1
00:00:02,000 --> 00:00:07,000
Downloaded from
YTS.MX
2
00:00:08,000 --> 00:00:13,000
Official YIFY movies site:
YTS.MX
3
00:00:11,136 --> 00:00:15,056
[Kennedy] There's always been
this unique charisma to Harrison.
4
00:00:15,056 --> 00:00:16,099
No one's like him.
5
00:00:16,099 --> 00:00:17,225
I think you just can't bear
6
00:00:17,225 --> 00:00:19,310
to let a gorgeous guy like me
out of your sight.
7
00:00:19,310 --> 00:00:21,312
There's just something
about a rogue, isn't there?
8
00:00:21,312 --> 00:00:23,106
And he's, like,
the ultimate rogue. [laughs]
9
00:00:23,106 --> 00:00:26,234
"I don't want a real job.
Maybe I could be an actor."
10
00:00:26,234 --> 00:00:27,610
I'm making this up as I go.
11
00:00:28,403 --> 00:00:31,573
He is his own man,
and he knows he's an action hero.
12
00:00:31,573 --> 00:00:34,242
[Spielberg] Let me see how it looks.
Can we follow Harrison?
13
00:00:35,368 --> 00:00:41,041
He's down-to-earth and has
this very, kind of, wonderful, dry wit.
14
00:00:42,584 --> 00:00:43,585
Water?
15
00:00:43,585 --> 00:00:48,048
He is hilarious,
magnetic and sexy and funny.
16
00:00:48,048 --> 00:00:49,507
[laughing] Go away!
17
00:00:49,507 --> 00:00:52,719
He's not too weird-looking,
and he's not too good-looking.
18
00:00:52,719 --> 00:00:54,262
Who's scruffy-lookin'?
19
00:00:54,262 --> 00:00:56,097
[Lucas] He hits that sweet spot.
20
00:00:56,097 --> 00:00:58,600
It's very bouncy, Steve. Very bouncy.
21
00:00:58,600 --> 00:01:00,185
George and Steven came into my life.
22
00:01:00,185 --> 00:01:02,228
- That's Indiana Jones.
- Things got better.
23
00:01:02,228 --> 00:01:03,688
- In the rain.
- It's raining.
24
00:01:03,688 --> 00:01:05,273
It's raining. It's very wet.
25
00:01:05,273 --> 00:01:06,691
[Spielberg] Where's my man, my movie star?
26
00:01:06,691 --> 00:01:07,692
Hi, Mom.
27
00:01:07,692 --> 00:01:09,611
[interviewer]
There any surprises in this film?
28
00:01:09,611 --> 00:01:10,528
Oh.
29
00:01:10,528 --> 00:01:14,115
I became very aware
of this movie star-in-waiting.
30
00:01:14,115 --> 00:01:16,284
- I'm in good hands.
- [chuckles]
31
00:01:17,952 --> 00:01:21,873
We had this great power.
We had great stories to tell.
32
00:01:21,873 --> 00:01:24,250
[Kennedy]
I don't think there's been any actor
33
00:01:24,250 --> 00:01:28,755
that's taken on
two incredibly iconic roles like this
34
00:01:28,755 --> 00:01:30,173
that have stood the test of time.
35
00:01:30,173 --> 00:01:34,552
The hat, jacket and the whip.
You're Indiana Jones.
36
00:01:34,552 --> 00:01:38,348
In my own mind, I cannot separate
Harrison from Indiana Jones.
37
00:01:39,265 --> 00:01:43,770
Not a lot of us know him as Harrison,
the private person, you know?
38
00:01:43,770 --> 00:01:47,816
There's still a mystery about him,
and this is his story.
39
00:02:00,161 --> 00:02:02,372
[Lucas] This whole project
started about ten years ago
40
00:02:02,372 --> 00:02:06,459
when I had an idea to do a movie,
an action-adventure kind of serial.
41
00:02:09,629 --> 00:02:11,464
{\an8}It was actually about the same time
42
00:02:11,464 --> 00:02:14,175
{\an8}that I came up
with the idea for Star Wars...
43
00:02:16,344 --> 00:02:20,890
but, uh, got more interested in Star Wars,
so I put this one on the shelf.
44
00:02:20,890 --> 00:02:22,559
Figured I'd get to it someday.
45
00:02:25,061 --> 00:02:26,855
[Spielberg] George and I,
we were in Hawaii
46
00:02:26,855 --> 00:02:28,940
getting ready to celebrate
the opening of Star Wars.
47
00:02:31,401 --> 00:02:32,986
{\an8}We built our lucky sandcastle
on the beach.
48
00:02:32,986 --> 00:02:35,321
{\an8}The tide did not take it, a good sign.
49
00:02:35,321 --> 00:02:41,995
Then after the grosses started coming in,
George was just ebullient.
50
00:02:41,995 --> 00:02:45,623
The sense of relief that washed over him
that day when he found out he had a hit.
51
00:02:45,623 --> 00:02:48,710
He turned to me, and he said,
"So what are you gonna do next?"
52
00:02:48,710 --> 00:02:51,504
And I said, "Well, I've been trying
to get the Broccolis to hire me
53
00:02:51,504 --> 00:02:52,797
to direct a James Bond picture.
54
00:02:52,797 --> 00:02:54,132
They keep turning me down."
55
00:02:54,132 --> 00:02:55,884
And George says, "I got something better."
56
00:02:58,303 --> 00:03:01,765
[Kennedy] I had actually started
working as a receptionist
57
00:03:01,765 --> 00:03:04,517
{\an8}for John Milius and for Steven.
58
00:03:04,517 --> 00:03:08,104
{\an8}So that was quite
the introduction to Hollywood,
59
00:03:08,104 --> 00:03:12,901
{\an8}because there was a steady stream
of who's who coming through the door.
60
00:03:13,860 --> 00:03:15,987
[Marshall]
I had met Steven about five years before
61
00:03:15,987 --> 00:03:19,991
{\an8}on the set of Daisy Miller in Rome,
and he had noticed how I worked.
62
00:03:19,991 --> 00:03:22,744
So when George asked him,
"Who do you want to produce Raiders?"
63
00:03:22,744 --> 00:03:25,955
He said, "Let's see
if we can find that guy, Frank Marshall."
64
00:03:27,123 --> 00:03:29,459
[Kasdan]
I had been writing without success.
65
00:03:29,459 --> 00:03:32,962
And then I had written Continental Divide.
66
00:03:32,962 --> 00:03:36,716
{\an8}It sold in about two weeks,
and there was a bidding war for it.
67
00:03:36,716 --> 00:03:39,052
- Steven won the bidding.
- [chuckles]
68
00:03:39,052 --> 00:03:43,765
And Steven says, "You know,
I'm gonna do a movie with George Lucas.
69
00:03:44,349 --> 00:03:47,560
We both think you could be
the person to write this movie.
70
00:03:49,437 --> 00:03:50,939
[chuckles]
71
00:03:52,357 --> 00:03:55,026
They had only the basic ideas.
72
00:03:55,026 --> 00:03:59,114
{\an8}The one big idea was that when George
started talking to Phil Kaufman,
73
00:03:59,114 --> 00:04:01,533
{\an8}he said,
"Oh, I know what the MacGuffin should be."
74
00:04:01,533 --> 00:04:05,203
{\an8}His orthodontist had told him
when he was 11 years old
75
00:04:05,203 --> 00:04:07,664
about the lost Ark of the Covenant.
76
00:04:07,664 --> 00:04:11,626
[Brody] An army which carries
the Ark before it is invincible.
77
00:04:12,293 --> 00:04:13,837
[Lucas] I said,
"That's fantastic. It's perfect.
78
00:04:13,837 --> 00:04:15,213
It's just what we're looking for."
79
00:04:15,213 --> 00:04:19,050
And, uh, "Fit that into it.
Flush the story out a little bit more."
80
00:04:19,050 --> 00:04:21,970
[Kasdan] George said,
"The hero's named for my dog, Indiana."
81
00:04:21,970 --> 00:04:22,929
[dog barks]
82
00:04:22,929 --> 00:04:26,975
"He wears a Fedora,
and his weapon is a whip.
83
00:04:26,975 --> 00:04:28,393
{\an8}It's gonna be like the serials
84
00:04:28,393 --> 00:04:31,229
{\an8}where there's a cliffhanger
all the time, you know?"
85
00:04:31,229 --> 00:04:33,940
{\an8}So, that's about the whole conversation.
86
00:04:34,899 --> 00:04:37,027
{\an8}George and Larry Kasdan and myself,
87
00:04:37,027 --> 00:04:40,989
we pounded out all the beats
to the story in three or four days,
88
00:04:40,989 --> 00:04:43,908
and then Larry just went off
and wrote a brilliant script on his own.
89
00:04:45,410 --> 00:04:48,538
Steven said,
"Why don't you write it at my office?"
90
00:04:48,538 --> 00:04:51,875
'Cause I had no office.
He said, "You can write it at my desk."
91
00:04:51,875 --> 00:04:53,793
That's when I met Kathy Kennedy too.
92
00:04:54,753 --> 00:04:57,881
[Kennedy] I had been asked by Steven
to come work as his assistant.
93
00:04:57,881 --> 00:05:01,301
So I was sitting in the office,
hadn't been in the business very long,
94
00:05:01,301 --> 00:05:03,595
and he put a script in front of me,
and he said,
95
00:05:03,595 --> 00:05:06,181
{\an8}"I'd really like you to read this
and tell me what you think."
96
00:05:06,181 --> 00:05:08,558
{\an8}It was one of the first scripts
I'd ever read.
97
00:05:08,558 --> 00:05:11,436
{\an8}It was just this incredible page-turner.
98
00:05:11,436 --> 00:05:13,396
But how are we gonna do this?
99
00:05:16,858 --> 00:05:19,903
{\an8}[Kasdan] There had been movies
like this 50 years earlier,
100
00:05:19,903 --> 00:05:23,656
{\an8}but there had never been
anything like this in recent memory.
101
00:05:23,656 --> 00:05:28,453
And George and Steven had such
a clear image of what that would be.
102
00:05:28,453 --> 00:05:31,831
And you needed someone
you couldn't take your eyes off.
103
00:05:33,166 --> 00:05:35,877
[Marshall] George really believed
in doing concept art
104
00:05:35,877 --> 00:05:38,171
for the look of the movie
and the character.
105
00:05:38,171 --> 00:05:40,590
And so there were four or five paintings
106
00:05:40,590 --> 00:05:43,385
that were done
by this wonderful artist named Steranko.
107
00:05:43,385 --> 00:05:47,055
[Kennedy] We always talk about it
as the silhouette of Indiana Jones.
108
00:05:47,055 --> 00:05:50,642
Steven and George knew
that they needed a character
109
00:05:50,642 --> 00:05:54,854
that would really have
that instant identification.
110
00:05:54,854 --> 00:05:58,608
[Spielberg]
We didn't have the intention to redefine
111
00:05:58,608 --> 00:06:01,444
what a hero is to global movie audiences.
112
00:06:01,444 --> 00:06:04,989
We didn't have any delusions of grandeur
about where this could go.
113
00:06:04,989 --> 00:06:07,909
I felt, personally,
this was a very risky project,
114
00:06:07,909 --> 00:06:09,744
{\an8}'cause nothing like this
had ever been done
115
00:06:09,744 --> 00:06:11,913
{\an8}since the old days
of the Republic serials.
116
00:06:18,128 --> 00:06:22,257
I was thinking about
how to insure all of us against failure
117
00:06:22,257 --> 00:06:25,176
by finding a very charismatic
Indiana Jones.
118
00:06:35,895 --> 00:06:38,481
[Ford] I was a philosophy
and English major in college,
119
00:06:38,481 --> 00:06:40,066
and I was not a good student.
120
00:06:42,110 --> 00:06:44,946
I was a depressed student,
and I didn't fit in.
121
00:06:45,947 --> 00:06:49,826
And it was a small mid-Western
liberal arts college in Wisconsin.
122
00:06:49,826 --> 00:06:50,994
Very small school.
123
00:06:52,495 --> 00:06:54,914
I was the first one in our family
to go to college.
124
00:06:54,914 --> 00:06:56,791
My father and mother worked hard
125
00:06:56,791 --> 00:06:59,544
{\an8}to make the money, uh,
to send me to college.
126
00:07:00,295 --> 00:07:02,630
{\an8}And I didn't perform.
127
00:07:03,965 --> 00:07:06,593
I found no peers there, really.
128
00:07:07,177 --> 00:07:09,179
I felt, uh, isolated.
129
00:07:10,263 --> 00:07:13,600
And then my grade point average
got to the dangerous, uh, juncture
130
00:07:13,600 --> 00:07:17,520
where I went through the course catalog
to try and find something,
131
00:07:17,520 --> 00:07:20,607
like basket weaving,
that I couldn't fail at.
132
00:07:20,607 --> 00:07:22,734
I went through B's,
and there was no basket weaving,
133
00:07:22,734 --> 00:07:25,403
and I came to C, D. Drama.
134
00:07:25,403 --> 00:07:27,572
When I read the first line,
135
00:07:27,572 --> 00:07:31,326
"Read plays and discuss them
with your classmates."
136
00:07:32,660 --> 00:07:34,329
I didn't read the rest.
137
00:07:34,329 --> 00:07:37,832
The rest said,
"And you have to be in plays."
138
00:07:40,585 --> 00:07:44,214
Suddenly, I found myself on stage
with my knees knocking,
139
00:07:44,214 --> 00:07:46,049
and I was terrified.
140
00:07:46,049 --> 00:07:48,635
That was something
I had to learn to control.
141
00:07:49,386 --> 00:07:52,389
I learned how to do that,
how to not be terrified.
142
00:07:53,431 --> 00:07:57,435
And I did find that the people
that I was telling stories with
143
00:07:58,019 --> 00:07:59,437
were the people I was missing.
144
00:08:00,605 --> 00:08:06,152
I didn't see them until we were
telling stories together, and I fit in.
145
00:08:06,152 --> 00:08:07,987
I felt good there.
146
00:08:07,987 --> 00:08:10,615
And I was, for the first time,
147
00:08:10,615 --> 00:08:13,827
emotionally involved
in something I was doing.
148
00:08:15,120 --> 00:08:18,289
So, I said,
"Well, maybe I could be an actor."
149
00:08:18,289 --> 00:08:22,627
My father who had been
a radio actor himself early on.
150
00:08:23,294 --> 00:08:26,506
My grandfather, his father,
was a vaudevillian.
151
00:08:26,506 --> 00:08:29,884
So there's a bit of a tradition
in the family of this.
152
00:08:31,261 --> 00:08:35,223
Nobody thought I had a chance in hell
of making a living at it.
153
00:08:38,393 --> 00:08:41,563
All I knew about acting was you go
to the East Coast or the West Coast.
154
00:08:41,563 --> 00:08:45,233
So I flipped a coin. Came up West Coast.
155
00:08:45,233 --> 00:08:48,236
{\an8}So went to the West Coast
and after a period of years,
156
00:08:48,236 --> 00:08:51,406
{\an8}I began to get an edge up in Hollywood.
157
00:08:51,406 --> 00:08:53,450
{\an8}I see the whole thing.
158
00:08:53,450 --> 00:08:55,243
{\an8}She's marrying me to rebel against you.
159
00:08:55,243 --> 00:08:56,411
{\an8}- Who?
- Me?
160
00:08:56,411 --> 00:08:59,247
{\an8}No, you. And what she really wants is him.
161
00:08:59,247 --> 00:09:00,957
- Me?
- Yes, you!
162
00:09:00,957 --> 00:09:02,208
[Ford] I was under contract,
163
00:09:02,208 --> 00:09:05,295
so they plugged me into tiny little parts
in television shows.
164
00:09:05,295 --> 00:09:07,088
{\an8}[Letterman] Is there good money
in being a contract player?
165
00:09:07,088 --> 00:09:08,256
{\an8}What do you gotta do to--
166
00:09:08,256 --> 00:09:10,508
{\an8}Oh, yeah. Not just money, but the respect.
167
00:09:10,508 --> 00:09:14,971
- [laughs]
- [Ford] 150 dollars a week, yeah.
168
00:09:14,971 --> 00:09:18,433
Anything then that they're doing,
you have to show up and be in, right?
169
00:09:18,433 --> 00:09:20,018
- That was the idea.
- [Letterman] Yeah.
170
00:09:20,018 --> 00:09:22,437
Any memorable appearances come into mind?
171
00:09:22,437 --> 00:09:24,230
- No.
- [audience laughs]
172
00:09:24,230 --> 00:09:28,610
When I got out of that contract,
I went under contract to, uh, Universal,
173
00:09:28,610 --> 00:09:32,030
and I did another
year and half at Universal.
174
00:09:32,030 --> 00:09:34,783
And then I started
doing episodic television.
175
00:09:34,783 --> 00:09:37,202
{\an8}The time has come to cut our losses.
176
00:09:37,202 --> 00:09:38,411
{\an8}What does that mean?
177
00:09:38,995 --> 00:09:42,582
The Board of Directors is considering
a different approach to the problem.
178
00:09:42,582 --> 00:09:45,710
[Ford] But I also was remodeling a house
that we were able to buy
179
00:09:45,710 --> 00:09:48,838
with my then-wife's legacy
from her parents.
180
00:09:48,838 --> 00:09:51,716
Then I started to remodel it,
and I ran out of money
181
00:09:51,716 --> 00:09:53,635
'cause I bought tools and materials.
182
00:09:53,635 --> 00:09:58,431
{\an8}And a friend of mine suggested
that I take a job with Sérgio Mendes
183
00:09:58,431 --> 00:10:02,102
{\an8}to build a rehearsal room for him
on his Encino estate.
184
00:10:02,102 --> 00:10:05,897
{\an8}And he forgot to ask me
if I had ever done it before.
185
00:10:06,815 --> 00:10:08,400
And I forgot to tell him, frankly.
186
00:10:09,150 --> 00:10:12,987
{\an8}But it turned out to be
a 10-track professional recording studio
187
00:10:12,987 --> 00:10:14,322
{\an8}that I built in his backyard.
188
00:10:14,322 --> 00:10:17,200
{\an8}And I was never out of work again
as a carpenter.
189
00:10:17,200 --> 00:10:22,664
{\an8}Would you charge more to a celebrity
than you would to a regular civilian?
190
00:10:22,664 --> 00:10:24,541
{\an8}- Wouldn't you?
- [Kimmel] Yes. [laughs]
191
00:10:25,458 --> 00:10:27,460
- [laughs]
- [audience laughs]
192
00:10:27,460 --> 00:10:31,256
It allowed me to not have to take
every acting job that came along.
193
00:10:31,256 --> 00:10:35,260
{\an8}I wouldn't take another job unless
the next job was better than that one,
194
00:10:35,260 --> 00:10:38,680
{\an8}that is bigger part, better billing,
195
00:10:38,680 --> 00:10:41,141
more money. [chuckles]
196
00:10:46,271 --> 00:10:49,482
{\an8}Now, look.
Don't get involved in this, Mr. Caul.
197
00:10:50,525 --> 00:10:52,027
Those tapes are dangerous.
198
00:10:52,694 --> 00:10:56,448
[Ford] So, for about 15 years,
I only worked five or six times.
199
00:10:56,448 --> 00:10:57,615
But when I worked,
200
00:10:57,615 --> 00:11:00,744
I worked in something
that I really wanted to do.
201
00:11:00,744 --> 00:11:03,788
And the first of those
was American Graffiti.
202
00:11:03,788 --> 00:11:05,874
{\an8}[classic rock playing]
203
00:11:06,916 --> 00:11:10,128
{\an8}Hey, you see this Milner,
you tell him I'm lookin' for him, huh?
204
00:11:10,128 --> 00:11:13,465
{\an8}Tell him I aim to blow his ass
right off the road.
205
00:11:13,465 --> 00:11:15,258
[Lucas]
When I was casting for American Graffiti,
206
00:11:15,258 --> 00:11:17,218
the casting director
was a good friend of Harrison's.
207
00:11:17,218 --> 00:11:19,804
{\an8}He wanted him maybe to play
John or something,
208
00:11:19,804 --> 00:11:22,807
{\an8}but he was in his 30s
and everybody else was in their 20s.
209
00:11:22,807 --> 00:11:24,100
He wasn't right for that part.
210
00:11:24,100 --> 00:11:25,268
So when we went on,
211
00:11:25,268 --> 00:11:28,605
and we started casting Bob Falfa,
the villain of the piece,
212
00:11:28,605 --> 00:11:30,273
I immediately thought of Harrison.
213
00:11:30,273 --> 00:11:32,484
Hey, you're supposed to be
the fastest thing in the valley, man.
214
00:11:32,484 --> 00:11:33,610
But that can't be your car.
215
00:11:33,610 --> 00:11:35,028
It must be your mama's car.
216
00:11:35,028 --> 00:11:37,781
We were shooting almost all nights.
217
00:11:37,781 --> 00:11:41,576
George was holed up in a corner
in a warm jacket and sometimes...
218
00:11:41,576 --> 00:11:44,662
He kept falling asleep. [chuckles]
219
00:11:44,662 --> 00:11:46,748
It was a very low-budget film.
220
00:11:47,332 --> 00:11:48,333
Fun to do.
221
00:11:48,333 --> 00:11:52,462
I was surprised that I was in something
that was popular.
