1 00:00:06,464 --> 00:00:09,884 [birds singing] 2 00:00:15,348 --> 00:00:17,851 [Sly] Do I have regrets? Hell yeah, I have regrets. 3 00:00:17,934 --> 00:00:20,854 But that also is what 4 00:00:22,397 --> 00:00:24,357 motivates me to overcome the regrets. 5 00:00:24,441 --> 00:00:25,775 - [claps] - To, like, fix it. 6 00:00:25,859 --> 00:00:28,903 And I do that through painting, or I do that through writing. 7 00:00:28,987 --> 00:00:30,697 'Cause I can't fix it physically. 8 00:00:30,780 --> 00:00:31,614 It's gone. 9 00:00:31,698 --> 00:00:34,409 You know, that fucking thing called time. 10 00:00:34,492 --> 00:00:35,785 Just... [whooshes] 11 00:00:35,869 --> 00:00:39,539 Gone. You know, I look at... Like, of you're ever on a train, 12 00:00:39,622 --> 00:00:42,917 in every window... [whooshing] ...scenery is going by. 13 00:00:43,001 --> 00:00:44,627 It's like a photo. Wham, wham, wham. 14 00:00:44,711 --> 00:00:46,379 And you're never coming that way again. 15 00:00:46,463 --> 00:00:48,006 And that's what your life is. Whoosh! 16 00:00:48,089 --> 00:00:51,134 Snapping images seen whipping by. 17 00:00:51,217 --> 00:00:52,469 And you can't... It's gone. 18 00:00:52,552 --> 00:00:57,223 [feedback-heavy electric guitar plays] 19 00:01:19,621 --> 00:01:24,334 {\an8}["To Hell With Poverty" by Gang of Four playing] 20 00:02:19,222 --> 00:02:20,473 [song fades out] 21 00:02:23,852 --> 00:02:25,854 [faint birdsong] 22 00:02:33,444 --> 00:02:36,030 [Sly] It's really easy to become complacent. 23 00:02:37,657 --> 00:02:40,201 I thought, "I gotta do something drastic." 24 00:02:40,285 --> 00:02:42,912 Everything is getting kind of mundane, repetitive. 25 00:02:42,996 --> 00:02:46,332 I can feel myself withering a little bit, drying up, 26 00:02:46,416 --> 00:02:49,460 like an old fig that fell off a tree. You know, you're drying up. 27 00:02:49,544 --> 00:02:52,172 Jesus, what am I gonna be around for? Another 20 years? 28 00:02:52,255 --> 00:02:53,923 I don't wanna be complacent for 20 years. 29 00:02:54,007 --> 00:02:57,552 So I said, "Well, you really want to get the adrenals going?" 30 00:02:58,052 --> 00:02:59,052 "Leave." 31 00:02:59,804 --> 00:03:02,307 And that's why I gotta move east. 32 00:03:03,516 --> 00:03:08,646 Nothing, I think, inspires you than taking your house or your history, 33 00:03:09,522 --> 00:03:10,899 balling it up. You know... 34 00:03:10,982 --> 00:03:12,150 [whooshes] 35 00:03:16,738 --> 00:03:18,990 Who is this man, Sylvester Stallone? 36 00:03:19,073 --> 00:03:21,284 Artist, writer, poet, performer, 37 00:03:21,367 --> 00:03:22,994 enormous celebrity. 38 00:03:23,661 --> 00:03:25,121 How does that happen? 39 00:03:25,747 --> 00:03:28,499 Sly is a guy who always will go down his own path. 40 00:03:28,583 --> 00:03:31,878 And if that path doesn't exist, he'll run the road himself. 41 00:03:32,712 --> 00:03:34,380 He was a self-creator. 42 00:03:34,964 --> 00:03:37,884 [man 1] Ostensibly, he didn't appear to be a great actor. 43 00:03:37,967 --> 00:03:40,511 He didn't have obvious charisma. 44 00:03:40,595 --> 00:03:42,597 But he invented something else. 45 00:03:43,181 --> 00:03:46,726 An actor who writes and directs himself. 46 00:03:46,809 --> 00:03:52,565 He's not the first person to do it, but he was the first superstar to do it. 47 00:03:52,649 --> 00:03:57,737 He really understood what people wanted to see him do. 48 00:03:57,820 --> 00:04:00,490 I was invested in the Stallone story 49 00:04:00,573 --> 00:04:02,533 as if it were my story. 50 00:04:02,617 --> 00:04:06,913 It was my daydream of... of what could happen in a career. 51 00:04:06,996 --> 00:04:12,043 There is no one that has stepped into three franchises. 52 00:04:12,543 --> 00:04:14,254 The genius behind that. 53 00:04:16,047 --> 00:04:18,091 This was not an accident. 54 00:04:21,844 --> 00:04:25,265 [producer] Can you show me some of those cassettes that you found while packing up? 55 00:04:25,348 --> 00:04:26,432 Yeah, I got some. 56 00:04:27,725 --> 00:04:28,810 Let's see. 57 00:04:29,686 --> 00:04:31,646 This is New York Times. 58 00:04:34,732 --> 00:04:35,775 [tape player thunks] 59 00:04:39,570 --> 00:04:41,406 [woman] Could you do me a favor? 60 00:04:41,489 --> 00:04:43,866 I start off by quoting from your press release, 61 00:04:43,950 --> 00:04:47,078 and then you pick up the story where I leave off. Right? Okay. 62 00:04:47,161 --> 00:04:51,332 "Sylvester Stallone was born in the tough Hell's Kitchen section of New York 63 00:04:51,416 --> 00:04:54,168 in the sweltering summer of 1946." 64 00:04:54,252 --> 00:04:55,753 [car horns honking] 65 00:04:55,837 --> 00:04:59,465 [soft instrumental music playing] 66 00:05:02,135 --> 00:05:03,344 [Sly] Holy shit. 67 00:05:05,013 --> 00:05:09,809 I never, ever, ever thought I would come back here. 68 00:05:10,435 --> 00:05:14,022 I was born in Hell's Kitchen. I was New York. 69 00:05:15,732 --> 00:05:18,401 I haven't been here in 65 years. 70 00:05:19,694 --> 00:05:21,029 You guys livin' here? 71 00:05:21,112 --> 00:05:22,780 [man] No, I'm 45th. 72 00:05:22,864 --> 00:05:24,240 - Yeah? - Yeah. 73 00:05:25,116 --> 00:05:27,577 - I used to live here. - You lived in this block here? 74 00:05:27,660 --> 00:05:30,413 - Yeah, absolutely. - What was the neighborhood like then? 75 00:05:30,496 --> 00:05:31,622 - It was rough. - Yeah? 76 00:05:31,706 --> 00:05:34,250 Well, it was really Hell's Kitchen back then. Yeah. 77 00:05:35,126 --> 00:05:37,628 I remember, the window was always open. 78 00:05:38,504 --> 00:05:40,882 [chuckles] So you learn a lot about human nature, 79 00:05:40,965 --> 00:05:43,092 and you're observing life. 80 00:05:43,176 --> 00:05:44,552 You're watching a movie. 81 00:05:44,635 --> 00:05:47,305 "Hey, when you coming over?" "I'm coming over tomorrow." 82 00:05:47,388 --> 00:05:48,681 "Shut your friggin' window." 83 00:05:48,765 --> 00:05:50,641 It's back and forth. 84 00:05:53,436 --> 00:05:57,190 I remember my father, like, always wearing, like, an Italian T-shirt, 85 00:05:57,273 --> 00:06:01,652 and, like, just... it looked like something out of an Arthur Miller play. 86 00:06:01,736 --> 00:06:04,489 View from the Bridge, it was... That's my life. 87 00:06:06,407 --> 00:06:09,243 My father came to New York. That's where he met my mother. 88 00:06:09,327 --> 00:06:12,288 He's a barber transitioning into "cosmetology" 89 00:06:12,372 --> 00:06:14,832 'cause there was more money as a hairdresser. 90 00:06:14,916 --> 00:06:19,837 Our father was also very self-conscious because I don't think he was educated. 91 00:06:19,921 --> 00:06:22,924 {\an8}Any kind of slight or insult would, like... 92 00:06:23,007 --> 00:06:24,008 He'd go off. 93 00:06:24,092 --> 00:06:25,802 Our mother was pretty bad too. 94 00:06:25,885 --> 00:06:29,472 She was pretty handy with the old hairbrush and the shower brush. 95 00:06:29,555 --> 00:06:32,809 She had long nails that'd never break. She'd go, "Come here, you!" 96 00:06:33,851 --> 00:06:38,648 My mother was a cigarette girl at Billy Rose's Diamond Horseshoe. 97 00:06:39,399 --> 00:06:42,235 That's primarily where the money was coming from. 98 00:06:43,319 --> 00:06:49,325 My father told me that... she just was afraid to have a kid. 99 00:06:50,076 --> 00:06:54,789 Even though she was nine months pregnant, she kept riding around on the bus. 100 00:06:54,872 --> 00:06:57,041 And she'd gone into labor. 101 00:06:57,125 --> 00:06:59,669 Somebody smart enough to get her off the bus, 102 00:06:59,752 --> 00:07:01,963 they carry her into a charity ward. 103 00:07:02,922 --> 00:07:06,259 And that's where I was brought into the world, 104 00:07:06,342 --> 00:07:07,552 via this accident, 105 00:07:07,635 --> 00:07:11,764 which kind of paralyzed all the nerves on the side of my mouth. 106 00:07:11,848 --> 00:07:13,641 So I was born with this snarl. 107 00:07:13,724 --> 00:07:15,476 [soft music playing] 108 00:07:18,438 --> 00:07:20,940 [Sly] She was quite eccentric, colorful, 109 00:07:21,023 --> 00:07:25,027 very, very, very outspoken and unpredictable. 110 00:07:26,737 --> 00:07:28,573 I know I've got a certain kind of... 111 00:07:32,326 --> 00:07:35,371 ferocity from my father, no question. 112 00:07:37,457 --> 00:07:40,209 Our mother and father, it was like clockwork. 113 00:07:40,293 --> 00:07:44,630 I'd be up in bed, and you'd just hear them screaming and yelling. 114 00:07:44,714 --> 00:07:46,591 My father... [snarling] 115 00:07:46,674 --> 00:07:51,137 And I was petrified... 'cause, I mean, I could just feel the reverberation. 116 00:07:54,348 --> 00:07:58,561 I think they both were so self-absorbed with their own stuff, my parents, 117 00:07:58,644 --> 00:08:00,229 that they just pawned us off. 118 00:08:00,313 --> 00:08:04,692 The majority of the time I was living in a boarding house. 119 00:08:04,775 --> 00:08:06,694 Basically 12 months a year, 120 00:08:06,777 --> 00:08:09,322 never went home, 'cause they just didn't have time. 121 00:08:09,405 --> 00:08:10,781 They were both working. 122 00:08:10,865 --> 00:08:15,995 And people say, "Oh, you feel deprived and you weren't nurtured." 123 00:08:16,078 --> 00:08:17,747 I thought, "Yeah, that's true." 124 00:08:18,789 --> 00:08:23,085 And maybe the nurturing comes from 125 00:08:23,169 --> 00:08:25,213 the respect and love of strangers. 126 00:08:25,296 --> 00:08:27,840 To feel embraced and loved 127 00:08:28,466 --> 00:08:30,468 by an audience, 128 00:08:30,551 --> 00:08:32,011 it's insatiable. 129 00:08:33,179 --> 00:08:36,599 I wish I could get over it, but... you can't. 130 00:08:42,647 --> 00:08:45,816 [Frank] I think movies for me and him were total, absolutely escapism. 131 00:08:45,900 --> 00:08:47,276 [projector whirring] 132 00:08:48,611 --> 00:08:52,240 I would spend untold hours in theaters, and I don't care what it was, 133 00:08:52,323 --> 00:08:54,784 I'd sit there and watch this thing five, six times 134 00:08:54,867 --> 00:08:57,620 and then go home at four in the afternoon. 135 00:08:58,955 --> 00:09:02,583 That's the life I wanted to lead. That's the ideals. Grandeur. 136 00:09:02,667 --> 00:09:06,796 That's hard work, and triumphs over evil. 137 00:09:08,464 --> 00:09:09,966 I always had hero worship. 138 00:09:10,049 --> 00:09:12,760 I wish I could be the guy who saved the bus full of children. 139 00:09:12,843 --> 00:09:17,431 That's who I want to be. I want to be the guy who 140 00:09:18,474 --> 00:09:19,559 saves people. 141 00:09:24,021 --> 00:09:26,691 I would stay alone in my parents' room, 142 00:09:26,774 --> 00:09:31,195 and they had a cheap Woolworth's three-dollar, $2.99 mirror. 143 00:09:31,988 --> 00:09:35,241 I would sit there and do things all day in the mirror, 144 00:09:35,324 --> 00:09:37,034 whether it be imitation... 145 00:09:37,118 --> 00:09:39,704 While someone is singing, I'm lip-syncing. 146 00:09:39,787 --> 00:09:41,872 Or go see a movie like Hercules, 147 00:09:41,956 --> 00:09:44,917 and I'd come back and try to imitate Steve Reeves. 148 00:09:45,001 --> 00:09:47,670 [epic "Hercules" score playing] 149 00:09:49,755 --> 00:09:52,883 [Sly] The moment in Hercules Unchained, when he steps up, 150 00:09:52,967 --> 00:09:55,011 and he pulls the temples down, 151 00:09:55,094 --> 00:09:58,681 and this... ridiculously handsome, 152 00:09:58,764 --> 00:10:02,727 well-built, perfect male role model... 153 00:10:02,810 --> 00:10:03,894 That did it. 154 00:10:04,604 --> 00:10:06,814 I go, "There it is. That's the road." 155 00:10:06,897 --> 00:10:10,318 'Cause I finally had a role model that I idolized. 156 00:10:10,901 --> 00:10:13,696 - And my destiny to fulfill! - [loud thunderclap] 157 00:10:13,779 --> 00:10:17,283 My father realized he's not going to make it in New York, 158 00:10:17,366 --> 00:10:19,827 so they took off to Maryland. 159 00:10:22,371 --> 00:10:24,040 [Frank] We came from broken marriage. 160 00:10:24,123 --> 00:10:27,001 I mean, I came home from school and no one was home. 161 00:10:27,084 --> 00:10:28,711 My mother had taken off. 162 00:10:29,503 --> 00:10:31,922 They went to court. It was terrible. 163 00:10:32,757 --> 00:10:34,550 I went with my mother in Philadelphia, 164 00:10:34,634 --> 00:10:37,094 and my brother stayed with my father in Maryland. 165 00:10:37,178 --> 00:10:40,556 Complete country and crickets, pretty isolated, 166 00:10:41,223 --> 00:10:43,184 and there were only horses. 167 00:10:43,267 --> 00:10:46,020 [tense electric guitar music builds] 168 00:10:54,403 --> 00:10:57,239 I've been... For some reason, I had an affinity with horses 169 00:10:57,323 --> 00:10:59,158 since I was five or six years old. 170 00:10:59,241 --> 00:11:02,078 Not good horses, just horses my father would buy. 171 00:11:02,161 --> 00:11:03,913 Twenty dollars, $25. 172 00:11:03,996 --> 00:11:09,335 He didn't have much money, but somehow he got involved with a polo team. 173 00:11:11,379 --> 00:11:15,549 And everyone in polo had beautiful horses, great trailers, ranches. 174 00:11:15,633 --> 00:11:17,635 We had a... [chuckles]...a dump. 175 00:11:18,219 --> 00:11:20,262 The horses, most of 'em had medical problems. 176 00:11:20,346 --> 00:11:22,973 Some of 'em, if you pulled up too quickly, they'd go blind. 177 00:11:24,558 --> 00:11:26,060 So I started playing polo, 178 00:11:26,143 --> 00:11:28,813 but sandlot kind of polo, like, low level. 179 00:11:28,896 --> 00:11:32,441 But I learned. Anyway, I started getting better and better and better. 180 00:11:32,525 --> 00:11:35,569 And then when I was 13, I was starting to get ranked. 181 00:11:35,653 --> 00:11:37,196 I'm gonna get nationally ranked. 182 00:11:38,155 --> 00:11:39,323 My father 183 00:11:40,241 --> 00:11:41,742 wasn't liking that so much. 184 00:11:41,826 --> 00:11:44,161 And in the middle of a game, 185 00:11:44,245 --> 00:11:46,080 I was going for a nearside backhand, 186 00:11:46,789 --> 00:11:49,625 and I didn't do anything wrong, 187 00:11:49,709 --> 00:11:52,169 he goes, "You're pulling too hard on the horse!" 188 00:11:52,253 --> 00:11:54,588 I said, "I know what I'm doing." He goes, "You don't!" 189 00:11:54,672 --> 00:11:57,258 "You don't know what you're riding." Screaming from the stands. 190 00:11:57,341 --> 00:12:00,886 And finally I pulled the horse up to get ready for another throw, 191 00:12:00,970 --> 00:12:03,013 and he comes out of the stands, 192 00:12:03,097 --> 00:12:06,225 grabs me by the throat, throws me on the ground, 193 00:12:07,476 --> 00:12:09,979 takes the horse, and walks off the field. 194 00:12:10,604 --> 00:12:12,857 And I laid there and I went, 195 00:12:12,940 --> 00:12:15,484 "I never want to see a horse again in my whole life." 196 00:12:19,947 --> 00:12:21,991 I was raised by a very... 197 00:12:23,367 --> 00:12:25,703 physical father. You know? I mean... 198 00:12:27,246 --> 00:12:30,332 So I was no stranger to serious pain. 199 00:12:30,875 --> 00:12:34,044 And I think it just became, "I'm not gonna break." 200 00:12:34,128 --> 00:12:37,965 No matter what he did, you know? I'm just not going to break. 201 00:12:38,758 --> 00:12:40,926 [Frank] I think my father was jealous. 202 00:12:41,010 --> 00:12:43,262 My brother, he was a problem guy. 203 00:12:43,345 --> 00:12:45,055 He was truant. He'd get in fights. 204 00:12:45,139 --> 00:12:48,726 He wasn't a good student, and he got thrown out of all his schools. 205 00:12:49,894 --> 00:12:52,855 [Sly] I went to 13 schools in 12 years. 206 00:12:52,938 --> 00:12:56,108 They put me in a military school. I don't think I was there for a month. 207 00:12:56,192 --> 00:12:59,028 [Frank] Well, he was kind of incorrigible. He got in a lot of trouble. 208 00:12:59,111 --> 00:13:00,404 He went to Devereux School, 209 00:13:00,488 --> 00:13:03,574 which was kind of a school for wayward kids, I guess. 210 00:13:03,657 --> 00:13:08,078 And that's where he kind of started getting the little bug for acting. 211 00:13:08,162 --> 00:13:09,580 And then he went to college. 212 00:13:09,663 --> 00:13:12,374 That's when he got serious about the acting stuff. 213 00:13:12,958 --> 00:13:15,044 There was an opportunity to audition... 214 00:13:15,628 --> 00:13:18,088 I don't even know why, but I did. 215 00:13:18,172 --> 00:13:19,590 ...for Death of a Salesman. 216 00:13:19,673 --> 00:13:21,342 And I got it. 217 00:13:21,425 --> 00:13:24,470 [Sly on tape] I was on stage and I was feeling... 