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[solemn music playing]
[Yahweh] I am what I am…
and what I will be.
[thunder rumbling]
[narrator] The Bible speaks of a lowly shepherd
called to a mysterious mountain
somewhere in the Sinai Peninsula.
[epic music rising]
The journey is perilous.
And he's filled with fear.
But a powerful force he does not yet understand
pulls him onward.
Faith.
[baby squalling]
The man carries with him a secret past.
[man] My brother, not an Egyptian, but one of us.
I'm Hebrew?
[narrator] Each step brings him closer to his true destiny.
[man] God has spoken to him.
[woman] I told you not to bring him back.
[man 2] You are not one of them, Moses.
[screams]
[locusts buzzing]
[Moses] It's time to let my people go.
[narrator] Deliverer of the Israelites.
[ethereal voice] Show them the way.
[narrator] Messenger of God.
[Yahweh] I am what I am and what I will be.
[somber music playing]
[narrator] In a time of great famine,
the Israelites, descendants of Abraham,
settled in Egypt…
[woman screams]
…where they were enslaved for 400 years.
They suffered for centuries, but their numbers grew.
Fearing they would rise up against him,
the king ordered all male Hebrew babies
drowned in the Nile.
[dark musical flourish]
-[baby crying] -[dramatic music playing]
Adopted in secret by Pharaoh's daughter…
[teacher speaking indistinctly]
[narrator] …he is raised in the royal court…
alongside his uncle, the future king.
His name is Moses.
[Andy Lewter] Even though he was a prince of Egypt
and he had all of the benefits of Pharaoh's house,
growing up in that household, being a member of the royal family,
I think inside of him, he knew that there was something different about him.
He knew that he was born different.
[Maurice Harris] The Torah doesn't tell us what his Hebrew name was.
It's one of the mysteries that's wrapped into this story.
And it's also partly a story about Moses discovering in increments
his identity and his destiny.
[whip cracking]
[man screaming]
[narrator] "And it came to pass in those days when Moses was grown,
he spied an Egyptian smiting a Hebrew."
[woman] No! No! No!
[melancholy music playing]
[taskmaster] Back to work!
[Lewter] I am convinced that there was an innate spirit inside of Moses
that identified with the oppression
that this Hebrew slave was undergoing at the time,
and I think there was a moment of awakening.
[melancholy music continues]
[man screaming]
You! Stop!
Stop!
Let him go.
I said, let him go.
Yes, sir.
Day over!
[tense music playing]
[heart pounding]
[ears ringing]
[tense music swells]
[gasps]
[narrator] "Now when Pharaoh heard this thing,
he sought to slay Moses."
"But Moses fled from the face of Pharaoh."
[ominous music playing]
He wanders east in the desert towards Midian.
A stranger in a strange land.
[inspiring music playing]
No longer an Egyptian prince,
and not yet the prophet who will free the Israelites.
So much of the Judeo-Christian religion rides on Moses.
He's a founding father.
Everything that you might know about the Bible
in some way, shape, or form,
can be drawn back to Moses, his life, and his ministry.
Moses is unique in the Judeo-Christian-Islamic tradition
in that he appears in all three.
He's accorded honor as a prophet in all three.
[Celene Ibrahim] The prophet Moses is mentioned in the Qur'an
upwards of a hundred times.
And so it's very unique in the sense that very few prophets
have their entire life story told in the Qur'an.
[Shlomo Einhorn] Everything about his life,
what he went through, his challenges,
and what he's done,
there's not a piece of it that is not relevant to us today.
What do you do when other people are suffering?
Stand up or stay quiet?
Social justice?
Social justice began with Moses.
Moses the murderer to Moses the liberator.
That is a fascinating story.
[choral music playing]
Look. Someone is coming.
Who are you?
[Moses panting]
I will work for bread and water.
You may drink for free.
[Moses coughing]
Who do I thank for this kindness?
Jethro. Owner of the well. Priest of the mountain.
I meant your name.
His daughter.
Zipporah.
[Harris] When Moses flees Egypt,
he ends up in the care of this nomadic pastoral clan
in the wilderness near Mount Sinai.
That is the place where Moses finds rescue.
[horse whinnies]
[menacing music playing]
Entertaining suitors at our expense?
Our expense, Naim.
And our suitors are none of your business.
Desert rats are not welcome.
This one wants to die.
