- [Announcer] Warning, this shit is crazy.
The following program is intended
for mature audiences over the age of 18.
This program contains themes, language, and nudity
not suitable for younger audiences.
Viewer discretion is advised.
(intense music)
- Last night I had to go to the hospital and shit.
They ended up telling me I had like bronchitis and shit.
- What's the play today? - What the play is?
- Okay, look at this guy. - Niggas.
- You know what to do with that.
- Oh! Oh!
- And after that, I'm gonna hit the studio.
- No, no, no. - Shit, bro.
- No! - I think the only people
that need to go to the studio are the niggas who actually,
like, make music.
- Artists. - What they do.
I don't feel like this is something to go play around.
- You saying, "Play, play." - I don't give a fuck.
I'll outperform all y'all niggas.
- At the end of the day we real bad boys.
- And womens. - You just got in the
motherfucking house.
- You know when you ain't see each other in like a long time
but we gonna chat some more later.
- No we're not. - No we're not?
- I got a man.
- Everybody bring y'all ass in here!
- I'm away from my family. - I support that.
- I'm away from my people and at the end of the day
I just want to be around 'em at this time.
Still trying to just inhale the fact that I just,
I'm about to leave the "Bad Boys" house.
We bad boys for life, y'all feel me?
- For life. - For sure.
- It's fucking game time baby.
- I popped a few niggas.
It started getting a little,
a little violent.
Biggest pussy talking the most shit.
- He's always. - Who pussy?
You crazy as fuck, ain't shit pussy about me boy.
Game is getting kind of serious.
Got you out. - Pussy!
- Got out though. - Yeah, when you see a pussy,
slap a pussy. - Come on!
- I was finna hit his ass, but I kept it playing.
- Oh yeah baby.
We're on our way to the studio.
- When I'm trying to be creative,
don't say nothing about my family bro.
You ain't read enough tabloids about me.
Niggas pop up dead talking about me, bitch.
- [Relly] You can't be talking about me.
- I give everybody they time shine, Natalie.
(group chattering) All right,
I'mma see you soon. - I'm telling you.
We about to get the flow.
- Get the flow- - I'm telling you.
(dramatic music)
♪ Y'all heard they looking for a bad boy ♪
♪ Get the money, get that cash boy ♪
♪ Get that dollar bill ♪
♪ Bought it all, ain't gotta brag boy ♪
♪ Gotta brag ♪
♪ Private jets for me ♪ ♪ For me ♪
♪ Yeah, I heard they looking for that ♪
♪ Quit playing on my name hoe ♪
♪ Money comes, money go, get that Range Rove ♪
♪ That Range Rove ♪ ♪ Yeah shit ♪
♪ Hit the city with that bank roll ♪
♪ That bank ♪ ♪ Yeah ♪
♪ Shaking that all white like I'm days low ♪
♪ Gotta make some, I'm getting pesos ♪
♪ Check the tag, shit paid for ♪
♪ Motherfuckers can't see me now ♪
♪ Like I'm Ray Charles, check the face card ♪
♪ Got it all ♪ ♪ Yeah ♪
♪ And a bag of chips and that's it motherfucker ♪
♪ Got it all ♪ ♪ Yeah ♪
♪ That's a bad boy, now get with it ♪
♪ I'm a bad boy ♪ ♪ Yeah ♪
♪ Get the money, get that cash boy ♪
♪ Got it all, ain't gotta brag boy ♪
♪ Private jets for me ♪
♪ What ♪ ♪ Yeah ♪
♪ Hold up, I'm a bad boy ♪
(siren blares)
(upbeat music)
♪ Hell ya ♪
♪ Gimme a hell ya ♪ ♪ Hell ya, hell ya, hell ya ♪
♪ Hell ya, hell ya ♪ ♪ Hell ya, hell ya ♪
♪ Hell ya ♪ ♪ Hell ya ♪
(intense music) (phone chattering)
- Get the flow- - I'm telling you.
- All right. - What the fuck?
(people fighting) (suspenseful music)
- [Security] Let him go! Let him go.
- Okay, okay, yo. - Let him go. Let him go.
- Yo, yo.
Yo.
- Come here, come here. - Okay, no.
- [Kerrion] Leave me alone.
- I am! I am! - It's me, it's me.
- I am! Tell him shut up!
I am. - Can't even say shit.
- I hear.
As we're going and going.
He calls Natalie
and he on the phone and he just constantly talking big shit,
and I let it go on for about 3 minutes, then I jump up.
Just jump up and boom.
Because just shut up,
like bitch you don't know what I got going on at home.
I don't wanna hit your fucking mouth already
'cause you're not gonna do nothing, so just shut up.
Fix your hair, you look a mess!
Fix your hair, you looking a fool!
- I'm about to hang up the phone.
- [Raz B] That nigga flew like Superman.
- Sometimes I could be an asshole,
but when I'm on the phone with Natalie bro,
fuck is your problem?
All this grabbing on my shirt, doing the most,
trying to climb over security.
All that pulling hair, and clothes,
and grabbing on my glasses, bro.
If you gonna swing, swing bro, we can match that,
but 'cause you family, I ain't gonna be on no fuck shit.
I really wanna know what's going on with you bro, like.
We going to sit down and talk.
- Now let me call the same person
and tell you I beat you up.
(laughing) - When you went like that.
- Pass it around, Johnno.
- Where my drink, hey! Where my drink go?
Why you giving my shit to him?
- I didn't. - No I'm not playing.
- Nobody drunk off of it.
- Well how you get my drink?
- I needed it. - Just drink it.
- I needed my spot.
- No I don't play them games.
- Drink it, I swear to God ain't nobody drink off this shit.
- All right. - Fix your earring.
- Toast up, nigga.
- Cheers.
- I had to mix my shit, I ain't feeling good.
Oh God nobody drunk that shit.
Look I took it, I said, any of y'all want a drink?
