Well I never. Alison.
- You know the author? - We went to the same school together.
Me and Katja are just in a bit of a weird space right now.
I've only been gone a few days.
I still missed ya.
For fucks sake does it matter if we do this trip now
- or we do it next year? - Yes. It actually matters to me.
Fucking brilliant.
I've made up my mind. Mum, I want to have a termination.
Oh, sweetheart.
What's wrong?
Lost me job.
It's cause she dumped you isn't it?
You took it out on him.
- He's your son! and he's-- - Martin,
is twice the man your brother or father will ever be.
No I ah, I found her on Facebook.
For Christ sake Dan, ask her what bloody happened it's decades ago.
Peter.
Peter!
["Big Jet Plane" by Angus & Julia Stone playing]
She said, "Hello, mister, pleased to meet ya"
# I want to hold her I want to kiss her #
# She smelled of daisies She smelled of daisies #
# She'd drive me crazy She'd drive me crazy #
# Gonna take her for a ride on a big jet plane #
[mobile phone buzzing]
Hey sweetheart.
Hi.
Now I know why your phone was off. This is your surprise?
- What? - You're here? In New York?
Yeah, I, I heard the foreign dial tone.
No, Kat, no, no, I'm not, I'm not in New York.
You're not?
Okay. Sorry. I thought that maybe...
No, I'm in, er, I'm in Sydney.
[Katja] What?
You're where?
Alright, listen. Just, just bear with me, alright?
Look, I spoke to some publishers about the book idea, right?
And they've - they love it, right? They really love it.
So they're offered me six months pay
to live in New Zealand.
Not here now for six months, obviously, but...
Look, I've just come out here to meet Jack Leonard and...
Listen! You know, you wanted to travel.
So I'm thinking what if we did New Zealand for six months?
- Are you serious? - Yeah.
Yeah, I thought this,
I thought this might actually be some good news.
Good news?
I asked you to come to the States with me for a few weeks.
I asked you to leave this book idea until next year.
And in the interim, you decide to -
you've moved to New Zealand for six months and...
And hop on a plane to...
Yeah, why are you in Sydney?
I mean, I, I couldn't get
a direct flight to New Zealand, could I?
Anyway, listen, I, I haven't agree to do anything yet.
Right? Obviously there's a lot to discuss.
Do you know what Kat, I did, I did...
I thought you might actually be happy about this.
Happy? Why?
Oh, you know, this is, this is a win-win situation.
Right? I get, I get to do what I love
and I'm going to earn plenty of money,
and I get to give you what you want, which is to travel.
Right?
No?
Look, um...
Sorry sweetheart. I don't know...
I just thought this might be a - be a nice surprise.
Dan, just...
Fuck off! [phone disconnects]
Right...
[people chattering]
[plaintive music]
[Cass] Sales are looking excellent in all quarters
and they're now talking about a second reprint.
But the big news is, England!
The publishers are really keen, Alison.
What?
Yeah, they've got interest from BBC regionals for interviews.
The One Show, there's an art show on Sky,
and that's just the PR.
Cass, I said I wasn't sure about English.
I know, I know, but this is big, babe.
They're talking about flying you first class.
Five star hotels.
Do you know how many authors get that treatment?
I have to at least see what they're offering. Come on.
Look, I know you get nervous about publicity
at the best of times,
and throw in your hometown too. I get it, ow!
You don't get it.
What?
You don't get it.
- [Peter groaning] - Peter!
Help!
Somebody help!
[Alison wailing] Help!
[Baxter] Move!
Move!
Get a knife!
[gasping for breathe]
What?
Alison? What's happening?
[Alison panting] [Peter groaning]
[gasping]
Oh my God. Jesus Christ! What's he gone and done.
Peter?
Get an ambulance!
[Cass] Hey, it's okay. It's okay. Just breathe.
[machine beeping]
[gentle music]
[doctor] He was deprived of oxygen
for a couple of minutes, at least.
It's possible there may be brain damage,
but given how quickly you got to him, I'm hopeful.
All in all, it could have been a lot worse.
Two or three more minutes...
We'll bring him around from the induced coma
in the next 24 hours and we'll see where we're at.
Is he going to be okay?
I don't know, do I.
I mean, she said something about
taking him out of his coma and they'll see.
For God's sake, did you ask when?
Don't snap at me.
