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(Dynamic music)

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♪

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(Text on screen)

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(TENSE INSTRUMENTAL MUSIC
PLAYING)

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- Do you remember me, Minister?
- You are Jacob Pearce.

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JACOB: I want to show you
something.
This is what they do to you

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- inside a Taliban jail.
- Please, I have a daughter.

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My men also had daughters.
They had sons, they had wives,

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00:00:45,420 --> 00:00:47,338
they had families,
and you betrayed them.

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And they were slaughtered.
And that is because of you.

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Who are you?

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Vincent Taleb. I am the Minister
of Defence's protection officer.

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- (PEOPLE SCREAMING)
- (BOMB EXPLODING)

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(SPEAKING FRENCH)

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Rowan and Philippe decided
that the best way to deal with
Pearce

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was to betray him to the
Taliban.
Sucks being lied to you, doesn't
it?

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Matis Garnier,
Head of Counter Terrorism.

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- I'm leading the Task Force.
- Zara Taylor, MI6.

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And what about the weapons
recovered from the embassy?

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Forensics were able to recover
one of them.

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It's been traced to an arms
dealer,
Karim Hassan.

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MATIS: He's our lead to Pearce.
We gotta find this guy.

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JACOB: My name is Jacob Pearce.
Captain Jacob Pearce.

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I'm a soldier
with the French Foreign Legion.

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I want people out there
to know my story.

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I want them to know the truth.

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What was done to me.
And what was done to my men.

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(OMINOUS INSTRUMENTAL MUSIC
PLAYING)

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- (TENSE INSTRUMENTAL MUSIC
PLAYING)
- (PEOPLE CHATTERING
INDISTINCTLY)

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VINCENT: He's here.

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- Do you have him?
- ZARA ON RADIO: I've got him.

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Look at this. Who is he kidding?

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VINCENT: Well, maybe
he likes strawberries?

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What, an arms dealer travels
all the way across Paris

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to buy the ingredients
of a fruit salad?

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(PEOPLE CHATTERING INDISTINCTLY)

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He's handed the backpack off.
Stay with him.

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(TENSE INSTRUMENTAL MUSIC
PLAYING)

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I have eyes on the bag.

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(TENSE MUSIC BUILDING UP)

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(BOTH GRUNTING)

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- (CROWD CLAMOURING)
- (SCREAMING)

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My bad. Désolé, désolé!

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Police! C'est la police!

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(CHATTERING INDISTINCTLY)

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(SIGHS)

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(TENSE MUSIC BUILDING UP)

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- (ENGINE REVVING)
- (HORN HONKING)

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(GUN COCKING)

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(PEOPLE CHATTERING INDISTINCTLY)

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(WATER FLOWING)

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- (BOTH GRUNT)
- (SPEAKS FRENCH)

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(BOTH GRUNTING)

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- (GRUNTING)
- (GASPING)

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(GUN FIRING)

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(BREATHING HEAVILY)

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(CHATTERING INDISTINCTLY)

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(SIREN WAILING)

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Vincent! What the hell
happened at the market?

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Now, we have a dead arms dealer
and a civilian in the hospital

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with concussion!

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I get you both transferred
to the task force

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and this is how you repay me?

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It was a genuine mistake.
Very similar backpacks.

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- Similar backpacks, huh?
- ZARA: Yeah.

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(TENSE INSTRUMENTAL MUSIC
PLAYING)

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(EMAIL ALERT BEEPS)

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- (MOUSE CLICKING)
- (CHLOE SOBBING)

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JACOB: Three. Two.

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(SPEAKING FRENCH)

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- (DOOR CLOSES)
- Hello?

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JACOB: I've just been reading
the KMI's annual report.

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You're making a fortune
selling weapons to very bad
people.

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What do you want?

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JACOB: Hard to put a price
on the lives of 23 men.

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Six years of imprisonment
and torture.

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One hundred million euros
should just about cover it.

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You want me to pay you
100 million euros?

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That's the same profit you made
supplying weapons

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to the Afghan Government.
Seems fair to me.

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Why would I pay you anything?

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Because if you don't, I'll start
killing people you know until
you do.

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And then we'll all see how much
value
you place on the lives

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of your family, your friends,
and your colleagues.

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I have a sniper on a rooftop
somewhere in Paris.

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He's gonna kill someone
very close to you

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unless you agree to pay me
the money I ask.

