1 00:00:06,280 --> 00:00:08,520 [soft music] 2 00:00:10,080 --> 00:00:12,440 [tapping] 3 00:00:25,000 --> 00:00:26,120 [knocking on door] 4 00:00:30,480 --> 00:00:31,480 [knocking continues] 5 00:00:32,440 --> 00:00:34,080 One moment, I'm coming! 6 00:00:41,480 --> 00:00:42,439 Good morning. 7 00:00:42,440 --> 00:00:43,479 - [woman 1] Good morning. - [woman 2] Morning. 8 00:00:43,480 --> 00:00:44,639 What can I do for you? 9 00:00:44,640 --> 00:00:47,160 An offering for Santa Rita da Cascia. 10 00:00:47,280 --> 00:00:48,159 [Angelo's uncle] Wait one moment, 11 00:00:48,160 --> 00:00:49,079 I'll go get something. 12 00:00:49,080 --> 00:00:49,960 Thanks. 13 00:00:55,920 --> 00:00:57,880 [soft music continues in background] 14 00:01:09,000 --> 00:01:10,840 [Paisano's sister] And where is your nephew? 15 00:01:11,360 --> 00:01:12,920 [music stops] 16 00:01:13,440 --> 00:01:14,680 Why? Are you looking for him? 17 00:01:16,600 --> 00:01:19,040 Anyway, we know he'll be here soon. 18 00:01:24,880 --> 00:01:26,160 [wind whistling] 19 00:01:43,520 --> 00:01:47,439 - [Mimì] ...and 20, 40. 28... - [Tricktaker] Hurry up, come on! 20 00:01:47,440 --> 00:01:48,999 We've loaded 68 boxes. 21 00:01:49,000 --> 00:01:50,479 Guys, another four and we're done. 22 00:01:50,480 --> 00:01:51,959 Three at a time, come on! 23 00:01:51,960 --> 00:01:53,920 [men] Quick, quick! Go, go! 24 00:01:55,640 --> 00:01:58,999 Guys, Don Corrado is sending us another shipment tomorrow. 25 00:01:59,000 --> 00:02:00,919 If this keeps up, we'll need another guy. 26 00:02:00,920 --> 00:02:02,999 What's the problem? The neighborhood is ours. 27 00:02:03,000 --> 00:02:04,479 [Tricktaker] Angiolè, we need another place. 28 00:02:04,480 --> 00:02:06,959 It's too many cigarettes to keep them all here. 29 00:02:06,960 --> 00:02:09,559 We'll find one. Don't worry. Hurry up, come on! 30 00:02:09,560 --> 00:02:11,479 All right. Shall we eat together? 31 00:02:11,480 --> 00:02:14,159 Sorry, I promised Uncle Tonino that I would eat with him. 32 00:02:14,160 --> 00:02:16,880 All right, Angiolè, no worries. Next time. 33 00:02:18,400 --> 00:02:19,200 [Tricktaker] See you. 34 00:02:20,000 --> 00:02:20,919 [Angelo] Take care. 35 00:02:20,920 --> 00:02:22,600 May the Virgin Mary be with you, Angiolè! 36 00:02:47,640 --> 00:02:49,120 [Angelo] Uncle, I'm here! 37 00:02:58,360 --> 00:02:59,160 Come with me. 38 00:03:01,120 --> 00:03:02,200 [Imma] What're you doing? 39 00:03:02,600 --> 00:03:05,440 Don't worry, nobody's here at this hour. 40 00:03:05,920 --> 00:03:07,680 We don't have permission to go in. 41 00:03:07,800 --> 00:03:08,760 All the better. 42 00:03:13,960 --> 00:03:14,960 [rattling] 43 00:03:23,600 --> 00:03:25,080 [Imma] Why'd you bring me here? 44 00:03:30,920 --> 00:03:32,040 [Pietro] Can I ask you a question? 45 00:03:32,880 --> 00:03:33,680 What? 46 00:03:37,480 --> 00:03:38,600 Where's America? 47 00:03:41,600 --> 00:03:42,600 Far away. 48 00:03:43,640 --> 00:03:44,920 So, we can never go there? 49 00:03:46,960 --> 00:03:48,600 - Where? - To New York. 50 00:03:50,440 --> 00:03:52,040 To the music school you like so much. 51 00:03:54,960 --> 00:03:56,840 - That dream no longer exists. - Why? 52 00:03:57,960 --> 00:03:59,120 You're the one who told me. 53 00:04:01,880 --> 00:04:03,280 Even if a dream seems impossible, 54 00:04:04,160 --> 00:04:05,000 you must never give up. 55 00:04:08,440 --> 00:04:10,000 I already have my dream. 56 00:04:11,320 --> 00:04:12,560 You're all I need. 57 00:04:16,400 --> 00:04:17,280 Me too. 58 00:04:25,440 --> 00:04:26,440 Let's leave here. 59 00:04:33,360 --> 00:04:34,440 To New York, then? 60 00:04:35,560 --> 00:04:36,440 Wherever you want. 61 00:04:38,120 --> 00:04:39,000 [Pietro] Come here, come! 62 00:04:45,040 --> 00:04:46,800 [lively music] 63 00:04:48,480 --> 00:04:49,440 Take what you want. 64 00:04:50,320 --> 00:04:52,359 We'll go to America with American clothes. 