- Not because, I'm a victim of being drugged.
- For real? - No for real, for real.
Like I'm a victim of that. For real, for real.
Like I don't, I take that very seriously.
- I don't play like that.
- I set my drink down and I came back
and I noticed my drink was touched
so I'm like who the hell?
Did y'all put something up in here because I been
drugged before and I don't trust you niggas like that.
- Yeah. - You want me to drink first?
- No you wanna drug me, just tell me,
I might wanna do it with you.
- That part, tell me. - Want me to drink it first?
- Just tell me, gimme some. - Lemme drink it first.
- Yeah. - Nigga.
- 'Cause I ain't even drink none yet.
- Uh-oh.
- 1, 2- - And my mouth clean.
- 3, 4, 5,
6, 7, 8, 9,
10, 11, 12. - Ah!
- No cheers man.
- I'm feeling good now.
We got a studio session tonight, it's time to work.
It's time for business, right up my alley.
- Hey yo fellas I think we pulling up at the studio.
- Lemme get my bag. - Prince, you had a good idea.
We should play some beats. - Let's find a beat.
- That we all agree to.
So we pulling up to the studio
and it's time to do some real work.
This is my field right here.
- We at the studio! - Whoever writes
start writing, I have to go in the booth to catch my words.
I can't. - I'm trying to feel the vibe.
- I'm just saying, we gonna do some hood shit.
We gotta do some hood shit. - Hey I wanna
tell y'all something. - I'm just trying
to facilitate the vibes. - No, no, no.
- Please, respectfully. - Listen, listen.
Let me tell y'all something.
Let's just vibe, we ain't forcing shit.
Let's just vibe. - Let me tell you something.
Take that durag off. - I agree.
- Pop your shit. - Yo.
- Take the durag off. - I will see-
- Man take the durag off. - Gonna sit back down.
- You can't think 'cause you wrapping your brains up.
I need you to wrap the hookups.
- Childish, you are a grown ass man.
- I'm about to go in, you know have a good old time.
Do my thing and I see what I, you know,
see what I come up with.
You know me, I'm just coming straight off the down,
don't know what I'mma say, I'mma say anything I wanna say.
Come on, everybody off the bus.
Ooh we at the studio!
♪ At the studio ♪
- No rinky dink ass shit. ♪ At the studio ♪
(upbeat music)
(energetic music)
- In the studio. - Ooh, it's warm.
Oh this. - What's up man?
- Real Texas shit, nigga. - Talking real Texas shit.
- Yo nigga. - Yo, really taking
over this bitch. - What's up man?
I'm Prince.
AKA Papa Rose, I hope you're a good engineer,
'cause I have no patience. (laughs)
I am an artist myself so if I am a part of this project
and we blow this song up or this song is good enough,
now we're all over the place performing it.
And that can help me grow myself as an individual brand.
- Uh prince. - I believe in you.
So I would do it. - Prince, Prince, Prince.
- I'm helping him find my sound, I'm not doing nothing else.
- No, I have a question. - Oh I have an answer.
- What type of studio this is?
- [Prince] The only one that was available for us.
- No where the booth, no. - The booth is right there.
- Where all the water is,
all the condensation on the window and stuff?
- [Johnathan] Bitch what the fuck going on?
- So as we walking in, I'm like, "It's lit!"
Until I get up in there and I'm like.
(distorted music)
That studio was old as shit.
- This is not normal protocol,
so I'm trying to just leave it and like be creative with it.
But this isn't normal protocol for a fucking artist
to be coming to the studio,
getting fucking flip flops and water bottles thrown.
And then I'm trying to talk to Natalie, and it's like,
why you butting in other people's conversation?
Why is you just attacking me?
Regardless of what you said, I said, what's the issue?
This is why, wow, this right here.
This bullshit right here is why
you have to be picky with who comes to the studio.
When I'm in my creative mode, kill the chaos, fam.
- You want me to go in and check it out?
And get the feel and- - Yes ma'am.
- So you can go in there? - That's cool.
- Okay, I'll be right back. - All right.
- Gonna tell you all stop playing,
and I'm gonna give you a new hairdo before.
Look over. - Hook him up.
- What type or hairdo is this? A mohawk?
- Oh yeah.
- We get in here, this, you know the dude that's in here,
he look like a wet dog, ain't even gonna lie.
- Yes sir. - I got it.
(tense music)
- What's up, man?
- [Orlando] You gonna come in right now?
- I don't really feel like it.
- It was just too much going on.
But at the same time it was just like a lot of bullshit
that coulda like been avoided.
Honestly, I'm just enjoying
the fact that everybody's together.
We been talking about going, you know what I'm saying,
to the studio for a while, I even sent you a couple beats,
you know what I'm saying? - And we gonna do that.
- Which is why, yeah, they don't have no beats right now,
and we the only ones with beats.
But right now I just need you to, I just need you to-
- Y'all coming to vibe inside? You good, bro?
- My nigga ain't- - I'm good.
- He wanna do a whole nother session and shit.
- We finna record in this bitch, bro.
Come vibe, nigga.
It's daddy bro, 'cause I'm gonna be real with you,
inside nigga, I was sitting right there with y'all.
- Shit was funny. - He was not trying
to disrespect you, bro.
He was really giving you a compliment, bro.
- Bro, the compliment come after
a shit ton of insults though.
- You right, you right,
and y'all got past history that I don't know,
but in that moment-
- It'd be 90% insults then a couple compliments.
- In that moment though,
he was not trying to disrespect you, bro.
Kerrion know what he be doing,
and Durell know what the fuck he be doing.
We trying to make us a track, simple as that.
He was really trying to give me an example.
He was like, but Kerrion is Kerrion.
He act like him, and you start, that's why I had to stop it,
like bitch is you serious, you mad?
And you was like, "Hell yeah I'm mad nigga,
like this bro always talking shit."
