1 00:00:05,038 --> 00:00:06,940 ♪ ♪ >> Announcer: THE RED CARPET IS PACKED AND FULL OF YOUR 2 00:00:07,006 --> 00:00:10,510 FAVORITE TELEVISION AND MOVIE STARS. ARE YOU READY? BECAUSE 3 00:00:10,577 --> 00:00:14,848 IT'S TIME TO KICK OFF THE 2025 AWARD SEASON. AND NOW, WE'RE 4 00:00:14,914 --> 00:00:19,386 LIVE FROM THE BEVERLY HILTON. IT'S THE 82ND GOLDEN GLOBES! 5 00:00:19,452 --> 00:00:29,462 HERE'S YOUR HOST, NIKKI GLASER! [APPLAUSE] ♪ ♪ >> Nikki: GOOD 6 00:00:37,137 --> 00:00:43,176 EVENING AND WELCOME TO THE 82ND GOLDEN GLOBES, OZEMPIC'S BIGGEST 7 00:00:43,243 --> 00:00:46,212 NIGHT! [LAUGHTER] IF YOU'RE WATCHING ON CBS, HELLO! IF 8 00:00:46,279 --> 00:00:50,016 YOU'RE WATCHING ON PARAMOUNT+, YOU HAVE SIX DAYS LEFT TO CANCEL 9 00:00:50,083 --> 00:00:56,790 YOUR FREE TRIAL! [LAUGHTER] I'M NIKKI GLASER, AND I'M ABSOLUTELY 10 00:00:56,856 --> 00:01:02,495 THRILLED TO BE OUR HOST TONIGHT. [CHEERS AND APPLAUSE] THANK YOU. 11 00:01:02,562 --> 00:01:06,966 I'VE GOT TO SAY, THIS FEELS LIKE I FINALLY MADE IT. YOU KNOW, I'M 12 00:01:07,033 --> 00:01:08,935 IN A ROOM FULL OF PRODUCERS AT THE BEVERLY HILTON HOTEL, AND 13 00:01:09,002 --> 00:01:12,939 THIS TIME ALL OF MY CLOTHES ARE ON SO YEAH. [LAUGHTER] IT WAS 14 00:01:13,006 --> 00:01:19,946 WORTH IT. SOME OF YOU MAY KNOW ME AS A STAND UP COMEDIAN, AND 15 00:01:20,013 --> 00:01:25,185 FROM MY APPEARANCES ON ROASTS. BUT I'M NOT HERE TO ROAST YOU. I 16 00:01:25,251 --> 00:01:27,954 WANT YOU TO KNOW THAT. HOW COULD I, REALLY? YOUR ALSO FAMOUS, SO 17 00:01:28,021 --> 00:01:31,324 TALENTED, SO POWERFUL. YOU CAN REALLY DO ANYTHING, EXCEPT TELL 18 00:01:31,391 --> 00:01:36,930 THE COUNTRY WHO TO VOTE FOR, BUT IT'S OKAY. YOU'LL GET 'EM NEXT 19 00:01:36,996 --> 00:01:47,073 TIME. IF THERE IS ONE. I'M SCARED. ARIANA, HOLD MY FINGER? 20 00:01:47,140 --> 00:01:50,877 THANK YOU. TONIGHT WE CELEBRATE THE BEST OF FILM, AND HOLD SPACE 21 00:01:50,944 --> 00:02:00,386 FOR TELEVISION. [LAUGHTER AND APPLAUSE] "WICKED," "QUEER," 22 00:02:00,453 --> 00:02:05,825 "NIGHTBITCH." THESE ARE NOT JUST WORDS BEN AFFLECK YELLS AFTER HE 23 00:02:05,892 --> 00:02:11,931 ORGASMS, THESE ARE SOME OF THE INCREDIBLE MOVIES NOMINATED 24 00:02:11,998 --> 00:02:19,138 TONIGHT. "THE BEAR," "THE PENGUIN," "BABY REINDEER." THESE 25 00:02:19,205 --> 00:02:22,342 ARE NOT JUST THINGS FOUND IN RFK'S FREEZER. THESE ARE TV 26 00:02:22,408 --> 00:02:28,815 SHOWS NOMINATED TONIGHT. AND WHAT A NIGHT. I LOOK OUT AND I 27 00:02:28,882 --> 00:02:35,121 SEE SOME OF THE HARDEST-WORKING ACTORS IN SHOW BUSINESS, AND BY 28 00:02:35,188 --> 00:02:40,026 THAT I MEAN YOUR SERVERS. YES. [APPLAUSE] YES, GIVE IT UP! 29 00:02:40,093 --> 00:02:43,763 THEY'LL BE BRINGING YOUR COCKTAILS TO DRINK, AND YOUR 30 00:02:43,830 --> 00:02:48,601 FOOD THAT YOU LOOK AT. BUT I ALSO SEE SOME ABSOLUTE HOLLYWOOD 31 00:02:48,668 --> 00:02:53,172 LEGENDS. LEAVE GOT SOME HUGE MOVIE START HERE TONIGHT. KATE 32 00:02:53,239 --> 00:02:56,910 WINSLET, CATE BLANCHETT, COLIN FARRELL... AND LET'S NOT FORGET, 33 00:02:56,976 --> 00:03:00,113 SO MANY HUGE TV STARS, AS WELL. KATE WINSLET, CATE BLANCHETT, 34 00:03:00,179 --> 00:03:08,054 COLIN FARRELL... EVEN OSCAR-WINNING ACTOR EDDIE 35 00:03:08,121 --> 00:03:11,524 REDMAYNE DID TV THIS YEAR. HE'S NOMINATED FOR PEACOCK'S "THE DAY 36 00:03:11,591 --> 00:03:18,498 OF THE JACKAL." YES. [APPLAUSE] IT'S ABOUT A TOP-SECRET ELITE 37 00:03:18,565 --> 00:03:24,837 SNIPER NO ONE CAN FIND BECAUSE HE'S ON PEACOCK. [LAUGHTER] I 38 00:03:24,904 --> 00:03:31,911 THINK I'VE SEEN MORE ACTUAL PEACOCKS IN MY LIFE THEN SHOWS 39 00:03:31,978 --> 00:03:41,721 ON PEACOCK. DENZEL WASHINGTON IS HERE FOR "GLADIATOR II." CYNTHIA 40 00:03:41,788 --> 00:03:45,892 ERIVO IS HERE FOR "WICKED." AND MARTIN SHORT IS HERE BECAUSE WE 41 00:03:45,959 --> 00:03:53,866 HAVE CAMERAS. [LAUGHTER] I LOVE YOU. ZENDAYA IS HERE. ZENDAYA, 42 00:03:53,933 --> 00:03:56,970 YOU WERE INCREDIBLE IN "DUNE." OH, MY GOD, I WOKE UP FOR ALL OF 43 00:03:57,036 --> 00:04:03,910 YOUR SCENES. YOU WERE SO GOOD. AND "CHALLENGERS," GIRL? OH, MY 44 00:04:03,977 --> 00:04:06,546 GOD, THAT WAS SO GOOD. THAT MOVIE WAS MORE SEXUALLY CHARGED 45 00:04:06,613 --> 00:04:12,685 THAN DIDDY'S CREDIT CARD. I'M SORRY, I'M UPSET, TOO. THE AFTER 46 00:04:12,752 --> 00:04:18,324 PARTY ISN'T GONNA BE AS GOOD THIS YEAR. BUT WE HAVE TO MOVE 47 00:04:18,391 --> 00:04:19,726 ON. "STANLEY TUCCI FREAK-OFF" DOESN'T HAVE THE SAME RING TO 48 00:04:19,792 --> 00:04:29,702 IT. NO BABY OIL THIS YEAR. JUST LOTS OF OLIVE OIL. TILDA SWINTON 49 00:04:29,769 --> 00:04:34,407 IS HERE. AMAZING. [APPLAUSE] TILDA SWINTON IS OF COURSE 50 00:04:34,474 --> 00:04:40,680 NOMINATED THIS YEAR FOR HER ROLE AS TIMOTHEE CHALAMET. YOU'RE 51 00:04:40,747 --> 00:04:47,720 AMAZING. WHERE IS TIMOTHEE CHALAMET? HI! YOU WERE GREAT AS 52 00:04:47,787 --> 00:04:52,225 TIMOTHEE CHALAMET THIS YEAR, TOO. I LOVE YOU. CAN I JUST SAY, 53 00:04:52,291 --> 00:04:54,727 YOU HAVE THE MOST GORGEOUS EYELASHES ON YOUR UPPER LIP. 54 00:04:54,794 --> 00:05:02,335 THIS IS SUCH A GOOD LOOK. I LOVE YOU. DUDE, YOU WERE SO GOOD IN 55 00:05:02,402 --> 00:05:05,805 "A COMPLETE UNKNOWN" AS BOB DYLAN. WASN'T HE JUST 56 00:05:05,872 --> 00:05:09,976 INCREDIBLE? SO GOOD, DUDE. SERIOUSLY. [APPLAUSE] IN FACT, 57 00:05:10,043 --> 00:05:13,579 ACTUALLY READ THAT YOUR SINGING VOICE WAS SO ACCURATE THAT EVEN 58 00:05:13,646 --> 00:05:19,218 BOB DYLAN HIMSELF ADMITTED THAT IT WAS ABSOLUTELY HORRIBLE. YOU 59 00:05:19,285 --> 00:05:25,892 NAILED IT. YOU KNOW, TIMOTHEE, YOU ARE SO GREAT AT PLAYING 60 00:05:25,958 --> 00:05:30,029 THESE BELOVED ECCENTRICS. DYLAN, WILLY WONKA. WHO'S NEXT? ADAM 61 00:05:30,096 --> 00:05:34,133 SANDLER? ACTUALLY, YOUR NAME SOUNDS LIKE SOMETHING ADAM 62 00:05:34,200 --> 00:05:44,210 SANDLER WOULD SAY. "CHALAMET." "TIM-O-TAY CHALAMAY!" I THINK 63 00:05:45,511 --> 00:05:54,020 SPEEFOURTEEN IS HERE. CAN I GET A "CHALAMET >> CHALAMET! >> 64 00:05:54,087 --> 00:06:00,259 Nikki: A GOOD CHALAMET TO YOU, SIR! A CHALAMET TO YOU! I LOVE 65 00:06:00,326 --> 00:06:04,130 YOU. WE CAN'T TALK ABOUT MOVIES TONIGHT WITHOUT TALKING ABOUT 66 00:06:04,197 --> 00:06:12,004 "WICKED." UGH. [APPLAUSE] I DID NOT KNOW MUCH ABOUT "WICKED" 67 00:06:12,071 --> 00:06:16,209 GOING INTO THIS YEAR, BECAUSE I HAD FRIENDS IN HIGH SCHOOL, BUT 68 00:06:16,275 --> 00:06:20,780 I LOVED IT. [LAUGHTER] I LOVED IT SO MUCH. EVERYONE LOVED 69 00:06:20,847 --> 00:06:23,216 "WICKED." I LOVED "WICKED." MY BOYFRIEND LOVED "WICKED." MY 70 00:06:23,282 --> 00:06:29,288 BOYFRIEND'S BOYFRIEND REALLY LOVED "WICKED." SO MUCH FUN. IT 71 00:06:29,355 --> 00:06:33,426 IS SO MUCH FUN SEEING A MUSICAL IN THE THEATER. YOU KNOW, SOME 72 00:06:33,493 --> 00:06:38,231 THEATERS HAD ISSUES WITH THE MUSICALS. "WICKED," SOME PEOPLE 73 00:06:38,297 --> 00:06:41,801 COMPLAINED THAT THE MOVIE WAS RUINED BY PEOPLE SINGING. AND AT 74 00:06:41,868 --> 00:06:43,736 "JOKER 2," PEOPLE COMPLAINED THAT THE MOVIE WAS RUINED BY THE 75 00:06:43,803 --> 00:06:50,209 IMAGES ON THE SCREEN AND THE SOUNDS THAT ACCOMPANIED THEM. 76 00:06:50,276 --> 00:06:57,350 [LAUGHTER] I'M SORRY, "JOKER 2." WHERE IS THERE TABLE? OH, THAT'S 77 00:06:57,416 --> 00:07:04,323 RIGHT, THEY'RE NOT HERE. THE LEGENDARY HARRISON FORD IS HERE 78 00:07:04,390 --> 00:07:07,560 TONIGHT. [APPLAUSE] I WAS ACTUALLY TALKING TO HARRISON 79 00:07:07,627 --> 00:07:15,234 BACKSTAGE, AND AFTER HE GAVE ME HIS DRINK ORDER, I ASKED HIM, I 80 00:07:15,301 --> 00:07:21,073 SAID, WHAT WOULD YOU RATHER WORK WITH ZENDAYA OR ARIANA? HE SAID 81 00:07:21,140 --> 00:07:25,611 "INDICA," SO WE'RE GOING TO FIND HIM SOME SO HE HAS A GOOD TIME 82 00:07:25,678 --> 00:07:30,082 TONIGHT. WE WANT YOU TO HAVE FUN. NICOLE KIDMAN IS HERE. OH, 83 00:07:30,149 --> 00:07:34,921 MY GOSH. NOMINATED FOR "BABYGIRL." YOU WERE SO GOOD. I 84 00:07:34,987 --> 00:07:40,927 LOVED THAT MOVIE. I GIVE IT TWO FINGERS UP! THIS IS YOUR 20TH 85 00:07:40,993 --> 00:07:43,729 GOLDEN GLOBE NOMINATION. THANK YOU SO MUCH FOR ALL OF YOUR HARD 86 00:07:43,796 --> 00:07:49,936 WORK. THANK YOU FOR WORKING SO HARD. AND THANK YOU TO KEITH 87 00:07:50,002 --> 00:07:52,805 URBAN FOR PLAYING GUITAR AROUND THE HOUSE SO MUCH THAT SHE WANTS 88 00:07:52,872 --> 00:07:57,944 TO LEAVE AND MAKE 18 MOVIES A YEAR. KEEP STRUMMING, YOU KOOKY 89 00:07:58,010 --> 00:08:01,214 KOALA. WHO ELSE IS HERE? OH, LOOK! IT'S TWO-TIME HOLOCAUST 90 00:08:01,280 --> 00:08:11,324 SURVIVOR ADRIEN BRODY! [LAUGHTER] WHO ELSE? GLEN 91 00:08:11,891 --> 00:08:18,531 POWELL, WHAT A YEAR YOU HAD. OH, MY GOD. [APPLAUSE] GLEN, YOU 92 00:08:18,598 --> 00:08:20,967 WERE IN EVERYTHING. "TWISTERS," "HIT MAN," MY HEAD WHEN I'M 93 00:08:21,033 --> 00:08:27,206 HAVING SEX WITH MY BOYFRIEND. THANK YOU SO MUCH FOR THE 94 00:08:27,273 --> 00:08:34,981 ASSIST, AND I'LL SEE YOU TONIGHT. SELENA GOMEZ IS HERE. A 95 00:08:35,047 --> 00:08:38,951 DOUBLE NOMINEE TONIGHT FOR "EMELIA PEREZ" AND "ONLY 96 00:08:39,018 --> 00:08:42,822 MURDERS." AND SHE'S HERE WITH HER NEW FIANCE, BENNY BLANCO. 97 00:08:42,889 --> 00:08:44,524 AND BENNY BLANCO IS HERE BECAUSE OF THE GENIE WHO GRANTED HIM 98 00:08:44,590 --> 00:08:54,634 THAT WISH. MAN, LUCKY GUY. [APPLAUSE] I LOVE YOU. SELENA, 99 00:08:54,901 --> 00:08:58,504 YOU ARE SO GOOD IN "EMILIA PEREZ." I LOVED IT SO MUCH. 100 00:08:58,571 --> 00:09:03,276 "EMILIA PEREZ," YES. [APPLAUSE] "EMILIA PEREZ" EARNED TEN 101 00:09:03,342 --> 00:09:08,748 NOMINATIONS FOR NETFLIX, AND I LOVED IT. I THINK IT IS WITHOUT 102 00:09:08,814 --> 00:09:10,816 A DOUBT THE MOST AUDACIOUS, GROUNDBREAKING FILM TO EVER 103 00:09:10,883 --> 00:09:18,758 AUTOPLAY AFTER "IS IT CAKE?" SERIOUSLY. SO GOOD. I'M SO 104 00:09:18,824 --> 00:09:22,194 EXCITED TO BE HERE. I REALLY THINK THIS IS GOING TO BE A VERY 105 00:09:22,261 --> 00:09:26,399 MEMORABLE EVENING, AND MAYBE NOT EVEN IN THE WAY THAT YOU THINK. 106 00:09:26,465 --> 00:09:30,903 I PREDICT, FIVE YEARS FROM NOW, WHEN YOU'RE WATCHING OLD CLIPS 107 00:09:30,970 --> 00:09:32,939 OF THIS SHOW ON YOUTUBE, YOU'LL SEE SOMEONE IN ONE OF THE CROWD 108 00:09:33,005 --> 00:09:35,675 SHOTS AND GO, "OH, MY GOD! THAT WAS BEFORE THEY CAUGHT THAT 109 00:09:35,741 --> 00:09:43,950 GUY!" WE COULD BE MAKING HISTORY TONIGHT AND WE DON'T EVEN KNOW 110 00:09:44,016 --> 00:09:51,991 WITH WHO. HE KNOWS. OR SHE. IT COULD BE A WOMAN. I THINK 100% 111 00:09:52,058 --> 00:09:57,463 OF THE TIME IT'S A MAN, BUT IT COULD BE A WOMAN. [LAUGHTER] IT 112 00:09:57,530 --> 00:10:05,371 WON'T BE. IT NEVER IS. KINDA LIKE BEST DIRECTOR. ALL RIGHT! 113 00:10:05,438 --> 00:10:09,308 WELL, BEFORE WE START HANDING OUT AWARDS, I DO WANT TO REMIND 114 00:10:09,375 --> 00:10:12,912 YOU, IF YOU DO LOSE TONIGHT, PLEASE JUST KEEP IN MIND THAT 115 00:10:12,979 --> 00:10:17,616 THE POINT OF MAKING ART IS NOT TO WIN AN AWARD. THE POINT OF 116 00:10:17,683 --> 00:10:21,153 MAKING ART IS TO START A TEQUILA BRAND SO POPULAR THAT YOU NEVER 117 00:10:21,220 --> 00:10:28,027 HAVE TO MAKE ART AGAIN. [LAUGHTER] ALL RIGHT. YES. ARE 118 00:10:28,094 --> 00:10:33,332 YOU GUYS READY TO KICK THIS THING OFF? [CHEERS AND APPLAUSE] 119 00:10:33,399 --> 00:10:37,336 BETWEEN THE TWO OF THEM, THEY CAN DEADLIFT 685 POUNDS. FROM 120 00:10:37,403 --> 00:10:40,573 - "MOANA 2," AULI'I CRAVALHO, AND - - I HOPE I'M SAYING THIS RIGHT 121 00:10:40,639 --> 00:10:50,649 - - THE ROCK. [APPLAUSE] ♪ ♪ 122 00:10:57,456 --> 00:11:03,929 ♪ ♪ >> Dwayne: HERE WE ARE. OUT OF THE RECORDING BOOTH AND 123 00:11:03,996 --> 00:11:06,032 TALKING TO ONE ANOTHER, FINALLY FACE TO FACE. >> Auli'i: IT'S A 124 00:11:06,098 --> 00:11:08,200 LITTLE WEIRD, HONESTLY. WHEN I HEAR YOUR VOICE, I ENVISION YOU 125 00:11:08,267 --> 00:11:14,106 WITH A LOT MORE HAIR. >> Dwayne: YES, WELL, I'M A BIG SHAVER, AND 126 00:11:14,173 --> 00:11:16,575 I DONATE ALL OF MY HAIR TO FILM PRODUCTIONS IN NEED. 30% OF 127 00:11:16,642 --> 00:11:19,478 TIMMY CHALAMET'S BOB DYLAN WIG IS AUTHENTIC DWAYNE JOHNSON 128 00:11:19,545 --> 00:11:25,317 CHEST HAIR. AND YES, I GET TO CALL HIM TIMMY. HOW DOES IT 129 00:11:25,384 --> 00:11:27,887 FEEL? >> Auli'i: UGH, ENOUGH ABOUT BROMANCE AND CHEST HAIR! 130 00:11:27,953 --> 00:11:29,789 WHAT DWAYNE MEANT TO SAY IS, IT'S AN HONOR TO PRESENT THE 131 00:11:29,855 --> 00:11:32,191 FIRST AWARD OF THE NIGHT. >> Dwayne: TWO OF THE NOMINEES WENT 132 00:11:32,258 --> 00:11:34,960 TOE TO TOE WITH POWERFUL PERFORMANCES IN ONE OF THE 133 00:11:35,027 --> 00:11:37,663 FILMS, WHILE THE OTHER NOMINEES SHINED IN FILMS THAT GAVE US 134 00:11:37,730 --> 00:11:41,434 COMPELLING CHARACTERS OF GREAT DEPTH AND MASTERFUL LEVELS OF 135 00:11:41,500 --> 00:11:44,303 TEXTURE AND NUANCE. >> Auli'i: TRULY AN INSPIRING CLASS OF 136 00:11:44,370 --> 00:11:47,573 POWERFUL ACTRESSES. HERE ARE THE NOMINEES FOR BEST PERFORMANCE BY 137 00:11:47,640 --> 00:11:53,179 A FEMALE ACTOR IN A SUPPORTING ROLE IN ANY MOTION PICTURE. >> 138 00:11:53,245 --> 00:12:02,054 Announcer: SELENA GOMEZ, "EMILIA PEREZ." ARIANA GRANDE, "WICKED." 139 00:12:02,121 --> 00:12:09,328 FELICITY JONES, "THE BRUTALIST." MARGARET QUALLEY, "THE 140 00:12:09,395 --> 00:12:19,405 SUBSTANCE." ISABELLA ROSSELLINI, "CONCLAVE." ZOE SALDANA, "EMILIA 141 00:12:22,775 --> 00:12:32,785 PEREZ." [APPLAUSE] >> Dwayne: AND THE GOLDEN GLOBE GOES TO... 142 00:12:35,988 --> 00:12:42,862 MAN... >> Auli'i: ZOE SALDANA, "EMILIA PEREZ" "EMILIA PEREZ." 143 00:12:42,928 --> 00:12:45,030 "EMILIA PEREZ." [APPLAUSE] ♪ ♪ >> Announcer: THIS IS ZOE 144 00:12:45,097 --> 00:12:49,869 SALDANA'S FIRST NOMINATION AND FIRST WIN. HER MOTHER IS HER 145 00:12:49,935 --> 00:12:55,040 DATE TONIGHT, AND ZOE SAID SHE DIDN'T KNOW HOW TO RAP BEFORE 146 00:12:55,107 --> 00:12:59,345 THIS MOVIE, BUT EVERYTHING IS OBTAINABLE THROUGH PRACTICE AND 147 00:12:59,411 --> 00:13:09,421 HARD WORK. ♪ ♪ 148 00:13:22,334 --> 00:13:32,311 [CHEERS AND APPLAUSE] >> Zoe: I KNOW I DON'T HAVE MUCH TIME, AND 149 00:13:32,378 --> 00:13:36,382 I HAVE DYSLEXIA, SO I TEND TO FORGET WHEN I'M REALLY ANXIOUS, 150 00:13:36,448 --> 00:13:40,085 AND I'M FILLED WITH ADRENALINE, BUT MY HEART IS FULL OF 151 00:13:40,152 --> 00:13:43,956 GRATITUDE. THANK YOU SO MUCH TO THE GOLDEN GLOBES FOR 152 00:13:44,023 --> 00:13:48,561 CELEBRATING OUR FILM, AND HONORING THE WOMEN OF "EMILIA 153 00:13:48,627 --> 00:13:53,832 PEREZ." THANK YOU SO MUCH. OH, MY GOD! [APPLAUSE] THIS IS A 154 00:13:53,899 --> 00:13:57,636 FIRST TIME FOR ME, AND I'M JUST SO BLESSED THAT I'M SHARING THIS 155 00:13:57,703 --> 00:14:01,373 MOMENT WITH SELENA AND CARLA AND JACK AND ALL OF MY FELLOW 156 00:14:01,440 --> 00:14:05,411 NOMINEES. I AM IN ALL OF YOU. YOUR STRENGTH, YOUR COMPLEXITY, 157 00:14:05,477 --> 00:14:10,082 YOUR UNDENIABLE TALENT. I KNOW IT'S A COMPETITION, BUT ALL I 158 00:14:10,149 --> 00:14:13,385 HAVE WITNESSED IS JUST US SHOWING UP FOR EACH OTHER AND 159 00:14:13,452 --> 00:14:20,025 CELEBRATING EACH OTHER, AND IT IS JUST SO BEAUTIFUL. SELENA, 160 00:14:20,092 --> 00:14:23,162 ARIANA, MARGARET, FELICITY, ISABELLA, I HAD LUNCH ONE TIME 161 00:14:23,229 --> 00:14:28,234 IN YOUR HOUSE AND I THOUGHT I HAD MADE IT ALREADY. YOU ARE 162 00:14:28,300 --> 00:14:33,005 MAGIC. YOU'RE ALL MAGIC. I EXPERIENCED THIS KIND OF MAGIC 163 00:14:33,072 --> 00:14:39,878 ON THE SET OF "EMILIA PEREZ," AND IT IS THANKS YOU. THANK YOU, 164 00:14:39,945 --> 00:14:45,184 MERCI BEAUCOUP FOR TESTING ME. YOU ARE JUST A CHARACTER I 165 00:14:45,251 --> 00:14:49,521 ADMIRE SO MUCH. YOU CREATED RICH AND COMPLEX CHARACTERS, AND YOU 166 00:14:49,588 --> 00:14:58,230 ARE SO FRENCH AND SO CHIC AND CONFIDENT AND KIND! I LOVE IT! 167 00:14:58,297 --> 00:15:06,105 MY "EMILIA PEREZ" CAST AND CREW, THANK YOU, CLEMENT, CAMILLE, 168 00:15:06,171 --> 00:15:10,175 THANK YOU SO MUCH TO THE ENTIRE CAST AND CREW. I SAID THIS 169 00:15:10,242 --> 00:15:19,385 ALREADY. I'M SHARING THIS WITH YOU. NO ONE OTHER THAN YOU COULD 170 00:15:19,451 --> 00:15:29,461 HAVE >> ERES úNICA. REINA. THANK YOU SO MUCH. NO, STOP! MY 171 00:15:32,464 --> 00:15:36,702 FAMILY, MY MOM IS HERE. MY SISTERS, MY HUSBAND AND MY SONS. 172 00:15:36,769 --> 00:15:41,674 I LOVE YOU. I LOVE YOU. YOU GUYS ARE EVERYTHING. THANK YOU! 173 00:15:41,740 --> 00:15:51,150 [CHEERS AND APPLAUSE] ♪ ♪ ♪ ♪ >> Announcer: FROM NETFLIX'S 174 00:15:51,216 --> 00:15:53,352 UPCOMING SERIES, "RUNNING