1 00:00:08,640 --> 00:00:10,520 CREW MEMBER 1: Ms. Duval, everyone's ready for you now. 2 00:00:12,000 --> 00:00:15,319 (CREW MEMBER 2 SPEAKING INDISTINCTLY) 3 00:00:15,320 --> 00:00:16,959 (OVERLAPPING CHATTER) 4 00:00:16,960 --> 00:00:19,760 - (DOOR SHUTTING) - (REVERSE ALARM BEEPING) 5 00:00:22,680 --> 00:00:24,199 - CREW MEMBER 3: Good luck, Carla. - Thank you. 6 00:00:24,200 --> 00:00:27,240 - (CLOTHES RAIL RATTLING) - (INDISTINCT CHATTER) 7 00:00:28,960 --> 00:00:30,720 (SIGNAL BEEPING) 8 00:00:31,680 --> 00:00:34,399 (AUDIENCE CHEERING, APPLAUDING) 9 00:00:34,400 --> 00:00:36,359 JACK JEFFREY: (OVER SPEAKER) Good evening, good evening. 10 00:00:36,360 --> 00:00:38,359 - And welcome. - (SPEAKING SOFTLY) 11 00:00:38,360 --> 00:00:42,199 - (CHEERING CONTINUES) - JACK: We have a very special show for you tonight. 12 00:00:42,200 --> 00:00:43,999 The cast of the new hit thriller show, 13 00:00:44,000 --> 00:00:46,879 Endgame, are in the building, ladies and gentlemen... 14 00:00:46,880 --> 00:00:49,079 - FLOOR MANAGER: Thirty seconds, Carla, thank you. - Okay. 15 00:00:49,080 --> 00:00:50,679 - SERENA BRYNE: Hey. - Hi. 16 00:00:50,680 --> 00:00:53,239 I've made it very clear. Just about work. 17 00:00:53,240 --> 00:00:54,679 No mention of the D-word, 18 00:00:54,680 --> 00:00:56,079 not before the joint announcement. 19 00:00:56,080 --> 00:00:57,120 - Okay? - Okay. 20 00:00:58,560 --> 00:01:00,439 JACK: ...and if you like your Formula One, 21 00:01:00,440 --> 00:01:03,519 we have Swedish superstar Magnus Lindholm 22 00:01:03,520 --> 00:01:05,759 - on the sofa. - (AUDIENCE CHEERING, APPLAUDING) 23 00:01:05,760 --> 00:01:09,119 JACK: But my first guest is no stranger to the show. 24 00:01:09,120 --> 00:01:12,399 She's an actress, producer, presenter, a model, 25 00:01:12,400 --> 00:01:13,959 and a role model. 26 00:01:13,960 --> 00:01:17,039 Someone I consider a personal friend. 27 00:01:17,040 --> 00:01:19,679 Please, give it up, ladies and gentlemen, 28 00:01:19,680 --> 00:01:21,239 for the beautiful, the inimitable, 29 00:01:21,240 --> 00:01:23,439 the sublime, Miss Carla Duval! 30 00:01:23,440 --> 00:01:27,040 - (AUDIENCE CHEERS, APPLAUDS) - ♪ (UPBEAT JAZZ MUSIC PLAYING) ♪ 31 00:01:30,360 --> 00:01:31,720 - JACK: Gorgeous! - CARLA: Thank you. 32 00:01:37,800 --> 00:01:39,479 Thank you so much! 33 00:01:39,480 --> 00:01:41,719 Miss Carla Duval, ladies and gentlemen. 34 00:01:41,720 --> 00:01:45,839 - ♪ (MUSIC ENDS) ♪ - Oh my God. Nobody should arrive looking this fabulous. 35 00:01:45,840 --> 00:01:47,559 - (AUDIENCE LAUGH) - Thank you very much. 36 00:01:47,560 --> 00:01:49,120 So, just back from war? 37 00:01:50,200 --> 00:01:52,599 Not the real war. No. 38 00:01:52,600 --> 00:01:55,199 No. Not an actual war. 39 00:01:55,200 --> 00:01:56,359 - No. - Otherwise... 40 00:01:56,360 --> 00:01:58,559 Otherwise, I would have to have serious words 41 00:01:58,560 --> 00:02:02,279 - with my agent. (LAUGHS) - (ALL LAUGH) 42 00:02:02,280 --> 00:02:04,159 This is The Milliner. 43 00:02:04,160 --> 00:02:05,279 - Exactly. - (AUDIENCE APPLAUDING) 44 00:02:05,280 --> 00:02:07,279 Still going strong, 45 00:02:07,280 --> 00:02:09,239 - still in cinemas. - Mm. Mm-hmm. 46 00:02:09,240 --> 00:02:12,519 And I have to say, the standout performance 47 00:02:12,520 --> 00:02:14,959 - of your career, in my opinion. - Oh, Jack. 48 00:02:14,960 --> 00:02:16,479 - (AUDIENCE CHEER) - Thanks. 49 00:02:16,480 --> 00:02:17,919 Uh, you know-- 50 00:02:17,920 --> 00:02:20,159 No, I know-- I know all his secrets, 51 00:02:20,160 --> 00:02:21,679 - so he has to say that. - (LAUGHS) 52 00:02:21,680 --> 00:02:23,479 - Don't believe a word of it. - It's true. 53 00:02:23,480 --> 00:02:24,639 (BOTH LAUGH) 54 00:02:24,640 --> 00:02:27,399 - So, this is, uh, the premiere. - Yeah. 55 00:02:27,400 --> 00:02:30,159 - JACK: Co-star Jeremy Sampson. - Good old Jeremy. 56 00:02:30,160 --> 00:02:31,479 - There he is. - JACK: Good old Jeremy. 57 00:02:31,480 --> 00:02:34,280 - (FAN SHOUTING INDISTINCTLY) - JACK: And this... This I love. 58 00:02:35,240 --> 00:02:36,800 - AUDIENCE: Aw! - Morgan. 59 00:02:37,680 --> 00:02:38,759 Morgan. 60 00:02:38,760 --> 00:02:40,479 - JACK: Given the... - ♪ (TENSE MUSIC PLAYING) ♪ 61 00:02:40,480 --> 00:02:43,199 ...incredible things that this man is doing 62 00:02:43,200 --> 00:02:44,559 - in life. - (AUDIENCE APPLAUD, CHEER) 63 00:02:44,560 --> 00:02:47,639 Changing the conversation that the world is having with itself, 64 00:02:47,640 --> 00:02:51,399 he still finds time to make sure he's there for you. 65 00:02:51,400 --> 00:02:53,319 - The woman he loves. - (CHUCKLES) 66 00:02:53,320 --> 00:02:55,400 - (AUDIENCE CHEERS, APPLAUDS) - JACK: Am I right? 67 00:02:56,520 --> 00:02:59,199 It was a fun night. It was a fun night. Yeah. 68 00:02:59,200 --> 00:03:02,599 Date night on the red carpet with hubby Henderson. 69 00:03:02,600 --> 00:03:05,279 - (AUDIENCE LAUGH) - Something like that. 70 00:03:05,280 --> 00:03:07,159 JACK: I mean, I don't know how you two juggle it, 71 00:03:07,160 --> 00:03:09,759 how you manage your careers 72 00:03:09,760 --> 00:03:11,799 and-- and-- and still have moments like this. 73 00:03:11,800 --> 00:03:14,439 - It-- it truly warms my heart. - ♪ (MUSIC RISES) ♪ 74 00:03:14,440 --> 00:03:16,119 JACK: This is a power couple that we're seeing, 75 00:03:16,120 --> 00:03:18,079 ladies and gentlemen, right here. 76 00:03:18,080 --> 00:03:20,199 A power couple in action. 77 00:03:20,200 --> 00:03:22,839 You are a very lucky lady, Carla Duval. 78 00:03:22,840 --> 00:03:25,559 - Sorry... - ♪ (MUSIC FALLS) ♪ 79 00:03:25,560 --> 00:03:27,760 It's okay. Carla, are you all right? 80 00:03:29,600 --> 00:03:33,039 ♪ (TENSE MUSIC RESUMES) ♪ 81 00:03:33,040 --> 00:03:36,440 Sorry, Jack, but you say this is the performance of my career. 82 00:03:37,480 --> 00:03:38,800 He's the one who's acting. 83 00:03:40,040 --> 00:03:42,239 - Morgan? Acting? - (AUDIENCE CHUCKLE) 84 00:03:42,240 --> 00:03:43,599 CARLA DUVAL: He's lying. 85 00:03:43,600 --> 00:03:45,679 I'm thinking this is going to go south, 86 00:03:45,680 --> 00:03:47,959 so let me know if you want to go to a break. 87 00:03:47,960 --> 00:03:49,799 You mean he didn't like the film? 88 00:03:49,800 --> 00:03:51,959 (AUDIENCE TITTER) 89 00:03:51,960 --> 00:03:53,879 He's a bullshitter, Jack. 90 00:03:53,880 --> 00:03:58,039 You have no idea just how much of a bullshitter he is. 91 00:03:58,040 --> 00:03:59,919 Okay, Carla, should we take a little pause? 92 00:03:59,920 --> 00:04:04,639 Because what Morgan wants is a fucking divorce. 93 00:04:04,640 --> 00:04:07,199 - (AUDIENCE EXCLAIM) - JACK: (OVER TV) Okay. 94 00:04:07,200 --> 00:04:08,599 Okay, maybe we should take a pause. 95 00:04:08,600 --> 00:04:10,159 CARLA: No, Jack, this is a talk show, 96 00:04:10,160 --> 00:04:11,560 so let me bloody talk. 97 00:04:12,840 --> 00:04:15,719 - Can you take that photo down? - (AUDIENCE LAUGHING) 98 00:04:15,720 --> 00:04:16,800 Don't laugh. 99 00:04:18,080 --> 00:04:20,519 - Okay, Carla, I just-- - CARLA: No. 100 00:04:20,520 --> 00:04:24,039 I'm not going to sit here and just switch on a smile. 101 00:04:24,040 --> 00:04:27,959 I'm always having to just switch on a smile. 102 00:04:27,960 --> 00:04:30,599 - And you lot, you have no idea what you're talking about... - (AUDIENCE HECKLING) 103 00:04:30,600 --> 00:04:32,119 ...so why don't you shut the fuck up? 104 00:04:32,120 --> 00:04:33,839 - Okay. Okay. - WOMAN: This is the best acting 105 00:04:33,840 --> 00:04:35,359 - I've seen you do. - Please. 