218 00:13:24,553 --> 00:13:26,180 I wasn't feeling nervous at all. 219 00:13:26,263 --> 00:13:30,059 I felt in control of the situation because this comes naturally, 220 00:13:30,142 --> 00:13:32,394 this comes easily to me. 221 00:13:32,478 --> 00:13:35,898 There was a Harvard professor in the audience who came up and said, 222 00:13:36,565 --> 00:13:40,069 "You should think of this as... a career." 223 00:13:40,152 --> 00:13:42,279 I go, "Come on." He goes, "Yeah." 224 00:13:42,822 --> 00:13:46,700 "You should really study this. You have something." 225 00:13:46,784 --> 00:13:48,911 And that moment 226 00:13:49,912 --> 00:13:51,789 changed the course of my life. 227 00:13:51,872 --> 00:13:54,583 [gentle instrumental music plays] 228 00:13:59,630 --> 00:14:03,717 [Sly on tape] And I landed in New York the day of Woodstock. 229 00:14:03,801 --> 00:14:08,222 I said, "It's about time for me to apply myself." 230 00:14:10,224 --> 00:14:13,310 [energetic guitar music playing] 231 00:14:13,394 --> 00:14:16,897 I didn't even know what kind of city I was living in. I wasn't part of it. 232 00:14:18,315 --> 00:14:22,862 Very much alone and very dedicated to trying to find my way. 233 00:14:23,946 --> 00:14:27,491 I've hustled on these streets. I know how to survive on these streets. 234 00:14:27,575 --> 00:14:32,371 I've slept in doorways and bus stops and train stations and libraries. 235 00:14:32,454 --> 00:14:34,915 I mean, freezing cold, I get it. 236 00:14:36,500 --> 00:14:38,627 I would go to agencies. 237 00:14:38,711 --> 00:14:42,131 I go to every one of these places. "I'd like to be a client." 238 00:14:42,214 --> 00:14:43,924 "We're not accepting anything." 239 00:14:44,008 --> 00:14:46,844 I'd push the picture in, and they'd push it out. [chuckles] 240 00:14:47,428 --> 00:14:50,055 I tried out and they'd say, "No, you slur." 241 00:14:50,139 --> 00:14:52,391 "Your eyes droop. You're this, you're that." 242 00:14:53,058 --> 00:14:55,811 The best I would get would be off-off Broadway 243 00:14:55,895 --> 00:14:57,771 where you had to be half-naked. 244 00:14:57,855 --> 00:15:00,816 That's the only kind of crap I was getting. It was terrible. 245 00:15:00,900 --> 00:15:04,570 They said, "It's just not gonna work. Maybe you'll be an extra." 246 00:15:04,653 --> 00:15:07,990 So I started to buy into that, I'd go, "Hmm." 247 00:15:08,073 --> 00:15:10,284 Because every time I was cast, 248 00:15:10,367 --> 00:15:11,952 it was always for a thug. 249 00:15:12,036 --> 00:15:14,246 - Watch it, will ya? - Sorry, man, I didn't see ya! 250 00:15:14,330 --> 00:15:16,040 [man 2] They wouldn't give him leads. 251 00:15:16,123 --> 00:15:20,127 {\an8}Or he'd be doing stage work, or he'd be the prop man, 252 00:15:20,210 --> 00:15:22,212 {\an8}but they never gave him respect. 253 00:15:22,296 --> 00:15:26,050 [Sly] I was so self-consumed and insulated, 254 00:15:26,926 --> 00:15:29,553 and John... he was the same way. 255 00:15:31,931 --> 00:15:35,100 Sly started to write because he couldn't get what he wanted, 256 00:15:35,184 --> 00:15:37,061 so he'd create it himself. 257 00:15:39,063 --> 00:15:40,731 And it wasn't anything like, 258 00:15:40,814 --> 00:15:44,151 "You thought about it, and you were gonna do it." Just do it! 259 00:15:45,736 --> 00:15:48,656 [Sly] I said this is no good. I don't want to act anymore. 260 00:15:48,739 --> 00:15:51,867 Maybe what I can do is write all my frustrations 261 00:15:51,951 --> 00:15:53,285 and make screenplays. 262 00:15:54,620 --> 00:15:56,413 [Sly] I got a job as an usher. 263 00:15:56,497 --> 00:15:59,291 I could watch films all day long. 264 00:16:00,250 --> 00:16:02,670 And I would take a little inexpensive tape recorder, 265 00:16:02,753 --> 00:16:05,381 record the soundtrack and the dialogue, 266 00:16:05,464 --> 00:16:07,883 and go home and try to replace the dialogue. 267 00:16:07,967 --> 00:16:10,928 [Sly] That's what I started to do. I wrote and wrote for a couple years 268 00:16:11,011 --> 00:16:13,472 until I had 15, 16 screenplays. 269 00:16:14,056 --> 00:16:18,310 [subway tracks rattling and squealing] 270 00:16:18,394 --> 00:16:21,146 [Sly] John and I, we were definitely on a different wavelength, 271 00:16:21,230 --> 00:16:24,441 wanting to write our own stuff, wanting to produce our own stuff. 272 00:16:24,525 --> 00:16:26,735 So every Friday, Saturday and Sunday 273 00:16:26,819 --> 00:16:29,697 was spent with a bottle of Boone's Farm wine. 274 00:16:29,780 --> 00:16:34,868 Never went to a bar, a restaurant, a club. That's when the writing really started. 275 00:16:37,329 --> 00:16:40,290 We'd discuss aspirations, dreams, 276 00:16:40,374 --> 00:16:42,084 but also movies. 277 00:16:42,584 --> 00:16:46,505 We would break in, sneak in somehow, 278 00:16:46,588 --> 00:16:48,382 to every movie in New York. 279 00:16:48,465 --> 00:16:51,135 Never paid for a ticket, ever. 280 00:16:51,218 --> 00:16:53,012 [up-tempo jazz music playing] 281 00:16:56,265 --> 00:17:00,394 [Sly] There was no possibility in our minds for failure. 282 00:17:00,477 --> 00:17:04,189 Like, "Oh, what if we don't make it?" Never entered the conversation. 283 00:17:04,273 --> 00:17:08,777 That's how driven and adamant and committed to the concept... 284 00:17:08,861 --> 00:17:12,448 "Yeah, there's got to be a place for us, because we're so weird." 285 00:17:12,531 --> 00:17:13,907 We have to fit in somewhere. 286 00:17:13,991 --> 00:17:16,410 We had to do something. We had to make our own fate. 287 00:17:17,494 --> 00:17:20,831 That's why we said, "We gotta do this movie called Horses." 288 00:17:22,291 --> 00:17:25,753 A cowboy and an Indian come up from their grave, 289 00:17:25,836 --> 00:17:27,546 100 years after they were hung. 290 00:17:27,629 --> 00:17:29,631 [Sly] Got in a car, went to Maryland. 291 00:17:29,715 --> 00:17:31,091 We rented guns. 292 00:17:31,175 --> 00:17:34,094 When you see us, like, shooting at the car, it's real ammo. 293 00:17:34,178 --> 00:17:36,263 I said, "What am I, crazy?" 294 00:17:36,346 --> 00:17:41,852 His father was reincarnated as a sheriff who came to track us down. 295 00:17:42,644 --> 00:17:45,064 Of course, my father's in the movie. My father shoots them. 296 00:17:45,147 --> 00:17:50,110 [Sly] The part where he kills us, he enjoyed this a little too much. 297 00:17:50,194 --> 00:17:53,363 "I wanna shoot you, and then I wanna come over and shoot you again." 298 00:17:53,447 --> 00:17:57,201 I said, "Is this sort of personal now? A little biblical?" 299 00:17:59,495 --> 00:18:02,748 [Frank] It's a silent movie. I said, "Sly, why don't you have any sound?" 300 00:18:02,831 --> 00:18:03,957 "Couldn't afford it." 301 00:18:04,041 --> 00:18:07,252 So you thought you were going to shop a silent movie in 1971? 302 00:18:09,421 --> 00:18:11,715 [John] Doesn't matter if it hasn't been done before. 303 00:18:11,799 --> 00:18:15,928 And he had, most importantly, a voice. He wanted his voice to be heard. 304 00:18:16,762 --> 00:18:21,850 [Sly] In high school, I was considered like a poster boy for how not to write. 305 00:18:21,934 --> 00:18:24,853 "Sylvester, you like to come up and read?" I go, "Nah. No, thanks!" 306 00:18:24,937 --> 00:18:27,272 He goes, "Yes. 'Cause no one else wants to." 307 00:18:28,273 --> 00:18:31,401 The rejection, that's my encouragement. 308 00:18:31,485 --> 00:18:32,528 It's a challenge. 309 00:18:32,611 --> 00:18:35,614 Are you going to accept their evaluation of you 310 00:18:35,697 --> 00:18:37,366 or are you going to evaluate yourself? 311 00:18:38,659 --> 00:18:42,579 [John] Sly always wanted to be an actor, 312 00:18:43,372 --> 00:18:46,416 but he always had to write. 313 00:18:46,500 --> 00:18:47,918 He wants to be an actor, 314 00:18:48,001 --> 00:18:50,504 and he needs someone to give him a role. 315 00:18:50,587 --> 00:18:53,132 {\an8}He wasn't cast in things. 316 00:18:53,215 --> 00:18:58,846 {\an8}He invented parts for himself because he was probably deemed uncastable. 317 00:18:58,929 --> 00:19:01,640 [Sly] I had given up on acting. I was done. 318 00:19:01,723 --> 00:19:05,310 But John Herzfeld asked me to help him audition. 319 00:19:05,394 --> 00:19:08,981 In the audience is a guy who's monitoring the class 320 00:19:09,064 --> 00:19:12,568 {\an8}who was going to eventually write and direct Lords of Flatbush. 321 00:19:13,360 --> 00:19:15,320 {\an8}That was the beginning. 322 00:19:15,404 --> 00:19:18,365 It's a matter of just being in the right place at the right time. 323 00:19:19,324 --> 00:19:22,744 {\an8}I first met Sly on The Lords of Flatbush. 324 00:19:23,537 --> 00:19:27,332 [Sly] We were kind of just a real odd... A really odd couple. 325 00:19:27,416 --> 00:19:30,335 He's Jewish, intellectual, Ivy League. 326 00:19:30,419 --> 00:19:32,546 I'm... [chuckles] I am what I am. 327 00:19:33,130 --> 00:19:38,594 And you couldn't get two people more culturally opposite. 328 00:19:38,677 --> 00:19:43,557 He took me to his walk-up apartment off of Lexington Avenue 329 00:19:43,640 --> 00:19:45,934 with his gigantic dog. 330 00:19:46,018 --> 00:19:51,064 And he painted the windows black so he could write. 331 00:19:53,233 --> 00:19:57,029 I read the screenplay, and it was pretty simplistic. 332 00:19:57,112 --> 00:20:00,991 So I said, "Let me be myself in this scene." 333 00:20:01,074 --> 00:20:03,660 For example, when I'm sitting behind the girl. 334 00:20:03,744 --> 00:20:05,954 "Mr. Rosiello, what are you doing?" 335 00:20:06,038 --> 00:20:07,664 "I don't know, I'm just sitting." 336 00:20:07,748 --> 00:20:10,268 "I'm sliding up because the sun is getting in my eye... my eye..." 337 00:20:10,292 --> 00:20:12,002 "My eyes, I can't see." 338 00:20:12,085 --> 00:20:14,213 And then she goes back to teaching. 339 00:20:14,296 --> 00:20:16,131 A moment later, I slide close to the girl. 340 00:20:16,215 --> 00:20:18,550 I got my arm around her. She goes, "Mr. Rosiello!" 341 00:20:18,634 --> 00:20:21,094 "I don't know what it is! The sun keeps following me." 342 00:20:21,178 --> 00:20:24,932 "I'm going here, I'm going there." Just doing all this nonsense, winging it. 343 00:20:25,682 --> 00:20:27,517 And I realized this is... 344 00:20:27,601 --> 00:20:30,562 this is an opportunity that they allowed me. 345 00:20:30,646 --> 00:20:33,565 I'm going to say whatever I want throughout the whole film. 346 00:20:33,649 --> 00:20:37,861 Sly was always rewriting the script, 347 00:20:37,945 --> 00:20:40,489 improving the scenes he was in. 348 00:20:40,572 --> 00:20:43,450 {\an8}Lords of Flatbush was really the first time we got a sense 349 00:20:43,533 --> 00:20:45,869 {\an8}of Sylvester Stallone's voice before Rocky. 350 00:20:45,953 --> 00:20:49,289 The best scene in the movie, if not one of the best scenes in '70's cinema, 351 00:20:49,373 --> 00:20:50,373 as far as I'm concerned, 352 00:20:50,415 --> 00:20:52,855 is the scene where he's persuaded by his fiancée, Maria Smith, 353 00:20:52,918 --> 00:20:56,588 to buy an engagement ring that this dumb lug obviously cannot afford. 354 00:20:56,672 --> 00:20:58,882 The girl that just walked out of there, 355 00:20:58,966 --> 00:21:01,969 if you ever show her a $1,600 ring again, 356 00:21:02,052 --> 00:21:04,513 you know what's going to be written on your tombstone? Huh? 357 00:21:04,596 --> 00:21:06,716 You know what's going to be written on your tombstone? 358 00:21:07,391 --> 00:21:12,104 "I was dumb enough to show Frannie Malincanico a $1,600 ring." 359 00:21:12,187 --> 00:21:14,773 Stanley is an interesting character in that movie, 360 00:21:14,856 --> 00:21:16,566 but you don't necessarily like him. 361 00:21:16,650 --> 00:21:19,236 He's just... He's such a lug. 362 00:21:19,319 --> 00:21:21,571 But in that scene he makes you fall in love with him 363 00:21:21,655 --> 00:21:26,034 'cause you realize the extent to how much he actually loves Frannie. 364 00:21:26,118 --> 00:21:29,705 It's our first glimpse of the musicality or the sound 365 00:21:29,788 --> 00:21:31,581 of Sylvester Stallone's dialogue. 366 00:21:31,665 --> 00:21:32,666 Damn. 367 00:21:32,749 --> 00:21:38,213 At that point, I knew forever my fate was determined on the pen. 368 00:21:38,297 --> 00:21:41,174 'Cause I knew I was so hard to cast. 369 00:21:41,258 --> 00:21:43,385 I was always cast as a thug. 370 00:21:43,468 --> 00:21:45,804 I go, "Okay, that's true. I am." 371 00:21:45,887 --> 00:21:49,391 But I'm also nice. I'm... I'm kind of a soft touch. 372 00:21:49,474 --> 00:21:51,059 If you could put that together, 373 00:21:51,143 --> 00:21:53,103 that would really be a great character. 374 00:21:53,186 --> 00:21:56,315 And I didn't have that opportunity until Rocky came around. 375 00:21:56,398 --> 00:22:00,902 But the precursor was Stanley Rosiello in The Lords of Flatbush, 376 00:22:00,986 --> 00:22:03,322 where I saw there's a tough goon, 377 00:22:03,405 --> 00:22:07,451 motorcycle jacket, greasy hair, cigarette, but you really liked him. 378 00:22:07,534 --> 00:22:10,329 [twangy electric guitar music playing] 379 00:22:21,173 --> 00:22:22,799 [Sly] One thing led to another. 380 00:22:24,885 --> 00:22:27,721 If they hadn't offered me the part, if I didn't get good reviews, 381 00:22:27,804 --> 00:22:29,644 I never would've made enough, made 1,300 bucks, 382 00:22:29,723 --> 00:22:35,312 just enough to get a $40 car and drive... 11 days to Hollywood. 383 00:22:37,731 --> 00:22:41,526 The only one I knew in LA was Henry Winkler, 384 00:22:42,069 --> 00:22:44,237 who is now a big star as the Fonz. 385 00:22:48,033 --> 00:22:50,202 My car breaks down on Hollywood and Vine. 386 00:22:50,285 --> 00:22:53,455 Just boom, stops. Like, it was prophetic. 387 00:22:54,373 --> 00:22:57,000 And the first phone call I made was to Henry. 388 00:22:59,836 --> 00:23:02,005 [mimics Sly] "Yeah, you gotta come pick me up." 389 00:23:02,547 --> 00:23:04,049 "My car broke down." 390 00:23:04,132 --> 00:23:06,968 "I'm here, right in the middle of Sunset Boulevard." 391 00:23:07,052 --> 00:23:08,553 I said, "I will be right there." 392 00:23:08,637 --> 00:23:12,015 I went and got him and this mountain of a dog. 393 00:23:12,099 --> 00:23:16,895 All of his clothes in the car somehow, sitting on suitcases. 394 00:23:16,978 --> 00:23:20,440 [Sly] He obviously couldn't take me to his house. I got a dog, a wife. 395 00:23:20,524 --> 00:23:22,526 He pointed me in the direction of this motel, 396 00:23:22,609 --> 00:23:25,695 and I ended up there for, like, three nights. 397 00:23:25,779 --> 00:23:29,199 And then I found some dump way in the Valley, 398 00:23:29,282 --> 00:23:31,868 one street away from Balboa Boulevard. 399 00:23:33,912 --> 00:23:35,288 All right. 400 00:23:36,164 --> 00:23:37,332 [tape player clicks] 401 00:23:37,416 --> 00:23:41,545 [Sly on tape] I had been introduced to Gene Kirkwood, the executive producer. 402 00:23:41,628 --> 00:23:45,257 And we had talked and then I had given him the idea, Rocky, 403 00:23:45,340 --> 00:23:48,176 and we developed it, and lo and behold, it came out. 404 00:23:48,260 --> 00:23:53,265 And it was a series of circumstances which are really, I guess, a bit unusual, 405 00:23:53,348 --> 00:23:55,851 because I had a very limited track record. 406 00:23:55,934 --> 00:23:58,019 - So it was... - How about no track record? 407 00:23:58,103 --> 00:24:01,356 ...a benevolent and wonderful chain of mistakes that came out. 408 00:24:01,440 --> 00:24:04,109 Yeah, you know, it's simplifying everything. 409 00:24:04,192 --> 00:24:06,820 [emotional music playing] 410 00:24:10,365 --> 00:24:13,243 [Sly] I was there for, actually, an acting audition, 411 00:24:13,326 --> 00:24:15,704 and things were going not too well. 412 00:24:16,872 --> 00:24:19,749 And on the way out, the door was just about closing, 413 00:24:19,833 --> 00:24:21,418 I lean back in the door and I go, 414 00:24:21,501 --> 00:24:25,839 "Oh, by the way, I write a little bit." And he goes, "Really? Come back in." 415 00:24:27,299 --> 00:24:28,717 [Sly] I started writing, 416 00:24:30,302 --> 00:24:33,763 and I started doing something derivative of Mean Streets. 417 00:24:33,847 --> 00:24:37,517 I want to do a collector. I want to do that kind of gritty street thing. 418 00:24:37,601 --> 00:24:41,021 And I'm knocking it out, dog sitting there on the desk, 419 00:24:41,104 --> 00:24:45,025 and I'm working, I'm smoking cigarettes, and I'm pounding coffee away. 420 00:24:45,817 --> 00:24:47,569 And it's coming together. 