POINT," PLEASE WELCOME KATE 175 00:15:53,419 --> 00:16:03,429 HUDSON AND MINDY KALING. [APPLAUSE] ♪ ♪ 176 00:16:09,134 --> 00:16:12,638 >> Kate: GOOD EVENING. AS ALL ACTRESSES NO, IT BEGINS WITH THE 177 00:16:12,705 --> 00:16:15,374 WORDS. MINDY, IT IS SO NICE TO BE WORKING WITH YOU. I LOVE 178 00:16:15,441 --> 00:16:19,678 WRITERS AND BEING AROUND THAT ENERGY. >> Mindy: AND I LOVE 179 00:16:19,745 --> 00:16:23,916 ACTRESSES, ESPECIALLY MOVIE STARS. >> Kate: MINDY? >> Mindy: 180 00:16:23,982 --> 00:16:31,190 YEAH? >> Kate: ARE YOU OKAY? ARE YOU SURE? >> Mindy: I'M GREAT! I 181 00:16:31,256 --> 00:16:33,425 LOVE ACTRESSES. I LOVE, FOR EXAMPLE, THAT THIS BIT WE'RE 182 00:16:33,492 --> 00:16:35,861 DOING IS THE NINTH VERSION WE WROTE BECAUSE THE FIRST EIGHT 183 00:16:35,928 --> 00:16:41,433 WEREN'T IN THE "KATE HUDSON VOICE." >> Kate: OKAY, WELL, 184 00:16:41,500 --> 00:16:46,605 THEY WEREN'T. TO BE HONEST, THIS COULD USE A PUNCH-UP. >> Mindy: 185 00:16:46,672 --> 00:16:49,808 KATE, I SWEAR TO GOD. >> Kate: HERE ARE THE NOMINEES FOR BEST 186 00:16:49,875 --> 00:16:52,711 FEMALE ACTOR IN A TV SERIES, MUSICAL OR COMEDY. >> Announcer: 187 00:16:52,778 --> 00:16:57,449 KRISTEN BELL, "NOBODY WANTS THIS." QUINTA BRUNSON, "ABBOTT 188 00:16:57,516 --> 00:17:05,958 ELEMENTARY." AYO EDEBIRI, "THE BEAR." SELENA GOMEZ, "ONLY 189 00:17:06,024 --> 00:17:12,765 MURDERS IN THE BUILDING." KATHRYN HAHN, "AGATHA ALL 190 00:17:12,831 --> 00:17:22,841 ALONG." JEAN SMART, "HACKS." >> Mindy: AND THE GOLDEN GLOBE GOES 191 00:17:25,677 --> 00:17:35,387 TO... JEAN SMART, "HACKS." [CHEERS AND APPLAUSE] MUSIC AND 192 00:17:35,454 --> 00:17:43,395 LONG >> Announcer: THIS IS JEAN SMART'S THIRD NOMINATION AND 193 00:17:43,462 --> 00:17:47,332 SECOND WIN. SHE TOLD US, WHEN SHE FIRST READ THE SCRIPT FOR 194 00:17:47,399 --> 00:17:51,270 "HACKS," SHE WAS ENRAPTURED BY THE DEPTH OF THE WRITING FOR HER 195 00:17:51,336 --> 00:17:54,706 CHARACTER. AND, BY THE WAY, THEY ARE CURRENTLY FILMING THE NEW 196 00:17:54,773 --> 00:18:04,783 SEASON OF "HACKS" RIGHT NOW. ♪ ♪ [APPLAUSE] ♪ ♪ >> Jean: THANK 197 00:18:24,303 --> 00:18:28,006 YOU. OH, MY GOODNESS. THANK YOU SO MUCH. I NEVER THOUGHT I WOULD 198 00:18:28,073 --> 00:18:34,480 BE SO HAPPY TO BE CALLED A HACK. [LAUGHTER] NO, I MEAN, I HAVE 199 00:18:34,546 --> 00:18:38,116 THE MOST BRILLIANT SHOW RUNNERS. I HAVE A CAST AND CREW THAT WERE 200 00:18:38,183 --> 00:18:46,125 SENT FROM HEAVEN, ESPECIALLY MY COSTAR, HANNAH EINBINDER. 201 00:18:46,191 --> 00:18:49,828 WITHOUT AVA, THERE WOULD BE NO DEBORAH. AND THE REST OF OUR 202 00:18:49,895 --> 00:18:53,632 CAST AND CREW AND EVERYBODY AT MAX AND UNIVERSAL FOR THEIR 203 00:18:53,699 --> 00:18:57,970 UNBELIEVABLE SUPPORT OVER THE YEARS. DURING THE MIDDLE WE ARE 204 00:18:58,036 --> 00:19:01,340 IN THE MIDDLE OF SEASON L HAVING A BALL. THANK YOU FOR SUPPORTING 205 00:19:01,406 --> 00:19:11,016 AND LOVING THE SHOW. THANK YOU. [APPLAUSE] ♪ ♪ >> Announcer: 206 00:19:11,083 --> 00:19:13,952 COMING UP NEXT, WE'VE GOT MORE FROM YOUR FAVORITE TELEVISION 207 00:19:14,019 --> 00:19:17,356 AND MOVIE STARS. THE DRAMA AND COMEDY ALL SEATED TOGETHER IN 208 00:19:17,422 --> 00:19:21,360 ONE ROOM. WE ARE LIVE AT THE BEVERLY HILTON, SO KEEP IT 209 00:19:21,426 --> 00:19:28,700 LOCKED HERE ON CBS AS THE 82ND GOLDEN GLOBES RETURN. CBS 210 00:19:28,767 --> 00:19:32,271 TELECAST OF THE 82ND GOLDEN GLOBE AWARDS IS SPONSORED BY 211 00:19:32,337 --> 00:19:33,338 PROGRESSIVE INSURANCE. SAVE WHEN YOU BUNDLE AUTO, HOME, OR 212 00:19:45,918 --> 00:19:48,921 ♪ ♪ [APPLAUSE] >> Nikki: WELCOME BACK TO THE GOLDEN GLOBES. I 213 00:19:48,987 --> 00:19:52,724 JUST WANT TO SAY, YOU ALL LOOK SO AMAZING TONIGHT. YOU REALLY 214 00:19:52,791 --> 00:19:57,229 BROUGHT IT. AND I LOVE WHERE YOU'VE PUT YOUR CHEEKBONES. I 215 00:19:57,296 --> 00:20:01,066 DON'T JUDGE. I'M DOING IT, TOO, NOW. YEAH, I ALSO RECENTLY 216 00:20:01,133 --> 00:20:06,305 STARTED "DRINKING MORE WATER" AND "MEDITATING." DOING LOTS OF 217 00:20:06,371 --> 00:20:09,007 THAT. I LOVE HOW MEDITATING REMOVES YOUR EYELIDS. IT'S 218 00:20:09,074 --> 00:20:12,411 REALLY CONVENIENT. I LEARNED NOTHING FROM "THE SUBSTANCE." 219 00:20:12,477 --> 00:20:17,382 NOW LET'S BRING OUT OUR NEXT PRESENTERS. FROM THE UPCOMING 220 00:20:17,449 --> 00:20:24,022 FILM, "LOVE HURTS," PLEASE WELCOME GOLDEN GLOBE WINNERS 221 00:20:24,089 --> 00:20:34,099 ARIANA DeBOSE AND KE HUY QUAN. [APPLAUSE] ♪ ♪ 222 00:20:37,069 --> 00:20:40,205 >> Ariana: NIKKI GLAZER, THERE WERE SO MANY GREAT MOVIES THIS 223 00:20:40,272 --> 00:20:49,047 YEAR. FUN FACT, KE WON HIS GOLDEN GLOBE IN THIS VERY 224 00:20:49,114 --> 00:20:52,517 BALLROOM ON TELEVISION, AND I WON MINE FROM THE COMFORT OF A 225 00:20:52,584 --> 00:20:56,188 NEW YORK LAUNDRY ROOM DURING COVID. IT WAS A VERY WHOLESOME, 226 00:20:56,254 --> 00:21:01,593 PERSPECTIVE-GIVING EXPERIENCE. TRULY. >> Ke: I KNEW YOU'D HAVE 227 00:21:01,660 --> 00:21:04,029 THAT SENTIMENTAL FEELING TONIGHT, SO I'VE PREPARED 228 00:21:04,096 --> 00:21:07,733 SOMETHING FOR YOU. >> Ariana: WHAT ARE YOU DOING? >> Ke: I 229 00:21:07,799 --> 00:21:10,235 WROTE A SPEECH FOR YOU TO READ UP HERE IN FRONT OF EVERYONE. 230 00:21:10,302 --> 00:21:17,709 AND THERE'S A PART WHERE YOU SING! WHAT DO YOU THINK? >> 231 00:21:17,776 --> 00:21:21,279 Ariana: I THINK I'M NOT GOING TO DO THAT, MY SWEET MAN. 232 00:21:21,346 --> 00:21:24,249 ESPECIALLY NOT WITH GALINDA, ELPHABA, MARIA CALLAS, AND THE 233 00:21:24,316 --> 00:21:29,054 GALS FROM "EMILIA PEREZ" IN THE SAME ROOM. YES, CLAP FOR THEM! 234 00:21:29,121 --> 00:21:35,627 THEY ARE FABULOUS! [APPLAUSE] >> Ke: OKAY, OKAY. I MEAN, IF YOU 235 00:21:35,694 --> 00:21:39,531 WANT TO BE BORING. HERE ARE THE NOMINEES FOR MALE SUPPORTING 236 00:21:39,598 --> 00:21:43,268 ACTOR, MOTION PICTURE. >> Announcer: YURA BORISOV, 237 00:21:43,335 --> 00:21:52,044 "ANORA." KIERAN CULKIN, "A REAL PAIN." EDWARD NORTON, "A 238 00:21:52,110 --> 00:22:02,120 COMPLETE UNKNOWN." GUY PEARCE, "THE BRUTALIST." JEREMY STRONG, 239 00:22:03,622 --> 00:22:13,665 "THE APPRENTICE." DENZEL WASHINGTON, "GLADIATOR II." 240 00:22:14,833 --> 00:22:23,709 [APPLAUSE] >> Ariana: AND THE GOLDEN GLOBE GOES TO... KIERAN 241 00:22:23,775 --> 00:22:33,819 CULKIN, "A REAL PAIN." [CHEERS AND APPLAUSE] ♪ ♪ >> Announcer: 242 00:22:34,086 --> 00:22:38,457 THIS IS KIERAN CULKIN'S SIXTH NOMINATION AND SECOND WIN. 243 00:22:38,523 --> 00:22:43,395 KIERAN TOLD US ON THE RED CARPET THAT THE PRODUCER CONVINCE HIM 244 00:22:43,462 --> 00:22:50,268 TO STAY WITH THE ROLE. >> Kieran: OH, MAN. THANKS, THIS IS 245 00:22:50,335 --> 00:22:55,373 - INCREDIBLE. I'M FEELING A LITTLE - - MY WIFE AND I DID A SHOT OF 246 00:22:55,440 --> 00:22:58,310 TEQUILA WITH MARIO LOPEZ. [LAUGHTER] DEFINITELY FEELING 247 00:22:58,376 --> 00:23:04,416 THAT. THE WHOLE SPEECH IS GONE. RIP IT, KIERAN. ARE YOU DOING 248 00:23:04,483 --> 00:23:06,852 FINE. I LOVE THE GOLDEN GLOBES. THE FIRST EVER ACKNOWLEDGMENT I 249 00:23:06,918 --> 00:23:09,955 GOT AS AN ACTOR WAS A GOLDEN GLOBE NOMINATION WHEN I WAS 250 00:23:10,021 --> 00:23:13,492 BASICALLY A KID, AND THAT MEANT A LOT, SO THIS HAS A SPECIAL 251 00:23:13,558 --> 00:23:17,963 PLACE. NOW IT'S LIKE THE BEST DATE NIGHT I WIFE AND I EVER 252 00:23:18,029 --> 00:23:20,899 HAVE. THANKS, GOLDEN GLOBE PEOPLE. YOU GUYS ARE NUTS IN THE 253 00:23:20,966 --> 00:23:24,669 BEST WAY. KEEP DOING WHAT YOU'RE DOING. I'M HERE BECAUSE JESSE 254 00:23:24,736 --> 00:23:29,207 EISENBERG WROTE AN INCREDIBLE SCRIPT. [APPLAUSE] HE IS A 255 00:23:29,274 --> 00:23:33,945 FANTASTIC DIRECTOR AND SCENE PARTNER, SO EVERYBODY WHO HAS AN 256 00:23:34,012 --> 00:23:39,117 OPPORTUNITY TO WORK WITH HIM IN ANY CATEGORY, JUST LEAP AT IT. 257 00:23:39,184 --> 00:23:44,856 THANK YOU, SIR. A COUPLE QUICK THANK YOUS AND THEN I WILL PISS 258 00:23:44,923 --> 00:23:47,959 OFF. EVERYONE AT SEARCHLIGHT, YOU GUYS ARE AMAZING. NICOLE 259 00:23:48,026 --> 00:23:51,563 CARUSO, YOU RULE, AND THEN MY GORGEOUS WIFE, OF COURSE. THANK 260 00:23:51,630 --> 00:23:54,933 YOU FOR PUTTING UP WITH WHAT YOU CALL MY MANIA. I'M WORKING ON 261 00:23:55,000 --> 00:23:59,638 IT. I'VE GOT A THERAPIST NOW, IT'S FINE. IT'S NOT FINE, IT'S A 262 00:23:59,704 --> 00:24:02,874 LOT OF WORK. [LAUGHTER] WE'LL SEE WHERE THAT GOES. LAST BUT 263 00:24:02,941 --> 00:24:09,347 NOT LEAST, MY MANAGER OF 30 YEARS NOW. THIS IS ALL BECAUSE 264 00:24:09,414 --> 00:24:14,019 OF YOU. I LOVE YOU. THIS IS YOURS. THANK YOU. AND I LOVE 265 00:24:14,085 --> 00:24:22,194 YOU, MOM. BYE! [APPLAUSE] ♪ ♪ >> Announcer: FROM "THE SUBSTANCE," 266 00:24:22,260 --> 00:24:24,462 PLEASE WELCOME GOLDEN GLOBE NOMINEES MARGARET QUALLEY AND 267 00:24:24,529 --> 00:24:34,539 DEMI MOORE. [APPLAUSE] ♪ ♪ 268 00:24:41,646 --> 00:24:45,083 >> Demi: MARGARET, WHAT ARE YOU DOING HERE? BT WHAT DO YOU MEAN, 269 00:24:45,150 --> 00:24:51,990 WHAT AM I DOING HERE, DEMI? >> Demi: THIS IS MY WEEK. >> 270 00:24:52,057 --> 00:24:56,294 Margaret: YEAH, BUT IT'S THE GOLDEN GLOBES, SO... >> Demi: I 271 00:24:56,361 --> 00:25:00,232 KNOW, BUT YOU HAVE TO RESPECT THE BALANCE. >> Margaret: I 272 00:25:00,298 --> 00:25:09,407 KNOW, BUT I WAS NOMINATED. >> Demi: YEAH, BUT SO AM I! WE ARE 273 00:25:09,474 --> 00:25:13,245 ONE, SO... SHALL WE DO THIS TOGETHER? >> Margaret: WHAT'S 274 00:25:13,311 --> 00:25:18,917 THE WORST THAT COULD HAPPEN? >> Demi: HERE ARE THE NOMINEES... 275 00:25:18,984 --> 00:25:22,921 [IN UNISON] FOR BEST MALE ACTOR IN A DRAMA SERIES. >> Announcer: 276 00:25:22,988 --> 00:25:25,957 DONALD GLOVER, "MR. & MRS. SMITH." JAKE GYLLENHAAL, 277 00:25:26,024 --> 00:25:35,200 "PRESUMED INNOCENT." GARY OLDMAN, "SLOW HORSES." EDDIE 278 00:25:35,267 --> 00:25:42,941 REDMAYNE, "THE DAY OF THE JACKAL." HIROYUKI SANADA, 279 00:25:43,008 --> 00:25:53,018 "SHOGUN." BILLY BOB THORNTON, "LANDMAN." [APPLAUSE] >> Demi: 280 00:25:59,391 --> 00:26:09,034 OH, SORRY! [LAUGHS] AND THE GOLDEN GLOBE GOES TO... HIROYUKI 281 00:26:09,100 --> 00:26:19,110 SANADA! [APPLAUSE] ♪ ♪ >> THIS IS SANADA'S FIRST NOMINATION FOR 282 00:26:20,912 --> 00:26:30,021 HIS WIN. SEASON TWO OF "SHOGUN" IS EXPECTED TO GO INTO 283 00:26:30,088 --> 00:26:34,359 PRODUCTION IN 2025, AND SANADA TOLD US THERE WERE THREE THINGS 284 00:26:34,426 --> 00:26:40,999 TO GET THAT SUIT JUST RIGHT. >> Hiroyuki: THANK YOU. I WAS 285 00:26:41,066 --> 00:26:51,109 THERE. [LAUGHTER] THANK YOU, GOLDEN GLOBES, FOR RECOGNIZING 286 00:26:52,277 --> 00:27:01,586 ME. I'M SO HAPPY TO BE HERE. WITH THESE GREAT NOMINEES. AND 287 00:27:01,653 --> 00:27:08,793 THANK YOU, FX, DISNEY, HULU, AND ALL THE CAST MEMBERS AND CREW OF 288 00:27:08,860 --> 00:27:15,000 "SHOGUN" FOR SHARING THIS AMAZING JOURNEY. I WOULD LOVE TO 289 00:27:15,066 --> 00:27:21,406 SAY THANK YOU TO EVERYONE WHO HAS BEEN IN MY LIFE. ALL OF YOU 290 00:27:21,473 --> 00:27:28,713 HAVE BROUGHT ME HERE. I WOULD LIKE TO SAY, FOR THE YOUNG 291 00:27:28,780 --> 00:27:32,117 ACTORS AND CREATORS IN THE WORLD, PLEASE BE YOURSELF, 292 00:27:32,183 --> 00:27:38,156 BELIEVE IN YOURSELF, AND NEVER GIVE UP. GOOD LUCK. THANK YOU! 293 00:27:38,223 --> 00:27:48,233 [APPLAUSE] ♪ ♪ ♪ ♪ >> Announcer: COMING UP, KATHY BATES AND 294 00:27:53,872 --> 00:27:58,943 ANTHONY RAMOS WITH SUPPORTING MALE AND FEMALE TV ACTORS. PLUS, 295 00:27:59,010 --> 00:28:01,980 MORE GOWNS AND TUXEDOS. IT'S THE GOLDEN GLOBES. ♪ ♪ CBS' TELECAST 296 00:28:02,047 --> 00:28:06,051 OF THE 82ND GOLDEN GLOBES IS SPONSPORED BY OLIPOP. AAH, 297 00:28:30,975 --> 00:28:34,946 ♪ ♪ [APPLAUSE] >> Nikki: THERE WERE SO MANY GREAT MOVIES THIS 298 00:28:35,013 --> 00:28:45,056 YEAR, FROM "WICKED" TO "CONCLAVE." WAIT, THAT JUST GAVE 299 00:28:45,757 --> 00:28:55,733 ME AN IDEA. YOU'RE GONNA LOVE THIS. ♪ ♪ ♪ YOU WILL BE ♪ ♪ 300 00:28:55,800 --> 00:28:59,971 POPE-ULAR ♪ ♪ YOU'RE GONNA BE POPE-ULAR ♪ ♪ I'LL TEACH YOU 301 00:29:00,038 --> 00:29:10,081 SOME CATHOLIC PRAYERS -- ♪ OH, SORRY, WHAT? WAIT, THIS SUCKS? 302 00:29:11,015 --> 00:29:13,918 THIS WHOLE THING SUCKS? I'M EMBARRASSING MYSELF IN FRONT OF 303 00:29:13,985 --> 00:29:19,524 ELTON JOHN? [LAUGHTER] OKAY, LET'S SKIP TO THE NEXT SONG, THE 304 00:29:19,591 --> 00:29:25,130 ONE ABOUT "THE PENGUIN," "INSANE IN THE PENG-WAYNE?" THAT SUCKS, 305 00:29:25,196 --> 00:29:32,003 TOO? AND NO ONE SAYS "PENG-WAYNE" THAT WAY? WELL, HOW 306 00:29:32,070 --> 00:29:36,508 DO YOU SEE IT? OKAY, WELL, AGREE TO DISAGREE. YOUR LAST. LET'S 307 00:29:36,574 --> 00:29:39,144 KEEP THINGS MOVING. HERE TO PRESENT THE AWARD FOR BEST 308 00:29:39,210 --> 00:29:41,146 PERFORMANCE BY A FEMALE ACTOR IN A SUPPORTING ROLE ON TELEVISION, 309 00:29:41,212 --> 00:29:43,181 AND ALSO TO HARD-LAUNCH THEIR RELATIONSHIP, PLEASE WELCOME 310 00:29:43,248 --> 00:29:53,258 KATHY BATES AND ANTHONY RAMOS. [APPLAUSE] ♪ ♪ ♪ ♪ >> Anthony: 311 00:30:06,571 --> 00:30:10,542 I'M JUST A KID FROM THE PROJECTS FROM BROOKLYN, AND HERE I AM 312 00:30:10,608 --> 00:30:14,779 PRESENTING AT THE GOLDEN GLOBES WITH THE LEGENDARY AND BEAUTIFUL 313 00:30:14,846 --> 00:30:19,217 KATHY BATES. [APPLAUSE] >> Kathy: THANK YOU, ANTHONY. 314 00:30:19,284 --> 00:30:22,720 THAT'S SO SWEET. >> Anthony: I WANTED TO PICK YOUR BRAIN REALLY 315 00:30:22,787 --> 00:30:25,023 QUICK. WHAT ARE THREE THINGS YOU WOULD SUGGEST TO ARTISTS SUCH AS 316 00:30:25,089 --> 00:30:31,696 MYSELF ON HAVING A CAREER WITH LONGEVITY? >> Kathy: I'VE GOT 317 00:30:31,763 --> 00:30:34,399 YOU. NUMBER ONE, MONEY GOES IN ESCROW OR YOU DON'T SHOW. UNLESS 318 00:30:34,465 --> 00:30:40,438 IT'S SPIELBERG. I THINK HE'S GOOD FOR IT. >> Anthony: SHUT 319 00:30:40,505 --> 00:30:44,175 OUT TO SPIELBERG. THAT'S RIGHT. THAT'S SOLID, I FEEL YOU. >> 320 00:30:44,242 --> 00:30:54,285 Kathy: YOU FEEL ME? NUMBER TWO, BE NICE TO THE PAs. THEY DON'T 321 00:30:55,086 --> 00:30:56,521 WANT TO GET YOUR DOUBLE RISTRETTO VENTI HALF-SOY NONFAT 322 00:30:56,588 --> 00:31:00,925 DECAF ORGANIC CHOCOLATE BROWNIE COFFEE. WHEN THEY DO, LOOK INTO 323 00:31:00,992 --> 00:31:03,761 THEIR EYES AND SAY THANK YOU WITH A GENUINE SMILE. >> 324 00:31:03,828 --> 00:31:07,398 Anthony: SHOW LOVE. CHECK. GOT IT. >> Kathy: AND THE THIRD ONE 325 00:31:07,465 --> 00:31:12,637 IS IMPORTANT IF YOU'RE SHOOTING ON LOCATION FOR MONTHS, AT A 326 00:31:12,704 --> 00:31:14,572 HOTEL. >> Anthony: OUTSIDE OF MAKING SURE THEY CHANGED THE 327 00:31:14,639 --> 00:31:18,243 SHEETS? ALL RIGHT, HIT ME. NUMBER THREE! >> Kathy: GRAB 328 00:31:18,309 --> 00:31:21,946 SOME SNACKS AND WATERS FROM THE CRAFTY TABLE WHEN YOU WRAP AT 329 00:31:22,013 --> 00:31:29,287 NIGHT. HOTEL MINI BARS ARE A SCAM. $15 FOR A 5-PACK OF GUMMY 330 00:31:29,354 --> 00:31:35,360 BEARS? I MEAN, GET OUTTA TOWN WITH THAT! >> Anthony: ROBBERY, 331 00:31:35,426 --> 00:31:41,499 ROBBERY. WELL, THE LEGEND HAS SPOKEN. RIGHT? [APPLAUSE] NOW 332 00:31:41,566 --> 00:31:44,469 HERE ARE THE NOMINEES FOR BEST SUPPORTING FEMALE ACTOR IN A TV 333 00:31:44,535 --> 00:31:51,542 SERIES. >> Announcer: LIZA COLON-ZAYAS, "THE BEAR." HANNAH 334 00:31:51,609 --> 00:32:00,251 EINBINDER, "HACKS." DAKOTA FANNING, "RIPLEY." JESSICA 335 00:32:00,318 --> 00:32:09,927 GUNNING, "BABY REINDEER." ALLISON JANNEY, "THE DIPLOMAT." 