65 00:04:52,360 --> 00:04:53,599 Isn't that stealing? 66 00:04:53,600 --> 00:04:54,920 - [Imma chuckles] - Who gives a shit? 67 00:04:55,280 --> 00:04:57,120 [both laugh] 68 00:05:00,280 --> 00:05:03,119 [music continues] 69 00:05:03,120 --> 00:05:04,160 [chuckles] 70 00:05:33,400 --> 00:05:35,440 [tense music] 71 00:05:48,760 --> 00:05:50,880 [romantic music] 72 00:06:27,200 --> 00:06:29,400 [sultry music] 73 00:06:54,320 --> 00:06:58,920 FUNERAL SERVICES PICARIELLO 74 00:07:43,160 --> 00:07:47,000 [Angelo sobbing] 75 00:07:47,760 --> 00:07:49,400 [suspenseful music] 76 00:07:55,400 --> 00:07:56,400 [Mimì] Angiolè. 77 00:07:57,920 --> 00:07:59,480 They've gotta put his suit on now. 78 00:08:14,080 --> 00:08:15,080 Angiolè. 79 00:08:26,600 --> 00:08:27,520 [Angelo sniffles] 80 00:08:52,120 --> 00:08:54,199 Michele. Calm down. 81 00:08:54,200 --> 00:08:55,360 You gotta shut up! 82 00:08:57,080 --> 00:08:58,200 [Michele] Are you sure? 83 00:08:59,000 --> 00:09:00,720 - Are you sure? - What's going on? 84 00:09:03,080 --> 00:09:05,920 What's happening is that the people we trusted messed up! 85 00:09:07,400 --> 00:09:08,640 Angelo's alive. 86 00:09:10,000 --> 00:09:11,320 [Michele] They killed his uncle. 87 00:09:12,960 --> 00:09:14,960 Don Antonio, this is not the end of it. 88 00:09:17,360 --> 00:09:18,760 [Michele] Now we're worse off than before. 89 00:09:19,640 --> 00:09:21,440 That shithead will be all over us for sure. 90 00:09:21,560 --> 00:09:23,160 We've gotta kill him right away. 91 00:09:24,760 --> 00:09:27,320 The boss's son isn't a hysterical girl. 92 00:09:27,680 --> 00:09:30,160 If he loses, if he falls down, 93 00:09:30,440 --> 00:09:32,720 he gets back up and doesn't cry! 94 00:09:33,160 --> 00:09:34,120 [Antonio] Got it? 95 00:09:35,080 --> 00:09:36,920 You have to do what I say! 96 00:09:38,520 --> 00:09:40,920 And all of you have to do what I say too! 97 00:09:43,000 --> 00:09:44,160 What do we have to do, then? 98 00:09:46,800 --> 00:09:48,160 We've got to stay calm. 99 00:09:49,520 --> 00:09:50,720 We must not make a move. 100 00:09:52,000 --> 00:09:54,040 This death isn't our problem. 101 00:09:54,640 --> 00:09:57,799 And I'm sure whoever messed up will fix everything, 102 00:09:57,800 --> 00:09:59,200 if they want Secondigliano. 103 00:10:00,160 --> 00:10:01,560 Then, if we need to fight... 104 00:10:02,840 --> 00:10:04,079 we'll fight. 105 00:10:04,080 --> 00:10:05,800 [panting] 106 00:10:07,080 --> 00:10:08,280 I'll fight, Dad. 107 00:10:11,000 --> 00:10:13,600 But when will you finally fight alongside me? 108 00:10:36,560 --> 00:10:38,760 [somber music] 109 00:10:55,400 --> 00:10:56,440 [Imma] Annalisa. 110 00:10:58,560 --> 00:10:59,760 Imma. 111 00:11:10,880 --> 00:11:13,520 - Am I bothering you? - No, come, have a seat. 112 00:11:16,760 --> 00:11:18,120 Are you moving out? 113 00:11:19,800 --> 00:11:21,080 A forced move. 114 00:11:22,800 --> 00:11:24,960 Everything you see here belongs to Donna Concetta. 115 00:11:26,600 --> 00:11:28,360 He didn't have anything in his name. 116 00:11:29,960 --> 00:11:32,040 The only thing he owned was me. 117 00:11:33,120 --> 00:11:34,600 [Annalisa] But I'm useless to his aunt. 118 00:11:35,800 --> 00:11:37,600 And useless things can just be thrown away. 119 00:11:44,000 --> 00:11:45,720 And why did you come? 120 00:11:50,160 --> 00:11:51,520 I'm leaving Saturday. 121 00:11:53,520 --> 00:11:54,360 For America. 122 00:11:56,360 --> 00:11:58,760 [Imma] After what happened, I can't live here anymore. 123 00:12:02,160 --> 00:12:04,080 I need to start over somewhere else. 124 00:12:05,440 --> 00:12:07,040 Is this your idea... 125 00:12:09,360 --> 00:12:11,120 or does that kid have something to do with it? 126 00:12:12,360 --> 00:12:13,320 Pietro. 127 00:12:15,360 --> 00:12:16,600 Both things. 128 00:12:20,960 --> 00:12:24,760 Imma, when I got married, I had no choice. 