,000 --> 01:35:36,664 YEARNING FOR YOUR TOUCH ♪ 3348 01:35:36,730 --> 01:35:38,532 ♪ COME AND SET ME FREE, FOREVER 3349 01:35:38,599 --> 01:35:40,434 YOURS, I'LL BE ♪ 3350 01:35:40,501 --> 01:35:41,769 ♪ COME AND SET ME FREE ♪ 3351 01:35:41,836 --> 01:35:42,000 ♪ BABY, WON'T YOU COME AND TAKE 3352 01:35:42,000 --> 01:35:42,703 ♪ BABY, WON'T YOU COME AND TAKE 3353 01:35:42,770 --> 01:35:44,105 THIS PAIN AWAY ♪ 3354 01:35:44,171 --> 01:35:48,000 "Feel So Good Intro" 3355 01:35:48,000 --> 01:35:48,442 "Feel So Good Intro" 3356 01:35:48,509 --> 01:35:52,646 ♪ 3357 01:35:52,713 --> 01:35:53,314 ♪ YOU READY, MASE? ♪ 3358 01:35:53,380 --> 01:35:53,747 ♪ PARTY PEOPLE ♪ 3359 01:35:53,814 --> 01:35:54,000 ♪ IN THE PLACE TO BE 3360 01:35:54,000 --> 01:35:54,682 ♪ IN THE PLACE TO BE 3361 01:35:54,748 --> 01:35:55,483 ♪ UH-HUH 3362 01:35:55,549 --> 01:35:56,517 ♪ IT'S ABOUT THAT TIME ♪ 3363 01:35:56,584 --> 01:35:57,518 ♪ FOR US TO 3364 01:35:57,585 --> 01:35:58,185 ♪ YEAH, UH-HUH ♪ 3365 01:35:58,252 --> 01:36:00,000 "Mo Money Mo Problems" 3366 01:36:00,000 --> 01:36:03,390 "Mo Money Mo Problems" 3367 01:36:03,457 --> 01:36:03,657 . 3368 01:36:03,724 --> 01:36:04,358 >> COME ON, GET UP OUT OF 3369 01:36:04,425 --> 01:36:06,000 YOUR SEAT! 3370 01:36:06,000 --> 01:36:09,964 YOUR SEAT! 3371 01:36:10,030 --> 01:36:12,000 ♪ 3372 01:36:12,000 --> 01:36:18,000 ♪ 3373 01:36:18,000 --> 01:36:21,408 ♪ 3374 01:36:21,475 --> 01:36:22,376 ♪ YOU TELL ME WHO FLOPPED, WHO 3375 01:36:22,443 --> 01:36:23,277 COPPED THE BLUE DROP? ♪ 3376 01:36:23,344 --> 01:36:24,000 ♪ WHOSE JEWELS GOT ROCKS? ♪ 3377 01:36:24,000 --> 01:36:24,178 ♪ WHOSE JEWELS GOT ROCKS? ♪ 3378 01:36:24,245 --> 01:36:25,146 ♪ WHO'S MOSTLY DOLCE DOWN TO THE 3379 01:36:25,212 --> 01:36:25,846 TUBE SOCK? ♪ 3380 01:36:25,913 --> 01:36:26,947 ♪ THE SAME OLD PIMP, MASE ♪ 3381 01:36:27,014 --> 01:36:27,648 ♪ YOU KNOW AIN'T NOTHIN' CHANGE 3382 01:36:27,715 --> 01:36:28,582 BUT MY LIMP ♪ 3383 01:36:28,649 --> 01:36:29,683 ♪ CAN'T STOP 'TIL I SEE MY NAME 3384 01:36:29,750 --> 01:36:30,000 ON A BLIMP ♪ 3385 01:36:30,000 --> 01:36:30,151 ON A BLIMP ♪ 3386 01:36:30,217 --> 01:36:30,918 ♪ GUARANTEE A MILLION SALES, 3387 01:36:30,985 --> 01:36:32,186 CALL IT LOVE OR LUCK ♪ 3388 01:36:32,253 --> 01:36:33,721 ♪ YOU DON'T BELIEVE IN HARLEM 3389 01:36:33,787 --> 01:36:34,889 WORLD, NIGGA, DOUBLE UP ♪ 3390 01:36:34,955 --> 01:36:36,000 ♪ WE DON'T PLAY AROUND, IT'S A 3391 01:36:36,000 --> 01:36:36,123 ♪ WE DON'T PLAY AROUND, IT'S A 3392 01:36:36,190 --> 01:36:37,358 BET, LAY IT DOWN ♪ 3393 01:36:37,424 --> 01:36:39,360 ♪ NIGGAS DIDN'T KNOW ME '91, BET 3394 01:36:39,426 --> 01:36:41,061 THEY KNOW ME NOW ♪ 3395 01:36:41,128 --> 01:36:42,000 ♪ I'M THE YOUNG HARLEM NIGGA 3396 01:36:42,000 --> 01:36:42,363 ♪ I'M THE YOUNG HARLEM NIGGA 3397 01:36:42,429 --> 01:36:43,564 WITH THE GOLDIE SOUND ♪ 3398 01:36:43,631 --> 01:36:46,000 ♪ CAN'T NO Ph.D. NIGGAS HOLD ME 3399 01:36:46,066 --> 01:36:46,233 DOWN ♪ 3400 01:36:46,300 --> 01:36:47,434 ♪ CUDDA SCHOOLED ME TO THE GAME, 3401 01:36:47,501 --> 01:36:48,000 NOW I KNOW MY DUTY ♪ 3402 01:36:48,000 --> 01:36:48,469 NOW I KNOW MY DUTY ♪ 3403 01:36:48,536 --> 01:36:49,970 ♪ STAY HUMBLE, STAY LOW, BLOW 3404 01:36:50,037 --> 01:36:51,305 LIKE HOOTIE ♪ 3405 01:36:51,372 --> 01:36:52,239 ♪ TRUE PIMP NIGGAS SPEND NO 3406 01:36:52,306 --> 01:36:53,107 DOUGH ON THE BOOTY ♪ 3407 01:36:53,174 --> 01:36:54,000 ♪ AND THEN YOU YELL, "THERE GO 3408 01:36:54,000 --> 01:36:54,375 ♪ AND THEN YOU YELL, "THERE GO 3409 01:36:54,441 --> 01:36:55,476 MASE", THERE GO YOUR CUTIE ♪ 3410 01:36:55,543 --> 01:36:57,311 ♪ I DON'T KNOW WHAT THEY WANT 3411 01:36:57,378 --> 01:36:58,579 FROM ME ♪ 3412 01:36:58,646 --> 01:36:59,880 ♪ IT'S LIKE THE MORE MONEY WE 3413 01:36:59,947 --> 01:37:00,000 COME ACROSS ♪ 3414 01:37:00,000 --> 01:37:01,115 COME ACROSS ♪ 3415 01:37:01,182 --> 01:37:02,183 ♪ THE MORE PROBLEMS WE SEE ♪ 3416 01:37:02,249 --> 01:37:03,417 ♪ I'M THE D TO THE A TO THE 3417 01:37:03,484 --> 01:37:04,451 D-D-Y ♪ 3418 01:37:04,518 --> 01:37:05,553 ♪ KNOW YOU'D RATHER SEE ME DIE 3419 01:37:05,619 --> 01:37:06,000 THAN TO SEE ME FLY ♪ 3420 01:37:06,000 --> 01:37:06,820 THAN TO SEE ME FLY ♪ 3421 01:37:06,887 --> 01:37:07,688 ♪ I CALL ALL THE SHOTS ♪ 3422 01:37:07,755 --> 01:37:08,556 ♪ RIP ALL THE SPOTS, ROCK ALL 3423 01:37:08,622 --> 01:37:09,423 THE ROCKS, COP ALL THE DROPS ♪ 3424 01:37:09,490 --> 01:37:10,324 ♪ I KNOW YOU THINKIN' NOW, "WHEN 3425 01:37:10,391 --> 01:37:11,358 ALL THE BALLIN' STOPS?" ♪ 3426 01:37:11,425 --> 01:37:12,000 ♪ NIGGA NEVER HOME, GOTTA CALL 3427 01:37:12,000 --> 01:37:12,726 ♪ NIGGA NEVER HOME, GOTTA CALL 3428 01:37:12,793 --> 01:37:13,761 ME ON THE YACHT ♪ 3429 01:37:13,827 --> 01:37:14,895 ♪ 10 YEARS FROM NOW WE'LL STILL 3430 01:37:14,962 --> 01:37:16,063 BE ON TOP ♪ 3431 01:37:16,130 --> 01:37:18,000 ♪ YO, I THOUGHT I TOLD YOU THAT 3432 01:37:18,000 --> 01:37:18,732 ♪ YO, I THOUGHT I TOLD YOU THAT 3433 01:37:18,799 --> 01:37:23,170 WE WON'T STOP ♪ 3434 01:37:23,237 --> 01:37:24,000 [APPLAUSE]. 3435 01:37:24,000 --> 01:37:30,000 [APPLAUSE]. 3436 01:37:30,000 --> 01:37:36,000 [APPLAUSE]. 3437 01:37:36,000 --> 01:37:42,000 [APPLAUSE]. 3438 01:37:42,000 --> 01:37:48,000 [APPLAUSE]. 3439 01:37:48,000 --> 01:37:49,863 [APPLAUSE]. 3440 01:37:49,930 --> 01:37:52,633 >> Y'ALL, MAKE SOME MORE 3441 01:37:52,700 --> 01:37:54,000 NOISE FROM MY BROTHER DIDDY. 3442 01:37:54,000 --> 01:37:55,603 NOISE FROM MY BROTHER DIDDY. 3443 01:37:55,669 --> 01:37:57,171 STOP PLAYING. 3444 01:37:57,238 --> 01:37:59,873 PUFF DADDY. 3445 01:37:59,940 --> 01:38:00,000 VMAS. 3446 01:38:00,000 --> 01:38:01,642 VMAS. 3447 01:38:01,709 --> 01:38:05,579 THAT WAS YOUR 2023 MTV GLOBAL 3448 01:38:05,646 --> 01:38:06,000 ICON. 3449 01:38:06,000 --> 01:38:07,014 ICON. 3450 01:38:07,081 --> 01:38:10,985 MAKE SOME MORE NOISE. 3451 01:38:11,051 --> 01:38:12,000 PUMPS IMPACT ON POP CULTURE 3452 01:38:12,000 --> 01:38:12,286 PUMPS IMPACT ON POP CULTURE 3453 01:38:12,353 --> 01:38:15,222 IS IMMEASURABLE. 3454 01:38:15,289 --> 01:38:17,358 HIS ICONIC MUSIC VIDEOS WE 3455 01:38:17,424 --> 01:38:18,000 DEFINED THE FORUM GLOBAL 3456 01:38:18,000 --> 01:38:23,731 DEFINED THE FORUM GLOBAL 3457 01:38:23,797 --> 01:38:24,000 INFLUENCE IS FOREVER FELT 3458 01:38:24,000 --> 01:38:24,398 INFLUENCE IS FOREVER FELT 3459 01:38:24,465 --> 01:38:25,032 ACROSS THE ENTIRE MUSIC 3460 01:38:25,099 --> 01:38:25,532 INDUSTRY. 3461 01:38:25,599 --> 01:38:29,336 THIS MOMENT IS SO SPECIAL, SO 3462 01:38:29,403 --> 01:38:30,000 IMPORTANT, THAT I'D LIKE TO 3463 01:38:30,000 --> 01:38:30,371 IMPORTANT, THAT I'D LIKE TO 3464 01:38:30,437 --> 01:38:31,105 INVITE A VERY SPECIAL GUEST 3465 01:38:31,171 --> 01:38:32,940 TO JOIN ME TO PRESENT HIM 3466 01:38:33,007 --> 01:38:36,000 WITH THIS AMAZING AWARD. 3467 01:38:36,000 --> 01:38:36,143 WITH THIS AMAZING AWARD. 3468 01:38:36,210 --> 01:38:39,079 IS AMAZING PHENOMENAL, 3469 01:38:39,146 --> 01:38:40,481 BEAUTIFUL, OLDEST DAUGHTER, 3470 01:38:40,547 --> 01:38:42,000 CHANCE. 3471 01:38:42,000 --> 01:38:42,549 CHANCE. 3472 01:38:42,616 --> 01:38:46,887 [APPLAUSE]. 3473 01:38:46,954 --> 01:38:48,000 >> IS MY HONOR TO INTRODUCE 3474 01:38:48,000 --> 01:38:48,022 >> IS MY HONOR TO INTRODUCE 3475 01:38:48,088 --> 01:38:52,726 MY DAD, MY FRIEND, THE MTV 3476 01:38:52,793 --> 01:38:54,000 GLOBAL ICON, DIDDY! 3477 01:38:54,000 --> 01:38:58,065 GLOBAL ICON, DIDDY! 3478 01:38:58,132 --> 01:39:00,000 ♪ 3479 01:39:00,000 --> 01:39:01,902 ♪ 3480 01:39:01,969 --> 01:39:03,337 ♪ YOU SAY THAT I'M YOUR 3481 01:39:03,404 --> 01:39:04,438 FAVORITE ♪ 3482 01:39:04,505 --> 01:39:05,339 ♪ WITH YOUR HAND BETWEEN MY 3483 01:39:05,406 --> 01:39:06,000 THIGHS ♪ 3484 01:39:06,000 --> 01:39:06,307 THIGHS ♪ 3485 01:39:06,373 --> 01:39:07,508 ♪ TELL ME IF YOU WERE GONNA 3486 01:39:07,574 --> 01:39:09,710 ♪ THAT I WOULD BE 3487 01:39:09,777 --> 01:39:12,000 ♪ THE ONE YOU TRIED 3488 01:39:12,000 --> 01:39:18,000 ♪ THE ONE YOU TRIED 3489 01:39:18,000 --> 01:39:23,657 ♪ THE ONE YOU TRIED 3490 01:39:23,724 --> 01:39:24,000 ♪ 3491 01:39:24,000 --> 01:39:30,000 ♪ 3492 01:39:30,000 --> 01:39:32,866 ♪ 3493 01:39:32,933 --> 01:39:34,501 ♪ . 3494 01:39:34,568 --> 01:39:36,000 >> YEAH! 3495 01:39:36,000 --> 01:39:37,538 >> YEAH! 3496 01:39:37,604 --> 01:39:40,874 >> THIS IS WHAT'S UP. 3497 01:39:40,941 --> 01:39:42,000 LOVE WINS, Y'ALL, LOVE WINS. 3498 01:39:42,000 --> 01:39:44,945 LOVE WINS, Y'ALL, LOVE WINS. 3499 01:39:45,012 --> 01:39:46,313 [APPLAUSE]. 3500 01:39:46,380 --> 01:39:48,000 >> MAN, THIS IS SO SURREAL. 3501 01:39:48,000 --> 01:39:49,650 >> MAN, THIS IS SO SURREAL. 3502 01:39:49,717 --> 01:39:53,954 I APPRECIATE Y'ALL COMING, 3503 01:39:54,021 --> 01:39:54,588 AND JUST EVEN GIVING MY 3504 01:39:54,655 --> 01:39:57,291 FLOWERS AND CELEBRATING ME. 3505 01:39:57,358 --> 01:40:00,000 [APPLAUSE]. 3506 01:40:00,000 --> 01:40:01,228 [APPLAUSE]. 3507 01:40:01,295 --> 01:40:05,299 >> YEAH. 3508 01:40:05,366 --> 01:40:06,000 OF COURSE, I GOT THAT THEY 3509 01:40:06,000 --> 01:40:06,300 OF COURSE, I GOT THAT THEY 3510 01:40:06,367 --> 01:40:08,635 GOD, BECAUSE THAT, THAT'S MY 3511 01:40:08,702 --> 01:40:12,000 SECRET WEAPON. 3512 01:40:12,000 --> 01:40:12,172 SECRET WEAPON. 3513 01:40:12,239 --> 01:40:13,040 YOU KNOW, IT DON'T MATTER 3514 01:40:13,107 --> 01:40:15,409 WHAT IS YOU ARE, BUT MAKE 3515 01:40:15,476 --> 01:40:16,076 SURE YOU KNOW THERE IS A 3516 01:40:16,143 --> 01:40:17,711 HIGHER POWER OF LOVE. 3517 01:40:17,778 --> 01:40:18,000 AND I WANT TO JUST SAY, I 3518 01:40:18,000 --> 01:40:18,379 AND I WANT TO JUST SAY, I 3519 01:40:18,445 --> 01:40:19,246 GIVE ALL GLORY TO GOD. 3520 01:40:19,313 --> 01:40:21,315 THANK YOU SO MUCH. 3521 01:40:21,382 --> 01:40:22,783 THIS IS A DREAM COME TRUE. 3522 01:40:22,850 --> 01:40:24,000 [APPLAUSE]. 3523 01:40:24,000 --> 01:40:29,256 [APPLAUSE]. 3524 01:40:29,323 --> 01:40:29,990 >> THIS IS A DREAM COME TRUE 3525 01:40:30,057 --> 01:40:31,825 FOR ME. 3526 01:40:31,892 --> 01:40:34,194 I GREW UP WATCHING MTV, LIKE 3527 01:40:34,261 --> 01:40:35,162 MAN, I WISH ONE DAY I COULD 3528 01:40:35,229 --> 01:40:36,000 BE UP THERE. 3529 01:40:36,000 --> 01:40:36,130 BE UP THERE. 3530 01:40:36,196 --> 01:40:40,100 AND, YOU KNOW, I STARTED OUT 3531 01:40:40,167 --> 01:40:40,567 AS A PAPERBOY. 3532 01:40:40,634 --> 01:40:41,335 I DIDN'T KNOW ARE GOING TO BE 3533 01:40:41,402 --> 01:40:41,668 HERE. 3534 01:40:41,735 --> 01:40:42,000 I STARTED OUT AS A PAPERBOY 3535 01:40:42,000 --> 01:40:46,407 I STARTED OUT AS A PAPERBOY 3536 01:40:46,473 --> 01:40:46,740 AT 12. 3537 01:40:46,807 --> 01:40:47,474 AND THEN I WAS GOING TO BE AN 3538 01:40:47,541 --> 01:40:48,000 NFL FOOTBALL PLAYER FOR THE 3539 01:40:48,000 --> 01:40:48,208 NFL FOOTBALL PLAYER FOR THE 3540 01:40:48,275 --> 01:40:51,011 PITTSBURGH STEELERS. 3541 01:40:51,078 --> 01:40:53,447 THE PITTSBURGH STEELERS 3542 01:40:53,514 --> 01:40:54,000 DIDN'T KNOW THIS, BUT I PLAN 3543 01:40:54,000 --> 01:40:54,181 DIDN'T KNOW THIS, BUT I PLAN 3544 01:40:54,248 --> 01:40:55,649 ON BEING A FOOTBALL PLAYER 3545 01:40:55,716 --> 01:40:56,683 AND MY LEG GOT BROKE THE LAST 3546 01:40:56,750 --> 01:40:59,319 YEAR. 3547 01:40:59,386 --> 01:41:00,000 I GET DEPRESSED AND IT WOULD 3548 01:41:00,000 --> 01:41:00,053 I GET DEPRESSED AND IT WOULD 3549 01:41:00,120 --> 01:41:01,121 BE IN THE CLUB DANCING IN NEW 3550 01:41:01,188 --> 01:41:04,158 YORK CLAIM IDD BOB, AND THE 3551 01:41:04,224 --> 01:41:04,858 PEOPLE WOULD SEE ME AND IT 3552 01:41:04,925 --> 01:41:05,926 WOULD CAST ME FOR VIDEOS TO 3553 01:41:05,993 --> 01:41:06,000 IS HOW I STARTED THE MILIKIN 3554 01:41:06,000 --> 01:41:06,660 IS HOW I STARTED THE MILIKIN 3555 01:41:06,727 --> 01:41:06,994 TREE. 3556 01:41:07,060 --> 01:41:09,029 I THOUGHT EXECUTIVES AND I 3557 01:41:09,096 --> 01:41:11,331 WANTED TO CHANGE THAT DREAM 3558 01:41:11,398 --> 01:41:12,000 SO I THINK THEIR EXECUTIVE, 3559 01:41:12,000 --> 01:41:13,567 SO I THINK THEIR EXECUTIVE, 3560 01:41:13,634 --> 01:41:15,803 EVERY PRODUCER, EVERY 3561 01:41:15,869 --> 01:41:18,000 SONGWRITER. 3562 01:41:18,000 --> 01:41:18,672 SONGWRITER. 3563 01:41:18,739 --> 01:41:19,373 GET THE THINK THE BAD BOY'S 3564 01:41:19,440 --> 01:41:20,507 FAMILY BECAUSE WITHOUT THEM I 3565 01:41:20,574 --> 01:41:24,000 WOULD NOT BE APPEAR. 3566 01:41:24,000 --> 01:41:27,147 WOULD NOT BE APPEAR. 3567 01:41:27,214 --> 01:41:29,149 BAD BOY, BAD BOY. 3568 01:41:29,216 --> 01:41:30,000 ONE MORE TIME, BAD BOY. 3569 01:41:30,000 --> 01:41:32,519 ONE MORE TIME, BAD BOY. 3570 01:41:32,586 --> 01:41:33,187 I LOVE YOU ALL FROM THE 3571 01:41:33,253 --> 01:41:34,121 BOTTOM OF MY HEART, THE 3572 01:41:34,188 --> 01:41:35,289 HITMAN. 3573 01:41:35,355 --> 01:41:36,000 REST IN PEACE, JACKIE 3574 01:41:36,000 --> 01:41:37,991 REST IN PEACE, JACKIE 3575 01:41:38,058 --> 01:41:39,226 THOMPSON. 3576 01:41:39,293 --> 01:41:40,360 MAN, YOU JUST GOT TO KEEP ME 3577 01:41:40,427 --> 01:41:42,000 GO SOME TIME TO GET HIT WITH 3578 01:41:42,000 --> 01:41:43,363 GO SOME TIME TO GET HIT WITH 3579 01:41:43,430 --> 01:41:43,797 HARD THINGS. 3580 01:41:43,864 --> 01:41:45,265 AS I SAID, I THOUGHT I WAS 3581 01:41:45,332 --> 01:41:45,966 GOING TO BE PLAYING FOR THE 3582 01:41:46,033 --> 01:41:48,000 PITTSBURGH STEELERS, BUT GOD 3583 01:41:48,000 --> 01:41:50,771 PITTSBURGH STEELERS, BUT GOD 3584 01:41:50,838 --> 01:41:51,472 MADE ANOTHER CHOICE, AND I 3585 01:41:51,538 --> 01:41:52,206 THINK JENNIFER IS TWICE THAT 3586 01:41:52,272 --> 01:41:54,000 HE MADE, FOR ME TO BE ABLE TO 3587 01:41:54,000 --> 01:41:55,209 HE MADE, FOR ME TO BE ABLE TO 3588 01:41:55,275 --> 01:41:57,511 TOUCH YOU WITH MY MUSIC, GIVE 3589 01:41:57,578 --> 01:41:59,413 YOU A GOOD TIME, MAKE YOU 3590 01:41:59,480 --> 01:42:00,000 DANCE, MAKE YOU FEEL GOOD. 3591 01:42:00,000 --> 01:42:01,415 DANCE, MAKE YOU FEEL GOOD. 3592 01:42:01,482 --> 01:42:04,818 THAT'S THE ONLY INTENTION. 3593 01:42:04,885 --> 01:42:05,552 AND ALSO TO MAKE SURE WE ALL 3594 01:42:05,619 --> 01:42:06,000 GET THE SAME 24 HOURS, YOU 3595 01:42:06,000 --> 01:42:06,253 GET THE SAME 24 HOURS, YOU 3596 01:42:06,320 --> 01:42:06,987 KNOW WHAT I'M SAYING? 3597 01:42:07,054 --> 01:42:09,189 SO WHEN WE CAME IN THE GAME, 3598 01:42:09,256 --> 01:42:10,958 HE CAME IN AS FORCE, HE CAME 3599 01:42:11,024 --> 01:42:12,000 IN ASKING THE WE CAME IN HIS 3600 01:42:12,000 --> 01:42:13,160 IN ASKING THE WE CAME IN HIS 3601 01:42:13,227 --> 01:42:15,062 QUEEN, AND THAT'S WHAT'S UP. 3602 01:42:15,128 --> 01:42:18,000 THIS IS THAT 30 YEARS. 3603 01:42:18,000 --> 01:42:18,065 THIS IS THAT 30 YEARS. 3604 01:42:18,131 --> 01:42:19,566 [APPLAUSE]. 3605 01:42:19,633 --> 01:42:23,103 I PRAY TO GOD, PRAY TO GOD 3606 01:42:23,170 --> 01:42:24,000 YOU WILL GET TO DO SOMETHING 3607 01:42:24,000 --> 01:42:24,104 YOU WILL GET TO DO SOMETHING 3608 01:42:24,171 --> 01:42:25,672 THAT YOU LOVE FOR 30 YEARS 3609 01:42:25,739 --> 01:42:27,441 CONSISTENTLY. 3610 01:42:27,508 --> 01:42:30,000 IT IS TRULY A GIFT FROM GOD. 3611 01:42:30,000 --> 01:42:32,246 IT IS TRULY A GIFT FROM GOD. 3612 01:42:32,312 --> 01:42:32,980 BUT YOU CAN'T DO IT ALONE TO 3613 01:42:33,046 --> 01:42:33,714 TAKE IT TO MY WHOLE TEAM THAT 3614 01:42:33,780 --> 01:42:34,381 PUT EVERYTHING TOGETHER, 3615 01:42:34,448 --> 01:42:36,000 LOWER YAN. 3616 01:42:36,000 --> 01:42:37,017 LOWER YAN. 3617 01:42:37,084 --> 01:42:37,651 AND ALSO I CAME TO MTV 3618 01:42:37,718 --> 01:42:40,053 BECAUSE THIS ONE LADY NAMED 3619 01:42:40,120 --> 01:42:41,054 ELLIE KOHLER, ELLICLE OR IF 3620 01:42:41,121 --> 01:42:42,000 YOU'RE OUT THERE, YOU FOR 3621 01:42:42,000 --> 01:42:45,192 YOU'RE OUT THERE, YOU FOR 3622 01:42:45,259 --> 01:42:45,893 BELIEVING IN ME, I LOVE YOU. 3623 01:42:45,959 --> 01:42:46,627 MTV, THANK YOU FOR BELIEVING 3624 01:42:46,693 --> 01:42:47,361 IN ME AND ALL THE FANS IN THE 3625 01:42:47,427 --> 01:42:47,728 WORLD. 3626 01:42:47,794 --> 01:42:48,000 THANK YOU, I LOVE YOU. 3627 01:42:48,000 --> 01:42:48,362 THANK YOU, I LOVE YOU. 3628 01:42:48,428 --> 01:42:49,530 [APPLAUSE]. 3629 01:42:49,596 --> 01:42:52,866 >> HOLD ON, BEFORE WE GO IN 3630 01:42:52,933 --> 01:42:54,000 NEXT TRUE DIDDY FASHION, I'M 3631 01:42:54,000 --> 01:42:55,102 NEXT TRUE DIDDY FASHION, I'M 3632 01:42:55,168 --> 01:42:55,636 A HUSTLER. 3633 01:42:55,702 --> 01:42:56,970 I GOT AN ALBUM COMING OUT 3634 01:42:57,037 --> 01:43:00,000 THIS FRIDAY. 3635 01:43:00,000 --> 01:43:01,608 THIS FRIDAY. 3636 01:43:01,675 --> 01:43:02,409 YEAH, ALBUM COMING OUT THIS 3637 01:43:02,476 --> 01:43:03,510 FRIDAY. 3638 01:43:03,577 --> 01:43:05,679 IF YOU LOVE THAT, LOVE MAKE 3639 01:43:05,746 --> 01:43:06,000 YOUR R&B, DR. FEELGOOD, LOVE 3640 01:43:06,000 --> 01:43:09,082 YOUR R&B, DR. FEELGOOD, LOVE 3641 01:43:09,149 --> 01:43:09,783 ALBUM. 3642 01:43:09,850 --> 01:43:10,851 I LOVE Y'ALL! 3643 01:43:10,918 --> 01:43:12,000 [APPLAUSE]. 3644 01:43:12,000 --> 01:43:18,000 [APPLAUSE]. 3645 01:43:18,000 --> 01:43:24,000 [APPLAUSE]. 3646 01:43:24,000 --> 01:43:30,000 [APPLAUSE]. 3647 01:43:30,000 --> 01:43:33,373 [APPLAUSE]. 3648 01:43:33,440 --> 01:43:35,676 >> HE SAID THAT ON YOUR 3649 01:43:35,742 --> 01:43:36,000 FAVORITE WITH YOUR HAND 3650 01:43:36,000 --> 01:43:39,446 FAVORITE WITH YOUR HAND 3651 01:43:39,513 --> 01:43:41,648 BETWEEN MY THIGHS. 3652 01:43:41,715 --> 01:43:42,000 ♪ THAT I'LL BE THE ONE YOU 3653 01:43:42,000 --> 01:43:48,000 ♪ THAT I'LL BE THE ONE YOU 3654 01:43:48,000 --> 01:43:48,422 ♪ THAT I'LL BE THE ONE YOU 3655 01:43:48,488 --> 01:43:49,623 TRIED ♪ 3656 01:43:49,690 --> 01:43:54,000 ♪ LITTLE CLOSER. 3657 01:43:54,000 --> 01:43:55,696 ♪ LITTLE CLOSER. 3658 01:43:55,762 --> 01:44:00,000 ♪. 3659 01:44:00,000 --> 01:44:01,902 ♪. 3660 01:44:01,969 --> 01:44:06,000 . 3661 01:44:06,000 --> 01:44:06,006 . 3662 01:44:06,073 --> 01:44:12,000 ♪ 3663 01:44:12,000 --> 01:44:14,715 ♪ 3664 01:44:14,781 --> 01:44:18,000 ♪ 3665 01:44:18,000 --> 01:44:24,000 ♪ 3666 01:44:24,000 --> 01:44:26,760 ♪ 3667 01:44:26,827 --> 01:44:30,000 [APPLAUSE]. 3668 01:44:30,000 --> 01:44:31,064 [APPLAUSE]. 3669 01:44:31,131 --> 01:44:33,767 >> COMING UP, HEY, PATS FANS, 3670 01:44:33,834 --> 01:44:35,736 YOU READY? 3671 01:44:35,802 --> 01:44:36,000 STRAY KIDS ARE ABOUT TO MAKE 3672 01:44:36,000 --> 01:44:36,637 STRAY KIDS ARE ABOUT TO MAKE 3673 01:44:36,703 --> 01:44:41,708 THEIR VMA DEBUT. 3674 01:44:41,775 --> 01:44:42,000 MEDICALS HOUSE ARTISTS PESO 3675 01:44:42,000 --> 01:44:42,609 MEDICALS HOUSE ARTISTS PESO 3676 01:44:42,676 --> 01:44:43,844 PLUMA BRINGS US THE ULTIMATE 3677 01:44:43,910 --> 01:44:45,379 LATIN DANCE 3678 01:44:55,055 --> 01:44:55,489 [♪ MUSIC ]. 3679 01:44:55,555 --> 01:45:00,000 >> PLEASE WELCOME THALIA. 3680 01:45:00,000 --> 01:45:02,929 >> PLEASE WELCOME THALIA. 3681 01:45:02,996 --> 01:45:05,232 >> TONIGHT ALL THE WAY FROM 3682 01:45:05,298 --> 01:45:06,000 GUADALAJARA NEW MEXICO, THIS 3683 01:45:06,000 --> 01:45:06,633 GUADALAJARA NEW MEXICO, THIS 3684 01:45:06,700 --> 01:45:11,805 YOUNG ARTIST HAS BECOME ONE 3685 01:45:11,872 --> 01:45:12,000 OF THE MOST EXCITING NEW 3686 01:45:12,000 --> 01:45:14,041 OF THE MOST EXCITING NEW 3687 01:45:14,107 --> 01:45:16,877 LATINX OF THE YEAR. 3688 01:45:16,943 --> 01:45:17,611 WITH HIS UNIQUE BLEND OF 3689 01:45:17,678 --> 01:45:18,000 MUSICAL GENRES, INCLUDING 3690 01:45:18,000 --> 01:45:19,212 MUSICAL GENRES, INCLUDING 3691 01:45:19,279 --> 01:45:21,715 REGIONAL MEXICAN REGGAE, 3692 01:45:21,782 --> 01:45:24,000 HIP-HOP AND MORE, HE IS 3693 01:45:24,000 --> 01:45:24,751 HIP-HOP AND MORE, HE IS 3694 01:45:24,818 --> 01:45:25,485 PAVING THE WAY FOR THE NEXT 3695 01:45:25,552 --> 01:45:28,088 GENERATION OF ARTISTS. 