1 00:00:01,408 --> 00:00:04,491 (film reel clicking) 2 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.BZ 3 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.BZ 4 00:00:14,670 --> 00:00:16,770 - [Cop 1] Two more then I say we get something to eat. 5 00:00:16,770 --> 00:00:19,950 - Yeah? What are you thinking? - How about taking spot? 6 00:00:19,950 --> 00:00:20,783 - [Cop 2] I don't know. 7 00:00:20,783 --> 00:00:22,590 They changed the seasoning on their fries. 8 00:00:22,590 --> 00:00:24,390 They going with that Cajun crap now? 9 00:00:25,260 --> 00:00:27,150 Anyway, what do you think of the Irish place? 10 00:00:27,150 --> 00:00:29,610 - [Cop 1] Nah, they used too many onions. 11 00:00:29,610 --> 00:00:31,020 - Fair enough. 12 00:00:31,020 --> 00:00:32,820 Alright, how about you talk on this one? 13 00:00:32,820 --> 00:00:33,653 - Thanks. 14 00:00:35,598 --> 00:00:36,900 (knuckles rapping) 15 00:00:36,900 --> 00:00:38,670 Bayview Police. 16 00:00:38,670 --> 00:00:40,441 We're canvassing the neighborhood 17 00:00:40,441 --> 00:00:42,120 looking for a missing girl. 18 00:00:42,120 --> 00:00:43,670 Just wanna ask a few questions. 19 00:00:48,302 --> 00:00:50,385 I can't see Dick in here. 20 00:00:53,760 --> 00:00:55,410 - Yeah, everything's blacked out. 21 00:00:56,640 --> 00:00:58,440 That's pretty strange. 22 00:00:58,440 --> 00:01:00,060 You wanna take a look around back? 23 00:01:00,060 --> 00:01:01,410 - Real quick. - All right. 24 00:01:02,550 --> 00:01:04,313 - [Cop 1] Got an open door in front. 25 00:01:05,160 --> 00:01:06,900 - [Cop 2] That ain't good. 26 00:01:06,900 --> 00:01:08,043 - Bayview Police. 27 00:01:10,680 --> 00:01:11,513 Hello? 28 00:01:14,125 --> 00:01:15,210 (girl screaming) 29 00:01:15,210 --> 00:01:18,000 - Dispatch, got a possible 10-62, requesting backup. 30 00:01:18,000 --> 00:01:20,393 - [Dispatch] Ten four. Units in the area respond. 31 00:01:24,330 --> 00:01:25,163 - [Cop 1] Hey. 32 00:01:26,880 --> 00:01:28,580 Stack, stack, stack, stack, stack. 33 00:01:31,066 --> 00:01:33,566 (tense music) 34 00:01:35,005 --> 00:01:37,755 (heels clacking) 35 00:01:52,146 --> 00:01:53,760 (coughs) Fuck. You smell that? 36 00:01:53,760 --> 00:01:56,245 - [Cop 2] Yeah. Where's it coming from? 37 00:01:56,245 --> 00:01:57,078 Got blood. 38 00:02:01,111 --> 00:02:02,479 (climatic tense music) 39 00:02:02,479 --> 00:02:04,741 - [Cop 1] Jesus Christ. 40 00:02:04,741 --> 00:02:06,051 - [Cop 2] Over there. Over there. 41 00:02:06,051 --> 00:02:07,310 - [Cop 1] Lemme see your hands. 42 00:02:07,310 --> 00:02:08,782 - Put down the knife. - On your knees, motherfucker. 43 00:02:08,782 --> 00:02:10,129 - [Cop 2] Put down the knife. 44 00:02:10,129 --> 00:02:12,025 Put the God damn knife down. 45 00:02:12,025 --> 00:02:13,014 (blood squishing) 46 00:02:13,014 --> 00:02:15,514 (guns firing) 47 00:02:29,760 --> 00:02:30,900 - Welcome back, ghost hunters, 48 00:02:30,900 --> 00:02:33,870 to another spine chilling episode of "The Otherside." 49 00:02:33,870 --> 00:02:36,480 - For those of you who are just joining us, 50 00:02:36,480 --> 00:02:39,330 I'm Tony, your guide to the paranormal. 51 00:02:39,330 --> 00:02:42,330 - And I'm Amy, your navigator through the unknown. 52 00:02:42,330 --> 00:02:44,760 - Tonight we have something truly terrifying 53 00:02:44,760 --> 00:02:45,593 in store for you. 54 00:02:45,593 --> 00:02:47,730 - We're here at the infamous Lockwood house, 55 00:02:47,730 --> 00:02:49,980 home of one of the most grizzly murder sprees 56 00:02:49,980 --> 00:02:51,210 in recent history. 57 00:02:51,210 --> 00:02:53,730 - Not only are we entering this house, 58 00:02:53,730 --> 00:02:56,490 we are committed to stay the entire night, 59 00:02:56,490 --> 00:02:58,140 no matter what we encounter. 60 00:02:58,140 --> 00:02:59,040 - We might be the first 61 00:02:59,040 --> 00:03:00,600 and only ones to have been in this house 62 00:03:00,600 --> 00:03:03,360 since the night the killer lost his life. 63 00:03:03,360 --> 00:03:04,740 - So what are we gonna find? 64 00:03:04,740 --> 00:03:06,870 - Paranormal presence, lost souls, 65 00:03:06,870 --> 00:03:08,790 something more sinister? 66 00:03:08,790 --> 00:03:10,080 - Tune in and find out... 67 00:03:10,080 --> 00:03:12,093 - As we venture into the other side. 68 00:03:12,990 --> 00:03:15,120 Ever since I was little, (dramatic music) 69 00:03:15,120 --> 00:03:18,213 I could feel a connection with the paranormal. 70 00:03:19,590 --> 00:03:21,270 When I was growing up, 71 00:03:21,270 --> 00:03:24,333 I had numerous paranormal experiences within my house. 72 00:03:26,040 --> 00:03:27,663 Some people called it a curse, 73 00:03:29,550 --> 00:03:31,023 but I think it's a gift. 74 00:03:33,270 --> 00:03:36,273 And today, with the help of my team, 75 00:03:39,351 --> 00:03:41,730 I will use that gift to seek out 76 00:03:41,730 --> 00:03:43,713 and document the paranormal. 77 00:03:44,880 --> 00:03:48,147 Welcome to "The Otherside." 78 00:03:55,290 --> 00:03:56,550 - Alright, you ready? 79 00:03:56,550 --> 00:03:59,100 - Yeah. Everyone, please put your phones in the van. 80 00:03:59,100 --> 00:03:59,933 - Why? 81 00:03:59,933 --> 00:04:01,590 - Phones can mess with the readings. 82 00:04:01,590 --> 00:04:03,330 - Plus the service out here is garbage. 83 00:04:03,330 --> 00:04:04,163 - Yeah. 84 00:04:11,400 --> 00:04:13,830 - Tony, let me keep the keys. 85 00:04:13,830 --> 00:04:15,000 - Why? 86 00:04:15,000 --> 00:04:16,980 - In case I need to move the van. 87 00:04:16,980 --> 00:04:18,840 - So you can back it up into another tree? 88 00:04:18,840 --> 00:04:19,890 Fucking hilarious. 89 00:04:19,890 --> 00:04:20,840 - [Brad] Seriously. 90 00:04:22,050 --> 00:04:26,010 - I'll tell you what, if you need to move the van, radio me, 91 00:04:26,010 --> 00:04:28,170 I'll come out and I'll move it for you. 92 00:04:28,170 --> 00:04:30,270 I'll even show you which pedal means stop. 93 00:04:31,420 --> 00:04:32,253 Have fun. 94 00:04:41,850 --> 00:04:43,233 - Fuck this place. 95 00:04:45,987 --> 00:04:49,260 All right, losers, I'm looking good back here. 96 00:04:49,260 --> 00:04:50,493 Let's get started. 97 00:04:51,840 --> 00:04:54,540 - [Tony] It is way bigger than I thought it was gonna be. 98 00:04:54,540 --> 00:04:55,373 - [Amy] Yeah. 99 00:04:58,830 --> 00:05:01,740 - [Brad] All right, video monitors are set here. 100 00:05:01,740 --> 00:05:04,713 Camera feed looks good. We're all set up on my end. 101 00:05:05,760 --> 00:05:08,116 - [Tony] I know there's a few entrances, 102 00:05:08,116 --> 00:05:10,830 but most of them are boarded up unfortunately. 103 00:05:10,830 --> 00:05:13,890 - All right, time to find a way inside. 104 00:05:13,890 --> 00:05:15,600 Looks like the front is boarded up, 105 00:05:15,600 --> 00:05:17,880 but there might be a way in the back. 106 00:05:17,880 --> 00:05:18,713 - Perfect. 107 00:05:21,930 --> 00:05:23,860 Kate, let's not wander off, please. 108 00:05:34,927 --> 00:05:35,760 Okay. 109 00:06:05,308 --> 00:06:08,558 (cardboard door thuds) 110 00:06:20,658 --> 00:06:23,575 (soft tense music) 111 00:06:44,757 --> 00:06:46,950 - [Brad] All right, team, feeds are looking good. 112 00:06:46,950 --> 00:06:49,050 No audio or video interference. 113 00:06:49,050 --> 00:06:50,600 We're, we're set to keep going. 114 00:06:51,480 --> 00:06:52,980 - [Amy] This place is perfect. 115 00:06:53,850 --> 00:06:55,500 Damn, we got lucky with this one. 116 00:06:56,400 --> 00:06:59,283 - Yep. Creep value is definitely outta 10. 117 00:07:00,930 --> 00:07:03,660 They should have burned this place to the ground. 118 00:07:03,660 --> 00:07:05,760 - [Amy] It's set to be bulldozed next week. 119 00:07:05,760 --> 00:07:08,160 We're gonna be the last people inside this place. 120 00:07:08,160 --> 00:07:10,953 - Isn't that fitting for our final episode, huh, Amy? 121 00:07:12,330 --> 00:07:13,480 - [Kate] Fucking weird. 122 00:07:14,580 --> 00:07:17,253 - It's reproduction value. We can't complain. 123 00:07:18,960 --> 00:07:20,283 - So much energy here. 124 00:07:21,300 --> 00:07:23,310 - All right, good work, everybody, we're inside. 125 00:07:23,310 --> 00:07:26,370 Why don't we go ahead and head down to the basement. 