And so y'all kept going and it happened.
- But I don't really be mad though.
- All right so what we talking about?
Let's go inside, nigga. - All right, come on.
Go, go, go, go, go, go, go. - Let's go.
- [Prince] All right, so LJ has 16 for us,
we'll listen to first. - Get on that board.
- LJ ain't got no motherfucking beats!
- Mo has beats. - Do y'all wanna take
this shit back to beats 2K days?
- There's also a producer that I use for my music
that we're gonna go through his beats,
I'm just waiting for his,
you see this shit ain't loading right?
- Y'all looked so big, I almost turned around,
'cause I thought that was some other people.
I was like, "Oh they recording."
I was like, "Wait a minute, that's my motherfuckers."
- Hey! - Stop playing.
- We're really it. - Y'all look big as shit.
I was like, oh shit. - Bitch we is be.
(group chattering)
- I need some water.
Dang, I'm hearing some stuff like,
soon as I come in the studio my vibe is up.
- Okay, well go over there. - It went down the wrong pipe.
- The real bitch ass sitting over there,
ain't shit about to go down.
- What you said Jonathan?
- Yo ass sitting over there, ain't shit going down.
- Are you cool? - I'm cool.
- [Kerrion] Because you did hit me,
so I don't have no beef with you.
- I did, I did hit you.
- But what's with all of
the rigamarole? - Because you yelling
for no reason.
And then the thing is I heard you talking shit-
(Mocity coughing) - I'm not talking shit!
- [Chef Dee] Jaybee up in here dying, what you need bro?
- You was. - I'm not talking shit.
No I wasn't. No, I really wasn't.
- No, but even like I told him-
- No, no, no, I'm really not talking shit.
- I see it still like a little tension
with Kerrion and Durell, wish they'd get over the shit.
- But we good. - I'm really not.
- Right, we don't have to be there.
- For what? - Because you was calling me
a bitch saying I, this, that and so forth.
- And you wasn't calling me that?
- No, not at first.
Not at first.
But we can squash it out.
- See even that, that extra part.
Why can't you just be honest?
Not at first, just.
- Yeah not at first.
I did once you started calling me like pussy and bitches.
- Y'all got me getting hot in this bitch,
just come on y'all, let's stop talking, get understood.
- It's okay.
- Yo. Hug it out. Hug it out.
Yes I love that, brothers for life.
- Relax. - Shut up.
- Can I have a hug too, Kerrion?
- What? - Can I have a hug too?
- Whoa. - Stop.
(group chattering)
- [Johnathan] That's what happened last time.
- No it don't happened last time.
- Hug it out. - I need a water too.
- All right, all right you guys.
- Welcome. - Thank you.
- [Johnathan] See look, see look, that's that, see.
(group chattering)
- Why would you put his hand up on my booty? For real.
- Hey, we're not gonna be penalized for this time
that this equipment ain't working, right?
- Listen here Prince, you a motherfucking superstar.
When you get signed to a label, if you be independent,
bitch they on your time.
But I ain't gonna cap, I started getting over it.
Somebody gotta have some type of direction
of what's going on.
- You know guys this session
doesn't seem to be going too well.
- Ooh let's go. - Just chill.
- Y'all want to cancel this shit
and take a rain check for tomorrow?
- [Chef Dee] Cancel, it's too hot it here.
- Just chill. - It's moist.
- Oh there you go right there.
- [Chef Dee] I'm sorry, so who about to go?
- I ain't going. I'm staying. - We gonna tip-
- Oh he got it, all right he got it.
- You sure you got it? - Y'all can all go home.
I'm staying. - Stay all right here.
- Oh, 'cause I almost tipped you and them. (laughs)
- Y'all the first nigga who starts saying that shit.
- Come on. - What's up? Oh.
- Come on, I need the weed.
(laid back music)
- What's up y'all?
When they gonna play that shit?
- There's nothing, we listening to beats.
- So then looks who walk in,
my motherfucking bestie, Natalie Nunn.
- Oh, that's it? - That's it.
- How much time you got? - We just got started, man.
♪ Put your clothes off ♪
- [Chef Dee] 'Cause you ain't got my shit.
What?
- Hey! - What up?
(upbeat music)
- Raz B in the building! - We writing the track,
you just do something. ♪ In the club ♪
- Come on, O! - Yeah, come on.
♪ Yeah ♪
- Raz B handed Orlando Brown the mic.
And I showed my ass.
(upbeat music)
♪ I'm out tonight ♪
♪ Out ♪
♪ Tell me tell me in the club, that work ♪
- And then from there, it was different.
♪ Everything bigger bigger bigger in Texas ♪
♪ Don't you see us bad boys flexing ♪
♪ Everything bigger, bigger, bigger in Texas ♪
♪ Don't you see us bad boy ♪
♪ Flexing ♪ ♪ Flexing ♪
♪ Everything bigger, bigger, bigger in Texas ♪
♪ Don't you see us bad boys flexing ♪
♪ Everything bigger, bigger, bigger in Texas ♪
♪ Don't you see us bad boys flexing ♪
♪ JP's on, I got drip, I don't ever slip ♪
♪ Double Cs on the scraped up ♪
♪ Flick you on my hip ♪
♪ I'm a rich nigga, I don't look at prices and I tip, yeah ♪
- And now we all just start free styling.
We all get on the mic just to test it out
to get everybody warmed up for getting in the booth.
♪ I'm above see, now I'm gonna hang ♪
♪ Two gold BG's on the chain ♪
♪ All these diamonds in my mouth ain't got no stain ♪
- Hey! ♪ Niggas ask me to bent those ♪
♪ Folding round they goals, and just turn into a ball ♪
- When it's time to hop on that mic,
I'm hopping on any beat.
You know what I'm saying?
I've been doing this shit for years so,
I'm just partaking in the festivities
of just vibing in the yo with the guys.