336 00:32:09,994 --> 00:32:17,168 KALI REIS, "TRUE DETECTIVE: NIGHT COUNTRY." [APPLAUSE] >> 337 00:32:17,235 --> 00:32:27,245 Kathy: AND THE GOLDEN GLOBE GOES TO... JESSICA GUNNING, FOR "BABY 338 00:32:30,882 --> 00:32:36,187 REINDEER." [APPLAUSE] MUSICAL. >> Announcer: QUICK KISS FROM 339 00:32:36,254 --> 00:32:40,758 HER COSTAR, RICHARD GADD, AND THIS IS HER FIRST NOMINATION FOR 340 00:32:40,825 --> 00:32:46,664 HIS WIN. DESPITE HER EXCELLENT SCOTTISH ACCENT IN "BABY 341 00:32:46,731 --> 00:32:51,302 REINDEER," GUNNING'S ENGLISH AND HAILS FROM YORKSHIRE. SHE ALSO 342 00:32:51,369 --> 00:32:56,274 WON AN EMMY FOR THIS ROLE. HE ALSO REVEALED THAT COME IN A 343 00:32:56,341 --> 00:33:00,244 FULL CIRCLE MOMENT, KATHY BATES' CHARACTER IN "MISERY" WAS ONE OF 344 00:33:00,311 --> 00:33:05,950 HER INSPIRATIONS FOR HER CHARACTER IN THIS SHOW. 345 00:33:06,017 --> 00:33:16,060 [APPLAUSE] ♪ ♪ >> Jessica: I ALMOST TRIPPED UP. YOU ALMOST 346 00:33:16,427 --> 00:33:19,263 SAW MY GOLDEN GLOBES THERE. THANK YOU VERY MUCH. THIS IS AN 347 00:33:19,330 --> 00:33:23,101 ABSOLUTE HONOR, HONESTLY. THIS IS A VIDEO OF ME WHEN I WAS 348 00:33:23,167 --> 00:33:27,171 LITTLE, ABOUT EIGHT YEARS OLD, E A HAMSTER FOR CHRISTMAS, AND 349 00:33:27,238 --> 00:33:36,414 THEY BROUGHT IT OUT AND THEY SAID -- IN A BIN BAG, HAPPY% 350 00:33:36,481 --> 00:33:38,983 CHRISTMAS. I HAVE A VERY YORKSHIRE ACCENT. I CAN'T 351 00:33:39,050 --> 00:33:41,886 BELIEVE THIS IS HAPPENING TO ME. I REALIZED THIS MORNING THAT HAS 352 00:33:41,953 --> 00:33:47,091 BEEN KIND OF THE SOUNDTRACK FOR MY LIFE THIS LAST YEAR SINCE 353 00:33:47,158 --> 00:33:50,061 "BABY REINDEER" CAME OUT. I CAN'T BELIEVE ANY OF THIS IS 354 00:33:50,128 --> 00:33:52,964 HAPPENING TO ME. I WANT TO SAY THANK YOU FOR EVERYONE TO LET ME 355 00:33:53,030 --> 00:33:56,567 COME ON THIS JOURNEY. THANK YOU TO NETFLIX, THE INCREDIBLE 356 00:33:56,634 --> 00:33:59,971 DIRECTORS, ARE AMAZING CAST AND CREW. THANK YOU TO MY AGENTS, 357 00:34:00,037 --> 00:34:02,707 ALICE AND FRANKIE AND ALL MY FRIENDS AND FAMILY WHO I LOVE 358 00:34:02,774 --> 00:34:06,878 MORE THAN ANYTHING. AND OF COURSE THANK YOU TO RICHARD 359 00:34:06,944 --> 00:34:11,282 GADD. "BABY REINDEER" HAS CHANGED MY LIFE IN WAYS I CAN'T 360 00:34:11,349 --> 00:34:13,584 EVEN EXPLAIN, SO THANK YOU FOR EVERYTHING. [APPLAUSE] I CAN'T 361 00:34:13,651 --> 00:34:17,855 BELIEVE THIS IS HAPPENING TO ME, AND I KNOW THAT HE ROLLED ME 362 00:34:17,922 --> 00:34:23,461 WOULD BE ABSOLUTELY CHUFFED TO BITS. THANK YOU VERY MUCH. 363 00:34:23,528 --> 00:34:33,070 CHEERS. [APPLAUSE] ♪ ♪ >> Kathy: HERE ARE THE NOMINEES FOR BEST 364 00:34:33,137 --> 00:34:37,975 PERFORMANCE BY A MALE ACTOR IN A SUPPORTING ROLE ON TELEVISION. 365 00:34:38,042 --> 00:34:43,648 >> Announcer: TADANOBU ASANO, "SHOGUN." JAVIER BARDEM, 366 00:34:43,714 --> 00:34:51,456 "MONSTERS: THE LYLE AND ERIK MENENDEZ STORY." HARRISON FORD, 367 00:34:51,522 --> 00:35:00,898 "SHRINKING." JACK LOWDEN, "SLOW HORSES." DIEGO LUNA, "LA 368 00:35:00,965 --> 00:35:09,941 MAQUINA." EBON MOSS-BACHRACH, "THE BEAR." [APPLAUSE] >> 369 00:35:10,007 --> 00:35:20,017 Anthony: AND THE GOLDEN GLOBE GOES TO... TADANOBU ASANO., 370 00:35:21,953 --> 00:35:31,629 [APPLAUSE] ♪ ♪ >> Announcer: THIS IS ASANO'S FIRST NOMINATION 371 00:35:31,696 --> 00:35:36,901 FOR HIS WIN. HE TOLD US ON THE RED CARPET THAT HE IS BLOWN AWAY 372 00:35:36,968 --> 00:35:42,106 THAT "SHOGUN" HAS TOUCHED SO MANY PEOPLE AROUND THE WORLD. 373 00:35:42,173 --> 00:35:52,183 ASANO IS ALSO AN ACTIVE MUSICIAN, FRONTING A PUNK BAND. 374 00:36:07,265 --> 00:36:08,900 >> Tadanobu: WOW! MAYBE DON'T KNOW ME. I AM AN ACTOR FROM 375 00:36:08,966 --> 00:36:18,209 JAPAN. MY NAME IS TADANOBU ASANO. THANK YOU SO MUCH! DURING 376 00:36:18,276 --> 00:36:23,781 THE FILMING -- I HAVE TO COME BACK TO TOKYO TONIGHT, AND 377 00:36:23,848 --> 00:36:28,519 TOMORROW MORNING I'M SHOOTING AGAIN. THIS IS VERY THIS IS VE 378 00:36:28,586 --> 00:36:37,261 IS A VERY BIG PRESENR ME! THANK YOU SO MUCH! THANK YOU, "SHOGUN" 379 00:36:37,328 --> 00:36:41,365 TEAM! THANK YOU, EVERYBODY! I'M VERY HAPPY! THANK YOU! [CHEERS 380 00:36:41,432 --> 00:36:51,442 AND APPLAUSE] ♪ ♪ >> Announcer: EARLIER THIS EVENING, TWO VERY 381 00:36:56,013 --> 00:36:57,782 IMPORTANT PEOPLE ENTERED THE BUILDING. THOSE SILVER 382 00:36:57,848 --> 00:37:01,385 BRIEFCASES CONTAIN TOP-SECRET AWARD-WINNING INFORMATION. 383 00:37:01,452 --> 00:37:04,488 TONIGHT'S FINAL TABULATION FOR ALL OF THE BALLOTS IS COURTESY 384 00:37:04,555 --> 00:37:07,758 OF THE ACCOUNTING FIRM KPMG, THE OFFICIAL ACCOUNTANTS OF THE 385 00:37:07,825 --> 00:37:12,229 GOLDEN GLOBES. STILL TO COME, THERE'S MORE THANK YOUS AND MORE 386 00:37:12,296 --> 00:37:14,265 AWARDS WHEN THE 2025 GOLDEN GLOBES RETURN. ♪ ♪ 387 00:37:24,976 --> 00:37:28,279 ♪ ♪ [APPLAUSE] >> Announcer: FROM THE UPCOMING FEATURE, "RIFF 388 00:37:28,346 --> 00:37:36,220 RAFF," GOLDEN GLOBE WINNER JENNIFER COOLIDGE. [APPLAUSE] ♪ 389 00:37:44,996 --> 00:37:49,934 ♪ ♪ ♪ >> Jennifer: TONIGHT I HAVE THE INCREDIBLE HONOR OF 390 00:37:50,001 --> 00:37:53,137 RECOGNIZING THE MEN WHO HAD THE DAUNTING TASK OF CARRYING THE 391 00:37:53,204 --> 00:38:00,778 WEIGHT OF AN ENTIRE SERIES ON THEIR SHOULDERS. AND, BELIEVE 392 00:38:00,845 --> 00:38:06,384 ME, IT'S NOT EASY. I DO KNOW HOW HARD IT IS FOR YOU GUYS TO HAVE 393 00:38:06,450 --> 00:38:11,822 TO PRETEND TO BE NICE TO EVERYBODY. BUT, THEN AGAIN, YOU 394 00:38:11,889 --> 00:38:19,630 GUYS DO GET VERY SPECIAL TREATMENT ON THE SET. I WAS ON A 395 00:38:19,697 --> 00:38:26,270 JOB ONCE, AND THE LEAD MALE ACTOR WAS THE ONLY ONE THAT GOT 396 00:38:26,337 --> 00:38:34,478 GREEN JUICE. AND I DON'T WANT TO SEEM PETTY, BUT I REMEMBER BEING 397 00:38:34,545 --> 00:38:38,382 ON THIS OTHER JOB, AND IT WAS WITH BILLY BOB THORNTON, AND HE 398 00:38:38,449 --> 00:38:46,524 WAS ALLOWED TO BRING HIS PET COYOTE, AND I WASN'T EVEN 399 00:38:46,590 --> 00:38:56,600 ALLOWED TO BRING MY OVERWEIGHT TRIPLETS. ANYWAY, I JUST WANT TO 400 00:38:58,302 --> 00:39:03,774 SAY, THANK GOD THEY LET ME BRING THEM TONIGHT. HEY, SHEILA, 401 00:39:03,841 --> 00:39:09,346 SHEILA, AND SHEILA! [LAUGHTER] WELL, HERE ARE THE NOMINEES FOR 402 00:39:09,413 --> 00:39:13,150 BEST MALE ACTOR, TV SERIES, MUSICAL OR COMEDY. >> Announcer: 403 00:39:13,217 --> 00:39:19,857 ADAM BRODY, "NOBODY WANTS THIS." TED DANSON, "A MAN ON THE 404 00:39:19,924 --> 00:39:27,498 INSIDE." STEVE MARTIN, "ONLY MURDERS IN THE BUILDING." JASON 405 00:39:27,565 --> 00:39:34,972 SEGEL, "SHRINKING." MARTIN SHORT, "ONLY MURDERS IN THE 406 00:39:35,039 --> 00:39:45,049 BUILDING." JEREMY ALLEN WHITE, "THE BEAR." >> Jennifer: AND THE 407 00:39:46,450 --> 00:39:56,460 GOLDEN GLOBE GOES TO... JEREMY ALLEN WHITE. [APPLAUSE] JEREMY 408 00:40:07,638 --> 00:40:11,142 ALLEN WHITE COULD NOT BE HERE TONIGHT, SO I'M GOING TO ACCEPT 409 00:40:11,208 --> 00:40:20,684 THIS AWARD ON HIS BEHALF. [APPLAUSE] ♪ ♪ >> Announcer: 410 00:40:20,751 --> 00:40:23,254 PLEASE WELCOME, FROM THE CBS SERIES, "WATSON," MORRIS 411 00:40:23,320 --> 00:40:28,058 CHESTNUT, AND FROM "BASED ON A TRUE STORY," GOLDEN GLOBE 412 00:40:28,125 --> 00:40:37,635 NOMINEE KALEY CUOCO. >> Morris: IT IS OUR PLEASURE TO PRESENT 413 00:40:37,701 --> 00:40:41,939 THE AWARD FOR BEST SCREENPLAY MOTION PICTURE. >> Kaley: YES. 414 00:40:42,006 --> 00:40:43,440 AS ACTORS, THERE ARE A LOT OF THINGS MORRIS AND I LOOK FOR IN 415 00:40:43,507 --> 00:40:47,311 A GOOD SCREENPLAY. >> Morris: YES, LIKE COMPELLING CHARACTERS. 416 00:40:47,378 --> 00:40:49,880 >> Kaley: WELL-CRAFTED DIALOGUE. >> Morris: ESCALATING CONFLICT. 417 00:40:49,947 --> 00:40:51,749 >> Kaley: THEMES OF REVENGE, BETRAYAL, AND MURDER. >> Morris: 418 00:40:51,816 --> 00:40:54,585 A UNIQUE POINT OF VIEW. >> Kaley: A UNIQUE POINT OF VIEW ON 419 00:40:54,652 --> 00:41:01,692 REVENGE, BETRAYAL, AND MURDER. >> Morris: TO EACH THEIR OWN. 420 00:41:01,759 --> 00:41:04,528 WELL, THIS YEAR'S INCREDIBLE NOMINEES FOR BEST SCREENPLAY, 421 00:41:04,595 --> 00:41:07,698 MOTION PICTURE ARE... >> Announcer: JACQUES AUDIARD, 422 00:41:07,765 --> 00:41:12,036 "EMILIA PEREZ." >> ARE YOU ENGLISH? >> NO. NO, I'M NOT 423 00:41:12,102 --> 00:41:17,241 ENGLISH. WHY? >> NO, BECAUSE, UH... YOU ARE PRETTY. >> 424 00:41:17,308 --> 00:41:23,581 Announcer: SEAN BAKER, "ANORA." >> YOU'RE LIKE CINDERELLA! >> 425 00:41:23,647 --> 00:41:26,684 YES! >> WE ARE MARRIED. THEY'RE GONNA HAVE TO ACCEPT THAT. IT 426 00:41:26,750 --> 00:41:28,853 DOESN'T MATTER ABOUT ANYTHING, OKAY? >> Announcer: BRADY 427 00:41:28,919 --> 00:41:31,722 CORBET, MONA FASTVOLD, "THE BRUTALIST." >> AND YOUR ENGLISH 428 00:41:31,789 --> 00:41:33,891 IS IMPRESSIVE. >> THANK YOU. >> PERHAPS YOU CAN HELP YOUR 429 00:41:33,958 --> 00:41:36,894 HUSBAND SOUND LESS LIKE HE SHINES SHOES FOR A WAGE. >> 430 00:41:36,961 --> 00:41:39,763 Announcer: JESSE EISENBERG, "A REAL PAIN." >> SHE'S GOT THIS, 431 00:41:39,830 --> 00:41:43,467 LIKE, DEEP SADNESS BEHIND HER EYES, YOU KNOW? >> SHE DOES? >> 432 00:41:43,534 --> 00:41:47,438 YEAH, YOU DIDN'T NOTICE THAT? >> DURING THE INTRODUCTIONS? NO. >> 433 00:41:47,504 --> 00:41:51,108 Announcer: CORALIE FARGEAT, "THE SUBSTANCE." >> PERFECT BALANCE 434 00:41:51,175 --> 00:41:58,148 OF SEVEN DAYS EACH. THE ONE AND ONLY THING NOT TO FORGET... YOU 435 00:41:58,215 --> 00:42:01,719 ARE ONE. >> Announcer: PETER STRAUGHAN, "CONCLAVE." >> THIS 436 00:42:01,785 --> 00:42:05,089 IS A CONCLAVE, ALDO. IT'S NOT A WAR. >> IT IS A WAR, AND YOU 437 00:42:05,155 --> 00:42:13,964 HAVE TO COMMIT TO A SIDE. [APPLAUSE] >> Kaley: AND THE 438 00:42:14,031 --> 00:42:24,041 GOLDEN GLOBE GOES TO... "CONCLAVE." PETER STRAUGHAN. >> 439 00:42:26,010 --> 00:42:30,848 Announcer: THIS IS STRAUGHAN'S FIRST WIN. IT WAS ADAPTED FROM 440 00:42:30,915 --> 00:42:34,685 THE NOVEL OF THE SAME NAME. THE FILM TAKES PLACE OVER 72 HOURS 441 00:42:34,752 --> 00:42:44,762 OF A CONCLAVE TO SELECT A NEW POPE. ♪ ♪ 442 00:42:52,569 --> 00:43:02,579 ♪ ♪ >> Peter: OH, THANK YOU. I AM JUST ONE PURE BALL OF 443 00:43:06,517 --> 00:43:16,560 GRATITUDE SQUEEZED INTO A TUX. THANK YOU TO FOCUS, FOR GIVING 444 00:43:16,627 --> 00:43:19,330 ME THE JOB, AND MIKE AND ROBIN AND ALICE WHO HAVE BEEN GREAT TO 445 00:43:19,396 --> 00:43:24,468 WORK WITH. THANK YOU FOR THE GIFT OF WRITING THE BOOK. A 446 00:43:24,535 --> 00:43:31,575 THIRD OF THIS IS YOURS. EDWARD BERGER, DREAM DIRECTOR. YOU GET 447 00:43:31,642 --> 00:43:38,816 A THIRD OF THIS. RALPH, STANLEY, ISABELLA, JOHN, FANTASTIC 448 00:43:38,882 --> 00:43:41,118 ENSEMBLE CAST. I CAN'T GIVE YOU A THIRD OF THIS BECAUSE THAT 449 00:43:41,185 --> 00:43:45,055 WOULDN'T LEAVE ME WITH ANYTHING. YOU CAN BORROW THIS. THANK YOU 450 00:43:45,122 --> 00:43:51,095 SO MUCH, GOLDEN GLOBES. I'M TRULY, TRULY HONORED. THANK YOU. 451 00:43:51,161 --> 00:43:54,331 [APPLAUSE] ♪ ♪ >> Announcer: TO GIVE OUR NEXT AWARD, FROM THE 452 00:43:54,398 --> 00:43:56,734 NETFLIX COMEDY SPECIAL, "YOUR FRIEND, NATE BARGATZE," PLEASE 453 00:43:56,800 --> 00:44:06,377 WELCOME NATE BARGATZE. [APPLAUSE] ♪ ♪ >> Nate: THANK 454 00:44:06,443 --> 00:44:09,780 YOU. I LOVE STAND UP COMEDIANS. WE HAVE TO GO THROUGH THE MOST 455 00:44:09,847 --> 00:44:12,082 UNIQUE CHALLENGES, I BELIEVE, OF ALL THE ART FORMS TO RISE TO THE 456 00:44:12,149 --> 00:44:16,086 TOP. THIS IS A TRUE STORY. I ONCE DID A SHOW IN SOUTH DAKOTA 457 00:44:16,153 --> 00:44:20,391 IN A HOTEL, TO 11 PEOPLE AND A PARROT. THE PARROT WAS IN THE 458 00:44:20,457 --> 00:44:24,094 BACK, AND WOULD NOT SHUT UP DURING THE SHOW. THE PARROT 459 00:44:24,161 --> 00:44:30,701 WOULD HECKLE ME WITH "NOT FUNNY," "NEVER GONNA MAKE IT." 460 00:44:30,768 --> 00:44:39,943 SO NOW ALL MY NEGATIVE THOUGHTS ABOUT MYSELF ARE IN A PARROT'S 461 00:44:40,010 --> 00:44:47,951 VOICE. "CAN'T READ." "SHOULDN'T HAVE WORN A WHITE TUX." HEY, 462 00:44:48,018 --> 00:44:50,988 PARROT -- IF YOU'RE WATCHING THIS TONIGHT, AND I KNOW YOU 463 00:44:51,055 --> 00:44:54,725 ARE: LOOK AT ME NOW, PARROT. HERE I AM, IN THE GREAT 464 00:44:54,792 --> 00:44:57,194 HOLLYWOOD, IN FRONT OF THE ONLY PEOPLE THAT MATTER ON THIS 465 00:44:57,261 --> 00:45:05,169 EARTH. AND TONIGHT I AM PRESENTING -- "NOT NOMINATED!" 466 00:45:05,235 --> 00:45:07,671 PRESENTING BEST STAND UP COMEDY PERFORMANCE AT THE GOLDEN 467 00:45:07,738 --> 00:45:11,341 GLOBES. AND NOW LET'S LOOK AT THE NOMINEES FOR BEST STAND UP 468 00:45:11,408 --> 00:45:17,114 COMEDY PERFORMANCE. [APPLAUSE] >> Announcer: "JAMIE FOXX: WHAT 469 00:45:17,181 --> 00:45:19,349 HAD HAPPENED WAS... >> JAMIE FOXX HAS NOW SPENT MORE THAN TWO 470 00:45:19,416 --> 00:45:22,186 WEEKS IN AN ATLANTA HOSPITAL. >> AND I'M SO GLAD TO SEE Y'ALL 471 00:45:22,252 --> 00:45:29,026 HERE. I'M SO GLAD TO BE HERE. WHAT HAD HAPPENED WAS... >> 472 00:45:29,093 --> 00:45:32,029 Announcer: "NIKKI GLASER: SOMEDAY YOU'LL DIE." >> I GO 473 00:45:32,096 --> 00:45:35,099 INTO AN UBER THE OTHER DAY. I ROLLED UP WITH, LIKE, A BUNCH OF 474 00:45:35,165 --> 00:45:38,168 SUITCASES, AND THE UBER DRIVER JUST POPPED THE TRUNK AND SAT IN 475 00:45:38,235 --> 00:45:41,004 THE FRONT SEAT. I WAS LIKE, IS THIS THE FIRST SIGN OF 476 00:45:41,071 --> 00:45:44,441 MENOPAUSE? WHAT'S HAPPENING RIGHT NOW? >> Announcer: "SETH 477 00:45:44,508 --> 00:45:49,513 MEYERS: DAD MAN WALKING." >> I COULD NEVER HATE MY KIDS. WITH 478 00:45:49,580 --> 00:45:53,117 THAT SAID, I HATE WHEN THEY WAKE UP IN THE MIDDLE OF THE NIGHT. 479 00:45:53,183 --> 00:45:59,690 "BAD NEWS!" >> Announcer: "ADAM SANDLER: LOVE YOU." >> ♪ GUY 480 00:45:59,756 --> 00:46:04,228 WITH A DRONE ♪ ♪ GUY WITH A DRONE ♪ ♪ MAKIN' EVERYBODY ON 481 00:46:04,294 --> 00:46:12,369 THE BEACH TODAY UNCOMFORTABLE ♪ >> Announcer: "ALI WONG: SINGLE 482 00:46:12,436 --> 00:46:19,710 LADY." >> I REALLY BELIEVE THAT 40 IS THE GOLDEN AGE... TO GET 483 00:46:19,776 --> 00:46:23,981 DIVORCED. IT IS PERFECT. >> Announcer: "RAMY YOUSSEF: MORE 484 00:46:24,047 --> 00:46:26,984 FEELINGS." >> EVERY TIME YOU TURN ON CNN, THERE'S SOME ARAB 485 00:46:27,050 --> 00:46:30,888 DUDE TALKING ABOUT HOW ISLAM MEANS PEACE. YOU KNOW THAT GUY? 486 00:46:30,954 --> 00:46:35,526 BUT HE'S ALWAYS SHOUTING IT. HE'S ALWAYS LIKE, "WE COME IN 487 00:46:35,592 --> 00:46:45,602 PEACE!" [APPLAUSE] >> Nate: AND THE GOLDEN GLOBE GOES TO... ALI 488 00:46:54,044 --> 00:46:58,415 WONG. [APPLAUSE] >> Announcer: THIS IS ALI WONG SECOND 489 00:46:58,482 --> 00:47:03,353 NOMINATION AND SECOND WIN. SHE BECAME THE FIRST STAND-UP 490 00:47:03,420 --> 00:47:09,493 COMEDIAN TO SELL OUT EIGHT SHOWS AT SAN FRANCISCO'S MASONIC 491 00:47:09,560 --> 00:47:19,570 THEATER. [APPLAUSE] ♪ ♪ >> Ali: THIS IS SO NICE! OH, MY GOSH. 492 00:47:21,972 --> 00:47:23,907 THANK YOU SO, SO MUCH. YOU KNOW, I COME FROM SAN FRANCISCO, AND 493 00:47:23,974 --> 00:47:25,742 THAT'S WHERE I STARTED GETTING STAND-UP, AND I WOULDN'T BE HERE 494 00:47:25,809 --> 00:47:28,946 IF NOT FOR ALL THE STAGE TIME THAT I GOT THERE AND ALL THE 495 00:47:29,012 --> 00:47:32,182 PRACTICE I GOT TO BECOME A STAND-UP COMEDIAN. I REALLY WANT 496 00:47:32,249 --> 00:47:38,088 TO THANK MOLLY FROM THE SF PUNCH LINE COMEDY CLUB. MY BEST FRIEND 497 00:47:38,155 --> 00:47:41,291 IS HERE, MIA. THANK YOU SO MUCH FOR ALL YOUR LOVE AND SUPPORT 498 00:47:41,358 --> 00:47:44,494 THROUGHOUT THE YEARS. THIS MEANS A LOT. THANK YOU SO MUCH. 499 00:47:44,561 --> 00:47:52,369 [APPLAUSE] ♪ ♪ ♪ ♪ >> Announcer: DID YOU HEAR THAT SHARON STONE 500 00:47:52,436 --> 00:47:57,941 IS COMING UP NEXT? WELL, YOU WOULD BE RIGHT, BECAUSE SHE'S 501 00:47:58,008 --> 00:48:00,444 COMING UP NEXT. AND, IN THE MEANTIME, WE'LL KEEP THE PARTY 502 00:48:00,510 --> 00:48:02,512 GOING WITH MORE GOLDEN GLOBES AFTER THE BREAK. 503 00:48:08,619 --> 00:48:10,587 CBS' TELECAST OF THE 82ND GOLDEN GLOBE AWARDS IS SPONSORED BY 504 00:48:10,654 --> 00:48:12,656 ULTA BEAUTY. THE JOY OF ALL THINGS BEAUTY, ALL IN ONE PLACE. 505 00:48:30,974 --> 00:48:36,613 I'M FIRST-TIME GOLDEN GLOBE LOSER NIKKI GLASER. YOU KNOW 506 00:48:36,680 --> 00:48:38,915 WHAT? I MAY NOT HAVE WON TONIGHT, BUT ON THE BRIGHT SIDE 507 00:48:38,982 --> 00:48:42,619 I JUST MADE $11,000 BETTING ON ALI WONG ON A EUROPEAN GAMBLING 508 00:48:42,686 --> 00:48:46,823 SITE. YOU WIN SOME, YOU LOSE SOME. OUR NEXT PRESENT OR IS 509 00:48:46,890 --> 00:48:49,826 THIS YEAR'S GLOBE INTERNATIONAL ICON AWARD RECIPIENT, AND IF YOU 510 00:48:49,893 --> 00:48:53,230 ASK ME, THERE'S NOT ENOUGH WORDS IN THAT TITLE. PLEASE WELCOME 511 00:48:53,297 --> 00:49:03,307 THE INCOMPARABLE SHARON STONE. [APPLAUSE] ♪ ♪ 512 00:49:10,614 --> 00:49:14,251 >> Sharon: GOOD EVENING. CINEMA IS ARGUABLY ONE OF THE MOST 513 00:49:14,318 --> 00:49:18,789 POWERFUL ART FORMS IN THE WORLD. AS MOVIEGOERS, WE CAN ALL RELATE 514 00:49:18,855 --> 00:49:23,760 TO THE UNIVERSAL THEMES LIKE LOVE, GRIEF, FAMILY DRAMA, OR 515 00:49:23,827 --> 00:49:27,898 COMING OF AGE STORIES. REGARDLESS OF THE LANGUAGE, 516 00:49:27,964 --> 00:49:30,133 THESE SHARED EXPERIENCES HAVE THE POWER TO BRIDGE BARRIERS AND 517 00:49:30,200 --> 00:49:33,403 CREATE A SHARED GLOBAL CONNECTION. THE BRIEF GLIMPSE 518 00:49:33,470 --> 00:49:36,340 INTO DIFFERENT BACKGROUNDS, CULTURES, AND TRADITIONS OFTEN 519 00:49:36,406 --> 00:49:39,810 LEAVE US WITH LASTING IMPRESSIONS. HERE ARE THE 520 00:49:39,876 --> 00:49:45,649 NOMINEES FOR MOTION PICTURE, NON-ENGLISH LANGUAGE. >> 521 00:49:45,716 --> 00:49:48,285 Announcer: "ALL WE IMAGINE AS LIGHT," FRANCE, INDIA, 522 00:49:48,352 --> 00:49:54,324 NETHERLANDS, LUXEMBOURG. >> Announcer: "EMILIA PEREZ," 523 00:49:54,391 --> 00:49:58,495 FRANCE. "THE GIRL WITH THE NEEDLE," POLAND, SWEDEN, 524 00:49:58,562 --> 00:50:01,832 DENMARK. "I'M STILL HERE," BRAZIL. "THE SEED OF THE SACRED 525 00:50:01,898 --> 00:50:11,908 FIG," USA, GERMANY. "VERMIGLIO," ITALY. [APPLAUSE] >> Sharon: AND 526 00:50:14,311 --> 00:50:24,321 THE GOLDEN GLOBE GOES TO... "EMILIA PEREZ," NETFLIX, FRANCE. 