222
00:11:54,381 --> 00:11:58,051
{\an8}Well, I'm not gonna take you
on an impossible chase across the galaxy.
223
00:11:58,051 --> 00:12:00,136
{\an8}I was paid to bring you here,
and now you're here.
224
00:12:00,136 --> 00:12:02,472
{\an8}Give me my other 5000,
and I'll be on my way.
225
00:12:02,472 --> 00:12:06,476
{\an8}You're on your own. I'm on my own.
I'll let you off on the nearest system.
226
00:12:06,476 --> 00:12:09,813
{\an8}[Lucas] When I was actually, uh,
doing the casting on Star Wars,
227
00:12:09,813 --> 00:12:11,690
we went through quite a few actors.
228
00:12:11,690 --> 00:12:13,566
We went through a lot of possibilities.
229
00:12:13,566 --> 00:12:15,819
{\an8}- [applause]
- Tell me, what was it about Harrison
230
00:12:15,819 --> 00:12:18,279
{\an8}that initially drew you to him
as an actor?
231
00:12:18,279 --> 00:12:21,950
{\an8}- [Ford groans]
- [all laugh]
232
00:12:21,950 --> 00:12:24,077
Later, I found out
it was the casting director that said,
233
00:12:24,077 --> 00:12:26,913
"Here. Sit out right out
in front of the office,
234
00:12:26,913 --> 00:12:29,082
and pretend like
you're building something."
235
00:12:29,082 --> 00:12:31,251
- Oh, rubbish.
- [chuckles]
236
00:12:31,251 --> 00:12:33,920
{\an8}[Lucas] We had tests with him
and Carrie and Mark,
237
00:12:33,920 --> 00:12:38,091
{\an8}and we went through the whole thing,
and that was where the best chemistry was.
238
00:12:38,091 --> 00:12:39,592
You know, he fit the part.
239
00:12:39,592 --> 00:12:42,887
[Star Wars theme playing]
240
00:12:47,767 --> 00:12:49,811
[Ford] I thought the film
was gonna be successful actually.
241
00:12:49,811 --> 00:12:53,398
And I didn't think that anybody
over the age of 15
242
00:12:53,398 --> 00:12:55,984
was gonna be interested in it necessarily.
243
00:12:55,984 --> 00:12:58,737
But I thought it would be successful
as a kind of fairy tale.
244
00:12:58,737 --> 00:12:59,696
{\an8}Yahoo!
245
00:13:02,323 --> 00:13:03,408
{\an8}- [grunts]
- [speaks Shyriiwook]
246
00:13:03,408 --> 00:13:06,411
{\an8}[Kasdan] Everything about Star Wars
was a surprise to the world, really.
247
00:13:06,411 --> 00:13:09,456
I mean, no one was prepared
for what it was.
248
00:13:09,456 --> 00:13:13,960
And that cast
was just part of that surprise, I think.
249
00:13:13,960 --> 00:13:17,005
There was a callow youth, Mark.
250
00:13:17,005 --> 00:13:19,299
There's a beautiful princess, Carrie.
251
00:13:19,299 --> 00:13:21,634
There's a wise old warrior, Alec Guinness.
252
00:13:21,634 --> 00:13:23,762
And there was a smart-ass, which is...
253
00:13:24,804 --> 00:13:26,389
sort of a specialty.
254
00:13:26,389 --> 00:13:27,849
Everything's perfectly all right now.
255
00:13:27,849 --> 00:13:31,061
We're fine. We're all fine here now.
Thank you.
256
00:13:31,061 --> 00:13:32,228
How are you?
257
00:13:32,228 --> 00:13:34,856
Han, he sort of drew
everybody's attention,
258
00:13:34,856 --> 00:13:37,359
because he was the grown-up in the scene.
259
00:13:37,942 --> 00:13:40,320
Even though he was hot-tempered,
260
00:13:40,320 --> 00:13:44,032
and he had this running, kind of,
battle with, uh, Chewbacca.
261
00:13:44,032 --> 00:13:46,451
They were, kind of, you know,
the odd couple.
262
00:13:46,451 --> 00:13:49,537
- [speaks Shyriiwook]
- Get in there you big, furry oaf!
263
00:13:49,537 --> 00:13:51,164
I don't care what you smell!
264
00:13:51,164 --> 00:13:53,333
- [speaks Shyriiwook]
- Get in there and don't worry about it.
265
00:13:54,167 --> 00:13:56,836
[Mitchell] He was kind of
a throwback to an era of guys
266
00:13:56,836 --> 00:13:59,839
who completely owned
how masculine they were,
267
00:13:59,839 --> 00:14:01,758
and were not apologetic about it.
268
00:14:01,758 --> 00:14:04,761
And, in fact, his voice seemed
ten years older than he did.
269
00:14:04,761 --> 00:14:07,514
{\an8}For a long time,
that speaking voice had this weight
270
00:14:07,514 --> 00:14:12,102
{\an8}that made you think, "Who is this kid
who sounds like a 50-year-old guy?"
271
00:14:12,102 --> 00:14:14,771
Look, your worshipfulness,
let's get one thing straight.
272
00:14:14,771 --> 00:14:17,440
I take orders from just one person. Me!
273
00:14:17,440 --> 00:14:21,820
[Kennedy] That funny,
self-effacing, scoundrel, jokester,
274
00:14:21,820 --> 00:14:25,115
I think that permeates
who he is all the time.
275
00:14:26,408 --> 00:14:28,451
My theory of interstellar space travel:
276
00:14:28,451 --> 00:14:30,787
Make sure you get enough per diem,
277
00:14:30,787 --> 00:14:33,373
'cause you're gonna be out there
for a real long time.
278
00:14:33,373 --> 00:14:36,668
You just know, whether you're gonna go
sit down and have coffee with him,
279
00:14:36,668 --> 00:14:40,380
or have dinner, or watch him perform,
you're gonna be entertained.
280
00:14:40,380 --> 00:14:41,297
That's enough?
281
00:14:41,297 --> 00:14:42,966
[interviewer]
No point in pursuing that further.
282
00:14:44,175 --> 00:14:46,386
{\an8}[Letterman] And as far as
Raiders of the Lost Ark, um...
283
00:14:46,386 --> 00:14:47,470
{\an8}[one clap]
284
00:14:47,470 --> 00:14:50,640
{\an8}- This was-- You were not his...
- [audience laughs]
285
00:14:51,641 --> 00:14:53,643
You were, uh, now this--
286
00:14:53,643 --> 00:14:56,604
Does this make you feel odd that you were
not his first choice for that film either?
287
00:14:56,604 --> 00:14:57,689
- No.
- [Letterman] Yeah.
288
00:14:57,689 --> 00:15:01,026
No, it wouldn't have occurred to me that--
I didn't even know about the project.
289
00:15:01,026 --> 00:15:02,277
I didn't know Spielberg.
290
00:15:02,986 --> 00:15:06,239
And it didn't occur to me
that I would have a chance of doing it.
291
00:15:08,783 --> 00:15:13,121
We spent so much time trying to figure out
how we were gonna cast Indiana Jones.
292
00:15:13,121 --> 00:15:15,081
[Spielberg] I didn't know
who could play this guy.
293
00:15:15,081 --> 00:15:16,583
I really thought,
294
00:15:16,583 --> 00:15:18,793
"Well, the guy that should have
played Indiana Jones
295
00:15:18,793 --> 00:15:21,463
{\an8}is Humphrey Bogart 50 years ago."
296
00:15:22,130 --> 00:15:24,132
{\an8}But we don't have him around anymore.
297
00:15:25,050 --> 00:15:28,303
{\an8}So we started looking around
at young guys under 30
298
00:15:28,303 --> 00:15:29,763
{\an8}that could possibly play him.
299
00:15:29,763 --> 00:15:33,433
{\an8}And we did a number of tests.
Actors coming in and reading
300
00:15:33,433 --> 00:15:35,810
{\an8}on video for the part of Indiana Jones.
301
00:15:35,810 --> 00:15:37,562
And then Tom Selleck came in.
302
00:15:38,396 --> 00:15:39,397
{\an8}Hello, Marion.
303
00:15:42,776 --> 00:15:44,110
[screams]
304
00:15:44,110 --> 00:15:48,156
And we went very far down the road
to cast Tom Selleck as Indy.
305
00:15:48,156 --> 00:15:50,408
In fact, we made him an offer.
306
00:15:50,408 --> 00:15:52,494
But maybe it could do us both some good.
307
00:15:52,494 --> 00:15:54,996
- [scoffs] Why start now?
- Just shut up!
308
00:15:54,996 --> 00:15:58,625
Shut up and listen to me.
Now I need that piece your father had.
309
00:15:58,625 --> 00:16:02,962
[Marshall] But he had a contract
with CBS for Magnum,
310
00:16:02,962 --> 00:16:04,547
and he couldn't get out of it.
311
00:16:04,547 --> 00:16:06,424
Suddenly, we didn't have an actor.
312
00:16:06,424 --> 00:16:09,135
[Ford] I knew that
Tom Selleck had the job,
313
00:16:09,135 --> 00:16:12,138
but had to turn it down
because he had a prior commitment.
314
00:16:12,138 --> 00:16:15,475
So, uh, thank you again, Tom.
315
00:16:16,101 --> 00:16:19,437
{\an8}Tom Selleck had fallen out
by the time they cast me.
316
00:16:19,437 --> 00:16:21,981
And I auditioned with Tim Matheson.
317
00:16:21,981 --> 00:16:24,359
{\an8}I've learned to hate you
in these last ten years,
318
00:16:24,359 --> 00:16:27,195
{\an8}but no matter how much I hated you,
I always knew someday
319
00:16:27,195 --> 00:16:28,780
{\an8}you'd come through this door.
320
00:16:28,780 --> 00:16:30,448
[Allen] I fell in love with Marion.
321
00:16:30,448 --> 00:16:34,119
She is everybody's kind of fantasy.
[laughs]
322
00:16:34,119 --> 00:16:38,957
I think of, you know, who--
who a woman should be. [laughs]
323
00:16:38,957 --> 00:16:41,751
Nobody tells me what to do in my place.
324
00:16:42,752 --> 00:16:44,838
[Rhys-Davies]
I remember my agent at the time saying,
325
00:16:44,838 --> 00:16:46,089
"Well, what do you think of it?"
326
00:16:46,089 --> 00:16:48,591
{\an8}I said,
"I've never read a script like this.
327
00:16:48,591 --> 00:16:50,677
It's just pages and pages of description."
328
00:16:50,677 --> 00:16:52,137
He said, "Well, do you want to do it?"
329
00:16:52,137 --> 00:16:54,014
And I said, "Of course I want to do it."
330
00:16:54,014 --> 00:16:57,726
This is either going to be
the biggest disaster of all time,
331
00:16:57,726 --> 00:17:00,562
or it might just set a new fashion
in filmmaking.
332
00:17:02,355 --> 00:17:06,276
[Allen] So, I think I had been cast
for maybe a month or something
333
00:17:06,276 --> 00:17:08,278
when suddenly they told me
334
00:17:08,278 --> 00:17:12,240
that they had decided
who would take on the role.
335
00:17:12,240 --> 00:17:14,284
[whirring]
336
00:17:16,870 --> 00:17:20,457
And then George had a screening
of Empire Strikes Back.
337
00:17:20,457 --> 00:17:23,585
{\an8}George showed me a cut
of The Empire Strikes Back.
338
00:17:23,585 --> 00:17:29,049
{\an8}I looked over at George and I said,
"There's our Indiana Jones. That guy."
339
00:17:29,049 --> 00:17:32,052
And George said, "Chewbacca?"
340
00:17:32,052 --> 00:17:33,887
- And...
- [audience laughs]
341
00:17:34,721 --> 00:17:37,390
That's the guy. That's Indiana Jones.
342
00:17:37,390 --> 00:17:39,225
And George's first reaction was,
343
00:17:39,225 --> 00:17:43,563
"Well, you can't cast Han Solo
as Indiana Jones, 'cause he's Han Solo."
344
00:17:44,314 --> 00:17:47,734
And I said, "Yeah, but actors play
all these different parts all the time.
345
00:17:47,734 --> 00:17:50,487
Harrison can play Han Solo,
and he can play Indiana Jones."
346
00:17:50,487 --> 00:17:53,281
And George, I think,
immediately saw the value in that.
347
00:17:53,281 --> 00:17:54,699
[Ford] I got a call from George saying,
348
00:17:54,699 --> 00:17:56,951
"I want you to read the script
this afternoon please.
349
00:17:56,951 --> 00:17:58,995
I'm sending it to your house."
350
00:17:58,995 --> 00:18:02,582
And I read the script. I said, "Ooh. Wow."
351
00:18:03,083 --> 00:18:06,419
He said, "Okay. Go over and talk
to Steven. He's waiting for you."
352
00:18:06,419 --> 00:18:08,213
And I went over and then about,
353
00:18:08,213 --> 00:18:10,215
I don't know, an hour later,
I had the part.
354
00:18:10,215 --> 00:18:13,343
["The Raiders March" playing]
355
00:18:13,343 --> 00:18:15,845
I was excited to have the opportunity
to work with him.
356
00:18:15,845 --> 00:18:17,764
He was full of enthusiasm.
357
00:18:17,764 --> 00:18:22,769
He loves to make movies.
And he's damn good at it. [laughs]
358
00:18:22,769 --> 00:18:24,771
It feels great to work with Harrison.
359
00:18:24,771 --> 00:18:26,523
When I do a close-up on Harrison,
360
00:18:26,523 --> 00:18:28,692
I suddenly feel like
a first unit director.
361
00:18:28,692 --> 00:18:32,946
Gee, I've made it. I'm out of the mire,
you know, and into the glory.
362
00:18:32,946 --> 00:18:35,073
[Ford] I remember
that we got on the plane together,
363
00:18:35,073 --> 00:18:36,700
and when we were
sitting next to each other
364
00:18:36,700 --> 00:18:39,869
we went through the script,
literally for the first time.
365
00:18:39,869 --> 00:18:42,622
Both of us read a scene, talk about it.
366
00:18:42,622 --> 00:18:47,043
It's just, like, a dream collaboration
that I'd never enjoy more.
367
00:18:47,585 --> 00:18:48,920
- Suggestion?
- Yeah.
368
00:18:48,920 --> 00:18:51,423
I thought you were slithering. Are--
369
00:18:53,425 --> 00:18:55,135
- [Spielberg] No, so that's--
- [Ford] Or--
370
00:18:55,135 --> 00:18:58,138
Or you were slithering, or...
371
00:18:59,931 --> 00:19:01,683
- I think it makes sense. You should go--
- All right.
372
00:19:01,683 --> 00:19:03,268
I don't think
it's a problem of all places.
373
00:19:03,268 --> 00:19:06,354
[Ford] I was always eager
for an opportunity
374
00:19:06,354 --> 00:19:09,357
to collaborate, rather than simply,
375
00:19:09,357 --> 00:19:12,861
"You stand there. You say that.
That. Okay?"
376
00:19:12,861 --> 00:19:16,114
Such as when I was sick
from eating local food,
377
00:19:16,114 --> 00:19:19,451
and enjoying it terrifically
on the way in,
378
00:19:19,451 --> 00:19:21,202
but not so much on the way out.
379
00:19:21,202 --> 00:19:22,996
Like, I couldn't
stay out of my dressing room
380
00:19:22,996 --> 00:19:24,622
for more than ten minutes.
381
00:19:25,248 --> 00:19:28,418
[Spielberg] He said, "I gotta go back
to the hotel. What can you do in an hour?"
382
00:19:28,418 --> 00:19:30,837
I said, "We have a three-day
action scene to shoot!"
383
00:19:30,837 --> 00:19:33,048
He said, "Hey, pal.
It ain't gonna be today."
384
00:19:33,048 --> 00:19:36,134
I said, "Let's just shoot
this son of a bitch and go home."
385
00:19:36,134 --> 00:19:37,427
We both take credit for this.
386
00:19:37,427 --> 00:19:39,637
Either I said,
"Why don't you just shoot the guy?"
387
00:19:39,637 --> 00:19:43,141
Or Harrison said to me,
"Why don't I just shoot the guy?"
388
00:19:43,141 --> 00:19:45,852
But whoever said it,
that's exactly what we did.
389
00:19:45,852 --> 00:19:49,564
{\an8}Poor guy. I mean,
he'd been training for three months.
390
00:19:49,564 --> 00:19:51,983
{\an8}Because the two of you were supposed
to have a whip and sword fight.
391
00:19:51,983 --> 00:19:54,319
[Ford] It was supposed
to go on for three days.
392
00:19:54,319 --> 00:19:55,737
[crew] To your right, Terry.
393
00:19:57,030 --> 00:19:58,740
[Ford] And they told him, you know,
394
00:19:58,740 --> 00:20:01,368
"What we're gonna do is
we're just gonna shoot you."
395
00:20:03,328 --> 00:20:06,373
- [audience laughs]
- He was really upset.
396
00:20:06,373 --> 00:20:08,541
[audience laughs]
397
00:20:08,541 --> 00:20:09,834
The first time I shot him,
398
00:20:09,834 --> 00:20:12,629
it took him about a minute to lay down,
399
00:20:12,629 --> 00:20:15,340
'cause he wanted
to get something out of this.
400
00:20:15,340 --> 00:20:16,508
So...
401
00:20:17,384 --> 00:20:19,386
Oh, so torturous.
402
00:20:19,386 --> 00:20:22,889
So, the second time we did it,
I shot him before we slated.
403
00:20:22,889 --> 00:20:24,557
That's the one that's in the movie.
404
00:20:26,309 --> 00:20:28,186
[actor screams]
405
00:20:28,186 --> 00:20:32,607
So, I had my collaborative input
as we were making the film.
406
00:20:32,607 --> 00:20:36,444
It just made me feel much more comfortable
in the character.
407
00:20:37,070 --> 00:20:39,864
[Spielberg]
Harrison is incredibly inventive.
408
00:20:40,532 --> 00:20:43,284
And he's got a tremendous command
409
00:20:43,284 --> 00:20:47,455
of what the character not only should do
in an action scene,
410
00:20:47,455 --> 00:20:51,167
but what maybe the character can say
that we hadn't scripted.
411
00:20:51,167 --> 00:20:52,252
Like the great line...
412
00:20:52,252 --> 00:20:56,214
It's not the years, honey,
it's the mileage.
413
00:20:56,214 --> 00:20:57,757
[Spielberg]
Harrison came up with that line.
414
00:20:57,757 --> 00:21:00,677
That was his idea.
He had a lot of lines in the movie.
415
00:21:00,677 --> 00:21:03,722
And I think that was
Harrison's way of distinguishing
416
00:21:03,722 --> 00:21:05,765
the character of Indy
from the character of Han.
417
00:21:05,765 --> 00:21:08,143
[Spielberg] It starts here
with the rocks chasing you.
418
00:21:08,143 --> 00:21:11,062
And it's just, literally,
you know, it's about...
419
00:21:12,564 --> 00:21:13,565
It's about that fast.
420
00:21:15,483 --> 00:21:17,861
[Ford] I always said
that Indiana Jones was more about
421
00:21:17,861 --> 00:21:21,489
what you can do in a movie
for an audience.
422
00:21:21,489 --> 00:21:24,659
How you can take them on an adventure,
423
00:21:24,659 --> 00:21:29,497
surprise 'em, shock 'em, wring 'em out,
and leave 'em happy.
424
00:21:33,835 --> 00:21:35,211
We had real stunts.
425
00:21:35,211 --> 00:21:38,298
I mean, all we did in Star Wars
is run, jump and fall down.
426
00:21:38,298 --> 00:21:39,799
I wouldn't call that stunts.
427
00:21:41,885 --> 00:21:43,553
- [Lucas] Okay. Cut.
- [assistant] Cut it.
428
00:21:43,553 --> 00:21:44,637
[panting]
429
00:21:44,637 --> 00:21:45,805
[Ford] In Indiana Jones,
430
00:21:45,805 --> 00:21:49,309
we were able to arrange
some really close-up magic.
431
00:21:49,309 --> 00:21:51,061
And use me in it.
432
00:21:54,356 --> 00:21:56,024
[choking]
433
00:21:56,024 --> 00:21:57,108
[grunting]
434
00:22:00,945 --> 00:22:02,989
I think I clipped him once or twice.
435
00:22:03,823 --> 00:22:06,910
I think I might have caught his chin
at least once.
436
00:22:06,910 --> 00:22:08,995
[laughs]
437
00:22:08,995 --> 00:22:10,997
I learned to hate you
in the last ten years.
438
00:22:13,958 --> 00:22:17,337
[Ford] My stunt guy
had done most of the action.
439
00:22:17,337 --> 00:22:20,965
And I came back
and had to plug myself into scenes.
440
00:22:20,965 --> 00:22:23,176
[crew] Pick your head up
just a little if you can. That's it.
441
00:22:23,176 --> 00:22:26,262
And we came up with some real stuff
that I could do
442
00:22:26,262 --> 00:22:30,058
that I think was some of the best
stunt stuff I had ever seen.
443
00:22:30,058 --> 00:22:31,476
I'm sure it's not dangerous.
444
00:22:31,476 --> 00:22:33,353
See, if it was dangerous,
445
00:22:33,353 --> 00:22:36,022
they would've waited
until we got more of the movie done.
446
00:22:36,022 --> 00:22:37,899
[director] Hold it. That's good.