♪ Everything bigger, bigger, bigger in Texas ♪
♪ Don't you see the bad boys flexing ♪
- This hard up. - Yo.
Yo. Listen, listen, listen. (claps)
That's fire. That's fire.
- Yo. - That's fire.
That's fire.
- Hey yo. - You recording?
- [Orlando] I like it.
- So I think that's a good hook.
I think that's a dope beat.
Eh, it could be revamped a little bit
but that is fire. - Everything was-
- I think we should run with that, what y'all think?
- [Adonis] No for sure, I like, I like, I like that.
- Thank y'all.
- Here go Raz B. (laughs)
Encouraging the bullshit. (laughs)
Talking about, I think we got a hook.
Man, my Bad Boys, I love these boys.
- Prince? - Prince?
- Prince, how do you feel?
- [Chef Dee] Y'all kick him out, he pissed off,
but Prince how you feel?
- I vehemently disagree, I think the beat is trash,
and I think the hook only sticks us to Texas.
If we wanted it to be through
the Bad Boys' brand, we can't just-
- Well what the hell else it's gonna be?
It's gonna be per season.
- Y'all made a song in an hour,
and you could tell that you made that song in an hour.
You know it's a process, like yeah it is possible
to go into a studio and make 20 songs in an hour,
but not when you're with 10 men that have an opinion.
For all of us to try to cohabitate on one vibe,
you know, that's gonna be a process.
- No, but if you don't- - The beat's trash.
- But if you don't like it,
we could continue to look for more things.
That's what I'm saying. - I didn't,
we need to find another beat.
I wasn't pouting as some niggas might wanna call it,
but I just kind of like stepped back
and let everyone else commandeer the session,
because I didn't wanna seem like I was being a hater.
So I just go with the flow,
give my opinion when it was asked for,
and I just kind of like backed up a little bit.
- I got tackled today in football, I'm still itchy.
I'mma go take a shower.
- Yo, let's go. - Wrap it up, you guys.
- You ain't take a shower after playing football?
- You ain't take a shower? - You stink!
- That's why it stink in here. (laughing)
That's why it stank in here. - Outpouring big ass niggas.
(laughing) - Ooh, Lord.
- [Relly] It must have been part of this creative process.
- We gotta listen with fresh ears.
That's why I was saying we should cancel the studio session
'cause we picked enough beats,
and maybe we should come back after we got fresh ears.
- I can't rush my process like that, I gotta catch a vibe.
Like I can't just turn that artistry on and off.
Like again, like I'm just trying to get better
and like I want to sit here, I want to find a beat,
and I want to catch a fucking vibe.
I wanna smoke some weed and lay some shit down, the fuck?
Everyone's ready to leave,
we've been in the studio maybe an hour.
20 minutes of which were us actually listening to beats
and like everyone's ready to go out and party and shit, so.
I was like that's cool going to a party, but I'm gonna stay,
potentially create a rough draft of ideas
and present it back to the boys and I chose to stay.
♪ I'm gonna run like a big dog ♪
♪ This is the soil that I run on ♪
♪ This is my life and I show it ♪
♪ You cannot take that bit from me ♪
- [Relly] Why you in here?
- Just feel your energy, you seem really down so I just-
- I'm not down, it's just I gotta take care of
you know what I have, it's like, it's not necessarily down,
but it's just a lot going on right now.
So someone near and dear to me attempted to commit suicide
and I have to go home.
I'mma leave you off for a few and then just come back.
As you can tell, you know normally I keep myself together,
but you know I gotta go.
- Well what you mean? Is it something bad?
Or is something, 'cause the way you got
that smirk on your face, I don't know if you-
- Because I'm trying, you know how you try-
- I don't know if this is a serious matter or this is a,
this is a...
- You know how you try to like laugh from like crying,
like I'm just to that point right now.
So it's like it's just-
- Not that I experienced that, but I hear you.
People grieve differently.
- Yeah so it's like, you know just laugh, don't cry.
But that's what I was trying to tell Kerrion yesterday,
with all the shit I had going on.
Be mindful because it's- - Kerrion!
- Why would you be messy like that?
- [Prince] Kerrion!
- As I'm talking, you know,
Kerrion decides that he wants to come in
while I'm discussing this and I feel like oh fuck.
- I come in peace. - Make sure you was around.
'Cause I don't know what's gonna come out his mouth.
- Where you going?
- Well you remember yesterday I told you,
when me you had our little quarrel on the bus,
I was like you don't know what the fuck
I got going on at my house?
- We've been doing this since season one,
that's why I came in here.
- Right. - 'Cause I care about you.
- Right, no, but last night I really meant to like,
I got a call like, somebody close to me like committed,
like try to commit suicide.
- I'm sorry to hear that brother.
This moment is serious, so I really want to
make sure that Relly's in a okay mental space
because this can be tough.
I understand, I understand and I overstand, trust me.
- They tried to OD. - Who?
- A relative, like an in-law of mine.
- This back in the boot, or in Houston?
- In the H. - Damn.
I've been there bro. You know what I'm saying?
Like I tried to commit suicide when I was 19,
so I definitely understand like emotionally what it does
to the person and to their community.
So I can only empathize with whatever you're feeling,
you know, regardless of their actions,
you know what I'm saying?
There's only two options in this world.
Self-love or self-sabotage.
So as far as the self-love goes,
really taking care of yourself, it's very important.
- She must be going through a lot, you know,
which, you know, maybe I should have checked on her
a little bit more, but,
she basically OD'ed and basically she's like brain dead.
- So is she in a coma or? - She's brain dead.
I don't, I don't, you know, I don't know.
At this time it's best for me to go support my family
and just do what I need to do because, what they need,
sometimes support can't be passed through the phone.
- Your support is medicine though, you feel me?
Just like you going down there
and being there for her family or whoever it is
that you need to show love as well while y'all going.
It's all a dark time right now,
I've been there bro, for real.
