1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:00:16,015 --> 00:00:18,184 >> Announcer: TELEVISION... THE MOST POWERFUL MEDIUM EVER 4 00:00:18,251 --> 00:00:19,953 CREATED. WATCHED BY BILLIONS IN EVERY 5 00:00:20,019 --> 00:00:24,391 CORNER OF THE EARTH. BUT IT WOULD NOT EXIST WITHOUT A 6 00:00:24,457 --> 00:00:30,630 VISIONARY GENIUS WHO, NEARLY 100 YEARS AGO, SAW THE FUTURE. 7 00:00:30,697 --> 00:00:41,274 PHILO T. FARNSWORTH, THE INVENTOR OF TELEVISION. 8 00:00:41,341 --> 00:00:44,711 >> OKAY, READY? I'M TURNING ON THE POWER. 9 00:00:44,778 --> 00:00:48,148 >> UGH, THE CATHODE TUBE OVERHEATED, AGAIN! 10 00:00:48,214 --> 00:00:50,850 >> I'M BEGINNING TO THINK MR. FARNSWORTH'S IDEA FOR 11 00:00:50,917 --> 00:00:52,986 TELEVISION WILL NEVER WORK. >> PERHAPS WE SHOULD JUST GIVE 12 00:00:53,052 --> 00:01:00,994 UP. >> WE CANNOT GIVE UP. 13 00:01:01,060 --> 00:01:04,230 [APPLAUSE] >> MR. FARNSWORTH! 14 00:01:04,297 --> 00:01:08,635 >> DO NOT GET DISCOURAGED. WHAT WE CREATE HERE WILL ONE DAY 15 00:01:08,701 --> 00:01:11,604 BRING THE WORLD SHOWS THAT INFORM AND EDUCATE. 16 00:01:11,671 --> 00:01:14,774 >> YES! >> GOD WILLING. 17 00:01:14,841 --> 00:01:16,476 >> SHOWS THAT MAKE US LAUGH, AND CRY! 18 00:01:16,543 --> 00:01:19,546 >> YES, WELL SAID! >> AND SHOWS ABOUT PEOPLE WHO, 19 00:01:19,612 --> 00:01:21,948 WHEN THEY GO TO WORK, THEY SWITCH TO DIFFERENT PEOPLE IN 20 00:01:22,015 --> 00:01:24,584 THEIR BRAINS WHO ONLY REMEMBER WHAT HAPPENS AT WORK. 21 00:01:24,651 --> 00:01:31,324 [LAUGHTER] >> UM... 22 00:01:31,391 --> 00:01:38,097 I DON'T UNDERSTAND THAT, SIR. >> MANY PEOPLE WHO WATCH IT 23 00:01:38,164 --> 00:01:43,002 WON'T, EITHER, BUT BY GOD, IT WILL BE ON TV. 24 00:01:43,069 --> 00:01:44,437 I DREAM THAT, ONE DAY, THERE WILL BE A CHANNEL FOR EVERY 25 00:01:44,504 --> 00:01:49,108 INTEREST. THE TRAVEL CHANNEL, FOR TRAVEL. 26 00:01:49,175 --> 00:01:52,745 THE FOOD NETWORK, FOR FOOD. AND THE HISTORY CHANNEL. 27 00:01:52,812 --> 00:01:54,280 >> FOR HISTORY. >> NO. 28 00:01:54,347 --> 00:01:58,251 ALIENS. [LAUGHTER] 29 00:01:58,318 --> 00:02:03,923 >> THERE WON'T BE HISTORY ON THE HISTORY CHANNEL, SIR? 30 00:02:03,990 --> 00:02:05,925 >> NO. JUST AS THERE WILL BE NO 31 00:02:05,992 --> 00:02:07,627 LEARNING ON THE LEARNING CHANNEL. 32 00:02:07,694 --> 00:02:12,932 >> THEN WHAT WILL BE ON THE LEARNING CHANNEL? 33 00:02:12,999 --> 00:02:15,802 >> HOARDERS. PEOPLE WHO EAT COUCH CUSHIONS. 34 00:02:15,869 --> 00:02:19,305 DR. PIMPLE POPPER. ALL OF OUR FUN STUFF. 35 00:02:19,372 --> 00:02:24,143 >> WHO WILL MAKE ALL THIS, SIR? >> ACTORS, WRITERS, DIRECTORS. 36 00:02:24,210 --> 00:02:28,781 AND, MOST IMPORTANTLY: PRODUCERS. 37 00:02:28,848 --> 00:02:31,784 >> AND WHAT DOES A PRODUCER DO, SIR? 38 00:02:31,851 --> 00:02:37,724 >> NOBODY KNOWS. [LAUGHTER] 39 00:02:37,790 --> 00:02:40,860 >> AH, OKAY, SO TELEVISION WILL HAVE SOMETHING FOR EVERYONE? 40 00:02:40,927 --> 00:02:43,530 >> YES, FOR PEOPLE OF EVERY CULTURE. 41 00:02:43,596 --> 00:02:46,866 NETWORKS LIKE TELEMUNDO, FOR SPANISH SPEAKERS. 42 00:02:46,933 --> 00:02:50,737 AND B.E.T. -- BLACK ENTERTAINMENT TELEVISION. 43 00:02:50,803 --> 00:02:55,308 >> WILL THERE BE A NETWORK FOR WHITE PEOPLE, SIR? 44 00:02:55,375 --> 00:02:59,712 >> WHY, CBS, OF COURSE. [LAUGHTER] 45 00:02:59,779 --> 00:03:02,615 >> YES, THE CAUCASIAN BROADCAST SYSTEM! 46 00:03:02,682 --> 00:03:08,321 [LAUGHTER] >> YEAH, I GUESS SO. 47 00:03:08,388 --> 00:03:13,159 >> AND WILL THERE BE A NETWORK FOR ASIAN PEOPLE, SIR? 48 00:03:13,226 --> 00:03:14,594 >> WHAT'S THAT, YOU ASKED ABOUT STREAMING? 49 00:03:14,661 --> 00:03:18,831 [LAUGHTER] >> NO. 50 00:03:18,898 --> 00:03:24,137 >> ONE DAY, I DREAM THERE WILL BE SO MANY SHOWS, WE WILL HAVE 51 00:03:24,203 --> 00:03:25,905 TO INVENT ANOTHER TYPE OF TV CALLED "STREAMING." 52 00:03:25,972 --> 00:03:28,141 >> WHAT IS STREAMING, SIR? >> A NEW WAY FOR COMPANIES TO 53 00:03:28,207 --> 00:03:32,078 LOSE MONEY. [LAUGHTER] 54 00:03:32,145 --> 00:03:34,147 THESE STREAMERS WILL MAKE THEIR OWN SHOWS, AND CREATE THEIR OWN 55 00:03:34,213 --> 00:03:37,317 STARS. >> WHO WILL THESE STARS BE? 56 00:03:37,383 --> 00:03:41,654 >> MURDERERS. REAL LIFE MURDERERS, MOSTLY. 57 00:03:41,721 --> 00:03:45,758 [LAUGHTER] >> WHO WOULD WATCH SHOWS ABOUT 58 00:03:45,825 --> 00:03:50,129 MURDERERS FOR ENTERTAINMENT? >> YOUR WIFE, MY WIFE, 59 00:03:50,196 --> 00:03:55,335 EVERYONE'S WIFE. [LAUGHTER] 60 00:03:55,401 --> 00:03:59,072 AND THAT IS WHY WE WILL PAY THE STREAMING SUBSCRIPTION FEES. 61 00:03:59,138 --> 00:04:03,042 >> AH, I SEE. WITH STREAMING, THE VIEWER PAYS 62 00:04:03,109 --> 00:04:11,250 A FEE, SO THERE ARE NO ADS. >> IF IT ONLY WERE SO SIMPLE. 63 00:04:11,317 --> 00:04:13,953 YOU PAY THE FEE AND THERE ARE ADS. 64 00:04:14,020 --> 00:04:17,657 >> BUT THAT SEEMS UNFAIR TO THE CUSTOMER. 65 00:04:17,724 --> 00:04:19,359 >> ALL RIGHT, GET OUT. [LAUGHTER] 66 00:04:19,425 --> 00:04:21,327 >> REALLY? >> YEAH, WE DON'T SAY THAT OUT 67 00:04:21,394 --> 00:04:25,298 LOUD. GET OUT. 68 00:04:25,365 --> 00:04:27,800 GO SIT IN THE BACK WITH THE PEOPLE WHO ARE PROBABLY GONNA 69 00:04:27,867 --> 00:04:29,769 LOSE ANYWAY. [LAUGHTER] 70 00:04:29,836 --> 00:04:33,806 >> LOSE WHAT, SIR? >> AN EMMY. 71 00:04:33,873 --> 00:04:36,042 THAT IS WHAT THE AWARD CELEBRATING EXCELLENCE IN 72 00:04:36,109 --> 00:04:38,945 TELEVISION WILL BE CALLED. AND WINNING ONE WILL BE VERY 73 00:04:39,012 --> 00:04:49,555 PRESTIGIOUS. >> HMM, LIKE AN OSCAR! 74 00:04:49,622 --> 00:04:55,428 >> ALL RIGHT, DON'T -- [LAUGHTER] 75 00:04:55,495 --> 00:04:57,230 IT'S A GOOD ONE. AND THERE WILL BE AWARDS FOR ALL 76 00:04:57,296 --> 00:05:02,268 TYPES OF SHOWS. GRIPPING DRAMAS, LIKE 77 00:05:02,335 --> 00:05:06,739 "THE PITT," A HEARTBREAKING LOOK AT THE EMOTIONAL TOLL OF TRAUMA. 78 00:05:06,806 --> 00:05:12,578 AND LAUGH-OUT-LOUD COMEDIES LIKE "THE BEAR," A HEARTBREAKING LOOK 79 00:05:12,645 --> 00:05:16,783 AT THE EMOTIONAL TOLL OF TRAUMA. [LAUGHTER] 80 00:05:16,849 --> 00:05:19,018 >> THAT SOUNDS LIKE A DRAMA, SIR. 81 00:05:19,085 --> 00:05:24,891 >> AND YET IT IS NOT. BUT THE SHOWS THAT WIN AN EMMY 82 00:05:24,957 --> 00:05:28,361 HAVE ACHIEVED THE HIGHEST LEVEL OF ARTISTRY. 83 00:05:28,428 --> 00:05:35,301 >> AND WILL HAVE THE MOST VIEWERS. 84 00:05:35,368 --> 00:05:38,638 >> I MEAN, NOT EVEN CLOSE. [LAUGHTER] 85 00:05:38,705 --> 00:05:41,541 MOST PEOPLE WILL WATCH FOOTBALL AND "YELLOWSTONE." 86 00:05:41,607 --> 00:05:44,210 BUT NONE OF THAT MATTERS IF WE GIVE UP NOW. 87 00:05:44,277 --> 00:05:48,581 BY INVENTING TV, WE CREATE A WORLD WHERE A WOMAN WILL HOST 88 00:05:48,648 --> 00:05:52,752 HER OWN POPULAR LATE-NIGHT TALK SHOW. 89 00:05:52,819 --> 00:05:57,156 >> A WOMAN, SIR?! >> NOT IN REAL LIFE, BUT ON A 90 00:05:57,223 --> 00:06:04,497 FICTIONAL SHOW CALLED "HACKS." [APPLAUSE] 91 00:06:04,564 --> 00:06:08,534 WE CREATE A WORLD WHERE AN ACTOR NAMED STANLEY TUCCI WILL GET NOT 92 00:06:08,601 --> 00:06:12,972 ONE, BUT TWO SHOWS WHERE HE GOES TO ITALY AND EATS FOOD. 93 00:06:13,039 --> 00:06:19,879 >> TWO SHOWS, SIR? >> TWO, SO FAR. 94 00:06:19,946 --> 00:06:23,449 WE CREATE A WORLD WHERE THE FINEST ARTISTS CRAFT STORIES OF 95 00:06:23,516 --> 00:06:26,486 STAGGERING BEAUTY THAT MILLIONS OF PEOPLE WILL WATCH... 96 00:06:26,552 --> 00:06:30,156 ON THEIR PHONES, WHILE THEY'RE SITTING ON THE TOILET. 97 00:06:30,223 --> 00:06:34,594 THAT IS TELEVISION. AND THIS IS THE EMMYS. 98 00:06:34,660 --> 00:06:39,532 [APPLAUSE] ♪ ♪ 99 00:06:39,599 --> 00:06:42,001 ♪ ♪ >> Announcer: PLEASE WELCOME 100 00:06:42,068 --> 00:06:44,637 TEN-TIME EMMY WINNER STEPHEN COLBERT. 101 00:06:44,704 --> 00:06:59,585 [APPLAUSE] ♪ ♪ 102 00:06:59,652 --> 00:07:00,253 [APPLAUSE] ♪ ♪ 103 00:07:00,319 --> 00:07:11,164 ♪ ♪ [APPLAUSE CONTINUES] 104 00:07:11,230 --> 00:07:16,769 >> THANK YOU VERY MUCH. YOU ARE VERY KIND. 105 00:07:16,836 --> 00:07:19,038 THANK YOU! SIT DOWN! 106 00:07:19,105 --> 00:07:26,179 THANK YOU VERY MUCH. WE'VE GOT TO GO! 107 00:07:26,245 --> 00:07:30,016 WHILE I HAVE YOUR ATTENTION, IS ANYONE HIRING? 108 00:07:30,082 --> 00:07:31,250 [LAUGHTER] BECAUSE I'VE GOT 200 VERY 109 00:07:31,317 --> 00:07:36,489 QUALIFIED CANDIDATES WITH ME HERE TONIGHT. 110 00:07:36,556 --> 00:07:46,332 WHO WILL BE AVAILABLE IN JUNE. I ALSO BROUGHT MY OWN RESUME 111 00:07:46,399 --> 00:07:49,902 HERE TONIGHT. I HAVEN'T HAD A CHANCE TO UPDATE 112 00:07:49,969 --> 00:07:56,108 MY HEADHSOT IN A BIT, BUT I THINK IT STILL WORKS. 113 00:07:56,175 --> 00:08:00,346 [LAUGHTER] I AM IN THERE SOMEWHERE. 114 00:08:00,413 --> 00:08:04,717 AFTER I GET BACK FROM ISTANBUL, I'M SURE. 115 00:08:04,784 --> 00:08:09,555 I ONLY HAVE THE ONE, SO HARRISON FORD, COULD YOU GET 116 00:08:09,622 --> 00:08:16,128 THIS TO SPIELBERG? WOULD YOU? 117 00:08:16,195 --> 00:08:25,371 [APPLAUSE] AND THE NOMINEES FOR LEAD ACTOR 118 00:08:25,438 --> 00:08:28,741 IN A COMEDY SERIES ARE... >> ADAM BRODY. 119 00:08:28,808 --> 00:08:31,611 "NOBODY WANTS THIS." SETH ROGEN. 120 00:08:31,677 --> 00:08:34,347 "THE STUDIO." JASON SEGEL. 121 00:08:34,413 --> 00:08:36,883 "SHRINKING." MARTIN SHORT. 122 00:08:36,949 --> 00:08:40,219 "ONLY MURDERS IN THE BUILDING." JEREMY ALLEN WHITE. 123 00:08:40,286 --> 00:08:45,791 "THE BEAR." >> AND NOW, THE EMMY FOR LEAD 124 00:08:45,858 --> 00:08:50,963 ACTOR IN A COMEDY SERIES GOES TO... 125 00:08:51,030 --> 00:08:53,266 SETH ROGEN. "THE STUDIO." 126 00:08:53,332 --> 00:08:59,171 [CHEERS AND APPLAUSE] ♪ ♪ 127 00:08:59,238 --> 00:09:03,042 >> Announcer: THIS IS THE FIRST EMMY WIN AND NINTH 128 00:09:03,109 --> 00:09:06,112 NOMINATION FOR SETH ROGEN, ALSO NOMINATED FOR DIRECTING, 129 00:09:06,178 --> 00:09:10,516 PRODUCING, AND WRITING "THE STUDIO." 130 00:09:10,583 --> 00:09:12,218 >> THANK YOU, STEPHEN. THANK YOU. 131 00:09:12,285 --> 00:09:16,222 WOW, THIS IS AMAZING. I SO COULD NOT WRAP MY HEAD 132 00:09:16,289 --> 00:09:18,691 AROUND THIS HAPPENING THAT I LITERALLY PREPARED NOTHING. 133 00:09:18,758 --> 00:09:20,826 I'VE NEVER WON ANYTHING IN MY LIFE. 134 00:09:20,893 --> 00:09:22,028 WHEN I WAS A KID I BOUGHT A USED BOWLING TROPHY AT AN ESTATE 135 00:09:22,094 --> 00:09:26,065 SALE, AND MY PARENTS WERE LIKE, YEAH, THAT'S A GOOD IDEA. 136 00:09:26,132 --> 00:09:29,635 YOU SHOULD PROBABLY BUY THAT. THANK YOU TO MY WIFE, MY MOTHER, 137 00:09:29,702 --> 00:09:33,572 EVERYONE WHO WORKS ON THE SHOW, MY AGENT, MY MANAGERS, THE 138 00:09:33,639 --> 00:09:35,708 WRITERS, IF YOU AND YOU GET STARTED ON THE SHOW, THANK YOU 139 00:09:35,775 --> 00:09:41,447 SO MUCH. THIS IS SO LOVELY. 140 00:09:41,514 --> 00:09:43,149 I FEEL LIKE I SHOULD -- I DON'T KNOW. 141 00:09:43,215 --> 00:09:45,418 I DON'T KNOW WHAT TO SAY. THIS IS SO NICE! 142 00:09:45,484 --> 00:09:46,719 THANK YOU. I APPRECIATE YOU ALL. 143 00:09:46,786 --> 00:09:49,221 HAVE A GOOD ONE. [APPLAUSE] 144 00:09:49,288 --> 00:09:55,361 ♪ ♪ >> Announcer: PLEASE WELCOME 145 00:09:55,428 --> 00:10:00,333 YOUR HOST, NATE BARGATZE. [APPLAUSE] 146 00:10:00,399 --> 00:10:09,008 ♪ ♪ >> Nate: ALL RIGHT, ALL RIGHT. 147 00:10:09,075 --> 00:10:14,981 THANK YOU. LOOK AT US, WE'RE DOING IT. 148 00:10:15,047 --> 00:10:18,451 ALL RIGHT? WELCOME TO THE 77TH EMMY AWARDS. 149 00:10:18,517 --> 00:10:26,892 IT'S NOT A BIG ONE LIKE THE 75TH OR THE 80TH, BUT IT'S THE ONE 150 00:10:26,959 --> 00:10:28,394 THEY GAVE ME. IT'S AN HONOR TO BE HERE 151 00:10:28,461 --> 00:10:32,631 TONIGHT. I'M EXCITED TO BE HERE. 152 00:10:32,698 --> 00:10:34,867 ALL OF YOU HAVE WORKED SO HARD TO BE HERE. 153 00:10:34,934 --> 00:10:38,771 IT'S CONFUSING, TOO. REBA McENTIRE, I FEEL LIKE I'M 154 00:10:38,838 --> 00:10:40,973 AT THE GRAMMYS. CATE BLANCHETT, I FEEL LIKE I'M 155 00:10:41,040 --> 00:10:45,511 AT THE OSCARS, IT'S CRAZY. TINA FEY, I THOUGHT, THEY 156 00:10:45,578 --> 00:10:48,814 SHOULD'VE HAD HER HOST, YOU KNOW? 157 00:10:48,881 --> 00:10:54,186 A LOT OF PEOPLE ARE WONDERING, WHY AM I HOSTING? 158 00:10:54,253 --> 00:11:01,193 I DON'T KNOW WHAT THAT WAS. [LAUGHTER] 159 00:11:01,260 --> 00:11:10,836 ALL RIGHT, IT COUNTS AS A LAUGH. [LAUGHTER] 160 00:11:10,903 --> 00:11:13,939 PEOPLE HAVE ASKED. FOR MY CAREER -- I'M A STAND-UP 161 00:11:14,006 --> 00:11:17,143 COMEDIAN, I HAVE NOT HAD A TON OF SUCCESS IN HOLLYWOOD, BUT LET 162 00:11:17,209 --> 00:11:21,614 ME TELL YOU, BOY, IS IT GOING GOOD EVERYWHERE ELSE. 163 00:11:21,680 --> 00:11:25,184 [APPLAUSE] YOU MIGHT KNOW IF YOU HAVEN'T 164 00:11:25,251 --> 00:11:28,220 HEARD, AS A HOST THEY ASKED ME, WHEN YOU GIVE YOUR THANK YOU 165 00:11:28,287 --> 00:11:29,922 SPEECHES, THEY SAID YOU HAVE TO KEEP THEM ON TIME. 166 00:11:29,989 --> 00:11:32,892 SO THEY WANTED ME TO COME UP WITH A WAY TO DO THAT. 167 00:11:32,958 --> 00:11:39,231 WHAT I CAME UP WITH IS THIS WAY. EVERYBODY GETS 45 SECONDS. 168 00:11:39,298 --> 00:11:41,667 HONESTLY, GIVE YOUR SPEECH. I KNOW HOW HARD YOU HAVE ALL 169 00:11:41,734 --> 00:11:44,403 WORKED TO GET HERE. I'M NOT TRYING TO TAKE ANYTHING 170 00:11:44,470 --> 00:11:46,572 AWAY. 45 SECONDS, THAT'S WHAT YOU GOT. 171 00:11:46,639 --> 00:11:49,875 IF YOU WANT TO DO MORE THAN THAT, DO IT ON SOCIAL MEDIA 172 00:11:49,942 --> 00:11:51,444 LATER. WHEN PEOPLE ARE GOING TO SEE IT 173 00:11:51,510 --> 00:11:54,513 THERE ANYWAY. [LAUGHTER] 174 00:11:54,580 --> 00:12:00,953 TO START THE SHOW, I'M GOING TO DONATE $100,000 TO THE BOYS AND 175 00:12:01,020 --> 00:12:03,556 A GIRLS OF AMERICA. 176 00:12:03,622 --> 00:12:09,829 [APPLAUSE] YEAH. 177 00:12:09,895 --> 00:12:12,698 REMEMBER THAT. REMEMBER HOW FUN THAT WAS, 178 00:12:12,765 --> 00:12:17,570 BECAUSE THIS PART IS HARD TO SA SAY. 179 00:12:17,636 --> 00:12:25,377 IF YOU STAY AT 45 SECONDS, IT STAYS AT $100,000. 180 00:12:25,444 --> 00:12:28,881 [LAUGHTER] ALL RIGHT, I KNOW. 181 00:12:28,948 --> 00:12:36,455 [LAUGHS] EVERY SECOND YOU GO UNDER -- OR 182 00:12:36,522 --> 00:12:40,493 OVER, I'M SORRY. EVERY SECOND YOU GO OVER 45 183 00:12:40,559 --> 00:12:44,463 SECONDS, WE WILL DEDUCT $1,000 AWAY FROM THE BOYS AD GIRLS 184 00:12:44,530 --> 00:12:49,368 CLUB. I KNOW, I KNOW. 185 00:12:49,435 --> 00:12:50,736 THAT'S TOUGH. IT'S HARD. 186 00:12:50,803 --> 00:12:53,038 THAT IS TOUGH. IT IS BRUTAL. 187 00:12:53,105 --> 00:12:56,509 WHAT ARE YOU GOING TO DO, THOUGH, YOU KNOW? 188 00:12:56,575 --> 00:12:59,111 I CAN'T CHANGE IT. THIS IS THE GAME I MADE UP, AND 189 00:12:59,178 --> 00:13:03,215 THESE ARE THE RULES. [LAUGHTER] 190 00:13:03,282 --> 00:13:09,088 HERE'S THE THING, IF YOU GO UNDER, WE WILL PUT $1,000 A 191 00:13:09,155 --> 00:13:16,662 SECOND BACK ON FOR THE BOYS AND GIRLS CLUB OF AMERICA. 192 00:13:16,729 --> 00:13:18,864 [APPLAUSE] RELAX, LET'S HAVE FUN, 193 00:13:18,931 --> 00:13:20,699 ALL RIGHT? BY THE WAY, WE ALREADY GOT 194 00:13:20,766 --> 00:13:24,103 STARTED. SETH, CONGRATS. 195 00:13:24,170 --> 00:13:28,474 I FEEL BAD, HE DIDN'T EVEN KNOW ABOUT THIS AT ALL. 196 00:13:28,541 --> 00:13:30,910 [LAUGHTER] WHAT DID HE DO? 197 00:13:30,976 --> 00:13:36,282 WAS HE OVER, UNDER? UNDER? 198 00:13:36,348 --> 00:13:39,718 ALL RIGHT! [APPLAUSE] 199 00:13:39,785 --> 00:13:48,027 HE WAS UNDER! DON'T GO CRAZY, THOUGH. 200 00:13:48,093 --> 00:13:52,431 BECAUSE I'M PAYING FOR THIS, SO DON'T -- LIKE, SOME OF YOU GO 201 00:13:52,498 --> 00:13:57,136 OVER A LITTLE, SOME GO UNDER, DO THE RIGHT THING. 202 00:13:57,203 --> 00:14:01,407 [LAUGHTER] NOW YOU KNOW THE RULES. 203 00:14:01,473 --> 00:14:05,911 THOSE ARE IT. NOW THAT EVERYBODY KNOWS, LET'S 204 00:14:05,978 --> 00:14:08,113 KEEP THIS SHOW GOING. PLEASE WELCOME TWO-TIME EMMY 205 00:14:08,180 --> 00:14:10,349 WINNER JENNIFER COOLIDGE. [APPLAUSE] 206 00:14:10,416 --> 00:14:25,297 ♪ ♪ ♪ ♪ 207 00:14:25,364 --> 00:14:33,939 ♪ ♪ ♪ ♪ 208 00:14:34,006 --> 00:14:38,944 ♪ ♪ >> I MADE IT! 209 00:14:39,011 --> 00:14:43,082 [LAUGHTER] WOW, YOU KNOW, I AM SO HONORED 210 00:14:43,148 --> 00:14:45,951 TO BE HERE PRESENTING THE EMMY FOR LEAD ACTRESS IN A COMEDY 211 00:14:46,018 --> 00:14:52,891 SERIES. I JUST WANT TO SAY TO THE 212 00:14:52,958 --> 00:14:57,963 NOMINEES, YOU ARE ALL INCREDIBLE TALENTS. 213 00:14:58,030 --> 00:15:02,134 YOU REALLY ARE. REALLY, TRULY. 214 00:15:02,201 --> 00:15:06,338 I'M NOT JOKING. [APPLAUSE] 215 00:15:06,405 --> 00:15:12,244 BETWEEN US, I WAS ACTUALLY HOPING TO BE NOMINATED ALONGSIDE 216 00:15:12,311 --> 00:15:18,951 YOU TONIGHT FOR MY WORK ON THIS SEASON OF "THE PITT." 217 00:15:19,018 --> 00:15:21,053 [LAUGHTER] I PLAYED A HORNY GRANDMOTHER 218 00:15:21,120 --> 00:15:25,190 HAVING A COLONOSCOPY DURING A POWER OUTAGE. 219 00:15:25,257 --> 00:15:28,661 YEAH. [LAUGHTER] 220 00:15:28,727 --> 00:15:32,231 I HAD TO PLAY A LOT OF LEVELS, YOU KNOW. 221 00:15:32,298 --> 00:15:38,604 I EVEN HAD TO DO MY OWN PREP! GIRLS, I JUST WANNA SAY, BEING 222 00:15:38,671 --> 00:15:44,943 NOMINATED IS SUCH A HUGE DEAL. I TALKED TO THE GUYS AT THE 223 00:15:45,010 --> 00:15:47,646 ACADEMY TONIGHT AND I ASKED THEM HOW MANY ACTRESSES ARE ELIGIBLE 224 00:15:47,713 --> 00:15:50,549 IN THIS CATEGORY. THEY THOUGHT IT WAS AROUND 225 00:15:50,616 --> 00:15:59,892 25,000. I THOUGHT ABOUT IT AND THAT JUST 226 00:15:59,958 --> 00:16:05,130 DOESN'T SEEM RIGHT. I THINK IT'S GOTTA BE AROUND 227 00:16:05,197 --> 00:16:11,070 25 MILLION. AND THEN I GUESS IT'S JUST 228 00:16:11,136 --> 00:16:21,413 NARROWED DOWN TO YOU FIVE. GIRLS, I WON LAST YEAR, 229 00:16:21,480 --> 00:16:24,616 AND -- MAYBE IT WAS LIKE TWO YEARS AGO. 230 00:16:24,683 --> 00:16:30,222 [LAUGHTER] ANYWAY, I JUST WANT TO SAY THIS, 231 00:16:30,289 --> 00:16:34,026 I CAN TELL YOU FROM EXPERIENCING WINNING, IT'S NOT ALL IT'S 232 00:16:34,093 --> 00:16:37,696 CRACKED UP TO BE. IT'S REALLY NOT. 233 00:16:37,763 --> 00:16:42,668 I THOUGHT I HAD GOTTEN REALLY CLOSE WITH MY FELLOW NOMINEES, 234 00:16:42,735 --> 00:16:45,738 ESPECIALLY AFTER I WON. I'M PRETTY SURE THEY REMOVED ME 235 00:16:45,804 --> 00:16:49,641 FROM THE GROUP CHAT. [LAUGHTER] 236 00:16:49,708 --> 00:16:57,683 WE WERE ALL SUPPOSED TO GO ON A TRIP TO IBIZA. 