3696 01:45:28,155 --> 01:45:29,022 NOMINATED FOR BEST NEW ARTIST 3697 01:45:29,089 --> 01:45:30,000 TONIGHT, AND MAKING HIS VMA 3698 01:45:30,000 --> 01:45:30,023 TONIGHT, AND MAKING HIS VMA 3699 01:45:30,090 --> 01:45:34,327 DEBUT, GIVE IT UP FOR PESO 3700 01:45:34,394 --> 01:45:34,695 PLUMA. 3701 01:45:34,761 --> 01:45:36,000 [APPLAUSE] 3702 01:45:36,000 --> 01:45:37,464 [APPLAUSE] 3703 01:45:37,531 --> 01:45:38,131 ♪♪. 3704 01:45:38,198 --> 01:45:42,000 ♪♪. 3705 01:45:42,000 --> 01:45:43,437 ♪♪. 3706 01:45:43,503 --> 01:45:46,573 ♪♪. 3707 01:45:46,640 --> 01:45:48,000 ♪♪. 3708 01:45:48,000 --> 01:45:53,346 ♪♪. 3709 01:45:53,413 --> 01:45:54,000 ♪♪. 3710 01:45:54,000 --> 01:45:59,286 ♪♪. 3711 01:45:59,352 --> 01:46:00,000 ♪♪. 3712 01:46:00,000 --> 01:46:06,000 ♪♪. 3713 01:46:06,000 --> 01:46:06,727 ♪♪. 3714 01:46:06,793 --> 01:46:12,000 ♪♪. 3715 01:46:12,000 --> 01:46:13,333 ♪♪. 3716 01:46:13,400 --> 01:46:18,000 ♪♪. 3717 01:46:18,000 --> 01:46:18,805 ♪♪. 3718 01:46:18,872 --> 01:46:19,372 ♪ DOM PERIGNON LADY GAGA, 3719 01:46:19,439 --> 01:46:20,540 LENTES EN LA CARA ♪ 3720 01:46:20,607 --> 01:46:22,576 ♪ TUSI LAVADA 3721 01:46:22,642 --> 01:46:23,076 ♪ TRIPLE LAVADA Y UNA 3722 01:46:23,143 --> 01:46:24,000 BANDIDA QUE ME LLAMA ♪ 3723 01:46:24,000 --> 01:46:24,878 BANDIDA QUE ME LLAMA ♪ 3724 01:46:24,945 --> 01:46:27,247 ♪ QUIEREN MI LANA 3725 01:46:27,314 --> 01:46:28,448 ♪ Y NO ESTÁ MAL 3726 01:46:28,515 --> 01:46:29,149 ♪ PORQUE ME SEDUCE COMO 3727 01:46:29,216 --> 01:46:30,000 ANIMAL ♪ 3728 01:46:30,000 --> 01:46:30,317 ANIMAL ♪ 3729 01:46:30,383 --> 01:46:31,151 ♪ NINGUNA SUBE NADA AL 3730 01:46:31,218 --> 01:46:32,152 INSTAGRAM ♪ 3731 01:46:32,219 --> 01:46:33,153 ♪ SOLO DISFRUTAN, SOLO 3732 01:46:33,220 --> 01:46:36,000 DISFRUTAN ♪ 3733 01:46:36,000 --> 01:46:36,490 DISFRUTAN ♪ 3734 01:46:36,556 --> 01:46:36,990 ♪ PURA INFLUENCER BIEN 3735 01:46:37,057 --> 01:46:39,693 PLACOSA, LAS QUE NAVEGAMOS ♪ 3736 01:46:39,760 --> 01:46:42,000 ♪ Y LAS VOLAMOS 3737 01:46:42,000 --> 01:46:42,562 ♪ Y LAS VOLAMOS 3738 01:46:42,629 --> 01:46:44,831 ♪ Y UNAS PRIVADAS EN YATE 3739 01:46:44,898 --> 01:46:46,399 ♪ TRONAMOS LAS PACAS 3740 01:46:46,466 --> 01:46:47,901 ♪ Y SIN YOLANDA 3741 01:46:47,968 --> 01:46:48,000 ♪ ME VO'A ENFIESTAR 3742 01:46:48,000 --> 01:46:49,503 ♪ ME VO'A ENFIESTAR 3743 01:46:49,569 --> 01:46:50,070 ♪ POLVITO ROSA, PLUMITA DE 3744 01:46:50,137 --> 01:46:51,138 WAX ♪ 3745 01:46:51,204 --> 01:46:51,838 ♪ ESTA ESTRUCTURA VALE 30K 3746 01:46:51,905 --> 01:46:53,573 ♪ NO PUEDES PAGAR, NO TE VA 3747 01:46:53,640 --> 01:46:54,000 A ALCANZAR ♪ 3748 01:46:54,000 --> 01:46:56,443 A ALCANZAR ♪ 3749 01:46:56,510 --> 01:46:57,344 ♪ VIVIENDO EN EL SAN ANDRÉS 3750 01:46:57,410 --> 01:46:59,446 ♪ 3751 01:46:59,513 --> 01:47:00,000 ♪ PERO DE A DEVERAS, CARROS 3752 01:47:00,000 --> 01:47:00,180 ♪ PERO DE A DEVERAS, CARROS 3753 01:47:00,247 --> 01:47:02,149 Y FERIA ♪ 3754 01:47:02,215 --> 01:47:02,749 ♪ TRES ESTRELLAS ME ATORARON 3755 01:47:02,816 --> 01:47:03,250 LA CLAVE EN CALIENTE, 3756 01:47:03,316 --> 01:47:04,751 DESAFANARON ♪ 3757 01:47:04,818 --> 01:47:05,352 ♪ MUSIC Y COCAINE, ME GUSTA 3758 01:47:05,418 --> 01:47:06,000 EL LAMBO, PERO USE EL 3759 01:47:06,000 --> 01:47:07,821 EL LAMBO, PERO USE EL 3760 01:47:07,888 --> 01:47:09,990 MERCEDES ♪ 3761 01:47:10,056 --> 01:47:10,590 ♪ MUSIC Y COCAINE, ME GUSTA 3762 01:47:10,657 --> 01:47:11,091 EL LAMBO, PERO USE EL 3763 01:47:11,158 --> 01:47:11,658 MERCEDES ♪ 3764 01:47:11,725 --> 01:47:12,000 ♪ TUSI 3765 01:47:12,000 --> 01:47:13,960 ♪ TUSI 3766 01:47:14,027 --> 01:47:16,897 ♪ TUSI 3767 01:47:16,963 --> 01:47:17,430 ♪ ELLA ES MUY BELLA Y SE 3768 01:47:17,497 --> 01:47:18,000 DEJA QUERER ♪ 3769 01:47:18,000 --> 01:47:18,932 DEJA QUERER ♪ 3770 01:47:18,999 --> 01:47:19,499 ♪ LE GUSTA GRECIA Y QUIERE 3771 01:47:19,566 --> 01:47:24,000 MI CARTIER ♪ 3772 01:47:24,000 --> 01:47:26,039 MI CARTIER ♪ 3773 01:47:26,106 --> 01:47:27,774 ♪ OH-OH-OH-OH-OH-OH, AH 3774 01:47:27,841 --> 01:47:30,000 ♪ OH-OH-OH-OH-OH-OH, AH 3775 01:47:30,000 --> 01:47:36,000 ♪ OH-OH-OH-OH-OH-OH, AH 3776 01:47:36,000 --> 01:47:42,000 ♪ OH-OH-OH-OH-OH-OH, AH 3777 01:47:42,000 --> 01:47:44,391 ♪ OH-OH-OH-OH-OH-OH, AH 3778 01:47:44,457 --> 01:47:46,493 ♪♪. 3779 01:47:46,560 --> 01:47:48,000 ♪♪. 3780 01:47:48,000 --> 01:47:48,962 ♪♪. 3781 01:47:49,029 --> 01:47:49,563 ONCE, NÚMERO DE SUERTE, 7, 3782 01:47:49,629 --> 01:47:50,997 BIEN PENDIENTES ♪ 3783 01:47:51,064 --> 01:47:52,799 ♪ Y ANDAMOS FUERTES 3784 01:47:52,866 --> 01:47:53,300 ♪ ZUMBANDO EN EL RZR, 3785 01:47:53,366 --> 01:47:54,000 MÁSCARAS, POLVO Y AMBIENTE ♪ 3786 01:47:54,000 --> 01:47:55,969 MÁSCARAS, POLVO Y AMBIENTE ♪ 3787 01:47:56,036 --> 01:47:58,271 ♪ BRILLAN MIS DIENTES 3788 01:47:58,338 --> 01:47:59,840 ♪ NO SOY FRESÓN 3789 01:47:59,906 --> 01:48:00,000 ♪ PERO EN EGIPTO SHISHAS 3790 01:48:00,000 --> 01:48:00,373 ♪ PERO EN EGIPTO SHISHAS 3791 01:48:00,440 --> 01:48:01,741 FUMO YO ♪ 3792 01:48:01,808 --> 01:48:02,342 ♪ PARA MARISCOS FRESCOS, EN 3793 01:48:02,409 --> 01:48:03,643 JAPÓN ♪ 3794 01:48:03,710 --> 01:48:04,811 ♪ TIRA JODIDO, LIRA JODIDÓN 3795 01:48:04,878 --> 01:48:06,000 ♪ 3796 01:48:06,000 --> 01:48:07,914 ♪ 3797 01:48:07,981 --> 01:48:08,481 ♪ MAKABELICO SONANDO, LAS 3798 01:48:08,548 --> 01:48:09,883 GÜERAS BAILANDO ♪ 3799 01:48:09,950 --> 01:48:12,000 ♪ CON BEAT MALANDRO 3800 01:48:12,000 --> 01:48:12,919 ♪ CON BEAT MALANDRO 3801 01:48:12,986 --> 01:48:13,520 ♪ PURA ENCAPUCHADA BÉLICA, 3802 01:48:13,587 --> 01:48:15,021 NO PASA NADA ♪ 3803 01:48:15,088 --> 01:48:16,756 ♪ NADIE LAS PARA 3804 01:48:16,823 --> 01:48:18,000 ♪ ¿QUE QUIÉNES SON? ♪ 3805 01:48:18,000 --> 01:48:18,725 ♪ ¿QUE QUIÉNES SON? ♪ 3806 01:48:18,792 --> 01:48:19,526 ♪ ESO MISMITO ME PREGUNTO YO 3807 01:48:19,593 --> 01:48:24,000 ♪ 3808 01:48:24,000 --> 01:48:26,066 ♪ 3809 01:48:26,132 --> 01:48:26,600 ♪ CADA SALUDO LLEVA UN 3810 01:48:26,666 --> 01:48:27,167 BILLETÓN ♪ 3811 01:48:27,234 --> 01:48:27,767 ♪ PURA LOUIS VUITTON, TRAE 3812 01:48:27,834 --> 01:48:30,000 UN FLOW CABRÓN ♪ 3813 01:48:30,000 --> 01:48:31,838 UN FLOW CABRÓN ♪ 3814 01:48:31,905 --> 01:48:32,405 ♪ DOM PERIGNON LADY GAGA, 3815 01:48:32,472 --> 01:48:33,506 LENTES EN LA CARA ♪ 3816 01:48:33,573 --> 01:48:35,041 ♪ TUSI LAVADA 3817 01:48:35,108 --> 01:48:35,542 ♪ TRIPLE LAVADA Y UNA 3818 01:48:35,609 --> 01:48:36,000 BANDIDA QUE ME LLAMA ♪ 3819 01:48:36,000 --> 01:48:37,510 BANDIDA QUE ME LLAMA ♪ 3820 01:48:37,577 --> 01:48:39,079 ♪ QUIEREN MI LANA 3821 01:48:39,145 --> 01:48:40,313 ♪ Y NO ESTÁ MAL 3822 01:48:40,380 --> 01:48:40,881 ♪ PORQUE ME SEDUCE COMO 3823 01:48:40,947 --> 01:48:41,848 ANIMAL ♪ 3824 01:48:41,915 --> 01:48:42,000 ♪ NINGUNA SUBE NADA AL 3825 01:48:42,000 --> 01:48:42,782 ♪ NINGUNA SUBE NADA AL 3826 01:48:42,849 --> 01:48:44,184 INSTAGRAM ♪ 3827 01:48:44,251 --> 01:48:46,486 ♪ SOLO DISFRUTAN, SOLO 3828 01:48:46,553 --> 01:48:48,000 DISFRUTAN ♪ 3829 01:48:48,000 --> 01:48:51,391 DISFRUTAN ♪ 3830 01:48:51,458 --> 01:48:53,326 ♪ OH-OH-OH-OH-OH-OH, AH 3831 01:48:53,393 --> 01:48:54,000 ♪ OH-OH-OH-OH-OH-OH, AH 3832 01:48:54,000 --> 01:49:00,000 ♪ OH-OH-OH-OH-OH-OH, AH 3833 01:49:00,000 --> 01:49:00,634 ♪ OH-OH-OH-OH-OH-OH, AH 3834 01:49:00,700 --> 01:49:06,000 ♪♪. 3835 01:49:06,000 --> 01:49:11,311 ♪♪. 3836 01:49:11,378 --> 01:49:12,000 >> ¡Y ARRIBA MéXICO, VIEJO! 3837 01:49:12,000 --> 01:49:14,381 >> ¡Y ARRIBA MéXICO, VIEJO! 3838 01:49:14,447 --> 01:49:18,000 ♪♪. 3839 01:49:18,000 --> 01:49:18,485 ♪♪. 3840 01:49:18,551 --> 01:49:24,000 ♪♪ 3841 01:49:24,000 --> 01:49:25,392 ♪♪ 3842 01:49:25,458 --> 01:49:30,000 [APPLAUSE] 3843 01:49:30,000 --> 01:49:34,234 [APPLAUSE] 3844 01:49:34,301 --> 01:49:36,000 [APPLAUSE]. 3845 01:49:36,000 --> 01:49:37,637 [APPLAUSE]. 3846 01:49:37,704 --> 01:49:41,241 >> PLEASE WELCOME TIFFANY 3847 01:49:41,308 --> 01:49:42,000 HADDISH. 3848 01:49:42,000 --> 01:49:47,280 HADDISH. 3849 01:49:47,347 --> 01:49:48,000 ♪ . 3850 01:49:48,000 --> 01:49:51,885 ♪ . 3851 01:49:51,952 --> 01:49:54,000 >> HEY. 3852 01:49:54,000 --> 01:49:54,287 >> HEY. 3853 01:49:54,354 --> 01:49:57,023 ONE UP, Y'ALL? 3854 01:49:57,090 --> 01:49:57,724 YOU HEARD THAT MUSIC RIGHT 3855 01:49:57,791 --> 01:49:58,959 THERE, THAT'S THE NEW TIFFANY 3856 01:49:59,025 --> 01:50:00,000 HADDISH SINGLE COMING OUT. 3857 01:50:00,000 --> 01:50:00,860 HADDISH SINGLE COMING OUT. 3858 01:50:00,927 --> 01:50:03,430 IT CAME OUT TODAY GO OH, YEAH 3859 01:50:03,496 --> 01:50:06,000 GO PARTY TO THE CLUB CLUBS 3860 01:50:06,000 --> 01:50:08,301 GO PARTY TO THE CLUB CLUBS 3861 01:50:08,368 --> 01:50:09,035 BECAUSE THAT'S WHAT I DO 3862 01:50:09,102 --> 01:50:09,703 APPEAR, BUT HONEY, LET ME 3863 01:50:09,769 --> 01:50:10,270 TELL YOU SOMETHING. 3864 01:50:10,337 --> 01:50:11,037 RIGHT NOW I AM FEELING PRETTY 3865 01:50:11,104 --> 01:50:12,000 GOOD IN MY GRANDMA'S OUTLOOK, 3866 01:50:12,000 --> 01:50:15,909 GOOD IN MY GRANDMA'S OUTLOOK, 3867 01:50:15,976 --> 01:50:18,000 FEELING SO CUTE, HANDLING IT. 3868 01:50:18,000 --> 01:50:18,078 FEELING SO CUTE, HANDLING IT. 3869 01:50:18,144 --> 01:50:19,212 WHEN YOU EVER SEEN A COMEDIAN 3870 01:50:19,279 --> 01:50:21,314 LOOK LIKE THIS? 3871 01:50:21,381 --> 01:50:23,383 WHEN THEY TRANSITION INTO 3872 01:50:23,450 --> 01:50:24,000 MUSIC? 3873 01:50:24,000 --> 01:50:24,918 MUSIC? 3874 01:50:24,985 --> 01:50:28,989 SHE READY TO GO OH, NOKIA 3875 01:50:29,055 --> 01:50:30,000 MUSIC IS COMING, BABY. 3876 01:50:30,000 --> 01:50:30,223 MUSIC IS COMING, BABY. 3877 01:50:30,290 --> 01:50:31,958 I KEEP IT. 3878 01:50:32,025 --> 01:50:35,028 BUT ANY BELIEVER, TIFFANY 3879 01:50:35,095 --> 01:50:35,795 HADDISH IS A TRIPLE THREAT 3880 01:50:35,862 --> 01:50:36,000 NOW. 3881 01:50:36,000 --> 01:50:36,096 NOW. 3882 01:50:36,162 --> 01:50:39,899 [APPLAUSE]. 3883 01:50:39,966 --> 01:50:40,300 >> MM-HMM. 3884 01:50:40,367 --> 01:50:41,534 THAT WAS MY OTHER PERSONALITY 3885 01:50:41,601 --> 01:50:42,000 TELLING YOU THAT, YEAH. 3886 01:50:42,000 --> 01:50:45,171 TELLING YOU THAT, YEAH. 3887 01:50:45,238 --> 01:50:45,805 ANYWAY, LET ME TELL YOU 3888 01:50:45,872 --> 01:50:47,907 SOMETHING ABOUT AFRO BEATS, 3889 01:50:47,974 --> 01:50:48,000 HONEY. 3890 01:50:48,000 --> 01:50:52,278 HONEY. 3891 01:50:52,345 --> 01:50:54,000 IT STARTED OFF IN -- IS SET 3892 01:50:54,000 --> 01:50:58,385 IT STARTED OFF IN -- IS SET 3893 01:50:58,451 --> 01:51:00,000 UP AND MUST AFRICATOWN, 3894 01:51:00,000 --> 01:51:00,920 UP AND MUST AFRICATOWN, 3895 01:51:00,987 --> 01:51:01,621 THAT'S WHERE THE AFROBEATS 3896 01:51:01,688 --> 01:51:02,022 CAME FROM. 3897 01:51:02,088 --> 01:51:03,556 THAT IS WHERE IT POPS OFF 3898 01:51:03,623 --> 01:51:04,290 FIRST, THE WEST SIDE OF 3899 01:51:04,357 --> 01:51:04,891 AFRICA. 3900 01:51:04,958 --> 01:51:06,000 THAT IRRESISTIBLE BE IN THAT 3901 01:51:06,000 --> 01:51:07,093 THAT IRRESISTIBLE BE IN THAT 3902 01:51:07,160 --> 01:51:09,129 SOULFUL VIBE TOOK OVER THE 3903 01:51:09,195 --> 01:51:11,031 HOLDING WORLD. 3904 01:51:11,097 --> 01:51:12,000 CAN I GET A AMEN? 3905 01:51:12,000 --> 01:51:15,335 CAN I GET A AMEN? 3906 01:51:15,402 --> 01:51:18,000 CAN I GET A AMEN? 3907 01:51:18,000 --> 01:51:21,975 CAN I GET A AMEN? 3908 01:51:22,042 --> 01:51:22,675 OVER THE YEARS, THIS GENRE 3909 01:51:22,742 --> 01:51:24,000 HAS BEEN BLOWING UP, AND 3910 01:51:24,000 --> 01:51:24,511 HAS BEEN BLOWING UP, AND 3911 01:51:24,577 --> 01:51:25,378 WE'VE SEEN SOME MAJOR STAR 3912 01:51:25,445 --> 01:51:27,313 POWER COLLABORATIONS WITH 3913 01:51:27,380 --> 01:51:30,000 ARTISTS LIKE BEYONCÉ, DRAKE, 3914 01:51:30,000 --> 01:51:31,551 ARTISTS LIKE BEYONCÉ, DRAKE, 3915 01:51:31,618 --> 01:51:35,055 AND SNOOP DOGG. 3916 01:51:35,121 --> 01:51:36,000 I MEAN, COME ON, NOW, WHO CAN 3917 01:51:36,000 --> 01:51:38,792 I MEAN, COME ON, NOW, WHO CAN 3918 01:51:38,858 --> 01:51:41,294 RESIST GROOVING TO THOSE AFRO 3919 01:51:41,361 --> 01:51:42,000 VIBES? 3920 01:51:42,000 --> 01:51:42,829 VIBES? 3921 01:51:42,896 --> 01:51:48,000 I'M SORRY, AFRO BEAT VIBES. 3922 01:51:48,000 --> 01:51:48,201 I'M SORRY, AFRO BEAT VIBES. 3923 01:51:48,268 --> 01:51:49,235 I REALLY HAVE A AFRO, BUT I 3924 01:51:49,302 --> 01:51:53,306 DYED MY HAIR. 3925 01:51:53,373 --> 01:51:54,000 LOOK, THIS IS THE FIRST TIME 3926 01:51:54,000 --> 01:51:54,040 LOOK, THIS IS THE FIRST TIME 3927 01:51:54,107 --> 01:51:54,774 EVER THIS CATEGORY HAS BEEN 3928 01:51:54,841 --> 01:51:56,576 INCLUDED IN THE VMAS. 3929 01:51:56,643 --> 01:52:00,000 AND IT'S ABOUT (BLEEP) TIME. 3930 01:52:00,000 --> 01:52:02,215 AND IT'S ABOUT (BLEEP) TIME. 3931 01:52:02,282 --> 01:52:03,049 AND PHIL BATES IS TAKING ITS 3932 01:52:03,116 --> 01:52:05,218 RIGHTFUL PLACE ON THIS BIG 3933 01:52:05,285 --> 01:52:05,985 STAGE, AND I COULDN'T BE MORE 3934 01:52:06,052 --> 01:52:06,719 EXCITED. 3935 01:52:06,786 --> 01:52:11,658 SO, GET READY, Y'ALL, BECAUSE 3936 01:52:11,724 --> 01:52:12,000 AFROBEATS IS HERE TO STAY, 3937 01:52:12,000 --> 01:52:12,592 AFROBEATS IS HERE TO STAY, 3938 01:52:12,659 --> 01:52:13,993 AND WE ARE ABOUT TO BRING THE 3939 01:52:14,060 --> 01:52:17,197 HEAT TO THE VMAS. 3940 01:52:17,263 --> 01:52:18,000 HERE ARE THE NOMINEES. 3941 01:52:18,000 --> 01:52:19,466 HERE ARE THE NOMINEES. 3942 01:52:19,532 --> 01:52:23,002 >> BEST AFROBEATS. 3943 01:52:23,069 --> 01:52:24,000 DAVIDO FEATURING MUSA KEYS, 3944 01:52:24,000 --> 01:52:24,771 DAVIDO FEATURING MUSA KEYS, 3945 01:52:24,838 --> 01:52:30,000 "UNAVAILABLE." 3946 01:52:30,000 --> 01:52:32,212 "UNAVAILABLE." 3947 01:52:32,278 --> 01:52:32,545 ♪ 3948 01:52:32,612 --> 01:52:34,080 REMA AND SELENA GOMEZ, "CALM 3949 01:52:34,147 --> 01:52:36,000 DOWN." 3950 01:52:36,000 --> 01:52:37,117 DOWN." 3951 01:52:37,183 --> 01:52:39,052 ♪ 3952 01:52:39,119 --> 01:52:41,888 AYRA STARR, "RUSH." 3953 01:52:41,955 --> 01:52:42,000 ♪ 3954 01:52:42,000 --> 01:52:44,424 ♪ 3955 01:52:44,491 --> 01:52:47,460 BURNA BOY, "IT'S PLENTY." 3956 01:52:47,527 --> 01:52:48,000 ♪ 3957 01:52:48,000 --> 01:52:51,331 ♪ 3958 01:52:51,397 --> 01:52:54,000 LIBIANCA, "PEOPLE." 3959 01:52:54,000 --> 01:52:55,101 LIBIANCA, "PEOPLE." 3960 01:52:55,168 --> 01:52:57,971 ♪ 3961 01:52:58,037 --> 01:53:00,000 FIREBOY DML AND ASAKE, 3962 01:53:00,000 --> 01:53:00,073 FIREBOY DML AND ASAKE, 3963 01:53:00,140 --> 01:53:05,345 "BANDANA." 3964 01:53:05,411 --> 01:53:06,000 ♪ 3965 01:53:06,000 --> 01:53:06,880 ♪ 3966 01:53:06,946 --> 01:53:08,414 WIZKID FEATURING AYRA STARR, "2 3967 01:53:08,481 --> 01:53:11,317 SUGAR." 3968 01:53:11,384 --> 01:53:12,000 ♪ . 3969 01:53:12,000 --> 01:53:16,689 ♪ . 3970 01:53:16,756 --> 01:53:17,323 >> OKAY, Y'ALL, I AM SO 3971 01:53:17,390 --> 01:53:18,000 EXCITED TO ANNOUNCE THIS, AS 3972 01:53:18,000 --> 01:53:20,360 EXCITED TO ANNOUNCE THIS, AS 3973 01:53:20,426 --> 01:53:22,795 THE EAST AFRICAN GIRL 3974 01:53:22,862 --> 01:53:24,000 ANNOUNCING THIS IS HUGE. 3975 01:53:24,000 --> 01:53:26,099 ANNOUNCING THIS IS HUGE. 3976 01:53:26,166 --> 01:53:29,936 BEST AFROBEATS REMOTE AND 3977 01:53:30,003 --> 01:53:30,403 SELENA GOMEZ! 3978 01:53:30,470 --> 01:53:36,000 [APPLAUSE]. 3979 01:53:36,000 --> 01:53:42,000 [APPLAUSE]. 3980 01:53:42,000 --> 01:53:45,318 [APPLAUSE]. 3981 01:53:45,385 --> 01:53:48,000 ♪ . 3982 01:53:48,000 --> 01:53:54,000 ♪ . 3983 01:53:54,000 --> 01:54:00,000 ♪ . 3984 01:54:00,000 --> 01:54:06,000 ♪ . 3985 01:54:06,000 --> 01:54:08,374 ♪ . 3986 01:54:08,441 --> 01:54:10,343 >> AFRICA IN THE HOUSE 3987 01:54:10,410 --> 01:54:12,000 TONIGHT. 3988 01:54:12,000 --> 01:54:12,645 TONIGHT. 3989 01:54:12,712 --> 01:54:15,148 [APPLAUSE]. 3990 01:54:15,215 --> 01:54:16,849 >> FIRST OF ALL, I WANT TO 3991 01:54:16,916 --> 01:54:18,000 GIVE BRIEF THE CIGAR, GIVE 3992 01:54:18,000 --> 01:54:19,219 GIVE BRIEF THE CIGAR, GIVE 3993 01:54:19,285 --> 01:54:20,620 BIG THANKS TO MY FANS. 3994 01:54:20,687 --> 01:54:24,000 MAKE SOME NOISE. 3995 01:54:24,000 --> 01:54:24,357 MAKE SOME NOISE. 3996 01:54:24,424 --> 01:54:25,058 [APPLAUSE] PLEASE I WANT TO 3997 01:54:25,124 --> 01:54:25,758 GET BIG THANKS TO MY TEAM, 3998 01:54:25,825 --> 01:54:28,294 BIG SHOUT OUT TO SELENA. 3999 01:54:28,361 --> 01:54:29,629 I WANT TO SAY I LOVE YOU FROM 4000 01:54:29,696 --> 01:54:30,000 THE BOTTOM OF MY HEART. 4001 01:54:30,000 --> 01:54:33,566 THE BOTTOM OF MY HEART. 4002 01:54:33,633 --> 01:54:35,368 [ CHEERING ] P THIS MEANS SO 4003 01:54:35,435 --> 01:54:36,000 MUCH SEEING AFRO BEAT THIS 4004 01:54:36,000 --> 01:54:36,603 MUCH SEEING AFRO BEAT THIS 4005 01:54:36,669 --> 01:54:39,405 BIG AND BIG ON THIS DATE 4006 01:54:39,472 --> 01:54:40,206 PRESENTING AFRO BEAT TONIGHT, 4007 01:54:40,273 --> 01:54:41,874 I'M SO HAPPY. 4008 01:54:41,941 --> 01:54:42,000 BUT ONE THING I WOULD NOT 4009 01:54:42,000 --> 01:54:42,675 BUT ONE THING I WOULD NOT 4010 01:54:42,742 --> 01:54:44,611 FORGET TO DO TONIGHT IS 4011 01:54:44,677 --> 01:54:46,679 FORGET TO SHOUT OUT THE 4012 01:54:46,746 --> 01:54:48,000 PEOPLE WHO OPEN THE DOORS FOR 4013 01:54:48,000 --> 01:54:48,047 PEOPLE WHO OPEN THE DOORS FOR 4014 01:54:48,114 --> 01:54:48,781 ME. 4015 01:54:48,848 --> 01:54:53,019 BIG SHOUT OUT TO THE FELLA 4016 01:54:53,086 --> 01:54:53,820 WHO STARTED AFROBEATS IN THE 4017 01:54:53,886 --> 01:54:54,000 FIRST PLACE, YOU KNOW. 4018 01:54:54,000 --> 01:54:59,492 FIRST PLACE, YOU KNOW. 4019 01:54:59,559 --> 01:55:00,000 TO THE BANDS, THE PLACE. 4020 01:55:00,000 --> 01:55:03,997 TO THE BANDS, THE PLACE. 4021 01:55:04,063 --> 01:55:06,000 TWO FACE, WHISKEY, BURNER BO 4022 01:55:06,000 --> 01:55:07,867 TWO FACE, WHISKEY, BURNER BO 4023 01:55:07,934 --> 01:55:10,270 BOY, TOLEDO. 4024 01:55:10,336 --> 01:55:11,304 AND WANT TO GIVE A BIG SHOUT 4025 01:55:11,371 --> 01:55:12,000 OUT TO THE NEW GENERATION OF 4026 01:55:12,000 --> 01:55:14,407 OUT TO THE NEW GENERATION OF 4027 01:55:14,474 --> 01:55:15,074 AFROBEATS WHERE HE HAD TO 4028 01:55:15,141 --> 01:55:16,643 TAKE IT TO THE REST OF THE 4029 01:55:16,709 --> 01:55:17,277 WORLD. 4030 01:55:17,343 --> 01:55:18,000 AND ONE MORE TIME, MAKE SOME 4031 01:55:18,000 --> 01:55:19,912 AND ONE MORE TIME, MAKE SOME 4032 01:55:19,979 --> 01:55:24,000 NOISE OR SELENA GOMEZ. 4033 01:55:24,000 --> 01:55:24,450 NOISE OR SELENA GOMEZ. 4034 01:55:24,517 --> 01:55:25,585 [APPLAUSE]. 4035 01:55:25,652 --> 01:55:30,000 >> BUT BEFORE WE WORK ON THIS 4036 01:55:30,000 --> 01:55:30,623 >> BUT BEFORE WE WORK ON THIS 4037 01:55:30,690 --> 01:55:31,324 DATE, I FEEL SELENA SHOULD 4038 01:55:31,391 --> 01:55:32,892 SAY SOMETHING, YOU KNOW. 4039 01:55:32,959 --> 01:55:35,094 I WANT YOU, I WANT YOU, COME 4040 01:55:35,161 --> 01:55:36,000 ON. 4041 01:55:36,000 --> 01:55:36,462 ON. 4042 01:55:36,529 --> 01:55:37,630 >> THANK YOU. 4043 01:55:37,697 --> 01:55:38,598 [APPLAUSE]. 4044 01:55:38,665 --> 01:55:42,000 >> THANK YOU SO MUCH, REMA, 4045 01:55:42,000 --> 01:55:42,535 >> THANK YOU SO MUCH, REMA, 4046 01:55:42,602 --> 01:55:44,804 FOR BELIEVING ME, AND THANK 4047 01:55:44,871 --> 01:55:45,471 YOU FOR CHOOSING ME TO BE 4048 01:55:45,538 --> 01:55:46,205 PART OF SUCH AN INCREDIBLE 4049 01:55:46,272 --> 01:55:48,000 SONG THAT'S BEEN ABLE TO 4050 01:55:48,000 --> 01:55:48,574 SONG THAT'S BEEN ABLE TO 4051 01:55:48,641 --> 01:55:49,208 BREAK RECORDS. 4052 01:55:49,275 --> 01:55:51,177 THANK YOU TO ALL OF YOU FOR 4053 01:55:51,244 --> 01:55:53,913 LISTENING FOR STREAMING. 4054 01:55:53,980 --> 01:55:54,000 I COULD NOT BE MORE HONORED. 4055 01:55:54,000 --> 01:55:57,016 I COULD NOT BE MORE HONORED. 