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(SPEAKING FRENCH)

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(IN ENGLISH) I wonder who it
will be.
It could be anyone.

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(TENSE INSTRUMENTAL MUSIC
PLAYING)

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But if you pay me, they will
live.

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(IN FRENCH)

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(IN ENGLISH) You're bluffing.
I'm not paying you a single
euro.

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JACOB: Well, that was a mistake.

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- (GUN FIRES)
- (GLASS BREAKING)

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(DRAMATIC INSTRUMENTAL MUSIC
PLAYING)

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I did say it would be someone
very close to you.

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There's a link in the email
I sent you.

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Click on that
when you're ready to pay.

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MATIS: Pearce is threatening
to keep killing

101
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Moulin's family and friends
until he pays up.

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Do we know why Pearce
is targeting Moulin?

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A minister in the Afghan
government
stole some money

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that was supposed to pay
for a hospital.

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00:10:07,398 --> 00:10:09,567
Pearce kidnapped the Minister
and held him hostage

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until the money was returned.
The Afghans were furious.

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They threatened to cancel a
defence
contract with Moulin's company.

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00:10:16,532 --> 00:10:20,160
So, Moulin put pressure on
Philippe
to betray Pearce to the Taliban?

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You think Moulin bribed
Philippe?

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Moulin denies it,
but I think he's lying.

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00:10:26,375 --> 00:10:27,835
He's given us a list
of his family and friends.

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We're warning anyone
who may be a target.

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LUCAS: We've been scanning
the CCTV from the area.

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This is from the street
next to the market.

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00:10:37,845 --> 00:10:41,890
And this is from the building
the sniper fired from.

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It's the same guy.

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(SPEAKING FRENCH)

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(TENSE INSTRUMENTAL MUSIC
PLAYING)

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FREJA: (IN ENGLISH)
You want to start?

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00:11:17,842 --> 00:11:19,845
(CAMERA BEEPS)

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JACOB: There was one guard,
he said his name was Hassan.

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You could see in his eyes
he enjoyed inflicting pain on
others.

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Some days he would beat me,
torture me, rape me.

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Other days, he would just want
me
to hold him.

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00:11:34,567 --> 00:11:36,570
(SPEAKING FRENCH)

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JACOB: (IN ENGLISH) Philippe
Bardin,
Rowan Alexander and Pascal
Moulin

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betrayed me and my men
to the Taliban.

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My men...

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all my men,

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were murdered
for political and financial
gain.

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(PEOPLE CHATTERING INDISTINCTLY)

132
00:12:05,850 --> 00:12:07,600
(IN FRENCH)

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- (IN ENGLISH) Do I get one of
those?
- No.

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You get one of these.

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00:12:11,897 --> 00:12:14,899
(MAN ON RADIO SPEAKING FRENCH)

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00:12:19,028 --> 00:12:21,990
(TENSE INSTRUMENTAL MUSIC
PLAYING)

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00:12:25,410 --> 00:12:27,370
(CAR STARTS)

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00:12:28,913 --> 00:12:32,960
- (TYRES SCREECHING)
- (SIRENS WAILING)

139
00:12:34,669 --> 00:12:36,839
(SUSPENSEFUL INSTRUMENTAL
MUSIC PLAYING)

140
00:13:02,947 --> 00:13:04,908
(SIREN WAILING)

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00:13:05,033 --> 00:13:07,995
VINCENT: (IN ENGLISH) Lose the
siren.

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00:13:10,498 --> 00:13:12,666
- (SIREN STOPS)
- (TYRES SCREECH)

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00:13:15,878 --> 00:13:18,755
(TENSE INSTRUMENTAL MUSIC
PLAYING)

144
00:13:22,051 --> 00:13:24,220
(IN FRENCH)

145
00:13:28,515 --> 00:13:30,643
(TENSE INSTRUMENTAL MUSIC
PLAYING)

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00:13:58,044 --> 00:14:00,172
(WOMAN ON PHONE THEN PAUL
SPEAKING)

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00:14:08,221 --> 00:14:11,642
- Allo? Monsieur Blanchet?
- (CRASHING)

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00:14:19,732 --> 00:14:21,693
(TYRES SCREECH)

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00:14:24,071 --> 00:14:26,823
(TENSE INSTRUMENTAL MUSIC
PLAYING)

150
00:14:26,948 --> 00:14:29,909
(CAR LOCK BEEPS)

151
00:14:31,745 --> 00:14:34,248
(TYRES SCREECHING)

152
00:14:41,422 --> 00:14:43,548
(DRAMATIC INSTRUMENTAL MUSIC
PLAYING)

153
00:15:06,071 --> 00:15:09,033
- (GRUNTING)
- Zara!