106 00:04:35,360 --> 00:04:38,039 - You lot, just shut the fuck up. - (AUDIENCE GASPING) 107 00:04:38,040 --> 00:04:40,399 You have no idea what you're fucking talking about. 108 00:04:40,400 --> 00:04:42,559 Let's go to a break. Um, thank you. 109 00:04:42,560 --> 00:04:44,039 (AUDIENCE JEER, BOO) 110 00:04:44,040 --> 00:04:46,279 Please, ladies and gentlemen, have a little bit of heart. 111 00:04:46,280 --> 00:04:47,399 Come on. 112 00:04:47,400 --> 00:04:50,519 ♪ (MUSIC SWELLS) ♪ 113 00:04:50,520 --> 00:04:52,000 ♪ (MUSIC CONCLUDES) ♪ 114 00:04:53,600 --> 00:04:55,680 ♪ (THEME MUSIC PLAYING) ♪ 115 00:05:36,960 --> 00:05:38,879 ♪ (THEME MUSIC CONCLUDES) ♪ 116 00:05:38,880 --> 00:05:41,199 CARLA: (ON VIDEO) I'm not gonna sit here and just 117 00:05:41,200 --> 00:05:42,319 switch on a smile. 118 00:05:42,320 --> 00:05:45,439 I'm always having to just switch on a smile. 119 00:05:45,440 --> 00:05:47,959 And you lot, you have no idea what you're talking about, 120 00:05:47,960 --> 00:05:50,079 - so why don't you shut the fuck up? - JACK: Okay. 121 00:05:50,080 --> 00:05:52,279 - Oh, God. - WOMAN: This is the best acting I've seen you do. 122 00:05:52,280 --> 00:05:54,199 - JACK: Please. - CARLA: You lot, just shut the fuck up. 123 00:05:54,200 --> 00:05:56,079 - ANTONIA: Serena's here, quick. - CARLA: You have no idea 124 00:05:56,080 --> 00:05:58,279 - what you're fucking talking-- - (VIDEO CUTS OFF) 125 00:05:58,280 --> 00:06:01,119 - There's a delivery waiting at reception, Antonia. - ANTONIO: I'm sorry. 126 00:06:01,120 --> 00:06:02,720 (TELEPHONE RINGING) 127 00:06:06,680 --> 00:06:09,119 No, it shouldn't hurt us too much, not in legal terms. 128 00:06:09,120 --> 00:06:10,199 - I mean-- - No, I... 129 00:06:10,200 --> 00:06:12,320 For Cathcarts, it's Christmas come early. I agree. 130 00:06:13,000 --> 00:06:14,439 But it's... 131 00:06:14,440 --> 00:06:17,119 We can't have this throw us off. 132 00:06:17,120 --> 00:06:18,399 (SIGHS) It's a bit late for that. 133 00:06:18,400 --> 00:06:20,679 No, what I mean is, given the situation 134 00:06:20,680 --> 00:06:22,759 with the money, the fact we're going to litigation, 135 00:06:22,760 --> 00:06:25,919 we need to keep working, keep prepping for Budgie. 136 00:06:25,920 --> 00:06:28,119 Interrogate Zephyr, confirm the assets list. 137 00:06:28,120 --> 00:06:29,599 All as if... 138 00:06:29,600 --> 00:06:32,719 as if the car crash never happened. 139 00:06:32,720 --> 00:06:35,479 - I should call Grace. PR. - Ugh. 140 00:06:35,480 --> 00:06:38,679 - (CELL PHONE BUZZES) - I mean, I struggle with her personally... 141 00:06:38,680 --> 00:06:39,839 - (KNOCK ON DOOR) - ...but needs must. 142 00:06:39,840 --> 00:06:40,840 Yep. 143 00:06:41,360 --> 00:06:42,639 This came for you. 144 00:06:42,640 --> 00:06:45,759 ♪ (LOW RIVETING MUSIC PLAYING) ♪ 145 00:06:45,760 --> 00:06:47,480 ANTONIA: Doesn't say who it's from. 146 00:06:54,120 --> 00:06:55,920 NICHOLAS TAYLOR: (SIGHS) Oh, God. 147 00:06:58,360 --> 00:07:00,359 ♪ (MUSIC ENDS) ♪ 148 00:07:00,360 --> 00:07:02,919 It has no bearing, legally, they know that. 149 00:07:02,920 --> 00:07:05,639 But they'll also know it's a colossal own goal. 150 00:07:05,640 --> 00:07:07,319 The prevailing thought for everyone 151 00:07:07,320 --> 00:07:09,359 who saw that interview, judge included, 152 00:07:09,360 --> 00:07:12,119 is that Carla has gone round the bend. 153 00:07:12,120 --> 00:07:14,199 - Mm. - Who can blame poor Morgan for wanting to escape? 154 00:07:14,200 --> 00:07:16,599 - Poor guy's been trapped. - I've always thought so. 155 00:07:16,600 --> 00:07:18,959 There are lots more, but these are the national newspapers 156 00:07:18,960 --> 00:07:20,319 and the main websites you wanted. 157 00:07:20,320 --> 00:07:22,920 Oh, and, um, there's a phone in on LBC. 158 00:07:24,480 --> 00:07:25,919 Even Morgan couldn't have bought this level 159 00:07:25,920 --> 00:07:27,239 of negative PR. 160 00:07:27,240 --> 00:07:29,839 "It's a talk show. Let me bloody talk." 161 00:07:29,840 --> 00:07:31,439 That's a personal fave. 162 00:07:31,440 --> 00:07:33,079 And they're struggling for money. 163 00:07:33,080 --> 00:07:35,119 We've even caught sight of their P and L. 164 00:07:35,120 --> 00:07:37,120 So if you're Nick and Serena, you'd be wanting what? 165 00:07:37,800 --> 00:07:39,119 To get all their documents, 166 00:07:39,120 --> 00:07:41,399 disclosures from us as quickly as you could, 167 00:07:41,400 --> 00:07:42,839 get to court as fast as possible. 168 00:07:42,840 --> 00:07:45,799 You're thinking of the energy company case. 169 00:07:45,800 --> 00:07:48,639 Kloro Energy, court case on the horizon. 170 00:07:48,640 --> 00:07:50,999 One side's firm struggling for funds, 171 00:07:51,000 --> 00:07:53,999 needed everything sent over as quickly as possible. 172 00:07:54,000 --> 00:07:56,119 - What they got... - What they got 173 00:07:56,120 --> 00:07:57,680 was the "March of the Snails." 174 00:07:59,760 --> 00:08:03,639 - (FAINT CHATTER) - ♪ (SOMBER MUSIC PLAYING) ♪ 175 00:08:03,640 --> 00:08:04,800 (CELL PHONE CHIMES) 176 00:08:06,760 --> 00:08:09,639 (SIGHS) 177 00:08:09,640 --> 00:08:12,119 LUCY COSTIGAN: They say they understand you don't wanna leave the house, 178 00:08:12,120 --> 00:08:14,479 or see anybody, or talk on the phone, 179 00:08:14,480 --> 00:08:16,159 but they really need you in rehearsals. 180 00:08:16,160 --> 00:08:17,759 It's not that I don't want to leave the house. 181 00:08:17,760 --> 00:08:18,880 I physically can't. 182 00:08:20,840 --> 00:08:23,079 Do you want me to suggest a Zoom? 183 00:08:23,080 --> 00:08:26,399 That way you can turn off your video and your audio. 184 00:08:26,400 --> 00:08:28,079 - How many are there? - ♪ (MUSIC CONCLUDES) ♪ 185 00:08:28,080 --> 00:08:29,839 LUCY: About ten more than last time I counted. 186 00:08:29,840 --> 00:08:30,919 (GROANS) 187 00:08:30,920 --> 00:08:34,319 (CELL PHONE BUZZING) 188 00:08:34,320 --> 00:08:35,639 Serena's calling. 189 00:08:35,640 --> 00:08:39,320 (CELL PHONE CONTINUES BUZZING) 190 00:08:43,600 --> 00:08:44,719 Hi. 191 00:08:44,720 --> 00:08:46,200 SERENA: Don't look at the papers. 192 00:08:46,840 --> 00:08:49,080 It's total twisted bullshit. 193 00:08:49,800 --> 00:08:51,160 I haven't seen a thing. 194 00:08:52,120 --> 00:08:53,560 SERENA: Is that true? 195 00:08:54,120 --> 00:08:56,079 Of course not. 196 00:08:56,080 --> 00:08:57,800 SERENA: Look, I know it's not what you want, 197 00:08:58,560 --> 00:09:00,240 but I need you to keep moving. 198 00:09:00,960 --> 00:09:02,159 Fighting. 199 00:09:02,160 --> 00:09:04,360 Otherwise, everything you've wanted out of this, 200 00:09:05,000 --> 00:09:06,520 it all comes crashing down. 201 00:09:09,360 --> 00:09:11,480 - ♪ (SOMBER MUSIC RESUMES) ♪ - (CELL PHONE BEEPS) 202 00:09:12,960 --> 00:09:16,079 (REPORTERS CHATTING) 203 00:09:16,080 --> 00:09:17,200 (EXHALES DEEPLY) 204 00:09:22,160 --> 00:09:23,960 ♪ (DRAMATIC MUSIC OVERLAPPING) ♪ 205 00:09:25,960 --> 00:09:27,000 (EXHALES DEEPLY) 206 00:09:29,320 --> 00:09:31,199 (REPORTERS CLAMORING) 207 00:09:31,200 --> 00:09:33,079 RADIO HOST: And what did you think of her performance 208 00:09:33,080 --> 00:09:35,399 on The Jack Jeffreys Show? Did she cross the line? 209 00:09:35,400 --> 00:09:37,119 CALLER 1: I don't know who she thinks she is, 210 00:09:37,120 --> 00:09:38,879 talking to the public like that. 211 00:09:38,880 --> 00:09:41,199 CALLER 2: She's biting the hand that feeds her. 212 00:09:41,200 --> 00:09:44,199 CALLER 3: It's not like she's Meryl Streep or someone who can actually act. 213 00:09:44,200 --> 00:09:45,719 CALLER 4: No wonder he wants rid of her. 214 00:09:45,720 --> 00:09:47,759 She's a crazy attention seeker. She'll be loving all this. 215 00:09:47,760 --> 00:09:49,239 DRIVER: Sorry, I'll-- I'll turn that off. 216 00:09:49,240 --> 00:09:51,519 - No, leave it on. - RADIO HOST: Lots more on what the tabloids are terming 217 00:09:51,520 --> 00:09:53,520 - "Car Crash Duval" after this. - (SCOFFS) 218 00:09:55,800 --> 00:09:58,280 (CLAMOR CONTINUES) 219 00:10:02,400 --> 00:10:05,000 - ♪ (MUSIC RISES) ♪ - (INDISTINCT CLAMOR) 220 00:10:06,880 --> 00:10:09,479 PHOTOGRAPHER: Did you see The Jack Jeffreys Show? 221 00:10:09,480 --> 00:10:11,839 When was the last time you saw your wife? 222 00:10:11,840 --> 00:10:14,840 (OVERLAPPING SHOUTS) 223 00:10:16,440 --> 00:10:18,359 ♪ (MUSIC FADES) ♪ 224 00:10:18,360 --> 00:10:19,639 GILLIAN POPE: Eric's going to recap 225 00:10:19,640 --> 00:10:21,759 and we can discuss what this means for us all. 226 00:10:21,760 --> 00:10:25,079 ERIC MCDANIEL: Item One. This came late Thursday. 