I couldn't understand a word she was saying.
Mum?
I'm just saying, I want somebody to explain.
I need a drink.
Of course you do.
Go on, go!
We don't need you here.
You don't give a toss about him or me.
That monster Martin Baxter did this,
and still you chose him over your own son.
This is your fault! Of course you'd make it all about you.
Go and get your drink.
[machine beeping]
So are you heading out with Duncan later?
[Dan] Nah.
You've been in every night this week.
I'm studying.
Moping, more like.
What do you want, Mum?
I'm either out too much or I'm in too much.
I just don't like seeing you down.
You should be out having fun, seeing girls.
I have a girlfriend.
Yeah.
Who didn't bother to show up to your gig thingy last week,
and you saved all your money for it.
And she ain't shown her face here since.
Come on, son.
Have some pride.
["Something Is" by Richard Hawley playing]
# I'm going away now, sweetness, don't be sad #
[sighing] What the fuck am I doing?
# I'll put away my old suit and say goodbye #
# 'Cause something is with us tonight #
[Dan] Hey, Alison...
# Oh, come on now, sweetness, don't you cry #
[Dan] And I am in Sydney...
- # I'll put away my old shoes # -[mobile phone chiming]
# 'Cause something is with us tonight
# Yeah, I'm leaving on the next train #
# That's blowing round the bend #
# And I'll be there by the morning #
# And I won't be back again #
# 'Cause I've just seen the ending to our story #
# Well, something is #
# Yeah, something is #
# Yeah something is with us tonight #
# I'm going away to the station in the rain #
# I'm sorry, sweetness, but there's nothing more to say #
Alison! Hey!
You're been out for days.
Stomach bug.
Is that why you blew me out on Saturday?
The gig?
Oh God. I'm, I'm so sorry.
- I'm not letting you do this. - Do what?
I know when you're shutting me out.
And I'm not going to...
I'm not going to make you talk to me, not now, but...
When you're ready, I'm here for you.
I'm not going anywhere.
I'm really into you, I promise.
[Alison sniffling]
I love you.
I love you, too.
[gentle music]
- Wow. - [Alison chuckling]
[joyful music rising]
Yeah... Okay, yeah... You haven't changed.
Nor have you.
- Say that again. - Say what again?
'Cause you sound Australian.
Well, I, well I've been living here for 25 years.
- Oh, of course. - Wow, you look great.
- You want to come sit down? - Yeah.
Right, you sit here where I can see you.
Just in case you decide to run off again.
- Sorry. - Oh, that's, that's fine.
[waiter] Can I get you anything to drink?
- Ah, yes. - Yeah.
I'll have a beer, please.
Ah, I'll have a, a sparkling water thanks, with some lemon.
- Sure. - Yeah.
[Dan] Great, thanks.
- Okay... - Yeah.
This is... This is mad.
- It's mad. - No, it's, it's crazy, isn't it?
It's, um...
How have you - how are you? How have you been?
I've been good. Yeah, no, I've been great.
- Good. - Great. You?
Yeah. Really good. And you're married?
Do you have, you have kids?
Yes. Yeah. Yeah. One kid. Yeah. Yeah.
Alex, well, not so much a kid anymore.
He's like, this big.
- Oh... - We packed him off to uni.
Really? Did they come with you, your, is your wife here?
No, she's er, she's in America.
- Ah... - Yeah.
And you're in, you're in Sheffield?
- Yeah, yeah, yeah. - Ah...
Yeah, still there.
So, did you ever end up doing that America trip?
To see all the bands?
No... No...
[waves crashing]
[muted chattering]
Can I get you guys anything else?
- Yeah, ah... - I think I'm okay actually.
Yeah, just the cheque.
Okay. Yeah, please. Yeah. Thanks.
[Alison] Thank you.
Alison, look, you know, should we talk?
What? Aren't we talking?
No yeah, it's just, you know, like...
More the fact that...
You know, one minute you were there and, and then you weren't.
Ah...
I was...
God, that was so long ago, Dan.
Yeah... Yeah, I know.
It's just...
Yeah...
What happened?
Oh, come on.
Can't you tell me now, even after all these years?
That part of my life is over, Dan.
I should, um...
Yeah I got to, I got to get going.
Al, come on, what did you think we would talk about?
I don't know, Dan. Well this is just a catch up, isn't it?
That's what old friends do. They just catch up.