237 00:16:57,750 --> 00:17:05,090 I FOUND OUT I WASN'T INCLUDED, AND THE ONLY REASON I KNEW THAT 238 00:17:05,157 --> 00:17:07,626 WAS BECAUSE ELIZABETH DEBICKI AND I HAVE THE 239 00:17:07,693 --> 00:17:12,564 SAME OZEMPIC DEALER. AT LEAST HERS IS WORKING. 240 00:17:12,631 --> 00:17:15,501 [LAUGHTER] NOW THAT I THINK ABOUT IT, 241 00:17:15,567 --> 00:17:17,503 WINNING THE EMMY MIGHT HAVE BEEN THE WORST THING TO EVER HAPPEN 242 00:17:17,569 --> 00:17:26,078 TO ME. AND THE NOMINEES FOR LEAD 243 00:17:26,145 --> 00:17:31,917 ACTRESS IN A COMEDY SERIES ARE... 244 00:17:31,984 --> 00:17:34,386 >> UZO ADUBA. "THE RESIDENCE." 245 00:17:34,453 --> 00:17:37,256 KRISTEN BELL. "NOBODY WANTS THIS." 246 00:17:37,322 --> 00:17:39,892 QUINTA BRUNSON. "ABBOTT ELEMENTARY." 247 00:17:39,958 --> 00:17:42,094 AYO EDEBIRI. "THE BEAR." 248 00:17:42,161 --> 00:17:49,101 JEAN SMART. "HACKS." 249 00:17:49,168 --> 00:17:56,208 [APPLAUSE] >> AND THE EMMY GOES TO -- 250 00:17:56,275 --> 00:17:59,511 GOD HELP ME. JEAN SMART. 251 00:17:59,578 --> 00:18:02,414 "HACKS." [CHEERS AND APPLAUSE] 252 00:18:02,481 --> 00:18:09,988 ♪ ♪ >> Announcer: THIS IS THE 253 00:18:10,055 --> 00:18:13,992 SEVENTH EMMY WIN AND 14TH NOMINATION FOR JEAN SMART, AND 254 00:18:14,059 --> 00:18:19,898 HER FOURTH WIN FOR HER PORTRAYAL OF DEBORAH VANCE ON "HACKS." 255 00:18:19,965 --> 00:18:30,909 ♪ ♪ ♪ ♪ 256 00:18:30,976 --> 00:18:32,878 >> THANK YOU. THANK YOU SO MUCH. 257 00:18:32,945 --> 00:18:36,281 YOU HONOR ME SO MUCH. IF I WAS WALKING LIKE 258 00:18:36,348 --> 00:18:39,751 JOHN WAYNE, IT'S BECAUSE I BROKE MY KNEE THIS SUMMER AND IT'S NOT 259 00:18:39,818 --> 00:18:42,087 QUITE REPAIRED. ONE OF THE BEST THINGS ABOUT 260 00:18:42,154 --> 00:18:44,823 WINNING SOMETHING LIKE THIS IS THAT YOU ACTUALLY GET TO 261 00:18:44,890 --> 00:18:46,058 PUBLICLY THANK THE PEOPLE YOU WORK WITH, OUR UNBELIEVABLE 262 00:18:46,125 --> 00:18:50,729 CREW, MY INCREDIBLE CAST MATES, LED BY THE INCOMPARABLE HANNAH 263 00:18:50,796 --> 00:19:00,873 EINBINDER. [APPLAUSE] 264 00:19:00,939 --> 00:19:05,344 AND OUR SHOW RUNNERS, OH, MY GOD, BEYOND BRILLIANT. 265 00:19:05,410 --> 00:19:08,280 THERE ARE SO MANY. EVERYBODY AT HBO MAX AND 266 00:19:08,347 --> 00:19:10,916 UNIVERSAL TELEVISION TV AND THE TELEVISION ACADEMY, THANK YOU SO 267 00:19:10,983 --> 00:19:12,150 MUCH, AND MY CHILDREN YOU ARE MY ANCHOR. 268 00:19:12,217 --> 00:19:14,520 JOE, MY CHEERLEADER, EVERYBODY. LET'S BE GOOD TO EACH OTHER. 269 00:19:14,586 --> 00:19:17,523 LET'S JUST BE GOOD TO EACH OTHER. 270 00:19:17,589 --> 00:19:25,898 THANK YOU. [APPLAUSE] 271 00:19:25,964 --> 00:19:27,032 ♪ ♪ >> Announcer: COMING UP NEXT, 272 00:19:27,099 --> 00:19:29,768 CATHERINE ZETA-JONES AND JENNA ORTEGA, AND JUDE LAW TEAMS 273 00:19:29,835 --> 00:19:32,905 UP WITH JASON BATEMAN. THEN LATER, REBA McENTIRE AND 274 00:19:32,971 --> 00:19:35,574 THE LADIES OF LITTLE BIG TOWN PAY TRIBUTE TO A LEGENDARY 275 00:19:35,641 --> 00:19:38,877 SITCOM. ALL THAT AND MORE, HERE AT THE 276 00:19:38,944 --> 00:19:40,946 PEACOCK THEATER IN DOWNTOWN L.A. THIS IS CBS. 277 00:19:49,988 --> 00:19:50,989 >> Announcer: PLEASE WELCOME OSCAR WINNER 278 00:19:51,056 --> 00:19:52,891 CATHERINE ZETA-JONES AND EMMY NOMINEE JENNA ORTEGA. 279 00:19:52,958 --> 00:20:00,699 [APPLAUSE] ♪ ♪ 280 00:20:00,766 --> 00:20:07,940 >> GOOD EVENING. TONIGHT WE CELEBRATE WOMEN 281 00:20:08,006 --> 00:20:11,944 WHO DON'T JUST PLAY ROLES, THEY TRANSFORM INTO THEM. 282 00:20:12,010 --> 00:20:13,478 >> EACH OF THESE WOMEN'S PERFORMANCES HAS SPARKED 283 00:20:13,545 --> 00:20:15,447 CONVERSATION AND HAS REMINDED US OF THEIR DEMANDING, POWERFUL 284 00:20:15,514 --> 00:20:19,217 PRESENCE ON SCREEN. THEIR IMPACT IS UNDENIABLE. 285 00:20:19,284 --> 00:20:21,386 >> THEY CONTINUE TO RAISE THE BAR AND WIDEN THE LENS ON HOW WE 286 00:20:21,453 --> 00:20:24,022 SEE THE WORLD. >> HERE ARE THE NOMINEES FOR 287 00:20:24,089 --> 00:20:27,159 SUPPORTING ACTRESS IN A DRAMA SERIES. 288 00:20:27,225 --> 00:20:29,828 >> PATRICIA ARQUETTE. "SEVERANCE." 289 00:20:29,895 --> 00:20:33,365 CARRIE COON. "THE WHITE LOTUS." 290 00:20:33,432 --> 00:20:35,200 KATHERINE LaNASA. "THE PITT." 291 00:20:35,267 --> 00:20:37,402 JULIANNE NICHOLSON. "PARADISE." 292 00:20:37,469 --> 00:20:40,038 PARKER POSEY. "THE WHITE LOTUS." 293 00:20:40,105 --> 00:20:43,208 NATASHA ROTHWELL. "THE WHITE LOTUS." 294 00:20:43,275 --> 00:20:48,380 AIMEE LOU WOOD. "THE WHITE LOTUS." 295 00:20:48,447 --> 00:20:55,187 [APPLAUSE] >> AND THE EMMY GOES TO... 296 00:20:55,253 --> 00:20:58,790 KATHERINE LaNASA. "THE PITT." 297 00:20:58,857 --> 00:21:04,596 [CHEERS AND APPLAUSE] >> Announcer: THIS IS THE 298 00:21:04,663 --> 00:21:10,802 FIRST EMMY WIN AND NOMINATION FOR CATHERINE ONE ASSET. 299 00:21:10,869 --> 00:21:23,015 FOR KATHERINE LaNASA. 300 00:21:23,081 --> 00:21:24,650 [APPLAUSE] >> OH MY GOODNESS! 301 00:21:24,716 --> 00:21:28,320 I AM SO PROUD AND HONORED TO RECEIVE THIS AWARD FROM THE 302 00:21:28,387 --> 00:21:29,454 ACADEMY. MY WHOLE CAREER I WANTED TO WORK 303 00:21:29,521 --> 00:21:32,658 FOR JOHN WELLS, AND HE ELEVATES EVERYTHING IN HIS WAKE. 304 00:21:32,724 --> 00:21:35,761 JOHN, I AM SO MUCH BETTER WHEN YOU ARE AROUND. 305 00:21:35,827 --> 00:21:39,998 MOSTLY BECAUSE I DON'T WANT TO GET FIRED. 306 00:21:40,065 --> 00:21:44,069 THANK YOU, THE WRITERS, ALL THE NURSES THAT INSPIRED DANA. 307 00:21:44,136 --> 00:21:52,310 NO A NOAH WYLE AND THE INCOMPARE "THE PITT" FAMILY. 308 00:21:52,377 --> 00:21:57,582 [LISTING NAMES] WITHOUT YOU I'M NOTHING. 309 00:21:57,649 --> 00:22:02,621 WARNERS, HBO MAX, AND LASTLY MY CHILDREN FOR MAKING ME REAL, AND 310 00:22:02,688 --> 00:22:06,525 MY BEAUTIFUL HUSBAND FOR HELPING ME ALWAYS WITH EVERYTHING. 311 00:22:06,591 --> 00:22:20,439 [APPLAUSE] ♪ ♪ 312 00:22:20,505 --> 00:22:32,818 ♪ ♪ >> Nate: THAT WAS AN EXPENSIVE 313 00:22:32,884 --> 00:22:35,587 WAVE. [LAUGHTER] 314 00:22:35,654 --> 00:22:40,125 A LOT OF PEOPLE AT HOME WERE ASKING, ARE WE PENALIZING THE 315 00:22:40,192 --> 00:22:42,527 PRESENTERS IF THEY GO ALONG OR SOMETHING? 316 00:22:42,594 --> 00:22:45,163 I JUST WANT TO GET IT STRAIGHT, WE ARE NOT. 317 00:22:45,230 --> 00:22:49,367 ONLY THE PEOPLE THAT HAVE WORKED THE HARDEST TO GET HERE. 318 00:22:49,434 --> 00:22:51,937 [LAUGHTER] I'M BUSY HOSTING, SO I CAN'T 319 00:22:52,003 --> 00:22:53,905 KEEP TRACK OF ALL THE MONEY STUFF. 320 00:22:53,972 --> 00:22:56,041 SO, TO HELP US TONIGHT, WE HAVE AN ACTOR, COMEDIAN, AND PROUD 321 00:22:56,108 --> 00:22:58,443 ALUM OF THE BOYS AND GIRLS CLUB OF AMERICA -- JB SMOOVE. 322 00:22:58,510 --> 00:23:06,017 [APPLAUSE] >> HEY, MAN, LET'S NOT MAKE THIS 323 00:23:06,084 --> 00:23:10,355 ABOUT ME. THIS IS ABOUT THE BOYS AND GIRLS 324 00:23:10,422 --> 00:23:11,523 CLUB OF AMERICA, EVERYBODY! [APPLAUSE] 325 00:23:11,590 --> 00:23:15,227 I WANT TO SAY HELLO TO MY NEW FRIENDS HERE, TO PAUL AND 326 00:23:15,293 --> 00:23:19,765 KELSEY. SAY HELLO TO EVERYBODY. 327 00:23:19,831 --> 00:23:22,601 [APPLAUSE] TAKE THAT JOB ONE DAY, OKAY? 328 00:23:22,667 --> 00:23:25,570 YOU'RE GOING TO TAKE THAT JOB ONE DAY, RIGHT? 329 00:23:25,637 --> 00:23:30,609 SIT ON DOWN NOW. [LAUGHTER] 330 00:23:30,675 --> 00:23:34,312 NATE, THIS IS THE MOST AMAZING IDEA I'VE EVER SEEN. 331 00:23:34,379 --> 00:23:39,384 YOU ARE TRULY AN AMAZING, AMAZING, AMAZING HOST TONIGHT. 332 00:23:39,451 --> 00:23:42,454 THIS 45 SECONDS, I LOVE IT. GREAT IDEA, MAN. 333 00:23:42,521 --> 00:23:45,524 WHEN YOU GET UP THERE, EVERYBODY, PLEASE STICK TO YOUR 334 00:23:45,590 --> 00:23:47,159 TIME. THIS IS VERY IMPORTANT FOR THESE 335 00:23:47,225 --> 00:23:48,593 YOUNG PEOPLE. PLEASE. 336 00:23:48,660 --> 00:23:52,130 IF YOU FEEL YOURSELF GOING OVER, ZIPPED IT! 337 00:23:52,197 --> 00:23:57,135 ZIP IT! "THERE'S SOMETHING ABOUT MARY," 338 00:23:57,202 --> 00:24:02,140 YOU HAD TO ZIP IT UP, RIGHT? YEAH. 339 00:24:02,207 --> 00:24:06,178 [LAUGHTER] THIS IS GOING TO BE AN AMAZING 340 00:24:06,244 --> 00:24:08,880 NIGHT. EVERYBODY, PLEASE, I AM A TRUE 341 00:24:08,947 --> 00:24:10,415 ALUM. I'VE GOT MY JACKET ON. 342 00:24:10,482 --> 00:24:14,152 THIS IS LIKE THE MASTERS JACKET, BUT BLUE, AND BETTER. 343 00:24:14,219 --> 00:24:20,725 YOU KNOW WHAT I'M SAYING? NATE, LET'S GO, BABY, BEFORE YOU 344 00:24:20,792 --> 00:24:23,995 START TALKING TO ME, TOO. >> Nate: WE ARE THREE AWARDS 345 00:24:24,062 --> 00:24:25,964 IN. WHAT WAS THE NUMBER? 346 00:24:26,031 --> 00:24:28,200 I WANTED TO SEE WHERE WE ARE AT. WE ARE DOWN. 347 00:24:28,266 --> 00:24:34,272 I'M SORRY. THIS IS SERIOUS! 348 00:24:34,339 --> 00:24:37,342 THAT'S GOOD FOR ME. [LAUGHTER] 349 00:24:37,409 --> 00:24:40,846 I WAS BACKSTAGE WITH THESE NEXT PRESENTERS, AND I'VE SEEN THEM 350 00:24:40,912 --> 00:24:45,951 IN SO MUCH, YOU KNOW? I COULDN'T REMEMBER THEIR NAMES, 351 00:24:46,017 --> 00:24:48,620 BUT IT WAS -- JUDE LAW, DAD GUM IT, AND EMMY WINNER 352 00:24:48,687 --> 00:24:52,157 JASON BATEMAN. I KNEW IT WAS THEM! 353 00:24:52,224 --> 00:25:03,902 [APPLAUSE] ♪ ♪ 354 00:25:03,969 --> 00:25:06,571 >> I'M GOING TO GO FIRST. JASON AND I ARE HERE TO 355 00:25:06,638 --> 00:25:12,611 PRESENT THE EMMY FOR SUPPORTING ACTOR IN A DRAMA SERIES. 356 00:25:12,677 --> 00:25:14,880 >> THAT'S TRUE, JUDE. THE ARTISTS WE HONOR TONIGHT 357 00:25:14,946 --> 00:25:16,581 ELEVATED EVERY SCENE THEY TOUCHED. 358 00:25:16,648 --> 00:25:18,316 THEY DEEPENED THE EMOTIONAL ARCS OF EVERY EPISODE, AND IGNITED 359 00:25:18,383 --> 00:25:22,220 INCREDIBLE CONFLICT. >> SIMPLY PUT, THEY MAKE EVERY 360 00:25:22,287 --> 00:25:24,289 SCENE THEY ARE IN UNDENIABLY MEMORABLE, AND WITHOUT THEM THE 361 00:25:24,356 --> 00:25:28,260 STORY IS INCOMPLETE. HERE ARE THE NOMINEES. 362 00:25:28,326 --> 00:25:30,662 >> ZACH CHERRY. "SEVERANCE." 363 00:25:30,729 --> 00:25:33,732 WALTON GOGGINS. "THE WHITE LOTUS." 364 00:25:33,798 --> 00:25:36,768 JASON ISAACS. "THE WHITE LOTUS." 365 00:25:36,835 --> 00:25:39,304 JAMES MARSDEN. "PARADISE." 366 00:25:39,371 --> 00:25:42,207 SAM ROCKWELL. "THE WHITE LOTUS." 367 00:25:42,274 --> 00:25:45,043 TRAMELL TILLMAN. "SEVERANCE." 368 00:25:45,110 --> 00:25:51,816 JOHN TURTURRO. "SEVERANCE." 369 00:25:51,883 --> 00:25:56,621 >> OKAY, THE EMMY GOES TO... I REALLY HOPE YOU WIN. 370 00:25:56,688 --> 00:26:00,258 TRAMELL TILLMAN. "SEVERANCE." 371 00:26:00,325 --> 00:26:06,998 [CHEERS AND APPLAUSE] ♪ ♪ 372 00:26:07,065 --> 00:26:16,207 >> THIS IS THE FIRST EMMY WIN AND NOMINATION FOR TRAMELL 373 00:26:16,274 --> 00:26:29,921 TILLMAN. [APPLAUSE] 374 00:26:29,988 --> 00:26:32,557 ♪ ♪ >> YOU REMEMBER WHAT YOU WANT TO 375 00:26:32,624 --> 00:26:34,960 REMEMBER. YOU MAKE TIME FOR WHAT YOU WANT 376 00:26:35,026 --> 00:26:38,663 TO MAKE TIME FOR. DO THE WORK, SHOW UP, AND MOST 377 00:26:38,730 --> 00:26:42,701 IMPORTANTLY, FOR THE LOVE OF GOD, DON'T EMBARRASS ME IN 378 00:26:42,767 --> 00:26:45,070 PUBLIC. [LAUGHTER] 379 00:26:45,136 --> 00:26:49,274 MY FIRST ACTING COACH WAS TOUGH, Y'ALL, BUT ALL GREAT MOTHERS 380 00:26:49,341 --> 00:26:56,081 ARE. [LAUGHTER AND APPLAUSE] 381 00:26:56,147 --> 00:26:58,817 MAMA, YOU ARE THERE FOR ME WHEN NO ONE ELSE WAS, AND NO ONE ELS 382 00:26:58,883 --> 00:27:04,222 WOULD SHOW UP. YOUR LOVING-KINDNESS STAYS WITH 383 00:27:04,289 --> 00:27:08,693 ME. AND THIS IS FOR YOU. 384 00:27:08,760 --> 00:27:12,364 THANK YOU TO THE ACADEMY. I AM FULL, I AM HUMBLED, I AM 385 00:27:12,430 --> 00:27:17,669 HONORED, AND AS MY MAMA WOULD SAY, OOH, LOOK AT GOD! 386 00:27:17,736 --> 00:27:25,910 [APPLAUSE] ♪ ♪ 387 00:27:25,977 --> 00:27:29,214 >> Announcer: COMING UP, REBA McENTIRE AND THE LADIES OF 388 00:27:29,280 --> 00:27:32,917 LITTLE BIG TOWN, KAREN FAIRCHILD AND KIMBERLY SCHLAPMAN, TOAST 389 00:27:32,984 --> 00:27:36,688 "THE GOLDEN GIRLS." PLUS ANGELA BASSETT PRESENTS THE 390 00:27:36,755 --> 00:27:39,524 AWARD FOR LEAD ACTRESS IN A DRAMA. 391 00:27:39,591 --> 00:27:40,592 THIS IS CBS. ♪ ♪ 392 00:27:55,006 --> 00:27:55,940 >> Announcer: PLEASE WELCOME 393 00:27:56,007 --> 00:27:58,943 EMMY WINNER ANGELA BASSETT. [APPLAUSE] 394 00:27:59,010 --> 00:28:12,757 ♪ ♪ ♪ ♪ 395 00:28:12,824 --> 00:28:16,161 >> THE LEAD ACTRESS IN A DRAMA DOESN'T JUST SHOW UP TO WORK 396 00:28:16,227 --> 00:28:20,265 EACH DAY TO "ACT." THEY MUST TRANSFORM. 397 00:28:20,331 --> 00:28:24,102 THEY MUST COMMAND OUR SCREENS WITH A PRESENCE SO CAPTIVATING 398 00:28:24,169 --> 00:28:26,871 THAT WE REMEMBER THEIR PERFORMANCES LONG AFTER THE 399 00:28:26,938 --> 00:28:32,177 FINAL CREDIT FADES TO BLACK. THIS YEAR'S NOMINEES FOR LEAD 400 00:28:32,243 --> 00:28:37,082 ACTRESS IN A DRAMA SERIES DIDN'T JUST PLAY CHARACTERS, THEY GAVE 401 00:28:37,148 --> 00:28:42,187 US A MASTERCLASS IN ACTING THAT WAS JUST ELECTRIFYING. 402 00:28:42,253 --> 00:28:45,290 >> KATHY BATES. "MATLOCK." 403 00:28:45,356 --> 00:28:48,393 SHARON HORGAN. "BAD SISTERS." 404 00:28:48,460 --> 00:28:50,995 BRITT LOWER. "SEVERANCE." 405 00:28:51,062 --> 00:28:54,132 BELLA RAMSEY. "THE LAST OF US." 406 00:28:54,199 --> 00:29:01,506 KERI RUSSELL. "THE DIPLOMAT." 407 00:29:01,573 --> 00:29:08,646 >> AND THE EMMY GOES TO... BRITT LOWER. 408 00:29:08,713 --> 00:29:13,985 [CHEERS AND APPLAUSE] ♪ ♪ 409 00:29:14,052 --> 00:29:16,454 >> Announcer: THIS IS THE FIRST EMMY WIN AND NOMINATION 410 00:29:16,521 --> 00:29:24,496 FOR BRITT LOWER. ♪ ♪ 411 00:29:24,562 --> 00:29:38,243 ♪ ♪ >> FIRST, IT IS A PRIVILEGE EVEN 412 00:29:38,309 --> 00:29:41,045 BE MENTIONED ALONGSIDE SUCH AN INCREDIBLE GROUP OF ARTISTS. 413 00:29:41,112 --> 00:29:43,114 WOW. I SHARE THIS AWARD WITH MY 414 00:29:43,181 --> 00:29:47,418 HEROIC CAST AND CREW WHOSE WORK CATALYZES MINE. 415 00:29:47,485 --> 00:29:51,589 I AM FOREVER GRATEFUL TO THE VISIONARY HEARTS OF DAN, 416 00:29:51,656 --> 00:29:58,963 JESSICA, ADAM, AND THEN. THANK YOU TO THE ACADEMY, 417 00:29:59,030 --> 00:30:04,002 APPLE TV+, AND TO MY FANS, OUR FANS, TO MY TEAM -- 418 00:30:04,068 --> 00:30:07,071 [LISTING NAMES] MY TEACHERS, MY MOM AND MY DAD, 419 00:30:07,138 --> 00:30:10,775 MY BROTHER, MY HUSBAND, OUR KIDS, OUR COPARENTS, OUR CHOSEN 420 00:30:10,842 --> 00:30:12,644 FAMILY. I LOVE YOU SO MUCH. 421 00:30:12,710 --> 00:30:19,384 THANK YOU FOR THIS, AND THANK YOU FOR CHOOSING ME. 422 00:30:19,450 --> 00:30:28,092 [APPLAUSE] ♪ ♪ 423 00:30:28,159 --> 00:30:37,402 ♪ ♪ >> Nate: 40 YEARS AGO TONIGHT, 424 00:30:37,468 --> 00:30:43,775 "THE GOLDEN GIRLS" PREMIERED ON NBC. 425 00:30:43,841 --> 00:30:49,747 [APPLAUSE] IT WAS AN INSTANT CLASSIC. 426 00:30:49,814 --> 00:30:52,183 IT WAS A LITTLE EDGIER THAN PEOPLE REMEMBER. 427 00:30:52,250 --> 00:30:53,885 GROWING UP, I WAS NOT ALLOWED TO WATCH THE BLANCHE PARTS. 428 00:30:53,952 --> 00:30:56,821 [LAUGHTER] HERE TO CELEBRATE THE 40TH 429 00:30:56,888 --> 00:30:59,624 ANNIVERSARY OF THE SHOW, AND TO PRESENT THE AWARD FOR BEST 430 00:30:59,691 --> 00:31:03,861 SUPPORTING ACTRESS IN A COMEDY SERIES, PLEASE WELCOME 431 00:31:03,928 --> 00:31:07,966 REBA McENTIRE AND LITTLE BIG TOWN'S KAREN FAIRCHILD AND 432 00:31:08,032 --> 00:31:14,973 KIMBERLY SCHLAPMAN. [APPLAUSE] 433 00:31:15,039 --> 00:31:18,710 ♪ ♪ >> SINGING IT FOR THE GIRLS! 434 00:31:18,776 --> 00:31:20,945 >> ♪ THANK YOU FOR BEING A FRIEND ♪ 435 00:31:21,012 --> 00:31:23,748 ♪ TRAVELED DOWN A ROAD AND BACK AGAIN ♪ 436 00:31:23,815 --> 00:31:31,022 ♪ YOUR HEART IS TRUE ♪ ♪ YOU'RE A PAL AND A CONFIDANT ♪ 437 00:31:31,089 --> 00:31:34,459 ♪ ♪ >> ♪ AND IF YOU THREW A PARTY ♪ 438 00:31:34,525 --> 00:31:39,831 ♪ INVITED EVERYONE YOU KNEW ♪ >> ♪ YOU WOULD SEE THE BIGGEST 439 00:31:39,897 --> 00:31:43,568 GIFT WOULD BE FROM ME ♪ ♪ AND THE CARD ATTACHED WOULD 440 00:31:43,635 --> 00:31:46,237 SAY ♪ >> ♪ THANK YOU FOR BEING A 441 00:31:46,304 --> 00:31:54,145 FRIEND ♪ >> ♪ AND IF YOU THREW A PARTY ♪ 442 00:31:54,212 --> 00:32:00,551 ♪ INVITED EVERYONE YOU KNEW ♪ >> ♪ YOU WOULD SEE THE BIGGEST 443 00:32:00,618 --> 00:32:04,589 GIFT WOULD BE FROM ME ♪ ♪ AND THE CARD ATTACHED WOULD 444 00:32:04,656 --> 00:32:07,725 SAY ♪ >> ♪ THANK YOU FOR BEING A 445 00:32:07,792 --> 00:32:11,596 FRIEND ♪ >> ♪ THANK YOU FOR BEING A 446 00:32:11,663 --> 00:32:15,933 FRIEND ♪ >> ♪ THANK YOU FOR BEING A 447 00:32:16,000 --> 00:32:20,171 FRIEND ♪ >> ♪ THANK YOU FOR BEING A 448 00:32:20,238 --> 00:32:29,747 FRIEND ♪ ♪ ♪ 449 00:32:29,814 --> 00:32:44,696 [APPLAUSE] >> HERE IT COMES. 450 00:32:44,762 --> 00:32:46,931 [APPLAUSE] >> HERE IT COMES. 451 00:32:46,998 --> 00:32:49,867 BLANCHE, DOROTHY, SOPHIA, AND ROSE -- ICONIC CHARACTERS WHO WE 452 00:32:49,934 --> 00:32:52,203 CONTINUE TO LOVE 40 YEARS AFTER THEY FIRST GRACED OUR TELEVISION 453 00:32:52,270 --> 00:32:56,341 SCREENS. >> TO THE CHARACTERS AND THE 454 00:32:56,407 --> 00:33:00,111 LEGENDS WHO BROUGHT THEM TO LIFE, THANK YOU FOR BEING OUR 455 00:33:00,178 --> 00:33:03,981 FRIENDS. >> HERE ARE THE NOMINEES FOR 456 00:33:04,048 --> 00:33:08,086 SUPPORTING ACTRESS IN A COMEDY SERIES. 457 00:33:08,152 --> 00:33:10,154 >> LIZA COLÓN-ZAYAS. "THE BEAR." 458 00:33:10,221 --> 00:33:11,923 HANNAH EINBINDER. "HACKS." 459 00:33:11,989 --> 00:33:14,492 KATHRYN HAHN. "THE STUDIO." 460 00:33:14,559 --> 00:33:16,761 JANELLE JAMES. "ABBOTT ELEMENTARY." 461 00:33:16,828 --> 00:33:19,364 CATHERINE O'HARA. "THE STUDIO." 462 00:33:19,430 --> 00:33:21,733 SHERYL LEE RALPH. "ABBOTT ELEMENTARY." 463 00:33:21,799 --> 00:33:28,773 JESSICA WILLIAMS. "SHRINKING." 464 00:33:28,840 --> 00:33:32,377 >> AND THE EMMY GOES TO... HANNAH EINBINDER. 