421 00:24:47,652 --> 00:24:49,738 - [rubbing hands] - It's just... It's working. 422 00:24:50,238 --> 00:24:51,823 But there is... 423 00:24:53,158 --> 00:24:56,453 a... a thuggery about Rocky. 424 00:24:56,536 --> 00:24:59,331 At the time, my friend, she was typing it, 425 00:25:00,290 --> 00:25:01,290 she started crying. 426 00:25:01,333 --> 00:25:05,212 She goes, "I hate Rocky. I hate him. He's cruel." 427 00:25:05,921 --> 00:25:08,381 "He... He hits people. He beats them up." 428 00:25:08,465 --> 00:25:11,301 I said, "What if you stop short of it? Like, maybe he almost did." 429 00:25:11,384 --> 00:25:14,054 "He could have, that's his job, but he doesn't?" 430 00:25:14,137 --> 00:25:15,472 "That'd be nice." 431 00:25:15,555 --> 00:25:17,849 I said, "What if he had a girlfriend or something?" 432 00:25:17,933 --> 00:25:19,559 "Yeah, that's nice." 433 00:25:19,643 --> 00:25:21,353 So I go back. [makes whooshing sound] 434 00:25:21,436 --> 00:25:23,271 Start writing that. "Girlfriend. Nice." 435 00:25:23,355 --> 00:25:28,151 But he's not a fighter now. He's just a guy. There's really no story. 436 00:25:28,235 --> 00:25:32,531 He's just a guy, like, on the fringe, 437 00:25:32,614 --> 00:25:34,366 a, um... a bum. 438 00:25:35,075 --> 00:25:36,201 He's a bum! 439 00:25:36,284 --> 00:25:40,205 And now I hearken back to On the Waterfront. He's Terry Malloy. 440 00:25:41,248 --> 00:25:44,209 Bang. Marty, movie, Mean Streets. Whoosh! 441 00:25:44,292 --> 00:25:47,212 Boom. [imitates gears whirring] Mix it up. 442 00:25:47,295 --> 00:25:49,464 And then throw your spin on it. 443 00:25:50,173 --> 00:25:53,343 And then it all came together once he became a fighter. 444 00:25:57,222 --> 00:25:59,766 [Sly on tape] I had $106, the rent was $300. 445 00:25:59,849 --> 00:26:03,645 I had that kind of dilemma. I could hear the wolf at the door. 446 00:26:05,105 --> 00:26:07,482 I wrote it in three days. 447 00:26:08,942 --> 00:26:12,153 Then, of course, I went back and rewrote and rewrote and rewrote it. 448 00:26:13,446 --> 00:26:16,366 I'm a big believer, when I write, to not worry about 449 00:26:16,449 --> 00:26:17,784 the flawed aspect of it. 450 00:26:17,867 --> 00:26:20,328 I know that maybe 90% is worthless, 451 00:26:20,412 --> 00:26:23,999 but the idea that you have a beginning, middle, and an end 452 00:26:24,082 --> 00:26:25,500 is very important to me. 453 00:26:25,584 --> 00:26:29,546 Producers are going, "We'd like to cast Ryan O'Neal. He likes to box." 454 00:26:29,629 --> 00:26:31,339 "Or Burt Reynolds." 455 00:26:31,423 --> 00:26:33,633 I go, "No, I'm writing it for me." 456 00:26:36,970 --> 00:26:40,307 [interviewer] They liked the script, but were so desperate not to have you, 457 00:26:40,390 --> 00:26:43,685 that they kept offering increasingly large sums of money to go away, didn't they? 458 00:26:43,768 --> 00:26:47,063 [Sly chuckling] You're right. It went up to about $265,000. 459 00:26:47,147 --> 00:26:49,375 - Not to appear in the film. - [Sly] Right, to stay away. 460 00:26:49,399 --> 00:26:53,361 I knew that if I sold it, even for $500,000, 461 00:26:53,445 --> 00:26:55,071 I knew that after the money was gone 462 00:26:55,155 --> 00:26:57,198 I would become very bitter for having sold out. 463 00:26:57,282 --> 00:26:58,700 What is healthier? 464 00:26:59,743 --> 00:27:01,077 To live under the illusion 465 00:27:01,161 --> 00:27:05,373 and still have a little glimmer of hope that you could have been great, 466 00:27:05,457 --> 00:27:08,168 or actually have an opportunity to be great 467 00:27:08,251 --> 00:27:11,212 and then you blow it, and you realize you're a failure. 468 00:27:12,172 --> 00:27:16,551 So I think that the easier route is to live under the illusion and say, 469 00:27:16,635 --> 00:27:20,597 "You know, if I'd had that chance, I would have beaten all of them." 470 00:27:22,307 --> 00:27:24,934 I walked into that trailer for the first time 471 00:27:25,018 --> 00:27:27,270 under the cold streets of Philadelphia 472 00:27:28,229 --> 00:27:30,482 and I knew this was the moment of truth. 473 00:27:32,651 --> 00:27:34,903 And they said, "Sylvester, are you ready?" 474 00:27:35,487 --> 00:27:37,280 I said, "No." 475 00:27:37,364 --> 00:27:38,615 "But Rocky is." 476 00:27:39,199 --> 00:27:41,534 {\an8}What happened was something extraordinary. 477 00:27:41,618 --> 00:27:45,246 We knew this thing was taking place. 478 00:27:45,330 --> 00:27:47,332 [crowd cheering faintly] 479 00:27:47,415 --> 00:27:50,752 [Sly] All the actors I wanted, every one of them fell out, 480 00:27:50,835 --> 00:27:54,255 and they were replaced with perfect actors. 481 00:27:55,382 --> 00:27:58,385 Apollo Creed? There's only one guy in the world who could do that. 482 00:27:58,468 --> 00:28:00,929 He had the voice, the size, the thing, the arrogance. 483 00:28:01,012 --> 00:28:04,182 We were gonna use Ken Norton, but he fell out two nights before, 484 00:28:04,265 --> 00:28:05,809 and I thought, "Oh, boy." 485 00:28:05,892 --> 00:28:07,936 [melancholy music playing] 486 00:28:08,019 --> 00:28:10,271 [Sly] I really believe in divine intervention. 487 00:28:12,399 --> 00:28:18,154 Talia Shire was also a last-minute choice because we couldn't find the right person. 488 00:28:20,573 --> 00:28:24,202 She comes in, and as soon as that door opened, 489 00:28:24,285 --> 00:28:26,955 it was like this light. Wham. 490 00:28:27,872 --> 00:28:30,834 And I walked up to her and she had this blue-black hair 491 00:28:30,917 --> 00:28:33,753 and these... these eyes looking like this. 492 00:28:34,546 --> 00:28:36,464 I went, "I love this girl." 493 00:28:36,548 --> 00:28:39,634 I love this character, this thing. 494 00:28:39,718 --> 00:28:41,302 There's something here. 495 00:28:41,386 --> 00:28:44,222 I'm not even going to question it. You don't have to read. 496 00:28:44,806 --> 00:28:46,599 You are it. 497 00:28:46,683 --> 00:28:49,686 The same thing happened all the way down the line. 498 00:28:50,729 --> 00:28:54,274 [Sly] Rocky is not a fight story by any means. 499 00:28:54,816 --> 00:28:56,943 It's a simple character study of a man who... 500 00:28:57,026 --> 00:28:58,027 A love story. 501 00:28:58,111 --> 00:28:59,279 ...who should be cynical. 502 00:28:59,362 --> 00:29:01,448 - It's a love story. - But he's incapable of it. 503 00:29:01,531 --> 00:29:02,531 [tapping on tape player] 504 00:29:02,574 --> 00:29:04,242 - Love story. - He accepts life. 505 00:29:05,869 --> 00:29:09,330 - Simply, that's his, uh, his lot in life. - Say it. 506 00:29:10,415 --> 00:29:14,586 One thing he wants more than anything else is not to grow old alone. 507 00:29:14,669 --> 00:29:15,712 Say it. 508 00:29:16,796 --> 00:29:20,133 [producer] That young guy there could not get to the place of love. 509 00:29:20,216 --> 00:29:22,594 - He could not say it out loud. - [Sly] No. 510 00:29:22,677 --> 00:29:23,928 Yeah, you're right. 511 00:29:24,512 --> 00:29:26,723 I couldn't say it back then. 512 00:29:26,806 --> 00:29:27,807 [tape player clicks] 513 00:29:33,354 --> 00:29:36,983 [Sly] I'm sitting there waiting to do a scene with Adrian on the ice. 514 00:29:38,902 --> 00:29:41,404 "Guess what? The 300 extras have been cut." 515 00:29:41,488 --> 00:29:43,948 How many do I have? He goes, "None." 516 00:29:44,032 --> 00:29:45,992 And how long do we have to shoot? 517 00:29:46,075 --> 00:29:47,327 "Maybe two hours." 518 00:29:49,120 --> 00:29:50,705 And I went, "Wow." 519 00:29:51,331 --> 00:29:52,832 "This could be even better." 520 00:29:55,335 --> 00:30:00,006 Rocky really observes, and he sees things that other people don't see, 521 00:30:00,089 --> 00:30:01,299 trying to bring her out. 522 00:30:01,382 --> 00:30:06,095 [Talia] He was exploring vulnerability, nurturing, 523 00:30:06,179 --> 00:30:07,972 transformation. 524 00:30:08,056 --> 00:30:11,100 So we have to begin a character here 525 00:30:11,184 --> 00:30:12,560 to go there. 526 00:30:12,644 --> 00:30:14,484 [Rocky] You know how I got started in fighting? 527 00:30:14,521 --> 00:30:16,439 - [Adrian] No. - [Rocky] My old man. 528 00:30:16,523 --> 00:30:20,151 He was never too smart. He says to me, "You weren't born much of a brain, 529 00:30:20,235 --> 00:30:23,571 so you better start using your body." Right? So I become a fighter. 530 00:30:23,655 --> 00:30:25,573 - You know what I mean? - Yeah. [laughs] 531 00:30:25,657 --> 00:30:27,492 Why you... Why you laughing? 532 00:30:28,868 --> 00:30:31,704 My mother, she said the opposite thing. 533 00:30:31,788 --> 00:30:33,915 What'd she say? What'd she say, the opposite? 534 00:30:34,707 --> 00:30:37,085 [sighs] She said, "You weren't born with much of a body, 535 00:30:37,168 --> 00:30:38,837 so you better develop your brain." 536 00:30:38,920 --> 00:30:40,296 Did she say that? 537 00:30:40,380 --> 00:30:42,382 [emotional music playing] 538 00:30:43,299 --> 00:30:44,843 Adrian was extraordinary. 539 00:30:44,926 --> 00:30:46,719 He wrote that woman, 540 00:30:46,803 --> 00:30:49,514 a woman who was oppressed and discarded. 541 00:30:50,974 --> 00:30:55,812 He would lift Adrian to a moment of freedom and beauty. 542 00:30:56,896 --> 00:30:57,896 And love. 543 00:30:59,107 --> 00:31:03,194 [Sly] What Talia did... is elevate it 544 00:31:03,278 --> 00:31:05,697 from a boxing film to a love story. 545 00:31:05,780 --> 00:31:08,992 And her boyfriend happened to be a boxer. 546 00:31:09,075 --> 00:31:12,328 He finally had something to fight for. 547 00:31:12,412 --> 00:31:15,164 It wasn't money. It was pride. 548 00:31:15,748 --> 00:31:18,376 "I want you to be proud." 549 00:31:19,335 --> 00:31:23,131 I... I want you to say, "That's my man." 550 00:31:23,214 --> 00:31:24,924 And that's why he said at the end, 551 00:31:25,008 --> 00:31:27,088 "I don't wanna be another bum from the neighborhood." 552 00:31:27,135 --> 00:31:31,055 "I don't care if I get beaten to a pulp. I want you to be proud." 553 00:31:33,057 --> 00:31:35,393 That's all I want to do, is go the distance. 554 00:31:39,689 --> 00:31:44,569 That's what I liked about the character. He just somehow always kept it inside. 555 00:31:44,652 --> 00:31:48,323 He never shared his grief or his disappointment with anyone, 556 00:31:48,406 --> 00:31:49,782 just himself. 557 00:31:49,866 --> 00:31:54,704 The only time he ever lets it out is when Mickey leaves the apartment. 558 00:31:57,165 --> 00:31:59,751 The scene, the way it was written, I come out of that bathroom 559 00:31:59,834 --> 00:32:01,878 and look pensively and then go after him. 560 00:32:01,961 --> 00:32:06,215 I said, "John, please just do me a favor. Keep the cameras running, the sound going, 561 00:32:06,299 --> 00:32:10,470 and let's just see if Rocky can sum up his life in two minutes." 562 00:32:10,970 --> 00:32:13,389 First time we did this, and it was great, 563 00:32:13,473 --> 00:32:16,726 John goes, "Oh, was that a take?" 564 00:32:16,809 --> 00:32:18,227 I went, "Was that a take?" 565 00:32:19,562 --> 00:32:20,562 "That was 566 00:32:21,689 --> 00:32:23,691 an improvisation." 567 00:32:24,609 --> 00:32:26,986 "And I can't do it again. It's an improv." 568 00:32:27,070 --> 00:32:30,073 The energy is not there. You know, it's... 569 00:32:30,156 --> 00:32:33,326 Okay, what did I do before? Did I hit the door here? 570 00:32:33,409 --> 00:32:36,412 I said, "Fuck it, I gotta start from scratch. What did I do?" 571 00:32:36,913 --> 00:32:39,415 And then I started thinking about my father. 572 00:32:39,499 --> 00:32:41,542 Listen to me. I want to be your manager. 573 00:32:41,626 --> 00:32:45,713 [Sly] So I had to throw out the best take... 574 00:32:45,797 --> 00:32:48,091 But you can't buy what I'm going to give you. 575 00:32:48,174 --> 00:32:50,551 I mean, I've got pain and I've got experience. 576 00:32:50,635 --> 00:32:52,762 I got pain and I got experience too... 577 00:32:52,845 --> 00:32:56,391 [Sly]...and replace it with something even more volatile, 578 00:32:56,474 --> 00:32:57,767 my relationship with my father. 579 00:32:57,850 --> 00:32:59,644 I needed your help about ten years ago. 580 00:32:59,727 --> 00:33:01,938 Ten years ago, you never helped me none. 581 00:33:02,021 --> 00:33:04,440 - You didn't care. - Well, if you wanted help... 582 00:33:05,191 --> 00:33:07,610 I say, if you wanted help, why didn't you ask? 583 00:33:07,694 --> 00:33:09,404 Why didn't you just ask me, kid? 584 00:33:09,487 --> 00:33:12,073 [Rocky] Look, I asked, but you never heard nothin'! 585 00:33:12,156 --> 00:33:14,867 [Sly] And when I wrote it, it was just one line, 586 00:33:14,951 --> 00:33:18,538 and I got there and went, "I need to talk about me." 587 00:33:19,205 --> 00:33:20,081 Me. 588 00:33:20,164 --> 00:33:22,250 And I'm going to put it in Rocky's body. 589 00:33:22,333 --> 00:33:25,003 So I was just turning 30, and I said, 590 00:33:25,086 --> 00:33:29,924 "You come up here and you offer this? Well, I'm past my prime. What prime?" 591 00:33:30,008 --> 00:33:33,177 "I'm gonna sit there, get an opportunity, I'm gonna fall on my face." 592 00:33:33,261 --> 00:33:35,847 Like I thought the movie, I was going to bomb. 593 00:33:35,930 --> 00:33:38,808 "Why couldn't you have been here when I needed you?" 594 00:33:39,851 --> 00:33:44,689 If I can take my frustration and voice it, 595 00:33:45,398 --> 00:33:49,986 I have a funny feeling that there's millions of people 596 00:33:50,611 --> 00:33:54,365 that have that same frustration, that were passed over. 597 00:33:55,074 --> 00:33:56,074 Overlooked. 598 00:33:56,117 --> 00:33:57,368 I'm gonna get that! 599 00:33:58,870 --> 00:34:00,872 And you wanna be ringside to see it? 600 00:34:00,955 --> 00:34:02,832 Do you? You wanna help me out? 601 00:34:02,915 --> 00:34:04,625 Do you wanna see me get my... 602 00:34:04,709 --> 00:34:07,462 [Sly] I could never say that to the man's face. 603 00:34:07,545 --> 00:34:10,798 It would have been so disrespectful. 604 00:34:10,882 --> 00:34:13,801 And you don't want a dialogue. 605 00:34:13,885 --> 00:34:16,220 [somber music playing] 606 00:34:17,930 --> 00:34:22,643 [Sly] Everyone is going to assume this old man is done. 607 00:34:22,727 --> 00:34:24,729 - And then, bang... - [claps hands] 608 00:34:24,812 --> 00:34:28,316 That door opens, Bill Conti's cue comes in, 609 00:34:28,399 --> 00:34:30,443 and there's hope. 610 00:34:31,319 --> 00:34:35,156 There it is, there is what everybody ever wanted 611 00:34:35,239 --> 00:34:38,284 that was shunned or denied an opportunity. 612 00:34:38,826 --> 00:34:40,787 "Come on. Come on back." 613 00:34:40,870 --> 00:34:45,208 [discordant electric guitar music builds] 614 00:34:49,253 --> 00:34:53,299 Oh my God. This is the theater where Rocky premiered. 615 00:34:54,133 --> 00:34:56,177 The same theater I ushered at. 616 00:34:56,260 --> 00:35:00,181 The first review we got out of New York by Vincent Canby was scathing, 617 00:35:00,264 --> 00:35:02,225 so I didn't know what to expect. 618 00:35:04,310 --> 00:35:07,438 We screen Rocky five days before the release. 619 00:35:07,522 --> 00:35:09,649 It was an afternoon matinée. 620 00:35:09,732 --> 00:35:13,027 I was sitting there with him, and all of a sudden he's going, "Oh shit." 621 00:35:14,779 --> 00:35:18,199 Twenty minutes into it, the audience, three-quarters were gone. 622 00:35:19,826 --> 00:35:21,536 And the studio heads are going... 623 00:35:22,870 --> 00:35:25,456 And I'm getting lower in the seat. I'm going, "Oh shit." 624 00:35:25,540 --> 00:35:28,167 Talk about a crestfallen look. He said, "Oh God." 625 00:35:28,251 --> 00:35:30,837 He thought, "Man, this is going to be a bomb." 626 00:35:33,297 --> 00:35:37,135 So, when it did open, my confidence was not soaring. 627 00:35:38,094 --> 00:35:41,514 In here is where they had the premiere of Rocky. 628 00:35:41,597 --> 00:35:44,725 I remember I was standing across the street over there in a trench coat. 629 00:35:44,809 --> 00:35:46,352 My brother goes, 630 00:35:46,435 --> 00:35:49,522 "This could be the best day or the worst day of your life." 631 00:35:49,605 --> 00:35:51,774 - I go, "Yeah, this is it." - [flashbulb pops] 632 00:35:51,858 --> 00:35:54,610 [Sly] And if this didn't go, there was no second chance. 633 00:35:54,694 --> 00:35:55,820 [thundering boom] 634 00:35:55,903 --> 00:35:58,156 [grunting] 635 00:35:58,239 --> 00:35:59,365 [camera shutter clicks] 636 00:35:59,448 --> 00:36:03,494 [Sly] When everyone's inside, I go to the back, and I'm standing there. 