154
00:15:13,370 --> 00:15:15,496
(IN ENGLISH) This is
embarrassing.

155
00:15:15,623 --> 00:15:17,582
(BREATHING HEAVILY)

156
00:15:20,961 --> 00:15:23,923
(HORN HONKING)

157
00:15:30,303 --> 00:15:32,264
You okay?

158
00:15:38,019 --> 00:15:39,980
Why were you discharged
from the army?

159
00:15:41,899 --> 00:15:45,110
I read your service record.
It said you disobeyed orders.

160
00:15:45,985 --> 00:15:48,697
You read my service record?

161
00:15:48,822 --> 00:15:50,908
Yeah. If I'm gonna work with
someone,
I need to know who they are.

162
00:15:51,033 --> 00:15:54,787
And I can find out anyway,
so you may as well tell me.

163
00:15:56,245 --> 00:16:00,960
We were in the hills,
watching a compound.

164
00:16:03,796 --> 00:16:06,881
I... I see a Boko Haram
commander arriving.

165
00:16:07,006 --> 00:16:12,804
I light the target with a laser
and call in an airstrike.

166
00:16:12,929 --> 00:16:16,392
But then, his family arrived.

167
00:16:17,017 --> 00:16:19,937
The kids
are running around, laughing.

168
00:16:20,062 --> 00:16:22,980
I radio it in,
but they don't call off the
strike.

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00:16:23,816 --> 00:16:26,485
So, I redirect the laser
to a derelict building.

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The missiles go in.

171
00:16:29,028 --> 00:16:32,658
And the only thing they kill
is a goat.

172
00:16:35,201 --> 00:16:37,370
And they kicked you out?

173
00:16:42,543 --> 00:16:44,503
(TEXT MESSAGE BEEPS)

174
00:16:52,302 --> 00:16:55,346
I need to go meet a friend.
Can you drop me off?

175
00:16:55,514 --> 00:16:58,100
- (MESSAGE SENT TONE SOUNDS)
- Yeah, sure.

176
00:17:07,067 --> 00:17:09,862
- Your friend is in there?
- Yeah. It's all good.

177
00:17:10,028 --> 00:17:12,990
See you tomorrow!

178
00:17:15,992 --> 00:17:18,077
(CLUB MUSIC PLAYING)

179
00:17:34,761 --> 00:17:36,721
(PEOPLE CHATTERING INDISTINCTLY)

180
00:17:50,234 --> 00:17:52,528
- Hey, hey. Thea.
- Mmm.

181
00:17:52,653 --> 00:17:55,115
Thea? Hello, my love.

182
00:17:55,281 --> 00:17:57,534
- Hello.
- Hey, how are you doing?

183
00:17:57,659 --> 00:18:00,703
- Hey, beautiful.
- (CLUB MUSIC PLAYING FAINTLY)

184
00:18:21,974 --> 00:18:24,103
ZARA: I told you not to wait.

185
00:18:26,646 --> 00:18:28,981
- Don't.
- (CAR STARTS)

186
00:18:33,820 --> 00:18:35,739
Sorry.

187
00:18:35,864 --> 00:18:38,659
- (BOTH STRAINING)
- That's right.

188
00:18:41,994 --> 00:18:44,123
I'm gonna close the door.

189
00:18:47,960 --> 00:18:50,127
ZARA: Should we take these off?

190
00:18:55,925 --> 00:18:58,886
Come on, my love.

191
00:19:00,513 --> 00:19:02,473
(SIGHS)

192
00:19:09,856 --> 00:19:12,108
- Love you.
- (GRUNTS)

193
00:19:21,076 --> 00:19:22,827
She keeps telling me she's quit.

194
00:19:22,952 --> 00:19:25,998
I mean, I get mad at her,
but I'm lying to her too, you
know?

195
00:19:27,665 --> 00:19:31,670
- She doesn't know what I do.
- You've never told her?

196
00:19:31,795 --> 00:19:34,213
She's an addict.

197
00:19:34,381 --> 00:19:36,508
I'm risking my job
just being with her.