129 00:12:26,200 --> 00:12:27,200 You have one. 130 00:12:30,360 --> 00:12:32,160 Love is like a flower. 131 00:12:34,120 --> 00:12:35,920 It wilts quickly. 132 00:12:37,680 --> 00:12:39,679 You go to bed with Prince Charming 133 00:12:39,680 --> 00:12:41,640 and you wake up with a master. 134 00:12:42,400 --> 00:12:44,200 Not every man is like Nicola. 135 00:12:45,560 --> 00:12:46,760 Pietro is different. 136 00:12:47,920 --> 00:12:48,760 Yeah? 137 00:12:52,640 --> 00:12:53,760 I hope so, for your sake. 138 00:12:55,680 --> 00:12:56,640 [harsh exhale] 139 00:13:01,200 --> 00:13:04,080 All right. I just came to say goodbye. 140 00:13:07,240 --> 00:13:08,200 Imma. 141 00:13:13,600 --> 00:13:15,000 I have something for you. 142 00:13:25,440 --> 00:13:27,320 [Annalisa] I made it like Chanel. 143 00:13:35,080 --> 00:13:36,320 This is my favorite. 144 00:13:38,080 --> 00:13:38,960 May I? 145 00:13:45,200 --> 00:13:47,040 We forget everything... 146 00:13:51,760 --> 00:13:52,960 but not a scent. 147 00:13:56,840 --> 00:13:58,400 A scent is unforgettable. 148 00:13:59,400 --> 00:14:01,800 [gentle music] 149 00:14:09,120 --> 00:14:10,040 Good luck. 150 00:14:35,720 --> 00:14:38,000 {\an8}[Angelo] The photo I chose for my uncle is nice. 151 00:14:41,400 --> 00:14:42,280 Isn't it? 152 00:14:43,680 --> 00:14:46,360 It's nice, Angiolè. It's really nice. 153 00:14:47,840 --> 00:14:48,759 After the funeral, 154 00:14:48,760 --> 00:14:50,520 we'll bring him here to the family mausoleum. 155 00:14:55,000 --> 00:14:56,080 Near my mom. 156 00:15:00,640 --> 00:15:01,840 [Angelo] That was his wish. 157 00:15:28,960 --> 00:15:31,640 I came to offer you my condolences. 158 00:15:34,240 --> 00:15:37,200 And I think what I have to say might be helpful to you. 159 00:15:38,160 --> 00:15:39,200 What do you know? 160 00:15:41,600 --> 00:15:42,760 I know who did it. 161 00:15:43,600 --> 00:15:45,000 But maybe you know too. 162 00:15:46,720 --> 00:15:48,960 Only that demon, the Saint, could've done it. 163 00:15:52,560 --> 00:15:55,680 It's like you say. He's a demon. 164 00:15:59,120 --> 00:16:02,000 And so? How can you help me? 165 00:16:04,040 --> 00:16:05,999 The time has come to free ourselves 166 00:16:06,000 --> 00:16:07,880 from those who laugh in our faces, 167 00:16:08,240 --> 00:16:09,840 those who have no conscience. 168 00:16:10,440 --> 00:16:12,799 [Paisano's sister] These people need to be taught a lesson. 169 00:16:12,800 --> 00:16:15,440 And you are the right man to teach it to them. 170 00:16:17,080 --> 00:16:20,880 Our era will belong to the sons and daughters of our people. 171 00:16:21,400 --> 00:16:23,520 [Paisano's sister] It's my brother's biggest dream. 172 00:16:23,880 --> 00:16:24,960 And my dream. 173 00:16:26,440 --> 00:16:28,520 And I think it's yours as well. 174 00:16:31,320 --> 00:16:33,520 Your uncle was a good person. 175 00:16:33,920 --> 00:16:35,120 And he was innocent. 176 00:16:36,040 --> 00:16:39,760 If revenge is what you want, I can help you. 177 00:16:45,080 --> 00:16:46,440 Again, my condolences. 178 00:16:59,000 --> 00:17:00,680 [Mimì] If war is what they want... 179 00:17:03,320 --> 00:17:04,360 we're ready. 180 00:17:05,520 --> 00:17:07,560 Angiolè, you just have to tell us what to do. 181 00:17:09,960 --> 00:17:11,240 There's no war. 182 00:17:12,720 --> 00:17:13,880 [Angelo] Nothing to be done. 183 00:17:14,920 --> 00:17:16,959 What the Saint did was a personal matter 184 00:17:16,960 --> 00:17:17,800 between him and me. 185 00:17:19,720 --> 00:17:21,120 [Angelo] We must remain calm now. 186 00:17:22,720 --> 00:17:24,560 We've already mourned too many dead. 187 00:17:25,560 --> 00:17:28,080 For you all and for me, I want a different life. 188 00:17:47,960 --> 00:17:50,000 [somber music] 189 00:18:19,880 --> 00:18:20,760 [door opens] 190 00:18:27,120 --> 00:18:28,080 So? 191 00:18:30,000 --> 00:18:31,680 Do you have any news for me? 192 00:18:33,080 --> 00:18:34,040 The Saint. 