637 00:36:04,537 --> 00:36:07,290 It's almost like it's a still painting. 638 00:36:07,373 --> 00:36:08,541 [subway tracks screeching] 639 00:36:08,624 --> 00:36:12,461 No one is moving. Everyone is listening to every word. 640 00:36:12,545 --> 00:36:15,256 [thudding and grunting] 641 00:36:15,339 --> 00:36:17,175 [Sly] Like, boom. Riveted. 642 00:36:17,258 --> 00:36:19,760 [subway tracks screeching and rattling] 643 00:36:20,887 --> 00:36:22,555 [echoing thud] 644 00:36:23,723 --> 00:36:27,727 [audience roars, fades] 645 00:36:28,561 --> 00:36:30,313 [Sly] When he knocks Apollo down, 646 00:36:31,981 --> 00:36:33,524 whole theater went up, 647 00:36:33,608 --> 00:36:36,903 and the producers all look, and it's like, "Holy shit." 648 00:36:37,612 --> 00:36:41,449 The audience is participating like it's a real sporting event. 649 00:36:41,532 --> 00:36:43,326 We blurred the lines. 650 00:36:44,535 --> 00:36:47,330 You could hear the cheers from the inside 651 00:36:47,413 --> 00:36:49,332 outside on the street from the theater. 652 00:36:49,415 --> 00:36:55,004 We just assumed he would be a joke out there fighting against Creed. 653 00:36:55,755 --> 00:36:58,507 But when he knocks him on his back in the first round, 654 00:36:58,591 --> 00:37:02,595 that kind of excitement, it was almost unheard of. 655 00:37:02,678 --> 00:37:05,681 - [audience cheering loudly] - ["To Hell With Poverty" plays] 656 00:37:05,765 --> 00:37:08,267 {\an8}Nobody, nobody, remembers that Rocky loses. 657 00:37:08,351 --> 00:37:12,605 I mean, the movie is rigged to make you feel like he's won. 658 00:37:12,688 --> 00:37:15,441 It was one of the really glorious moments of... 659 00:37:15,524 --> 00:37:18,653 of an audience reacting to the drama onscreen. 660 00:37:18,736 --> 00:37:22,198 {\an8}The movie opens up number one. Everyone was talking about... 661 00:37:22,281 --> 00:37:23,574 "This movie has heart." 662 00:37:23,658 --> 00:37:26,452 "It is emotional. It made me cry." 663 00:37:26,535 --> 00:37:28,246 "It made me inspired." 664 00:37:29,705 --> 00:37:33,709 To see that fairy-tale story come to life, it just turned the audience on. 665 00:37:35,378 --> 00:37:37,505 Something happened, something magical. 666 00:37:38,089 --> 00:37:40,591 [Frank] It's the last picture of him being unknown. 667 00:37:41,509 --> 00:37:44,720 [Sly] And there's never going to be another private moment again. 668 00:37:45,388 --> 00:37:48,516 [man 1] And here comes Rocky himself, Sylvester Stallone! 669 00:37:49,725 --> 00:37:53,771 Literally, a complete transformative moment in life, 670 00:37:53,854 --> 00:37:55,940 but forever. Like, wham! 671 00:37:57,608 --> 00:37:59,402 [man 2] And the winner is... 672 00:38:00,236 --> 00:38:01,404 Rocky. 673 00:38:08,160 --> 00:38:10,705 The star of Rocky, Sylvester "Sly" Stallone. 674 00:38:10,788 --> 00:38:12,873 [woman] Please welcome Sylvester Stallone. 675 00:38:12,957 --> 00:38:15,251 [audience applauding] 676 00:38:28,347 --> 00:38:31,183 [Arnold] So he was hailed as an actor, he was hailed as a writer, 677 00:38:31,267 --> 00:38:34,854 he was hailed for just being a visionary and all of this stuff, 678 00:38:34,937 --> 00:38:36,314 and, bang, there he was. 679 00:38:36,397 --> 00:38:39,275 From that point on, he could do nothing wrong. 680 00:38:40,318 --> 00:38:41,485 [music fades out] 681 00:38:44,822 --> 00:38:47,700 [Sly on tape] I'm torn apart sometimes thinking that... 682 00:38:47,783 --> 00:38:50,202 what is it all about, and is it really all worth it? 683 00:38:50,286 --> 00:38:53,831 I go through a very gloomy period that perhaps I'm deceiving myself. 684 00:38:53,914 --> 00:38:56,876 I collect my thoughts and all I have to do is look in the mirror. 685 00:38:56,959 --> 00:39:01,881 I'm kind of like the living embodiment of what happened to Rocky has happened to me. 686 00:39:02,381 --> 00:39:04,050 [Sly] Within a week, 687 00:39:04,133 --> 00:39:07,303 they were saying things about me that I know I could never live up to. 688 00:39:07,386 --> 00:39:10,639 And then they were saying things that... that were... 689 00:39:11,807 --> 00:39:14,810 I guess... a little infuriating. 690 00:39:16,479 --> 00:39:20,107 [Quentin] The first time I ever heard anything about Rocky was a radio spot. 691 00:39:20,191 --> 00:39:24,278 "Every once in a while, a new actor emerges, 692 00:39:24,362 --> 00:39:27,865 and he becomes one of the most talked about sensations in the film business." 693 00:39:28,574 --> 00:39:30,242 "That was Marlon Brando." 694 00:39:30,326 --> 00:39:33,079 "That was Al Pacino. That was Robert De Niro." 695 00:39:33,162 --> 00:39:34,830 "And this year..." [chuckles] 696 00:39:34,914 --> 00:39:38,501 "...the actor that everyone will be talking about is Sylvester Stallone." 697 00:39:38,584 --> 00:39:40,336 Who the fuck is Sylvester Stallone? 698 00:39:40,419 --> 00:39:42,296 {\an8}Then I finally see a TV spot. 699 00:39:42,380 --> 00:39:46,425 {\an8}Stanley from Lords of Flatbush is Sylvester Stallone?! 700 00:39:47,009 --> 00:39:51,013 He's the greatest actor to come out since Robert De Niro and Marlon Brando? 701 00:39:51,097 --> 00:39:52,431 Wow. Okay. 702 00:39:52,515 --> 00:39:55,434 Fairly presumptuous of you to expect to be able to star in it, 703 00:39:55,518 --> 00:39:58,229 because your career up to then had been small parts, right? 704 00:39:58,312 --> 00:40:01,148 [chuckles] That's kind of you to even say small. 705 00:40:01,232 --> 00:40:04,693 But I felt that, jeez, if I was going to go down, 706 00:40:04,777 --> 00:40:07,154 at least into professional obscurity, 707 00:40:07,238 --> 00:40:10,908 I wanted to at least have the opportunity to say to myself, "Well, you tried." 708 00:40:10,991 --> 00:40:13,369 If nothing else, I had a good home movie. 709 00:40:13,452 --> 00:40:15,204 My parents would enjoy it. 710 00:40:15,287 --> 00:40:17,748 [somber music playing] 711 00:40:17,832 --> 00:40:22,169 [John] Rocky comes out. A few months later, Sly's dad calls me. 712 00:40:22,253 --> 00:40:24,046 "John, can I come over and see you?" 713 00:40:24,130 --> 00:40:25,423 He says, "I got a script." 714 00:40:26,173 --> 00:40:29,093 "I got the real Rocky." "What do you mean?" 715 00:40:29,176 --> 00:40:31,137 "I wrote the real Rocky." 716 00:40:32,721 --> 00:40:34,306 "You wrote a boxing movie?" "Yeah." 717 00:40:34,390 --> 00:40:36,809 "Did you give it to Sly?" "No, I want you to read it." 718 00:40:36,892 --> 00:40:39,061 "Maybe you can make it." "No, that's... Frank." 719 00:40:39,145 --> 00:40:44,859 "Why don't you give it to Sly to read? But I think that area has been done." 720 00:40:46,861 --> 00:40:49,155 He was still competing with Sly. 721 00:40:50,573 --> 00:40:53,075 [Frank] He goes, "Hey, I'm writing a script called Sonny." 722 00:40:53,159 --> 00:40:55,911 Sly goes, "What's that about?" "It's like Rocky, Sonny." 723 00:40:55,995 --> 00:40:58,747 Sly goes, "You can't do that, Dad. It's my creation." 724 00:41:00,249 --> 00:41:03,335 I think my father was jealous. I said, "What are you jealous of?" 725 00:41:04,086 --> 00:41:07,089 "He worked his ass off. You didn't help him. He did this." 726 00:41:09,758 --> 00:41:13,846 Success can really wreak havoc on a family. 727 00:41:13,929 --> 00:41:17,725 Unbeknownst to me, my career was just canceled overnight when Rocky came out. 728 00:41:17,808 --> 00:41:19,894 All of a sudden, I became Rocky's brother. 729 00:41:19,977 --> 00:41:23,063 [Sly] It was hard on him. My brother is very, very creative, 730 00:41:23,147 --> 00:41:26,525 and he was pretty traumatized by my success. 731 00:41:27,109 --> 00:41:30,571 [Frank] No one was expecting him to be, like, an American icon. 732 00:41:32,740 --> 00:41:34,658 [Sly] Once you get to your dream, 733 00:41:35,367 --> 00:41:37,328 you realize, this wasn't my dream. 734 00:41:37,411 --> 00:41:39,246 My dream has not made... 735 00:41:39,330 --> 00:41:41,290 It's not turned out the way I thought. 736 00:41:41,373 --> 00:41:43,375 It comes also with, uh... 737 00:41:44,460 --> 00:41:45,836 like, a storm front 738 00:41:47,046 --> 00:41:50,591 that you're constantly battling because you're disappointed. 739 00:41:50,674 --> 00:41:51,717 You go, "Oh shit." 740 00:41:51,800 --> 00:41:56,597 "I thought once I made it to the top of the mountain, it was all blue skies." 741 00:41:56,680 --> 00:41:58,140 It's not. 742 00:41:58,224 --> 00:42:01,519 The air is thinner. It's precarious. 743 00:42:02,269 --> 00:42:05,272 There's not many people up there. It's pretty lonely. 744 00:42:05,356 --> 00:42:09,068 So sometimes going to the mountain is not as... all it's cracked up to be. 745 00:42:09,151 --> 00:42:13,239 I think when Stallone became famous with Rocky, 746 00:42:14,365 --> 00:42:19,161 he wasn't expecting the downside that can happen with celebrity. 747 00:42:19,245 --> 00:42:20,996 {\an8}[bombastic fanfare plays] 748 00:42:21,080 --> 00:42:24,041 {\an8}[announcer] From Hollywood, it's the Dinah! show. 749 00:42:24,124 --> 00:42:26,293 {\an8}And he wasn't expecting people to say, 750 00:42:26,377 --> 00:42:28,963 "Now you have to do it again, now you have to prove it again." 751 00:42:29,046 --> 00:42:30,464 [announcer] And you're invited 752 00:42:30,548 --> 00:42:32,716 along with Rocky himself, Sylvester Stallone. 753 00:42:32,800 --> 00:42:35,886 [Dinah] This is your second film and everybody, all the world, 754 00:42:35,970 --> 00:42:39,890 is waiting to see what happens with Sylvester Stallone. 755 00:42:39,974 --> 00:42:42,601 - Yeah. - Was he, uh, a one-time shot? 756 00:42:45,312 --> 00:42:47,773 {\an8}[Sly] Right after Rocky, people had built me into something 757 00:42:47,856 --> 00:42:50,734 {\an8}perhaps bigger than I should have been built into. 758 00:42:52,027 --> 00:42:55,322 Right away, they were beginning to question my ability. 759 00:42:55,406 --> 00:42:56,907 I was looking at many scripts. 760 00:42:56,991 --> 00:42:59,243 Nothing was interesting. Then F.I.S.T. came along. 761 00:42:59,326 --> 00:43:01,662 This would be a true departure from Rocky. 762 00:43:01,745 --> 00:43:04,582 A film that deals with the American labor movement, 763 00:43:04,665 --> 00:43:07,668 the conception of a very powerful trucking union. 764 00:43:07,751 --> 00:43:11,005 It's a fantastic odyssey, I believe. 765 00:43:11,088 --> 00:43:16,969 That area in the wake of Rocky is him struggling to figure out 766 00:43:17,052 --> 00:43:21,390 how to both maybe repeat that and differentiate himself from it. 767 00:43:21,473 --> 00:43:25,269 {\an8}Stallone, at that time, was such a huge star. 768 00:43:25,352 --> 00:43:28,814 {\an8}The first thing he wanted to do was he wanted to rewrite the picture. 769 00:43:28,897 --> 00:43:31,697 [Wesley] I think a lot of the problems on the sets of some of his films 770 00:43:31,734 --> 00:43:34,695 have to do with the fact that he has a sense of, 771 00:43:34,778 --> 00:43:38,324 like, what is working for a movie, 772 00:43:38,407 --> 00:43:41,577 and is at odds with the people who've been hired by the studios 773 00:43:41,660 --> 00:43:43,120 to make these things. 774 00:43:43,203 --> 00:43:47,958 {\an8}A gigantic issue with Sly, he didn't want to die at the end of the movie. 775 00:43:48,042 --> 00:43:49,722 [Sly] I think he did something very wrong. 776 00:43:49,793 --> 00:43:52,171 He killed the hero off in the end 777 00:43:52,254 --> 00:43:54,590 and let evil triumph, 778 00:43:54,673 --> 00:43:56,008 which you can't do that. 779 00:43:56,091 --> 00:43:57,718 That may happen in reality a lot, 780 00:43:57,801 --> 00:43:59,720 but when people go in and pay good money, 781 00:43:59,803 --> 00:44:03,307 they sometimes like to see righteousness pay off. 782 00:44:03,390 --> 00:44:05,952 {\an8}[Quentin] To promote F.I.S.T., he does one of those Playboy interviews. 783 00:44:05,976 --> 00:44:09,897 He pontificates that he doesn't think it's possible for him ever to have a flop, 784 00:44:09,980 --> 00:44:11,815 that that will actually never happen, 785 00:44:11,899 --> 00:44:14,526 that it's not possible for him to have a flop. 786 00:44:14,610 --> 00:44:16,987 [man] Despite its flaws, I found a lot to admire in F.I.S.T. 787 00:44:17,071 --> 00:44:19,365 But many critics didn't agree with me, 788 00:44:19,448 --> 00:44:22,493 {\an8}and their disagreement was a personal insult for Sylvester. 789 00:44:22,576 --> 00:44:25,704 {\an8}[Sly] When they start calling F.I.S.T. J.U.N.K., I take that personally. 790 00:44:25,788 --> 00:44:28,957 I gave up the best of myself for that film. 791 00:44:29,041 --> 00:44:30,292 I really worked hard. 792 00:44:30,376 --> 00:44:35,047 And so for some men, in 500 words, to completely discredit all that effort, 793 00:44:35,130 --> 00:44:39,051 I would love to make an appointment with them in any alley that they choose. 794 00:44:39,134 --> 00:44:41,387 [man] The success of Rocky and the mistakes of F.I.S.T. 795 00:44:41,470 --> 00:44:45,057 have combined to inspire Sylvester Stallone to make his own movie. 796 00:44:45,140 --> 00:44:47,768 All his own. Writing, directing, and acting. 797 00:44:48,352 --> 00:44:51,063 Originally, Paradise Alley was like the father of Rocky. 798 00:44:51,146 --> 00:44:53,565 I had written that in 1972. 799 00:44:53,649 --> 00:44:55,818 And no one ever wanted to touch it. 800 00:44:55,901 --> 00:44:57,319 A little too weird. 801 00:44:57,403 --> 00:44:59,238 So I went out and I wrote Rocky. 802 00:44:59,321 --> 00:45:02,324 Then the time came when I wanted to do Paradise Alley 803 00:45:02,408 --> 00:45:04,535 and it dealt with the ring again. 804 00:45:04,618 --> 00:45:07,496 I thought, if I can make this not as serious as Rocky, 805 00:45:07,579 --> 00:45:10,082 but really kind of like a carnival... 806 00:45:10,165 --> 00:45:13,210 The rain and the colors and the characters, 807 00:45:13,293 --> 00:45:16,839 a little bit more would transcend your normal wrestling match. 808 00:45:16,922 --> 00:45:19,758 [Sly] Back then, I was a young guy trying to make something 809 00:45:19,842 --> 00:45:21,760 kind of clever and entertaining. 810 00:45:21,844 --> 00:45:24,054 I didn't really do my research 811 00:45:24,138 --> 00:45:27,433 and realize it was such a niche kind of film. 812 00:45:27,516 --> 00:45:30,477 This is not broad-based. It's kind of weird. 813 00:45:31,019 --> 00:45:34,356 1946, odd music, odd this, odd that. 814 00:45:34,940 --> 00:45:39,027 That I was setting myself up for a disaster, 815 00:45:39,111 --> 00:45:40,279 and disaster struck. 816 00:45:41,029 --> 00:45:43,157 [Quentin] He wasn't expecting F.I.S.T. to not do well, 817 00:45:43,240 --> 00:45:45,701 and he wasn't expecting the critics who championed Rocky 818 00:45:45,784 --> 00:45:48,787 to turn viciously against Paradise Alley. 819 00:45:48,871 --> 00:45:50,289 He didn't handle it well. 820 00:45:50,372 --> 00:45:54,126 He started popping off, challenging critics to fight. 821 00:45:55,961 --> 00:45:59,506 [Sly] Some days I wake up in the morning and go, "I got this." 822 00:45:59,590 --> 00:46:01,550 And other days I go, "I don't have it." 823 00:46:01,633 --> 00:46:03,761 I don't feel it. It's not there. 824 00:46:03,844 --> 00:46:04,887 I'm flying blind. 825 00:46:04,970 --> 00:46:08,182 It's like going into a fight and saying, "I don't know..." 826 00:46:09,433 --> 00:46:12,936 I've just learned that that will pass. 827 00:46:13,020 --> 00:46:14,730 Just hang in there. 828 00:46:14,813 --> 00:46:19,234 Don't have your anxiety attacks. Let that fear... That's all part of it. 829 00:46:19,318 --> 00:46:22,946 That's what makes it interesting, is you're afraid of it. 830 00:46:23,030 --> 00:46:25,616 The success story of the character, Rocky Balboa, 831 00:46:25,699 --> 00:46:29,661 is strikingly similar to the success story of the star, Sylvester Stallone. 832 00:46:29,745 --> 00:46:34,041 And nowadays, Stallone is putting the finishing touches on Rocky II 833 00:46:34,124 --> 00:46:36,084 as writer, director, and star, 834 00:46:36,168 --> 00:46:40,547 with no noticeable anxiety about the perennial dangers of doing a sequel. 835 00:46:40,631 --> 00:46:44,092 In fact, as usual, Stallone is completely confident. 836 00:46:44,676 --> 00:46:46,804 [Sly] John Avildsen wanted to go off Rocky. 837 00:46:46,887 --> 00:46:50,224 He goes to the Playboy Mansion, he gets drunk, he starts using drugs. 