126 00:07:26,370 --> 00:07:28,926 It looks like that's where everything happened. 127 00:07:28,926 --> 00:07:30,360 So it's where we're gonna start. 128 00:07:30,360 --> 00:07:31,683 - Copy that, van boy. 129 00:07:53,272 --> 00:07:56,189 (soft tense music) 130 00:08:08,891 --> 00:08:11,558 (door creaking) 131 00:08:13,260 --> 00:08:14,973 Holy shit, you guys, 132 00:08:16,413 --> 00:08:18,933 this is it. 133 00:08:18,933 --> 00:08:20,233 This is where it happened. 134 00:08:21,540 --> 00:08:23,192 - [Brad] Oh hell, yeah. 135 00:08:23,192 --> 00:08:24,690 Okay, let's get set up in that room for some Lester lore. 136 00:08:24,690 --> 00:08:25,773 That'll be perfect. 137 00:08:29,091 --> 00:08:30,540 - [Amy] Oh God, it stinks in here. 138 00:08:30,540 --> 00:08:31,373 - [Tony] Yep. 139 00:08:34,020 --> 00:08:36,630 A lot of nasty stuff happening in this room. 140 00:08:36,630 --> 00:08:38,040 - [Amy] Yeah. 141 00:08:38,040 --> 00:08:42,420 - All right, everything looks good set up in here. 142 00:08:42,420 --> 00:08:45,633 Coming in clear and audio is crisp. 143 00:08:47,130 --> 00:08:49,853 - [Tony] Yeah, maybe don't touch anything in here, guys. 144 00:08:52,500 --> 00:08:54,000 - [Amy] Wasn't planning on it. 145 00:08:56,400 --> 00:08:58,110 - [Brad] And we are clear to roll. 146 00:08:58,110 --> 00:09:00,030 So let's get started with the Lester segment. 147 00:09:00,030 --> 00:09:02,310 Okay, everybody? Lester segment. 148 00:09:02,310 --> 00:09:03,750 - We've made our way into the house 149 00:09:03,750 --> 00:09:06,240 and we were immediately drawn to this area. 150 00:09:06,240 --> 00:09:08,910 - This spot is where a six month reign of terror 151 00:09:08,910 --> 00:09:10,410 finally came to an end. 152 00:09:10,410 --> 00:09:12,150 - Lester Morgan was a recluse. 153 00:09:12,150 --> 00:09:14,760 He kept to himself, but that all changed. 154 00:09:14,760 --> 00:09:17,520 - Starting in May, Lester abducted his first victim. 155 00:09:17,520 --> 00:09:19,395 - Ashley McKenna was walking home from work 156 00:09:19,395 --> 00:09:22,650 when Lester pulled up in a van, drugged her, and took off. 157 00:09:22,650 --> 00:09:24,510 - And this shocked the local townspeople 158 00:09:24,510 --> 00:09:27,270 because it seemed like she just disappeared overnight. 159 00:09:27,270 --> 00:09:30,180 - But it didn't stop there, another girl went missing. 160 00:09:30,180 --> 00:09:32,160 Then another and another. 161 00:09:32,160 --> 00:09:33,780 - This sparked a statewide manhunt 162 00:09:33,780 --> 00:09:37,110 as one of the most high profile abduction cases in history. 163 00:09:37,110 --> 00:09:40,290 - Police were baffled. The town was on edge. 164 00:09:40,290 --> 00:09:42,030 - [Tony] And the horror finally came to an end 165 00:09:42,030 --> 00:09:43,950 one cold October night. 166 00:09:43,950 --> 00:09:45,960 - Two police officers canvassing the area, 167 00:09:45,960 --> 00:09:48,180 entered the house after hearing a scream, 168 00:09:48,180 --> 00:09:51,243 - They came to this very corner and ended his life. 169 00:09:52,230 --> 00:09:53,910 We are standing in the exact spot 170 00:09:53,910 --> 00:09:55,713 where Lester took his last breaths. 171 00:09:56,700 --> 00:09:57,810 - [Brad] Great work, everybody. 172 00:09:57,810 --> 00:09:59,700 That is a wrap on the intro scene. 173 00:09:59,700 --> 00:10:01,680 Let's go ahead and grab the camera equipment 174 00:10:01,680 --> 00:10:03,430 and go ahead and explore the house. 175 00:10:22,080 --> 00:10:24,240 Cameras one through four are live. 176 00:10:24,240 --> 00:10:26,220 Let's go ahead and set up a REM pod in the living room 177 00:10:26,220 --> 00:10:28,013 and get started on the ghost hunting. 178 00:10:30,900 --> 00:10:33,900 (REM pod whistling) 179 00:10:35,559 --> 00:10:36,900 All right, REM pod is set. 180 00:10:36,900 --> 00:10:38,903 Let's keep going though, don't slow down. 181 00:10:41,330 --> 00:10:44,640 - [Tony] This guy definitely was serious about his mirrors. 182 00:10:44,640 --> 00:10:46,640 - [Amy] Yeah, you can say that for sure. 183 00:10:50,280 --> 00:10:51,180 - [Tony] You know, 184 00:10:52,865 --> 00:10:57,063 I was thinking that if this episode takes off, 185 00:10:58,500 --> 00:11:01,980 I don't know, maybe we can do another season or... 186 00:11:01,980 --> 00:11:04,073 - Tony, can we not talk about this right now? 187 00:11:26,790 --> 00:11:28,226 - [Brad] Perfect. 188 00:11:28,226 --> 00:11:30,840 Let's set up here and go through how Lester snapped. 189 00:11:30,840 --> 00:11:32,970 - So what made Lester snap? 190 00:11:32,970 --> 00:11:36,120 - Why would a relatively normal man just go crazy? 191 00:11:36,120 --> 00:11:38,700 - A man with no criminal history or violent past, 192 00:11:38,700 --> 00:11:40,980 seemingly the perfect citizen. 193 00:11:40,980 --> 00:11:42,150 - The police reports indicated 194 00:11:42,150 --> 00:11:46,200 that leading up to the abductions, Lester was acting manic. 195 00:11:46,200 --> 00:11:48,990 - He would talk to himself or to another person 196 00:11:48,990 --> 00:11:50,880 as if there was a presence he could see, 197 00:11:50,880 --> 00:11:52,710 something insidious. 198 00:11:52,710 --> 00:11:56,970 - Was this presence telling him to do these evil things? 199 00:11:56,970 --> 00:11:59,554 - And the obsession with mirrors? 200 00:11:59,554 --> 00:12:01,380 - A gateway to the afterlife? 201 00:12:01,380 --> 00:12:03,060 - It was rumored that he kept them all covered 202 00:12:03,060 --> 00:12:04,320 since he didn't wanna see himself 203 00:12:04,320 --> 00:12:06,060 committing these heinous acts. 204 00:12:06,060 --> 00:12:07,923 - So then why have mirrors at all? 205 00:12:09,030 --> 00:12:11,970 Was there something more paranormal at play? 206 00:12:11,970 --> 00:12:14,880 - REM pod, Rem pod above the fireplace, it's going nuts. 207 00:12:14,880 --> 00:12:17,280 - That's the REM pod. It's picking something up. 208 00:12:19,063 --> 00:12:22,063 (REM pod whistling) 209 00:12:23,310 --> 00:12:24,453 - Lester, is that you? 210 00:12:27,360 --> 00:12:28,860 If you're here with us, 211 00:12:28,860 --> 00:12:30,750 do me a favor and touch this little device. 212 00:12:30,750 --> 00:12:33,150 It'll let us know you're trying to make contact. 213 00:12:38,100 --> 00:12:38,933 Fuck. 214 00:12:44,430 --> 00:12:46,710 If that was you setting off the REM pod, 215 00:12:46,710 --> 00:12:48,393 can you please do it again? 216 00:12:51,300 --> 00:12:54,933 Or you can give us a knock, move something, touch one of us. 217 00:12:56,400 --> 00:12:57,753 We're not here to hurt you, 218 00:12:59,917 --> 00:13:02,303 we just wanna know what's going on in this house. 219 00:13:10,384 --> 00:13:12,757 (glass shatters) 220 00:13:12,757 --> 00:13:17,207 - Jesus Christ, are you guys all right? 221 00:13:17,207 --> 00:13:18,826 - [Tony] Everybody good? 222 00:13:18,826 --> 00:13:20,293 - [Amy] Yeah. What the fuck was that? 223 00:13:24,106 --> 00:13:25,862 - [Tony] Where did that even come from? 224 00:13:25,862 --> 00:13:27,612 - [Amy] I don't know. 225 00:13:31,552 --> 00:13:32,385 - God. 226 00:13:39,450 --> 00:13:40,713 Maybe Lester is here. 227 00:13:45,180 --> 00:13:46,803 - [Brad] Great, team. 228 00:13:46,803 --> 00:13:48,211 Okay, let's get the rest of the equipment out, 229 00:13:48,211 --> 00:13:49,073 put it in the house. 230 00:13:49,073 --> 00:13:51,302 I think the kitchen would be the best place to store it. 231 00:13:51,302 --> 00:13:53,790 (case thuds) 232 00:13:53,790 --> 00:13:55,980 - All right, make sure you have your camera 233 00:13:55,980 --> 00:13:57,210 and the EMF readers. 234 00:13:57,210 --> 00:13:58,043 - [Kate] Got it. 235 00:13:58,043 --> 00:13:59,280 - Oh, and keep the Polaroid on hand. 236 00:13:59,280 --> 00:14:01,170 We're gonna need it soon. - Okay. 237 00:14:01,170 --> 00:14:03,540 And make sure you stay outta Tony's way. 238 00:14:03,540 --> 00:14:05,160 He doesn't really have much patience anymore, 239 00:14:05,160 --> 00:14:07,650 and he gets frustrated if we have to cut. 240 00:14:07,650 --> 00:14:08,483 - Of course. 241 00:14:08,483 --> 00:14:10,140 I'm just super excited for this opportunity. 