193 00:18:35,160 --> 00:18:36,760 [man 1] He's lost his mind. 194 00:18:37,560 --> 00:18:38,760 And what does he want to do? 195 00:18:40,080 --> 00:18:41,680 [man 1] He wants to kill Angelo. 196 00:18:42,680 --> 00:18:44,080 But Don Antonio said no. 197 00:18:45,080 --> 00:18:46,520 That he has to wait. 198 00:18:51,600 --> 00:18:54,080 I don't think that the Saint will behave. 199 00:18:56,000 --> 00:18:57,240 We have to bury him. 200 00:19:01,680 --> 00:19:02,600 Now. 201 00:19:05,160 --> 00:19:07,120 You two won't be alone. 202 00:19:15,960 --> 00:19:19,400 This is just idle talk. I need something tangible. 203 00:19:21,000 --> 00:19:22,239 [man 2] Tomorrow night, 204 00:19:22,240 --> 00:19:23,400 he and his father are going to see 205 00:19:23,520 --> 00:19:25,040 a thoroughbred at the racetrack. 206 00:19:26,080 --> 00:19:27,560 It's a good opportunity. 207 00:19:28,320 --> 00:19:30,400 It'll just be the two of them. And us. 208 00:19:33,880 --> 00:19:35,000 Can we trust them? 209 00:19:40,400 --> 00:19:43,200 [man 1] The words Donna Anna said in that restaurant 210 00:19:44,080 --> 00:19:45,640 touched our hearts. 211 00:19:47,280 --> 00:19:48,920 And from that moment, 212 00:19:49,600 --> 00:19:51,440 we've wanted to be a part of the new humanity 213 00:19:52,160 --> 00:19:53,720 that Donna Anna told us about. 214 00:19:54,640 --> 00:19:56,120 We're proud of you. 215 00:19:59,080 --> 00:20:00,120 And now... 216 00:20:01,320 --> 00:20:03,200 make Don Angelo proud as well. 217 00:20:07,080 --> 00:20:10,080 This isn't just public housing... 218 00:20:12,400 --> 00:20:14,560 that will be allocated fairly... 219 00:20:17,080 --> 00:20:19,640 based on a list that prioritizes... 220 00:20:21,120 --> 00:20:23,040 protecting the most vulnerable. 221 00:20:23,640 --> 00:20:25,400 [crowd murmuring] 222 00:20:25,760 --> 00:20:26,800 Here, today... 223 00:20:28,680 --> 00:20:30,520 you have in front of your eyes... 224 00:20:31,800 --> 00:20:33,000 the future. 225 00:20:35,720 --> 00:20:39,640 A future full of promise and hope. 226 00:20:41,080 --> 00:20:42,240 For everyone. 227 00:20:44,080 --> 00:20:46,760 A new way of being in the world, 228 00:20:47,680 --> 00:20:50,360 to grow together with respect... 229 00:20:51,960 --> 00:20:53,840 and following the law! 230 00:20:54,000 --> 00:20:57,040 [applause, cheering] 231 00:21:19,120 --> 00:21:22,000 [Concetta] So, what do you want? I don't have time to waste. 232 00:21:25,320 --> 00:21:28,120 You're working to give a home to all these people. 233 00:21:31,360 --> 00:21:32,439 But you don't give a damn 234 00:21:32,440 --> 00:21:34,760 if your own blood ends up on the street. 235 00:21:36,040 --> 00:21:36,920 Annali'. 236 00:21:37,880 --> 00:21:39,240 Enough with this charade. 237 00:21:40,680 --> 00:21:42,000 It's your fault. 238 00:21:42,560 --> 00:21:44,680 You killed your husband yourself. 239 00:21:46,440 --> 00:21:48,320 And now, you even want a reward? 240 00:21:51,080 --> 00:21:53,040 I've always admired you, Donna Concè. 241 00:21:54,280 --> 00:21:55,560 And do you know why? 242 00:21:58,280 --> 00:22:00,960 Because you had the guts to not get married. 243 00:22:02,520 --> 00:22:04,439 You never needed a man who bosses you around 244 00:22:04,440 --> 00:22:05,640 when things go well 245 00:22:06,400 --> 00:22:08,279 and smacks you around when they go badly. 246 00:22:08,280 --> 00:22:10,840 All these words are really boring me. 247 00:22:11,080 --> 00:22:12,200 What do you want, Annali'? 248 00:22:14,000 --> 00:22:15,360 I want to stay in my home. 249 00:22:16,200 --> 00:22:17,919 And money to live decently 250 00:22:17,920 --> 00:22:20,400 and raise that child who also has your blood. 251 00:22:20,520 --> 00:22:24,120 What do you want, an allowance? A pension? 252 00:22:28,280 --> 00:22:30,720 If you put this grudge aside... 