465 00:33:32,443 --> 00:33:40,785 "HACKS." [CHEERS AND APPLAUSE] 466 00:33:40,852 --> 00:33:44,422 >> Announcer: THIS IS THE FIRST EMMY WIN AND FOURTH 467 00:33:44,489 --> 00:33:51,529 NOMINATION IN THIS CATEGORY FOR HANNAH EINBINDER FOR HER PORTRAY 468 00:33:51,596 --> 00:33:59,804 PORTRAYAL ON "HACKS." ♪ ♪ 469 00:33:59,871 --> 00:34:03,775 >> CONGRATULATIONS! >> WOW. 470 00:34:03,841 --> 00:34:08,479 THANK YOU SO MUCH! THANK YOU. 471 00:34:08,546 --> 00:34:12,550 WOW. YEAH, SORRY, I'M THINKING OUT 472 00:34:12,617 --> 00:34:15,052 LOUD HERE. I WAS JUST REALLY COMMITTED TO 473 00:34:15,119 --> 00:34:17,855 THE PERSONAL NARRATIVE I HAD THAT IT'S ACTUALLY COOLER TO 474 00:34:17,922 --> 00:34:20,958 CONTINUE TO LOSE. I WAS PRETTY COMMITTED TO THAT. 475 00:34:21,025 --> 00:34:24,829 HAD TO BE, RIGHT? BUT THIS IS COOL, TOO. 476 00:34:24,896 --> 00:34:27,298 THIS IS ALSO A PUNK ROCK. [LAUGHTER] 477 00:34:27,365 --> 00:34:31,369 I WANT TO THANK THE CREATORS OF "HACKS." 478 00:34:31,436 --> 00:34:34,439 [LISTING NAMES] FOR CHANGING MY LIFE IN EVERY 479 00:34:34,505 --> 00:34:37,175 CONCEIVABLE WAY. NOT JUST BY GIVING ME A GREAT 480 00:34:37,241 --> 00:34:41,312 GIG, BUT BY BEING MY FRIENDS AND BEING MY FAMILY. 481 00:34:41,379 --> 00:34:44,982 OH, HERE I GO. [VOICE BREAKING] 482 00:34:45,049 --> 00:34:49,687 AND I WANT TO THANK JEAN SMART, WHO IS LIKE THE SUN AND I GET TO 483 00:34:49,754 --> 00:34:53,624 STAND IN HER WARMTH. I ALSO WANT TO THANK THE CAST 484 00:34:53,691 --> 00:34:56,360 AND CREW OF "HACKS." FINALLY -- I WILL BE THE 485 00:34:56,427 --> 00:34:59,230 DIFFERENCE, SORRY. [LAUGHTER] 486 00:34:59,297 --> 00:35:07,205 FINALLY, I JUST WANT TO SAY GO BIRDS. 487 00:35:07,271 --> 00:35:11,542 AND FREE PALESTINE. THANK YOU. 488 00:35:11,609 --> 00:35:19,917 [APPLAUSE] ♪ ♪ 489 00:35:19,984 --> 00:35:20,918 ♪ ♪ >> Announcer: COMING UP, AN 490 00:35:20,985 --> 00:35:24,055 APPEARANCE BY LEANNE MORGAN. THEN, JAMES MARSDEN, 491 00:35:24,121 --> 00:35:28,192 STERLING K. BROWN, AND JULIANNE NICHOLSON PRESENT THE 492 00:35:28,259 --> 00:35:33,264 AWARD FOR SUPPORTING ACTOR IN A COMEDY SERIES. 493 00:35:47,011 --> 00:35:49,947 ♪ ♪ >> Nate: WELCOME BACK TO THE 494 00:35:50,014 --> 00:35:52,950 EMMYS. CONGRATULATIONS, HANNAH. 495 00:35:53,017 --> 00:35:56,554 I BELIEVE SHE SAID SHE WAS GOING TO PAY FOR IT. 496 00:35:56,621 --> 00:36:00,591 I JUST WANT TO MAKE SURE THEY SEPARATE THAT FROM THE AMOUNT I 497 00:36:00,658 --> 00:36:01,726 SAID. [LAUGHTER] 498 00:36:01,792 --> 00:36:06,063 I WILL FIND HER LATER. SHE ALSO CURSED, AND LET ME TELL 499 00:36:06,130 --> 00:36:10,334 YOU, I WILL START A SWEAR JAR WHEELS ASKED IF Y'ALL DON'T -- 500 00:36:10,401 --> 00:36:14,105 [LAUGHTER] WHAT IS THE MONEY AT? 501 00:36:14,171 --> 00:36:17,174 I KNOW. IT'S TOUGH WHEN YOU SEE IT ON 502 00:36:17,241 --> 00:36:21,145 TV. [LAUGHTER] 503 00:36:21,212 --> 00:36:26,918 $80,000. IT IS ALL GOING TO WORK OUT. 504 00:36:26,984 --> 00:36:29,320 JUST WHEN EVERYBODY THOUGHT THEY CAN'T UNDERSTAND WHAT I'M 505 00:36:29,387 --> 00:36:32,423 SAYING, I THOUGHT, LET'S BRING OUT SOMEONE WITH A THICKER 506 00:36:32,490 --> 00:36:35,226 TENNESSEE ACCENT THAN MINE. FROM THE NETFLIX SITCOM 507 00:36:35,293 --> 00:36:39,330 "LEANNE," PLEASE WELCOME MY DEAR FRIEND LEANNE MORGAN. 508 00:36:39,397 --> 00:36:44,302 [APPLAUSE] ♪ ♪ 509 00:36:44,368 --> 00:36:56,080 ♪ ♪ >> OH, MY GOSH, I'M SO TICKLED 510 00:36:56,147 --> 00:36:57,949 TO BE HERE! THIS HAS BEEN A DREAM OF MINE 511 00:36:58,015 --> 00:37:03,888 SINCE I WAS A LITTLE BITTY GIRL, AND Y'ALL ARE JUST AS BEAUTIFUL 512 00:37:03,955 --> 00:37:06,991 AS I THOUGHT Y'ALL WERE GOING TO BE. 513 00:37:07,058 --> 00:37:10,995 PEDRO PASCAL, LOOK AT YOU! MY DARLING! 514 00:37:11,062 --> 00:37:13,798 [LAUGHTER] HONEY! 515 00:37:13,864 --> 00:37:20,538 OH, MY GOSH, EVERYBODY IS SO DISCIPLINED AND TINY. 516 00:37:20,605 --> 00:37:25,209 WALTON GOGGINS, I COULD NOT GET MY TOE IN HIS PANTS. 517 00:37:25,276 --> 00:37:26,944 Y'ALL ARE ALL BEAUTIFUL. OH, MY GOSH. 518 00:37:27,011 --> 00:37:34,318 I KNOW, I'VE GOT TO GET ON THIS. OH, NOT THAT YET. 519 00:37:34,385 --> 00:37:36,887 [LAUGHTER] CAN Y'ALL TELL I'M SO EXCITED? 520 00:37:36,954 --> 00:37:40,725 OKAY. CAN I PULL YOU IN FOR A CHAT? 521 00:37:40,791 --> 00:37:44,695 THAT'S WHAT ALL THOSE YOUNG PEOPLE SAY ON "LOVE ISLAND," AND 522 00:37:44,762 --> 00:37:47,465 I'M SO OBSESSED WITH THAT SHOW! IN FACT, AS SOMEONE WHO'S 523 00:37:47,531 --> 00:37:49,133 MARRIED AND A MOM, I AM OBSESSED WITH EVERY NOMINEE IN THE 524 00:37:49,200 --> 00:37:51,469 REALITY COMPETITION SERIES CATEGORY. 525 00:37:51,535 --> 00:37:57,274 Y'ALL STAY WITH ME ON THIS. PEDRO. 526 00:37:57,341 --> 00:37:58,442 [LAUGHTER] "THE AMAZING RACE" DESCRIBES ME 527 00:37:58,509 --> 00:38:03,047 GETTING TO THE AIRPORT. [APPLAUSE] 528 00:38:03,114 --> 00:38:05,149 MY MAKEUP WILL NEVER BE AS GOOD AS ALL THOSE BEAUTIES ON 529 00:38:05,216 --> 00:38:10,988 "RuPAUL'S DRAG RACE." [CHEERS AND APPLAUSE] 530 00:38:11,055 --> 00:38:18,229 "SURVIVOR." [APPLAUSE] 531 00:38:18,295 --> 00:38:21,399 I'M A SURVIVOR. I'VE BEEN MARRIED FOR 33 YEARS. 532 00:38:21,465 --> 00:38:27,638 I'M THE "TOP CHEF" IN MY HOUSE. "TOP CHEF!" 533 00:38:27,705 --> 00:38:29,840 ANY MOM WHO PLAYS MAHJONG CAN RELATE TO THE TREACHERY, 534 00:38:29,907 --> 00:38:38,916 GOSSIP, AND BACKSTABBING ON "THE TRAITORS." 535 00:38:38,983 --> 00:38:41,585 [APPLAUSE] I DON'T PLAY MAHJONG. 536 00:38:41,652 --> 00:38:44,955 I DON'T HAVE IT IN ME TO LEARN NEW THINGS. 537 00:38:45,022 --> 00:38:48,759 AND THOSE ARE THE NOMINEES FOR THE REALITY COMPETITION PROGRAM. 538 00:38:48,826 --> 00:38:56,434 AND THE EMMY GOES TO... "THE TRAITORS." 539 00:38:56,500 --> 00:39:05,543 [CHEERS AND APPLAUSE] ♪ ♪ 540 00:39:05,609 --> 00:39:08,279 >> Announcer: "THE TRAITORS" HAS WON ALL FIVE OF THEIR 541 00:39:08,345 --> 00:39:12,116 NOMINATIONS THIS YEAR. THIS IS THE SECOND CONSECUTIVE 542 00:39:12,183 --> 00:39:14,351 WINS CATEGORY. ACCEPTING THE EMMY ON THEIR 543 00:39:14,418 --> 00:39:17,855 BEHALF IS TO BE 26. >> QUICK, EVERYONE, THE CLOCK IS 544 00:39:17,922 --> 00:39:21,592 TICKING AND WE HAVE A SHIELD! THANK YOU TO THE ACADEMY, THE 545 00:39:21,659 --> 00:39:22,960 SPORT IS A LOVELY. WE APPRECIATE IT. 546 00:39:23,027 --> 00:39:27,231 THANKS EVERYONE HE WATCHES THE SHOW AND ALL THE PEOPLE WHO HAVE 547 00:39:27,298 --> 00:39:28,432 "TRAITORS" PARTIES AND DRESS UP AS ME. 548 00:39:28,499 --> 00:39:30,901 WE SEE YOU AND WE LOVE YOU. THANK YOU TO PEACOCK, THE BEST 549 00:39:30,968 --> 00:39:35,606 COLLABORATORS. THANK YOU TO STUDIO LAMBERT TO 550 00:39:35,673 --> 00:39:41,746 BE SO FECUND. THANK YOU TO OUR CRAZY CAST AT 551 00:39:41,812 --> 00:39:43,914 OUR CREW AND SCOTLAND WHO HAD TO UNDERSTAND THE CONCEPT OF THE 552 00:39:43,981 --> 00:39:45,583 SCOTTISH SUMMER AS SOMETIMES OXYMORONIC. 553 00:39:45,649 --> 00:39:47,952 IT'S A DIFFICULT TIM WE LIVE IN BUT IT IS SO GREAT THAT OUR SHOW 554 00:39:48,018 --> 00:39:50,821 BRINGS A LITTLE BIT OF JOY INTO THIS LIFE. 555 00:39:50,888 --> 00:39:54,658 TALKING OF JOY, THANK YOU, GRANT SCHAEFER, WHO BRINGS JOY INTO MY 556 00:39:54,725 --> 00:39:57,361 LIFE EVERY SINGLE DAY. THANK YOU SO MUCH. 557 00:39:57,428 --> 00:40:06,403 [APPLAUSE] ♪ ♪ 558 00:40:06,470 --> 00:40:15,746 ♪ ♪ >> Announcer: PLEASE WELCOME 559 00:40:15,813 --> 00:40:18,582 TWO-TIME EMMY NOMINEE JAMES MARSDEN, EMMY 560 00:40:18,649 --> 00:40:20,518 WINNER JULIANNE NICHOLSON, AND THREE-TIME EMMY WINNER 561 00:40:20,584 --> 00:40:22,253 STERLING K. BROWN. [APPLAUSE] 562 00:40:22,319 --> 00:40:31,028 ♪ ♪ >> DON'T WORRY ABOUT US! 563 00:40:31,095 --> 00:40:32,429 GREAT TO SHARE THE EMMYS STAGE WITH TWO OF MY ALL-TIME 564 00:40:32,496 --> 00:40:33,964 FAVORITE SCENE PARTNERS. >> COME ON, JAMES. 565 00:40:34,031 --> 00:40:35,666 YOU KNOW YOU'RE THE MAN. I LOVE WORKING WITH YOU BOTH ON 566 00:40:35,733 --> 00:40:37,868 "PARADISE." >> AND THANK YOU ALL FOR THE 567 00:40:37,935 --> 00:40:41,338 LOVE YOU'VE SHOWN TO OUR SHOW. >> BUT WE ARE A LITTLE BIT 568 00:40:41,405 --> 00:40:45,309 MIFFED ABOUT OUR SHOW NOT BEING VIEWED AS A COMEDY. 569 00:40:45,376 --> 00:40:47,545 >> AFTER ALL, JULIANNE WON AN EMMY FOR HER COMEDIC PERFORMANCE 570 00:40:47,611 --> 00:40:51,415 ON "HACKS." [APPLAUSE] 571 00:40:51,482 --> 00:40:53,484 >> AND, STERLING, YOU'VE BEEN NOMINATED FOR YOUR COMEDIC 572 00:40:53,551 --> 00:40:55,553 PERFORMANCES IN "BROOKLYN NINE-NINE" AND 573 00:40:55,619 --> 00:40:59,957 "THE MARVELOUS MRS. MAISEL." >> THANK YOU VERY MUCH. 574 00:41:00,024 --> 00:41:04,595 AND, JAMES, YOU WERE NOMINATED FOR "JURY DUTY." 575 00:41:04,662 --> 00:41:09,900 AND THAT'S FUNNY STUFF. >> THANK YOU. 576 00:41:09,967 --> 00:41:11,435 SO I JUST DON'T GET HOW THREE COMEDIC POWERHOUSES WERE 577 00:41:11,502 --> 00:41:14,705 OVERLOOKED FOR OUR WORK IN "PARADISE." 578 00:41:14,772 --> 00:41:16,640 >> WHAT'S FUNNIER THAN 25,000 PEOPLE EVADING THE END OF THE 579 00:41:16,707 --> 00:41:18,209 WORLD BY MOVING INTO A BUNKER? COMPARED TO HEADLINES THESE 580 00:41:18,275 --> 00:41:23,948 DAYS, THAT'S POSITIVELY FEEL-GOOD TV. 581 00:41:24,014 --> 00:41:26,717 >> AND IT'S EVEN FUNNIER HOW YOUR WIFE IN THE SHOW MISSED THE 582 00:41:26,784 --> 00:41:31,856 PLANE THAT TOOK US TO THE BUNKER, BUT YOUR BARBER DIDN'T. 583 00:41:31,922 --> 00:41:36,460 BECAUSE YOUR FADE WAS TIGHT EVERY EPISODE. 584 00:41:36,527 --> 00:41:42,366 >> I'VE GOT TO KEEP THIS TIGHT, BABY, YOU KNOW WHAT I'M SAYING. 585 00:41:42,433 --> 00:41:44,501 >> SO, EMMY VOTERS, KEEP US IN MIND FOR NEXT YEAR. 586 00:41:44,568 --> 00:41:46,804 >> NOW, HERE ARE THE NOMINEES FOR SUPPORTING ACTOR IN A COMEDY 587 00:41:46,871 --> 00:41:48,706 SERIES. >> IKE BARINHOLTZ. 588 00:41:48,772 --> 00:41:50,741 "THE STUDIO." COLMAN DOMINGO. 589 00:41:50,808 --> 00:41:52,409 "THE FOUR SEASONS." HARRISON FORD. 590 00:41:52,476 --> 00:41:54,178 "SHRINKING." JEFF HILLER. 591 00:41:54,245 --> 00:41:56,614 "SOMEBODY SOMEWHERE." EBON MOSS-BACHRACH. 592 00:41:56,680 --> 00:41:58,782 "THE BEAR." MICHAEL URIE. 593 00:41:58,849 --> 00:42:01,285 "SHRINKING." BOWEN YANG. 594 00:42:01,352 --> 00:42:09,927 "SATURDAY NIGHT LIVE." >> OKAY, AND THE EMMY GOES TO... 595 00:42:09,994 --> 00:42:14,765 JEFF HILLER. "SOMEBODY SOMEWHERE." 596 00:42:14,832 --> 00:42:19,803 [CHEERS AND APPLAUSE] ♪ ♪ 597 00:42:19,870 --> 00:42:22,706 >> Announcer: THIS IS THE FIRST EMMY WIN AND NOMINATION 598 00:42:22,773 --> 00:42:26,877 FOR JEFF HILLER. [APPLAUSE] 599 00:42:26,944 --> 00:42:35,219 ♪ ♪ ♪ ♪ 600 00:42:35,286 --> 00:42:41,792 >> CONGRATS! >> I FEEL LIKE I'M GOING TO CRY, 601 00:42:41,859 --> 00:42:46,063 BECAUSE FOR THE PAST 25 YEARS I HAVE BEEN LIKE, WORLD, I WANT TO 602 00:42:46,130 --> 00:42:48,699 BE AN ACTOR! IN THE WORLD WAS LIKE, MAYBE 603 00:42:48,766 --> 00:42:50,935 COMPUTERS. [LAUGHTER] 604 00:42:51,001 --> 00:42:55,439 I JUST WANT TO SAY THANK YOU TO HBO FOR PUTTING A SHOW ABOUT 605 00:42:55,506 --> 00:43:01,979 SWEATY MIDDLE-AGE PEOPLE ON THE SAME NETWORK AS THE SEXY TEENS 606 00:43:02,046 --> 00:43:04,748 OF "EUPHORIA." [LAUGHTER] 607 00:43:04,815 --> 00:43:09,620 THANK YOU TO THE DUPLASS BROTHERS. 608 00:43:09,687 --> 00:43:12,756 [LISTING NAMES] FOR WRITING A SHOW THAT 609 00:43:12,823 --> 00:43:16,827 CONNECTING AND LOVE IN THIS TIME WHEN COMPASSION IS SEEN AS A 610 00:43:16,894 --> 00:43:18,595 WEAKNESS. THANK YOU TO MY SWEET HUSBAND 611 00:43:18,662 --> 00:43:20,931 AND MY FAMILY FOR NEVER LAUGHING AT ME, AND MOST OF ALL, 612 00:43:20,998 --> 00:43:24,301 THANK YOU, BRIDGET EVERETT. YOU CHANGED MY LIFE AND YOU TOLD 613 00:43:24,368 --> 00:43:28,339 SO MANY PEOPLE TO BELIEVE IN THEMSELVES, AND THEY DO. 614 00:43:28,405 --> 00:43:35,946 THANK YOU. [APPLAUSE] 615 00:43:36,013 --> 00:43:37,114 ♪ ♪ >> Announcer: COMING UP NEXT, 616 00:43:37,181 --> 00:43:39,049 WALTON GOGGINS, PARKER POSEY, AND ELIZABETH BANKS TAKE THE 617 00:43:39,116 --> 00:43:42,252 STAGE. LATER, WE CELEBRATE 35 YEARS OF 618 00:43:42,319 --> 00:43:46,023 "LAW & ORDER." AND STILL AHEAD, LAINEY WILSON 619 00:43:46,090 --> 00:43:51,228 AND VINCE GILL SALUTE THE LEGENDS WE LOST THIS YEAR. 620 00:43:51,295 --> 00:43:52,296 THIS IS CBS. ♪ ♪ 621 00:44:11,982 --> 00:44:16,353 >> Nate: WELCOME BACK TO THE EMMYS. 622 00:44:16,420 --> 00:44:20,924 BEFORE I BRING UP THE NEXT PRESENTERS, JUST SO YOU KNOW, 623 00:44:20,991 --> 00:44:25,195 THE MONEY -- I THINK WE ARE AT -- I DON'T KNOW, IS A GOOD? 624 00:44:25,262 --> 00:44:29,800 OH, GOOD NIGHT. ALL RIGHT. 625 00:44:29,867 --> 00:44:32,770 IT'S GOING GOOD FOR ME. [LAUGHTER] 626 00:44:32,836 --> 00:44:35,272 BEFORE I MET OUR NEXT PRESENTERS, I THOUGHT THEY WERE 627 00:44:35,339 --> 00:44:37,841 GOING TO BE A LOT. BUT THEY WERE ACTUALLY QUITE 628 00:44:37,908 --> 00:44:40,377 LOVELY. PLEASE WELCOME EMMY NOMINEES 629 00:44:40,444 --> 00:44:43,614 WALTON GOGGINS AND PARKER POSEY. [APPLAUSE] 630 00:44:43,680 --> 00:44:56,260 ♪ ♪ ♪ ♪ 631 00:44:56,326 --> 00:44:59,496 >> WE SPENT EIGHT MONTHS IN THAILAND SHOOTING THE THIRD 632 00:44:59,563 --> 00:45:07,771 SEASON OF "THE WHITE LOTUS." >> YES, IT WAS SO BEAUTIFUL 633 00:45:07,838 --> 00:45:09,840 THERE! AND THE FOOD WAS DELICIOUS. 634 00:45:09,907 --> 00:45:13,944 JUST DIVINE. >> IT WAS, WASN'T IT? 635 00:45:14,011 --> 00:45:15,546 I WISH I HAD SOME RIGHT NOW. >> THAI THAI FOOD, OR AMERICAN 636 00:45:15,612 --> 00:45:19,917 THAI FOOD? >> THAI THAI FOOD. 637 00:45:19,983 --> 00:45:22,019 >> YOU ARE TIRED? >> I'M NOT TIRED. 638 00:45:22,086 --> 00:45:24,922 I JUST WANT SOME THAI FOOD THAT YOU ONLY GET IN THAILAND. 639 00:45:24,988 --> 00:45:29,927 >> THIS IS MAKING ME HUNGRY. >> OKAY, BUT FIRST WE HAVE TO 640 00:45:29,993 --> 00:45:31,495 SHOW THE NOMINEES FOR OUTSTANDING DIRECTING FOR A 641 00:45:31,562 --> 00:45:33,564 COMEDY SERIES. >> AYO EDEBIRI. 642 00:45:33,630 --> 00:45:37,935 "THE BEAR." LUCIA ANIELLO. 643 00:45:38,001 --> 00:45:40,003 "HACKS." JAMES BURROWS. 644 00:45:40,070 --> 00:45:42,506 "MID-CENTURY MODERN." NATHAN FIELDER. 645 00:45:42,573 --> 00:45:44,908 "THE REHEARSAL." SETH ROGEN AND EVAN GOLDBERG. 646 00:45:44,975 --> 00:45:57,855 "THE STUDIO." >> AND THE EMMY GOES TO... 647 00:45:57,921 --> 00:46:02,426 SETH ROGEN! [CHEERS AND APPLAUSE] 648 00:46:02,493 --> 00:46:13,871 ♪ ♪ ♪ ♪ 649 00:46:13,937 --> 00:46:17,474 >> I THINK WE SHARE THIS, WHICH IS PRETTY COOL. 650 00:46:17,541 --> 00:46:20,110 >> I CALL THE TOP. >> OKAY, THANKS. 651 00:46:20,177 --> 00:46:22,746 THANK YOU AGAIN, THIS IS SO LOVELY. 652 00:46:22,813 --> 00:46:25,149 THANK YOU TO OUR CAST AND CREW WITHOUT HIM OBVIOUSLY THIS WOULD 653 00:46:25,215 --> 00:46:29,186 NOT BE POSSIBLE. [LISTING NAMES] 654 00:46:29,253 --> 00:46:32,923 ALL OF YOU. THE WAY THAT WE MAKE THIS SHOW, 655 00:46:32,990 --> 00:46:35,926 EVERYONE REALLY HAS TO COME TOGETHER IN SORT OF A GLORIOUS 656 00:46:35,993 --> 00:46:36,927 PASSION, SO THANK YOU ALL FOR YOUR HARD WORK. 657 00:46:36,994 --> 00:46:40,931 THIS WOULD NOT BE POSSIBLE WITHOUT ALL OF YOU. 658 00:46:40,998 --> 00:46:43,734 >> THOSE ARE THOSE PEOPLE, AND I JUST WANT TO THANK MY FAMILY, MY 659 00:46:43,800 --> 00:46:47,104 KIDS, DUSTY AND BOOMER, AND MY WIFE, LISA. 660 00:46:47,171 --> 00:46:51,708 >> I LOVE MY WIFE! HE SAID YOU WOULDN'T DO THIS! 661 00:46:51,775 --> 00:46:53,911 >> AND MILLIE, I WANT TO THANK HER. 662 00:46:53,977 --> 00:46:57,214 >> WE ARE UNDER! THANK YOU! 663 00:46:57,281 --> 00:46:59,049 [APPLAUSE] ♪ ♪ 664 00:46:59,116 --> 00:47:00,584 >> Announcer: PLEASE WELCOME FOUR-TIME EMMY NOMINEE 665 00:47:00,651 --> 00:47:03,987 ELIZABETH BANKS. [APPLAUSE] 666 00:47:04,054 --> 00:47:14,898 ♪ ♪ ♪ ♪ 667 00:47:14,965 --> 00:47:18,635 >> GOOD EVENING. IF YOU'RE UNFAMILIAR WITH MY 668 00:47:18,702 --> 00:47:23,807 WORK, I'M AN ACTRESS, A DIRECTOR A PRODUCER, A SPOKESWOMAN, A 669 00:47:23,874 --> 00:47:30,280 LEGO HEROINE, AND THE HOST OF THE GAME SHOW "PRESS YOUR LUCK." 670 00:47:30,347 --> 00:47:32,983 [APPLAUSE] THANKS. 671 00:47:33,050 --> 00:47:34,751 IF YOU'RE UNFAMILIAR WITH MY WORK, WHY ARE YOU HERE, AND HOW 672 00:47:34,818 --> 00:47:37,554 DID YOU GET IN? [LAUGHTER] 673 00:47:37,621 --> 00:47:41,725 I'M PRESENTING THE AWARD FOR DIRECTING FOR A LIMITED OR 674 00:47:41,792 --> 00:47:50,033 ANTHOLOGY SERIES OR MOVIE, WHICH IS A LOT OF STUFF, RIGHT? 675 00:47:50,100 --> 00:47:52,069 THIS IS THE CATEGORY, TO SIMPLIFY, WHERE MOVIE 676 00:47:52,135 --> 00:47:54,104 STARS DABBLE IN TV WITHOUT HAVING TO COMMIT TO PLAYING THE 677 00:47:54,171 --> 00:47:55,973 SAME ROLE FOR EIGHT YEARS. WHEN WAS THE LAST TIME A 678 00:47:56,039 --> 00:48:01,845 DIRECTING CATEGORY HAD FIVE WOMEN AND ONE MAN? 679 00:48:01,912 --> 00:48:03,113 [CHEERS AND APPLAUSE] YEAH. 680 00:48:03,180 --> 00:48:05,616 I DID NOT BOTHER TO LOOK THAT UP, BUT I THINK WE ALL AGREE IT 681 00:48:05,682 --> 00:48:06,883 WAS NEVER. IN THIS YEAR'S NOMINEES ARE 682 00:48:06,950 --> 00:48:12,889 HELEN SHAVER FOR "THE PENGUIN." SHANNON MURPHY FOR 683 00:48:12,956 --> 00:48:21,498 "DYING FOR SEX." NICOLE KASSELL FOR "SIRENS." 684 00:48:21,565 --> 00:48:26,236 JENNIFER GETZINGER FOR "THE PENGUIN." 685 00:48:26,303 --> 00:48:33,277 LESLI LINKA GLATTER FOR "ZERO DAY." 686 00:48:33,343 --> 00:48:44,988 AND PHILIP BARANTINI FOR "ADOLESCENCE," WHICH IS KIND OF 687 00:48:45,055 --> 00:48:47,958 POETIC, IF YOU THINK ABOUT IT, BECAUSE PHILIP, YOU'RE THE 688 00:48:48,025 --> 00:48:54,798 "ONER." IF YOU KNOW, YOU KNOW. 689 00:48:54,865 --> 00:48:59,736 AND THE EMMY GOES TO... PHILIP BARANTINI. 