227 00:10:25,080 --> 00:10:27,719 Zephyr is now the subject of a freezing order. 228 00:10:27,720 --> 00:10:30,839 That's a result of Morgan's personal situation. 229 00:10:30,840 --> 00:10:32,919 There will be no expansion in Asia, 230 00:10:32,920 --> 00:10:35,999 no movement of any equity, no bonuses, nothing, 231 00:10:36,000 --> 00:10:38,079 until the divorce is resolved. 232 00:10:38,080 --> 00:10:40,279 Which leads us to Item Two. 233 00:10:40,280 --> 00:10:42,759 We, ourselves, are to be fought over, are we not? 234 00:10:42,760 --> 00:10:45,400 This company. In court. 235 00:10:46,240 --> 00:10:47,240 Uh... 236 00:10:48,040 --> 00:10:49,799 Yeah, Carla is claiming 237 00:10:49,800 --> 00:10:51,759 a certain degree of ownership over Zephyr. 238 00:10:51,760 --> 00:10:54,840 (SCOFFS) We're being held hostage to his personal life. 239 00:10:56,880 --> 00:10:58,120 Who's this person again? 240 00:10:59,080 --> 00:11:00,639 - Gee. - Guy. 241 00:11:00,640 --> 00:11:02,360 - "Gee?" - Ouais. 242 00:11:03,120 --> 00:11:05,319 Isn't that some kind of butter? 243 00:11:05,320 --> 00:11:08,799 (CLEARS THROAT Uh, it's like Guy, 244 00:11:08,800 --> 00:11:10,080 the way the French pronounce it. 245 00:11:11,480 --> 00:11:13,519 You hired him as Creative Director 246 00:11:13,520 --> 00:11:14,679 of the EMEA. 247 00:11:14,680 --> 00:11:16,159 The people around this table, Morgan. 248 00:11:16,160 --> 00:11:17,999 This is the point. 249 00:11:18,000 --> 00:11:21,399 Our contributions, our prospects, 250 00:11:21,400 --> 00:11:23,039 these are all tied to 251 00:11:23,040 --> 00:11:24,959 the outcome of your divorce with Carla, 252 00:11:24,960 --> 00:11:26,479 which is now being played out in public. 253 00:11:26,480 --> 00:11:27,559 Yes, all right. 254 00:11:27,560 --> 00:11:30,279 We were supposed to make a joint statement, 255 00:11:30,280 --> 00:11:32,239 and unfortunately, she jumped the gun. 256 00:11:32,240 --> 00:11:33,240 We noticed. 257 00:11:34,200 --> 00:11:36,119 In a way that you might all think I enjoyed, 258 00:11:36,120 --> 00:11:39,919 seeing all the shit she's slung at me recently, 259 00:11:39,920 --> 00:11:43,120 but in fact, it hurt me. 260 00:11:44,480 --> 00:11:47,919 I don't enjoy seeing someone I love in that state 261 00:11:47,920 --> 00:11:50,120 being on the receiving end of all this abuse. 262 00:11:51,520 --> 00:11:55,159 Even if it does benefit me, or my lawyers, or all of you. 263 00:11:55,160 --> 00:11:56,600 GILLIAN: But-- but it doesn't benefit us. 264 00:11:57,120 --> 00:11:59,199 It damages us. 265 00:11:59,200 --> 00:12:02,640 - The reputation of the company. - And that would be Item Three. 266 00:12:03,720 --> 00:12:05,520 The publicity surrounding Carla 267 00:12:06,680 --> 00:12:09,159 - has an effect on the business. - Has or might? 268 00:12:09,160 --> 00:12:10,439 - Will. - Will or might? 269 00:12:10,440 --> 00:12:11,999 Will. I'm sorry. 270 00:12:12,000 --> 00:12:14,679 And we do not want to get dragged into your shitstorm. 271 00:12:14,680 --> 00:12:16,159 Well, I'm really sorry, Gillian, 272 00:12:16,160 --> 00:12:19,279 if my life is inconveniencing you. 273 00:12:19,280 --> 00:12:21,119 But I feel compelled to remind you the only reason 274 00:12:21,120 --> 00:12:22,919 you're able to sit there and make that point... 275 00:12:22,920 --> 00:12:23,999 Oh, come on. 276 00:12:24,000 --> 00:12:25,479 ...instead of sitting in a traffic jam 277 00:12:25,480 --> 00:12:27,399 in Swindon on your way to some middle management job... 278 00:12:27,400 --> 00:12:28,679 Nothing wrong with that, by the way. 279 00:12:28,680 --> 00:12:31,319 ...is because of me, because of what I started. 280 00:12:31,320 --> 00:12:32,720 ♪ (LOW TENSE MUSIC PLAYING) ♪ 281 00:12:34,680 --> 00:12:36,400 So I will decide how this goes. 282 00:12:37,280 --> 00:12:38,280 GILLIAN: Okay. 283 00:12:41,840 --> 00:12:44,239 - (TELEPHONE RINGING) - ♪ (MUSIC FALLS) ♪ 284 00:12:44,240 --> 00:12:45,839 MOLLY GIORDANO: Jesus. 285 00:12:45,840 --> 00:12:47,519 Hey, apparently there's paps downstairs. 286 00:12:47,520 --> 00:12:48,959 Did you see 'em? 287 00:12:48,960 --> 00:12:51,279 I was thinking I might go and eat my lunch down there, you know? 288 00:12:51,280 --> 00:12:52,919 Raise my profile a little bit. 289 00:12:52,920 --> 00:12:55,679 Be, like, the "People's Solicitor." 290 00:12:55,680 --> 00:12:57,800 I feel like that's relatable. Catchy. 291 00:12:59,920 --> 00:13:01,599 Hey, Johnny. 292 00:13:01,600 --> 00:13:03,720 Do you want to stop weirding out on the clients? 293 00:13:04,480 --> 00:13:05,639 I was saying 294 00:13:05,640 --> 00:13:07,640 - there's paps downstairs. Yeah. - There's paps downstairs. 295 00:13:09,680 --> 00:13:11,719 Shit! Look at this. (CHUCKLES) 296 00:13:11,720 --> 00:13:14,279 Someone's come up with "Cruella Duval." 297 00:13:14,280 --> 00:13:15,680 - (CELL PHONE BUZZING) - Oh! 298 00:13:17,040 --> 00:13:20,519 Susie, what's taking so long? 299 00:13:20,520 --> 00:13:23,359 No, no, no, no, no. These are basic fucking disclosures. 300 00:13:23,360 --> 00:13:24,639 MICHAEL STEFANOU: On top of all that, 301 00:13:24,640 --> 00:13:26,319 you have the apartment on the Upper East Side. 302 00:13:26,320 --> 00:13:28,079 - We having that revalued. - NORA OKAFOR: Mm-hmm. Yeah. 303 00:13:28,080 --> 00:13:29,399 MICHAEL: The house in Sussex, 304 00:13:29,400 --> 00:13:30,919 commercial properties in Hammersmith, 305 00:13:30,920 --> 00:13:32,639 Wandsworth, Parsons Green. 306 00:13:32,640 --> 00:13:35,239 So those were part of Morgan's existing portfolio. 307 00:13:35,240 --> 00:13:36,999 - (CELL PHONE BUZZES) - Uh, what might have been once, 308 00:13:37,000 --> 00:13:38,759 that's now a shared portfolio, 309 00:13:38,760 --> 00:13:40,839 which is why-- Saeed! Which is why Saeed is 310 00:13:40,840 --> 00:13:42,519 - is writing all this down. - Yeah. 311 00:13:42,520 --> 00:13:44,359 MICHAEL: But it's-- it's the personal assets 312 00:13:44,360 --> 00:13:45,479 that I really want us to catch. 313 00:13:45,480 --> 00:13:47,559 Anything we haven't already discussed. 314 00:13:47,560 --> 00:13:49,200 Anything over ten grand. 315 00:13:50,240 --> 00:13:52,479 - He's bought a lot of art. - NORA: Yes. 316 00:13:52,480 --> 00:13:56,159 So there's now the small canvas by George Braque. 317 00:13:56,160 --> 00:13:57,839 Uh, you think that's in New York? 318 00:13:57,840 --> 00:13:59,719 - Mm. - NORA: And also two works 319 00:13:59,720 --> 00:14:00,920 by Franz Klein. 320 00:14:01,960 --> 00:14:04,599 Are they worth more than 10,000 pounds? 