838 00:46:50,307 --> 00:46:53,227 In other words, the downside of success. 839 00:46:53,310 --> 00:46:55,187 This is not that guy. 840 00:46:55,270 --> 00:46:59,233 This is the guy who continues to just push and push 841 00:46:59,316 --> 00:47:00,651 and takes everyone with him. 842 00:47:00,734 --> 00:47:03,445 - A really idealistic individual. - [all cheering] 843 00:47:03,529 --> 00:47:06,573 [Sly] See, John Avildsen didn't like the script for Rocky II, 844 00:47:06,657 --> 00:47:07,991 so I ended up directing it. 845 00:47:08,075 --> 00:47:10,410 - I don't know. - [reporter] How about a statement, Rocky? 846 00:47:10,494 --> 00:47:12,871 I don't know. I'm at a loss for words. 847 00:47:13,539 --> 00:47:15,123 - Rocky! - Get back! 848 00:47:16,250 --> 00:47:19,670 [Quentin] One of the things that made Rocky I and Rocky II so powerful was 849 00:47:19,753 --> 00:47:22,881 the way Stallone was able to tell his story. 850 00:47:22,965 --> 00:47:27,636 He is channeling his life story into both Rocky and Apollo Creed. 851 00:47:28,220 --> 00:47:32,182 Apollo Creed is stomping around his house reading hate mail to his wife. 852 00:47:32,266 --> 00:47:35,561 That's probably Sylvester Stallone stomping around his mansion 853 00:47:35,644 --> 00:47:37,896 reading Pauline Kael's review for Paradise Alley. 854 00:47:37,980 --> 00:47:40,540 He's putting under the microscope the whole concept of celebrity, 855 00:47:40,607 --> 00:47:42,276 to one degree or another. 856 00:47:43,861 --> 00:47:47,406 [Sly] The story is, in a sense, better than the first one 857 00:47:47,489 --> 00:47:50,701 because it deals with much more identifiable subjects. 858 00:47:50,784 --> 00:47:54,246 Rocky was a loner, now he has a different kind of responsibility. 859 00:47:54,329 --> 00:47:58,375 He has the kind of responsibility and problems that everyone in the audience 860 00:47:58,458 --> 00:48:02,212 who has been married or thinking about getting married can identify with. 861 00:48:02,796 --> 00:48:05,716 [Wesley] I mean, nobody thinks of Rocky as family movies, 862 00:48:05,799 --> 00:48:10,596 and yet, like, at their core is this relationship between him and Adrian. 863 00:48:10,679 --> 00:48:15,058 The tug-of-war between having this relationship and building this family 864 00:48:15,142 --> 00:48:18,437 and having this job that he has to do. 865 00:48:20,814 --> 00:48:23,483 [Adrian] When did you get home? I thought you were at work. 866 00:48:23,567 --> 00:48:26,028 No, I... ain't at work no more. 867 00:48:26,111 --> 00:48:29,323 I got, uh... I got canned today. 868 00:48:30,324 --> 00:48:31,325 Oh. 869 00:48:32,576 --> 00:48:33,619 What happened? 870 00:48:33,702 --> 00:48:36,121 Now, do you give up your destiny 871 00:48:37,122 --> 00:48:39,833 for a "promise" that you made? 872 00:48:40,417 --> 00:48:41,501 What are you gonna do? 873 00:48:41,585 --> 00:48:45,839 I don't know. I was, uh... thinking about fighting. 874 00:48:45,923 --> 00:48:47,925 [striking punching bag] 875 00:48:48,008 --> 00:48:50,302 You can be whatever you wanna be. You don't have to fight. 876 00:48:50,385 --> 00:48:53,013 Well, you know, I am a fighter. 877 00:48:53,096 --> 00:48:55,933 Not too good, but that's what I do. 878 00:48:56,516 --> 00:48:59,519 Well, Rocky, you gave me your word you wouldn't fight anymore. 879 00:49:02,272 --> 00:49:03,982 You see him in the lowest point. 880 00:49:04,066 --> 00:49:07,194 He's, like, in this horrible little basement. 881 00:49:07,277 --> 00:49:08,904 He's there under a light. 882 00:49:08,987 --> 00:49:11,531 There's something about this guy who's... 883 00:49:11,615 --> 00:49:14,493 He's destined to do something, 884 00:49:14,576 --> 00:49:18,538 and he's being held back for the wrong reasons. 885 00:49:18,622 --> 00:49:21,625 When he finally says, "I never asked you to stop being a woman, 886 00:49:21,708 --> 00:49:23,961 please don't ask me to stop being a man. I can't." 887 00:49:24,044 --> 00:49:26,713 He says, I love this woman, 888 00:49:26,797 --> 00:49:29,299 but she will not love what I will become 889 00:49:29,383 --> 00:49:31,969 if I don't at least try. 890 00:49:36,848 --> 00:49:39,351 [Arnold] Rocky II, that went through the roof again. 891 00:49:39,434 --> 00:49:43,522 Doubled the amount of money the first one made, and it just went... 892 00:49:44,022 --> 00:49:47,025 I mean, just bananas all over the world. 893 00:49:47,109 --> 00:49:49,820 So people now were really hustling him. 894 00:49:51,363 --> 00:49:58,078 Sly climbed the ladder, I would say, very quickly in show business. 895 00:49:59,246 --> 00:50:04,793 Very few actors have the discipline to produce and to direct. 896 00:50:04,876 --> 00:50:08,880 You have to think about it 24 hours a day, seven days a week. 897 00:50:08,964 --> 00:50:10,966 [melancholy music playing] 898 00:50:12,217 --> 00:50:16,847 Filmmaking is something I understand and embrace. 899 00:50:18,306 --> 00:50:20,934 But it comes at a great price. 900 00:50:21,018 --> 00:50:25,105 When you're a truly absorbed filmmaker, 901 00:50:25,188 --> 00:50:28,108 act, write, and direct, and produce and all at one time, 902 00:50:29,067 --> 00:50:30,485 there's no time for anything else. 903 00:50:30,569 --> 00:50:32,779 Just pieces and bits and scraps for family. 904 00:50:32,863 --> 00:50:34,863 "What happened today?" "Don't wanna talk about it." 905 00:50:34,906 --> 00:50:37,951 That's reality. When you come home, it's almost not reality. 906 00:50:38,035 --> 00:50:40,495 It's a terrible conundrum. 907 00:50:45,459 --> 00:50:47,520 When you're younger... "Gotta fill the house with art." 908 00:50:47,544 --> 00:50:49,046 "Gotta fill the house with children." 909 00:50:49,129 --> 00:50:52,007 "Gotta fill..." Well, now it's full. 910 00:50:52,090 --> 00:50:53,759 Children have moved on, 911 00:50:53,842 --> 00:50:56,803 and you're left with this big, hollow, kind of... 912 00:50:57,637 --> 00:50:58,555 Mmm. 913 00:50:58,638 --> 00:51:00,640 [birds singing] 914 00:51:04,269 --> 00:51:08,023 It's just, it doesn't serve you anymore 915 00:51:08,106 --> 00:51:10,942 as a source of inspiration. 916 00:51:11,026 --> 00:51:15,155 I wasn't moving 'cause... "Oh wow, I want another beautiful view." 917 00:51:15,238 --> 00:51:18,992 Anytime changing that paradigm, which you become used to, 918 00:51:19,076 --> 00:51:24,831 it's literally to jumpstart that process again. 919 00:51:26,750 --> 00:51:29,086 [Sly on tape] It's so hard to do a sequel. 920 00:51:29,169 --> 00:51:30,837 It's harder and harder, each one. 921 00:51:30,921 --> 00:51:34,674 It's always exhausting. People are always in your ear all the time, 922 00:51:34,758 --> 00:51:36,676 then you get the criticism. 923 00:51:36,760 --> 00:51:40,680 And you say, "Is the pleasure really gonna be worth the pain?" 924 00:51:41,223 --> 00:51:43,558 Every film becomes more and more difficult 925 00:51:43,642 --> 00:51:48,355 because you don't have the freshness of a hungry artist. 926 00:51:50,273 --> 00:51:53,318 Before Rocky III, I developed fear. 927 00:51:54,027 --> 00:51:57,322 Maybe I'm not what I was. Maybe it was luck. 928 00:51:57,405 --> 00:51:58,949 There's no passion involved. 929 00:51:59,032 --> 00:52:01,118 It's a good deal, it's good money, it's good that. 930 00:52:01,201 --> 00:52:02,494 You start getting protected. 931 00:52:02,577 --> 00:52:05,413 The agencies... "keep this and keep that and do this film." 932 00:52:05,497 --> 00:52:07,791 "It's safe. It's safe. It's safe." 933 00:52:07,874 --> 00:52:09,793 And after a while you realize, 934 00:52:09,876 --> 00:52:13,922 "I'm doing nothing good because I'm listening to other people." 935 00:52:14,005 --> 00:52:17,050 You wake up after a few years thinking you're a winner, but you're not. 936 00:52:17,134 --> 00:52:19,886 And Rocky III was an example of that. 937 00:52:19,970 --> 00:52:22,430 We got cars, we've got money! 938 00:52:22,514 --> 00:52:24,599 We got everything but the truth. 939 00:52:24,683 --> 00:52:26,143 What's the truth, damn it? 940 00:52:26,226 --> 00:52:28,061 I'm afraid! All right? 941 00:52:28,728 --> 00:52:31,481 You wanna hear me say it? Wanna break me down? I'm afraid! 942 00:52:31,565 --> 00:52:32,858 What? 943 00:52:32,941 --> 00:52:37,195 You'll never have a fighter ever say, "I'm afraid. I'm a coward." 944 00:52:37,279 --> 00:52:40,365 And then she turns it around. 945 00:52:40,448 --> 00:52:42,492 "I'm afraid too. Nothing wrong with being afraid." 946 00:52:43,577 --> 00:52:46,955 [Talia] And then out of that could come courage. 947 00:52:47,038 --> 00:52:50,709 Maybe the courage not to do all those things everybody's telling... 948 00:52:50,792 --> 00:52:55,714 the manager's telling you to do, the people who are handling you. 949 00:52:55,797 --> 00:52:59,843 Maybe courage is another thing. What about going the distance? 950 00:53:00,886 --> 00:53:04,264 [Sly] I said, "Sly, get back, start listening to yourself a little bit." 951 00:53:04,347 --> 00:53:06,057 "Just trust your instincts." 952 00:53:06,141 --> 00:53:10,645 Every decision I wanted to do, like I wanted to use Mr. T, 953 00:53:11,479 --> 00:53:14,482 I wanted Survivor to do "Eye of the Tiger," 954 00:53:14,566 --> 00:53:16,443 I wanted Hulk Hogan, 955 00:53:16,526 --> 00:53:20,405 and everything was met with, "That's ridiculous, that's ridiculous." 956 00:53:20,488 --> 00:53:22,741 I go, "I know. It is ridiculous." 957 00:53:22,824 --> 00:53:26,703 But it's theatrical. It's interesting. It's different. 958 00:53:31,249 --> 00:53:34,211 [propulsive rock music playing] 959 00:53:37,631 --> 00:53:40,717 [Sly] I'm a grinder. I just grind and grind, you know? 960 00:53:40,800 --> 00:53:45,013 I just try to outwork myself, outwork my insecurities. 961 00:53:45,096 --> 00:53:48,350 I become indifferent to, uh, the threat of failure 962 00:53:48,433 --> 00:53:50,602 because I know that no matter what, 963 00:53:50,685 --> 00:53:52,896 even if it's not a bona fide success, 964 00:53:52,979 --> 00:53:56,149 it'll be good for you to at least continue to push yourself. 965 00:53:56,942 --> 00:53:59,819 90% of the journey is tumultuous and ugly. 966 00:53:59,903 --> 00:54:02,405 But to get to those nuggets, you have to go through it. 967 00:54:02,489 --> 00:54:04,032 You may not get there, 968 00:54:04,115 --> 00:54:06,368 but you can be better off than doing nothing. 969 00:54:09,663 --> 00:54:12,999 He keeps wanting to create. 970 00:54:13,500 --> 00:54:14,918 He's never sitting back. 971 00:54:15,001 --> 00:54:18,213 He doesn't want to say, "I regret. I could have. I should have." 972 00:54:18,296 --> 00:54:20,257 "Oh, only if I did." 973 00:54:23,009 --> 00:54:25,762 He always knew where he wanted to be. 974 00:54:26,304 --> 00:54:28,098 It's not like an accident. 975 00:54:28,181 --> 00:54:30,600 Him becoming an action hero was an accident. 976 00:54:32,519 --> 00:54:36,231 The original Rambo was a homicidal maniac. 977 00:54:36,314 --> 00:54:40,902 He was a vicious casualty from the war. 978 00:54:40,986 --> 00:54:42,862 He came back broken. 979 00:54:42,946 --> 00:54:47,826 There's nothing he could do to earn his way back into America's good graces. 980 00:54:47,909 --> 00:54:49,953 So I said, "If I'm gonna get involved with this, 981 00:54:50,036 --> 00:54:51,788 I want to rewrite the screenplay." 982 00:54:51,871 --> 00:54:54,207 "And I want him to go right to the edge." 983 00:54:55,417 --> 00:54:56,751 - [gasps] - [grunts] 984 00:54:56,835 --> 00:55:00,463 Bring a certain kind of feral ferocity to it 985 00:55:01,131 --> 00:55:02,424 that even shocks me. 986 00:55:02,507 --> 00:55:07,137 When it's like, there's just this contorted face and rage. 987 00:55:07,220 --> 00:55:09,431 - [boy panting] - [Rambo grunts] 988 00:55:09,514 --> 00:55:12,767 [Sly] I don't have to look far to figure out where that came from. 989 00:55:12,851 --> 00:55:14,602 [suspenseful music swells] 990 00:55:14,686 --> 00:55:17,939 My father was Rambo, in reality. 991 00:55:18,023 --> 00:55:20,984 Nothing was ever settled verbally. 992 00:55:21,067 --> 00:55:23,945 It was usually a physical ultimatum. 993 00:55:24,904 --> 00:55:26,614 The way you turn a fork. 994 00:55:26,698 --> 00:55:28,533 If he's eating like this... 995 00:55:31,161 --> 00:55:32,620 you know you're gonna get it. 996 00:55:34,289 --> 00:55:36,541 You did not mess with this guy. 997 00:55:37,625 --> 00:55:41,212 That look, it was just... It was genetic. He'd go... [grumbles] 998 00:55:44,132 --> 00:55:46,718 I saw an opportunity to do 999 00:55:46,801 --> 00:55:50,055 what I consider, like, the first pure action film. 1000 00:55:50,138 --> 00:55:54,142 That being that this thing is completely done kinetically. 1001 00:55:54,225 --> 00:55:56,102 There's just... there's so much movement 1002 00:55:56,186 --> 00:55:58,855 that dialogue can't be handled by the star. 1003 00:55:58,938 --> 00:56:01,149 It has to be handled by Trautman and other people. 1004 00:56:01,232 --> 00:56:05,612 I mean, you are really drawn into this loner, 1005 00:56:05,695 --> 00:56:08,656 solitary figure who feels abandoned. 1006 00:56:08,740 --> 00:56:11,409 Whatever he was acting was deep inside, 1007 00:56:11,493 --> 00:56:14,412 so much deeper than what's on the page. 1008 00:56:15,163 --> 00:56:18,708 He has a good way of writing dialogue that's both witty and rhythmic, 1009 00:56:18,792 --> 00:56:22,087 but also seems a bit like improvisation to some degree. 1010 00:56:22,712 --> 00:56:26,049 [John] Sly has a unique gift in the words he writes. 1011 00:56:26,132 --> 00:56:28,927 They're simple, they're true. 1012 00:56:29,010 --> 00:56:32,514 There's an intent behind things he writes and says. 1013 00:56:33,098 --> 00:56:37,852 [Sly] Started really reading up on vets and their actual words, 1014 00:56:38,436 --> 00:56:41,272 situations, traumas. 1015 00:56:42,148 --> 00:56:47,028 And I thought, "Wow, if I could put a couple of beats 1016 00:56:47,779 --> 00:56:51,825 from about 20 different guys' lives, jumble them up..." 1017 00:56:52,575 --> 00:56:55,870 Because Rambo hasn't spoken in years, 1018 00:56:55,954 --> 00:56:58,748 so he's not coming out fluid. 1019 00:56:58,832 --> 00:57:02,710 It's just this rush, this purging. 1020 00:57:02,794 --> 00:57:06,464 So I remember I had heard stories about this guy, 1021 00:57:07,882 --> 00:57:11,970 about going into Saigon, carrying a shoeshine box. 1022 00:57:12,053 --> 00:57:13,721 "Shine, please. Shine. Shine." 1023 00:57:13,805 --> 00:57:15,807 [Rambo] I said no. He kept asking, yeah. 1024 00:57:15,890 --> 00:57:19,936 And Joey said, "Yeah." And I went to get a couple beers. 1025 00:57:20,019 --> 00:57:21,688 And the box was wired. 1026 00:57:21,771 --> 00:57:24,732 [Sly] "I went to get a couple of beers. The shine box was wired." 1027 00:57:24,816 --> 00:57:26,776 "The kid opened it. Joey..." 1028 00:57:26,860 --> 00:57:29,112 "It blew his body all over the place." 1029 00:57:29,195 --> 00:57:31,489 "And there he is laying there going, 'Where are my legs?'" 1030 00:57:31,573 --> 00:57:33,575 My friend! It's all over me! 1031 00:57:33,658 --> 00:57:36,661 Got blood and everything. I'm trying to hold him together. 1032 00:57:36,744 --> 00:57:39,956 I put him together, his fucking insides keep coming out. 1033 00:57:40,039 --> 00:57:41,791 And nobody would help! 1034 00:57:42,417 --> 00:57:45,170 Nobody helped. He's saying, "Please, I wanna go home..." 1035 00:57:45,253 --> 00:57:47,964 "Where the fuck are my legs?" You can't make that shit up. 1036 00:57:49,632 --> 00:57:52,510 You cannot make that kind of writing up. 1037 00:57:53,011 --> 00:57:57,849 It took me a while to really absorb all these stories 1038 00:57:57,932 --> 00:58:04,606 and put it in this kind of crazy monologue 1039 00:58:04,689 --> 00:58:06,900 that was not in the screenplay. 1040 00:58:06,983 --> 00:58:08,943 I had read David Morrell's original book. 1041 00:58:09,027 --> 00:58:10,820 The whole point of the book is 1042 00:58:10,904 --> 00:58:13,781 if you take this super weapon killing machine, 1043 00:58:13,865 --> 00:58:15,783 when the war is over, 1044 00:58:15,867 --> 00:58:18,828 keeping that switch turned off isn't so easy. 1045 00:58:18,912 --> 00:58:22,457 That entire concept is thrown away in First Blood. 1046 00:58:22,540 --> 00:58:25,835 The changing of it from Rambo murdering the posse 1047 00:58:25,919 --> 00:58:27,962 to wounding the posse was Stallone's idea. 1048 00:58:28,046 --> 00:58:31,382 [Sly] At the very end, originally, the way it was in the script, 1049 00:58:31,466 --> 00:58:35,678 I am shot by Colonel Trautman, 1050 00:58:35,762 --> 00:58:37,180 and I die in slow motion. 