447
00:22:37,899 --> 00:22:39,317
[Mangold] I love Raiders.
448
00:22:39,317 --> 00:22:41,069
{\an8}He's an academic
449
00:22:41,069 --> 00:22:45,407
{\an8}who happens to somehow
get out of scrapes with incredible aplomb.
450
00:22:46,116 --> 00:22:48,910
And he's very lucky. Things break for him.
451
00:22:51,955 --> 00:22:53,248
Bad dates.
452
00:22:53,248 --> 00:22:56,001
[Mangold] He's kind of like
Bugs Bunny or the Road Runner,
453
00:22:56,001 --> 00:22:57,836
{\an8}or Buster Keaton, in that sense.
454
00:22:57,836 --> 00:23:01,506
{\an8}That building falls on them,
but they're standing where the window was.
455
00:23:01,506 --> 00:23:03,925
{\an8}Or the train turns just
as the cannon goes off,
456
00:23:03,925 --> 00:23:07,971
and then the cannonball hits
the bad guy's train instead of his own.
457
00:23:08,555 --> 00:23:10,890
We also identify that he has fears.
458
00:23:10,890 --> 00:23:13,768
I hate snakes, Jock! I hate 'em!
459
00:23:13,768 --> 00:23:17,605
All of Indiana Jones'
eccentricities and anxieties
460
00:23:17,605 --> 00:23:20,275
and neuroses are part of his appeal.
461
00:23:20,275 --> 00:23:21,860
It's scary to go in a cave.
462
00:23:21,860 --> 00:23:25,196
It's scary to get spiked with a spear.
463
00:23:25,196 --> 00:23:27,073
You know, frightened of snakes...
464
00:23:27,073 --> 00:23:28,616
Why did it have to be snakes?
465
00:23:28,616 --> 00:23:30,118
[thunderclap]
466
00:23:30,118 --> 00:23:31,578
He basically rolls his eyes, "Snakes."
467
00:23:31,578 --> 00:23:33,038
It's not like he screams. He's like,
468
00:23:33,038 --> 00:23:35,623
"I can't believe I'm a grown man
who's afraid of snakes."
469
00:23:35,623 --> 00:23:38,376
There is this-- this need to press on
470
00:23:38,376 --> 00:23:42,422
that, to me, kind of felt quintessentially
American about that character.
471
00:23:42,422 --> 00:23:46,509
So, he may not have been invulnerable,
but he was indomitable.
472
00:23:46,509 --> 00:23:48,011
[grunts]
473
00:23:48,011 --> 00:23:49,346
[snake hisses]
474
00:23:49,346 --> 00:23:51,598
[interviewer] And Harrison's
not afraid of snakes either?
475
00:23:51,598 --> 00:23:55,185
Not at all. But he-- But he's an actor.
[chuckles]
476
00:23:55,185 --> 00:23:57,771
I like snakes. They don't scare me at all.
477
00:23:57,771 --> 00:24:00,231
[snakes hissing]
478
00:24:02,484 --> 00:24:07,405
There was one really dangerous snake
behind a piece of plexiglass.
479
00:24:07,405 --> 00:24:08,823
Try to get him going.
480
00:24:10,158 --> 00:24:11,868
[Ford] That was a cobra. King cobra.
481
00:24:11,868 --> 00:24:13,953
Let's put in five more,
482
00:24:14,537 --> 00:24:16,539
and then we'll get ready to roll,
483
00:24:16,539 --> 00:24:19,042
and we'll put in two more
as we turn the cameras over.
484
00:24:20,043 --> 00:24:21,753
Two more fresh ones, right?
485
00:24:21,753 --> 00:24:25,423
[Ford] There were people standing by
with syringes of antivenom.
486
00:24:26,216 --> 00:24:28,218
- Now he likes you.
- [crew laughs]
487
00:24:28,218 --> 00:24:30,178
[crew chatters]
488
00:24:30,178 --> 00:24:32,514
[Ford] But all the rest of the snakes
were harmless.
489
00:24:32,514 --> 00:24:37,560
They would bite you,
but the bites were not deadly.
490
00:24:37,560 --> 00:24:39,854
You traitor! You get your hands off of me!
491
00:24:39,854 --> 00:24:41,856
- [grunts]
- [snake hissing]
492
00:24:41,856 --> 00:24:43,692
[Ford] We were having so much fun.
493
00:24:43,692 --> 00:24:46,528
Never had a better time on a movie.
It was crazy.
494
00:24:47,696 --> 00:24:50,156
- [Allen grunting, laughs] Whoops!
- [Spielberg chuckles]
495
00:24:50,156 --> 00:24:51,991
- [Ford] I'm standing still.
- [Spielberg] Hey.
496
00:24:51,991 --> 00:24:54,160
- [Ford] Couldn't be my fault.
- [Allen laughs]
497
00:24:54,160 --> 00:24:57,414
[Spielberg] No movie for a filmmaker
is an adventure.
498
00:24:57,414 --> 00:24:59,416
It's a lot of hard work.
499
00:24:59,416 --> 00:25:03,003
We were globe hopping as the character
of Indiana Jones was globe-trotting.
500
00:25:03,003 --> 00:25:04,587
That's not an adventure.
501
00:25:04,587 --> 00:25:07,799
That's a lot of long, boring
airplane rides. It's a lot of jet lag.
502
00:25:07,799 --> 00:25:10,969
That's a lot of moving
into new hotel or motel rooms.
503
00:25:10,969 --> 00:25:13,805
The only excitement for me happens
when I get to the set.
504
00:25:13,805 --> 00:25:17,350
- [crew laughing]
- That's where the fun in it is for me.
505
00:25:17,350 --> 00:25:18,560
Let's start shooting.
506
00:25:18,560 --> 00:25:20,645
We got Harrison here.
He's all ready to go.
507
00:25:20,645 --> 00:25:23,606
He's got his hat on. Good.
He's got his little satchel.
508
00:25:23,606 --> 00:25:25,525
Whoa, whip him!
509
00:25:25,525 --> 00:25:26,693
[Ford] And the whip.
510
00:25:26,693 --> 00:25:30,613
{\an8}We had a guy, Glenn Randall,
that taught me the basics of it.
511
00:25:31,573 --> 00:25:36,578
{\an8}But I would stand out
in my driveway and practice. Hours.
512
00:25:36,578 --> 00:25:41,916
When you first start, you'd take your ear
almost off with the lash as it goes past.
513
00:25:42,834 --> 00:25:44,044
[Randall] That's it. That's it.
514
00:25:44,669 --> 00:25:45,754
It's very dangerous.
515
00:25:45,754 --> 00:25:48,256
[Ford] It's hard to learn.
But, uh, it was fun.
516
00:25:49,507 --> 00:25:51,509
[interviewer] Is that how you
got your scar on your chin?
517
00:25:51,509 --> 00:25:54,846
[chuckles] No. It was a car crash.
518
00:25:54,846 --> 00:25:57,682
A fast car crash on the way to sell, uh,
519
00:25:57,682 --> 00:26:00,769
knickknacks and oil paintings
at the Bullock's department store.
520
00:26:01,686 --> 00:26:04,064
- It's a wrap!
- [crew cheers]
521
00:26:04,064 --> 00:26:06,232
Oh! Thank you, Dickie.
522
00:26:06,232 --> 00:26:07,317
Thanks, baby.
523
00:26:07,317 --> 00:26:09,235
You're coming to Hawaii with me.
I'll thank you later.
524
00:26:09,861 --> 00:26:12,364
[Spielberg] The last week of shooting,
we were in Kauai.
525
00:26:12,364 --> 00:26:14,449
And the last week of shooting
526
00:26:14,449 --> 00:26:16,618
was the entire opening
of Raiders of the Lost Ark
527
00:26:16,618 --> 00:26:18,286
where they're trekking through the jungle.
528
00:26:20,789 --> 00:26:24,042
[Ford] We're very nearly done.
This is-- It feels good.
529
00:26:24,042 --> 00:26:26,002
We worked almost every day.
530
00:26:26,002 --> 00:26:29,673
Had about a day and a half off
on the whole movie.
531
00:26:31,216 --> 00:26:35,303
And, uh, been sore and bruised
most of the time.
532
00:26:35,303 --> 00:26:36,638
[Ford shushes]
533
00:26:37,931 --> 00:26:39,724
[shushes] They're making a movie.
534
00:26:41,643 --> 00:26:43,103
- [whip cracks]
- [grunts]
535
00:26:43,103 --> 00:26:44,104
[gunshot]
536
00:26:46,731 --> 00:26:47,816
[Kennedy] That reveal,
537
00:26:47,816 --> 00:26:52,821
that close-up stepping in with
the perfect eye light out of the shadows.
538
00:26:52,821 --> 00:26:55,740
That's signature Steven.
539
00:26:55,740 --> 00:26:59,994
It's funny that's one of the shots
we did late in the schedule.
540
00:26:59,994 --> 00:27:05,583
And I think Harrison, at that point,
certainly knew who that character was.
541
00:27:05,583 --> 00:27:10,005
And he knew that look
that only Harrison can give.
542
00:27:10,755 --> 00:27:13,967
He just owns the picture
from the first frame to the last.
543
00:27:13,967 --> 00:27:18,638
And it feels like a movie
that was made for him to shine.
544
00:27:19,931 --> 00:27:21,224
Any questions?
545
00:27:21,224 --> 00:27:22,684
When I go into the editing room,
546
00:27:22,684 --> 00:27:26,312
and I start to see these shots
cut together into a sequence,
547
00:27:26,312 --> 00:27:29,524
that's where I had
my first rush of excitement.
548
00:27:30,150 --> 00:27:31,526
Whoops.
549
00:27:31,526 --> 00:27:33,737
[Spielberg] And my first cautious rush of,
550
00:27:33,737 --> 00:27:36,322
"Oh, this could be something amazing."
[gasps]
551
00:27:36,322 --> 00:27:37,615
"This could work."
552
00:27:38,324 --> 00:27:41,411
[Allen] Steven invited me to come
and see the first screening of it.
553
00:27:41,411 --> 00:27:43,121
I was astonished.
554
00:27:43,121 --> 00:27:47,459
I mean, you don't really put together
the pieces of someone's performance
555
00:27:47,459 --> 00:27:50,962
working with them in the scenes
that you're in with them.
556
00:27:50,962 --> 00:27:53,256
- [thud]
- [screams]
557
00:27:53,256 --> 00:27:55,342
I didn't have a very clear sense...
558
00:27:55,342 --> 00:27:56,468
What did you say?
559
00:27:56,468 --> 00:27:59,846
...of Harrison as Indiana Jones
until I saw the film.
560
00:28:01,014 --> 00:28:02,849
[Mangold] I saw it on opening day, alone.
561
00:28:02,849 --> 00:28:05,810
I mean, I was such a huge fan
of everyone involved
562
00:28:05,810 --> 00:28:08,772
that I still haven't forgotten
where I sat and where I saw it, you know?
563
00:28:08,772 --> 00:28:10,273
{\an8}'Cause it was also the moment
564
00:28:10,273 --> 00:28:12,609
{\an8}when you're trying to figure out
what you're doing with your life.
565
00:28:12,609 --> 00:28:15,987
{\an8}And it was one of the reasons
I became a movie director.
566
00:28:15,987 --> 00:28:20,450
{\an8}[Marshall] Indiana Jones was
a pretty life-changing experience for me.
567
00:28:20,450 --> 00:28:23,536
My first sole producer credit.
My first nomination.
568
00:28:23,536 --> 00:28:26,664
The start of an incredible friendship
569
00:28:26,664 --> 00:28:30,585
with a whole lot of wonderful people
that I'm still friends with.
570
00:28:30,585 --> 00:28:33,171
Everything about the creation of the movie
571
00:28:33,171 --> 00:28:37,342
was going on with just that family,
that handful of people.
572
00:28:37,342 --> 00:28:39,511
We were all together all the time.
573
00:28:39,511 --> 00:28:40,929
[Spielberg] Yeah.
574
00:28:40,929 --> 00:28:43,431
There's only two shots here that...
575
00:28:43,431 --> 00:28:45,308
And I met my wife.
576
00:28:45,850 --> 00:28:48,853
Yes. That's where I met my husband.
577
00:28:50,063 --> 00:28:52,607
[Marshall] You know, I was married
to the movies at that time.
578
00:28:52,607 --> 00:28:54,734
And I thought, "Okay, I'm gonna do this.
579
00:28:54,734 --> 00:28:58,655
I'm not gonna find somebody
who loves making movies as much as I do."
580
00:28:59,322 --> 00:29:02,659
And then I met Kathy.
And we became great friends.
581
00:29:02,659 --> 00:29:04,244
And I fell in love.
582
00:29:04,994 --> 00:29:10,000
And I think that's a key
to our relationship here, 37 years later,
583
00:29:10,000 --> 00:29:11,501
is that we're still great friends.
584
00:29:11,501 --> 00:29:13,920
We love working together,
and we love making movies.
585
00:29:18,174 --> 00:29:21,344
Hell, I'll be at this
for another couple of years, I'm sure.
586
00:29:21,344 --> 00:29:24,472
But I feel... [laughs]
587
00:29:24,472 --> 00:29:26,975
...but at least I get
to go home for a while.
588
00:29:29,060 --> 00:29:32,147
[Ford] I'm very grateful for
the opportunity to play that character.
589
00:29:33,023 --> 00:29:35,025
It's led to other opportunities.
590
00:29:35,608 --> 00:29:39,738
I had already become commercially viable,
591
00:29:39,738 --> 00:29:45,660
and now I was in a fantastically
successful second franchise.
592
00:29:46,411 --> 00:29:48,329
[Kennedy] When he became Indiana Jones,
593
00:29:48,329 --> 00:29:50,832
and that was coupled with Han Solo,
594
00:29:50,832 --> 00:29:54,794
I don't think he ever had a night
where he could go to a restaurant,
595
00:29:54,794 --> 00:29:58,798
or step outside
without being pretty much mobbed.
596
00:30:00,550 --> 00:30:02,969
[Weir] Harrison told me
something about stardom
597
00:30:02,969 --> 00:30:04,387
that I thought was very interesting.
598
00:30:04,387 --> 00:30:06,181
I hadn't thought about it, but he said,
599
00:30:06,181 --> 00:30:10,143
{\an8}"I feel for young people
who get tremendous attention very early."
600
00:30:10,143 --> 00:30:11,936
{\an8}He said, "I was fortunate, I think,"
601
00:30:11,936 --> 00:30:15,482
in that, um, before the huge spotlight
was shone on him,
602
00:30:15,482 --> 00:30:18,902
he'd been very successful
as not just a carpenter and so on,
603
00:30:18,902 --> 00:30:20,487
but restoring houses.
604
00:30:20,487 --> 00:30:23,448
People would seek him out for restoration.
605
00:30:23,448 --> 00:30:28,661
So, he had lived a life
before he became a movie star,
606
00:30:28,661 --> 00:30:31,748
when this great hurricane of fame hit him.
607
00:30:36,753 --> 00:30:39,964
[interviewer] Okay, Harrison.
Um, what I was asking you was,
608
00:30:39,964 --> 00:30:42,300
do you feel yourself typecast
at this stage
609
00:30:42,300 --> 00:30:46,638
as a high-action actor, macho adventurer,
610
00:30:46,638 --> 00:30:48,640
or are any other roles
that you'd like to play?
611
00:30:48,640 --> 00:30:52,686
Are you pretty happy with the type of
roles that you're getting at this stage?
612
00:30:52,686 --> 00:30:54,229
No, I--
613
00:30:54,229 --> 00:31:00,902
I think it's true
that I am somewhat typed in that area,
614
00:31:00,902 --> 00:31:06,449
but I've had the opportunity to do
a lot of things outside of that.
615
00:31:08,368 --> 00:31:11,538
[Ford] I've always wanted
to work in different genres
616
00:31:11,538 --> 00:31:13,748
when I had the opportunity.
617
00:31:13,748 --> 00:31:16,710
I was now early 40s.
618
00:31:16,710 --> 00:31:21,881
{\an8}And I was, uh, suitable for casting
in some of the great feature films
619
00:31:21,881 --> 00:31:24,968
{\an8}that were being made at that time
by some of the great directors.
620
00:31:24,968 --> 00:31:29,431
It was, basically,
I'm gonna do one for them and one for me.
621
00:31:30,932 --> 00:31:34,144
And "them" were
the studios and the audience.
622
00:31:34,144 --> 00:31:36,980
And then there was
a film I just wanted to do,
623
00:31:36,980 --> 00:31:40,233
regardless of whether it would be
commercially successful or not.
624
00:31:40,233 --> 00:31:42,819
[no audible dialogue]
625
00:31:42,819 --> 00:31:48,491
This was a very voluble
period of time in Hollywood history.
626
00:31:48,491 --> 00:31:51,745
All these guys that were young, upcoming,
627
00:31:51,745 --> 00:31:55,582
who were rebelling, really,
against the studio system.
628
00:31:55,582 --> 00:32:01,838
{\an8}I mean, there were a bunch of guys.
Steven, George, Coppola, Milius.
629
00:32:01,838 --> 00:32:04,507
{\an8}They wanted their vision.
They wanted their independence.
630
00:32:04,507 --> 00:32:06,718
They wanted to make
their movies their way.
631
00:32:07,510 --> 00:32:10,764
And very quickly they were.
They were successful.
632
00:32:10,764 --> 00:32:14,434
They were so successful
that it changed Hollywood forever.
633
00:32:14,434 --> 00:32:21,274
{\an8}And it precipitated one of the greatest
20, 30 years of really quality movies.
634
00:32:21,274 --> 00:32:27,697
{\an8}Both out of these guys, and out of Sydney
Pollack, Alan Pakula and Mike Nichols.
635
00:32:27,697 --> 00:32:31,159
{\an8}All the fantastic filmmakers
that I got a chance to work with,
636
00:32:31,159 --> 00:32:36,539
{\an8}because I had reached that age where
I could play some of these characters.
637
00:32:36,539 --> 00:32:39,959
{\an8}I never expected ever to be a leading man.
638
00:32:39,959 --> 00:32:41,294
I thought I was, you know,
639
00:32:41,294 --> 00:32:44,839
be lucky to get a regular part
on a television series or something.
640
00:32:44,839 --> 00:32:48,885
But I wanted to make a living as an actor.
That's what I wanted to do.
641
00:32:51,721 --> 00:32:54,724
{\an8}Blade Runner was a big movie.
It was a big-budget film.
642
00:32:54,724 --> 00:32:59,020
And it was a son of a bitch to make,
'cause it was all night and in the rain.
643
00:32:59,020 --> 00:33:02,732
[person on PA] A new life awaits you
in the Off-world colonies.
644
00:33:02,732 --> 00:33:04,317
[Ford] It was a different kind of movie.
645
00:33:04,317 --> 00:33:05,902
But that was the kind of film
646
00:33:05,902 --> 00:33:09,864
that I was now in a position
to be able to be considered for.
647
00:33:09,864 --> 00:33:11,157
[Lucas] I liked him in Blade Runner.
648
00:33:11,157 --> 00:33:14,953
{\an8}I know he had problems with it.
But it was a good character.
649
00:33:14,953 --> 00:33:19,249
And, um, I liked him in Witness,
which was a smaller film.
650
00:33:19,249 --> 00:33:23,253
{\an8}Uh, how do I look?
I mean, do I look Amish?
651
00:33:24,087 --> 00:33:25,088
{\an8}You look plain.
652
00:33:26,798 --> 00:33:29,801
{\an8}The thing that I was
really impressed with with Harrison
653
00:33:29,801 --> 00:33:31,636
was when he did Witness.
654
00:33:32,470 --> 00:33:35,557
[Ford] That was a fantastic experience.
655
00:33:35,557 --> 00:33:38,727
{\an8}Jeff Katzenberg was putting it together
at Paramount.
656
00:33:39,352 --> 00:33:42,105
{\an8}"Do you have any ideas
of who should direct it?"
657
00:33:43,940 --> 00:33:46,026
The first time I'd been asked.
658
00:33:46,026 --> 00:33:49,362
And I had just seen
Years of Living Dangerously.
659
00:33:50,071 --> 00:33:52,157
And I said, "How about Peter Weir?"
660
00:33:53,074 --> 00:33:54,993
[Weir] They offered it to me,
and they said,
661
00:33:54,993 --> 00:33:58,079
"Come over. We'd like to meet you
and you meet Harrison."
662
00:33:58,079 --> 00:34:00,498
So, yeah, I was on a plane
before I thought much about it.
663
00:34:00,498 --> 00:34:02,959
Up into the mountains where he lived.
664
00:34:02,959 --> 00:34:05,795
And I got off the plane, you know,
a small regional airport.
665
00:34:05,795 --> 00:34:07,464
And there he was to meet me.
666
00:34:07,464 --> 00:34:09,090
And that surprised me.
667
00:34:09,090 --> 00:34:10,508
Harrison? [chuckles]
668
00:34:10,508 --> 00:34:12,635
He said, "Oh, we got to pick up
some stuff at the mini-mart
669
00:34:12,635 --> 00:34:15,180
on the way to the-- to my property."
670
00:34:15,180 --> 00:34:18,058
As I walked along the corridor
of the supermarket,
671
00:34:18,058 --> 00:34:22,645
I noticed on the cereal box was Han Solo.