321 00:14:04,600 --> 00:14:06,679 Yeah. Well, they look like they could have 322 00:14:06,680 --> 00:14:09,480 been drawn by a child, so presumably. 323 00:14:10,840 --> 00:14:11,840 We're nearly done. 324 00:14:13,000 --> 00:14:15,519 You also have the cottage in Normandy. 325 00:14:15,520 --> 00:14:16,919 He's not having that. 326 00:14:16,920 --> 00:14:18,919 NORA: Nobody's suggesting he should. 327 00:14:18,920 --> 00:14:21,400 We just need to disclose it. 328 00:14:22,640 --> 00:14:25,319 Are we missing anything else? Cottage in Normandy. 329 00:14:25,320 --> 00:14:26,399 Two horses. 330 00:14:26,400 --> 00:14:27,839 Time to come clean about the helicopter 331 00:14:27,840 --> 00:14:29,640 - and the Fabergé egg? - (MICHAEL CHUCKLES) 332 00:14:30,800 --> 00:14:33,720 - And the Ferrari Testarossa. - (NORA AND MICHAEL CHUCKLE) 333 00:14:35,360 --> 00:14:37,720 ♪ (PENSIVE MUSIC PLAYING) ♪ 334 00:14:44,040 --> 00:14:47,880 It's stupid people saying stupid things. Ignore. 335 00:14:56,680 --> 00:14:58,719 ♪ (INTRIGUING MUSIC PLAYING) ♪ 336 00:14:58,720 --> 00:15:01,639 - NORA: Thanks. See you soon. - CARLA: Thanks. 337 00:15:01,640 --> 00:15:04,079 ANTONIA: Car's outside. Lucy's downstairs. 338 00:15:04,080 --> 00:15:06,079 Molly, I need you to type all these up, 339 00:15:06,080 --> 00:15:08,439 then give them all to Serena, okay? 340 00:15:08,440 --> 00:15:11,880 Sorry, this is-- this is my "no fucking way" face, Saeed. 341 00:15:12,440 --> 00:15:13,999 You have to, okay? 342 00:15:14,000 --> 00:15:15,839 I need to go through their investment disclosures. 343 00:15:15,840 --> 00:15:17,439 They haven't arrived yet and they're insisting 344 00:15:17,440 --> 00:15:19,720 - on sending hard copies. - Hard copies? Why? 345 00:15:23,320 --> 00:15:25,680 - ANTONIA: See you soon. - (ELEVATOR BELL CHIMES) 346 00:15:26,320 --> 00:15:27,759 (SIGHS) 347 00:15:27,760 --> 00:15:30,760 - ♪ (MUSIC CONCLUDES) ♪ - (JOHNNY WARREN SIGHS) 348 00:15:31,920 --> 00:15:33,880 Sorry, I just wanted-- wanted to say that 349 00:15:34,840 --> 00:15:36,000 if you need anything... 350 00:15:37,480 --> 00:15:39,839 some time out or a drink, 351 00:15:39,840 --> 00:15:41,680 then you can just give me a call, okay? 352 00:15:43,280 --> 00:15:44,320 And we can, what? 353 00:15:45,480 --> 00:15:47,160 Go for a stroll through the park? 354 00:15:53,200 --> 00:15:54,320 (ELEVATOR BELL DINGS) 355 00:15:55,240 --> 00:15:56,400 (JOHNNY SIGHS) 356 00:15:57,800 --> 00:15:59,200 (SIGHS) Six. 357 00:16:00,880 --> 00:16:02,960 - No problem. (CLEARS THROAT) - (ELEVATOR CHIMES) 358 00:16:06,000 --> 00:16:08,199 This is perfect for me. 359 00:16:08,200 --> 00:16:09,959 It doesn't feel very perfect. 360 00:16:09,960 --> 00:16:12,119 GRACE HOPPER: Serena, I'm Crisis PR. 361 00:16:12,120 --> 00:16:14,119 It's a David versus Goliath industry. 362 00:16:14,120 --> 00:16:15,519 I need something to fight against, 363 00:16:15,520 --> 00:16:16,799 otherwise what am I? 364 00:16:16,800 --> 00:16:20,479 Just a topless boy holding a handful of pebbles. 365 00:16:20,480 --> 00:16:21,879 Is that all he was wearing? 366 00:16:21,880 --> 00:16:23,639 And would we call it an "industry"? 367 00:16:23,640 --> 00:16:24,959 Come on. 368 00:16:24,960 --> 00:16:27,759 GRACE: Look, she's drowning, poor thing. 369 00:16:27,760 --> 00:16:30,399 On X, Instagram, Zephyr, you name it, 370 00:16:30,400 --> 00:16:33,559 it's growing by the hour. It's vile and it's vicious, 371 00:16:33,560 --> 00:16:36,399 but much as it renders your whole case as almost unwinnable, 372 00:16:36,400 --> 00:16:38,959 it's actually not the very worst situation to be in. 373 00:16:38,960 --> 00:16:40,480 What would be worse than this? 374 00:16:41,560 --> 00:16:42,680 If the abuse had stopped, 375 00:16:43,680 --> 00:16:45,200 that's what you want to avoid. 376 00:16:47,400 --> 00:16:48,679 When the hating ends, 377 00:16:48,680 --> 00:16:51,599 it's because the world has made up its mind. 378 00:16:51,600 --> 00:16:53,559 - So she's still alive? - Oh, yeah. 379 00:16:53,560 --> 00:16:54,960 There's a pulse. 380 00:16:55,800 --> 00:16:56,879 But only just. 381 00:16:56,880 --> 00:16:58,839 (DISTANT DOOR BANGS) 382 00:16:58,840 --> 00:17:03,960 - (CRATE TROLLEY ROLLING) - ♪ (RIVETING MUSIC PLAYING) ♪ 383 00:17:05,600 --> 00:17:06,959 NICHOLAS: Oh, God. 384 00:17:06,960 --> 00:17:08,679 (CELL PHONE BUZZING) 385 00:17:08,680 --> 00:17:11,720 (TELEPHONES RINGING) 386 00:17:14,120 --> 00:17:15,759 ♪ (MUSIC CONTINUES) ♪ 387 00:17:15,760 --> 00:17:16,760 (BOX THUDS) 388 00:17:17,920 --> 00:17:19,359 - Are these full? - Yeah. 389 00:17:19,360 --> 00:17:20,719 What the hell did you ask them for? 390 00:17:20,720 --> 00:17:22,999 Uh, statements of interest for the past six months. 391 00:17:23,000 --> 00:17:24,199 And they sent all this? 392 00:17:24,200 --> 00:17:25,479 Well, they're saying they're in here, 393 00:17:25,480 --> 00:17:27,319 but in the interest of time, 394 00:17:27,320 --> 00:17:29,759 they suggest we find them ourselves. 395 00:17:29,760 --> 00:17:32,240 - There's even more downstairs. - (BOX SLIDING) 396 00:17:34,800 --> 00:17:36,319 - ♪ (MUSIC CONCLUDES) ♪ - (SOFTLY) Fuck. 397 00:17:36,320 --> 00:17:38,999 The dark arts of pagination. 398 00:17:39,000 --> 00:17:40,080 What does that mean? 399 00:17:40,800 --> 00:17:42,359 The opposition are ahead. 400 00:17:42,360 --> 00:17:44,359 And they have deeper pockets than we do, 401 00:17:44,360 --> 00:17:46,479 so they are deliberately slowing things down. 402 00:17:46,480 --> 00:17:47,920 That's what it means. 403 00:17:49,120 --> 00:17:52,240 MOLLY: Serena, Saeed asked me to type these up for you. 404 00:17:53,760 --> 00:17:54,760 Okay, thanks. 405 00:17:56,720 --> 00:17:59,519 JOHNNY: (OVER PHONE) Well, they know what you're doing, but it's definitely working. 406 00:17:59,520 --> 00:18:01,319 The crate they actually want 407 00:18:01,320 --> 00:18:05,039 - is the one crate we forgot to send. - ♪ (PENSIVE MUSIC PLAYING) ♪ 408 00:18:05,040 --> 00:18:09,240 DAVID: I'll send that tomorrow using London's slowest courier firm. 409 00:18:10,320 --> 00:18:12,519 I like it, the attention to detail. 410 00:18:12,520 --> 00:18:14,639 DAVID SCHILL: "The simple act of paying attention 411 00:18:14,640 --> 00:18:17,039 can take you a long way." 412 00:18:17,040 --> 00:18:19,280 - Know who said that? - No, go on. 413 00:18:20,480 --> 00:18:22,279 Keanu Reeves. 414 00:18:22,280 --> 00:18:23,759 We are winning, Johnny. 415 00:18:23,760 --> 00:18:25,959 Neither side can be in any doubt about that. 416 00:18:25,960 --> 00:18:29,359 But what we do now is extend our lead. 417 00:18:29,360 --> 00:18:31,279 I slow things down at my end, 418 00:18:31,280 --> 00:18:33,639 you expedite at yours. 419 00:18:33,640 --> 00:18:35,439 Send everything you have as soon as you can. 420 00:18:35,440 --> 00:18:37,880 So we make the most of this chaos. 421 00:18:45,240 --> 00:18:47,239 ♪ (MUSIC FADES) ♪ 422 00:18:47,240 --> 00:18:51,640 Paintings by Kline and Braque. Spelt wrong. 423 00:18:52,800 --> 00:18:56,400 Commercial properties in Hammersmith, Parsons Green. 424 00:18:58,200 --> 00:18:59,200 Good. 425 00:19:00,720 --> 00:19:01,800 Good. 426 00:19:03,000 --> 00:19:04,120 Normandy cottage. 427 00:19:05,000 --> 00:19:06,120 Two horses. 428 00:19:07,000 --> 00:19:09,599 Uh, Ferrari Testarossa? 429 00:19:09,600 --> 00:19:12,959 Carla doesn't own a Ferrari Testarossa. 430 00:19:12,960 --> 00:19:15,519 - I wasn't in the meeting. - Morgan doesn't even drive. 431 00:19:15,520 --> 00:19:16,719 They're Saeed's notes, though. 432 00:19:16,720 --> 00:19:18,399 - (TELEPHONE RINGING) - Well, then you check with Saeed. 