- So I'm actually glad that he's in this room right now,
so I can actually explain how I feel, what I feel,
and what transpired from yesterday,
because we all go through things
and I just hope that he understands.
And see that was also something
I was trying to explain to you, it's like you know.
Me and you clown, but it was like yesterday,
it was like really a lot.
And that's why I say to y'all like,
you don't know what the fuck
I got going on at home right now, so just relax.
- Word.
- I'm laughing now, but you know I just try to laugh
from crying about it all.
So it's like I still try to like crack jokes at y'all
because you know who likes to really be sad?
Right now it's just like, am I really going to see her?
Like she laying in the hospital bed? Like no.
I'mma go home and see if it's real.
Even though I seen, and seen, and everything else,
it's still, it's not real, but I'm going home.
Even though I'm leaving, does not mean I won't be returning,
so I will be back.
- Grieving is a process, you know what I'm saying?
Like don't be afraid to grieve.
- Well I just see thing is...
I hate to just change everything
but I would really appreciate it if I could just get a hug.
- I'm gonna tap in with you later, all right?
- All right friend. - For real.
(emotional music)
♪ Real low, real low, pay it down ♪
♪ Here I go, here I go, yeah I'm right ♪
- [Orlando] Why niggas gonna step in my face!
- [Raz B] Y'all got y'all TV, nigga, you back up.
(laughing) - Bitch. Yo.
- Ain't nobody text me nigga, fuck you too nigga!
- So me and Raz had a breakfast and we went back and forth
about this show that he wanted the Bad Boys to do.
Raz walking up on me and I was gonna
slap the shit outta Raz B,
'cause he was talking to me crazy.
I don't work like this!
I got a drunk to be on camera!
- You ain't shit nigga. - Fuck you nigga
talking about nigga?
- What the fuck nigga?
I do Disney shit! What is that?
What the fuck?
- Get the camera out of my face nigga!
That fuck, better get that camera out my fucking face Jay.
- I'm not talking to him like that!
I'm not doing the scene like that!
I think Raz was just kinda like
in his zone at that moment in time.
Like nigga you disrespectful as fuck.
God I'd have smacked the fuck outta Raz B right now, bro.
- You won't do shit, nigga. Square up nigga!
- Bro! You tripping! - Square up nigga.
- You drunk! - Swear up nigga!
- We just had fucking breakfast!
- Come here, sit your skinny ass in here.
- Bad Boys get $3,000!
- Sit your scary ass over right there.
- Bitch!
Don't do that. Don't do that.
Don't don't act like you, don't do that, don't do that.
- I have some words for Orlando,
you know I felt some type of way.
I'm not sure how I picked up a chair.
I wanted to bark at him a little bit.
- I just had breakfast with you nigga, you acting weird.
- Hold on, hold on, hold on, hold on.
Somebody acting weird?
Hold on, somebody acting weird.
Who acting weird?
- We was having breakfast this morning.
- We had breakfast. Aight, I'm here
You stay right in front of him.
Go ahead stay right here in front of him.
'Cause this is my brother, I would never touch him.
Stay in front of him, protect him, please.
Nigga we good?
(tense music)
- Good? I have- - Blood nigga,
I'm a nigga Crip, nigga, 6-0 Crip, nigga.
- But I had breakfast with you blood?
- What are you talking about?
You wanna show up for the cameras, nigga?
- This nigga- - Get your ass over here
and talk nigga.
You know there's been a lot going on on tour
and things that I probably normally wouldn't say,
I'm saying them today.
What you talking about nigga?
We turned the fuck up, nigga.
Hold on blood, who you looking at?
Ain't nobody gonna save you, it's me and you talking.
- Save what? - Oh I can save both of y'all.
- We good. - Shit.
- Hello? - What's he saying?
(tense music)
- Oh. - I'm not like,
like come on my nigga,
like come on bro. - What you saying?
- I'm over here selling my wigs, like doing my online orders
and I just see Raz B steady picking,
picking, and picking at Orlando.
I don't even play like that.
What's the problem? - We're talking, man.
- There's no problem. - We talking!
- Well then what's the problem?
- But we get $3,000! - Who sent you over here?
- I sent myself over
'cause I heard you yelling. - That's fine.
- Jonathan ended up coming out and he had Orlando's back.
It was about to go bad for Raz B.
- So why you yelling at him though?
- Yelling? - Yelling!
- You yelling now. - Yelling!
Why the fuck is you yelling at him?
(suspenseful music)
Huh?
The fuck?
- This shit is fucked. - Raz you know I get real.
- We don't got no problem. - Okay, but you yelling.
But why you- - That's my little brother.
- That ain't your little brother,
he didn't come out your mama pussy.
- That's my little brother. - Okay, I don't give a fuck!
Don't pick no trouble like that.
- I don't know what the going on, bro.
- This shit is weird bro. - The fuck you laughing at?
- What the fuck you mean? - Well if that's your brother
go give him a hug. - Bruh!
Niggas finna pack him out, fucking with me bro.
Everybody's mad at Raz B, on his rockstar,
and I'm like I don't know where it's coming from,
I don't know where it's coming from, all this shit.
You tripping. (laughing)
- This shit is weird. - The fuck you laughing at?
Gimme some water. (laughing)
- Yo, bitch we got it. - Yo.
(laughing)
- And I still wouldn't have hollered at you.
All right, nigga you my brother,
I don't condone what you're doing, but you my brother.
- You wanna talk over here off the cameras?
- I can't punch him, cuz.
- Shut. - I'm not doing that to him.
- I would never touch you either.
We good. - At the end of the day,
like I just know that, you know I got his back.
We got his back.
Once a Bad Boy always a Bad Boy.
I asked you to get on camera with me
so I can calm down, you did come.
I was finna, nigga, aw man.
- That nigga turned up on us outta nowhere in the front.
- Bro I was, man I can't do that shit.