Perhaps, but he will gladly take two of you with him.
Kill him.
[Naim breathes deeply]
Not today.
[uplifting music playing]
Come.
[Ibrahim] It's the women themselves who see in Moses something special
because they accept his help.
They recognize in him these qualities of strength and trustworthiness.
[Shady Nasser] In the Qur'an, it's a funny story where Zipporah--
In Arabic it would be Sephora.
She was walking in front of him,
and then the wind blows, and then her skirt is lifted a little bit.
And then Moses, of course, he doesn't want to look at her.
So he walks in front of her so that he doesn't look at her back.
And they were impressed with his chivalry.
The daughters, they went back to their father
and they tell him that Moses,
the trustworthy, strong one, he helped us.
[soothing music playing]
What brought you to Midian?
[Moses] Our pharaoh is building a city.
The people were told to work as serfs or pay tax.
-So I left. -For the desert?
A man can be free there.
Egyptian ways are not like ours.
But for your bravery on my daughters' behalf,
you may stay the night.
[Harris] Jethro is one of my favorite characters
in the entire Moses saga.
What we know about Jethro is he is loving,
that he provides shelter, that he's a good judge of character.
It doesn't matter to him whether this guy is Egyptian or Midianite,
or whatever he might be.
He did something to help and he's in need.
Jethro is a priest of the Midianite people.
They were a polytheistic people
that lived at the same time as Ancient Egypt
and eventually as ancient Israel.
I don't think they really had monotheists back then.
Um, I think pretty much everyone believed that many gods existed.
The question is, which one do you worship?
So, I mean, the term is monolatry.
It's not monotheism, where you only believe there's one God.
Monolatry means you only worship one God.
You acknowledge the existence of others, right?
But there's only one that you worship.
[Kirsch] If you take the Bible literally,
God makes it absolutely clear
that he's the only God that the Israelites should worship.
He doesn't necessarily make it absolutely clear that he is the only God.
In the Ten Commandments, he says,
"Thou shalt not have any other gods before you."
Now you could interpret that to mean
there are other gods, and other people worship those gods,
but you, my chosen people, must only worship me.
[Yahweh] Show them the way.
[ethereal music playing]
Your bedding is ready.
What do you see?
Who lives in the mountain?
[Zipporah] No one. Why?
I saw a fire there on the summit.
No, it's impossible. It's holy ground. No one may go there.
[Moses inhales deeply]
Then what did I see there?
[ethereal music swells]
The mountain is a very significant place in many religious traditions.
There are gods who are imagined to dwell on mountaintops
because a mountaintop is high and hard to reach
and may be hidden by clouds
from which occasionally you saw flashes of light.
You could imagine how that would impress someone down in the flatlands
as an object of great mystery.
[grave music playing]
[Yahweh] Show them the way.
Show them the way.
[boy] Who am I, Mother?
[heart beating]
[mother] What a question for a boy.
You are a prince of Egypt.
Why?
[boy] The other boys make fun of me.
They say I'm different.
That I'm not royal like they are.
The highest symbol in the land.
In our family since time began.
Never lose sight of who you are.
You are as royal as anyone.
Hmm?
Sleep now.
My darling Moses.
[discordant music playing]
[hissing]
[dramatic musical flourish]
It's been hard for… us since Mahar died.
Seven daughters and no son.
He was my best shepherd.
Hmm.
Why not offer the stranger his job?
A man who risked his life for strangers is half in love with death.
If he goes back to the desert, he'll die.
It will be on our hands.
You have your mother's cunning.
[uplifting music playing]
[Zipporah] Moses!
Please, don't leave.
My father, he offer you a job.
[Lewter] Midian was a refuge for Moses,
and I think it was a refuge that allowed him
to enjoy comfort and convenience.
[Harris] It's the place he's able to lay low
while the Egyptian authorities are looking for him
because he is wanted for murder.
[Kirsch] He goes from being a prince of Egypt to being a shepherd.
He has been reduced from a high and mighty figure
to a humble and obscure figure.
He's tending to a flock in the desert of Midian.
And that's where he gets the call.
[thunder rumbling]
[rain pattering]
[Yahweh] Show them the way.
[high-pitched ringing]
Show them the way.
[thunder crashing]
I brought breakfast.
[sighs contentedly]
I've seen marks like this before.
The tax collectors use them.
Did you learn them in Egypt?
For record-keeping?