672
00:34:22,645 --> 00:34:24,898
He was already a breakfast cereal.
673
00:34:24,898 --> 00:34:26,566
You know, and here I am meeting him.
674
00:34:26,566 --> 00:34:29,486
And I stayed at his place
working over the script,
675
00:34:29,486 --> 00:34:32,322
and talking about how we saw the film.
676
00:34:33,031 --> 00:34:36,451
I've always worn a Panama hat
from a very early age.
677
00:34:36,451 --> 00:34:39,329
One evening at the end of the day's
shooting, the sun just setting,
678
00:34:39,329 --> 00:34:41,414
Harrison and I walking back to the hotel.
679
00:34:41,414 --> 00:34:44,250
A fellow was coming toward me,
a young fellow, glaring at me.
680
00:34:44,250 --> 00:34:46,586
And I kind of looked away,
but, no, he's still coming.
681
00:34:46,586 --> 00:34:49,964
Passed close to me, too close,
and said into my ear,
682
00:34:49,964 --> 00:34:52,884
[in deep voice]
"There's only one, you know?"
683
00:34:52,884 --> 00:34:55,512
[normal voice] And went on past and
I said, "Harrison, did you hear that?
684
00:34:55,512 --> 00:34:58,640
He was thinking it was like
a hat like you wear in Indiana Jones."
685
00:34:58,640 --> 00:35:00,642
We had a laugh about it, you know? But...
686
00:35:00,642 --> 00:35:02,769
[in deep voice]
"There's only one you know." Yeah.
687
00:35:03,395 --> 00:35:04,396
[cow moos]
688
00:35:04,396 --> 00:35:06,272
[Kennedy]
Witness was really when I thought,
689
00:35:06,272 --> 00:35:08,817
"Wow, there's more to Harrison
than meets the eye."
690
00:35:08,817 --> 00:35:14,656
In Indy, there's not a lot of opportunity
for real depth of emotion.
691
00:35:14,656 --> 00:35:16,408
And I think, in Witness,
692
00:35:16,408 --> 00:35:21,788
he was able to access that
in a very believable and grounded way.
693
00:35:21,788 --> 00:35:25,166
Because he's been doing a certain kind
of archetypal role for so long,
694
00:35:25,166 --> 00:35:27,168
we can forget that he's an actor.
695
00:35:27,168 --> 00:35:30,213
The way he chose directors
and sought those directors out,
696
00:35:30,213 --> 00:35:32,007
that is not someone who's not a film buff.
697
00:35:32,007 --> 00:35:34,342
That's not somebody who doesn't understand
what filmmaking is.
698
00:35:34,342 --> 00:35:38,263
In this period where the world was open
to him, he was taking advantage of it.
699
00:35:38,263 --> 00:35:42,517
We could see his ambition
and being challenged by filmmakers.
700
00:35:42,517 --> 00:35:44,019
Don't put 'em in the peaches.
701
00:35:45,020 --> 00:35:48,440
[Weir] I'd say, Harrison,
he created his own shadow, in a sense,
702
00:35:48,440 --> 00:35:51,109
with Han Solo and Indiana Jones.
703
00:35:51,109 --> 00:35:53,278
He didn't want to be defined by them.
704
00:35:53,278 --> 00:35:56,197
And that element of risk
that was involved for him,
705
00:35:56,197 --> 00:35:59,617
maybe it won't work,
maybe it'll hurt his image, is thrilling.
706
00:35:59,617 --> 00:36:01,953
When a star decides to take a risk,
707
00:36:01,953 --> 00:36:05,331
it's very exciting,
because it's like the beginning again.
708
00:36:05,331 --> 00:36:08,251
And I think we both enjoyed
that feeling on this film.
709
00:36:08,251 --> 00:36:10,545
If we don't get it right,
it could blow up in our faces,
710
00:36:10,545 --> 00:36:12,130
which is true of any film.
711
00:36:12,130 --> 00:36:15,633
There were moments
of real joyful collaboration
712
00:36:15,633 --> 00:36:19,054
between Peter and I,
and everybody else involved.
713
00:36:19,054 --> 00:36:21,848
And we-- we really had a good time.
714
00:36:21,848 --> 00:36:24,351
I love that movie. It's really good.
715
00:36:24,351 --> 00:36:27,562
{\an8}You didn't even go when
you were nominated for Best Actor, right?
716
00:36:27,562 --> 00:36:28,938
{\an8}- What?
- [Kimmel] Yeah.
717
00:36:28,938 --> 00:36:33,902
{\an8}You were nominated for Witness in 1986,
and you did not attend the Oscars.
718
00:36:33,902 --> 00:36:36,404
Well, I had-- I had a lot of homework.
719
00:36:36,404 --> 00:36:38,698
[Kimmel, audience laugh]
720
00:36:38,698 --> 00:36:40,116
I love all his movies.
721
00:36:40,116 --> 00:36:42,077
I mean,
I've watched The Fugitive 30 times.
722
00:36:45,038 --> 00:36:46,956
{\an8}[grunts]
723
00:36:47,540 --> 00:36:49,334
[Waller-Bridge] I do remember The Fugitive
724
00:36:49,334 --> 00:36:51,169
being the most breathless introduction
to a character,
725
00:36:51,169 --> 00:36:55,048
and then that film was just iconic
when I was growing up.
726
00:36:55,048 --> 00:36:56,591
{\an8}And then I think it was Working Girl.
727
00:36:56,591 --> 00:36:59,636
{\an8}You know, maybe I just don't like you.
728
00:36:59,636 --> 00:37:02,472
{\an8}Me? Nah.
729
00:37:02,472 --> 00:37:03,848
[giggles]
730
00:37:03,848 --> 00:37:07,560
[Waller-Bridge] I feel there's so many
different versions of Harrison the actor.
731
00:37:07,560 --> 00:37:10,230
So, I feel like I rediscovered him
so many times.
732
00:37:13,608 --> 00:37:17,070
{\an8}[Spielberg] I love Regarding Henry
as a courageous choice for Harrison.
733
00:37:17,070 --> 00:37:20,657
{\an8}I'd never seen Harrison
do that on film before.
734
00:37:20,657 --> 00:37:23,910
{\an8}The other character I love
is Allie Fox in Mosquito Coast.
735
00:37:24,577 --> 00:37:27,080
{\an8}I also loved him playing
the President of the United States.
736
00:37:27,080 --> 00:37:28,873
I'm the President of the United States.
737
00:37:28,873 --> 00:37:31,710
{\an8}There's guilty pleasures.
There's Air Force One.
738
00:37:31,710 --> 00:37:33,670
{\an8}Get off my plane.
739
00:37:35,547 --> 00:37:38,967
{\an8}[Quan] I'm so fascinated by all
the choices that he's made over the years.
740
00:37:38,967 --> 00:37:42,470
{\an8}I followed his career,
and he has this ability
741
00:37:42,470 --> 00:37:46,558
{\an8}to make you fall in love with him
within five minutes of screen time.
742
00:37:46,558 --> 00:37:49,936
Also this ability
to pull you into the story,
743
00:37:49,936 --> 00:37:53,690
and want you to be with him on
this journey that his character goes on.
744
00:37:56,192 --> 00:38:00,655
He pushes the envelope, man,
in terms of intensity, tempo...
745
00:38:02,365 --> 00:38:04,868
He's always pushing
at the leading man's cage,
746
00:38:04,868 --> 00:38:10,957
and trying to rattle the bars and see if
he can expand what a leading man can be.
747
00:38:11,750 --> 00:38:15,920
- Hi, Mom. We're in Sri Lanka.
- [director] Can you step out the shot now?
748
00:38:15,920 --> 00:38:17,547
- Sri Lanka.
- Let's put the actors on.
749
00:38:18,631 --> 00:38:23,470
Not bad. It's good. Nice.
People are great, friendly.
750
00:38:24,387 --> 00:38:25,805
Nice elephants.
751
00:38:25,805 --> 00:38:28,224
Here we are at our spontaneous best.
752
00:38:29,184 --> 00:38:30,769
Let's make a movie.
753
00:38:30,769 --> 00:38:33,855
["Temple of Doom Suite" playing]
754
00:38:41,196 --> 00:38:42,280
[no audible dialogue]
755
00:38:42,280 --> 00:38:44,866
[Spielberg] George said,
"If you commit to this first movie,
756
00:38:44,866 --> 00:38:47,410
I need you to commit to three,
'cause I intend to make three of them."
757
00:38:47,410 --> 00:38:48,828
"Absolutely," I said.
758
00:38:48,828 --> 00:38:51,623
We shook hands on the beach
that day in 1977.
759
00:38:51,623 --> 00:38:53,124
- [crew] Action!
- [grunts]
760
00:38:53,833 --> 00:38:54,918
[Spielberg] Cut. Lovely.
761
00:38:54,918 --> 00:38:56,086
[chattering]
762
00:38:56,086 --> 00:38:58,213
Great version. That's all we gotta do.
763
00:38:58,213 --> 00:39:00,256
Oh, boy! And it was a good shot.
764
00:39:01,257 --> 00:39:03,677
[Mangold] For me, there was nothing
that was gonna beat Raiders,
765
00:39:03,677 --> 00:39:06,179
because it's the first time
you're plunged into that world.
766
00:39:06,179 --> 00:39:08,014
But all those movies are wonderful.
767
00:39:08,014 --> 00:39:11,851
And I looked forward to each one of them,
seeing these characters again,
768
00:39:11,851 --> 00:39:14,979
and seeing the filmmaker I so admire,
769
00:39:14,979 --> 00:39:18,483
Steven Spielberg, flexing
his own muscles trying different things.
770
00:39:18,483 --> 00:39:21,194
Mr. Spielberg,
how does it feel directing a musical?
771
00:39:21,194 --> 00:39:22,862
Well, it feels just-- just swell.
772
00:39:22,862 --> 00:39:25,448
- It was designed to set you up...
- Yeah.
773
00:39:26,241 --> 00:39:28,034
...to think you were in a different movie.
774
00:39:28,034 --> 00:39:30,537
My mother actually thought
that it was the wrong movie
775
00:39:30,537 --> 00:39:32,706
for a good five minutes.
776
00:39:32,706 --> 00:39:35,125
[Ford] Each film, I wanted the audience
777
00:39:35,125 --> 00:39:38,753
to learn something new
about Indiana Jones.
778
00:39:38,753 --> 00:39:40,046
[whip cracks]
779
00:39:40,714 --> 00:39:42,966
Didn't want us to repeat
the same thing over and over again.
780
00:39:42,966 --> 00:39:44,426
His name is Henry.
781
00:39:44,426 --> 00:39:46,011
He's your son.
782
00:39:46,011 --> 00:39:49,597
[Ford] I wanted part of the process
of the storytelling to include
783
00:39:49,597 --> 00:39:52,851
a character that would lead us
into a greater knowledge,
784
00:39:52,851 --> 00:39:56,396
or a situation we hadn't
seen Indiana Jones in before.
785
00:39:56,396 --> 00:39:59,816
He put two holes in my dress from Paris.
786
00:40:01,317 --> 00:40:03,737
Kate was great. We had a ball.
787
00:40:03,737 --> 00:40:06,906
She brought joy to the part
and a lot of glamour.
788
00:40:06,906 --> 00:40:08,324
- Ooh!
- [actor] Oh, God.
789
00:40:08,324 --> 00:40:09,576
My dress.
790
00:40:09,576 --> 00:40:13,329
[Capshaw] I was really excited to be cast.
791
00:40:13,329 --> 00:40:16,249
{\an8}Raiders of the Lost Ark
took my breath away.
792
00:40:16,249 --> 00:40:19,502
Steven Spielberg,
what an amazing director.
793
00:40:19,502 --> 00:40:22,380
And Harrison, it was perfect casting.
794
00:40:22,380 --> 00:40:25,175
I met him on the plane.
795
00:40:25,967 --> 00:40:27,969
He's very quiet. He doesn't talk a lot.
796
00:40:27,969 --> 00:40:29,179
He's not chitchat.
797
00:40:29,179 --> 00:40:33,099
But he's very clever and very smart.
798
00:40:33,099 --> 00:40:34,809
When he talks, you listen.
799
00:40:34,809 --> 00:40:36,311
[whines, screeches]
800
00:40:36,311 --> 00:40:38,063
[chattering]
801
00:40:38,688 --> 00:40:39,689
Indy!
802
00:40:39,689 --> 00:40:41,274
[Spielberg] Don't even say Indy. Just...
803
00:40:41,983 --> 00:40:43,360
- [screams]
- Should be a screech.
804
00:40:43,360 --> 00:40:45,403
So the audience doesn't say,
"I know what's gonna happen."
805
00:40:45,403 --> 00:40:47,655
She's gonna put her hand into the hole
and his hand will come out.
806
00:40:47,655 --> 00:40:51,826
[Capshaw] This was their second film.
So, I would be the new kid on the block.
807
00:40:52,369 --> 00:40:56,456
And they had a very easy rapport
with each other.
808
00:40:56,456 --> 00:40:58,208
They had their inside jokes.
809
00:40:58,208 --> 00:41:01,127
A little joke between the joke,
just burning up a lot of film.
810
00:41:01,127 --> 00:41:02,504
It's between actor and the director.
811
00:41:02,504 --> 00:41:06,174
[Capshaw] I was thinking
about what a gentleman Harrison is.
812
00:41:06,174 --> 00:41:07,884
I felt very cared for.
813
00:41:09,469 --> 00:41:13,139
He knew that I was the newbie.
It was only my third film.
814
00:41:13,765 --> 00:41:15,850
And it was such a big production.
815
00:41:15,850 --> 00:41:19,938
So when he'd see me uncertain
and not knowing what to do,
816
00:41:19,938 --> 00:41:23,942
he became the host, you know,
of his movie, and I was the guest.
817
00:41:23,942 --> 00:41:26,361
Like, he brings what he needs to bring.
818
00:41:26,361 --> 00:41:27,404
[Spielberg] Action.
819
00:41:27,404 --> 00:41:29,531
- [gasps] Lao.
- Lao.
820
00:41:30,198 --> 00:41:33,660
[Capshaw] The scenes are fast.
They're furious. They're intense.
821
00:41:33,660 --> 00:41:34,911
[Indiana Jones] Come on.
822
00:41:34,911 --> 00:41:37,664
[Capshaw] You know,
the unspoken character is the action.
823
00:41:37,664 --> 00:41:40,000
[screams]
824
00:41:40,000 --> 00:41:42,877
It was hard work,
but I thought it was so exciting.
825
00:41:42,877 --> 00:41:44,295
I loved it. I loved it.
826
00:41:44,295 --> 00:41:46,047
[Willie screams]
827
00:41:46,047 --> 00:41:46,965
Huh?
828
00:41:47,507 --> 00:41:50,719
Wow, holy smoke! Crash landing!
829
00:41:50,719 --> 00:41:52,470
- [engine revving]
- There's a kid driving the car!
830
00:41:52,470 --> 00:41:54,014
- [tires squealing]
- Oh!
831
00:41:54,014 --> 00:41:57,767
And Ke. Ke Huy Quan.
Here's this little boy on the set.
832
00:41:57,767 --> 00:41:59,978
Harrison and he were best pals.
833
00:41:59,978 --> 00:42:01,062
We bow to the sha--
834
00:42:01,062 --> 00:42:03,523
I bow to the shaman
then you bow to the shaman.
835
00:42:03,523 --> 00:42:07,152
He was, I guess, about eight years old
when we did the movie.
836
00:42:07,152 --> 00:42:09,195
I was actually 12 years old.
837
00:42:10,280 --> 00:42:12,699
[Ford] And he was fantastic in it.
838
00:42:12,699 --> 00:42:15,368
Great fun. Great fun to work with.
839
00:42:15,368 --> 00:42:17,912
This was a time
where I've never seen Raiders.
840
00:42:17,912 --> 00:42:23,585
So, I had no clue who Harrison Ford was,
or what even Indiana Jones is.
841
00:42:23,585 --> 00:42:28,340
I just remember him being,
you know, very friendly, very kind.
842
00:42:28,340 --> 00:42:31,843
[Spielberg] They had
a tremendously rich relationship.
843
00:42:31,843 --> 00:42:33,720
Ke would crack Harrison up.
844
00:42:33,720 --> 00:42:35,430
If Harrison was in a bad mood,
845
00:42:35,430 --> 00:42:37,474
all I would do is stick Ke on him,
846
00:42:37,474 --> 00:42:40,477
and Ke would go over and Harrison
would snap out of that mood in a second.
847
00:42:41,061 --> 00:42:42,937
He just spread joy everywhere.
848
00:42:42,937 --> 00:42:44,022
Very funny!
849
00:42:44,022 --> 00:42:47,025
- Very-- Ha ha ha!
- Ha ha ha.
850
00:42:47,025 --> 00:42:49,778
[Quan] We would constantly
make practical jokes on Steven.
851
00:42:49,778 --> 00:42:52,364
When we were shooting
the mine cart sequence,
852
00:42:52,364 --> 00:42:54,574
they were serving ice cream at that time.
853
00:42:54,574 --> 00:42:59,120
So, we would take these ice cream cones
and we would smear it all over our faces.
854
00:42:59,120 --> 00:43:02,374
We got in it,
and when we came by the camera,
855
00:43:02,374 --> 00:43:05,168
we popped up with our ice cream cones.
856
00:43:05,168 --> 00:43:09,255
We played on the set a lot.
857
00:43:09,255 --> 00:43:13,093
I remember Steven saying,
"Oh, that is so funny. Love it. Print it."
858
00:43:13,093 --> 00:43:15,053
- Come on! What you doing?
- [laughs]
859
00:43:15,053 --> 00:43:17,639
[Quan] That was like
a typical day on Temple of Doom.
860
00:43:17,639 --> 00:43:18,723
That's fun!
861
00:43:20,058 --> 00:43:23,895
{\an8}One of my favorite partnerships
on these movies was Last Crusade.
862
00:43:23,895 --> 00:43:26,439
{\an8}Well, Indiana Jones
is coming back to the screen.
863
00:43:26,439 --> 00:43:28,108
{\an8}The movie opens tomorrow.
864
00:43:28,108 --> 00:43:31,903
{\an8}This time, Indiana Jones
comes back with someone extra.
865
00:43:31,903 --> 00:43:34,280
{\an8}I talked about wanting to see my father,
866
00:43:34,280 --> 00:43:38,284
and Steven came up with the idea
and, of course, and the casting.
867
00:43:39,536 --> 00:43:40,578
Junior?
868
00:43:41,913 --> 00:43:42,914
Yes, sir.
869
00:43:43,915 --> 00:43:45,875
- Yes, sir. Oh.
- [clattering]
870
00:43:45,875 --> 00:43:47,210
Come on. Get it right, boy.
871
00:43:47,752 --> 00:43:49,421
- [Spielberg] And action!
- Junior!
872
00:43:49,421 --> 00:43:50,880
Yes, sir!
873
00:43:50,880 --> 00:43:52,882
[Marshall] Seeing Sean Connery
and Harrison work together
874
00:43:52,882 --> 00:43:54,592
was just fabulous.
875
00:43:54,592 --> 00:43:59,014
I mean, these two, they were like
champion boxers going at each other.
876
00:43:59,014 --> 00:44:01,182
But it worked beautifully for the scene.
877
00:44:01,182 --> 00:44:04,144
Why are you sitting there resting for
when we're so near the end?
878
00:44:04,144 --> 00:44:05,311
Come on!
879
00:44:05,311 --> 00:44:09,149
[Connery] Steven and Harrison and
myself really worked very well together.
880
00:44:10,400 --> 00:44:12,068
[imitates chicken clucking]
881
00:44:12,068 --> 00:44:13,778
I think that in this one,
882
00:44:13,778 --> 00:44:20,118
the Indiana Jones character
gets more opportunity to be more human
883
00:44:20,118 --> 00:44:23,455
{\an8}because he had been very much a loner,
884
00:44:23,455 --> 00:44:28,710
{\an8}isolated, and never really establishes
any kind of relationship with anybody.
885
00:44:29,336 --> 00:44:32,255
The opportunity to express that
886
00:44:32,255 --> 00:44:36,509
was terrifically refreshing
to Harrison as an actor anyway.
887
00:44:36,509 --> 00:44:40,305
And it was a bit of a release
and a relief, as you think, for him too.
888
00:44:40,305 --> 00:44:42,724
They're gonna break a bit of new ground.
889
00:44:42,724 --> 00:44:44,934
I must say, it's been a lot of fun.
890
00:44:44,934 --> 00:44:47,187
[chattering]
891
00:44:47,187 --> 00:44:48,396
[crew] Is that what it was?
892
00:44:48,396 --> 00:44:50,732
[Indiana Jones] Brutal couple of years,
huh, Charlie?
893
00:44:50,732 --> 00:44:53,068
First Dad, then Marcus.
894
00:44:54,569 --> 00:44:58,239
[Marshall] Along the way, obviously,
we've lost some of our close friends.
895
00:44:58,239 --> 00:45:00,283
There's a lot of sadness.
896
00:45:01,034 --> 00:45:03,411
You know, when I think about River Phoenix
897
00:45:03,411 --> 00:45:06,581
and what he brought
to the character of Young Indy...
898
00:45:06,581 --> 00:45:08,416
Harrison had suggested River Phoenix
899
00:45:08,416 --> 00:45:11,294
{\an8}because he had just
worked with him on Mosquito Coast.