Fine, old friends...
I'm sorry. I do, I do have to go.
- It was good to see you. - Yeah, you too.
Yeah, good luck with your book.
Alright, thanks.
[door opening and closing]
["Better at Living" by Cesar Gimeno Lavin and Steven Hinds]
# I started trying so hard to be someone I wasn't #
# But it took all my life... #
I'd rather you just let me die
than make me keep listening to this shit.
Peter.
Too soon?
Sorry.
It's just...
It's just what you do, isn't it?
Can I get you anything?
You don't have to take care of me.
Yes, I do.
You can't stay here, Peter.
She'll go back on the booze
and that fucker will be around again.
I'm not going anywhere.
But you will be.
I've a...
I've opened a savings account for you.
What?
You've got like, two more years left in school.
But I want you to get out of here.
You hear me?
You'll have the cash.
I'm not going without you.
Half the men around here are going into the army.
You can get out of here, too.
I'm not leaving you alone.
Right, well I'll go get something for tea.
Anything in particular?
A pint.
A tin of Campbell soup it is.
Al...
Get something for Mum.
[Catherine chattering drunkenly]
Well look at ya.
Look at that. Look at that bun. I love it. I love it.
[Catherine chuckling]
- Oh, can I get two chips... - [Alison] Mum!
Two bags of chips...
There you are, love.
I'm getting chips and then I'm going into town.
Come home with me. I'll make you tea.
Oh, you are a good girl, ain't ya?
[Catherine] Taking such good care of me.
There's my Kitty-Cat.
[Baxter] Hey, come here, you.
What ya doing?
I'm getting me kiss, ain't I? Come on, darling.
Where's the party?
I'm going nowhere with you.
- Excuse me? - You heard me.
You think you're coming around mine after what you did.
What did I do?
- Let's go, Mum. - [Catherine] Get off me.
How dare you go around saying things about my son.
What are you talking about, woman?
I bloody saved him didn't I?
Useless fuck couldn't even hang himself right.
Piss off, Martin Baxter.
You and your bad breath and your tiny dick.
[crowd laughing]
- You're drunk. - Oh yeah...
I'll see you later and you can apologise to me.
Oh yeah...
[Catherine] Nobody gets to slag off my kids.
Fuck him.
Go on home, love. Go on home. I feel like celebrating, yeah!
[crowd cheering]
Bye, Mum.
[Michael] ...been different.
[Cass] Well, that's besides the point.
You don't get to decide whether she travels for work...
[Michael] I never said I decided that, Cass.
[Cass] Well, it fricking sounds like it!
[Michael] Sorry, I don't tell my wife what to do. Okay?
- [Cass] Oh, don't you? - [Michael] No!
What is going on?
I can hear you guys from outside.
Just a little disagreement.
I said you weren't too keen on going to England.
Okay, well... Cass, I did tell you that.
Thank you. Jesus Christ!
But that's not what you said, Michael.
You said, if I cared about Alison,
I wouldn't ask her to go.
And I do care about you.
And if you really don't want to go, that's fine.
You just tell me that and I'll make it go away.
Just give me a call when you've made up your mind, okay?
Okay.
And I suggest you do that by yourself.
- I'll see you later. - Sorry.
[Michael] It was nice seeing you, Cass.
[Alison sighing] Michael...
Did you hear the way she spoke to me?
You might have to part ways with that woman, Al.
Oh, don't be ridiculous.
We've got enough of our own stuff
to deal with at the moment.
This stuff was Stella. I mean, we really fucked up there, Al.
We or I?
We! Of course, we. Jesus Christ!
Yeah...
[Michael] Oh, man.
[deep sigh]
I just wish you'd see me as your partner.
It's like all this stuff with Cass, you know -
she looks like she wrote that book herself.
And here she's pushing you to write another one
when she knows you're not good at this publishing stuff.
She's not pushing me into anything.
I signed a two book deal.
I know, I know, I know.
But you know, she's doing it for the money.
It's not like we need it.
Why do you always make a point of saying
we don't need the money?
I don't do that. When do I do that?
You do do that.
Ever since my book was published.
Ooh, don't be stupid.
Stupid!?
Yeah. You're being stupid.
Alison! Where are you going?
Alison?
[voicemail] Hi, this is Dan. Leave a message.
[beeping]
[voicemail] Hey Dan, it's Alison.