I don't want no more fighting, man.
Why would I ignite the fight?
(upbeat music)
Shit is so ridiculously dumb.
Yeah I just kind of feel like Raz did too much.
I started feeling like kind of uncomfortable.
- It's stressful, my anxiety levels dawg.
- [Orlando] That need to drop, bro.
- Well the studio was fun last night.
- Wasn't it? - Hell yeah.
- No it wasn't because I ain't know
what the fuck I was doing in the first place.
I did want to get on the song though, you know like,
do a little big banger verse or something.
Yeah, I'm the big banger popping out shit,
banging heads, owning shit,
but I don't know how to write,
so there wasn't nobody write shit for me so fuck them.
I always wanted to make a song,
but I ain't know what the I was doing.
- How you feel about the beat I sent you yesterday?
- I like that.
That was tight. - You like the joint?
- Yeah I like that joint.
- How do you feel about the verse I wrote?
- I thought it was vibe. - What verse?
- I definitely feel like you tapped into like-
- You didn't write me a verse. - I wrote him a verse,
but I'm writing yours.
- Orlando basically produced it, he didn't make the beat but
he helped everyone lyrically
with placing the verses, the words,
Orlando's very, very, very, very, very, very, very, very,
very talented.
- How you feel about your shit?
- I think it's a vibe, I think it can tweak it.
I think if we go to a real studio
where they have like all the-
- You don't like that studio now?
- So it seemed to have everything that we needed.
But I did notice, you know it was a super old version
of Pro Tools, the engineer was a little bit slow.
This isn't the vibe.
- Orlando was like, he was light though,
showing what we need to do, like how we need to sound,
and I appreciate you for that.
For making me go back in and do my shit over,
like you really helped me out in the studio, so.
- I don't know if it was a Bad Boy's theme song,
but I feel like it was cool.
- Yeah, I appreciate he was like go back in,
like do it over, like. - He was producing.
- I respect that. You know I respect you.
- God bless, I love the fact
that you actually did it though.
- Yeah, like. - From washed up ass nigga.
(laughs) - What?
- From washed up ass nigga, you know what I'm saying?
Nobody else knew, I was on "That's so Raven" and shit.
You know what I'm saying?
- No. - You ain't no nobody.
- We already know- - Bitch.
- Finna trying to bring up what I said,
so when I was mad.
- Oh, oh, when y'all was arguing, oh.
- I love my brother, so I'm not here
speaking down on Adonis, you know what I'm saying?
At the end of the day like, I just know that,
you know I got his back.
Bitch ass washed up nigga.
- (laughs) That's what you said?
- You ain't hear nigga talk about it?
- I ain't hear nothing you said.
- "Nigga, you used to be a actor, nigga."
That's what he said.
- That shit. - It be crazy how you be
looking at people and then you-
- Like when you meet 'em. - And then when you meet 'em,
it's a totally, and you be like,
this the person I had beef with?
This nigga cool as shit.
- I appreciate you for that,
but we still gotta finish the song.
Now although we did have fun at the studio,
we ain't do shit but drink.
We smoked, and we got on the mic,
and we freestyled and everything,
but we ain't get accomplished.
We gotta go out, we gotta, you know?
- Okay well we gotta have a session.
- Yeah we do. We do.
- Yeah let's go then. - Where we going?
- Studio. - Studio we go.
- I don't want to go.
- Man, come on. - Then stay your ass home.
- You gotta go- - No I don't!
Shit y'all. - I wrote your song.
- No one be paying me no fucking attention.
- I got your song. - When I try to give y'all
my input y'all said- - What about big bangs
in this bitch? - Shit.
(tense music)
- [Raz B] Not you, none of you niggas.
- Yo Raz stop directing that fucking energy towards me bro.
Stop it!
Because I'm cool but I will fuck somebody up,
so stop doing that weird shit.
Raz B was walking around saying some weird shit.
No one's gonna beat him up,
he'll shoot someone before he gets touched.
And he's walking around saying this shit to me and it's like
nigga who you talking about?
'Cause I will beat your little ass the fuck up.
Like leave me the fuck alone, I don't even bother you.
I'm cool as fuck, but you keep walking around here like
"Yeah I'm not scared of none of you niggas."
Like what the fuck is that supposed to mean, nigga?
- I was pissed. - Okay then,
keep that shit to yourself, I don't need to hear it.
Because I'm at one point I'm gonna take it personal
and when I punch you in your shit you're gonna be
trying to pull somebody's gun,
and you shoot me nigga, you better kill me.
- You gonna punch me?
- If you keep doing that weird shit, yes nigga.
- If I keep doing what? - If you keep sizing me up
talking about something, all right.
- You my daddy, you gonna punch-
- Raz B isn't saying anything sensical.
He's just snapping for no reason, being extra,
because we're fucking filming,
and that's the problem with him.
You don't know when this man's being authentic,
like just be you, and that's the fucking issue
we've been having with him since the beginning.
Yo, stop doing that weird shit.
Cut it the fuck out. - Cool. We good.
We clear, have a good day. Y'all niggas have a good day.
What's popping?
Anybody can get this shit cuz.
- [Speaker] The house Wi-Fi password?
- Yeah it's the same name, it's house Wi-Fi.
- Oh House Wi-Fi.
- All lowercase.
- Get that fucking camera out of my fucking face,
before I break it. - Here this nigga go.
- That fucking camera out my face!
(somber music)
- Nigga breaking shit.
- I honestly bro, I don't know
what the fuck is real and what's not anymore.
- It's all tea, niggas, it's all tea, nigga.
- Y'all niggas need to just be yourselves, man.
(playful music)
♪ Fashion killer, they study my style ♪
♪ Take nigga top off, girl's gone wild ♪
♪ Acting bad every day, but yo I'm a menace ♪
♪ My name stay you're name now, just like I did it ♪
- So the day's just started,
it's already been fucking crazy,
but we're going to the studio again and in a different one
since everyone talked shit about the studio
that I was able to get last minute.