900
00:45:11,294 --> 00:45:13,380
{\an8}And he knew what a wonderful actor he was.
901
00:45:14,005 --> 00:45:18,009
{\an8}While doing Mosquito Coast,
I kept a close eye on Harrison,
902
00:45:18,009 --> 00:45:20,261
{\an8}and I noticed some of his traits,
903
00:45:20,261 --> 00:45:23,473
and I would, uh, sometimes mimic him
and get a few laughs.
904
00:45:23,473 --> 00:45:24,683
[whip cracks]
905
00:45:24,683 --> 00:45:27,936
And it was fun.
I wanted to be a younger Indy.
906
00:45:27,936 --> 00:45:29,521
- Ready?
- [Spielberg] Yeah. Go.
907
00:45:30,605 --> 00:45:34,150
All right. And then the lion lunges,
and you go back right to there.
908
00:45:34,150 --> 00:45:35,235
No farther than that.
909
00:45:35,235 --> 00:45:37,904
[Phoenix] I think the character
is a great character,
910
00:45:37,904 --> 00:45:39,447
and it's very well written.
911
00:45:39,447 --> 00:45:43,618
And then you bring Harrison in,
and he just-- He's so charming.
912
00:45:43,618 --> 00:45:44,661
He's got it down.
913
00:45:45,328 --> 00:45:47,372
He just guided me through stuff, um,
914
00:45:47,372 --> 00:45:49,708
gave me a little more insight
on the character.
915
00:45:49,708 --> 00:45:52,836
Gave me a feeling
for where it all comes from,
916
00:45:52,836 --> 00:45:54,629
the way he reacts to things, um...
917
00:45:54,629 --> 00:45:56,464
You know, what's going on in his head.
918
00:45:56,464 --> 00:45:58,967
And I just played that, but younger,
919
00:45:58,967 --> 00:46:02,929
and a little more innocence,
a little, uh, more amateur.
920
00:46:02,929 --> 00:46:05,390
Oh! Oh! Oh, no.
921
00:46:05,390 --> 00:46:07,225
["The Raiders March" playing]
922
00:46:07,225 --> 00:46:11,354
[Marshall] The sort of generosity
that Harrison had with River,
923
00:46:11,354 --> 00:46:12,689
River ate that up.
924
00:46:12,689 --> 00:46:16,943
River was so thankful to Harrison
for giving him that knowledge.
925
00:46:17,527 --> 00:46:19,029
No, Dad. You listen to me.
926
00:46:19,029 --> 00:46:21,990
- [Henry Jones] Junior!
- One, two, three, four...
927
00:46:21,990 --> 00:46:23,408
[Henry Jones] In Greek.
928
00:46:23,408 --> 00:46:25,326
If I have to compare all the movies,
929
00:46:25,326 --> 00:46:27,037
my favorite is Raiders of the Lost Ark.
930
00:46:27,037 --> 00:46:30,206
And my second favorite,
out of the four I made,
931
00:46:30,206 --> 00:46:33,209
is the one with Sean Connery
playing Indy's dad.
932
00:46:33,209 --> 00:46:36,421
But the Temple of Doom,
the second Indiana Jones movie,
933
00:46:36,421 --> 00:46:37,839
absolutely changed my life.
934
00:46:38,506 --> 00:46:42,677
And that is that the girl I cast to play
Willie Scott turned out to be my wife.
935
00:46:42,677 --> 00:46:48,099
So, in a sense, I owe more than
I can ever express to that experience
936
00:46:48,099 --> 00:46:50,310
for introducing me to Kate Capshaw.
937
00:46:50,310 --> 00:46:54,230
[Capshaw] Indiana Jones
changed my life, absolutely. [chuckles]
938
00:46:54,230 --> 00:46:57,108
It flipped it, completely.
939
00:46:57,108 --> 00:46:59,611
- [Marshall] It's-- Oh, sorry.
- [giggles]
940
00:47:00,278 --> 00:47:03,448
[Capshaw] Kathy, Frank, Harrison,
Steven and me,
941
00:47:03,448 --> 00:47:06,326
best friends, and it was so much fun.
942
00:47:06,326 --> 00:47:07,660
[guns squeaking]
943
00:47:07,660 --> 00:47:08,745
[giggles]
944
00:47:12,332 --> 00:47:14,668
{\an8}Indiana Jones from Princeton, New Jersey.
945
00:47:15,669 --> 00:47:18,004
{\an8}What's happening in Europe?
Is the war over?
946
00:47:18,004 --> 00:47:20,006
Germans still hold most of Belgium.
947
00:47:20,006 --> 00:47:21,883
[Mitchell] I was so invested
in Indiana Jones
948
00:47:21,883 --> 00:47:23,468
that when that finally came to TV,
949
00:47:23,468 --> 00:47:25,387
you just thought,
"What's this going to be?
950
00:47:25,387 --> 00:47:27,555
And how is it going to be realized?"
951
00:47:28,390 --> 00:47:30,642
It was actually a show that ends up
being as much about history,
952
00:47:30,642 --> 00:47:33,853
in fact, more so than the movies do
about real history.
953
00:47:33,853 --> 00:47:36,690
And how this character
interacts with history.
954
00:47:37,440 --> 00:47:41,361
Good lord. This is not
as you said it would be, Dr. Jones!
955
00:47:41,361 --> 00:47:43,988
[Mitchell] And to see him turn up in it--
And you didn't know,
956
00:47:43,988 --> 00:47:46,032
{\an8}'cause in those days
we didn't get announcements.
957
00:47:46,032 --> 00:47:47,867
{\an8}We didn't have
what they now call the Internet.
958
00:47:47,867 --> 00:47:51,246
And so, it was nice to see him show up
as a surprise.
959
00:47:51,246 --> 00:47:54,207
{\an8}Harrison will then come up to here.
Saginaw will come up behind him.
960
00:47:54,207 --> 00:47:56,209
{\an8}Can we get both of them in
if he does that?
961
00:47:56,209 --> 00:47:58,545
{\an8}[Lucas] It was a lot of fun
doing this episode.
962
00:47:58,545 --> 00:48:02,632
Uh, Harrison did us a favor,
and it was a fun little weekend.
963
00:48:02,632 --> 00:48:06,720
And it's fun. It's like visiting a friend
and making a movie at the same time.
964
00:48:06,720 --> 00:48:07,887
Want a cookie?
965
00:48:07,887 --> 00:48:09,305
- No.
- [Lucas laughs]
966
00:48:09,305 --> 00:48:11,558
He just reminded me of how much I owe him.
967
00:48:12,851 --> 00:48:15,520
No, I'm glad to do it. It's fun.
968
00:48:15,520 --> 00:48:18,231
And besides, I live here. [chuckles]
969
00:48:18,231 --> 00:48:20,650
First of all, it shows
his devotion to the character.
970
00:48:20,650 --> 00:48:22,485
[Lucas] And action.
971
00:48:22,485 --> 00:48:26,781
[Mitchell] We felt his sense of approval
of what this show was trying to do.
972
00:48:26,781 --> 00:48:28,950
And, I think, in terms of ambition,
973
00:48:28,950 --> 00:48:31,953
it matched up with what he wanted
to see from that character.
974
00:48:31,953 --> 00:48:34,164
[horn blows]
975
00:48:36,249 --> 00:48:38,251
[screams]
976
00:48:39,669 --> 00:48:43,006
[Marshall] I think Harrison
always looked forward to playing Indy.
977
00:48:43,006 --> 00:48:46,676
He was so enthusiastic
to get back into character.
978
00:48:49,929 --> 00:48:53,183
Their treasure wasn't gold.
It was knowledge.
979
00:48:53,183 --> 00:48:54,684
Knowledge was their treasure.
980
00:48:55,310 --> 00:48:56,936
[Allen] When we finished the fourth one,
981
00:48:56,936 --> 00:48:59,731
{\an8}I remember Steven, very enthusiastically,
982
00:48:59,731 --> 00:49:03,234
{\an8}Steven Spielberg,
talking about wanting to do a fifth one.
983
00:49:04,527 --> 00:49:07,822
There was this feeling
that there was more story to tell,
984
00:49:08,573 --> 00:49:13,370
and that as Indiana Jones
and Marion Ravenwood were getting married,
985
00:49:13,370 --> 00:49:16,790
it indicated, you know, more to come.
986
00:49:16,790 --> 00:49:18,458
[chattering, laughing]
987
00:49:18,458 --> 00:49:22,170
I think that we all felt, you know,
another one would happen,
988
00:49:22,170 --> 00:49:24,673
and then a lot of time passed.
989
00:49:24,673 --> 00:49:28,551
And it-- it started
to feel less and less likely.
990
00:49:28,551 --> 00:49:32,722
Well, I think all of us wanted
to make one final Indiana Jones movie.
991
00:49:32,722 --> 00:49:36,476
And I sort of felt
that I had done four of them.
992
00:49:37,352 --> 00:49:39,104
And that was gonna be it for me.
993
00:49:40,146 --> 00:49:43,650
But I really was encouraging
this fifth film to be made.
994
00:49:44,651 --> 00:49:47,654
[Kennedy] And so to sit here
and really ask ourselves,
995
00:49:47,654 --> 00:49:50,657
"Could you go make
another Indiana Jones movie
996
00:49:50,657 --> 00:49:53,827
with someone else playing Indiana Jones?"
997
00:49:53,827 --> 00:49:57,038
It is a very clear no.
998
00:49:58,498 --> 00:50:00,000
[Jez Butterworth] So the obvious challenge
999
00:50:00,000 --> 00:50:04,004
is that you're returning
to a genre without recasting.
1000
00:50:05,380 --> 00:50:09,509
{\an8}You've got the same actor
who was playing this in his mid-30s
1001
00:50:09,509 --> 00:50:11,344
{\an8}playing it in his late 70s.
1002
00:50:11,344 --> 00:50:16,224
And I think that what had been perceived
perhaps as a disadvantage,
1003
00:50:16,224 --> 00:50:22,814
i.e. this player is past, you know,
his sell-by date, was all the advantage.
1004
00:50:27,027 --> 00:50:32,782
I always was ambitious
for seeing Indiana Jones at this age,
1005
00:50:33,783 --> 00:50:37,120
because he was
so much about his physicality,
1006
00:50:37,954 --> 00:50:39,706
so much about his passion,
1007
00:50:39,706 --> 00:50:42,542
so much about being a young man.
1008
00:50:44,127 --> 00:50:48,381
I wanted to see him in circumstances
we had not seen him in before.
1009
00:50:48,381 --> 00:50:51,843
And I thought, obviously,
the hook for that is age.
1010
00:50:54,137 --> 00:50:58,308
I wanted to make a movie about
Indiana Jones near the end of his life.
1011
00:51:03,855 --> 00:51:09,444
{\an8}On paper, the idea of doing
another Indiana Jones movie was daunting.
1012
00:51:09,444 --> 00:51:10,945
[crickets chirping]
1013
00:51:10,945 --> 00:51:13,031
Not only because you're following
1014
00:51:13,031 --> 00:51:16,659
one of the greatest filmmakers of all time
in Steven Spielberg.
1015
00:51:19,371 --> 00:51:23,708
The reason I did it was honestly
more personal than pragmatic.
1016
00:51:25,210 --> 00:51:29,881
I was thinking back to the noon show
on opening day in 1981.
1017
00:51:29,881 --> 00:51:31,675
[people clamoring]
1018
00:51:32,634 --> 00:51:34,761
[whooshing]
1019
00:51:34,761 --> 00:51:36,179
Very dangerous.
1020
00:51:36,179 --> 00:51:37,681
You go first.
1021
00:51:39,516 --> 00:51:43,603
And that all these people's names
were on that movie, and they're all here,
1022
00:51:43,603 --> 00:51:47,023
somehow asking this kid
from upstate New York to make one.
1023
00:51:47,023 --> 00:51:49,109
And that they'd work with me.
1024
00:51:49,109 --> 00:51:51,820
Such a full circle journey in my own life.
1025
00:51:51,820 --> 00:51:53,613
[no audible dialogue]
1026
00:51:55,532 --> 00:51:58,118
- And cut.
- [crew chattering, laughs]
1027
00:51:58,118 --> 00:51:59,536
I couldn't resist.
1028
00:52:00,078 --> 00:52:05,083
Your father thought this thing
could predict fissures in time.
1029
00:52:05,083 --> 00:52:08,545
I was thrilled
with the script that we had--
1030
00:52:09,212 --> 00:52:12,882
the script that Jim Mangold developed
with the Butterworth brothers,
1031
00:52:12,882 --> 00:52:15,677
English playwrights and screenwriters.
1032
00:52:15,677 --> 00:52:17,721
And they came up with a wonderful concept.
1033
00:52:18,722 --> 00:52:21,558
[Mangold] I knew the movie was about time.
1034
00:52:22,100 --> 00:52:24,936
Opportunities missed, opportunities lost,
1035
00:52:24,936 --> 00:52:27,689
choices made, irrevocable mistakes.
1036
00:52:27,689 --> 00:52:30,525
[soldiers singing]
1037
00:52:30,525 --> 00:52:33,278
Indy was a hero in 1944.
1038
00:52:33,278 --> 00:52:36,281
Now Indy's 70, and these are our heroes.
1039
00:52:36,281 --> 00:52:37,449
The astronauts.
1040
00:52:37,449 --> 00:52:40,201
[Mangold]
The world has, in a sense, moved on.
1041
00:52:40,827 --> 00:52:44,205
It really is a lot
about watching him looking at himself,
1042
00:52:44,205 --> 00:52:46,708
and taking the measure of himself.
1043
00:52:46,708 --> 00:52:48,793
But not in a melancholy way.
1044
00:52:48,793 --> 00:52:50,879
It's a character assessing himself.
1045
00:52:51,463 --> 00:52:53,465
And there's some part of us that realizes
1046
00:52:53,465 --> 00:52:57,761
that maybe it's also Harrison
assessing himself as a character,
1047
00:52:57,761 --> 00:53:00,764
and what that character's
come to represent for all of us.
1048
00:53:00,764 --> 00:53:02,557
[person on TV, indistinct]
1049
00:53:02,557 --> 00:53:07,896
[Mangold] I wanted to start Indy
as far as I could from being a hero again.
1050
00:53:07,896 --> 00:53:10,565
Those days have come and gone.
1051
00:53:11,483 --> 00:53:14,611
So we'd feel the elation
when he stepped back into those shoes.
1052
00:53:20,533 --> 00:53:23,703
Ha! See you tomorrow, Indiana Jones.
1053
00:53:24,954 --> 00:53:28,291
[John-Henry] There's always a character
who Indy has a past with
1054
00:53:28,291 --> 00:53:30,335
who drags him into the narrative,
1055
00:53:30,335 --> 00:53:32,253
or gets dragged
into the narrative with him.
1056
00:53:32,253 --> 00:53:35,340
What we were trying to do
was create something new
1057
00:53:35,340 --> 00:53:39,302
that did have a familial aspect,
or to have something to do with his past.
1058
00:53:39,302 --> 00:53:40,679
[cheering]
1059
00:53:40,679 --> 00:53:43,014
[Kennedy] Phoebe and I
had done Solo together.
1060
00:53:43,014 --> 00:53:45,809
So we went and had dinner and I said,
1061
00:53:45,809 --> 00:53:50,814
"Hey, I'm just gonna ask you something
that I have no idea how you would respond.
1062
00:53:50,814 --> 00:53:54,150
But we would all love it
if you would consider
1063
00:53:54,150 --> 00:53:59,322
taking the role opposite Harrison
in the last Indiana Jones movie."
1064
00:53:59,322 --> 00:54:03,827
And she literally fell
into the-- into the booth.
1065
00:54:03,827 --> 00:54:06,621
I mean, it's the kind of line you hear,
and you think it's a joke,
1066
00:54:06,621 --> 00:54:08,456
'cause I remember
just being like... [laughs]
1067
00:54:08,456 --> 00:54:10,583
Can we have
another bottle of wine, please?
1068
00:54:10,583 --> 00:54:12,669
And then she had a big like, "Yeah."
1069
00:54:12,669 --> 00:54:14,838
The bottle of wine came,
and I was like, "This is hilarious."
1070
00:54:14,838 --> 00:54:17,007
She's like, "I'm serious." [laughs]
1071
00:54:17,007 --> 00:54:20,176
She was my first choice for the part.
1072
00:54:20,802 --> 00:54:23,680
She brings a special kind of energy.
1073
00:54:23,680 --> 00:54:25,640
[Mangold] It was clear
that we should cast her
1074
00:54:25,640 --> 00:54:28,143
even before we had started writing.
1075
00:54:28,143 --> 00:54:29,894
There was no one else we had in mind.
1076
00:54:29,894 --> 00:54:32,772
We were only writing it
thinking of her voice.
1077
00:54:32,772 --> 00:54:34,691
The biggest terrifying moment
1078
00:54:34,691 --> 00:54:37,277
was when we finally
gave the script to Phoebe to read
1079
00:54:37,277 --> 00:54:38,862
not knowing whether she would say yes,
1080
00:54:38,862 --> 00:54:41,531
and not having any idea
where we'd go if she said no.
1081
00:54:42,198 --> 00:54:44,951
[Waller-Bridge]
Harrison, he actually phoned me first,
1082
00:54:44,951 --> 00:54:47,954
and I had a voicemail
that was just a really long pause.
1083
00:54:47,954 --> 00:54:52,250
And then... [in deep voice]
..."Hey, this is, uh, Harrison Ford."
1084
00:54:52,250 --> 00:54:55,086
[laughs] You know,
I was just like, "What?"
1085
00:54:56,254 --> 00:54:58,048
- [Mangold] All right, let's go.
- I got you. Ready.
1086
00:54:58,048 --> 00:54:59,924
[Mangold] All right, here we go.
Background action.
1087
00:54:59,924 --> 00:55:01,509
And action!
1088
00:55:01,509 --> 00:55:03,803
[Waller-Bridge]
We had a conversation about the film.
1089
00:55:03,803 --> 00:55:05,847
He was like,
"I'm excited about this movie."
1090
00:55:05,847 --> 00:55:07,349
And I was, "When you come over,
1091
00:55:07,349 --> 00:55:10,226
I'd love to have a meal with you,
a lunch, or a drink or something.
1092
00:55:10,226 --> 00:55:11,728
Maybe we should do that.
It'd be really fun."
1093
00:55:11,728 --> 00:55:14,147
He was like, "Oh, no. I don't think so."
[laughs]
1094
00:55:14,147 --> 00:55:16,441
Then I was like, "Oh."
Then he mentioned he played tennis.
1095
00:55:16,441 --> 00:55:18,026
I was like, "Maybe we should play tennis."
1096
00:55:18,026 --> 00:55:21,821
And he was like... [inhales]
..."No, I'm good. Thanks."
1097
00:55:21,821 --> 00:55:24,324
I was like, "Okay.
Well, I'll see you first day on set."
1098
00:55:26,451 --> 00:55:28,787
The first day, I was really nervous.
1099
00:55:28,787 --> 00:55:32,374
But Harrison was just, like,
so warm and just open arms, and just like,
1100
00:55:32,374 --> 00:55:34,959
"Hey! Here we are.
We're making this thing happen."
1101
00:55:34,959 --> 00:55:38,296
I don't need morality lessons
from an aging grave robber!
1102
00:55:38,296 --> 00:55:41,591
[Waller-Bridge] I said to him, "At any
point you think I'm shit, please tell me.
1103
00:55:41,591 --> 00:55:43,385
And I'd rather you just say it.
1104
00:55:43,385 --> 00:55:45,887
Or help me out, 'cause no one
knows this craft better than you."
1105
00:55:45,887 --> 00:55:46,805
Whoo!
1106
00:55:46,805 --> 00:55:49,265
- He was like, "You're doing good, kid."
- [Mangold] Cut!
1107
00:55:49,265 --> 00:55:51,101
[Waller-Bridge]
That's all you really want, isn't it?
1108
00:55:51,101 --> 00:55:53,895
Harrison Ford to squeeze your shoulder
and say, "You're doing good, kid."
1109
00:55:55,063 --> 00:55:57,065
I could barely keep up with her,
1110
00:55:57,065 --> 00:56:00,527
which is probably
no surprise to anybody but me.
1111
00:56:00,527 --> 00:56:03,029
- No, she's fantastic. She's got--
- No, no.
1112
00:56:03,697 --> 00:56:07,033
- I'll do this. She's got long legs.
- [laughs]
1113
00:56:07,033 --> 00:56:09,703
[Waller-Bridge] I'm blown away
by the stamina of this guy.
1114
00:56:09,703 --> 00:56:12,163
'Cause I'm knackered
after about four seconds of running.
1115
00:56:22,549 --> 00:56:28,763
Harrison inevitably will arrive to set
poking and prodding at what we're doing.
1116
00:56:28,763 --> 00:56:30,015
What?
1117
00:56:30,015 --> 00:56:36,730
And the thing he's most looking for
is ways to undermine the BS.
1118
00:56:36,730 --> 00:56:41,651
Harrison's interest is always
in how to get closer to reality,
1119
00:56:41,651 --> 00:56:43,445
and then how to extract the fun.
1120
00:56:43,445 --> 00:56:44,821
[Waller-Bridge]
They make each other laugh,
1121
00:56:44,821 --> 00:56:46,948
and they take each other
incredibly seriously.