690 00:48:59,803 --> 00:49:03,206 >> Announcer: THIS IS THE FIRST EMMY WIN AND SECOND 691 00:49:03,273 --> 00:49:06,476 NOMINATION THIS YEAR FOR PHILIP BARANTINI, WHO WAS ALSO 692 00:49:06,543 --> 00:49:10,914 NOMINATED AS PART OF THE PRODUCING TEAM FOR "ADOLE 693 00:49:10,981 --> 00:49:11,982 "ADOLESCENCE." ♪ ♪ 694 00:49:23,827 --> 00:49:26,897 >> OH, MY GOSH. THANK YOU SO MUCH. 695 00:49:26,963 --> 00:49:31,068 I'LL BE VERY QUICK. THANK YOU SO MUCH TO THE 696 00:49:31,134 --> 00:49:33,470 ACADEMY, TO ALL OF MY AMAZING CAST. 697 00:49:33,537 --> 00:49:39,843 [LISTING NAMES] THE WHOLE ENSEMBLE, ALL OF YOU. 698 00:49:39,910 --> 00:49:43,113 TO ALL THE CREW, THIS AWARD IS FOR THEM AS MUCH AS IT IS FOR 699 00:49:43,180 --> 00:49:45,115 ME. TO JACK AND STEVEN, THANK YOU 700 00:49:45,182 --> 00:49:49,920 FOR WRITING SOMETHING SO RAW, SO URGENT, AND SO ABSOLUTELY 701 00:49:49,986 --> 00:49:53,457 MATT LEWIS, MY INCREDIBLE EMMY-WINNING CINEMATOGRAPHER, I 702 00:49:53,523 --> 00:49:58,195 LOVE YOU. TO THE PRODUCERS -- 703 00:49:58,261 --> 00:50:00,797 [LISTING NAMES] YOU ARE MY RIGHT AND LEFT ARM ON 704 00:50:00,864 --> 00:50:03,967 THIS, I LOVE YOU TO BITS. TO NETFLIX, THANK YOU FOR 705 00:50:04,034 --> 00:50:09,072 TRUSTING US WITH THIS MAD IDEA. TO MY WIFE, MY BEAUTIFUL 706 00:50:09,139 --> 00:50:13,110 DAUGHTER, ALL OF MY FAMILY. OH, NO. 707 00:50:13,176 --> 00:50:19,449 [LAUGHTR] LASTLY, MUM, I SAID I WOULD MAKE 708 00:50:19,516 --> 00:50:22,386 YOU PROUD AND I WILL CONTINUE TO DO SO. 709 00:50:22,452 --> 00:50:23,120 THANK YOU. [APPLAUSE] 710 00:50:23,186 --> 00:50:27,090 ♪ ♪ >> Announcer: COMING UP, 711 00:50:27,157 --> 00:50:30,961 JESSE WILLIAMS. AND, THE EMMYS CELEBRATE 712 00:50:31,027 --> 00:50:32,929 25 YEARS OF "SURVIVOR" WITH JEFF PROBST. 713 00:50:32,996 --> 00:50:35,632 THEN LATER, SYDNEY SWEENEY TAKES THE STAGE. 714 00:50:35,699 --> 00:50:38,201 PLUS, ALEXIS BLEDEL AND LAUREN GRAHAM TEAM UP FOR A 715 00:50:38,268 --> 00:50:40,270 "GILMORE GIRLS" REUNION. THIS IS CBS. 716 00:51:02,192 --> 00:51:03,126 ♪ ♪ >> PLEASE WELCOME ACTOR AND 717 00:51:03,193 --> 00:51:05,195 PRODUCER JESSE WILLIAMS. [APPLAUSE] 718 00:51:10,200 --> 00:51:11,234 ♪ ♪ >> GOOD EVENING. 719 00:51:11,301 --> 00:51:14,471 THE JOB OF A TELEVISION DIRECTOR REQUIRES LEADERSHIP 720 00:51:14,538 --> 00:51:21,645 SKILLS, TECHNICAL EXPERTISE, AND THE ABILITY OF TRANSLATING 721 00:51:21,711 --> 00:51:23,313 A SCRIPT INTO COMPELLING VISUALS BY GUIDING BOTH THE ACTORS AND 722 00:51:23,380 --> 00:51:27,617 THE CAMERA TO TELL A COHESIVE STORY. 723 00:51:27,684 --> 00:51:29,586 PREFERABLY WITHOUT MEAL PENALTIES. 724 00:51:29,653 --> 00:51:33,590 THAT PERFECTLY DESCRIBES THESE DIRECTORS TONIGHT. 725 00:51:33,657 --> 00:51:35,292 HERE ARE THE NOMINEES FOR DIRECTING FOR A DRAMA SERIES. 726 00:51:35,358 --> 00:51:37,093 >> JANUS METZ. "ANDOR." 727 00:51:37,160 --> 00:51:39,563 AMANDA MARSALIS. "THE PITT." 728 00:51:39,629 --> 00:51:41,765 JOHN WELLS. "THE PITT." 729 00:51:41,832 --> 00:51:43,800 JESSICA LEE GAGNE. "SEVERANCE." 730 00:51:43,867 --> 00:51:46,236 BEN STILLER. "SEVERANCE." 731 00:51:46,303 --> 00:51:49,239 ADAM RANDALL. "SLOW HORSES." 732 00:51:49,306 --> 00:51:58,215 MIKE WHITE. "THE WHITE LOTUS." 733 00:51:58,281 --> 00:52:02,519 >> AND THE EMMY GOES TO... ADAM RANDALL. 734 00:52:02,586 --> 00:52:07,858 "SLOW HORSES." [CHEERS AND APPLAUSE] 735 00:52:07,924 --> 00:52:14,631 ♪ ♪ >> Announcer: THIS IS THE 736 00:52:14,698 --> 00:52:17,901 FIRST EMMY WIN AND NOMINATION FOR ADAM RANDALL. 737 00:52:17,968 --> 00:52:32,782 ♪ ♪ ♪ ♪ 738 00:52:32,849 --> 00:52:34,417 >> THANK YOU. WOW, THAT IS UNEXPECTED. 739 00:52:34,484 --> 00:52:37,254 THANK YOU VERY MUCH. FIRST AND FOREMOST I WANT TO 740 00:52:37,320 --> 00:52:40,857 THANK MY WIFE, NATALIE, WHO'S BEEN ON THIS JOURNEY SINCE THE 741 00:52:40,924 --> 00:52:43,260 VERY BEGINNING, WITHOUT WHOSE LOVE AND BELIEF I WOULDN'T BE 742 00:52:43,326 --> 00:52:46,496 STANDING HERE TODAY. THIS IS AS MUCH YOURS AS IT IS 743 00:52:46,563 --> 00:52:50,066 MINE. I WANT TO THANK MY KIDS, MY 744 00:52:50,133 --> 00:52:52,035 TEAM -- [LISTING NAMES] 745 00:52:52,102 --> 00:52:58,708 HUGE THANK YOU TO APPLE TV. TO MY AMAZING COLLABORATORS, TO 746 00:52:58,775 --> 00:53:05,048 GARY OLDMAN, THE LEGENDARY GARY OLDMAN, DOUG URBANSKI, EVERYONE 747 00:53:05,115 --> 00:53:11,855 AT 60/40, EVERYONE AT SEESAW -- [LISTING NAMES] 748 00:53:11,922 --> 00:53:13,256 AND THE MOST INCREDIBLE CAST AND CREW. 749 00:53:13,323 --> 00:53:14,491 IT'S A PRIVILEGE WORKING WITH YOU. 750 00:53:14,558 --> 00:53:17,360 THANKS SO MUCH. THIS IS AN HONOR. 751 00:53:17,427 --> 00:53:30,140 [APPLAUSE] ♪ ♪ 752 00:53:30,206 --> 00:53:31,341 ♪ ♪ >> Nate: ALL RIGHT, WE'RE 753 00:53:31,408 --> 00:53:35,512 MOVING ALONG PRETTY WELL. I'VE GOT A BACKUP PLAN FOR THIS 754 00:53:35,579 --> 00:53:38,748 SPEECH THING. I'M NOT TRYING TO BRAG, BUT I'VE 755 00:53:38,815 --> 00:53:42,285 ACTUALLY BEEN NOMINATED TWICE, AND IF I WIN I PROMISE TO GIVE 756 00:53:42,352 --> 00:53:45,755 MY SPEECH IS SHORT. >> Announcer: YOU ALREADY LOST. 757 00:53:45,822 --> 00:53:47,223 >> Nate: LOST? WHEN? 758 00:53:47,290 --> 00:53:53,263 >> Announcer: LAST WEEKEND, AT THE CREATIVE ARTS EMMYS. 759 00:53:53,330 --> 00:53:55,665 >> Nate: SO THESE ARE THE NON-CREATIVE EMMYS? 760 00:53:55,732 --> 00:53:59,135 WHO DID I LOSE TO? >> Announcer: THE MARK TWAIN 761 00:53:59,202 --> 00:54:00,971 PRIZE -- >> Nate: MARK TWAIN? 762 00:54:01,037 --> 00:54:11,181 HE'S STILL ALIVE? HOW OLD IS HE? 763 00:54:11,247 --> 00:54:16,252 I THOUGHT WHEN YOU HOST THEY HAVE TO GIVE IT TO YOU. 764 00:54:16,319 --> 00:54:17,787 ALL RIGHT, NOT EVERYBODY CAN BE A WINNER. 765 00:54:17,854 --> 00:54:22,626 PLEASE WELCOME FIVE-TIME EMMY WINNER -- FIVE?! 766 00:54:22,692 --> 00:54:24,961 GOLLY, THAT'S A LOT. THE HOST OF "SURVIVOR," 767 00:54:25,028 --> 00:54:26,029 JEFF PROBST. [APPLAUSE] 768 00:54:38,274 --> 00:54:42,212 ♪ ♪ >> DURING "SURVIVOR'S" 25 YEARS 769 00:54:42,278 --> 00:54:48,151 ON CBS, 50 SEASONS OF OUR SHOW, WITH THE WORLD WATCHING, 770 00:54:48,218 --> 00:54:51,354 CONTESTANTS MUST OUTWIT, OUTPLAY, AND OUTLAST THE 771 00:54:51,421 --> 00:54:55,859 COMPETITION UNTIL ONE TAKES HOME THE PRIZE. 772 00:54:55,925 --> 00:55:00,664 TONIGHT IS NO DIFFERENT, WITH TWO TRIBES THAT BOTH HAVE DUG 773 00:55:00,730 --> 00:55:05,869 DEEP IN THEIR QUEST. AND HERE THERE IS NO IMMUNITY TO 774 00:55:05,935 --> 00:55:09,572 PROTECT THEM. [LAUGHTER] 775 00:55:09,639 --> 00:55:19,282 "LAST WEEK TONIGHT WITH JOHN OLIVER. 776 00:55:19,349 --> 00:55:22,585 AND "SATURDAY NIGHT LIVE" -- DO YOU BOTH KNOW THE PRIZE YOU ARE 777 00:55:22,652 --> 00:55:25,321 PLAYING FOR? ALL RIGHT, THE VOTES HAVE BEEN 778 00:55:25,388 --> 00:55:28,625 TALLIED. THE SOLE SURVIVOR FOR THE 779 00:55:28,692 --> 00:55:35,832 SCRIPTED VARIETY SERIES TROPHY IN EMMYS' 77TH SEASON IS... 780 00:55:35,899 --> 00:55:39,936 "LAST WEEK TONIGHT WITH JOHN OLIVER." 781 00:55:40,003 --> 00:55:47,177 [CHEERS AND APPLAUSE] ♪ ♪ 782 00:55:47,243 --> 00:55:49,579 >> Announcer: "LAST WEEK TONIGHT WITH JOHN OLIVER" HAS 783 00:55:49,646 --> 00:55:52,348 RECEIVED SIX NOMINATIONS THIS YEAR AND A TOTAL OVERALL OF 69. 784 00:55:52,415 --> 00:55:59,222 THIS YEAR'S NOMINATION INCLUDED PRODUCTION DESIGN, WRITING, 785 00:55:59,289 --> 00:56:02,158 DIRECTING, AND SCRIPTED VARIETY SERIES. 786 00:56:02,225 --> 00:56:07,997 ACCEPTING THE EMMY ON BEHALF OF THE TEAM IS JOHN OLIVER. 787 00:56:08,064 --> 00:56:14,237 >> THANK YOU TO HBO, THANK YOU TO OUR STAFF, ESPECIALLY LIZ 788 00:56:14,304 --> 00:56:16,172 STANTON AND JIM CARVILLE. THANK YOU TO MY WIFE, I LOVE YOU 789 00:56:16,239 --> 00:56:19,509 VERY MUCH. THANK YOU TO OUR CHILDREN, 790 00:56:19,576 --> 00:56:27,550 THAT'S GOT TO BE ENOUGH. THAT'S A LOT OF MONEY FOR YOU. 791 00:56:27,617 --> 00:56:28,284 THANK YOU, GOODBYE! [APPLAUSE] 792 00:56:28,351 --> 00:56:31,654 ♪ ♪ >> Announcer: COMING UP, 793 00:56:31,721 --> 00:56:33,723 HIROYUKI SANADA, ANNA SAWAI, AND SYDNEY SWEENEY. 794 00:56:33,790 --> 00:56:35,892 THEN LATER, LAINEY WILSON AND VINCE GILL PAY TRIBUTE TO THOSE 795 00:56:35,959 --> 00:56:40,497 WE LOST THIS YEAR. PLUS, WHICH OF THESE SHOWS WILL 796 00:56:40,563 --> 00:56:44,267 TAKE HOME THE AWARD FOR OUTSTANDING DRAMA SERIES? 797 00:56:44,334 --> 00:56:51,808 WE'LL FIND OUT WHEN WE RETURN. 798 00:56:51,875 --> 00:56:54,878 THE 77TH EMMY AWARDS ON CBS, SPONSORED BY VOLKSWAGEN. 799 00:56:54,944 --> 00:56:56,946 NOW ANYBODY CAN DRIVE LIKE SOMEBODY. 800 00:57:07,223 --> 00:57:08,158 ♪ ♪ >> Announcer: PLEASE WELCOME 801 00:57:08,224 --> 00:57:09,692 EMMY WINNERS HIROYUKI SANADA AND ANNA SAWAI. 802 00:57:09,759 --> 00:57:19,169 [APPLAUSE] ♪ ♪ 803 00:57:19,235 --> 00:57:21,471 >> IT HAS BEEN SAID THAT THE KEY TO WRITING A GREAT DRAMA IS FOR 804 00:57:21,538 --> 00:57:24,908 THE WRITER TO CRAFT EVERY SCENE WITH A PERFECT BLEND AND BALANCE 805 00:57:24,974 --> 00:57:29,045 TO THE ACTION, THE DIALOGUE, AND THE NARRATIVE. 806 00:57:29,112 --> 00:57:33,082 >> AND, IN DOING JUST THAT, THIS YEAR'S NOMINEES FOR WRITING FOR 807 00:57:33,149 --> 00:57:39,389 A DRAMA SERIES GAVE US SOME OF THE MOST MEMORABLE AND POWERFUL 808 00:57:39,455 --> 00:57:43,426 TELEVISION OF THIS YEAR, OR ANY YEAR. 809 00:57:43,493 --> 00:57:46,162 HERE ARE THE NOMINEES. >> DAN GILROY. 810 00:57:46,229 --> 00:57:48,865 "ANDOR." JOE SACHS. 811 00:57:48,932 --> 00:57:51,668 "THE PITT." R. SCOTT GEMMILL. 812 00:57:51,734 --> 00:57:54,037 "THE PITT." DAN ERICKSON. 813 00:57:54,103 --> 00:57:56,439 "SEVERANCE." WILL SMITH. 814 00:57:56,506 --> 00:57:59,375 "SLOW HORSES." MIKE WHITE. 815 00:57:59,442 --> 00:58:10,954 "THE WHITE LOTUS." >> AND THE EMMY GOES TO... 816 00:58:11,020 --> 00:58:17,660 DAN GILROY. "ANDOR." 817 00:58:17,727 --> 00:58:18,828 [CHEERS AND APPLAUSE] ♪ ♪ 818 00:58:18,895 --> 00:58:22,999 >> Announcer: THIS IS THE FIRST EMMY WIN AND NOMINATION 819 00:58:23,066 --> 00:58:24,067 FOR DAN GILROY. ♪ ♪ 820 00:58:32,609 --> 00:58:47,490 ♪ ♪ 821 00:58:47,557 --> 00:58:50,860 ♪ ♪ 822 00:58:50,927 --> 00:58:53,296 >> THANK YOU, EVERYONE. I THINK A LOT OF PEOPLE ARE 823 00:58:53,363 --> 00:58:55,131 SURPRISED. IT WAS UNEXPECTED. 824 00:58:55,198 --> 00:59:00,036 OBVIOUSLY WE HAVE FRIENDS EVERYWHERE. 825 00:59:00,103 --> 00:59:03,606 [APPLAUSE] I WANT TO THANK THE FANS, WHO 826 00:59:03,673 --> 00:59:08,478 DID MORE THAN WATCH THE SHOW. THEY LISTENED, THEY CARED, AND 827 00:59:08,544 --> 00:59:12,248 THEY MADE A STORY ABOUT ORDINARY PEOPLE CITING IMPOSSIBLE ODDS 828 00:59:12,315 --> 00:59:14,317 POSSIBLE. THIS WAS VERY SPECIAL BECAUSE I 829 00:59:14,384 --> 00:59:17,353 GOT TO WORK WITH BOTH MY BROTHERS ON THE SHOW, TONY 830 00:59:17,420 --> 00:59:19,522 GILROY, THE SHOWRUNNER AND THE CREATOR. 831 00:59:19,589 --> 00:59:23,993 IT IS ALL YOU, TONY. AND MY BROTHER, EDITOR AND 832 00:59:24,060 --> 00:59:27,297 PRODUCER. I VERY MUCH WANT TO THANK 833 00:59:27,363 --> 00:59:30,633 BOB IGER FOR HIS VISION, KATHY KENNEDY FOR SUPPORTING THE SHOW 834 00:59:30,700 --> 00:59:40,343 FROM ITS INCEPTION, THE PRODUCER, THE AMAZING CAST, AND 835 00:59:40,410 --> 00:59:44,280 TO GENEVIEVE O'REILLY, WHO IS INCOMPARABLE TALENT AND HEART 836 00:59:44,347 --> 00:59:51,621 BROUGHT THE EPISODE TO LIFE. THANK YOU TO MY WIFE AND MY 837 00:59:51,688 --> 00:59:53,656 DAUGHTER. I DON'T HAVE WORDS TO DESCRIBE 838 00:59:53,723 --> 00:59:56,359 HOW MUCH I LOVE THEM. THANK YOU. 839 00:59:56,426 --> 00:59:59,829 [APPLAUSE] ♪ ♪ 840 00:59:59,896 --> 01:00:08,504 ♪ ♪ >> Nate: THANK YOU, DAN, FOR 841 01:00:08,571 --> 01:00:11,708 HELPING ME OUT AFTER WHAT JOHN DID. 842 01:00:11,774 --> 01:00:14,811 [LAUGHTER] HE'S THE WORST! 843 01:00:14,877 --> 01:00:21,384 AND I GUESS YOU ARE ALLOWED TO CURSE ON TV NOW, WHOM I? 844 01:00:21,451 --> 01:00:25,455 IT MESSED ME UP. I FORGOT. 845 01:00:25,521 --> 01:00:27,991 I HAVE A BLUE JEAN TUXEDO AND FOR SOME REASON. 846 01:00:28,057 --> 01:00:29,726 WE HAD A JOKE. THERE'S A CUMMERBUND. 847 01:00:29,792 --> 01:00:32,595 I FORGOT. I DON'T KNOW. 848 01:00:32,662 --> 01:00:39,002 PLEASE WELCOME TO TIME EMMY NOMINEE SYDNEY SWEENEY. 849 01:00:39,068 --> 01:00:49,679 [APPLAUSE] ♪ ♪ 850 01:00:49,746 --> 01:00:51,714 >> HELLO, HELLO. "MONSTERS: THE LYLE AND ERIK 851 01:00:51,781 --> 01:00:53,449 MENENDEZ STORY." "ADOLESCENCE." 852 01:00:53,516 --> 01:00:56,619 "PRESUMED INNOCENT." "DYING FOR SEX." 853 01:00:56,686 --> 01:00:58,621 FOUR GREAT SERIES WITH SIX INCREDIBLE NOMINEES FOR 854 01:00:58,688 --> 01:01:00,523 SUPPORTING ACTOR IN A LIMITED OR ANTHOLOGY SERIES OR MOVIE. 855 01:01:00,590 --> 01:01:03,659 HERE THEY ARE... >> JAVIER BARDEM. 856 01:01:03,726 --> 01:01:06,496 "MONSTERS: THE LYLE AND ERIK MENENDEZ STORY." 857 01:01:06,562 --> 01:01:09,365 BILL CAMP. "PRESUMED INNOCENT." 858 01:01:09,432 --> 01:01:11,434 OWEN COOPER. "ADOLESCENCE." 859 01:01:15,204 --> 01:01:19,042 ROB DELANEY. "DYING FOR SEX." 860 01:01:19,108 --> 01:01:21,444 PETER SARSGAARD. "PRESUMED INNOCENT." 861 01:01:21,511 --> 01:01:26,416 ASHLEY WALTERS. "ADOLESCENCE." 862 01:01:26,482 --> 01:01:30,787 >> THE EMMY GOES TO... OWEN COOPER. 863 01:01:30,853 --> 01:01:41,864 "ADOLESCENCE." [CHEERS AND APPLAUSE] 864 01:01:41,931 --> 01:01:46,602 >> Announcer: THIS IS THE FIRST EMMY WIN AND NOMINATION 865 01:01:46,669 --> 01:01:51,007 FOR OWEN COOPER, WHO MADE HIS DEBUT IN THE SERIES 866 01:01:51,074 --> 01:01:54,577 "ADOLESCENCE," WHICH WAS FILMED IN ONE CONTINUOUS TAKE. 867 01:01:54,644 --> 01:02:09,325 [APPLAUSE] ♪ ♪ 868 01:02:09,392 --> 01:02:16,132 >> OH, MY GOD. [CHEERS AND APPLAUSE] 869 01:02:16,199 --> 01:02:21,904 STANDING UP HERE, WOW, IT IS SO SURREAL. 870 01:02:21,971 --> 01:02:24,974 HONESTLY, WHEN I STARTED THESE DRAMA CLASSES A COUPLE YEARS 871 01:02:25,041 --> 01:02:29,145 BACK, I DIDN'T EXPECT TO BE EVEN IN THE UNITED STATES, NEVER MIND 872 01:02:29,212 --> 01:02:33,249 HERE. I THINK TONIGHT PROVES THAT, IF 873 01:02:33,316 --> 01:02:36,452 YOU LISTEN AND YOU FOCUS AND YOU STEP OUT OF YOUR COMFORT ZONE, 874 01:02:36,519 --> 01:02:38,354 YOU CAN ACHIEVE ANYTHING IN LIFE. 875 01:02:38,421 --> 01:02:40,957 I WAS NOTHING ABOUT THREE YEARS AGO. 876 01:02:41,023 --> 01:02:46,762 I'M HERE NOW. IF YOU ARE LISTENING, YOU ARE 877 01:02:46,829 --> 01:02:49,632 FOCUSING, YOU STEP OUT OF YOUR COMFORT ZONE A LITTLE BIT, WHO 878 01:02:49,699 --> 01:02:52,034 CARES IF YOU GET EMBARRASSED? ANYTHING IS POSSIBLE. 879 01:02:52,101 --> 01:02:56,105 A BIG THANKS TO MY PARENTS, MY MUM AND MY DAD AND MY FAMILY, 880 01:02:56,172 --> 01:02:59,475 THE ONES WHO LOVE ME AND THE ONES WHO I LOVED. 881 01:02:59,542 --> 01:03:05,381 STEPHEN, AARON, ASHLEY, PHILIP BARANTINI, JACK THORNE, JOE 882 01:03:05,448 --> 01:03:07,016 JOHNSON. SORRY. 883 01:03:07,083 --> 01:03:09,218 IS IT GOING DOWN? NO. 884 01:03:09,285 --> 01:03:13,189 [LAUGHTER] NETFLIX, PLAN B. 885 01:03:13,256 --> 01:03:16,559 OH, MY GOD, I COULD GO ON FOREVER. 886 01:03:16,626 --> 01:03:20,296 IT MAY HAVE MY NAME ON IT BUT IT REALLY BELONGS TO THE PEOPLE 887 01:03:20,363 --> 01:03:22,598 BEHIND THE CAMERA. STEPHEN AND ALL THE CAST. 888 01:03:22,665 --> 01:03:26,402 I HOPE YOU ALL HAVE AN AMAZING NIGHT, AND GOOD NIGHT. 889 01:03:26,469 --> 01:03:30,506 [CHEERS AND APPLAUSE] ♪ ♪ 890 01:03:30,573 --> 01:03:32,475 ♪ ♪ >> Announcer: STILL TO COME, 891 01:03:32,542 --> 01:03:35,645 APPEARANCES BY IKE BARINHOLTZ, KATHRYN HAHN, ALEXIS BLEDEL, 892 01:03:35,711 --> 01:03:40,049 LAUREN GRAHAM, TINA FEY, KATHY BATES, AND ALAN CUMMING. 893 01:03:40,116 --> 01:03:43,586 PLUS, TED DANSON AND MARY STEENBURGEN RECEIVE THE 894 01:03:43,653 --> 01:03:45,655 BOB HOPE HUMANITARIAN AWARD. THIS IS CBS. 895 01:04:03,239 --> 01:04:04,707 >> Announcer: PLEASE WELCOME EMMY NOMINEE IKE BARINHOLTZ AND 896 01:04:04,774 --> 01:04:06,576 FOUR-TIME EMMY NOMINEE KATHRYN HAHN. 897 01:04:06,642 --> 01:04:20,189 [APPLAUSE] ♪ ♪ 898 01:04:20,256 --> 01:04:22,191 ♪ ♪ >> WE ARE HERE TO PRESENT AN 899 01:04:22,258 --> 01:04:24,527 AWARD FOR WRITING. >> SOME SAY WRITING IS THE MOST 900 01:04:24,594 --> 01:04:30,199 IMPORTANT PART OF A TV SHOW, BUT WE ACTUALLY THINK IT'S THE LEAST 901 01:04:30,266 --> 01:04:33,202 IMPORTANT. [LAUGHTER] 902 01:04:33,269 --> 01:04:34,470 >> JUST BECAUSE WE DON'T HAVE SOME LITTLE TROPHY DOESN'T MEAN 903 01:04:34,537 --> 01:04:36,939 WE ARE NOT GREAT ACTORS, OKAY? WE ARE TRAINED ACTORS. 904 01:04:37,006 --> 01:04:39,909 WE ARE IMPROVISED. WE DON'T NEED SOME HARVARD NERD 905 01:04:39,976 --> 01:04:44,447 EATING PRINGLES TO TELL US WHAT TO SAY. 906 01:04:44,513 --> 01:04:48,417 TO PROVE THIS, YOU KNOW WHAT? LETS TURN OFF THE TELEPROMPTER. 907 01:04:48,484 --> 01:04:52,188 >> YEAH, WE'RE GONNA GO WITH OUR GUTS ON THIS ONE. 908 01:04:52,255 --> 01:05:01,897 TURN IT OFF. [LAUGHTER] 909 01:05:01,964 --> 01:05:07,003 >> YES. >> SO... 910 01:05:07,069 --> 01:05:09,639 TV SHOWS ARE WHY WE ARE HERE TONIGHT. 911 01:05:09,705 --> 01:05:18,781 SOME GET A WORD HAVE AND KEEP. >> SHOWS... 912 01:05:18,848 --> 01:05:21,250 THAT'S WHAT WE CELEBRATE ON THE EMMYS AWARDS NIGHT. 913 01:05:21,317 --> 01:05:27,790 WE LOVE -- >> "CHEERS," AND "SEINFELD." 914 01:05:27,857 --> 01:05:31,460 THEY ARE NOT HERE TONIGHT. >> THEY WERE GREAT. 915 01:05:31,527 --> 01:05:34,463 PEOPLE ARE SMILING AT US. SOME PEOPLE ARE NOT. 916 01:05:34,530 --> 01:05:38,301 EVERYBODY IS SO PRETTY AND GLAMOROUS. 917 01:05:38,367 --> 01:05:40,770 >> NOAH WYLE. >> NOAH WYLE, SO GOOD ON 918 01:05:40,836 --> 01:05:43,906 "SCRUBS." [LAUGHTER] 919 01:05:43,973 --> 01:05:47,977 >> WE ARE GOING TO -- TURN THE PROMPTER BACK ON, WE PROVED OUR 920 01:05:48,044 --> 01:05:50,646 POINT. >> MAYBE WRITERS ARE IMPORTANT. 921 01:05:50,713 --> 01:05:52,581 WE'RE SORRY ABOUT WHAT WE SAID EARLIER. 922 01:05:52,648 --> 01:05:54,483 >> YES, WE'RE LEARNING. AND THE NOMINEES FOR WRITING FOR 923 01:05:54,550 --> 01:05:56,185 A LIMITED OR ANTHOLOGY SERIES OR MOVIE ARE... 924 01:05:56,252 --> 01:05:57,787 >> JACK THORNE AND STEPHEN GRAHAM. 925 01:05:57,853 --> 01:06:01,624 "ADOLESCENCE." CHARLIE BROOKER AND BISHA K. 926 01:06:01,691 --> 01:06:03,592 ALI. "BLACK MIRROR." 927 01:06:03,659 --> 01:06:05,628 KIM ROSENSTOCK AND ELIZABETH MERIWETHER. 