1051 00:58:37,263 --> 00:58:39,516 And I said to the director, "This is not good." 1052 00:58:39,599 --> 00:58:43,937 I don't want everyone who was a Vietnam vet 1053 00:58:44,020 --> 00:58:46,731 to see this film and then me shot, 1054 00:58:46,814 --> 00:58:51,528 and realize, "Oh, so there's no hope for me at all. None." 1055 00:58:52,153 --> 00:58:56,324 And I left. And they were screaming that if I don't come back, 1056 00:58:56,407 --> 00:58:58,159 it was a breach of contract. 1057 00:58:58,243 --> 00:58:59,536 [gunfire] 1058 00:58:59,619 --> 00:59:01,955 [Sly] They screen it in Las Vegas. 1059 00:59:02,038 --> 00:59:06,584 It tested so badly, they put in the one that you see, 1060 00:59:06,668 --> 00:59:12,173 because at that time they were losing 20,000 vets to suicide a month. 1061 00:59:12,257 --> 00:59:14,801 I said, "I don't want to be part of that. I don't." 1062 00:59:14,884 --> 00:59:16,553 And I'm not going to. 1063 00:59:16,636 --> 00:59:20,306 ["Golden Brown" by the Stranglers playing] 1064 00:59:22,976 --> 00:59:25,562 [Sly] Around the mid '80s, I started doing Rambo. 1065 00:59:25,645 --> 00:59:28,648 And this character kind of started something. 1066 00:59:32,610 --> 00:59:35,780 [Wesley] First thing that comes to mind is physicality. 1067 00:59:36,948 --> 00:59:41,327 I think the thing that made Stallone a perfect '80s star 1068 00:59:41,411 --> 00:59:45,456 was that everything about that decade was about excess. 1069 00:59:50,503 --> 00:59:54,632 But his body and the chaos it can make, the carnage it can cause... 1070 00:59:54,716 --> 00:59:58,428 People loved watching him push himself. 1071 00:59:58,511 --> 00:59:59,596 [grunting] 1072 01:00:00,430 --> 01:00:03,474 [Wesley] Even when it was almost self-parodying, people went 1073 01:00:03,558 --> 01:00:07,520 because he was the ultra version of himself. 1074 01:00:09,522 --> 01:00:12,859 Arnold Schwarzenegger was his only competition. 1075 01:00:15,403 --> 01:00:20,033 [Arnold] Sly, all of a sudden with Rambo, he stepped into my arena. 1076 01:00:20,116 --> 01:00:23,369 All of a sudden he was ripped, and everyone talking about his body. 1077 01:00:25,288 --> 01:00:27,957 And so that created competition, of course. 1078 01:00:28,583 --> 01:00:31,169 At that point, we were like little kids. 1079 01:00:31,252 --> 01:00:32,920 Who uses bigger knives? 1080 01:00:33,004 --> 01:00:36,424 Who uses the biggest guns and holds them in one arm and... 1081 01:00:36,507 --> 01:00:38,926 [imitates gunfire] You know, like that. 1082 01:00:39,010 --> 01:00:42,013 And who has more muscles, who has more muscle definition, 1083 01:00:42,096 --> 01:00:43,723 who has less body fat? 1084 01:00:43,806 --> 01:00:47,185 I mean, stupid stuff that we would be fighting over. 1085 01:00:47,769 --> 01:00:50,229 Now we look back and we laugh at the whole thing. 1086 01:00:50,938 --> 01:00:54,233 We learned the effect of having muscles. 1087 01:00:54,317 --> 01:00:58,363 The effect is that people buy in twice as much. 1088 01:00:58,446 --> 01:01:03,534 This is what really gave action movies a whole new boost. 1089 01:01:03,618 --> 01:01:05,453 - [gunfire] - [Arnold] A whole new push. 1090 01:01:05,536 --> 01:01:06,954 - [gunfire] - [engine revs] 1091 01:01:07,872 --> 01:01:10,041 I was really committed to making that genre 1092 01:01:10,124 --> 01:01:11,793 something that would be lucrative 1093 01:01:11,876 --> 01:01:15,088 and would travel around the world, and it did. 1094 01:01:15,171 --> 01:01:17,799 [man 1] There's something irresistible about Sylvester Stallone. 1095 01:01:17,882 --> 01:01:19,509 [man 2] From underdog to champion... 1096 01:01:19,592 --> 01:01:24,222 ...and have earned Stallone both worldwide fame and a personal fortune. 1097 01:01:24,305 --> 01:01:29,394 [man 3] Stallone knows he got where he is because he knows what it is to make a hit. 1098 01:01:29,477 --> 01:01:31,521 [crowd clamoring] 1099 01:01:33,189 --> 01:01:34,816 [Arnold] I always was trailing Sly. 1100 01:01:34,899 --> 01:01:36,234 I was always a step behind. 1101 01:01:36,317 --> 01:01:37,985 He was always making bigger grosses. 1102 01:01:38,069 --> 01:01:40,321 And then a year later, I made the same grosses. 1103 01:01:40,405 --> 01:01:42,573 But by that time, he made bigger grosses again. 1104 01:01:42,657 --> 01:01:43,574 This is how it went. 1105 01:01:43,658 --> 01:01:45,618 And he was up and up and up and up. 1106 01:01:45,702 --> 01:01:48,830 Sly now couldn't stop, really. 1107 01:01:48,913 --> 01:01:52,417 Not just actor or director, but a force in Hollywood. 1108 01:01:53,751 --> 01:01:56,421 [interviewer] People are always telling me, your fans, 1109 01:01:56,504 --> 01:01:59,006 it's got to be Rocky or it's got to be Rambo. 1110 01:01:59,090 --> 01:02:01,467 Now, is that a frustration for you as an actor? 1111 01:02:01,551 --> 01:02:02,552 It's double-edged. 1112 01:02:02,635 --> 01:02:07,223 It's frustrating, but being able to find not one, 1113 01:02:07,306 --> 01:02:09,767 but a couple characters to be so identified, 1114 01:02:09,851 --> 01:02:11,102 so embraced, 1115 01:02:11,185 --> 01:02:13,896 that you realize you've accomplished something, 1116 01:02:13,980 --> 01:02:15,273 that's kind of unusual. 1117 01:02:15,356 --> 01:02:17,233 I've always believed in sequels, 1118 01:02:17,316 --> 01:02:20,903 because I think quite often this story can't be told in two hours. 1119 01:02:20,987 --> 01:02:23,614 Why not keep going on? If the audience likes it, why not? 1120 01:02:23,698 --> 01:02:25,116 [rock music playing] 1121 01:02:25,825 --> 01:02:28,494 [Sly] I tell people, don't diminish sequels. 1122 01:02:28,578 --> 01:02:32,039 Because it's ten times harder to come up with something 1123 01:02:32,123 --> 01:02:36,169 that can keep that interest and heat and magic going. 1124 01:02:36,252 --> 01:02:38,671 [explosions] 1125 01:02:38,755 --> 01:02:41,215 [Quentin] So, and then, in Rocky III and Rocky IV, 1126 01:02:41,299 --> 01:02:46,304 when the character becomes less like the real story of Sylvester Stallone 1127 01:02:46,387 --> 01:02:48,639 and more like a comic book character. 1128 01:02:48,723 --> 01:02:50,850 And not only is he a comic book character, 1129 01:02:50,933 --> 01:02:53,478 he's seemingly fighting comic book villains, 1130 01:02:53,561 --> 01:02:56,272 like as if torn from the pages of Marvel Comics. 1131 01:02:56,355 --> 01:03:01,110 The absurdity of what the stakes are in this movie sort of take over. 1132 01:03:01,194 --> 01:03:04,572 It's about giving the audience the ultra Stallone experience 1133 01:03:04,655 --> 01:03:08,868 within the contained box of the Rocky brand. 1134 01:03:08,951 --> 01:03:10,536 [intense music builds] 1135 01:03:12,455 --> 01:03:15,708 [John] He's fighting, he's directing, he's writing, 1136 01:03:15,792 --> 01:03:17,627 he's doing everything, 1137 01:03:17,710 --> 01:03:21,172 which is very hard to do in a very physical movie. 1138 01:03:22,131 --> 01:03:25,218 [Sly] Dolph Lundgren, he pulverized me. 1139 01:03:25,301 --> 01:03:26,803 [audience cheering] 1140 01:03:26,886 --> 01:03:29,180 [Sly] Later that night, my heart started to swell, 1141 01:03:31,098 --> 01:03:33,726 which happens when the heart hits the chest. 1142 01:03:35,436 --> 01:03:38,189 And then my blood pressure went up to 260. 1143 01:03:38,940 --> 01:03:42,985 And they thought I was going to be talking to angels. 1144 01:03:43,069 --> 01:03:45,071 [music peaks and fades out] 1145 01:03:45,154 --> 01:03:48,741 [wind whistling] 1146 01:03:51,744 --> 01:03:53,830 [Sly] Next thing I know, I'm in intensive care 1147 01:03:53,913 --> 01:03:55,206 where I'm surrounded by nuns. 1148 01:03:55,289 --> 01:03:57,333 And I thought, "Okay, that's curtains." 1149 01:03:58,584 --> 01:04:01,212 Dolph Lundgren put me in the hospital for nine days. 1150 01:04:01,295 --> 01:04:03,589 I basically summarized it in Rocky IV, 1151 01:04:03,673 --> 01:04:05,675 like when you're beaten to the ground 1152 01:04:05,758 --> 01:04:08,344 and you're praying someone knocks you on the chin 1153 01:04:08,427 --> 01:04:10,012 so you just don't suffer anymore, 1154 01:04:10,096 --> 01:04:13,474 there's a small voice inside you that says, "Give me one more round." 1155 01:04:16,602 --> 01:04:19,355 [Sly] I push it. That's why I've had five back operations. 1156 01:04:20,022 --> 01:04:23,317 I knew. You should know after the first back operation not to do it again. 1157 01:04:24,235 --> 01:04:25,235 [chuckles] 1158 01:04:25,278 --> 01:04:27,864 Probably end up with another one 'cause I know... 1159 01:04:27,947 --> 01:04:30,199 I say I'll never do that again, but I do. 1160 01:04:30,283 --> 01:04:32,451 I do. I don't know why, but I do. 1161 01:04:34,579 --> 01:04:38,332 I've always been thrown in a world of turmoil 1162 01:04:38,416 --> 01:04:42,336 and kind of, like, a lot of physicality. 1163 01:04:42,420 --> 01:04:43,921 I guess you could call it violence. 1164 01:04:44,005 --> 01:04:46,507 [low rumbling] 1165 01:04:49,260 --> 01:04:51,637 [hoofbeats echoing] 1166 01:04:59,395 --> 01:05:01,272 [horse whinnying] 1167 01:05:01,355 --> 01:05:02,523 [echoing thud] 1168 01:05:06,068 --> 01:05:09,864 [Sly] My father was in the army, and he was in the cavalry. 1169 01:05:09,947 --> 01:05:11,532 I don't know what army he was in, 1170 01:05:11,616 --> 01:05:14,493 but they had a cavalry in World War II along the Mexican border. 1171 01:05:14,577 --> 01:05:16,662 So he learned to play kinda like sandlot polo. 1172 01:05:16,746 --> 01:05:18,664 So I spent a great deal of time... 1173 01:05:18,748 --> 01:05:21,125 So I became a horseman and I played for a while, 1174 01:05:21,208 --> 01:05:23,210 and it is a wicked game. 1175 01:05:23,294 --> 01:05:25,713 [Frank] Sly became an excellent polo player. 1176 01:05:25,796 --> 01:05:28,049 He could have been like a six-, seven-goal player 1177 01:05:28,132 --> 01:05:30,426 if it wasn't for my father browbeating him. 1178 01:05:30,509 --> 01:05:31,928 And that's why he quit polo. 1179 01:05:33,971 --> 01:05:37,475 [Sly] I started playing again when I was about 40. 1180 01:05:38,392 --> 01:05:42,104 So I said, "Okay, let me do it right." Now I've made it, Dad, 1181 01:05:42,688 --> 01:05:47,276 I'm gonna field my father a super team with ten-goal players, 1182 01:05:47,360 --> 01:05:49,111 and we'll play against each other 1183 01:05:49,195 --> 01:05:51,405 in the Wellington, the number one field in the world. 1184 01:05:51,489 --> 01:05:54,116 [melancholy rock music plays] 1185 01:05:57,995 --> 01:06:02,041 [man] Sly Stallone shows the world how good he is with horse and mallet, 1186 01:06:02,124 --> 01:06:04,418 out to impress the polo elite. 1187 01:06:08,422 --> 01:06:10,967 [Sly] So I'm out there, playing well. 1188 01:06:11,884 --> 01:06:14,720 My father, we're going neck and neck, 1189 01:06:17,932 --> 01:06:19,892 and I go out for a nearside. 1190 01:06:23,020 --> 01:06:24,021 My father 1191 01:06:24,522 --> 01:06:26,524 spears me in the back. 1192 01:06:28,067 --> 01:06:29,944 Hit me so hard, 1193 01:06:31,821 --> 01:06:33,155 I went down. 1194 01:06:33,239 --> 01:06:34,657 Entertainment Tonight is there. 1195 01:06:34,740 --> 01:06:37,535 The horse walked right over, I don't know how it didn't kill me. 1196 01:06:37,618 --> 01:06:40,121 But I see myself getting up, and the first thing was like... 1197 01:06:40,204 --> 01:06:41,288 [groans] 1198 01:06:44,125 --> 01:06:46,460 And I think, "He just rode away." 1199 01:06:47,503 --> 01:06:51,090 Today has been maybe, probably, the best thrill of my life. 1200 01:06:51,173 --> 01:06:54,427 Finally have gotten to play together 1201 01:06:54,510 --> 01:06:57,054 in a quality polo game such as we had today. 1202 01:06:57,138 --> 01:07:01,392 If you notice, the first cheap shot, and only cheap shot in the game, 1203 01:07:01,475 --> 01:07:04,729 was administered from my father... to his son. 1204 01:07:07,815 --> 01:07:09,025 [Sly] That was it. 1205 01:07:09,108 --> 01:07:11,527 I never played polo again from that moment on. 1206 01:07:11,610 --> 01:07:12,987 I sold everything. 1207 01:07:13,070 --> 01:07:15,531 I sold every horse, the ranch, the truck, 1208 01:07:15,614 --> 01:07:17,283 and that was the end. 1209 01:07:20,828 --> 01:07:23,080 [waves lapping gently] 1210 01:07:23,164 --> 01:07:25,249 [birds squawking faintly] 1211 01:07:28,586 --> 01:07:32,339 [Sly] Basically, when we're born, we're soft clay. 1212 01:07:33,340 --> 01:07:37,845 And a heavy-handed sculptor starts to put dents in it, 1213 01:07:37,928 --> 01:07:40,431 and that's in our mold. That's what we are. 1214 01:07:40,514 --> 01:07:44,060 And you just can't correct those distortions. 1215 01:07:44,685 --> 01:07:46,520 And that's what develops personality. 1216 01:07:46,604 --> 01:07:49,398 Not a lot of people can overcome. It takes work. 1217 01:07:50,316 --> 01:07:53,527 [gentle music playing] 1218 01:08:03,287 --> 01:08:07,958 {\an8}[John] I think what he was going for in Rocky V is he wants to make sure 1219 01:08:08,042 --> 01:08:11,921 that he never loses who he was, where he came from. 1220 01:08:12,004 --> 01:08:16,884 He wanted to get back to his roots, but I don't think he did it the way he hoped. 1221 01:08:21,305 --> 01:08:23,766 [Sly] At that time, with Rocky V, I thought, 1222 01:08:24,558 --> 01:08:26,519 if I lost everything, 1223 01:08:26,602 --> 01:08:30,898 could I actually go back and start over again? 1224 01:08:31,816 --> 01:08:34,819 Not without someone helping me. 1225 01:08:35,361 --> 01:08:36,821 I realized I'm over. 1226 01:08:36,904 --> 01:08:39,490 That's why Tommy is more important than my own family, 1227 01:08:39,573 --> 01:08:43,035 because he's gonna bring me glory again. 1228 01:08:43,786 --> 01:08:45,704 He was almost too personal. 1229 01:08:46,872 --> 01:08:51,085 [John] His son, Sage, he put him in it. He wrote him in it. 1230 01:08:52,419 --> 01:08:56,841 He wanted to give him this opportunity that was so hard for Sly to get. 1231 01:08:59,009 --> 01:09:01,729 [producer] How did you write the scene in the basement with your son? 1232 01:09:01,804 --> 01:09:04,807 He's saying, you're invested in the boxing, but you're not seeing me. 1233 01:09:04,890 --> 01:09:07,935 Is that something you drew upon from your own experience? 1234 01:09:08,018 --> 01:09:09,311 Unfortunately, yes. 1235 01:09:09,395 --> 01:09:12,398 You said I would be number one to you. You said that and you lied. 1236 01:09:12,481 --> 01:09:14,483 You lied to me and you lied to Mom! 1237 01:09:14,567 --> 01:09:16,735 I never lied to you. 1238 01:09:16,819 --> 01:09:18,195 Tommy needed my help. 1239 01:09:18,279 --> 01:09:19,572 So did I. 1240 01:09:21,115 --> 01:09:24,160 [Sly] I try to take something that actually 1241 01:09:25,119 --> 01:09:28,289 is what I wish I had done in real life, 1242 01:09:28,956 --> 01:09:31,625 but I wasn't able to do that in reality. 1243 01:09:32,334 --> 01:09:37,590 And so, quite often, I would do it theatrically, 1244 01:09:38,090 --> 01:09:39,133 magically. 1245 01:09:40,509 --> 01:09:42,553 [Adrian] If there's something you want to pass on, 1246 01:09:42,636 --> 01:09:45,806 pass it on to your son, for God sakes! 1247 01:09:45,890 --> 01:09:50,477 [Sly] Her speech, when I'm losing my son and I'm having a nervous breakdown... 1248 01:09:50,561 --> 01:09:54,356 "I didn't want this. I just want us to be back to where we started." 1249 01:09:54,440 --> 01:09:56,025 She tears me a new one. 1250 01:09:57,193 --> 01:09:58,736 "Save your son." 1251 01:09:59,778 --> 01:10:01,071 A lot of that is true. 1252 01:10:01,155 --> 01:10:04,825 You know, unfortunately, you put things before your family, 1253 01:10:05,784 --> 01:10:12,124 and the repercussions are quite radical and devastating. 1254 01:10:13,125 --> 01:10:15,628 I try to impart my beliefs, my philosophies, 1255 01:10:15,711 --> 01:10:20,466 that all the grandeur, all the fanfare, all the international acclaim, 1256 01:10:20,549 --> 01:10:22,843 means nothing when you can't sleep at night, 1257 01:10:22,927 --> 01:10:27,056 when you have no one next to you, when you don't have your flesh and blood. 1258 01:10:27,139 --> 01:10:31,644 [Sly on tape] Rocky V might have been just too personal. 