Um, look, I'm sorry for how we left things today.
Would you perhaps have some time to meet with me tonight?
[horn tooting]
[exclaiming]
Hey.
[Alison] Hey, I, I'm sorry to message you so late.
Are you leaving?
I was going to try and catch the next flight.
I know, this is so crazy,
but do you think you might stay a little while longer?
Ah...
Yeah, if you want me to?
Get in.
[back door opening]
You should choose some music. It's a bit of a drive.
Okay.
["Love Will Tear Us Apart" by Joy Division playing]
# When routine bites hard and ambitions are low #
# And resentment rides high but emotions won't grow #
# And we're changing our ways Taking different roads #
# Love, love will tear us apart again #
[song fades] [mobile phone ringing]
Hello.
- [Alison] Hi, sweetheart. - Hi Mum.
[Alison] You'll be okay for a couple of days?
[Stella] Yeah, I'll be fine.
Dad's in a mood.
He's been slamming doors all night.
Is it because of me?
No, not at all, darling. I, I just needed a bit of a break.
That's all. I'll be back soon.
[Stella] Take as long as you want, Mum.
Okay.
- Love you. - I love you.
Wow. This is nice.
Yeah. It's beautiful, isn't it?
Well, that was, um -
was a really great conversation we just had.
I'm sorry. It's just fuzzy jetlag.
[chuckling]
Everything's just, you know, a little bit fuzzy right now.
It's all right. I'm glad you got some rest.
I thought I heard a car.
Um, Sheila, this is Dan. My old friend from Sheffield.
- [Sheila] Hey up. - Hey.
And Dan, this is Sheila.
She was our next door neighbour when I was a kid.
Ah, I didn't realise half of Sheffield had moved out here.
What? Just the right half?
Yeah, of course. Of course. Of course.
[Sheila] Honey...
Oh, do you want a cup of tea?
Yes, that'd be great. Thank you.
[insects chirping]
Are you going to ask?
What? No. It's none of my business.
We won't be in your way.
You are never in my way. Come on.
I'm surprised that you never mentioned
that you knew such - a catch.
So how's your baby?
Stella?
Well, she, she went to the clinic...
like I knew she would.
Oh, well, you know, it's probably for the best.
Mm. Yeah.
You know, I like his face.
He's kind...
[chuckling]
So, why did you come back for me?
You're right. I owe you an explanation.
Maybe you don't. Maybe I've got no right to ask.
Wow. This place, I mean, it's stunning.
- Stunning! - Isn't it?
Now I can imagine you living here.
- Really? - Yeah.
As opposed to in the city?
That's where Michael's work is.
- Michael's your husband? - Yeah.
Where does he think you are now?
Can... Can we not talk about it?
[birds calling]
[deep sigh]
I feel like I can breathe out here.
So long after I left, I'm...
I couldn't breathe.
Sheffield?
[bird squawking]
Um...
Were it because Peter joined the army?
I went to your house afterwards.
So I did, I did see where you were living.
And I saw what you were dealing with
Peter told me that he were thinking of signing up,
and so I figured you just got the hell out of Dodge.
I know he were like a dad to you, so I get it, but...
You know, it's... Well for, for me it hurt.
Yeah, it hurt, you know. But yeah...
You couldn't tell me?
You couldn't talk to me about it?
I didn't leave because he was joining the army.
I left so he would join.
[TV reporter] Mrs. Thatcher's message today -
no one can opt out.
- There must be a vast... - [knocking]
[loud thumping at door]
- Hello? - [Baxter] Move!
Where is she?
She's not home yet.
Oh...
She better not be with some other fella.
Look, if she apologises. We'll say no more about it.
Oh, he's in your room, is he?
Makes sense.
[Baxter] Stick the kettle on.
[Alison] I need to sleep.
[Baxter] We've been through the wars.
Me and you, haven't we, little Ali?
But we can still have a cuppa.
We'll stick some music on if you don't want to talk.
Go on.
Put one of your tapes on.
Oh, yeah...
We don't want to wake your brother.
You're a good little sister, aren't ya?
Don't matter.
You can't protect him.
His life's going to be hell.
It would've been better if we'd just left him.
I just need to...
[Baxter] Hey...
Where are you going?
- Just going... - Hey, hey.
Your whole family owes me.
You, fucking owe me.