253 00:22:31,920 --> 00:22:34,200 I know something that could be of great interest to you. 254 00:22:36,520 --> 00:22:37,440 Let's hear it. 255 00:22:38,680 --> 00:22:39,720 And the grudge? 256 00:22:43,840 --> 00:22:46,000 I knew Nicola was a piece of shit. 257 00:22:46,320 --> 00:22:47,320 Now, speak. 258 00:22:49,360 --> 00:22:52,080 Cosimo Aiato's daughter is about to run away to America. 259 00:22:55,000 --> 00:22:56,999 - And how do you know? - She told me. 260 00:22:57,000 --> 00:22:58,560 - When? - Tonight. 261 00:22:58,920 --> 00:23:00,040 And she's not going alone. 262 00:23:01,040 --> 00:23:03,560 She's going with one of Angelo the Siren's guys. 263 00:23:04,640 --> 00:23:07,160 Annali'. You're a snake. 264 00:23:07,800 --> 00:23:09,440 But I like this poison. 265 00:23:11,000 --> 00:23:11,880 [scoffs] 266 00:23:15,800 --> 00:23:18,280 Pietro, food's ready! 267 00:23:19,440 --> 00:23:21,919 - Tò, do you want some cheese? - [Tonì] No, I've got some here. 268 00:23:21,920 --> 00:23:23,440 How much cheese does he need? 269 00:23:24,160 --> 00:23:25,200 Let's eat. 270 00:23:26,800 --> 00:23:28,199 [Manuele] Lè, do you want some wine? 271 00:23:28,200 --> 00:23:29,679 - [Lello] No, thanks. - [Lil' Fire] I do. 272 00:23:29,680 --> 00:23:31,440 [soft music] 273 00:23:32,240 --> 00:23:34,160 [indistinct chatter, laughter] 274 00:23:34,440 --> 00:23:37,600 [Manuele] Bread and wine. Get it. Quick, quick! 275 00:23:39,120 --> 00:23:40,080 How's the wine? 276 00:23:41,960 --> 00:23:42,960 It's good. 277 00:23:43,960 --> 00:23:46,400 Tò. Want some bell peppers? 278 00:23:46,680 --> 00:23:47,599 [Tonì] More? 279 00:23:47,600 --> 00:23:49,279 [Lucia] It's your second, enough. 280 00:23:49,280 --> 00:23:51,239 - [Tonì] Why don't you eat it? - [chuckles] 281 00:23:51,240 --> 00:23:53,199 - Because he doesn't like them. - A bruschetta? 282 00:23:53,200 --> 00:23:54,440 - [Tonì] No. - Some ricotta? 283 00:23:54,560 --> 00:23:56,000 - [Tonì] No. - [Pietro] I'm leaving. 284 00:23:59,320 --> 00:24:00,280 Tonight. 285 00:24:02,880 --> 00:24:03,920 I'm leaving for America. 286 00:24:04,680 --> 00:24:06,720 [Lello] For America? And us? 287 00:24:09,760 --> 00:24:10,960 I thought about it a lot. 288 00:24:13,160 --> 00:24:15,080 It breaks my heart, but I have to go. 289 00:24:20,000 --> 00:24:21,200 But I can always write to you. 290 00:24:22,560 --> 00:24:24,640 I can call you, at the bar. 291 00:24:33,760 --> 00:24:35,400 Hey, Lè! This is for you. 292 00:24:37,200 --> 00:24:38,040 Go get treatment. 293 00:24:39,320 --> 00:24:40,760 [Pietro] From the best doctors there are. 294 00:24:42,040 --> 00:24:45,880 So when I'm all settled, you can all come live with me. 295 00:24:49,760 --> 00:24:51,040 You'll be an American champion. 296 00:24:53,640 --> 00:24:54,920 And you'll marry China Girl. 297 00:25:00,920 --> 00:25:01,760 Manuè. 298 00:25:03,400 --> 00:25:05,280 I'll introduce you to a nice American girl. 299 00:25:07,280 --> 00:25:08,560 I have to get you married. 300 00:25:11,680 --> 00:25:12,560 Lucì. 301 00:25:13,920 --> 00:25:16,440 When you come, I swear to God, I'll turn you into a lady. 302 00:25:20,040 --> 00:25:21,080 It's heaven there. 303 00:25:22,600 --> 00:25:24,120 There's room for everyone. 304 00:25:25,880 --> 00:25:27,200 There's work for everyone. 305 00:25:28,640 --> 00:25:30,640 How long before we get to see you again? 306 00:25:35,560 --> 00:25:36,880 It's that girl, right? 307 00:25:37,400 --> 00:25:38,960 Are you going to America for Imma? 308 00:25:40,320 --> 00:25:42,720 - Yes, but it's not just that. - Then why? 309 00:25:45,000 --> 00:25:46,440 I have two paths in front of me. 310 00:25:49,080 --> 00:25:50,800 Each goes in a different direction. 311 00:25:56,040 --> 00:25:57,080 Lucì, believe me. 312 00:25:59,640 --> 00:26:00,640 It's better if I leave. 313 00:26:04,760 --> 00:26:06,560 Don't ever forget about us, though! 