928 01:06:05,695 --> 01:06:08,664 "DYING FOR SEX." LAUREN LeFRANC. 929 01:06:08,731 --> 01:06:10,900 "THE PENGUIN." JOSHUA ZETUMER. 930 01:06:10,966 --> 01:06:19,208 "SAY NOTHING." >> AND THE EMMY GOES TO... 931 01:06:19,275 --> 01:06:21,043 >> JACK THORNE AND STEPHEN GRAHAM. 932 01:06:21,110 --> 01:06:23,612 "ADOLESCENCE." [CHEERS AND APPLAUSE] 933 01:06:23,679 --> 01:06:29,919 ♪ ♪ >> Announcer: THIS IS THE 934 01:06:29,985 --> 01:06:31,587 FIRST EMMY WIN FOR JACK THORNE AND STEPHEN GRAHAM. 935 01:06:31,654 --> 01:06:35,257 BOTH ARE ALSO NOMINATED AS PART OF THE PRODUCING TEAM. 936 01:06:35,324 --> 01:06:38,894 AND STEPHEN GRAHAM IS ALSO NOMINATED FOR HIS LEADIN ROLE 937 01:06:38,961 --> 01:06:40,963 IN "ADOLESCENCE." ♪ ♪ 938 01:06:58,214 --> 01:07:03,319 >> THANK YOU. WE ARE NOT DOING A REMAKE OF 939 01:07:03,386 --> 01:07:05,621 "LITTLE AND LARGE." JUST A QUICK ONE. 940 01:07:05,688 --> 01:07:08,257 WE NEVER EXPECTED OUR LITTLE PROGRAM TO HAVE SUCH A BIG 941 01:07:08,324 --> 01:07:09,925 IMPACT BUT WE ARE REALLY GRATEFUL THAT IT DID. 942 01:07:09,992 --> 01:07:12,094 WE WOULD LIKE TO THANK EVERYBODY. 943 01:07:12,161 --> 01:07:16,031 JUST FROM THE BOTTOM OF OUR HEARTS, THANKS TO EVERYONE AT 944 01:07:16,098 --> 01:07:20,302 NETFLIX, EVERYONE AT WARP, EVERYONE AT MATRIARCH, AND A 945 01:07:20,369 --> 01:07:22,671 SPECIAL THANK YOU TO JOE JOHNSON, HANNAH WALTERS, AND 946 01:07:22,738 --> 01:07:27,076 EMILY FOR BEING THE GLUE THAT HELD THIS THING TOGETHER. 947 01:07:27,143 --> 01:07:29,945 >> IT'S IMPOSSIBLE TO SINGLE OUT ANYONE IN THE CAST, BUT WE JUST 948 01:07:30,012 --> 01:07:39,789 WANTED TO SAY -- [LISTING NAMES] 949 01:07:39,855 --> 01:07:44,527 >> YOU'VE DONE THE WRONG BIT. >> WE HAVEN'T. 950 01:07:44,593 --> 01:07:46,495 IT'S ALL RIGHT. >> THIS IS HOW WE WORKED IN THE 951 01:07:46,562 --> 01:07:48,731 ROOM, BY THE WAY. THIS IS WHAT IS HAPPENING ALL 952 01:07:48,798 --> 01:07:51,033 THE TIME. >> YOU ARE THE YOUNG PEOPLE, THE 953 01:07:51,100 --> 01:07:53,969 FLAME THAT PROVE YOUNG PEOPLE ARE GOING TO BE OKAY AND WE ARE 954 01:07:54,036 --> 01:07:56,906 FOREVER GRATEFUL FOR YOU. THANK YOU. 955 01:07:56,972 --> 01:07:59,341 >> THANK YOU VERY MUCH. HAVE A LOVELY EVENING. 956 01:07:59,408 --> 01:08:05,815 [APPLAUSE] ♪ ♪ 957 01:08:05,881 --> 01:08:10,519 ♪ ♪ >> Nate: ALL RIGHT, HERE WE 958 01:08:10,586 --> 01:08:12,922 GO. THAT'S TOUGH. 959 01:08:12,988 --> 01:08:14,890 THAT WAS A SHOW CALLED "ADOLESCENCE" THAT DID THAT. 960 01:08:14,957 --> 01:08:23,265 TWO ADOLESCENTS. [LAUGHTER] 961 01:08:23,332 --> 01:08:26,535 CONGRATS. I WOULD LIKE TO SAY, BECAUSE -- 962 01:08:26,602 --> 01:08:28,804 OWE INCOME I WILL PICK UP HIS TAB. 963 01:08:28,871 --> 01:08:34,743 PUT -- WHATEVER HE HAD, I WANT TO COVER OWEN. 964 01:08:34,810 --> 01:08:36,812 HE'S THE BEST. WHATEVER IT IS -- IS THAT WHAT% 965 01:08:36,879 --> 01:08:38,447 IT IS AT? GOOD NIGHT! 966 01:08:38,514 --> 01:08:42,918 WHAT IS WRONG? 25 YEARS AGO, OUR NEXT 967 01:08:42,985 --> 01:08:48,357 PRESENTERS STARRED IN THE WARNER BROTHERS TELEVISION 968 01:08:48,424 --> 01:08:51,126 SHOW "GILMORE GIRLS." NOW, CONTRACTUALLY I HAVE TO SAY 969 01:08:51,193 --> 01:08:54,830 "WARNER BROTHERS" -- FOR NOW. PLEASE WELCOME LAUREN GRAHAM AND 970 01:08:54,897 --> 01:08:59,969 EMMY WINNER ALEXIS BLEDEL. [APPLAUSE] 971 01:09:00,035 --> 01:09:08,711 ["GILMORE GIRLS" THEME PLAYING] ♪ ♪ 972 01:09:08,777 --> 01:09:15,150 >> 25 YEARS AGO A SHOW CALLED "GILMORE GIRLS" PREMIERED, AND 973 01:09:15,217 --> 01:09:19,989 APPARENTLY TOOK THE SEASON OF FALL HOSTAGE. 974 01:09:20,055 --> 01:09:22,825 >> IN SPITE OF OUR AUTUMNAL DOMINANCE, "GILMORE" WAS 975 01:09:22,892 --> 01:09:24,660 ACTUALLY A VERY SMALL SHOW. >> MEANING, WE HAD NO MONEY. 976 01:09:24,727 --> 01:09:27,129 >> NOTHING. >> IF THERE WAS A BIRTHDAY AT 977 01:09:27,196 --> 01:09:29,532 "THE DREW CAREY SHOW" NEXT DOOR, THEY WOULD SEND US THEIR 978 01:09:29,598 --> 01:09:32,535 LEFTOVER SHEET CAKE. >> WE LOOKED HUNGRY. 979 01:09:32,601 --> 01:09:35,237 >> WE WALKED IN CIRCLES IN BURBANK SAYING "HEY, LOOK HOW 980 01:09:35,304 --> 01:09:40,042 CONNECTICUT IT IS HERE TODAY!" >> WE SAVED UP ALL YEAR LONG TO 981 01:09:40,109 --> 01:09:44,246 HAVE ONE SNOW EPISODE. >> AND THEN "E.R." WOULD WET 982 01:09:44,313 --> 01:09:47,082 DOWN THEIR STREET AND WASH IT ALL AWAY. 983 01:09:47,149 --> 01:09:49,118 >> YOU GOTTA LET THAT GO. >> THEY HAD CLOONEY. 984 01:09:49,184 --> 01:09:52,821 THEY COULD'VE LET US HAVE THE DAMN SNOW. 985 01:09:52,888 --> 01:09:54,590 [LAUGHTER] >> BASICALLY, WE WERE BULLIED 986 01:09:54,657 --> 01:09:56,859 AND STARVING. >> BUT THE ONE THING WE DID 987 01:09:56,926 --> 01:09:58,594 HAVE -- WE HAD SCRIPTS. >> GREAT SCRIPTS. 988 01:09:58,661 --> 01:10:02,031 >> BIG SCRIPTS. >> TERRIFYING SCRIPTS. 989 01:10:02,097 --> 01:10:05,267 >> WITHOUT SCRIPTS, WE WOULD NOT HAVE THE WONDERFUL WORDS TO SAY. 990 01:10:05,334 --> 01:10:06,835 >> WE WOULDN'T KNOW IF IT'S DAY OR NIGHT. 991 01:10:06,902 --> 01:10:09,038 >> WHETHER WE'RE INSIDE OR OUTSIDE. 992 01:10:09,104 --> 01:10:13,609 >> SO, IN THE SPIRIT OF HAVING INFORMATION AND JOKES... 993 01:10:13,676 --> 01:10:15,144 >> HERE ARE THE NOMINEES FOR OUTSTANDING WRITING FOR A COMEDY 994 01:10:15,210 --> 01:10:17,780 SERIES. >> QUINTA BRUNSON. 995 01:10:17,846 --> 01:10:21,383 "ABBOTT ELEMENTARY." LUCIA ANIELLO, PAUL W. DOWNS 996 01:10:21,450 --> 01:10:26,055 AND JEN STATSKY. "HACKS." 997 01:10:26,121 --> 01:10:28,223 NATHAN FIELDER, CARRIE KEMPER, ADAM LOCKE-NORTON, AND 998 01:10:28,290 --> 01:10:32,328 ERIC NOTARNICOLA. "THE REHEARSAL." 999 01:10:32,394 --> 01:10:34,229 HANNAH BOS, PAUL THUREEN, AND BRIDGET EVERETT. 1000 01:10:34,296 --> 01:10:38,767 "SOMEBODY SOMEWHERE." SETH ROGEN, EVAN GOLDBERG, 1001 01:10:38,834 --> 01:10:40,736 PETER HUYCK, ALEX GREGORY, AND FRIDA PEREZ. 1002 01:10:40,803 --> 01:10:44,039 "THE STUDIO." SAM JOHNSON, SARAH NAFTALIS, AND 1003 01:10:44,106 --> 01:10:50,913 PAUL SIMMS. "WHAT WE DO IN THE SHADOWS." 1004 01:10:50,980 --> 01:10:54,316 [APPLAUSE] >> AND THE EMMY GOES TO... 1005 01:10:54,383 --> 01:10:56,385 THE TEAM FROM "THE STUDIO." [CHEERS AND APPLAUSE] 1006 01:10:59,555 --> 01:11:01,123 ♪ ♪ >> Announcer: THIS IS THE 1007 01:11:01,190 --> 01:11:04,960 THIRD EMMY WIN AND NINES NOMINATION FOR SETH ROGEN, THE 1008 01:11:05,027 --> 01:11:10,132 SECOND AND SEVENTH WIN FOR EVAN GOLDBERG, THE THIRD EMMY WIN 1009 01:11:10,199 --> 01:11:18,774 411-TIME NOMINEES PETER HUYCK AND ALEX GREGORY, AND THE THIRD 1010 01:11:18,841 --> 01:11:23,545 FOR FRIDA PEREZ. >> WE WOULD LIKE TO THANK SETH 1011 01:11:23,612 --> 01:11:28,684 AND EVAN. >> AAND R AMAZING CAST AND CREW. 1012 01:11:28,751 --> 01:11:31,887 >> APPLE AND LIONSGATE. PAY UP. 1013 01:11:31,954 --> 01:11:34,223 >> THANK YOU! [APPLAUSE] 1014 01:11:34,289 --> 01:11:35,724 ♪ ♪ >> Announcer: COMING UP NEXT, 1015 01:11:35,791 --> 01:11:40,963 TINA FEY, ALAN CUMMING, AND KATHY BATES. 1016 01:11:41,030 --> 01:11:43,732 THEN LATER, A PERFORMANCE BY LAINEY WILSON AND VINCE GILL. 1017 01:11:43,799 --> 01:11:44,800 IT'S HE EMMYS ON CBS. 1018 01:11:56,445 --> 01:11:57,980 ♪ ♪ >> Nate: ALL RIGHT. 1019 01:11:58,047 --> 01:12:02,217 SETH ROGEN, LIKE JOHN OLIVER, IS THE WORST, AND ADDED MONEY TO 1020 01:12:02,284 --> 01:12:07,523 IT. SO WHAT IS IT? 1021 01:12:07,589 --> 01:12:10,693 ALL RIGHT, WE ARE BACK UP! $99,000. 1022 01:12:10,759 --> 01:12:13,829 [APPLAUSE] DON'T FORGET TO DO YOUR 1023 01:12:13,896 --> 01:12:18,734 THANK YOUS LONG, EVERYBODY. THIS NEXT CATEGORY IS LIVE 1024 01:12:18,801 --> 01:12:22,004 VARIETY SPECIAL. GOOD LUCK TO "SNL," KENDRICK, 1025 01:12:22,071 --> 01:12:23,806 AND THE OSCARS, BUT JUST KNOW, IF YOU BEAT BEYONCE, THE BEYHIVE 1026 01:12:23,872 --> 01:12:27,710 WILL COME FOR YOU. YOUR NEXT PRESENTER HAS WON TEN 1027 01:12:27,776 --> 01:12:29,778 EMMY AWARDS. SHE'S ALSO BEEN NOMINATED 46 1028 01:12:29,845 --> 01:12:33,348 TIMES. PLEASE WELCOME 36-TIME LOSER 1029 01:12:33,415 --> 01:12:36,185 TINA FEY. [APPLAUSE] 1030 01:12:36,251 --> 01:12:51,133 ♪ ♪ ♪ ♪ 1031 01:12:51,200 --> 01:12:54,203 >> WELL, GOOD EVENING. I'M IN AN AWKWARD POSITION 1032 01:12:54,269 --> 01:12:59,808 TONIGHT, GIVEN MY PERSONAL RELATIONSHIPS TO THE NOMINEES 1033 01:12:59,875 --> 01:13:01,343 FOR OUTSTANDING LIVE VARIETY SPECIAL. 1034 01:13:01,410 --> 01:13:03,212 TWO OF THE NOMINEES INVOLVE "SNL," WHERE I WORKED FOR NINE 1035 01:13:03,278 --> 01:13:09,418 YEARS. [APPLAUSE] 1036 01:13:09,485 --> 01:13:11,787 YEAH. SO IF THEY WIN, PEOPLE MIGHT 1037 01:13:11,854 --> 01:13:14,056 THINK I JUST OPENED THE ENVELOPE AND SAID "SNL" OUT OF HABIT, 1038 01:13:14,123 --> 01:13:16,992 LIKE THAT TIME I ACCIDENTALLY GAVE A MARK TWAIN PRIZE TO 1039 01:13:17,059 --> 01:13:26,301 "ALEXA, PLAY RAIN SOUNDS." [LAUGHTER] 1040 01:13:26,368 --> 01:13:29,538 NATE, I WILL PAY FOR THE TIME WE TOOK FOR THAT JOKE. 1041 01:13:29,605 --> 01:13:30,739 [LAUGHTER] BUT IF THE 97TH ANNUAL ACADEMY 1042 01:13:30,806 --> 01:13:34,710 AWARDS HOSTED BY CONAN O'BRIEN WINS, PEOPLE MIGHT WONDER IF 1043 01:13:34,777 --> 01:13:38,614 THAT'S TRUE, OR IF I'M JUST PRANKING CONAN, WHICH COULD 1044 01:13:38,680 --> 01:13:42,184 HAPPEN, BECAUSE WE ARE NEMESES. I MIGHT SAY CONAN WON, LET HIM 1045 01:13:42,251 --> 01:13:43,786 TAKE THE AWARD HOME, AND THEN CALL THE POLICE AND SAY HE STOLE 1046 01:13:43,852 --> 01:13:47,556 IT. WE DON'T KNOW. 1047 01:13:47,623 --> 01:13:57,065 WE DON'T KNOW WHAT I'LL DO. IF KENDRICK LAMAR'S SUPER BOWL 1048 01:13:57,132 --> 01:14:02,638 WHEW, I'M REALLY GOING TO HEAR IT FROM DRAKE. 1049 01:14:02,704 --> 01:14:03,939 [LAUGHTER] AND DRAKE AND I ARE SUPPOSED TO 1050 01:14:04,006 --> 01:14:09,478 PLAY PICKLEBALL TOMORROW, SO... REALLY THE ONLY SAFE OUTCOME FOR 1051 01:14:09,545 --> 01:14:13,882 ME WOULD BE THE BEYONCE BOWL. [APPLAUSE] 1052 01:14:13,949 --> 01:14:17,653 AS ALWAYS, THANK YOU, BEYONCE. WHOEVER WINS, FOR THE LOVE OF 1053 01:14:17,719 --> 01:14:22,391 GOD, DON'T COME UP HERE AND KISS MY STOMACH, BECAUSE I AM NOT 1054 01:14:22,457 --> 01:14:26,528 PREGNANT. [LAUGHTER] 1055 01:14:26,595 --> 01:14:28,931 HERE ARE THE NOMINEES FOR OUTSTANDING LIVE VARIETY 1056 01:14:28,997 --> 01:14:33,402 SPECIAL, AND GOD HELP ME. >> THE "APPLE MUSIC 1057 01:14:33,468 --> 01:14:37,072 SUPER BOWL LIX HALFTIME SHOW STARRING KENDRICK LAMAR." 1058 01:14:37,139 --> 01:14:43,478 "BEYONCE BOWL." "THE OSCARS." 1059 01:14:43,545 --> 01:14:48,483 "SNL50: THE ANNIVERSARY SPECIAL." 1060 01:14:48,550 --> 01:14:55,557 "SNL50: THE HOMECOMING CONCERT." [APPLAUSE] 1061 01:14:55,624 --> 01:15:01,263 >> AND THE EMMY GOES TO... "SNL50: THE ANNIVERSARY 1062 01:15:01,330 --> 01:15:03,365 SPECIAL." [CHEERS AND APPLAUSE] 1063 01:15:03,432 --> 01:15:14,343 ♪ ♪ >> Announcer: THEY RECEIVE 12 1064 01:15:14,409 --> 01:15:17,980 NOMINATIONS THIS YEAR. THEY HAVE WON EMMYS IN 1065 01:15:18,046 --> 01:15:21,683 DIRECTING, WRITING, PICTURE EDITING, MAKEUP, HAIR STYLING, 1066 01:15:21,750 --> 01:15:25,988 SOUND MIXING, TECHNICAL DIRECTION, AND CAMERAWORK 1067 01:15:26,054 --> 01:15:27,155 CATEGORIES. ACCEPTING ON BEHALF OF THE TEAM 1068 01:15:27,222 --> 01:15:30,158 IS LORNE MICHAELS. [APPLAUSE] 1069 01:15:30,225 --> 01:15:42,704 ♪ ♪ ♪ ♪ 1070 01:15:42,771 --> 01:15:48,110 >> BECAUSE OF THE MONEY I'M GOING TO START TALKING QUICKLY. 1071 01:15:48,176 --> 01:15:56,084 I WON THIS AWARD FOR THE FIRST TIME 50 YEARS AGO, IN 1975. 1072 01:15:56,151 --> 01:16:01,924 [APPLAUSE] I WAS YOUNGER AND I HAD A LOT OF 1073 01:16:01,990 --> 01:16:07,129 DREAMS ABOUT WHAT WOULD HAPPEN, AND ONE OF THOSE DREAMS WAS THAT 1074 01:16:07,195 --> 01:16:11,867 I WOULD STILL BE DOING THE SAME SHOW FOR THE NEXT 50 YEARS. 1075 01:16:11,934 --> 01:16:16,238 [LAUGHTE] HOWEVER, HERE WE ARE. 1076 01:16:16,305 --> 01:16:21,076 I WANT TO THANK NBC AND COMCAST FOR THEIR SUPPORT. 1077 01:16:21,143 --> 01:16:26,515 THE SHOW WAS TWO YEARS IN THE PLANNING, AND THEY SAID, WE 1078 01:16:26,581 --> 01:16:31,586 DON'T CARE WHAT IT COSTS, AS LONG AS IT'S GOOD. 1079 01:16:31,653 --> 01:16:34,089 MAYBE THEY DIDN'T SAY THAT, MAYBE THAT'S JUST THE WAY I 1080 01:16:34,156 --> 01:16:37,559 HEARD IT. [LAUGHTER] 1081 01:16:37,626 --> 01:16:43,498 ANYWAY, I ALSO WANT TO THANK THE ACADEMY FOR CONTINUING TO KEEP 1082 01:16:43,565 --> 01:16:47,169 THE WORD "TELEVISION" IN THEIR NAME, AS LONG AS IT IS IN THERE 1083 01:16:47,235 --> 01:16:51,873 WE WILL KEEP SHOWING UP. THANK YOU. 1084 01:16:51,940 --> 01:16:58,947 [APPLAUSE] ♪ ♪ 1085 01:16:59,014 --> 01:17:13,895 ♪ ♪ ♪ ♪ 1086 01:17:13,962 --> 01:17:16,665 ♪ ♪ ♪ ♪ 1087 01:17:16,732 --> 01:17:19,634 >> Announcer: PLEASE WELCOME THREE-TIME EMMY WINNER 1088 01:17:19,701 --> 01:17:22,237 ALAN CUMMING, AND TWO-TIME EMMY WINNER KATHY BATES. 1089 01:17:22,304 --> 01:17:28,610 [APPLAUSE] ♪ ♪ 1090 01:17:28,677 --> 01:17:40,689 ♪ ♪ >> IN 1999, KATHY AND I STARRED 1091 01:17:40,756 --> 01:17:44,793 IN A TV MOVIE ADAPTATION OF "ANNIE." 1092 01:17:44,860 --> 01:17:47,596 >> THAT'S RIGHT. I PLAYED MISS HANNIGAN, AND ALAN 1093 01:17:47,662 --> 01:17:50,565 PLAYED MY SCHEMING YOUNGER BROTHER, ROOSTER. 1094 01:17:50,632 --> 01:17:53,535 >> KATHY RECEIVED AN EMMY NOMINATION FOR HER WORK. 1095 01:17:53,602 --> 01:18:01,176 >> ALAN DID NOT. [LAUGHTER] 1096 01:18:01,243 --> 01:18:03,745 >> THANK YOU FOR REMINDING ME, KATHY. 1097 01:18:03,812 --> 01:18:06,548 BUT YOU ARE NOMINATED AGAIN TONIGHT, WEREN'T YOU? 1098 01:18:06,615 --> 01:18:13,155 DID YOU WIN? >> NO, I DID NOT. 1099 01:18:13,221 --> 01:18:15,557 THANK YOU FOR REMINDING ME, ALAN. 1100 01:18:15,624 --> 01:18:18,760 >> I WON TONIGHT AND LAST WEEK. ANYWAY -- 1101 01:18:18,827 --> 01:18:20,228 [LAUGHTER] THE NOMINEES FOR WRITING FOR A 1102 01:18:20,295 --> 01:18:24,399 VARIETY SERIES ARE... >> "THE DAILY SHOW." 1103 01:18:24,466 --> 01:18:26,134 "LAST WEEK TONIGHT WITH JOHN OLIVER." 1104 01:18:26,201 --> 01:18:31,373 "SATURDAY NIGHT LIVE." [APPLAUSE] 1105 01:18:31,440 --> 01:18:37,145 >> THE EMMY GOES TO... THE TEAM OF "LAST WEEK TONIGHT 1106 01:18:37,212 --> 01:18:39,081 WITH JOHN OLIVER." [CHEERS AND APPLAUSE] 1107 01:18:39,147 --> 01:18:44,953 ♪ ♪ >> Announcer: THIS IS THE 1108 01:18:45,020 --> 01:18:48,790 EIGHTH CONSECUTIVE EMMY WIN IN THIS CATEGORY FOR "LAST WEEK 1109 01:18:48,857 --> 01:18:54,663 TONIGHT WITH JOHN OLIVER," WHICH HAS A TOTAL OVERALL OF 69 1110 01:18:54,729 --> 01:18:57,199 NOMINATIONS. HBO'S "LAST WEEK TONIGHT WITH 1111 01:18:57,265 --> 01:19:00,135 JOHN OLIVER" HAS WON THE CATEGORY EVERY YEAR SINCE 2016. 1112 01:19:00,202 --> 01:19:09,311 ♪ ♪ ♪ ♪ 1113 01:19:09,377 --> 01:19:12,280 >> HELLO, THANK YOU SO MUCH. WE SHARE THIS CATEGORY, WE ARE 1114 01:19:12,347 --> 01:19:15,550 HONORED TO SHARE IT WITH ALL WRITERS OF LATE-NIGHT POLITICAL 1115 01:19:15,617 --> 01:19:18,386 COMEDY, WHILE THAT IS STILL A TYPE OF SHOW THAT'S ALLOWED TO 1116 01:19:18,453 --> 01:19:23,325 EXIST. [CHEERS AND APPLAUSE] 1117 01:19:23,391 --> 01:19:27,629 >> THIS SHOW DOES NOT GET MADE WITHOUT OUR RESEARCHERS, FOOTAGE 1118 01:19:27,696 --> 01:19:30,132 APARTMENT, P.A., AP, TRANSCRIBER, GRAPHICS 1119 01:19:30,198 --> 01:19:34,836 DEPARTMENT, INTERNS, CREW. NINA AND CASEY AT EACH BMX. 1120 01:19:34,903 --> 01:19:37,472 [LISTING NAMES] 1121 01:19:37,539 --> 01:19:41,443 IF I FORGOT YOU, IT MIGHT NOT BE THAT IMPORTANT. 1122 01:19:41,510 --> 01:19:45,147 JOHN OLIVER! THAT'S IT. 1123 01:19:45,213 --> 01:19:47,682 GO, BOYS AND GIRLS CLUB OF AMERICA, GO! 1124 01:19:47,749 --> 01:19:55,056 [APPLAUSE] ♪ ♪ 1125 01:19:55,123 --> 01:20:01,329 >> Announcer: STILL TO COME, HUNTER SCHAFER, YOUNG MAZINO, 1126 01:20:01,396 --> 01:20:03,298 AND CHARLIE HUNNAM. AND LATER, TED DANSON AND 1127 01:20:03,365 --> 01:20:06,201 MARY STEENBURGEN RECEIVE THE BOB HOPE HUMANITARIAN AWARD. 1128 01:20:06,268 --> 01:20:07,269 THIS IS CBS. 1129 01:20:24,019 --> 01:20:25,420 >> Announcer: PLEASE WELCOME HUNTER SCHAFER, AND EMMY NOMINEE 1130 01:20:25,487 --> 01:20:26,488 YOUNG MAZINO. [APPLAUSE] 1131 01:20:37,032 --> 01:20:38,133 ♪ ♪ >> YOUNG, IT IS SO GREAT TO BE 1132 01:20:38,200 --> 01:20:41,203 HERE WITH YOU TO PRESENT SUPPORTING ACTRESS IN A LIMITED 1133 01:20:41,269 --> 01:20:44,272 OR ANTHOLOGY SERIES OR MOVIE. >> I COULDN'T AGREE MORE, 1134 01:20:44,339 --> 01:20:46,641 HUNTER. BACKSTAGE, YOU AND I WERE 1135 01:20:46,708 --> 01:20:49,177 TALKING ABOUT WHAT IT REALLY MEANS TO DELIVER A SUPPORTING 1136 01:20:49,244 --> 01:20:52,214 PERFORMANCE. TO ME IT MEANS LISTENING, 1137 01:20:52,280 --> 01:20:55,951 RESPONDING, ELEVATING, AND YOU SAID -- 1138 01:20:56,017 --> 01:20:59,421 >> WALKING INTO A SCENE, DROPPING A PERFECTLY EXECUTED 1139 01:20:59,487 --> 01:21:02,557 MONOLOGUE, SHEDDING A SINGLE TEAR, AND THEN DISAPPEARING 1140 01:21:02,624 --> 01:21:04,759 BEFORE EVERYONE REALIZES YOU'RE THE REASON THEY'LL KEEP 1141 01:21:04,826 --> 01:21:08,697 WATCHING. >> AND THESE SIX WOMEN 1142 01:21:08,763 --> 01:21:10,665 DEFINITELY KEPT US WATCHING THEIR INDELIBLE PERFORMANCES 1143 01:21:10,732 --> 01:21:13,635 THIS YEAR. >> ERIN DOHERTY. 1144 01:21:13,702 --> 01:21:16,638 "ADOLESCENCE." RUTH NEGGA. 1145 01:21:16,705 --> 01:21:19,107 "PRESUMED INNOCENT." DEIRDRE O'CONNELL. 1146 01:21:19,174 --> 01:21:22,377 "THE PENGUIN." CHLOE SEVIGNY. 1147 01:21:22,444 --> 01:21:25,180 "MONSTERS: THE LYLE AND ERIK MENENDEZ STORY." 1148 01:21:25,247 --> 01:21:27,983 JENNY SLATE. "DYING FOR SEX." 1149 01:21:28,049 --> 01:21:34,389 CHRISTINE TREMARCO. "ADOLESCENCE." 1150 01:21:34,456 --> 01:21:42,264 >> THE EMMY GOES TO... ERIN DOHERTY. 1151 01:21:42,330 --> 01:21:49,137 [CHEERS AND APPLAUSE] ♪ ♪ 1152 01:21:49,204 --> 01:21:51,640 >> Announcer: THIS IS THE FIRST EMMY WIN AND NOMINATION 1153 01:21:51,706 --> 01:21:59,714 FOR ERIN DOHERTY. ♪ ♪ 1154 01:21:59,781 --> 01:22:14,663 ♪ ♪ >> CONGRATULATIONS! 