[Alison gasping] [rhythmic thumping]
[television playing in background]
[muted moaning]
[gentle music rising]
[door opens and closes]
I couldn't even speak.
[Alison] And afterwards, I...
I didn't tell anybody.
I know it wasn't my fault
I left that night.
I had to go...
Ah...
And leave everything behind.
Sheffield...
My family...
And you...
I'm sorry.
[Alison sniffling]
[insects chirping]
[tense music]
[breathing deeply]
[ragged breathing]
[screaming] No!
Fuck!
[gentle music] [deep breathing]
[indistinct chattering]
[loud laughing]
- [Sheila] I mean, men... - No, of course.
You know, I was never much of a woman for that company.
And by that I mean like men, you know?
Oh, fuck it. I suppose you could say I was a bit of a lezzer.
A bit?
Um, I'm not sure you can say that word anymore.
What? Come on.
If I'm a lezzer surely I can say it.
That could not have been easy in Sheffield in the seventies.
[Sheila] No, it wasn't.
By the time I got here in the eighties...
[Alison] Yeah...
Look, suburban Australia might not have been like the,
the bastion of progression, but...
There was fuck all people here to bother me.
[Alison] Yeah.
And fuck all fanny too, I imagine.
[laughing]
Sorry, sorry, sorry...
- Don't encourage her. - Sorry, sorry, sorry.
Oh my God. How much whiskey have you had?
Oh fuck! You'll have to send me to bed.
Oh, maybe not. Just a little splish splash.
[Sheila] I got to say...
The couch is really not that comfy.
But the bed in your room is a double.
[Sheila] Oh, well, excuse me.
[Alison] I think it's time to say good night.
- Good night, Sheila. - Goodnight.
[door closing]
Ah...
So did you never tell Peter what happened?
He'd have killed him.
So you just went through all that on your own.
Mm...
I was used to doing it alone.
Yeah.
Oh yeah, I see that now.
I want to kill him, too.
[gentle music]
[music rising]
[birds calling]
[exhaling]
[clinking from other room]
Ah, he's awake.
[Dan] He is, he's up. Sorry, sorry.
- No... - Jet lag excuse.
Okay, do you want some coffee?
Yeah, please.
Perfect. Thank you.
- Yeah, I'll put some toast on. - Yeah, go on. Thank you.
Alright, so what's the plan?
Have you got to get back today?
Ah... Yeah, no plan really,
but, ah, it's probably for the best.
It's a bit stressful at the moment...
with, you know, Michael.
We're, we're in a bit of a weird place.
Right.
[Alison] Hmm.
Yeah. Ever since I - my book was published.
- Why, would does he do? - He's a surgeon.
- What, is he threatened? - Mm...
I don't know. I don't think so.
Well, maybe...
Is that what, is that what happened with you guys?
- Why, what do you mean? - With your separation?
I'm not separated.
You're not?
No. Why'd you say that?
Oh, well, well, didn't you...
You said that your wife lived in America.
No, I didn't. No, I didn't say that.
I said she's in America.
I mean, she's in America 'cause she's working.
Uh...
You all right?
Uh...
I slept in your arms last night.
Yeah...
Yeah, yeah, I know.
Are you, you've...
You're married too, right?
Does she know you're here?
Does your husband?
[sighing]
Ah, I'm sorry...
It's just that I thought...
I thought that you, you came here for me.
I, I, I did. I did.
Well, I, I came here for some answers, I suppose.
You know, you left a bloody great hole in my life, Alison.
Okay, now you have your answers, it's what? You - you're done?
Uh...
Dan, I've never, I've never told anybody what happened to me.
Not even Peter, and it has caused, it is such a mess.
We barely even talk.
So it matters to me that I told you that,
that, that I felt like I could.
It does, it does matter.
It does matter!
I'm glad that you did. It's just, you know,
I wish, I wish that you had told me years ago.
- Well you never asked. - Well, how could I ask?
- You could have replied. - To what?
To the letters!
God dammit. It's...
Ah, it doesn't matter.
When you started to message me...
I realised that I can't remember the last time I smiled.
Properly... Just for me.
What are you saying, Al?
I don't know. I, I...
I know it's crazy.
But, but when you said you were here...
I, I, I got anxious because you wanted to know everything.
And then suddenly it felt like this weight
lifted off my shoulders.
And then it got me thinking...