433 00:19:18,400 --> 00:19:19,959 You don't just type this up blindly. 434 00:19:19,960 --> 00:19:21,839 Check with him first, yeah? 435 00:19:21,840 --> 00:19:23,199 - Sorry. - No, there's no need for sorry. 436 00:19:23,200 --> 00:19:25,159 Just do it again. Quickly. 437 00:19:25,160 --> 00:19:26,440 - Yeah. - SERENA: Yeah. 438 00:19:27,240 --> 00:19:28,679 ♪ (TENSE MUSIC PLAYING) ♪ 439 00:19:28,680 --> 00:19:30,480 (INDISTINCT CLAMOR) 440 00:19:35,440 --> 00:19:36,600 PHOTOGRAPHER 1: Carla! 441 00:19:38,880 --> 00:19:41,560 (CLAMORING INTENSIFIES) 442 00:19:47,840 --> 00:19:49,639 - (SIGHS) - (KNOCKING ON DOOR) 443 00:19:49,640 --> 00:19:50,919 PHOTOGRAPHER 2: When was the last time 444 00:19:50,920 --> 00:19:52,519 you saw your son, Carla? 445 00:19:52,520 --> 00:19:54,519 - (KNOCKING CONTINUES) - CARLA: Not my son! 446 00:19:54,520 --> 00:19:57,039 - Not my fucking-- - LUCY: No, no, no! Carla! No! No! No! 447 00:19:57,040 --> 00:19:58,239 - Stop! Stop! - (GRUNTS) 448 00:19:58,240 --> 00:19:59,959 ♪ (MUSIC TURNS SOMBER) ♪ 449 00:19:59,960 --> 00:20:02,760 (BREATHES HEAVILY) 450 00:20:03,840 --> 00:20:07,240 (BREATHES SHAKILY) 451 00:20:10,200 --> 00:20:11,440 (SOBS) 452 00:20:23,840 --> 00:20:26,120 ♪ (MUSIC FADES) ♪ 453 00:20:32,840 --> 00:20:34,120 (SOBS) 454 00:20:35,000 --> 00:20:37,480 (DISTANT SIREN WAILING) 455 00:20:38,600 --> 00:20:41,960 (VACUUM CLEANERS WHIRRING) 456 00:20:48,800 --> 00:20:51,920 ♪ (SUSPENSEFUL MUSIC PLAYING) ♪ 457 00:21:00,760 --> 00:21:01,920 (CAMERA SHUTTER CLICKS) 458 00:21:03,800 --> 00:21:05,000 (CAMERA SHUTTER CLICKS) 459 00:21:12,000 --> 00:21:13,999 ♪ (MUSIC FADES) ♪ 460 00:21:14,000 --> 00:21:16,559 Oh, it's all so fake. 461 00:21:16,560 --> 00:21:19,919 I'm not going to sit here and just switch on a smile. 462 00:21:19,920 --> 00:21:23,559 I'm always having to just switch on a smile. 463 00:21:23,560 --> 00:21:25,159 I mean, she's meant to be this amazing actress, 464 00:21:25,160 --> 00:21:26,799 and she clearly wants to own the narrative, 465 00:21:26,800 --> 00:21:29,639 but it-- it just looks like total bad acting. 466 00:21:29,640 --> 00:21:31,359 I don't think she was acting. 467 00:21:31,360 --> 00:21:33,679 Johnny, I know bad PR when I see it. 468 00:21:33,680 --> 00:21:35,359 I think she was just being honest. 469 00:21:35,360 --> 00:21:36,719 BELLA CROFT: Honest? 470 00:21:36,720 --> 00:21:39,159 He says that "This is the performance of her career," in his opinion. 471 00:21:39,160 --> 00:21:41,319 Massive question marks over Jack Jeffreys' opinion 472 00:21:41,320 --> 00:21:43,280 on anything else ever again, by the way. 473 00:21:44,560 --> 00:21:46,320 Well, have you seen it? 474 00:21:46,840 --> 00:21:47,840 BELLA: What? 475 00:21:48,320 --> 00:21:49,759 The Milliner. 476 00:21:49,760 --> 00:21:53,279 (SCOFFS) I don't need to see that film to know that it is extremely bad. 477 00:21:53,280 --> 00:21:55,560 And the irony is he's about to see her worst performance ever. 478 00:21:56,080 --> 00:21:57,240 (DISHES THUDDING) 479 00:21:58,560 --> 00:22:00,360 Why are you sticking up for her anyway? 480 00:22:04,560 --> 00:22:07,279 I'm not saying you're bad lawyers for defending her. 481 00:22:07,280 --> 00:22:08,839 Do you mean "representing" her? 482 00:22:08,840 --> 00:22:10,920 I'm just sorry you have to dig her out of all this shit. 483 00:22:13,520 --> 00:22:14,759 Do-- do you know something, Bella? 484 00:22:14,760 --> 00:22:17,359 I-- I know this is fun to talk about, or whatever, 485 00:22:17,360 --> 00:22:20,039 but she's actually just a normal person. 486 00:22:20,040 --> 00:22:23,039 - ♪ (RIVETING MUSIC PLAYING) ♪ - Wait, are you fucking serious? 487 00:22:23,040 --> 00:22:25,320 (CHUCKLES SARCASTICALLY) This-- this is bad acting now. 488 00:22:25,800 --> 00:22:26,919 Johnny, like... 489 00:22:26,920 --> 00:22:28,919 CARLA: Do you know what? You lot can shut the fuck up 490 00:22:28,920 --> 00:22:31,439 because you don't have any idea what you're fucking talking about, all right? 491 00:22:31,440 --> 00:22:33,519 - JACK: Let's go to a break... - (AUDIENCE JEERING ON LAPTOP) 492 00:22:33,520 --> 00:22:35,200 ♪ (MUSIC RISES) ♪ 493 00:22:43,480 --> 00:22:45,640 (TELEPHONES RINGING) 494 00:22:50,720 --> 00:22:52,279 ♪ (MUSIC CONCLUDES) ♪ 495 00:22:52,280 --> 00:22:53,919 GRACE: Did you hear it? 496 00:22:53,920 --> 00:22:55,360 Every Little Thing She Does? 497 00:22:56,000 --> 00:22:57,519 You know it? 498 00:22:57,520 --> 00:23:00,199 Well, it's enormous. And last night, 499 00:23:00,200 --> 00:23:02,680 they dropped an interview with Tamara Chong. 500 00:23:06,480 --> 00:23:07,560 Singer-songwriter. 501 00:23:08,560 --> 00:23:09,639 No? 502 00:23:09,640 --> 00:23:12,679 Well, she's my client, and she's the biggest guest 503 00:23:12,680 --> 00:23:13,760 they've ever had on. 504 00:23:14,240 --> 00:23:15,679 Watch this. 505 00:23:15,680 --> 00:23:17,839 TAMARA CHONG: (OVER LAPTOP) I just think what's happening is insane. 506 00:23:17,840 --> 00:23:20,799 Carla Duval is clearly in fucking pain. 507 00:23:20,800 --> 00:23:22,119 - Sorry to swear. - Oh, no, no. 508 00:23:22,120 --> 00:23:23,679 You-- you need to. It's important. 509 00:23:23,680 --> 00:23:25,279 TAMARA: Clearly in fucking pain. 510 00:23:25,280 --> 00:23:27,879 Upset because something's wrong with some guy. 511 00:23:27,880 --> 00:23:30,359 And I don't care how much money he's got, 512 00:23:30,360 --> 00:23:32,519 or how great people who don't actually 513 00:23:32,520 --> 00:23:34,000 know him think he is. 514 00:23:34,880 --> 00:23:35,999 She lives with him. 515 00:23:36,000 --> 00:23:38,719 And she's telling us that he's the problem. 516 00:23:38,720 --> 00:23:40,759 And rather than listen, we pile in. 517 00:23:40,760 --> 00:23:41,919 SAFFRON YOUNG: Women included. 518 00:23:41,920 --> 00:23:43,399 - TAMARA: Women included. - SAFFRON: Yeah. 519 00:23:43,400 --> 00:23:45,999 I mean, what's actually going on? 520 00:23:46,000 --> 00:23:48,679 And can we all just stop hating on Carla for one second 521 00:23:48,680 --> 00:23:49,759 and find out please? 522 00:23:49,760 --> 00:23:50,959 You think it'll make a difference? 523 00:23:50,960 --> 00:23:53,199 - Mm, could. - It already has. 524 00:23:53,200 --> 00:23:54,399 (VIDEO CUTS OFF) 525 00:23:54,400 --> 00:23:56,520 There's all this traffic on his platform... 526 00:23:58,000 --> 00:23:59,720 and it's turning her way. 527 00:24:00,520 --> 00:24:01,880 ♪ (LOW RIVETING MUSIC PLAYING) ♪ 528 00:24:03,400 --> 00:24:05,719 Magazines, Instagram posts. 529 00:24:05,720 --> 00:24:09,000 It's an oil tanker, but it is starting to turn. 530 00:24:09,840 --> 00:24:11,279 We've got you on the same podcast. 531 00:24:11,280 --> 00:24:12,359 When? 532 00:24:12,360 --> 00:24:15,239 SERENA: Later today. Our PR woman, 533 00:24:15,240 --> 00:24:18,199 Grace, says you need to dress carefully. 534 00:24:18,200 --> 00:24:19,519 Look strong, you mean? 535 00:24:19,520 --> 00:24:23,039 Strong, but a bit tired around the edges. 536 00:24:23,040 --> 00:24:25,839 Sunglasses, big coat to shield you from a world 537 00:24:25,840 --> 00:24:28,039 that's been so cruel, hair that looks messy, 538 00:24:28,040 --> 00:24:29,639 but in a way that, you know... 539 00:24:29,640 --> 00:24:32,279 - Looks amazing. - SERENA: Yeah. 540 00:24:32,280 --> 00:24:33,719 And we can record it in the office. 541 00:24:33,720 --> 00:24:35,439 They've agreed to that. 542 00:24:35,440 --> 00:24:38,000 It means we can control everything. 