And to tell stories with.
[Zipporah] Mm.
And what story do these tell?
Yours and mine.
[blowing horn]
Oh, god of the mountain.
Witness.
Today, we consecrate the marriage of thy servants Moses and Zipporah.
[tender music playing]
Beside the majesty of thy dwelling place,
our lives are as nothing.
As fragile and rare as this piece of glass.
May the union of thy servants…
[voice breaking] …be good in thy sight.
And bountiful.
[women ululating]
[music intensifies]
[Kirsch] It's intriguing to ponder
that Moses was in touch with many different cultures and traditions.
He was a prince of Egypt.
He was the son-in-law of the high priest of Midian.
He was the liberator of the Israelites.
And I think that, uh, multiple connections with people in the world in which he lived
has relevance for the world in which we live,
because it shows that having more than one identity is possible
and maybe even inevitable.
[sighs]
[grunts]
[narrator] Moses and Zipporah start a family in Midian
and have two sons.
Gershom and Eliezer.
[baby fussing]
[Rachel Adelman] The firstborn, his naming is really important.
So Moses calls him Gershom…
[speaking Hebrew]
[in English] "For I was a stranger in a strange land."
It speaks to Moses' sense of not belonging, right?
Not belonging to Midian.
Not belonging in Egypt.
[baby crying]
[dramatic music playing]
[narrator] In the years that follow,
the old Egyptian king dies and Moses' uncle takes the throne.
He is Pharaoh,
the most powerful ruler of the age.
[Nick Brown] If we had to equate the Pharaoh in the story of the Exodus
with a pharaoh that we know from Egyptian history,
it could possibly be Ramesses the Great
because the story of the Exodus talks about how the Israelites
were forced into labor
and were forced to build these two great cities.
One of which was Pi-Ramesses, or the House of Ramesses,
which was Ramesses the Great's capital city in the Delta
during the Nineteenth Dynasty.
[singing]
[Monica Hanna] When he comes to power,
he leads several campaigns to the area of Syria Palestine.
He conquers areas even as far as, uh, Beirut in Lebanon.
The reign of Ramesses the Great was one of the most influential
and one of the most powerful,
and really was the peak of Egyptian empire.
How are the auguries?
There are always unruly ones, Majesty.
Where exactly?
In the desert, Majesty.
Scrub dwellers late with their tribute.
Inconsequential.
Even a beggar may be enlightened.
True, my lord.
[Pharaoh] The spell, sorcerer.
Let them feel our displeasure.
So they may come to us in supplication and humility.
It will be done, Majesty.
[Nasser] He is harsh towards anyone who is trying to threaten his kingdom.
He was merciless, he's brute, he is killing people.
He only cares about his, uh… Maintaining his wealth, his power.
If you want to describe someone as a tyrant in Arabic, you would say…
[speaking Arabic]
[in English] Is to behave like Pharaoh, or to become like a pharaoh.
So it really became, uh, synonymous, this word, with-- with Pharaoh's actions.
[narrator] The new pharaoh has many enemies outside his kingdom.
But the biggest threat to his rule is his nephew,
now a humble shepherd in Midian.
Gershom!
What have I told you? Eyes on the flock at all times.
Yes, Father.
What were you looking at?
Three riders on the plain heading for our village.
-Ishmaelites coming to make trouble. -No.
They were white horses.
[dramatic music playing]
[Jethro] This is a most unexpected pleasure.
Enjoy the comforts of our home.
[man] Thank you.
[Jethro] My foreman.
Ambassadors from Egypt.
Kneel before His Majesty's emissaries!
Kneel!
Apologies. He's foreign-born.
You must inform him.
The old pharaoh has joined the gods.
His firstborn is the new pharaoh.
[tense music playing]
All the desert tribes must send tribute.
Um… we are blessed and honored,
but we are also poor.
We saw your flock.
It's quite healthy and bountiful.
Please. Rest after your journey.
We must continue our mission.
But we will return.
How do we pay when we are already in debt?
We stall, negotiate, as always.
Not with this pharaoh.
You know him?
[voice echoing] Murderer.
[foreboding music playing]
Leave me.
Leave me alone!
[ethereal music playing]
[whip cracking]
[younger Moses] Stop! You! Stop!
[Zipporah] Moses! Moses!
[panting]
You have been up here for days.
Come down now.
This is where I belong.
You have… two sons now.