527 00:50:27,657 --> 00:50:32,162 [APPLAUSE] >> Announcer: COMING TO THE STAGE TONIGHT AND 528 00:50:32,229 --> 00:50:34,865 ACCEPTING THE GOLDEN GLOBE FOR "EMILIA PEREZ"'S DIRECTOR, 529 00:50:34,931 --> 00:50:44,941 WRITER, AND PRODUCER JACQUES. 530 00:50:49,146 --> 00:50:59,222 ORIGINALLY HE WROTE THIS AS AN OPERA WITH FOUR DIFFERENT ACTS. 531 00:50:59,289 --> 00:51:09,299 [APPLAUSE] >> Jacques: SORRY, I'M NOT ENGLISH. [SPEAKING 532 00:51:12,402 --> 00:51:17,707 FRENCH] >> Interpreter: I HAVEN'T PREPARED EVERYTHING. 533 00:51:17,774 --> 00:51:27,784 OBVIOUSLY I'M LYING. A GOOD HAPPY NEW YEAR TO EVERYONE. 534 00:51:34,424 --> 00:51:43,800 NERVES OF STEEL, YOU'LL NEED IT IN 2025. >> Jacques: [SPEAKING 535 00:51:43,867 --> 00:51:45,902 FRENCH] >> Interpreter: THANK YOU FROM THE BOTTOM OF MY HEART. 536 00:51:45,969 --> 00:51:52,209 THANK YOU FOR SUBMITTING WITH US A CERTAIN IDEA OF LUNACY. >> 537 00:51:52,275 --> 00:51:56,346 [SPEAKING FRENCH] >> Interpreter: I DON'T HAVE 538 00:51:56,413 --> 00:52:01,084 SISTERS, AND THAT MIGHT BE THE REASON WHY I MADE THIS FIL ABOUT 539 00:52:01,151 --> 00:52:07,524 SISTERHOOD. IF THEY WERE MORE SISTERS IN THE WORLD, IT MAY BE 540 00:52:07,591 --> 00:52:13,263 A BETTER PLACE. I WOULD LIKE TO THANK ALL THE SISTERS AT THE 541 00:52:13,330 --> 00:52:19,736 HOLLYWOOD FOREIGN PRESS ASSOCIATION, ALL MY SISTERS AT 542 00:52:19,803 --> 00:52:29,813 NETFLIX -- [LISTING NAMES] 543 00:52:37,888 --> 00:52:47,898 AND OF COURSE THE BIG SISTER TO US ALL. >> [SPEAKING FRENCH] >> 544 00:52:52,335 --> 00:52:55,772 Interpreter: IN THESE TROUBLED TIMES, I HOPE "EMILIA PEREZ" 545 00:52:55,839 --> 00:53:04,180 WILL BE A BEACON OF LIGHT. FOR THOSE OF US NOT LUCKY ENOUGH TO 546 00:53:04,247 --> 00:53:14,257 COUNT AMONGST THEIR FRIENDS, A WOMAN AS POWERFUL AND PASSIONATE 547 00:53:19,296 --> 00:53:25,869 AS KARLA SOFIA GASCO PASSIONATE AS KARLA SOFIA GAS GASCON. I 548 00:53:25,936 --> 00:53:29,372 HOPE TO OFFER A COMFORTING HUG TODAY TO ALL THE PEOPLE WHO ARE 549 00:53:29,439 --> 00:53:34,044 WORRIED. THIS PRIZE IS ALSO DEDICATED TO THEM. I URGE THEM 550 00:53:34,110 --> 00:53:40,383 TO KEEP THEIR HEADS HELD HIGH. TO CONTINUE TO FIGHT AND HOPE 551 00:53:40,450 --> 00:53:49,292 FOR A BETTER FEW DAYS AHEAD. AS "EMILIA PEREZ" WOULD SAY, BINGO 552 00:53:49,359 --> 00:53:56,199 AREA THAT WAS A BIT BORING, I'M SORRY BORING, I'M SOR SORRY. 553 00:53:56,266 --> 00:54:06,276 [APPLAUSE] ♪ ♪ ♪ ♪ >> Announcer: PLEASE WELCOME, FROM APPLE TV+'s 554 00:54:13,249 --> 00:54:23,259 UPCOMING FILM, "THE GORGE," ANYA TAYLOR-JOY AND MILES TELLER. 555 00:54:26,496 --> 00:54:32,102 [APPLAUSE] >> Anya: IT'S ALWAYS AN HONOR TO BE ON THIS STAGE. >> 556 00:54:32,168 --> 00:54:33,903 Miles: AND IT'S AN HONOR FOR ME TO BE PRESENTING A GOLDEN GLOBE 557 00:54:33,970 --> 00:54:40,577 WITH A GOLDEN GLOBE WINNER, ANYA. >> Anya: THANK YOU, MILES. 558 00:54:40,644 --> 00:54:42,679 THE NOMINEES FOR BEST ACTOR IN A LIMITED SERIES, ANTHOLOGY, OR TV 559 00:54:42,746 --> 00:54:44,447 MOVIE DEFINITELY DELIVERED IN OUTSTANDING FASHION THIS YEAR. 560 00:54:44,514 --> 00:54:49,019 >> Miles: COLIN FARRELL AS A MAN SCORNED IN "THE PENGUIN." 561 00:54:49,085 --> 00:54:51,488 [APPLAUSE] >> Anya: RICHARD GADD AS A MAN CONSUMED BY OBSESSION 562 00:54:51,554 --> 00:55:01,598 IN "BABY REINDEER." >> Miles: KEVIN KLINE IS SUCH AN ENIGMATIC 563 00:55:01,998 --> 00:55:07,971 FIGURE IN "DISCLAIMER," HE DIDN'T SHOW UP. [APPLAUSE] >> 564 00:55:08,038 --> 00:55:10,140 Anya: COOPER KOCH AS A YOUNG MAN CAUGHT IN FAMILY SECRETS AND 565 00:55:10,206 --> 00:55:18,448 TRAGEDY IN "MONSTERS." >> Miles: EWAN McGREGOR AS THE RESILIENT 566 00:55:18,515 --> 00:55:23,286 "GENTLEMAN IN MOSCOW." [APPLAUSE] >> Anya: AND ANDREW 567 00:55:23,353 --> 00:55:31,127 SCOTT AS THE CUNNING AND COMPLEX "RIPLEY." [APPLAUSE] >> Miles: 568 00:55:31,194 --> 00:55:34,230 WELL DONE, GENTLEMEN >> Miles: WELL DONE, GENTLE GENTLEMEN. >> 569 00:55:34,297 --> 00:55:39,936 Anya: AND THE GOLDEN GLOBE GOES TO... >> Miles: RIP IT. RIP IT, 570 00:55:40,003 --> 00:55:46,876 BABY. >> Anya: I DID IT. COLIN FARRELL, "THE PENGUIN." >> 571 00:55:46,943 --> 00:55:49,212 Announcer: THIS IS COLIN FARRELL'S FOURTH NOMINATION AND 572 00:55:49,279 --> 00:55:56,886 HIS THIRD WIN. THE AUDITION TO BECOME A MEMBER OF THE '90s 573 00:55:56,953 --> 00:56:01,524 IRISH BOY BAND, BOY ZONE, BUT DIDN'T MAKE THE CUT, GOOD NEWS 574 00:56:01,591 --> 00:56:05,095 FOR US. >> Colin: NO ONE TO THINK ON THIS ONE, I DID IT ALL 575 00:56:05,161 --> 00:56:14,871 BY MYSELF. [LAUGHTER] JUST A RAW. PARED-AWAY PERFORMANCE. YOU 576 00:56:14,938 --> 00:56:17,107 WILL KNOW IT TAKES A VILLAGE WHETHER ON THE SMALL SCREEN OF 577 00:56:17,173 --> 00:56:20,443 THE BIG SCREEN. I'M HERE ON THE BACKS OF THE TALENT OF SO MANY 578 00:56:20,510 --> 00:56:23,546 PEOPLE THROUGH THE YEARS. MAYBE THIS ONE MORE THAN OTHERS 579 00:56:23,613 --> 00:56:27,584 BECAUSE OF THE DESIGNER OF THE MAKEUP, THE EXTRUDER A MAKEUP 580 00:56:27,650 --> 00:56:30,353 TEAM. ALL IT TOOK WAS THREE HOURS IN THE CHAIR IN THE 581 00:56:30,420 --> 00:56:33,223 MORNING. I DRANK BLACK COFFEE AND LISTEN TO '80s MUSIC AND 582 00:56:33,289 --> 00:56:37,427 BECAME A CANVAS FOR THAT TEAM'S BRILLIANCE. I WOULD LIKE TO 583 00:56:37,494 --> 00:56:43,366 THANK -- [LISTING NAMES] GENUS, THANKS SO MUCH. THE WHOLE CAST. 584 00:56:43,433 --> 00:56:52,709 [LISTING NAMES] HE CREATED GOTHAM, REENVISIONED IT FOR THE 585 00:56:52,776 --> 00:56:55,612 "BATMAN" FILM. THANK YOU FOR EMPLOYING ME. AND I GUESS IT IS 586 00:56:55,678 --> 00:57:02,886 PROSTHETICS FROM HERE ON OUT. OUR SHOWRUNNER, RUNNING HER 587 00:57:02,952 --> 00:57:06,089 MOUTH OFF EVERY DAY BY THE MONITOR, EXTRAORDINARY. HER AND 588 00:57:06,156 --> 00:57:10,460 HER TEAM OF AMAZING WRITERS. MY FELLOW NOMINEES, ANDREW WHO I 589 00:57:10,527 --> 00:57:16,266 DID MY FIRST FILM WITH 25-30 YEARS AGO, YOU CAN BE AND FIND 590 00:57:16,332 --> 00:57:23,206 IT ON BETAMAX. WE GO BACK, EWAN, KEVIN, RICHARD. RICHARD, 591 00:57:23,273 --> 00:57:27,410 WHEREVER YOU ARE, YOU BROKE MY HEART WITH YOUR WORK THIS YEAR. 592 00:57:27,477 --> 00:57:30,480 THE GOLDEN GLOBES, THANKS, AS WELL. WHOEVER I FORGOT, I 593 00:57:30,547 --> 00:57:36,486 APOLOGIZE, YOU KNOW WHAT YOU MEAN TO ME. CRAFT SERVICE! NO, 594 00:57:36,553 --> 00:57:41,524 NO! CAROLINA! ON THOSE COLD WINTER NIGHTS IN NEW YORK WHEN I 595 00:57:41,591 --> 00:57:45,862 WAS THE ONLY ONE OVERHEATING, SHE'D BEAR THEIR WITH A COCONUT 596 00:57:45,929 --> 00:57:49,866 WATER EVERY HALF AN HOUR. SHE KEPT THE WHOLE CREW GOING. CRAFT 597 00:57:49,933 --> 00:57:59,943 SERVICE. [APPLAUSE] ♪ ♪ >> Announcer: PLEASE WELCOME GOLDEN 598 00:58:01,945 --> 00:58:04,380 GLOBE WINNER CATHERINE O'HARA, AND GOLDEN GLOBE NOMINEE SETH 599 00:58:04,447 --> 00:58:14,457 ROGEN. [APPLAUSE] ♪ ♪ 600 00:58:17,493 --> 00:58:19,896 >> Seth: HELLO. I WANT TO START BY SAYING THIS WHOLE ANGLE 601 00:58:19,963 --> 00:58:24,968 CAMERA THING I VERY WEIRD. [LAUGHTER] IT IS INELEGANT, IT 602 00:58:25,034 --> 00:58:27,737 IS STRANGE. THIS HALF OF THE ROOM CAN SEE MY BALD SPOT. I 603 00:58:27,804 --> 00:58:31,975 WOULD HAVE FILLED THAT IN. I SAID NO, BUT I REGRET THAT NOW 604 00:58:32,041 --> 00:58:34,644 COMPLETELY. >> Catherine: YOU ARE A BEAUTIFUL MAN. >> Seth: 605 00:58:34,711 --> 00:58:35,912 THANK YOU, APPRECIATE THAT. >> Catherine: HELLO! WHAT AN HONOR 606 00:58:35,979 --> 00:58:41,517 IT IS TO BE HERE, AT ONE OF AMERICA'S MOST PRESTIGIOUS AWARD 607 00:58:41,584 --> 00:58:43,953 SHOWS. AND WHILE I'M GRATEFUL TO HAVE WON A GOLDEN GLOBE... >> 608 00:58:44,020 --> 00:58:47,924 Seth: AND I'M GRATEFUL TO HAVE BEEN IN A THING THAT HAS WON A 609 00:58:47,991 --> 00:58:52,095 GOLDEN GLOBE, WE'RE ACTUALLY BOTH MUCH MORE ACCLAIMED FOR OUR 610 00:58:52,161 --> 00:58:57,133 CANADIAN WORK. >> Catherine: THAT'S RIGHT. BACK HOME WE EACH 611 00:58:57,200 --> 00:59:01,938 HAVE EXTENSIVE HISTORY IN AWARD-WINNING PERFORMANCES. >> 612 00:59:02,005 --> 00:59:05,909 Seth: YES. >> Catherine: I GUESS THEY GOT STOPPED AT THE BORDER. 613 00:59:05,975 --> 00:59:10,013 >> Seth: EXACTLY. IT IS STUFF YOU HAVEN'T HEARD OF. CATHERINE 614 00:59:10,079 --> 00:59:13,449 WON NOT ONE BUT TO COPE GOLDEN ANTLERS FOR HER WORK AS AS MAMA 615 00:59:13,516 --> 00:59:18,154 MORISSETTE IN "THE ALANIS MORISSETTE STORY." >> Catherine: 616 00:59:18,221 --> 00:59:22,625 THANK YOU, YES, VERY INTENSE. I'M STILL JUST LETTING GO. WHAT 617 00:59:22,692 --> 00:59:28,665 ABOUT YOU AND YOU ARE BRAVE, GOLDEN ANTLER WIN? YOUR RETURN 618 00:59:28,731 --> 00:59:34,070 AS YOUNG RYAN IN "GOSLING," THE UNAUTHORIZED RYAN GOSLING RYAN 619 00:59:34,137 --> 00:59:39,876 GOSLING BIOPIC. >> Seth: THANK YOU, IT WAS UNAUTHORIZED. IT 620 00:59:39,943 --> 00:59:45,715 FELT VERY IMPORTANT TO DEPICT. BUT NONE OF THESE COMPARE TO 621 00:59:45,782 --> 00:59:48,918 YOUR GILDED GRETZKY-WINNING ROLE IN "AN AUDITOR'S TALE," THE 622 00:59:48,985 --> 00:59:50,787 STORY OF A WOMAN WHO RESCUED AN OUTER CUB AND NURSE IT BACK TO 623 00:59:50,853 --> 00:59:53,856 HEALTH WITH HER OWN BREAST MILK. EVER SINCE I WAS A CHILD, I 624 00:59:53,923 --> 00:59:57,727 WONDERED HOW YOU SHOT THOSE SCENES WITH THAT OTTER. >> 625 00:59:57,794 --> 01:00:03,733 Catherine: PAINFULLY. I THINK THE AUTHOR WAS METHOD, AND I 626 01:00:03,800 --> 01:00:09,672 LOST HALF A NIPPLE. VERY HARD R-RATED COMEDIES, AND WE REALLY 627 01:00:09,739 --> 01:00:14,544 CLEANED UP WITH "PIPELINE POLY." >> Seth: THAT WAS GREAT. YOU 628 01:00:14,610 --> 01:00:21,617 SEE, IN CANADA WE DON'T HAVE AMERICA'S PURITANICAL ROOTS, SO 629 01:00:21,684 --> 01:00:24,020 PORNOGRAPHIC FILMS ARE AS ALLOTTED AS NONPORNOGRAPHIC 630 01:00:24,087 --> 01:00:27,690 FILMS. I ALSO DID A LOT OF CANADIAN ADULT WORK. 631 01:00:27,757 --> 01:00:34,097 "LOGRIDERS," "STICKY SYRUP," AND OF COURSE THE "MOOSE KNUCKLES" 632 01:00:34,163 --> 01:00:38,901 TRILOGY. >> Catherine: "MOOSE KNUCKLES 2" WAS A MASSIVE HIT. 633 01:00:38,968 --> 01:00:43,272 >> Seth: ASKED, "MOOSE KNUCKLES 2: NICHOLS DEEP" WON THE MOST 634 01:00:43,339 --> 01:00:48,144 ILLUSTRIOUS ADULT FILM AWARD. >> Catherine: YOU WON THE BEAVER? 635 01:00:48,211 --> 01:00:50,947 >> Seth: WE SWEPT THE BEAVERS THAT YEAR. IT WAS A 636 01:00:51,014 --> 01:00:58,921 MULTI-BEAVER-WINNING FILM. THANK YOU. MY MOTHER ESPECIALLY LOVES 637 01:00:58,988 --> 01:01:03,126 "KNUCKLES DEEP." ANYWAY, AS WE KNOW, OF COURSE, THERE IS NO 638 01:01:03,192 --> 01:01:08,664 HIGHER HONOR THAN WINNING A GOLDEN GLOBE. ABSOLUTELY 639 01:01:08,731 --> 01:01:12,935 NOTHING. THERE IS NO AWARD BETTER IN ALL OF HOLLYWOOD THAN 640 01:01:13,002 --> 01:01:19,742 THE GOLDEN GLOBES, PERIOD. [APPLAUSE] NONE. >> Catherine: 641 01:01:19,809 --> 01:01:22,612 AND HERE ARE THE NOMINEES FOR BEST FEMALE ACTOR IN A LIMITED 642 01:01:22,678 --> 01:01:26,082 SERIES, ANTHOLOGY, OR TV MOVIE. >> Announcer: CATE BLANCHETT, 643 01:01:26,149 --> 01:01:34,157 "DISCLAIMER." JODIE FOSTER, "TRUE DETECTIVE: NIGHT COUNTRY." 644 01:01:34,223 --> 01:01:44,067 CRISTIN MILIOTI, "THE PENGUIN." SOFIA VERGARA, "GRISELDA." NAOMI 645 01:01:44,133 --> 01:01:52,909 WATTS, "FEUD: CAPOTE VS. THE SWANS." KATE WINSLET, "THE 646 01:01:52,975 --> 01:02:01,684 REGIME." [APPLAUSE] >> Seth: AND THE GOLDEN GLOBE GOES TO... 647 01:02:01,751 --> 01:02:11,794 JODIE FOSTER, "TRUE DETECTIVE: NIGHT COUNTRY." [APPLAUSE] ♪ ♪ 648 01:02:12,228 --> 01:02:14,730 >> Announcer: THIS IS JODIE FOSTER'S TENTH NOMINATION AND 649 01:02:14,797 --> 01:02:24,307 HER FIFTH WIN. SHE ALSO WON THE EMMY FOR THIS ROLE. "TRUE 650 01:02:24,373 --> 01:02:29,745 DETECTIVE: NIGHT COUNTRY" WAS FILMED IN ICELAND. >> Jodie: THE 651 01:02:29,812 --> 01:02:33,549 GREATEST THING ABOUT BEING THIS AGE AND BEING IN THIS TIME IS 652 01:02:33,616 --> 01:02:40,089 HAVING A COMMUNITY OF ALL THESE PEOPLE, ESPECIALLY YOU, SOFIA. 653 01:02:40,156 --> 01:02:43,593 WE AND OUR TEAM, OUR "TRUE DETECTIVE" TEAM WHO I LOVE SO 654 01:02:43,659 --> 01:02:45,895 MUCH, WE ARE ONLY HERE FOR ONE REASON, AND THAT IS THE 655 01:02:45,962 --> 01:02:51,901 WONDERFUL, BEAUTIFUL SHOWRUNNER, WRITER, DIRECTOR. SO GRATEFUL TO 656 01:02:51,968 --> 01:02:59,575 YOU AND YOUR TALENT AND YOUR FRIENDSHIP. KALI REIS, LOVE YOU. 657 01:02:59,642 --> 01:03:03,946 ALL THE CAST AND CREW, ALL OF THE ICE LANDERS, AND ESPECIALLY 658 01:03:04,013 --> 01:03:07,016 THE INDIGENOUS PEOPLE WHO SHARE THEIR STORIES WITH US. THEY'VE 659 01:03:07,083 --> 01:03:14,423 CHANGED MY LIFE, NOBLY THEY WILL CHANGE YOURS. AND HBO AND CAA 660 01:03:14,490 --> 01:03:17,593 AND ALL THOSE WONDERFUL INSTITUTIONS. MORE THAN ANYTHING 661 01:03:17,660 --> 01:03:22,965 ELSE, I WANT TO THANK MY FAMILY. MY SCIENTIST SON AND MY ACTOR 662 01:03:23,032 --> 01:03:27,336 SON WHO IS STARTING HIS CAREER, HOPEFULLY YOU UNDERSTAND THE 663 01:03:27,403 --> 01:03:32,041 JOY, SUCH JOY THAT COMES FROM DOING REALLY HARD, MEANINGFUL, 664 01:03:32,108 --> 01:03:38,915 GOOD WORK. SO, MY BOYS, I LOVE YOU, AND THIS OF COURSE IS FOR 665 01:03:38,981 --> 01:03:44,554 YOU, AND THE LOVE OF MY LIFE, ALEX. THANK YOU FOREVER. 666 01:03:44,620 --> 01:03:54,630 [APPLAUSE] ♪ ♪ >> Announcer: KERRY WASHINGTON AND ANDREW 667 01:03:58,968 --> 01:04:02,205 GARFIELD TAKE THE STAGE RIGHT AFTER THIS. AND WE'RE HANDING 668 01:04:02,271 --> 01:04:03,272 OUT MORE STATUES AS THE GOLDEN GLOBES CONTINUE. 669 01:04:12,648 --> 01:04:13,916 ♪ ♪ [APPLAUSE] >> Announcer: WELCOME BACK TO THE GOLDEN 670 01:04:13,983 --> 01:04:16,319 GLOBES. PLEASE WELCOME GOLDEN GLOBE NOMINEE KERRY WASHINGTON, 671 01:04:16,385 --> 01:04:26,395 AND GOLDEN GLOBE WINNER ANDREW GARFIELD. [APPLAUSE] ♪ ♪ ♪ ♪ >> 672 01:04:33,202 --> 01:04:37,306 Kerry: A GREAT PERFORMANCE HAS THE POWER TO TRANSPORT US. WHEN 673 01:04:37,373 --> 01:04:41,577 AN ACTOR FALLS SO DEEPLY INTO CHARACTER THAT WE AS AN AUDIENCE 674 01:04:41,644 --> 01:04:46,249 GET LOST IN THEIR PORTRAYAL, THE RESULT IS MAGIC. WE BECOME 675 01:04:46,315 --> 01:04:52,088 SPELLBOUND, UNABLE TO TAKE OUR EYES OFF THEM. >> Andrew: EACH 676 01:04:52,154 --> 01:04:56,025 NOMINEE IN THIS CATEGORY OFFERS US PROFOUND, VULNERABLE 677 01:04:56,092 --> 01:05:00,763 SELF-REVELATION AND HEART AND SOUL. EVERY PERFORMANCE IS ITS 678 01:05:00,830 --> 01:05:03,833 OWN UNIQUE, MULTI-FACETED JEWEL, REMINDING US OF SOME VITAL 679 01:05:03,899 --> 01:05:08,204 ASPECT OF OUR COLLECTIVE HUMANITY. >> Kerry: THE NOMINEES 680 01:05:08,271 --> 01:05:11,841 IN THIS CATEGORY THIS YEAR HAVE SHOWN, THROUGH THEIR COMMITMENT, 681 01:05:11,907 --> 01:05:16,379 WHAT MAGIC IS MADE OF, AND WE CELEBRATE YOU ALL. >> Andrew: 682 01:05:16,445 --> 01:05:19,715 HERE ARE THE NOMINEES FOR BEST FEMALE ACTOR, MOTION PICTURE, 683 01:05:19,782 --> 01:05:29,191 MUSICAL OR COMEDY. >> Announcer: AMY ADAMS, "NIGHTBITCH." CYNTHIA 684 01:05:29,258 --> 01:05:38,801 ERIVO, "WICKED." KARLA SOFIA GASCON, "EMILIA PEREZ." MIKEY 685 01:05:38,868 --> 01:05:48,878 MADISON, "ANORA." DEMI MOORE, "THE SUBSTANCE." ZENDAYA, 686 01:05:50,212 --> 01:06:00,256 "CHALLENGERS." [APPLAUSE] >> Kerry: SO GOOD, SO GOOD! AND THE 687 01:06:01,290 --> 01:06:07,797 GOLDEN GLOBE GOES TO... DEMI MOORE, "THE SUBSTANCE." [CHEERS 688 01:06:07,863 --> 01:06:14,603 AND APPLAUSE] ♪ ♪ >> Announcer: THIS IS DEMI MOORE'S THIRD 689 01:06:14,670 --> 01:06:18,808 NOMINATION AND FIRST WIN. SHE TOLD ME ON THE RED CARPET THAT 690 01:06:18,874 --> 01:06:21,844 SHE GOT THIS SCRIPT RIGHT AFTER QUESTIONING WHETHER SHE SHOULD 691 01:06:21,911 --> 01:06:31,921 STILL BE DOING THIS OR NOT. ♪ ♪ >> Demi: OH, WOW! I REALLY 692 01:06:39,061 --> 01:06:44,300 WASN'T EXPECTING THAT. I'M JUST IN SHOCK RIGHT NOW. I'VE BEEN 693 01:06:44,367 --> 01:06:49,071 DOING THIS A LONG TIME, LIKE, OVER 45 YEARS, AND THIS IS THE 694 01:06:49,138 --> 01:06:55,711 FIRST TIME I'VE EVER WON ANYTHING AS AN ACTOR. AND I AM 695 01:06:55,778 --> 01:07:01,083 JUST SO HUMBLED AND SO GRATEFUL. 