198
00:19:36,633 --> 00:19:38,343
(GRUNTS)

199
00:19:38,509 --> 00:19:41,180
And yeah, I know I should leave
her.

200
00:19:41,888 --> 00:19:44,849
I love her. (CHUCKLES)

201
00:19:45,726 --> 00:19:48,729
So, yeah, now you know
my personal life is a total
mess.

202
00:19:48,895 --> 00:19:51,940
Well, I'm going home to an empty
flat

203
00:19:52,065 --> 00:19:54,526
to drink a warm beer
because my fridge is broken.

204
00:19:54,692 --> 00:19:56,862
- So...
- (CHUCKLES) Okay.

205
00:19:57,028 --> 00:20:00,406
Suddenly, my life
doesn't seem so bad.

206
00:20:01,909 --> 00:20:03,868
You want me to stay?

207
00:20:03,993 --> 00:20:09,040
Uh, I think we've done
enough sharing for one night.

208
00:20:09,165 --> 00:20:12,251
(CHUCKLING) See ya.

209
00:20:12,877 --> 00:20:17,883
Hey, uh... Thanks.

210
00:20:18,049 --> 00:20:22,304
(IN FRENCH)

211
00:20:26,098 --> 00:20:28,268
(SOMBRE INSTRUMENTAL MUSIC
PLAYING)

212
00:20:43,866 --> 00:20:46,827
- Bonjour.
- Bonjour.

213
00:21:37,128 --> 00:21:39,298
(MOBILE PHONE VIBRATES)

214
00:21:53,228 --> 00:21:55,396
(RADIO CHATTERING INDISTINCTLY)

215
00:22:13,539 --> 00:22:16,375
(TENSE INSTRUMENTAL MUSIC
PLAYING)

216
00:22:28,305 --> 00:22:30,265
(SCOFFS)

217
00:22:49,785 --> 00:22:51,869
(SIGHS)

218
00:23:07,510 --> 00:23:09,887
(SCREAMING)

219
00:23:13,057 --> 00:23:15,184
(OMINOUS INSTRUMENTAL MUSIC
PLAYING)

220
00:23:31,910 --> 00:23:35,079
- VINCENT: Bonjour.
- Bonjour.

221
00:23:39,125 --> 00:23:40,794
(IN ENGLISH) You okay?

222
00:23:40,961 --> 00:23:43,922
Yup.

223
00:23:49,635 --> 00:23:53,265
- How's Thea?
- She was still asleep when I
left.

224
00:23:57,644 --> 00:23:59,604
What are you gonna do?

225
00:24:00,313 --> 00:24:02,106
- Right now?
- Hmm.

226
00:24:02,273 --> 00:24:06,027
I'm gonna focus on my job and
pretend
my girlfriend isn't a drug
addict.

227
00:24:07,988 --> 00:24:10,740
That seems healthy.

228
00:24:10,865 --> 00:24:13,034
(TEXT MESSAGE BEEPS)

229
00:24:18,789 --> 00:24:21,084
- (SIGHS)
- Everything okay?

230
00:24:22,335 --> 00:24:24,296
Yeah.

231
00:24:25,505 --> 00:24:28,090
MATIS: Zara, Vincent, come here.

232
00:24:31,428 --> 00:24:33,596
(PEOPLE CHATTERING INDISTINCTLY)

233
00:24:38,018 --> 00:24:40,979
Shut the door.

234
00:24:42,480 --> 00:24:44,982
I just spoke with my contact
at the CIA.

235
00:24:46,026 --> 00:24:48,694
A few weeks after Pearce was
rescued,
he checked himself out

236
00:24:48,862 --> 00:24:51,198
of the military hospital
and flew to Pakistan.

237
00:24:51,364 --> 00:24:53,616
While Pearce was in Lahore,

238
00:24:53,741 --> 00:24:56,076
someone planted an explosive
device
under his car.

239
00:24:56,202 --> 00:24:58,454
What about the CIA?
They know who was responsible?

240
00:24:58,579 --> 00:25:01,458
- That's all they've got.
- Someone was trying to stop
Pearce

241
00:25:01,583 --> 00:25:02,834
revealing how he was betrayed
to the Taliban?

242
00:25:02,959 --> 00:25:05,836
You think it could be
Philippe Bardin?

243
00:25:05,961 --> 00:25:08,923
Maybe. I talked
with the Security Services.

244
00:25:09,048 --> 00:25:11,634
They're claiming
they don't know anything about
it.