1259 01:10:32,436 --> 01:10:35,439 It just didn't land with the audience at all. 1260 01:10:36,565 --> 01:10:39,193 I used to tell people, I said, "Don't ever watch the second half 1261 01:10:39,276 --> 01:10:41,445 of any biography about a star." 1262 01:10:41,528 --> 01:10:44,073 Because it's always, "And here at the pinnacle, 1263 01:10:44,156 --> 01:10:47,451 and he had the world in his hand. And then..." 1264 01:10:47,534 --> 01:10:49,870 "Well, stay tuned for the fall." 1265 01:10:49,954 --> 01:10:52,873 - [camera shutters clicking] - [reporters] Sly! Sly! 1266 01:10:52,957 --> 01:10:57,461 If I knew I had to do 25 films my whole life, that's it, 1267 01:11:00,005 --> 01:11:02,132 you'd choose a lot different than this. 1268 01:11:02,216 --> 01:11:04,802 [Johnny Carson] Now all of a sudden, you're doing a farce. 1269 01:11:04,885 --> 01:11:06,720 That's like 180 degrees. 1270 01:11:06,804 --> 01:11:08,847 [Sly] Farce. It's a dead art form. 1271 01:11:09,640 --> 01:11:13,060 Farce is not really comedy. It's little... [chuckles] 1272 01:11:13,143 --> 01:11:14,311 It's so fast. 1273 01:11:14,395 --> 01:11:16,897 You just really step out of your box 1274 01:11:16,981 --> 01:11:18,732 and you do farce, 1275 01:11:18,816 --> 01:11:20,276 you're really asking for it. 1276 01:11:20,359 --> 01:11:22,111 [chuckling] You know what I mean? 1277 01:11:22,695 --> 01:11:26,115 If you're hungry, you always try to expand. 1278 01:11:26,198 --> 01:11:29,868 It was natural for Sly to feel like, "I want to get into comedies." 1279 01:11:30,619 --> 01:11:32,663 [producer] Which one took you furthest from... 1280 01:11:32,746 --> 01:11:33,956 - Who I am? - [producer] Yeah. 1281 01:11:34,039 --> 01:11:37,126 [Sly] Without a doubt. That. That. 1282 01:11:37,209 --> 01:11:38,919 Stop! Or My Mom Will Shoot. 1283 01:11:39,003 --> 01:11:42,006 [Arnold] There was a script that was offered 1284 01:11:42,089 --> 01:11:44,383 to his agent and to my agent. 1285 01:11:44,466 --> 01:11:47,845 When I read the script, I said, "This, I don't think I could sell," 1286 01:11:47,928 --> 01:11:50,055 but I'm not gonna tell them I'm out of it. 1287 01:11:50,139 --> 01:11:53,434 And so they called right away, the studio. They said, "Arnold wants the script." 1288 01:11:53,517 --> 01:11:58,188 So Sly was going so nuts about the fact that I want to do it, 1289 01:11:58,272 --> 01:12:01,692 he then committed to the movie, and then he did the movie. 1290 01:12:01,775 --> 01:12:02,776 And the rest is history. 1291 01:12:02,860 --> 01:12:05,904 [Wesley] He was making movies that didn't make any sense for him 1292 01:12:05,988 --> 01:12:08,574 or didn't appear to be making sense for him. 1293 01:12:09,199 --> 01:12:13,162 I mean, those are movies where he is thoroughly Sylvester Stallone in them. 1294 01:12:13,245 --> 01:12:15,956 It's just that the environment didn't seem right. 1295 01:12:16,040 --> 01:12:20,586 [Sly] I can't really disassociate myself from what I am, and I tried for a while. 1296 01:12:20,669 --> 01:12:23,505 Doing the comedies, even though it was kind of an adventure, 1297 01:12:23,589 --> 01:12:25,632 it really was a wasted effort. 1298 01:12:25,716 --> 01:12:27,634 I could've done much better things with my time. 1299 01:12:27,718 --> 01:12:29,511 I think people felt very disillusioned. 1300 01:12:29,595 --> 01:12:32,806 They said, "Look, why don't you do maybe what you're meant to do?" 1301 01:12:32,890 --> 01:12:34,975 Going back to my roots, you might say. 1302 01:12:35,059 --> 01:12:38,937 [chuckling] Then I became considered to be, like, monosyllabic. 1303 01:12:39,021 --> 01:12:40,898 And the less I did verbally 1304 01:12:40,981 --> 01:12:42,441 and the more I did physically 1305 01:12:42,524 --> 01:12:44,026 was the way I was known. 1306 01:12:44,651 --> 01:12:48,197 He really is just like this hulking action figure 1307 01:12:48,280 --> 01:12:50,115 who really doesn't speak. 1308 01:12:50,199 --> 01:12:51,867 He's playing the lead in an action movie, 1309 01:12:51,950 --> 01:12:56,038 and this one is set in prison, and another one, it's set on a train. 1310 01:12:56,121 --> 01:13:00,167 To the point where I said, "Okay, action, action, action." 1311 01:13:00,250 --> 01:13:02,044 "What are you doing?" 1312 01:13:02,127 --> 01:13:04,207 [Quentin] His characters stopped being less character 1313 01:13:04,254 --> 01:13:06,006 and more just the leading man. 1314 01:13:06,090 --> 01:13:07,966 And Cop Land brought us back to that. 1315 01:13:08,050 --> 01:13:10,260 [gentle music playing] 1316 01:13:10,344 --> 01:13:12,930 [Sly] I was not deriving any pleasure anymore. 1317 01:13:13,013 --> 01:13:16,934 I felt that the challenges were that of physical challenge, 1318 01:13:17,017 --> 01:13:20,312 and nothing to do with any reliance upon character work, 1319 01:13:20,396 --> 01:13:24,566 where you are totally dependent upon how you act. 1320 01:13:26,276 --> 01:13:28,404 And so I thought, you know, I have to stop this. 1321 01:13:28,487 --> 01:13:31,407 I have to try to go back to what I enjoy more, 1322 01:13:31,490 --> 01:13:34,118 and the premise is interacting with other actors. 1323 01:13:34,201 --> 01:13:36,412 And then when Miramax came with Cop Land, 1324 01:13:36,495 --> 01:13:38,497 they said, "This is going to be difficult, 1325 01:13:38,580 --> 01:13:41,500 because you're going to have to completely divest yourself 1326 01:13:41,583 --> 01:13:44,420 of what you've used for the past ten years." 1327 01:13:44,503 --> 01:13:47,214 Which is, you have to gain 30 pounds. 1328 01:13:47,297 --> 01:13:50,884 You have to be incredibly obsequious, fawning, shy. 1329 01:13:51,552 --> 01:13:54,263 Time for me to turn inside out. 1330 01:13:54,346 --> 01:13:57,641 To literally show what I have inside on the outside. 1331 01:13:57,724 --> 01:14:00,602 [interviewer] So this is your chance to be taken seriously as an actor? 1332 01:14:00,686 --> 01:14:05,190 Well, I would like to be able to know that I had an opportunity 1333 01:14:05,274 --> 01:14:08,152 to work with great actors, and see if I could hold my own. 1334 01:14:08,235 --> 01:14:10,779 - Excuse me. - Moe, I apologize. He just walked in. 1335 01:14:10,863 --> 01:14:12,364 I'm sorry for rushing in like this. 1336 01:14:12,448 --> 01:14:14,616 [Sly] When I do the scene with De Niro, 1337 01:14:14,700 --> 01:14:16,618 been waiting for this scene for 20 years. 1338 01:14:16,702 --> 01:14:20,706 Everyone's going, "Oh, this is gonna be a bloodbath. This is gonna be terrible." 1339 01:14:21,415 --> 01:14:23,750 What is this? You came to me, to my... 1340 01:14:23,834 --> 01:14:25,419 [Sly] And I'm doing my lines, 1341 01:14:25,502 --> 01:14:29,590 and I feel that Bobby is not giving me enough "Bobby." 1342 01:14:29,673 --> 01:14:32,468 I really wanted him to lay into me, the character. 1343 01:14:33,218 --> 01:14:36,972 I really want him to hit me hard as I need to be hit 1344 01:14:37,055 --> 01:14:39,683 for me to feel as though I'm... 1345 01:14:40,809 --> 01:14:42,436 playing the character properly. 1346 01:14:42,519 --> 01:14:45,355 I need to walk out of this room demolished. 1347 01:14:46,648 --> 01:14:51,528 I said, "I'm gonna go off the page. I'm going to try to get under his skin." 1348 01:14:51,612 --> 01:14:54,281 So we're doing the scene, and we get to the final line. 1349 01:14:54,364 --> 01:14:55,908 "I can't help you anymore." 1350 01:14:55,991 --> 01:14:58,076 Now, I know that he's thinking, 1351 01:14:58,160 --> 01:15:01,038 "Okay, that's a wrap." I go, "Wait, whoa, wait a minute." 1352 01:15:01,121 --> 01:15:05,083 "You said if I needed help, you would be here." 1353 01:15:05,167 --> 01:15:06,168 "I could come up here..." 1354 01:15:06,251 --> 01:15:08,504 He goes, "Hey, it's over. Everything's over." 1355 01:15:08,587 --> 01:15:11,215 "No, but it's not over. I did what you wanted me to do." 1356 01:15:11,298 --> 01:15:13,050 "I did exactly what you asked." 1357 01:15:13,133 --> 01:15:15,260 "Now you're saying it doesn't matter anymore?" 1358 01:15:15,344 --> 01:15:17,429 "Just give me a chance. Listen, hear me out." 1359 01:15:17,513 --> 01:15:19,640 He goes, "Shut... You deaf fuck!" 1360 01:15:19,723 --> 01:15:21,266 Listen to me, you deaf fuck. 1361 01:15:21,350 --> 01:15:23,560 I offered you a chance when we could've done something. 1362 01:15:23,644 --> 01:15:26,772 I offered you a chance to be a cop, and you blew it! 1363 01:15:26,855 --> 01:15:29,233 [claps] Fuck yeah! Thank you, Bobby. 1364 01:15:32,528 --> 01:15:34,071 But that bombed. 1365 01:15:34,154 --> 01:15:35,364 That didn't do well. 1366 01:15:36,198 --> 01:15:40,285 [Quentin] He's carrying the movie, but through this physicality as a character. 1367 01:15:40,369 --> 01:15:42,931 Everybody else has the fireworks, everybody else has big speeches. 1368 01:15:42,955 --> 01:15:47,876 It's all down to the minutiae of... the ephemera of his characterization. 1369 01:15:49,294 --> 01:15:53,215 [Wesley] Something about how restrained Stallone is being... 1370 01:15:53,298 --> 01:15:56,301 He is playing something deep in here. 1371 01:15:57,761 --> 01:16:02,015 I wish that James Mangold had more faith in what Stallone was doing, 1372 01:16:02,099 --> 01:16:05,018 because that sadness is there for a reason. 1373 01:16:05,102 --> 01:16:07,646 I think that the movie kind of lets him down. 1374 01:16:07,729 --> 01:16:10,899 {\an8}[John] I don't think he got the credit he deserved for that film. 1375 01:16:10,983 --> 01:16:12,859 {\an8}That was frustrating to him. 1376 01:16:12,943 --> 01:16:15,195 [melancholy music playing] 1377 01:16:15,279 --> 01:16:18,115 [Sly] I started to get disenchanted with myself. 1378 01:16:18,198 --> 01:16:23,620 I go, "Well, maybe that's a natural migration into obsolescence." 1379 01:16:23,704 --> 01:16:25,539 Maybe that's the journey. You know? 1380 01:16:25,622 --> 01:16:29,418 Everyone can't be, you know, at the top of their game forever. 1381 01:16:31,712 --> 01:16:34,172 I realized that at that point, 1382 01:16:34,256 --> 01:16:36,383 it's important to stay in your own lane, 1383 01:16:36,466 --> 01:16:38,218 to become a specialist. 1384 01:16:39,678 --> 01:16:40,887 Like an artist. 1385 01:16:40,971 --> 01:16:43,348 You have that style, you're a Rothko, 1386 01:16:43,432 --> 01:16:46,226 and no one can do Rothko better than Rothko. 1387 01:16:47,644 --> 01:16:51,440 Everyone goes, "Oh, we can do the full spectrum." 1388 01:16:51,523 --> 01:16:53,317 "We can be anything." No, you can't. 1389 01:16:54,067 --> 01:16:57,321 You have certain manifest weaknesses and great strengths. 1390 01:16:57,404 --> 01:16:59,448 And I said, focus on the strengths. 1391 01:16:59,531 --> 01:17:02,534 Don't sit there and try to do Shakespeare when you look like me. 1392 01:17:03,535 --> 01:17:07,623 [Wesley] He has these two characters he can always go back to, 1393 01:17:07,706 --> 01:17:11,084 to get whatever adoration or sense of legitimacy 1394 01:17:11,168 --> 01:17:12,419 that he feels he's lost. 1395 01:17:12,502 --> 01:17:14,921 He can get that back anytime he plays Rocky 1396 01:17:15,005 --> 01:17:16,340 and anytime he plays Rambo. 1397 01:17:16,423 --> 01:17:18,884 Those characters are always going to be there for him. 1398 01:17:18,967 --> 01:17:21,803 And it's a place he can always go back to to reset. 1399 01:17:21,887 --> 01:17:24,640 [Sly] In a film like Rocky VI, 1400 01:17:24,723 --> 01:17:29,853 which, to me, is my proudest accomplishment in my entire career, 1401 01:17:29,936 --> 01:17:33,357 because we're following Rocky V, 1402 01:17:33,440 --> 01:17:34,941 it's 19 years later. 1403 01:17:35,484 --> 01:17:40,489 Rocky has missed an entire generation that's grown up, have no idea who he is. 1404 01:17:40,572 --> 01:17:44,951 That character had meant so much to myself and so many other people, 1405 01:17:45,035 --> 01:17:48,622 and to leave it on that dour note 1406 01:17:48,705 --> 01:17:49,956 just killed me. 1407 01:17:50,040 --> 01:17:54,044 So I spent endless hours writing, rewriting, 1408 01:17:54,127 --> 01:17:56,254 writing, writing, writing Rocky Balboa. 1409 01:17:56,338 --> 01:17:59,633 Producer goes, "Over our dead body. Told you before, it'll never happen." 1410 01:17:59,716 --> 01:18:00,967 Heads of studios. 1411 01:18:01,051 --> 01:18:04,763 They rejected, rejected, rejected. "Rocky's done and you're done." 1412 01:18:04,846 --> 01:18:07,516 I mean, it was brutal. Nobody wanted to make it. 1413 01:18:07,599 --> 01:18:10,602 They laughed. You know? Even my wife said, "Please don't." 1414 01:18:10,686 --> 01:18:13,563 But she didn't quite understand what I was going for. 1415 01:18:13,647 --> 01:18:15,315 I wasn't doing a boxing movie. 1416 01:18:16,400 --> 01:18:21,029 I was doing a movie about how to deal with moving on 1417 01:18:21,113 --> 01:18:24,157 when the things you love the most have left you. 1418 01:18:24,783 --> 01:18:28,245 And I use it symbolically with Adrian being gone, 1419 01:18:28,328 --> 01:18:31,331 that you had that horrible feeling in your stomach 1420 01:18:31,415 --> 01:18:33,875 that your life has been so incomplete, 1421 01:18:33,959 --> 01:18:36,503 and you can't go on without... 1422 01:18:36,586 --> 01:18:39,673 You just never achieved what you thought you should've achieved. 1423 01:18:39,756 --> 01:18:41,133 You never loved her enough. 1424 01:18:41,216 --> 01:18:44,594 You never gave people the respect, you never said thank you. 1425 01:18:44,678 --> 01:18:47,764 You talked about this stuff in the basement, 1426 01:18:49,182 --> 01:18:50,559 which is regret. 1427 01:18:51,393 --> 01:18:55,772 And I go, "Man, I have a lot of that." And this is what the movie's about. 1428 01:18:55,856 --> 01:18:59,651 He's fighting to purge himself of pain, 1429 01:19:00,235 --> 01:19:01,319 of the past. 1430 01:19:01,403 --> 01:19:05,031 He says, quote, "I want to replace old pain with new pain." 1431 01:19:05,115 --> 01:19:07,284 - Meaning, I want to get hit. - [strikes palm] 1432 01:19:07,909 --> 01:19:11,621 And maybe I'll forget about the stuff in the basement. 1433 01:19:12,205 --> 01:19:15,375 [Sly on tape] I was talking to my son what the future was all about. 1434 01:19:16,626 --> 01:19:20,380 And I thought, life is undefeated. You can't beat it. 1435 01:19:21,381 --> 01:19:23,467 You just have to go on the defense. 1436 01:19:26,386 --> 01:19:30,849 That inspired the line, "No one punches harder than life." 1437 01:19:32,350 --> 01:19:36,480 I have a habit of... adding words. 1438 01:19:36,563 --> 01:19:37,647 We're doing the scene, 1439 01:19:37,731 --> 01:19:40,609 I would get three-quarters of the way through, and they'd go, 1440 01:19:40,692 --> 01:19:43,653 "Why did you add that word? It was okay before." 1441 01:19:43,737 --> 01:19:47,616 This is the one take where it was consistent all the way through. 1442 01:19:47,699 --> 01:19:48,992 It's simple. 1443 01:19:49,075 --> 01:19:52,496 The message is as plain as can be. 1444 01:19:53,038 --> 01:19:55,832 And it isn't, like, hysterical. 1445 01:19:55,916 --> 01:19:58,001 But you used to fit right here. 1446 01:19:58,835 --> 01:20:01,129 I'd hold you up and say to your mother, 1447 01:20:01,213 --> 01:20:03,840 "This kid's going to be the best kid in the world." 1448 01:20:03,924 --> 01:20:06,802 "This kid's going to be somebody better than anybody ever knew." 1449 01:20:06,885 --> 01:20:09,429 You see that he's talking from love. 1450 01:20:09,513 --> 01:20:10,889 He loves this kid. 1451 01:20:10,972 --> 01:20:13,433 The world ain't all sunshine and rainbows. 1452 01:20:13,517 --> 01:20:15,602 It's a very mean and nasty place. 1453 01:20:15,685 --> 01:20:17,479 And I don't care how tough you are, 1454 01:20:17,562 --> 01:20:19,147 it will beat you to your knees 1455 01:20:19,231 --> 01:20:21,650 and keep you there permanently if you let it. 1456 01:20:21,733 --> 01:20:23,735 You, me, or nobody 1457 01:20:23,819 --> 01:20:25,862 is going to hit as hard as life. 1458 01:20:25,946 --> 01:20:27,989 But it ain't about how hard you hit. 1459 01:20:28,073 --> 01:20:31,701 It's about how hard you can get hit and keep moving forward. 1460 01:20:31,785 --> 01:20:34,663 How much you can take and keep moving forward. 1461 01:20:38,750 --> 01:20:41,628 [Sly] I've always wanted to take Rocky I 1462 01:20:41,711 --> 01:20:43,839 and this one and put it together 1463 01:20:43,922 --> 01:20:46,049 and show how fast life goes by. 1464 01:20:47,133 --> 01:20:51,888 Life is addition up until age 40, and after that it's subtraction. 