1122
00:56:46,948 --> 00:56:48,324
Indiana Jones wouldn't do that.
1123
00:56:49,617 --> 00:56:52,203
There is a sort of hurricane
that happens when they're together.
1124
00:56:52,203 --> 00:56:54,914
Jim would push Harrison,
and Harrison would push Jim.
1125
00:56:54,914 --> 00:56:56,624
I was really inspired by that to see that.
1126
00:56:56,624 --> 00:56:59,544
Even when they would disagree
on something, it would be like... [groans]
1127
00:56:59,544 --> 00:57:02,172
Then they would be, "I love you"...
[grumbles, laughs] ...afterwards.
1128
00:57:02,172 --> 00:57:03,423
Yeah, baby!
1129
00:57:04,049 --> 00:57:05,633
[Mikkelsen]
I loved both of their energies.
1130
00:57:05,633 --> 00:57:09,971
{\an8}I mean, I loved the "Let's cut
the bullshit" part of both of them.
1131
00:57:09,971 --> 00:57:13,558
You know, "Let's do it again.
Uh, I wasn't happy."
1132
00:57:13,558 --> 00:57:15,101
"We'll do it again." I love it.
1133
00:57:15,101 --> 00:57:17,187
We don't have to chitchat
too much about this.
1134
00:57:17,187 --> 00:57:19,356
We know what we're doing.
Let's do it again.
1135
00:57:20,023 --> 00:57:21,775
- This is where I'm turning.
- [Mangold] Yes.
1136
00:57:21,775 --> 00:57:23,777
If the director gets the cue right.
1137
00:57:23,777 --> 00:57:26,363
- Okay, you got it. I'll hit you there.
- [crew] All right. Here we go.
1138
00:57:26,363 --> 00:57:31,326
[Ford] We're a couple of pretty bodacious,
uninhibited kind of guys.
1139
00:57:31,326 --> 00:57:32,827
And we yell at each other.
1140
00:57:32,827 --> 00:57:35,705
And I tell him he's full of shit,
and he tells me I'm full of shit.
1141
00:57:36,456 --> 00:57:38,917
And we get along really well. [laughs]
1142
00:57:38,917 --> 00:57:40,168
And we have fun.
1143
00:57:40,168 --> 00:57:42,796
- [laughs]
- I just didn't know that you knew it.
1144
00:57:42,796 --> 00:57:45,548
- [Mangold] I know it. I know it.
- [laughing]
1145
00:57:45,548 --> 00:57:49,135
{\an8}There's this image of Harrison Ford
that's out there that you're grumpy.
1146
00:57:50,428 --> 00:57:53,682
{\an8}- That's horse[bleep]
- [audience laughs]
1147
00:57:54,391 --> 00:57:55,558
[Marshall] I think what irritates him
1148
00:57:55,558 --> 00:58:00,230
is somebody who's not a hundred percent
involved in what they're doing.
1149
00:58:00,230 --> 00:58:02,190
Somebody who doesn't have
1150
00:58:02,190 --> 00:58:06,611
that passion and enthusiasm
for making movies that we all have.
1151
00:58:06,611 --> 00:58:10,323
You've done whatever you've wanted
your entire life, Indiana Jones.
1152
00:58:10,323 --> 00:58:14,661
And then someone else comes along who
has their own opinion, and you get cranky.
1153
00:58:14,661 --> 00:58:16,579
Yeah, correct.
1154
00:58:16,579 --> 00:58:20,417
He doesn't put up with
people who kind of phone it in.
1155
00:58:20,417 --> 00:58:24,587
Oh, yeah. That's because being
in a bad movie scares the shit out of me.
1156
00:58:25,422 --> 00:58:29,217
What pisses Harrison off
is people not being prepared,
1157
00:58:29,217 --> 00:58:32,137
people not being
respectful of the job he's doing.
1158
00:58:32,137 --> 00:58:37,726
He likes there to be focus and attention
on the set. It's about the movie.
1159
00:58:37,726 --> 00:58:40,478
And I think he demands that.
1160
00:58:40,478 --> 00:58:45,108
Which is great because
it articulates expectation right up front.
1161
00:58:45,108 --> 00:58:47,485
- [crew] Ready?
- Ready! Run around!
1162
00:58:47,485 --> 00:58:49,070
- [Mangold] Here we go.
- Hurry up, you guys!
1163
00:58:49,070 --> 00:58:50,989
- [Mangold] Right away.
- We're making a movie!
1164
00:58:51,531 --> 00:58:53,074
Thank you very much!
1165
00:58:53,700 --> 00:58:55,744
Excellent! Ready?
1166
00:58:55,744 --> 00:58:57,579
- [Mangold] Okay. Here we go.
- Shut up.
1167
00:58:58,288 --> 00:59:00,123
[Kennedy] He's always larger than life.
1168
00:59:00,123 --> 00:59:01,541
- [Ford cheers]
- [crew cheering]
1169
00:59:01,541 --> 00:59:03,376
But he is so much fun,
1170
00:59:03,376 --> 00:59:06,880
and I think that that's always been
at the core of his performances,
1171
00:59:06,880 --> 00:59:08,715
and why he's so relatable.
1172
00:59:08,715 --> 00:59:12,218
{\an8}Everybody, this is my wife on the phone
that can't be here for my birthday.
1173
00:59:13,428 --> 00:59:14,929
{\an8}Hi, honey. I'll be home soon.
1174
00:59:14,929 --> 00:59:16,264
- Hey!
- [all laugh]
1175
00:59:16,264 --> 00:59:18,433
- Don't worry.
- Hey, don't-- That's the wrong guy!
1176
00:59:18,433 --> 00:59:20,435
- Can't wait to see you.
- Don't listen to him.
1177
00:59:20,435 --> 00:59:22,312
[Watach] He's very funny.
1178
00:59:22,312 --> 00:59:25,607
{\an8}He has a very wicked sense of humor.
1179
00:59:26,232 --> 00:59:29,611
{\an8}It's potentially very dark,
but very funny.
1180
00:59:29,611 --> 00:59:30,945
{\an8}It's a contact sport
1181
00:59:30,945 --> 00:59:33,782
{\an8}when you come into contact
with a man like him.
1182
00:59:33,782 --> 00:59:35,617
{\an8}Luckily, he sorted me out.
1183
00:59:35,617 --> 00:59:39,871
Next time things get messy,
I've got that on.
1184
00:59:40,663 --> 00:59:43,333
So when I just need to do this,
I just get him out of there.
1185
00:59:44,209 --> 00:59:47,128
[Ford] It's great to see people
who know what they're doing,
1186
00:59:47,128 --> 00:59:49,756
and enjoy their work, and work together.
1187
00:59:49,756 --> 00:59:51,966
It's a great crew. Hardworking people.
1188
00:59:51,966 --> 00:59:53,718
Very happy to be working with them.
1189
00:59:56,346 --> 00:59:58,223
[Kennedy]
The interesting thing with Harrison
1190
00:59:58,223 --> 01:00:00,600
is there is such an attention to detail.
1191
01:00:00,600 --> 01:00:03,645
He is a very, very meticulous person.
1192
01:00:03,645 --> 01:00:06,940
It's no surprise
that he was a finish carpenter.
1193
01:00:07,565 --> 01:00:12,112
And that attention to detail goes
into every single thing he does.
1194
01:00:12,112 --> 01:00:16,199
[Ford] Carpentry depends
on a logical sequence of events.
1195
01:00:16,199 --> 01:00:18,243
You take rough material,
and you make it smooth.
1196
01:00:18,243 --> 01:00:19,327
You make it straight.
1197
01:00:19,327 --> 01:00:21,329
And then you decide how
1198
01:00:21,329 --> 01:00:24,666
the figure in the wood
will give the most pleasant appearance.
1199
01:00:25,417 --> 01:00:28,169
In the same way,
when you build a character or film role,
1200
01:00:28,169 --> 01:00:30,005
you want to proceed in the same way,
1201
01:00:30,005 --> 01:00:33,758
working from a foundation
up into the cosmetic aspects of them.
1202
01:00:34,426 --> 01:00:36,261
- Hello, Harrison.
- Hey, Mo.
1203
01:00:37,137 --> 01:00:40,015
[Torbett] Harrison said he was gonna pop
down, and he came down on his push-bike.
1204
01:00:40,015 --> 01:00:43,101
{\an8}He literally rode straight into the cage,
and just went through his bits.
1205
01:00:43,101 --> 01:00:47,188
{\an8}Took his time. Wasn't in a rush.
Gave every piece a good bit of thought.
1206
01:00:47,188 --> 01:00:51,776
Tried bits on. I think his words were,
"It's just a bit tatty."
1207
01:00:51,776 --> 01:00:53,778
So, fingers crossed.
We're gonna show him that later on,
1208
01:00:53,778 --> 01:00:55,363
once it's had a cleanup.
1209
01:00:55,363 --> 01:00:58,366
I have to pinch myself sometimes
that I'm actually doing this film.
1210
01:00:58,366 --> 01:01:01,286
It's funny, 'cause I showed Harrison
yesterday a picture of my dad
1211
01:01:01,286 --> 01:01:03,079
who worked on the original film.
1212
01:01:03,079 --> 01:01:05,999
I've actually got to get my dad
to autograph the photo
1213
01:01:05,999 --> 01:01:07,584
and give it back to Harrison.
1214
01:01:07,584 --> 01:01:09,753
[laughs] He said that yesterday.
1215
01:01:09,753 --> 01:01:11,129
- Props!
- [Torbett] Coming, sir.
1216
01:01:11,129 --> 01:01:12,380
[Waller-Bridge laughs]
1217
01:01:12,380 --> 01:01:14,674
- What took you so long?
- [crew laughs]
1218
01:01:15,383 --> 01:01:17,844
[De Magalhães] It's basically
just getting the costume right
1219
01:01:17,844 --> 01:01:19,512
for the scene that we're shooting.
1220
01:01:19,512 --> 01:01:22,098
I mean, such an honor to dress him.
1221
01:01:22,098 --> 01:01:23,850
He likes to put the hat himself.
1222
01:01:23,850 --> 01:01:26,603
{\an8}I give the hat to him like that.
1223
01:01:26,603 --> 01:01:28,104
{\an8}I give it. "There you go, Harrison."
1224
01:01:28,104 --> 01:01:32,025
And he is the one that puts it on,
and he does it.
1225
01:01:32,025 --> 01:01:34,986
And he always does that... You know? Yeah.
1226
01:01:34,986 --> 01:01:37,572
That bit there.
It's slightly big for me anyway.
1227
01:01:37,572 --> 01:01:38,740
[laughs]
1228
01:01:39,908 --> 01:01:42,660
[Ford] I mean, you put it on,
you're Indiana Jones.
1229
01:01:42,660 --> 01:01:45,413
That's all you need to have a character.
1230
01:01:46,706 --> 01:01:48,750
[Waller-Bridge] I think it was
about a month into filming
1231
01:01:48,750 --> 01:01:50,293
before I saw him in the outfit.
1232
01:01:50,293 --> 01:01:51,628
We were in Sicily.
1233
01:01:51,628 --> 01:01:54,297
I had to follow him up a path
and then into a cave.
1234
01:01:54,297 --> 01:01:56,383
And we had to be looking very serious.
1235
01:01:56,383 --> 01:01:59,052
And I kept getting Jim coming up to me
and being like,
1236
01:01:59,052 --> 01:02:01,137
"Phoebe, you have to stop smiling.
1237
01:02:01,137 --> 01:02:04,182
You're walking behind him,
and you're smiling." [laughs]
1238
01:02:04,182 --> 01:02:07,977
I was like, "I'm not, I swear I'm not."
And he was showing me.
1239
01:02:07,977 --> 01:02:11,648
Because Harrison first came on
in the outfit and I was just... [gasps]
1240
01:02:11,648 --> 01:02:15,568
And then in every scene after that,
I was just... [laughs] ...behind him.
1241
01:02:15,568 --> 01:02:17,696
And, eventually,
Jim was like, "You're scared.
1242
01:02:17,696 --> 01:02:20,240
This is high-stakes situation.
Stop giggling."
1243
01:02:22,158 --> 01:02:23,493
[brakes squealing]
1244
01:02:23,493 --> 01:02:25,829
Renny! Renaldo!
1245
01:02:25,829 --> 01:02:26,830
Ah!
1246
01:02:26,830 --> 01:02:30,250
[Banderas] He knows the impact
that he produces in people
1247
01:02:30,250 --> 01:02:33,128
{\an8}when he's working dressed
as Indiana Jones.
1248
01:02:33,128 --> 01:02:37,841
So I'm very thankful to him because,
psychologically, he knows very well
1249
01:02:37,841 --> 01:02:42,554
how to play with you
in order to make you feel comfortable.
1250
01:02:42,554 --> 01:02:45,849
It made me feel
participant immediately of the scene.
1251
01:02:45,849 --> 01:02:47,600
"What do you think about that?
What are you--"
1252
01:02:47,600 --> 01:02:50,895
So you forget, actually,
as soon as possible,
1253
01:02:50,895 --> 01:02:53,898
that you are in front of Indiana Jones
and all that thing, you know?
1254
01:02:53,898 --> 01:02:56,234
So it's beautiful. [laughs]
1255
01:02:56,234 --> 01:02:58,111
When I do it, do it again.
1256
01:02:58,111 --> 01:02:59,696
I'm gonna hit you
to give you that direction.
1257
01:02:59,696 --> 01:03:01,614
- [actor] I'll go. Yeah, yeah.
- [Ford] Yeah.
1258
01:03:02,198 --> 01:03:03,199
[grunts]
1259
01:03:04,909 --> 01:03:06,369
[crew 1] Then over here a little bit more.
1260
01:03:07,328 --> 01:03:09,372
- [crew 2] Set.
- [Mangold] All right, here we go!
1261
01:03:09,372 --> 01:03:10,790
And background.
1262
01:03:10,790 --> 01:03:14,210
170, anyone? Anyone. Going! Going!
1263
01:03:14,210 --> 01:03:15,795
- [Indiana Jones] Gone.
- [gasps]
1264
01:03:15,795 --> 01:03:17,130
[customer] What are you doing?
1265
01:03:17,130 --> 01:03:19,507
[Kennedy]
Harrison wants things to be real.
1266
01:03:19,507 --> 01:03:22,927
You know,
he is a bit of an adventurer himself.
1267
01:03:22,927 --> 01:03:24,596
He wants to work hard.
1268
01:03:24,596 --> 01:03:29,601
He wants to learn how to handle that whip
better than anybody can.
1269
01:03:29,601 --> 01:03:31,269
- [screams]
- [grunts]
1270
01:03:32,020 --> 01:03:35,106
He wants to be the one
riding the actual horse.
1271
01:03:35,106 --> 01:03:38,693
He doesn't want to rely
on stunt people to do that.
1272
01:03:38,693 --> 01:03:40,862
And that was always
a big issue of contention.
1273
01:03:40,862 --> 01:03:43,490
Everybody was very reluctantly
having to say,
1274
01:03:43,490 --> 01:03:47,660
"Yeah, but, you know,
you're not a kid anymore."
1275
01:03:47,660 --> 01:03:49,204
And he didn't care.
1276
01:03:49,204 --> 01:03:52,540
He wanted to be the one
that was in there getting it done.
1277
01:03:54,125 --> 01:03:55,919
Anybody can ride a horse.
1278
01:03:55,919 --> 01:03:59,214
And there were a lot of concerns
about my safety,
1279
01:03:59,214 --> 01:04:02,509
all of which
both amused and infuriated me.
1280
01:04:03,301 --> 01:04:05,303
Should he do it? I don't know.
1281
01:04:05,303 --> 01:04:08,973
I mean, my wife always tells me
that I shouldn't have done that stunt.
1282
01:04:08,973 --> 01:04:10,517
"Why did you do it?"
1283
01:04:10,517 --> 01:04:12,727
So who am I to tell Harrison
that he shouldn't?
1284
01:04:12,727 --> 01:04:14,396
I understand exactly where it comes from.
1285
01:04:14,396 --> 01:04:15,647
He loves what he's doing.
1286
01:04:15,647 --> 01:04:20,151
And if he can do it, and he can do it
better than the other ones, let him do it.
1287
01:04:20,151 --> 01:04:25,615
[Wilson] Seeing Harrison Ford
at, what, now 79, do stunt stuff?
1288
01:04:25,615 --> 01:04:28,159
{\an8}Pray, God, that I have such longevity
1289
01:04:28,159 --> 01:04:30,787
that when I'm nearly 80,
that I'm able to throw a punch.
1290
01:04:30,787 --> 01:04:32,330
Like, that is incredible.
1291
01:04:33,915 --> 01:04:35,250
[Indiana Jones] We gotta jump!
1292
01:04:35,250 --> 01:04:36,835
What about my dicky knee?
1293
01:04:36,835 --> 01:04:38,545
[screams]
1294
01:04:38,545 --> 01:04:40,505
[screaming]
1295
01:04:40,505 --> 01:04:43,633
{\an8}I've understood something
about the nature of these films
1296
01:04:43,633 --> 01:04:46,302
that I hadn't fully
taken seriously before.
1297
01:04:46,302 --> 01:04:48,972
Within the movies,
it's very easy to hurt yourself.
1298
01:04:48,972 --> 01:04:50,974
[shouts, grunts]
1299
01:04:50,974 --> 01:04:54,019
I think of the life he's had
making these movies,
1300
01:04:54,019 --> 01:04:55,979
and the injuries he's sustained--
1301
01:04:55,979 --> 01:04:57,731
It seems absolutely incredible.
1302
01:04:57,731 --> 01:05:00,692
[Allen] You know, Harrison punches
somebody in the jaw or something,
1303
01:05:00,692 --> 01:05:04,070
and he hurts his hand,
like most of us would.
1304
01:05:04,070 --> 01:05:05,905
I heard it was 'cause
he was punching a Nazi.
1305
01:05:05,905 --> 01:05:07,157
[grunts]
1306
01:05:07,907 --> 01:05:10,410
So, at least it was
kind of doing something good.
1307
01:05:11,119 --> 01:05:13,288
[Mangold] Three, two, one, action!
1308
01:05:18,084 --> 01:05:20,670
I wanted to play a physical character,
1309
01:05:20,670 --> 01:05:25,467
and do the same kind of physical acting
that I did when I was 40,
1310
01:05:25,467 --> 01:05:29,054
or 50, or 60, at 80.
1311
01:05:29,054 --> 01:05:31,973
So, it's like we start wide,
we show how high you are...
1312
01:05:31,973 --> 01:05:34,684
[Ford] And I wanted it
to look rough and hard.
1313
01:05:34,684 --> 01:05:38,438
I wanted people to know
how that feels to Indiana Jones.
1314
01:05:38,438 --> 01:05:41,566
I'm thinking about
what the hell I'm doing up here,
1315
01:05:41,566 --> 01:05:44,778
40 feet in the air with crap shoulders,
1316
01:05:44,778 --> 01:05:46,946
crumbling vertebrae,
1317
01:05:46,946 --> 01:05:49,074
a plate in one leg, screws in the other.
1318
01:05:49,074 --> 01:05:51,159
Yeah, I get it. I get it. [sighs]
1319
01:05:51,159 --> 01:05:52,619
No, you don't get it.
1320
01:05:53,286 --> 01:05:55,538
[Mangold] One of the things
you face as you get older
1321
01:05:55,538 --> 01:05:59,042
is knowing the value
of your remaining years on this Earth.
1322
01:05:59,042 --> 01:06:01,711
And wanting to do something useful.
1323
01:06:01,711 --> 01:06:02,796
This is it.
1324
01:06:02,796 --> 01:06:05,006
[Mangold] Does he have
one last adventure in him?
1325
01:06:05,006 --> 01:06:07,008
Does he have the courage to face it again?
1326
01:06:07,008 --> 01:06:08,468
Get in the pool!
1327
01:06:08,468 --> 01:06:14,849
And I think the answer that
I hope the movie offers audiences is yes.
1328
01:06:14,849 --> 01:06:16,726
[both scream]
1329
01:06:18,645 --> 01:06:20,605
{\an8}[Gibbons] How do you explain
this guy's appeal?
1330
01:06:20,605 --> 01:06:22,857
{\an8}He's not standard hero.
1331
01:06:22,857 --> 01:06:25,568
{\an8}He's not standard leading man.
1332
01:06:25,568 --> 01:06:27,987
{\an8}- Good looking son of a bitch, isn't he?
- [chuckles]
1333
01:06:27,987 --> 01:06:31,658
{\an8}No. I mean, what do I know?
You got the wrong guy to ask.
1334
01:06:31,658 --> 01:06:34,327
{\an8}- The movies are very successful.
- You are the guy to ask.
1335
01:06:34,327 --> 01:06:37,956
{\an8}The movies, I'm not talking about
their financial success.
1336
01:06:37,956 --> 01:06:41,042
{\an8}I'm saying, as movies,
they are very successful movies.
1337
01:06:41,042 --> 01:06:45,422
{\an8}That's why. That's why we like them,
because they work as movies.
1338
01:06:45,422 --> 01:06:46,798
{\an8}And we like movies.
1339
01:06:49,300 --> 01:06:52,929
[Rhys-Davies] I think Indiana Jones
didn't just change my life.
1340
01:06:52,929 --> 01:06:55,265
{\an8}It actually changed the nature of film.