4056 01:55:57,083 --> 01:55:57,784 AND WHAT IS THE NUMBER OF OUR 4057 01:55:57,850 --> 01:56:00,000 LOVE TO NIGERIA -- AND I WANT 4058 01:56:00,000 --> 01:56:01,154 LOVE TO NIGERIA -- AND I WANT 4059 01:56:01,220 --> 01:56:01,788 TO SEND ALL MY LOVE TO 4060 01:56:01,854 --> 01:56:03,823 NIGERIA, THANK YOU. 4061 01:56:03,890 --> 01:56:06,000 [♪ MUSIC ]. 4062 01:56:06,000 --> 01:56:08,995 [♪ MUSIC ]. 4063 01:56:09,062 --> 01:56:12,000 >> PLEASE WELCOME SAWEETIE. 4064 01:56:12,000 --> 01:56:14,467 >> PLEASE WELCOME SAWEETIE. 4065 01:56:14,534 --> 01:56:16,369 [APPLAUSE]. 4066 01:56:16,436 --> 01:56:18,000 >> WHAT'S UP, IT'S ME AGAIN, 4067 01:56:18,000 --> 01:56:19,339 >> WHAT'S UP, IT'S ME AGAIN, 4068 01:56:19,405 --> 01:56:21,407 AND YOU BETTER STOP MAKING MY 4069 01:56:21,474 --> 01:56:24,000 LITTLE VIDEO GO VIRAL. 4070 01:56:24,000 --> 01:56:25,678 LITTLE VIDEO GO VIRAL. 4071 01:56:25,745 --> 01:56:26,512 I SEE WHAT YOU'RE DOING. 4072 01:56:26,579 --> 01:56:27,213 ANYWAY, LET'S TRY AGAIN TO 4073 01:56:27,280 --> 01:56:29,215 THIS NEXT KEEP UP IN SOLD 4074 01:56:29,282 --> 01:56:30,000 OVER 5 MILLION ALBUMS DURING 4075 01:56:30,000 --> 01:56:33,019 OVER 5 MILLION ALBUMS DURING 4076 01:56:33,086 --> 01:56:33,786 A PROGRAM THAT HAS STONE HUTS 4077 01:56:33,853 --> 01:56:34,487 AROUND THE WORLD INCLUDING 4078 01:56:34,554 --> 01:56:35,988 MINE FROM SEOUL SOUTH KOREA, 4079 01:56:36,055 --> 01:56:42,000 IT'S THE STRAY KIDS. 4080 01:56:42,000 --> 01:56:48,000 IT'S THE STRAY KIDS. 4081 01:56:48,000 --> 01:56:54,000 IT'S THE STRAY KIDS. 4082 01:56:54,000 --> 01:57:00,000 IT'S THE STRAY KIDS. 4083 01:57:00,000 --> 01:57:04,183 IT'S THE STRAY KIDS. 4084 01:57:04,250 --> 01:57:06,000 [SINGING IN KOREAN] 4085 01:57:06,000 --> 01:57:12,000 [SINGING IN KOREAN] 4086 01:57:12,000 --> 01:57:13,926 [SINGING IN KOREAN] 4087 01:57:13,993 --> 01:57:15,928 ♪ 4088 01:57:15,995 --> 01:57:17,864 ♪ KICK IT, KICK IT, KICK IT ♪ 4089 01:57:17,930 --> 01:57:18,000 ♪ SWERVING, I'M SPEEDING ON 4090 01:57:18,000 --> 01:57:19,365 ♪ SWERVING, I'M SPEEDING ON 4091 01:57:19,432 --> 01:57:21,934 SERPENT ROAD ♪ 4092 01:57:22,001 --> 01:57:22,969 ♪ LUXURIOUS, LIKE I'M AN 4093 01:57:23,035 --> 01:57:24,000 S-CLASS ♪ 4094 01:57:24,000 --> 01:57:24,837 S-CLASS ♪ 4095 01:57:24,904 --> 01:57:26,005 ♪ BEST OF THE BEST ON FIRST 4096 01:57:26,072 --> 01:57:27,140 CLASS ♪ 4097 01:57:27,206 --> 01:57:28,441 ♪ I'M UP ABOVE THE WORLD SO 4098 01:57:28,508 --> 01:57:29,475 HIGH ♪ 4099 01:57:29,542 --> 01:57:30,000 ♪ I'LL BE THERE SHINING DAY AND 4100 01:57:30,000 --> 01:57:30,710 ♪ I'LL BE THERE SHINING DAY AND 4101 01:57:30,777 --> 01:57:31,511 NIGHT ♪ 4102 01:57:31,577 --> 01:57:32,912 ♪ THEY WONDER HOW MY SPOTLIGHT 4103 01:57:32,979 --> 01:57:35,648 IS SO BRIGHT ♪ 4104 01:57:35,715 --> 01:57:36,000 ♪ COUNTING STARS ♪ 4105 01:57:36,000 --> 01:57:40,686 ♪ COUNTING STARS ♪ 4106 01:57:40,753 --> 01:57:42,000 [SINGING IN KOREAN] 4107 01:57:42,000 --> 01:57:42,221 [SINGING IN KOREAN] 4108 01:57:42,288 --> 01:57:43,356 ♪ THAT'S ME 4109 01:57:43,423 --> 01:57:46,426 [SINGING IN KOREAN] 4110 01:57:46,492 --> 01:57:48,000 ♪ MY WORK, BLING BLING ♪ 4111 01:57:48,000 --> 01:57:48,027 ♪ MY WORK, BLING BLING ♪ 4112 01:57:48,094 --> 01:57:51,431 [SINGING IN KOREAN] 4113 01:57:51,497 --> 01:57:52,665 ♪ CLASS 4114 01:57:52,732 --> 01:57:54,000 [SINGING IN KOREAN] 4115 01:57:54,000 --> 01:57:56,936 [SINGING IN KOREAN] 4116 01:57:57,003 --> 01:57:58,638 ♪ STAR ♪ 4117 01:57:58,704 --> 01:58:00,000 [SINGING IN KOREAN] 4118 01:58:00,000 --> 01:58:03,843 [SINGING IN KOREAN] 4119 01:58:03,910 --> 01:58:05,044 ♪ NO, NO 4120 01:58:05,111 --> 01:58:06,000 [SINGING IN KOREAN] 4121 01:58:06,000 --> 01:58:11,417 [SINGING IN KOREAN] 4122 01:58:11,484 --> 01:58:12,000 ♪ SHINE LIKE A DIAMOND, 'KAY? ♪ 4123 01:58:12,000 --> 01:58:18,000 ♪ SHINE LIKE A DIAMOND, 'KAY? ♪ 4124 01:58:18,000 --> 01:58:24,000 ♪ SHINE LIKE A DIAMOND, 'KAY? ♪ 4125 01:58:24,000 --> 01:58:30,000 ♪ SHINE LIKE A DIAMOND, 'KAY? ♪ 4126 01:58:30,000 --> 01:58:33,105 ♪ SHINE LIKE A DIAMOND, 'KAY? ♪ 4127 01:58:33,172 --> 01:58:34,040 ♪ BEST OF THE BEST ON FIRST 4128 01:58:34,106 --> 01:58:34,407 CLASS ♪ 4129 01:58:34,474 --> 01:58:35,308 ♪ I'M UP ABOVE THE WORLD SO 4130 01:58:35,374 --> 01:58:35,975 HIGH ♪ 4131 01:58:36,042 --> 01:58:36,843 ♪ I'LL BE THERE SHINING DAY AND 4132 01:58:36,909 --> 01:58:37,944 NIGHT ♪ 4133 01:58:38,010 --> 01:58:39,312 ♪ THEY WONDER HOW MY SPOTLIGHT 4134 01:58:39,378 --> 01:58:42,000 IS SO BRIGHT ♪ 4135 01:58:42,000 --> 01:58:42,748 IS SO BRIGHT ♪ 4136 01:58:42,815 --> 01:58:45,485 ♪ COUNTING STARS ♪ 4137 01:58:45,551 --> 01:58:46,285 [SINGING IN KOREAN] 4138 01:58:46,352 --> 01:58:47,253 ♪ THAT'S ME ♪ 4139 01:58:47,320 --> 01:58:48,000 [SINGING IN KOREAN] 4140 01:58:48,000 --> 01:58:49,989 [SINGING IN KOREAN] 4141 01:58:50,056 --> 01:58:51,357 ♪ MY WORK, BLING BLING ♪ 4142 01:58:51,424 --> 01:58:54,000 [SINGING IN KOREAN] 4143 01:58:54,000 --> 01:58:55,394 [SINGING IN KOREAN] 4144 01:58:55,461 --> 01:58:56,429 ♪ CLASS 4145 01:58:56,496 --> 01:58:58,965 [SINGING IN KOREAN] 4146 01:58:59,031 --> 01:59:00,000 ♪ STAR ♪ 4147 01:59:00,000 --> 01:59:00,266 ♪ STAR ♪ 4148 01:59:00,333 --> 01:59:01,901 ♪ I FEEL LIKE THE BRIGHTEST 4149 01:59:01,968 --> 01:59:02,835 STAR ♪ 4150 01:59:02,902 --> 01:59:06,000 [SINGING IN KOREAN] 4151 01:59:06,000 --> 01:59:09,609 [SINGING IN KOREAN] 4152 01:59:09,675 --> 01:59:10,776 ♪ YEAH, YEAH ♪ 4153 01:59:10,843 --> 01:59:12,000 [SINGING IN KOREAN] 4154 01:59:12,000 --> 01:59:14,080 [SINGING IN KOREAN] 4155 01:59:14,146 --> 01:59:15,515 ♪ STAY, YEAH ♪ 4156 01:59:15,581 --> 01:59:17,016 [SINGING IN KOREAN] 4157 01:59:17,083 --> 01:59:18,000 ♪ WE'RE SPECIAL, YEAH ♪ 4158 01:59:18,000 --> 01:59:19,552 ♪ WE'RE SPECIAL, YEAH ♪ 4159 01:59:19,619 --> 01:59:22,889 ♪ STRAY KIDS 4160 01:59:22,955 --> 01:59:24,000 [SINGING IN KOREAN] 4161 01:59:24,000 --> 01:59:24,557 [SINGING IN KOREAN] 4162 01:59:24,624 --> 01:59:25,725 ♪ LIMITED EDITION 4163 01:59:25,791 --> 01:59:27,193 [SINGING IN KOREAN] 4164 01:59:27,260 --> 01:59:28,928 ♪ COUNTING STARS 4165 01:59:28,995 --> 01:59:30,000 ♪ COUNTING STARS ♪ 4166 01:59:30,000 --> 01:59:36,000 ♪ COUNTING STARS ♪ 4167 01:59:36,000 --> 01:59:40,473 ♪ COUNTING STARS ♪ 4168 01:59:40,540 --> 01:59:42,000 ♪ FEELING EXTRA EVERYDAY ♪ 4169 01:59:42,000 --> 01:59:43,175 ♪ FEELING EXTRA EVERYDAY ♪ 4170 01:59:43,242 --> 01:59:46,579 [SINGING IN KOREAN] 4171 01:59:46,646 --> 01:59:48,000 ♪ CLASS 4172 01:59:48,000 --> 01:59:48,981 ♪ CLASS 4173 01:59:49,048 --> 01:59:49,749 [SINGING IN KOREAN] 4174 01:59:49,815 --> 01:59:54,000 ♪ STAR ♪ 4175 01:59:54,000 --> 02:00:00,000 ♪ STAR ♪ 4176 02:00:00,000 --> 02:00:06,000 ♪ STAR ♪ 4177 02:00:06,000 --> 02:00:12,000 ♪ STAR ♪ 4178 02:00:12,000 --> 02:00:16,509 ♪ STAR ♪ 4179 02:00:16,576 --> 02:00:18,000 [APPLAUSE]. 4180 02:00:18,000 --> 02:00:24,000 [APPLAUSE]. 4181 02:00:24,000 --> 02:00:29,755 [APPLAUSE]. 4182 02:00:29,822 --> 02:00:30,000 >> GIVE IT UP FOR ANUEL AA. 4183 02:00:30,000 --> 02:00:36,000 >> GIVE IT UP FOR ANUEL AA. 4184 02:00:36,000 --> 02:00:36,395 >> GIVE IT UP FOR ANUEL AA. 4185 02:00:36,462 --> 02:00:40,700 >> YO YO YO, WHAT'S UP, JER 4186 02:00:40,766 --> 02:00:41,033 JERZY? 4187 02:00:41,100 --> 02:00:42,000 THIS NEW BAND I'M ABOUT TO 4188 02:00:42,000 --> 02:00:44,236 THIS NEW BAND I'M ABOUT TO 4189 02:00:44,303 --> 02:00:46,806 INTRODUCE A BIT ON FAMILY. 4190 02:00:46,872 --> 02:00:48,000 THREE SISTERS GETTING HERE 4191 02:00:48,000 --> 02:00:48,140 THREE SISTERS GETTING HERE 4192 02:00:48,207 --> 02:00:50,276 STRAIGHT FROM MEXICO. 4193 02:00:50,343 --> 02:00:51,043 THEY HAVE OPEN FOR ROCK ICONS 4194 02:00:51,110 --> 02:00:52,845 LIKE GUNS N' ROSES LIKE FOO 4195 02:00:52,912 --> 02:00:54,000 FIGHTERS. 4196 02:00:54,000 --> 02:00:54,347 FIGHTERS. 4197 02:00:54,413 --> 02:00:56,682 EVERYBODY MAKE SOME NOISE FOR 4198 02:00:56,749 --> 02:00:57,383 THE WARNING. 4199 02:00:57,450 --> 02:01:00,000 EVERYBODY, MAKE SOME NOISE, 4200 02:01:00,000 --> 02:01:00,052 EVERYBODY, MAKE SOME NOISE, 4201 02:01:00,119 --> 02:01:01,387 JERZY! 4202 02:01:01,454 --> 02:01:06,000 [APPLAUSE] 4203 02:01:06,000 --> 02:01:10,997 [APPLAUSE] 4204 02:01:11,063 --> 02:01:12,000 ♪ I FEEL IT SLOWLY CREEPING IN 4205 02:01:12,000 --> 02:01:12,198 ♪ I FEEL IT SLOWLY CREEPING IN 4206 02:01:12,264 --> 02:01:13,232 ♪ 4207 02:01:13,299 --> 02:01:14,200 ♪ I FIND DESIRE LEAVES ME 4208 02:01:14,266 --> 02:01:15,534 FROZEN ♪ 4209 02:01:15,601 --> 02:01:16,302 ♪ STRANDED 4210 02:01:16,369 --> 02:01:17,837 ♪ WAITING BETWEEN 4211 02:01:17,903 --> 02:01:18,000 ♪ WHAT COULD'VE BEEN 4212 02:01:18,000 --> 02:01:19,372 ♪ WHAT COULD'VE BEEN 4213 02:01:19,438 --> 02:01:21,974 ♪ WHY AM I SINKING 4214 02:01:22,041 --> 02:01:24,000 ♪ WHEN I'M FULLY GROUNDED? 4215 02:01:24,000 --> 02:01:24,543 ♪ WHEN I'M FULLY GROUNDED? 4216 02:01:24,610 --> 02:01:30,000 ♪ STANDING STILL 4217 02:01:30,000 --> 02:01:30,049 ♪ STANDING STILL 4218 02:01:30,116 --> 02:01:34,920 ♪ GO IN FOR THE KILL 4219 02:01:34,987 --> 02:01:35,721 ♪ JUST KILL THE NOISE 4220 02:01:35,788 --> 02:01:36,000 ♪ WON'T YOU FILL MY VOID? 4221 02:01:36,000 --> 02:01:36,622 ♪ WON'T YOU FILL MY VOID? 4222 02:01:36,689 --> 02:01:37,423 ♪ GIVE IT ALL UP 4223 02:01:37,490 --> 02:01:38,724 ♪ WON'T YOU FEED MY SENSES? 4224 02:01:38,791 --> 02:01:40,259 ♪ YOU KNOW YOU LOVE IT 4225 02:01:40,326 --> 02:01:42,000 ♪ YOU LOVE ME WHEN I NEED YOU 4226 02:01:42,000 --> 02:01:42,261 ♪ YOU LOVE ME WHEN I NEED YOU 4227 02:01:42,328 --> 02:01:47,033 ♪ DO YOU NEED ME? 4228 02:01:47,099 --> 02:01:48,000 ♪ YEAH 4229 02:01:48,000 --> 02:01:48,601 ♪ YEAH 4230 02:01:48,668 --> 02:01:50,236 ♪ YOU KNOW I LOVE IT 4231 02:01:50,302 --> 02:01:53,406 ♪ I LOVE IT WHEN YOU FEED ME 4232 02:01:53,472 --> 02:01:54,000 ♪ YET YOU LEAVE ME 4233 02:01:54,000 --> 02:01:55,174 ♪ YET YOU LEAVE ME 4234 02:01:55,241 --> 02:01:58,444 ♪ BEGGING FOR MORE ♪ 4235 02:01:58,511 --> 02:02:00,000 [APPLAUSE]. 4236 02:02:00,000 --> 02:02:03,049 [APPLAUSE]. 4237 02:02:03,115 --> 02:02:05,317 >> COMING UP, METRO BOOMIN 4238 02:02:05,384 --> 02:02:06,000 FUTURE, SUNI LEE, A BOOGIE 4239 02:02:06,000 --> 02:02:09,088 FUTURE, SUNI LEE, A BOOGIE 4240 02:02:09,155 --> 02:02:09,822 WIT DA HOODIE AND THEN LIGHT 4241 02:02:09,889 --> 02:02:12,000 UP THE VMA STAGE TO THESE 4242 02:02:12,000 --> 02:02:12,525 UP THE VMA STAGE TO THESE 4243 02:02:12,591 --> 02:02:14,794 NOMINEES ON THE CHARTS. 4244 02:02:14,860 --> 02:02:17,430 THE VMA FOR BEST HIP-HOP AND 4245 02:02:28,307 --> 02:02:28,908 >> FROM THIRTY SECONDS TO 4246 02:02:28,974 --> 02:02:30,000 MARS, PLEASE WELCOME GARRETT 4247 02:02:30,000 --> 02:02:32,478 MARS, PLEASE WELCOME GARRETT 4248 02:02:32,545 --> 02:02:36,000 AND SHANNON THAT NO EASY MTV, 4249 02:02:36,000 --> 02:02:37,883 AND SHANNON THAT NO EASY MTV, 4250 02:02:37,950 --> 02:02:41,954 MAKE SOME NOISE! 4251 02:02:42,021 --> 02:02:44,790 >> MY BROTHER SHANNON AND I 4252 02:02:44,857 --> 02:02:47,126 ARE CELEBRATING THIS WEEK. 4253 02:02:47,193 --> 02:02:48,000 IT IS IN THREE DAYS OUR 4254 02:02:48,000 --> 02:02:48,094 IT IS IN THREE DAYS OUR 4255 02:02:48,160 --> 02:02:49,228 BRAND-NEW ALBUM, IT'S THE END 4256 02:02:49,295 --> 02:02:51,630 OF THE WORLD WHAT A BEAUTIFUL 4257 02:02:51,697 --> 02:02:54,000 DAY COMES OUT. 4258 02:02:54,000 --> 02:02:57,837 DAY COMES OUT. 4259 02:02:57,903 --> 02:02:58,504 AND WE ARE VERY HAPPY AND 4260 02:02:58,571 --> 02:02:59,071 EXCITED TO BE HERE. 4261 02:02:59,138 --> 02:02:59,772 BUT BEFORE THAT LET ME HEAR 4262 02:02:59,839 --> 02:03:00,000 HOW MUCH YOU LOVE THESE 4263 02:03:00,000 --> 02:03:00,406 HOW MUCH YOU LOVE THESE 4264 02:03:00,473 --> 02:03:00,806 ARTISTS. 4265 02:03:00,873 --> 02:03:01,474 LET ME HEAR YOU MAKE SOME 4266 02:03:01,540 --> 02:03:02,007 NOISE FOR DIDDY. 4267 02:03:02,074 --> 02:03:02,808 [APPLAUSE]. 4268 02:03:02,875 --> 02:03:05,211 >> DJ KHALED. 4269 02:03:05,277 --> 02:03:06,000 [APPLAUSE]. 4270 02:03:06,000 --> 02:03:06,011 [APPLAUSE]. 4271 02:03:06,078 --> 02:03:12,000 >> LIL UZI VERT. 4272 02:03:12,000 --> 02:03:16,455 >> LIL UZI VERT. 4273 02:03:16,522 --> 02:03:17,223 [APPLAUSE]. 4274 02:03:17,289 --> 02:03:18,000 >> LIL WAYNE. 4275 02:03:18,000 --> 02:03:19,825 >> LIL WAYNE. 4276 02:03:19,892 --> 02:03:20,559 [APPLAUSE]. 4277 02:03:20,626 --> 02:03:22,728 >> METRO BOOMIN WOO! 4278 02:03:22,795 --> 02:03:23,162 [APPLAUSE]. 4279 02:03:23,229 --> 02:03:24,000 >> AND NICKI MINAJ. 4280 02:03:24,000 --> 02:03:28,601 >> AND NICKI MINAJ. 4281 02:03:28,667 --> 02:03:30,000 >> FIVE DECADES, THAT IS FIVE 4282 02:03:30,000 --> 02:03:34,707 >> FIVE DECADES, THAT IS FIVE 4283 02:03:34,774 --> 02:03:36,000 DECADES OF UNFORGETTABLE 4284 02:03:36,000 --> 02:03:38,110 DECADES OF UNFORGETTABLE 4285 02:03:38,177 --> 02:03:42,000 BEATS, THERE'S AN REVOLUTION. 4286 02:03:42,000 --> 02:03:46,285 BEATS, THERE'S AN REVOLUTION. 4287 02:03:46,352 --> 02:03:46,986 HIP-HOP HAS COME A LONG WAY 4288 02:03:47,052 --> 02:03:47,686 FROM ITS BEGINNINGS IN THE 4289 02:03:47,753 --> 02:03:48,000 SOUTH BRONX. 4290 02:03:48,000 --> 02:03:48,120 SOUTH BRONX. 4291 02:03:48,187 --> 02:03:48,788 AND TONIGHT WE HONOR THE 4292 02:03:48,854 --> 02:03:49,522 ARTISTS WHO CONTINUE TO PUSH 4293 02:03:49,588 --> 02:03:50,156 THE BOUNDARIES OF THIS 4294 02:03:50,222 --> 02:03:50,790 GROUNDBREAKING ARTFORM. 4295 02:03:50,856 --> 02:03:54,000 THE VMAS HAVE ALWAYS BEEN A 4296 02:03:54,000 --> 02:03:56,595 THE VMAS HAVE ALWAYS BEEN A 4297 02:03:56,662 --> 02:03:57,263 PLATFORM FOR ARTISTS TO 4298 02:03:57,329 --> 02:03:57,863 EXPRESS THEMSELVES. 4299 02:03:57,930 --> 02:04:00,000 THE BEST HIP-HOP CATEGORY HAS 4300 02:04:00,000 --> 02:04:00,599 THE BEST HIP-HOP CATEGORY HAS 4301 02:04:00,666 --> 02:04:03,702 CONSISTENTLY BROUGHT US INTO 4302 02:04:03,769 --> 02:04:04,436 INDIVIDUALS AND MY BLOWING 4303 02:04:04,503 --> 02:04:06,000 STORYTELLING ON THE PIONEERS 4304 02:04:06,000 --> 02:04:06,038 STORYTELLING ON THE PIONEERS 4305 02:04:06,105 --> 02:04:08,841 WHO LAID THE FOUNDATION TO 4306 02:04:08,908 --> 02:04:09,475 THE ICONS YOU MADE IT A 4307 02:04:09,542 --> 02:04:10,910 GLOBAL PHENOMENON, HIP-HOP 4308 02:04:10,976 --> 02:04:12,000 HAD BEEN A VOICE FOR THE 4309 02:04:12,000 --> 02:04:14,413 HAD BEEN A VOICE FOR THE 4310 02:04:14,480 --> 02:04:16,215 VOICELESS, A FORCE OF CHANGE, 4311 02:04:16,282 --> 02:04:18,000 AND A WAY OF LIFE. 4312 02:04:18,000 --> 02:04:19,051 AND A WAY OF LIFE. 4313 02:04:19,118 --> 02:04:20,052 AND HERE ARE THE NOMINEES. 4314 02:04:20,119 --> 02:04:24,000 COME ON. 4315 02:04:24,000 --> 02:04:30,000 COME ON. 4316 02:04:30,000 --> 02:04:32,631 COME ON. 4317 02:04:32,698 --> 02:04:36,000 DIDDY. 4318 02:04:36,000 --> 02:04:42,000 DIDDY. 4319 02:04:42,000 --> 02:04:48,000 DIDDY. 4320 02:04:48,000 --> 02:04:48,514 DIDDY. 4321 02:04:48,581 --> 02:04:49,682 AND DMX, "KANT NOBODY." 4322 02:04:49,748 --> 02:04:51,116 DJ KHALED FEATURING DRAKE AND 4323 02:04:51,183 --> 02:04:53,252 LIL BABY, "STAYING ALIVE." 4324 02:04:53,319 --> 02:04:54,000 GLORILLA AND CARDI B, "TOMORROW 4325 02:04:54,000 --> 02:04:55,321 GLORILLA AND CARDI B, "TOMORROW 4326 02:04:55,387 --> 02:04:59,391 2." 4327 02:04:59,458 --> 02:05:00,000 METRO BOOMIN FEATURING FUTURE, 4328 02:05:00,000 --> 02:05:03,062 METRO BOOMIN FEATURING FUTURE, 4329 02:05:03,128 --> 02:05:03,529 "SUPERHERO (HEROES AND 4330 02:05:03,596 --> 02:05:06,000 VILLAINS)." 4331 02:05:06,000 --> 02:05:08,400 VILLAINS)." 4332 02:05:08,467 --> 02:05:09,735 NICKI MINAJ, "SUPER FREAKY 4333 02:05:09,802 --> 02:05:12,000 GIRL." 4334 02:05:12,000 --> 02:05:18,000 GIRL." 4335 02:05:18,000 --> 02:05:18,844 GIRL." 4336 02:05:18,911 --> 02:05:19,111 . 4337 02:05:19,178 --> 02:05:24,000 >> AND THE VMA GOES TO NICKI 4338 02:05:24,000 --> 02:05:24,750 >> AND THE VMA GOES TO NICKI 4339 02:05:24,817 --> 02:05:26,852 MINAJ! 4340 02:05:26,919 --> 02:05:29,655 [APPLAUSE] 4341 02:05:29,722 --> 02:05:30,000 ♪ 4342 02:05:30,000 --> 02:05:36,000 ♪ 4343 02:05:36,000 --> 02:05:42,000 ♪ 4344 02:05:42,000 --> 02:05:48,000 ♪ 4345 02:05:48,000 --> 02:05:52,611 ♪ 4346 02:05:52,678 --> 02:05:54,000 ♪ . 4347 02:05:54,000 --> 02:05:59,652 ♪ . 4348 02:05:59,718 --> 02:06:00,000 >> HI, YOU GUYS. 4349 02:06:00,000 --> 02:06:03,656 >> HI, YOU GUYS. 4350 02:06:03,722 --> 02:06:06,000 YOU GUYS, THANK YOU SO MUCH. 4351 02:06:06,000 --> 02:06:07,459 YOU GUYS, THANK YOU SO MUCH. 4352 02:06:07,526 --> 02:06:08,661 YOU KNOW WHAT? 4353 02:06:08,727 --> 02:06:12,000 SO OFTEN I, YOU KNOW, JOKE 4354 02:06:12,000 --> 02:06:12,765 SO OFTEN I, YOU KNOW, JOKE 4355 02:06:12,831 --> 02:06:14,667 AROUND AND PLAY AROUND AND 4356 02:06:14,733 --> 02:06:16,235 STUFF. 4357 02:06:16,302 --> 02:06:18,000 BUT TONIGHT I DON'T KNOW WHY, 4358 02:06:18,000 --> 02:06:19,371 BUT TONIGHT I DON'T KNOW WHY, 4359 02:06:19,438 --> 02:06:20,673 BUT THIS MORNING WHEN I WOKE 4360 02:06:20,739 --> 02:06:23,042 UP I HAD THIS REALLY STRONG 4361 02:06:23,108 --> 02:06:24,000 SENSE OF GRATITUDE. 4362 02:06:24,000 --> 02:06:24,877 SENSE OF GRATITUDE. 4363 02:06:24,944 --> 02:06:26,412 [APPLAUSE]. 4364 02:06:26,478 --> 02:06:29,248 >> THAT'S THE TRUTH. 4365 02:06:29,315 --> 02:06:30,000 SO I JUST WANT TO SAY I THINK 4366 02:06:30,000 --> 02:06:30,015 SO I JUST WANT TO SAY I THINK 4367 02:06:30,082 --> 02:06:32,451 YOU GUYS, THE PEOPLE WHO WANT 4368 02:06:32,518 --> 02:06:35,054 TO SUPPORT, THE PEOPLE WHO 4369 02:06:35,120 --> 02:06:36,000 NEVER SKIP A BEAT ON THE 4370 02:06:36,000 --> 02:06:36,622 NEVER SKIP A BEAT ON THE 4371 02:06:36,689 --> 02:06:38,290 INTERNET, HELPING, HOLDING US 4372 02:06:38,357 --> 02:06:39,024 DOWN. 4373 02:06:39,091 --> 02:06:41,060 THE PEOPLE WHO ARE AT THE 4374 02:06:41,126 --> 02:06:42,000 TORS. 4375 02:06:42,000 --> 02:06:46,098 TORS. 4376 02:06:46,165 --> 02:06:46,765 YOU KNOW, I JUST WANT TO 4377 02:06:46,832 --> 02:06:47,433 THANK YOU GUYS AND, MTV, 4378 02:06:47,499 --> 02:06:48,000 THANK YOU FOR SHOWCASING RAP 4379 02:06:48,000 --> 02:06:49,168 THANK YOU FOR SHOWCASING RAP 4380 02:06:49,234 --> 02:06:49,902 AND THANK YOU FOR SHOWING ME 4381 02:06:49,969 --> 02:06:51,103 LOVE. 4382 02:06:51,170 --> 02:06:54,000 AND, YOU KNOW WHAT? 4383 02:06:54,000 --> 02:06:57,876 AND, YOU KNOW WHAT? 4384 02:06:57,943 --> 02:06:58,610 SHOULD I BE MEAN RIGHT NOW OR 4385 02:06:58,677 --> 02:06:59,144 SHOULD I BE NICE? 4386 02:06:59,211 --> 02:07:00,000 MEAN? 4387 02:07:00,000 --> 02:07:02,448 MEAN? 4388 02:07:02,514 --> 02:07:02,881 [APPLAUSE]. 4389 02:07:02,948 --> 02:07:03,248 >> NICE? 4390 02:07:03,315 --> 02:07:03,882 [APPLAUSE]. 4391 02:07:03,949 --> 02:07:06,000 >> OH TO ITS BARBIE. 4392 02:07:06,000 --> 02:07:12,000 >> OH TO ITS BARBIE. 4393 02:07:12,000 --> 02:07:17,830 >> OH TO ITS BARBIE. 4394 02:07:17,896 --> 02:07:18,000 >> PLEASE WELCOME GLORILLA. 4395 02:07:18,000 --> 02:07:24,000 >> PLEASE WELCOME GLORILLA. 4396 02:07:24,000 --> 02:07:28,774 >> PLEASE WELCOME GLORILLA. 4397 02:07:28,841 --> 02:07:30,000 ♪ . 4398 02:07:30,000 --> 02:07:32,011 ♪ . 4399 02:07:32,077 --> 02:07:34,213 >> WHAT'S UP, NEW JERSEY, HOW 4400 02:07:34,279 --> 02:07:36,000 YOU ALL FEELING TONIGHT? 4401 02:07:36,000 --> 02:07:38,450 YOU ALL FEELING TONIGHT? 4402 02:07:38,517 --> 02:07:42,000 OKAY, THERE WITH ME NOW TO 4403 02:07:42,000 --> 02:07:43,522 OKAY, THERE WITH ME NOW TO 4404 02:07:43,589 --> 02:07:44,590 BUSINESS PERFORMANCE COME 4405 02:07:44,656 --> 02:07:46,358 FROM ONE OF THE BIG HIP-HOP 4406 02:07:46,425 --> 02:07:47,760 PRODUCERS IN MUSIC TODAY. 