1465 01:20:51,972 --> 01:20:53,974 Your children are moving out, 1466 01:20:54,057 --> 01:20:58,228 your friends are moving on, some dying, job is gone. 1467 01:20:58,854 --> 01:20:59,729 Gone. 1468 01:20:59,813 --> 01:21:00,981 It's loss. 1469 01:21:02,482 --> 01:21:04,442 [melancholy music playing] 1470 01:21:09,781 --> 01:21:11,825 [Sly] There's a line in the movie that... 1471 01:21:11,908 --> 01:21:15,245 "I'm so glad he's born because now I can live through your eyes." 1472 01:21:15,328 --> 01:21:18,331 That, I think, is what fathers look to their children for. 1473 01:21:18,415 --> 01:21:21,001 It's an extension of... It's a slice of immortality. 1474 01:21:21,084 --> 01:21:23,336 As long as he's alive, your memory will always be alive. 1475 01:21:23,420 --> 01:21:25,922 That you did something right. I mean, you hope for that. 1476 01:21:36,433 --> 01:21:38,435 [birds singing] 1477 01:21:40,270 --> 01:21:42,188 [interviewer] You have a successful Rocky series 1478 01:21:42,272 --> 01:21:44,190 and you have a successful Rambo series, 1479 01:21:44,274 --> 01:21:47,152 but after all these successes, at some point people say to you, 1480 01:21:47,235 --> 01:21:50,447 "Well, maybe you're too old to play these parts." 1481 01:21:50,530 --> 01:21:53,450 And all of a sudden your agent says, "Maybe we can't help you." 1482 01:21:53,533 --> 01:21:55,619 [Sly] That fourth crossroad. 1483 01:21:55,702 --> 01:21:59,414 Okay, do I listen to them, or how do you feel? 1484 01:21:59,497 --> 01:22:00,999 Do you feel still competitive? 1485 01:22:01,082 --> 01:22:04,836 Is there, as Rocky would say, stuff in the basement? 1486 01:22:04,920 --> 01:22:08,548 And I go, "Yeah, but I just have to do it age-appropriate." 1487 01:22:08,632 --> 01:22:11,051 That's when I came up with The Expendables. 1488 01:22:13,219 --> 01:22:16,598 I went to this rock and roll revival. 1489 01:22:17,766 --> 01:22:20,477 I'm telling my wife, "God, these guys are so great." 1490 01:22:20,560 --> 01:22:24,022 And my wife is looking at me. I said, "It's gonna get better." 1491 01:22:24,105 --> 01:22:25,190 Boom. 1492 01:22:25,273 --> 01:22:30,278 Out comes this guy, Dockers, baggy-ass canvas-type pants 1493 01:22:30,362 --> 01:22:34,115 that he's been sitting on so long, the back looks like a fucking accordion. 1494 01:22:34,199 --> 01:22:37,160 Holy shit, this is genius. 1495 01:22:37,243 --> 01:22:41,623 The place is sold out. Everyone on stage is... done. 1496 01:22:41,706 --> 01:22:44,000 But the fact that thousands of people came 1497 01:22:44,084 --> 01:22:48,380 to see this collection of former greats, 1498 01:22:48,463 --> 01:22:50,966 I said, "There's gotta be something here." 1499 01:22:51,049 --> 01:22:53,510 I said, "Let me start doing that with action guys." 1500 01:22:53,593 --> 01:22:55,136 [dramatic music playing] 1501 01:22:55,220 --> 01:22:58,473 [Sly] And that... made it an event. 1502 01:23:00,058 --> 01:23:02,602 As opposed to, "Stallone in The Expendable, 1503 01:23:02,686 --> 01:23:03,686 is the expendable." 1504 01:23:03,728 --> 01:23:08,525 No, he's part of this once-great group. 1505 01:23:08,608 --> 01:23:13,738 "Shit. Just out of morbid curiosity, I've got to see this." 1506 01:23:14,531 --> 01:23:18,743 [Arnold] What a great concept, to have all these action heroes 1507 01:23:18,827 --> 01:23:21,538 from the '80s, the '90s, 2000s, 1508 01:23:21,621 --> 01:23:23,873 everyone together, thrown into one pot. 1509 01:23:26,501 --> 01:23:29,087 [Wesley] There's something about Stallone at this age, 1510 01:23:29,170 --> 01:23:31,297 accepting his experience, 1511 01:23:31,381 --> 01:23:33,216 that he's survived this long. 1512 01:23:33,299 --> 01:23:37,303 I mean, I don't know if he should... I mean, should he still be alive? I don't know. 1513 01:23:39,097 --> 01:23:41,933 [Arnold] It's not uncommon for an action hero 1514 01:23:42,017 --> 01:23:44,436 to get injured on the set. 1515 01:23:44,519 --> 01:23:48,440 But I think it is clear that Sly drove it to the extreme. 1516 01:23:49,441 --> 01:23:50,817 I thought it was too much. 1517 01:23:52,861 --> 01:23:54,779 [Sly] Having the family there the whole time. 1518 01:23:54,863 --> 01:23:56,990 It was hard on them 1519 01:23:57,073 --> 01:24:00,660 because I was so stressed and beat up 1520 01:24:00,744 --> 01:24:03,747 and bronchitis and thrush and fractured neck. 1521 01:24:03,830 --> 01:24:05,623 It was just on and on and on and on. 1522 01:24:05,707 --> 01:24:07,876 So, they were not enjoying this. 1523 01:24:08,418 --> 01:24:10,538 [woman] He's been working nights. Hasn't slept at all. 1524 01:24:10,587 --> 01:24:12,255 Now he's gotta work all night again. 1525 01:24:12,338 --> 01:24:15,592 He's gotta just get home and be operated on right away. 1526 01:24:16,468 --> 01:24:20,388 Truthfully, I never fully recovered from Expendables 1. 1527 01:24:20,472 --> 01:24:24,726 It did such a number on my body, I've never been the same. 1528 01:24:24,809 --> 01:24:26,061 Never. 1529 01:24:26,144 --> 01:24:28,229 And you go, "Was it really worth it?" 1530 01:24:28,313 --> 01:24:30,857 Are you doing this for people's approval? 1531 01:24:31,858 --> 01:24:36,488 Really? That's almost like a child needing a pat on the head by their father. 1532 01:24:36,571 --> 01:24:38,114 That's constant encouragement. 1533 01:24:38,198 --> 01:24:39,199 But it's true. 1534 01:24:42,702 --> 01:24:44,662 [projector whirring] 1535 01:24:44,746 --> 01:24:48,291 [producer] This film has stayed with you for a long time. Why is that? 1536 01:24:49,375 --> 01:24:52,504 [Sly] This film here reminds me of my father. 1537 01:24:54,089 --> 01:24:57,383 [man in film] You never called me. You never said my name. 1538 01:24:58,968 --> 01:25:00,970 I'd have walked, I'd have crawled. 1539 01:25:01,471 --> 01:25:03,014 I'd have done anything. 1540 01:25:04,766 --> 01:25:08,311 It's not my fault. I won't be blamed! 1541 01:25:11,064 --> 01:25:15,985 This is the most... extraordinary film 1542 01:25:16,069 --> 01:25:17,946 about zeroing in 1543 01:25:18,029 --> 01:25:23,535 on what's really at the core of need, 1544 01:25:23,618 --> 01:25:24,994 human need. 1545 01:25:26,704 --> 01:25:29,415 Love. Requited love. 1546 01:25:30,083 --> 01:25:31,709 You're not mine! 1547 01:25:33,002 --> 01:25:34,587 We're not connected! 1548 01:25:35,171 --> 01:25:36,339 I deny you! 1549 01:25:37,423 --> 01:25:41,219 None of you will get my kingdom. I leave you nothing and I wish you plague! 1550 01:25:41,302 --> 01:25:44,097 May all your children breech and die! 1551 01:25:45,974 --> 01:25:47,892 [Sly] When you've been rejected, 1552 01:25:48,810 --> 01:25:52,522 love is a powerful, powerful agent. 1553 01:25:55,400 --> 01:25:57,402 I wasn't given a shot, really. 1554 01:25:57,485 --> 01:26:00,238 In my childhood, everything was... 1555 01:26:01,489 --> 01:26:02,532 Hm. 1556 01:26:02,615 --> 01:26:04,909 It was not good. 1557 01:26:04,993 --> 01:26:08,413 So in my world, the Stallone film world, 1558 01:26:09,664 --> 01:26:12,709 what wouldn't normally happen can happen. 1559 01:26:13,585 --> 01:26:17,046 That this loser fighter is gonna become a winner. 1560 01:26:20,216 --> 01:26:25,221 I was blessed with an ability to deflect this bitterness 1561 01:26:25,305 --> 01:26:27,432 into what I wish... 1562 01:26:27,515 --> 01:26:29,893 what I wish had happened. 1563 01:26:29,976 --> 01:26:33,354 I wish I had a father like Rocky. 1564 01:26:33,438 --> 01:26:35,982 You can sit there and actually film yourself. Look at this. 1565 01:26:36,065 --> 01:26:37,358 [Sly hums cheerful tune] 1566 01:26:37,442 --> 01:26:39,485 - There you go. - Isn't that amazing? 1567 01:26:39,569 --> 01:26:42,071 I said, "Dad's dying. He's going to die." 1568 01:26:42,155 --> 01:26:44,365 "And you haven't talked to him in a long, long time." 1569 01:26:44,449 --> 01:26:46,075 So, love you. 1570 01:26:46,159 --> 01:26:47,452 [kisses] 1571 01:26:47,535 --> 01:26:48,536 You take care. 1572 01:26:48,620 --> 01:26:50,246 - [kisses] Yes. - And here's Frank. 1573 01:26:50,330 --> 01:26:55,501 I arranged for him to be with my father a few weeks before he died. 1574 01:26:55,585 --> 01:26:56,961 [Frank Sr.] Come here, son. 1575 01:26:57,754 --> 01:27:01,174 [tearfully] Oh! This is the best day of my life. 1576 01:27:01,257 --> 01:27:02,550 [Sly] I love you, Daddy. 1577 01:27:02,634 --> 01:27:03,843 [both crying] 1578 01:27:08,014 --> 01:27:09,599 [Sly] He's on his deathbed. 1579 01:27:09,682 --> 01:27:11,392 He goes, "You know, Sly." 1580 01:27:11,476 --> 01:27:12,852 I go, "Yeah, Dad?" He goes... 1581 01:27:14,187 --> 01:27:17,774 "You should learn to love and forgive people." 1582 01:27:19,359 --> 01:27:20,360 I said, "Really?" 1583 01:27:21,110 --> 01:27:22,528 "That just come to you now 1584 01:27:22,612 --> 01:27:25,365 as the fucking angels are about to whisper in your ear?" 1585 01:27:25,448 --> 01:27:28,326 He goes, "Yeah, you should learn..." He starts laughing. 1586 01:27:28,409 --> 01:27:30,912 I said, "You bastard." What are you... 1587 01:27:30,995 --> 01:27:33,164 Now you're telling me to be kind? 1588 01:27:33,248 --> 01:27:36,376 Like, you just had an epiphany on the way out? 1589 01:27:36,459 --> 01:27:38,211 He goes, "Yeah, I did." 1590 01:27:38,294 --> 01:27:40,463 "Just remember those words, you little bastard." 1591 01:27:40,546 --> 01:27:41,381 I went, "Thank you." 1592 01:27:41,464 --> 01:27:43,800 [melancholy music playing] 1593 01:27:54,102 --> 01:27:58,439 [Sly] My children... Well, I get really emotional about it. 1594 01:28:00,024 --> 01:28:01,651 There's always that regret. 1595 01:28:03,444 --> 01:28:04,612 I... 1596 01:28:06,155 --> 01:28:08,074 could have learned so much more 1597 01:28:09,075 --> 01:28:12,704 if I hadn't been so self-absorbed 1598 01:28:12,787 --> 01:28:16,791 and dealing with other people. 1599 01:28:16,874 --> 01:28:21,838 You think about what you should have done at this age. 1600 01:28:22,797 --> 01:28:25,383 And now they're this age. 1601 01:28:25,466 --> 01:28:26,759 What did I mess up on? 1602 01:28:26,843 --> 01:28:29,929 I'm there making a stupid movie 1603 01:28:30,430 --> 01:28:32,724 instead of making their life. 1604 01:28:34,559 --> 01:28:37,603 They make me happy. They make me really sad. 1605 01:28:39,314 --> 01:28:41,774 They bring me emotion. 1606 01:28:46,863 --> 01:28:48,698 I had to almost lose it 1607 01:28:49,824 --> 01:28:51,242 to respect it. 1608 01:28:54,579 --> 01:28:56,706 So the act of loving my children now, 1609 01:28:56,789 --> 01:29:01,586 actually taking such stock and value of the time... 1610 01:29:01,669 --> 01:29:02,712 Jesus. 1611 01:29:03,880 --> 01:29:07,967 It's so... callous and brutal. 1612 01:29:08,051 --> 01:29:12,263 And it sneaks up on you, and you go, "Okay, time to check out, Sly." 1613 01:29:12,347 --> 01:29:13,765 "Whoa! I was just born!" 1614 01:29:13,848 --> 01:29:15,600 "No. No." 1615 01:29:15,683 --> 01:29:19,771 Now it's a matter of, I wanna be the juggler. 1616 01:29:19,854 --> 01:29:22,106 A really good juggler. You know, just... 1617 01:29:22,774 --> 01:29:25,902 family, life, children, wife, you know? 1618 01:29:25,985 --> 01:29:28,404 Art, just everything. Just... in balance. 1619 01:29:30,198 --> 01:29:31,407 [tape player clicks] 1620 01:29:31,491 --> 01:29:33,743 [Sly on tape] There's an old saying that 1621 01:29:34,410 --> 01:29:38,414 the child becomes the father to the man. 1622 01:29:38,498 --> 01:29:41,042 And the children I create, Rocky and Rambo, 1623 01:29:41,125 --> 01:29:43,294 have now become my father. 1624 01:29:43,961 --> 01:29:46,005 They're taking care of me. 1625 01:29:46,089 --> 01:29:49,842 The beauty of being able to play those two 1626 01:29:50,593 --> 01:29:53,805 is, literally, that's the entire spectrum of life. 1627 01:29:53,888 --> 01:29:55,765 The disenfranchised, 1628 01:29:55,848 --> 01:29:59,227 the one that's just friendless and lonely, 1629 01:29:59,310 --> 01:30:02,271 and the one here that embraces everything, 1630 01:30:03,106 --> 01:30:06,359 loves humanity, and is loved by humanity. 1631 01:30:06,442 --> 01:30:08,528 And I relate so well to both of them. 1632 01:30:10,780 --> 01:30:13,157 [Rambo] I lived in a world of death. 1633 01:30:14,826 --> 01:30:17,161 I tried to come home. 1634 01:30:18,871 --> 01:30:21,290 [Sly] Rambo has been mortally wounded, 1635 01:30:21,916 --> 01:30:26,129 and now he's returned home to sit in his father's rocking chair. 1636 01:30:26,212 --> 01:30:29,215 He sees his life ebbing before him. 1637 01:30:30,800 --> 01:30:34,053 I started regretting the idea 1638 01:30:34,971 --> 01:30:38,349 that this is the way this warrior goes out. 1639 01:30:40,101 --> 01:30:41,477 When they pull away, 1640 01:30:41,561 --> 01:30:43,479 the chair was still. 1641 01:30:44,272 --> 01:30:50,194 I had them start to CGI that the chair was still rocking slightly. 1642 01:30:50,278 --> 01:30:51,863 So, he's still alive. 1643 01:30:51,946 --> 01:30:54,031 But the way I shot it, it wasn't. 1644 01:30:54,115 --> 01:30:58,870 And I so believe that we don't see our heroes 1645 01:30:59,745 --> 01:31:02,790 die before our eyes. 1646 01:31:02,874 --> 01:31:08,463 That there's always some mystical quality about them. 1647 01:31:10,256 --> 01:31:14,469 I realized with Rambo, he'll never have home. 1648 01:31:15,303 --> 01:31:16,804 That's the tragedy of that character. 1649 01:31:16,888 --> 01:31:20,141 [emotional music playing] 1650 01:31:21,767 --> 01:31:23,394 [Sly] Without home, 1651 01:31:23,936 --> 01:31:28,774 without that family, without the love of wife or children, 1652 01:31:31,152 --> 01:31:32,152 what's this? 1653 01:31:33,196 --> 01:31:35,907 These are just pictures, 1654 01:31:36,657 --> 01:31:41,412 film images of something that never existed. 1655 01:31:42,246 --> 01:31:43,915 This is not life. 1656 01:31:45,249 --> 01:31:47,126 This is artwork. 1657 01:31:47,210 --> 01:31:50,254 This is configurations of imagination. 1658 01:31:51,547 --> 01:31:52,882 That's real. 1659 01:31:53,966 --> 01:31:57,970 That lives and breathes and dies and bleeds. 1660 01:31:58,054 --> 01:31:59,847 And you better take care of that. 1661 01:32:01,265 --> 01:32:04,101 [emotional music swells] 1662 01:32:14,195 --> 01:32:15,947 [Sly] But if you have no guidance, 1663 01:32:16,030 --> 01:32:19,534 and you have to go through life devalued every inch of the way, 1664 01:32:19,617 --> 01:32:21,118 that leaves a hole. 1665 01:32:22,453 --> 01:32:24,705 And that hole is never filled. 1666 01:32:29,544 --> 01:32:34,215 What I can do is fill it through imagination. 1667 01:32:36,842 --> 01:32:39,804 I want to somehow show hope. 1668 01:32:40,680 --> 01:32:44,141 I'm in the hope business, 1669 01:32:44,225 --> 01:32:46,769 and I just hate sad endings. Sorry. 1670 01:32:47,979 --> 01:32:49,105 Shoot me. 1671 01:32:56,487 --> 01:32:57,822 [music fades] 1672 01:32:59,865 --> 01:33:04,579 ["Come On Up to the House" by Tom Waits playing] 1673 01:33:10,042 --> 01:33:14,880 ♪ Well, the moon is broken And the sky is cracked ♪ 1674 01:33:16,090 --> 01:33:19,594 ♪ Come on up to the house ♪ 1675 01:33:20,553 --> 01:33:25,725 ♪ The only things that you can see Is all that you lack ♪ 1676 01:33:26,726 --> 01:33:30,271 ♪ Come on up to the house ♪ 1677 01:33:31,939 --> 01:33:36,694 ♪ All your crying don't do no good ♪ 1678 01:33:37,570 --> 01:33:40,781 ♪ Come on up to the house ♪ 1679 01:33:41,991 --> 01:33:47,371 ♪ Come down off the cross We can use the wood ♪ 1680 01:33:47,455 --> 01:33:51,792 ♪ You gotta come on up to the house ♪ 1681 01:33:53,377 --> 01:33:57,465 ♪ Come on up to the house ♪ 1682 01:33:58,591 --> 01:34:02,261 ♪ Come on up to the house ♪ 1683 01:34:03,054 --> 01:34:08,309 ♪ The world is not my home I'm just a-passing through ♪ 1684 01:34:08,392 --> 01:34:13,481 ♪ You got to come on up to the house ♪ 1685 01:34:19,528 --> 01:34:23,783 ♪ Gotta come on up to the house ♪ 1686 01:34:24,742 --> 01:34:29,288 ♪ Gotta come on up to the house ♪ 1687 01:34:29,872 --> 01:34:35,252 ♪ The world is not my home I'm just a-passing through ♪ 1688 01:34:35,336 --> 01:34:40,216 ♪ You gotta come on up to the house ♪ 1689 01:34:40,925 --> 01:34:45,429 ♪ Gotta come on up to the house ♪ 1690 01:34:46,055 --> 01:34:52,687 ♪ You gotta come on up to the house ♪ 1691 01:34:53,562 --> 01:34:59,527 ♪ Yeah, yeah, yeah ♪