(scoffs)
But anyhoo.
(tense music)
(people chattering) - Okay, Jay.
Okay.
- Raz B been on edge lately.
When we was getting on the bus to go to studio,
he got on the bus, tweaking.
- Nigga- - We good.
- [Prince] That weird ass shit again, man.
- What he did? - We good.
- [Prince] He's coming next to me and sizing me and shit.
Like what the fuck? - Ain't nobody sizing,
you a tall nigga, you a good looking brother.
I'm gonna sit way down here, bro, we good.
- So we all got on the bus
and we on our way back to the studio
to work on the song some more.
And Raz B get on the bus and he's starting it up again.
Please don't nobody play with me.
I don't give a fuck how nobody get down,
all that other shit, please, don't play like this.
- What happened? - Raz beyond bullshit.
The first thing he does when he sits the fuck down,
is like size niggas and says some weird shit.
- [Adonis] This shit he doing is really weird.
- [Raz B] Ain't nobody doing no weird shit, nigga.
- You is, 'cause off camera you one niggas,
then you get on camera. - No, no, no.
- You turn up like, come on. - No, no, no.
I don't got no problem with nobody.
- Yeah you acting cool with me,
then when camera's roll- - I had a problem with,
I got my phone. - You sizing me.
Nigga, I will, niggas I will murder you for real, like.
- You would murder me? - Yeah with my hands, nigga.
The nigga Raz, I don't know what the nigga issue is.
I don't know if he high, I don't know if he mad at his bitch
but nigga I ain't do nothing to your ass.
So what the fuck you turning up on me for?
You acting like we cool then what, like what the fuck
is wrong with you? - Let me off.
Murder? Murder?
- I'm saying murder with my hands.
- Murder? - Yeah Murder.
- That's a big word, bro.
That's a big word. - Right, fuck wrong with you?
- At this point with the Bad Boys,
it's always gonna be some fucking drama,
and we still have to go to the studio, make a song,
and get all this stuff done, with all this chaos going on.
- You're gonna murder Raz B?
Do you not know who you talking to?
You're gonna murder Raz B?
You niggas are playing.
When Adonis said he'll murdered me,
I took it outta context,
so immediately it triggered something else to me.
I was just super turned.
This is real Bad Boys, ain't nobody scared,
you know what I'm saying?
Let me be OG, you do your job.
- I know, but Raz.
I gotta see. - We straight.
- Nigga really on some floor shit like,
nigga turned up for nothing, like nothing.
- If you have something in your pocket,
please give it to me, so I can return it back in the house.
- How about this?
Nobody's gonna threaten me in my life, OG.
- I'm not gonna let nobody hurt you, Raz.
- Nah, nah, nah. - Can you give me
the property of the house. - I'm not giving you my phone.
- Not your phone,
but just the property. - I'm good.
- Adonis, this why I'm here.
- [Ahrah] No, 'cause he drunk, like don't do that.
- No don't do that. Don't do that.
- Everybody pretty much wanting to whip Raz B's ass.
It's clear that he is off or something.
He don't seem like his normal self,
unless he walk up on you and try to do something to you,
then of course, yeah, defend yourself.
But don't go chasing behind a nigga,
that's already inuberated, or whatever the fuck you call it.
- Inebriated. - Ineberated. (laughs)
- [Raz B] Don't threaten my life my nigga.
We all got gangsters. - Who? Who?
- All of us!
We all got people! - No one threatened your life.
- We all got people, blood! - No one threatened your life.
- We all got people, blood! - Nobody threatened
your life at all. - We all got people!
- Everyone's basically trying to figure out
what's going on with Raz because like he's doing shit
that just don't seem like him.
- Let's go. - Do we not all have people?
- Let's go. - Nigga I ain't afraid
of none of you niggas,
I'll sit right here next to all you niggas.
I'm not letting nobody- - Yeah! Yeah!
- [Raz B] There's no problems.
I don't have no beef with nobody.
- [Chef Dee] Let him sit down with-
- [Raz B] I have no problem with nobody.
- Raz B it is time to
woosah.
We're starting to get out of alignment.
(people chattering) - Get the fuck off me.
- I'm about to whoop that hoe.
- No. (group laughs)
- It was just like a real dark cloud over Raz's life
at that moment in time as a Bad Boy.
- Cut.
Get outta here.
The producers decided that I should, you know,
I should probably ride separately
to make sure I'm calmed down and make sure that you know,
no other confrontations start up.
But I just felt like there was a lot of stuff going on
and I was just ready for war.
(dramatic music)
(lighthearted music)
- I did say I'll murder you, but I don't mean it like,
oh I got a gun, I'm finna.
In the south we say murder that mean like,
we gonna get there, like we gonna fight.
Raz just turned up on everybody.
He turned up on me, he turned up on Orlando,
but what he didn't know was
ain't no nigga getting in my face and trying me.
I don't give a fuck who you with.
- I don't know why he mad,
and don't nobody give a fuck why.
- It Chef Dee chef fault.
Ever since you clopped him upside his fucking head,
he ain't been the same. - He ain't been the same.
- [Chef Dee] Hey! Don't put that on me.
- Where Relly at?
- Relly had to go, man. Relly had some-
- Yeah Relly had some personal,
he told me I could tell y'all.
So basically his boyfriend's sister tried to commit suicide.
She's like brain dead right now.
- Damn. - Damn.
- So. - And that's serious,
and that's another serious. - That's a lot of people
been committing suicide lately, bro, a lot of black people.
- I've gone through some traumatic things the past two years
when I definitely wanted to jump over from my balcony
and just be like, you know, fuck it.
You know the embarrassment, the harassment,
you know being made fun of, being ridiculed,
through blogs, through the media.
It really takes a toll on you.