4407 02:07:47,826 --> 02:07:48,000 CERTIFIED SUPERSTAR WHO NOT 4408 02:07:48,000 --> 02:07:51,830 CERTIFIED SUPERSTAR WHO NOT 4409 02:07:51,897 --> 02:07:52,531 ONLY NOMINATED FOR FOUR VMA 4410 02:07:52,598 --> 02:07:53,265 SENATE BUT HAS ALSO HAD MORE 4411 02:07:53,332 --> 02:07:54,000 NUMBER 1 ALBUMS AND 42 4412 02:07:54,000 --> 02:07:56,135 NUMBER 1 ALBUMS AND 42 4413 02:07:56,201 --> 02:07:56,969 BILLBOARD TOP 100 HITS, 4414 02:07:57,036 --> 02:08:00,000 FEATURING PERSON -- GIVE IT 4415 02:08:00,000 --> 02:08:01,673 FEATURING PERSON -- GIVE IT 4416 02:08:01,740 --> 02:08:06,000 UP FOR METRO. 4417 02:08:06,000 --> 02:08:12,000 UP FOR METRO. 4418 02:08:12,000 --> 02:08:18,000 UP FOR METRO. 4419 02:08:18,000 --> 02:08:24,000 UP FOR METRO. 4420 02:08:24,000 --> 02:08:25,431 UP FOR METRO. 4421 02:08:25,497 --> 02:08:30,000 >> M MTV VMA 2023, WHAT ARE W 4422 02:08:30,000 --> 02:08:31,637 >> M MTV VMA 2023, WHAT ARE W 4423 02:08:31,703 --> 02:08:32,438 DOING? 4424 02:08:32,504 --> 02:08:33,305 >> 4425 02:08:33,372 --> 02:08:34,139 ♪ DRANKIN' DOPE TURNED ME TO A 4426 02:08:34,206 --> 02:08:35,107 SUPERHERO, YEAH, YEAH ♪ 4427 02:08:35,174 --> 02:08:36,000 ♪ HIT THAT PILL, TURNED ME TO A 4428 02:08:36,000 --> 02:08:36,308 ♪ HIT THAT PILL, TURNED ME TO A 4429 02:08:36,375 --> 02:08:38,243 SUPERHERO, YEAH, YEAH ♪ 4430 02:08:38,310 --> 02:08:41,847 ♪ BOOMINATI TURNED ME TO A 4431 02:08:41,914 --> 02:08:42,000 SUPERHERO, YEAH, YEAH ♪ 4432 02:08:42,000 --> 02:08:43,916 SUPERHERO, YEAH, YEAH ♪ 4433 02:08:43,982 --> 02:08:45,451 ♪ IF YOUNG METRO DON'T TRUST 4434 02:08:45,517 --> 02:08:47,453 YOU, I'M GON' SHOOT YOU ♪ 4435 02:08:47,519 --> 02:08:48,000 ♪ I'M ON THAT DOPE AGAIN, I'M IN 4436 02:08:48,000 --> 02:08:48,921 ♪ I'M ON THAT DOPE AGAIN, I'M IN 4437 02:08:48,987 --> 02:08:50,089 THAT FLOW AGAIN ♪ 4438 02:08:50,155 --> 02:08:51,223 ♪ SWITCH UP THE FLOW AGAIN, 4439 02:08:51,290 --> 02:08:51,890 YEAH, YEAH ♪ 4440 02:08:51,957 --> 02:08:52,825 ♪ FLYER THAN A PARACHUTE, 4441 02:08:52,891 --> 02:08:53,425 GRIPPING THAT POLE AGAIN ♪ 4442 02:08:53,492 --> 02:08:54,000 ♪ I'M ON THAT OIL AGAIN, YEAH, 4443 02:08:54,000 --> 02:08:54,259 ♪ I'M ON THAT OIL AGAIN, YEAH, 4444 02:08:54,326 --> 02:08:54,493 YEAH ♪ 4445 02:08:54,560 --> 02:08:57,196 ♪ CANDY IN THE CUP, GOTTA GET 4446 02:08:57,262 --> 02:08:58,430 PAID ♪ 4447 02:08:58,497 --> 02:09:00,000 ♪ KING IN THE STREETS, YOUNG 4448 02:09:00,000 --> 02:09:00,099 ♪ KING IN THE STREETS, YOUNG 4449 02:09:00,165 --> 02:09:01,533 NIGGA MADE ♪ 4450 02:09:01,600 --> 02:09:02,701 ♪ SPRAYIN' UP THE CROWD, TAKE IT 4451 02:09:02,768 --> 02:09:03,535 TO THE GRAVE ♪ 4452 02:09:03,602 --> 02:09:04,536 ♪ AIN'T HAVIN' PROBLEMS, I'M 4453 02:09:04,603 --> 02:09:05,471 SIPPIN' THE BAR ♪ 4454 02:09:05,537 --> 02:09:06,000 ♪ SHOUTOUT TO DALLAS, MY BITCH 4455 02:09:06,000 --> 02:09:06,305 ♪ SHOUTOUT TO DALLAS, MY BITCH 4456 02:09:06,371 --> 02:09:07,139 IS A STAR ♪ 4457 02:09:07,206 --> 02:09:08,607 ♪ NIGGA GET RICH, READY TAKE YOU 4458 02:09:08,674 --> 02:09:09,308 TO WAR ♪ 4459 02:09:09,374 --> 02:09:10,275 ♪ PISS ON YOUR CASKET, SHOOT AT 4460 02:09:10,342 --> 02:09:11,210 YOUR BROAD ♪ 4461 02:09:11,276 --> 02:09:12,000 ♪ DO YOU SOMETHING NASTY, ROLL 4462 02:09:12,000 --> 02:09:12,244 ♪ DO YOU SOMETHING NASTY, ROLL 4463 02:09:12,311 --> 02:09:13,479 YOU IN A 'GAR ♪ 4464 02:09:13,545 --> 02:09:14,346 ♪ BITCH GET GRAPHIC, FUCK ME IN 4465 02:09:14,413 --> 02:09:15,481 A CAR ♪ 4466 02:09:15,547 --> 02:09:16,415 ♪ I GET YOU A BRAND NEW ROLLIE 4467 02:09:16,482 --> 02:09:17,449 TOMORROW ♪ 4468 02:09:17,516 --> 02:09:18,000 ♪ I PUT THAT BRAND NEW ROLLIE ON 4469 02:09:18,000 --> 02:09:18,550 ♪ I PUT THAT BRAND NEW ROLLIE ON 4470 02:09:18,617 --> 02:09:19,451 YOUR ARM ♪ 4471 02:09:19,518 --> 02:09:20,519 ♪ AIN'T MOVIN' SLOW BUT I'M 4472 02:09:20,586 --> 02:09:21,520 STILL ON OIL ♪ 4473 02:09:21,587 --> 02:09:22,554 ♪ TENNIS BRACELETS AND THEY CAME 4474 02:09:22,621 --> 02:09:23,322 WITH THE FROST ♪ 4475 02:09:23,388 --> 02:09:24,000 ♪ CUBAN LINKS ALL THE WAY UP TO 4476 02:09:24,000 --> 02:09:24,389 ♪ CUBAN LINKS ALL THE WAY UP TO 4477 02:09:24,456 --> 02:09:24,690 YOUR JAW ♪ 4478 02:09:24,756 --> 02:09:25,791 ♪ STEP UP THE SWAG WHEN I STEP 4479 02:09:25,858 --> 02:09:26,592 ON A BROAD ♪ 4480 02:09:26,658 --> 02:09:27,659 ♪ TWO DOLLAR HALF, OOH, THAT'S 4481 02:09:27,726 --> 02:09:28,861 THE CHEAPEST ONE ♪ 4482 02:09:28,927 --> 02:09:29,795 ♪ STACKIN' THESE HUNDREDS UP, 4483 02:09:29,862 --> 02:09:30,000 LIKE COUPONS ♪ 4484 02:09:30,000 --> 02:09:31,063 LIKE COUPONS ♪ 4485 02:09:31,130 --> 02:09:32,131 ♪ TOLD YOU FROM THE BEGINNING, 4486 02:09:32,197 --> 02:09:32,831 UPPER ECHELON ♪ 4487 02:09:32,898 --> 02:09:34,766 ♪ AND I GET TO STACKIN' UP, I'M 4488 02:09:34,833 --> 02:09:35,134 UNTOUCHABLE ♪ 4489 02:09:35,200 --> 02:09:35,767 ♪ I GET TO REPRESENT, MONEY 4490 02:09:35,834 --> 02:09:36,000 MULTIPLE ♪ 4491 02:09:36,000 --> 02:09:36,969 MULTIPLE ♪ 4492 02:09:37,035 --> 02:09:38,070 ♪ I'M AT THE TOP OF THE CHARTS, 4493 02:09:38,137 --> 02:09:39,071 UNAPPROACHABLE ♪ 4494 02:09:39,138 --> 02:09:39,972 ♪ BREAD BY THE LOAF, TURBO THE 4495 02:09:40,038 --> 02:09:41,140 MOTOR ♪ 4496 02:09:41,206 --> 02:09:42,000 ♪ TIC-TAC-TOE, KILLING ALL THE 4497 02:09:42,000 --> 02:09:42,040 ♪ TIC-TAC-TOE, KILLING ALL THE 4498 02:09:42,107 --> 02:09:43,342 VULTURES ♪ 4499 02:09:43,408 --> 02:09:44,076 ♪ SELLING ELBOWS, BITCH DO 4500 02:09:44,143 --> 02:09:45,344 YOGA ♪ 4501 02:09:45,410 --> 02:09:46,245 ♪ I DESERVE AWARDS, SERVING 4502 02:09:46,311 --> 02:09:47,212 THESE BOULDERS ♪ 4503 02:09:47,279 --> 02:09:48,000 ♪ A HUNDRED GRAND LARGE WHEN I 4504 02:09:48,000 --> 02:09:48,313 ♪ A HUNDRED GRAND LARGE WHEN I 4505 02:09:48,380 --> 02:09:49,248 SHOP, THAT'S THE TOTAL ♪ 4506 02:09:49,314 --> 02:09:50,315 ♪ FILL UP THE GARAGE, BITCH, I'M 4507 02:09:50,382 --> 02:09:51,383 A MOGUL ♪ 4508 02:09:51,450 --> 02:09:52,184 ♪ AIN'T NO FACADIN', AIN'T NO 4509 02:09:52,251 --> 02:09:53,452 FUGAZI ♪ 4510 02:09:53,519 --> 02:09:54,000 ♪ I DROP IT OFF, I GET PAID ♪ 4511 02:09:54,000 --> 02:09:54,653 ♪ I DROP IT OFF, I GET PAID ♪ 4512 02:09:54,720 --> 02:09:55,387 ♪ DROP TOP ROYCE, I'M GOING 4513 02:09:55,454 --> 02:09:56,855 CRAZY ♪ 4514 02:09:56,922 --> 02:09:58,090 ♪ I PUSH OFF, SMOKING ON HAZE ♪ 4515 02:09:58,157 --> 02:10:00,000 ♪ NOT TRYNA FLOSS, CARTIER 4516 02:10:00,000 --> 02:10:00,292 ♪ NOT TRYNA FLOSS, CARTIER 4517 02:10:00,359 --> 02:10:01,760 SHADES ♪ 4518 02:10:01,827 --> 02:10:03,662 ♪ CANDY IN THE CUP, GOTTA GET 4519 02:10:03,729 --> 02:10:03,896 PAID ♪ 4520 02:10:03,962 --> 02:10:04,696 ♪ KING IN THE STREETS, YOUNG 4521 02:10:04,763 --> 02:10:05,764 NIGGA MADE ♪ 4522 02:10:05,831 --> 02:10:06,000 ♪ SPRAYIN' UP THE CROWD, TAKE IT 4523 02:10:06,000 --> 02:10:06,765 ♪ SPRAYIN' UP THE CROWD, TAKE IT 4524 02:10:06,832 --> 02:10:07,766 TO THE GRAVE ♪ 4525 02:10:07,833 --> 02:10:08,767 ♪ AIN'T HAVIN' PROBLEMS, I'M 4526 02:10:08,834 --> 02:10:09,801 SIPPIN' THE BAR ♪ 4527 02:10:09,868 --> 02:10:10,869 ♪ SHOUTOUT TO DALLAS, MY BITCH 4528 02:10:10,936 --> 02:10:11,870 IS A STAR ♪ 4529 02:10:11,937 --> 02:10:12,000 ♪ NIGGA GET RICH, READY TAKE YOU 4530 02:10:12,000 --> 02:10:13,839 ♪ NIGGA GET RICH, READY TAKE YOU 4531 02:10:13,906 --> 02:10:14,106 TO WAR ♪ 4532 02:10:14,173 --> 02:10:14,973 ♪ PISS ON YOUR CASKET, SHOOT AT 4533 02:10:15,040 --> 02:10:16,008 YOUR BROAD ♪ 4534 02:10:16,074 --> 02:10:17,075 ♪ DO YOU SOMETHING NASTY, ROLL 4535 02:10:17,142 --> 02:10:18,000 YOU IN A 'GAR ♪ 4536 02:10:18,000 --> 02:10:18,043 YOU IN A 'GAR ♪ 4537 02:10:18,110 --> 02:10:19,077 ♪ BITCH GET GRAPHIC, FUCK ME IN 4538 02:10:19,144 --> 02:10:20,179 A CAR ♪ 4539 02:10:20,245 --> 02:10:21,180 ♪ I GET YOU A BRAND NEW ROLLIE 4540 02:10:21,246 --> 02:10:22,347 TOMORROW ♪ 4541 02:10:22,414 --> 02:10:23,248 ♪ I PUT THAT BRAND NEW ROLLIE ON 4542 02:10:23,315 --> 02:10:24,000 YOUR ARM ♪ 4543 02:10:24,000 --> 02:10:24,249 YOUR ARM ♪ 4544 02:10:24,316 --> 02:10:25,184 ♪ AIN'T MOVIN' SLOW BUT I'M 4545 02:10:25,250 --> 02:10:26,285 STILL ON OIL ♪ 4546 02:10:26,351 --> 02:10:27,386 ♪ TENNIS BRACELETS AND THEY CAME 4547 02:10:27,452 --> 02:10:28,487 WITH THE FROST ♪ 4548 02:10:28,554 --> 02:10:29,454 ♪ CUBAN LINKS ALL THE WAY UP TO 4549 02:10:29,521 --> 02:10:30,000 YOUR JAW ♪ 4550 02:10:30,000 --> 02:10:30,489 YOUR JAW ♪ 4551 02:10:30,556 --> 02:10:31,423 ♪ STEP UP THE SWAG WHEN I STEP 4552 02:10:31,490 --> 02:10:32,257 ON A BROAD ♪ 4553 02:10:32,324 --> 02:10:36,000 "Calling" 4554 02:10:36,000 --> 02:10:36,728 "Calling" 4555 02:10:36,795 --> 02:10:38,463 [APPLAUSE] 4556 02:10:38,530 --> 02:10:41,066 ♪ JUST TO SAVE YOU♪ 4557 02:10:41,133 --> 02:10:42,000 ♪ OOH-OOH-OOH ♪ 4558 02:10:42,000 --> 02:10:42,367 ♪ OOH-OOH-OOH ♪ 4559 02:10:42,434 --> 02:10:43,168 ♪ I'D GIVE MY ALL ♪ 4560 02:10:43,235 --> 02:10:44,303 ♪ HEY ♪ 4561 02:10:44,369 --> 02:10:45,704 ♪ JUST TO SAVE YOU, I'D GIVE ALL 4562 02:10:45,771 --> 02:10:46,939 OF ME ♪ 4563 02:10:47,005 --> 02:10:48,000 ♪ I CAN HEAR YOU SCREAMIN' OUT, 4564 02:10:48,000 --> 02:10:48,473 ♪ I CAN HEAR YOU SCREAMIN' OUT, 4565 02:10:48,540 --> 02:10:50,609 CALLIN' ME ♪ 4566 02:10:50,676 --> 02:10:53,679 ♪ IT'S MY FAULT, MADE YOU FALL 4567 02:10:53,745 --> 02:10:54,000 FOR ME ♪ 4568 02:10:54,000 --> 02:10:55,814 FOR ME ♪ 4569 02:10:55,881 --> 02:10:56,748 ♪ SO, TO SAVE YOU, I'D GIVE MY 4570 02:10:56,815 --> 02:10:59,518 ALL ♪ 4571 02:10:59,585 --> 02:11:00,000 ♪ JUST TO SAVE YOU, I'D GIVE ALL 4572 02:11:00,000 --> 02:11:01,687 ♪ JUST TO SAVE YOU, I'D GIVE ALL 4573 02:11:01,753 --> 02:11:04,456 OF ME ♪ 4574 02:11:04,523 --> 02:11:05,891 ♪ I CAN HEAR YOU SCREAMIN' OUT, 4575 02:11:05,958 --> 02:11:06,000 CALLIN' ME ♪ 4576 02:11:06,000 --> 02:11:07,526 CALLIN' ME ♪ 4577 02:11:07,593 --> 02:11:09,194 ♪ IT'S MY FAULT, MADE YOU FALL 4578 02:11:09,261 --> 02:11:11,163 FOR ME ♪ 4579 02:11:11,230 --> 02:11:12,000 ♪ SO, TO SAVE YOU, I'D GIVE MY 4580 02:11:12,000 --> 02:11:12,231 ♪ SO, TO SAVE YOU, I'D GIVE MY 4581 02:11:12,297 --> 02:11:14,566 ALL ♪ 4582 02:11:14,633 --> 02:11:15,734 ♪ YOU FELL FOR ME, I COUNT ON 4583 02:11:15,801 --> 02:11:16,335 YOU WHEN TIMES ARE TOUGH ♪ 4584 02:11:16,401 --> 02:11:17,369 ♪ INSTEAD OF HOLDIN' YOU DOWN, I 4585 02:11:17,436 --> 02:11:18,000 SHOULD LIFT YOU UP ♪ 4586 02:11:18,000 --> 02:11:21,039 SHOULD LIFT YOU UP ♪ 4587 02:11:21,106 --> 02:11:22,174 ♪ IT HURTS ME WHEN YOU START TO 4588 02:11:22,241 --> 02:11:23,575 SEE MY FLAWS ♪ 4589 02:11:23,642 --> 02:11:24,000 ♪ BUT JUST TO SAVE YOU, I'D RISK 4590 02:11:24,000 --> 02:11:25,978 ♪ BUT JUST TO SAVE YOU, I'D RISK 4591 02:11:26,044 --> 02:11:27,946 IT ALL ♪ 4592 02:11:28,013 --> 02:11:29,414 ♪ SHORT ON TIME FOR YOU, I'D 4593 02:11:29,481 --> 02:11:30,000 NEVER HAVE ENOUGH ♪ 4594 02:11:30,000 --> 02:11:31,583 NEVER HAVE ENOUGH ♪ 4595 02:11:31,650 --> 02:11:32,884 ♪ WHEN I RAN INTO YOU, I DIDN'T 4596 02:11:32,951 --> 02:11:34,920 PLAN ON FALLIN' IN LOVE ♪ 4597 02:11:34,987 --> 02:11:36,000 ♪ ALWAYS THERE TO WIPE YOUR 4598 02:11:36,000 --> 02:11:36,188 ♪ ALWAYS THERE TO WIPE YOUR 4599 02:11:36,255 --> 02:11:38,090 TEARS, I HATE TO SEE YOU CRY ♪ 4600 02:11:38,156 --> 02:11:39,691 ♪ IF YOU TELL ME TO JUMP, I'LL 4601 02:11:39,758 --> 02:11:41,827 ASK YOU, "HOW HIGH?" ♪ 4602 02:11:41,893 --> 02:11:42,000 ♪ I KNOW SOMETIMES IT BE HARD 4603 02:11:42,000 --> 02:11:43,161 ♪ I KNOW SOMETIMES IT BE HARD 4604 02:11:43,228 --> 02:11:44,930 FOR ME TO TELL THE TRUTH ♪ 4605 02:11:44,997 --> 02:11:46,298 ♪ BUT I GO THROUGH ANY OBSTACLE 4606 02:11:46,365 --> 02:11:48,000 TO GET TO YOU ♪ 4607 02:11:48,000 --> 02:11:48,600 TO GET TO YOU ♪ 4608 02:11:48,667 --> 02:11:49,534 ♪ I'M NOT MATERIALISTIC, BUT I 4609 02:11:49,601 --> 02:11:51,670 GOT A THING FOR YOU ♪ 4610 02:11:51,737 --> 02:11:52,804 ♪ TREAT THE WORLD LIKE MY 4611 02:11:52,871 --> 02:11:54,000 GUITAR ♪ 4612 02:11:54,000 --> 02:11:54,006 GUITAR ♪ 4613 02:11:54,072 --> 02:11:55,307 ♪ I'M PULLIN' STRINGS FOR YOU ♪ 4614 02:11:55,374 --> 02:11:56,508 ♪ JUST TO SAVE YOU, I'D GIVE ALL 4615 02:11:56,575 --> 02:11:57,609 OF ME ♪ 4616 02:11:57,676 --> 02:11:58,677 ♪ I CAN HEAR YOU SCREAMIN' OUT, 4617 02:11:58,744 --> 02:12:00,000 CALLIN' ME ♪ 4618 02:12:00,000 --> 02:12:01,880 CALLIN' ME ♪ 4619 02:12:01,947 --> 02:12:04,583 ♪ IT'S MY FAULT, MADE YOU FALL 4620 02:12:04,650 --> 02:12:06,000 FOR ME ♪ 4621 02:12:06,000 --> 02:12:06,585 FOR ME ♪ 4622 02:12:06,652 --> 02:12:07,886 ♪ SO, TO SAVE YOU, I'D GIVE MY 4623 02:12:07,953 --> 02:12:11,290 ALL ♪ 4624 02:12:11,356 --> 02:12:12,000 ♪ LET ME BE YOUR HERO ♪ 4625 02:12:12,000 --> 02:12:12,791 ♪ LET ME BE YOUR HERO ♪ 4626 02:12:12,858 --> 02:12:13,859 ♪ YOU HELD ME DOWN, I WAS STUCK 4627 02:12:13,925 --> 02:12:14,526 AT THE BOTTOM ♪ 4628 02:12:14,593 --> 02:12:15,627 ♪ GET OUT OF HERE, I GET YOU 4629 02:12:15,694 --> 02:12:16,361 LIT, OH ♪ 4630 02:12:16,428 --> 02:12:17,329 ♪ I KNOW YOU CAN'T STAND ME ♪ 4631 02:12:17,396 --> 02:12:18,000 ♪ I REMEMBER WHEN I BUST DOWN 4632 02:12:18,000 --> 02:12:18,130 ♪ I REMEMBER WHEN I BUST DOWN 4633 02:12:18,196 --> 02:12:19,264 YOUR ROSE GOLD ♪ 4634 02:12:19,331 --> 02:12:20,132 ♪ HAD YOUR DIAMONDS DANCIN' ♪ 4635 02:12:20,198 --> 02:12:20,999 ♪ I PICKED YOU UP IN THAT 4636 02:12:21,066 --> 02:12:22,334 BENTLEY MULSANNE ♪ 4637 02:12:22,401 --> 02:12:23,135 ♪ WHEN THEM SIRENS WAS GLARIN' ♪ 4638 02:12:23,201 --> 02:12:24,000 ♪ I GAVE YOU THE SLAMMER 4639 02:12:24,000 --> 02:12:24,136 ♪ I GAVE YOU THE SLAMMER 4640 02:12:24,202 --> 02:12:25,203 ♪ IT'S NOBODY ELSE THAT GOT IT, 4641 02:12:25,270 --> 02:12:26,471 YOU CAN CALL ME ♪ 4642 02:12:26,538 --> 02:12:27,773 ♪ THE WAY I LET YOU COME INTO MY 4643 02:12:27,839 --> 02:12:28,674 LIFE AND TAKE MY HEART AWAY ♪ 4644 02:12:28,740 --> 02:12:30,000 ♪ IT'S LIKE A ROBBERY ♪ 4645 02:12:30,000 --> 02:12:30,008 ♪ IT'S LIKE A ROBBERY ♪ 4646 02:12:30,075 --> 02:12:31,510 ♪ EVERY TIME YOU LOOK UP ON THE 4647 02:12:31,576 --> 02:12:32,511 CHARTS, NOW YOU SEEIN' ME ♪ 4648 02:12:32,577 --> 02:12:33,445 ♪ I HOPE YOU PROUD OF ME ♪ 4649 02:12:33,512 --> 02:12:34,446 ♪ I GOT YOU BUSSED DOWN, PATEK 4650 02:12:34,513 --> 02:12:35,447 PHILIPPES ♪ 4651 02:12:35,514 --> 02:12:36,000 ♪ AIN'T NO WAY YOU GOIN' BACK TO 4652 02:12:36,000 --> 02:12:36,748 ♪ AIN'T NO WAY YOU GOIN' BACK TO 4653 02:12:36,815 --> 02:12:38,016 CARTIS ♪ 4654 02:12:38,083 --> 02:12:39,151 ♪ AND I SPLURGE ON HER 4655 02:12:39,217 --> 02:12:40,218 SHE LIKE SAINT LAURENT ME ♪ 4656 02:12:40,285 --> 02:12:41,153 ♪ SEEN ME OUT IN A PUBLIC, 4657 02:12:41,219 --> 02:12:42,000 HARDLY ♪ 4658 02:12:42,000 --> 02:12:42,020 HARDLY ♪ 4659 02:12:42,087 --> 02:12:42,788 ♪ LOW-KEY WITH MY MASK, I'M 4660 02:12:42,854 --> 02:12:43,855 SOLO ♪ 4661 02:12:43,922 --> 02:12:44,956 ♪ IF I DON'T SPEAK TO NOBODY, 4662 02:12:45,023 --> 02:12:45,991 I'M SORRY ♪ 4663 02:12:46,058 --> 02:12:46,858 ♪ AND I'LL SAVE YOU IF YOU CAN'T 4664 02:12:46,925 --> 02:12:47,526 SAVE YOURSELF ♪ 4665 02:12:47,592 --> 02:12:48,000 ♪ HOLD ON, LET ME CATCH MY 4666 02:12:48,000 --> 02:12:48,460 ♪ HOLD ON, LET ME CATCH MY 4667 02:12:48,527 --> 02:12:49,261 BREATH ♪ 4668 02:12:49,328 --> 02:12:51,730 ♪ NEED A HERO? I'M THE LAST ONE 4669 02:12:51,797 --> 02:12:51,963 LEFT ♪ 4670 02:12:52,030 --> 02:12:53,065 ♪ JUST TO SAVE YOU, I'D GIVE ALL 4671 02:12:53,131 --> 02:12:54,000 OF ME ♪ 4672 02:12:54,000 --> 02:12:54,099 OF ME ♪ 4673 02:12:54,166 --> 02:12:55,600 ♪ I CAN HEAR YOU SCREAMIN' OUT, 4674 02:12:55,667 --> 02:12:56,902 CALLIN' ME ♪ 4675 02:12:56,968 --> 02:12:58,236 ♪ IT'S MY FAULT, MADE YOU FALL 4676 02:12:58,303 --> 02:13:00,000 FOR ME ♪ 4677 02:13:00,000 --> 02:13:00,505 FOR ME ♪ 4678 02:13:00,572 --> 02:13:01,907 ♪ SO, TO SAVE YOU, I'D GIVE MY 4679 02:13:01,973 --> 02:13:03,342 ALL ♪ 4680 02:13:03,408 --> 02:13:06,000 ♪ JUST TO SAVE YOU, I'D GIVE ALL 4681 02:13:06,000 --> 02:13:06,311 ♪ JUST TO SAVE YOU, I'D GIVE ALL 4682 02:13:06,378 --> 02:13:07,679 OF ME ♪ 4683 02:13:07,746 --> 02:13:09,314 ♪ I CAN HEAR YOU SCREAMIN' OUT, 4684 02:13:09,381 --> 02:13:11,216 CALLIN' ME ♪ 4685 02:13:11,283 --> 02:13:12,000 ♪ IT'S MY FAULT, MADE YOU FALL 4686 02:13:12,000 --> 02:13:12,684 ♪ IT'S MY FAULT, MADE YOU FALL 4687 02:13:12,751 --> 02:13:14,419 FOR ME ♪ 4688 02:13:14,486 --> 02:13:15,787 ♪ SO, TO SAVE YOU, I'D GIVE MY 4689 02:13:15,854 --> 02:13:18,000 ALL ♪ 4690 02:13:18,000 --> 02:13:20,425 ALL ♪ 4691 02:13:20,492 --> 02:13:20,692 . 4692 02:13:20,759 --> 02:13:23,228 >> VMAS, MAKE SOME NOISE! 4693 02:13:23,295 --> 02:13:24,000 [APPLAUSE]. 4694 02:13:24,000 --> 02:13:30,000 [APPLAUSE]. 4695 02:13:30,000 --> 02:13:36,000 [APPLAUSE]. 4696 02:13:36,000 --> 02:13:37,909 [APPLAUSE]. 4697 02:13:37,976 --> 02:13:42,000 >> PLEASE WELCOME T RITA OVER 4698 02:13:42,000 --> 02:13:48,000 >> PLEASE WELCOME T RITA OVER 4699 02:13:48,000 --> 02:13:48,186 >> PLEASE WELCOME T RITA OVER 4700 02:13:48,253 --> 02:13:51,556 TO YES, YES, JERSEY, HOW ARE 4701 02:13:51,623 --> 02:13:54,000 WE? 4702 02:13:54,000 --> 02:13:55,627 WE? 4703 02:13:55,694 --> 02:14:00,000 >> A QUICK SAID. 4704 02:14:00,000 --> 02:14:00,599 >> A QUICK SAID. 4705 02:14:00,665 --> 02:14:01,333 I'M HERE TO PRESENT THE BEST 4706 02:14:01,400 --> 02:14:03,902 COLLABORATION. 4707 02:14:03,969 --> 02:14:06,000 LIKE ANY GOOD COLLABORATION 4708 02:14:06,000 --> 02:14:06,037 LIKE ANY GOOD COLLABORATION 4709 02:14:06,104 --> 02:14:07,339 WITH NOMINEES THIS YEAR 4710 02:14:07,406 --> 02:14:10,709 BRIDGE PHYSICAL STYLES AND -- 4711 02:14:10,776 --> 02:14:11,343 ACROSS THE GLOBE. 4712 02:14:11,410 --> 02:14:12,000 HERE ARE THE NOMINEES, BABY. 4713 02:14:12,000 --> 02:14:15,147 HERE ARE THE NOMINEES, BABY. 4714 02:14:15,213 --> 02:14:15,447 >> 4715 02:14:15,514 --> 02:14:17,549 >> BEST COLLABORATION. 4716 02:14:17,616 --> 02:14:18,000 DAVID GUETTA AND BEBE REXHA, 4717 02:14:18,000 --> 02:14:19,651 DAVID GUETTA AND BEBE REXHA, 4718 02:14:19,718 --> 02:14:24,000 "I'M GOOD (BLUE)." 4719 02:14:24,000 --> 02:14:26,591 "I'M GOOD (BLUE)." 4720 02:14:26,658 --> 02:14:26,925 ♪ 4721 02:14:26,992 --> 02:14:27,692 METRO BOOMIN WITH THE WEEKND, 21 4722 02:14:27,759 --> 02:14:30,000 SAVAGE, AND DIDDY, "CREEPIN' 4723 02:14:30,000 --> 02:14:30,162 SAVAGE, AND DIDDY, "CREEPIN' 4724 02:14:30,228 --> 02:14:34,065 (REMIX)." 4725 02:14:34,132 --> 02:14:34,399 ♪ 4726 02:14:34,466 --> 02:14:36,000 POST MALONE AND DOJA CgAT, "I 4727 02:14:36,000 --> 02:14:36,468 POST MALONE AND DOJA CgAT, "I 4728 02:14:36,535 --> 02:14:40,639 LIKE YOU (A HAPPIER SONG)." 4729 02:14:40,705 --> 02:14:42,000 ♪ 4730 02:14:42,000 --> 02:14:42,741 ♪ 4731 02:14:42,808 --> 02:14:47,012 KAROL G AND SHAKIRA, "TQG." 4732 02:14:47,078 --> 02:14:48,000 ♪ 4733 02:14:48,000 --> 02:14:48,814 ♪ 4734 02:14:48,880 --> 02:14:51,149 DIDDY FEATURING BRYSON TILLER, 4735 02:14:51,216 --> 02:14:52,684 ASHANTI, AND YUNG MIAMI, "GOTTA 4736 02:14:52,751 --> 02:14:54,000 MOVE ON (QUEENS REMIX)." 4737 02:14:54,000 --> 02:14:57,889 MOVE ON (QUEENS REMIX)." 4738 02:14:57,956 --> 02:14:59,891 ♪ 4739 02:14:59,958 --> 02:15:00,000 REMA AND SELENA GOMEZ, "CALM 4740 02:15:00,000 --> 02:15:02,027 REMA AND SELENA GOMEZ, "CALM 4741 02:15:02,093 --> 02:15:06,000 DOWN." 4742 02:15:06,000 --> 02:15:08,700 DOWN." 4743 02:15:08,767 --> 02:15:08,967 . 4744 02:15:09,034 --> 02:15:12,000 >> OKAY, RIGHT, I KNOW THE 4745 02:15:12,000 --> 02:15:15,707 >> OKAY, RIGHT, I KNOW THE 4746 02:15:15,774 --> 02:15:18,000 WINNER IS KAROL G 4747 02:15:18,000 --> 02:15:24,000 WINNER IS KAROL G 4748 02:15:24,000 --> 02:15:27,819 WINNER IS KAROL G 4749 02:15:27,886 --> 02:15:30,000 ♪♪. DILE A TU NUEVA BEBé 4750 02:15:30,000 --> 02:15:32,390 ♪♪. DILE A TU NUEVA BEBé 4751 02:15:32,457 --> 02:15:33,191 ♪♪. 4752 02:15:33,258 --> 02:15:36,000 ♪♪. QUé POR HOMBRE NO 4753 02:15:36,000 --> 02:15:36,094 ♪♪. QUé POR HOMBRE NO 4754 02:15:36,161 --> 02:15:42,000 COMPITO ♪♪. 4755 02:15:42,000 --> 02:15:45,537 COMPITO ♪♪. 4756 02:15:45,604 --> 02:15:46,605 ♪♪. 