242 00:14:10,140 --> 00:14:13,170 I have been a big fan for so long. 243 00:14:13,170 --> 00:14:14,250 - Well, good. 244 00:14:14,250 --> 00:14:16,650 There's been a lack of excitement around here recently, 245 00:14:16,650 --> 00:14:18,870 so hopefully you can change that. 246 00:14:18,870 --> 00:14:20,820 If you need any help, just let me know. 247 00:14:20,820 --> 00:14:21,780 If you do well here tonight, 248 00:14:21,780 --> 00:14:24,394 I think I'll have another opportunity for you in the future. 249 00:14:24,394 --> 00:14:25,227 - [Kate] Okay. 250 00:14:25,227 --> 00:14:26,543 - Come on, Dylan, let's get some B roll. 251 00:14:40,621 --> 00:14:42,823 (floorboard creaking) 252 00:14:42,823 --> 00:14:47,823 - [Kate] Amy? 253 00:14:51,303 --> 00:14:56,303 Amy, is that you? 254 00:14:56,331 --> 00:14:57,164 Amy? 255 00:15:01,943 --> 00:15:03,474 Amy? 256 00:15:03,474 --> 00:15:05,430 (climatic sharp music) 257 00:15:05,430 --> 00:15:06,960 - Holy fuck. 258 00:15:06,960 --> 00:15:09,203 - [Amy] I heard screaming. What the fuck is that? 259 00:15:12,360 --> 00:15:13,260 - Let me show you. 260 00:15:17,618 --> 00:15:21,030 Okay, so horrible room. 261 00:15:21,030 --> 00:15:22,290 - [Amy] Right. 262 00:15:22,290 --> 00:15:23,223 - Mannequins. 263 00:15:25,800 --> 00:15:29,580 If you come over here though, that's the best part. 264 00:15:29,580 --> 00:15:30,413 Ready? 265 00:15:32,970 --> 00:15:34,950 Take a look at this guy. 266 00:15:34,950 --> 00:15:37,200 - [Amy] What's the deal with all these masks? 267 00:15:37,200 --> 00:15:38,370 - Well, police thought it was similar 268 00:15:38,370 --> 00:15:39,843 to the mirror thing, right? 269 00:15:40,740 --> 00:15:41,610 Wear a mask, 270 00:15:41,610 --> 00:15:44,550 it's almost like you're not the one doing the killings. 271 00:15:44,550 --> 00:15:45,383 - [Amy] Huh. 272 00:15:53,730 --> 00:15:56,239 - Also, I think I have a plan. 273 00:15:56,239 --> 00:15:57,072 - Okay? 274 00:15:57,072 --> 00:15:59,160 - Now, Lester, he liked younger women, right? 275 00:16:00,210 --> 00:16:03,420 So what we do is we use Kate as bait, right? 276 00:16:03,420 --> 00:16:04,860 We have her out in the open, 277 00:16:04,860 --> 00:16:06,633 and then maybe Lester will show up. 278 00:16:08,160 --> 00:16:10,473 - Tony, can you not joke around about shit like that? 279 00:16:10,473 --> 00:16:11,940 - Amy? I just... 280 00:16:11,940 --> 00:16:13,470 Why is she even here? 281 00:16:13,470 --> 00:16:15,180 Does she not know it's the last episode? 282 00:16:15,180 --> 00:16:17,250 - Ah, don't ruin her night. 283 00:16:17,250 --> 00:16:19,590 Okay, she's a huge fan of ours. 284 00:16:19,590 --> 00:16:22,790 You should just go and talk to her. 285 00:16:22,790 --> 00:16:25,083 Come on, do it for me, please. 286 00:16:29,220 --> 00:16:30,627 - [Tony] Fine. 287 00:16:30,627 --> 00:16:35,627 - Thank you. 288 00:16:42,740 --> 00:16:44,190 - So I hear you're a big fan. 289 00:16:45,607 --> 00:16:47,437 - Yeah. 290 00:16:47,437 --> 00:16:48,270 - Cool. 291 00:16:49,550 --> 00:16:51,376 So you must be pretty bummed out 292 00:16:51,376 --> 00:16:53,790 that the show's ending then, huh? 293 00:16:53,790 --> 00:16:55,080 - The, the show's ending? 294 00:16:55,080 --> 00:16:56,783 What do you mean the show's ending? 295 00:16:59,027 --> 00:17:01,230 - You know, if you say Lester's name 296 00:17:01,230 --> 00:17:02,370 in the mirror three times, 297 00:17:02,370 --> 00:17:04,070 he'll show up and he will get you. 298 00:17:05,280 --> 00:17:08,010 - He's a serial killer. He's not Bloody Mary. 299 00:17:08,010 --> 00:17:10,830 - [Tony] Okay, let's test that theory then. 300 00:17:10,830 --> 00:17:12,750 Lester. 301 00:17:12,750 --> 00:17:14,340 Lester! 302 00:17:14,340 --> 00:17:16,290 - All right, Kate, come help me set up. 303 00:17:21,360 --> 00:17:24,083 This is not what I had in mind when I said talk to her. 304 00:17:37,020 --> 00:17:37,853 - Lester. 305 00:17:41,630 --> 00:17:45,213 - Fuck. (keyboard clacking) 306 00:17:54,451 --> 00:17:57,960 I'm getting interference here, hold on a sec. 307 00:17:57,960 --> 00:17:59,280 Alright, that's enough of that. 308 00:17:59,280 --> 00:18:00,390 Let's move on to the next segment. 309 00:18:00,390 --> 00:18:01,690 We gotta keep moving here. 310 00:18:08,280 --> 00:18:10,062 You guys hear that? 311 00:18:10,062 --> 00:18:12,480 (toy clanging) 312 00:18:12,480 --> 00:18:14,970 There's some sort of audio interference. 313 00:18:14,970 --> 00:18:17,093 Katie and Dylan, can you go check that out? 314 00:18:18,750 --> 00:18:21,833 (clanging continues) 315 00:18:40,410 --> 00:18:42,390 That's very funny, guys, can we please keep moving? 316 00:18:42,390 --> 00:18:43,983 Stop with the fucking jokes. 317 00:18:52,710 --> 00:18:54,660 - [Dylan] Dude, don't touch that. 318 00:18:54,660 --> 00:18:57,393 - What? It's a souvenir for Bradley. 319 00:18:59,340 --> 00:19:00,173 No? 320 00:19:01,050 --> 00:19:03,633 Okay. 321 00:19:09,420 --> 00:19:11,160 - All right, now's a good time to get set up 322 00:19:11,160 --> 00:19:12,300 with the LED lights. 323 00:19:12,300 --> 00:19:15,960 Let's get the Falcon eyes, the EMF reader, and the Polaroid, 324 00:19:15,960 --> 00:19:16,960 and let's get ready. 325 00:19:17,820 --> 00:19:18,990 - [Amy] All right, we're gonna need the cameras 326 00:19:18,990 --> 00:19:19,823 to get set up. 327 00:19:20,780 --> 00:19:22,030 - Okay, got it. 328 00:19:26,303 --> 00:19:28,560 This is so sick. 329 00:19:28,560 --> 00:19:29,433 What the fuck? 330 00:19:30,510 --> 00:19:31,920 - [Brad] Hey. 331 00:19:31,920 --> 00:19:32,970 Hey, hey guys. 332 00:19:32,970 --> 00:19:34,800 Guys, I lost the light here. 333 00:19:34,800 --> 00:19:35,850 I think the batteries are dead. 334 00:19:35,850 --> 00:19:37,980 Dylan, go and check the D-tap. 335 00:19:37,980 --> 00:19:39,900 - [Kate] Can you guys hurry up? 336 00:19:39,900 --> 00:19:42,300 - [Brad] Dylan is on it. Just give him a second. 337 00:19:43,260 --> 00:19:46,210 - [Kate] I can't see anything down here. I don't like this. 338 00:19:48,827 --> 00:19:50,550 - [Amy] Come on, Kate, hurry up, we're ready. 339 00:19:50,550 --> 00:19:51,383 - [Kate] I'm coming. 340 00:19:53,040 --> 00:19:56,040 - Okay, start the Polaroid segment. Move to the living room. 341 00:19:56,040 --> 00:19:58,530 That's where we're gonna get the best stuff. 342 00:19:58,530 --> 00:20:00,570 - Tonight we have a special piece of equipment 343 00:20:00,570 --> 00:20:02,010 for our investigation. 344 00:20:02,010 --> 00:20:03,600 - Alongside our digital gear, 345 00:20:03,600 --> 00:20:05,963 we're bringing back a classic, the Polaroid camera. 346 00:20:05,963 --> 00:20:08,793 - Now you might be wondering why use an old school Polaroid 347 00:20:08,793 --> 00:20:11,640 when we have all this high tech gear? 348 00:20:11,640 --> 00:20:14,040 - Well, the Polaroid camera holds a unique place 349 00:20:14,040 --> 00:20:15,660 in paranormal investigations. 350 00:20:15,660 --> 00:20:18,870 It's about capturing instant physical evidence. 351 00:20:18,870 --> 00:20:19,830 - See, with digital cameras, 352 00:20:19,830 --> 00:20:21,930 there's always the risk of technical errors 353 00:20:21,930 --> 00:20:24,840 or doubts and authenticity. 354 00:20:24,840 --> 00:20:28,020 With the Polaroid, what you see is what you get. 355 00:20:28,020 --> 00:20:30,420 A photo develops right in your hand. 356 00:20:30,420 --> 00:20:31,800 - And there's more to it. 357 00:20:31,800 --> 00:20:33,600 The instant film process of a Polaroid 358 00:20:33,600 --> 00:20:35,400 can sometimes capture energy forms 359 00:20:35,400 --> 00:20:38,190 and spectral phenomena that a digital camera might miss. 360 00:20:38,190 --> 00:20:39,660 - And this is because the Polaroid 361 00:20:39,660 --> 00:20:42,000 is sensitive to different light spectra, 362 00:20:42,000 --> 00:20:44,820 possibly even beyond our normal vision, 363 00:20:44,820 --> 00:20:48,360 almost like a window into the unseen. 364 00:20:48,360 --> 00:20:51,480 - So tonight, this Polaroid is going to be our tangible link 365 00:20:51,480 --> 00:20:52,590 to the paranormal. 366 00:20:52,590 --> 00:20:54,000 Who knows what we might capture 367 00:20:54,000 --> 00:20:56,370 on this little piece of history? 368 00:20:56,370 --> 00:20:57,720 - [Brad] Great work on the Polaroids. 