1155 01:22:14,729 --> 01:22:15,497 ♪ ♪ >> CONGRATULATIONS! 1156 01:22:15,563 --> 01:22:17,999 SPEAK IT LOOKS LIKE I'M GOING TO BE 1157 01:22:18,066 --> 01:22:19,567 BANGING ON ABOUT "ADOLESCENCE" 1158 01:22:19,634 --> 01:22:21,770 THE REST OF MY LIFE, AND THERE WERE THINGS. 1159 01:22:21,836 --> 01:22:25,807 I'D LOVE TO MENTION EVERYTHING A PERSON INVOLVED IN MAKING THIS, 1160 01:22:25,874 --> 01:22:28,777 BECAUSE IT WAS THE DEFINITION OF A TEAM EFFORT, BUT I CAN'T GET 1161 01:22:28,843 --> 01:22:31,946 UP HERE WITHOUT TALKING ABOUT STEPHEN GRAHAM AND HANNAH 1162 01:22:32,013 --> 01:22:34,249 WALTERS. YOU ARE GENEROSITY PERSONIFIED. 1163 01:22:34,316 --> 01:22:38,520 EVEN THOUGH STEPHEN CALLED ME A TEA COZY TODAY. 1164 01:22:38,586 --> 01:22:40,488 [LAUGHTER] THIS IS DEDICATED TO MY BIG 1165 01:22:40,555 --> 01:22:42,090 SISTER, GRACE. I WOULDN'T BE HERE WITHOUT YOU. 1166 01:22:42,157 --> 01:22:47,195 I LOVE YOU WITH ALL MY HEART. AND SINEAD, THANK YOU FOR MAKING 1167 01:22:47,262 --> 01:22:49,197 ME THE HAPPIEST PERSON THE WORLD. 1168 01:22:49,264 --> 01:22:52,167 I LOVE YOU WITH EVERYTHING I'VE GOT. 1169 01:22:52,233 --> 01:22:54,536 THANK YOU TO THE ACADEMY, AND YOU ARE ALL -- 1170 01:22:54,602 --> 01:22:57,005 [INAUDIBLE] [APPLAUSE] 1171 01:22:57,072 --> 01:23:03,978 ♪ ♪ >> Nate: ALL RIGHT. 1172 01:23:04,045 --> 01:23:05,280 JOHN OLIVER, BY THE WAY, ADDED SOME TIME AGAIN. 1173 01:23:05,347 --> 01:23:10,552 I THINK THEY HAVE WON ENOUGH. [LAUGHTER] 1174 01:23:10,618 --> 01:23:14,389 LORNE MICHAELS, YOU KNOW IT? TO BE HONEST, CONGRATS ON 50, 1175 01:23:14,456 --> 01:23:16,624 MAN. I HONESTLY PROBABLY WOULDN'T BE 1176 01:23:16,691 --> 01:23:20,128 HERE HOSTING IT WASN'T FOR YOU. SO THANK YOU VERY MUCH FOR THAT 1177 01:23:20,195 --> 01:23:22,230 FROM ME. [APPLAUSE] 1178 01:23:22,297 --> 01:23:27,402 WHAT ELSE CAN I SAY? YOU COST THE BOYS AND GIRLS CLUB 1179 01:23:27,469 --> 01:23:30,538 A LOT OF MONEY. [LAUGHTER] 1180 01:23:30,605 --> 01:23:33,908 IN CASE YOU ARE SITTING THERE THINKING, MAN, I COULD REALLY 1181 01:23:33,975 --> 01:23:37,112 USE ANOTHER SHOW ABOUT A PSYCHOPATH, OUR NEXT PRESENTER 1182 01:23:37,178 --> 01:23:41,216 HAS GOT YOU COVERED. HE'LL BE IN THE UPCOMING SEASON 1183 01:23:41,282 --> 01:23:43,251 OF "MONSTER." PLEASE WELCOME CHARLIE HUNNAM. 1184 01:24:00,268 --> 01:24:02,670 >> PICASSO SAID ART IS A LIE THAT REVEALS THE TRUTH. 1185 01:24:02,737 --> 01:24:06,841 A GREAT PERFORMANCE CAN HELP US TO UNDERSTAND OURSELVES, 1186 01:24:06,908 --> 01:24:08,910 SHEDDING LIGHT AND CLARITY ON THE CORNERS OF LIFE THAT CAN 1187 01:24:08,977 --> 01:24:14,349 FEEL DARK AND CONFUSING. THROUGH ART WE CAN TRANSMUTE 1188 01:24:14,416 --> 01:24:15,583 PAINFUL TRUTH INTO SOMETHING BEAUTIFUL. 1189 01:24:15,650 --> 01:24:20,555 THESE TALENTED ARTISTS HAVE ALL DONE JUST THAT. 1190 01:24:20,622 --> 01:24:22,457 THE NOMINEES FOR LEAD ACTRESS IN A LIMITED OR ANTHOLOGY SERIES OR 1191 01:24:22,524 --> 01:24:23,858 MOVIE ARE... >> CATE BLANCHETT. 1192 01:24:23,925 --> 01:24:26,094 "DISCLAIMER." MEGHANN FAHY. 1193 01:24:26,161 --> 01:24:27,962 "SIRENS." RASHIDA JONES. 1194 01:24:28,029 --> 01:24:32,233 "BLACK MIRROR." CRISTIN MILIOTI. 1195 01:24:32,300 --> 01:24:34,002 "THE PENGUIN." MICHELLE WILLIAMS. 1196 01:24:34,068 --> 01:24:41,609 "DYING FOR SEX." >> AND THE EMMY GOES TO... 1197 01:24:41,676 --> 01:24:45,547 CRISTIN MILIOTI. [CHEERS AND APPLAUSE] 1198 01:24:45,613 --> 01:24:53,922 ♪ ♪ ♪ ♪ 1199 01:24:53,988 --> 01:24:56,891 >> Announcer: THIS IS THE FIRST EMMY WIN AND NOMINATION 1200 01:24:56,958 --> 01:25:09,070 FOR CRISTIN MILIOTI. ♪ ♪ 1201 01:25:09,137 --> 01:25:18,012 ♪ ♪ >> WANT ME TO HOLD THIS? 1202 01:25:18,079 --> 01:25:20,949 >> SURE. I'LL HOLD IT. 1203 01:25:21,015 --> 01:25:23,151 THANK YOU! THANK YOU SO MUCH. 1204 01:25:23,218 --> 01:25:28,056 I AM SO PROFOUNDLY GRATEFUL. SORRY, I WROTE THIS ON THE BACK 1205 01:25:28,122 --> 01:25:31,626 OF NOTES I TOOK IN THERAPY THE OTHER DAY. 1206 01:25:31,693 --> 01:25:35,997 [LAUGHTER] SO DON'T LOOK AT THE BACK. 1207 01:25:36,064 --> 01:25:40,435 I LOVED MAKING THIS SHOW AND I LOVED PLAYING SOFIA SO MUCH. 1208 01:25:40,502 --> 01:25:43,972 IT'S VERY HARD TO MAKE SENSE OF BEING ALIVE RIGHT NOW IN THIS 1209 01:25:44,038 --> 01:25:47,675 WORLD SO I'M DEEPLY GRATEFUL FOR THE BRIGHT SPOTS AND MAKING THIS 1210 01:25:47,742 --> 01:25:51,079 SHOW WITH OUR INCREDIBLE CAST AND CREW, AND GETTING TO INHABIT 1211 01:25:51,145 --> 01:25:53,915 THIS WOMAN WAS A BRIGHT SPOT FOR ME. 1212 01:25:53,982 --> 01:25:59,420 DESPITE IT BEING VERY GRISLY. PLAYING HER FELT LIKE FLYING. 1213 01:25:59,487 --> 01:26:02,390 OH, MY GOD, ARE YOU KIDDING? WOW, THIS REALLY SPEEDS. 1214 01:26:02,457 --> 01:26:04,592 I WANT TO THANK MY KETTLE FAMILY. 1215 01:26:04,659 --> 01:26:07,262 THEY ARE HERE TONIGHT WITH ME. THANK YOU FOR SUPPORTING YOUR 1216 01:26:07,328 --> 01:26:09,797 STRANGE KID AND SHOWING THE MOVIES THAT WERE VERY 1217 01:26:09,864 --> 01:26:12,433 INAPPROPRIATE FOR MY AGE. I WANT TO THANK OU, I WANT TO 1218 01:26:12,500 --> 01:26:14,202 THANK MY FRIENDS. I HAD THE BEST FRIENDS IN THE 1219 01:26:14,269 --> 01:26:16,437 WORLD. YOU ARE THE REASON I'M STANDING. 1220 01:26:16,504 --> 01:26:20,008 YOU ARE THE WHOLE REASON I'VE GOTTEN THROUGH LIFE. 1221 01:26:20,074 --> 01:26:23,912 I WANT TO THANK LAUREN, WHOSE BRAIN I WANT TO FREEBASE. 1222 01:26:23,978 --> 01:26:26,848 SHE'S THE REASON OUR SHOW WAS SO SPECIAL. 1223 01:26:26,915 --> 01:26:37,058 ALL RIGHT, I WANT TO THANK OUR INCREDIBLE COLIN, CREW, AGENTS,. 1224 01:26:37,125 --> 01:26:39,827 [LISTING NAMES] AND EVERYONE AT D.C. 1225 01:26:39,894 --> 01:26:42,530 THANK YOU SO MUCH. I LOVE YOU AND I LOVE ACTING SO 1226 01:26:42,597 --> 01:26:45,300 MUCH! [CHEERS AND APPLAUSE] 1227 01:26:45,366 --> 01:26:54,943 ♪ ♪ ♪ ♪ 1228 01:26:55,009 --> 01:26:57,178 >> Announcer: COMING UP, MICHAEL SCHUR AND KRISTEN BELL 1229 01:26:57,245 --> 01:27:00,014 PRESENT THE BOB HOPE HUMANITARIAN AWARD TO TELEVISION 1230 01:27:00,081 --> 01:27:03,685 LEGENDS TED DANSON AND MARY STEENBURGEN. 1231 01:27:03,751 --> 01:27:06,454 PLUS, BRYAN CRANSTON PRESENTS THE EMMY FOR OUTSTANDING TALK 1232 01:27:06,521 --> 01:27:09,958 SERIES. AND JUST AHEAD, LAINEY WILSON 1233 01:27:10,024 --> 01:27:12,026 AND VINCE GILL PAY TRIBUTE TO THOSE WE LOST THIS YEAR. 1234 01:27:21,970 --> 01:27:22,904 ♪ ♪ >> Announcer: PLEASE WELCOME 1235 01:27:22,971 --> 01:27:23,972 JUSTIN HARTLEY. [APPLAUSE] 1236 01:27:31,980 --> 01:27:36,918 IT'S MY HONOR TO INTRODUCE OUR NEXT SPEAKER. 1237 01:27:36,985 --> 01:27:38,886 HE'S AN ACCOMPLISHED TELEVISION EXECUTIVE, ENTREPRENEUR, 1238 01:27:38,953 --> 01:27:42,924 AWARD-WINNING PRODUCER. WHAT'S MORE, HE IS A LEADER 1239 01:27:42,991 --> 01:27:45,493 DEEPLY COMMITTED TO HUMANITARIAN CAUSES AND TO THE POWER OF 1240 01:27:45,560 --> 01:27:49,564 STORYTELLING. PLEASE WELCOME OUR TELEVISION 1241 01:27:49,631 --> 01:27:53,201 ACADEMY CHAIRMAN, CRIS ABREGO. [APPLAUSE] 1242 01:27:53,267 --> 01:28:08,149 ♪ ♪ ♪ ♪ 1243 01:28:08,216 --> 01:28:09,150 ♪ ♪ ♪ ♪ 1244 01:28:09,217 --> 01:28:11,919 >> HELLO, HELLO. LAST SUNDAY, AT THE CREATIVE 1245 01:28:11,986 --> 01:28:14,589 ARTS EMMYS, I HAD THE HONOR OF HELPING PRESENT THE GOVERNOR'S 1246 01:28:14,656 --> 01:28:21,095 AWARD TO THE CORPORATION FOR PUBLIC BROADCASTING. 1247 01:28:21,162 --> 01:28:26,000 [APPLAUSE] FOR MORE THAN 50 YEARS, THE CPB 1248 01:28:26,067 --> 01:28:29,771 HAS BEEN THE BACKBONE OF AMERICAN PUBLIC MEDIA, BRINGING 1249 01:28:29,837 --> 01:28:32,540 US EVERYTHING FROM "SESAME STREET" TO 1250 01:28:32,607 --> 01:28:35,643 "MR. ROGERS' NEIGHBORHOOD" TO "FINDING YOUR ROOTS," AND 1251 01:28:35,710 --> 01:28:41,115 KEEPING FREE LOCAL STATIONS ALIVE ACROSS THE NATION. 1252 01:28:41,182 --> 01:28:47,822 [APPLAUSE] AND, IN MANY SMALL TOWNS, THOSE 1253 01:28:47,889 --> 01:28:50,792 STATIONS WEREN'T JUST CULTURAL LIFELINES, THEY WERE THE ONLY 1254 01:28:50,858 --> 01:28:55,129 EMERGENCY ALERT SYSTEM FAMILIES COULD COUNT ON. 1255 01:28:55,196 --> 01:28:57,932 BUT, AT THE END OF THIS YEAR, CPB WILL CLOSE ITS DOORS BECAUSE 1256 01:28:57,999 --> 01:29:03,738 CONGRESS HAS VOTED TO DEFUND IT. [AUDIENCE REACTS] 1257 01:29:03,805 --> 01:29:08,943 AND SILENCE YET ANOTHER CULTURAL INSTITUTION. 1258 01:29:09,010 --> 01:29:11,079 AND THAT'S A REMINDER OF JUST HOW MUCH OUR WORK HERE MATTERS, 1259 01:29:11,145 --> 01:29:21,389 ESPECIALLY RIGHT NOW. IN A TIME WHEN DIVISION 1260 01:29:21,456 --> 01:29:22,757 [APPLAUSE] IN A TIME WHEN DIVISION 1261 01:29:22,824 --> 01:29:24,592 DOMINATES THE HEADLINES, STORYTELLING STILL HAS THE POWER 1262 01:29:24,659 --> 01:29:29,430 TO UNITE US. TELEVISION, AND THE ARTISTS WHO 1263 01:29:29,497 --> 01:29:32,133 MAKE IT, DO MORE THAN REFLECT SOCIETY. 1264 01:29:32,200 --> 01:29:34,102 THEY SHAPE OUR CULTURE. AND IN TIMES OF CULTURAL 1265 01:29:34,168 --> 01:29:36,337 REGRESSION, THEY REMIND US WHAT'S AT STAKE AND WHAT CAN 1266 01:29:36,404 --> 01:29:38,439 STILL BE ACHIEVED. "M*A*S*H." 1267 01:29:38,506 --> 01:29:41,642 "ROOTS." THE LATE, GREAT NORMAN LEAR'S 1268 01:29:41,709 --> 01:29:46,848 ENTIRE BODY OF WORK. "WILL AND GRACE." 1269 01:29:46,914 --> 01:29:50,518 "THE HANDMAID'S TALE." "SOUTH PARK." 1270 01:29:50,585 --> 01:29:56,724 THE LEGACY OF LATE NIGHT. FOR GENERATIONS, ARTISTS HAVE 1271 01:29:56,791 --> 01:30:01,062 SEIZED THE POWER OF TV TO BROADEN HORIZONS, CHALLENGE THE 1272 01:30:01,129 --> 01:30:08,069 STATUS QUO, AND BEND THAT ARC OF HISTORY TOWARDS JUSTICE. 1273 01:30:08,136 --> 01:30:13,107 [APPLAUSE] THE TELEVISION ACADEMY, AND ALL 1274 01:30:13,174 --> 01:30:15,476 OF US IN THIS ROOM, MUST CONTINUE TO CHAMPION THAT POWER 1275 01:30:15,543 --> 01:30:18,679 AND WIELD IT RESPONSIBLY. IN MOMENTS LIKE THIS, NEUTRALITY 1276 01:30:18,746 --> 01:30:23,117 IS NOT ENOUGH. WE MUST BE VOICES FOR 1277 01:30:23,184 --> 01:30:30,558 CONNECTION, INCLUSION, EMPATHY, YES. 1278 01:30:30,625 --> 01:30:33,694 [APPLAUSE] BECAUSE WE KNOW THAT CULTURE 1279 01:30:33,761 --> 01:30:42,236 DOESN'T COME FROM THE TOP DOWN. IT RISES FROM THE BOTTOM UP. 1280 01:30:42,303 --> 01:30:45,139 CULTURE BELONGS TO THE PEOPLE. SO, IF OUR INDUSTRY IS TO 1281 01:30:45,206 --> 01:30:47,441 THRIVE, WE NEED TO MAKE ROOM FOR MORE VOICES, NOT FEWER. 1282 01:30:47,508 --> 01:30:50,978 THAT'S THE WORK OF THE TELEVISION ACADEMY. 1283 01:30:51,045 --> 01:30:54,515 TODAY WE ARE ALMOST 30,000 STRONG -- THE LARGEST, YOUNGEST, 1284 01:30:54,582 --> 01:30:57,852 AND MOST DIVERSE BODY IN OUR HISTORY. 1285 01:30:57,919 --> 01:31:00,655 AND WITH THAT DIVERSITY COMES THE STRENGTH, IMAGINATION, AND 1286 01:31:00,721 --> 01:31:04,358 COURAGE OUR INDUSTRY NEEDS TO MOVE FORWARD. 1287 01:31:04,425 --> 01:31:08,362 SO LET'S DO THAT, TOGETHER. LET'S KEEP TELLING STORIES, AND 1288 01:31:08,429 --> 01:31:11,566 LET'S MAKE SURE THAT CULTURE IS NOT A PLATFORM FOR THE 1289 01:31:11,632 --> 01:31:15,002 PRIVILEGED, BUT A PUBLIC GOOD FOR ALL. 1290 01:31:15,069 --> 01:31:26,614 [CHEERS AND APPLAUSE] AND NOW, TO PRESENT ONE OF THE 1291 01:31:26,681 --> 01:31:30,251 TELEVISION ACADEMY'S MOST PRESTIGIOUS HONORS, THE BOB HOPE 1292 01:31:30,318 --> 01:31:33,054 HUMANITARIAN AWARD, PLEASE WELCOME EMMY NOMINEE 1293 01:31:33,120 --> 01:31:35,756 KRISTEN BELL AND EMMY WINNER MICHAEL SCHUR. 1294 01:31:35,823 --> 01:31:50,705 [APPLAUSE] ♪ ♪ 1295 01:31:50,771 --> 01:31:55,977 [APPLAUSE] ♪ ♪ 1296 01:31:56,043 --> 01:31:57,178 ♪ ♪ >> MIKE AND I ARE HERE TO 1297 01:31:57,245 --> 01:32:02,984 CELEBRATE OUR GOOD FRIEND MARY STEENBURGEN, WHO IS BOTH A 1298 01:32:03,050 --> 01:32:06,320 BRILLIANT ACTOR AND A DEVOTED PHILANTHROPIST. 1299 01:32:06,387 --> 01:32:14,295 >> WE'RE ALSO HERE TO CELEBRATE TED DANSON. 1300 01:32:14,362 --> 01:32:16,030 [APPLAUSE] WHO IS BOTH TALL AND FROM 1301 01:32:16,097 --> 01:32:20,501 SAN DIEGO. [LAUGHTER] 1302 01:32:20,568 --> 01:32:23,237 THAT'S ACCORDING TO A BIO HIS PUBLICIST SENT OVER, AS NEITHER 1303 01:32:23,304 --> 01:32:27,975 OF US IS FAMILIAR WITH HIS ACTING WORK. 1304 01:32:28,042 --> 01:32:30,611 >> YEAH, I DON'T KNOW. TOGETHER, TED AND MARY ARE AN 1305 01:32:30,678 --> 01:32:32,580 UNSTOPPABLE FORCE, ON SCREEN AND OFF, AND TONIGHT THEY ARE 1306 01:32:32,647 --> 01:32:35,116 RECEIVING THE BOB HOPE HUMANITARIAN AWARD. 1307 01:32:35,182 --> 01:32:37,952 >> CREATED IN 2002 BY THE TELEVISION ACADEMY'S BOARD OF 1308 01:32:38,019 --> 01:32:41,255 GOVERNORS, THIS AWARD IS GIVEN TO ARTISTS WHOSE PHILANTHROPY 1309 01:32:41,322 --> 01:32:50,131 EXEMPLIFIES BOB HOPE'S ALTRUISM AND POSITIVE IMPACT ON SOCIETY. 1310 01:32:50,197 --> 01:32:52,900 >> PLEASE JOIN US AS WE SALUTE THESE TWO WONDERFUL ACTORS AND, 1311 01:32:52,967 --> 01:32:54,101 MORE IMPORTANTLY, WONDERFUL PEOPLE. 1312 01:32:54,168 --> 01:32:57,438 ♪ ♪ >> Announcer: THEIR PERFORMANCES 1313 01:32:57,505 --> 01:33:00,708 ON CAMERA HAVE EARNED THEM THE ADORATION OF VIEWERS FROM AROUND 1314 01:33:00,775 --> 01:33:03,544 THE GLOBE, BUT TONIGHT WE HONOR TED DANSON AND MARY STEENBURGEN 1315 01:33:03,611 --> 01:33:07,081 FOR AN EVEN MORE MEANINGFUL CONTRIBUTION TO OUR WORLD -- 1316 01:33:07,148 --> 01:33:11,953 THEIR DEDICATION TO THE CAUSES THEY SO DEEPLY BELIEVE IN. 1317 01:33:12,019 --> 01:33:19,293 THEY'VE WORKED WITH OCEANA TO PROTECT AND PRESERVE THE WORLD'S 1318 01:33:19,360 --> 01:33:21,262 OCEANS. >> WE WANT TO MAKE SURE WE ARE 1319 01:33:21,329 --> 01:33:23,698 NOT OVER POLLUTING OUR WATERS. THERE IS A TICKING CLOCK, 1320 01:33:23,764 --> 01:33:25,833 THERE'S A REAL PROBLEM. WE CAN FIX THIS. 1321 01:33:25,900 --> 01:33:27,835 >> AND USED THEIR PASSIONATE AND POWERFUL VOICES TO INCREASE ARTS 1322 01:33:27,902 --> 01:33:31,005 FUNDING IN SCHOOLS. THEY ARE OUTSPOKEN ALLIES OF THE 1323 01:33:31,072 --> 01:33:33,374 LGBTQ COMMUNITY, AND HAVE PROUDLY STOOD UP FOR INDIVIDUALS 1324 01:33:33,441 --> 01:33:37,144 AND THEIR RIGHTS. LAST YEAR THEY WERE RECOGNIZED 1325 01:33:37,211 --> 01:33:40,982 WITH THE NANCY PELOSI EQUALITY ALLY AWARD AT THE 2024 EQUALITY 1326 01:33:41,048 --> 01:33:47,154 PAC NATIONAL PRIDE GALA IN WASHINGTON D.C. 1327 01:33:47,221 --> 01:33:53,494 >> THERE ARE ONLY REALLY TWO EMOTIONS, LOVE AND FEAR. 1328 01:33:53,561 --> 01:33:55,930 EVERYTHING WE DO BOILS DOWN TO ONE OR THE OTHER. 1329 01:33:55,997 --> 01:33:57,965 >> THEY'VE SUPPORTED THE MISSIONS OF NUMEROUS 1330 01:33:58,032 --> 01:34:00,201 ORGANIZATIONS SUCH AS THE ELIZABETH GLASER PEDIATRIC AIDS 1331 01:34:00,267 --> 01:34:03,371 FOUNDATION, NO KID HUNGRY, HEIFER INTERNATIONAL, 1332 01:34:03,437 --> 01:34:07,241 PROGERIA RESEARCH FOUNDATION, ANDPATHWAY TO KINSHIP, WORKING 1333 01:34:07,308 --> 01:34:11,912 WITH CURRENTLY AND FORMERLY INCARCERATED CITIZENS, AND 1334 01:34:11,979 --> 01:34:14,482 TOGETHER THEY HELPED CO-FOUND ANGELS AT RISK, A NON-PROFIT 1335 01:34:14,548 --> 01:34:17,385 ORGANIZATION THAT ADDRESSES THE CRISIS OF DRUG AND ALCOHOL ABUSE 1336 01:34:17,451 --> 01:34:20,988 IN TEENS AND FAMILIES BY CREATING EDUCATIONAL PROGRAMS 1337 01:34:21,055 --> 01:34:23,891 AND SERVICES TO RAISE AWARENESS FOR ADDICTION PREVENTION, 1338 01:34:23,958 --> 01:34:29,563 INTERVENTION, AND TREATMENT. WITH GRACE, INTEGRITY, AND 1339 01:34:29,630 --> 01:34:33,300 UNWAVERING COMMITMENT, TED DANSON AND MARY STEENBURGEN 1340 01:34:33,367 --> 01:34:36,270 HAVE BUILT AN EXTRAORDINARY LEGACY OF SERVICE TO OUR PEOPLE 1341 01:34:36,337 --> 01:34:40,241 AND OUR PLANET. ♪ ♪ 1342 01:34:40,307 --> 01:34:49,917 [APPLAUSE] >> TED AND MARY -- ON BEHALF OF 1343 01:34:49,984 --> 01:34:53,354 THE TELEVISION ACADEMY, WE ARE HONORED TO PRESENT YOU WITH THE 1344 01:34:53,421 --> 01:34:56,190 2025 BOB HOPE HUMANITARIAN AWARD. 1345 01:34:56,257 --> 01:35:01,195 [CHEERS AND APPLAUSE] ♪ ♪ 1346 01:35:01,262 --> 01:35:13,574 ♪ ♪ ♪ ♪ 1347 01:35:13,641 --> 01:35:28,522 ♪ ♪ 1348 01:35:28,589 --> 01:35:32,660 ♪ ♪ 1349 01:35:32,726 --> 01:35:35,830 >> THANK YOU VERY MUCH. >> THANK YOU, GUYS, GUYS. 1350 01:35:35,896 --> 01:35:38,099 >> BEST FRIENDS. THANK YOU TO THE TELEVISION 1351 01:35:38,165 --> 01:35:40,000 ACADEMY AND ITS BOARD OF GOVERNORS FOR THIS AWARD. 1352 01:35:40,067 --> 01:35:43,070 IT'S NAMED AFTER A MAN WHOSE VERY NAME WAS "HOPE," AND THAT 1353 01:35:43,137 --> 01:35:45,372 IS WHAT BOB HOPE BROUGHT TO PEOPLE FOR 50 YEARS AS HE 1354 01:35:45,439 --> 01:35:52,780 TRAVELED THE WORLD ENTERTAINING OUR TROOPS. 1355 01:35:52,847 --> 01:35:54,548 WE SEND OUR LOVE TO HIS FAMILY ALONG WITH OUR DEEPEST THANKS 1356 01:35:54,615 --> 01:35:57,818 FOR THIS. THERE IS NO HONOR THAT WOULD 1357 01:35:57,885 --> 01:36:03,891 MEAN MORE TO MARY AND ME THAN THIS ONE. 1358 01:36:03,958 --> 01:36:17,371 THE FACT THAT IT HAS BEEN GIVEN TO BOTH OF US MEANS THE WORLD 1359 01:36:17,438 --> 01:36:19,773 [APPLAUSE] >> AND THIS HONOR WOULD HAVE 1360 01:36:19,840 --> 01:36:22,009 MEANT THE WORLD TO OUR PARENTS, BECAUSE, IN A WAY, IT'S ABOUT 1361 01:36:22,076 --> 01:36:24,078 LIVING THE LIVES THEY, BY EXAMPLE, TAUGHT US TO LIVE. 1362 01:36:24,145 --> 01:36:26,180 MY DAD, AN ARKANSAS FREIGHT TRAIN CONDUCTOR, PLAYED BY ALL 1363 01:36:26,247 --> 01:36:34,054 OF THE RULES AT WORK, SAVE ONE. WHEN HE CAME ACROSS A MAN DOWN 1364 01:36:34,121 --> 01:36:36,423 BOXCAR, HE DIDN'T PUT THEM OFF THE TRAIN. 1365 01:36:36,490 --> 01:36:40,628 HE LET THEM RIDE. AND, EVEN THOUGH I WAS A CHILD, 1366 01:36:40,694 --> 01:36:45,232 I UNDERSTOOD WELL THE BEAUTY OF THAT ACT OF KINDNESS. 1367 01:36:45,299 --> 01:36:47,902 >> MY FATHER WAS AN ARCHEOLOGIST, AND SPENT MOST OF 1368 01:36:47,968 --> 01:36:51,005 HIS LIFE DIGGING UP AND CATALOGING THE REMNANTS OF PAST 1369 01:36:51,071 --> 01:36:56,944 CULTURES. HE TAUGHT ME, "THIS LIFE IS NOT 1370 01:36:57,011 --> 01:37:00,548 JUST ABOUT US. A LOT OF PEOPLE HAVE COME BEFORE 1371 01:37:00,614 --> 01:37:03,384 US, AND A LOT OF PEOPLE WILL COME AFTER US. 1372 01:37:03,450 --> 01:37:11,258 IT'S ABOUT OUR STEWARDSHIP OF WHAT WE HAVE BEEN GIVEN." 