1341
01:06:55,265 --> 01:06:58,101
Give 'em hell, Indiana Jones!
1342
01:06:59,144 --> 01:07:03,648
[Mangold] Part of what is the DNA
of an Indiana Jones film
1343
01:07:03,648 --> 01:07:07,986
is it's a kind of optimal display
of all the crafts at their highest form.
1344
01:07:07,986 --> 01:07:11,614
[Banderas] This is a total art
that needs a lot of attention.
1345
01:07:11,614 --> 01:07:13,116
And especially a movie like this,
1346
01:07:13,116 --> 01:07:15,493
where the people is gonna be
with a magnifying glass,
1347
01:07:15,493 --> 01:07:16,995
looking to every detail.
1348
01:07:16,995 --> 01:07:18,621
And action!
1349
01:07:18,621 --> 01:07:20,999
It's everything. It's costumes.
1350
01:07:20,999 --> 01:07:23,501
The hat was good. Hat's good in this.
1351
01:07:23,501 --> 01:07:26,129
- [Marshall] It's props.
- [Ford] Props! Whip!
1352
01:07:26,129 --> 01:07:27,464
[Marshall] It's sound.
1353
01:07:27,464 --> 01:07:28,840
- [whip crack]
- [screams, gasps]
1354
01:07:28,840 --> 01:07:32,260
It's the costumes. It's the actors.
It's the direction. It's the editing.
1355
01:07:33,720 --> 01:07:38,224
Big production values,
action, adventure, great music.
1356
01:07:38,224 --> 01:07:41,936
[whistling "The Raiders March"]
1357
01:07:41,936 --> 01:07:44,606
{\an8}- [applause]
- ["The Raiders March" playing on speakers]
1358
01:07:46,316 --> 01:07:48,109
{\an8}[music fades, ends]
1359
01:07:48,109 --> 01:07:50,403
That damn music follows me everywhere.
1360
01:07:50,403 --> 01:07:52,113
[audience laughs]
1361
01:07:52,739 --> 01:07:56,951
It was playing in the operating room
when I went in for my colonoscopy.
1362
01:07:56,951 --> 01:07:58,703
[audience laughs]
1363
01:07:58,703 --> 01:08:00,038
[applause]
1364
01:08:00,038 --> 01:08:02,957
[Kasdan] "Raiders" is one
of John's greatest scores.
1365
01:08:02,957 --> 01:08:05,210
{\an8}Surely one of the greatest scores
of all time.
1366
01:08:05,210 --> 01:08:06,836
[orchestra playing "The Raiders March"]
1367
01:08:06,836 --> 01:08:08,922
It's mystically good.
1368
01:08:10,006 --> 01:08:12,342
You guys are gonna be all over us now.
1369
01:08:13,677 --> 01:08:16,471
[Spielberg] John Williams
bonded all of these films together,
1370
01:08:16,471 --> 01:08:20,475
and gave Harrison, as the character
of Indiana Jones, a musical identity.
1371
01:08:20,475 --> 01:08:23,228
["The Raiders March" playing]
1372
01:08:25,814 --> 01:08:28,566
He played the march for me
on the piano in his music room.
1373
01:08:28,566 --> 01:08:30,819
And I said,
"Every high school marching band
1374
01:08:30,819 --> 01:08:32,987
is gonna adopt this
and start playing this."
1375
01:08:32,987 --> 01:08:34,823
This is gonna outlive all of us,
that march.
1376
01:08:34,823 --> 01:08:36,324
[music continues]
1377
01:08:36,324 --> 01:08:40,495
Indiana Jones was wonderful
because it's never serious.
1378
01:08:40,495 --> 01:08:42,414
You know, Harrison Ford has this ability
1379
01:08:42,414 --> 01:08:46,001
to do the most dramatic scenes
with a slight tongue in his cheek,
1380
01:08:46,001 --> 01:08:47,836
or twinkle in his eye, you know?
1381
01:08:47,836 --> 01:08:50,922
- I can't do that.
- You wanna stop for a little lie-down?
1382
01:08:50,922 --> 01:08:52,924
[instruments playing]
1383
01:09:00,140 --> 01:09:02,517
[Ford]
Being in the room with a full orchestra
1384
01:09:02,517 --> 01:09:06,396
and watching his care and precision,
the way he works,
1385
01:09:06,396 --> 01:09:08,857
and the great enormous respect
1386
01:09:08,857 --> 01:09:12,777
that the players have for him,
and he for them.
1387
01:09:12,777 --> 01:09:15,280
It's just a wonderful experience.
1388
01:09:17,115 --> 01:09:18,116
[music ends]
1389
01:09:19,409 --> 01:09:21,161
Harrison, we love you, buddy.
1390
01:09:21,161 --> 01:09:22,245
[crew laughs]
1391
01:09:22,245 --> 01:09:24,330
[applause]
1392
01:09:24,330 --> 01:09:26,207
We wouldn't be here without you.
1393
01:09:26,207 --> 01:09:27,667
- Yeah.
- [crew laughs]
1394
01:09:38,136 --> 01:09:42,599
[Mitchell] There hadn't been that many
American intergenerational stories
1395
01:09:42,599 --> 01:09:44,517
built around a single character.
1396
01:09:44,517 --> 01:09:47,812
To have that level of consistency
with Indiana Jones,
1397
01:09:47,812 --> 01:09:50,857
and also too,
to have the level of filmmaking,
1398
01:09:50,857 --> 01:09:52,525
we shouldn't forget that.
1399
01:09:52,525 --> 01:09:57,280
I can't think of another series that's had
that kind of mastery of craft,
1400
01:09:57,280 --> 01:10:01,534
where you can also feel the maturation
of the filmmaker and the star together.
1401
01:10:01,534 --> 01:10:06,956
And I think that becomes this thing
that people love sitting down with kids,
1402
01:10:06,956 --> 01:10:09,125
and parents and talking about it,
1403
01:10:09,125 --> 01:10:11,795
remembering where they were
when they saw these movies.
1404
01:10:11,795 --> 01:10:15,131
One of the things we wanted to do
is be able to pass these things along
1405
01:10:15,131 --> 01:10:16,841
that we love to people we love,
1406
01:10:16,841 --> 01:10:18,802
and have them understand
what that means to us.
1407
01:10:18,802 --> 01:10:21,888
{\an8}And you hope that they will carry
that excitement on to somebody else.
1408
01:10:23,223 --> 01:10:25,558
[Marshall] We all realized the big reason
1409
01:10:25,558 --> 01:10:29,270
that we're able to make
these movies again and again
1410
01:10:29,270 --> 01:10:32,857
is because of the audience,
because of the fans.
1411
01:10:32,857 --> 01:10:35,026
Harrison's incredibly gracious.
1412
01:10:35,026 --> 01:10:40,448
And he gives as much time
as they need to celebrate that.
1413
01:10:43,118 --> 01:10:47,122
{\an8}[Watach] Cefalù was very interesting
because rumor and word spread quickly.
1414
01:10:47,122 --> 01:10:49,916
Harrison Ford was
not the only Indiana Jones in town.
1415
01:10:49,916 --> 01:10:54,754
{\an8}Various sightings of some doppelgängers
were spotted roaming the streets.
1416
01:10:54,754 --> 01:10:58,341
{\an8}We're just Italian fan of Indy
and, of course, of Harrison Ford.
1417
01:10:58,341 --> 01:11:00,927
So we are just here
and that we hope to meet Ford
1418
01:11:00,927 --> 01:11:05,265
because he should pass here,
and I hope we will be lucky.
1419
01:11:06,766 --> 01:11:08,560
- [fan] Harrison!
- [Ford speaking, indistinct]
1420
01:11:08,560 --> 01:11:10,353
[fan] Ciao!
1421
01:11:10,353 --> 01:11:12,439
Of course, Harrison made sure
1422
01:11:12,439 --> 01:11:15,775
that we were gonna detour
to meet these, uh, impersonators.
1423
01:11:15,775 --> 01:11:18,361
And we rocked up on the golf buggy,
1424
01:11:18,361 --> 01:11:21,865
jumped out,
and I think pretty much made their life.
1425
01:11:21,865 --> 01:11:24,451
- [chattering, exclaiming]
- [photographer] Three, two, one.
1426
01:11:25,660 --> 01:11:26,661
[shutter clicks]
1427
01:11:28,663 --> 01:11:31,833
[Ford] You have a sense of responsibility
to your customers.
1428
01:11:31,833 --> 01:11:35,128
- And thank you very much.
- [applause, cheering]
1429
01:11:37,464 --> 01:11:39,341
[Ford] I think of the people
that go to my movies
1430
01:11:39,341 --> 01:11:42,093
more as customers than I do as fans.
1431
01:11:42,093 --> 01:11:44,304
And I'm responsible to them
1432
01:11:44,304 --> 01:11:47,265
for the quality
of the service that I offer.
1433
01:11:47,265 --> 01:11:49,768
The shield is the second marker.
1434
01:11:49,768 --> 01:11:51,394
Just like your father.
1435
01:11:51,394 --> 01:11:52,896
- Giddy as a schoolboy.
- [chuckles]
1436
01:11:52,896 --> 01:11:54,814
[Marshall] The excitement that Harrison
1437
01:11:54,814 --> 01:11:58,234
brings to the character of Indy
inspires kids.
1438
01:11:58,234 --> 01:11:59,569
I mean, how great is that?
1439
01:11:59,569 --> 01:12:02,906
Some of them were inspired
not only to become filmmakers,
1440
01:12:02,906 --> 01:12:05,575
but to become teachers and archaeologists.
1441
01:12:05,575 --> 01:12:08,078
[Indiana Jones]
"Neo," meaning "new" and "lithic..."
1442
01:12:09,496 --> 01:12:11,915
- I-T-H... I-C.
- [students laugh]
1443
01:12:12,499 --> 01:12:14,834
{\an8}When Raiders of the Lost Ark
came out, it was like,
1444
01:12:14,834 --> 01:12:16,836
{\an8}"I could make a career out of doing this."
1445
01:12:16,836 --> 01:12:21,508
{\an8}It's not just a love of history.
I could actually be a teacher.
1446
01:12:21,508 --> 01:12:22,926
I could be a professor.
1447
01:12:22,926 --> 01:12:24,719
When I come back,
we'll discuss the difference
1448
01:12:24,719 --> 01:12:26,805
between migration and exodus.
1449
01:12:27,847 --> 01:12:29,808
[Alexandra Jones]
It's always, kind of, been a running joke
1450
01:12:29,808 --> 01:12:31,226
that my name is Dr. Jones.
1451
01:12:31,226 --> 01:12:34,270
{\an8}When my friends found out
that I was gonna pursue archaeology,
1452
01:12:34,270 --> 01:12:36,606
{\an8}I had a number of people
running around saying,
1453
01:12:36,606 --> 01:12:38,316
{\an8}"Dr. Jones, Dr. Jones," all the time.
1454
01:12:38,316 --> 01:12:41,069
Okey dokey, Dr. Jones.
Hold on to your potatoes!
1455
01:12:41,069 --> 01:12:43,113
[Alexandra Jones]
When I graduated, though,
1456
01:12:43,113 --> 01:12:47,117
one of my friends gave me the box set
of the Indiana Jones films,
1457
01:12:47,117 --> 01:12:48,368
as well as a whip.
1458
01:12:48,368 --> 01:12:50,537
- Give me the whip!
- Adiós, señor.
1459
01:12:51,204 --> 01:12:53,206
{\an8}The fact that we've lived so long
1460
01:12:53,206 --> 01:12:57,544
{\an8}with Harrison Ford as Indiana Jones
gives us a sense of feeling
1461
01:12:57,544 --> 01:12:59,337
that we're growing up with him.
1462
01:12:59,337 --> 01:13:01,881
I was a graduate teacher
1463
01:13:01,881 --> 01:13:06,469
with Intro to Archaeology in 1989
when the third film came out...
1464
01:13:06,469 --> 01:13:09,180
- You call this archaeology?
- Get out of there, Dad.
1465
01:13:09,180 --> 01:13:12,600
...and my class enrollment of ten
1466
01:13:12,600 --> 01:13:15,729
ballooned to 100 because of the film.
1467
01:13:15,729 --> 01:13:19,899
And I'll see
each and every one of them in turn.
1468
01:13:20,734 --> 01:13:22,986
The number of people
who went into archaeology
1469
01:13:22,986 --> 01:13:25,739
because those movies
made it seem like a living thing.
1470
01:13:25,739 --> 01:13:29,576
It made history seem
like a continuum of adventure stories,
1471
01:13:29,576 --> 01:13:32,704
which, if you go back to
the Old Testament, they kind of are.
1472
01:13:32,704 --> 01:13:34,914
And that same sense of jeopardy.
1473
01:13:34,914 --> 01:13:36,666
Kneels before God.
1474
01:13:36,666 --> 01:13:38,835
- Kneel! [grunts]
- [whirs]
1475
01:13:39,669 --> 01:13:41,671
[Waller-Bridge]
You feel like by being an archaeologist,
1476
01:13:41,671 --> 01:13:43,590
{\an8}you're going to have
those sorts of adventures. Sure.
1477
01:13:43,590 --> 01:13:45,133
{\an8}Also, he was incredibly sexy,
1478
01:13:45,133 --> 01:13:48,595
so that's going to be, obviously,
aspirational for many.
1479
01:13:48,595 --> 01:13:51,848
{\an8}But, I think, also there was something
so amazing about that character
1480
01:13:51,848 --> 01:13:55,185
{\an8}in the fact that he cared about history
and that he was so intelligent,
1481
01:13:55,185 --> 01:13:56,644
and him going on these huge adventures,
1482
01:13:56,644 --> 01:13:59,773
but always in the pursuit
of protecting something precious.
1483
01:13:59,773 --> 01:14:02,359
- [engine revs]
- If you want to be a good archaeologist,
1484
01:14:02,359 --> 01:14:04,444
you got to get out of the library!
1485
01:14:04,444 --> 01:14:06,863
That duality of personality
1486
01:14:06,863 --> 01:14:10,825
is actually not that different
from being an archaeologist,
1487
01:14:10,825 --> 01:14:15,455
because you can be on campus
on the university, go to class,
1488
01:14:15,455 --> 01:14:21,169
but you really want to take off
these street clothes, get on an airplane,
1489
01:14:21,169 --> 01:14:26,341
and go someplace like Egypt or to Arabia
and actually find history.
1490
01:14:26,341 --> 01:14:31,096
[Ford] There are people still
doing explorations of little-known areas.
1491
01:14:31,096 --> 01:14:33,807
There are archaeologists
going into places like that.
1492
01:14:33,807 --> 01:14:36,393
Uh, few of them, I think, carry bullwhips.
1493
01:14:36,393 --> 01:14:39,479
Bullwhips. I haven't quite figured out
how that would really fit
1494
01:14:39,479 --> 01:14:41,606
into my archaeological tool kit yet.
1495
01:14:41,606 --> 01:14:43,483
[Indiana Jones] The Ark of the Covenant.
1496
01:14:44,192 --> 01:14:46,236
[Brody] Nothing else has come close.
1497
01:14:46,236 --> 01:14:49,781
That thing represents everything we got
into archaeology for in the first place.
1498
01:14:50,448 --> 01:14:54,536
I'm thrilled when people come up and say,
"Oh, I'm an archaeologist." You know?
1499
01:14:54,536 --> 01:14:57,330
"And never thought about it
until I saw Indiana Jones."
1500
01:14:57,330 --> 01:14:59,082
[Alexandra Jones]
I think the more exposure
1501
01:14:59,082 --> 01:15:01,668
that archaeology gets
through popular media,
1502
01:15:01,668 --> 01:15:03,586
through films like Indiana Jones,
1503
01:15:03,586 --> 01:15:06,715
it does inspire new generations of people
to come to us.
1504
01:15:06,715 --> 01:15:09,843
It used to be predominantly
white male men.
1505
01:15:09,843 --> 01:15:14,848
Now what we see is a huge increase
of women within the field.
1506
01:15:14,848 --> 01:15:20,186
And now we're starting to see more
minorities in the field than ever before.
1507
01:15:20,186 --> 01:15:21,604
You're a teacher?
1508
01:15:21,604 --> 01:15:22,605
[cheers]
1509
01:15:24,733 --> 01:15:25,942
Part-time.
1510
01:15:27,485 --> 01:15:30,905
[Riddle] In 2007, my partner
in all things Indy, Wes Dodgens,
1511
01:15:30,905 --> 01:15:33,700
and I created
Adventures in Learning with Indiana Jones.
1512
01:15:33,700 --> 01:15:37,912
And it was a platform
for teachers to come get inspired,
1513
01:15:37,912 --> 01:15:42,459
{\an8}and find resources for teaching
with Indy from all of his adventures.
1514
01:15:42,459 --> 01:15:45,920
There's so many lessons to
be learned from his character.
1515
01:15:45,920 --> 01:15:47,172
One of them would be
1516
01:15:47,172 --> 01:15:49,674
the greatest treasures
are the ones that you gain,
1517
01:15:50,216 --> 01:15:51,676
and you give away freely to others.
1518
01:15:51,676 --> 01:15:55,805
And it's not treasures that can be
confined to the walls of a museum.
1519
01:15:56,431 --> 01:16:01,811
It's treasures that are developed in
relationship between friends and family.
1520
01:16:01,811 --> 01:16:03,813
I thought I'd lost you, boy!
1521
01:16:03,813 --> 01:16:07,108
[Capshaw] When I think about
all the films about Indiana Jones,
1522
01:16:07,108 --> 01:16:09,152
you can learn a lot watching those films,
1523
01:16:09,152 --> 01:16:15,658
but I think you can learn a whole lot
about a lot of things with Harrison Ford.
1524
01:16:15,658 --> 01:16:17,660
He can make fun of himself,
1525
01:16:17,660 --> 01:16:20,080
and while he's shooting the film,
1526
01:16:20,080 --> 01:16:24,000
he's able to see outside the scene
and make comments.
1527
01:16:24,000 --> 01:16:27,545
He reminded me once,
we were floating in the boat, and he said,
1528
01:16:27,545 --> 01:16:30,423
"Look, it's just a B-movie.
1529
01:16:30,423 --> 01:16:32,384
Don't sweat." [chuckles]
1530
01:16:32,384 --> 01:16:35,303
But he takes his role very seriously.
1531
01:16:35,303 --> 01:16:38,473
He has a lot of responsibility
being Indiana Jones.
1532
01:16:40,392 --> 01:16:41,935
[Waller-Bridge]
I learned so much from him,
1533
01:16:41,935 --> 01:16:44,062
from a, kind of, craft point of view.
1534
01:16:44,062 --> 01:16:47,065
Working with someone like that,
you trust everything,
1535
01:16:47,065 --> 01:16:50,568
and you trust his process so much
'cause his standards are high,
1536
01:16:50,568 --> 01:16:52,112
and he wants it to feel real.
1537
01:16:52,112 --> 01:16:54,072
And I think his pursuit
of things feeling real,
1538
01:16:54,072 --> 01:16:56,324
no matter how fantastical they are,
1539
01:16:56,324 --> 01:16:58,827
is what gives him
that amazing grounded quality.
1540
01:16:59,452 --> 01:17:01,496
- [Mangold] Ready and action!
- [Ford pants]
1541
01:17:05,458 --> 01:17:07,544
[Kennedy] I love that he doesn't let up.
1542
01:17:07,544 --> 01:17:11,548
I will be driving my car to lunch
and my phone will ring,
1543
01:17:11,548 --> 01:17:14,342
"Did you see the last three TV spots?"
1544
01:17:14,342 --> 01:17:16,219
Oh, my God. [laughs]
1545
01:17:16,219 --> 01:17:20,473
He's actually looking
at all the marketing material.
1546
01:17:20,473 --> 01:17:25,103
So, whether it's the early stages
of development,
1547
01:17:25,103 --> 01:17:28,857
or you're at the tail end,
he never lets up.
1548
01:17:29,441 --> 01:17:33,403
Sometimes it can make people crazy,
but I think he's a hundred percent right.
1549
01:17:34,446 --> 01:17:39,200
{\an8}I learned with Harrison that,
on set, everyone is the same.
1550
01:17:40,076 --> 01:17:41,327
[Ford speaking, indistinct]
1551
01:17:42,495 --> 01:17:43,705
[chuckles] Oh, okay.
1552
01:17:43,705 --> 01:17:47,876
Actors are the same than directors,
than technicians. We're all the same.
1553
01:17:47,876 --> 01:17:50,337
Harrison is friends with everyone on set.
1554
01:17:50,337 --> 01:17:53,506
There is no hierarchy.
We're like a family.
1555
01:17:54,799 --> 01:17:57,052
[Quan]
Harrison Ford taught me how to swim.
1556
01:17:57,052 --> 01:18:00,847
{\an8}I would always be by the pool
and watch Harrison.
1557
01:18:00,847 --> 01:18:03,975
And he says,
"Ke, come in the pool and have fun."
1558
01:18:03,975 --> 01:18:06,227
And I go,
"Harrison, I don't know how to swim.
1559
01:18:06,227 --> 01:18:08,605
I-- I-- I can't. I don't want--
I'm afraid of water."
1560
01:18:08,605 --> 01:18:11,066
And he said, "Oh, what?
Come here, get-- Come in here."
1561
01:18:11,066 --> 01:18:14,152
And he taught me how to swim.