30 YEARS AGO I HAD A PRODUCER 696 01:07:01,150 --> 01:07:10,993 TELL ME THAT I WAS A POPCORN ACTRESS, AND AT THAT TIME I MADE 697 01:07:11,060 --> 01:07:15,564 THAT MEAN THAT THIS IS NOT SOMETHING I WAS ALLOWED TO HAVE. 698 01:07:15,631 --> 01:07:17,933 THAT I COULD DO MOVIES THAT WERE SUCCESSFUL AND MADE A LOT OF 699 01:07:18,000 --> 01:07:21,337 MONEY, BUT THAT I COULDN'T BE ACKNOWLEDGED, AND I BOUGHT IN 700 01:07:21,404 --> 01:07:27,209 AND I BELIEVED THAT. THAT CORRODED ME OVER TIME, TO THE 701 01:07:27,276 --> 01:07:30,279 POINT WHERE I THOUGHT A FEW YEARS AGO THAT MAYBE THIS WAS 702 01:07:30,346 --> 01:07:34,016 IT, MAYBE I WAS COMPLETE, MAYBE I HAD DONE WHAT I WAS SUPPOSED 703 01:07:34,083 --> 01:07:41,257 TO DO. AND AS I WAS AT KIND OF A LOW POINT, I HAD THIS MAGICAL, 704 01:07:41,323 --> 01:07:45,394 BOLD, COURAGEOUS, OUT-OF-THE-BOX, ABSENTLY BONKERS 705 01:07:45,461 --> 01:07:49,598 SCRIPT COME ACROSS MY DESK CALLED "THE SUBSTANCE." AND THE 706 01:07:49,665 --> 01:07:54,170 UNIVERSE TOLD ME, YOU ARE NOT DONE, AND I AM SO GRATEFUL TO 707 01:07:54,236 --> 01:07:59,542 CORALIE FOR TRUSTING ME TO STEP IN AND PLAY THIS WOMAN. 708 01:07:59,608 --> 01:08:01,977 [APPLAUSE] FOR MARGARET, FOR BEING THE OTHER HALF OF ME, THAT 709 01:08:02,044 --> 01:08:05,915 I COULDN'T HAVE DONE WITHOUT, FOR LOOKING OUT FOR ME. TO THE 710 01:08:05,981 --> 01:08:16,025 PEOPLE WHO HAVE BEEN WITH ME FOR OVER 30 YEARS. [LISTING NAMES] 711 01:08:16,459 --> 01:08:19,662 OF THE PEOPLE WHO STOOD BY ME AND BELIEVED IN ME WHEN I 712 01:08:19,728 --> 01:08:22,264 HAVEN'T BELIEVED IN MYSELF. AND I WILL JUST LEAVE YOU WITH ONE 713 01:08:22,331 --> 01:08:26,535 THING THAT I THINK THIS MOVIE IS IMPARTING. IN THOSE MOMENTS WHEN 714 01:08:26,602 --> 01:08:30,072 WE DON'T THINK WE ARE SMART ENOUGH OR PRETTY ENOUGH OR 715 01:08:30,139 --> 01:08:33,242 SKINNY ENOUGH OR SUCCESSFUL ENOUGH, OR BASICALLY JUST NOT 716 01:08:33,309 --> 01:08:38,881 ENOUGH, I HAD A WOMAN SAY TO ME, JUST KNOW YOU WILL NEVER BE 717 01:08:38,948 --> 01:08:43,886 ENOUGH, BUT YOU CAN KNOW THE VALUE OF YOUR WORTH IF YOU JUST 718 01:08:43,953 --> 01:08:49,558 PUT DOWN THE MEASURING STICK. SO TODAY I CELEBRATE THIS AS A 719 01:08:49,625 --> 01:08:53,729 MARKER OF MY WHOLENESS END OF THE LOVE THAT IS DRIVING ME, AND 720 01:08:53,796 --> 01:08:56,799 THE GIFT OF DOING SOMETHING I LOVE AND BEING REMINDED THAT I 721 01:08:56,866 --> 01:09:06,876 DO BELONG. THANK YOU SO MUCH. [APPLAUSE] ♪ ♪ 722 01:09:22,625 --> 01:09:30,165 >> Kerry: WOW! WOW, WOW. GOOD LUCK TO THE NEXT PERSON. HERE 723 01:09:30,232 --> 01:09:32,902 ARE THE NOMINEES FOR BEST MALE ACTOR IN A MOTION PICTURE, 724 01:09:32,968 --> 01:09:38,340 MUSICAL OR COMEDY. >> Announcer: JESSE EISENBERG, "A REAL PAIN." 725 01:09:38,407 --> 01:09:47,983 HUGH GRANT, "HERETIC." GABRIEL LaBELLE, "SATURDAY NIGHT." JESSE 726 01:09:48,050 --> 01:09:58,027 PLEMONS, "KINDS OF KINDNESS." GLEN POWELL, "HIT MAN." 727 01:09:58,093 --> 01:10:06,168 SEBASTIAN STAN, "A DIFFERENT MAN." [APPLAUSE] >> Andrew: AND 728 01:10:06,235 --> 01:10:16,245 THE GOLDEN GLOBE GOES TO... STRONG-ASS TAPE. SEBASTIAN STAN, 729 01:10:18,347 --> 01:10:25,254 "A DIFFERENT MAN." >> Announcer: THIS IS SEBASTIAN STAN'S THIRD 730 01:10:25,321 --> 01:10:35,331 NOMINATION AND HIS FIRST WIN. [APPLAUSE] ♪ ♪ >> Sebastian: OH, 731 01:10:46,108 --> 01:10:49,445 MAN. WHOA. AARON SHIM BERG AND ADAM PEARSON AT HOME, I WISH YOU 732 01:10:49,511 --> 01:10:53,215 WERE HERE. I SHARE THIS WITH YOU. THANK YOU FOR YOUR TRUST. 733 01:10:53,282 --> 01:10:57,686 OUR IGNORANCE AND DISCOMFORT AROUND DISABILITY AND 734 01:10:57,753 --> 01:11:00,522 DISFIGUREMENT HAS TO END NOW. WE HAVE TO NORMALIZE IT AND 735 01:11:00,589 --> 01:11:04,093 CONTINUE TO EXPOSE OURSELVES TO IT, AND OUR CHILDREN, ENCOURAGE 736 01:11:04,159 --> 01:11:07,896 ACCEPTANCE. ONE WAY WE CAN DO THAT IS BY CONTINUING TO 737 01:11:07,963 --> 01:11:11,600 CHAMPION STORIES THAT ARE INCLUSIVE. THIS WAS NOT AN EASY 738 01:11:11,667 --> 01:11:15,371 MOVIE TO MAKE. NEITHER IS "THE APPRENTICE," THE OTHER FILM THAT 739 01:11:15,437 --> 01:11:20,342 I WAS LUCKY TO BE A PART OF AND THAT I AM PROUD TO BE IN. THESE 740 01:11:20,409 --> 01:11:23,379 ARE TOUGH SUBJECT MATTERS, BUT THESE FILMS ARE REAL AND THEY 741 01:11:23,445 --> 01:11:30,653 ARE NECESSARY, AND WE CAN'T BE AFRAID AND LOOK AWAY. THANK YOU, 742 01:11:30,719 --> 01:11:38,060 CAA, MY AMAZING TEAM. [LISTING NAMES] WHO FOUND ME THIS SCRIPT. 743 01:11:38,127 --> 01:11:40,796 MY AMAZING PUBLICIST. I LOVE YOU, WHEREVER YOU ARE. MY 744 01:11:40,863 --> 01:11:45,200 MANAGER FOR 27 YEARS, THANK YOU FOR TAKING ME ON WHEN I WAS A 745 01:11:45,267 --> 01:11:48,904 KID AND TELLING ME TO GO TO SCHOOL AND WATCH MOVIES. I'M UP 746 01:11:48,971 --> 01:11:57,346 HERE BECAUSE OF YOU. A24, THIS IS FOR MY MOM WHO LEFT ROMANIA 747 01:11:57,413 --> 01:12:00,749 IN SEARCH OF A BETTER LIFE AND GAVE ME EVERYTHING. AND FOR MY 748 01:12:00,816 --> 01:12:04,520 STEPFATHER, TONY, WHO TOOK ON A SINGLE MOM AND A GROWN-UP KID, 749 01:12:04,586 --> 01:12:11,393 THANK YOU FOR BEING A REAL MAN. GOLDEN GLOBES, I LOVE YOU. 750 01:12:11,460 --> 01:12:21,503 [APPLAUSE] ♪ ♪ >> Announcer: WHAT'S BETTER THAN TWO 751 01:12:22,671 --> 01:12:25,407 SUPERHEROES? THREE. HARRISON FORD, ANTHONY MACKIE, AND 752 01:12:25,474 --> 01:12:27,643 MICHAEL KEATON ARE COMING UP NEXT ON THE GOLDEN GLOBES, HERE 753 01:12:27,710 --> 01:12:28,977 ON CBS. 754 01:12:44,026 --> 01:12:45,260 >> Announcer: WE'RE BACK IN BEVERLY HILLS, CALIFORNIA, WHERE 755 01:12:45,327 --> 01:12:47,996 THE WEATHER IS GREAT. HOME OF THE ICONIC PALM TREES, WHERE THE 756 01:12:48,063 --> 01:12:50,265 STREETS ARE AS BEAUTIFUL AS THE PEOPLE. AND STOP BY FOR THE 757 01:12:50,332 --> 01:12:52,935 SHOPPING, BUT STAY FOR THE ATMOSPHERE. THERE'S MORE OF THE 758 01:12:53,001 --> 01:13:02,177 82ND GOLDEN GLOBES HAPPENING RIGHT NOW. [APPLAUSE] ♪ ♪ >> 759 01:13:02,244 --> 01:13:09,318 Nikki: WELCOME BACK. IF YOU'RE JUST JOINING US, WHY NOW? WHAT 760 01:13:09,384 --> 01:13:15,057 TOOK YOU SO LONG? ANYWAY, IT'S TIME FOR OUR MID-SHOW RECAP. I'M 761 01:13:15,124 --> 01:13:18,427 HERE ON THE FLOOR WITH ALL OF MY PEERS -- GO WITH IT -- AND THIS 762 01:13:18,494 --> 01:13:22,731 IS SO EXCITING, BECAUSE EVERYWHERE YOU LOOK, THERE IS A 763 01:13:22,798 --> 01:13:26,301 FANNING. ELLE, DAKOTA, PEYTON. THE AIR IS THICK WITH THE SMELL 764 01:13:26,368 --> 01:13:33,242 OF SIGNATURE FRAGRANCES AND THE LINGERING STENCH OF BALLROOM 765 01:13:33,308 --> 01:13:36,478 SALMON. BALLROOM SALMON IS ACTUALLY THE NAME OF STANLEY 766 01:13:36,545 --> 01:13:38,447 TUCCI'S COLOGNE, NOW AVAILABLE AT BUCA DI BEPPO. SO MUCH HAS 767 01:13:38,514 --> 01:13:46,021 ALREADY HAPPENED. THE ACCEPTANCE SPEECHES HAVE BEEN ON FIRE. WHO 768 01:13:46,088 --> 01:13:49,391 GOT SHOUTED OUT THE MOST? LET'S LOOK AT THE NUMBERS. CAST AND 769 01:13:49,458 --> 01:13:50,893 CREW ARE LEADING THE WAY WITH 11 MENTIONS. MOMS ARE HOLDING 770 01:13:50,959 --> 01:13:54,029 STRONG WITH THREE SHOUT OUTS. GOD, CREATOR OF THE UNIVERSE, 771 01:13:54,096 --> 01:14:03,105 ZERO MENTIONS. AND MARIO LOPEZ, HOST OF "ACCESS HOLLYWOOD," ONE. 772 01:14:03,172 --> 01:14:08,277 [LAUGHTER] ALL RIGHT. NO SURPRISE IN THIS GODLESS TOWN. 773 01:14:08,343 --> 01:14:11,947 THE ROOM HAS BEEN BUZZING AND THERE'S BEEN A LOT OF TALK ABOUT 774 01:14:12,014 --> 01:14:17,286 COMEBACKS. PAMELA ANDERSON, DEMI MOORE... WHO JUST WON. TURNS 775 01:14:17,352 --> 01:14:19,454 OUT, IF YOU'RE A WOMAN OVER 50 IN A LEAD ROLE, THEY CALL IT A 776 01:14:19,521 --> 01:14:25,294 COMEBACK. IF YOU'RE A GUY OVER 50 IN A LEAD ROLE, 777 01:14:25,360 --> 01:14:29,565 CONGRATULATIONS, YOU'RE ABOUT TO PLAY SYDNEY SWEENEY'S BOYFRIEND. 778 01:14:29,631 --> 01:14:34,970 WE ARE NOWHERE NEAR PICKING A NEW POPE. TEDESCO'S STILL 779 01:14:35,037 --> 01:14:37,739 LEADING WITH 31 PLEASE WELCOME OUR NEXT PRESENTERS. FROM 780 01:14:37,806 --> 01:14:41,877 "CAPTAIN AMERICA: BRAVE NEW WORLD," ANTHONY MACKIE, AND MY 781 01:14:41,944 --> 01:14:51,954 THERAPIST, GOLDEN GLOBE NOMINEE HARRISON FORD. [APPLAUSE] ♪ ♪ 782 01:15:02,231 --> 01:15:10,239 >> Harrison: MR. MACKEY. >> Anthony: MR. FORD. [LAUGHTER] >> 783 01:15:10,305 --> 01:15:13,475 Harrison: ANIMATION HAS COME SO FAR, FROM THE EARLY DAYS OF SLIT 784 01:15:13,542 --> 01:15:21,450 BOOKS TO MODERN DAY 3D, COMPUTER-GENERATED IMAGERY, THE 785 01:15:21,516 --> 01:15:27,756 POSSIBILITIES ARE ENDLESS. >> Anthony: BOUNDLESS. [LAUGHTER] 786 01:15:27,823 --> 01:15:34,463 IT'S AN EVOLVING DOOR. ARTISTS. ANIMATION. WHILE THE TECHNICAL 787 01:15:34,529 --> 01:15:37,032 INNOVATIONS HAVE PROGRESSED WITH MORE EMOTIONAL THEMES, THE 788 01:15:37,099 --> 01:15:40,435 TYPICAL STORIES OF GOOD VERSUS EVIL OR COMING OF AGE ARE NOW 789 01:15:40,502 --> 01:15:43,071 LAYERED WITH STORYLINES SURROUNDING COMPLEX 790 01:15:43,138 --> 01:15:48,844 RELATIONSHIPS, SOCIAL JUSTICE, AND MENTAL HEALTH. NOW, HERE ARE 791 01:15:48,911 --> 01:15:56,718 THE NOMINEES FOR BEST MOTION PICTURE, ANIMATED. >> Announcer: 792 01:15:56,785 --> 01:16:06,795 "FLOW." ♪ ♪ "INSIDE OUT 2." ♪ ♪ "MEMOIR OF A SNAIL." ♪ ♪ "MOANA 793 01:16:14,603 --> 01:16:22,244 2." ♪ ♪ "WALLACE & GROMIT: VENGEANCE MOST FOWL." ♪ ♪ "THE 794 01:16:22,311 --> 01:16:31,720 WILD ROBOT." ♪ ♪ [APPLAUSE] >> Anthony: WE'RE STILL FRIENDS 795 01:16:31,787 --> 01:16:39,461 WITH SEBASTIAN STAN, BY THE WAY. HE IS MY -- [LAUGHTER] OH, MY 796 01:16:39,528 --> 01:16:46,501 BAD, MY BAD. >> Harrison: BEST MOTION PICTURE, ANIMATED. THE 797 01:16:46,568 --> 01:16:56,078 WINNER IS... >> Anthony: HA, HA, STICK 'EM! IT'S THE MUSIC -- NOW 798 01:16:56,144 --> 01:17:03,185 YOU SAY THE NAME. >> Harrison: THE WINNER IS... THE WINNER IS 799 01:17:03,251 --> 01:17:11,994 "FLOW." [APPLAUSE] ♪ ♪ >> Announcer: COMING TO THE STAGE 800 01:17:12,060 --> 01:17:17,866 TONIGHT IS THE COWRITER AND PRODUCER, PRODUCER, AND 801 01:17:17,933 --> 01:17:21,503 ACCEPTING THE GOLDEN GLOBE'S DIRECTOR, COWRITER, EDITOR, 802 01:17:21,570 --> 01:17:31,580 SENATOR DOM ASKED HIM A TARGET FOR, OUR DIRECTOR, GINTS 803 01:17:33,815 --> 01:17:40,489 ZILBALODIS. 804 01:17:44,760 --> 01:17:48,030 >> Gints: THANK YOU SO MUCH TO MY PRODUCERS, ARE DISTRIBUTED MY 805 01:17:48,096 --> 01:17:55,070 PRODUCERS, ARE DISTRIBU TO MR DISTRIBUTOR OUR TEAMS, AND OF 806 01:17:55,137 --> 01:18:00,375 COURSE THE GOLDEN GLOBES. THIS FILM WAS MADE BY A VERY SMALL, 807 01:18:00,442 --> 01:18:04,012 YOUNG, BUT VERY PASSIONATE TEAM IN A PLACE WHERE THERE ISN'T A 808 01:18:04,079 --> 01:18:08,383 BIG FILM INDUSTRY, SO THIS IS THE FIRST TIME A FILM FROM 809 01:18:08,450 --> 01:18:14,423 LATVIA HAS BEEN HERE, SO THIS IS HUGE FOR US. [APPLAUSE] THIS IS 810 01:18:14,489 --> 01:18:17,492 A VERY PERSONAL STORY TO ME BECAUSE I USED TO WORK ALONE. 811 01:18:17,559 --> 01:18:21,897 I'VE MADE ON MY FILMS MYSELF, BUT THIS TIME I WORKED WITH A 812 01:18:21,963 --> 01:18:26,501 TEAM, AND I HAD TO LEARN HOW TO TRUST OTHERS, HOW TO COLLABORATE 813 01:18:26,568 --> 01:18:28,637 AND OVERCOME DIFFERENCES, AND I THINK IT IS VERY IMPORTANT TO 814 01:18:28,703 --> 01:18:32,407 REMEMBER THIS NOWADAYS, ESPECIALLY NOW MORE THAN EVER. 815 01:18:32,474 --> 01:18:36,845 THANK YOU SO MUCH, AND THANK YOU FOR EMBRACING OUR LITTLE FILM. 816 01:18:36,912 --> 01:18:43,018 [APPLAUSE] ♪ ♪ >> Announcer: PLEASE WELCOME TO THE STAGE 817 01:18:43,085 --> 01:18:53,095 GOLDEN GLOBE WINNER MICHAEL KEATON. [APPLAUSE] ♪ ♪ >> 818 01:18:57,999 --> 01:18:59,668 Michael: A DIRECTOR'S VISION DICTATES THE FINAL FORM OF A 819 01:18:59,734 --> 01:19:03,772 FILM. WHILE THEY ARE SUPPORTED BY COUNTLESS MEMBERS ACROSS THE 820 01:19:03,839 --> 01:19:09,344 CAST AND CREW, THEIR ABILITY TO BOTH MANAGE AND COLLABORATE 821 01:19:09,411 --> 01:19:13,381 BRINGS THIS ARTFORM TO A WHOLE NEW LEVEL. THIS YEAR'S NOMINEES 822 01:19:13,448 --> 01:19:16,685 ARE SEASONED DIRECTORS, BUT THEY ARE ALSO FIRST-TIME GOLDEN GLOBE 823 01:19:16,751 --> 01:19:19,087 NOMINEES IN THIS CATEGORY. HERE ARE THE NOMINEES FOR BEST 824 01:19:19,154 --> 01:19:25,360 DIRECTOR, MOTION PICTURE.% >> Announcer: JACQUES AUDIARD, 825 01:19:25,427 --> 01:19:35,470 "EMILIA PEREZ." SEAN BAKER, "ANORA." EDWARD BERGER, 826 01:19:36,171 --> 01:19:42,711 "CONCLAVE." BRADY CORBET, "THE BRUTALIST." CORALIE FARGEAT, 827 01:19:42,777 --> 01:19:52,787 "THE SUBSTANCE." PAYAL KAPADIA, "ALL WE IMAGINE AS LIGHT." 828 01:19:58,193 --> 01:20:04,733 [APPLAUSE] >> Michael: AND THE GOLDEN GLOBE GOES TO... OH, 829 01:20:04,799 --> 01:20:14,809 SORRY. BRADY CORBET. [APPLAUSE] >> Announcer: THIS IS THE FIRST 830 01:20:17,946 --> 01:20:25,554 NOMINATION AND FIRST WIN. "THE BRUTALIST" WAS SEVEN YEARS IN 831 01:20:25,620 --> 01:20:30,992 THE MAKING, ACCORDING TO CORBET. CORBET COWROTE THE FILM WITH HIS 832 01:20:31,059 --> 01:20:41,069 WIFE. [APPLAUSE] 833 01:20:46,575 --> 01:20:55,016 >> Brady: HELLO. SORRY, I HAD TO WRITE SOMETHING DOWN. A WARM AND 834 01:20:55,083 --> 01:20:57,852 SINCERE THANKS TO THE GOLDEN GLOBES FOR GIVING OUR FILM FOR 835 01:20:57,919 --> 01:21:01,489 THE VISIBILITY, WITH SUCH A RECOGNITION. IT IS EXTERNAL 836 01:21:01,556 --> 01:21:05,293 NEARLY MEANINGFUL FOR A FILM LIKE THIS, THAT ONCE A FEW SHORT 837 01:21:05,360 --> 01:21:08,563 MONTHS AGO HAD THE ODDS VERY MUCH STACKED AGAINST IT. I WOULD 838 01:21:08,630 --> 01:21:12,834 ALSO BE REMISS NOT TO MENTION THAT I AM HUMBLED TO BE IN SUCH 839 01:21:12,901 --> 01:21:16,204 EXCELLENT COMPANY. FILMMAKERS I GENUINELY ADMIRE. HUNDREDS OF 840 01:21:16,271 --> 01:21:19,574 VERY DEVOTED PEOPLE WORKED ON THIS FILM FOR YEARS BEFORE, 841 01:21:19,641 --> 01:21:22,510 DURING, AND AFTER ITS REALIZATION. THERE ARE TOO MANY 842 01:21:22,577 --> 01:21:26,381 TO NAME IN THE 45 SECONDS ALLOTTED TO ME HERE, BUT I AM SO 843 01:21:26,448 --> 01:21:31,453 GRATEFUL TO THEM ALL TREAT EVERYONE AT A24, FOCUS FEATURES 844 01:21:31,519 --> 01:21:37,092 INTERNATIONAL, CAA, POST OFFICE, THE HUNGARIAN FILM LAB, KODAK, 845 01:21:37,158 --> 01:21:41,463 AND FOTOKEM. MY BEAUTIFUL CAST TO I HOPE WE'LL HAVE ME BACK IN 846 01:21:41,529 --> 01:21:44,566 THE FUTURE, MAKES ORDINARY FELLOW PRODUCERS, MY CREW, WHO I 847 01:21:44,633 --> 01:21:47,736 ALSO HOPE WE'LL HAVE ME BACK ON THE NEXT ONE. OUR FRIENDS WHO 848 01:21:47,802 --> 01:21:51,906 HAVE SUPPORTED US THROUGH THICK AND THIN. MY FAMILY, MONA, MY 849 01:21:51,973 --> 01:21:55,677 CREATIVE PARTNER AND MUSE, MY INCOMPARABLE MOTHER, MARY 850 01:21:55,744 --> 01:21:59,681 CORBET, AND MY DAUGHTER, ADA, WHO LOOKS SO STUNNING IN THAT 851 01:21:59,748 --> 01:22:02,684 DRESS APPEARS TONIGHT, THAT THIS FIASCO I'D GOTTEN US ALL INTO 852 01:22:02,751 --> 01:22:07,122 MAY VERY WELL BE WORTH IT. I LOVE YOU SO MUCH, ADA JAMES. I'D 853 01:22:07,188 --> 01:22:09,524 LIKE TO TAKE THE OPPORTUNITY TO THANK AND ACKNOWLEDGE THREE 854 01:22:09,591 --> 01:22:13,495 PEOPLE I LOST WHILE MAKING THIS PICTURE. MY GRANDFATHER, JAMES, 855 01:22:13,561 --> 01:22:17,065 HIS BROTHER, JERRY, AND MY DEAR FRIEND, KEVIN, WHO I MISS EVERY 856 01:22:17,132 --> 01:22:21,436 DAY. I WOULDN'T BE STANDING HERE TONIGHT IF IT WERE NOT FOR THEIR 857 01:22:21,503 --> 01:22:23,772 INFLUENCE. FINALLY, TONIGHT MY HEART IS WITH AUBREY PLAZA AND 858 01:22:23,838 --> 01:22:25,006 JEFF'S FATH AUBREY PLAZA AND JEFF'S FAMI AUBREY PLAZA AND 859 01:22:25,073 --> 01:22:27,676 JEFF'S FAMILYUBREY PLAZA AND JEFF'S FAMILY.BREY PLAZA AND 860 01:22:27,742 --> 01:22:33,448 JEFF'S FAMILY.BREY PLAZA AND JEFF'S GOOD NIGHT. [APPLAUSE] ♪ 861 01:22:40,021 --> 01:22:41,956 ♪ ♪ ♪ >> Announcer: ELTON JOHN PLUS BRANDI CARLILE EQUAL 862 01:22:42,023 --> 01:22:43,958 MUSICAL ROYALTY, AND THEY'RE NEXT. PLUS, WHEN THE GOLDEN 863 01:22:44,025 --> 01:22:48,029 GLOBES RETURN, VIN DIESEL GIVES OUT THE AWARD FOR CINEMATIC AND 864 01:23:06,981 --> 01:23:08,149 ♪ ♪ [APPLAUSE] >> Announcer: FROM "ELTON JOHN: NEVER TOO 865 01:23:08,216 --> 01:23:18,259 LATE," PLEASE WELCOME GOLDEN GLOBE WINNER ELTON JOHN, AND 866 01:23:18,960 --> 01:23:21,863 BRANDI CARLILE. >> Elton: THANK YOU VERY MUCH. IT'S A VERY 867 01:23:21,930 --> 01:23:25,900 SPECIAL NIGHT FOR ME TO BE HERE, BECAUSE, I DON'T KNOW IF YOU 868 01:23:25,967 --> 01:23:29,704 KNOW, BUT THERE'S BEEN A LOT OF STORIES GOING AROUND ABOUT MY 869 01:23:29,771 --> 01:23:32,707 REGRESSIVE'S EYESIGHT, AND I JUST WANTED TO REASSURE 870 01:23:32,774 --> 01:23:35,610 EVERYBODY THAT IS NOT AS BAD AS IT SEEMS, SO I AM SO PLEASED TO 871 01:23:35,677 --> 01:23:45,253 BE HERE WITH MY COHOST, RIHANNA. [LAUGHTER AND APPLAUSE] >> 872 01:23:45,320 --> 01:23:47,722 Brandi: A GREAT FILM SCORE SHOULD FEEL LIKE IT IS 873 01:23:47,789 --> 01:23:50,625 INSEPARABLE FROM THE VISUALS OF THE MOVIE. CREATING THE 874 01:23:50,692 --> 01:23:52,727 EMOTIONAL LANDSCAPE IS LIKE HAVING A CONVERSATION WITH THE 875 01:23:52,794 --> 01:23:55,463 AUDIENCE THROUGH THE MUSIC. IT CAN BE SUBTLE AND ELEGANT, OR 876 01:23:55,530 --> 01:23:59,901 GRAND AND BOISTEROUS. IT MUST MAKE YOU FEEL SOMETHING INSIDE. 