4757 02:15:46,671 --> 02:15:48,000 ♪♪. 4758 02:15:48,000 --> 02:15:54,000 ♪♪. 4759 02:15:54,000 --> 02:15:54,312 ♪♪. 4760 02:15:54,379 --> 02:16:00,000 ♪♪. 4761 02:16:00,000 --> 02:16:06,000 ♪♪. 4762 02:16:06,000 --> 02:16:11,396 ♪♪. 4763 02:16:11,463 --> 02:16:12,000 >> YO SOLO QUIERO DECIR TRES 4764 02:16:12,000 --> 02:16:13,732 >> YO SOLO QUIERO DECIR TRES 4765 02:16:13,798 --> 02:16:16,301 COSAS. 4766 02:16:16,368 --> 02:16:18,000 QUE VIVA BARRANQUILLA. QUE 4767 02:16:18,000 --> 02:16:19,404 QUE VIVA BARRANQUILLA. QUE 4768 02:16:19,471 --> 02:16:21,740 VIVA BEALLO, Y QUE VIVA 4769 02:16:21,806 --> 02:16:24,000 COLOMBIA. 4770 02:16:24,000 --> 02:16:25,610 COLOMBIA. 4771 02:16:25,677 --> 02:16:30,000 [APPLAUSE] 4772 02:16:30,000 --> 02:16:30,982 [APPLAUSE] 4773 02:16:31,049 --> 02:16:33,084 >> HEY. Sí... 4774 02:16:33,151 --> 02:16:35,787 SI COLABORAR CON LA 4775 02:16:35,854 --> 02:16:36,000 LEGENDARIA SHAKIRA... 4776 02:16:36,000 --> 02:16:37,822 LEGENDARIA SHAKIRA... 4777 02:16:37,889 --> 02:16:39,424 [APPLAUSE] 4778 02:16:39,491 --> 02:16:41,960 >> HABíA SIDO IMPRESIONANTE 4779 02:16:42,027 --> 02:16:44,095 TENER UN PREMIO CON ELLA ¡ES 4780 02:16:44,162 --> 02:16:48,000 OTRA COSA DE OTRO PLANETA!. 4781 02:16:48,000 --> 02:16:54,000 OTRA COSA DE OTRO PLANETA!. 4782 02:16:54,000 --> 02:16:54,873 OTRA COSA DE OTRO PLANETA!. 4783 02:16:54,940 --> 02:16:55,740 >> THANK YOU, EVERYBODY, I 4784 02:16:55,807 --> 02:17:00,000 LOVE YOU. 4785 02:17:00,000 --> 02:17:03,014 LOVE YOU. 4786 02:17:03,081 --> 02:17:04,349 ♪ . 4787 02:17:04,416 --> 02:17:06,000 >> GIVE IT UP FOR BEBE REXA. 4788 02:17:06,000 --> 02:17:10,388 >> GIVE IT UP FOR BEBE REXA. 4789 02:17:10,455 --> 02:17:12,000 [APPLAUSE]. 4790 02:17:12,000 --> 02:17:12,023 [APPLAUSE]. 4791 02:17:12,090 --> 02:17:15,694 >> HI, EVERYONE, LOOK AT MY 4792 02:17:15,760 --> 02:17:18,000 ARMS! 4793 02:17:18,000 --> 02:17:19,230 ARMS! 4794 02:17:19,297 --> 02:17:24,000 OKAY, OUR NEXT PERFORMERS ARE 4795 02:17:24,000 --> 02:17:27,172 OKAY, OUR NEXT PERFORMERS ARE 4796 02:17:27,238 --> 02:17:27,872 MULTI-COLLATERAL ROCK ICONS. 4797 02:17:27,939 --> 02:17:28,573 AND I HAVE SOME REAL EARLY 4798 02:17:28,640 --> 02:17:29,307 MEMORIES OF SHARING THE STAGE 4799 02:17:29,374 --> 02:17:30,000 WITH THE ACCRUAL BASIS PETE 4800 02:17:30,000 --> 02:17:30,041 WITH THE ACCRUAL BASIS PETE 4801 02:17:30,108 --> 02:17:31,276 WENTZ. 4802 02:17:31,343 --> 02:17:32,844 AND TONIGHT THEY ARE ROCKING 4803 02:17:32,911 --> 02:17:35,146 THE VMAS FOR THE FIRST TIME 4804 02:17:35,213 --> 02:17:36,000 SINCE 2007. 4805 02:17:36,000 --> 02:17:36,881 SINCE 2007. 4806 02:17:36,948 --> 02:17:38,650 OKAY, AND TONIGHT THEY ARE 4807 02:17:38,717 --> 02:17:40,285 HELPING US TAKE OVER THE 4808 02:17:40,352 --> 02:17:42,000 ENTIRE CITY OF NEWARK LAYING 4809 02:17:42,000 --> 02:17:42,020 ENTIRE CITY OF NEWARK LAYING 4810 02:17:42,087 --> 02:17:44,422 OUT THE VMA OUTDOOR STAGE. 4811 02:17:44,489 --> 02:17:48,000 GIVE IT UP FOR FALL OUT BOY! 4812 02:17:48,000 --> 02:17:50,829 GIVE IT UP FOR FALL OUT BOY! 4813 02:17:50,895 --> 02:17:54,000 "We Didn't Start the Fire" 4814 02:17:54,000 --> 02:17:55,667 "We Didn't Start the Fire" 4815 02:17:55,734 --> 02:18:00,000 ♪ 4816 02:18:00,000 --> 02:18:06,000 ♪ 4817 02:18:06,000 --> 02:18:12,000 ♪ 4818 02:18:12,000 --> 02:18:18,000 ♪ 4819 02:18:18,000 --> 02:18:22,193 ♪ 4820 02:18:22,260 --> 02:18:23,094 ♪ CAPTAIN PLANET, ARAB SPRING♪ 4821 02:18:23,161 --> 02:18:23,728 ♪ L.A. RIOTS, RODNEY KING ♪ 4822 02:18:23,795 --> 02:18:24,000 ♪ DEEP FAKES, EARTHQUAKES ♪ 4823 02:18:24,000 --> 02:18:24,496 ♪ DEEP FAKES, EARTHQUAKES ♪ 4824 02:18:24,562 --> 02:18:27,699 ♪ ICELAND VOLCANO ♪ 4825 02:18:27,766 --> 02:18:29,134 ♪ OKLAHOMA CITY BOMB, 4826 02:18:29,200 --> 02:18:30,000 KURT COBAIN ♪ 4827 02:18:30,000 --> 02:18:30,168 KURT COBAIN ♪ 4828 02:18:30,235 --> 02:18:30,735 ♪ POKEMON ♪ 4829 02:18:30,802 --> 02:18:31,469 ♪ TIGER WOODS, MYSPACE, 4830 02:18:31,536 --> 02:18:32,871 MONSANTO ♪ 4831 02:18:32,937 --> 02:18:34,172 ♪ GMOs ♪ 4832 02:18:34,239 --> 02:18:36,000 ♪ HARRY POTTER, TWILIGHT ♪ 4833 02:18:36,000 --> 02:18:41,212 ♪ HARRY POTTER, TWILIGHT ♪ 4834 02:18:41,279 --> 02:18:42,000 TH 4835 02:18:42,000 --> 02:18:43,114 TH 4836 02:18:43,181 --> 02:18:44,215 ♪ MICHAEL JACKSON DIES ♪ 4837 02:18:44,282 --> 02:18:45,450 ♪ NUCLEAR ACCIDENT, FUKUSHIMA ♪ 4838 02:18:45,517 --> 02:18:46,851 ♪ JAPAN ♪ 4839 02:18:46,918 --> 02:18:48,000 ♪ CRIMEAN PENINSULA ♪ 4840 02:18:48,000 --> 02:18:48,453 ♪ CRIMEAN PENINSULA ♪ 4841 02:18:48,520 --> 02:18:49,854 ♪ CAMBRIDGE ANALYTICA ♪ 4842 02:18:49,921 --> 02:18:51,222 ♪ KIM JONG UN, 4843 02:18:51,289 --> 02:18:52,223 ROBERT DOWNEY JR. ♪ 4844 02:18:52,290 --> 02:18:53,258 ♪ IRON MAN ♪ 4845 02:18:53,324 --> 02:18:54,000 ♪ WE DIDN'T START THE FIRE ♪ 4846 02:18:54,000 --> 02:18:55,060 ♪ WE DIDN'T START THE FIRE ♪ 4847 02:18:55,126 --> 02:18:57,162 ♪ IT WAS ALWAYS BURNING ♪ 4848 02:18:57,228 --> 02:18:58,630 ♪ SINCE THE WORLD'S BEEN 4849 02:18:58,697 --> 02:19:00,000 TURNING ♪ 4850 02:19:00,000 --> 02:19:00,131 TURNING ♪ 4851 02:19:00,198 --> 02:19:01,766 ♪ WE DIDN'T START THE FIRE ♪ 4852 02:19:01,833 --> 02:19:03,168 ♪ NO, WE DIDN'T LIGHT IT, BUT ♪ 4853 02:19:03,234 --> 02:19:05,637 ♪ WE'RE TRYING TO FIGHT IT ♪ 4854 02:19:05,704 --> 02:19:06,000 ♪ MORE WAR IN AFGHANISTAN ♪ 4855 02:19:06,000 --> 02:19:06,438 ♪ MORE WAR IN AFGHANISTAN ♪ 4856 02:19:06,504 --> 02:19:07,305 ♪ CUBS GO ALL THE WAY AGAIN ♪ 4857 02:19:07,372 --> 02:19:10,608 ♪ OBAMA, SPIELBERG, EXPLOSION ♪ 4858 02:19:10,675 --> 02:19:12,000 ♪ LEBANON ♪ 4859 02:19:12,000 --> 02:19:12,210 ♪ LEBANON ♪ 4860 02:19:12,277 --> 02:19:13,011 ♪ UNABOMBER, BOBBITT, JOHN ♪ 4861 02:19:13,078 --> 02:19:14,946 ♪ BOMBING BOSTON MARATHON ♪ 4862 02:19:15,013 --> 02:19:16,247 ♪ BALLOON BOY, WAR ON TERROR ♪ 4863 02:19:16,314 --> 02:19:18,000 ♪ QANON ♪ 4864 02:19:18,000 --> 02:19:18,149 ♪ QANON ♪ 4865 02:19:18,216 --> 02:19:19,684 ♪ TRUMP GETS IMPEACHED TWICE ♪ 4866 02:19:19,751 --> 02:19:21,252 ♪ POLAR BEARS GOT NO ICE ♪ 4867 02:19:21,319 --> 02:19:22,520 ♪ FYRE FEST, BLACK PARADE ♪ 4868 02:19:22,587 --> 02:19:24,000 ♪ MICHAEL PHELPS, Y2K ♪ 4869 02:19:24,000 --> 02:19:24,522 ♪ MICHAEL PHELPS, Y2K ♪ 4870 02:19:24,589 --> 02:19:25,957 ♪ BORIS JOHNSON, BREXIT ♪ 4871 02:19:26,024 --> 02:19:27,592 ♪ KANYE WEST AND TAYLOR SWIFT ♪ 4872 02:19:27,659 --> 02:19:28,426 ♪ "STRANGER THINGS," 4873 02:19:28,493 --> 02:19:29,327 "TIGER KING" ♪ 4874 02:19:29,394 --> 02:19:30,000 ♪ EVER GIVEN, SUEZ ♪ 4875 02:19:30,000 --> 02:19:30,795 ♪ EVER GIVEN, SUEZ ♪ 4876 02:19:30,862 --> 02:19:31,629 ♪ WE DIDN'T START THE FIRE ♪ 4877 02:19:31,696 --> 02:19:34,999 ♪ IT WAS ALWAYS BURNING 4878 02:19:35,066 --> 02:19:36,000 ♪ SINCE THE WORLD'S BEEN 4879 02:19:36,000 --> 02:19:36,901 ♪ SINCE THE WORLD'S BEEN 4880 02:19:36,968 --> 02:19:39,204 TURNING ♪ 4881 02:19:39,270 --> 02:19:41,372 ♪ WE DIDN'T START THE FIRE ♪ 4882 02:19:41,439 --> 02:19:42,000 ♪ NO, WE DIDN'T LIGHT IT, BUT ♪ 4883 02:19:42,000 --> 02:19:43,408 ♪ NO, WE DIDN'T LIGHT IT, BUT ♪ 4884 02:19:43,475 --> 02:19:44,242 ♪ WE'RE TRYING TO FIGHT IT ♪ 4885 02:19:44,309 --> 02:19:45,009 ♪ SANDY HOOK, COLUMBINE ♪ 4886 02:19:45,076 --> 02:19:45,910 ♪ SANDRA BLAND AND TAMIR RICE ♪ 4887 02:19:45,977 --> 02:19:46,578 ♪ ISIS, LEBRON JAMES, 4888 02:19:46,644 --> 02:19:48,000 SHINZO ABE ♪ 4889 02:19:48,000 --> 02:19:48,813 SHINZO ABE ♪ 4890 02:19:48,880 --> 02:19:49,714 ♪ BLOWN AWAY ♪ 4891 02:19:49,781 --> 02:19:50,548 ♪ MEGHAN MARKLE, GEORGE FLOYD ♪ 4892 02:19:50,615 --> 02:19:52,817 ♪ BURJ KHALIFA, METROID ♪ 4893 02:19:52,884 --> 02:19:54,000 ♪ FERMI PARADOX, VENUS AND 4894 02:19:54,000 --> 02:19:54,185 ♪ FERMI PARADOX, VENUS AND 4895 02:19:54,252 --> 02:19:59,591 SERENA ♪ 4896 02:19:59,657 --> 02:19:59,924 ♪ 4897 02:19:59,991 --> 02:20:00,000 ♪ OH-OH-OH, MICHAEL JORDAN, 23 ♪ 4898 02:20:00,000 --> 02:20:00,825 ♪ OH-OH-OH, MICHAEL JORDAN, 23 ♪ 4899 02:20:00,892 --> 02:20:02,293 ♪ YOUTUBE KILLED MTV ♪ 4900 02:20:02,360 --> 02:20:04,329 ♪ SPONGEBOB, GOLDEN STATE 4901 02:20:04,395 --> 02:20:05,563 KILLER ♪ 4902 02:20:05,630 --> 02:20:06,000 ♪ GOT CAUGHT ♪ 4903 02:20:06,000 --> 02:20:06,431 ♪ GOT CAUGHT ♪ 4904 02:20:06,498 --> 02:20:07,365 ♪ MICHAEL JORDAN, 45 4905 02:20:07,432 --> 02:20:08,633 ♪ WOODSTOCK '99 ♪ 4906 02:20:08,700 --> 02:20:10,168 ♪ KEATON, BATMAN, BUSH V. GORE ♪ 4907 02:20:10,235 --> 02:20:11,770 ♪ I CAN'T TAKE IT ANYMORE ♪ 4908 02:20:11,836 --> 02:20:12,000 ♪ WE DIDN'T START THE FIRE ♪ 4909 02:20:12,000 --> 02:20:13,972 ♪ WE DIDN'T START THE FIRE ♪ 4910 02:20:14,038 --> 02:20:15,874 ♪ IT WAS ALWAYS BURNING ♪ 4911 02:20:15,940 --> 02:20:17,876 ♪ SINCE WORLD'S BEEN TURNING ♪ 4912 02:20:17,942 --> 02:20:18,000 ♪ WE DIDN'T START THE FIRE ♪ 4913 02:20:18,000 --> 02:20:20,612 ♪ WE DIDN'T START THE FIRE ♪ 4914 02:20:20,678 --> 02:20:22,347 ♪ NO, WE DIDN'T LIGHT IT ♪ 4915 02:20:22,413 --> 02:20:24,000 ♪ BUT WE'RE TRYING TO FIGHT IT ♪ 4916 02:20:24,000 --> 02:20:24,449 ♪ BUT WE'RE TRYING TO FIGHT IT ♪ 4917 02:20:24,516 --> 02:20:25,350 ♪ ELON MUSK, KAEPERNICK ♪ 4918 02:20:25,416 --> 02:20:27,585 ♪ TEXAS FAILED ELECTRIC GRID ♪ 4919 02:20:27,652 --> 02:20:28,386 ♪ JEFF BEZOS, CLIMATE CHANGE ♪ 4920 02:20:28,453 --> 02:20:29,287 ♪ WHITE RHINO GOES EXTINCT ♪ 4921 02:20:29,354 --> 02:20:30,000 ♪ GREAT PACIFIC GARBAGE PATCH ♪ 4922 02:20:30,000 --> 02:20:30,989 ♪ GREAT PACIFIC GARBAGE PATCH ♪ 4923 02:20:31,055 --> 02:20:33,591 ♪ TOM DELONGE AND ALIENS ♪ 4924 02:20:33,658 --> 02:20:35,126 ♪ MARS ROVER, AVATAR ♪ 4925 02:20:35,193 --> 02:20:36,000 ♪ SELF-DRIVING ELECTRIC CARS ♪ 4926 02:20:36,000 --> 02:20:37,061 ♪ SELF-DRIVING ELECTRIC CARS ♪ 4927 02:20:37,128 --> 02:20:39,364 ♪ SSRIs, PRINCE AND THE QUEEN 4928 02:20:39,430 --> 02:20:40,465 DIE ♪ 4929 02:20:40,532 --> 02:20:41,866 ♪ WORLD TRADE, SECOND PLANE 4930 02:20:41,933 --> 02:20:42,000 ♪ WHAT ELSE DO I HAVE TO SAY? ♪ 4931 02:20:42,000 --> 02:20:43,368 ♪ WHAT ELSE DO I HAVE TO SAY? ♪ 4932 02:20:43,434 --> 02:20:44,369 ♪ WE DIDN'T START THE FIRE ♪ 4933 02:20:44,435 --> 02:20:44,969 ♪ WE DIDN'T START IT ♪ 4934 02:20:45,036 --> 02:20:45,770 ♪ IT WAS ALWAYS BURNING ♪ 4935 02:20:45,837 --> 02:20:46,471 ♪ SINCE THE WORLD'S BEEN 4936 02:20:46,538 --> 02:20:48,000 TURNING ♪ 4937 02:20:48,000 --> 02:20:49,541 TURNING ♪ 4938 02:20:49,607 --> 02:20:51,042 ♪ WE DIDN'T START THE FIRE ♪ 4939 02:20:51,109 --> 02:20:54,000 ♪ WE DIDN'T START IT ♪ 4940 02:20:54,000 --> 02:20:54,045 ♪ WE DIDN'T START IT ♪ 4941 02:20:54,112 --> 02:20:55,480 ♪ BUT WHEN WE ARE GONE ♪ 4942 02:20:55,547 --> 02:20:56,481 ♪ IT WILL STILL GO ON ♪ 4943 02:20:56,548 --> 02:20:57,782 ♪ AND ON, AND ON, AND ON, AN 4944 02:20:57,849 --> 02:20:59,184 ON ♪ 4945 02:20:59,250 --> 02:21:00,000 ♪ AND ON, AND ON, AND ON ♪ 4946 02:21:00,000 --> 02:21:02,487 ♪ AND ON, AND ON, AND ON ♪ 4947 02:21:02,554 --> 02:21:05,056 ♪ WE DIDN'T START THE FIRE ♪ 4948 02:21:05,123 --> 02:21:06,000 ♪ IT WAS ALWAYS BURNING ♪ 4949 02:21:06,000 --> 02:21:06,758 ♪ IT WAS ALWAYS BURNING ♪ 4950 02:21:06,825 --> 02:21:12,000 ♪ SINCE THE WORLD'S BEEN 4951 02:21:12,000 --> 02:21:12,130 ♪ SINCE THE WORLD'S BEEN 4952 02:21:12,197 --> 02:21:12,664 [APPLAUSE] 4953 02:21:12,730 --> 02:21:16,968 TURNING ♪ 4954 02:21:17,035 --> 02:21:18,000 [APPLAUSE]. 4955 02:21:18,000 --> 02:21:19,904 [APPLAUSE]. 4956 02:21:19,971 --> 02:21:23,875 >> TOCO ANYWHERE BECAUSE 4957 02:21:23,942 --> 02:21:24,000 TOMORROW BY TOGETHER AND 4958 02:21:24,000 --> 02:21:25,777 TOMORROW BY TOGETHER AND 4959 02:21:25,844 --> 02:21:27,145 ANITTA ARE ABOUT TO SHUT IT 4960 02:21:27,212 --> 02:21:28,746 DOWN TO YOU BEEN VOTING ALL 4961 02:21:28,813 --> 02:21:29,714 NIGHT. 4962 02:21:29,781 --> 02:21:30,000 THE CAMERON AND IS YOUR BEST 4963 02:21:30,000 --> 02:21:32,083 THE CAMERON AND IS YOUR BEST 4964 02:21:32,150 --> 02:21:32,650 ARTIST NEXT. 4965 02:21:32,717 --> 02:21:33,151 AND 4966 02:21:44,062 --> 02:21:48,000 [♪ MUSIC ]. 4967 02:21:48,000 --> 02:21:48,733 [♪ MUSIC ]. 4968 02:21:48,800 --> 02:21:52,170 >> OKAY, YOU GUYS, FIRST OF 4969 02:21:52,237 --> 02:21:54,000 ALL NEW YORK STAND THE FUCK 4970 02:21:54,000 --> 02:21:58,576 ALL NEW YORK STAND THE FUCK 4971 02:21:58,643 --> 02:21:59,143 UP. 4972 02:21:59,210 --> 02:22:00,000 AND THAT'S HOW WE GONNA START 4973 02:22:00,000 --> 02:22:02,046 AND THAT'S HOW WE GONNA START 4974 02:22:02,113 --> 02:22:03,448 THIS. 4975 02:22:03,514 --> 02:22:05,750 AND ALSO, I GOT A BIG 4976 02:22:05,817 --> 02:22:06,000 SURPRISE FOR Y'ALL AT THE END 4977 02:22:06,000 --> 02:22:07,485 SURPRISE FOR Y'ALL AT THE END 4978 02:22:07,552 --> 02:22:12,000 OF THE NIGHT. 4979 02:22:12,000 --> 02:22:14,225 OF THE NIGHT. 4980 02:22:14,292 --> 02:22:16,928 OKAY, YOU GUYS CAN I REALLY 4981 02:22:16,995 --> 02:22:18,000 WANTED TO END THE STICKS 4982 02:22:18,000 --> 02:22:21,299 WANTED TO END THE STICKS 4983 02:22:21,366 --> 02:22:22,033 AWARD MYSELF, BECAUSE HONEST 4984 02:22:22,100 --> 02:22:22,700 TRUE VISIONARIES OF THIS 4985 02:22:22,767 --> 02:22:24,000 ARTFORM TO THESE ARE THE 4986 02:22:24,000 --> 02:22:24,335 ARTFORM TO THESE ARE THE 4987 02:22:24,402 --> 02:22:25,570 ARTISTS BEHIND THE CAMERA 4988 02:22:25,637 --> 02:22:26,537 WILL BRING THESE 4989 02:22:26,604 --> 02:22:30,000 GROUNDBREAKING MUSIC VIDEOS 4990 02:22:30,000 --> 02:22:31,843 GROUNDBREAKING MUSIC VIDEOS 4991 02:22:31,910 --> 02:22:32,210 TO LIFE. 4992 02:22:32,277 --> 02:22:32,877 HERE ARE THE NOMINEES FOR 4993 02:22:32,944 --> 02:22:35,446 BEST DIRECTION. 4994 02:22:35,513 --> 02:22:36,000 >> BEST DIRECTION. 4995 02:22:36,000 --> 02:22:39,317 >> BEST DIRECTION. 4996 02:22:39,384 --> 02:22:42,000 MEGHAN THEE STALLION HER, 4997 02:22:42,000 --> 02:22:43,254 MEGHAN THEE STALLION HER, 4998 02:22:43,321 --> 02:22:46,658 DIRECTED BY COLIN TILLEY. 4999 02:22:46,724 --> 02:22:48,000 >> DRAKE, FALLING BACK, 5000 02:22:48,000 --> 02:22:50,161 >> DRAKE, FALLING BACK, 5001 02:22:50,228 --> 02:22:53,264 DIRECTED BY DIRECTOR X. 5002 02:22:53,331 --> 02:22:54,000 >> TAYLOR SWIFT ANTIHERO, 5003 02:22:54,000 --> 02:22:58,369 >> TAYLOR SWIFT ANTIHERO, 5004 02:22:58,436 --> 02:23:00,000 DIRECTED BY TAYLOR SWIFT. 5005 02:23:00,000 --> 02:23:03,741 DIRECTED BY TAYLOR SWIFT. 5006 02:23:03,808 --> 02:23:05,944 >> KENDRICK LAMAR, COUNT ME 5007 02:23:06,010 --> 02:23:10,848 OUT, DIRECTED BY DAVE FREE 5008 02:23:10,915 --> 02:23:12,000 AND KENDRICK LAMAR. 5009 02:23:12,000 --> 02:23:14,452 AND KENDRICK LAMAR. 5010 02:23:14,519 --> 02:23:18,000 >> DOJA CAT ATTENTION 5011 02:23:18,000 --> 02:23:18,056 >> DOJA CAT ATTENTION 5012 02:23:18,122 --> 02:23:21,259 DIRECTED BY TOM MARINO. 5013 02:23:21,326 --> 02:23:24,000 SAM SMITH AND KIM PETRAS, 5014 02:23:24,000 --> 02:23:25,163 SAM SMITH AND KIM PETRAS, 5015 02:23:25,229 --> 02:23:30,000 UNHOLY, DIRECTED BY DIFFMACK. 5016 02:23:30,000 --> 02:23:31,703 UNHOLY, DIRECTED BY DIFFMACK. 5017 02:23:31,769 --> 02:23:36,000 >> SZA, KILL BILL DIRECTED BY 5018 02:23:36,000 --> 02:23:38,876 >> SZA, KILL BILL DIRECTED BY 5019 02:23:38,943 --> 02:23:41,980 CHRISTIAN ROTH PHONE. 5020 02:23:42,046 --> 02:23:45,249 >> WHO DO YOU GUYS THINK IT 5021 02:23:45,316 --> 02:23:48,000 IS? 5022 02:23:48,000 --> 02:23:49,153 IS? 5023 02:23:49,220 --> 02:23:53,458 OKAY, ON THE COUNT -- OKAY, 5024 02:23:53,524 --> 02:23:53,825 LISTEN. 5025 02:23:53,891 --> 02:23:54,000 OKAY, SHUT THE FUCK UP TO 5026 02:23:54,000 --> 02:23:57,628 OKAY, SHUT THE FUCK UP TO 5027 02:23:57,695 --> 02:24:00,000 WHAT THE FUCK YOU -- 5028 02:24:00,000 --> 02:24:01,733 WHAT THE FUCK YOU -- 5029 02:24:01,799 --> 02:24:03,634 AND THE WINNER IS BEST 5030 02:24:03,701 --> 02:24:06,000 DIRECTION ANTIHERO, DIRECTED 5031 02:24:06,000 --> 02:24:06,604 DIRECTION ANTIHERO, DIRECTED 5032 02:24:06,671 --> 02:24:07,572 BY TAYLOR SWIFT! 5033 02:24:07,638 --> 02:24:12,000 [APPLAUSE] 5034 02:24:12,000 --> 02:24:18,000 [APPLAUSE] 5035 02:24:18,000 --> 02:24:22,153 [APPLAUSE] 5036 02:24:22,220 --> 02:24:24,000 [APPLAUSE] 5037 02:24:24,000 --> 02:24:24,455 [APPLAUSE] 5038 02:24:24,522 --> 02:24:30,000 [♪ MUSIC ] 5039 02:24:30,000 --> 02:24:32,063 [♪ MUSIC ] 5040 02:24:32,130 --> 02:24:36,000 ♪ . 5041 02:24:36,000 --> 02:24:41,806 ♪ . 5042 02:24:41,873 --> 02:24:42,000 >> THAT'S MY FAVORITE SONG 5043 02:24:42,000 --> 02:24:46,411 >> THAT'S MY FAVORITE SONG 5044 02:24:46,477 --> 02:24:48,000 OVER THERE. 5045 02:24:48,000 --> 02:24:50,314 OVER THERE. 5046 02:24:50,381 --> 02:24:51,983 SO IF THERE IS ONE THING THAT 5047 02:24:52,050 --> 02:24:54,000 I LEARNED, ABOUT DIRECTION IS 5048 02:24:54,000 --> 02:24:55,319 I LEARNED, ABOUT DIRECTION IS 5049 02:24:55,386 --> 02:24:59,557 IT IS ABSOLUTELY A TEAM SPO 5050 02:24:59,624 --> 02:24:59,891 SPORT. 5051 02:24:59,957 --> 02:25:00,000 SO I BROUGHT MY TEAM WITH ME 5052 02:25:00,000 --> 02:25:01,159 SO I BROUGHT MY TEAM WITH ME 5053 02:25:01,225 --> 02:25:01,526 TONIGHT. 5054 02:25:01,592 --> 02:25:04,462 I'M SO LUCKY TO WORK WITH 5055 02:25:04,529 --> 02:25:06,000 THESE BRILLIANT BRILLIANT 5056 02:25:06,000 --> 02:25:06,597 THESE BRILLIANT BRILLIANT 5057 02:25:06,664 --> 02:25:07,632 COLLABORATORS IN MY EDITOR 5058 02:25:07,698 --> 02:25:10,668 CHANCELLOR HAYNES. 5059 02:25:10,735 --> 02:25:12,000 I GOT MYSELF STARING AT HER 5060 02:25:12,000 --> 02:25:13,838 I GOT MYSELF STARING AT HER 5061 02:25:13,905 --> 02:25:15,073 THAT I GOT MY CINEMATO 5062 02:25:15,139 --> 02:25:15,573 CINEMATOGRAPHER. 5063 02:25:15,640 --> 02:25:18,000 AND WE WORK TOGETHER SO MANY 5064 02:25:18,000 --> 02:25:18,309 AND WE WORK TOGETHER SO MANY 5065 02:25:18,376 --> 02:25:22,113 TIMES, AND EVERY TIME IT IS 5066 02:25:22,180 --> 02:25:22,647 SO MUCH FUN. 5067 02:25:22,713 --> 02:25:23,347 I'M JUST SO LUCKY TO GET TO 5068 02:25:23,414 --> 02:25:24,000 DO THIS. 5069 02:25:24,000 --> 02:25:24,115 DO THIS. 5070 02:25:24,182 --> 02:25:25,249 I ALSO WANT TO THANK THE 5071 02:25:25,316 --> 02:25:26,617 ACTORS WHO VOLUNTEERED TO 5072 02:25:26,684 --> 02:25:30,000 PLAY MY NIGHTMARE, ARRANGES 5073 02:25:30,000 --> 02:25:30,221 PLAY MY NIGHTMARE, ARRANGES 5074 02:25:30,288 --> 02:25:32,723 FUTURE CHILDREN. 5075 02:25:32,790 --> 02:25:35,059 MIKEBINKLEY, JOHN MERRILL, 5076 02:25:35,126 --> 02:25:35,860 MARY ELIZABETH ALICE, THANK 5077 02:25:35,927 --> 02:25:36,000 YOU SO MUCH. 5078 02:25:36,000 --> 02:25:38,229 YOU SO MUCH. 5079 02:25:38,296 --> 02:25:42,000 YOU ABSOLUTELY PLAYED THE 5080 02:25:42,000 --> 02:25:42,200 YOU ABSOLUTELY PLAYED THE 5081 02:25:42,266 --> 02:25:42,700 PARTS PERFECTLY. 5082 02:25:42,767 --> 02:25:45,036 I AM SO, SO LUCKY TO GET TO 5083 02:25:45,103 --> 02:25:46,070 DIRECTED TO WRITE MY MUSIC 5084 02:25:46,137 --> 02:25:47,672 VIDEOS. 5085 02:25:47,738 --> 02:25:48,000 I LOVE IT SO MUCH SO THANK 5086 02:25:48,000 --> 02:25:48,372 I LOVE IT SO MUCH SO THANK 5087 02:25:48,439 --> 02:25:50,908 YOU SO MUCH VMAS. 5088 02:25:50,975 --> 02:25:51,309 THANK YOU. 5089 02:25:51,375 --> 02:25:54,000 [APPLAUSE] 5090 02:25:54,000 --> 02:25:58,850 [APPLAUSE] 5091 02:25:58,916 --> 02:26:00,000 ♪ . 5092 02:26:00,000 --> 02:26:01,919 ♪ . 5093 02:26:01,986 --> 02:26:06,000 >> PLEASE WELCOME SABRINA 5094 02:26:06,000 --> 02:26:07,325 >> PLEASE WELCOME SABRINA 5095 02:26:07,391 --> 02:26:07,725 CARPENTER. 5096 02:26:07,792 --> 02:26:12,000 [APPLAUSE]. 5097 02:26:12,000 --> 02:26:13,731 [APPLAUSE]. 5098 02:26:13,798 --> 02:26:16,734 >> HEY, VMAS, HOW IS 5099 02:26:16,801 --> 02:26:18,000 EVERYBODY DOING UP THERE? 5100 02:26:18,000 --> 02:26:19,937 EVERYBODY DOING UP THERE? 