314 00:26:06,920 --> 00:26:08,280 Don't worry, Lil' Fire. 315 00:26:08,720 --> 00:26:10,800 [melancholy music] 316 00:26:31,520 --> 00:26:32,440 To Pietro. 317 00:26:36,840 --> 00:26:38,240 [all] To Pietro! To Pietro! 318 00:26:47,800 --> 00:26:50,160 [clinking] 319 00:26:56,840 --> 00:26:58,600 [Cosimo] Do you want to tell me what happened? 320 00:26:59,840 --> 00:27:01,319 Did you really need to come here? 321 00:27:01,320 --> 00:27:03,680 [Concetta] Don't worry. I'm here for you. 322 00:27:04,760 --> 00:27:06,920 [Cosimo] Tell me. You're making me worry. 323 00:27:07,240 --> 00:27:08,639 [Concetta] Your daughter has decided to run away 324 00:27:08,640 --> 00:27:09,800 with a street kid. 325 00:27:11,800 --> 00:27:13,040 [Cosimo] That's not possible. 326 00:27:15,320 --> 00:27:18,640 [Concetta] You think I'd bother coming all the way here, 327 00:27:19,040 --> 00:27:22,000 with your wife in the next room, just to tell you lies? 328 00:27:22,360 --> 00:27:25,160 [Cosimo] I can't believe that Imma would do such a thing. 329 00:27:26,520 --> 00:27:29,560 [Concetta] Why not? Don't you and I both know 330 00:27:30,280 --> 00:27:32,360 that love makes people do crazy things? 331 00:27:33,640 --> 00:27:35,360 He works for Angelo the Siren. 332 00:27:36,160 --> 00:27:38,680 The boy who's dating your daughter is no good. 333 00:27:40,440 --> 00:27:41,760 Thank you. 334 00:27:42,720 --> 00:27:45,200 It's not just about what you've got in your pants. 335 00:27:46,760 --> 00:27:49,000 You and I, together, do really great business. 336 00:27:49,920 --> 00:27:50,919 [Concetta] And with Angelino, 337 00:27:50,920 --> 00:27:52,319 who now controls the neighborhood, 338 00:27:52,320 --> 00:27:54,120 we have to maintain a good relationship. 339 00:27:55,000 --> 00:27:56,440 So, don't worry. 340 00:27:57,160 --> 00:27:59,119 I know very well that Imma is the most important thing 341 00:27:59,120 --> 00:28:00,080 in your life. 342 00:28:01,160 --> 00:28:02,759 [Imma] You're Concetta Rizzo's lover? 343 00:28:02,760 --> 00:28:03,719 Imma! 344 00:28:03,720 --> 00:28:05,639 You say you're a victim, but you're an accomplice! 345 00:28:05,640 --> 00:28:08,200 Shut up! Come here! Imma! 346 00:28:10,840 --> 00:28:11,840 Come here! 347 00:28:12,200 --> 00:28:13,440 Who are you? I don't know you! 348 00:28:13,560 --> 00:28:15,839 I'm your father! Shut up and walk! 349 00:28:15,840 --> 00:28:17,039 - What's going on? - [Cosimo] Nothing. 350 00:28:17,040 --> 00:28:18,560 She needs to get her ideas straight. 351 00:28:19,000 --> 00:28:20,759 And you knew? You knew? 352 00:28:20,760 --> 00:28:21,840 [Cosimo] Come here! 353 00:28:22,680 --> 00:28:23,680 Move it! 354 00:28:25,000 --> 00:28:26,400 - [Imma] Let me go! - [Cosimo] Walk! 355 00:28:26,520 --> 00:28:27,600 [Imma] Let me go! 356 00:28:28,120 --> 00:28:29,280 Let me go! 357 00:28:30,000 --> 00:28:30,920 [Cosimo] Go on! 358 00:28:31,520 --> 00:28:33,839 [Imma shouting] Open up! Mom! 359 00:28:33,840 --> 00:28:37,799 Imma must stay locked in here until I decide! Is that clear? 360 00:28:37,800 --> 00:28:39,639 [Imma bangs on door] Dad, let me out! 361 00:28:39,640 --> 00:28:41,720 Mom! Mom, open up, please! 362 00:28:43,960 --> 00:28:44,920 [sighs] 363 00:29:00,080 --> 00:29:01,160 [knocking on door] 364 00:29:06,560 --> 00:29:07,360 [gun clicks] 365 00:29:18,600 --> 00:29:19,520 [Pietro] Angiolè. 366 00:29:21,120 --> 00:29:22,080 It's Pietro. 367 00:29:25,280 --> 00:29:26,160 [door bolt clicks] 368 00:29:34,200 --> 00:29:35,240 America's great. 369 00:29:38,960 --> 00:29:40,320 How long's the trip? 370 00:29:43,000 --> 00:29:44,000 [Pietro] Two weeks. 371 00:29:48,560 --> 00:29:49,840 You're smart to leave. 372 00:29:54,760 --> 00:29:55,640 And you? 373 00:29:58,000 --> 00:29:58,920 I'm staying here. 374 00:30:03,360 --> 00:30:04,800 You can't lie to me. 375 00:30:07,080 --> 00:30:08,760 I know you're going after the Villas. 