877 01:23:59,968 --> 01:24:03,471 AND, ONCE THAT HAPPENS, THEN THE COMPOSER'S JOB IS DONE. A 878 01:24:03,538 --> 01:24:06,174 MEMORABLE SCORE STAYS WITH YOU AND KEEPS YOU HUMMING SONGS FOR 879 01:24:06,241 --> 01:24:16,251 A LIFETIME. >> Elton: AND THE NOMINEES ARE... "CONCLAVE," 880 01:24:22,157 --> 01:24:29,230 VOLKER BERTELMANN. "THE BRUTALIST," DANIEL BLUMBERG. 881 01:24:29,297 --> 01:24:38,239 KRIS BOWERS, "THE WILD ROBOT." "EMILIA PEREZ." CLEMENT DUCOL, 882 01:24:38,306 --> 01:24:48,316 CAMILLE. "CHALLENGERS." TRENT REZNOR, ATTICUS ROSS. "DUNE: 883 01:24:52,887 --> 01:24:56,925 PART TWO," HANS ZIMMER. [APPLAUSE] >> Elton: AND THE 884 01:24:56,991 --> 01:25:07,001 GOLDEN GLOBE GOES TO... >> Brandi: TRENT REZNOR AND ATTICUS 885 01:25:11,706 --> 01:25:16,144 ROSS. >> Announcer: THIS IS THE SIXTH NOMINATION AND THIRD WIN 886 01:25:16,211 --> 01:25:21,182 FOR THE WRITING TEAM. ACCEPTING THE AWARD IS ATTICUS ROSS. THESE 887 01:25:21,249 --> 01:25:26,654 TWO HAVE WORKED TOGETHER FOR YEARS. THEY FIRST GOT TO GET THE 888 01:25:26,721 --> 01:25:34,996 '90s WHEN REZNOR SIGNED ATTICUS ROSS' BAND TO HIS NOTHING 889 01:25:35,063 --> 01:25:39,033 RECORDS LAB. 890 01:25:41,336 --> 01:25:45,273 >> Atticus: THANK YOU TO THE GOLDEN GLOBES. THIS REALLY MEANS 891 01:25:45,340 --> 01:25:47,442 A LOT, PARTICULARLY IN THIS SPECIAL MOMENT. FIRST I WOULD 892 01:25:47,509 --> 01:25:52,113 LIKE TO THANK MY BEST FRIEND, MY MUSICAL PARTNER, THE GREAT 893 01:25:52,180 --> 01:25:57,685 TALENT, TRENT REZNOR. [APPLAUSE] IT NEVER FELT LIKE A SAFE 894 01:25:57,752 --> 01:26:01,389 CHOICE, BUT IT ALWAYS FELT LIKE THE RIGHT ONE. I WOULD LIKE TO 895 01:26:01,456 --> 01:26:10,331 THANK THE MAESTRO, THE VISIONARY DIRECTOR, AND OUR FRIEND, LUCA 896 01:26:10,398 --> 01:26:15,737 GUADAGNINO FOR HIS UNWAVERING SUPPORT AND COMMITMENT TO THE 897 01:26:15,803 --> 01:26:21,809 IDEA. FOR EVERYONE WHO BRINGS THIS FILM TO LIFE. [LISTING 898 01:26:21,876 --> 01:26:28,016 NAMES] WE ALWAYS THOUGHT WE WOULD GET THE CALL, IT NEVER 899 01:26:28,082 --> 01:26:31,686 CAME, AND HERE WE ARE. LASTLY, WE WANT TO THANK THE MOST 900 01:26:31,753 --> 01:26:40,762 IMPORTANT PEOPLE IN OUR LIVES, OUR WIVES AND OUR CHILDREN. ALL 901 01:26:40,828 --> 01:26:50,838 THE KIDS, WE LOVE YOU. THANK YOU. [APPLAUSE] ♪ ♪ 902 01:26:58,112 --> 01:27:00,882 >> Nikki: MOANA, ANORA, MARIA. THESE ARE NOT JUST NAMES JEFF 903 01:27:00,949 --> 01:27:05,553 GOLDBLUM HAS MISTAKEN CALLED ARIANA GRANDE. WE WNOW, TO 904 01:27:05,620 --> 01:27:11,359 PRESENT THE AWARD FOR BEST ORIGINAL SONG, THE STARS OF 905 01:27:11,426 --> 01:27:21,436 "WICKED," MICHELLE YEOH AND JEFF GOLDBLUM. [APPLAUSE] ♪ ♪ 906 01:27:24,305 --> 01:27:29,744 >> Jeff: BEFORE WE GET TO THE NEXT AWARD, THE GREAT MICHELLE 907 01:27:29,811 --> 01:27:34,215 YEOH AND I JUST WANT TO CLEAR COUPLE THINGS UP. >> Michelle: 908 01:27:34,282 --> 01:27:36,250 YES. IT HAS COME TO OUR ATTENTION THAT THE INTERNET HAS 909 01:27:36,317 --> 01:27:45,526 BEEN SAYING THINGS ABOUT US SINCE OUR MOVIE, "WICKED," CAME 910 01:27:45,593 --> 01:27:50,565 OUT. >> Jeff: YEAH, YOU KNOW, PEOPLE, FOR INSTANCE, HAVE BEEN 911 01:27:50,632 --> 01:27:56,270 CALLING ME "ZADDY." [LAUGHTER] >> Michelle: SORRY, WHAT IS 912 01:27:56,337 --> 01:28:04,112 ZADDY? SORRY. AND THE SAME PEOPLE HAVE BEEN SAYING THAT I'M 913 01:28:04,178 --> 01:28:14,222 "SERVING MOTHER." AND "SLAY THE BOOTS HOUSE DOWN." COME ON! I 914 01:28:15,323 --> 01:28:19,961 WOULD NEVER SLAY ANYONE'S HOUSE DOWN. >> Jeff: AND, WHILE WE 915 01:28:20,028 --> 01:28:26,868 DON'T FULLY UNDERSTAND WHAT THESE THINGS MEAN... WE DON'T. 916 01:28:26,934 --> 01:28:31,939 >> Michelle: NO, WE DON'T. WE ABSOLUTELY LOVE IT. >> Jeff: 917 01:28:32,006 --> 01:28:37,812 HERE ARE THE NOMINEES WHO "LEFT NO CRUMBS" FOR BEST ORIGINAL 918 01:28:37,879 --> 01:28:43,918 SONG, MOTION PICTURE. >> Michelle: YEAH! >> Announcer: 919 01:28:43,985 --> 01:28:48,122 FROM "THE LAST SHOWGIRL," "BEAUTIFUL THAT WAY." >> ♪ SHE'S 920 01:28:48,189 --> 01:28:53,261 BEAUTIFUL THAT WAY ♪ >> Announcer: FROM "CHALLENGERS," 921 01:28:53,327 --> 01:29:00,001 "COMPRESS/REPRESS." >> ♪ COMPRESS, REPRESS ♪ >> 922 01:29:09,010 --> 01:29:16,684 Announcer: FROM "EMILIA PEREZ," "EL MAL." >> ♪ A PAGAR, A PAGAR, 923 01:29:16,751 --> 01:29:21,489 A PAGAR ♪ >> Announcer: FROM "BETTER MAN," "FORBIDDEN ROAD." 924 01:29:21,556 --> 01:29:27,528 >> ♪ I WALKED ALONG A FORBIDDEN ROAD ♪ >> Announcer: FROM "THE 925 01:29:27,595 --> 01:29:33,868 WILD ROBOT," "KISS THE SKY." >> ♪ KISS, KISS THE SKY ♪ >> 926 01:29:33,935 --> 01:29:43,945 Announcer: FROM "EMILIA PEREZ," "MI CAMINO." >> ♪ ES MI CAMINO ♪ 927 01:29:45,480 --> 01:29:52,353 [APPLAUSE] >> Michelle: AND THE GOLDEN GLOBE GOES TO... "EL 928 01:29:52,420 --> 01:30:02,430 MAL." "EMILIA PEREZ." [APPLAUSE] ♪ ♪ >> Announcer: THIS IS THE 929 01:30:08,936 --> 01:30:14,041 FIRST NOMINATION ENTRANCE WIN FOR THIS WRITING TEAM. THEY WIN 930 01:30:14,108 --> 01:30:19,113 THEIR GOLDEN GLOBE TONIGHT FOR THE MUSIC AND LYRICS OF "EL MAL" 931 01:30:19,180 --> 01:30:29,190 IN "EMILIA PEREZ." ACCEPTING THE AWARD IS CAMILLE. ♪ ♪ 932 01:30:37,532 --> 01:30:47,542 ♪ ♪ >> Camille: THIS IS SUCH AN AMERICAN EXPERIENCE. [LAUGHTER] 933 01:30:54,715 --> 01:30:58,352 AND, YOU KNOW, SONGS ARE BUTTERFLIES, AND WE NEED 934 01:30:58,419 --> 01:31:03,724 BUTTERFLIES, EVEN IF IT IS WITH THE CORRUPTION IN THE WORLD. 935 01:31:03,791 --> 01:31:07,595 FIRST, THANK YOU TO ALL SONGWRITERS AND SINGERS IN THE 936 01:31:07,662 --> 01:31:11,666 WORLD. THANK YOU, OF COURSE, TO THE GOLDEN GLOBES AND ITS 937 01:31:11,732 --> 01:31:12,934 MEMBERS. THANK YOU TO NETFLIX, TO OUR AGENTS AND PUBLICISTS, 938 01:31:13,000 --> 01:31:18,873 AND THANK YOU TO OUR "EMILIA PEREZ" FAMILY, TO KARLA SOFIA 939 01:31:18,940 --> 01:31:23,244 GASCON, ALL THE CAST. ZOE SALDANA. >> I'M RIGHT HERE! >> 940 01:31:23,311 --> 01:31:32,987 Camille: THAT YOU ARE! I'M DYSLEXIC, TOO. SELENA GOMEZ, 941 01:31:33,054 --> 01:31:40,595 ADRIANA, EDGAR RAMIREZ, AND OF COURSE JACQUES AUDIARD. HE IS 942 01:31:40,661 --> 01:31:45,166 SUCH A VISIONARY ARTIST. HE MADE US GROW AS ARTISTS AND AS 943 01:31:45,233 --> 01:31:49,770 PERSONS. AND THANK YOU TO ALL OF THE PEOPLE THAT PUT ALL THEIR 944 01:31:49,837 --> 01:31:59,881 HEARTS AND SOUL AND TIME AND MONEY INTO THIS MOVIE. ZOE AND 945 01:32:00,114 --> 01:32:09,557 KARLA, "EL MAL" WOULDN'T BE WHAT IT IS WITHOUT YOUR PERFORMANCE. 946 01:32:09,624 --> 01:32:16,931 YOU JUST SHAKE THE HOUSE AND SHAKE OUR SOULS. SALUD! THANK 947 01:32:16,998 --> 01:32:27,008 YOU. [APPLAUSE] ♪ ♪ ♪ ♪ >> Announcer: PLEASE WELCOME VIN 948 01:32:31,312 --> 01:32:41,322 DIESEL. [APPLAUSE] ♪ ♪ 949 01:32:46,928 --> 01:32:56,938 >> Vin: HEY, DUANE [LAUGHTER] I'VE HAD THE GREAT PRIVILEGE OF 950 01:32:59,006 --> 01:33:03,077 WORKING WITH CRITICALLY ACCLAIMED DIRECTORS LIKE STEVEN 951 01:33:03,144 --> 01:33:12,954 SPIELBERG, ANG LEE, AND THE LATE SIDNEY LUMET, TO NAME A FEW. 952 01:33:13,020 --> 01:33:15,423 FULFILLING A DREAM OF A YOUNG NEW YORK CITY KID WHO WANTED TO 953 01:33:15,489 --> 01:33:25,499 BE AN ACTOR. BUT I'VE ALSO BEEN BLESSED TO BE PART OF SOMETHING 954 01:33:28,069 --> 01:33:32,673 ELSE CALLED THE BLOCKBUSTER. THE MOVIES THAT BREAK THROUGH 955 01:33:32,740 --> 01:33:36,610 BORDERS AND UNITE PEOPLE GLOBALLY. THE KIND THAT CREATE 956 01:33:36,677 --> 01:33:40,715 THOSE UNFORGETTABLE MOMENTS, WHETHER IT'S AN INTENSE ACTION 957 01:33:40,781 --> 01:33:44,752 SEQUENCE THAT HAS EVERYONE HOLDING THEIR BREATH, OR A 958 01:33:44,819 --> 01:33:52,693 SIMPLE LINE THAT BECOMES PART OF OUR SHARED CULTURE. WHEN THESE 959 01:33:52,760 --> 01:33:58,299 FILMS WORK, THEY REMIND US WE'RE ALL ONE BIG FAMILY SHARING A 960 01:33:58,366 --> 01:34:08,142 COLLECTIVE EXPERIENCE. EVERY CATCHPHRASE, EVERY STUNT, EVERY 961 01:34:08,209 --> 01:34:11,545 EMOTIONAL BEAT -- THEY BRING PEOPLE TOGETHER ACROSS OUR 962 01:34:11,612 --> 01:34:16,817 BEAUTIFUL PLANET IN A WAY THAT'S TRULY SPECIAL. SO WHEN THE 963 01:34:16,884 --> 01:34:22,790 GOLDEN GLOBES CREATED THIS AWARD AND ASKED ME TO PRESENT IT, I 964 01:34:22,857 --> 01:34:32,867 HAD ONLY ONE THOUGHT: IT'S ABOUT TIME! [APPLAUSE] AND NOW, LET'S 965 01:34:37,872 --> 01:34:44,345 CELEBRATE THE FILMS THAT UNITE AUDIENCES WORLDWIDE WITH THE 966 01:34:44,412 --> 01:34:51,318 AWARD FOR CINEMATIC AND BOX OFFICE ACHIEVEMENT. [APPLAUSE] 967 01:34:51,385 --> 01:34:59,427 >> Announcer: "ALIEN: ROMULUS." "BEETLEJUICE BEETLEJUICE." 968 01:34:59,493 --> 01:35:06,200 "DEADPOOL & WOLVERINE." "GLADIATOR II." "INSIDE OUT 2." 969 01:35:06,267 --> 01:35:16,277 >> HELLO! >> AAH! "TWISTERS." "WICKED." "THE WILD ROBOT." 970 01:35:19,613 --> 01:35:29,623 [APPLAUSE] >> Vin: AND THE GOLDEN GLOBE GOES TO... 971 01:35:32,226 --> 01:35:42,236 "WICKED." [CHEERS AND APPLAUSE] ♪ ♪ >> Announcer: COMING TO THE 972 01:35:47,241 --> 01:35:54,949 STAGE TONIGHT FOR "WICKED" IS THE PRODUCER, MARC PLATT, AND 973 01:35:55,015 --> 01:36:04,258 ACCEPTING THE GOLDEN GLOBE IS DIRECTOR JON M. CHU. [APPLAUSE] 974 01:36:04,325 --> 01:36:14,335 ♪ ♪ >> Jon: WE ARE GRATEFUL TO THE GOLDEN GLOBES FOR THIS 975 01:36:16,737 --> 01:36:19,907 RECOGNITION. WE WANT TO THANK UNIVERSAL PICTURES, DONNA 976 01:36:19,974 --> 01:36:23,310 LANGLEY, MICHAEL MOSES, JIMMY HORWITZ, PETER KRAMER, AND THE 977 01:36:23,377 --> 01:36:26,947 ENTIRE COMCAST FAMILY FOR THEIR INCREDIBLE SUPPORT. THERE ARE SO 978 01:36:27,014 --> 01:36:32,820 MANY TO THANK WHO SHARED OUR DREAM OF BRINGING OZ TO THE 979 01:36:32,887 --> 01:36:36,390 WORLD, BUT WE WERE ALL JOYFULLY JOURNEYING DOWN THE YELLOW BRICK 980 01:36:36,457 --> 01:36:41,428 ROAD FOLLOWING THE VISION, THE TALENT, THE IMAGINATION, THE 981 01:36:41,495 --> 01:36:51,505 HEART OF OUR DIRECTOR, JON M. CHU. [APPLAUSE] >> Jon: THANK 982 01:36:56,377 --> 01:37:01,015 YOU. THANK YOU, MARC. OUR BIG HEART AND COMPASS THROUGH ALL OF 983 01:37:01,081 --> 01:37:05,219 "WICKED." WITHOUT YOU, NOTHING HAPPENS. STEPHEN SCHWARTZ, THEIR 984 01:37:05,286 --> 01:37:09,723 GENIUSES PAID ALL THE CAST AND CREW FOR THE LAST 25 YEARS, WE 985 01:37:09,790 --> 01:37:12,059 LOVE YOU. THANK YOU. WE STAND ON YOUR SHOULDERS. AND MY PARENTS 986 01:37:12,126 --> 01:37:15,996 CAME TO THIS COUNTRY AND LOVED "THE WIZARD OF OZ." THEY TOLD US 987 01:37:16,063 --> 01:37:19,266 ABOUT THE YELLOW BRICK ROAD AND THE RAINBOW, A PLACE OVER THE 988 01:37:19,333 --> 01:37:22,136 RAINBOW, ALL YOUR DREAMS COME TRUE IF YOU DARE TO DREAM IT. SO 989 01:37:22,203 --> 01:37:26,407 WHEN I'M UP HERE LOOKING AT YOU, LIVING THE DREAM AND LOOKING AT 990 01:37:26,473 --> 01:37:28,542 THIS BEAUTIFUL, BEAUTIFUL CAST, IT IS MORE BEAUTIFUL THAN I EVER 991 01:37:28,609 --> 01:37:34,181 THOUGHT IT COULD BE. I THINK ABOUT THE HUNDREDS OF PEOPLE WHO 992 01:37:34,248 --> 01:37:37,952 MADE THIS MOVIE, THE CRAFTSPEOPLE, THE PAINTERS, 993 01:37:38,018 --> 01:37:42,056 SCULPTORS, THE DANCERS, THE STENT PEOPLE. EVERYBODY WORKED 994 01:37:42,122 --> 01:37:44,758 SO HARD, AND WE ALL FELL IN LOVE WITH MOVIES AT SOME POINT. WE 995 01:37:44,825 --> 01:37:47,595 WERE ALL IN THE DARK WHEN WE SAW SOMETHING THAT CHANGED OUR 996 01:37:47,661 --> 01:37:49,930 BRAINS AND MADE US SEE A PERSPECTIVE WE NEVER THOUGHT 997 01:37:49,997 --> 01:37:53,701 BEFORE, OR OPENED A CULTURE WE NEVER BELIEVED EXISTED BEFORE, 998 01:37:53,767 --> 01:37:56,103 AND IT MADE US DROP EVERYTHING TO RISK EVERYTHING TO BE HERE IN 999 01:37:56,170 --> 01:38:02,910 THIS TOWN RIGHT NOW. I THINK ABOUT THAT, AND I THINK ABOUT 1000 01:38:02,977 --> 01:38:09,083 HOW BEAUTIFUL THAT IS, THAT'S WHY THIS IS FOR YOU, THE FANS 1001 01:38:09,149 --> 01:38:12,853 OUT THERE WHO CAME TO THE MOVIE THEATERS, TO BRING YOUR FRIENDS 1002 01:38:12,920 --> 01:38:15,789 AND FAMILIES AND STAY IN THE DARK AND WATCH. WE SAW YOUR 1003 01:38:15,856 --> 01:38:20,294 VIDEOS. WE SAW YOUR SING-ALONGS. WE SAW YOUR MAKEUP, YOUR HAIR 1004 01:38:20,361 --> 01:38:23,297 PRODUCTS, YOUR BAKERY ITEMS, I DON'T EVEN KNOW. AND IT SHOWS US 1005 01:38:23,364 --> 01:38:27,835 HOW IMPORTANT MAKING THIS STUFF IS, IN A TIME WHEN PESSIMISM AND 1006 01:38:27,901 --> 01:38:33,974 CYNICISM SORT OF RULE THE PLANET RIGHT NOW. THAT WE CAN STILL 1007 01:38:34,041 --> 01:38:41,548 MAKE ART. THAT WE CAN STILL MAKE ART THAT IS A RADICAL ACT OF 1008 01:38:41,615 --> 01:38:47,054 OPTIMISM. EMPOWERMENT, THAT IS JOY. SO WHEN WE DISCOVER THAT 1009 01:38:47,121 --> 01:38:49,790 MAYBE THE WORLD ISN'T EXACTLY THE WAY WE THOUGHT IT WAS, MAYBE 1010 01:38:49,857 --> 01:38:54,161 WE ARE A LITTLE BIT ELPHABA INSIDE OF US, THEY DO HAVE THAT 1011 01:38:54,228 --> 01:39:00,467 THAT COURAGE AND THAT STRENGTH TO NOT GIVE UP, BUT TO RISE UP 1012 01:39:00,534 --> 01:39:04,338 AND TAKE THE ROAD OFF THE YELLOW BRICK ROAD AND MAYBE DISCOVER WE 1013 01:39:04,405 --> 01:39:08,876 CAN FLY. THANK YOU VERY MUCH. THIS MEANS SO MUCH TO ALL OF US. 1014 01:39:08,942 --> 01:39:18,952 [APPLAUSE] ♪ ♪ ♪ ♪ >> Announcer: THE BALLROOM IS BUZZING WITH 1015 01:39:24,958 --> 01:39:27,127 ANTICIPATION FOR BEST LIMITED SERIES AND BEST TV SERIES 1016 01:39:27,194 --> 01:39:30,030 MUSICAL OR COMEDY, AND WE'VE GOT THE RESULTS NEXT, WHEN WE RETURN 1017 01:39:30,097 --> 01:39:31,098 WITH MORE GOLDEN GLOBES. 1018 01:39:44,978 --> 01:39:47,448 >> Announcer: WELCOME BACK. SAY HELLO TO THE OFFICIAL 1019 01:39:47,514 --> 01:39:48,916 ACCOUNTANTS OF THE GOLDEN GLOBES. THANK YOU TO THE 1020 01:39:48,982 --> 01:39:52,152 ACCOUNTING FIRM OF KPMG, WHO HAVE BEEN RESPONSIBLE FOR 1021 01:39:52,219 --> 01:39:57,758 TABULATING AND SAFEGUARDING THE RESULTS FOR ALL OF OUR AWARDS 1022 01:39:57,825 --> 01:40:03,263 TONIGHT. PLEASE WELCOME, FROM THE UPCOMING FILM, "SUPERMAN," 1023 01:40:03,330 --> 01:40:06,033 GOLDEN GLOBE WINNER RACHEL BROSNAHAN, AND FROM THE UPCOMING 1024 01:40:06,100 --> 01:40:09,436 SERIES, "ALL'S FAIR," GOLDEN GLOBE WINNER SARAH PAULSON. 1025 01:40:09,503 --> 01:40:17,578 [APPLAUSE] ♪ ♪ >> Sarah: THE FIRST GOLDEN GLOBE FOR BEST 1026 01:40:17,644 --> 01:40:22,349 LIMITED SERIES, ANTHOLOGY, TV MOVIE WAS AWARDED IN 1971. SINCE 1027 01:40:22,416 --> 01:40:25,052 THAT MOMENT, WE HAVE BEEN PRIVILEGED TO WITNESS THE 1028 01:40:25,119 --> 01:40:30,157 MASTERFUL RESURGENCE OF WHAT WAS THEN CALLED "THE MINISERIES." >> 1029 01:40:30,224 --> 01:40:32,359 Rachel: THROUGH EACH SEASON, THESE GROUNDBREAKING SERIES AND 1030 01:40:32,426 --> 01:40:35,195 MOVIES HAVE PUSHED THE BOUNDARIES OF INNOVATIVE 1031 01:40:35,262 --> 01:40:39,867 STORYTELLING, REDEFINING WHAT TELEVISION CAN ACHIEVE, OFTEN 1032 01:40:39,933 --> 01:40:41,602 THOUGHT-PROVOKING AND SPARKING CONVERSATIONS WITH AUDIENCES 1033 01:40:41,668 --> 01:40:46,206 ACROSS THE GLOBE. HERE ARE THE NOMINEES FOR BEST LIMITED 1034 01:40:46,273 --> 01:40:51,712 SERIES, ANTHOLOGY SERIES, OR TV MOVIE. >> Announcer: "BABY 1035 01:40:51,779 --> 01:40:53,947 REINDEER." >> SOMEBODY HURT YOU, DIDN'T THEY? >> MARTHA, CAN YOU 1036 01:40:54,014 --> 01:40:57,317 LET GO OF MY HAND NOW, PLEASE? MARTHA, PLEASE LET GO! >> DON'T 1037 01:40:57,384 --> 01:41:00,254 YOU DARE! >> Announcer: "DISCLAIMER." >> CATHERINE, 1038 01:41:00,320 --> 01:41:05,659 CATHERINE! [FIRE ALARM SOUNDING] MOTHER! CATHERINE! >> IT'S ABOUT 1039 01:41:05,726 --> 01:41:09,363 ME. >> Announcer: "MONSTERS: THE LYLE AND ERIK MENENDEZ STORY." 