And a wife.
I do not deserve them.
And how does that help us?
[somber music playing]
[Yahweh] Show them the way.
Show them the way.
There are things about me you must know.
I was brought up as a prince of the royal household.
[Zipporah] A prince?
Why didn't you tell us?
Egyptian royals are not liked by desert people.
All this time you kept it hidden?
If your father had known, he would not let me stay.
I killed a man.
A taskmaster.
And this is why you left Egypt?
They would have punished you.
More than that.
They would have known what I always suspected.
That I was not really one of them any more than I'm one of you.
-Then who are you? -I don't know.
I need to find out.
There is a sign on the mountain again.
I must go there.
No one has ever been.
You might not come back.
[somber music rising]
I love you more than life.
[expectant music playing]
[Lewter] I think God calls us in a variety of ways.
Sometimes our call is the result of struggle.
But sometimes our call is a rejection
of the comfort and the convenience we have so come to enjoy.
And I think that's what Moses represents.
Moses was deeply flawed and extraordinarily resilient.
He was conflicted about his identity.
He was an adopted child.
He was a person with a criminal record.
He was homeless for part of his life.
And his failures teach us as much as his achievements.
[Kang] God calls who he wants to call.
In fact, I can't think of a-- a single person
in the Bible outside of Jesus
that doesn't have a glaring character flaw or impediment
in some way, shape or form that is like, "Really?"
But God just specializes in that.
The God of scripture is a god who specializes
in taking broken things and not just fixing them,
but repurposing them for something even greater.
[expectant music continues]
[thunder crashing]
[dramatic music playing]
[solemn music playing]
[Yahweh] Take off your shoes.
Who are you?
This is holy ground, Moses.
Take off your shoes.
-Tell me, what do you want from me? -Do as I say.
I am what I am and what I will be.
The God of Abraham, Isaac and Jacob.
The God of the Israelites.
The God of everything.
And you are what you are
and what you will be…
my messenger.
The Hebrew Bible makes a fundamental point
that human beings cannot see God.
They cannot be in the physical presence of God.
There is one great exception.
The exception is Moses.
You are truly God?
I am what I am and what I will be.
[Enns] You have a bush that is burning, but not consumed.
A Jewish philosopher named Philo who lived around the time of Christ
reads this allegorically.
He says it's symbolic of Israel's enslavement,
which is, they're burned but they're not consumed.
They're still surviving.
[Yahweh] I have watched you for years, Moses.
Seeking. Questioning.
And I have brought you here to reveal your purpose.
You will return to Egypt.
You will persuade the Hebrews to follow you.
And in my name, you will demand their freedom from Pharaoh.
Pharaoh will never free the Hebrews.
He will resist.
And I will smite him for it.
What have I to do with the Hebrews?
I am not a leader or man of words.
Until you find your way,
your brother, Aaron, will speak for you.
[uplifting music playing]
My brother?
Go to Egypt.
Announce yourself to the Hebrews as my messenger.
I will tell you my name.
The name I am known by.
And they will know that you speak for me.
[in Hebrew] I am that I am.
[in English] Moses doesn't know that he's gonna be convincing.
And God says, "Okay, don't worry. I'll tell you my name."
"It's…"
[speaking Hebrew]
[in English] "I will be that I will be,"
or "I will become that I will become."
What kind of name is that?
It's a name that's a verb.
God is a verb.
I am not meant for this task.
I'm not even a good man.
I have chosen you.
Moses.
[Moses] Zipporah! Zipporah, we must go!
[Zipporah] Oh!
I have seen God.
God? Which God?
The God of the Hebrews. The God of everything.
He has a task for me.
Pack clothes for you and the children. We leave at once.
[electrifying music playing]
[narrator] "The Lord had said to Moses in Midian,
'Go back to Egypt,
for all those who wanted to kill you are dead.'"
"So Moses took his wife and sons,
put them on a donkey, and started back to Egypt."
[wind blowing wildly]
[Zipporah] We are lost!
[Moses] God is showing us the way.
Just three weeks to Goshen.
And then what?
We stop at the village. There is an inn.
There, we will meet my brother, Aaron.
The brother this God told you of? Who you don't even know exists?
It's God's word. I believe it.
-If there is no brother… -There will be.
…when we reach Goshen, can we return home?
-There will be a brother. -But if there isn't.
There will be a brother!
But if there isn't!