5101 02:26:20,004 --> 02:26:22,540 SO THIS PAST WEEK ONE OF THE 5102 02:26:22,607 --> 02:26:24,000 BIGGEST KPOP PACKS ON THE 5103 02:26:24,000 --> 02:26:24,475 BIGGEST KPOP PACKS ON THE 5104 02:26:24,542 --> 02:26:29,547 PLANET, AND A GLOBAL LATIN 5105 02:26:29,614 --> 02:26:30,000 MUSIC SUPERSTAR ANNOUNCED A 5106 02:26:30,000 --> 02:26:34,519 MUSIC SUPERSTAR ANNOUNCED A 5107 02:26:34,585 --> 02:26:35,586 NEW COLLABORATION, AND FANS 5108 02:26:35,653 --> 02:26:36,000 HAVE BEEN LOSING THEIR MINDS. 5109 02:26:36,000 --> 02:26:37,355 HAVE BEEN LOSING THEIR MINDS. 5110 02:26:37,421 --> 02:26:38,990 THE TIME IS COME, AND THIS IS 5111 02:26:39,056 --> 02:26:42,000 WHAT THE VMAS ARE ALL ABOUT. 5112 02:26:42,000 --> 02:26:42,760 WHAT THE VMAS ARE ALL ABOUT. 5113 02:26:42,827 --> 02:26:43,594 SO PREMIERING THEIR BRAND A 5114 02:26:43,661 --> 02:26:44,996 SINGLE GRANT IT'S TOMORROW 5115 02:26:45,062 --> 02:26:48,000 TOGETHER AND ANITTA. 5116 02:26:48,000 --> 02:26:51,369 TOGETHER AND ANITTA. 5117 02:26:51,435 --> 02:26:54,000 [APPLAUSE] 5118 02:26:54,000 --> 02:27:00,000 [APPLAUSE] 5119 02:27:00,000 --> 02:27:05,917 [APPLAUSE] 5120 02:27:05,983 --> 02:27:06,000 ♪ 5121 02:27:06,000 --> 02:27:12,000 ♪ 5122 02:27:12,000 --> 02:27:18,000 ♪ 5123 02:27:18,000 --> 02:27:21,432 ♪ 5124 02:27:21,499 --> 02:27:21,966 ♪ I CAN SEE YOU♪ 5125 02:27:22,033 --> 02:27:23,067 ♪ COMING BACK FOR MORE ♪ 5126 02:27:23,134 --> 02:27:24,000 ♪ COMING BACK FOR MORE ♪ 5127 02:27:24,000 --> 02:27:24,235 ♪ COMING BACK FOR MORE ♪ 5128 02:27:24,302 --> 02:27:26,070 ♪ IF YOU WALK OUT THAT DOOR ♪ 5129 02:27:26,137 --> 02:27:27,605 ♪ WHEN I'M WITH YOU ♪ 5130 02:27:27,672 --> 02:27:28,506 ♪ IT ALL FEELS DIFFERENT ♪ 5131 02:27:28,573 --> 02:27:29,707 ♪ WHEN I'M WITH YOU ♪ 5132 02:27:29,774 --> 02:27:30,000 ♪ IT ALL MAKES SENSE ♪ 5133 02:27:30,000 --> 02:27:30,274 ♪ IT ALL MAKES SENSE ♪ 5134 02:27:30,341 --> 02:27:31,542 ♪ AND I KNOW YOU DON'T FEEL ♪ 5135 02:27:31,609 --> 02:27:32,376 ♪ NO DIFFERENT ♪ 5136 02:27:32,443 --> 02:27:33,544 ♪ THERE'S A MAGIC TO HOW WE 5137 02:27:33,611 --> 02:27:36,000 LIVIN' ♪ 5138 02:27:36,000 --> 02:27:36,447 LIVIN' ♪ 5139 02:27:36,514 --> 02:27:37,848 ♪ THERE'S A MAGIC TO WHAT THIS 5140 02:27:37,915 --> 02:27:38,683 IS ♪ 5141 02:27:38,749 --> 02:27:39,984 ♪ IT'S LIKE A DREAM AND ♪ 5142 02:27:40,051 --> 02:27:41,319 ♪ WE BOTH DAY-TRIPPIN' ♪ 5143 02:27:41,385 --> 02:27:42,000 ♪ ALL I KNOW IS IF YOU WALK 5144 02:27:42,000 --> 02:27:45,489 ♪ ALL I KNOW IS IF YOU WALK 5145 02:27:45,556 --> 02:27:47,191 AWAY ♪ 5146 02:27:47,258 --> 02:27:48,000 ♪ THERE'LL BE SOMETHING ♪ 5147 02:27:48,000 --> 02:27:48,926 ♪ THERE'LL BE SOMETHING ♪ 5148 02:27:48,993 --> 02:27:50,161 ♪ THERE'LL BE THINGS ♪ 5149 02:27:50,228 --> 02:27:51,796 ♪ YOU CAN'T REPLACE ♪ 5150 02:27:51,862 --> 02:27:53,264 ♪ ALL I KNOW IS IF YOU WALK 5151 02:27:53,331 --> 02:27:54,000 AWAY ♪ 5152 02:27:54,000 --> 02:27:55,266 AWAY ♪ 5153 02:27:55,333 --> 02:27:57,768 ♪ THERE'LL BE SOMETHING ♪ 5154 02:27:57,835 --> 02:27:59,637 ♪ BABY, THAT'S OKAY ♪ 5155 02:27:59,704 --> 02:28:00,000 ♪ 'CAUSE I CAN SEE YOU ♪ 5156 02:28:00,000 --> 02:28:01,539 ♪ 'CAUSE I CAN SEE YOU ♪ 5157 02:28:01,606 --> 02:28:03,007 ♪ COMING BACK FOR MORE ♪ 5158 02:28:03,074 --> 02:28:05,643 ♪ COMING BACK FOR MORE ♪ 5159 02:28:05,710 --> 02:28:06,000 ♪ IF YOU WALK OUT THAT DOOR ♪ 5160 02:28:06,000 --> 02:28:07,478 ♪ IF YOU WALK OUT THAT DOOR ♪ 5161 02:28:07,545 --> 02:28:09,780 ♪ I CAN SEE YOU ♪ 5162 02:28:09,847 --> 02:28:11,682 ♪ COMING BACK FOR MORE ♪ 5163 02:28:11,749 --> 02:28:12,000 ♪ COMING BACK FOR MORE ♪ 5164 02:28:12,000 --> 02:28:13,818 ♪ COMING BACK FOR MORE ♪ 5165 02:28:13,884 --> 02:28:18,000 ♪ IF YOU WALK OUT THAT DOOR ♪ 5166 02:28:18,000 --> 02:28:22,126 ♪ IF YOU WALK OUT THAT DOOR ♪ 5167 02:28:22,193 --> 02:28:24,000 ♪ 5168 02:28:24,000 --> 02:28:29,667 ♪ 5169 02:28:29,734 --> 02:28:30,000 ♪ I DON'T WANT TO FEEL NOBODY ♪ 5170 02:28:30,000 --> 02:28:31,035 ♪ I DON'T WANT TO FEEL NOBODY ♪ 5171 02:28:31,102 --> 02:28:33,671 ♪ IF IT ISN'T YOU, BABY ♪ 5172 02:28:33,738 --> 02:28:35,106 ♪ CONTIGO ME PONGO NAUGHTY ♪ 5173 02:28:35,172 --> 02:28:36,000 ♪ BEEN THINKING ABOUT YOU 5174 02:28:36,000 --> 02:28:36,407 ♪ BEEN THINKING ABOUT YOU 5175 02:28:36,474 --> 02:28:41,112 LATELY ♪ 5176 02:28:41,178 --> 02:28:42,000 ♪ ITA ITA LOCO 5177 02:28:42,000 --> 02:28:42,280 ♪ ITA ITA LOCO 5178 02:28:42,346 --> 02:28:42,880 ♪ COMO MUEVE EL CULO ANITTA 5179 02:28:42,947 --> 02:28:43,848 ♪ 5180 02:28:43,914 --> 02:28:44,348 ♪ DE TODAS YO SOY LA 5181 02:28:44,415 --> 02:28:48,000 FAVORITA ♪ 5182 02:28:48,000 --> 02:28:52,556 FAVORITA ♪ 5183 02:28:52,623 --> 02:28:53,291 ♪ TÚ ESTÁS PA MÍ Y YO PA TI 5184 02:28:53,357 --> 02:28:54,000 TODITA ♪ 5185 02:28:54,000 --> 02:28:55,493 TODITA ♪ 5186 02:28:55,559 --> 02:28:56,594 ♪ ALL I KNOW IS IF YOU WALK 5187 02:28:56,661 --> 02:28:57,428 AWAY ♪ 5188 02:28:57,495 --> 02:29:00,000 ♪ THERE'LL BE SOMETHING ♪ 5189 02:29:00,000 --> 02:29:00,197 ♪ THERE'LL BE SOMETHING ♪ 5190 02:29:00,264 --> 02:29:02,133 ♪ BABY, THAT'S OKAY, 'CAUSE ♪ 5191 02:29:02,199 --> 02:29:03,768 ♪ I CAN SEE YOU ♪ 5192 02:29:03,834 --> 02:29:05,703 ♪ COMING BACK FOR MORE ♪ 5193 02:29:05,770 --> 02:29:06,000 ♪ COMING BACK FOR MORE ♪ 5194 02:29:06,000 --> 02:29:07,405 ♪ COMING BACK FOR MORE ♪ 5195 02:29:07,471 --> 02:29:09,607 ♪ IF YOU WALK OUT THAT DOOR ♪ 5196 02:29:09,674 --> 02:29:12,000 ♪ I CAN SEE YOU ♪ 5197 02:29:12,000 --> 02:29:12,109 ♪ I CAN SEE YOU ♪ 5198 02:29:12,176 --> 02:29:13,711 ♪ COMING BACK FOR MORE ♪ 5199 02:29:13,778 --> 02:29:16,247 ♪ COMING BACK FOR MORE ♪ 5200 02:29:16,314 --> 02:29:18,000 ♪ IF YOU WALK OUT THAT DOOR ♪ 5201 02:29:18,000 --> 02:29:18,716 ♪ IF YOU WALK OUT THAT DOOR ♪ 5202 02:29:18,783 --> 02:29:24,000 ♪ I CAN SEE YOU ♪ 5203 02:29:24,000 --> 02:29:29,026 ♪ I CAN SEE YOU ♪ 5204 02:29:29,093 --> 02:29:30,000 ♪ COMING BACK FOR MORE ♪ 5205 02:29:30,000 --> 02:29:30,661 ♪ COMING BACK FOR MORE ♪ 5206 02:29:30,728 --> 02:29:32,830 ♪ COMING BACK FOR MORE ♪ 5207 02:29:32,897 --> 02:29:36,000 ♪ IF YOU WALK OUT THAT ♪ 5208 02:29:36,000 --> 02:29:42,000 ♪ IF YOU WALK OUT THAT ♪ 5209 02:29:42,000 --> 02:29:44,342 ♪ IF YOU WALK OUT THAT ♪ 5210 02:29:44,408 --> 02:29:44,975 ♪ AH-BA-RA-TAT, WOO, 5211 02:29:45,042 --> 02:29:48,000 AH-BA-RA-TAT ♪ 5212 02:29:48,000 --> 02:29:52,483 AH-BA-RA-TAT ♪ 5213 02:29:52,550 --> 02:29:53,818 ♪ IF YOU WALK OUT THAT DOOR ♪ 5214 02:29:53,884 --> 02:29:54,000 ♪ WOO-HOO ♪ 5215 02:29:54,000 --> 02:29:57,922 ♪ WOO-HOO ♪ 5216 02:29:57,988 --> 02:30:00,000 ♪ COMING BACK FOR MORE ♪ 5217 02:30:00,000 --> 02:30:01,325 ♪ COMING BACK FOR MORE ♪ 5218 02:30:01,392 --> 02:30:03,694 ♪ WHEN I'M WITH YOU, WHEN 5219 02:30:03,761 --> 02:30:04,128 I'M WITH YOU 5220 02:30:04,195 --> 02:30:04,462 ♪ COME ON ♪ 5221 02:30:04,528 --> 02:30:05,029 ♪ I CAN SEE YOU ♪ 5222 02:30:05,096 --> 02:30:06,000 ♪ COMING BACK FOR MORE ♪ 5223 02:30:06,000 --> 02:30:06,230 ♪ COMING BACK FOR MORE ♪ 5224 02:30:06,297 --> 02:30:07,131 ♪ COMING BACK FOR MORE ♪ 5225 02:30:07,198 --> 02:30:08,265 ♪ IF YOU WALK OUT THAT DOOR ♪ 5226 02:30:08,332 --> 02:30:09,867 ♪ I CAN SEE YOU ♪ 5227 02:30:09,934 --> 02:30:11,936 ♪ COMING BACK FOR MORE ♪ 5228 02:30:12,002 --> 02:30:14,538 ♪ COMING BACK FOR MORE ♪ 5229 02:30:14,605 --> 02:30:18,000 ♪ IF YOU WALK OUT THAT ♪ 5230 02:30:18,000 --> 02:30:18,175 ♪ IF YOU WALK OUT THAT ♪ 5231 02:30:18,242 --> 02:30:24,000 [APPLAUSE]. 5232 02:30:24,000 --> 02:30:30,000 [APPLAUSE]. 5233 02:30:30,000 --> 02:30:33,591 [APPLAUSE]. 5234 02:30:33,657 --> 02:30:35,760 >> FROM THE EXTENDED WAY 5235 02:30:35,826 --> 02:30:36,000 STATIONS PRESENTED BY DORI 5236 02:30:36,000 --> 02:30:38,095 STATIONS PRESENTED BY DORI 5237 02:30:38,162 --> 02:30:38,796 DORITOS, GIVING UP ONE MORE 5238 02:30:38,863 --> 02:30:42,000 TIME FOR THE WARNING. 5239 02:30:42,000 --> 02:30:44,735 TIME FOR THE WARNING. 5240 02:30:44,802 --> 02:30:48,000 THE MORNING. 5241 02:30:48,000 --> 02:30:52,676 THE MORNING. 5242 02:30:52,743 --> 02:30:54,000 ♪ 5243 02:30:54,000 --> 02:31:00,000 ♪ 5244 02:31:00,000 --> 02:31:06,000 ♪ 5245 02:31:06,000 --> 02:31:12,000 ♪ 5246 02:31:12,000 --> 02:31:18,000 ♪ 5247 02:31:18,000 --> 02:31:24,000 ♪ 5248 02:31:24,000 --> 02:31:30,000 ♪ 5249 02:31:30,000 --> 02:31:33,751 ♪ 5250 02:31:33,818 --> 02:31:36,000 [APPLAUSE]. 5251 02:31:36,000 --> 02:31:36,454 [APPLAUSE]. 5252 02:31:36,520 --> 02:31:42,000 >> COMING UP, ITALIAN LOGO 5253 02:31:42,000 --> 02:31:42,593 >> COMING UP, ITALIAN LOGO 5254 02:31:42,660 --> 02:31:44,528 MANESKIN EATS IT UP AND 5255 02:31:44,595 --> 02:31:46,397 QASSIM AL-RIMI MAKES HER VMA 5256 02:31:46,464 --> 02:31:47,364 DEBUT. 5257 02:31:47,431 --> 02:31:48,000 AND 5258 02:31:48,000 --> 02:31:48,866 AND 5259 02:31:59,677 --> 02:31:59,877 . 5260 02:31:59,944 --> 02:32:00,000 >> PLEASE WELCOME CHLOE AND 5261 02:32:00,000 --> 02:32:02,646 >> PLEASE WELCOME CHLOE AND 5262 02:32:02,713 --> 02:32:06,000 HALLE. 5263 02:32:06,000 --> 02:32:07,451 HALLE. 5264 02:32:07,518 --> 02:32:12,000 [♪ MUSIC ]. 5265 02:32:12,000 --> 02:32:14,291 [♪ MUSIC ]. 5266 02:32:14,358 --> 02:32:16,794 >> HI, MTV! 5267 02:32:16,861 --> 02:32:18,000 [APPLAUSE]. 5268 02:32:18,000 --> 02:32:19,463 [APPLAUSE]. 5269 02:32:19,530 --> 02:32:21,699 >> IT IS SO GOOD TO SEE YOU 5270 02:32:21,765 --> 02:32:24,000 BEAUTIFUL PEOPLE. 5271 02:32:24,000 --> 02:32:24,001 BEAUTIFUL PEOPLE. 5272 02:32:24,068 --> 02:32:26,036 I REMEMBER THE EXCITEMENT 5273 02:32:26,103 --> 02:32:26,837 WHEN I HIT THE STAGE TO 5274 02:32:26,904 --> 02:32:30,000 PERFORM AT THE VMAS. 5275 02:32:30,000 --> 02:32:30,241 PERFORM AT THE VMAS. 5276 02:32:30,307 --> 02:32:34,945 >> WOO. 5277 02:32:35,012 --> 02:32:35,679 >> RIGHT NOW THIS NEXT GROUP 5278 02:32:35,746 --> 02:32:36,000 IS PROBABLY ABOUT TO EXPLODE 5279 02:32:36,000 --> 02:32:36,413 IS PROBABLY ABOUT TO EXPLODE 5280 02:32:36,480 --> 02:32:37,081 BECAUSE THEY ARE GOING TO 5281 02:32:37,147 --> 02:32:41,085 TEAR IT DOWN, I CAN JUST FEEL 5282 02:32:41,151 --> 02:32:41,385 IT. 5283 02:32:41,452 --> 02:32:41,685 YES. 5284 02:32:41,752 --> 02:32:42,000 THEY ARE PROVOCATIVE 5285 02:32:42,000 --> 02:32:42,286 THEY ARE PROVOCATIVE 5286 02:32:42,353 --> 02:32:42,887 PERFORMERS AND 5287 02:32:42,953 --> 02:32:44,722 UNAPOLOGETICALLY THEMSELVES. 5288 02:32:44,788 --> 02:32:47,157 YOU KNOW I LOVE THAT PERIOD. 5289 02:32:47,224 --> 02:32:48,000 THEY ARE THE EMBODIMENT OF 5290 02:32:48,000 --> 02:32:48,292 THEY ARE THE EMBODIMENT OF 5291 02:32:48,359 --> 02:32:50,327 GLOBAL ROCK STARS, AND 5292 02:32:50,394 --> 02:32:53,430 TONIGHT THEY ARE TAKING HOME 5293 02:32:53,497 --> 02:32:54,000 THE VMA FOR BEST ROCK. 5294 02:32:54,000 --> 02:32:56,233 THE VMA FOR BEST ROCK. 5295 02:32:56,300 --> 02:32:59,303 >> YEAH. 5296 02:32:59,370 --> 02:33:00,000 >> MAKE SOME NOISE FOR 5297 02:33:00,000 --> 02:33:01,505 >> MAKE SOME NOISE FOR 5298 02:33:01,572 --> 02:33:06,000 MANESKIN! 5299 02:33:06,000 --> 02:33:12,000 MANESKIN! 5300 02:33:12,000 --> 02:33:18,000 MANESKIN! 5301 02:33:18,000 --> 02:33:24,000 MANESKIN! 5302 02:33:24,000 --> 02:33:26,096 MANESKIN! 5303 02:33:26,163 --> 02:33:30,000 >> LET'S GO, MAKE SOME NOISE. 5304 02:33:30,000 --> 02:33:30,267 >> LET'S GO, MAKE SOME NOISE. 5305 02:33:30,334 --> 02:33:33,604 ♪ . 5306 02:33:33,671 --> 02:33:35,906 >> I KNOW A PLACE DOWNTOWN, 5307 02:33:35,973 --> 02:33:36,000 I'M GOING TO SHOW YOU HOW TO 5308 02:33:36,000 --> 02:33:38,576 I'M GOING TO SHOW YOU HOW TO 5309 02:33:38,642 --> 02:33:40,578 SIT DOWN ♪ 5310 02:33:40,644 --> 02:33:42,000 ♪ 5311 02:33:42,000 --> 02:33:44,715 ♪ 5312 02:33:44,782 --> 02:33:48,000 ♪ WE'RE GOING TO GET SKY 5313 02:33:48,000 --> 02:33:48,719 ♪ WE'RE GOING TO GET SKY 5314 02:33:48,786 --> 02:33:51,255 HIGH ♪ 5315 02:33:51,322 --> 02:33:53,524 ♪ SOMEBODY MIGHT DIE BUT 5316 02:33:53,591 --> 02:33:54,000 NOBODY -- 5317 02:33:54,000 --> 02:34:00,000 NOBODY -- 5318 02:34:00,000 --> 02:34:01,865 NOBODY -- 5319 02:34:01,932 --> 02:34:03,000 ♪ IT'S 5 A.M., WE FEEL SO GOOD ♪ 5320 02:34:03,067 --> 02:34:05,469 ♪ IT'S ALMOST FRIGHTENING ♪ 5321 02:34:05,536 --> 02:34:06,000 ♪ IT'S 5 A.M., I'M MADE FOR 5322 02:34:06,000 --> 02:34:07,605 ♪ IT'S 5 A.M., I'M MADE FOR 5323 02:34:07,671 --> 02:34:11,408 YOU ♪ 5324 02:34:11,475 --> 02:34:12,000 ♪ WE CAN'T DENY IT ♪ 5325 02:34:12,000 --> 02:34:13,110 ♪ WE CAN'T DENY IT ♪ 5326 02:34:13,177 --> 02:34:16,013 ♪ MEET ME THERE ♪ 5327 02:34:16,080 --> 02:34:17,081 ♪ WHERE IT NEVER CLOSES ♪ 5328 02:34:17,147 --> 02:34:17,948 ♪ MEET ME THERE ♪ 5329 02:34:18,015 --> 02:34:18,916 ♪ WHERE IT'S NEVER HOPELESS ♪ 5330 02:34:18,983 --> 02:34:19,717 ♪ ALL IS FAIR IN LOVE ♪ 5331 02:34:19,783 --> 02:34:23,621 ♪ OOOHHH ♪ 5332 02:34:23,687 --> 02:34:24,000 ♪ HONEY, YOU GOTTA MEET ME 5333 02:34:24,000 --> 02:34:24,388 ♪ HONEY, YOU GOTTA MEET ME 5334 02:34:24,455 --> 02:34:26,657 THERE ♪ 5335 02:34:26,724 --> 02:34:28,726 ♪ WHERE IT NEVER CLOSES ♪ 5336 02:34:28,792 --> 02:34:30,000 ♪ MEET ME THERE ♪ 5337 02:34:30,000 --> 02:34:30,060 ♪ MEET ME THERE ♪ 5338 02:34:30,127 --> 02:34:31,662 ♪ I'LL GIVE YOU YOUR ROSES ♪ 5339 02:34:31,729 --> 02:34:34,632 ♪ ALL IS FAIR IN LOVE ♪ 5340 02:34:34,698 --> 02:34:36,000 ♪ OOOHHH ♪ 5341 02:34:36,000 --> 02:34:38,636 ♪ OOOHHH ♪ 5342 02:34:38,702 --> 02:34:38,936 ♪ HONEY ♪ 5343 02:34:39,003 --> 02:34:39,970 ♪ BEFORE I FOUND THIS PLACE ♪ 5344 02:34:40,037 --> 02:34:41,405 ♪ I WAS FEELING SO BLUE ♪ 5345 02:34:41,472 --> 02:34:42,000 ♪ BUT THEN IT TURNED ME OUT ♪ 5346 02:34:42,000 --> 02:34:43,107 ♪ BUT THEN IT TURNED ME OUT ♪ 5347 02:34:43,173 --> 02:34:44,875 ♪ LET IT DO IT TO YOU ♪ 5348 02:34:44,942 --> 02:34:46,577 ♪ IT'S NOT A ONE-NIGHT STAND ♪ 5349 02:34:46,644 --> 02:34:48,000 ♪ IF IT TURNS INTO TWO ♪ 5350 02:34:48,000 --> 02:34:48,379 ♪ IF IT TURNS INTO TWO ♪ 5351 02:34:48,445 --> 02:34:54,000 ♪ WE'LL LIIIIIKE IT ♪ 5352 02:34:54,000 --> 02:34:54,518 ♪ WE'LL LIIIIIKE IT ♪ 5353 02:34:54,585 --> 02:34:56,420 ♪ IT'S 5 A.M., WE FEEL SO GOOD ♪ 5354 02:34:56,487 --> 02:34:57,821 ♪ 5355 02:34:57,888 --> 02:35:00,000 ♪ IT'S ALMOST FRIGHTENING ♪ 5356 02:35:00,000 --> 02:35:00,124 ♪ IT'S ALMOST FRIGHTENING ♪ 5357 02:35:00,190 --> 02:35:03,327 ♪ LET'S TRY AGAIN ♪ 5358 02:35:03,394 --> 02:35:04,828 ♪ I DON'T DESERVE YOU ♪ 5359 02:35:04,895 --> 02:35:06,000 ♪ YOU'RE A DIAMOND ♪ 5360 02:35:06,000 --> 02:35:07,031 ♪ YOU'RE A DIAMOND ♪ 5361 02:35:07,097 --> 02:35:08,132 ♪ MEET ME THERE ♪ 5362 02:35:08,198 --> 02:35:09,500 ♪ WHERE IT NEVER CLOSES ♪ 5363 02:35:09,566 --> 02:35:10,934 ♪ MEET ME THERE ♪ 5364 02:35:11,001 --> 02:35:12,000 ♪ WHERE IT'S NEVER HOPELESS ♪ 5365 02:35:12,000 --> 02:35:12,970 ♪ WHERE IT'S NEVER HOPELESS ♪ 5366 02:35:13,037 --> 02:35:15,506 ♪ ALL IS FAIR IN LOVE ♪ 5367 02:35:15,572 --> 02:35:17,041 ♪ OOOHHH ♪ 5368 02:35:17,107 --> 02:35:18,000 ♪ HONEY, YOU GOTTA MEET ME 5369 02:35:18,000 --> 02:35:20,544 ♪ HONEY, YOU GOTTA MEET ME 5370 02:35:20,611 --> 02:35:21,712 THERE ♪ 5371 02:35:21,779 --> 02:35:22,579 ♪ WHERE IT ♪ 5372 02:35:22,646 --> 02:35:23,280 ♪ NEVER CLOSES ♪ 5373 02:35:23,347 --> 02:35:24,000 ♪ MEET ME THERE ♪ 5374 02:35:24,000 --> 02:35:24,715 ♪ MEET ME THERE ♪ 5375 02:35:24,782 --> 02:35:26,817 ♪ I'LL GIVE YOU YOUR ROSES ♪ 5376 02:35:26,884 --> 02:35:30,000 ♪ ALL IS FAIR IN LOVE ♪ 5377 02:35:30,000 --> 02:35:30,287 ♪ ALL IS FAIR IN LOVE ♪ 5378 02:35:30,354 --> 02:35:31,822 ♪ OOOHHH ♪ 5379 02:35:31,889 --> 02:35:36,000 ♪ HONEY, ARE YOU COMING? ♪ 5380 02:35:36,000 --> 02:35:39,229 ♪ HONEY, ARE YOU COMING? ♪ 5381 02:35:39,296 --> 02:35:42,000 ♪ . 5382 02:35:42,000 --> 02:35:48,000 ♪ . 5383 02:35:48,000 --> 02:35:49,073 ♪ . 5384 02:35:49,139 --> 02:35:54,000 >> HONEY, ARE YOU COMING ♪ 5385 02:35:54,000 --> 02:35:55,112 >> HONEY, ARE YOU COMING ♪ 5386 02:35:55,179 --> 02:35:55,512 ♪ 5387 02:35:55,579 --> 02:36:00,000 [APPLAUSE]. 5388 02:36:00,000 --> 02:36:05,055 [APPLAUSE]. 5389 02:36:05,122 --> 02:36:06,000 >> WELCOME BACK DOUG CAMERON. 5390 02:36:06,000 --> 02:36:10,661 >> WELCOME BACK DOUG CAMERON. 5391 02:36:10,728 --> 02:36:12,000 >> HOW MAGICAL HAD THIS NIGHT 5392 02:36:12,000 --> 02:36:14,998 >> HOW MAGICAL HAD THIS NIGHT 5393 02:36:15,065 --> 02:36:15,599 BEEN SO FAR, YOU GUYS. 5394 02:36:15,666 --> 02:36:16,333 [APPLAUSE]. 5395 02:36:16,400 --> 02:36:18,000 >> COME ON. 5396 02:36:18,000 --> 02:36:18,335 >> COME ON. 5397 02:36:18,402 --> 02:36:21,205 I AM SO EXCITED TO BE HERE 5398 02:36:21,271 --> 02:36:22,706 PRESENTING THE VMA FOR BEST 5399 02:36:22,773 --> 02:36:23,574 NEW ARTIST. 5400 02:36:23,640 --> 02:36:24,000 [APPLAUSE] I REMEMBER SO 5401 02:36:24,000 --> 02:36:28,145 [APPLAUSE] I REMEMBER SO 5402 02:36:28,212 --> 02:36:29,947 VIVIDLY WANTED TO SUPPORT 5403 02:36:30,013 --> 02:36:31,148 HOME LAST YEAR, IT WAS A 5404 02:36:31,215 --> 02:36:33,484 THRILLING AND HUMBLING 5405 02:36:33,550 --> 02:36:36,000 EXPERIENCE TO KNOW ONE NIGHT 5406 02:36:36,000 --> 02:36:36,420 EXPERIENCE TO KNOW ONE NIGHT 5407 02:36:36,487 --> 02:36:37,121 COULD SO DRASTICALLY CHANGE 5408 02:36:37,187 --> 02:36:38,856 MY LIFE. 5409 02:36:38,922 --> 02:36:41,492 NOW, WITH THE FIRST VOLUME MY 5410 02:36:41,558 --> 02:36:42,000 TWO-PART DEBUT ALBUM, 5411 02:36:42,000 --> 02:36:44,128 TWO-PART DEBUT ALBUM, 5412 02:36:44,194 --> 02:36:46,897 ALCHEMICAL, COMING OUT THIS 5413 02:36:46,964 --> 02:36:48,000 FALL, I AM SO, SO HONORED TO 5414 02:36:48,000 --> 02:36:54,000 FALL, I AM SO, SO HONORED TO 5415 02:36:54,000 --> 02:36:54,271 FALL, I AM SO, SO HONORED TO 5416 02:36:54,338 --> 02:36:55,005 BE PASSING THE TORCH TO 1 OF 5417 02:36:55,072 --> 02:36:55,706 THESE AMAZING RISING STARS. 5418 02:36:55,773 --> 02:36:56,440 YOU GUYS HAVE BEEN VOTING ALL 5419 02:36:56,507 --> 02:36:57,207 NIGHT LONG, SO LET'S TAKE ONE 5420 02:36:57,274 --> 02:36:59,076 MORE LOOK AT THE NOMINEES. 5421 02:36:59,143 --> 02:37:00,000 >> BEST NEW ARTIST. 5422 02:37:00,000 --> 02:37:06,000 >> BEST NEW ARTIST. 5423 02:37:06,000 --> 02:37:06,416 >> BEST NEW ARTIST. 5424 02:37:06,483 --> 02:37:07,117 THE POWER WAS IN YOUR HANDS 5425 02:37:07,184 --> 02:37:07,851 TO MAKE THIS YEAR'S BEST NEW 5426 02:37:07,918 --> 02:37:08,585 ARTISTS, AND YOU NARROWED IT 5427 02:37:08,652 --> 02:37:09,520 DOWN TO 3. 5428 02:37:09,586 --> 02:37:12,000 >> ICE SPICE. 5429 02:37:12,000 --> 02:37:13,657 >> ICE SPICE. 5430 02:37:13,724 --> 02:37:15,659 ♪ . 5431 02:37:15,726 --> 02:37:17,494 >> RENEÉ RAPP. 5432 02:37:17,561 --> 02:37:18,000 ♪ . 5433 02:37:18,000 --> 02:37:23,267 ♪ . 5434 02:37:23,333 --> 02:37:24,000 >> AND PESO PLUMA. 5435 02:37:24,000 --> 02:37:28,505 >> AND PESO PLUMA. 5436 02:37:28,572 --> 02:37:30,000 ♪ . 5437 02:37:30,000 --> 02:37:30,808 ♪ . 5438 02:37:30,874 --> 02:37:31,508 >> IT ALL CAME DOWN TO YOUR 5439 02:37:31,575 --> 02:37:32,609 VOICE, YOUR VOTE. 5440 02:37:32,676 --> 02:37:34,278 AND IT'S TIME TO FIND OUT WHO 5441 02:37:34,344 --> 02:37:36,000 IS TAKING HOME THE TITLE. 5442 02:37:36,000 --> 02:37:36,914 IS TAKING HOME THE TITLE. 5443 02:37:36,980 --> 02:37:41,451 THIS IS YOUR BEST NEW ARTIST. 5444 02:37:41,518 --> 02:37:42,000 >> AND THE VMA GOES TO ICE 5445 02:37:42,000 --> 02:37:46,690 >> AND THE VMA GOES TO ICE 5446 02:37:46,757 --> 02:37:48,000 SPICE! 5447 02:37:48,000 --> 02:37:50,127 SPICE! 5448 02:37:50,194 --> 02:37:54,000 ♪ . 5449 02:37:54,000 --> 02:38:00,000 ♪ . 5450 02:38:00,000 --> 02:38:06,000 ♪ . 5451 02:38:06,000 --> 02:38:12,000 ♪ . 5452 02:38:12,000 --> 02:38:18,000 ♪ . 5453 02:38:18,000 --> 02:38:18,088 ♪ . 5454 02:38:18,155 --> 02:38:21,758 >> THANK YOU SO MUCH. 5455 02:38:21,825 --> 02:38:24,000 THANK YOU, MTV. 5456 02:38:24,000 --> 02:38:24,761 THANK YOU, MTV. 5457 02:38:24,828 --> 02:38:27,965 OH MY GOD, THIS IS SO COOL. 5458 02:38:28,031 --> 02:38:30,000 I JUST WANT TO THANK MY 5459 02:38:30,000 --> 02:38:33,403 I JUST WANT TO THANK MY 5460 02:38:33,470 --> 02:38:34,304 MANESKIN. 