369 00:20:57,720 --> 00:20:58,830 Keep snapping pictures. 370 00:20:58,830 --> 00:21:00,780 Let's try and capture something spooky. 371 00:21:02,160 --> 00:21:04,993 (camera whirring) 372 00:21:10,491 --> 00:21:13,324 (camera whirring) 373 00:21:23,200 --> 00:21:26,033 (camera whirring) 374 00:21:32,430 --> 00:21:35,263 (camera whirring) 375 00:21:40,949 --> 00:21:43,410 (camera whirring) 376 00:21:43,410 --> 00:21:44,850 Great, yeah, keep checking the footage. 377 00:21:44,850 --> 00:21:46,110 See if we got anything cool. 378 00:21:46,110 --> 00:21:48,183 Anything real, anything we can use. 379 00:21:50,880 --> 00:21:52,050 - Anything? 380 00:21:52,050 --> 00:21:52,983 - Not really. 381 00:21:57,420 --> 00:21:59,050 What the hell? 382 00:21:59,050 --> 00:21:59,883 - What? 383 00:22:00,960 --> 00:22:01,793 - The mirror. 384 00:22:01,793 --> 00:22:04,743 There's, there's a shadow or something. 385 00:22:06,990 --> 00:22:09,180 - [Tony] It could just be bad film. 386 00:22:09,180 --> 00:22:11,063 - [Amy] I don't think it was the lighting. 387 00:22:31,180 --> 00:22:32,013 - [Tony] Ah! 388 00:22:32,013 --> 00:22:33,480 What the fuck? 389 00:22:33,480 --> 00:22:34,650 - [Amy] What happened? 390 00:22:34,650 --> 00:22:37,413 - [Tony] Just cut my finger on something. Oh. 391 00:22:38,460 --> 00:22:39,653 - [Amy] I think you'll live. 392 00:22:58,086 --> 00:23:00,150 - [Brad] All right, one through five are live for us, 393 00:23:00,150 --> 00:23:02,580 but six is kind of bugging out. 394 00:23:02,580 --> 00:23:04,050 Dylan, go up there and check it out 395 00:23:04,050 --> 00:23:05,550 and tell me what to find. 396 00:23:05,550 --> 00:23:06,533 - [Dylan] I'm on it. 397 00:23:13,140 --> 00:23:15,420 Stupid fucking cord's loose. 398 00:23:15,420 --> 00:23:16,977 How about now? 399 00:23:16,977 --> 00:23:17,910 (static buzzing) 400 00:23:17,910 --> 00:23:20,520 - [Brad] There's still nothing there, Dylan. 401 00:23:20,520 --> 00:23:23,070 - [Dylan] Nah man, it's this fucking cord. Hold on. 402 00:23:23,910 --> 00:23:24,743 - Alright, cool. 403 00:23:24,743 --> 00:23:26,160 Just see if you can gaff tape it. 404 00:23:31,920 --> 00:23:33,510 Yep, you got it. Good job. 405 00:23:33,510 --> 00:23:35,210 Let's move on to the next segment. 406 00:23:40,320 --> 00:23:43,500 Time to introduce the spirit box, everybody. 407 00:23:43,500 --> 00:23:45,030 - Tonight we're going to introduce you 408 00:23:45,030 --> 00:23:46,560 to one of the most fascinating tools 409 00:23:46,560 --> 00:23:49,800 in our paranormal investigation arsenal, the spirit box. 410 00:23:49,800 --> 00:23:52,200 - Now, this little gadget might not look like much, 411 00:23:52,200 --> 00:23:54,060 but it's incredibly important. 412 00:23:54,060 --> 00:23:55,500 The spirit box was designed 413 00:23:55,500 --> 00:23:58,560 to rapidly scan through radio frequencies. 414 00:23:58,560 --> 00:24:00,390 - The idea behind it is based on the theory 415 00:24:00,390 --> 00:24:02,340 that spirits can manipulate these frequencies 416 00:24:02,340 --> 00:24:04,080 to create words and sentences, 417 00:24:04,080 --> 00:24:06,810 essentially communicating with us from the other side. 418 00:24:06,810 --> 00:24:08,550 - As it scans through these frequencies, 419 00:24:08,550 --> 00:24:12,300 you'll hear a mix of white noise and normal broadcasts, 420 00:24:12,300 --> 00:24:14,970 but occasionally, a clear voice will break through. 421 00:24:14,970 --> 00:24:16,680 And that's what we're listening for, 422 00:24:16,680 --> 00:24:18,720 potential communication from spirits. 423 00:24:18,720 --> 00:24:20,400 - And the most exciting part, 424 00:24:20,400 --> 00:24:21,720 sometimes these messages 425 00:24:21,720 --> 00:24:23,550 are direct responses to our questions, 426 00:24:23,550 --> 00:24:25,170 making it a two-way communication 427 00:24:25,170 --> 00:24:26,940 with whatever might be out there. 428 00:24:26,940 --> 00:24:29,010 - And it's not just radio snippets, 429 00:24:29,010 --> 00:24:30,180 we're looking for relevance. 430 00:24:30,180 --> 00:24:32,040 We're looking for answers to our questions. 431 00:24:32,040 --> 00:24:34,620 Anything out of the ordinary from your natural 432 00:24:34,620 --> 00:24:36,360 or normal radio chatter. 433 00:24:36,360 --> 00:24:38,070 - It's an essential tool for us. 434 00:24:38,070 --> 00:24:39,840 Tonight, we're hoping the spirit box 435 00:24:39,840 --> 00:24:43,537 can help us uncover the mysteries hidden within these walls. 436 00:24:43,537 --> 00:24:46,537 (keyboard clacking) 437 00:24:48,007 --> 00:24:51,007 (plastic crackling) 438 00:25:03,417 --> 00:25:08,084 Now, let's calibrate it and start asking some questions. 439 00:25:11,247 --> 00:25:12,330 (static buzzing) 440 00:25:12,330 --> 00:25:13,923 Is there anyone here with us? 441 00:25:18,047 --> 00:25:20,873 - If you're here now, can you give us a sign? 442 00:25:23,250 --> 00:25:24,083 - What the hell? 443 00:25:25,620 --> 00:25:27,470 - You're gotta be fucking kidding me. 444 00:25:28,707 --> 00:25:30,510 I just put batteries in this thing. 445 00:25:30,510 --> 00:25:31,710 Dylan, can I get your... 446 00:25:36,377 --> 00:25:37,950 (high pitched radio wave whistling) 447 00:25:37,950 --> 00:25:39,603 Jesus. Fucking thing. 448 00:25:43,080 --> 00:25:44,640 - [Brad] Well, what the fuck was that? 449 00:25:44,640 --> 00:25:47,390 I can't tell if that's radio interference or something. 450 00:25:49,817 --> 00:25:54,817 (indistinct distorted voice talking) 451 00:25:54,900 --> 00:25:56,150 - Who are we speaking to? 452 00:25:57,169 --> 00:25:59,078 Identify yourself. 453 00:25:59,078 --> 00:26:03,661 (indistinct distorted voice continues) 454 00:26:07,470 --> 00:26:09,750 - No, it's not coming from any of our equipment. 455 00:26:09,750 --> 00:26:11,517 Are you guys doing something? 456 00:26:15,649 --> 00:26:18,316 (loud knocking) 457 00:26:27,177 --> 00:26:29,272 Everybody hears the knocking, right? 458 00:26:29,272 --> 00:26:31,403 - [Amy] What's doing that? 459 00:26:31,403 --> 00:26:35,009 (loud knocking continues) 460 00:26:35,009 --> 00:26:37,923 - It's coming from in there. 461 00:26:37,923 --> 00:26:41,506 (static continues buzzing) 462 00:27:09,491 --> 00:27:10,324 Anything? 463 00:27:12,779 --> 00:27:14,362 - It's very creepy. 464 00:27:15,523 --> 00:27:17,856 - It's cold as fuck in here. 465 00:27:22,563 --> 00:27:26,411 - [Tony] Lester, if that was you knocking, 466 00:27:26,411 --> 00:27:27,811 can you do it one more time? 467 00:27:31,723 --> 00:27:33,473 That way we know for sure it's you. 468 00:27:34,522 --> 00:27:38,105 (static continues buzzing) 469 00:27:39,523 --> 00:27:42,856 (loud knocking resumes) 470 00:28:23,542 --> 00:28:24,625 - Fuck, yeah. 471 00:28:31,523 --> 00:28:33,782 - How you holding up? You okay? 472 00:28:33,782 --> 00:28:34,615 - Yeah. 473 00:28:36,123 --> 00:28:37,623 It's, it's just... 474 00:28:39,320 --> 00:28:40,173 Is this normal? 475 00:28:43,110 --> 00:28:45,660 I've, I've watched all your videos 476 00:28:45,660 --> 00:28:48,513 and I've never seen anything like this before. 477 00:28:49,890 --> 00:28:52,950 - Yeah, this place is different. 478 00:28:52,950 --> 00:28:55,113 It has another level of energy, 479 00:28:56,010 --> 00:28:57,483 dark energy. 480 00:28:59,010 --> 00:29:01,059 - But we're not in any danger, are we? 481 00:29:01,059 --> 00:29:03,392 - [Tony] Break's over, guys? 482 00:29:07,800 --> 00:29:10,104 - [Brad] Alright, come on, let's get back to work. 483 00:29:10,104 --> 00:29:11,550 We've only got seven hours until sunrise. 484 00:29:11,550 --> 00:29:14,338 Everything looks good. All set up. 485 00:29:14,338 --> 00:29:15,840 Equipment has enough battery. 486 00:29:15,840 --> 00:29:17,747 We really need to get rolling though. 487 00:29:19,027 --> 00:29:21,657 Tony, could you do like a little bit more for me? 488 00:29:21,657 --> 00:29:23,970 Put a little bit more into it. 489 00:29:23,970 --> 00:29:25,387 - I'm sorry, what? 490 00:29:25,387 --> 00:29:26,730 What do you, what do you mean a bit more? 491 00:29:26,730 --> 00:29:29,580 - Act better. Like, I need more emotion. 492 00:29:29,580 --> 00:29:31,830 The footage is great. It's great. 