543 00:24:39,240 --> 00:24:40,400 I'm not sure. 544 00:24:42,840 --> 00:24:45,639 Carla, you're the only one who can change all this. 545 00:24:45,640 --> 00:24:48,560 This is it now. Tell them your side. 546 00:24:53,520 --> 00:24:56,119 - ♪ (MUSIC CONCLUDES) ♪ - SAFFRON: Can I just say thank you for your honesty? 547 00:24:56,120 --> 00:24:59,719 I just think, all of us, from when we're tiny, 548 00:24:59,720 --> 00:25:03,359 are told just to get on with things. 549 00:25:03,360 --> 00:25:05,479 Don't make a fuss, tolerate any behavior. 550 00:25:05,480 --> 00:25:06,920 You're talking about Morgan. 551 00:25:07,760 --> 00:25:09,759 Well, just all of us, generally. 552 00:25:09,760 --> 00:25:13,200 But I mean, yes, in my case, with a man. 553 00:25:14,160 --> 00:25:15,720 A very successful man. 554 00:25:17,640 --> 00:25:19,479 But none of that success, 555 00:25:19,480 --> 00:25:23,320 and-- and he's talented too and can be funny and kind, 556 00:25:24,200 --> 00:25:27,999 should mean that we excuse bad behavior. 557 00:25:28,000 --> 00:25:29,639 I'm not doing my job if I don't ask you 558 00:25:29,640 --> 00:25:30,919 what that behavior is. 559 00:25:30,920 --> 00:25:33,320 I mean, you can say as much or as little as you like. 560 00:25:36,680 --> 00:25:38,520 It's about respect for me. 561 00:25:39,920 --> 00:25:44,440 I had this terrible experience on the talk show. 562 00:25:45,760 --> 00:25:47,959 They were showing this photo 563 00:25:47,960 --> 00:25:50,559 of Morgan and me smiling together. 564 00:25:50,560 --> 00:25:52,519 They wouldn't stop showing it. 565 00:25:52,520 --> 00:25:57,199 And the next day, after it had all gone horribly wrong, 566 00:25:57,200 --> 00:25:59,559 I-- I realized that I hadn't... 567 00:25:59,560 --> 00:26:02,999 I hadn't told anyone what had made me so angry. 568 00:26:03,000 --> 00:26:04,279 I hadn't... 569 00:26:04,280 --> 00:26:07,679 I hadn't told the audience what I was thinking... 570 00:26:07,680 --> 00:26:10,439 ♪ (SOMBER MUSIC PLAYING) ♪ 571 00:26:10,440 --> 00:26:12,360 ...which was that, um... 572 00:26:15,960 --> 00:26:18,760 60 seconds before that photo was taken... 573 00:26:19,920 --> 00:26:22,600 he had served me divorce papers. 574 00:26:25,960 --> 00:26:27,200 At my premiere. 575 00:26:28,960 --> 00:26:32,519 He'd had one of his lawyers in the crowd posing 576 00:26:32,520 --> 00:26:35,200 as someone who wanted a selfie and he'd had her... 577 00:26:36,960 --> 00:26:38,760 um, serve me divorce papers. 578 00:26:43,520 --> 00:26:45,080 At your premiere? 579 00:26:48,520 --> 00:26:51,520 For the listener, Carla is nodding. 580 00:26:54,840 --> 00:26:56,560 "Carla is nodding." (SCOFFS) 581 00:26:58,360 --> 00:26:59,720 (SNIFFLES) 582 00:27:03,400 --> 00:27:05,919 After everything that we had together, 583 00:27:05,920 --> 00:27:10,399 and it's-- it's not all "him-bad, me-good," I just-- 584 00:27:10,400 --> 00:27:12,160 SAFFRON: We just all need that respect. 585 00:27:13,640 --> 00:27:14,839 Don't smile too much, darling. 586 00:27:14,840 --> 00:27:15,840 - All right? - CARLA: Yeah. 587 00:27:16,840 --> 00:27:19,640 - (SIREN WAILING) - ♪ (MUSIC CONTINUES) ♪ 588 00:27:26,120 --> 00:27:27,200 (CELL PHONE PINGS) 589 00:27:34,120 --> 00:27:36,439 SAFFRON: (ON PODCAST) One last question before we wrap up. 590 00:27:36,440 --> 00:27:40,239 Carla Duval, your marriage is over. 591 00:27:40,240 --> 00:27:42,000 - (CARLA SCOFFING) - SAFFRON: I know that's hard, 592 00:27:43,080 --> 00:27:45,440 but does that mean the love stops? 593 00:27:46,680 --> 00:27:49,840 CARLA: Hand on heart, I didn't stop loving Morgan... 594 00:27:51,360 --> 00:27:53,199 till he stopped loving me. 595 00:27:53,200 --> 00:27:55,239 ♪ (MUSIC CONCLUDES) ♪ 596 00:27:55,240 --> 00:27:57,799 ST. JOHN SMALLWOOD: It's the most listened-to podcast in the country. 597 00:27:57,800 --> 00:28:01,239 And this is already its most listened-to episode. 598 00:28:01,240 --> 00:28:02,839 Beatrice thought it best I give you all 599 00:28:02,840 --> 00:28:04,319 your medicine in one go. 600 00:28:04,320 --> 00:28:06,839 She makes it sound like I'm the villain. 601 00:28:06,840 --> 00:28:08,239 When you were the ones that served her 602 00:28:08,240 --> 00:28:09,800 and she honey-trapped me. 603 00:28:11,680 --> 00:28:15,759 Explains all the vicious messages from Gabe. 604 00:28:15,760 --> 00:28:18,359 You can't blame him, I'd hate me too, after that. 605 00:28:18,360 --> 00:28:19,919 My advice? Don't rise to it. 606 00:28:19,920 --> 00:28:21,919 Not good enough. You fight back. 607 00:28:21,920 --> 00:28:24,599 - With what? - With Flora, for a start. 608 00:28:24,600 --> 00:28:26,559 I'd like to see that get out. See how much fucking sympathy 609 00:28:26,560 --> 00:28:28,199 the Queen of Hearts gets then. 610 00:28:28,200 --> 00:28:30,960 - We won't be doing that. - Well, do bloody something. 611 00:28:32,480 --> 00:28:34,479 ♪ (LOW RIVETING MUSIC PLAYING) ♪ 612 00:28:34,480 --> 00:28:35,600 (SIGHS) 613 00:28:36,560 --> 00:28:39,480 Call Gabriel. Take him for some supper. 614 00:28:39,960 --> 00:28:41,120 Mend with the boy. 615 00:28:45,680 --> 00:28:47,440 ♪ (MUSIC RISES) ♪ 616 00:29:01,760 --> 00:29:03,399 - There you are, sir. - Thanks. 617 00:29:03,400 --> 00:29:05,919 - ♪ (MUSIC CONCLUDES) ♪ - Hi. 618 00:29:05,920 --> 00:29:08,319 ♪ (CLASSICAL MUSIC PLAYING IN BACKGROUND) ♪ 619 00:29:08,320 --> 00:29:09,839 Sick look, bro. 620 00:29:09,840 --> 00:29:12,520 - Where's your skateboard? - (CHUCKLES) 621 00:29:15,320 --> 00:29:17,359 My dad got me drunk for the first time 622 00:29:17,360 --> 00:29:18,520 in a pub near here. 623 00:29:20,760 --> 00:29:24,279 He did it so he could, um, look after me when I threw up, 624 00:29:24,280 --> 00:29:27,240 and also so he'd have an excuse to get pissed himself, I think. 625 00:29:30,800 --> 00:29:31,840 WAITRESS: Menu? 626 00:29:32,360 --> 00:29:33,360 Thanks. 627 00:29:33,920 --> 00:29:34,920 There you go. 628 00:29:35,640 --> 00:29:36,720 (CLEARS THROAT) 629 00:29:39,680 --> 00:29:41,320 So you served her at her premiere? 630 00:29:46,400 --> 00:29:47,920 They told me it was necessary. 631 00:29:49,080 --> 00:29:51,240 They said that's how it had to be done. 632 00:29:52,640 --> 00:29:53,640 Right. 633 00:29:57,480 --> 00:29:58,600 Listen, Gabe. 634 00:30:03,480 --> 00:30:04,880 Your mother and I had 635 00:30:05,920 --> 00:30:07,200 something wonderful. 636 00:30:09,000 --> 00:30:10,479 She saved me, 637 00:30:10,480 --> 00:30:14,479 both of you did, in ways that you'll never even know. 638 00:30:14,480 --> 00:30:16,200 And just because she and I have... 639 00:30:19,640 --> 00:30:22,000 have reached the end of something... 640 00:30:25,600 --> 00:30:26,999 you will always be the best thing 641 00:30:27,000 --> 00:30:28,280 that ever happened to me. 642 00:30:30,800 --> 00:30:34,439 And to have seen you grow into this exceptional young man, 643 00:30:34,440 --> 00:30:37,160 it's the truest pride I've ever known. 644 00:30:38,760 --> 00:30:40,959 And I'll always be there for you. 645 00:30:40,960 --> 00:30:43,640 In that way, nothing changes. Nothing. 646 00:30:49,880 --> 00:30:53,040 And I regret giving her those papers in that way. 647 00:30:56,960 --> 00:30:58,600 I really wish it hadn't happened. 648 00:31:02,920 --> 00:31:05,160 Well, she's trending number one on your platform. 649 00:31:08,360 --> 00:31:09,680 So I guess you're even. 650 00:31:12,400 --> 00:31:13,480 (CHUCKLES) 651 00:31:15,480 --> 00:31:17,159 ♪ (PENSIVE MUSIC PLAYING) ♪ 652 00:31:17,160 --> 00:31:18,719 Is she? 653 00:31:18,720 --> 00:31:20,160 (CELL PHONE TONE RINGING) 654 00:31:26,080 --> 00:31:29,080 (SIREN WAILING) 655 00:31:31,080 --> 00:31:32,280 (BUZZES) 656 00:31:35,760 --> 00:31:36,839 Hello. 