1040 01:41:09,430 --> 01:41:11,031 >> THEY'VE TURNED US INTO PEOPLE WE DON'T WANT TO BE, AND I 1041 01:41:11,098 --> 01:41:14,902 REGRET HAVING YOU. >> MOM, YOU CAN'T SAY THAT. >> PLEASE SHUT 1042 01:41:14,968 --> 01:41:17,171 UP. >> Announcer: "THE PENGUIN." >> THIS CITY IS MEANT TO BE 1043 01:41:17,237 --> 01:41:21,508 YOURS, SWEETHEART. WHAT ARE YOU GONNA DO TO GET IT? >> I'M 1044 01:41:21,575 --> 01:41:25,379 WORKIN' ON IT. >> Announcer: "RIPLEY." >> THE CORPSE WAS 1045 01:41:25,446 --> 01:41:28,482 FOUND ON THE VIA APPIA ANTICA, STRUCK ON THE HEAD BY SOME HEAVY 1046 01:41:28,549 --> 01:41:31,685 INSTRUMENT. >> MY GOD. >> Announcer: "TRUE DETECTIVE: 1047 01:41:31,752 --> 01:41:34,488 NIGHT COUNTRY." >> WHAT HAPPENED THE LAST CASE YOU WORKED WITH 1048 01:41:34,555 --> 01:41:40,961 NAVARRO? >> WE WERE TOO LATE. THERE WAS NOTHING WE COULD DO. 1049 01:41:41,028 --> 01:41:49,102 [APPLAUSE] >> Sarah: AND THE GOLDEN GLOBE GOES TO... "BABY 1050 01:41:49,169 --> 01:41:58,745 REINDEER." [APPLAUSE] ♪ ♪ >> Announcer: COMING TO THE STAGE 1051 01:41:58,812 --> 01:42:02,049 TONIGHT AND ACCEPTING THE GOLDEN GLOBE FOR BABY REINDEER IS 1052 01:42:02,115 --> 01:42:06,320 CREATIVE, CREATOR, EXECUTIVE PRODUCER, WRITER, AND STAR, 1053 01:42:06,386 --> 01:42:10,991 RICHARD GADD. EVERY EMAIL THAT APPEARS IN THE NETFLIX SERIES IS 1054 01:42:11,058 --> 01:42:16,330 A MESSAGE THAT GADD ACTUALLY RECEIVED IN REAL LIFE. OVER FOUR 1055 01:42:16,396 --> 01:42:24,338 AND A HALF YEARS, RICHARD GADD'S REAL-LIFE STALKER SENT HIM OVER 1056 01:42:24,404 --> 01:42:33,947 41,000 EMAILS. [APPLAUSE] ♪ ♪ >> Richard: THANK YOU. WOW. YEAH, 1057 01:42:34,014 --> 01:42:36,683 THANK YOU. THIS IS INSANE, SEEING ALL YOU PEOPLE HERE. 1058 01:42:36,750 --> 01:42:40,254 THAT'S MAD. THE ROCK IS THERE. THIS IS CRAZY. I CAN'T BELIEVE 1059 01:42:40,320 --> 01:42:45,425 IT, HONESTLY. I GREW UP ON YOU, MAN. THIS IS NUTS. HONESTLY, THE 1060 01:42:45,492 --> 01:42:48,695 WAY YOU GUYS HAVE EMBRACED THIS SHOW IS UNBELIEVABLE. IT MEANS 1061 01:42:48,762 --> 01:42:52,032 THE ABSOLUTE WORLD TO ME, TO US. WE ARE SO GRATEFUL TO NETFLIX, 1062 01:42:52,099 --> 01:42:55,168 BY THE WAY, FOR THIS STORY, GIVE ME THE CHANCE TO TELL THIS 1063 01:42:55,235 --> 01:42:59,940 MESSED UP KIND OF STORY TO THE WORLD. THANK YOU FOR TAKING THE 1064 01:43:00,007 --> 01:43:04,845 CHANCE. [LISTING NAMES] THANK YOU TO OUR AMAZING CAST. THANK 1065 01:43:04,912 --> 01:43:08,048 YOU TO OUR DIRECTORS, VERONICA, JOSEPHINE. THANK YOU TO OUR 1066 01:43:08,115 --> 01:43:10,951 PRODUCER, MATTHEW, AND ALL THE AMAZING PEOPLE WHO WORKED ON THE 1067 01:43:11,018 --> 01:43:16,290 SHOW. A LOT OF PEOPLE SOMETIMES ASK ME WHY "BABY REINDEER," A 1068 01:43:16,356 --> 01:43:19,526 SHOW THIS DARK, HAS GONE ON TO BE TO SUCCESS IT HAS. I THINK IN 1069 01:43:19,593 --> 01:43:22,529 A LOT OF WAYS PEOPLE WERE CRYING OUT FOR SOMETHING THAT SPOKE TO 1070 01:43:22,596 --> 01:43:26,800 THE KIND OF PAINFUL INCONSISTENCIES OF BEING HUMAN. 1071 01:43:26,867 --> 01:43:30,971 FOR A WHILE NOW THERE HAS BEEN THIS BELIEF IN TELEVISION THAT 1072 01:43:31,038 --> 01:43:34,141 STORIES THAT ARE TOO DARK AND COMPLICATED ON SELL AND NO ONE 1073 01:43:34,207 --> 01:43:36,944 WILL WATCH THEM, SO I HOPE THAT "BABY REINDEER" HAS DONE AWAY 1074 01:43:37,010 --> 01:43:39,680 WITH THAT THEORY, BECAUSE RIGHT NOW, WHEN THE WORLD IS IN THE 1075 01:43:39,746 --> 01:43:43,150 STATE IT'S IN, AND PEOPLE ARE REALLY STRUGGLING, WE NEED 1076 01:43:43,216 --> 01:43:45,652 STORIES THAT SPEAK TO THE COMPLICATED AND DIFFICULT NATURE 1077 01:43:45,719 --> 01:43:51,892 OF OUR TIMES. [APPLAUSE] ANY STORY, WHEN DONE RIGHT, IS 1078 01:43:51,959 --> 01:43:54,795 UNIVERSAL, AND ALL THE WEIRD STRUGGLES WE GO THROUGH ON A 1079 01:43:54,861 --> 01:43:59,132 DAILY BASIS ARE JUST AS WORTHY OF BEING COMMITTED TO SCREEN AS 1080 01:43:59,199 --> 01:44:02,636 ANY. SO STREAMERS, WHEN YOU ARE PUTTING TOGETHER THE NUMBERS AND 1081 01:44:02,703 --> 01:44:05,872 BUDGETS FOR THIS YEAR, REMEMBER TO KEEP SOME BACK FOR THE LITTLE 1082 01:44:05,939 --> 01:44:15,949 PERSON TO TELL THEIR STORY. THANK YOU SO MUCH. [APPLAUSE] ♪ 1083 01:44:17,784 --> 01:44:23,156 ♪ >> Announcer: PLEASE WELCOME GOLDEN GLOBE WINNER AWKWAFINA, 1084 01:44:23,223 --> 01:44:25,225 AND FROM THE UPCOMING PARAMOUNT+ ANTHOLOGY SERIES, "UNSPEAKABLE: 1085 01:44:25,292 --> 01:44:27,628 THE MURDER OF JONBENET RAMSEY," TWO-TIME GOLDEN GLOBE NOMINEE 1086 01:44:27,694 --> 01:44:37,704 MELISSA McCARTHY. [APPLAUSE] ♪ ♪ >> Awkwafina: IT'S TOO BIG! >> 1087 01:44:41,842 --> 01:44:46,713 Melissa: I KNOW. >> Awkwafina: THIS YEAR'S NOMINEES FOR BEST TV 1088 01:44:46,780 --> 01:44:48,382 SERIES MUSICAL OR COMEDY ARE THE CREAM OF THE CROP. OUR FIRST 1089 01:44:48,448 --> 01:44:50,183 NOMINEE IS "THE BEAR." >> Melissa: "THE BEAR" REALLY 1090 01:44:50,250 --> 01:44:52,119 OPENED MY EYES ABOUT THE SEVERITY OF COCAINE ADDICTION IN 1091 01:44:52,185 --> 01:44:57,557 THE BEAR COMMUNITY. [LAUGHTER] >> Awkwafina: I THINK THAT'S 1092 01:44:57,624 --> 01:45:02,596 "COCAINE BEAR," WHICH WAS A MOVIE. >> Melissa: OKAY, I STILL 1093 01:45:02,663 --> 01:45:05,332 WANT TO USE MY PLATFORM TO RAISE AWARENESS ABOUT BEAR-RELATED 1094 01:45:05,399 --> 01:45:09,569 COCAIN ADDICTION IN FILM OR TELEVISION, AWKWAFINA! OKAY, THE 1095 01:45:09,636 --> 01:45:18,745 NEXT NOMINEE IS "HACKS." [APPLAUSE] >> Awkwafina: AND NOW 1096 01:45:18,812 --> 01:45:21,248 I'D LIKE TO USE MY PERSONAL PLATFORM TO SAY TO JEAN AND TO 1097 01:45:21,314 --> 01:45:27,120 HANNAH THAT WE ARE SORRY WE CALLED YOU WE ARE SORRY FOR ALL 1098 01:45:27,187 --> 01:45:29,690 THE TERRIBLE THINGS WE SAID ABOUT YOU. >> Melissa: FROM NOW 1099 01:45:29,756 --> 01:45:35,062 ON WE WILL KEEP IT CLASSY AND JUST CALL YOU "HACKS." >> 1100 01:45:35,128 --> 01:45:37,164 Awkwafina: OUR NEXT NOMINEE IS "ABBOTT ELEMENTARY." >> Melissa: 1101 01:45:37,230 --> 01:45:39,366 GREAT SHOW. AMAZING CAST! >> Awkwafina: DO YOU WANT TO RAISE 1102 01:45:39,433 --> 01:45:41,234 AWARENESS FOR THIS ONE? >> Melissa: ABOUT EDUCATION? NO, 1103 01:45:41,301 --> 01:45:50,577 EDUCATION IN THIS COUNTRY IS PERFECT. NO NOTES. [LAUGHTER] >> 1104 01:45:50,644 --> 01:45:57,284 Awkwafina: OUR NEXT NOMINEE IS "ONLY MURDERS IN THE BUILDING." 1105 01:45:57,350 --> 01:46:01,154 [APPLAUSE] >> Melissa: YEAH COME AGAIN -- GO AHEAD, APPLIED. IF I 1106 01:46:01,221 --> 01:46:04,524 MAY, I WOULD LIKE TO INVOKE MY ADVOCACY AND GO ON RECORD AS 1107 01:46:04,591 --> 01:46:10,897 BEING AGAINST MURDERS IN CONDOS, AND TOWN HOUSES, DUPLEXES, AND 1108 01:46:10,964 --> 01:46:17,404 OF COURSE ON WATERCRAFT. >> Awkwafina: OKAY. THANK YOU SO 1109 01:46:17,471 --> 01:46:20,941 MUCH FOR YOUR BRAVERY, MELISSA. >> Melissa: THANK YOU. SPEAK TO 1110 01:46:21,007 --> 01:46:24,945 OUR NEXT NOMINEE IS AN UNDERSERVED COMMUNITY IN 1111 01:46:25,011 --> 01:46:27,414 HOLLYWOOD, "THE GENTLEMAN." >> Melissa: THANK GOD WE'RE TELLING 1112 01:46:27,481 --> 01:46:34,354 THEIR STORY. LAST BUT NOT LEAST, "NOBODY WANTS THIS." [APPLAUSE] 1113 01:46:34,421 --> 01:46:40,327 IT IS HARD TO GET BEHIND A SHOW THAT HATES ITSELF. >> Awkwafina: 1114 01:46:40,393 --> 01:46:42,662 SELF-LOATHING AND NEGATIVITY HAVE ALREADY BEEN TO KRISTEN 1115 01:46:42,729 --> 01:46:46,433 BELL AND ADAM BRODY'S BRAND. >> Melissa: WE JUST WISH THAT YOU 1116 01:46:46,500 --> 01:46:50,971 COULD SEE US -- NO, OTHER WAY. WE WISH YOU COULD SEE OURSELVES 1117 01:46:51,037 --> 01:46:56,576 HOW WE SEE YOU. >> Awkwafina: AS WE SEE YOU. >> Melissa: SEE? 1118 01:46:56,643 --> 01:47:00,180 THAT'S A HEART. I WISH YOU COULD FEEL IT LIKE WE FEEL IT FOR YOU. 1119 01:47:00,247 --> 01:47:07,587 AND NOW THE NOMINEES ARE... >> Announcer: "ABBOTT ELEMENTARY." 1120 01:47:07,654 --> 01:47:17,664 "THE BEAR." "THE GENTLEMEN." "HACKS." "NOBODY WANTS THIS." 1121 01:47:19,933 --> 01:47:24,304 "ONLY MURDERS IN THE BUILDING." >> Awkwafina: AND THE GOLDEN 1122 01:47:24,371 --> 01:47:34,381 GLOBE GOES TO... "HACKS." [APPLAUSE] ♪ ♪ >> Announcer: 1123 01:47:41,454 --> 01:47:46,760 COMING TO THE STAGE TONIGHT FOR "HACKS" IS CREATOR, SHOWING HER, 1124 01:47:46,827 --> 01:47:53,900 EXECUTIVE PRODUCER, WRITER, AND DIRECTOR, AND ACCEPTING THE 1125 01:47:53,967 --> 01:47:57,537 GOLDEN GLOBE IS STAR, CREATOR, SHOWRUNNER, EXECUTIVE PRODUCER, 1126 01:47:57,604 --> 01:48:07,614 WRITER, AND DIRECTOR, PAUL W. DOWNS. [APPLAUSE] 1127 01:48:16,556 --> 01:48:22,963 TWO STARS OF THE SHOW, HANNAH EINBINDER AND JEAN SMART, 1128 01:48:23,029 --> 01:48:33,039 LEADING THE WAY. [APPLAUSE] 1129 01:48:39,913 --> 01:48:43,750 >> Paul: WOW. OKAY, SO, TO THE GOLDEN GLOBES AND ALL THE 1130 01:48:43,817 --> 01:48:50,290 INTERNATIONAL JOURNALISTS, WE WANT TO SAY THANK YOU, GRAZIE, 1131 01:48:50,357 --> 01:48:51,858 MERCI, GRACIAS, AND MY REP HAS ADVISED ME TO STOP AT THAT AND 1132 01:48:51,925 --> 01:48:56,796 NOT TRY ANYMORE. WE ARE SO LUCKY TO GET TO TELL THE STORY. SINCE 1133 01:48:56,863 --> 01:48:59,165 LANGUAGE WAS CREATED, WE'VE ALL BEEN TELLING STORIES, AND WE ARE 1134 01:48:59,232 --> 01:49:02,969 HONORED TO BE IN THIS ROOM WITH ALL THE STORYTELLERS. THANK YOU 1135 01:49:03,036 --> 01:49:09,609 TO EVERYONE AT HBO MAX. [LISTING NAMES] AND EVERYONE AT 1136 01:49:09,676 --> 01:49:13,380 UNIVERSAL. THANK YOU TO OUR AMAZING CAST, OUR INCREDIBLE 1137 01:49:13,446 --> 01:49:18,451 CREW, AND OF COURSE OUR BRILLIANT WRITERS. WE DO HAVE TO 1138 01:49:18,518 --> 01:49:23,023 SHOOT TOMORROW AND WE HAVE A CALL TIME AT 6:00 A.M., SO IF 1139 01:49:23,089 --> 01:49:27,394 JEAN SMART ASKS YOU FOR A SHOT, PLEASE DO NOT GIVE IT TO HER, 1140 01:49:27,460 --> 01:49:30,764 OKAY? KATE WINSLET, I'M LOOKING AT YOU, WHEREVER YOU ARE. GIVE 1141 01:49:30,830 --> 01:49:37,537 HER WATER IF SHE WANTS IT, OKAY? JUST A LITTLE SHOT, MAYBE ONE. 1142 01:49:37,604 --> 01:49:45,178 AND WE WANT TO SAY WE LOVE YOU, LALA. THIS IS CRAZY. THANK YOU 1143 01:49:45,245 --> 01:49:49,749 SO MUCH. [APPLAUSE] ♪ ♪ >> Announcer: BEST DRESSED, OR BEST 1144 01:49:53,987 --> 01:49:57,457 TV DRAMA? TO FIND OUT, YOU HAVE TO STICK AROUND FOR MORE GOLDEN 1145 01:49:57,524 --> 01:49:58,525 GLOBES AFTER THIS SHORT BREAK. 1146 01:50:16,009 --> 01:50:18,945 ♪ ♪ [APPLAUSE] >> Nikki: WELCOME BACK TO THE 82ND GOLDEN GLOBES. 1147 01:50:19,012 --> 01:50:22,349 I DON'T REALLY KNOW WHAT THESE NEXT TWO PRESENTERS HAVE IN 1148 01:50:22,415 --> 01:50:25,952 COMMON, BUT THEY'RE HOT AND TALENTED, SO WHO CARES? IT'S 1149 01:50:26,019 --> 01:50:36,029 COLMAN DOMINGO AND SALMA HAYEK PINAULT! [APPLAUSE] ♪ ♪ 1150 01:50:39,833 --> 01:50:45,605 ♪ ♪ >> Colman: SALMA, WHAT WAS YOUR FAVORITE THING TO DO DURING 1151 01:50:45,672 --> 01:50:51,277 THE HOLIDAYS? >> Salma: EATING, BUT ALSO COOKING. >> Colman: ALL 1152 01:50:51,344 --> 01:50:55,482 THAT SLICING, AND DICING, AND CHOPPING, AND MIXING? ISN'T THAT 1153 01:50:55,548 --> 01:51:00,453 A LOT? >> Salma: I LIKE DOING A LOT FOR THE PEOPLE I LOVE. IT'S 1154 01:51:00,520 --> 01:51:03,256 ALSO ARTISTIC EXPRESSION, YOU KNOW. MIXING FLAVORS AND SPICING 1155 01:51:03,323 --> 01:51:07,460 THEM TO CREATE SOMETHING SPECIAL, AND HOPING IT GETS TO 1156 01:51:07,527 --> 01:51:10,663 THE MOUTHS OF THOSE WHO WILL APPRECIATE IT, KIND OF LIKE 1157 01:51:10,730 --> 01:51:16,970 MAKING A MOVIE. AND, IF IT'S A SERIES, YOU MAKE A BUFFET. >> 1158 01:51:17,037 --> 01:51:18,772 Colman: ALL RIGHT, I GET IT. IT'S MUCH LIKE THE NOMINEES IN 1159 01:51:18,838 --> 01:51:21,775 THIS CATEGORY. THEY BRING DIFFERENT, DISTINCT FLAVORS, AND 1160 01:51:21,841 --> 01:51:25,145 THIS YEAR CREATED SOMETHING SPECIAL AUDIENCES EVERYWHERE 1161 01:51:25,211 --> 01:51:26,646 ENJOYED. HERE ARE THE NOMINEES FOR BEST FEMALE ACTOR IN A TV 1162 01:51:26,713 --> 01:51:33,319 SERIES, DRAMA. >> Announcer: KATHY BATES, "MATLOCK." EMMA 1163 01:51:33,386 --> 01:51:41,861 D'ARCY, "HOUSE OF THE DRAGON." MAYA ERSKINE, "MR. & MRS. 1164 01:51:41,928 --> 01:51:51,271 SMITH." KEIRA KNIGHTLEY, "BLACK DOVES." KERI RUSSELL, "THE 1165 01:51:51,337 --> 01:52:01,347 DIPLOMAT." ANNA SAWAI, "SHOGUN." 1166 01:52:04,684 --> 01:52:14,694 >> Salma: AND THE GOLDEN GLOBE GOES TO... ANNA SAWAI. 1167 01:52:19,866 --> 01:52:29,209 [APPLAUSE] >> Announcer: THIS IS ANNA SAWAI'S FIRST NOMINATION 1168 01:52:29,275 --> 01:52:32,045 AND FIRST WIN. SHE TOLD US ON THE RED CARPET SHE JUST WANTS TO 1169 01:52:32,112 --> 01:52:35,248 HAVE FUN TONIGHT AND DOESN'T WANT TO THINK ABOUT WHAT 1170 01:52:35,315 --> 01:52:45,325 HAPPENS. WELL, NOW SHE IS A GOLDEN GLOBE WINNER. ♪ ♪ 1171 01:52:53,800 --> 01:52:57,203 >> Anna: I HAVE SO MUCH PEOPLE TO THINK, BUT I'M GOING TO KEEP 1172 01:52:57,270 --> 01:53:00,974 IT SHORT. THANK YOU TO THE VOTERS FOR VOTING FOR ME, EVEN 1173 01:53:01,040 --> 01:53:05,979 THOUGH I WOULD VOTE FOR KATHY BATES ANY DAY. [LAUGHTER] THANK 1174 01:53:06,045 --> 01:53:09,282 YOU TO OUR INCREDIBLE WRITERS. WITHOUT A GOOD SCRIPT, IT'S 1175 01:53:09,349 --> 01:53:13,586 IMPOSSIBLE TO GIVE A PERFORMANCE TO OUR FULLEST POTENTIAL. THANK 1176 01:53:13,653 --> 01:53:18,558 YOU TO EVERYONE ELSE. I'M GOING TO THANK YOU LATER. THANK YOU! 1177 01:53:18,625 --> 01:53:26,666 [APPLAUSE] ♪ ♪ >> Announcer: PLEASE WELCOME ZOE KRAVITZ AND 1178 01:53:26,733 --> 01:53:36,776 GOLDEN GLOBE WINNER TONIGHT, COLIN FARRELL. [APPLAUSE] ♪ ♪ >> 1179 01:53:37,911 --> 01:53:40,346 Zoe: WHAT ARE THE INGREDIENTS OF A TELEVISION DRAMA THAT KEEP YOU 1180 01:53:40,413 --> 01:53:42,615 GLUED TO YOUR COUCH AND WON'T LET YOU GO? >> Colin: 1181 01:53:42,682 --> 01:53:45,351 INTRICATELY WOVEN, COMPELLING STORIES. BOLD CHARACTERS, SOME 1182 01:53:45,418 --> 01:53:49,222 GOOD, SOME EVIL. SUSPENSEFUL STUFF THAT KEEPS YOU GUESSING, 1183 01:53:49,289 --> 01:53:51,791 AND, JUST WHEN YOU THINK YOU HAVE IT ALL FIGURED OUT, THE 1184 01:53:51,858 --> 01:54:00,900 SHOW WILL HIT YOU WITH A TWIST THAT YOU NEVER SAW COMING. >> 1185 01:54:00,967 --> 01:54:02,335 Zoe: IT'S ALSO ABOUT BOUNDARY-PUSHING, RAISING HELL, 1186 01:54:02,402 --> 01:54:04,470 AND DEFYING THE NORMS TO CREATE STORIES THAT MOVE US 1187 01:54:04,537 --> 01:54:07,307 EMOTIONALLY. THAT'S HOW THE NOMINEES IN THIS CATEGORY GAVE 1188 01:54:07,373 --> 01:54:10,877 US WORKS OF ART THAT BECAME A PARTOF OUR LIVES THIS PAST YEAR. 1189 01:54:10,944 --> 01:54:15,782 >> Colin: HERE ARE THE NOMINEES FOR BEST TV SERIES, DRAMA. >> 1190 01:54:15,848 --> 01:54:23,189 Announcer: "THE DAY OF THE JACKAL." "THE DIPLOMAT." "MR. & 1191 01:54:23,256 --> 01:54:33,266 MRS. SMITH." "SHOGUN." "SLOW HORSES." "SQUID GAME." ♪ ♪ 1192 01:54:35,835 --> 01:54:43,610 [APPLAUSE] >> Zoe: AND THE GOLDEN GLOBE GOES TO... 1193 01:54:43,676 --> 01:54:53,620 "SHOGUN." [APPLAUSE] ♪ ♪ >> Announcer: COMING TO THE STAGE 1194 01:54:53,686 --> 01:54:57,957 TONIGHT AND ACCEPTING THE GOLDEN GLOBE FOR "SHOGUN"'S COCREATOR, 1195 01:54:58,024 --> 01:55:01,027 EXECUTIVE PRODUCER, AND WRITER, JUSTIN MARKS. [APPLAUSE] 1196 01:55:26,986 --> 01:55:31,924 >> WOW. THANK YOU SO MUCH TO THE GOLDEN GLOBE VOTERS. THEY DON'T 1197 01:55:31,991 --> 01:55:36,863 TELL YOU HOW INSANE THIS IS. YESTERDAY RACHEL AND I WERE 1198 01:55:36,929 --> 01:55:40,400 SCOURING THE FERNS OF OUR HOUSE LOOKING FOR A 50-POUND TORTOISE 1199 01:55:40,466 --> 01:55:45,805 WE ADOPTED FOR SOME REASON THAT KEEPS ESCAPING, AND NOW HERE WE 1200 01:55:45,872 --> 01:55:53,313 ARE, AND HAN SOLO IS LOOKING AT US. NOTHING ABOUT THIS SHOW HAS 1201 01:55:53,379 --> 01:55:56,249 EVER BEEN EXPECTED. TRULY, IT WAS MADE ON THE BACKS OF 1202 01:55:56,316 --> 01:56:02,622 THOUSANDS OF FEARLESS YESES THAT WE RECEIVED OVER THE YEARS FROM 1203 01:56:02,689 --> 01:56:06,426 OUR EAST MEETS WEST CAST AND CREW, ERIC'S ORDINARY CAST 1204 01:56:06,492 --> 01:56:11,564 STANDING RIGHT HERE, TO OUR WRITERS AND OUR DIRECTORS AND 1205 01:56:11,631 --> 01:56:15,702 OUR PARTNERS AT DISNEY TELEVISION, FX, AND HULU. ALL OF 1206 01:56:15,768 --> 01:56:20,173 YOU GUYS SAID YES SO MANY TIMES OVER THE YEARS TO A SHOW THAT, 1207 01:56:20,239 --> 01:56:22,742 ON PAPER, YOU QUITE FRANK WE SHOULD NEVER HAVE SAID YES TO. 1208 01:56:22,809 --> 01:56:26,646 IT IS A MIRACLE THAT EVERYONE STILL HAS THEIR JOBS. IT IS A 1209 01:56:26,713 --> 01:56:32,819 MIRACLE THAT WE STILL HAVE OUR MARRIAGE, AND IT IS A MIRACLE, 1210 01:56:32,885 --> 01:56:36,522 IF WE EVER FIND THAT TORTOISE AGAIN. SO WE WILL GET A GPS 1211 01:56:36,589 --> 01:56:42,662 TRACKER SOON, GIRLS, I PROMISE, AND THANK YOU SO MUCH FOR THIS. 1212 01:56:42,729 --> 01:56:46,799 [APPLAUSE] ♪ ♪ >> Announcer: WE DON'T WANT TO GOSSIP, BUT A 1213 01:56:46,866 --> 01:56:50,870 LITTLE BIRDIE TOLD US VIOLA DAVIS IS IN THE BUILDING TO HAND 1214 01:56:50,937 --> 01:56:53,740 OUT BEST FEMALE ACTOR IN A MOTION PICTURE DRAMA, WHEN THE 1215 01:56:53,806 --> 01:56:55,641 GOLDEN GLOBES RETURN. CBS' TELECAST OF THE 82ND GOLDEN 1216 01:56:55,708 --> 01:56:56,709 GLOBE AWARDS IS SPONSORED BY LILLY, A MEDICINE COMPANY. 