245
00:25:11,759 --> 00:25:14,386
I mean, the Security Services
aren't
gonna admit they're responsible

246
00:25:14,554 --> 00:25:17,265
- unless they have to.
- Mmm-hmm.

247
00:25:18,517 --> 00:25:20,769
Pearce wasn't using his car that
day.

248
00:25:20,894 --> 00:25:25,356
An Afghan national, Amina
Sayyid,

249
00:25:25,481 --> 00:25:27,733
and her two children
were killed in the explosion.

250
00:25:27,901 --> 00:25:29,818
ZARA: Was he in a relationship
with her?

251
00:25:29,944 --> 00:25:31,988
MATIS: It looks that way, yes.

252
00:25:32,113 --> 00:25:34,281
(TENSE INSTRUMENTAL MUSIC
PLAYING)

253
00:25:37,368 --> 00:25:40,204
ZARA: Well, it certainly
explains
why Pearce is so pissed.

254
00:25:50,464 --> 00:25:52,424
PASCAL: Joel?

255
00:25:54,426 --> 00:25:56,387
Joel?

256
00:25:56,930 --> 00:25:59,891
Joel?

257
00:26:03,353 --> 00:26:05,521
(SUSPENSEFUL INSTRUMENTAL
MUSIC PLAYING)

258
00:26:08,441 --> 00:26:10,609
(SIRENS WAILING)

259
00:26:10,777 --> 00:26:13,488
- (CAR DOOR SHUTS)
- His dad has a tracker on his
phone.

260
00:26:13,613 --> 00:26:14,990
He's at Jardin
des Grands Explorateurs.

261
00:26:16,657 --> 00:26:18,742
(TENSE INSTRUMENTAL MUSIC
PLAYING)

262
00:26:32,257 --> 00:26:34,384
VINCENT: I'll go around
the other side.

263
00:26:45,060 --> 00:26:47,188
(PEOPLE CHATTERING INDISTINCTLY)

264
00:26:47,314 --> 00:26:49,441
ZARA ON RADIO:
Does anyone have eyes on him?

265
00:26:52,443 --> 00:26:55,363
GERVAIS: I see him.
Green hoodie, black cap.

266
00:26:56,155 --> 00:26:58,282
ZARA: I've got him.

267
00:26:59,867 --> 00:27:02,037
(OMINOUS INSTRUMENTAL MUSIC
PLAYING)

268
00:27:23,974 --> 00:27:25,894
- Joel!
- (GUN FIRES)

269
00:27:26,019 --> 00:27:29,271
(PEOPLE SCREAMING)

270
00:27:35,903 --> 00:27:38,073
(DRAMATIC INSTRUMENTAL MUSIC
PLAYING)

271
00:27:41,492 --> 00:27:44,244
- (PEOPLE CLAMOURING)
- VINCENT: Police! Out of the
way!

272
00:27:47,539 --> 00:27:50,000
- (GUN FIRES)
- (PEOPLE SCREAMING)

273
00:27:53,962 --> 00:27:57,133
ZARA ON RADIO: I think he's
in the red tower, do you see
him?

274
00:28:00,761 --> 00:28:02,681
VINCENT: I don't have a shot.

275
00:28:06,518 --> 00:28:09,895
Okay. You see the ice cream
cart?

276
00:28:11,064 --> 00:28:13,023
- (GUN FIRES)
- ZARA: I see it.

277
00:28:13,148 --> 00:28:15,067
You need to break cover
and run for it.

278
00:28:15,234 --> 00:28:17,194
You want me to run towards him?
Are you insane?

279
00:28:17,319 --> 00:28:19,780
The trees will block his view.
He'll have to change position,

280
00:28:19,905 --> 00:28:23,660
and I'll have a shot.

281
00:28:23,785 --> 00:28:24,868
- (GUN FIRES)
- (GRUNTING)

282
00:28:24,993 --> 00:28:26,703
You want to stay there?

283
00:28:26,871 --> 00:28:31,334
ZARA: I'm not loving my options.
VINCENT: So, run fast.

284
00:28:32,376 --> 00:28:34,295
- (GUN FIRES)
- (GRUNTING)

285
00:28:34,421 --> 00:28:36,756
I was gonna walk slowly
waving my arms.

286
00:28:37,714 --> 00:28:39,800
Give me your hoodie.