493 00:29:31,830 --> 00:29:34,770 Except for, except for you. 494 00:29:34,770 --> 00:29:38,073 - You know what, Brad, you want to come in here and do this? 495 00:29:39,840 --> 00:29:41,163 - I will if I have to. 496 00:29:42,060 --> 00:29:43,960 Damn sure do it better than you would. 497 00:29:45,030 --> 00:29:46,260 - Just keep your eyes on the monitors 498 00:29:46,260 --> 00:29:47,910 and leave it to the fucking pros. 499 00:29:50,820 --> 00:29:52,023 Fucking nerd. 500 00:30:07,470 --> 00:30:08,703 Kate? 501 00:30:10,749 --> 00:30:11,823 - Yeah? Coming. 502 00:30:18,750 --> 00:30:20,170 What's up? 503 00:30:20,170 --> 00:30:22,193 - [Tony] What? What? What are you, what are you doing? 504 00:30:23,599 --> 00:30:25,523 - I'm just setting up the lights like you told me to. 505 00:30:26,940 --> 00:30:30,090 - You still playing with that nose? You should put it back. 506 00:30:30,090 --> 00:30:32,820 Don't mess with the stuff in this house. 507 00:30:32,820 --> 00:30:34,703 Come on, we're almost done setting up. 508 00:30:37,980 --> 00:30:39,233 - What? What are we doing next? 509 00:30:41,850 --> 00:30:44,600 - It's time to find out whose presence is here with us. 510 00:30:45,720 --> 00:30:48,420 - It is time for our fan favorite now, everyone, 511 00:30:48,420 --> 00:30:49,710 the Ouija board. 512 00:30:49,710 --> 00:30:50,613 Let's get started. 513 00:31:11,220 --> 00:31:12,420 All right, all the cameras are set up. 514 00:31:12,420 --> 00:31:15,489 Whenever you guys are ready, let's start the Ouija board. 515 00:31:15,489 --> 00:31:17,340 - All right, now we are going to try to communicate 516 00:31:17,340 --> 00:31:19,140 with the spirits in this house. 517 00:31:19,140 --> 00:31:20,640 This can be extremely dangerous 518 00:31:20,640 --> 00:31:23,820 as we don't know exactly who we are going to be speaking to, 519 00:31:23,820 --> 00:31:27,660 the victims of this house or Lester himself. 520 00:31:27,660 --> 00:31:29,520 - We have to be very careful. 521 00:31:29,520 --> 00:31:31,560 Don't try this at home. 522 00:31:31,560 --> 00:31:32,880 We are seasoned professionals. 523 00:31:32,880 --> 00:31:35,700 - We understand how to properly communicate with spirits. 524 00:31:35,700 --> 00:31:38,010 - But if you wish to attempt this on your own, 525 00:31:38,010 --> 00:31:39,960 you have to remember when you end the session, 526 00:31:39,960 --> 00:31:41,160 just say goodbye. 527 00:31:41,160 --> 00:31:44,100 - If you fail to say goodbye, the gateway remains open, 528 00:31:44,100 --> 00:31:46,380 and you are inviting the spirit into this realm 529 00:31:46,380 --> 00:31:48,000 until you close it. 530 00:31:48,000 --> 00:31:49,590 - Got it? 531 00:31:49,590 --> 00:31:50,423 Good. 532 00:31:51,390 --> 00:31:52,223 Let's begin. 533 00:31:59,100 --> 00:32:00,540 - Are there any spirits in this room 534 00:32:00,540 --> 00:32:02,693 that would like to make their presence known? 535 00:32:06,300 --> 00:32:08,940 - Are there any victims whose lives were taken from them 536 00:32:08,940 --> 00:32:10,323 who wish to communicate? 537 00:32:14,640 --> 00:32:15,900 - It may take them a while 538 00:32:15,900 --> 00:32:18,300 to become comfortable with our presence. 539 00:32:18,300 --> 00:32:19,950 These victims are most likely confused 540 00:32:19,950 --> 00:32:21,720 due to the violent nature of their deaths. 541 00:32:21,720 --> 00:32:24,510 - It's possible they're stuck in what we call the nether, 542 00:32:24,510 --> 00:32:27,060 a realm between life and death. 543 00:32:27,060 --> 00:32:28,200 - Is there anyone here 544 00:32:28,200 --> 00:32:30,100 who would like to communicate with us? 545 00:32:44,580 --> 00:32:45,413 Did you move it? 546 00:32:46,620 --> 00:32:47,453 - No. 547 00:32:50,353 --> 00:32:51,303 Are you a victim? 548 00:32:57,720 --> 00:32:59,742 - Don't fuck with me, Tony. 549 00:32:59,742 --> 00:33:00,990 - I'm not doing that, Amy. 550 00:33:00,990 --> 00:33:03,780 - Hey, it's not fun to watch you guys bickering, okay? 551 00:33:03,780 --> 00:33:05,310 Who cares if he's moving it. 552 00:33:05,310 --> 00:33:07,470 Hell, move it even more. I don't care. 553 00:33:07,470 --> 00:33:09,510 All right, the footage looks good. 554 00:33:09,510 --> 00:33:11,103 Let Amy do her thing, okay? 555 00:33:12,000 --> 00:33:14,430 - Wow, Brad, for once, can you let us work here? 556 00:33:14,430 --> 00:33:15,600 We have it under control. 557 00:33:15,600 --> 00:33:18,350 - Tony, what are you doing? Don't break the connection. 558 00:33:25,364 --> 00:33:27,614 What the fuck? - Holy shit. 559 00:33:28,870 --> 00:33:32,970 Okay, um, we need to stop. I don't like this. 560 00:33:32,970 --> 00:33:34,963 - Whoa, whoa, whoa, whoa, whoa, whoa. 561 00:33:35,820 --> 00:33:37,050 - Tony, do something! 562 00:33:37,050 --> 00:33:38,963 - [Tony] What do you want me to do, Amy? 563 00:33:45,270 --> 00:33:47,177 - Tony, you saw that, right? 564 00:33:48,129 --> 00:33:49,729 - Of course, I fucking saw that. 565 00:33:57,450 --> 00:33:59,553 - What the fuck is going on? 566 00:34:07,206 --> 00:34:11,206 Fucking Jesus. (furniture thuds) 567 00:34:16,110 --> 00:34:18,720 Bradley, please tell me you got that. 568 00:34:18,720 --> 00:34:21,960 - You fucking bet I did. Whole thing. 569 00:34:21,960 --> 00:34:24,333 Jesus fucking Christ. 570 00:34:25,620 --> 00:34:28,083 Did you guys put that together? 571 00:34:30,060 --> 00:34:32,393 - [Tony] Are you crazy? Of course that wasn't us. 572 00:34:34,470 --> 00:34:35,730 - I told you we should be careful. 573 00:34:35,730 --> 00:34:37,480 This is not something to mess with. 574 00:34:40,230 --> 00:34:41,373 - Guys, this is it. 575 00:34:42,750 --> 00:34:45,183 This is the proof that we've been looking for. 576 00:34:47,580 --> 00:34:49,500 This is the real deal. 577 00:34:49,500 --> 00:34:50,910 - [Kate] Guys? 578 00:34:50,910 --> 00:34:54,150 Guys, I think there's something back here. 579 00:34:54,150 --> 00:34:55,600 - Wait, lemme see. Lemme see. 580 00:34:56,895 --> 00:34:57,728 Watch out. 581 00:35:03,450 --> 00:35:04,980 There's a room. 582 00:35:04,980 --> 00:35:05,820 - [Amy] What? 583 00:35:05,820 --> 00:35:08,303 - [Brad] Tony, see if you can make that hole bigger. 584 00:35:21,240 --> 00:35:24,363 - [Tony] Okay, yeah, there's definitely a room in there. 585 00:35:26,175 --> 00:35:27,720 - It just keeps getting better. 586 00:35:27,720 --> 00:35:28,980 See if the GoPro will fit through. 587 00:35:28,980 --> 00:35:30,330 We can see what's in there. 588 00:35:37,710 --> 00:35:39,510 - [Tony] Okay, Brad, what are you seeing? 589 00:35:39,510 --> 00:35:41,553 - [Brad] Just kind of looks like a room. 590 00:35:43,200 --> 00:35:48,153 Some sort of like workshop kind of thing. 591 00:35:49,740 --> 00:35:52,353 - What else? Do you see a way in, or? 592 00:35:55,740 --> 00:35:57,640 - [Brad] Pan to the left a little bit. 593 00:36:01,050 --> 00:36:02,253 Signal is weak. 594 00:36:03,750 --> 00:36:04,827 - What about now? 595 00:36:06,471 --> 00:36:07,733 - [Brad] Now I'm not getting a signal. 596 00:36:10,140 --> 00:36:13,023 Fuck. No, the signal's all out. I can't see shit. 597 00:36:14,670 --> 00:36:17,070 - Now? I, I can't go any more left. 598 00:36:17,070 --> 00:36:19,703 - [Brad] No, dude, the signal's out, I can't see anything. 599 00:36:30,014 --> 00:36:30,990 (climatic sharp music) 600 00:36:30,990 --> 00:36:33,429 There's gotta be another way in that room, okay? 601 00:36:33,429 --> 00:36:34,566 We need to find it 602 00:36:34,566 --> 00:36:36,269 and we need to do a spirit box session in there 603 00:36:36,269 --> 00:36:37,352 or something. 604 00:36:38,460 --> 00:36:40,310 - Maybe there's a latch or something. 605 00:36:41,940 --> 00:36:42,890 - [Kate] Over here. 606 00:36:45,060 --> 00:36:46,353 This board's loose. 607 00:36:47,400 --> 00:36:48,350 - [Tony] Watch out. 608 00:37:13,392 --> 00:37:16,392 - [Amy] What the fuck is this place? 609 00:37:18,670 --> 00:37:19,703 - [Tony] I think this is the kill room. 610 00:37:26,501 --> 00:37:29,083 - [Amy] It fucking stinks in here. 611 00:37:29,083 --> 00:37:30,270 - [Kate] Yeah, and it's also freezing. 612 00:37:30,270 --> 00:37:34,320 - Really? It seems about 10 degrees hotter to me. 613 00:37:34,320 --> 00:37:36,350 - [Amy] What the fuck? What the fuck? 614 00:37:43,870 --> 00:37:46,833 - Jesus fucking Christ, this place is perfect. 