5461 02:38:34,371 --> 02:38:35,172 I LOVE YOU GUYS SO MUCH. 5462 02:38:35,239 --> 02:38:36,000 I WANT TO THANK MY MANAGER 5463 02:38:36,000 --> 02:38:36,874 I WANT TO THANK MY MANAGER 5464 02:38:36,940 --> 02:38:38,175 JAMES. 5465 02:38:38,242 --> 02:38:39,877 I WANT TO THINK MY PRODUCER 5466 02:38:39,943 --> 02:38:41,345 RYAN FOR MAKING THE BEST 5467 02:38:41,411 --> 02:38:42,000 MUSIC WITH ME. 5468 02:38:42,000 --> 02:38:42,145 MUSIC WITH ME. 5469 02:38:42,212 --> 02:38:44,548 FOUND OUT TO ALL THE NOMINEES 5470 02:38:44,615 --> 02:38:46,717 IN THIS CATEGORY. 5471 02:38:46,783 --> 02:38:48,000 I WANT TO THANK MY LABEL TEN 5472 02:38:48,000 --> 02:38:48,952 I WANT TO THANK MY LABEL TEN 5473 02:38:49,019 --> 02:38:49,686 K AND CAPITOL FOR ALWAYS 5474 02:38:49,753 --> 02:38:51,421 SUPPORTING ME. 5475 02:38:51,488 --> 02:38:53,757 AND, OF COURSE, GOD. 5476 02:38:53,824 --> 02:38:54,000 WITHOUT GOD, NONE OF THIS 5477 02:38:54,000 --> 02:38:56,193 WITHOUT GOD, NONE OF THIS 5478 02:38:56,260 --> 02:38:58,662 WOULD BE POSSIBLE. 5479 02:38:58,729 --> 02:39:00,000 SHOUT OUT TO THE BRONX. 5480 02:39:00,000 --> 02:39:05,235 SHOUT OUT TO THE BRONX. 5481 02:39:05,302 --> 02:39:05,669 [APPLAUSE]. 5482 02:39:05,736 --> 02:39:06,000 >> THANK YOU, GUYS, I LOVE 5483 02:39:06,000 --> 02:39:06,370 >> THANK YOU, GUYS, I LOVE 5484 02:39:06,436 --> 02:39:09,539 YOU SO MUCH. 5485 02:39:09,606 --> 02:39:10,407 ♪ . 5486 02:39:10,474 --> 02:39:12,000 >> PLEASE WELCOME RENEÉ RAPP. 5487 02:39:12,000 --> 02:39:14,378 >> PLEASE WELCOME RENEÉ RAPP. 5488 02:39:14,444 --> 02:39:16,013 [APPLAUSE]. 5489 02:39:16,079 --> 02:39:17,714 >> FIRST OF ALL, 5490 02:39:17,781 --> 02:39:18,000 CONGRATULATIONS ICE SPICE, 5491 02:39:18,000 --> 02:39:19,116 CONGRATULATIONS ICE SPICE, 5492 02:39:19,182 --> 02:39:21,818 YOU ARE THE PEOPLE'S PRIN 5493 02:39:21,885 --> 02:39:22,219 PRINCESS. 5494 02:39:22,286 --> 02:39:22,953 I LOVE YOU, ANYTHING YOU WANT 5495 02:39:23,020 --> 02:39:23,787 I'LL DO. 5496 02:39:23,854 --> 02:39:24,000 OKAY, OUR NEXT PERFORMER IS 5497 02:39:24,000 --> 02:39:25,455 OKAY, OUR NEXT PERFORMER IS 5498 02:39:25,522 --> 02:39:27,591 AN AWARD-WINNING AND RULE 5499 02:39:27,658 --> 02:39:28,325 BREAKING ARTIST, SONGWRITER 5500 02:39:28,392 --> 02:39:29,192 AND PRODUCER. 5501 02:39:29,259 --> 02:39:30,000 SHE IS ALSO THE BANDIT 5502 02:39:30,000 --> 02:39:31,461 SHE IS ALSO THE BANDIT 5503 02:39:31,528 --> 02:39:33,363 PITCHING COUNTRY BECAUSE SHE 5504 02:39:33,430 --> 02:39:34,097 REFUSES TO LET ANYONE PUT HER 5505 02:39:34,164 --> 02:39:35,032 IN THE GENRE BOX WHICH IS 5506 02:39:35,098 --> 02:39:36,000 SOMETHING I CAN RELATE TO. 5507 02:39:36,000 --> 02:39:37,401 SOMETHING I CAN RELATE TO. 5508 02:39:37,467 --> 02:39:38,035 AND SHE MADE ONE OF MY 5509 02:39:38,101 --> 02:39:39,770 FAVORITE ALBUMS THIS YEAR. 5510 02:39:39,836 --> 02:39:41,305 CELEBRATING HER 30TH BIRTHDAY 5511 02:39:41,371 --> 02:39:42,000 MAKING HERE VMA DEBUT TONI 5512 02:39:42,000 --> 02:39:43,674 MAKING HERE VMA DEBUT TONI 5513 02:39:43,740 --> 02:39:48,000 TONIGHT, THE AMAZING HOT, 5514 02:39:48,000 --> 02:39:49,179 TONIGHT, THE AMAZING HOT, 5515 02:39:49,246 --> 02:39:54,000 KELSEA BALLERINI 5516 02:39:54,000 --> 02:39:55,686 KELSEA BALLERINI 5517 02:39:55,752 --> 02:39:56,820 "Penthouse" 5518 02:39:56,887 --> 02:39:58,622 ♪ WE MOVED TO A PLACE WITH A 5519 02:39:58,689 --> 02:39:59,589 VIEW ♪ 5520 02:39:59,656 --> 02:40:00,000 ♪ OFF OF EIGHTH AVENUE ♪ 5521 02:40:00,000 --> 02:40:01,325 ♪ OFF OF EIGHTH AVENUE ♪ 5522 02:40:01,391 --> 02:40:02,993 ♪ AFTER WE SAID, "I DO" ♪ 5523 02:40:03,060 --> 02:40:06,000 ♪ WE WATCHED CARS OF 5524 02:40:06,000 --> 02:40:06,296 ♪ WE WATCHED CARS OF 5525 02:40:06,363 --> 02:40:06,697 BACHELORETTES ♪ 5526 02:40:06,763 --> 02:40:09,533 ♪ 2 A.M. CIGARETTES ♪ 5527 02:40:09,599 --> 02:40:11,435 ♪ AND TRAFFIC HEADED DOWNTOWN ♪ 5528 02:40:11,501 --> 02:40:12,000 ♪ AND THE INTERSTATE WAS SO 5529 02:40:12,000 --> 02:40:13,170 ♪ AND THE INTERSTATE WAS SO 5530 02:40:13,236 --> 02:40:14,838 LOUD ♪ 5531 02:40:14,905 --> 02:40:16,373 ♪ THERE WAS A LOT IT HAD TO ♪ 5532 02:40:16,440 --> 02:40:18,000 ♪ DROWN OUT ♪ 5533 02:40:18,000 --> 02:40:19,209 ♪ DROWN OUT ♪ 5534 02:40:19,276 --> 02:40:20,911 ♪ WE PLAYED THE PART FIVE 5535 02:40:20,978 --> 02:40:22,179 NIGHTS ♪ 5536 02:40:22,245 --> 02:40:23,513 ♪ BUT WE WERE NEVER THERE ♪ 5537 02:40:23,580 --> 02:40:24,000 ♪ ON THE WEEKENDS, BABY ♪ 5538 02:40:24,000 --> 02:40:25,649 ♪ ON THE WEEKENDS, BABY ♪ 5539 02:40:25,716 --> 02:40:28,452 ♪ WE GOT ALONG REAL NICE ♪ 5540 02:40:28,518 --> 02:40:30,000 ♪ BUT WHEN I LEFT TOWN ♪ 5541 02:40:30,000 --> 02:40:30,487 ♪ BUT WHEN I LEFT TOWN ♪ 5542 02:40:30,554 --> 02:40:32,756 ♪ DID YOU HATE ME? ♪ 5543 02:40:32,823 --> 02:40:35,692 ♪ ONE DAY, THE CURTAIN STARTED ♪ 5544 02:40:35,759 --> 02:40:36,000 ♪ COMING DOWN ♪ 5545 02:40:36,000 --> 02:40:36,593 ♪ COMING DOWN ♪ 5546 02:40:36,660 --> 02:40:38,128 ♪ I CHANGED THE SECOND WE WERE ♪ 5547 02:40:38,195 --> 02:40:39,629 ♪ MOVING OUT ♪ 5548 02:40:39,696 --> 02:40:40,697 ♪ I GUESS WRONG CAN LOOK 5549 02:40:40,764 --> 02:40:42,000 ALRIGHT ♪ 5550 02:40:42,000 --> 02:40:42,799 ALRIGHT ♪ 5551 02:40:42,866 --> 02:40:44,301 ♪ WHEN YOU'RE PLAYING HOME ♪ 5552 02:40:44,368 --> 02:40:48,000 ♪ IN A PENTHOUSE, BABY ♪ 5553 02:40:48,000 --> 02:40:50,407 ♪ IN A PENTHOUSE, BABY ♪ 5554 02:40:50,474 --> 02:40:53,910 [APPLAUSE] 5555 02:40:53,977 --> 02:40:54,000 ♪ AND I BOUGHT THE HOUSE ♪ 5556 02:40:54,000 --> 02:40:55,445 ♪ AND I BOUGHT THE HOUSE ♪ 5557 02:40:55,512 --> 02:40:56,413 ♪ WITH A FENCE ♪ 5558 02:40:56,480 --> 02:40:57,848 ♪ ENOUGH ROOM FOR SOME KIDS ♪ 5559 02:40:57,914 --> 02:40:59,850 ♪ A BACKYARD FOR DIBS ♪ 5560 02:40:59,916 --> 02:41:00,000 ♪ AND I THOUGHT THAT WOULD ♪ 5561 02:41:00,000 --> 02:41:02,052 ♪ AND I THOUGHT THAT WOULD ♪ 5562 02:41:02,119 --> 02:41:03,286 ♪ MAKE IT ALL BETTER ♪ 5563 02:41:03,353 --> 02:41:04,788 ♪ AND MAYBE FOREVER WOULDN'T 5564 02:41:04,855 --> 02:41:06,000 FEEL ♪ 5565 02:41:06,000 --> 02:41:06,323 FEEL ♪ 5566 02:41:06,390 --> 02:41:08,158 ♪ LIKE THE WALLS CLOSING IN ♪ 5567 02:41:08,225 --> 02:41:09,459 ♪ 'CAUSE HOW DOES THAT EVEN ♪ 5568 02:41:09,526 --> 02:41:11,228 ♪ MAKE SENSE? ♪ 5569 02:41:11,294 --> 02:41:12,000 ♪ NOW THAT I THINK ABOUT IT ♪ 5570 02:41:12,000 --> 02:41:12,796 ♪ NOW THAT I THINK ABOUT IT ♪ 5571 02:41:12,863 --> 02:41:15,732 ♪ IT NEVER DID ♪ 5572 02:41:15,799 --> 02:41:16,900 ♪ WE PLAYED THE PART FIVE 5573 02:41:16,967 --> 02:41:18,000 NIGHTS ♪ 5574 02:41:18,000 --> 02:41:18,402 NIGHTS ♪ 5575 02:41:18,468 --> 02:41:20,537 ♪ BUT WE WERE NEVER THERE ♪ 5576 02:41:20,604 --> 02:41:21,905 ♪ ON THE WEEKENDS, BABY ♪ 5577 02:41:21,972 --> 02:41:23,407 ♪ WE GOT ALONG REAL NICE ♪ 5578 02:41:23,473 --> 02:41:24,000 ♪ BUT WHEN I LEFT TOWN ♪ 5579 02:41:24,000 --> 02:41:25,175 ♪ BUT WHEN I LEFT TOWN ♪ 5580 02:41:25,242 --> 02:41:29,146 ♪ DID YOU HATE ME? ♪ 5581 02:41:29,212 --> 02:41:30,000 ♪ ONE DAY, THE CURTAIN STARTED ♪ 5582 02:41:30,000 --> 02:41:30,947 ♪ ONE DAY, THE CURTAIN STARTED ♪ 5583 02:41:31,014 --> 02:41:32,315 ♪ COMING DOWN ♪ 5584 02:41:32,382 --> 02:41:33,750 ♪ YOU CHANGED THE SECOND WE 5585 02:41:33,817 --> 02:41:34,718 WERE ♪ 5586 02:41:34,785 --> 02:41:35,852 ♪ MOVING OUT ♪ 5587 02:41:35,919 --> 02:41:36,000 ♪ I GUESS WRONG CAN LOOK ALL 5588 02:41:36,000 --> 02:41:37,154 ♪ I GUESS WRONG CAN LOOK ALL 5589 02:41:37,220 --> 02:41:39,256 RIGHT ♪ 5590 02:41:39,322 --> 02:41:40,757 ♪ WHEN YOU'RE PLAYING HOME ♪ 5591 02:41:40,824 --> 02:41:42,000 ♪ IN A PENTHOUSE, BABY ♪ 5592 02:41:42,000 --> 02:41:46,063 ♪ IN A PENTHOUSE, BABY ♪ 5593 02:41:46,129 --> 02:41:47,230 ♪ 'CAUSE WE WERE PLAYING HOME ♪ 5594 02:41:47,297 --> 02:41:48,000 ♪ IN A PENTHOUSE, BABY ♪ 5595 02:41:48,000 --> 02:41:54,000 ♪ IN A PENTHOUSE, BABY ♪ 5596 02:41:54,000 --> 02:41:55,772 ♪ IN A PENTHOUSE, BABY ♪ 5597 02:41:55,839 --> 02:41:57,974 ♪ AND IT HURTS PUTTING SHIT IN 5598 02:41:58,041 --> 02:41:59,676 A BOX ♪ 5599 02:41:59,743 --> 02:42:00,000 ♪ AND NOW WE DON'T TALK ♪ 5600 02:42:00,000 --> 02:42:02,446 ♪ AND NOW WE DON'T TALK ♪ 5601 02:42:02,512 --> 02:42:04,714 ♪ AND IT STINGS ROLLING UP ♪ 5602 02:42:04,781 --> 02:42:05,849 ♪ THE WELCOME MAT ♪ 5603 02:42:05,916 --> 02:42:06,000 ♪ KNOWING YOU GOT HALF ♪ 5604 02:42:06,000 --> 02:42:12,000 ♪ KNOWING YOU GOT HALF ♪ 5605 02:42:12,000 --> 02:42:17,260 ♪ KNOWING YOU GOT HALF ♪ 5606 02:42:17,327 --> 02:42:18,000 ♪ I KISSED SOMEONE NEW LAST 5607 02:42:18,000 --> 02:42:19,096 ♪ I KISSED SOMEONE NEW LAST 5608 02:42:19,162 --> 02:42:21,064 NIGHT ♪ 5609 02:42:21,131 --> 02:42:22,499 ♪ AND NOW I DON'T CARE WHERE ♪ 5610 02:42:22,566 --> 02:42:24,000 ♪ YOU'RE SLEEPING, BABY ♪ 5611 02:42:24,000 --> 02:42:24,634 ♪ YOU'RE SLEEPING, BABY ♪ 5612 02:42:24,701 --> 02:42:27,237 ♪ WE GOT ALONG REAL NICE 5613 02:42:27,304 --> 02:42:28,839 UNTIL I WANTED OUT♪ 5614 02:42:28,905 --> 02:42:30,000 ♪ NOW I KNOW YOU HATE ME ♪ 5615 02:42:30,000 --> 02:42:31,007 ♪ NOW I KNOW YOU HATE ME ♪ 5616 02:42:31,074 --> 02:42:32,409 ♪ ONE DAY, THE CURTAIN STARTED ♪ 5617 02:42:32,476 --> 02:42:34,044 ♪ COMING DOWN ♪ 5618 02:42:34,111 --> 02:42:35,178 ♪ WE CHANGED THE SECOND WE 5619 02:42:35,245 --> 02:42:36,000 WERE MOVING OUT♪ 5620 02:42:36,000 --> 02:42:37,781 WERE MOVING OUT♪ 5621 02:42:37,848 --> 02:42:38,915 ♪ I GUESS WRONG CAN LOOK ALL 5622 02:42:38,982 --> 02:42:41,151 RIGHT ♪ 5623 02:42:41,218 --> 02:42:42,000 ♪ WHEN YOU'RE PLAYING HOME ♪ 5624 02:42:42,000 --> 02:42:42,486 ♪ WHEN YOU'RE PLAYING HOME ♪ 5625 02:42:42,552 --> 02:42:47,791 ♪ IN A PENTHOUSE, BABY ♪ 5626 02:42:47,858 --> 02:42:48,000 ♪ WE WERE PLAYING HOME ♪ 5627 02:42:48,000 --> 02:42:49,392 ♪ WE WERE PLAYING HOME ♪ 5628 02:42:49,459 --> 02:42:54,000 ♪ IN A PENTHOUSE, BABY ♪ 5629 02:42:54,000 --> 02:42:59,469 ♪ IN A PENTHOUSE, BABY ♪ 5630 02:42:59,536 --> 02:43:00,000 ♪ I JUST BOUGHT THE HOUSE ♪ 5631 02:43:00,000 --> 02:43:01,571 ♪ I JUST BOUGHT THE HOUSE ♪ 5632 02:43:01,638 --> 02:43:02,873 ♪ THAT WE SAW ♪ 5633 02:43:02,939 --> 02:43:05,408 ♪ YOU SAID IT WAS WRONG ♪ 5634 02:43:05,475 --> 02:43:06,000 ♪ BUT I WANTED IT ALL ALONG ♪ 5635 02:43:06,000 --> 02:43:12,000 ♪ BUT I WANTED IT ALL ALONG ♪ 5636 02:43:12,000 --> 02:43:16,319 ♪ BUT I WANTED IT ALL ALONG ♪ 5637 02:43:16,386 --> 02:43:18,000 [APPLAUSE]. 5638 02:43:18,000 --> 02:43:24,000 [APPLAUSE]. 5639 02:43:24,000 --> 02:43:25,695 [APPLAUSE]. 5640 02:43:25,762 --> 02:43:28,031 >> COMING UP, FIND OUT WHO 5641 02:43:28,098 --> 02:43:30,000 TAKES HOME THE MOST COVETED 5642 02:43:30,000 --> 02:43:30,534 TAKES HOME THE MOST COVETED 5643 02:43:30,600 --> 02:43:32,169 AWARD OF THE NIGHT, VIDEO OF 5644 02:43:32,235 --> 02:43:33,837 THE YEAR. 5645 02:43:33,904 --> 02:43:35,906 THE WAIT IS ALMOST OVER TO 5646 02:43:45,282 --> 02:43:48,000 >> HERE IS METRO BOOMIN. 5647 02:43:48,000 --> 02:43:54,000 >> HERE IS METRO BOOMIN. 5648 02:43:54,000 --> 02:43:56,726 >> HERE IS METRO BOOMIN. 5649 02:43:56,793 --> 02:43:59,129 >> OVER THE YEARS, MTV AND 5650 02:43:59,196 --> 02:44:00,000 HIP-HOP HAVE HAD MAJOR 5651 02:44:00,000 --> 02:44:00,730 HIP-HOP HAVE HAD MAJOR 5652 02:44:00,797 --> 02:44:02,732 HISTORY TOGETHER PEOPLE FROM 5653 02:44:02,799 --> 02:44:05,068 THE DAYS OF MTV WRAPS TO 5654 02:44:05,135 --> 02:44:06,000 COUNTLESS ICONIC PERFORMANCES 5655 02:44:06,000 --> 02:44:07,571 COUNTLESS ICONIC PERFORMANCES 5656 02:44:07,637 --> 02:44:09,372 WE BEEN CELEBRATING HIP-HOP 5657 02:44:09,439 --> 02:44:11,274 MUSIC ALL NIGHT LONG BUT NOW 5658 02:44:11,341 --> 02:44:11,875 IN HONOR OF THE 50TH 5659 02:44:11,942 --> 02:44:12,000 ANNIVERSARY WE'VE GOT 5660 02:44:12,000 --> 02:44:13,610 ANNIVERSARY WE'VE GOT 5661 02:44:13,677 --> 02:44:15,946 SOMETHING EXTRA SPECIAL. 5662 02:44:16,012 --> 02:44:17,247 A PERFORMANCE FROM TRUE 5663 02:44:17,314 --> 02:44:18,000 PIONEERS AND THE BIGGEST 5664 02:44:18,000 --> 02:44:18,582 PIONEERS AND THE BIGGEST 5665 02:44:18,648 --> 02:44:20,016 ICONS OF THE GENRE TO LET GET 5666 02:44:20,083 --> 02:44:20,784 IT. 5667 02:44:20,850 --> 02:44:23,119 >> YOUR MAKE SOME NOISE AND 5668 02:44:23,186 --> 02:44:24,000 GIVE IT UP FOR HIP-HOP 5669 02:44:24,000 --> 02:44:24,921 GIVE IT UP FOR HIP-HOP 5670 02:44:24,988 --> 02:44:25,589 ROYALTY. 5671 02:44:25,655 --> 02:44:29,926 >> WE ARE GRANDMASTER FLASH 5672 02:44:29,993 --> 02:44:30,000 AND THE FURIOUS FIVE. 5673 02:44:30,000 --> 02:44:32,896 AND THE FURIOUS FIVE. 5674 02:44:32,963 --> 02:44:35,765 ♪ . 5675 02:44:35,832 --> 02:44:36,000 >> . 5676 02:44:36,000 --> 02:44:42,000 >> . 5677 02:44:42,000 --> 02:44:48,000 >> . 5678 02:44:48,000 --> 02:44:52,749 >> . 5679 02:44:52,816 --> 02:44:54,000 >> PUT THOSE HANDS UP! 5680 02:44:54,000 --> 02:44:58,855 >> PUT THOSE HANDS UP! 5681 02:44:58,922 --> 02:45:00,000 >> PUT THOSE HANDS UP. 5682 02:45:00,000 --> 02:45:00,790 >> PUT THOSE HANDS UP. 5683 02:45:00,857 --> 02:45:01,324 COME ON. 5684 02:45:01,391 --> 02:45:04,527 >> PUT YOUR HANDS UP. 5685 02:45:04,594 --> 02:45:06,000 >> NOT AS YOU CAN. 5686 02:45:06,000 --> 02:45:09,566 >> NOT AS YOU CAN. 5687 02:45:09,633 --> 02:45:10,267 ♪ 5688 02:45:25,015 --> 02:45:30,000 I'M CLOSE TO THE EDGE ♪E 5689 02:45:30,000 --> 02:45:36,000 I'M CLOSE TO THE EDGE ♪E 5690 02:45:36,000 --> 02:45:42,000 I'M CLOSE TO THE EDGE ♪E 5691 02:45:42,000 --> 02:45:47,003 I'M CLOSE TO THE EDGE ♪E 5692 02:45:47,070 --> 02:45:47,771 ♪ I'M TRYING NOT TO LOSE MY 5693 02:45:47,837 --> 02:45:48,000 HEAD. 5694 02:45:48,000 --> 02:45:50,540 HEAD. 5695 02:45:50,607 --> 02:45:54,000 >> 5696 02:45:54,000 --> 02:45:54,411 >> 5697 02:45:54,477 --> 02:46:00,000 ♪ . 5698 02:46:00,000 --> 02:46:06,000 ♪ . 5699 02:46:06,000 --> 02:46:09,926 ♪ . 5700 02:46:09,993 --> 02:46:12,000 >> OH, MY GOD, IS HE REAL? 5701 02:46:12,000 --> 02:46:13,897 >> OH, MY GOD, IS HE REAL? 5702 02:46:13,963 --> 02:46:16,766 OH COMBINE, IS HE REAL? 5703 02:46:16,833 --> 02:46:18,000 EXCUSE ME, DOUG YOUR FRIENDS, 5704 02:46:18,000 --> 02:46:20,370 EXCUSE ME, DOUG YOUR FRIENDS, 5705 02:46:20,437 --> 02:46:21,071 HAVE YOU EVER SEEN THE SHOW 5706 02:46:21,137 --> 02:46:24,000 WITH -- 5707 02:46:24,000 --> 02:46:30,000 WITH -- 5708 02:46:30,000 --> 02:46:36,000 WITH -- 5709 02:46:36,000 --> 02:46:36,119 WITH -- 5710 02:46:36,186 --> 02:46:38,421 ♪ . 5711 02:46:38,488 --> 02:46:42,000 >> JOIN ME. 5712 02:46:42,000 --> 02:46:42,492 >> JOIN ME. 5713 02:46:42,559 --> 02:46:43,426 IF YOU'RE HAPPY TO BE ALIVE, 5714 02:46:43,493 --> 02:46:46,262 MAKE SOME NOISE! 5715 02:46:46,329 --> 02:46:48,000 ♪ 5716 02:46:48,000 --> 02:46:51,167 ♪ 5717 02:46:51,234 --> 02:46:54,000 ♪ COLD JOCKEY ♪ 5718 02:46:54,000 --> 02:46:54,070 ♪ COLD JOCKEY ♪ 5719 02:46:54,137 --> 02:46:56,973 ♪ COLD JOCKEY 5720 02:46:57,040 --> 02:47:00,000 ♪ 5721 02:47:00,000 --> 02:47:02,746 ♪ 5722 02:47:02,812 --> 02:47:06,000 ♪ . 5723 02:47:06,000 --> 02:47:12,000 ♪ . 5724 02:47:12,000 --> 02:47:13,523 ♪ . 5725 02:47:13,590 --> 02:47:16,926 >> THE GIRLS IN THE BUILDING 5726 02:47:16,993 --> 02:47:17,293 TONIGHT? 5727 02:47:17,360 --> 02:47:17,727 [APPLAUSE]. 5728 02:47:17,794 --> 02:47:18,000 >> EAU -- 5729 02:47:18,000 --> 02:47:22,699 >> EAU -- 5730 02:47:22,766 --> 02:47:24,000 ♪ 5731 02:47:24,000 --> 02:47:30,000 ♪ 5732 02:47:30,000 --> 02:47:31,408 ♪ 5733 02:47:31,474 --> 02:47:32,509 ♪ WHEN YOU WAS IN NEW YORK YOU 5734 02:47:32,575 --> 02:47:33,076 WAS FUCKIN' THE YANKEE ♪ 5735 02:47:33,143 --> 02:47:34,077 ♪ I WAS FUCKIN' WITH BASE, I WAS 5736 02:47:34,144 --> 02:47:34,944 PITCHIN' TO FRANKIE ♪ 5737 02:47:35,011 --> 02:47:35,845 ♪ THESE BITCHES SO CRANKY, GET 5738 02:47:35,912 --> 02:47:36,000 'EM A HANKY M-MOMMY ♪ 5739 02:47:36,000 --> 02:47:36,880 'EM A HANKY M-MOMMY ♪ 5740 02:47:36,946 --> 02:47:39,816 ♪ I'M COLD, GIMME MY BLANKIE 5741 02:47:39,883 --> 02:47:40,383 FLYER THAN A KITE ♪ 5742 02:47:40,450 --> 02:47:41,317 ♪ I GET HIGHER THAN RAPUNZEL ♪ 5743 02:47:41,384 --> 02:47:42,000 ♪ KEEP THE SNOW WHITE, I CAN BUY 5744 02:47:42,000 --> 02:47:42,352 ♪ KEEP THE SNOW WHITE, I CAN BUY 5745 02:47:42,419 --> 02:47:43,186 IT BY THE BUNDLE ♪ 5746 02:47:43,253 --> 02:47:44,154 ♪ STEP YA COOKIES UP, 'FORE THEY 5747 02:47:44,220 --> 02:47:44,988 CRUMBLE ♪ 5748 02:47:45,054 --> 02:47:47,056 ♪ DON'T BE ACTIN' LIKE THE 5749 02:47:47,123 --> 02:47:48,000 CARDINALS AND GON' FUMBLE ♪ 5750 02:47:48,000 --> 02:47:54,000 CARDINALS AND GON' FUMBLE ♪ 5751 02:47:54,000 --> 02:47:56,499 CARDINALS AND GON' FUMBLE ♪ 5752 02:47:56,566 --> 02:47:56,766 . 5753 02:47:56,833 --> 02:47:59,369 >> ONE EXCLAMATION 5754 02:47:59,436 --> 02:48:00,000 ♪ QUEEN ONLY ON THEM C'S IF IT'S 5755 02:48:00,000 --> 02:48:00,470 ♪ QUEEN ONLY ON THEM C'S IF IT'S 5756 02:48:00,537 --> 02:48:01,571 BREEZE RED RUBY DA SLEEZE ♪ 5757 02:48:01,638 --> 02:48:02,806 ♪ CHINESE ON MY SLEEVE ♪ 5758 02:48:02,872 --> 02:48:03,373 ♪ THESE WANNABE CHUN-LI'S, 5759 02:48:03,440 --> 02:48:04,374 ANYWAY ♪ 5760 02:48:04,441 --> 02:48:05,475 ♪ WHO THE FUCK TOLD BITCHES THEY 5761 02:48:05,542 --> 02:48:06,000 WAS ME NOW? ♪ 5762 02:48:06,000 --> 02:48:06,576 WAS ME NOW? ♪ 5763 02:48:06,643 --> 02:48:07,777 ♪ I KNEW THESE BITCHES WAS SLOW, 5764 02:48:07,844 --> 02:48:08,611 I AIN'T KNOW THESE BITCHES 5765 02:48:08,678 --> 02:48:09,579 SENILE ♪ 5766 02:48:09,646 --> 02:48:10,680 ♪ MARRIED A SHOOTER 'CASE YOU 5767 02:48:10,747 --> 02:48:11,948 NIGGAS TRIED TO BREATHE LOUD ♪ 5768 02:48:12,015 --> 02:48:12,882 ♪ BOOM YOUR FACE OFF, THEN I 5769 02:48:12,949 --> 02:48:14,284 TELL HIM, "CEASE FIRE" I'M THE 5770 02:48:14,350 --> 02:48:15,652 AB SIDE 700 ON THE HORSES, WHEN 5771 02:48:15,718 --> 02:48:17,787 WE ♪ 5772 02:48:17,854 --> 02:48:18,000 ♪ FIXIN' TO LEAVE ♪ 5773 02:48:18,000 --> 02:48:18,888 ♪ FIXIN' TO LEAVE ♪ 5774 02:48:18,955 --> 02:48:19,889 ♪ BUT I DON'T FUCK WITH HORSES, 5775 02:48:19,956 --> 02:48:21,157 SINCE CHRISTOPHER REEVES ♪ 5776 02:48:21,224 --> 02:48:22,559 ♪ GOTTA BE CAREFUL WHEN I DIP, 5777 02:48:22,625 --> 02:48:24,000 IT'S FLIPS ALL IN THE WHIPS IT'S 5778 02:48:24,000 --> 02:48:25,295 IT'S FLIPS ALL IN THE WHIPS IT'S 5779 02:48:25,361 --> 02:48:30,000 40S WITH 30 CLIPS, FN'S WITH THE 5780 02:48:30,000 --> 02:48:31,835 40S WITH 30 CLIPS, FN'S WITH THE 5781 02:48:31,901 --> 02:48:33,303 SWITCH ♪ 5782 02:48:33,369 --> 02:48:35,138 ♪ GUACAMOLE WITH THE TACO, 5783 02:48:35,205 --> 02:48:36,000 WAITIN' ON EL CHAPO ♪ 5784 02:48:36,000 --> 02:48:36,072 WAITIN' ON EL CHAPO ♪ 5785 02:48:36,139 --> 02:48:37,440 ♪ CAME IN THE ROLLS AND LEFT LOW 5786 02:48:37,507 --> 02:48:38,641 IN A TAHOE BAD GYAL DON'T DIE, 5787 02:48:38,708 --> 02:48:39,375 DIE, DIE ♪ 5788 02:48:39,442 --> 02:48:40,410 ♪ HUNDRED ROUNDS ON THAT, 5789 02:48:40,477 --> 02:48:41,444 GRRAH-TA-TA REAL ONE LICK A 5790 02:48:41,511 --> 02:48:42,000 SHOT-TA-TA ♪ 5791 02:48:42,000 --> 02:48:42,479 SHOT-TA-TA ♪ 5792 02:48:42,545 --> 02:48:43,580 ♪ SHE MY LIL' VIBE, MY LIL' AH, 5793 02:48:43,646 --> 02:48:44,647 AH, AH BAD GYAL NEVER RUN FROM 5794 02:48:44,714 --> 02:48:47,083 NOBODY, LIKE, AH ♪ 5795 02:48:47,150 --> 02:48:48,000 ♪ RUDE BOY WANT ME TOUCHIN' ON 5796 02:48:48,000 --> 02:48:48,685 ♪ RUDE BOY WANT ME TOUCHIN' ON 5797 02:48:48,751 --> 02:48:49,986 HIS BODY, LIKE, YEAH ♪ 5798 02:48:50,053 --> 02:48:51,454 ♪ BOY AFFI DEAD IF HE EVER DISS 5799 02:48:51,521 --> 02:48:52,722 ME ♪ 5800 02:48:52,789 --> 02:48:54,000 ♪ YOU KNOW WHAT TO DO IF HE EVER 5801 02:48:54,000 --> 02:48:54,290 ♪ YOU KNOW WHAT TO DO IF HE EVER 5802 02:48:54,357 --> 02:48:58,995 MISS ME ♪ 5803 02:48:59,062 --> 02:49:00,000 [APPLAUSE] 5804 02:49:00,000 --> 02:49:05,568 [APPLAUSE] 5805 02:49:05,635 --> 02:49:06,000 ♪ I'M A YOUNG MONEY MILLIONAIRE, 5806 02:49:06,000 --> 02:49:10,173 ♪ I'M A YOUNG MONEY MILLIONAIRE, 