287
00:28:40,009 --> 00:28:42,136
(TENSE INSTRUMENTAL MUSIC
PLAYING)

288
00:28:51,938 --> 00:28:54,106
Anytime you're ready.

289
00:29:00,864 --> 00:29:05,160
- (DRAMATIC MUSIC PLAYING)
- (GUN FIRING)

290
00:29:05,285 --> 00:29:07,244
(PANTING)

291
00:29:16,045 --> 00:29:20,133
- (GUN FIRING)
- (MUSIC CONTINUES)

292
00:29:21,968 --> 00:29:26,096
- (GUN FIRES)
- (BREATHING HEAVILY)

293
00:29:26,638 --> 00:29:28,599
Vincent? (PANTING)

294
00:29:29,851 --> 00:29:32,019
I think he's down.

295
00:29:35,981 --> 00:29:38,942
(MATTHEW GRUNTING IN PAIN)

296
00:29:44,949 --> 00:29:48,536
ZARA: Drop it! Drop your gun!

297
00:29:51,663 --> 00:29:54,291
(MATTHEW CONTINUES GRUNTING)

298
00:30:05,720 --> 00:30:08,306
(BREATHING WEAKLY)

299
00:30:12,477 --> 00:30:14,645
(BREATHING STOPS)

300
00:30:16,897 --> 00:30:19,067
(SIRENS WAILING)

301
00:30:22,694 --> 00:30:25,990
VINCENT: Do you ever think
that's going to be you lying
there,

302
00:30:26,115 --> 00:30:28,284
bleeding out?

303
00:30:28,910 --> 00:30:31,078
I try not to think about it.

304
00:30:33,288 --> 00:30:36,375
- How's that going?
- (SIRENS WAILING)

305
00:30:40,380 --> 00:30:42,339
(IN FRENCH)

306
00:30:51,891 --> 00:30:54,018
Mon Coeur!

307
00:31:07,030 --> 00:31:09,200
(TENSE INSTRUMENTAL MUSIC
PLAYING)

308
00:31:33,932 --> 00:31:36,894
(SHOWER RUNNING)

309
00:32:06,715 --> 00:32:08,675
(SHOWER STOPS)

310
00:32:17,977 --> 00:32:20,939
(JACOB COUGHS)

311
00:32:58,183 --> 00:33:01,061
The first time Amina saw me
this way, she...

312
00:33:02,730 --> 00:33:04,773
She tried so hard not to cry.

313
00:33:07,859 --> 00:33:10,238
Didn't want to make me feel bad,
I guess.

314
00:33:13,240 --> 00:33:15,367
Said it didn't matter
what I looked like.

315
00:33:17,703 --> 00:33:20,580
Didn't change anything,
how she felt about me.

316
00:33:21,874 --> 00:33:24,836
How she felt about us.

317
00:33:26,461 --> 00:33:28,506
Very strange.

318
00:33:28,631 --> 00:33:29,882
If anyone else would have said
that,
I wouldn't have believed them,

319
00:33:30,048 --> 00:33:34,010
but she was very honest.

320
00:33:37,515 --> 00:33:39,474
She was very kind.

321
00:33:46,481 --> 00:33:48,442
Thank you.

322
00:33:53,740 --> 00:33:57,367
Pascal Moulin just clicked
on the link in the email you
sent.

323
00:33:57,951 --> 00:34:00,121
It seems like he's ready to pay.

324
00:34:01,788 --> 00:34:03,790
Huh.

325
00:34:04,416 --> 00:34:06,961
My people need to know
before we do anything.

326
00:34:08,086 --> 00:34:10,757
Don't want to upset them now, do
we?

327
00:34:11,090 --> 00:34:14,510
No, you really don't.

328
00:34:18,764 --> 00:34:20,724
(TENSE INSTRUMENTAL MUSIC
PLAYING)

329
00:34:20,974 --> 00:34:26,146
- (CHATTERING INDISTINCTLY)
- (YAWNS)

330
00:34:26,271 --> 00:34:28,900
You know, this kind of operation
costs serious money.

331
00:34:30,610 --> 00:34:35,030
How is Pearce funding it?
He hasn't got a pot to piss in.

332
00:34:37,574 --> 00:34:39,534
Pot to piss in?

333
00:34:40,702 --> 00:34:42,954
It means someone who's broke.

334
00:34:43,121 --> 00:34:45,583
Must be getting the money
from somewhere.