He's my role model.
1562
01:18:14,944 --> 01:18:18,573
{\an8}It's incredible to be here at D23
and look out at all these fans.
1563
01:18:18,573 --> 01:18:21,659
{\an8}[Kennedy] We were at D23
when Ke Huy Quan and Harrison
1564
01:18:21,659 --> 01:18:23,244
saw each other for the first time.
1565
01:18:23,244 --> 01:18:24,537
All of us actually.
1566
01:18:24,537 --> 01:18:27,665
It's been well over 35 years
since we saw Ke.
1567
01:18:27,665 --> 01:18:30,710
It's pretty wild
to see Ke now doing so well,
1568
01:18:30,710 --> 01:18:34,464
and just seeing how he grew as an actor.
1569
01:18:34,464 --> 01:18:37,342
It's pretty great to realize
that that started with Temple of Doom
1570
01:18:37,342 --> 01:18:38,718
and with Harrison.
1571
01:18:39,344 --> 01:18:42,722
[Quan] The last time I saw him
was when our movie premiered.
1572
01:18:42,722 --> 01:18:44,015
It's been 38 years.
1573
01:18:44,015 --> 01:18:49,145
It made our reunion
at Disney's D23 so much better.
1574
01:18:50,647 --> 01:18:55,527
[Ford] He's the same irrepressible
and enthusiastic guy that he ever was,
1575
01:18:55,527 --> 01:18:57,195
and that was great to see him.
1576
01:18:57,904 --> 01:18:59,114
Much taller now.
1577
01:18:59,656 --> 01:19:02,617
He's not Short Round.
He's Regular Round now.
1578
01:19:02,617 --> 01:19:06,496
I'm delighted for his success,
and I'm very happy for him.
1579
01:19:06,496 --> 01:19:09,249
Thank you so much for welcoming me back!
1580
01:19:09,249 --> 01:19:11,459
I love you.
Thank you. Thank you. Thank you!
1581
01:19:11,459 --> 01:19:12,377
[audience cheering]
1582
01:19:12,377 --> 01:19:17,799
To reunite with him in the same year
that I made my return to acting
1583
01:19:18,508 --> 01:19:19,968
made it even more special.
1584
01:19:19,968 --> 01:19:22,429
- Especially when he presented...
- And the Oscar goes to...
1585
01:19:22,429 --> 01:19:24,305
[Quan] ...the Oscar for Best Picture.
1586
01:19:24,305 --> 01:19:28,059
- ...Everything Everywhere All at Once.
- [audience cheering]
1587
01:19:28,852 --> 01:19:32,689
I could not have asked
for a better night with Harrison there.
1588
01:19:32,689 --> 01:19:34,983
It was a full circle moment for me.
1589
01:19:39,779 --> 01:19:40,864
{\an8}I'm not done working,
1590
01:19:41,906 --> 01:19:43,992
{\an8}but I am done with Indiana Jones.
1591
01:19:43,992 --> 01:19:45,076
[laughs]
1592
01:19:45,076 --> 01:19:47,996
[Mitchell] Harrison, as we see
in the last Indy film, he's still running.
1593
01:19:47,996 --> 01:19:49,622
He never stops running.
1594
01:19:49,622 --> 01:19:51,958
{\an8}They run their sheep on my ground,
1595
01:19:51,958 --> 01:19:55,128
{\an8}and then they attacked us
when we came up on 'em.
1596
01:19:55,128 --> 01:19:56,963
{\an8}Range war's already begun.
1597
01:19:56,963 --> 01:19:58,798
{\an8}I love now, too, that in Shrinking
1598
01:19:58,798 --> 01:20:01,426
{\an8}people get to see you
be so hilariously funny.
1599
01:20:03,511 --> 01:20:04,596
{\an8}What are you laugh--
1600
01:20:04,596 --> 01:20:09,642
{\an8}Seeing him in Shrinking,
he still can use that dryness of delivery.
1601
01:20:09,642 --> 01:20:13,480
It's now become so spare,
it's almost austere.
1602
01:20:13,480 --> 01:20:15,023
I am so parched.
1603
01:20:15,023 --> 01:20:16,524
What can we get you to drink?
1604
01:20:16,524 --> 01:20:17,692
A Popsicle?
1605
01:20:17,692 --> 01:20:19,694
And again, for me, it's the voice,
1606
01:20:19,694 --> 01:20:23,323
because for so long,
that voice was older than he was.
1607
01:20:23,323 --> 01:20:25,575
And now it's finally caught up with him.
1608
01:20:25,575 --> 01:20:27,202
It's like he's sort of grown up enough
1609
01:20:27,202 --> 01:20:30,205
that that voice belongs
in Harrison Ford's chest.
1610
01:20:30,705 --> 01:20:33,792
{\an8}You told me I had to tell Meg
that I had Parkinson's.
1611
01:20:33,792 --> 01:20:36,294
{\an8}And now she's flying down here tomorrow
1612
01:20:36,294 --> 01:20:39,047
{\an8}to take charge of my care.
1613
01:20:39,047 --> 01:20:40,340
{\an8}[Mackie] Harrison was cool.
1614
01:20:40,340 --> 01:20:43,718
{\an8}I always thought he would come on set
and be like, "I'm Harrison."
1615
01:20:43,718 --> 01:20:46,179
{\an8}Then everybody would be like, "Yeah."
But no. It was a good time.
1616
01:20:46,179 --> 01:20:49,516
{\an8}It was him creating this character
from the ground up,
1617
01:20:49,516 --> 01:20:51,226
{\an8}so that he would be different
1618
01:20:51,226 --> 01:20:53,728
{\an8}than the rest of those characters
and fit in this world,
1619
01:20:53,728 --> 01:20:56,648
instead of fitting in every other world
he, as an actor, has been in.
1620
01:20:56,648 --> 01:20:58,608
So that stuff was really unique.
1621
01:20:58,608 --> 01:21:00,860
I couldn't put a price on that lesson.
1622
01:21:01,695 --> 01:21:05,615
[Mitchell] Harrison is still working.
I love to see him being given space,
1623
01:21:05,615 --> 01:21:08,410
taking advantage
of all these things at his age,
1624
01:21:08,410 --> 01:21:09,994
and just seeing him run with it.
1625
01:21:09,994 --> 01:21:12,247
It's maybe one of
the most wonderful things ever.
1626
01:21:15,000 --> 01:21:17,460
{\an8}[people chattering]
1627
01:21:22,173 --> 01:21:24,509
{\an8}[interviewer] Karen,
this is your last day over here.
1628
01:21:24,509 --> 01:21:28,054
Tell us a little bit-- What's going on
on set with it being your last day?
1629
01:21:28,054 --> 01:21:30,140
[stammers] I'm not convinced that it is.
1630
01:21:30,140 --> 01:21:33,226
So, I don't-- I'm not--
As long as I'm not convinced that it is,
1631
01:21:33,226 --> 01:21:34,728
I don't have to, um...
1632
01:21:36,396 --> 01:21:39,399
I don't have to go through all that today.
[laughs]
1633
01:21:41,443 --> 01:21:42,861
[Marion] Indiana Jones.
1634
01:21:45,280 --> 01:21:48,491
[Spielberg] If this is going to be
the last Indiana Jones movie ever made,
1635
01:21:49,492 --> 01:21:54,330
if it in fact is, then you can't do it
without bringing back Marion Ravenwood.
1636
01:21:54,956 --> 01:21:55,957
[glass shatters]
1637
01:21:56,791 --> 01:21:57,834
[sighs]
1638
01:21:57,834 --> 01:22:01,171
I always knew someday
you'd come through my door.
1639
01:22:02,547 --> 01:22:07,469
It's a story that both Harrison and I
have been involved in for 40 years.
1640
01:22:08,345 --> 01:22:09,429
Wait a minute.
1641
01:22:10,263 --> 01:22:11,639
Come here.
1642
01:22:12,557 --> 01:22:14,392
[Indiana Jones]
A little bossy, aren't you?
1643
01:22:14,392 --> 01:22:17,520
[Allen] We both have a real sense
of who these people are,
1644
01:22:17,520 --> 01:22:21,274
and we really like continuing
to explore these characters together.
1645
01:22:22,025 --> 01:22:23,360
Indiana Jones.
1646
01:22:24,152 --> 01:22:26,988
I feel happy that we're having
the opportunity to do that.
1647
01:22:27,697 --> 01:22:29,491
About time you showed up.
1648
01:22:29,491 --> 01:22:30,408
Mom!
1649
01:22:30,408 --> 01:22:35,205
She is the heat
that has tempered his personality.
1650
01:22:35,205 --> 01:22:36,915
You still leaving
a trail of human wreckage?
1651
01:22:36,915 --> 01:22:38,166
You looking for a date?
1652
01:22:39,167 --> 01:22:43,088
And to have her back
is such an emotional opportunity,
1653
01:22:43,088 --> 01:22:46,424
I think, for the character
and for the audience.
1654
01:22:52,514 --> 01:22:54,099
- How are you?
- Very good. How are you?
1655
01:22:54,099 --> 01:22:58,186
[Mangold] Of course, it's odd to take
an actress that capable and that awesome,
1656
01:22:58,186 --> 01:23:01,272
and hold her back until
the final five minutes of the picture.
1657
01:23:01,898 --> 01:23:04,484
And I'm sure weirder for her
stepping into a movie
1658
01:23:04,484 --> 01:23:06,152
where we've all been working for months
1659
01:23:06,152 --> 01:23:08,071
and been shooting
millions of feet of film.
1660
01:23:08,697 --> 01:23:11,533
I was very much
looking forward to coming here.
1661
01:23:11,533 --> 01:23:13,618
I came a few days on set,
1662
01:23:13,618 --> 01:23:16,454
and went up
and just watched some rehearsals.
1663
01:23:16,454 --> 01:23:20,125
And I have to say,
I was not for a moment disappointed.
1664
01:23:20,125 --> 01:23:21,584
[crew] Is he still the same?
1665
01:23:21,584 --> 01:23:24,212
Yes, of course. [laughs]
1666
01:23:24,212 --> 01:23:27,632
I love the way he developed the character.
1667
01:23:27,632 --> 01:23:31,094
There is a, kind of,
wonderful weathering to Indiana Jones.
1668
01:23:31,094 --> 01:23:33,471
It's not the years,
it's the mileage, you know?
1669
01:23:33,471 --> 01:23:35,515
There's a lot more mileage on him.
[laughs]
1670
01:23:37,308 --> 01:23:40,395
[Rhys-Davies] Any excuse
to get back together with the two of them
1671
01:23:40,395 --> 01:23:42,188
could not be avoided.
1672
01:23:42,188 --> 01:23:43,231
Indy.
1673
01:23:43,231 --> 01:23:47,902
One of the joys of one's life
is watching a young actor, Harrison,
1674
01:23:47,902 --> 01:23:50,947
grow and establish himself
1675
01:23:50,947 --> 01:23:54,784
and just become stronger
and better over the years.
1676
01:23:54,784 --> 01:23:58,997
He's turned himself
into a real, great giant of the cinema.
1677
01:23:59,497 --> 01:24:01,833
That's been wonderful to behold.
1678
01:24:02,459 --> 01:24:04,127
Are you back, Indy?
1679
01:24:05,962 --> 01:24:08,715
They're wounded.
They're two wounded people,
1680
01:24:08,715 --> 01:24:11,509
and people grieve differently.
1681
01:24:12,344 --> 01:24:16,681
And they seem to have
found their way back to each other.
1682
01:24:18,224 --> 01:24:20,560
[Waller-Bridge]
It was incredibly moving to watch.
1683
01:24:20,560 --> 01:24:22,979
Harrison has so much gravitas.
1684
01:24:22,979 --> 01:24:24,856
And especially after this huge adventure,
1685
01:24:24,856 --> 01:24:26,733
and, suddenly,
we're just in his living room,
1686
01:24:26,733 --> 01:24:28,902
and he's basically in his pajamas.
1687
01:24:28,902 --> 01:24:30,862
And you just see the man,
1688
01:24:30,862 --> 01:24:35,283
and watching Harrison
play the rawest version of that character
1689
01:24:35,283 --> 01:24:36,618
was really extraordinary.
1690
01:24:37,202 --> 01:24:38,370
Everything hurts.
1691
01:24:38,995 --> 01:24:40,663
[Mangold]
We all knew we didn't want him to die.
1692
01:24:40,663 --> 01:24:43,416
- [Helena] You can't stay here.
- Yes, I can.
1693
01:24:44,417 --> 01:24:47,253
[Mangold] To me, it was much more about
1694
01:24:47,253 --> 01:24:51,257
him feeling out of step with the times,
or marginalized,
1695
01:24:51,883 --> 01:24:53,551
and then feeling important again.
1696
01:24:54,135 --> 01:24:59,557
Understanding he's important again,
that we all need heroes like him.
1697
01:25:01,101 --> 01:25:04,020
- [applause]
- [Mangold] The amazing, legendary,
1698
01:25:04,020 --> 01:25:08,858
dear friend, and forever Indiana Jones,
Mr. Harrison Ford.
1699
01:25:08,858 --> 01:25:11,403
[applause, cheering]
1700
01:25:11,403 --> 01:25:14,406
[Kennedy] This journey
of getting this final movie made,
1701
01:25:14,406 --> 01:25:15,949
it's been a process of letting go
1702
01:25:15,949 --> 01:25:18,868
that I think
he didn't really quite realize
1703
01:25:18,868 --> 01:25:21,621
was gonna affect him as deeply as it has.
1704
01:25:22,122 --> 01:25:24,457
[Ford] This is a great, great crew.
1705
01:25:24,958 --> 01:25:28,044
[sighs] And I'm almost
twice as old as everybody.
1706
01:25:28,044 --> 01:25:29,713
[crew chuckles]
1707
01:25:30,922 --> 01:25:35,468
{\an8}Once every generation,
somebody emerges who, sort of,
1708
01:25:35,468 --> 01:25:38,680
{\an8}takes the mantle
of being a real movie star.
1709
01:25:38,680 --> 01:25:40,640
{\an8}And I think Harrison was one of those.
1710
01:25:40,640 --> 01:25:43,768
{\an8}I think that's why
he stood the test of time.
1711
01:25:43,768 --> 01:25:45,645
Hardest thing is to keep your hat on.
1712
01:25:47,188 --> 01:25:48,398
That should do it.
1713
01:25:48,398 --> 01:25:49,649
[Mangold] I love Harrison.
1714
01:25:49,649 --> 01:25:53,069
He's not only
a wonderful collaborator and artist,
1715
01:25:53,069 --> 01:25:54,487
but a dear friend.
1716
01:25:54,487 --> 01:25:58,867
And the reverence and genius
with which he looks at his job
1717
01:25:58,867 --> 01:26:01,536
should be so inspiring to all actors.
1718
01:26:01,536 --> 01:26:02,871
[Spielberg] Right there, guys.
1719
01:26:03,413 --> 01:26:06,124
[Marshall] Well, I certainly grew
as a filmmaker through these films,
1720
01:26:06,124 --> 01:26:09,502
and watching Harrison work
was like a film course
1721
01:26:09,502 --> 01:26:12,380
that you could never get anywhere else
but being there.
1722
01:26:12,380 --> 01:26:13,757
Excuse me. How old are you?
1723
01:26:14,341 --> 01:26:15,592
[bystander laughs]
1724
01:26:15,592 --> 01:26:17,385
I'm a lot younger than Harrison Ford.
1725
01:26:18,678 --> 01:26:21,598
[Lucas] The secret of being
an iconic actor is they'll refer to him
1726
01:26:21,598 --> 01:26:23,892
when they're referring
to a particular kind of actor.
1727
01:26:23,892 --> 01:26:27,729
So when they say, "Harrison Ford type,"
I guess that you've become an icon.
1728
01:26:27,729 --> 01:26:29,314
- Forty.
- [laughs]
1729
01:26:29,314 --> 01:26:31,066
[chuckles] I'm only 38.
1730
01:26:32,525 --> 01:26:36,863
[Spielberg] Indiana Jones would not exist
in people's hearts and imaginations
1731
01:26:36,863 --> 01:26:38,490
{\an8}without Harrison Ford playing him.
1732
01:26:38,490 --> 01:26:44,371
{\an8}Impossible. He's not interchangeable.
Other actors cannot fill those shoes.
1733
01:26:44,371 --> 01:26:47,457
And when Harrison stops making
Indiana Jones movies,
1734
01:26:48,166 --> 01:26:49,626
they need to retire the number.
1735
01:26:55,298 --> 01:26:56,841
This job is really fun.
1736
01:26:56,841 --> 01:26:59,094
- [grunting]
- You just got me killed!
1737
01:26:59,844 --> 01:27:01,221
- [gasps]
- [chuckles]
1738
01:27:01,221 --> 01:27:04,307
[laughing]
1739
01:27:06,851 --> 01:27:07,852
Wait a second.
1740
01:27:08,478 --> 01:27:10,480
- It's back.
- [laughs]
1741
01:27:10,480 --> 01:27:15,193
It's been an incredible finish.
You are all much valued.
1742
01:27:15,193 --> 01:27:16,611
Thank you.
1743
01:27:16,611 --> 01:27:19,406
- Thank you.
- [applause, cheering]
1744
01:27:19,406 --> 01:27:21,783
- Let's drink!
- [cheering]
1745
01:27:21,783 --> 01:27:23,243
[all] Cheers!
1746
01:27:23,993 --> 01:27:26,579
[Ford] I have enjoyed
all of the different kinds of people,
1747
01:27:26,579 --> 01:27:28,832
and different opportunities that I've had.
1748
01:27:29,874 --> 01:27:34,212
And certainly amongst
the most enjoyable are these films...
1749
01:27:37,132 --> 01:27:38,717
which are really hard to make,
1750
01:27:39,217 --> 01:27:41,636
but a whole lot of fun to finish.
1751
01:27:43,722 --> 01:27:45,348
[Waller-Bridge]
Only Harrison can play Indiana Jones.
1752
01:27:45,348 --> 01:27:48,560
There is no one else on this planet
that could come anywhere close,
1753
01:27:48,560 --> 01:27:52,313
and I think it's because...
[whispers] ...he is Indiana Jones.
1754
01:27:59,821 --> 01:28:01,114
- [Spielberg] Hello.
- Hello.
1755
01:28:01,114 --> 01:28:02,407
- Hello.
- How are you?
1756
01:28:02,407 --> 01:28:04,367
I'm fine. How are you? Want some water?
1757
01:28:04,367 --> 01:28:05,452
Yeah, sure!
1758
01:28:07,662 --> 01:28:10,331
- [both grunting]
- [guns squeaking]
1759
01:28:11,750 --> 01:28:14,085
[Spielberg] We should do this
about five times a day. [laughs]
1760
01:28:14,085 --> 01:28:15,754
Give everybody squirt guns!
1761
01:28:19,341 --> 01:28:21,051
[director speaking, indistinct]
1762
01:28:21,051 --> 01:28:23,053
Hello. [laughs]
1763
01:28:23,053 --> 01:28:25,013
Just resting. [laughs]
1764
01:28:27,223 --> 01:28:29,559
[chattering]
1765
01:28:33,980 --> 01:28:37,067
They make me do the most awful things.
1766
01:28:39,110 --> 01:28:40,862
[crew] "Don't bug me,"
you're supposed to say.
1767
01:28:40,862 --> 01:28:42,364
- Don't bug me.
- Don't bug me.
1768
01:28:42,364 --> 01:28:44,366
- Did you put it on me? Get it away!
- [laughs]
1769
01:28:45,367 --> 01:28:47,369
[Mangold] And lock--
1770
01:28:47,369 --> 01:28:48,536
Locked up!
1771
01:28:49,287 --> 01:28:50,705
- [laughing] And...
- What?
1772
01:28:50,705 --> 01:28:53,750
What did he say?
Did you say something about me?
1773
01:28:53,750 --> 01:28:55,377
- Nah, you're fine.
- [laughing]
1774
01:28:56,628 --> 01:28:58,380
[interviewer] How is Steven as a director?
1775
01:28:58,380 --> 01:29:02,050
Very funny. He's a generous man
and a noble director.
1776
01:29:02,634 --> 01:29:03,968
And he's very handsome too.
1777
01:29:03,968 --> 01:29:06,680
[all laughing]
1778
01:29:09,766 --> 01:29:12,018
- Larry, Moe and Curly.
- Whoo! Whoo!
1779
01:29:12,018 --> 01:29:13,937
[laughing]
1780
01:29:17,273 --> 01:29:20,610
[Ford] Okay, this is where
we make a hard turn left, to right.
1781
01:29:21,277 --> 01:29:23,113
This way. This way. Okay?
1782
01:29:24,614 --> 01:29:25,615
Good.
1783
01:29:28,034 --> 01:29:30,370
[crew] Popping him in there.
All right, that okay?
1784
01:29:30,370 --> 01:29:31,496
Yeah. [stammers]
1785
01:29:31,496 --> 01:29:33,248
I was just-- That's acting.
1786
01:29:35,375 --> 01:29:38,461
Oh, this is the way I make my living.
This is what I do for a living.
1787
01:30:11,036 --> 01:30:13,288
- Anyway.
- [laughs]
1788
01:30:13,288 --> 01:30:14,789
We'll see you around campus.
1789
01:30:15,373 --> 01:30:16,374
Thank you.