657 00:31:36,840 --> 00:31:38,399 CARLA: Thanks for the text. 658 00:31:38,400 --> 00:31:40,439 Glad to see things are starting to go your way. 659 00:31:40,440 --> 00:31:42,680 CARLA: You said to call if there's anything I need. 660 00:31:43,560 --> 00:31:44,959 JOHNNY: Tell me. 661 00:31:44,960 --> 00:31:49,319 There's a gate behind the houses to the communal gardens. 662 00:31:49,320 --> 00:31:52,719 I want to apologize for how I spoke to you 663 00:31:52,720 --> 00:31:56,840 in the lift, but I feel like like I should do that in person. 664 00:31:58,760 --> 00:32:00,319 JOHNNY: Are you sure? 665 00:32:00,320 --> 00:32:01,720 - CARLA: Definitely. - Okay. 666 00:32:02,600 --> 00:32:03,960 (CELL PHONE BEEPS) 667 00:32:07,000 --> 00:32:08,319 ♪ (MUSIC ENDS) ♪ 668 00:32:08,320 --> 00:32:10,200 - This was really nice. - Yeah. 669 00:32:14,360 --> 00:32:16,479 PAPARAZZO: Morgan, Morgan, over here. This way, mate. 670 00:32:16,480 --> 00:32:18,279 - Quick, here, Gabe. - PAPARAZZO: Morgan, quick one! 671 00:32:18,280 --> 00:32:20,119 - ♪ (TENSE MUSIC PLAYING) ♪ - (CAMERA SHUTTER CLICKING) 672 00:32:20,120 --> 00:32:21,559 PAPARAZZO: Gabriel, come on. Give us a shot. 673 00:32:21,560 --> 00:32:22,639 MORGAN HENDERSON: Leave us alone. 674 00:32:22,640 --> 00:32:24,680 - PAPARAZZO: Come on. - (CAMERA SHUTTER CLICKING) 675 00:32:25,520 --> 00:32:28,039 Sorry. They're fucking everywhere. 676 00:32:28,040 --> 00:32:30,159 - ♪ (MUSIC FADES) ♪ - (PAPARAZZO SPEAKS INDISTINCTLY) 677 00:32:30,160 --> 00:32:31,360 You got what you needed. 678 00:32:33,440 --> 00:32:35,279 What? 679 00:32:35,280 --> 00:32:36,999 Gabe, that's-- that's not what that was. 680 00:32:37,000 --> 00:32:38,399 Yeah, sure. He was just walking by. 681 00:32:38,400 --> 00:32:39,759 - I swear. - Yeah, sure. 682 00:32:39,760 --> 00:32:42,120 And you just forgot to put your stupid fucking cap back on. 683 00:32:43,680 --> 00:32:44,999 - Gabe, listen. - Well, you take this car 684 00:32:45,000 --> 00:32:46,319 and I'll get a tube or-- 685 00:32:46,320 --> 00:32:48,400 No, no, no. It's all right. Shut the door. Shut the door. 686 00:32:49,600 --> 00:32:51,079 You take the car. 687 00:32:51,080 --> 00:32:54,120 ♪ (SOMBER MUSIC PLAYING) ♪ 688 00:32:59,920 --> 00:33:01,839 Well, come on, you scumbag! 689 00:33:01,840 --> 00:33:04,000 You want a photo? Come and bloody get one! 690 00:33:05,720 --> 00:33:09,239 (PANTING) 691 00:33:09,240 --> 00:33:12,080 (DISTANT SIREN BLARING) 692 00:33:16,840 --> 00:33:19,000 ♪ (“BAD GIRL” BY DEVENDRA BANHART PLAYING OVER SPEAKER) ♪ 693 00:33:29,520 --> 00:33:31,040 Just in case anyone asks. 694 00:33:33,440 --> 00:33:35,519 Just a couple more signatures? 695 00:33:35,520 --> 00:33:37,320 - Yeah. That's all it is. - CARLA: Yeah. 696 00:33:42,080 --> 00:33:43,200 Good idea. 697 00:33:44,160 --> 00:33:45,200 Bad idea. 698 00:33:46,800 --> 00:33:48,240 - Terrible. - Mm. 699 00:33:50,720 --> 00:33:54,719 ♪ Mama, I ain't waiting ♪ 700 00:33:54,720 --> 00:33:59,840 ♪ I ain't waiting But I'm still holding on ♪ 701 00:34:03,280 --> 00:34:06,679 ♪ Mama, I ain't waiting ♪ 702 00:34:06,680 --> 00:34:13,279 ♪ No, I ain't waiting But I'm still holding on ♪ 703 00:34:13,280 --> 00:34:15,519 ♪ Holding on, baby ♪ 704 00:34:15,520 --> 00:34:18,959 ♪ Mama, I ain't waiting ♪ 705 00:34:18,960 --> 00:34:24,839 ♪ No, I ain't waiting But I'm still holding on ♪ 706 00:34:24,840 --> 00:34:27,880 ♪ (SONG CONCLUDES) ♪ 707 00:34:29,280 --> 00:34:30,480 (JOHNNY GRUNTS) 708 00:34:38,440 --> 00:34:39,880 (CELL PHONE PINGS, BUZZES) 709 00:34:48,360 --> 00:34:49,760 (SIGHS) 710 00:34:57,680 --> 00:34:59,959 SERENA: (OVER VOICEMAIL) Carla, I'll have Grace call the journalist 711 00:34:59,960 --> 00:35:02,279 and explain just what Gabe means 712 00:35:02,280 --> 00:35:03,719 - to you, okay? - (SCOFFS) 713 00:35:03,720 --> 00:35:05,720 - SERENA: We can still turn this around-- - (CELL PHONE BEEPS) 714 00:35:07,800 --> 00:35:10,319 JOHNNY: "Gabriel Duval sweetly reaffirms unbreakable bond 715 00:35:10,320 --> 00:35:11,399 with adoptive father 716 00:35:11,400 --> 00:35:13,439 amid bohemian actress mother's frequent absence--" 717 00:35:13,440 --> 00:35:15,480 Thank you. I can read. 718 00:35:19,160 --> 00:35:21,920 "Too busy doing photo shoots to bother with her boy." 719 00:35:25,800 --> 00:35:29,199 ♪ (SOMBER MUSIC PLAYING) ♪ 720 00:35:29,200 --> 00:35:31,400 Was that the comments or the article itself? 721 00:35:32,000 --> 00:35:33,040 Does it matter? 722 00:35:39,240 --> 00:35:40,320 You were right. 723 00:35:42,280 --> 00:35:43,480 This was a bad idea. 724 00:35:56,400 --> 00:35:58,359 ♪ (INTENSE STRING MUSIC PLAYING) ♪ 725 00:35:58,360 --> 00:35:59,959 Mr. Smallwood is going to be delighted 726 00:35:59,960 --> 00:36:01,960 you've decided to drop in, Mr. Henderson. 727 00:36:05,440 --> 00:36:06,480 The fuck is he? 728 00:36:09,360 --> 00:36:11,359 I'm just not sure he was expecting you to arrive 729 00:36:11,360 --> 00:36:14,039 with such... enthusiasm. 730 00:36:14,040 --> 00:36:18,359 Did I tell you to use my son as a fucking prop? 731 00:36:18,360 --> 00:36:19,519 (EXHALES HEAVILY) 732 00:36:19,520 --> 00:36:21,559 - "Not good enough." - What? 733 00:36:21,560 --> 00:36:23,399 - "Fight back." - No, no, no, no. 734 00:36:23,400 --> 00:36:26,439 - "Do bloody something." - Yes, but not-like-fucking-that. 735 00:36:26,440 --> 00:36:28,399 You mustn't feel pressured into leaving 736 00:36:28,400 --> 00:36:29,560 the door open, Nicky. 737 00:36:32,320 --> 00:36:33,399 (DOOR SHUTS) 738 00:36:33,400 --> 00:36:35,639 Morgan, this is a PR war, 739 00:36:35,640 --> 00:36:38,519 and she was winning, outperforming you. 740 00:36:38,520 --> 00:36:41,359 I'm afraid that's not a smart enough response. 741 00:36:41,360 --> 00:36:43,479 Morgan, we heard you were in. 742 00:36:43,480 --> 00:36:46,359 I expect better for my money. 743 00:36:46,360 --> 00:36:49,279 You've been playing chicken with them all this time, 744 00:36:49,280 --> 00:36:50,559 and you thought they'd run. 745 00:36:50,560 --> 00:36:51,999 You thought they'd cave, but they haven't. 746 00:36:52,000 --> 00:36:53,679 They've called your bluff, and now you're going 747 00:36:53,680 --> 00:36:55,679 to have to fight them in the open in court, 748 00:36:55,680 --> 00:36:56,879 and you are nervous. 749 00:36:56,880 --> 00:37:00,080 - Morgan, we are relishing court. - Well, then get on with it. 750 00:37:02,840 --> 00:37:04,799 And get a decent barrister. 751 00:37:04,800 --> 00:37:06,559 I'm about to walk into a board meeting now 752 00:37:06,560 --> 00:37:08,799 full of people wondering why their boss is being paraded 753 00:37:08,800 --> 00:37:12,679 around in public like he's something off reality TV. 754 00:37:12,680 --> 00:37:15,120 So you'd rather not have taken back the advantage? 755 00:37:17,360 --> 00:37:19,920 - Final warning. - (DOOR OPENS) 756 00:37:23,160 --> 00:37:24,160 Well, go on. 757 00:37:26,120 --> 00:37:28,480 ♪ (LOW RIVETING MUSIC PLAYING) ♪ 758 00:37:33,240 --> 00:37:35,799 The asset schedule. Lock it, print it, send it. 759 00:37:35,800 --> 00:37:37,439 Tell them we see this as a fait accompli. 760 00:37:37,440 --> 00:37:38,720 Okay. Got it. 761 00:37:44,680 --> 00:37:46,480 (PRINTER WHIRS) 762 00:37:48,440 --> 00:37:50,320 ♪ (MUSIC BUILDS) ♪ 763 00:37:51,880 --> 00:37:54,999 - CARLA: I've spent my whole career... - ♪ (MUSIC TURNS TENSE) ♪ 764 00:37:55,000 --> 00:37:57,320 ...my whole adult life in the public eye. 765 00:38:00,120 --> 00:38:03,680 Facing comment and judgment and scrutiny. 