335
00:34:45,750 --> 00:34:48,920
The IT guys hacked the sniper's
burner phone.

336
00:34:49,085 --> 00:34:51,422
Pearce was messaging
instructions.

337
00:34:51,588 --> 00:34:54,592
One of the messages
refers to a guy called Cedric
Duval.

338
00:34:54,717 --> 00:34:57,762
- Who is he?
- Don't know. Trying to identify
him.

339
00:34:57,929 --> 00:34:59,847
Thanks.

340
00:34:59,972 --> 00:35:02,934
(TENSE INSTRUMENTAL MUSIC
PLAYING)

341
00:35:16,239 --> 00:35:18,282
(JULIETTE IN FRENCH)

342
00:36:05,913 --> 00:36:09,666
- Okay.
- Vincent. Vincent!

343
00:36:41,865 --> 00:36:44,827
Hmm?

344
00:37:24,282 --> 00:37:26,409
(TENSE INSTRUMENTAL MUSIC
PLAYING)

345
00:37:50,393 --> 00:37:52,936
- AMINA: We are going to the
market.
- (GRUNTS)

346
00:37:54,146 --> 00:37:56,315
Is there anything you need?

347
00:37:58,275 --> 00:38:00,777
- No. No. No, thank you.
- (GOATS BLEATING)

348
00:38:01,403 --> 00:38:03,364
Not today.

349
00:38:04,489 --> 00:38:07,367
What is it? Jacob?

350
00:38:15,001 --> 00:38:18,795
(WINCING)

351
00:38:21,715 --> 00:38:23,675
I...

352
00:38:24,844 --> 00:38:26,804
I never thought I'd see you
again.

353
00:38:26,971 --> 00:38:29,931
(SOMBRE INSTRUMENTAL MUSIC
PLAYING)

354
00:38:31,766 --> 00:38:33,728
(EXHALES)

355
00:38:37,523 --> 00:38:39,483
I won't be long.

356
00:38:40,693 --> 00:38:42,652
No.

357
00:39:07,887 --> 00:39:10,472
(GRUNTING)

358
00:39:22,275 --> 00:39:24,445
(TENSE INSTRUMENTAL MUSIC
PLAYING)

359
00:39:28,740 --> 00:39:30,701
- (CAR STARTS)
- (EXPLODES)

360
00:40:01,940 --> 00:40:04,068
(GUN FIRING)

361
00:40:07,947 --> 00:40:10,115
(PEOPLE CHATTERING INDISTINCTLY)

362
00:40:16,329 --> 00:40:18,289
(IN FRENCH)

363
00:40:21,960 --> 00:40:24,838
- (KNOCKING ON DOOR)
- Ah.

364
00:40:30,135 --> 00:40:32,804
- (GUN FIRES)
- (TENSE INSTRUMENTAL MUSIC
PLAYING)

365
00:40:32,972 --> 00:40:35,099
(GUN FIRES)

366
00:40:57,036 --> 00:40:59,998
(SINISTER INSTRUMENTAL MUSIC
PLAYING)

367
00:41:14,012 --> 00:41:19,309
- Where is your family?
- They're sleeping.

368
00:41:23,021 --> 00:41:26,817
- We'd better not wake them,
then.
- I paid you.

369
00:41:26,942 --> 00:41:29,903
(OMINOUS INSTRUMENTAL MUSIC
PLAYING)

370
00:41:32,864 --> 00:41:34,824
- I paid you!
- Let's go.

371
00:41:45,920 --> 00:41:48,005
This is a message to the others.

372
00:41:49,797 --> 00:41:53,469
I can't be bought.
I can't be negotiated with.

373
00:41:56,054 --> 00:41:58,014
And I'm coming for them.

374
00:41:59,724 --> 00:42:00,893
- Understand me?
- (MUMBLING INDISTINCTLY)

375
00:42:02,644 --> 00:42:05,313
- Coming for all of them.
- (PASCAL MUMBLING)

376
00:42:10,110 --> 00:42:12,278
(GRUNTING IN PAIN)

377
00:42:19,786 --> 00:42:22,164
- (SCREAMING)
- FREJA: Jacob?

378
00:42:28,295 --> 00:42:30,463
(SCREAMING CONTINUES)

379
00:42:32,925 --> 00:42:35,094
Go.

380
00:42:39,306 --> 00:42:41,474
(OMINOUS INSTRUMENTAL MUSIC
PLAYING)