1217 01:57:14,961 --> 01:57:16,496 >> Announcer: ON FRIDAY IN A SEPARATE CEREMONY MARY SEEN 1218 01:57:16,562 --> 01:57:20,333 BRIDGE AND PRESENTED HER HUSBAND, DEAD DANCING WITH THE 1219 01:57:20,400 --> 01:57:23,302 CAROL BURNETT WORD FOR HIS OUTSTANDING CONTRIBUTIONS TO 1220 01:57:23,369 --> 01:57:26,906 TELEVISION ON OR OFF THE STAIN. MERYL STREEP PRESENTED FILA 1221 01:57:26,973 --> 01:57:29,842 DAVIS WITH THE SESSILE BEAD TO MILLWARD FOR HER OUTSTANDING 1222 01:57:29,909 --> 01:57:33,846 CONTRIBUTIONS TO THE WORLD OF ENTERTAINMENT. PLEASE WELCOME 1223 01:57:33,913 --> 01:57:37,483 THE 2012 FOR A RECIPIENT OF THE SESSILE B DEMELLO AWARD AND 1224 01:57:37,550 --> 01:57:47,560 STARVE THE UPCOMING FILM, "G20," VIOLA DAVIS. [APPLAUSE] ♪ ♪ >> 1225 01:57:54,400 --> 01:57:59,472 Viola: THANK YOU. THANK YOU. IT IS AN IMMENSE HONOR AND GREAT 1226 01:57:59,539 --> 01:58:03,009 PRIVILEGE TO BE STANDING HERE AS THIS YEAR'S RECIPIENT OF THE 1227 01:58:03,075 --> 01:58:12,985 CECIL B. DeMILLE AWARD, AND TO CELEBRATE THE EXCEPTIONAL TALENT 1228 01:58:13,052 --> 01:58:15,555 OF THE WOMEN NOMINATED FOR BEST FEMALE ACTOR IN A MOTION PICTURE 1229 01:58:15,621 --> 01:58:25,631 DRAMA. THERE IS NO DOUBT EACH OF YOU LADIES DELIVERED STELLAR 1230 01:58:27,066 --> 01:58:31,571 PERFORMANCES. HOWEVER, WHAT IMMEDIATELY COMES TO MIND WHEN I 1231 01:58:31,637 --> 01:58:41,647 THINK OF EACH OF YOU IS ICONIC. NICOLE, PAMELA, FERNANDA, TILDA, 1232 01:58:43,916 --> 01:58:47,620 ANGELINA, AND KATE. I REMAIN IN ALL OF YOUR BRILLIANCE AND HOW 1233 01:58:47,687 --> 01:58:50,923 YOU CONTINUE TO REDEFINE YOURSELVES ON SCREEN. YOU ARE 1234 01:58:50,990 --> 01:58:56,662 NOT ONLY ACTRESSES, YOUR FORCES OF NATURE SHAPING CINEMATIC 1235 01:58:56,729 --> 01:59:02,802 HISTORY. [APPLAUSE] HERE ARE THE NOMINEES FOR BEST FEMALE ACTOR, 1236 01:59:02,869 --> 01:59:05,872 MOTION PICTURE, DRAMA. >> Announcer: PAMELA ANDERSON, "THE 1237 01:59:05,938 --> 01:59:13,179 LAST SHOWGIRL." ANGELINA JOLIE, "MARIA." NICOLE KIDMAN, 1238 01:59:13,246 --> 01:59:22,355 "BABYGIRL." TILDA SWINTON, "THE ROOM NEXT DOOR." FERNANDA 1239 01:59:22,421 --> 01:59:32,431 TORRES, "I'M STILL HERE." KATE WINSLET, "LEE." 1240 01:59:37,870 --> 01:59:47,880 >> Viola: AND THE GOLDEN GLOBE GOES TO... FERNANDA TORRES, I'M 1241 01:59:51,918 --> 01:59:55,354 STILL HERE. >> Announcer: THIS IS FERNANDA TORRES' FIRST 1242 01:59:55,421 --> 01:59:58,858 NOMINATION AND FIRST WIN. WHEN SHE STOPPED BY OUR 1243 01:59:58,925 --> 02:00:01,794 "ENTERTAINMENT TONIGHT" PLATFORM ON THE RED CARPET, SHE SAID SHE 1244 02:00:01,861 --> 02:00:05,164 IS THE SECOND BRAZILIAN TO BE NOMINATED. HER MOTHER WAS THE 1245 02:00:05,231 --> 02:00:10,903 FIRST. SHE ALSO SAID THAT SHE FEELS LIKE SHE IS AT DISNEYLAND 1246 02:00:10,970 --> 02:00:15,808 AND WANTS TO MEET EVERYONE TONIGHT. SO LINE UP, GUYS, 1247 02:00:15,875 --> 02:00:25,518 BECAUSE A GOLDEN GLOBE WINNER WANTS TO TALK TO YOU. [APPLAUSE] 1248 02:00:25,585 --> 02:00:35,595 ♪ ♪ 1249 02:00:39,565 --> 02:00:42,902 >> Fernanda: MY GOD, I DIDN'T PREPARE ANYTHING BECAUSE I WAS 1250 02:00:42,969 --> 02:00:46,939 LATE ALREADY. THIS IS SUCH AN AMAZING YEAR FOR FEMALE 1251 02:00:47,006 --> 02:00:54,580 PERFORMANCES. SO MANY ACTRESSES HERE WHO I ADMIRE SO MUCH. AND 1252 02:00:54,647 --> 02:01:04,657 OF COURSE I WANT TO THANK YOU, MY PARTNER, MY FRIEND, FOR A 1253 02:01:07,293 --> 02:01:13,733 STORY, AND OF COURSE I WANT TO DEDICATE IT TO MY MOTHER. YOU 1254 02:01:13,799 --> 02:01:21,340 HAVE NO IDEA. SHE WAS HERE 25 YEARS AGO, AND THIS IS PROOF 1255 02:01:21,407 --> 02:01:28,681 THAT ART CAN ENDURE THROUGH LIFE, EVEN IN DIFFICULT MOMENTS 1256 02:01:28,748 --> 02:01:33,819 LIKE THIS. IN THE SAME THING THAT IS HAPPENING NOW IN THE 1257 02:01:33,886 --> 02:01:41,527 WORLD WITH SO MUCH FEAR, AND THIS IS A FILM THAT HELPS US TO 1258 02:01:41,594 --> 02:01:47,066 THINK HOW TO SURVIVE IN TOUGH TIMES LIKE THIS. SO, TO MY 1259 02:01:47,133 --> 02:01:56,676 MOTHER, TO MY FAMILY, MY KIDS, EVERYBODY, THANK YOU VERY MUCH. 1260 02:01:56,742 --> 02:02:01,714 GOLDEN GLOBES, MICHAEL BARKER, SO MANY PEOPLE. THANK YOU VERY 1261 02:02:01,781 --> 02:02:11,791 MUCH. THANK YOU. [APPLAUSE] ♪ ♪ >> Announcer: PLEASE WELCOME, 1262 02:02:13,759 --> 02:02:15,561 FROM "EMILIA PEREZ," TWO-TIME GOLDEN GLOBE NOMINEE EDGAR 1263 02:02:15,628 --> 02:02:18,564 RAMIREZ, AND FROM THE UPCOMING FILM, "SNOW WHITE," IT'S GAL 1264 02:02:18,631 --> 02:02:28,641 GADOT. [APPLAUSE] ♪ ♪ >> Edgar: WHAT A BEAUTIFUL NIGHT IT'S 1265 02:02:29,975 --> 02:02:35,681 BEEN. WHAT A TRUE PLEASURE TO FINALLY MEET YOU IN PERSON, GAL. 1266 02:02:35,748 --> 02:02:39,285 AND WHAT AN EXCITEMENT TO PRESENT THIS NEXT AWARD. >> Gal: 1267 02:02:39,351 --> 02:02:48,994 YES. IN A NIGHT THAT'S GIVEN US SOME AMAZING MOMENT, LET'S 1268 02:02:49,061 --> 02:02:51,464 CONTINUE WITH THE AMAZINGNESS. >> Edgar: HERE ARE THE NOMINEES 1269 02:02:51,530 --> 02:02:53,599 FOR BEST MALE ACTOR IN A MOTION PICTURE, DRAMA. >> Announcer: 1270 02:02:53,666 --> 02:02:57,236 ADRIEN BRODY, "THE BRUTALIST." TIMOTHEE CHALAMET, "A COMPLETE 1271 02:02:57,303 --> 02:03:07,346 UNKNOWN." DANIEL CRAIG, "QUEER." COLMAN DOMINGO, "SING SING." 1272 02:03:07,947 --> 02:03:16,822 RALPH FIENNES, "CONCLAVE." SEBASTIAN STAN, "THE 1273 02:03:16,889 --> 02:03:26,432 APPRENTICE." [APPLAUSE] >> Edgar: READY? >> Gal: AND THE 1274 02:03:26,499 --> 02:03:36,509 GOLDEN GLOBE GOES TO... ADRIEN BRODY, "THE BRUTALIST." 1275 02:03:39,945 --> 02:03:47,286 [APPLAUSE] ♪ ♪ >> Announcer: THIS IS ADRIEN BRODY'S SECOND 1276 02:03:47,353 --> 02:03:52,691 NOMINATION AND FIRST WIN. BRODY'S MOTHER, WHO IS A 1277 02:03:52,758 --> 02:03:54,960 PHOTOGRAPHER, ALSO EMIGRATED FROM HUNGARY TO THE UNITED 1278 02:03:55,027 --> 02:03:57,797 STATES IN THE 1950s, MUCH LIKE HIS CHARACTER IN "THE 1279 02:03:57,863 --> 02:04:07,873 BRUTALIST." 1280 02:04:12,478 --> 02:04:22,488 ♪ ♪ >> Adrien: HELLO. THANK YOU, EVERYONE IN THIS ROO THANK YOU, 1281 02:04:26,192 --> 02:04:28,527 EVERYONE IN THIS RO ROOM. GOLDEN GLOBES VOTERS, FOR THIS HONOR, I 1282 02:04:28,594 --> 02:04:33,499 AM DEEPLY HUMBLED BY THIS. I HAVE MUCH TO SAY. I'M GOING TO 1283 02:04:33,566 --> 02:04:39,872 TRY AND BE BRIEF. AT THE CORE OF "THE BRUTALIST," IT IS REALLY A 1284 02:04:39,939 --> 02:04:43,275 STORY ABOUT THE HUMAN CAPACITY FOR CREATION, SO I WOULD BE 1285 02:04:43,342 --> 02:04:53,018 REMISS TO NOT ACKNOWLEDGE MY FELLOW NOMINEES. DANIEL, COLMAN, 1286 02:04:53,085 --> 02:05:01,794 TIMMY, SEBASTIAN, SEBASTIAN, RALPH. YOU GUYS REALLY JUST -- 1287 02:05:01,861 --> 02:05:05,965 YOU REACHED SUCH HEIGHTS WITH YOUR WORK, AND YOU ARE SUCH 1288 02:05:06,031 --> 02:05:16,075 INSPIRATIONS TO ME. TO MY -- GOD, BRADY AND MONA, I LOVE YOU 1289 02:05:16,475 --> 02:05:19,378 GUYS. THANK YOU FOR GIVING ME WINGS. THANK YOU FOR ALLOWING ME 1290 02:05:19,445 --> 02:05:24,550 TO BE A SMALL PART OF BUILDING THIS TRIUMPH AND MONUMENT TO 1291 02:05:24,617 --> 02:05:34,493 HUMANITY AND THE ARTS. TO MY CAST AND CREW, AND EVERYONE WHO 1292 02:05:34,560 --> 02:05:38,731 HAS BEEN A PART OF MAKING THIS MOVIE, THIS IS A COLLABORATIVE 1293 02:05:38,797 --> 02:05:46,005 EFFORT, AND I SHARE THIS WITH ALL OF YOU. TO MY FRIENDS AND 1294 02:05:46,071 --> 02:05:56,115 TEAM AT CAA -- [LISTING NAMES] A24, THANK YOU FOR SUPPORTING ME 1295 02:05:56,715 --> 02:06:04,556 THROUGH THIS JOURNEY. TO MY MOM AND DAD, WHO ARE HERE TONIGHT. 1296 02:06:04,623 --> 02:06:13,632 [APPLAUSE] OH, MY GOODNESS. YOU ALWAYS HOLD ME UP. I OFTEN 1297 02:06:13,699 --> 02:06:16,835 CREDIT MY MOTHER FOR HER INFLUENCE ON ME AS AN ARTIST, 1298 02:06:16,902 --> 02:06:21,307 BUT DAD, YOU ARE THE FOUNDATION OF THIS FAMILY, AND ALL THIS 1299 02:06:21,373 --> 02:06:28,180 LOVE THAT I RECEIVED FLOWS BACK TO YOU. TO MY BEAUTIFUL AND 1300 02:06:28,247 --> 02:06:34,653 AMAZING PARTNER, GEORGINA. YOUR GENEROSITY OF SPIRIT, YOUR OWN 1301 02:06:34,720 --> 02:06:44,763 RESILIECE, YOUR IMMENSE CREATIVITY, ARE A DAILY REMINDER 1302 02:06:45,064 --> 02:06:49,902 OF HOW TO BE. I WOULD NOT BE STANDING HERE BEFORE YOU IF IT 1303 02:06:49,969 --> 02:06:54,606 WASN'T FOR YOU. THERE WAS A TIME NOT TOO LONG AGO THAT I FELT 1304 02:06:54,673 --> 02:06:59,178 THIS MAY NEVER BE A MOMENT AFFORDED TO ME AGAIN, SO THANK 1305 02:06:59,244 --> 02:07:06,485 YOU. YOU KNOW, THIS STORY IS REALLY THE CHARACTER'S JOURNEY 1306 02:07:06,552 --> 02:07:10,589 IS VERY REMINISCENT OF MY MOTHER'S AND MY ANCESTORS 1307 02:07:10,656 --> 02:07:16,762 JOURNEY OF FLEEING WAR AND COMING TO THIS GREAT COUNTRY. I 1308 02:07:16,829 --> 02:07:21,433 OWE SO MUCH TO MY MOTHER AND MY GRANDPARENTS FOR THEIR 1309 02:07:21,500 --> 02:07:28,607 SACRIFICE, AND ALTHOUGH I DO NOT KNOW FULLY HOW TO EXPRESS ALL OF 1310 02:07:28,674 --> 02:07:32,478 THE CHALLENGES THAT YOU HAVE FACED AND EXPERIENCED, AND THE 1311 02:07:32,544 --> 02:07:37,182 MANY PEOPLE WHO HAVE STRUGGLED IMMIGRATING TO THIS COUNTRY, I 1312 02:07:37,249 --> 02:07:40,886 HOPE THAT THIS WORK STANDS TO LIFT YOU UP A BIT AND TO GIVE 1313 02:07:40,953 --> 02:07:47,826 YOU A VOICE. I'M SO GRATEFUL. I WILL CHERISH THIS MOMENT 1314 02:07:47,893 --> 02:07:57,936 FOREVER. THANK YOU. [APPLAUSE] ♪ ♪ >> Announcer: BEST MOTION ♪ ♪ 1315 02:07:59,204 --> 02:08:01,740 PICTURE DRAMA AND BEST MOTION PICTURE MUSICAL AND COMEDY ARE 1316 02:08:05,944 --> 02:08:06,945 HAPPENING NEXT, WHEN THE GOLDEN GLOBES RETURN. 1317 02:08:16,955 --> 02:08:19,892 ♪ ♪ >> Nikki: ALL RIGHT, EVERYBODY! WE ARE IN THE HOME 1318 02:08:19,958 --> 02:08:22,895 STRETCH! LET'S KEEP THIS PUPPY MOVING. TO PRESENT OUR NEXT 1319 02:08:22,961 --> 02:08:26,799 AWARD, PLEASE WELCOME, FROM NETFLIX'S "BACK IN ACTION," 1320 02:08:26,865 --> 02:08:29,601 THREE-TIME GOLDEN GLOBE WINNER, HOLLYWOOD ICON, AND FORMER 1321 02:08:29,668 --> 02:08:39,678 DRUMMER FOR SYSTEM OF A DOWN, GLENN CLOSE. [APPLAUSE] ♪ ♪ 1322 02:08:48,487 --> 02:08:53,492 >> Glenn: ONE OF MY MOST TREASURED POSSESSIONS IS A 1323 02:08:53,559 --> 02:08:58,831 LETTER KATHARINE HEPBURN WROTE TO ME, IN WHICH SHE DESCRIBED 1324 02:08:58,897 --> 02:09:06,238 WHAT WE ALL DO AS "THIS TERRIBLE PROFESSION, THIS TERRIFYING 1325 02:09:06,305 --> 02:09:09,842 PROFESSION, AND, LET'S FACE IT, THIS DELICIOUS WAY TO SPEND YOUR 1326 02:09:09,908 --> 02:09:19,918 LIFE." WE ARE ALL SO BLESSED TO BE IN THIS ROOM! WE ARE ALSO 1327 02:09:22,054 --> 02:09:29,461 BLESSED AND LUCKY TO BE TOGETHER IN THIS ROOM. LET'S GET TO THE 1328 02:09:29,528 --> 02:09:34,233 REASON WHY WE ARE HERE. THE SIX NOMINEES FOR BEST MOTION 1329 02:09:34,299 --> 02:09:41,206 PICTURE, DRAMA. >> Announcer: "THE BRUTALIST." "A COMPLETE 1330 02:09:41,273 --> 02:09:51,083 UNKNOWN." "CONCLAVE." "DUNE: PART TWO." "NICKEL BOYS." 1331 02:09:51,150 --> 02:09:59,091 "SEPTEMBER 5." [APPLAUSE] >> Glenn: AND THE GOLDEN GLOBE GOES 1332 02:09:59,158 --> 02:10:09,168 TO... "THE BRUTALIST." [APPLAUSE] ♪ ♪ >> Announcer: 1333 02:10:13,672 --> 02:10:17,442 COMING TO THE STAGE TONIGHT AND ACCEPTING THE GOLDEN GLOBE FOR 1334 02:10:17,509 --> 02:10:22,214 "THE BRUTALIST" IS A WRITER, DIRECTOR, AND PRODUCER, BRADY 1335 02:10:22,281 --> 02:10:25,851 CORBET. BECAUSE THE FILM'S RUN TIME IS OVER THREE AND A HALF 1336 02:10:25,918 --> 02:10:29,988 HOURS, IT INCLUDES A 15-MINUTE INTERMISSION FOR AUDIENCES, AND 1337 02:10:30,055 --> 02:10:33,392 GUY PIERCE TOLD US THAT MOST PEOPLE LOVE THE INTERMISION. 1338 02:10:33,458 --> 02:10:36,328 ALSO FELICITY JONES SAID SHE WANTED TO HAVE A MARGARITA TO 1339 02:10:36,395 --> 02:10:46,405 CELEBRATE THE NIGHT. I BET IT'LL BE MORE THAN ONE NOW. ♪ ♪ ♪ ♪ 1340 02:11:09,328 --> 02:11:16,001 >> Brady: ALL RIGHT. I AM INCREDIBLY MOVED. I PREPARED ONE 1341 02:11:16,068 --> 02:11:23,742 SPEECH, NOT TWO. I HAVE TO THANK EVERYONE UP HERE WHO COME OVER 1342 02:11:23,809 --> 02:11:27,980 AND OVER AGAIN, BET ON THIS FILM THAT KEPT FALLING APART. AND 1343 02:11:28,046 --> 02:11:33,185 THEY STUCK WITH IT THROUGH THICK AND THIN, REALLY. SO THANKS TO 1344 02:11:33,252 --> 02:11:36,388 ALL OF YOU. I REALLY LOVE YOU ALL VERY MUCH. I'M VERY 1345 02:11:36,455 --> 02:11:39,258 GRATEFUL. THIS IS AN EXTREMELY WELL-PRODUCED FILM, SO I'D LIKE 1346 02:11:39,324 --> 02:11:46,531 TO THANK MY PRODUCERS. I'LL BE BRIEF, BECAUSE I'VE KIND OF 1347 02:11:46,598 --> 02:11:49,468 ALREADY SAID WHAT I HAD TO SAY. I JUST WANT TO LEAVE EVERYONE 1348 02:11:49,534 --> 02:11:58,043 WITH SOMETHING TO THINK ABOUT. FINAL CUT TIEBREAK GOES TO THE 1349 02:11:58,110 --> 02:12:02,981 DIRECTOR. [APPLAUSE] THAT'S SORT OF A CONTROVERSIAL STATEMENT. IT 1350 02:12:03,048 --> 02:12:09,154 SHOULDN'T BE CONTROVERSIAL AT ALL. I WAS TOLD THAT THIS FILM 1351 02:12:09,221 --> 02:12:13,325 WAS UNDISTRIBUTABLE. I WAS TOLD THAT NO ONE WOULD COME OUT AND 1352 02:12:13,392 --> 02:12:21,199 SEE IT. I WAS TOLD THE FILM WOULDN'T WORK. AND I DON'T 1353 02:12:21,266 --> 02:12:28,740 RESENT THAT, BUT I WANT TO USE THIS AS AN OPPORTUNITY TO LIFT 1354 02:12:28,807 --> 02:12:32,244 UP FILMMAKERS. NOT JUST MY FELLOW NOMINEES, BUT ALL THE 1355 02:12:32,311 --> 02:12:37,282 EXTRAORDINARY DIRECTORS IN THIS ROOM. FILMS DON'T EXIST WITHOUT 1356 02:12:37,349 --> 02:12:42,521 THE FILMMAKERS. PLEASE, LET'S SUPPORT THEM. LET'S PROP THEM 1357 02:12:42,587 --> 02:12:50,729 UP. [APPLAUSE] NO ONE WAS ASKING FOR A THREE AND A HALF HOUR FILM 1358 02:12:50,796 --> 02:12:59,104 ABOUT A MIDCENTURY DESIGNER ON 70-MILLIMETER, BUT IT WORKS. SO 1359 02:12:59,171 --> 02:13:04,676 PLEASE, JUST THINK ABOUT IT. HAVE A GREAT NIGHT. THANK YOU SO 1360 02:13:04,743 --> 02:13:14,753 MUCH. [APPLAUSE] ♪ ♪ ♪ ♪ 1361 02:13:32,037 --> 02:13:34,873 >> Announcer: PLEASE WELCOME GOLDEN GLOBE WINNER NICOLAS 1362 02:13:34,940 --> 02:13:44,950 CAGE. [APPLAUSE] ♪ ♪ >> Nicolas: WHETHER THROUGH DRAMA OR COMEDY, 1363 02:13:47,185 --> 02:13:51,356 MOVIES TAKE US ON A JOURNEY INTO DIFFERENT WORLDS AND 1364 02:13:51,423 --> 02:13:54,593 EXPERIENCES, AND IT IS OFTEN THE HUMOROUS, LIGHTHEARTED MOMENTS 1365 02:13:54,659 --> 02:13:59,498 THAT LEAVE LASTING IMPRESSIONS. THESE FILMS MADE US LAUGH THIS 1366 02:13:59,564 --> 02:14:02,868 YEAR, AND EVEN GOT SOME OF US KICKED OUT OF THE THEATER FOR 1367 02:14:02,934 --> 02:14:08,240 SINGING ALONG VERY LOUDLY. HERE ARE THE NOMINEES FOR BEST MOTION 1368 02:14:08,306 --> 02:14:16,448 PICTURE, MUSICAL OR COMEDY. >> Announcer: "ANORA." 1369 02:14:16,515 --> 02:14:26,525 "CHALLENGERS." "EMILIA PEREZ." "A REAL PAIN." "THE SUBSTANCE." 1370 02:14:27,993 --> 02:14:38,003 "WICKED." [APPLAUSE] >> Nicolas: AND THE GOLDEN GLOBE GOES TO... 1371 02:14:46,144 --> 02:14:48,079 "EMILIA PEREZ" "EMILIA PEREZ." "EMILIA PEREZ." [CHEERS AND 1372 02:14:48,146 --> 02:14:58,156 APPLAUSE] ♪ ♪ ♪ ♪ >> Announcer: COMING TO THE STAGE TONIGHT 57 1373 02:15:21,213 --> 02:15:27,152 IS PRODUCER, AND ACCEPTING THE GOLDEN GLOBE'S DIRECTOR, WRITER, 1374 02:15:27,219 --> 02:15:37,229 AND PRODUCER, JACQUES AUDIARD. 1375 02:15:46,438 --> 02:15:56,448 >> [SPEAKING FRENCH] CAN I HAVE TRANSLATION, PLEASE? [SPEAKING 1376 02:16:00,619 --> 02:16:10,662 FRENCH] >> Interpreter: CLEARLY I'VE NOT PREPARED ANYTHING. >> 1377 02:16:11,062 --> 02:16:21,039 BRAVO! [APPLAUSE] >> Karla: THANK YOU SO MUCH. I CHOSE THESE 1378 02:16:28,713 --> 02:16:38,723 COLORS TONIGHT BECAUSE I HAVE A MESSAGE. THE LIGHT ALWAYS WINS 1379 02:16:40,759 --> 02:16:50,769 OVER DARKNESS. [APPLAUSE] I HAVE A LOT OF THINGS TO SAY TO YOU, 1380 02:16:54,105 --> 02:17:04,182 BECAUSE YOU CAN MAYBE PUT US IN JAIL, YOU CAN BEAT US UP, BUT 1381 02:17:04,249 --> 02:17:09,921 YOU NEVER CAN TAKE AWAY OUR SOUL, OUR EXISTENCE, OUR 1382 02:17:09,988 --> 02:17:19,998 IDENTITY. I WANT TO SAY TO YOU, RAISE YOUR VOICE. AND SAY, I AM 1383 02:17:26,204 --> 02:17:36,214 WHO I AM. NO WHO YOU ARE. THANK YOU SO MUCH. [APPLAUSE] ♪ ♪ ♪ ♪ 1384 02:17:50,228 --> 02:17:54,065 >> Nikki: WELL, THAT'S OUR SHOW. THANK YOU SO MUCH FOR BEING SUCH 1385 02:17:54,132 --> 02:17:57,902 A GREAT AUDIENCE. YOU MAKE IT SO FUN AND EASY. I HAD THE TIME OF 1386 02:17:57,969 --> 02:18:01,973 MY LIFE, AND I CANNOT BELIEVE ANGELINA JOLIE HAD TO LISTEN TO 1387 02:18:02,040 --> 02:18:04,009 MY SONG ABOUT POPES. THANK YOU. GOOD NIGHT! [APPLAUSE] ♪ ♪ ♪ ♪