[sighs] Bring me the meat.
I do not believe in this God.
-The Hebrews are suffering. -I believe in our family.
Then I am your husband!
Perhaps with you beside me, I can deliver them.
[narrator] Moses heeds God's instructions
and journeys across the desert to meet his brother, Aaron.
[mellow music playing]
How will you recognize your brother?
Him?
Sit.
[somber music playing]
Quickly.
And you.
A voice spoke to me in a dream
that said if I came here,
I would meet you.
How do you know who I am?
I've known you all your life.
I am Aaron, son of Amram.
A Hebrew.
Your older brother.
I'm a Hebrew?
It is a strange and wonderful story.
[dramatic music playing]
When I was a young boy,
Pharaoh feared the Hebrews were growing too numerous
and would one day take over his kingdom.
He decreed that all new Hebrew males be killed.
You were not yet born when the killing started.
[Carol Meyers] Aside from the tribal groups
that you have at the beginning of chapter one,
the first two people named in the Exodus story are Shiphrah and Puah.
And they're midwives.
And they do something remarkable.
They defy the orders of the most powerful person in their world,
the Pharaoh of Egypt,
because they refused to carry out the pharaoh's orders.
You could think of them
as the first example of civil disobedience.
In Exodus they are described in Hebrew as…
[speaking Hebrew]
[in English] …which means "the midwives to the Hebrews,"
or it could mean "the Hebrew midwives."
It's impossible to know, grammatically,
which of those it means.
These two women who may not be Hebrew themselves,
they're sticking their necks out for Hebrews.
They don't realize what they're setting in motion.
But we know.
And one of the things I find extremely moving is maybe, just maybe,
human redemption gets started on a grand scale
when people bravely stand up
to do something for somebody else.
[Aaron] Our mother, Jochebed,
gave birth to you in secret.
[baby crying]
According to the Midrash, when she first gives birth,
the whole room is filled with light.
When she sees the child, she sees that he is good.
In Hebrew, it's…
[speaking Hebrew]
[in English] She sees that he is good.
And we haven't heard that expression, that it was good,
since the first chapter in Genesis.
Since the first seven days of creation.
And she says, "He's special."
"He needs to be hidden. He needs to be saved."
[dramatic music playing]
[Aaron] With the Egyptian soldiers going door-to-door in Goshen,
we made a plan to keep you safe.
[knocking on door]
-[soldier] We know there's a baby here. -They're coming. They're coming.
[Jochebed] Aaron, go to the hiding place. Go to the hiding place. Go!
[Aaron] It was my job to look after you.
Keep you hidden.
I told you.
The child was stillborn.
Show us the body!
He was buried yesterday.
Must you trouble a mother in her grief?
[baby fusses]
Shh!
Wait. Wait.
[baby coos]
Listen.
[Aaron] I held you so tight, worried that you would cry out.
[tense music playing]
We shall return.
Let's go.
No! No! No! No! No! No! No!
Oh, no!
No!
[Jochebed crying]
[fusses]
[all sigh in relief]
[Jochebed soothing baby]
[Aaron] You were safe.
But we knew it was only a matter of time before the Egyptian soldiers returned.
[Harris] What's interesting to me is that in those first couple of chapters
of the book of Exodus,
the text focuses so heavily on the wise,
clever and brave acts of defiance carried out by women,
some of them Hebrews, some of them not,
who all take these courageous risks
in defiance of the pharaoh's laws and decrees.
Moses' mother, she makes the agonizing decision
to put this baby in a basket,
send it desperately off along the waters of the Nile.
What a desperate act.
Oh, God.
[Harris] God, I hope there's just somebody somewhere who isn't horrible.
And that if there is, that they find this baby.
That's just crushing.
[solemn music playing]
[Aaron] Our mother cast you adrift in the Nile,
not knowing what fate had in store for you.
[Adelman] They're able to hide him for three months.
And at the end of three months they construct a little ark.
It's called a tevah in Hebrew. It's the same word for Noah's Ark.
Noah's Ark is a tevah likewise lined with pitch.
So you have these two stories.
One is in the early part of Genesis,
and now we have the early part of Exodus where something big's gonna happen,
and it's because of the tevah.
And a tevah is carrying someone that's gonna represent a new beginning.
City of Pi-Ramesses.
[tense music playing]
[Moses] It has grown.
[Aaron] A monster.