376 00:30:09,720 --> 00:30:10,720 And you're going alone. 377 00:30:13,000 --> 00:30:14,840 It's the only thing that matters to you. 378 00:30:16,320 --> 00:30:18,520 Killing those assholes to avenge your uncle. 379 00:30:22,000 --> 00:30:23,000 I'm like you. 380 00:30:24,000 --> 00:30:25,040 That's why I know. 381 00:30:28,720 --> 00:30:30,560 Look me in the eyes and tell me it's not true. 382 00:30:32,840 --> 00:30:34,000 Tell me it's not true. 383 00:31:01,240 --> 00:31:02,520 It was Uncle Tonino's. 384 00:31:05,560 --> 00:31:06,640 And now it's yours. 385 00:31:09,680 --> 00:31:10,720 This is my gift. 386 00:31:14,040 --> 00:31:15,440 The time we have is so brief. 387 00:31:20,280 --> 00:31:21,840 But you're right about one thing. 388 00:31:22,880 --> 00:31:24,000 You are like me. 389 00:31:26,920 --> 00:31:28,120 You and I are brothers. 390 00:31:29,800 --> 00:31:30,760 Forever. 391 00:31:36,560 --> 00:31:38,200 [melancholy music] 392 00:31:41,960 --> 00:31:43,040 [Pietro] Where are you going? 393 00:31:45,680 --> 00:31:47,000 To see a horse race. 394 00:31:51,240 --> 00:31:52,240 [door opens] 395 00:31:54,640 --> 00:31:55,440 [door closes] 396 00:31:56,000 --> 00:31:57,600 [music continues] 397 00:32:11,800 --> 00:32:12,720 [door rattles] 398 00:32:18,960 --> 00:32:19,960 Get outta here. 399 00:32:35,920 --> 00:32:36,760 Go. 400 00:32:46,320 --> 00:32:48,360 [music continues] 401 00:33:42,560 --> 00:33:44,000 [panting] 402 00:33:57,640 --> 00:33:58,720 Did you see? 403 00:34:03,000 --> 00:34:04,320 [panting] 404 00:34:11,920 --> 00:34:12,960 Go! 405 00:34:15,880 --> 00:34:16,880 Go! 406 00:34:27,040 --> 00:34:29,880 - [shouts] Go! - [Diego shouts excitedly] 407 00:34:30,000 --> 00:34:32,399 One twenty-eight. A record for the racetrack. 408 00:34:32,400 --> 00:34:33,880 An excellent time, Don Antonio. 409 00:34:34,000 --> 00:34:34,919 [chuckles] 410 00:34:34,920 --> 00:34:36,919 Let's hope the price tag isn't record-breaking. 411 00:34:36,920 --> 00:34:39,959 It's money well spent. Come with me to the stables. 412 00:34:39,960 --> 00:34:42,039 [man] I'll show you what a thoroughbred you're buying. 413 00:34:42,040 --> 00:34:43,120 I'll lead the way. 414 00:34:49,960 --> 00:34:51,360 When I make a choice, 415 00:34:52,280 --> 00:34:54,160 it's always the right one, son. 416 00:34:54,600 --> 00:34:56,720 - Remember that. - I know, Dad. 417 00:34:57,640 --> 00:34:59,000 You're always right. 418 00:35:05,000 --> 00:35:06,520 [ominous music] 419 00:35:06,720 --> 00:35:08,120 [horse neighing] 420 00:35:28,440 --> 00:35:29,440 [creaking] 421 00:35:37,320 --> 00:35:39,120 [suspenseful music] 422 00:35:48,000 --> 00:35:49,000 [horse snorting] 423 00:36:03,600 --> 00:36:06,320 [horses grunting, neighing] 424 00:36:21,400 --> 00:36:23,840 [suspenseful music continues] 425 00:36:28,240 --> 00:36:29,080 [car door closes] 426 00:36:59,760 --> 00:37:01,040 [footsteps thumping] 427 00:37:06,560 --> 00:37:08,000 [man 2] Turn around, rat! 428 00:37:08,800 --> 00:37:10,320 - [man 1] No! - [gunshot] 429 00:37:10,760 --> 00:37:13,000 - [horses neighing] - [suspenseful music] 430 00:37:19,400 --> 00:37:20,599 [Michele] What's wrong, Angiolè? 431 00:37:20,600 --> 00:37:24,400 Did you really think all of our people would side with you? 432 00:37:24,520 --> 00:37:27,200 I thought you were a little smarter than that, Siren. 433 00:37:27,360 --> 00:37:30,959 Our people love us. You're the one alone! 434 00:37:30,960 --> 00:37:33,440 I have never betrayed my family! 435 00:37:34,000 --> 00:37:35,440 Come out, be a good boy. 436 00:37:36,080 --> 00:37:37,319 [Michele] I'll tell you one last time, 437 00:37:37,320 --> 00:37:38,520 otherwise, we're coming in. 438 00:37:39,000 --> 00:37:40,960 Michè, I don't give a shit about dying! 439 00:37:42,040 --> 00:37:43,680 But I'm not the only one dying tonight! 440 00:37:44,040 --> 00:37:48,279 Angelo. Be reasonable. 