766 00:38:05,280 --> 00:38:08,280 (PAPARAZZI CLAMORING) 767 00:38:10,240 --> 00:38:12,120 - ♪ (MUSIC STOPS) ♪ - CARLA: You know something? 768 00:38:15,360 --> 00:38:16,560 I can't do it anymore. 769 00:38:18,040 --> 00:38:19,360 I can't. I'm sorry. 770 00:38:21,320 --> 00:38:23,799 Carla, that all makes total sense. 771 00:38:23,800 --> 00:38:26,720 I think Nick should be here to hear me say this too. 772 00:38:30,240 --> 00:38:34,360 ♪ (INTENSE STRING MUSIC PLAYING) ♪ 773 00:38:46,920 --> 00:38:48,680 - ♪ (MUSIC ENDS) ♪ - Where is everyone? 774 00:38:51,400 --> 00:38:52,880 What about the board meeting? 775 00:38:55,000 --> 00:38:58,319 Morgan, there's somebody we'd like you to meet. 776 00:38:58,320 --> 00:38:59,480 He flew in last night. 777 00:39:00,280 --> 00:39:01,439 (SIGHS) 778 00:39:01,440 --> 00:39:03,000 It's not Michael Ancker, is it? 779 00:39:03,560 --> 00:39:04,959 Is he here? 780 00:39:04,960 --> 00:39:07,399 Just listen to what he has to say. 781 00:39:07,400 --> 00:39:09,120 Morgan, good to see you. 782 00:39:12,440 --> 00:39:13,879 As I understand it, Gillian and Eric 783 00:39:13,880 --> 00:39:15,520 are going to leave us to it. 784 00:39:22,520 --> 00:39:23,720 I'm a huge fan. 785 00:39:24,840 --> 00:39:26,280 Wish I could say the same. 786 00:39:28,720 --> 00:39:31,119 I don't know how it's reached this point. 787 00:39:31,120 --> 00:39:32,479 I mean, I know what's happened, 788 00:39:32,480 --> 00:39:33,919 how one thing has led to another, 789 00:39:33,920 --> 00:39:37,839 but I don't understand how you can start so in love, 790 00:39:37,840 --> 00:39:41,039 and end up so stuck, so humiliated, 791 00:39:41,040 --> 00:39:42,880 so determined to ruin each other. 792 00:39:43,880 --> 00:39:46,639 And that's why I-- I can't do it. 793 00:39:46,640 --> 00:39:48,600 I can't go to court. I'm sorry. 794 00:39:49,240 --> 00:39:50,760 I can't do it to Gabe. 795 00:39:52,160 --> 00:39:54,519 MICHAEL ANCKER: When a company like yours stops growing, Morgan, 796 00:39:54,520 --> 00:39:56,519 that's a major problem. 797 00:39:56,520 --> 00:39:58,999 When the truth about its CEO starts being played out 798 00:39:59,000 --> 00:40:00,239 - in public...? - The truth? 799 00:40:00,240 --> 00:40:02,360 My friend, that's a crisis. 800 00:40:04,120 --> 00:40:05,320 Morgan. 801 00:40:06,880 --> 00:40:09,680 Either your ex comes after your business, or I do. 802 00:40:10,760 --> 00:40:13,599 And I can do it in a way that keeps you rich. 803 00:40:13,600 --> 00:40:14,680 You've been misled. 804 00:40:15,360 --> 00:40:17,040 I can't sell to anyone. 805 00:40:17,800 --> 00:40:19,039 There's an injunction. 806 00:40:19,040 --> 00:40:20,720 Doesn't stop you agreeing a price. 807 00:40:22,280 --> 00:40:24,479 CARLA: Money never used to matter. 808 00:40:24,480 --> 00:40:27,120 (SIGHS) It was so easy at the beginning. 809 00:40:28,720 --> 00:40:30,639 I mean, I was exhausted, he was a mess, 810 00:40:30,640 --> 00:40:31,840 but we found each other. 811 00:40:32,840 --> 00:40:35,000 We spent a month in my cottage. 812 00:40:36,000 --> 00:40:39,359 We were so happy. We ate great food. 813 00:40:39,360 --> 00:40:41,880 We read poetry. (CHUCKLES) 814 00:40:43,600 --> 00:40:45,199 What was it? 815 00:40:45,200 --> 00:40:46,319 ♪ (POIGNANT MUSIC PLAYING) ♪ 816 00:40:46,320 --> 00:40:49,080 "To hail soft Zephyr as she goes. 817 00:40:49,920 --> 00:40:52,520 To fan the dew-drop from the rose." 818 00:40:55,360 --> 00:40:56,800 That's where I got the name. 819 00:40:57,920 --> 00:40:59,879 When I read him that poem, he didn't even 820 00:40:59,880 --> 00:41:01,559 - know what a Zephyr was. - Um... 821 00:41:01,560 --> 00:41:04,199 Sorry, I just want to make sure of something. 822 00:41:04,200 --> 00:41:05,720 The name, Zephyr. 823 00:41:06,720 --> 00:41:07,920 You came up with it? 824 00:41:08,760 --> 00:41:09,760 Yes. 825 00:41:12,840 --> 00:41:14,599 Oh, Carla. (CHUCKLES SOFTLY) 826 00:41:14,600 --> 00:41:16,439 ANCKER: It's your company. 827 00:41:16,440 --> 00:41:18,319 - Don't let her take it away. - ♪ (MUSIC GROWS TENSE) ♪ 828 00:41:18,320 --> 00:41:21,279 Let's you and I agree on a price right now. 829 00:41:21,280 --> 00:41:23,480 The market says Zephyr is worth one billion. 830 00:41:24,960 --> 00:41:26,680 My offer is two billion. 831 00:41:27,800 --> 00:41:29,919 - Sterling. - (SCOFFS) 832 00:41:29,920 --> 00:41:32,119 ANCKER: I have that money in a safe place 833 00:41:32,120 --> 00:41:34,400 that Carla's lawyers cannot access. 834 00:41:35,840 --> 00:41:37,400 Two billion, Morgan. 835 00:41:38,440 --> 00:41:39,520 Guaranteed. 836 00:41:40,640 --> 00:41:41,840 NICHOLAS: You're back in the game. 837 00:41:42,760 --> 00:41:44,199 If you created Zephyr together, 838 00:41:44,200 --> 00:41:46,079 then that's... It's the fruit of the marriage. 839 00:41:46,080 --> 00:41:48,039 - SERENA: Yeah, yeah. - NICHOLAS: We take that one fact 840 00:41:48,040 --> 00:41:50,639 to court, Carla, and we can get you half. 841 00:41:50,640 --> 00:41:51,879 Half of everything he gets. 842 00:41:51,880 --> 00:41:54,679 Do that now, and it's gone. 843 00:41:54,680 --> 00:41:56,239 Money's in a place she can't get it. 844 00:41:56,240 --> 00:41:58,880 Locked away. Guaranteed. 845 00:42:00,320 --> 00:42:02,399 SERENA: Look, I know you want to protect yourself 846 00:42:02,400 --> 00:42:04,039 and your child from scrutiny. 847 00:42:04,040 --> 00:42:05,919 We-- we absolutely understand that. 848 00:42:05,920 --> 00:42:08,479 But if you can just find the resolve 849 00:42:08,480 --> 00:42:11,919 to keep fighting, then you can protect his future. 850 00:42:11,920 --> 00:42:14,000 - Gabe's future. - And your own. 851 00:42:16,720 --> 00:42:18,479 ♪ (LOW RIVETING MUSIC PLAYING) ♪ 852 00:42:18,480 --> 00:42:19,520 What do you say? 853 00:42:22,920 --> 00:42:25,920 ♪ (MUSIC RISES) ♪ 854 00:42:27,600 --> 00:42:28,800 I say yes. 855 00:42:29,600 --> 00:42:30,760 I say... 856 00:42:33,560 --> 00:42:34,720 no. 857 00:42:37,040 --> 00:42:38,879 I say, let's do this. 858 00:42:38,880 --> 00:42:43,080 I say, get the fuck out of my office. 859 00:42:46,640 --> 00:42:49,519 - "Carla is nodding." - (CHUCKLES) "Carla is nodding." 860 00:42:49,520 --> 00:42:51,960 - Everybody's nodding. - (ALL CHUCKLE) 861 00:42:56,520 --> 00:42:59,520 ♪ (MUSIC SWELLING) ♪ 862 00:43:02,560 --> 00:43:05,000 ♪ (MUSIC FADES) ♪ 863 00:43:08,240 --> 00:43:09,359 MOLLY: Hey, Johnny. What do we say 864 00:43:09,360 --> 00:43:10,640 about you and the client? 865 00:43:12,280 --> 00:43:13,520 Never gonna happen. 866 00:43:15,720 --> 00:43:16,760 (SIGHS) 867 00:43:17,560 --> 00:43:19,240 Wait, I thought we took that out. 868 00:43:20,240 --> 00:43:23,199 Molly, this is the, uh, asset list from Cathcarts. 869 00:43:23,200 --> 00:43:25,279 It's got Ferrari Testarossa. Didn't you... 870 00:43:25,280 --> 00:43:26,440 I took that off. 871 00:43:28,080 --> 00:43:30,480 Serena gave me a bollocking, so I took it off. 872 00:43:32,840 --> 00:43:34,519 I did. 873 00:43:34,520 --> 00:43:37,680 Oh, I know. So then how the fuck did Cathcarts get that word? 874 00:43:40,800 --> 00:43:43,880 ♪ (“TROUBLE” BY BOB DYLAN PLAYING) ♪ 875 00:43:50,920 --> 00:43:53,000 ♪ Trouble in the city ♪ 876 00:43:55,200 --> 00:43:57,880 ♪ Trouble in the farm ♪ 877 00:43:59,480 --> 00:44:01,560 ♪ You got your rabbit's foot ♪ 878 00:44:03,760 --> 00:44:05,720 ♪ You got your good-luck charm ♪ 879 00:44:07,840 --> 00:44:12,720 ♪ But they can't help you none When it's trouble ♪ 880 00:44:16,000 --> 00:44:17,040 ♪ Trouble ♪ 881 00:44:20,200 --> 00:44:24,960 ♪ Trouble, trouble, trouble Nothing but trouble ♪ 882 00:44:25,480 --> 00:44:26,800 ♪ (SONG CONCLUDES) ♪