1373 01:37:11,325 --> 01:37:13,794 >> IF IT'S TRUE THAT LIFE IS MADE UP OF TWO EMOTIONS, LOVE 1374 01:37:13,861 --> 01:37:17,565 AND FEAR, THE WORLD IS A LITTLE OUT OF BALANCE RIGHT NOW. 1375 01:37:17,631 --> 01:37:22,136 WE DON'T WANT TO LIVE IN FEAR, SO WE MAKE OURSELVES USEFUL, 1376 01:37:22,203 --> 01:37:25,206 WORKING FOR ORGANIZATIONS THAT MOVE THE SCALE AWAY FROM FEAR 1377 01:37:25,272 --> 01:37:28,709 AND PUT US SMACK IN THE MIDDLE OF LOVE. 1378 01:37:28,776 --> 01:37:33,080 >> THANK YOU TO JACOB FENTON, KEITH ADDIS, ERIC KRANZLER, 1379 01:37:33,147 --> 01:37:41,422 JO YAO, AND ANNETT WOLF, BECAUSE FOR A LONG TIME THAT TEAM OF 1380 01:37:41,488 --> 01:37:43,390 PEOPLE HAS ALSO CONTRIBUTED THEIR OWN TIME AND CARING TO 1381 01:37:43,457 --> 01:37:49,930 THESE CAUSES AND MORE. >> THANK YOU TO OUR SISTERS, 1382 01:37:49,997 --> 01:37:52,800 OUR CHILDREN, AND GRANDCHILDREN, WHO OF COURSE ARE THE BEST 1383 01:37:52,866 --> 01:37:53,934 TEACHERS WE HAVE EVER HAD. MOST OF ALL, THANK YOU TO YOU, 1384 01:37:54,001 --> 01:37:58,939 OUR BELOVED COMMUNITY. TOGETHER WE HAVE A SACRED 1385 01:37:59,006 --> 01:38:06,213 ASSIGNMENT TO REMIND THE WORLD OF ITS DREAMS, ITS FAILURES, ITS 1386 01:38:06,280 --> 01:38:08,916 LAUGHTER, ITS COURAGE, AND, MOST ESPECIALLY, ITS HOPE. 1387 01:38:08,983 --> 01:38:11,852 >> THE TWO OF US FEEL VERY BLESSED TO SPEND OUR LIVES DOING 1388 01:38:11,919 --> 01:38:18,692 JUST THAT WITH YOU. THANK YOU FOR THIS HONOR. 1389 01:38:18,759 --> 01:38:21,195 >> THANK YOU. [APPLAUSE] 1390 01:38:21,262 --> 01:38:30,971 ♪ ♪ ♪ ♪ 1391 01:38:31,038 --> 01:38:34,408 >> Announcer: HERE ARE TONIGHT'S ACCOUNTANTS FROM ERNST & YOUNG, 1392 01:38:34,475 --> 01:38:38,846 GRETA CASAGRANDE, JADE DAVIS, AND SUZANNE DeJONG. 1393 01:38:38,912 --> 01:38:46,220 ♪ ♪ ♪ ♪ 1394 01:38:46,287 --> 01:38:49,690 PLEASE WELCOME SIX-TIME EMMY NOMINEE PHYLICIA RASHAD. 1395 01:38:49,757 --> 01:38:55,562 [APPLAUSE] ♪ ♪ 1396 01:38:55,629 --> 01:39:00,434 >> HE WAS A BELOVED TEENAGER IN AN ICONIC TELEVISION SERIES 1397 01:39:00,501 --> 01:39:04,038 WHO THE WORLD WATCHED GROW INTO MANHOOD, AND LIKE ALL OUR 1398 01:39:04,104 --> 01:39:08,575 FRIENDS AND COLLEAGUES WHO TRANSITIONED THIS PAST YEAR, 1399 01:39:08,642 --> 01:39:15,182 MALCOLM JAMAL-WARNER REMAINS IN OUR HEARTS. 1400 01:39:15,249 --> 01:39:20,988 [APPLAUSE] TONIGHT, AS IS TRADITION AT THE 1401 01:39:21,055 --> 01:39:25,292 EMMYS, WE REMEMBER THEM NOT JUST FOR THEIR IMMENSE TALENT, BUT 1402 01:39:25,359 --> 01:39:31,899 ALSO FOR THE WAY THEY MADE US BELIEVE IN SOMETHING BIGGER. 1403 01:39:31,965 --> 01:39:34,735 THE BEST THAT IS WITHIN US. EVEN THOUGH THEY MAY NO LONGER 1404 01:39:34,802 --> 01:39:38,272 BE WITH US, WE CAN ALL SMILE KNOWING THAT THEIR IMPACT WILL 1405 01:39:38,339 --> 01:39:41,308 REMAIN, KNOWING THAT THEIR LASTING IMPRESSIONS WILL 1406 01:39:41,375 --> 01:39:45,245 CONTINUE TO LIVE ON THROUGH STORY, KNOWING THAT THEY TOUCHED 1407 01:39:45,312 --> 01:39:50,250 OUR LIVES. WHETHER YOU GREW UP WATCHING 1408 01:39:50,317 --> 01:39:53,654 THEM OR HAVE JUST NOW DISCOVERED THEIR BRILLIANCE, THEIR LIGHT 1409 01:39:53,721 --> 01:39:57,725 REMAINS IN THE VERY FABRIC OF OUR INDUSTRY. 1410 01:39:57,791 --> 01:40:01,862 PERFORMING A SONG OF REMEMBRANCE FOR ALL THE MEMBERS OF ALL OUR 1411 01:40:01,929 --> 01:40:06,233 TELEVISION FAMILIES WHO HAVE PASSED ON, HERE ARE VINCE GILL 1412 01:40:06,300 --> 01:40:09,236 AND LAINEY WILSON. [APPLAUSE] 1413 01:40:09,303 --> 01:40:19,313 ♪ ♪ ♪ ♪ 1414 01:40:19,380 --> 01:40:27,388 >> ♪ I KNOW YOUR LIFE ON EARTH WAS TROUBLED ♪ 1415 01:40:27,454 --> 01:40:35,362 ♪ AND ONLY YOU COULD KNOW THE PAIN ♪ 1416 01:40:35,429 --> 01:40:43,570 ♪ YOU WEREN'T AFRAID TO FACE THE DEVIL ♪ 1417 01:40:43,637 --> 01:40:54,748 ♪ YOU WERE NO STRANGER TO THE RAIN ♪ 1418 01:40:54,815 --> 01:41:04,024 >> ♪ GO REST HIGH ON THAT MOUNTAIN ♪ 1419 01:41:04,091 --> 01:41:11,465 ♪ SON, YOUR WORK ON EARTH IS DONE ♪ 1420 01:41:11,532 --> 01:41:21,341 ♪ GO TO HEAVEN A-SHOUTIN' ♪ ♪ LOVE FOR THE FATHER AND THE 1421 01:41:21,408 --> 01:41:31,051 SON ♪ >> ♪ OH, HOW WE CRIED THE DAY 1422 01:41:31,118 --> 01:41:39,760 YOU LEFT US ♪ ♪ WE GATHERED 'ROUND YOUR GRAVE 1423 01:41:39,827 --> 01:41:47,100 TO GRIEVE ♪ ♪ WISH I COULD SEE THE ANGELS' 1424 01:41:47,167 --> 01:41:56,443 FACES ♪ ♪ WHEN THEY HEAR YOUR SWEET 1425 01:41:56,510 --> 01:42:05,853 VOICE SING ♪ ♪ ♪ 1426 01:42:05,919 --> 01:42:14,828 [VIOLIN SOLO] ♪ ♪ 1427 01:42:14,895 --> 01:42:23,670 ♪ ♪ ♪ ♪ 1428 01:42:23,737 --> 01:42:33,680 ♪ ♪ ♪ ♪ 1429 01:42:33,747 --> 01:42:40,420 ♪ ♪ >> ♪ GO REST HIGH ON THAT 1430 01:42:40,487 --> 01:42:49,463 MOUNTAIN ♪ ♪ SON, YOUR WORK ON EARTH IS 1431 01:42:49,530 --> 01:43:03,143 DONE ♪ ♪ GO TO HEAVEN A-SHOUTIN' ♪ 1432 01:43:03,210 --> 01:43:09,650 ♪ LOVE FOR THE FATHER AND THE SON ♪ 1433 01:43:09,716 --> 01:43:16,123 ♪ ♪ [GUITAR SOLO] 1434 01:43:16,189 --> 01:43:24,665 ♪ ♪ ♪ ♪ 1435 01:43:24,731 --> 01:43:32,739 ♪ ♪ ♪ ♪ 1436 01:43:32,806 --> 01:43:41,448 ♪ ♪ ♪ ♪ 1437 01:43:41,515 --> 01:43:50,557 ♪ ♪ >> ♪ YOU'RE SAFELY HOME IN THE 1438 01:43:50,624 --> 01:43:58,599 ARMS OF JESUS ♪ ♪ ETERNAL LIFE, MY BROTHER'S 1439 01:43:58,665 --> 01:44:07,074 FOUND ♪ ♪ THE DAY WILL COME, I KNOW I'LL 1440 01:44:07,140 --> 01:44:15,215 SEE HIM ♪ ♪ IN THAT SACRED PLACE ON THAT 1441 01:44:15,282 --> 01:44:23,557 HOLY GROUND ♪ >> ♪ GO REST HIGH ON THAT 1442 01:44:23,624 --> 01:44:32,733 MOUNTAIN ♪ ♪ SON, YOUR WORK ON EARTH IS 1443 01:44:32,799 --> 01:44:47,547 DONE ♪ ♪ GO TO HEAVEN A-SHOUTIN' ♪ 1444 01:44:47,614 --> 01:44:58,358 ♪ LOVE FOR THE FATHER AND THE SON ♪ 1445 01:44:58,425 --> 01:45:07,267 ♪ GO TO HEAVEN A-SHOUTIN' ♪ ♪ LOVE FOR THE FATHER AND THE 1446 01:45:07,334 --> 01:45:08,335 SON ♪ ♪ ♪% 1447 01:45:50,010 --> 01:45:55,148 ♪ ♪ >> Nate: WELCOME BACK TO THE 1448 01:45:55,215 --> 01:45:56,950 EMMYS. THE IN MEMORIAM WENT A LITTLE 1449 01:45:57,017 --> 01:45:57,818 LONG. [LAUGHTER] 1450 01:45:57,884 --> 01:46:00,954 I'M JOKING, SORRY, I DIDN'T MEAN THAT. 1451 01:46:01,021 --> 01:46:09,963 THE NUMBER IS DOWN. IT'S CRAZY, JB. 1452 01:46:10,030 --> 01:46:12,766 IT'S LIKE THEY DON'T THINK IT'S A REAL. 1453 01:46:12,833 --> 01:46:14,901 >> THEY DON'T BELIEVE IT, MAN. THIS IS A REAL THING. 1454 01:46:14,968 --> 01:46:18,772 THESE YOUNG PEOPLE ARE REAL, YOU HEAR ME? 1455 01:46:18,839 --> 01:46:23,810 CARTER AND MOLLY, THERE BLADDERS ARE SMALL, THEY HAD TWO BOTTLES 1456 01:46:23,877 --> 01:46:26,613 OF WATER AND WE HAVE TO GET THIS MONEY UP, MAN. 1457 01:46:26,680 --> 01:46:31,084 >> Nate: I AGREE. PLEASE WELCOME YOUR NEXT 1458 01:46:31,151 --> 01:46:38,992 PRESENTER'S, MA MALIN AKERMAN AD BRITTANY SNOW. 1459 01:46:50,003 --> 01:46:51,972 >> WOW, THAT TOOK ME A WHILE TO GET HERE. 1460 01:46:52,572 --> 01:46:54,307 SORRY, I WAS REALLY SLOW TO COME OUT. 1461 01:46:54,374 --> 01:46:58,612 >> I DON'T MIND WAITING FOR YOU TO COME OUT. 1462 01:46:58,678 --> 01:47:03,950 [CHEERS AND APPLAUSE] >> THANK YOU FOR THE HELP. 1463 01:47:04,017 --> 01:47:06,386 >> THE FEELING A LEAD ACTOR BRINGS FORTH IN A CHARACTER 1464 01:47:06,453 --> 01:47:11,091 OFTEN RESONATES DEEPLY WITH THE AUDIENCE CREATING MEMORABLE 1465 01:47:11,158 --> 01:47:13,126 EXPERIENCES. >> THIS YEAR WE HAVE BEEN 1466 01:47:13,193 --> 01:47:16,196 CAPTIVATED BY PERFORMANCES OF CHARACTERS BOTH CHARISMATIC AND 1467 01:47:16,263 --> 01:47:20,400 FLAWED WHO WORKED THROUGH THEIR PERSONAL DEMONS ALL WHILE TRYING 1468 01:47:20,467 --> 01:47:21,902 TO NAVIGATE COMPLEX RELATIONSHIPS. 1469 01:47:21,968 --> 01:47:25,238 >> HERE ARE THE NOMINEES FOR OUTSTANDING LEAD ACTOR IN A 1470 01:47:25,305 --> 01:47:27,174 LIMITED OR ANTHOLOGY SERIES OR MOVIE. 1471 01:47:27,240 --> 01:47:29,342 >> COLIN FARRELL. "THE PENGUIN." 1472 01:47:29,409 --> 01:47:31,144 STEPHEN GRAHAM. "ADOLESCENCE." 1473 01:47:31,211 --> 01:47:33,613 JAKE GYLLENHAAL. "PRESUMED INNOCENT." 1474 01:47:33,680 --> 01:47:36,416 BRIAN TYREE HENRY. "DOPE THIEF." 1475 01:47:36,483 --> 01:47:38,752 COOPER KOCH. "MONSTERS: THE LYLE AND ERIK 1476 01:47:38,819 --> 01:47:47,127 MENENDEZ STORY." >> AND THE EMMY GOES TO... 1477 01:47:47,194 --> 01:47:49,262 STEPHEN GRAHAM. "ADOLESCENCE." 1478 01:47:49,329 --> 01:47:57,871 [CHEERS AND APPLAUSE] ♪ ♪ 1479 01:47:57,938 --> 01:48:01,641 >> Announcer: THIS IS THE SECOND EMMY WIN AND THIRD 1480 01:48:01,708 --> 01:48:04,211 NOMINATION THIS YEAR FOR STEPHEN GRAHAM. 1481 01:48:04,277 --> 01:48:12,385 HE'S ALSO NOMINATED FOR WRITING AND PRODUCING "ADOLESCENCE." 1482 01:48:12,452 --> 01:48:27,334 [APPLAUSE] ♪ ♪ 1483 01:48:27,400 --> 01:48:28,735 [APPLAUSE] ♪ ♪ 1484 01:48:28,802 --> 01:48:40,847 ♪ ♪ 1485 01:48:40,914 --> 01:48:46,753 [APPLAUSE] >> THIS KIND OF THING DOESN'T 1486 01:48:46,820 --> 01:48:49,022 NORMALLY HAPPEN TO A KID LIKE ME. 1487 01:48:49,089 --> 01:48:54,828 I'M JUST A MIXED-RACE KID FROM A BLOCK OF FLATS IN A PLACE CALLED 1488 01:48:54,895 --> 01:49:02,369 KIRK KIRKBY. THIS IS THE MOST HUMBLING THING 1489 01:49:02,435 --> 01:49:04,638 I COULD IMAGINE MY LIFE AND IT SHOWS ANYTHING IS POSSIBLE. 1490 01:49:04,704 --> 01:49:07,641 THERE ARE TOO MANY PEOPLE TO THINK BUT I WANT TO THANK MY 1491 01:49:07,707 --> 01:49:09,109 FRIENDS AND FAMILY. WITHOUT YOU NONE OF THIS IS 1492 01:49:09,175 --> 01:49:11,278 POSSIBLE. THANK YOU FOR HELPING ME. 1493 01:49:11,344 --> 01:49:17,517 SOMETHING I CAN'T DO ON MY OWN. JACK, EVERYONE, I WANT TO BRING 1494 01:49:17,584 --> 01:49:20,720 IT TO MY DAD FOR TAKING ME TO VIDEO SHOP WHEN I WAS A KID AND 1495 01:49:20,787 --> 01:49:27,894 STARTING MY EDUCATION. MY KIDS, GRACE AND ELSIE, AND MY 1496 01:49:27,961 --> 01:49:30,764 ADORABLE WIFE, WHO I LIVE WITH EVERY OUNCE OF MY BEING. 1497 01:49:30,830 --> 01:49:34,801 YOU ARE MY ROCK, YOU ARE MY SOULMATE, AND YOU KNOW AND I 1498 01:49:34,868 --> 01:49:37,804 KNOW THAT WITHOUT YOU I WOULD BE DEAD. 1499 01:49:37,871 --> 01:49:41,107 SO FROM THE BOTTOM OF MY HEART, I LOVE YOU WITH EVERYTHING I 1500 01:49:41,174 --> 01:49:46,579 HAVE, AND NAMASTE, EVERYONE. THANKS VERY MUCH. 1501 01:49:46,646 --> 01:49:51,117 [APPLAUSE] ♪ ♪ 1502 01:49:51,184 --> 01:49:52,852 >> Announcer: PLEASE WELCOME SEVEN-TIME EMMY WINNER 1503 01:49:52,919 --> 01:49:56,022 BRYAN CRANSTON. [APPLAUSE] 1504 01:49:56,089 --> 01:50:06,499 ♪ ♪ ♪ ♪ 1505 01:50:06,566 --> 01:50:09,703 >> THE HALLMARK OF AN EXCEPTIONAL TALK SHOW, LIKE OUR 1506 01:50:09,769 --> 01:50:12,939 NOMINEES TONIGHT, IS TO ENTERTAIN THE AUDIENCE THROUGH 1507 01:50:13,006 --> 01:50:15,976 WITTY AND INTELLIGENT CONVERSATIONS WITH A WIDE RANGE 1508 01:50:16,042 --> 01:50:19,713 OF GUESTS. FROM THE LEARNED AND 1509 01:50:19,779 --> 01:50:24,551 INSPIRATIONAL GUESTS LIKE NEIL DeGRASSE TYSON, TO THE 1510 01:50:24,617 --> 01:50:26,953 DESTRUCTIVE AND WOKE DEGENERATES, LIKE TOM HANKS -- 1511 01:50:27,020 --> 01:50:41,134 [LAUGHTER] A TALK SHOW MUST BRING OUT THEIR 1512 01:50:41,201 --> 01:50:44,337 VERY BEST, EVERY SINGLE NIGHT. EXCEPT FRIDAYS, AND WEEKENDS. 1513 01:50:44,404 --> 01:50:48,208 AND JOHN OLIVER. [LAUGHTER] 1514 01:50:48,274 --> 01:50:54,714 THE NOMINEES FOR OUTSTANDING TALK SHOW ARE... 1515 01:50:54,781 --> 01:50:58,018 >> "THE DAILY SHOW." "JIMMY KIMMEL LIVE." 1516 01:50:58,084 --> 01:51:06,960 "THE LATE SHOW WITH STEPHEN COLBERT." 1517 01:51:07,027 --> 01:51:16,102 [APPLAUSE] [NOVATION CONTINUES] 1518 01:51:16,169 --> 01:51:28,281 >> AND THE EMMY GOES TO... 1519 01:51:28,348 --> 01:51:29,549 "THE LATE SHOW WITH STEPHEN COLBERT!" 1520 01:51:29,616 --> 01:51:34,054 [CHEERS AND APPLAUSE] ♪ ♪ 1521 01:51:34,120 --> 01:51:35,922 >> Announcer: "THE LATE SHOW WITH STEPHEN COLBERT" RECEIVED 1522 01:51:35,989 --> 01:51:38,958 TWO NOMINATIONS THIS YEAR. ACCEPTING THE EMMY ON BEHALF OF 1523 01:51:39,025 --> 01:51:39,826 THE TEAM IS STEPHEN COLBERT. [APPLAUSE] 1524 01:51:39,893 --> 01:51:54,774 ♪ ♪ ♪ ♪ 1525 01:51:54,841 --> 01:51:59,479 ♪ ♪ ♪ ♪ 1526 01:51:59,546 --> 01:52:14,427 >> THANKS! [CHANTING "STEPHEN"] 1527 01:52:14,494 --> 01:52:15,528 >> THANKS! [CHANTING "STEPHEN"] 1528 01:52:15,595 --> 01:52:18,398 >> THINK OF THE CHILDREN! THANK YOU FOR THIS HONOR. 1529 01:52:18,465 --> 01:52:21,734 I WANT TO THANK CBS WERE GIVING US THE PRIVILEGE TO BE PART OF 1530 01:52:21,801 --> 01:52:25,805 THE LATE-NIGHT TRADITION, WHICH I HOPE CONTINUES LONG AFTER WE 1531 01:52:25,872 --> 01:52:31,277 ARE NO LONGER DOING THIS SHOW. I'VE GOT TO THANK THESE PEOPLE, 1532 01:52:31,344 --> 01:52:36,015 THOSE PEOPLE UP THERE, THE 200 INCREDIBLE PROFESSIONALS. 1533 01:52:36,082 --> 01:52:44,958 YOU ARE THE PROS FROM DOVER AND I AM SO PROUD TO BE ONE OF YOU. 1534 01:52:45,024 --> 01:52:48,394 WE HAVE GOT TO THANK THE PEOPLE WHO HAVE SUPPORTED US FOR THE 1535 01:52:48,461 --> 01:52:53,166 LAST 20 YEARS. [LISTING NAMES] 1536 01:52:53,233 --> 01:52:56,803 PERSONALLY I WANT TO THANK MY BEAUTIFUL, BRILLIANT WIFE, WHO 1537 01:52:56,870 --> 01:52:58,705 IS THE REAL BRAINS OF THE OUTFIT. 1538 01:52:58,771 --> 01:53:02,809 MY THREE CHILDREN. I WANT TO DEDICATE THIS TO MY 1539 01:53:02,876 --> 01:53:06,246 MOM AND DAD, HER MOM AND DAD, AND A YOUNG WOMAN WHO SHOULD BE 1540 01:53:06,312 --> 01:53:15,889 HERE TONIGHT, AMY COLE. TEN YEARS AGO IN SEPTEMBER OF 1541 01:53:15,955 --> 01:53:18,925 2015, SPIKE JONZE STOPPED BY MY OFFICE AND SAID, WHAT DO YOU 1542 01:53:18,992 --> 01:53:21,194 WANT THIS SHOW TO BE ABOUT? I SAID, I DON'T KNOW HOW YOU 1543 01:53:21,261 --> 01:53:24,330 COULD DO IT, BUT I'D LIKE TO DO A LATE NIGHT COMEDY SHOW THAT 1544 01:53:24,397 --> 01:53:27,967 WAS ABOUT LOVE. I DON'T KNOW IF I EVER FIGURED 1545 01:53:28,034 --> 01:53:31,404 THAT OUT, BUT AT A CERTAIN POINT, AND YOU CAN GUESS WHAT 1546 01:53:31,471 --> 01:53:34,374 THAT POINT WAS, I REALIZED THAT IN SOME WAYS WE WERE DOING A 1547 01:53:34,440 --> 01:53:36,576 LATE NIGHT COMEDY SHOW ABOUT LOSS. 1548 01:53:36,643 --> 01:53:38,711 AND THAT'S RELATED TO LOVE BECAUSE SOMETIMES THE ONLY TRULY 1549 01:53:38,778 --> 01:53:42,949 KNOW HOW MUCH YOU LOVE SOMETHINU MIGHT BE LOSING IT. 1550 01:53:43,016 --> 01:53:48,721 TEN YEARS LATER, IN SEPTEMBER OF 2025, MY FRIENDS, I HAVE NEVER 1551 01:53:48,788 --> 01:53:51,157 LOVED MY COUNTRY MORE DESPERATELY. 1552 01:53:51,224 --> 01:53:55,828 GOD BLESS AMERICA. STAY STRONG, BE BRAVE, AND IF 1553 01:53:55,895 --> 01:53:59,132 THE ELEVATOR TRIES TO BRING YOU DOWN, GO CRAZY AND PUNCH A 1554 01:53:59,199 --> 01:54:02,802 HIGHER FLOOR! WHOO! 1555 01:54:02,869 --> 01:54:17,016 [CHEERS AND APPLAUSE] ♪ ♪ 1556 01:54:17,083 --> 01:54:18,651 ♪ ♪ >> Announcer: AFTER THE BREAK, 1557 01:54:18,718 --> 01:54:20,853 SARAH PAULSON AND EVAN PETERS. PLUS, RAY ROMANO AND 1558 01:54:20,920 --> 01:54:24,157 BRAD GARRETT PRESENT THE EMMY FOR OUTSTANDING COMEDY SERIES, 1559 01:54:24,224 --> 01:54:27,827 AND COLMAN DOMINGO PRESENTS LEAD ACTOR IN A DRAMA SERIES. 1560 01:54:27,894 --> 01:54:28,895 THIS IS CBS. ♪ ♪ 1561 01:54:38,004 --> 01:54:39,639 >> Announcer: PLEASE WELCOME EMMY WINNERS SARAH PAULSON AND 1562 01:54:39,706 --> 01:54:41,574 EVAN PETERS. [APPLAUSE] 1563 01:54:41,641 --> 01:54:55,521 ♪ ♪ ♪ ♪ 1564 01:54:55,588 --> 01:54:57,857 >> HI! I'M REALLY EXCITED TO BE HERE 1565 01:54:57,924 --> 01:55:00,126 WITH YOU TONIGHT. >> YOU, TOO. 1566 01:55:00,193 --> 01:55:05,331 I MEAN, ME, IS ALSO. WE HAVEN'T REALLY WORKED 1567 01:55:05,398 --> 01:55:07,567 TOGETHER SINCE ""AMERICAN HORROR STORY" CLOSE 1568 01:55:07,634 --> 01:55:11,838 TO SEASON 10 PET I MISS YOU. 1569 01:55:11,904 --> 01:55:13,906 IF YOU REALLY MISSED ME, YOU WOULD CALL YOUR AGENT TO 1570 01:55:13,973 --> 01:55:16,276 MR. MURPHY AND GET STARTED ON SEASON 13. 1571 01:55:16,342 --> 01:55:19,178 THAT'S NOT WHY WE'RE HERE. >> WE ARE HERE TO PRESENT THE 1572 01:55:19,245 --> 01:55:22,315 EMMY FOR OUTSTANDING LIMITED OR ANTHOLOGY SERIES. 1573 01:55:22,382 --> 01:55:27,720 >> WHAT A GREAT CATEGORY. WOULDN'T YOU LIKE TO BE IN A 1574 01:55:27,787 --> 01:55:30,323 SHOW THAT WAS ABLE TO BE NOMINATED IN A CATEGORY LIKE 1575 01:55:30,390 --> 01:55:32,725 THAT? >> I WOULD. 1576 01:55:32,792 --> 01:55:36,129 I REALLY, REALLY WOULD. >> WHAT ARE YOU GOING TO DO 1577 01:55:36,195 --> 01:55:37,363 ABOUT IT? >> I'LL GET ON THE PHONE 1578 01:55:37,430 --> 01:55:38,531 >> HERE ARE THE NOMINEES FOR OUTSTANDING LIMITED OR ANTHOLOGY 1579 01:55:38,598 --> 01:55:41,267 SERIES. >> "ADOLESCENCE." 1580 01:55:41,334 --> 01:55:43,870 "BLACK MIRROR." "DYING FOR SEX." 1581 01:55:43,936 --> 01:55:47,073 "MONSTERS: THE LYLE AND ERIK MENENDEZ STORY." 1582 01:55:47,140 --> 01:56:00,720 "THE PENGUIN." >> AND THE EMMY GOES TO... 1583 01:56:00,787 --> 01:56:04,524 "ADOLESCENCE." [CHEERS AND APPLAUSE] 1584 01:56:04,590 --> 01:56:12,365 ♪ ♪ >> Announcer: "ADOLESCENCE" 1585 01:56:12,432 --> 01:56:14,600 RECEIVED 13 NOMINATIONS THIS YEAR. 1586 01:56:14,667 --> 01:56:18,071 ACCEPTING THE EMMY ON BEHALF OF THE TEAM'S THREE-TIME EMMY 1587 01:56:18,137 --> 01:56:33,019 WINNER STEPHEN GRAHAM. [APPLAUSE] 1588 01:56:33,086 --> 01:56:37,924 WINNER STEPHEN GRAHAM. [APPLAUSE] 1589 01:56:37,990 --> 01:56:38,925 ♪ ♪ >> DON'T START THE CLOCK YET. 1590 01:56:38,991 --> 01:56:40,660 WANT TO MAKE SURE EVERYONE IS IN. 1591 01:56:40,727 --> 01:56:43,463 THERE'S A LOT OF US. COME ON. 1592 01:56:43,529 --> 01:56:47,500 THANK YOU. FIRST OF ALL, LET ME SAY 1593 01:56:47,567 --> 01:56:49,702 THANK YOU MY AGENTS AND MY MANAGER WHO HAVE BEEN WITH ME 1594 01:56:49,769 --> 01:56:55,308 FOR OVER 20 YEARS. I LOVE YOUS DEARLY PRAYED I'M 1595 01:56:55,375 --> 01:56:58,678 SORRY FORGOT. THIS IS NOT A GAME OF FOOTY, YOU 1596 01:56:58,745 --> 01:57:01,647 KNOW WHAT I MEAN? IS NO WINNERS AND NO LOSERS. 