Fed on human blood.
Ours.
[Pharaoh] It will be glorious.
[woman] You are too proud, brother.
Our father built the Temple of Amun
so that his name would be remembered for eternity.
Now, you remove the dedication and replace it with yours?
Father made the inscription before the temple was complete.
[woman] Our people remember Father fondly.
[Pharaoh] Father was a tyrant.
Hunting down Hebrew children because he feared rebellion.
Amen… what is the makeup of our workforce?
One-fifth Egyptians, Sire.
One-fifth prisoners of war.
The rest, Hebrews.
Energetic, skillful workers.
And he wanted them pruned because he was petrified of rebellion.
I am made of different mettle.
And as our city scales the heavens, yes,
our Gods shall bask in glory.
The notion of slaves in Egypt did not exist.
Get to work here!
[Hanna] But we had prisoners of war. Uh, we had servants.
There was forced labor.
This was business as usual for Egyptian kings.
[dramatic music playing]
[Lewter] The slave labor of Egypt
was critical to the economy of the same.
And so you say, "Let my people go,"
the natural question of Pharaoh and the entire Egyptian economy is,
"Well, who's gonna do the work? Who's gonna shoulder this labor?"
Just like, uh, 1863,
the Emancipation Proclamation raised the question of,
"Well, if you let all the slaves go, who's gonna pick the cotton?"
[narrator] Goshen sits on the outskirts of Pi-Ramesses.
Abraham's grandson and great-grandson settled there four centuries earlier
when famine drove them out of Canaan.
[intriguing music playing]
[Einhorn] Pharaoh says, "Great, bring them all here."
"They'll settle the land."
Over time what happens,
the Israelites are seen as like a fourth column.
They're growing fast. They have their own identity.
They're not blending in as well as we want them to.
We gotta watch out for them.
So a system is then set up whereby to keep them as not yet slaves,
but these things happen gradually.
Rights get taken away. Before you know it, you look around and don't remember
what life was like before you had those rights.
Hey. Hey.
Miriam.
This is our brother, Moses.
[breathes deeply]
I told you not to bring him back.
[melancholy music swells]
Come.
It's fine. It's fine. Come. Please.
Please.
[Miriam] You must be parched.
[Aaron] Do you want some food?
Drink, and then you should leave.
[Aaron] When have you eaten?
That's how Mother wanted it.
You should listen to him, Miriam.
God has spoken to him.
God comes to all of us in dreams.
It was not a dream.
He spoke to me on the mountain.
He told me to come here, to free our people,
to lead them back to Canaan.
Our God has not spoken to anyone for hundreds of years.
It is true.
The Hebrews are in Egypt for 430 years.
And most of that time they've spent as slaves.
What happened to the relationship between God and the people of Israel
during all those hopeless, endless centuries of slavery?
Did they give up?
Did they conclude that the stories they'd been told
about their ancestor Abraham
and the promise of eventually being a free people in the Promised Land…
Did they just conclude that was not true?
And the Torah doesn't tell us.
But one of the lines that really strikes me,
God is telling Moses, "I have remembered my people."
"I have heard their cries."
Whenever I read that, my first reaction is like, "What took you so long?"
[faint groaning]
Mother.
[groaning]
Mother.
-Let me take you to-- -She recognizes no one.
[emotional music playing]
My little Moses.
Have you come back?
[crying]
Thank you.
Oh, thank you.
Thank you.
[Miriam] Do not tell the foremen.
They owe their position to the Egyptians. Just gather the elders for now.
Moses, when they come, you can address them.
Not me. Aaron.
[Nasser] In the Qur'an, when Moses was talking to God on the mountain,
he told him,
"Send Aaron with me because he's more eloquent
and he can express himself better than I do."
So the Qur'anic expression, it's a tight or a knot in the tongue.
How you interpret that, it could be a physical defect,
or it could be just psychological.
That he's really afraid to go back to Pharaoh,
and probably he was not as eloquent as Aaron was.
This is a really beautiful moment because he's telling God,
"Look, I really could use some help in this big mission."
And God responds, and Aaron is, in fact, exalted to the status of a prophet.
So he's acting alongside Moses to help in this mission.
This is Moses, my brother.
Not an Egyptian.
But one of us.
He has come to us with a message.
What message?
Dathan, the head foreman.
You remember my brother.
He's a good man.
Even when he lived as an Egyptian.