615 00:37:47,970 --> 00:37:49,860 Alright, let's, let's get all of our equipment 616 00:37:49,860 --> 00:37:52,110 that's available in there stat, all right? 617 00:37:52,110 --> 00:37:54,460 People love this hidden room shit. 618 00:37:54,460 --> 00:37:56,700 So let's get our EVPs, spirit box. 619 00:37:56,700 --> 00:37:59,283 Let's get the GoPros, static cams, everything. 620 00:38:15,180 --> 00:38:17,820 Fuck yeah. People are going to eat this shit up. 621 00:38:17,820 --> 00:38:20,070 Let's go ahead and run a spirit box in there. 622 00:38:28,097 --> 00:38:30,213 - Lester, are you there with us? 623 00:38:35,100 --> 00:38:38,103 Lester, we are in your kill room. We are close to you. 624 00:38:38,970 --> 00:38:41,243 Can you give us a sign that you were here with us? 625 00:38:46,380 --> 00:38:48,630 We wanna find out why you killed those girls. 626 00:38:49,650 --> 00:38:51,243 Was it you who did it? 627 00:38:52,528 --> 00:38:55,563 Or something, something evil make you do it? 628 00:39:03,600 --> 00:39:05,150 - Looks like we got our answer. 629 00:39:10,020 --> 00:39:11,523 - Lester, what made you do it? 630 00:39:12,480 --> 00:39:15,041 Can you give us another sign that you are here? 631 00:39:15,041 --> 00:39:17,063 Can you give us another sign that something made you do it? 632 00:39:22,413 --> 00:39:24,190 (board thuds) 633 00:39:24,190 --> 00:39:28,592 - [Kate] What the fuck was that? Did you guys see that? 634 00:39:28,592 --> 00:39:30,230 - [Tony] Dylan, did you get that? 635 00:39:30,230 --> 00:39:34,063 - [Dylan] Yeah, fucking board was standing up. 636 00:39:37,790 --> 00:39:39,957 - [Tony] Now what is that? 637 00:39:50,370 --> 00:39:52,950 - In the corner, you'll see a VHS player. 638 00:39:52,950 --> 00:39:54,690 See if we can plug it into our power bank. 639 00:39:54,690 --> 00:39:57,040 If we have enough charge, let's get it running. 640 00:40:48,882 --> 00:40:51,382 - This is how he kidnaps them. 641 00:40:56,043 --> 00:40:58,960 (soft eerie music) 642 00:41:18,277 --> 00:41:19,923 - This is a fucking snuff film. 643 00:41:21,501 --> 00:41:24,834 (eerie music continues) 644 00:41:47,661 --> 00:41:51,032 - Turn it off. 645 00:41:51,032 --> 00:41:53,713 Tony, turn that shit off! - Sorry. 646 00:42:07,353 --> 00:42:08,550 - Back up the tape. 647 00:42:08,550 --> 00:42:11,343 We'll add it to the cut when I get back to the office. 648 00:42:12,450 --> 00:42:13,283 - You got it. 649 00:42:14,460 --> 00:42:16,510 Kate, pack the tape. It's coming with us. 650 00:42:17,760 --> 00:42:19,643 - [Kate] Are you sure we should be doing this? 651 00:42:20,970 --> 00:42:22,803 - Pack the tape. 652 00:42:36,030 --> 00:42:37,667 You doing all right? 653 00:42:39,060 --> 00:42:43,083 - Yeah, it's just tough to watch that kind of stuff. 654 00:42:46,050 --> 00:42:47,763 - Yeah, it's, it's fucked up. 655 00:42:48,930 --> 00:42:50,880 It's coming for a great episode though. 656 00:42:54,390 --> 00:42:55,580 You good to go? 657 00:42:57,203 --> 00:42:58,863 - Yeah, I just need a second. 658 00:43:02,010 --> 00:43:03,180 - [Brad] Okay, enough of that, guys, 659 00:43:03,180 --> 00:43:06,030 let's just head upstairs and see if we can find anything. 660 00:43:07,200 --> 00:43:09,623 - Kate, while you're at it, grab the rest of the gear. 661 00:43:18,960 --> 00:43:20,660 - [Brad] REM pod, it's going nuts. 662 00:43:29,289 --> 00:43:32,289 (REM pod crackling) 663 00:43:34,015 --> 00:43:36,386 (girl screams) 664 00:43:36,386 --> 00:43:38,021 Kate? 665 00:43:38,021 --> 00:43:38,854 Kate? 666 00:43:40,292 --> 00:43:41,125 Kate, what the? 667 00:43:42,172 --> 00:43:44,132 Kate, are you okay? 668 00:43:44,132 --> 00:43:44,965 Kate! 669 00:43:46,400 --> 00:43:48,450 - Okay. Okay. Okay. It's okay, 670 00:43:48,450 --> 00:43:50,430 - Bradley, it's not that hard. 671 00:43:50,430 --> 00:43:51,450 Just play back the footage 672 00:43:51,450 --> 00:43:53,430 and let us know if you saw anything. 673 00:43:53,430 --> 00:43:56,123 - [Brad] It's pretty fucking hard when I'm not seeing shit. 674 00:43:58,191 --> 00:44:00,441 - I swear to God, I saw something down there. 675 00:44:01,710 --> 00:44:04,140 - She swears to God she saw something, Brad. 676 00:44:04,140 --> 00:44:05,700 - [Brad] Okay, well, she could swear to Satan. 677 00:44:05,700 --> 00:44:07,563 I don't have the fucking footage. 678 00:44:11,550 --> 00:44:12,383 - Fuck! 679 00:44:15,420 --> 00:44:16,253 Okay... 680 00:44:17,400 --> 00:44:18,233 Amy, it's time. 681 00:44:19,440 --> 00:44:22,170 - No, it's too early. 682 00:44:22,170 --> 00:44:23,970 - Amy. Amy... - I don't feel- 683 00:44:23,970 --> 00:44:26,940 - There's something here. We are this close. 684 00:44:26,940 --> 00:44:28,503 We have to do it now. 685 00:44:29,749 --> 00:44:32,910 - I don't like this. There's so much dark energy here. 686 00:44:32,910 --> 00:44:34,170 I can feel it's pressure. 687 00:44:34,170 --> 00:44:35,070 - Then I'll do it. 688 00:44:36,600 --> 00:44:37,443 I can handle it. 689 00:44:40,470 --> 00:44:43,260 - You haven't done it in a while, Tony. 690 00:44:43,260 --> 00:44:45,723 Okay, you, you don't, you can't. 691 00:44:47,970 --> 00:44:51,093 - If there's something here, I'll find it. 692 00:44:53,910 --> 00:44:55,403 - [Kate] What is he talking about? 693 00:45:00,994 --> 00:45:03,994 (keyboard clacking) 694 00:45:08,496 --> 00:45:10,355 - We're looking good over here, everybody. 695 00:45:10,355 --> 00:45:12,150 Let's get set up for the Estes method. 696 00:45:12,150 --> 00:45:14,130 - Alright, we're about to begin 697 00:45:14,130 --> 00:45:16,560 our most powerful communication technique. 698 00:45:16,560 --> 00:45:19,110 - Yes, we've been getting unusual readings and anomalies, 699 00:45:19,110 --> 00:45:22,440 but we need a stronger, more direct line to the paranormal. 700 00:45:22,440 --> 00:45:24,570 - We're going to be using the Estes method, 701 00:45:24,570 --> 00:45:26,700 a technique designed to heighten contact 702 00:45:26,700 --> 00:45:28,470 with the other side. 703 00:45:28,470 --> 00:45:31,170 Its primary purpose is to establish clear communication 704 00:45:31,170 --> 00:45:33,450 with spirits during our investigation. 705 00:45:33,450 --> 00:45:35,010 This is more than just a tool. 706 00:45:35,010 --> 00:45:37,410 It's a bridge to the other side. 707 00:45:37,410 --> 00:45:39,870 - And we can't forget the motion detection lights. 708 00:45:39,870 --> 00:45:42,210 There are objective eyes capturing any movements 709 00:45:42,210 --> 00:45:43,770 that might occur during the session. 710 00:45:43,770 --> 00:45:45,870 - After the session, we analyze everything, 711 00:45:45,870 --> 00:45:48,630 the responses, the timing, the lights. 712 00:45:48,630 --> 00:45:51,330 It's a puzzle and we're putting the pieces together. 713 00:45:51,330 --> 00:45:53,790 - The Estes method isn't just a technique, 714 00:45:53,790 --> 00:45:55,740 it's a journey into the unknown. 715 00:45:55,740 --> 00:45:57,630 It bridges science and the paranormal, 716 00:45:57,630 --> 00:45:59,820 pushing the boundaries of what we understand. 717 00:45:59,820 --> 00:46:01,260 This method is risky, 718 00:46:01,260 --> 00:46:03,900 so we urge no one to try this without proper experience. 719 00:46:03,900 --> 00:46:06,300 We are trained professionals. 720 00:46:06,300 --> 00:46:08,280 - So with that being said, 721 00:46:08,280 --> 00:46:09,900 let's begin. 722 00:46:09,900 --> 00:46:11,970 - Alright, we're, we're looking good here. 723 00:46:11,970 --> 00:46:14,190 The salt's down, candles are lit. 724 00:46:14,190 --> 00:46:16,320 Estes method is ready. 725 00:46:16,320 --> 00:46:18,123 - All right, let's begin. 726 00:46:20,640 --> 00:46:23,910 Are there any souls that wanna communicate with us? 727 00:46:23,910 --> 00:46:24,743 - Skies. 728 00:46:27,600 --> 00:46:29,070 Around. 729 00:46:29,070 --> 00:46:30,873 Still sit. 730 00:46:31,890 --> 00:46:32,943 Onward. 