5807 02:49:10,240 --> 02:49:12,000 ♪ A MILLIONAIRE ♪ 5808 02:49:12,000 --> 02:49:13,209 ♪ A MILLIONAIRE ♪ 5809 02:49:13,276 --> 02:49:16,446 ♪ I'M A YOUNG MONEY MILLIONAIRE, 5810 02:49:16,513 --> 02:49:17,847 TOUGHER THAN NIGERIAN HAIR ♪ 5811 02:49:17,914 --> 02:49:18,000 ♪ MY CRITERIA COMPARED TO YOUR 5812 02:49:18,000 --> 02:49:24,000 ♪ MY CRITERIA COMPARED TO YOUR 5813 02:49:24,000 --> 02:49:25,522 ♪ MY CRITERIA COMPARED TO YOUR 5814 02:49:25,588 --> 02:49:30,000 ♪ 5815 02:49:30,000 --> 02:49:36,000 ♪ 5816 02:49:36,000 --> 02:49:39,736 ♪ 5817 02:49:39,802 --> 02:49:42,000 ♪ 5818 02:49:42,000 --> 02:49:48,000 ♪ 5819 02:49:48,000 --> 02:49:52,682 ♪ 5820 02:49:52,749 --> 02:49:53,883 ♪ MOP 'EM, YOU CAN'T STAND 'EM 5821 02:49:53,950 --> 02:49:54,000 THEN YOU DROP 'EM ♪ 5822 02:49:54,000 --> 02:49:54,951 THEN YOU DROP 'EM ♪ 5823 02:49:55,018 --> 02:49:56,586 ♪ YOU POP 'EM CAUSE WE POP 'EM 5824 02:49:56,653 --> 02:49:58,688 LIKE ORVILLE REDENBACHER ♪ 5825 02:49:58,755 --> 02:50:00,000 ♪ MOTHAFUCKA, I'M ILL ♪ 5826 02:50:00,000 --> 02:50:04,193 ♪ MOTHAFUCKA, I'M ILL ♪ 5827 02:50:04,260 --> 02:50:06,000 [APPLAUSE] 5828 02:50:06,000 --> 02:50:11,000 [APPLAUSE] 5829 02:50:11,067 --> 02:50:12,000 LL Cool J, "I'm Bad" 5830 02:50:12,000 --> 02:50:18,000 LL Cool J, "I'm Bad" 5831 02:50:18,000 --> 02:50:18,441 LL Cool J, "I'm Bad" 5832 02:50:18,508 --> 02:50:23,313 ♪ AH♪ 5833 02:50:23,379 --> 02:50:24,000 ♪ NO RAPPER CAN RAP QUITE LIKE I 5834 02:50:24,000 --> 02:50:24,447 ♪ NO RAPPER CAN RAP QUITE LIKE I 5835 02:50:24,514 --> 02:50:25,615 CAN ♪ 5836 02:50:25,682 --> 02:50:26,683 ♪ I'LL TAKE A MUSCLEBOUND MAN 5837 02:50:26,749 --> 02:50:28,518 AND PUT HIS FACE IN THE SAND ♪ 5838 02:50:28,585 --> 02:50:29,552 ♪ NOT THE LAST MAFIOSO, I'M A MC 5839 02:50:29,619 --> 02:50:30,000 COP ♪ 5840 02:50:30,000 --> 02:50:30,219 COP ♪ 5841 02:50:30,286 --> 02:50:31,287 ♪ MAKE YOU SAY, "GO LL" AND DO 5842 02:50:31,354 --> 02:50:32,488 THE WOP ♪ 5843 02:50:32,555 --> 02:50:34,057 ♪ IF YOU THINK YOU CAN OUT RHYME 5844 02:50:34,123 --> 02:50:35,291 ME, YEAH, BOY, I BET ♪ 5845 02:50:35,358 --> 02:50:36,000 ♪ 'CAUSE I AIN'T MET A 5846 02:50:36,000 --> 02:50:37,627 ♪ 'CAUSE I AIN'T MET A 5847 02:50:37,694 --> 02:50:39,529 MOTHERFUCKER ♪ 5848 02:50:39,596 --> 02:50:40,663 ♪ WHO CAN DO THAT YET ♪ 5849 02:50:40,730 --> 02:50:41,631 ♪ TRENDSETTER, I'M BETTER, MY 5850 02:50:41,698 --> 02:50:42,000 RHYMES ARE GOOD ♪ 5851 02:50:42,000 --> 02:50:42,699 RHYMES ARE GOOD ♪ 5852 02:50:42,765 --> 02:50:43,533 ♪ I GOT A GOURMET PLATE THAT 5853 02:50:43,600 --> 02:50:48,000 SAYS "I WISH YOU WOULD" ♪ 5854 02:50:48,000 --> 02:50:48,871 SAYS "I WISH YOU WOULD" ♪ 5855 02:50:48,938 --> 02:50:54,000 ♪ I'M BAD ♪ 5856 02:50:54,000 --> 02:50:54,644 ♪ I'M BAD ♪ 5857 02:50:54,711 --> 02:50:55,712 ♪ DON'T CALL IT A COMEBACK, I 5858 02:50:55,778 --> 02:50:57,080 BEEN HERE FOR YEARS ♪ 5859 02:50:57,146 --> 02:50:57,981 ♪ I'M ROCKIN' MY PEERS, PUTTIN' 5860 02:50:58,047 --> 02:50:58,748 SUCKERS IN FEAR ♪ 5861 02:50:58,815 --> 02:50:59,849 ♪ MAKIN' THE TEARS RAIN DOWN 5862 02:50:59,916 --> 02:51:00,000 LIKE A MONSOON ♪ 5863 02:51:00,000 --> 02:51:00,850 LIKE A MONSOON ♪ 5864 02:51:00,917 --> 02:51:02,018 ♪ LISTEN TO THE BASS GO BOOM ♪ 5865 02:51:02,085 --> 02:51:03,553 ♪ EXPLOSIONS, OVERPOWERIN' ♪ 5866 02:51:03,620 --> 02:51:06,000 ♪ OVER THE COMPETITION, I'M 5867 02:51:06,000 --> 02:51:06,422 ♪ OVER THE COMPETITION, I'M 5868 02:51:06,489 --> 02:51:08,491 TOWERIN' ♪ 5869 02:51:08,558 --> 02:51:09,926 ♪ WRECKING SHOP, WHEN I DROP ♪ 5870 02:51:09,993 --> 02:51:11,961 ♪ THESE LYRICS THAT'LL MAKE YOU 5871 02:51:12,028 --> 02:51:12,962 CALL THE COPS ♪ 5872 02:51:13,029 --> 02:51:14,464 ♪ DON'T YOU DARE STARE ♪ 5873 02:51:14,530 --> 02:51:16,065 ♪ YOU BETTER MOVE, DON'T EVER 5874 02:51:16,132 --> 02:51:17,500 COMPARE ♪ 5875 02:51:17,567 --> 02:51:18,000 ♪ ME TO THE REST THAT'LL ALL GET 5876 02:51:18,000 --> 02:51:19,369 ♪ ME TO THE REST THAT'LL ALL GET 5877 02:51:19,435 --> 02:51:20,803 SLICED AND DICED ♪ 5878 02:51:20,870 --> 02:51:21,437 ♪ COMPETITION'S PAYIN' THE 5879 02:51:21,504 --> 02:51:22,939 PRICE ♪ 5880 02:51:23,006 --> 02:51:24,000 ♪ I'M GONNA KNOCK YOU OUT ♪ 5881 02:51:24,000 --> 02:51:25,241 ♪ I'M GONNA KNOCK YOU OUT ♪ 5882 02:51:25,308 --> 02:51:27,243 ♪ MAMA SAID KNOCK YOU OUT ♪ 5883 02:51:27,310 --> 02:51:29,245 ♪ I'M GONNA KNOCK YOU OUT ♪ 5884 02:51:29,312 --> 02:51:30,000 ♪ MAMA SAID KNOCK YOU OUT ♪ 5885 02:51:30,000 --> 02:51:33,816 ♪ MAMA SAID KNOCK YOU OUT ♪ 5886 02:51:33,883 --> 02:51:35,218 ♪ I'M GONNA KNOCK YOU OUT ♪ 5887 02:51:35,284 --> 02:51:36,000 ♪ MAMA SAID KNOCK YOU OUT ♪ 5888 02:51:36,000 --> 02:51:36,853 ♪ MAMA SAID KNOCK YOU OUT ♪ 5889 02:51:36,919 --> 02:51:38,988 ♪ I'M GONNA KNOCK YOU OUT ♪ 5890 02:51:39,055 --> 02:51:42,000 ♪ MAMA SAID KNOCK YOU OUT ♪ 5891 02:51:42,000 --> 02:51:44,560 ♪ MAMA SAID KNOCK YOU OUT ♪ 5892 02:51:44,627 --> 02:51:46,229 BREAK DOWN. 5893 02:51:46,295 --> 02:51:48,000 [APPLAUSE]. 5894 02:51:48,000 --> 02:51:48,931 [APPLAUSE]. 5895 02:51:48,998 --> 02:51:54,000 >> NOW 50 YEARS OF HIP-HOP 5896 02:51:54,000 --> 02:51:54,837 >> NOW 50 YEARS OF HIP-HOP 5897 02:51:54,904 --> 02:51:57,440 ONE THIRD OF THE GREAT GROUP 5898 02:51:57,507 --> 02:51:58,307 HAVE NOT DOWN THE WALLS FOR 5899 02:51:58,374 --> 02:51:59,142 ALL OF US. 5900 02:51:59,208 --> 02:52:00,000 DMC, RUN DMC 5901 02:52:00,000 --> 02:52:03,146 DMC, RUN DMC 5902 02:52:03,212 --> 02:52:06,000 Run DMC, "Rock Box" 5903 02:52:06,000 --> 02:52:09,452 Run DMC, "Rock Box" 5904 02:52:09,519 --> 02:52:10,520 ♪ FOR ALL YOU SUCKER MC'S 5905 02:52:10,586 --> 02:52:11,387 PERPETRATIN' A FRAUD ♪ 5906 02:52:11,454 --> 02:52:12,000 ♪ YOUR RHYMES ARE COLD WACK AND 5907 02:52:12,000 --> 02:52:12,422 ♪ YOUR RHYMES ARE COLD WACK AND 5908 02:52:12,488 --> 02:52:13,489 KEEP THE CROWD COLD LOST ♪ 5909 02:52:13,556 --> 02:52:14,624 ♪ YOU'RE THE KIND OF GUY THAT 5910 02:52:14,691 --> 02:52:15,692 GIRL IGNORED ♪ 5911 02:52:15,758 --> 02:52:17,193 ♪ I'M DRIVIN' CADDY, YOU FIXIN' 5912 02:52:17,260 --> 02:52:18,000 A FORD ♪ 5913 02:52:18,000 --> 02:52:18,494 A FORD ♪ 5914 02:52:18,561 --> 02:52:19,362 ♪ MY NAME IS JOSEPH SIMMONS BUT 5915 02:52:19,429 --> 02:52:20,930 MY MIDDLE NAME'S LORD ♪ 5916 02:52:20,997 --> 02:52:22,265 ♪ AND WHEN I'M ROCKIN' ON THE 5917 02:52:22,331 --> 02:52:23,533 MIC, YOU SHOULD ALL APPLAUD ♪ 5918 02:52:23,599 --> 02:52:24,000 ♪ BECAUSE WE'RE WHEELIN', 5919 02:52:24,000 --> 02:52:24,467 ♪ BECAUSE WE'RE WHEELIN', 5920 02:52:24,534 --> 02:52:25,368 DEALIN', WE GOT A FUNNY 5921 02:52:25,435 --> 02:52:26,169 FEELIN' ♪ 5922 02:52:26,235 --> 02:52:27,303 ♪ WE ROCK FROM THE FLOOR UP TO 5923 02:52:27,370 --> 02:52:27,870 THE CEILIN' ♪ 5924 02:52:27,937 --> 02:52:28,838 ♪ WE GROOVE IT, YOU MOVE IT, IT 5925 02:52:28,905 --> 02:52:29,806 HAS BEEN PROVEN ♪ 5926 02:52:29,872 --> 02:52:30,000 ♪ WE CALMED THE SEVEN SEAS 5927 02:52:30,000 --> 02:52:30,940 ♪ WE CALMED THE SEVEN SEAS 5928 02:52:31,007 --> 02:52:32,475 BECAUSE OUR MUSIC IS SOOTHIN' ♪ 5929 02:52:32,542 --> 02:52:33,643 ♪ WE CREATE IT, RELATE IT AND 5930 02:52:33,710 --> 02:52:35,144 OFTEN DEMONSTRATE IT ♪ 5931 02:52:35,211 --> 02:52:36,000 ♪ WE'LL DISS A SUCKER MC MAKE 5932 02:52:36,000 --> 02:52:36,412 ♪ WE'LL DISS A SUCKER MC MAKE 5933 02:52:36,479 --> 02:52:37,547 THE OTHER SUCKERS HATE IT ♪ 5934 02:52:37,613 --> 02:52:38,581 ♪ WE'RE RISING, SURPRISING AND 5935 02:52:38,648 --> 02:52:39,882 OFTEN HYPNOTIZING ♪ 5936 02:52:39,949 --> 02:52:41,184 ♪ WE ALWAYS TELL THE TRUTH AND 5937 02:52:41,250 --> 02:52:42,000 THEN WE NEVER SLIP NO LIES IN ♪ 5938 02:52:42,000 --> 02:52:42,151 THEN WE NEVER SLIP NO LIES IN ♪ 5939 02:52:42,218 --> 02:52:43,219 ♪ NO CURLS, NO BRAIDS PEASY-HEAD 5940 02:52:43,286 --> 02:52:44,754 AND STILL GET PAID ♪ 5941 02:52:44,821 --> 02:52:46,189 ♪ JAM MASTER CUT THE RECORD UP 5942 02:52:46,255 --> 02:52:48,000 AND DOWN AND CROSS-FADE ♪ 5943 02:52:48,000 --> 02:52:49,459 AND DOWN AND CROSS-FADE ♪ 5944 02:52:49,525 --> 02:52:52,528 Run DMC, "King of Rock" 5945 02:52:52,595 --> 02:52:52,795 . 5946 02:52:52,862 --> 02:52:54,000 >> EVERYBODY BODY PUT YOUR 5947 02:52:54,000 --> 02:52:54,597 >> EVERYBODY BODY PUT YOUR 5948 02:52:54,664 --> 02:52:56,232 HANDS UP. 5949 02:52:56,299 --> 02:52:59,268 PUT YOUR HANDS UP. 5950 02:52:59,335 --> 02:53:00,000 EVERYBODY BODY, PUT YOUR 5951 02:53:00,000 --> 02:53:00,069 EVERYBODY BODY, PUT YOUR 5952 02:53:00,136 --> 02:53:06,000 HANDS UP. 5953 02:53:06,000 --> 02:53:12,000 HANDS UP. 5954 02:53:12,000 --> 02:53:18,000 HANDS UP. 5955 02:53:18,000 --> 02:53:24,000 HANDS UP. 5956 02:53:24,000 --> 02:53:28,331 HANDS UP. 5957 02:53:28,397 --> 02:53:30,000 ♪ 5958 02:53:30,000 --> 02:53:32,468 ♪ 5959 02:53:32,535 --> 02:53:33,436 ♪ SEE-SAW SWINGIN' ♪ 5960 02:53:33,503 --> 02:53:34,537 ♪ WITH THE BOYS IN SCHOOL ♪ 5961 02:53:34,604 --> 02:53:35,605 ♪ AND HER FEET WAS FLYIN' UP IN 5962 02:53:35,671 --> 02:53:36,000 THE AIR ♪ 5963 02:53:36,000 --> 02:53:36,706 THE AIR ♪ 5964 02:53:36,773 --> 02:53:37,840 ♪ SINGIN', "HEY DIDDLE DIDDLE 5965 02:53:37,907 --> 02:53:38,941 WITH A KITTY IN THE MIDDLE" ♪ 5966 02:53:39,008 --> 02:53:40,276 ♪ AND THEY SWINGIN' LIKE IT JUST 5967 02:53:40,343 --> 02:53:41,310 DON'T CARE ♪ 5968 02:53:41,377 --> 02:53:42,000 ♪ SO I TOOK A BIG CHANCE ♪ 5969 02:53:42,000 --> 02:53:42,311 ♪ SO I TOOK A BIG CHANCE ♪ 5970 02:53:42,378 --> 02:53:43,446 ♪ AT THE HIGH SCHOOL DANCE ♪ 5971 02:53:43,513 --> 02:53:44,614 ♪ WITH A LADY WHO WAS READY TO 5972 02:53:44,680 --> 02:53:45,715 PLAY ♪ 5973 02:53:45,782 --> 02:53:46,983 ♪ IT WASN'T ME SHE WAS FOOLIN' ♪ 5974 02:53:47,049 --> 02:53:47,950 ♪ 'CAUSE SHE KNEW WHAT WAS SHE 5975 02:53:48,017 --> 02:53:49,352 WAS DOIN' ♪ 5976 02:53:49,418 --> 02:53:50,653 ♪ WHEN SHE TOLD ME HOW TO WALK 5977 02:53:50,720 --> 02:53:51,687 THIS WAY ♪ 5978 02:53:51,754 --> 02:53:52,755 ♪ SHE TOLD ME TO ♪ 5979 02:53:52,822 --> 02:53:53,523 ♪ WALK THIS WAY ♪ 5980 02:53:53,589 --> 02:53:54,000 ♪ TALK THIS WAY ♪ 5981 02:53:54,000 --> 02:53:54,657 ♪ TALK THIS WAY ♪ 5982 02:53:54,724 --> 02:53:56,225 ♪ WALK THIS WAY ♪ 5983 02:53:56,292 --> 02:53:58,394 ♪ TALK THIS WAY ♪ 5984 02:53:58,461 --> 02:54:00,000 ♪ JUST GIVE ME A KISS ♪ 5985 02:54:00,000 --> 02:54:03,599 ♪ JUST GIVE ME A KISS ♪ 5986 02:54:03,666 --> 02:54:06,000 [APPLAUSE]. 5987 02:54:06,000 --> 02:54:07,537 [APPLAUSE]. 5988 02:54:07,603 --> 02:54:09,739 >> YOU CAN'T STAND THE MIC, 5989 02:54:09,806 --> 02:54:12,000 AND IN CASE YOU FORGOT, I'M 5990 02:54:12,000 --> 02:54:12,675 AND IN CASE YOU FORGOT, I'M 5991 02:54:12,742 --> 02:54:15,278 THE KING OF ROCK. 5992 02:54:15,344 --> 02:54:16,946 [APPLAUSE]. 5993 02:54:17,013 --> 02:54:18,000 >> 50 YEARS OF HIP-HOP, 5994 02:54:18,000 --> 02:54:19,448 >> 50 YEARS OF HIP-HOP, 5995 02:54:19,515 --> 02:54:24,000 LADIES. 5996 02:54:24,000 --> 02:54:25,988 LADIES. 5997 02:54:26,055 --> 02:54:28,825 >> BACARDI RUM CELEBRATES 50 5998 02:54:28,891 --> 02:54:30,000 YEARS OF HIP-HOP. 5999 02:54:30,000 --> 02:54:32,128 YEARS OF HIP-HOP. 6000 02:54:42,071 --> 02:54:42,271 . 6001 02:54:42,338 --> 02:54:47,810 >> GIVEN UP FOR LL COOLJ. 6002 02:54:47,877 --> 02:54:48,000 ♪ . 6003 02:54:48,000 --> 02:54:51,180 ♪ . 6004 02:54:51,247 --> 02:54:54,000 >> ALL RIGHT, SO THIS FINAL 6005 02:54:54,000 --> 02:54:54,317 >> ALL RIGHT, SO THIS FINAL 6006 02:54:54,383 --> 02:54:57,119 AWARD IS THE CROWN JEWEL OF 6007 02:54:57,186 --> 02:54:58,855 THE VMAS. 6008 02:54:58,921 --> 02:55:00,000 TONIGHT ONE OF THESE NOMINEES 6009 02:55:00,000 --> 02:55:01,490 TONIGHT ONE OF THESE NOMINEES 6010 02:55:01,557 --> 02:55:03,059 WILL BE WRITTEN INTO VMA 6011 02:55:03,125 --> 02:55:05,394 HISTORY. 6012 02:55:05,461 --> 02:55:06,000 HERE THE NOMINEES FOR VIDEO 6013 02:55:06,000 --> 02:55:06,863 HERE THE NOMINEES FOR VIDEO 6014 02:55:06,929 --> 02:55:08,331 OF THE YEAR. 6015 02:55:08,397 --> 02:55:08,631 >> 6016 02:55:08,698 --> 02:55:10,199 >> VIDEO OF THE YEAR. 6017 02:55:10,266 --> 02:55:12,000 MILEY CYRUS, "FLOWERS." 6018 02:55:12,000 --> 02:55:16,405 MILEY CYRUS, "FLOWERS." 6019 02:55:16,472 --> 02:55:16,739 ♪ 6020 02:55:16,806 --> 02:55:17,907 SAM SMITH AND KIM PETRAS, 6021 02:55:17,974 --> 02:55:18,000 "UNHOLY." 6022 02:55:18,000 --> 02:55:21,277 "UNHOLY." 6023 02:55:21,344 --> 02:55:23,546 ♪ 6024 02:55:23,613 --> 02:55:24,000 OLIVIA RODRIGO, "VAMPIRE." 6025 02:55:24,000 --> 02:55:27,884 OLIVIA RODRIGO, "VAMPIRE." 6026 02:55:27,950 --> 02:55:29,819 ♪ 6027 02:55:29,886 --> 02:55:30,000 SZA, "KILL BILL." 6028 02:55:30,000 --> 02:55:33,823 SZA, "KILL BILL." 6029 02:55:33,890 --> 02:55:35,224 ♪ 6030 02:55:35,291 --> 02:55:36,000 DOJA CAT, "ATTENTION." 6031 02:55:36,000 --> 02:55:41,130 DOJA CAT, "ATTENTION." 6032 02:55:41,197 --> 02:55:41,464 ♪ 6033 02:55:41,530 --> 02:55:42,000 TAYLOR SWIFT, "ANTI-HERO." 6034 02:55:42,000 --> 02:55:43,866 TAYLOR SWIFT, "ANTI-HERO." 6035 02:55:43,933 --> 02:55:46,302 ♪ 6036 02:55:46,369 --> 02:55:47,370 NICKI MINAJ, "SUPER FREAKY 6037 02:55:47,436 --> 02:55:48,000 GIRL." 6038 02:55:48,000 --> 02:55:51,040 GIRL." 6039 02:55:51,107 --> 02:55:52,708 ♪ 6040 02:55:52,775 --> 02:55:54,000 THIS IS VIDEO OF THE YEAR, 6041 02:55:54,000 --> 02:55:54,243 THIS IS VIDEO OF THE YEAR, 6042 02:55:54,310 --> 02:55:59,048 PRESENTED BY BURGER KING. 6043 02:55:59,115 --> 02:55:59,315 . 6044 02:55:59,382 --> 02:56:00,000 >> AND T VMA GOES TO 6045 02:56:00,000 --> 02:56:06,000 >> AND T VMA GOES TO 6046 02:56:06,000 --> 02:56:11,427 >> AND T VMA GOES TO 6047 02:56:11,494 --> 02:56:12,000 TAYLOR SWIFT, ANT ANTI-HERO. 6048 02:56:12,000 --> 02:56:18,000 TAYLOR SWIFT, ANT ANTI-HERO. 6049 02:56:18,000 --> 02:56:24,000 TAYLOR SWIFT, ANT ANTI-HERO. 6050 02:56:24,000 --> 02:56:30,000 TAYLOR SWIFT, ANT ANTI-HERO. 6051 02:56:30,000 --> 02:56:34,350 TAYLOR SWIFT, ANT ANTI-HERO. 6052 02:56:34,417 --> 02:56:36,000 [APPLAUSE] 6053 02:56:36,000 --> 02:56:36,285 [APPLAUSE] 6054 02:56:36,352 --> 02:56:42,000 ♪ 6055 02:56:42,000 --> 02:56:46,929 ♪ 6056 02:56:46,996 --> 02:56:48,000 [APPLAUSE]. 6057 02:56:48,000 --> 02:56:50,232 [APPLAUSE]. 6058 02:56:50,299 --> 02:56:53,135 >> I JUST WANT TO THINK GOD. 6059 02:56:53,202 --> 02:56:54,000 I WANT TO THANK MY WIFE, AMY, 6060 02:56:54,000 --> 02:56:57,540 I WANT TO THANK MY WIFE, AMY, 6061 02:56:57,606 --> 02:56:58,240 WHO IS MY BIGGEST SUPPORTER. 6062 02:56:58,307 --> 02:56:59,008 I WANT TO THINK MY DAUGHTERS, 6063 02:56:59,075 --> 02:57:00,000 HARPER AND HAZEL. 6064 02:57:00,000 --> 02:57:00,943 HARPER AND HAZEL. 6065 02:57:01,010 --> 02:57:04,513 AND JUST THANK YOU, TAYLOR, 6066 02:57:04,580 --> 02:57:05,181 FOR LETTING ME BE PART OF 6067 02:57:05,247 --> 02:57:06,000 THIS AMAZING STORYTELLING. 6068 02:57:06,000 --> 02:57:06,115 THIS AMAZING STORYTELLING. 6069 02:57:06,182 --> 02:57:07,883 THANK YOU. 6070 02:57:07,950 --> 02:57:09,218 >> I'D LIKE TO THINK MY 6071 02:57:09,285 --> 02:57:12,000 AMAZING CREW. 6072 02:57:12,000 --> 02:57:14,023 AMAZING CREW. 6073 02:57:14,090 --> 02:57:17,159 TAYLOR, I LOVE YOU. 6074 02:57:17,226 --> 02:57:18,000 PETER THANK YOU FOR THIS, MT 6075 02:57:18,000 --> 02:57:21,797 PETER THANK YOU FOR THIS, MT 6076 02:57:21,864 --> 02:57:23,199 MTV, AMAZING TWO YEARS IN A 6077 02:57:23,265 --> 02:57:24,000 ROW. 6078 02:57:24,000 --> 02:57:29,205 ROW. 6079 02:57:29,271 --> 02:57:30,000 >> OKAY. 6080 02:57:30,000 --> 02:57:30,806 >> OKAY. 6081 02:57:30,873 --> 02:57:32,508 [APPLAUSE]. 6082 02:57:32,575 --> 02:57:36,000 >> THIS IS -- THIS IS -- THIS 6083 02:57:36,000 --> 02:57:36,278 >> THIS IS -- THIS IS -- THIS 6084 02:57:36,345 --> 02:57:36,779 IS UNBELIEVABLE. 6085 02:57:36,846 --> 02:57:37,480 I JUST WANT TO SAY THAT THE 6086 02:57:37,546 --> 02:57:40,583 FACT THAT THIS IS A VAN-VOTED 6087 02:57:40,649 --> 02:57:42,000 AWARD MEANS SO MUCH TO ME. 6088 02:57:42,000 --> 02:57:44,887 AWARD MEANS SO MUCH TO ME. 6089 02:57:44,954 --> 02:57:45,788 BASED ON THE MEMORIES THAT WE 6090 02:57:45,855 --> 02:57:46,455 MADE RECENTLY, I HAD JUST 6091 02:57:46,522 --> 02:57:48,000 BEEN ON A TOUR THAT HAD BEEN 6092 02:57:48,000 --> 02:57:48,290 BEEN ON A TOUR THAT HAD BEEN 6093 02:57:48,357 --> 02:57:52,194 THOSE JOYFUL THAT'S AN 6094 02:57:52,261 --> 02:57:52,895 EXHILARATING EXPERIENCE AND 6095 02:57:52,962 --> 02:57:53,629 WE ARE NOT EVEN HALFWAY DONE 6096 02:57:53,696 --> 02:57:54,000 WITH IT. 6097 02:57:54,000 --> 02:57:55,364 WITH IT. 6098 02:57:55,431 --> 02:57:58,501 IT HAS REALLY FELT LIKE THE 6099 02:57:58,567 --> 02:57:59,869 ADVENTURE OF A LIFETIME THIS 6100 02:57:59,935 --> 02:58:00,000 PAST YEAR. 6101 02:58:00,000 --> 02:58:01,537 PAST YEAR. 6102 02:58:01,604 --> 02:58:02,271 I CANNOT BELIEVE THAT IT WAS 6103 02:58:02,338 --> 02:58:05,041 A YEAR AGO AT THE VMAS THAT I 6104 02:58:05,107 --> 02:58:06,000 ANNOUNCED MY NINTH ALBUM. 6105 02:58:06,000 --> 02:58:11,547 ANNOUNCED MY NINTH ALBUM. 6106 02:58:11,614 --> 02:58:12,000 AND ALL I HAVE TO SAY TONIGHT 6107 02:58:12,000 --> 02:58:12,915 AND ALL I HAVE TO SAY TONIGHT 6108 02:58:12,982 --> 02:58:18,000 IS THANK YOU. 6109 02:58:18,000 --> 02:58:18,154 IS THANK YOU. 6110 02:58:18,220 --> 02:58:18,654 I AM BLOWN AWAY. 6111 02:58:18,721 --> 02:58:19,522 THANK YOU SO MUCH TO THE FA 6112 02:58:19,588 --> 02:58:21,057 FANS, I LOVE YOU SO MUCH. 6113 02:58:21,123 --> 02:58:24,000 [APPLAUSE]. 6114 02:58:24,000 --> 02:58:26,328 [APPLAUSE]. 6115 02:58:26,395 --> 02:58:30,000 >> BURGER KING GRADUATES 6116 02:58:30,000 --> 02:58:30,933 >> BURGER KING GRADUATES 6117 02:58:31,000 --> 02:58:31,667 TAYLOR SWIFT ON HER WHEN FOR 6118 02:58:31,734 --> 02:58:36,000 VIDEO OF THE YEAR. 6119 02:58:36,000 --> 02:58:36,272 VIDEO OF THE YEAR. 6120 02:58:36,338 --> 02:58:37,706 >> WHAT AN AMAZING NIGHT WE 6121 02:58:37,773 --> 02:58:39,141 HAD. 6122 02:58:39,208 --> 02:58:41,777 MAKE SOME NOISE FOR 6123 02:58:41,844 --> 02:58:42,000 YOURSELVES. 6124 02:58:42,000 --> 02:58:43,045 YOURSELVES. 6125 02:58:43,112 --> 02:58:48,000 YOU GUYS WERE SO AMAZING TO I 6126 02:58:48,000 --> 02:58:49,218 YOU GUYS WERE SO AMAZING TO I 6127 02:58:49,285 --> 02:58:49,952 AM ASKING GOD TO BLESS THESE 6128 02:58:50,019 --> 02:58:50,686 PEOPLE TONIGHT BECAUSE THEY 6129 02:58:50,753 --> 02:58:51,921 ARE SO BEAUTIFUL AND SO 6130 02:58:51,987 --> 02:58:54,000 PERFECT. 6131 02:58:54,000 --> 02:58:54,690 PERFECT. 6132 02:58:54,757 --> 02:58:55,324 AND I LOVE YOU SO MUCH. 6133 02:58:55,391 --> 02:58:56,859 MTV, I LOVE YOU. 6134 02:58:56,926 --> 02:58:59,128 I HAD A BLAST. 6135 02:58:59,195 --> 02:59:00,000 I'LL SEE YOU GUYS SOON. 6136 02:59:00,000 --> 02:59:00,763 I'LL SEE YOU GUYS SOON. 6137 02:59:00,830 --> 02:59:02,298 BYE. 6138 02:59:02,364 --> 02:59:06,000 ♪ 6139 02:59:06,000 --> 02:59:12,000 ♪ 6140 02:59:12,000 --> 02:59:18,000 ♪ 6141 02:59:18,000 --> 02:59:24,000 ♪ 6142 02:59:24,000 --> 02:59:25,821 ♪ 6143 02:59:32,394 --> 02:59:33,596 ♪♪. 6144 02:59:33,662 --> 02:59:35,464 HOY YO PAGO TODO ♪♪. 6145 02:59:35,531 --> 02:59:36,000 ♪♪. DESPUéS DE LAS 12 A Mí 6146 02:59:36,000 --> 02:59:37,867 ♪♪. DESPUéS DE LAS 12 A Mí 6147 02:59:37,933 --> 02:59:39,902 ME GUSTA TODO ♪♪. 6148 02:59:39,969 --> 02:59:42,000 ♪♪. HASTA LA MAñANA ♪. 6149 02:59:42,000 --> 02:59:42,838 ♪♪. HASTA LA MAñANA ♪. 6150 02:59:42,905 --> 02:59:45,474 ♪♪. A NADIE LE DEBO 6151 02:59:45,541 --> 02:59:48,000 EXPLICACIóN ♪♪. 6152 02:59:48,000 --> 02:59:48,410 EXPLICACIóN ♪♪. 6153 02:59:48,477 --> 02:59:51,680 ♪♪. SáCALA, TóMALA ♪. 6154 02:59:51,747 --> 02:59:54,000 ♪♪. 6155 02:59:54,000 --> 03:00:00,000 ♪♪. 6156 03:00:00,000 --> 03:00:01,390 ♪♪. 6157 03:00:01,457 --> 03:00:03,292 ♪♪. 6158 03:00:03,359 --> 03:00:06,000 ♪♪. SáCALA, TóMALA ♪. 6159 03:00:06,000 --> 03:00:08,330 ♪♪. SáCALA, TóMALA ♪.