What if this life had been us?
What if we had built a life together? Built a family?
God, Daniel...
How did you want this to play out?
Did you not think that this might happen?
That we might see each other
and that there might be something there?
I don't know, I don't know, do I?
I don't know. I didn't think, obviously.
Right? I just, I came across your book
and then I just knew that I, that I wanted to get in touch.
That's it.
And now?
Wow...
I, I, I need a minute.
[tense music]
What am I doing?
[sighing and sniffling]
Okay. Okay.
[Michael] Who the fuck are you?
Oh, ah, Michael?
Right. It's nice to meet you, mate.
I'm an old friend of Alison's.
It's time to go home.
Well, she hasn't done anything wrong.
I'm talking to my wife.
It's not what you think.
Isn't it?
Al?
You're my wife and I love you.
And that's why I'm, I'm standing here,
dying from the fucking shame of all this
and asking you to come home with me.
[Michael] Ali?
Please...
Come home to your daughter.
Let's go.
Hey, Alison...
It was like you said, we're both married.
[Dan] What?
Oh, he's the king of twats,
and she's a frog in boiling water and has been a long time.
But, mate...
You got to put yourself in his shoes.
[Sheila] She needs time.
Maybe you do, too.
Nothing happened.
- If you say so. - I swear.
Really, Ali?
What? You just stay up all night holding hands, did you?
Talking about the good old days.
If they were so good, why were you running away from him?
- Why did I have to save you? - You think you saved me?
Oh, come on Ali.
You were looking for somebody to take care of you.
I took care of myself.
- Oh really? - Yes.
You were always a runner.
When you want to run from me, you run to Sheila.
Why didn't you just stay in Bondi with him?
Did you follow me?
Michael?
You followed me?
Michael?
Wha...
Yeah, I tracked your phone Alison, alright?
And lucky I did.
[gentle music]
[birds calling]
[Duncan] So, New Zealand for six months, yeah?
Oh, I don't know.
Hey look, Jack Leonard was fucking great, actually.
You know what, I still got to speak to Katja.
You know, there's a lot to discuss.
God, I need some good news today, mate.
Missus is off to her mother's.
- Why? Has she left ya? - No, she'll be back.
- Are you sure about that? - Sure, we're great together.
Ah, you're a...
You're an idiot.
Well, thanks for the support.
You need someone to give you the unvarnished truth.
Which is?
That you need to grow the fuck up, Duncan.
Oh, well you're not exactly first person I go to
for relationship advice, pal.
Well, what's that supposed to mean?
Where's your Kat?
You know where she is?
Yeah. Having a smashing time apart are you?
Yeah. Well, me and Kat are fine. Thank you very much.
Sure. Well, at least I'm not in denial.
I'm not in denial about anything.
Oh, and you won't deny it's your round?
Now piss off and get me another pint.
[both laughing]
[voicemail] You have one new voice message.
[Alison] Hey, I don't know if you listen to this,
but I hate the way we left things.
It was really good to see you again.
And I wish we could have spoken more.
I don't want to run from the past anymore, Dan.
If you want to talk again, I'm here.
[barman] Can I help you, son?
Oh yeah. Two more of these please, thanks.
Cheers.
[door rattling]
Hey...
You're back?
- Hi. - Hi.
["Bizarre Love Triangle" by Frente playing]
# Every time I think of you #
# I get a shot right through into a bolt of blue #
# It's no problem of mine but it's a problem I find #
# Living a life that I can't leave behind #
# There's no sense in telling me #
# The wisdom of a fool won't set you free #
# But that's the way that it goes #
# And it's what nobody knows #
# And every day my confusion grows #
# Every time I see you falling #
# I get down on my knees and pray #
# I'm waiting for the final moment #
# You say the words that I can't say #
# I feel fine and I feel good #
# I feel like I never should #
# Whenever I get this way I just don't know what to say #
# Why can't we be ourselves like we were yesterday? #
# I'm not sure what this could mean #
# I don't think you are what you seem #
# I do admit to myself that if I hurt someone else #
# Then I'll never see just what we're meant to be #
# Every time I see you falling #
# I get down on my knees and pray #
# I'm waiting for the final moment #
# You'll say the words that I can't say #
# Every time I see you falling #
# I'll get down on my knees and pray #
# I'm waiting for the final moment #
# You say the words that I can't say #
[gentle music]