731 00:46:36,330 --> 00:46:37,830 It's like... 732 00:46:37,830 --> 00:46:39,750 - There's nothing of note so far. 733 00:46:39,750 --> 00:46:42,050 It may take some time for the channel to open. 734 00:46:44,340 --> 00:46:46,020 We have a channel open. 735 00:46:46,020 --> 00:46:48,153 Talk to Tony. He's here for you. 736 00:46:49,230 --> 00:46:50,523 - Sam? 737 00:46:51,960 --> 00:46:55,680 - Are there any souls who lost their lives that wanna talk? 738 00:46:55,680 --> 00:46:57,753 - Over in. 739 00:46:59,790 --> 00:47:01,410 - You must be feeling emotions. 740 00:47:01,410 --> 00:47:04,710 Are you scared, lost, angry? 741 00:47:04,710 --> 00:47:06,270 - It's like... 742 00:47:06,270 --> 00:47:07,560 - We're here to help. - Girl. 743 00:47:07,560 --> 00:47:08,393 - Let us know. 744 00:47:11,040 --> 00:47:12,930 The responses can sometimes be random. 745 00:47:12,930 --> 00:47:14,910 In order for them to be classified as evidence, 746 00:47:14,910 --> 00:47:17,400 they need to be timely and relevant. 747 00:47:17,400 --> 00:47:18,233 - Hide. 748 00:47:20,520 --> 00:47:21,353 Run. 749 00:47:23,580 --> 00:47:27,273 He's coming. 750 00:47:30,690 --> 00:47:31,523 Run. 751 00:47:33,930 --> 00:47:34,833 Cold. 752 00:47:36,450 --> 00:47:37,980 Run. 753 00:47:37,980 --> 00:47:38,943 Hide. 754 00:47:39,960 --> 00:47:41,460 Clown. 755 00:47:41,460 --> 00:47:42,693 - [Brad] Hey. Hey, Tony. 756 00:47:43,710 --> 00:47:46,950 - Lester! Lester! 757 00:47:46,950 --> 00:47:51,950 Amy, kill Kate. Lester. 758 00:47:52,020 --> 00:47:54,960 Lester! Lester! 759 00:47:54,960 --> 00:47:56,393 - [Brad] Hey. Hey, Tony. 760 00:47:56,393 --> 00:47:57,344 (bulbs exploding) 761 00:47:57,344 --> 00:47:58,823 What the fuck? Is he okay? 762 00:47:58,823 --> 00:48:00,182 Guys, we need to stop. (bulbs exploding) 763 00:48:00,182 --> 00:48:03,362 - [Tony] Lester. Lester. Lester. 764 00:48:03,362 --> 00:48:05,010 - [Amy] Okay, we need to stop. 765 00:48:05,010 --> 00:48:06,180 Fuck, what's wrong? Tony! 766 00:48:06,180 --> 00:48:07,410 - Amy. 767 00:48:07,410 --> 00:48:10,050 Kill Kate. (bulbs exploding) 768 00:48:10,050 --> 00:48:12,801 Lester. Lester. - Please, we need to hear now. 769 00:48:12,801 --> 00:48:13,643 Lester. Lester. Lester. 770 00:48:13,643 --> 00:48:16,620 - [Amy] Tony, oh my God. Tony, what's going on? 771 00:48:16,620 --> 00:48:18,240 Tony, can you hear me? Are you okay? 772 00:48:18,240 --> 00:48:21,022 - Is Tony having a seizure right now? 773 00:48:21,022 --> 00:48:22,383 - [Amy] Tony? Tony? 774 00:48:24,150 --> 00:48:27,840 No, no, no. Tony, wake up. Wake up. 775 00:48:27,840 --> 00:48:29,673 Tony, wake up. Wake up. Wake up. 776 00:48:32,593 --> 00:48:36,810 Oh my God. Oh my God. Are you okay? 777 00:48:36,810 --> 00:48:38,833 Oh my God. Are you alright? 778 00:48:38,833 --> 00:48:41,220 - Yeah. I, I think I, I just blacked out. 779 00:48:41,220 --> 00:48:44,133 - [Amy] Well, you just had a seizure. Are you okay? 780 00:48:46,230 --> 00:48:47,520 - I'm fine. 781 00:48:47,520 --> 00:48:49,703 - [Amy] No. Get up. Come on. We're getting out of here. 782 00:48:50,580 --> 00:48:52,350 - Just, just wait a second, okay? 783 00:48:52,350 --> 00:48:54,250 I mean, you, you really wanna do this? 784 00:48:56,040 --> 00:48:58,350 - We did our job. We can leave. 785 00:48:58,350 --> 00:49:00,050 - We can't fucking back out now. 786 00:49:00,050 --> 00:49:02,070 I, I mean, this is what you wanted, right? 787 00:49:02,070 --> 00:49:03,960 - It's not safe anymore. 788 00:49:03,960 --> 00:49:06,093 - No, I think we should stay. 789 00:49:06,960 --> 00:49:08,760 - What? Are you serious? 790 00:49:08,760 --> 00:49:11,040 - You just had a seizure, Tony. 791 00:49:11,040 --> 00:49:15,124 I mean, look at yourself. You need medical attention. 792 00:49:15,124 --> 00:49:16,770 - Ssh. 793 00:49:16,770 --> 00:49:19,770 If this is our last show, our last chance, 794 00:49:19,770 --> 00:49:21,750 then we need to stay. 795 00:49:21,750 --> 00:49:24,333 - Tony, it's not your call. 796 00:49:26,670 --> 00:49:28,653 - I said I'm fucking fine, you guys. 797 00:49:30,090 --> 00:49:33,084 - I'm not leaving you here. You're coming with us. 798 00:49:33,084 --> 00:49:34,683 What the fuck is your problem? 799 00:49:35,760 --> 00:49:37,593 - You are my problem, baby. 800 00:49:38,670 --> 00:49:41,284 All this time we wanted proof and now we have it. 801 00:49:41,284 --> 00:49:42,473 And you just want to bail. 802 00:49:43,440 --> 00:49:46,620 - I'm not playing with our lives. 803 00:49:46,620 --> 00:49:50,493 This isn't a game, Tony. Okay, it's not worth it. 804 00:49:54,570 --> 00:49:56,340 You can sit here and wait. 805 00:49:56,340 --> 00:49:57,630 I'm getting the others in the van 806 00:49:57,630 --> 00:49:59,700 and our equipment out of here. 807 00:49:59,700 --> 00:50:02,580 And I'm not leaving you, okay? 808 00:50:02,580 --> 00:50:05,790 We're a team. We'll always be a team. 809 00:50:05,790 --> 00:50:08,583 So get your shit together and let's get out of here. 810 00:50:12,750 --> 00:50:14,910 - Guys, guys, we cannot back out now, okay? 811 00:50:14,910 --> 00:50:17,100 We can get more footage, but we cannot leave. 812 00:50:17,100 --> 00:50:19,650 - What do you want me to do, Brad? Stop them? 813 00:50:19,650 --> 00:50:21,540 - Yes, fucking stop them, okay? 814 00:50:21,540 --> 00:50:23,010 We don't have nearly enough. 815 00:50:23,010 --> 00:50:24,710 We have to finish what we started. 816 00:50:26,910 --> 00:50:28,310 - [Amy] What the hell, Tony? 817 00:50:31,811 --> 00:50:33,150 - Look, Amy, 818 00:50:33,150 --> 00:50:37,080 this whole time you've wanted me to believe, right? 819 00:50:37,080 --> 00:50:38,580 To share in your passion. 820 00:50:38,580 --> 00:50:42,240 Well, guess what? I believe now. 821 00:50:42,240 --> 00:50:44,670 - It's too late. 822 00:50:44,670 --> 00:50:45,930 - So what? 823 00:50:45,930 --> 00:50:48,330 You're just gonna leave everything that we've worked for. 824 00:50:48,330 --> 00:50:49,743 Leave everything behind. 825 00:50:50,820 --> 00:50:52,320 - That's not it. 826 00:50:52,320 --> 00:50:55,950 - Then what is it, Amy? Jesus fucking Christ. 827 00:50:55,950 --> 00:50:57,690 Okay, we have everything here that we need. 828 00:50:57,690 --> 00:50:59,433 What's the fucking problem? 829 00:51:02,730 --> 00:51:05,400 - Fine. Do you wanna do this? 830 00:51:05,400 --> 00:51:07,020 You wanna know what my fucking prob- 831 00:51:07,020 --> 00:51:08,880 No, my fucking problems. 832 00:51:08,880 --> 00:51:10,650 You wanna know what my issues are with you, Tony? 833 00:51:10,650 --> 00:51:12,033 Where do I even start? 834 00:51:13,380 --> 00:51:16,500 Your attitude, your arrogance. 835 00:51:16,500 --> 00:51:17,910 You don't share my passion. 836 00:51:17,910 --> 00:51:19,260 Your head hasn't been in the right place 837 00:51:19,260 --> 00:51:20,823 this entire fucking time. 838 00:51:23,010 --> 00:51:27,543 The reality is, I don't need you anymore. 839 00:51:28,650 --> 00:51:30,363 Okay? I'm done. 840 00:51:33,660 --> 00:51:36,093 - When did you become such an ungrateful bitch? 841 00:51:39,900 --> 00:51:41,220 Don't you walk away from me. 842 00:51:41,220 --> 00:51:43,293 - [Brad] Hey, Tony, what the fuck, man? 843 00:51:46,222 --> 00:51:47,055 - Amy, Amy, I'm sorry. 844 00:51:50,340 --> 00:51:51,173 I'm sorry. 845 00:51:51,173 --> 00:51:52,730 I, I didn't mean that. I didn't mean that. 846 00:51:52,730 --> 00:51:54,963 - [Amy] Okay, okay, I'm gonna go pack up. 847 00:51:57,006 --> 00:52:00,003 You just meet us upstairs. 848 00:52:02,010 --> 00:52:02,843 - Amy? 849 00:52:08,546 --> 00:52:11,463 (soft tense music) 850 00:52:27,030 --> 00:52:29,130 - [Brad] Tony, you all right? You hear me? 851 00:52:31,080 --> 00:52:31,913 Guys? 852 00:52:37,886 --> 00:52:40,219 (loud bang) 853 00:52:44,370 --> 00:52:45,720 - [Kate] Tony, you in here? 854 00:52:52,800 --> 00:52:54,303 Hello? Tony? 855 00:52:59,910 --> 00:53:03,000 - All right, we're good. Get Tony and we can leave. 856 00:53:03,000 --> 00:53:05,220 - I don't know where Tony is. 857 00:53:05,220 --> 00:53:06,053 - What do you mean? 858 00:53:06,053 --> 00:53:09,363 - He just vanished, Amy, I've looked everywhere. 859 00:53:10,410 --> 00:53:11,710 - This can't be happening. 860 00:53:13,260 --> 00:53:15,330 Bradley, what the is going on? 861 00:53:15,330 --> 00:53:17,370 Where's Tony? This isn't part of the plan. 862 00:53:17,370 --> 00:53:19,710 - [Brad] No, I, I don't fucking see him. 863 00:53:19,710 --> 00:53:22,530 I am looking everywhere. I don't see him anywhere. 