441 00:37:48,280 --> 00:37:50,200 [tense music] 442 00:37:54,920 --> 00:37:58,400 Let's go get him. Go in there and kill that scumbag. 443 00:38:07,440 --> 00:38:11,000 As you wish. We'll come in and get you. 444 00:38:15,920 --> 00:38:18,240 [horses whinnying] 445 00:38:22,280 --> 00:38:23,840 [neighing] 446 00:38:32,240 --> 00:38:33,800 [panting] 447 00:38:40,240 --> 00:38:41,640 - [gunshot echoes] - Drive, drive! 448 00:38:42,280 --> 00:38:43,360 [shattering] 449 00:38:46,280 --> 00:38:47,920 [groaning in pain] 450 00:38:48,600 --> 00:38:50,240 [tense music continues] 451 00:38:52,640 --> 00:38:53,920 [nervous breathing] 452 00:38:54,640 --> 00:38:56,840 [gunshots] 453 00:39:00,000 --> 00:39:00,880 [grunts] 454 00:39:03,560 --> 00:39:05,120 [gunshots] 455 00:39:14,000 --> 00:39:14,920 [grunting] 456 00:39:15,440 --> 00:39:17,639 [Pietro] Angiolè, hey! Hold still. 457 00:39:17,640 --> 00:39:18,800 [panting] 458 00:39:29,280 --> 00:39:30,880 [tense music] 459 00:39:31,000 --> 00:39:35,000 Michè. Michè. Michè! 460 00:39:35,160 --> 00:39:36,560 [gunshots rattling] 461 00:39:39,080 --> 00:39:39,960 [whimpers] 462 00:39:53,920 --> 00:39:54,760 Angiolè. 463 00:39:55,720 --> 00:39:58,000 [panting] 464 00:40:20,920 --> 00:40:21,760 [Angelo] Get out. 465 00:40:43,760 --> 00:40:44,880 [car door clicking] 466 00:40:51,200 --> 00:40:52,160 [creaking] 467 00:41:09,360 --> 00:41:10,320 Don Antò. 468 00:41:13,000 --> 00:41:14,600 Your son left you all alone? 469 00:41:15,840 --> 00:41:17,520 I gave you Secondigliano. 470 00:41:19,320 --> 00:41:21,080 I made you into a boss. 471 00:41:23,200 --> 00:41:25,160 [Antonio] Now, if you want, I can give you all of Naples. 472 00:41:25,760 --> 00:41:26,680 [grunts] 473 00:41:41,200 --> 00:41:42,240 Counselor. 474 00:41:50,760 --> 00:41:52,680 Go back to your boss. 475 00:41:53,880 --> 00:41:55,360 And tell him what I did. 476 00:41:59,160 --> 00:42:00,360 [Angelo] He's next. 477 00:42:04,360 --> 00:42:05,200 Get out of here. 478 00:42:07,960 --> 00:42:09,800 [gasping] 479 00:42:24,680 --> 00:42:26,640 [footsteps fade] 480 00:42:30,000 --> 00:42:30,880 [exclaims] 481 00:42:31,680 --> 00:42:32,719 - [Mimì] Hey! - [Pietro] Hey, Angiolè! 482 00:42:32,720 --> 00:42:34,040 - [Mimì] Put this inside. - [Pietro] Angiolè. 483 00:42:35,240 --> 00:42:37,599 What were you trying to do? Kill yourself? 484 00:42:37,600 --> 00:42:39,600 If it weren't for Pietro telling us, 485 00:42:39,800 --> 00:42:41,719 we'd be having another funeral now. 486 00:42:41,720 --> 00:42:42,720 [Mimì] Let's go! 487 00:42:42,920 --> 00:42:45,400 Let's go the car. Come on! 488 00:42:49,080 --> 00:42:50,960 [melancholy music] 489 00:43:27,640 --> 00:43:29,400 [melancholy music continues] 490 00:43:48,400 --> 00:43:50,880 [faint horn honking] 491 00:44:05,360 --> 00:44:07,800 [wind whistling] 492 00:44:21,760 --> 00:44:24,160 [ticking] 493 00:44:26,080 --> 00:44:29,640 [gulls squawking] 494 00:44:34,640 --> 00:44:37,040 [ticking continues] 495 00:44:37,400 --> 00:44:38,760 [sighs] 496 00:44:41,160 --> 00:44:46,520 {\an8}AT POGGIOREALE OUTSIDE THE PRISON 497 00:44:47,840 --> 00:44:50,000 [clock ticking] 498 00:44:57,760 --> 00:44:59,720 [blasts] 499 00:45:04,800 --> 00:45:07,680 [alarm bell ringing] 500 00:45:14,200 --> 00:45:17,600 [siren blaring] 501 00:45:30,600 --> 00:45:34,000 One against the other. Family against family. 502 00:45:34,400 --> 00:45:36,159 The war has begun. 503 00:45:36,160 --> 00:45:37,280 It's begun. 504 00:45:47,040 --> 00:45:48,720 [upbeat music] 505 00:45:53,120 --> 00:45:55,160 [chuckles] 506 00:45:58,240 --> 00:46:00,600 [laughs] 507 00:46:11,560 --> 00:46:13,000 [upbeat music continues] 508 00:46:33,080 --> 00:46:35,879 BASED ON THE NOVEL "GOMORRA" BY ROBERTO SAVIANO 509 00:46:35,880 --> 00:46:38,000 PUBLISHED BY ARNOLDO MONDADORI EDITORE 510 00:50:28,320 --> 00:50:29,680 Translated by: Paolo Ferrarini