He slew the guard that whipped Bukki.
I remember well.
And God…
our God…
God of Abraham,
has come to my brother
and commanded him to lead us out of bondage
so we may return to the land whence we came.
Did he say how?
[woman] Ask him how.
We will ask Pharaoh to let us travel outside the city.
-[man] My God! -[woman 2] No!
All of us.
We shall say that our sacrifice is due to our God.
Animal sacrifices that would anger the Egyptians.
Pharaoh will let us go to the desert for three days.
Once out of sight, we will flee.
[tense music playing]
Son of Amram, I want to believe your brother's story.
But if you go to Pharaoh with this request,
he will laugh at you.
My brother has spoken to God.
[woman 3] What?
He commanded me to free you.
To free our people.
If God tells us to do it,
then it will work.
Moses.
Did he tell you his name?
Yes. Yes. I know it.
In every generation,
the name of our God has passed down.
So we would know it when a time came like this.
Serah.
They said, "Let's consult the old lady, Serah Bat Asher."
Does he have the special words?
[Miriam] You know the name, yes?
Your mother told you.
So if Moses knows the name,
he has seen our God.
Moses.
[tense music continues]
[singing]
[dramatic music playing]
God is with us.
She says, "Ah! He has the special words, the words of redemption."
"He's for real."
"He's the redeemer. He's God's chosen prophet."
So much for secrecy.
Is it true? Has our God returned?
Tell us about Him.
[dramatic music swells]
[Yahweh] Show them.
He is the one true God.
He is the God who protected Joseph
when his brothers betrayed him.
He is the God who told him
that one day his bones will be returned to Canaan.
He is the same God who made a contract with Abraham,
Joseph's great-grandfather.
So our people would belong to him forever.
Was it Abraham who wrestled with God?
No, that was Jacob, Joseph's father.
He met the Lord at night and they wrestled until dawn.
And he would not let the Lord go until He blessed him.
And when the Lord blessed him, He named him Israel.
He who prevails with God.
What is our homeland like?
Is it true there was a flood?
What about the animals?
[all laughing]
Yes, there was a flood.
And the man who saved us from it was called Noah.
He built an ark.
How many days did the flood last?
Forty days and forty nights.
How was the world made?
Our God made it in six days.
[narrator] And he speaks of Adam and Eve,
Noah, Isaac, and Ishmael,
Jacob and Esau.
The man who fled Egypt a fugitive returns home a prophet.
[gentle music playing]
How did you know I knew the name?
I am a midwife.
We are close to God.
At birth and death you can feel His presence.
Yet you have no children of your own.
When it was my time to take a husband,
they were still killing baby boys.
I prefer to help the others.
That's where you were.
Near the garden of the women's palace.
When the princess collected you.
You saw it?
I made it happen.
[dramatic music playing]
[woman sobbing]
[sobbing]
[baby wails]
[Ibrahim] So Moses's mother says one word to his sister.
"Follow him."
And in Arabic, it's actually one word.
And so she is quite brave in following this child.
Shiphrah! Shiphrah, I need to tell you something.
[Ibrahim] And she is very witty on her feet
and finds a way to get her brother returned to their biological mother.
Forgive me, my lady.
I know a wet nurse for the princess's baby.
The princess, the daughter of Pharaoh, never asks,
"Who are you?"
Presumably, she does not know
that this is the infant's biological mother.
So, of course the biological mother is destined to become the one
at whose breast he will feed,
and he will spend the first two or three years
nursing at his mother's breast.
That means that his mame-loshn, his mother tongue, he hears from infancy,
lullabies, Hebrew.
Uh, I imagine a song,
a lullaby that he took with him in his subconscious memory.
[humming]
[Ibrahim] I love the fact that the story begins
with this one nursing woman and her infant.
I mean, how-- how likely in our conception do we think
that a revolution is going to start with a-- you know, a nursing mother?
[Miriam] There was a higher force.
Always.
Taking you away, then bringing you home.
You are our link.
The one who goes between.
My mother will help me speak to Pharaoh tomorrow.
Pharaoh's sister is not your mother.
She is not, and yet she is.
[dramatic music rising]
[tense music playing]
[handmaid] Someone approaches, my lady.
From a long journey.
A stranger.
Yet he knows your heart.
You've gone pale, my lady.
What's wrong?
My son has returned.
It's Moses.
[closing theme music playing]
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