864 00:53:22,530 --> 00:53:23,373 - Shit. 865 00:53:25,061 --> 00:53:26,310 - Fuck. 866 00:53:26,310 --> 00:53:27,813 Fuck. Where the fuck is he? 867 00:53:30,300 --> 00:53:34,053 Tony? Tony, come the fuck in. Where are you? 868 00:53:35,716 --> 00:53:36,870 (static scratching) 869 00:53:36,870 --> 00:53:38,270 Fuck, he's walkies's broken. 870 00:53:39,840 --> 00:53:41,970 - [Amy] We have the whole damn house wired up, Bradley. 871 00:53:41,970 --> 00:53:42,843 Find him. 872 00:53:44,490 --> 00:53:45,790 - Gotta be here somewhere. 873 00:53:46,770 --> 00:53:47,940 He was in the garage last. 874 00:53:47,940 --> 00:53:49,620 Go down and check there. 875 00:53:49,620 --> 00:53:51,900 - [Dylan] I'll go upstairs. Kate can take the basement. 876 00:53:51,900 --> 00:53:54,400 - Just fucking find him and let's get out of here. 877 00:54:03,313 --> 00:54:06,605 - Fuck, fuck, fuck, fuck, fuck, fuck, where the fuck is he? 878 00:54:06,605 --> 00:54:09,434 - Bradley, find him. - I'm fucking trying, okay? 879 00:54:09,434 --> 00:54:12,664 (static scratching) 880 00:54:12,664 --> 00:54:14,190 - Fuck. 881 00:54:14,190 --> 00:54:15,603 All my cams are down. Hello? 882 00:54:17,280 --> 00:54:19,743 - [Kate] Tony? Tony, you in here? 883 00:54:20,615 --> 00:54:22,353 Come on. Tony? 884 00:54:23,970 --> 00:54:24,917 Where'd you go? 885 00:54:32,396 --> 00:54:33,229 Tony? 886 00:54:35,446 --> 00:54:38,363 (faint scratching) 887 00:54:39,836 --> 00:54:42,419 (Kate screams) 888 00:54:43,756 --> 00:54:47,173 (Kate breathing heavily) 889 00:54:50,584 --> 00:54:52,785 (door shuts) (Kate screams) 890 00:54:52,785 --> 00:54:55,535 (heels clumping) 891 00:55:02,606 --> 00:55:05,356 (Kate screaming) 892 00:55:09,244 --> 00:55:10,411 - [Brad] Kate? 893 00:55:11,461 --> 00:55:12,294 Kate? 894 00:55:13,243 --> 00:55:15,891 Kate, what the fuck? (static scratching) 895 00:55:15,891 --> 00:55:19,474 (Kate choking and gasping) 896 00:55:21,752 --> 00:55:24,419 (neck cracking) 897 00:55:25,432 --> 00:55:29,459 - [Amy] Bradley, what the fuck is going on? 898 00:55:29,459 --> 00:55:30,292 - Fuck. 899 00:55:56,438 --> 00:55:59,323 - [Dylan] Fuck. (climatic sharp music) 900 00:55:59,323 --> 00:56:02,730 - Guys, what the fuck? All my shit is failing. 901 00:56:02,730 --> 00:56:04,380 What the fuck did you do? 902 00:56:04,380 --> 00:56:06,623 - [Amy] Bradley, we need to get the fuck out of here. 903 00:56:11,608 --> 00:56:13,098 - [Brad] What are you guys doing? 904 00:56:13,098 --> 00:56:14,643 I, I lost all my video feed. 905 00:56:19,278 --> 00:56:21,695 (Amy crying) 906 00:56:23,425 --> 00:56:27,259 (cutlery clanging) (Amy screams) 907 00:56:27,259 --> 00:56:29,759 (eerie music) 908 00:56:34,019 --> 00:56:35,850 (Amy shrieks) 909 00:56:35,850 --> 00:56:37,996 - Guys? Hello? (static continues scratching) 910 00:56:37,996 --> 00:56:39,923 What the fuck are you doing? I can't see shit. 911 00:56:42,240 --> 00:56:43,470 - [Dylan] Yep, we need to get the fuck out of here. 912 00:56:43,470 --> 00:56:45,758 - [Amy] Look, dude, I saw something. Where's Kate? 913 00:56:45,758 --> 00:56:47,070 - I don't know. - Bradley, did you find Kate? 914 00:56:47,070 --> 00:56:48,390 - [Brad] No, I have no fucking video, 915 00:56:48,390 --> 00:56:51,067 but I have audio coming from the basement. 916 00:56:51,067 --> 00:56:52,688 (Tony screaming) 917 00:56:52,688 --> 00:56:57,688 - It's Tony. 918 00:57:03,328 --> 00:57:04,161 Tony? 919 00:57:09,107 --> 00:57:10,190 Are you okay? 920 00:57:14,627 --> 00:57:15,794 What happened? 921 00:57:29,766 --> 00:57:30,599 What? 922 00:57:32,040 --> 00:57:34,940 He's not well. Dylan, come on, help me get him to a table. 923 00:57:36,990 --> 00:57:39,623 Bradley, we up here. Do you hear me? 924 00:57:41,419 --> 00:57:42,900 We need to get outta here. 925 00:57:42,900 --> 00:57:44,550 - Guys? - Bradley, do you hear me? 926 00:57:44,550 --> 00:57:47,190 - Bradley, we need to get Tony out of here. 927 00:57:47,190 --> 00:57:48,060 - [Brad] Fuck. Okay, fine. 928 00:57:48,060 --> 00:57:49,500 just, just get him sitting up 929 00:57:49,500 --> 00:57:51,928 and I'll pull the van around back. 930 00:57:51,928 --> 00:57:54,428 - Fuck man, are you all right? 931 00:57:56,768 --> 00:58:00,935 Tony, are you good? Can you say something, please? 932 00:58:05,378 --> 00:58:08,258 Amy, can we speed this up? 933 00:58:08,258 --> 00:58:11,358 (loud clumping) 934 00:58:11,358 --> 00:58:14,858 (loud clumping continues) 935 00:58:21,478 --> 00:58:23,895 - Guys? Guys, what do you do- 936 00:58:25,142 --> 00:58:28,128 I've lost all the cam footage. Hello? 937 00:58:28,128 --> 00:58:31,907 (static scratching continues) 938 00:58:31,907 --> 00:58:32,740 Fuck! 939 00:58:33,838 --> 00:58:36,921 (clumping continues) 940 00:58:38,787 --> 00:58:40,587 - [Amy] No, Tony, stop. 941 00:58:40,587 --> 00:58:42,699 No, Tony, stop. What are you doing? 942 00:58:42,699 --> 00:58:43,532 Stop. No. 943 00:58:44,998 --> 00:58:46,498 - Tony isn't here. 944 00:58:54,780 --> 00:58:55,830 - Fucking killed him. 945 00:58:58,676 --> 00:59:00,660 We all part of this. 946 00:59:00,660 --> 00:59:02,260 I gotta get the fuck outta here. 947 00:59:04,120 --> 00:59:06,620 (Amy panting) 948 00:59:12,600 --> 00:59:15,633 Hello? Hello? Can somebody fucking answer me? 949 00:59:24,165 --> 00:59:26,165 Where the fucking keys? 950 00:59:26,165 --> 00:59:26,998 Where the fuck are the keys? 951 00:59:26,998 --> 00:59:28,653 Fucking Tony! Fuck! 952 00:59:33,815 --> 00:59:36,732 (soft eerie music) 953 00:59:37,775 --> 00:59:41,108 (Amy continues panting) 954 01:00:04,454 --> 01:00:06,306 - [Amy] Please, you have help him. 955 01:00:06,306 --> 01:00:08,405 Dylan, help him. 956 01:00:08,405 --> 01:00:09,238 Please. 957 01:00:16,186 --> 01:00:19,903 Please, Bradley, you have to help me, please. 958 01:00:19,903 --> 01:00:23,474 God damn it. (Amy crying) 959 01:00:23,474 --> 01:00:24,557 - Fuck. Okay. 960 01:00:25,735 --> 01:00:28,140 Okay, I'm coming inside. 961 01:00:28,140 --> 01:00:28,973 Just... 962 01:00:30,570 --> 01:00:31,403 hide in there 963 01:00:33,240 --> 01:00:34,256 and I'll be in there. 964 01:00:34,256 --> 01:00:36,086 I'll get you out. 965 01:00:36,086 --> 01:00:39,919 (static scratching continues) 966 01:01:04,084 --> 01:01:07,501 - [Amy] You can do this. You can do this. 967 01:01:08,862 --> 01:01:10,029 - [Brad] Okay. 968 01:01:11,040 --> 01:01:13,983 There's the door. Come on, Brad. Come on, Brad. 969 01:01:19,530 --> 01:01:20,363 Amy? 970 01:01:22,080 --> 01:01:22,913 Amy? 971 01:01:25,710 --> 01:01:26,543 Tony? 972 01:01:30,150 --> 01:01:31,637 Guys, where are you? Hello? 973 01:01:35,062 --> 01:01:35,895 Guys? 974 01:01:37,770 --> 01:01:38,603 Hello? 975 01:01:39,943 --> 01:01:42,480 (Brad screams) 976 01:01:42,480 --> 01:01:43,443 Oh, Jesus, fuck. 977 01:01:52,532 --> 01:01:55,115 (Brad gasping) 978 01:02:04,952 --> 01:02:06,652 (climatic sharp music) 979 01:02:06,652 --> 01:02:10,983 Tony. Tony, please. Fuck, Tony, it's me. Stop. Stop. 980 01:02:10,983 --> 01:02:13,150 Please stop. Please don't. 981 01:02:14,321 --> 01:02:19,321 (blood squishing) (eerie music) 982 01:02:40,138 --> 01:02:42,638 (Amy panting) 983 01:02:46,650 --> 01:02:49,900 (climatic sharp music) 984 01:02:59,850 --> 01:03:01,439 - [Amy] I need to get, 985 01:03:01,439 --> 01:03:04,308 I need to go back where Bradley got it. 986 01:03:04,308 --> 01:03:07,058 You can do this. You can do this. 987 01:03:16,578 --> 01:03:19,328 Please, help me. Please, help me. 988 01:03:25,439 --> 01:03:28,772 (Amy breathing heavily) 989 01:03:47,355 --> 01:03:48,578 (climatic sharp music) 990 01:03:48,578 --> 01:03:51,078 (Amy screams) 991 01:03:53,327 --> 01:03:55,827 (Amy gasping) 992 01:04:08,796 --> 01:04:11,296 (Amy shrieks) 993 01:04:31,247 --> 01:04:33,747 (Amy screams) 994 01:04:35,068 --> 01:04:38,651 (Amy screaming and crying) 995 01:04:47,666 --> 01:04:50,166 (eerie music) 996 01:05:23,196 --> 01:05:26,529 (eerie music continues) 997 01:06:04,708 --> 01:06:07,458 (blood dripping) 998 01:06:50,774 --> 01:06:54,107 (eerie music continues) 999 01:08:01,826 --> 01:08:05,243 (eerie music continues)