1597 01:57:01,714 --> 01:57:05,318 IT'S ALL SUBJECTIVE. WHAT WE MANAGED TO CREATE WAS A 1598 01:57:05,385 --> 01:57:08,054 BEAUTIFUL FAMILY. WHETHER YOU WAS NUMBER ONE OR 1599 01:57:08,121 --> 01:57:10,556 NUMBER 101 ON THE CALL SHEET, WE WERE TREATED EQUALLY AND 1600 01:57:10,623 --> 01:57:12,725 EVERYONE WAS RESPECTED AND TREATED WITH THE UTMOST OF 1601 01:57:12,792 --> 01:57:14,761 RESPECT. WE ARE ALL THE SAME. 1602 01:57:14,827 --> 01:57:18,364 I THINK THAT'S HOW YOU GET THE BEST WORK AND HOW YOU GET THE 1603 01:57:18,431 --> 01:57:20,633 BEST OUT OF YOUR PEOPLE, DO YOU KNOW WHAT I MEAN? 1604 01:57:20,700 --> 01:57:23,302 IF YOU FILL THEM WITH LOVE AND GIVE THEM THAT OPPORTUNITY. 1605 01:57:23,369 --> 01:57:26,072 SO WHETHER OR NOT YOU ARE AN EXECUTIVE PRODUCER FROM PLAN B 1606 01:57:26,139 --> 01:57:30,510 OR YOU ARE THE FELLOW THAT WAS CLEANING THE TOILETS IN OUR 1607 01:57:30,576 --> 01:57:34,046 WINNEBAGOS, WE WERE ALL EQUAL. JUST LOOK AFTER EACH OTHER AND 1608 01:57:34,113 --> 01:57:36,382 GIVE YOUR MATE A CUDDLE OR A KISS AND TELL THEM YOU LOVE 1609 01:57:36,449 --> 01:57:38,584 THEM. GOOD NIGHT, GOD BLESS. 1610 01:57:38,651 --> 01:57:53,533 [APPLAUSE] ♪ ♪ 1611 01:57:53,599 --> 01:57:57,937 [APPLAUSE] ♪ ♪ 1612 01:57:58,004 --> 01:57:58,938 ♪ ♪ >> Nate: ALL RIGHT. 1613 01:57:59,005 --> 01:58:00,773 THIS NIGHT HAS BEEN GREAT FOR ME. 1614 01:58:00,840 --> 01:58:04,377 HONESTLY, I THINK I HAVE MADE MONEY. 1615 01:58:04,444 --> 01:58:08,948 [LAUGHTER] WHAT IS IT AT? 1616 01:58:09,015 --> 01:58:12,652 YEAH, THAT IS TOUGH, AND THE KIDS ARE GOING TO TAKE IT. 1617 01:58:12,718 --> 01:58:14,387 IT'S BRUTAL. STEPHEN COLBERT IS HAPPY THAT HE 1618 01:58:14,454 --> 01:58:21,027 DOESN'T HAVE A JOB, IT IS JUST TOUGH. 1619 01:58:21,093 --> 01:58:24,397 ALL RIGHT. WHAT A NIGHT! 1620 01:58:24,464 --> 01:58:26,899 ARE NEXT TWO PRESENTERS PLAYED BROTHERS IN THE '90s WHO 1621 01:58:26,966 --> 01:58:28,734 REALLY WANTED TO KILL THEIR MOM... 1622 01:58:28,801 --> 01:58:31,170 BUT THEY DIDN'T! PLEASE WELCOME EMMY WINNERS 1623 01:58:31,237 --> 01:58:33,539 RAY ROMANO AND BRAD GARRETT. [APPLAUSE] 1624 01:58:33,606 --> 01:58:47,553 ♪ ♪ ♪ ♪ 1625 01:58:47,620 --> 01:58:51,390 >> HEY, EVERYBODY. THANK YOU VERY MUCH. 1626 01:58:51,457 --> 01:58:56,729 IT'S AN HONOR TO BE HERE. FOR BRAD AND I, IT'S AN HONOR TO 1627 01:58:56,796 --> 01:59:00,333 PRESENT FOR BEST COMEDY SERIES. WE WERE LUCKY ENOUGH TO BE ON A 1628 01:59:00,399 --> 01:59:05,972 SHOW THAT WON THIS AWARD 20 YEARS AGO THIS MONTH. 1629 01:59:06,038 --> 01:59:10,576 [APPLAUSE] BEAUTIFUL. 1630 01:59:10,643 --> 01:59:14,514 >> A LONG TIME AGO, BOY. >> IT FEELS A LITTLE DIFFERENT 1631 01:59:14,580 --> 01:59:18,384 TO BE ON THE EMMYS STAGE TONIGHT THAN IT DID THEN. 1632 01:59:18,451 --> 01:59:22,955 I DON'T THINK WE WERE WEARING COMPRESSION SOCKS BACK THEN. 1633 01:59:23,022 --> 01:59:24,957 [LAUGHTER] >> OR HEARING AIDS. 1634 01:59:25,024 --> 01:59:29,095 >> YES. I DON'T HAVE ONE OF THOSE YET. 1635 01:59:29,161 --> 01:59:30,796 >> I'VE GOT TWO. >> YOU KNOW WHAT ELSE I REMEMBER 1636 01:59:30,863 --> 01:59:36,235 FROM THAT NIGHT, NOT ONLY DID WE WIN FOR THE SHOW, BUT MY FRIEND 1637 01:59:36,302 --> 01:59:40,907 BRAD HERE ALSO WON FOR BEST SUPPORTING ACTOR. 1638 01:59:40,973 --> 01:59:43,309 >> THANK YOU. THAT'S VERY NICE. 1639 01:59:43,376 --> 01:59:48,714 [APPLAUSE] AND YOU LOST TO TONY SHALHOUB. 1640 01:59:48,781 --> 01:59:49,849 >> YES, I DID. [LAUGHTER] 1641 01:59:49,916 --> 01:59:53,986 I DON'T KNOW WHY WE NEEDED TO KNOW THAT FACT, BUT YES. 1642 01:59:54,053 --> 01:59:56,756 >> YOU WANT TO KNOW SOMETHING, RAY? 1643 01:59:56,822 --> 02:00:01,193 I JUST THOUGHT THAT I WOULD HAVE BEEN BACK HERE SOONER, YOU KNOW? 1644 02:00:01,260 --> 02:00:05,531 IN SOME CAPACITY. >> WHAT DO YOU MEAN? 1645 02:00:05,598 --> 02:00:10,903 >> I JUST THOUGHT FOR WINNING THE EMMY I WOULD HAVE WORKED 1646 02:00:10,970 --> 02:00:13,773 MORE, THAT'S ALL. DON'T YOU THINK, IF YOU WIN 1647 02:00:13,839 --> 02:00:16,876 TONIGHT, YOUR LIFE IS GOING TO CHANGE? 1648 02:00:16,943 --> 02:00:23,716 IT'S NOT GOING TO CHANGE! >> STOP. 1649 02:00:23,783 --> 02:00:26,552 YOU'RE DOING FINE. YOU ARE. 1650 02:00:26,619 --> 02:00:29,755 >> AM I, RAY? >> YES. 1651 02:00:29,822 --> 02:00:33,025 >> YOU'RE KIND OF SIGN? YOU STARTED IN A 1652 02:00:33,092 --> 02:00:39,131 SCORSESE FILM WITH DE NIRO. I'M DOING A GUEST JOB ON "THE 1653 02:00:39,198 --> 02:00:41,300 DOG WHISPERER." >> YOU'RE OUT THERE! 1654 02:00:41,367 --> 02:00:45,771 YOU ARE STILL OUT THERE! THAT'S ALL THAT MATTERS. 1655 02:00:45,838 --> 02:00:48,174 COME ON. >> LET'S BE HONEST, I THINK THE 1656 02:00:48,240 --> 02:00:54,947 NEXT TIME I'M ON THE EMMYS IT WILL BE IN MEMORIAM. 1657 02:00:55,014 --> 02:00:55,815 >> NO! [LAUGHTER] 1658 02:00:55,881 --> 02:00:57,917 NO, NO. WE ARE GOING TO STOP THIS RIGHT 1659 02:00:57,984 --> 02:01:00,686 IN THE BUD. YOU ARE BRINGING THE ROOM DOWN. 1660 02:01:00,753 --> 02:01:08,961 >> JUST BE HONEST WITH ME, OKAY? AM I GOING TO MAKE THE CUT? 1661 02:01:09,028 --> 02:01:13,165 >> WHAT CUT? >> IN MEMORIAM. 1662 02:01:13,232 --> 02:01:20,172 [LAUGHTER] >> I'VE GOT TO READ THIS. 1663 02:01:20,239 --> 02:01:21,841 >> JUST TELL ME! JUST SAY IT! 1664 02:01:21,907 --> 02:01:29,181 >> I MEAN... IF IT'S A SLOW YEAR, NO DOUBT. 1665 02:01:29,248 --> 02:01:29,949 NO DOUBT. [LAUGHTER] 1666 02:01:30,016 --> 02:01:32,151 NO QUESTION. >> OKAY. 1667 02:01:32,218 --> 02:01:33,352 THANK YOU. >> ALL RIGHT? 1668 02:01:33,419 --> 02:01:35,354 >> YOU ARE A GOOD FRIEND. >> THANK YOU. 1669 02:01:35,421 --> 02:01:39,925 BY THE WAY, YOU ARE DOING FINE. HE HAS HIS OWN COMEDY CLUB IN 1670 02:01:39,992 --> 02:01:41,661 LAS VEGAS. OKAY? 1671 02:01:41,727 --> 02:01:49,969 [APPLAUSE] >> IT'S IN THE FOOD COURT! 1672 02:01:50,036 --> 02:01:50,970 [LAUGHTER] >> IF YOU ARE THIS MONEY BACK 1673 02:01:51,037 --> 02:01:52,171 THEN, WE COULD HAVE WON A COUPLE MORE. 1674 02:01:52,238 --> 02:01:57,143 [LAUGHTER AND APPLAUSE] ALL RIGHT, SOMEBODY IS GOING TO 1675 02:01:57,209 --> 02:02:01,213 ENACT. HERE ARE THE NOMINEES. 1676 02:02:01,280 --> 02:02:02,782 >> "ABBOTT ELEMENTARY." "THE BEAR." 1677 02:02:02,848 --> 02:02:05,618 "HACKS." "NOBODY WANTS THIS." 1678 02:02:05,685 --> 02:02:14,894 "ONLY MURDERS IN THE BUILDING." "THE STUDIO." 1679 02:02:14,960 --> 02:02:25,604 "WHAT WE DO IN THE SHADOWS." [APPLAUSE] 1680 02:02:25,671 --> 02:02:29,775 >> AND THE EMMY -- WAIT A MINUTE, YOU DO IT. 1681 02:02:29,842 --> 02:02:32,745 >> SERIOUSLY? >> YEAH, DO SOMETHING. 1682 02:02:32,812 --> 02:02:37,383 [LAUGHTER] >> AND THE EMMY GOES TO "THE 1683 02:02:37,450 --> 02:02:38,084 STUDIO!" [CHEERS AND APPLAUSE] 1684 02:02:38,150 --> 02:02:44,390 ♪ ♪ ♪ ♪ 1685 02:02:44,457 --> 02:02:49,428 >> Announcer: FOR ITS FIRST ELIGIBLE YEAR, "THE STUDIO" HAS 1686 02:02:49,495 --> 02:02:53,165 RECEIVED 23 NOMINATIONS, WHICH HAS TIED THE RECORD FOR THE MOST 1687 02:02:53,232 --> 02:02:56,535 NOMINATIONS IN A SINGLE YEAR FOR A COMEDY. 1688 02:02:56,602 --> 02:03:01,040 [APPLAUSE] ♪ ♪ 1689 02:03:01,107 --> 02:03:04,643 >> THANK YOU. IT'S GETTING EMBARRASSING. 1690 02:03:04,710 --> 02:03:08,047 I REALLY APPRECIATE IT. IN ALL HONESTY, TO 1691 02:03:08,114 --> 02:03:10,883 EVERYONE -- I'M GOING TO DO MY BEST ATTEMPT AT SINCERITY HERE. 1692 02:03:10,950 --> 02:03:14,620 IF YOU'VE WATCHED OUR SHOW, HE'S APPRECIATED OUR SHOW, VOTED FOR 1693 02:03:14,687 --> 02:03:16,822 OUR SHOW ESPECIALLY, THANK YOU VERY MUCH. 1694 02:03:16,889 --> 02:03:19,992 I AM LEGITIMATELY EMBARRASSED BY HOW HAPPY THIS MAKES ME. 1695 02:03:20,059 --> 02:03:22,428 TO BE STANDING UP HERE WITH ALL THESE PEOPLE. 1696 02:03:22,495 --> 02:03:25,131 THESE ARE THE BEST PEOPLE I% KNOW, AND TO HAVE THEM SPEND 1697 02:03:25,197 --> 02:03:29,235 THEIR DAYS WITH ME WORKING WITH ME IS TRULY LIKE ONE OF THE 1698 02:03:29,301 --> 02:03:31,604 GREAT HONORS OF MY LIFE. SO THANK YOU TO ALL THESE PEOPLE 1699 02:03:31,670 --> 02:03:33,639 SO MUCH. IF ANYONE ELSE WANT TO SAY 1700 02:03:33,706 --> 02:03:40,579 SOMETHING, WE ARE ALREADY -- [INAUDIBLE] 1701 02:03:40,646 --> 02:03:44,250 ANYONE YOU'D LIKE TO THANK? >> YOU MADE A MOVIE ABOUT 1702 02:03:44,316 --> 02:03:47,787 EXECUTIVES. [LISTING NAMES] 1703 02:03:47,853 --> 02:03:52,958 ALL THE PEOPLE AT APPLE AND LIONSGATE. 1704 02:03:53,025 --> 02:03:54,226 >> TIM COOK. HE IS HERE. 1705 02:03:54,293 --> 02:03:59,064 THANK YOU. >> THE FIRST LATINA TO EVER WIN 1706 02:03:59,131 --> 02:04:01,433 IN THIS CATEGORY, FRIDA PEREZ. >> THANK YOU TO HER. 1707 02:04:01,500 --> 02:04:07,206 SAY SOMETHING! >> WE WANT TO THANK LANDSCAPE, 1708 02:04:07,273 --> 02:04:11,210 AND MY FIANCE, NICK, I LOVE YOU. >> THANK YOU SO MUCH. 1709 02:04:11,277 --> 02:04:12,278 IN ALL HONESTY, THANK YOU SO MUCH. 1710 02:04:12,344 --> 02:04:14,013 HE COULDN'T APPRECIATE THIS MORE. 1711 02:04:14,079 --> 02:04:17,416 THANK YOU TO YOU ALL FOR REAL. THANKS TO EVERY EXECUTIVE OUT 1712 02:04:17,483 --> 02:04:19,819 THERE. THANK YOU TO THE EXECUTIVES. 1713 02:04:19,885 --> 02:04:26,225 THANK YOUR EXECUTIVES. BYE, EVERYBODY. 1714 02:04:26,292 --> 02:04:31,931 [APPLAUSE] ♪ ♪ 1715 02:04:31,997 --> 02:04:33,899 >> Announcer: UP NEXT, COLMAN DOMINGO PRESENTS THE EMMY 1716 02:04:33,966 --> 02:04:36,368 FOR LEAD ACTOR IN A DRAMA SERIES. 1717 02:04:36,435 --> 02:04:37,303 THEN, MARISKA HARGITAY, CHRISTOPHER MELONI, 1718 02:04:37,369 --> 02:04:39,004 TONY GOLDWYN, S. EPATHA MERKERSON, AND ICE-T 1719 02:04:55,020 --> 02:04:57,022 >> Announcer: PLEASE WELCOME EMMY WINNER COLMAN DOMINGO. 1720 02:05:09,034 --> 02:05:11,403 >> TONIGHT WE CELEBRATE MORE THAN PERFORMANCES. 1721 02:05:11,470 --> 02:05:13,839 WE CELEBRATE THE SPIRIT OF MEN WHO CARRY ENTIRE WORLDS WITHIN 1722 02:05:13,906 --> 02:05:18,577 THEIR CRAFT. MEN WHO DO NOT SIMPLY PLAY A 1723 02:05:18,644 --> 02:05:23,015 ROLE, BUT TRANSFORM -- BODY, VOICE, AND SOUL -- UNTIL WE THE 1724 02:05:23,082 --> 02:05:27,186 AUDIENCE FORGET WHERE THE ACTOR ENDS AND THE CHARACTER BEGINS. 1725 02:05:27,253 --> 02:05:29,221 TO WITNESS THEIR WORK IS TO BE REMINDED OF THE POWER OF 1726 02:05:29,288 --> 02:05:32,925 STORYTELLING. THE WAY IT CAN CRACK US OPEN, 1727 02:05:32,992 --> 02:05:37,296 HOLD US IN SILENCE, AND DEMAND WE FEEL SOMETHING TRUE. 1728 02:05:37,363 --> 02:05:43,469 THEY REMIND US THAT ART IS NOT JUST ENTERTAINMENT -- IT IS 1729 02:05:43,535 --> 02:05:46,538 REVELATION. HERE ARE THE NOMINEES FOR LEAD 1730 02:05:46,605 --> 02:05:50,442 ACTOR IN A DRAMA SERIES. >> STERLING K. BROWN. 1731 02:05:50,509 --> 02:05:53,245 "PARADISE." GARY OLDMAN. 1732 02:05:53,312 --> 02:05:58,417 "SLOW HORSES." PEDRO PASCAL. 1733 02:05:58,484 --> 02:06:00,486 "THE LAST OF US." ADAM SCOTT. 1734 02:06:00,552 --> 02:06:02,554 "SEVERANCE." NOAH WYLE. 1735 02:06:02,621 --> 02:06:09,895 "THE PITT." [APPLAUSE] 1736 02:06:09,962 --> 02:06:17,336 >> AND THE EMMY GOES TO... NOAH WYLE. 1737 02:06:17,403 --> 02:06:19,638 "THE PITT." [CHEERS AND APPLAUSE] 1738 02:06:19,705 --> 02:06:29,682 ♪ ♪ >> Announcer: THIS IS THE 1739 02:06:29,748 --> 02:06:32,918 FIRST EMMY WIN AND SEVENTH NOMINATION FOR NOAH WYLE, HE 1740 02:06:32,985 --> 02:06:33,919 RECEIVED FIVE NOMINATIONS FOR HIS SUPPORTING ROLE ON "ER" AS 1741 02:06:33,986 --> 02:06:39,725 DR. JOHN CARTER. [APPLAUSE] 1742 02:06:39,792 --> 02:06:51,937 >> WOW! WHAT A DREAM THIS HAS BEEN. 1743 02:06:52,004 --> 02:06:54,673 OH, MY GOODNESS. FIRST OF ALL, TO MY FELLOW 1744 02:06:54,740 --> 02:06:57,710 NOMINEES, JUST HAVING MY NAME INCLUDED IN YOUR COMPANY IS THE 1745 02:06:57,776 --> 02:07:02,982 HONOR OF A LIFETIME. THANK YOU TO EVERYBODY AT "HBO 1746 02:07:03,048 --> 02:07:04,350 LIGHTNING TO STRIKE IN MY LIFE TWICE. 1747 02:07:04,416 --> 02:07:07,553 THANK YOU FOR BEING THAT LIGHTNING. 1748 02:07:07,619 --> 02:07:11,156 TO MY CREATIVE PARTNER IN THIS ENDEAVOR, SCOTT, UNTIL THE 1749 02:07:11,223 --> 02:07:14,526 WHEELS COME OFF, BROTHER, AND ALL THE AMAZING ARTISTS WHO MEET 1750 02:07:14,593 --> 02:07:19,331 US EVERY MORNING ON STAGE 22. THE CAST, CREW, BACKGROUND, 1751 02:07:19,398 --> 02:07:21,567 TECHNICAL ADVISORS, WRITERS, DIRECTORS. 1752 02:07:21,633 --> 02:07:24,536 YOU BRING YOUR A-GAME EVERY DAY WHICH INSPIRES ME TO BRING MINE. 1753 02:07:24,603 --> 02:07:28,574 AND TO MY CHILDREN, TO MY PARENTS, MY STEP-PARENTS AND MY 1754 02:07:28,640 --> 02:07:32,578 BEAUTIFUL WIFE, SARAH, WHO OWNS HALF OF THIS, NOT JUST BECAUSE 1755 02:07:32,644 --> 02:07:39,918 IT'S CALIFORNIA LAW BUT BECAUSE SHE EARNED IT. 1756 02:07:39,985 --> 02:07:41,754 [LAUGHTER] AND MOSTLY COME IF ANYBODY IS 1757 02:07:41,820 --> 02:07:44,957 GOING ON SHIFT TONIGHT WERE COMING OFF SHIFT TONIGHT, 1758 02:07:45,024 --> 02:07:48,761 THANK YOU FOR BEING IN THAT JOB. THIS IS FOR YOU. 1759 02:07:48,827 --> 02:07:52,164 [APPLAUSE] ♪ ♪ 1760 02:07:52,231 --> 02:08:01,940 ♪ ♪ ["LAW & ORDER" THEME] 1761 02:08:02,007 --> 02:08:04,343 >> Announcer: CELEBRATING 35 YEARS ON TELEVISION, FROM THE 1762 02:08:04,410 --> 02:08:08,914 "LAW & ORDER" FRANCHISE, PLEASE WELCOME CHRISTOPHER MELONI, 1763 02:08:08,981 --> 02:08:13,452 ICE-T, TONY GOLDWYN, EMMY WINNER S. EPATHA MERKERSON, AND EMMY 1764 02:08:13,519 --> 02:08:17,089 WINNER MARISKA HARGITAY. [APPLAUSE] 1765 02:08:17,156 --> 02:08:22,561 ♪ ♪ ["LAW & ORDER" "DUN-DUN" SOUND] 1766 02:08:22,628 --> 02:08:27,466 >> THAT SOUND? THAT'S THE NOISE MY PHONE MAKES 1767 02:08:27,533 --> 02:08:29,101 WHEN MARISKA CALLS ME. >> WE ARE YOUR "LAW & ORDER" 1768 02:08:29,168 --> 02:08:31,503 DREAM TEAM. ICONS, VETERANS, SURVIVORS OF SO 1769 02:08:31,570 --> 02:08:34,907 MANY ROOFTOP CHASE SCENES. >> AND WE'RE ALL HERE TONIGHT 1770 02:08:34,973 --> 02:08:38,043 WITH ONE CLEAR MISSION... >> TO REMIND YOU THAT 1771 02:08:38,110 --> 02:08:41,447 MARISKA HARGITAY HAS LITERALLY SOLVED MORE FICTIONAL CRIMES 1772 02:08:41,513 --> 02:08:45,951 THAN MOST ACTUAL PRECINCTS. [APPLAUSE] 1773 02:08:46,018 --> 02:08:52,291 >> SHE'S BEEN ON "SVU" FOR 27 YEARS. 1774 02:08:52,357 --> 02:08:56,028 [CHEERS AND APPLAUSE] THAT'S LONGER THAN SOME OF YOU 1775 02:08:56,095 --> 02:08:59,698 HAVE BEEN IN THERAPY BECAUSE OF "SVU." 1776 02:08:59,765 --> 02:09:00,632 [LAUGHTER] >> AND DON'T LET THE COMPASSION 1777 02:09:00,699 --> 02:09:05,871 FOOL YOU. OLIVIA BENSON WILL HUG A VICTIM 1778 02:09:05,938 --> 02:09:11,543 AND KNOCK OUT A PERP, ALL BEFORE LUNCH. 1779 02:09:11,610 --> 02:09:12,978 >> EVERYONE SETTLED, THAT'S ENOUGH. 1780 02:09:13,045 --> 02:09:20,385 I LOVE YOU ALL, THIS IS TRUE, BUT THIS ISN'T THE "MARISKA 1781 02:09:20,452 --> 02:09:24,189 LIFETIME ACHIEVEMENT ROAST." >> THIS ISN'T THE "MARISKA 1782 02:09:24,256 --> 02:09:27,593 LIFETIME ACHIEVEMENT ROAST?" >> HE'S ALWAYS IN CHARACTER. 1783 02:09:27,659 --> 02:09:29,228 >> AND NOW, LET'S GIVE SOME LOVE TO THE SHOWS THAT ARE CARRYING 1784 02:09:29,294 --> 02:09:31,230 THE TORCH, PUSHING BOUNDARIES, AND REMINDING US WHY TV DRAMA 1785 02:09:31,296 --> 02:09:36,668 STILL MATTERS. >> HERE ARE THE NOMINEES FOR 1786 02:09:36,735 --> 02:09:39,938 OUTSTANDING DRAMA SERIES. >> "ANDOR." 1787 02:09:40,005 --> 02:09:42,608 "THE DIPLOMAT." "THE LAST OF US." 1788 02:09:42,674 --> 02:09:46,945 "PARADISE." "THE PITT." 1789 02:09:47,012 --> 02:09:51,450 "SEVERANCE." "SLOW HORSES." 1790 02:09:51,517 --> 02:10:04,963 "THE WHITE LOTUS." >> THE EMMY GOES TO... 1791 02:10:05,030 --> 02:10:11,270 "THE PITT." [APPLAUSE] 1792 02:10:11,336 --> 02:10:13,639 ♪ ♪ >> Announcer: "THE PITT" HAS 1793 02:10:13,705 --> 02:10:17,776 30 NOMINATIONS INCLUDING CAPTAIN, DIRECTING, CONTEMPORARY 1794 02:10:17,843 --> 02:10:21,780 MAKEUP NONPROSTHETIC, PROSTHETIC MAKEUP, LEAD ACTOR, SUPPORTING 1795 02:10:21,847 --> 02:10:26,351 ACTRESS, GUEST ACTOR, SOUND EDITING, SOUND MIXING, WRITING, 1796 02:10:26,418 --> 02:10:31,823 AND DRAMA SERIES. [APPLAUSE] 1797 02:10:31,890 --> 02:10:46,772 ♪ ♪ >> THIS IS INSANE. 1798 02:10:46,838 --> 02:10:47,673 ♪ ♪ >> THIS IS INSANE. 1799 02:10:47,739 --> 02:10:49,775 THANK YOU SO MUCH TO THE ACADEMY. 1800 02:10:49,841 --> 02:10:52,511 I WANT TO THANK EVERYBODY AT WARNER BROS., FOR BELIEVING IN 1801 02:10:52,578 --> 02:11:00,986 THIS SHOW FROM THE GET-GO,. [LISTING NAMES] 1802 02:11:01,053 --> 02:11:04,323 HBO MAX FOR NURTURING AND SUPPORTING OUR SHOW, OUR AMAZING 1803 02:11:04,389 --> 02:11:05,924 CAST AND CREW, WRITERSAND DIRECTORS. 1804 02:11:05,991 --> 02:11:08,126 WE WOULDN'T BE OUT HERE WITHOUT YOU GUYS. 1805 02:11:08,193 --> 02:11:12,030 I HAVE THE BEST PRODUCING PARTNERS AND FRIENDS IN THE 1806 02:11:12,097 --> 02:11:13,699 WORLD. JOHN WELLS. 1807 02:11:13,765 --> 02:11:15,968 AND NOAH WYLE, I DON'T KNOW WHERE HE IS. 1808 02:11:16,034 --> 02:11:22,107 MY SECRET WEAPON, DR. JOE SACHS. OUR FRIENDS, OUR FAMILIES, AND A 1809 02:11:22,174 --> 02:11:25,444 BIG SHOT UP. I WANT TO DEDICATE THIS ON 1810 02:11:25,510 --> 02:11:29,848 BEHALF OF EVERYONE, TO ALL THE HEALTH CARE WORKERS, FRONTLINE, 1811 02:11:29,915 --> 02:11:33,018 FIRST RESPONDERS. RESPECT THEM, PROTECT THEM, 1812 02:11:33,085 --> 02:11:35,621 TRUST THEM. THANK YOU. 1813 02:11:35,687 --> 02:11:42,794 [APPLAUSE] >> Nate: ALL RIGHT. 1814 02:11:42,861 --> 02:11:46,598 THANKS TO EVERYONE HERE. THE NUMBERS -- I'LL BE HONEST 1815 02:11:46,665 --> 02:11:50,569 WITH YOU, IT WAS EMBARRASSING. IT WENT WAY DOWN. 1816 02:11:50,636 --> 02:11:54,973 I DON'T KNOW, I CAN'T IMAGINE EVERY DOING THIS AGAIN, SO I'M 1817 02:11:55,040 --> 02:11:58,043 GOING TO -- CBS IS GOING TO ADD $100,000. 1818 02:11:58,110 --> 02:12:03,415 I WILL GIVE $250,000. THAT TAKES US TO $350,000 FOR 1819 02:12:03,482 --> 02:12:05,951 THE BOYS AND GIRLS CLUB. THANK YOU SO MUCH FOR BEING OUT 1820 02:12:06,018 --> 02:12:08,754 HERE. THANK YOU, JB. 1821 02:12:08,820 --> 02:12:14,393 THANK YOU TO ALL THE WINNERS. GOOD NIGHT'S! 1822 02:12:14,459 --> 02:12:16,461 >> AMERICA NEEDS CLUB KIDS AND CLUB KIDS NEED YOU!