And I think if I wasn't afraid of pain I probably would've,
you know, maybe made an attempt at some point in my life.
- Did you have a good session last night though?
- I don't think the session was bad, for me,
I just felt like we were rushing the process
and we wanted like something dope,
'cause I want us to all be proud, I want you to be home.
Like how you turn up to Ice Spice you like, "Yeah, yeah."
You know what I'm saying? I want niggas to be like damn.
We did that, I don't want- - Yeah but we did last night.
- To just hear it and be like, okay.
But outside that, I was fine, I was chilling.
It's not like I was mad,
oh someone didn't like my verse or something.
I just wanted us to pick something that we love.
I felt like we were just about to settle for some shit,
you know what I'm saying?
- I like to make music off how I feel,
so if I don't feel it, I don't record.
And I never force music.
If I'm feeling good I'm finna make some hot shit.
If I'm mad I'm finna express that shit.
Music is art, you can make it so many different ways.
- Well let's see what the vibe is bringing us today baby.
- Can we stop at the store to get a Backwood?
- We need some gravel. - Oh we definitely
need Backwoods. - And some Pringles.
- [Prince] Something.
♪ Bad boy, yeah I'm feeling like I'mma get it ♪
♪ Before I lived in fame ♪
♪ I was the man in my city ♪ ♪ Uh-huh ♪
- [Chef Dee] Oh is we arriving?
Okay yo, we pulling the fuck up.
- So we're at the studio, we arrived.
This is a new studio and I'm just excited to be here.
Looking forward to maximizing this opportunity.
Creating some magic with the guys
and let's see where it goes.
- We ready to go back in to the studio
and you know, see what we gotta do.
I'm kind of confident in this song.
♪ Yeah still ride, Chevy can he paint ♪
♪ With the chrome ♪ ♪ Chrome ♪
♪ Still different color wheels ♪
♪ Changing up the tone ♪ ♪ Tone ♪
♪ Had her on the seats ♪
♪ And the leather still stanky ♪ ♪ Stanky ♪
♪ Riding on the 10s ♪
♪ But the money still banking ♪ ♪ Banking ♪
♪ You ain't from the South, ♪
♪ You ain't still riding low ♪ ♪ Low ♪
♪ You ain't from the South, ♪
♪ You ain't still riding low ♪ ♪ Low ♪
♪ You ain't from the South, ♪
♪ You ain't still riding low ♪ ♪ Low ♪
♪ You ain't from the South, ♪
♪ You ain't still riding low ♪ ♪ Yeah ♪
♪ You ain't from the South finna goes in your mind ♪
♪ Hey Chevy outside there's some hoes in your house ♪
♪ You ain't from the South, you ain't had ♪
♪ A quart of water ♪ ♪ Water ♪
♪ I drinking out the hose, ♪
♪ 'Cause you know you can't afford it ♪
- Ooh, that's real different.
Ooh it looks a little, and then it smelling good,
and looking good and I love this studio
way better than that other one.
(upbeat music)
- This look way better than yesterday.
This is the vibe I'm talking about.
This is where I can get a little creative,
now I really wanna get on the track.
I was feeling the vibes of this new studio.
(lighthearted upbeat music)
- I'm the Prince of the city.
Baby, show me your titties.
- We head to a new studio, Killshot is the engineer.
Come to find out Killshot and I, we go to the same school.
So hopefully we all can like get serious,
because Killshot know what I know.
You know he's a very professional person
and we do not need to waste this man's time.
- [Raz B] Coming in hot. (laughing)
I will smoke with everybody.
- Everybody? - Where's it at?
I will smoke everybody. - Straight upstairs,
you all right? - Stop nigga.
So I'm walking in the studio,
which I probably shouldn't even went to the studio,
'cause I was still turned up.
What's up, I will smoke with everybody, what's up?
Who wants some smoke?
- Raz B come walk through the door talking that shit.
"Who want smoke, nigga? What's up nigga?
I'll do this, I'll do that."
We haven't even been in there 10 minutes.
- You ain't ready nobody, nigga, you, none of you niggas.
(Johnathan punching) - Hey! Oh!
- Ooh. - Whoa.
- I didn't see Jonathan hit Raz B,
but when I checked the news forecast,
the meter on that tornado,
I think that was a F4, Texas tornado.
- Shut the fuck up. - Is that right?
- What are you talking about? (group arguing)
- He walking in like tough.
"Yo any of you niggas, you niggas."
Once I heard, "Oh I'll whoop these niggas."
I straight popped his ass in his shit.
- [Prince] Yo, this nigga has a knife, bro,
this nigga has a knife. (people arguing)
This nigga has a knife! He has a fucking knife!
(dramatic music)
- Came with a knife bro?
You wasn't even able to do shit.
- Damn nigga, you really was coming to stab somebody?
- Look at my face! - Breathe, yeah.
- Look at my face! - I know.
- I may lose the battle but I wanna win the war.
♪ Fucking with a boss ♪
♪ Dripping in Prada ♪
♪ Fuck what they called ♪
♪ I'm a Bad Boy, I'll make you mad, boy ♪
♪ I'm getting this bad, I'm up in the club, ♪
♪ And I'm grabbing ass, boy ♪
- I started getting over it. It's just too much going on.
So I was like, I'm about to go.
All right, cut the cameras with this shit.
- [Chef Dee] Y'all better keep this thing away from me,
or I swear on my dead father grave, I've been real chill.
This nigga had a knife.
- Lo and behold, who comes back on the bus?
Raz Bizzle.
- [Johnathan] Get him off the bus,
before something happen to him.
- Because you brought a knife nigga, that was corny, bro!
You're a grown ass man, bro.
♪ One night ♪
♪ One night, yeah ♪
♪ One night you never forget ♪
♪ Tonight ♪ ♪ One night ♪
♪ This is one night you never forget ♪
(dramatic music)
(dramatic music fades) (siren blares)